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Speaker 1: Shang don't you in the ature rips the dormo.

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Speaker 2: S been a long time now, I'm.

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Speaker 3: Ready for reck shunk in a long time.

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Speaker 4: It's ready to go in a long time.

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Speaker 1: I'm a man.

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Speaker 2: I'm been jumping man in a long time, long time,

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long time.

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Speaker 3: I don't e know if I stay down, he ain't

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time up Wi.

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Speaker 2: I need upd that friend and a go long jol

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like that when I die out my diaslag.

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Speaker 1: Li lo.

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Speaker 2: Now been a long time, I could get some construction

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unper in a long time.

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Speaker 1: Now I'm ready to blow in.

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Speaker 5: A long time. Can six I can just jump in a.

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Speaker 1: Long time, long time, long time.

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Speaker 3: I don't need a fast time. I'll see this time

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I'm wed.

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Speaker 1: I'll need a glass friend and God, I.

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Speaker 3: You like when I tid out my gastle So no man,

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your fall that stop so so I know when I

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kind out my gasoline.

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Speaker 5: Help not.

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Speaker 3: At us.

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Speaker 5: Don't need no lasting time time wait, I need.

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Speaker 3: To tell last wave and calling you man, I got

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I'm not cast so and you fin tell come from.

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Speaker 5: God.

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Speaker 3: No we are kind of my cat.

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Speaker 5: Up Yeah.

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Speaker 1: Night it up, notting up.

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Speaker 5: Lit up.

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Speaker 4: That is lighted up.

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Speaker 6: The brand new single from Chasing the Devil, and today's

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the world radio premiere of that track here at w

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m n H on matt Connorton on le and those

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guys are on tour right now, by the way, they

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are and as we speak they are in Kentucky and

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then they're off to Texas and they're going all over

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the place. But they'll be back in New Hampshire on

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August twentieth at Wally's in Hampton Beach and then they

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go back out they head out to Ohio after that,

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so they're going all over the place. They're on the

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Lifestyles of the Rich and Blameless tour. They've got there

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with shim anything but Human and shallow Side. So congratulations

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to those guys and love the new track again that

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is lighted up, that is available now on the streaming

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platforms and you can hear it here on the radio.

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So very happy to do the premiere for that. And

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Jenny is here of course at the news table.

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Speaker 7: Resent in accounted for and.

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Speaker 6: We should mention we were talking about the upcoming event

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at Mosaic.

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Speaker 7: Yes, the Mosaic Aren't Collective has an upcoming exhibit starting

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on October seventh, running until November first, the Spellbound Exhibit.

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I am proud to have a couple of my own

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pieces in there. You can attend the opening reception on

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October two from four to eight pm. They are located

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right here in the Queens City at sixty six an

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Over Street, Sweet two oh one. You've got to check

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out this lovely venue. And if you are an artist,

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they are right now accepting submissions for the jury show

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Small Wonders miniature art show that'll take place from November

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eighth until December twenty second. You can apply now, so

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go to Mosaic Artcollective dot com.

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Speaker 4: Very good, very good, and congratulations, thank you. I'm proud.

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Speaker 7: This is the first time I've ever had two pieces

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in a jury show.

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Speaker 4: Okay ever, yeah, so yeah, I'm like super proud.

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Speaker 7: That was like an achievement I was going for to

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get more than one painting into a show.

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Speaker 6: Well what's now, So tell me the difference between that,

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because at the Midnight Creatives Collective had you had quite

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a few paintings.

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Speaker 7: Midnight Creatives Collective actually does a thing with a highlight artists,

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so they invite an artist to come in and your

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work stays up for the entire month. Yeah, you can

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also run an event if you want to do something

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like do some kind of an art class or something,

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which I'm not quite there yet, but I was very

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proud to have twelve of my darkest pieces on display

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there for the entire month of August.

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Speaker 4: Yeah.

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Speaker 7: So they always have different artists coming in. You get

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to hear a lot of great music on top of

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all of that.

