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Speaker 1: Well, I guess the smoking gun was always after the

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sun set, looked at our shoes all coming run sat

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in the park way after dark.

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Speaker 2: We will never come.

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Speaker 1: Hats off to the city leaving the south side. They

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were giving us no place to hide in.

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Speaker 3: What if I just to run it?

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Speaker 4: Who?

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Speaker 5: What if we be come around.

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Speaker 6: To seek a feeling like a spare park. This spends

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a Robbie trying fever. Robbie as house coming the wonderful

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holding on by.

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Speaker 7: Stay steady. But I guess I couldn't hold my love.

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It's such a funny and a bailey. Every hurdle of

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should and my needs out. A body of the had

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seen that everyone that gets about me.

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Speaker 6: Who speaks feeling like a stampa the person mother try

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to rather on the gass c one for hold on,

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calling up the rabble from the ways had.

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Speaker 5: Its round behind and now.

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Speaker 6: Yes, riding the case down the road ride how d.

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Speaker 8: I've been feeling kind of homesick? I missed the shoes

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and the ground I love with. I've been feeling kind

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of homesick.

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Speaker 5: There's a lot of.

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Speaker 6: Lace set saying missus, sus and the round and a

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kind of sad. Ladies also take a feeling like a

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stand walk especial role.

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Speaker 9: The dragon ready as who wants the whole?

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Speaker 6: Get us to do a place on whistles, we said

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were hides condets the gay, the whisl said he the dead.

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He's gonna Why it's a big because its.

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Speaker 4: Sting.

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Speaker 5: Say you are listening to w M and H three.

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Speaker 10: Commander don't get supreme Leada Maxell Coving.

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Speaker 11: Welcome everybody, Here we go. It is that time again,

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Matt Connorton Unleashed and we are live from the studios

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of w m n H ninety five point three FM, Inglorious, Manchester,

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New Hampshire. Of course, you can stream the show live

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at Wmnhradio dot org, or you can go to my

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website Matt Connorton dot com slash live for all of

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your live streaming options, social media links, contact infoshow archives,

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et cetera, et cetera. But it is Saturday, September fourteenth,

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twenty twenty four, and of course I am not alone.

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Speaker 2: Jenn, Good morning sunshine.

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Speaker 11: Yes, Jenny is here at the news table.

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Speaker 2: I am present and accounted for.

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Speaker 11: And before we get into everything, we should mention big

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big day, big day for you.

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Speaker 12: A big big day yes, because I am proud to

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have one of my pieces in the Mosaic Our Collective gallery.

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Speaker 2: They have the Forgive Me.

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Speaker 12: Today is the opening day of the Full Circle the

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Speed of Life exhibit that'll be there through the entire month.

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They're celebrating their anniversary and the opening reception for the

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show is today from four to eight pm at sixty

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six and Over Street, Sweet two one. Please come out

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and I plan on being there this evening.

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Speaker 2: I'm part of. It's like a big think about fifty

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or so different pieces.

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Speaker 11: Wow.

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Speaker 12: But oh, I took a look at The online gallery

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is up. If you want to visit Mosaic Art Collective

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dot com. You can view the pieces on the online gallery,

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but I encourage you to come down to the gallery

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in person. It's just an amazing place to see here

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in the city. It's really a gem.

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Speaker 11: Yes, absolutely, yeah, the Mosaic Art Collective. Yeah, come down,

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check it out. Say hello. Jenny and I will be

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attending the event of course, and you can see Jenny's

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wonderful painting in person. Yeah. So yeah, your favorite very good? Yeah, yes,

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and it is my favorite. Yes, that's true.

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Speaker 2: Normally hangs in our living room.

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Speaker 12: Yes, right now, hanging on the walls of the Mosaic

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Art Collective, which I am very proud of. They are

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a great organization. They support local arts music told really

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check them out. I am also styling.

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Speaker 11: Today, Yes you've got you.

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Speaker 2: I am wearing my day to Attend t shirt.

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Speaker 11: Yes we love day to Attend, we do. Absolutely. They've

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got a big show coming up tonight in Salem. Yes,

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at Sadies with Under the Horizon. Are they on that one?

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Speaker 2: Oh?

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Speaker 4: No, that yeah?

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Speaker 13: Absolutely.

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Speaker 12: A lot of great music happening around the Queen City

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and the state. Please go out and support local artists.

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Speaker 11: Absolutely, absolutely, Well, we have an exciting show for you today.

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We did open with the American radio premiere of our

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friends from the UK Club Paradise. Such a great band,

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their new track Runaways. We love everything that they do,

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absolutely amazing. On the second hour, we have Eli lev

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who's on tour. He's going to be coming in. In

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the third hour. We have the Rightful Heirs but joining

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us right now for the first hour. Returning to the show,

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are you sir? Are you in the five Timeless Club yet?

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Ricky Mapleton is here? Is this your Is this your

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fifth time?

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Speaker 14: Oh?

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Speaker 11: Your mic is down? I apologize.

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Speaker 13: I do not know. I'm thinking three or four.

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Speaker 11: This might be your fourth time on the show. I

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might be thinking I was on your television program recently.

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That might be why I'm thinking you're in the five

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times getting it mixed up. No, because that's me being

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on your program, which I had a great time. Of course,

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on the Midlife Pop Culture Show, you have a lot

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of fans. Oh well, yes, they're reached out and I'm

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I was, well that that was no. I I appreciated

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it very much. And of course it's on YouTube if

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you haven't seen it. And yeah, we did get a

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lot of calls that day. And you know, when you're

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on this program, usually end up, h we usually end

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up getting a lot of calls.

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Speaker 13: Yeah, it's interesting. I appreciate the people that do call. Yes, Yes,

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it's a lot of fun.

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Speaker 11: Absolutely. The studio line is open six oh three two

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five oh six oh seven six O three two five

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o six seven if you'd like to, uh to talk

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with Ricky Mapleton and uh, we'll probably you know, people

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call in, they request your music, all that kind of stuff.

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It's by the way, uh, and and you like to

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you will often have well I should let that be

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a surprise for people watching online. Well, you like to

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hold things up, and you've got kind of a Bob

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Dylan thing going.

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Speaker 13: Oh yes, I yes, Are you talking about the video

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when he was holding up yeahs and signs Yes, Yes.

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I did kind of cross my mind last night as

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I was printing out a couple of a couple of

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things I can say about Bob Dylan that already hasn't

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been said. It's phenomenal, exactly. Phenomenal exactly maybe, but he's

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definitely probably an inspiration to those as well as an

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inspiration to a lot of people. Sure, sure, no doubt.

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Speaker 11: Oh we have a Jesus, we have a call already.

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Speaker 13: Oh wow, all right, Hi, welcome.

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Speaker 11: To Matt Connorton Unleashed. Who's who's on the line.

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Speaker 14: Thank you for taking my call, Matt. I love your show.

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A bit of intelligent intellect on the airways. So what

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we need and that's what we got from you, mister Connington.

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Let me slow down and speak about a big concern

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that I have. The way people are speaking today is ridiculous,

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preposterous and semantically incorrect. If I hear like like like

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one more time, I think I'm going to lose my mind, Matt,

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Ricky Mapleton, thank you so much for putting out this

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new collection of songs directly referencing today's English grammar in

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the nightmare it has begun? Could you please play like

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like like off of Don't Count Me Out by Ricky Mapleton,

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And again, thank you Matt. Keep the music and the

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intellect alive. Is Tom Tom Wilson sign off?

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Speaker 13: Is he a broadcast?

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Speaker 15: No?

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Speaker 13: No, he's been a long time caller for a long time,

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ever since I started getting any sort of a fan base.

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He calls it all the time. And yeah, he's fantastic.

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I thank you Tom for calling in. And again, this

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song is about the word like. I don't know when

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it started.

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Speaker 11: I do you got, but you can thank our generation, our.

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Speaker 2: Generation like really really really really like really good.

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Speaker 13: Like I don't pride myself, but I try to talk

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semi intelligently. And if I'm going to use the word like,

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instead of using the word like, here's the public information

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of the day, you're gonna use the word like, don't

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use it. Take a breath and don't say anything like

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because like when you say like all the time, like

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it becomes habit forming and like it sounds ridiculous. Oh

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my god, yes, yes, is that the maybe that was

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the the next form of the next what would that

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be the next.

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Speaker 11: Iteration?

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Speaker 13: Iteration yea, moving into so per mutation. So that was

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the That was the kind of seed that started this

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new project.

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Speaker 11: It's a comma really like it's it's a comma like.

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That's that's what I say.

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Speaker 13: Well, like, could you play this song like?

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Speaker 11: We We absolutely could, we have absolutely could, And this

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is all right, let's give this a listen. Is this

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the world radio premiere for this, by the.

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Speaker 13: Way, yes, very yes, Off the off the uh off

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the album that Ricky Mapleton now has not put out

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music in quite some time ever, it's been a long

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time a coming a couple of years. Maybe we got

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involved in the scream o sports song stuff, but now

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Ricky Mapleton has peered out and he's taking English grammar

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head on, head on, head on.

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Speaker 11: All right, let's listen to this. This is called likes.

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Speaker 13: Is it the like song or like like like stop

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saying like all the time. There's a lot of likes. Okay, enjoy,

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Let's give it a listen, like.

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Speaker 16: Like like like like like like like like like like

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like like like like like like like like like like

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like like like I don't know what you'ren't saying, like

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like I don't know where you've been, like like what

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your English grandma, it's quite a sand like like like

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like like like like like like like like like like

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stop saying like.

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Speaker 3: All the time, like what does it feel right? Doesn't

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sound time?

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Speaker 13: Like like stop using like like like.

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Speaker 3: Stop using like all.

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Speaker 17: The time, like like like like like like cig like

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like like like like like like like like like like

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like like like like like like like like.

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Speaker 16: Saying like every time sounds redundant, sounds obscure.

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Speaker 13: Stop using the like all the time like like like

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like like like like this like like take a breath,

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like like like like gabby your thoughts, Oh yeah, you

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don't have to say like all the time, like what

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like everybody sings.

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Speaker 4: Like like like like like like like like like like

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like like like like like like like like like like

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like like like like like like like like like like

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like like like like like like like like like like

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like like like.

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Speaker 11: Like all the time, Wow, well your thoughts, Like is

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it at least acceptable to say I like that song

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oh oh my gosh, oh my goodness is okay?

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Speaker 18: Wow?

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Speaker 13: That was a better like response than I thought I

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was gonna get.

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Speaker 11: Like okay, like like like like I like like, wow, man,

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tell us about uh, don't count me out? Is this

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a Is this a full album?

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Speaker 13: Isn't it?

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Speaker 14: Yeah?

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Speaker 13: Thirty two and a half songs of inspiration Enjoy.

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Speaker 11: Thirty two and a half song So it's like, uh,

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like a double album.

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Speaker 13: I'm suppose it probably would be. Wow. Yeah, I mean

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that's the digital world. Well, I try to get the

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most bang for the buck. Yes, on the digital platform

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that I released. I would't saying CD baby fantastic when

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with these guys for a while, they get independent artists

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put music out, yes, and you get a percentage back

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and you can make a little little cash on the side.

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But don't go in it thinking you're gonna make any

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money to survive on uh so boy, but I'm waiting

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for that big pop right all right, right, but I

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do have like five thousand daily listeners or something like that.

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Speaker 11: I see, Oh that's excellent.

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Speaker 13: That was just about like you know, like like yeah,

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like likely. So that's what don't count me out is,

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you know, Yeah, you get down in life, don't count

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don't count yourself out. Totally get get out there, do

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something fun like we success the format. Well, it's like,

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like you enjoy coming in here and doing this stuff.

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Speaker 2: I do you like?

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Speaker 13: It's a passion. Yes, you gotta have a passion. Yes,

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it's gonna put a car together in your garage. Passion.

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Speaker 11: Great Rod Stewart has a great song about that, Like

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what Passion by Rod Stewart?

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Speaker 13: Oh like that?

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Speaker 11: Oh we have another call? No way, all right, you're

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bring the callers. Let's see.

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Speaker 2: Hi.

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Speaker 11: Welcome to Matt Connorton Unleashed.

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Speaker 15: Is this.

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Speaker 4: This is sad?

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Speaker 2: Steve?

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Speaker 13: I'm broken up.

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Speaker 3: Everything's falling apart around me.

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Speaker 13: No, I don't know what to do.

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Speaker 19: I don't know what last time you had the answers

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for me, Ricky, maybe you and mackin help me through.

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Speaker 3: What am I gonna do?

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Speaker 13: That's uh well, Steve, it's okay.

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Speaker 11: She'll probably book a YPNO therapy session. We'll stay there.

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Speaker 13: Steve still is he? Is he gone?

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Speaker 20: Uh?

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Speaker 11: He hung up?

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Speaker 13: Steve. I'm glad you called to reach out to us.

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We're not a therapy program, but we do like to

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spread the joy and and and the joy of being alive. So, Steve,

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what I am suggesting that you do. Is I'm gonna

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play a song for you Often New. I'm gonna dedicate

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it to you, Sad Steve. I want you to listen

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to it. Okay, it's called Don't count Me Out. Actually,

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Steve number the title track, title track. Let's dedicate this

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to Sad Steve. It's sad. If you can find you,

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if you can get back in Steve, We're gonna give

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you the number and callback later in the show and

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pull it and pull it together. Young man.

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Speaker 11: Yeah, let's so.

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Speaker 13: Here's the title track, Don't count me Out.

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Speaker 11: This is like when Casey Kasem would do the long

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distance dedication.

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Speaker 13: This one goes out to Sad Steve. Sad Steve, this

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is Ricky Mapleton maccnod and saying cheer up, my friend.

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This is don't count me Out Often New Ricky Mapleton

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album Cheer Up, Be Up. I can't believe I'm doing this. DJ.

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It's rich Ergy, It's just done gone.

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Speaker 14: The resurgence are Ricky Maple Jilty has the yard on it.

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Speaker 4: Don't count me Out, Don't count me out.

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Speaker 17: I may have been quiet, but now I'm loud.

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Speaker 4: Don't count me out. I've got the highest mountain. It's

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too coming, Mike for you.

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Speaker 17: I've been gone no way too long, but now I'm

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ready to be loud.

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Speaker 21: You like it.

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Speaker 17: You ain't gotta keep moving.

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Speaker 4: No time to hesitate.

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Speaker 3: Don't want to sell me on me.

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Speaker 4: Don't count me out, don't.

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Speaker 17: Count me out. I may have been quiet, but now

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I'm live.

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Speaker 4: Don't count me out. My I start rumble my by

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a s, don't fall.

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Speaker 6: I was cut off from the world.

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Speaker 21: I lost all inspiration with dou't your man mail rowing in?

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Then I got a new mail box twenty nine ninety

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five love let it bum more in it.

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Speaker 6: I never felt more alive.

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Speaker 4: Don't count me out, don't.

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Speaker 17: Count me out. I may have been quiet, but now

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I'm loud.

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Speaker 4: Don't count me out. Don't count me out, don't count

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me out. I may be quiet, but now I'm loud.

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Don't count me out. Don't count me out, don't count

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me outs.

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Speaker 17: I may have been quiet, but now I'm loud.

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Speaker 4: Don't count me out.

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Speaker 11: That'll get the blood pump in. Don't count me out.

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Ricky Mapleton, that is on.

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Speaker 13: That is a very rare Ricky Mapleton song because it

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goes over a minute and a half. Oh Yes, Wow,

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I felt like that after I recorded this, I said

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three minutes, what.

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Speaker 2: Like that was totally awesome, Like totally cool.

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Speaker 13: Did you feel inspired?

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Speaker 2: Totally?

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Speaker 13: That's what it is about, right to the max for sure.

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Speaker 11: Wow.

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Speaker 13: That's gonna be on volume two of overused phrases. There

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00:20:03,519 --> 00:20:07,920
is there is after I after we released this, a

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lot more came flooding in a lot more. Yes, for

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instance to the mac, Yeah, this is so many more.

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But like like like we get it, we get it. Well,

340
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thank you for sad Steve again. I hope you're feeling better.

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Please call him later on in the show.

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Speaker 11: Yeah, I hope he calls back.

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Speaker 13: Let us know how we're on this universe. Who create?

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Don't be sad Steve.

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Speaker 11: I I hope what he calls back, he's not crying

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because that.

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Speaker 13: Kind of brought everything down.

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Speaker 11: Huh, that is uncomfortable. Oh, I'll tell you. Uh, oh,

349
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we do have we do have another call. Let's see you.

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Speaker 13: This is HI.

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Speaker 11: Welcome to Matt Condorton Unleashed. Who's on the line.

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Speaker 3: This is DJ Today.

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Speaker 22: We're gonna play the new one by Ricky Mapleton, The

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News Hits a Beaten premiered on the Matt Conaton show

355
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the flag. We went to Sax and make them act

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to meet the flax. Here's the song. It's called Gucci

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the song.

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Speaker 13: Now, I don't know what this guy was all about,

359
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but thank you for calling and caller.

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Speaker 11: He said something about flaxied oil and wanted to play

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the song.

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Speaker 13: You know, I'm just sure we're getting calls.

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Speaker 11: Yeah, what what did he?

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Speaker 17: Well?

365
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Speaker 13: What did he wanted to play a song? Gucci? Yeah? Okay,

366
00:21:25,759 --> 00:21:29,000
let me can I do a quick build up? Gucci

367
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a lot of sound effects that you can get on

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recording platforms, and we stumbled across this very funny sounding

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voice and we kind of plugged it into this song

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and it's really fun.

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Speaker 11: All right, Well, let's give this a listen. Oh do

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you have.

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Speaker 13: Let me say do I? Okay, so this let me

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go over this quickly. Yes, okay, the song is gonna

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go into It's really not Gucci the songs. What's the dillio?

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Speaker 11: Oh? Yes, that's another thing. The young people said.

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Speaker 13: What the dilio? So even but that's yes. But I

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00:22:08,559 --> 00:22:11,599
brought it in in large font for us visually challenged

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00:22:11,680 --> 00:22:14,599
like myself, and people can watch this on YouTube. Okay,

380
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so we have what's the dillio. Now, that's that's We

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named the song Gucci. Why I don't know, but we're

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talking about Gucci, cap fire, no regret, keep it real fire,

383
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free will and I added free will on the end

384
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of this. Yes, that's what it's all about.

385
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Speaker 11: Well, to quote Rush, I will choose free will.

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Speaker 13: Amen. All right, let's play some Gucci.

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Speaker 11: All right, here it is, this is Gucci, this.