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Speaker 4: Yeah.

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Speaker 7: Yeah, So we've got a couple of really that one's

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in Nashville, so we have really great galleries here. Highlighting

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local work and getting into a Drury show is always

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special for any artist. So I invite you to submit

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your work and don't let the submission charge of ten

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dollars be a.

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Speaker 4: Stop for you.

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Speaker 7: There are scholarships available to those who want to enter

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their art into one of these shows.

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Speaker 6: Yeah, absolutely, very good, very good. Well, speaking of the

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Midnight Creatives Collective and Terminus and Events, big show coming

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up there October nineteenth, that we've been talking about a

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lot today because Able Blood. Our first hour guests are

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on that show, and of course our second hour we

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had Dan from the band Horror, and now we've entered

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our third hour numerow Trace here on Matt Connorton unleashed,

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and we've got Dennis and Sean from the band The

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Gray Curtain. Welcome guys. Good good, Oh, why can't I

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hear you? I can't hear you, Sean. I don't know why.

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Speaker 4: Keep talking, oh, Nicol difficulties. That might mean too, that

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mic was working earlier. Keep talking shut Live Radio.

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Speaker 6: No, it's not, it's probably uh probably me. Yeah, I

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can't find you. Oh wait, I think I I think

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I might have figured it out. Never mind, Jenny, I think.

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Speaker 4: Oh there he is found you? All right? Very good?

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I always the bass player. I think I lost you again?

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Really well?

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Speaker 7: Wait, is there a gumbling in the microphone?

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Speaker 4: There might be? This is weird. I just want to

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watch a movie. I found you again, the first one.

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Speaker 6: Okay, okay, I'm not going to touch anything else, and

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hopefully we don't lose you again.

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Speaker 4: All right. It's funny.

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Speaker 6: I said that mic never fails us, and then I

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have a problem with it. That's funny anyway, Well, Live

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Radio you jinks it, I know apparently I did. Jenny

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warns me about that too. She's like, don't, she says,

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don't jinx it.

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Speaker 4: Get your fault. It is it is. That's fine. Rest

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of the day.

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Speaker 7: Told you not to go there.

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Speaker 6: Well, guys, welcome, We're I'm looking forward to talking to you,

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and we're going to play some of your tracks too.

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But yeah, tell us about your band, The Gray Curtain, Oh.

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Speaker 4: Well started.

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Speaker 8: I started the band in twenty fourteen. Basically I put

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out a couple of songs just me and an acoustic guitar,

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and there was a Battle of the band's online Battle

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of the Bands over Foxwoods and I ended up placing

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fourth out of like like.

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Speaker 4: One hundred and eighty nine bands. Yeah, which was just

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mind boggling. So it was you just submitted, you just

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how to submit your music. That's that's all I did.

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Speaker 8: Okay, So they called me up and said, yeah, we're

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going to do a live Battle of the Bands over Foxwoods,

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you know in a couple of weeks.

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Speaker 4: You know, we'll see you, you and your band there.

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Speaker 8: I hung up the phone all excited, and then I went, wait,

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I need a band.

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Speaker 4: Oh my god.

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Speaker 8: Yeah, so it you know, it'sok a few days to

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get a few guys in on the project. Unfortunately, everyone

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that was part of the band at that point of

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all coming gone you know, done, uh, you know, gone

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on to do their own things. Sean has been a

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close friend of the band for many years doing his

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own band in Man Okay, but recently, over the last

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two years or so, I've needed new bandmates and Sean

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was the first person I called, And we're actually currently

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looking for you board player, synth player. But you know,

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we're trying out drummers currently because as you mentioned, the

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Terminus show on the nineteenth, we're going to be saying

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goodbye to the drummer we currently have Joe Soferano Okay,

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mainly because he's just in way too many projects. He's

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in the Megans, who are going to be playing the

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show with us, He's in Guello. I think he's I

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can't remember if he's full time or part time with

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Rags to Stitches, but you know he's he's in a

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lot of other projects, and with the amount of shows

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that we're planning on doing, it was just it was

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better if he bowed out.