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Speaker 3: Is DJ today. We're gonna play the new one.

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Speaker 13: Thanks for calling back, but we already heard you one.

390
00:22:52,920 --> 00:22:54,920
Speaker 11: Something's something's gone horribly wrong.

391
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Speaker 13: Did I send you the wrong file?

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Speaker 11: No, we were where you're sobdy files. I don't know

393
00:23:01,200 --> 00:23:03,839
what you're talking about. No, we were time traveling, just

394
00:23:03,920 --> 00:23:06,000
like we do on Retrospect Radio on Friday nights. We

395
00:23:06,039 --> 00:23:08,359
went back you put it away. We went back in time.

396
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Speaker 13: Nothing matter with that too.

397
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Speaker 2: I forgot my snow friend.

398
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Speaker 11: All right, the.

399
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Speaker 13: Dilio, Matt play the song.

400
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Speaker 11: Here we goo.

401
00:23:20,640 --> 00:23:25,440
Speaker 3: Cuccie I all real lit, Yes, sir? What the deio?

402
00:23:26,759 --> 00:23:31,640
Speaker 5: YESO rolling with the crew.

403
00:23:31,799 --> 00:23:36,400
Speaker 23: Yeah, we're never in a hurry. What's the dillio? Can't

404
00:23:36,519 --> 00:23:37,400
buy a cuccie?

405
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Speaker 3: Thirsty, living in the moment. Yeah, everything's the story. Yes,

406
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So here's the deer.

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Speaker 23: We're living life real, no regret, no change, just the wild,

408
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free will.

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Speaker 13: Lends.

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Speaker 16: We're making keeping the dirty, keeping it real.

411
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Speaker 3: And the Delio in the dilio?

412
00:24:03,960 --> 00:24:04,319
Speaker 24: What what?

413
00:24:04,880 --> 00:24:05,839
Speaker 17: What the Delio?

414
00:24:06,440 --> 00:24:07,200
Speaker 4: Where you're going?

415
00:24:07,400 --> 00:24:08,160
Speaker 3: Where you've been?

416
00:24:09,000 --> 00:24:12,519
Speaker 23: Yes, surf, I hit off again, gonna road to gun

417
00:24:12,640 --> 00:24:13,480
I get some Mucci.

418
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Speaker 3: That's there, a min Uji, gucjail what.

419
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Speaker 11: Rolling with the crew?

420
00:24:20,279 --> 00:24:24,799
Speaker 23: Yeah, we're never in a hurle. That's the Delio, cat Fire,

421
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Gucci and Thirsty.

422
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Speaker 17: Yeah, yeah, yeah, yeah, yeah what the Dillio?

423
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Speaker 13: Now that's more in the Ricky Mapleton pocket? Oh yeah?

424
00:24:46,000 --> 00:24:47,079
Is that is that the whimmy?

425
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Speaker 2: It sounds just like him?

426
00:24:49,880 --> 00:24:55,160
Speaker 13: That the dilio? No, no, the cute voice, well, it

427
00:24:55,400 --> 00:24:58,119
was on a shared file. We did sweech that up

428
00:24:58,119 --> 00:25:00,880
a little bit, that voice it out a little bit.

429
00:25:01,720 --> 00:25:04,000
It was a available loop that we plugged in at

430
00:25:04,039 --> 00:25:05,680
the end and we're like, wow, what's going to make

431
00:25:05,720 --> 00:25:07,000
the song at least have a little bit of a

432
00:25:07,079 --> 00:25:07,599
catch to it?

433
00:25:08,319 --> 00:25:08,440
Speaker 25: Now.

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Speaker 11: Please, whatever criticisms I may have are purely constructive in nature.

435
00:25:14,759 --> 00:25:16,559
But I have to tell you, at the end of

436
00:25:16,640 --> 00:25:19,759
the song, I did not feel like I was any

437
00:25:19,839 --> 00:25:23,039
closer to understanding what the dilio is than I was

438
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at the beginning of the song. I don't know. I

439
00:25:25,759 --> 00:25:28,720
don't feel that my questions were answered about the dilio

440
00:25:29,160 --> 00:25:30,680
and what is the dilio?

441
00:25:32,079 --> 00:25:33,039
Speaker 13: That's fascinating.

442
00:25:33,359 --> 00:25:35,480
Speaker 11: Yeah, I mean, I'm just saying, very good point.

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00:25:37,400 --> 00:25:41,039
Speaker 13: Let's expand off on that for a moment. What is

444
00:25:41,160 --> 00:25:45,480
the dillio? When somebody says what's the dillio? You're asking

445
00:25:45,880 --> 00:25:48,640
what's going on? Oh, what's happening?

446
00:25:48,759 --> 00:25:49,079
Speaker 11: Okay?

447
00:25:49,599 --> 00:25:51,799
Speaker 13: So hey, Matt, what's the dillio? Okay?

448
00:25:51,920 --> 00:25:54,680
Speaker 11: I thought maybe this was some sort of foreign currency, like,

449
00:25:54,920 --> 00:25:59,079
uh oh, interesting, take like, what's the dilio doing compared

450
00:25:59,119 --> 00:26:02,200
to the dollar? You know, how are we looking?

451
00:26:02,279 --> 00:26:04,920
Speaker 13: It's like, what's up? Okay? What's up? I thought?

452
00:26:04,960 --> 00:26:07,559
Speaker 11: I thought maybe it was a new cryptocurrency or something.

453
00:26:07,720 --> 00:26:10,319
You know, I don't know, you know, get your dilio dollars,

454
00:26:10,920 --> 00:26:12,079
you know, fake money.

455
00:26:13,559 --> 00:26:15,839
Speaker 13: Exist? What's the exchange rate on a dilio dollar?

456
00:26:16,680 --> 00:26:18,960
Speaker 11: Well, I don't know, But I still don't know after

457
00:26:19,039 --> 00:26:21,039
listening to the song. But I think I understand a

458
00:26:21,079 --> 00:26:21,960
little bit better now.

459
00:26:21,880 --> 00:26:22,440
Speaker 13: Are you sure?

460
00:26:22,880 --> 00:26:23,400
Speaker 2: I think so?

461
00:26:23,920 --> 00:26:26,440
Speaker 13: I think so, you know, what the dilio is well,

462
00:26:26,559 --> 00:26:28,720
I don't sure. I don't know that I do. Do

463
00:26:28,799 --> 00:26:29,079
you know what?

464
00:26:30,119 --> 00:26:32,119
Speaker 2: I think I know what? And I don't know if

465
00:26:32,160 --> 00:26:33,119
he knows what the dilio is?

466
00:26:33,160 --> 00:26:33,400
Speaker 13: What's what?

467
00:26:33,519 --> 00:26:37,880
Speaker 12: What's what's the very totally the dilio is totally what's

468
00:26:37,920 --> 00:26:40,799
going on? It's totally like the deal.

469
00:26:41,000 --> 00:26:43,160
Speaker 11: It sounds like a sack good to to me, Well,

470
00:26:43,200 --> 00:26:43,880
it actually does.

471
00:26:46,480 --> 00:26:49,640
Speaker 2: M food is his language, so that might work.

472
00:26:49,720 --> 00:26:53,119
Speaker 11: What I see it also, unfortunately, it sounds like something

473
00:26:53,160 --> 00:26:55,000
that if I looked it up on Urban Dictionary, I

474
00:26:55,079 --> 00:26:56,000
might be horrified at what.

475
00:26:56,039 --> 00:26:59,960
Speaker 13: If you were going to make the dilio uh cake

476
00:27:00,440 --> 00:27:03,880
like a funny bonus or a hostess whole ho, what's

477
00:27:03,920 --> 00:27:04,680
what's in the dillio?

478
00:27:05,000 --> 00:27:06,000
Speaker 2: It doesn't make anything?

479
00:27:06,160 --> 00:27:06,759
Speaker 11: Yeah, I don't make it.

480
00:27:06,799 --> 00:27:09,920
Speaker 13: That would be your dream? Is there a healthy dilio?

481
00:27:10,480 --> 00:27:12,759
Speaker 11: I would hope, So put the dilio with that, maybe

482
00:27:13,039 --> 00:27:13,960
something gluten free?

483
00:27:14,039 --> 00:27:16,480
Speaker 13: What do you what's your thoughts on fire? The word everybody?

484
00:27:16,680 --> 00:27:20,160
That's fire? Oh, yes, that's fire. That's that one didn't

485
00:27:20,160 --> 00:27:21,200
make the cod believe it or not?

486
00:27:21,480 --> 00:27:21,519
Speaker 9: No?

487
00:27:21,960 --> 00:27:27,039
Speaker 13: Well, so now what do we have for volume two? Fire? Fire?

488
00:27:28,240 --> 00:27:30,839
I don't want a yellow It didn't.

489
00:27:30,599 --> 00:27:33,160
Speaker 2: Come out like that. In our day, it was fire fire.

490
00:27:33,680 --> 00:27:36,680
Speaker 13: We were told not to say that in a movie theater.

491
00:27:37,400 --> 00:27:38,440
Speaker 11: Well that's that's true.

492
00:27:38,599 --> 00:27:40,680
Speaker 13: Yeah, so it takes on when I first heard the

493
00:27:40,759 --> 00:27:43,359
Z generation talking like, hey, that's fire.

494
00:27:43,160 --> 00:27:46,240
Speaker 11: I'm like what, Yeah, yeah, you want to be careful

495
00:27:46,279 --> 00:27:49,480
with that, especially in certain circumstances. Oh, we do have

496
00:27:49,559 --> 00:27:52,440
a call. We'll see Hi. Welcome to Matt Connordson unleashed.

497
00:27:52,559 --> 00:27:53,240
Speaker 13: Is this Yeah?

498
00:27:53,640 --> 00:27:58,000
Speaker 14: This is mellow Marvin. Oh, thanks for taking my call today, Matt,

499
00:27:58,759 --> 00:28:03,279
You're welcome. Well, I would like to mellow things out

500
00:28:03,319 --> 00:28:10,680
here on the show and requests a B side a

501
00:28:10,839 --> 00:28:17,359
song called You Stole My check Book. This song comes

502
00:28:17,400 --> 00:28:22,200
from and will remind you of any relationship you had

503
00:28:23,000 --> 00:28:27,240
when your heart was torn out and your check book

504
00:28:28,079 --> 00:28:34,160
was missing. Let's reflect the graciousness of life and the

505
00:28:34,279 --> 00:28:39,480
hardship that love can be. This is mellow Marvin thanking

506
00:28:39,720 --> 00:28:44,000
Matt Connorton once again, who, by the way, has an

507
00:28:44,039 --> 00:28:46,480
adorable deep radio voice.

508
00:28:48,240 --> 00:28:50,880
Speaker 13: Thank you what that dly? Yo?

509
00:28:52,720 --> 00:28:53,839
Speaker 11: My voice could be deeper.

510
00:28:53,960 --> 00:29:01,200
Speaker 13: But I know people that always a compliment. Yes, I

511
00:29:01,279 --> 00:29:05,160
do like that, yeah wow, and I accept them. I

512
00:29:05,279 --> 00:29:08,119
I do accept what the kids would call your fire.

513
00:29:08,559 --> 00:29:09,799
I am fire.

514
00:29:10,319 --> 00:29:13,599
Speaker 11: Yes, yes, So what did you want to hear?

515
00:29:13,640 --> 00:29:13,960
Speaker 3: What song?

516
00:29:13,960 --> 00:29:14,279
Speaker 2: Did we do?

517
00:29:14,480 --> 00:29:14,519
Speaker 15: So?

518
00:29:14,640 --> 00:29:15,319
Speaker 13: This song?

519
00:29:15,640 --> 00:29:16,799
Speaker 11: Checkbook ship?

520
00:29:17,000 --> 00:29:17,200
Speaker 13: Yeah?

521
00:29:17,200 --> 00:29:19,680
Speaker 11: Okay, well this uh and that's a fallaty by the way,

522
00:29:19,799 --> 00:29:21,880
we don't you should not seal someone's strutting.

523
00:29:21,960 --> 00:29:24,599
Speaker 13: Yes, and who has the check book? Anyways? Right now?

524
00:29:25,000 --> 00:29:25,920
Speaker 2: I still have one.

525
00:29:27,200 --> 00:29:27,680
Speaker 13: I have one.

526
00:29:27,720 --> 00:29:29,160
Speaker 11: I never use it, but I do have one.

527
00:29:29,640 --> 00:29:32,160
Speaker 2: I use it once in a while, very rarely. Yeah,

528
00:29:32,519 --> 00:29:33,480
mostly for birthdays.

529
00:29:35,480 --> 00:29:37,559
Speaker 13: Can I do the whole artist thing? This song is

530
00:29:37,680 --> 00:29:39,200
kind of different than all the other songs.

531
00:29:39,519 --> 00:29:39,960
Speaker 11: Can I do that?

532
00:29:40,039 --> 00:29:40,599
Speaker 13: Can I? Well?

533
00:29:41,240 --> 00:29:41,680
Speaker 11: This song?

534
00:29:42,960 --> 00:29:46,079
Speaker 13: This song is different than all the other songs because

535
00:29:48,240 --> 00:29:50,559
Ricky Mapleton steps up and plays the bass on this

536
00:29:50,720 --> 00:29:52,559
one a little bit in my first I haven't played

537
00:29:52,559 --> 00:29:55,319
the bass in a while. I feel it's more of

538
00:29:55,400 --> 00:29:59,160
like a spin doctors, okaying going on? And I just

539
00:29:59,240 --> 00:30:01,880
really like the way music came out on this one. Okay,

540
00:30:01,960 --> 00:30:08,400
it's not you know, I don't know. And it's about relationships.

541
00:30:09,039 --> 00:30:12,599
We all have been through, good and bad. Stealing someone's

542
00:30:12,680 --> 00:30:15,839
checkbook is an analogy obviously, And okay, oh, but you

543
00:30:15,880 --> 00:30:18,400
could steal somebody's check book, and you can steal somebody's heart.

544
00:30:20,000 --> 00:30:21,359
But oh, I just thought that you can always go

545
00:30:21,359 --> 00:30:23,960
to the bank and re order those checks. Oohow, thought

546
00:30:24,039 --> 00:30:24,400
of the day.

547
00:30:26,359 --> 00:30:31,720
Speaker 11: That's true. All right, well, let's give this a listen.

548
00:30:32,079 --> 00:30:35,039
This is called this is simply called checkbook. Yeah, checkbook.

549
00:30:35,039 --> 00:30:36,720
You stole my check book. I think it's on a

550
00:30:36,960 --> 00:30:38,359
check all right, very good.

551
00:30:42,559 --> 00:30:54,200
Speaker 20: I stole your check book for your signature, wrote down numbers.

552
00:30:56,200 --> 00:31:01,720
Speaker 26: That will satisfy and pay me back your wasting lies.

553
00:31:04,279 --> 00:31:11,359
I stole your check book to buy back my wasted time.

554
00:31:13,440 --> 00:31:14,680
Got a new pair of boots.

555
00:31:15,799 --> 00:31:17,200
Speaker 17: I'm looking so fine.

556
00:31:23,359 --> 00:31:29,160
Speaker 3: Ones will shrink once. We'll sake to care of the weed, drink.

557
00:31:30,359 --> 00:31:31,440
Speaker 4: No time to think.

558
00:31:33,039 --> 00:31:33,799
Speaker 3: Feeling right?

559
00:31:35,200 --> 00:31:40,039
Speaker 4: You're right sight only just one hit. You sht that up.

560
00:31:40,160 --> 00:31:41,240
That dain't a bite.

561
00:31:50,440 --> 00:31:56,039
Speaker 3: I've stolen your check book. You show a part of me.

562
00:31:59,519 --> 00:32:01,559
I can't out for all of us.

563
00:32:04,720 --> 00:32:06,160
Speaker 4: Now I'm set free.

564
00:32:06,799 --> 00:32:16,519
Speaker 3: Now set free. Bus will shrink, boats will sink to

565
00:32:16,599 --> 00:32:17,559
get and we drink.

566
00:32:18,839 --> 00:32:22,119
Speaker 4: No time to think. I'm feeling right.

567
00:32:23,720 --> 00:32:24,720
Speaker 3: You're out of sight.

568
00:32:26,119 --> 00:32:29,680
Speaker 17: You'll get one chance to set off the time of mind.

569
00:32:31,000 --> 00:32:34,480
Speaker 3: I said toole you check book. You stole a part

570
00:32:34,519 --> 00:32:34,680
of me.

571
00:32:38,319 --> 00:32:40,640
Speaker 4: I cash out for both of us.

572
00:32:43,480 --> 00:32:44,920
Speaker 5: Now I'm set free.

573
00:32:50,400 --> 00:32:52,799
Speaker 11: Ceiling someone's check book. I feel like that's uh, I mean,

574
00:32:52,839 --> 00:32:58,039
that's worse than revenge porn really wow? Yes, yes, and

575
00:32:58,119 --> 00:32:59,640
they're both felonies.

576
00:33:01,200 --> 00:33:06,400
Speaker 13: Yes, wy wow yes, speechless. It was just hard to do,

577
00:33:06,640 --> 00:33:06,920
all right.

578
00:33:06,920 --> 00:33:09,119
Speaker 3: I was just gonna say that you totally got it.

579
00:33:09,519 --> 00:33:11,759
Speaker 11: If you are just joining us. Ricky Mapleton is here

580
00:33:11,799 --> 00:33:14,839
with us, live in studio, and we're playing tracks from

581
00:33:14,880 --> 00:33:18,799
the new what is it? Seventy two songs, thirty thirty

582
00:33:18,839 --> 00:33:23,160
five don't count me out? Currently available, correct, it's already available.

583
00:33:23,000 --> 00:33:24,279
Speaker 13: Got online, available everywhere.

584
00:33:24,519 --> 00:33:26,799
Speaker 11: Very good, very good. And oh jeez, we have another

585
00:33:26,880 --> 00:33:30,559
call already. Come on, that's a familiar number. Actually, Ricky,

586
00:33:31,440 --> 00:33:33,559
oh Steves, call back again.

587
00:33:33,640 --> 00:33:37,240
Speaker 25: This is this is sad Steven. I'm really pulled it

588
00:33:37,279 --> 00:33:41,880
together since I listened to don't calm me out man.

589
00:33:41,960 --> 00:33:44,880
Thank you so much, Rick Matt, thank you for having

590
00:33:44,960 --> 00:33:45,319
Ricky on.

591
00:33:45,480 --> 00:33:45,640
Speaker 10: Boy.