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Speaker 6: It's funny because that comes up, This subject specifically comes

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up all the time on the show. Every drummer is

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in like ten different bands.

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Speaker 8: They gotta be Yeah, they're They're a rare resource in

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this area right now.

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Speaker 6: Well, my theory is and longtime listeners have heard me

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say this a thousand times. But you know, when you're

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growing up and you first become interested in playing a

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musical instrument, you go to have the conversation with your

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parents about what you're gonna play.

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Speaker 4: If it's if.

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Speaker 6: It's the drums or the tuba, they're going to try

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to talk you out of it. Oh yeah, absolutely, So

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that's my theory because yeah, every drummer is in you know,

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ten different bands.

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Speaker 8: Yeah, my dad was a drummer, so it's you know,

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he knows what it's like to stretch himself thin in

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like multiple projects. But yeah, basically the band was started

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by me. Just I started writing stories and basing my

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music around these stories. Henry Miller said the best way

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to get over a woman is to turn her into literature.

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So I did that with all my hurts, habits, hang ups,

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all my bullies, all my traumas PTSD, my depression, my nightmares,

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my addictions, and made all of these feelings, all of

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these past characters and whatnot in my life into citizens

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of this cursed town.

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Speaker 4: Okay, I can't leave.

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Speaker 8: And all of our music is based around the people

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and events that happen in this town.

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Speaker 6: Okay, Yeah, something we talk about a lot on the show.

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It comes up quite a bit. In fact, it came

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up with Dan from the band Horror in the last hour.

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Is talking about, you know, taking problems and doing something

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creative with them, whether it be you know, and I

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get you know, I'm someone who struggles with depression, so

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I can certainly relate to that aspect of it. But

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taking you know, whether it's that, whether it's some sort

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of trauma, whatever it is, you know, taking these things

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that happened to us, but then doing something creative with them,

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actually making something out of them that other.

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Speaker 4: People can then relate to and enjoy. You know. I

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think that's the best therapy that there is. Really, That's

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exactly what I say.

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Speaker 1: Yeah.

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Speaker 4: Yeah.

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Speaker 8: Whenever I get off stage, you know, people will approach

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me and tell me how, you know, my songs are

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helping them in some way through their depression. And we

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played a show in Maine recently and a young woman,

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I won't go into details on her name or anything,

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but a young woman approached me and told me how

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she had had been thinking about ending her life and

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she felt very sorry.

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Speaker 4: She felt very.

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Speaker 8: Attached to a couple of our songs and made her

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feel better. Really, that is basically the key element of

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what I try to do. I try to help people

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who feel like I feel, think how I think, feel

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better and try to make it through the day just

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a little easier. Yes day, Yeah so I but I

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say it all the time. It's like this is the

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best form of therapy there is absolutely was that?

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Speaker 4: Was that your goal from the beginning or going? It

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kind of become that the gray curtain.

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Speaker 8: Yes, I've been in fourteen bands and a wow, yeah, well.

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Speaker 4: Wait do you also play drums? Is that what I play?

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Speaker 8: I play percussion, but not as well as past members

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of this band. I played bass, but not as well

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as past members of this band and present members of

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this band. But but now, I come from a long

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line of musicians, all of my My uncle Smokey used

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to play in his own band, Smoking and the Rangers

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in the Irish Club in Putnam. It's no longer there,

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but he got me on stage at five years old

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singing Frosty the Snowman at a at a Christmas event,

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and I got hooked ever since. You know chamber choir,

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church choir, you know school chorus, state competitions, voice lessons.

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Speaker 4: I was just give me all of it.

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Speaker 8: And you know, growing up in high school, you know,

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as I mentioned, I was, I was a victim of

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a lot of bullying and whatnot. I was told that

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my singing wasn't good enough to be in a in

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a band. Really, so I uh I started playing bass.