592
00:33:45,680 --> 00:33:52,119
Speaker 25: You guys are you guys are fantastic? Oh, Ricky Mableton,

593
00:33:52,200 --> 00:33:54,720
thank you, don't calt me out again?

594
00:33:54,759 --> 00:33:58,000
Speaker 19: It was really I'm not gonna spiral no good good,

595
00:33:58,119 --> 00:34:00,720
positive thoughts, positive thoughts.

596
00:34:00,759 --> 00:34:03,599
Speaker 11: Good all right? Oh he hung up.

597
00:34:03,640 --> 00:34:05,240
Speaker 13: He still seems he seems.

598
00:34:05,000 --> 00:34:08,480
Speaker 11: Better better, but he kind of sounds like he's hyperventilating.

599
00:34:10,280 --> 00:34:12,239
Speaker 2: Is important. Yes, one must breathe.

600
00:34:12,559 --> 00:34:20,840
Speaker 13: Yes, yeah, speaking of breathing. Yes, yes, I'm glad he

601
00:34:20,920 --> 00:34:27,000
called back. Yes, I feel that much like bon Jovi,

602
00:34:28,559 --> 00:34:33,760
we have saved the life. Yes, yes, you understand that.

603
00:34:34,039 --> 00:34:35,440
The reference that I saw on the news, I guess

604
00:34:35,480 --> 00:34:38,039
John bon Joey helps someone off them off the ledge.

605
00:34:38,159 --> 00:34:40,000
Speaker 11: Yeah, for those who don't know, For those who don't

606
00:34:40,280 --> 00:34:41,760
actually this video, yeah, yeah.

607
00:34:41,679 --> 00:34:43,360
Speaker 13: John Bons fantastic.

608
00:34:43,480 --> 00:34:45,400
Speaker 11: John bon Joviy talked to this woman who's about to

609
00:34:45,480 --> 00:34:47,760
jump off of a bridge. I did see a little

610
00:34:48,159 --> 00:34:50,920
darkly humorous, but I did see a funny meme that

611
00:34:51,000 --> 00:34:52,239
said it's a good thing. It was him and not

612
00:34:52,400 --> 00:34:53,079
David Lee Roth.

613
00:34:54,320 --> 00:34:57,719
Speaker 13: Wow, you are on You're on fire. You're fire, fire,

614
00:34:57,800 --> 00:35:00,559
I am on fire. You're fire, you are that's a

615
00:35:00,599 --> 00:35:01,920
dilio for for anyone.

616
00:35:01,719 --> 00:35:03,719
Speaker 11: Who doesn't get the joke, because of course Van Halen

617
00:35:03,760 --> 00:35:04,920
did jump might as well.

618
00:35:05,039 --> 00:35:06,599
Speaker 2: Joe stop.

619
00:35:06,960 --> 00:35:09,400
Speaker 11: So it's a terrible it's a good thing.

620
00:35:09,519 --> 00:35:09,880
Speaker 2: Awful.

621
00:35:10,039 --> 00:35:11,000
Speaker 13: No, it's a joke.

622
00:35:11,159 --> 00:35:11,920
Speaker 2: It's terrible.

623
00:35:11,960 --> 00:35:14,880
Speaker 11: It's a joke. It's a joke.

624
00:35:15,159 --> 00:35:16,079
Speaker 2: It's not funny.

625
00:35:16,360 --> 00:35:19,440
Speaker 13: I think it's No, it's not it's open for interpretation.

626
00:35:20,320 --> 00:35:25,679
Speaker 11: It had the story has a happy ending job, save

627
00:35:25,760 --> 00:35:26,119
this woman?

628
00:35:29,320 --> 00:35:30,639
Speaker 13: How many songs gonna send you over?

629
00:35:30,719 --> 00:35:30,800
Speaker 27: Mat?

630
00:35:30,960 --> 00:35:31,920
Speaker 13: Is one more?

631
00:35:32,599 --> 00:35:32,880
Speaker 11: I think?

632
00:35:33,000 --> 00:35:33,119
Speaker 24: Uh?

633
00:35:33,159 --> 00:35:36,039
Speaker 11: I think there might be a couple more. We do

634
00:35:36,119 --> 00:35:36,679
have another call?

635
00:35:37,000 --> 00:35:39,079
Speaker 13: Awesome, awesome, Thank you Collins for calling in.

636
00:35:39,159 --> 00:35:39,760
Speaker 11: See who this is?

637
00:35:40,039 --> 00:35:40,159
Speaker 13: Hi?

638
00:35:40,280 --> 00:35:41,840
Speaker 11: Welcome to Matt Connerson Unleashed?

639
00:35:41,960 --> 00:35:42,119
Speaker 28: Is this?

640
00:35:42,440 --> 00:35:45,119
Speaker 3: Oh? Wow?

641
00:35:45,920 --> 00:35:46,760
Speaker 17: This is what?

642
00:35:47,320 --> 00:35:47,639
Speaker 27: Willie?

643
00:35:47,760 --> 00:35:48,000
Speaker 17: Wow?

644
00:35:48,159 --> 00:35:51,119
Speaker 4: Thank you Matt for having me on back wow on

645
00:35:51,239 --> 00:35:51,639
your show.

646
00:35:52,440 --> 00:35:53,719
Speaker 13: When I heard Man.

647
00:35:57,000 --> 00:36:01,000
Speaker 10: Put on a new album, another inspiring album of songs,

648
00:36:01,119 --> 00:36:05,800
I went, wow, wow, Wow.

649
00:36:06,880 --> 00:36:09,039
Speaker 13: You know Ricky mhm.

650
00:36:10,079 --> 00:36:14,840
Speaker 18: The song you Gotta look at the Big Picture. What

651
00:36:15,079 --> 00:36:20,280
an inspirational, all encompassing song about how you really gotta

652
00:36:20,400 --> 00:36:23,400
look at life? I went, woa.

653
00:36:25,639 --> 00:36:25,920
Speaker 2: Will it?

654
00:36:26,519 --> 00:36:28,559
Speaker 3: Can you play that song for him and Matt?

655
00:36:29,440 --> 00:36:29,639
Speaker 11: Yes?

656
00:36:29,719 --> 00:36:30,000
Speaker 24: I can.

657
00:36:30,400 --> 00:36:32,599
Speaker 11: I want to think of my call again. Of course,

658
00:36:33,599 --> 00:36:35,000
long live content.

659
00:36:35,880 --> 00:36:38,360
Speaker 13: I like that, you know, can I can? I have

660
00:36:38,360 --> 00:36:43,320
a little backstory about like you did you recognize that voices?

661
00:36:43,360 --> 00:36:44,960
But he's called in a few times?

662
00:36:45,039 --> 00:36:47,159
Speaker 11: Didn't he call in when I was on your He

663
00:36:47,239 --> 00:36:49,199
made my throat hurt? Didn't he call in?

664
00:36:49,320 --> 00:36:49,480
Speaker 13: When?

665
00:36:51,039 --> 00:36:52,599
Speaker 11: Did he call in when I was on your show?

666
00:36:53,000 --> 00:36:57,599
Speaker 13: Yes? Yes, he started calling in a few years ago

667
00:36:58,079 --> 00:37:00,760
when he was dumb. He had a lot of challenges

668
00:37:00,880 --> 00:37:03,719
in life going on. He lives up in Vermont, I think,

669
00:37:04,400 --> 00:37:06,840
and he's and he's a kind of a I guess,

670
00:37:06,920 --> 00:37:10,400
quote unquote hippie living off the grid, but was really

671
00:37:10,519 --> 00:37:12,719
struggling with a lot of demons on his back.

672
00:37:12,880 --> 00:37:14,239
Speaker 11: And I'm sure he's at throat surgery.

673
00:37:15,639 --> 00:37:18,159
Speaker 13: I think it's I don't know. I don't know either obviously,

674
00:37:18,400 --> 00:37:20,760
like an a CDC cover band or something blew it out.

675
00:37:21,480 --> 00:37:28,599
But he's been calling in and another person that has

676
00:37:28,679 --> 00:37:31,880
gotten it together well, and I'm really happy that he's

677
00:37:32,199 --> 00:37:34,159
still calling and keeping contact with us.

678
00:37:34,360 --> 00:37:37,199
Speaker 11: Yes, yes, so what did you want to hear? So

679
00:37:37,599 --> 00:37:39,440
he requested a song called big Picture.

680
00:37:39,639 --> 00:37:42,199
Speaker 13: Okay, so this song is about looking at the big picture,

681
00:37:42,239 --> 00:37:47,400
looking above, not looking direct like what's Maybe that's what's

682
00:37:47,400 --> 00:37:49,280
happening if you're a little stress in your life, Yes,

683
00:37:50,239 --> 00:37:52,239
easy to get lost in that needs to de spiral.

684
00:37:52,360 --> 00:37:55,199
We all do it. We all we're all challenging world.

685
00:37:55,400 --> 00:37:59,920
So sometimes if you look from above down, look at

686
00:37:59,960 --> 00:38:00,719
the big picture.

687
00:38:01,320 --> 00:38:03,559
Speaker 11: Well, if you look that'd be more like a bird's

688
00:38:03,559 --> 00:38:06,000
eye view. Yes, maybe you should write a song about

689
00:38:06,039 --> 00:38:06,280
that too.

690
00:38:06,360 --> 00:38:11,320
Speaker 13: Okay, that's three No, but I I get what you're saying.