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My uncle Bob uh taught me, uh some basics and

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once I got those down, he was like, you're ready

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to go. Just do your thing, you know, because he

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was playing country and I'm trying to do like Les

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Claypool stuff, you know, and so he was just like,

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you're good, You're good, you know, just just keep doing

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what you're doing.

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Speaker 4: So uh yeah, I basically, uh.

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Speaker 6: Who who told you weren't good enough to sing?

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Speaker 8: Was it a teacher or no? No, none of my teachers.

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So shout out to Michael Adam Kerns. He he he

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kept pushing me. Oh I would you know, I was

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like tormented so much in in school. I would take

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my lunch into the course room and just sit by myself.

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Really Oh yeah, yeah, believe me.

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Speaker 4: I could.

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Speaker 8: I could sit here for hours telling you about this stuff.

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But uh no, it was you know, my peers, you know,

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kids that you know that I would it.

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Speaker 4: Was part it sounds like it was part of the bullying.

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It really, it really was.

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Speaker 8: But from that I got to say, if it wasn't

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for those experiences, I don't think I'm sitting here now

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talking to you about this because a lot of the

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characters are based on things like that, being told that

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I wasn't good enough, being told that my sound wasn't metal.

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Speaker 4: It's like, okay, you.

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Speaker 8: Know, even now we're nominated for a New England Music

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Award for Best hard Rock and Metal, and I'm still

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getting from my peers that we're not a metal band.

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We shouldn't be, And it's like, you know what, You're right,

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We're not a metal band.

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Speaker 4: You know. We we like to do a little bit

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of metal.

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Speaker 8: We like to do a little bit of rock, we

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like to do a little bit of jazz, we like

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to do a little bit of swing.

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Speaker 4: You know.

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Speaker 8: It basically depends on the character in the story that

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that song pertains, But yeah, it's it's really difficul goal

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because you want people to be connected and you want

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people to to help each other, especially in this scene,

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you know, between all the states in New England. But uh,

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it's it's really tough sometimes because it doesn't feel like

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that's the case and in a lot of a lot

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of instances.

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Speaker 4: But well, you're doing something unique too.

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Speaker 6: I mean, you know, I can't think of anyone who

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sounds quite like you guys, which is awesome, which I love.

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And I'm curious, Sean, is this the most unique project

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you've ever been a part of?

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Speaker 4: Yeah? Probably, I would have to say so.

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Speaker 9: You know, I've been, like, like you mentioned before, I

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was in a band Inman before that was kind of

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more of a you know, a straight forward modernized grunge band,

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where I feel like the stuff we're playing in this

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is definitely a.

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Speaker 4: Little more uh, a little more.

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Speaker 9: Difficult to, like you said, find someone who sounds quite

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like it.

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Speaker 1: Yeah.

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Speaker 9: Uh, And I feel like there's a lot of different

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influences that go into the sound, so there's it's really

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easy to have a.

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Speaker 4: Lot of fun with it. You know.

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Speaker 9: It's definitely definitely doesn't get redundant any at any point.

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Speaker 6: Right right, Yeah, absolutely, Well we should play something now,

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you uh, what should because you had you would suggested

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in your email a few songs. Is there one that

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you're pushing as a single.

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Speaker 8: Well, uh, the first album, Shadow of a Man, A

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lot of people like the opening. Yeah, the second album,

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we didn't get a chance to, uh to really play

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all that much before the mass outing of the the

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the members I had, right.

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Speaker 9: So we could we could do the title track from

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that album.

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Speaker 4: Then oh the Floors, Yeah, the floors, that was that

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was one of the ones you'd suggested.

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Speaker 6: Yeah, I think, oh no, that wasn't one of the

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Oh no, that was. Yeah, I'm sorry, I'm you know

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what in my mind, I'm I'm conflating the uh, the

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uh album with the song.

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Speaker 4: Yeah. Okay, yeah, so we'll, uh, let's go with that. Yeah.

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Speaker 6: I really like this one a lot, and then we'll,

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uh we'll talk about it a little bit after. But so,

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uh yeah, let's give this a spin. This is really interesting.

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Check this out the Gray Curtain and the song is

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called the Florist.

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Speaker 5: M h.

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Speaker 3: M hm.

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Speaker 6: Hm.

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Speaker 10: So I said of the red cheating for the time,

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I feed it myself.

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Speaker 5: What is I gotta be formal? Suppose trust to tell

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you what some free you y'all heart being resently so.

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Speaker 10: What fus from your mother Street deep.

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Speaker 5: To the punch con.

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Speaker 3: I over.

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Speaker 5: No, So cool, sweet to up.

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Speaker 1: To the punch, Blood boars, I'm.

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Speaker 10: Rusting, trusted, trusted into this corner, your rusting seas pile the.

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Speaker 5: Car and then you ride. I shall to you.

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Speaker 10: I'm not sweet, told you your heart beat roncidly oil bor.

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Speaker 5: What my present? Realm? Sup your bow man speaking.

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Speaker 1: To metricle.

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Speaker 5: No, it's no soup, you're a sweet I'm too too

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much of about one bottle.

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Speaker 1: The skin.

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Speaker 3: Ships one more time?

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Speaker 10: Swing the run here your hearty roadway spoiled or.

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Speaker 5: A march.

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Speaker 1: About most of it?

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Speaker 6: That is the florist the Gray Curtain here with us

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in studio. We've got a couple of the guys from

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the band here with us, and uh wow, that's a

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great song. Uh if you are just joining us, of course.

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This is Matt Connorton Unleashed and we're live from the

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studios of w M n H ninety five point three

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f M. And today our guests have been, uh some

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of the people who are going to be performing at

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uh at a great event coming up at Terminus in

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Nashua on October nineteenth. And we talked to Abel Blood

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earlier and Dan from Horror and now we've got the

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Gray Curtain here and.

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Speaker 4: What can you tell us about that song?

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Speaker 8: Well, the song and the album are based around a

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elderly floorist from the town of Apathy. All of the

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Gray Curtain albums are going to be around based around

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citizens of the town of Apathy. The character in question

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is a man named Serge Colin. He loses his wife

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to cancer and he develops. He finds this plant in

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the basement of his now dilapidated flower shop. He sells

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everything to try to get his wife some treatment, and

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she ends up passing away anyway, and he goes down

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to the basement this flower shop and finds this this

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plant actually exists in real life. It's oh, it's called

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a double's trumpet. And he gets the the oil of

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the of the plant uh ingested into his body. And

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when when that happens again, I r l in real life,

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you hallucinate, you see like nightmares in real life, and.

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Speaker 4: It hurt it.

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Speaker 8: Uh, it hurts your your ability to breathe, it hurts

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your ability to function.

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Speaker 4: I think I've actually heard of this.

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Speaker 8: And he ends up hearing the voice of his dead

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wife telling him that if he plants the women of

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the town into the ground like seeds, she will blossom

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like a flower from the earth and they will be

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together again. And the entire album is about his quest

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to get his wife back by doing this. It's uh,

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it's one for the kids.

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Speaker 6: Yeah, now this and is this also being written as

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a as a full story.

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Speaker 4: Yes it is. Yeah, we are currently I'm currently working

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on a series of graphic novels. Oh.

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Speaker 8: It's taken me forever to do because I at first,

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I was doing it on paper, just you know, pencil

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drawings and whatnot, and I was able to get like

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four comics done. Now I'm doing everything again on tablet

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and it you know, I'm I'm investing a lot in

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getting you know, the color schemes and things like that.

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And then on top of that, I'm working with my

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partner April on getting a script for the entire twenty

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chapter storyline of the Town of Apathy finished and possibly

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if we can get it picked up to make it

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an actual show. Wow, we're about April. What will be

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two hundred and eight pages in Okay, yeah, two.