691
00:38:11,280 --> 00:38:14,199
Speaker 11: Very very positive, good good words of wisdom, and yeah,

692
00:38:14,280 --> 00:38:16,360
let's take a lot of This is called big picture.

693
00:38:16,920 --> 00:38:20,199
Speaker 3: End of the day, you gotta look at them big picture.

694
00:38:21,039 --> 00:38:25,400
Whose praise is that at the end of the day

695
00:38:25,639 --> 00:38:30,079
you gotta look at them big picture. Who's phrase is that?

696
00:38:31,920 --> 00:38:36,800
I just want to leave day my day? What's the

697
00:38:37,000 --> 00:38:41,840
matter with that? Do I really have to look at

698
00:38:42,000 --> 00:38:45,480
the big picture? What's wrong with that?

699
00:38:47,840 --> 00:38:51,400
Speaker 16: I just wanna be grateful for what I have now,

700
00:38:51,840 --> 00:38:55,079
so please don't tell me so look at my thoughts.

701
00:38:55,719 --> 00:39:00,880
Speaker 3: I'm just believing for the now. The big picture will

702
00:39:01,000 --> 00:39:04,760
be there when it's done. I want to note who

703
00:39:05,039 --> 00:39:08,440
made up the phrase look at the pitcher.

704
00:39:09,239 --> 00:39:09,679
Speaker 22: I don't know.

705
00:39:10,559 --> 00:39:12,920
Speaker 13: I want to note who made.

706
00:39:12,800 --> 00:39:17,960
Speaker 3: Up the phrase, oh god, I'm made gerald live for now?

707
00:39:33,199 --> 00:39:37,159
Speaker 13: Wow, very stripped down. Yes, something that was just bass

708
00:39:37,960 --> 00:39:38,840
and drum?

709
00:39:39,039 --> 00:39:39,920
Speaker 11: Is that you on the base?

710
00:39:40,880 --> 00:39:41,119
Speaker 13: Yeah?

711
00:39:41,199 --> 00:39:41,599
Speaker 24: I like the.

712
00:39:41,599 --> 00:39:45,400
Speaker 11: Baseline little tucking heads asking yes, yes, thank you.

713
00:39:45,559 --> 00:39:48,239
Speaker 13: I kind of cringed. I I really enjoy when I'm

714
00:39:48,239 --> 00:39:52,119
working with that my friend and doing those and he

715
00:39:52,199 --> 00:39:54,960
gets a lot of overlays and a lot of effects.

716
00:39:55,320 --> 00:39:56,679
Speaker 11: Your friend who remains nameless.

717
00:39:57,360 --> 00:40:02,239
Speaker 13: He's going by dj C now DJ see Okay, he's

718
00:40:02,360 --> 00:40:06,599
he is my very good friend. And he when he's

719
00:40:06,800 --> 00:40:11,880
I'm black enough to get him into my studios, any

720
00:40:11,960 --> 00:40:15,159
studio that I have. We we have a good time.

721
00:40:15,199 --> 00:40:16,639
We bust through a lot of stuff trying to make

722
00:40:16,679 --> 00:40:24,079
some fun music. Yes, summer is over. I'm I'm expecting

723
00:40:24,159 --> 00:40:27,920
a call from a long time caller. Do you see

724
00:40:27,920 --> 00:40:29,719
an Agnes on there?

725
00:40:30,159 --> 00:40:30,360
Speaker 19: Oh?

726
00:40:31,000 --> 00:40:33,440
Speaker 11: No, yeah, do you see an Agnes on the I

727
00:40:33,519 --> 00:40:36,880
think I remember Agnes though now, and I assume I just.

728
00:40:36,920 --> 00:40:38,880
Speaker 13: Got off the phone with Agnes a couple of days ago.

729
00:40:39,679 --> 00:40:42,760
Speaker 11: And older lady eyes, you have raspy voice, because nobody

730
00:40:42,800 --> 00:40:44,920
under the age of ninety has the name Agnes.

731
00:40:45,280 --> 00:40:48,480
Speaker 13: You know, I know it's all Kyles. It's all Kyles

732
00:40:48,679 --> 00:40:51,280
and never mind right right where.

733
00:40:51,280 --> 00:40:56,000
Speaker 11: Sounds instead of a yeah like yeah, well you can't.

734
00:40:58,000 --> 00:41:01,280
Speaker 13: She's a very down to earth person. She's he's retired,

735
00:41:01,360 --> 00:41:05,159
durry down to earth, and unfortunately she's she's quit smoking.

736
00:41:04,840 --> 00:41:06,119
Speaker 11: It and oh she quit?

737
00:41:06,320 --> 00:41:07,519
Speaker 13: Yes, how she quit?

738
00:41:07,840 --> 00:41:07,960
Speaker 2: Uh?

739
00:41:09,159 --> 00:41:11,119
Speaker 13: She just she it's like you have to quit.

740
00:41:11,840 --> 00:41:12,039
Speaker 11: Yeah.

741
00:41:13,559 --> 00:41:15,679
Speaker 13: I don't know if it's too late, but she doesn't

742
00:41:15,719 --> 00:41:18,440
sound any better. But she's not coughing as much, so

743
00:41:18,599 --> 00:41:19,119
maybe that's a.

744
00:41:19,119 --> 00:41:21,199
Speaker 11: Good Oh, this might be her. Actually, let's see who

745
00:41:21,199 --> 00:41:23,599
this is. Hi, Welcome to Matt connorson Unleashed.

746
00:41:23,719 --> 00:41:28,960
Speaker 10: Is this Matt Ricky? Thanks for taking my call? This

747
00:41:29,159 --> 00:41:31,320
is ah this from the community.

748
00:41:31,480 --> 00:41:34,400
Speaker 3: Get out riggy with your new release.

749
00:41:34,719 --> 00:41:37,039
Speaker 4: You hit the nail right on the head.

750
00:41:37,360 --> 00:41:40,280
Speaker 10: We are sick and tired of people coming in our

751
00:41:40,400 --> 00:41:45,519
community and jumping in our pool. Oh they are we

752
00:41:45,719 --> 00:41:48,880
all get out of our pool. Get out of my pool.

753
00:41:50,320 --> 00:41:53,400
Then we heard your song and we feel even more

754
00:41:53,559 --> 00:41:59,960
connected to you than ever. Ladies and gentlemen, get out

755
00:42:00,079 --> 00:42:00,719
a my pool.

756
00:42:01,880 --> 00:42:05,239
Speaker 13: Well, Agnes, thank you so much for calling in.

757
00:42:05,519 --> 00:42:06,159
Speaker 11: She hung up.

758
00:42:08,159 --> 00:42:12,039
Speaker 13: The original caller when I when I first went on

759
00:42:12,199 --> 00:42:17,960
this uh calling dream that people would be calling in,

760
00:42:19,800 --> 00:42:24,960
so fabricating it in uh a ka in uh inventing

761
00:42:25,000 --> 00:42:27,320
Agnes or I'll just leave it at that for the

762
00:42:27,360 --> 00:42:32,519
people listening. But Agnes uh went through the same thing

763
00:42:32,599 --> 00:42:34,400
that I think a lot of people go through that

764
00:42:34,519 --> 00:42:37,760
own pools Now, if you ever owned a pool? Have

765
00:42:37,800 --> 00:42:38,719
you ever had a pool in your.

766
00:42:38,639 --> 00:42:41,079
Speaker 11: Backyard or I've never I've never owned a pool.

767
00:42:41,480 --> 00:42:43,320
Speaker 13: I mean, do you ever have a pool on your property.

768
00:42:43,800 --> 00:42:44,880
Speaker 11: I've been in a pool.

769
00:42:45,599 --> 00:42:48,400
Speaker 13: Well that let me. I recently was fortunate enough to

770
00:42:49,000 --> 00:42:52,119
purchase the house about nine years ago. Okay, and it

771
00:42:52,719 --> 00:42:55,440
came with a pool. Okay, small pool in the back,

772
00:42:55,519 --> 00:42:57,719
not like these Olympic pools you see in the seventies.

773
00:42:57,880 --> 00:42:58,000
Speaker 19: Right.

774
00:42:59,239 --> 00:43:03,519
Speaker 13: And let me tell you in the winter time, when

775
00:43:03,599 --> 00:43:08,280
my snowblower broke down, and I see my neighbor across

776
00:43:08,320 --> 00:43:15,599
the street with his beautiful Toro solar powered cop holding,

777
00:43:16,599 --> 00:43:18,920
and I'm out there shoveling because I can't afford a

778
00:43:18,920 --> 00:43:23,400
good snowbollmb I just broke down. Fine, fine, I'm over it.

779
00:43:23,519 --> 00:43:26,719
Can you tell him over it? This summer and this

780
00:43:26,880 --> 00:43:33,199
summer and last summer, somebody gonna knock him my door. Hey, hey, neighbor,

781
00:43:33,320 --> 00:43:37,519
can we can use your pool? Me and my wife

782
00:43:37,559 --> 00:43:41,199
look at each other like is this really happening? And

783
00:43:41,320 --> 00:43:45,000
I almost said, hey, snowblower guy, I try to live

784
00:43:45,039 --> 00:43:47,239
in a peaceful neighborhood. Yes, but that kind of twirked

785
00:43:47,320 --> 00:43:49,280
me the wrong way. But the carrying their shore, that

786
00:43:49,360 --> 00:43:53,519
Ricky Mapleton is sure no problem. Good good opened up

787
00:43:53,559 --> 00:43:55,199
the gate. He comes in, He comes in with this,

788
00:43:56,039 --> 00:44:01,000
He comes in with his grandkid in his older son, No,

789
00:44:01,119 --> 00:44:03,480
I got three people in my pool.