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Speaker 4: Hundred and eight of I mean, how much do you

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do you think it'll end up being? We any idea?

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Speaker 8: Probably three hundred and fifteen pages, I think is what

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we're going to stop at, because then you've got about

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nine episodes.

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Speaker 6: Okay, so you figure you're about two thirds of the way. Yeah, yeah, yeah,

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well that's that's a lot. No, that's great though, that's

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that's a great Uh, that's a great undertaking.

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Speaker 8: And the you know, the Florist storyline is part of that,

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that script and I've already got excuse me, about twenty

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thirty pages or so of the of the graphic novel

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for The Florist and Shadow of a Man, the first

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the first album completed.

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Speaker 6: Okay, yeah, I was curious to ask you about that too,

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because we're gonna play I like this track, the opening

436
00:26:43,759 --> 00:26:45,680
that well, we'll play in a couple of minutes. But

437
00:26:46,839 --> 00:26:49,359
I'm curious about Shadow of a Man and does this

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also have a like The Florist?

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Speaker 4: Does this also kind of have its own story? Oh?

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They all do?

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Speaker 11: Uh.

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Speaker 8: Shadow of a Man is more autobiographical. However, in twenty twelve,

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I went through a downward spiral where I attempted suicide.

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I was caught, but I based Shadow of a Man

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on what happened to me during that time. I lost

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the love of my life. She is currently not speaking

447
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to me because of the man that I was back then,

448
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rightfully so, and I based the character Nathan Knoth on me.

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His name originally was going to be Nough Guile, but

450
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I thought that was a little on the nose because

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that's my last name backwards.

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Speaker 4: Oh no kidding, but.

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Speaker 8: But yeah, the album takes place in the last day

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and a half of Nathan's life.

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Speaker 6: Okay, all right, let's what should we know about this song.

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I'm gonna play the opening, and I think we should

457
00:27:51,920 --> 00:27:52,839
know about this specifically.

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Speaker 8: The opening takes place, well, I wrote the opening before

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I even had like an idea of like the storyline

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or anything like that.

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Speaker 4: It was basically my.

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Speaker 8: Acceptance that I have a rare form of cancer, and

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I know that my timeline is not as long as

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a lot of other people. So I wrote the opening

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as a way to kind of come to terms with

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seeing the light and knowing that as much as I fight,

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one day, this is going to end.

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Speaker 4: So I have to enjoy what I have while I

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have it. And the opening, as.

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Speaker 8: Far as the storyline, takes place right around the end

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of the story where Nathan is accepting death.

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Speaker 6: Okay, all right, so let's give this a listen. This

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is songs called the opening. This is from the album

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Shadow of a Man by the Gray Curtain.

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Speaker 5: By Walk.

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Speaker 1: Of Shadow.

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Speaker 5: But I got a little.

478
00:29:13,720 --> 00:29:20,559
Speaker 12: Guy in my care and my rage, my god, this

479
00:29:20,759 --> 00:29:21,920
will be so bad.

480
00:29:21,799 --> 00:29:28,359
Speaker 1: Honestly willing, and it's trying all night, so shuck.

481
00:29:28,400 --> 00:29:30,599
Speaker 5: There's any reason that I am still a.

482
00:29:30,720 --> 00:29:39,160
Speaker 3: Lot, a lot, a lot.

483
00:29:42,640 --> 00:29:47,640
Speaker 5: Lot walk.

484
00:29:50,039 --> 00:29:51,160
Speaker 1: I'll be old.

485
00:29:54,319 --> 00:29:58,440
Speaker 4: Across my un my city again by.

486
00:30:02,200 --> 00:30:05,240
Speaker 1: Like the waiting despy.

487
00:30:06,519 --> 00:30:11,880
Speaker 5: Oh accord in bs of.

488
00:30:12,079 --> 00:30:15,359
Speaker 1: My singing, see.