790
00:44:03,760 --> 00:44:06,440
Speaker 11: Oh my goodness. He didn't tell you that up front.

791
00:44:06,920 --> 00:44:09,960
Speaker 13: No, and then he did it two more times during

792
00:44:10,000 --> 00:44:14,639
the summer. Yeah, and much like Agnes I wrote, I

793
00:44:14,679 --> 00:44:18,360
wrote this song and rebellion for people that use other

794
00:44:18,440 --> 00:44:21,599
people's pools. And this is the most rock song on

795
00:44:21,840 --> 00:44:26,039
this album. Put your rock and roll on and you

796
00:44:26,119 --> 00:44:28,039
see something that you don't like, it's okay to say,

797
00:44:30,320 --> 00:44:31,199
get out of my pool?

798
00:44:31,800 --> 00:44:32,199
Speaker 11: All right?

799
00:44:32,559 --> 00:44:32,920
Speaker 13: What's here?

800
00:44:32,920 --> 00:44:33,440
Speaker 11: It all right?

801
00:44:33,519 --> 00:44:34,440
Speaker 13: Here's a build up?

802
00:44:34,719 --> 00:44:36,800
Speaker 11: Yes, all right, here it is.

803
00:44:50,960 --> 00:44:52,800
Speaker 3: You're using all the cory.

804
00:44:54,599 --> 00:44:55,800
Speaker 17: I don't even know you.

805
00:44:57,880 --> 00:45:00,320
Speaker 3: I only see you wh out.

806
00:45:01,760 --> 00:45:03,360
Speaker 6: Get out of my pool.

807
00:45:07,360 --> 00:45:12,239
Speaker 4: Get out of my pool. I don't even know you.

808
00:45:13,880 --> 00:45:15,440
Get out of my pool.

809
00:45:16,880 --> 00:45:20,679
Speaker 20: You're using up bubble colorine I never seen when you're

810
00:45:20,719 --> 00:45:22,280
seven feet of stone aground.

811
00:45:22,599 --> 00:45:23,719
Speaker 13: You're walking around with.

812
00:45:23,840 --> 00:45:25,519
Speaker 3: Your beautiful stone baller.

813
00:45:30,079 --> 00:45:34,760
Speaker 21: Good out of my pool, I mean your summer fool,

814
00:45:36,400 --> 00:45:38,159
I go, it makes you truel.

815
00:45:39,039 --> 00:45:43,320
Speaker 4: Why don't you get your own pool? Then you can't

816
00:45:43,480 --> 00:45:47,920
read the fool? Why don't you just get out of

817
00:45:48,039 --> 00:45:48,800
my pool?

818
00:45:50,199 --> 00:45:53,000
Speaker 11: Wow? Get out of my rule? By Ricky Mampleton.

819
00:45:54,320 --> 00:45:58,760
Speaker 13: So Agnes inspired that Agues and my neighbor and people

820
00:45:58,880 --> 00:46:02,280
that come over. You know if you have a pool.

821
00:46:03,000 --> 00:46:06,679
When you have a pool, you spend a good amount

822
00:46:06,719 --> 00:46:09,920
of time keeping the pool clean, skimming the pool, vacuum

823
00:46:09,920 --> 00:46:12,480
me the pool, checking the pH of the pool, the chlorine,

824
00:46:12,559 --> 00:46:14,800
the pH up, the pH down. There's a lot that

825
00:46:14,920 --> 00:46:19,199
goes in from having a pool. Yes, so if somebody

826
00:46:19,239 --> 00:46:21,199
comes over and says, I want to get in your pool,

827
00:46:21,519 --> 00:46:23,519
you think they could shower a little bit. They looked

828
00:46:23,519 --> 00:46:25,920
a little bit disheveled, like they just painted their house

829
00:46:26,239 --> 00:46:29,039
and then jumped in my pool. Right, So this is

830
00:46:29,239 --> 00:46:31,760
when you have something in life, lady and gentleman inspires

831
00:46:31,840 --> 00:46:36,880
you go for it. But do something positive with that energy.

832
00:46:37,159 --> 00:46:37,360
Speaker 15: Right.

833
00:46:37,719 --> 00:46:42,320
Speaker 11: Wow, it's like a Billy Ocean. Remember Billy Ocean. He

834
00:46:42,360 --> 00:46:44,639
had that song get out of my dreams, get into

835
00:46:44,679 --> 00:46:44,960
my car.

836
00:46:45,480 --> 00:46:46,599
Speaker 13: Well that's kind of sketchy.

837
00:46:46,679 --> 00:46:48,159
Speaker 11: Maybe it should have been get out of my dreams,

838
00:46:48,199 --> 00:46:51,000
get into my pool, you know, because he was invited

839
00:46:51,199 --> 00:46:51,639
a lady.

840
00:46:52,039 --> 00:46:54,320
Speaker 13: Yeah, that's kind of yeah. I don't know. Well, yeah,

841
00:46:54,440 --> 00:46:55,960
get you know what I'm saying. So I think that's

842
00:46:56,199 --> 00:46:56,800
you know what I'm saying.

843
00:46:56,840 --> 00:47:00,280
Speaker 11: That's a nice thing in that case, But what you're saying,

844
00:47:00,440 --> 00:47:02,960
is you know something very frustrating.

845
00:47:03,400 --> 00:47:05,400
Speaker 13: Oh, but that's an analogy for a lot of stuff.

846
00:47:05,440 --> 00:47:07,960
Get out of my pool, yes, you know, get out

847
00:47:08,000 --> 00:47:12,000
of my pool. Yes, yes, like like you're ruining my ride.

848
00:47:13,079 --> 00:47:14,639
You ever had that respection before? Oh?

849
00:47:14,760 --> 00:47:16,880
Speaker 11: Absolutely right. I mean no one's ever said it to me,

850
00:47:17,559 --> 00:47:18,679
you're ruining my ride?

851
00:47:18,760 --> 00:47:20,440
Speaker 13: But uh, get out of my pool.

852
00:47:21,519 --> 00:47:24,400
Speaker 11: But uh, I'm looking for a track to for when

853
00:47:24,440 --> 00:47:26,760
we close out the segment, because we played everything that

854
00:47:26,840 --> 00:47:27,320
you set me.

855
00:47:27,400 --> 00:47:28,920
Speaker 13: Yeah, but I what do you think?

856
00:47:29,119 --> 00:47:29,519
Speaker 19: I like this?

857
00:47:29,760 --> 00:47:32,400
Speaker 11: I like this song. You're turning into one of those

858
00:47:34,280 --> 00:47:36,320
before I think I was one of my favorites. We

859
00:47:36,400 --> 00:47:39,559
might we might pull that. But before we run out

860
00:47:39,599 --> 00:47:44,400
of time, remind everybody where they can find, uh the new.

861
00:47:44,599 --> 00:47:49,159
Speaker 13: Album where it is up on YouTube, Spotify and all

862
00:47:49,199 --> 00:47:53,719
those other cool digital platforms that we can fortunately use now. Yes,

863
00:47:54,079 --> 00:47:57,920
because back in the day, back in the day, you

864
00:47:58,000 --> 00:48:00,599
could just not get music and put it out. Even

865
00:48:00,639 --> 00:48:03,079
though it's out in a minuscule and you're a small

866
00:48:03,119 --> 00:48:06,800
piece of stand on the beach, at least it's out there, right.

867
00:48:07,239 --> 00:48:09,280
I don't have to get a record contract and get

868
00:48:09,440 --> 00:48:12,440
vinyl and you know what I'm saying yes, you know,

869
00:48:12,639 --> 00:48:15,559
like so I feel very fortunate that I'm still kicking

870
00:48:16,039 --> 00:48:22,280
and enjoying the ability to do some some fun audio stuff.

871
00:48:22,440 --> 00:48:25,039
Speaker 11: Yes, you know, yes, well we're glad about that as well.

872
00:48:25,199 --> 00:48:26,920
Speaker 13: So what song did you did you listen to?

873
00:48:27,039 --> 00:48:29,519
Speaker 11: You like I'm gonna play? You're turning into one of those.

874
00:48:30,760 --> 00:48:32,320
Speaker 13: You want to quick up on that? Are we running out?

875
00:48:32,400 --> 00:48:32,599
Speaker 4: Yeah?

876
00:48:32,639 --> 00:48:37,159
Speaker 13: Yeah, please, you're turning into one of those. Basically, when

877
00:48:37,199 --> 00:48:41,039
you're working with somebody, you're working with them for a

878
00:48:41,400 --> 00:48:45,760
period of time. They get a promotion, they say, oh,

879
00:48:46,559 --> 00:48:49,840
don't worry, it's still gonna be friends, and that tie

880
00:48:49,920 --> 00:48:52,039
gets so tight around their neck and they get so

881
00:48:52,159 --> 00:48:55,559
drunk with power that they've turned in to one of

882
00:48:55,840 --> 00:48:59,639
those Yes you have experienced that man, And oh haven't

883
00:48:59,679 --> 00:48:59,920
we all?

884
00:49:00,320 --> 00:49:01,360
Speaker 11: Yes, haven't we all?

885
00:49:01,559 --> 00:49:05,280
Speaker 13: You ain't kid of Share kid a share No, no, no,

886
00:49:05,719 --> 00:49:07,519
we'll just use the genetic, but we've all we've all

887
00:49:07,559 --> 00:49:10,599
been there. Yes, I'm glad you picked the song on Matt.

888
00:49:10,639 --> 00:49:11,559
Thank you very good.

889
00:49:11,639 --> 00:49:13,960
Speaker 11: So we'll close out with this. Coming up, we've got

890
00:49:14,559 --> 00:49:16,440
Eli lev in the second hour. He's going to join

891
00:49:16,519 --> 00:49:19,360
us live in studio. But the great Ricky Mapleton, thank you,

892
00:49:19,440 --> 00:49:19,840
for having me.

893
00:49:20,039 --> 00:49:22,920
Speaker 13: Absolutely absolutely don't turn into one of those. Be a

894
00:49:22,960 --> 00:49:23,400
good person.

895
00:49:23,519 --> 00:49:24,480
Speaker 11: That's right all right here.

896
00:49:24,559 --> 00:49:27,960
Speaker 13: It is used to be one of us, always out

897
00:49:29,679 --> 00:49:34,880
in the great group, sharing stories, talking about dreams.

898
00:49:34,480 --> 00:49:36,039
Speaker 4: Plans in all of us.

899
00:49:36,599 --> 00:49:40,719
Speaker 25: But now you're at the office to described because you're

900
00:49:41,199 --> 00:49:43,440
turning in, No.

901
00:49:45,000 --> 00:49:47,280
Speaker 17: Turning, that's how we go.

902
00:49:48,920 --> 00:49:54,719
Speaker 3: You say that time and I'm on something that you want.

903
00:50:00,119 --> 00:50:01,280
Speaker 13: Bring into one of.

904
00:50:07,559 --> 00:50:10,280
Speaker 3: Yeah, yeah, don't do it.

905
00:50:13,599 --> 00:50:15,119
Speaker 10: You hear this message.

906
00:50:15,280 --> 00:50:22,920
Speaker 25: Yeah, before your lost brother and those corporates call, you

907
00:50:22,960 --> 00:50:25,199
will be turning into one of those.

908
00:50:27,239 --> 00:50:31,400
Speaker 13: Find your way back, turn your way back to yourself,

909
00:50:31,599 --> 00:50:33,920
your friends that you all knew.

910
00:50:35,400 --> 00:50:38,079
Speaker 5: Come on back, now, come on back.

911
00:50:38,280 --> 00:50:43,599
Speaker 13: Now, use your power for the good you medic.

912
00:50:45,519 --> 00:50:48,199
Speaker 17: Power you met at.

913
00:50:50,840 --> 00:50:53,760
Speaker 13: RUA to drop. Now you virtu way too, to drop that.

914
00:50:53,880 --> 00:50:54,880
Speaker 17: Tell of those now.

915
00:50:54,760 --> 00:50:55,280
Speaker 29: You're gonna go.

916
00:50:55,639 --> 00:50:56,440
Speaker 2: Now you're gonna.

917
00:51:05,079 --> 00:51:09,000
Speaker 1: I guess the smoking gun was always after the sun set,

918
00:51:09,440 --> 00:51:13,639
looked at our shoes, ol coming mun sat in the

919
00:51:13,840 --> 00:51:16,000
park way after dark.

920
00:51:16,280 --> 00:51:18,199
Speaker 2: We will never cold.

921
00:51:20,039 --> 00:51:22,440
Speaker 7: Hats off to the city, leaving.

922
00:51:22,280 --> 00:51:25,760
Speaker 1: The south side. They were giving us no place to

923
00:51:25,960 --> 00:51:26,320
hide in.

924
00:51:27,280 --> 00:51:28,880
Speaker 2: What if I just run?

925
00:51:30,960 --> 00:51:33,119
Speaker 8: What if we be come roundway?

926
00:51:35,119 --> 00:51:38,599
Speaker 6: I'm just sinking feeling like a spare park. This person

927
00:51:38,760 --> 00:51:44,400
Robbie track Robby, assuming no wonder for holding the.

928
00:51:48,280 --> 00:51:54,400
Speaker 7: Way stay steady, But I guess I couldn't hold my love.

929
00:51:54,559 --> 00:51:58,280
It's such a flurry and a bailey every hurdle of shore.

930
00:51:58,239 --> 00:52:00,840
Speaker 2: And mine needs out of bar rid.

931
00:52:02,119 --> 00:52:05,199
Speaker 7: It seems that every woman gets a Bobby.

932
00:52:06,199 --> 00:52:08,639
Speaker 5: Also sinking, feeling like Stampa.

933
00:52:09,199 --> 00:52:12,159
Speaker 2: The person mother trying to river only as.

934
00:52:13,599 --> 00:52:20,239
Speaker 6: One for holding on body calling with the wapaways, hid

935
00:52:20,440 --> 00:52:29,440
its round behind and never harries. Riding the ground brown

936
00:52:31,920 --> 00:52:34,000
ride how they rode.

937
00:52:50,320 --> 00:52:54,280
Speaker 8: I've been feeling kind of homesick. I missed the shoes

938
00:52:54,400 --> 00:52:55,119
and the ground.

939
00:52:55,280 --> 00:52:56,239
Speaker 6: I love it.

940
00:52:57,639 --> 00:53:05,840
Speaker 8: I've been feeling kind of homesick about the lace thing

941
00:53:06,039 --> 00:53:10,679
I can't saying missus us and the round and roll

942
00:53:13,119 --> 00:53:19,119
in a kind of rosy bound for laces.

943
00:53:19,519 --> 00:53:22,039
Speaker 3: Also thinking a feeling like a standbak.

944
00:53:22,480 --> 00:53:23,559
Speaker 2: This person roll the.

945
00:53:23,639 --> 00:53:30,880
Speaker 9: Dragon she has who wants the wholding, get up dogs

946
00:53:31,039 --> 00:53:36,159
to do it from the bashi whistles said, see.

947
00:53:36,039 --> 00:53:41,480
Speaker 6: Hides the dead, the gres wise, the greates.

948
00:53:47,679 --> 00:53:48,199
Speaker 4: The deck.

949
00:53:50,199 --> 00:53:51,639
Speaker 5: He's why it's.

950
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Speaker 4: A gay.

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Speaker 6: Dying.

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Speaker 30: In times of crisis, you need a law firm that

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stands by your side with over forty years of experience,

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Craigan Getsulis is dedicated to fighting for your rights. As

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former state prosecutors, our attorneys have the knowledge and trial

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experience to provide an aggressive defense against any charge, from

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DUIs to homicides. If you've been injured, our compassionate team

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will assess your case and fight for the compensation you deserve.

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Serving all of New Hampshire, Craigan Getzulis is here when

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you need us most. Visit Craigatzulis dot com or call

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six oh three five five five one two three four

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for a free consultation. Craigan Getzulis, your advocates, your.

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Speaker 29: Allies, bring your kitchen to life with Queen City Cabinetry,

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located at eighty seven Elm Street in the historic Sunbeam

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Law in Manchester, open Monday through Friday eight nine am

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to five thirty pm in Saturday's ten a to two pm.

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Speaker 28: They can be reached at six oh three two two

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two to zero zero seven or on the web at

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Queen Citycabinetree NH dot com. Come see the possibilities Queen

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City Cabinet Tree. Another crowd sponsor of w MNH Disney's

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Cafe is the place to put a smile on your face.

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Judy and the crew will take care of you, bring your.

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Speaker 11: Appetite and treat your taste.

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Speaker 31: Bus Right Business Cafe is always a winning choice. Breakfast,

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lunch or supper Dine's Cafe at eight sixty Elm Street

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in downtown Manchester. Dine in, takeout or make a reservation

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call six oh three, six oh six two five three two, Eat,

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drink and be happy Dizzney's Cafe.

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Speaker 24: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust Roland Computers,

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located on Elm Street in Manchester. Roland handles computer repair,

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virus removal and custom built systems. Are you looking for

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budget friendly options? Check out our selection of fully inspected

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Speaker 2: Seven times out of ten. We listened to our music at.

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Speaker 31: Night that's titled business Program.

990
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Speaker 15: Late Night to Light with DJ Bidas right here on

991
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WMNH Manchester.

992
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Speaker 4: You want to know because.

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Speaker 11: Saturdays and Sunday nights midnight to four am.

994
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Speaker 27: This hour on WMNH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eight sixty six eight four one

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forty six hundred, or on the web at CGI business

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Solutions dot com.

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Speaker 15: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w M NHLP. The sonic herteats

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of Manchester is transcending through the ether at ninety five

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point three megahertz frequency modulation or transmissions emanate from the

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z of one thousand Elm Streets, Insuranto the hearts of

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our creative realm at one nineteen Canal Street, where innovation

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and sound cologe. They're the improm model of Manchester Public

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Television service in the venerable City of Manchester, New Hampshire, USA.

1009
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Enrich your auditory journey with the depth of our license

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to wesident wes spet your missives do w MNH ninety

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five three at gmail dot com or traverse the virtual

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corridors of wmnhradio dot org. Engage with our sonic vibrations

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by communing with us through the digital channel, and our

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radio beconds, eager to enthrall you with its mes verizing

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cadence and develop you with a symphony of foundless audits.

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Speaker 13: Ornes one dude,