489
00:30:33,680 --> 00:30:40,359
Speaker 10: I climb on the mountains on Dauntess where the green

490
00:30:40,440 --> 00:30:47,920
iry line and rocking board ragil died cracky instead one

491
00:30:47,920 --> 00:30:49,920
of five lines of wenzy women.

492
00:30:51,799 --> 00:30:57,160
Speaker 13: It's a man on the round don sis a very reason.

493
00:30:56,880 --> 00:31:18,039
Speaker 5: That I just don't know, oh my ride on the Don.

494
00:31:21,319 --> 00:31:25,759
But when I say by.

495
00:31:29,480 --> 00:31:32,000
Speaker 3: A girl when there's.

496
00:31:31,759 --> 00:31:34,680
Speaker 5: One all.

497
00:31:37,400 --> 00:31:43,799
Speaker 10: But will never mus says say.

498
00:33:32,599 --> 00:33:32,839
Speaker 4: Wow.

499
00:33:33,000 --> 00:33:35,960
Speaker 6: That is the opening from the album Shadow of a

500
00:33:36,079 --> 00:33:39,880
Man by the Gray Curtain, And uh we have Dennis

501
00:33:39,960 --> 00:33:42,720
and Sean Uh from the Gray Curtain here with us

502
00:33:42,799 --> 00:33:46,079
alive in studio this morning, and uh wow, that's that's

503
00:33:46,119 --> 00:33:49,680
pretty epic. As we're listening to that, Dennis, I'm curious

504
00:33:49,720 --> 00:33:53,079
to know more about your your singing, and where do

505
00:33:53,119 --> 00:33:55,839
you take influences from in terms of your vocal approach.

506
00:33:58,279 --> 00:34:04,079
Speaker 8: Well, growing up, I was kind of bombarded with old

507
00:34:04,119 --> 00:34:10,000
school country, No Show Jones, Patsy Kline, Roy Orbison. So

508
00:34:10,840 --> 00:34:15,280
thus a lot of my lyrical content is sad by nature,

509
00:34:17,039 --> 00:34:22,239
as theirs were. But then as I got older, I

510
00:34:22,360 --> 00:34:28,079
started finding my own influences in soul music and jazz

511
00:34:28,199 --> 00:34:33,679
and blues. And then as I became a teenager, I

512
00:34:33,840 --> 00:34:39,159
started listening to metal more often. But really I started

513
00:34:39,320 --> 00:34:42,039
getting into the kind of stuff that I'm doing currently

514
00:34:42,199 --> 00:34:46,519
because of things like Rocky Horror Picture Show. You know,

515
00:34:46,800 --> 00:34:49,960
the first time I the first time I saw Meatloaf,

516
00:34:51,000 --> 00:34:54,920
I was enamored. I wanted to know everything there was

517
00:34:55,000 --> 00:34:59,199
to know about this guy from Bad Out of Hell one, two,

518
00:34:59,440 --> 00:35:01,800
even three. You know a lot of people don't talk

519
00:35:01,800 --> 00:35:03,159
about three, but that's a good album.

520
00:35:05,000 --> 00:35:05,159
Speaker 4: You know.

521
00:35:05,400 --> 00:35:10,519
Speaker 8: I enjoy musicians who wear their heart on their sleeve

522
00:35:10,599 --> 00:35:13,639
when they're on stage, or you know, just when they're

523
00:35:13,679 --> 00:35:18,159
writing a song. They're trying too not so much make

524
00:35:18,239 --> 00:35:21,280
you dance or make you feel happy or anything. They're

525
00:35:21,320 --> 00:35:27,000
trying to invoke an emotion. Former band member of the

526
00:35:27,039 --> 00:35:32,639
Gray Curtain actually got me into Stephen Wilson from Porcupine Tree, which, yeah,

527
00:35:32,840 --> 00:35:34,639
which is one of Sean's favorite bands.

528
00:35:35,440 --> 00:35:35,679
Speaker 1: Yeah.

529
00:35:37,239 --> 00:35:40,599
Speaker 8: First time I saw Stephen Wilson perform, he did the

530
00:35:40,719 --> 00:35:46,400
song called Routine, and I could actually feel my heart

531
00:35:46,840 --> 00:35:50,840
get just ripped out of my chest. And a lot

532
00:35:50,840 --> 00:35:54,360
of people don't go to a show, you know, wanting that,

533
00:35:54,519 --> 00:35:54,920
but I do.

534
00:35:55,559 --> 00:35:59,159
Speaker 4: I want to. I want to feel an experience when

535
00:36:00,039 --> 00:36:00,880
and I go to a show.

536
00:36:01,159 --> 00:36:01,400
Speaker 1: Yeah.

537
00:36:02,159 --> 00:36:06,679
Speaker 8: So, and and that's where my where I take a

538
00:36:06,760 --> 00:36:09,599
lot of my influence from, uh, you know, seeing Rent

539
00:36:09,679 --> 00:36:13,280
on Broadway, you know, uh, and then the very next

540
00:36:13,360 --> 00:36:16,440
day going to see you know, Metallica play at Woodstock

541
00:36:16,559 --> 00:36:21,519
ninety nine. You know. I it's basically like those two

542
00:36:21,639 --> 00:36:25,360
things are what makes uh makes the Great Curtain? Yeah,

543
00:36:25,880 --> 00:36:29,119
you know that heavy edge with the emotional baggage.

544
00:36:28,880 --> 00:36:29,920
Speaker 4: Yep, yep.

545
00:36:31,039 --> 00:36:33,440
Speaker 6: Did your approach change it all between these two albums,

546
00:36:33,719 --> 00:36:35,800
I mean, obviously they have different themes to them, but.

547
00:36:37,159 --> 00:36:42,199
Speaker 8: Well, my my old band members did did all the recording,

548
00:36:42,280 --> 00:36:43,159
did all the mixing.

549
00:36:43,559 --> 00:36:45,599
Speaker 4: Uh, so you know, all of the.

550
00:36:47,159 --> 00:36:51,239
Speaker 8: Ah, what's the word I'm looking for? All all of

551
00:36:51,280 --> 00:36:54,159
the kudos goes to them for the way that these

552
00:36:54,199 --> 00:37:01,119
albums sound as far as production, but it's far as approach. Yeah,

553
00:37:01,239 --> 00:37:05,159
we the first album, we basically went into it like

554
00:37:05,440 --> 00:37:08,840
we need to get this sound out there. A lot

555
00:37:08,880 --> 00:37:11,599
of people are asking for some sort of hard copy,

556
00:37:12,000 --> 00:37:13,840
and by the time we got to the second album,

557
00:37:14,480 --> 00:37:17,320
nobody listens to a hard copy anymore, you know. So

558
00:37:17,440 --> 00:37:20,639
we only got maybe like fifty copies of the second

559
00:37:20,679 --> 00:37:23,360
album and we were like throwing them around at people.

560
00:37:23,840 --> 00:37:24,599
Speaker 4: A lot of people just.

561
00:37:24,719 --> 00:37:29,840
Speaker 8: Listen to our streaming sure today. But the approach was basically,

562
00:37:32,559 --> 00:37:37,400
just like with the characters. The first album was very melodramatic,

563
00:37:38,119 --> 00:37:42,599
very dark, very Ecker Allen Poe. The second is very

564
00:37:43,000 --> 00:37:48,360
horror movie. It's very it's very John Carpenter, it's very

565
00:37:49,559 --> 00:37:54,039
you know, Stephen King. And that's what we try to do,

566
00:37:55,039 --> 00:37:56,840
you know, as far as like what I try to

567
00:37:56,960 --> 00:37:59,960
do when I'm developing a story. The one that we're

568
00:38:00,199 --> 00:38:03,320
currently working on is about two killers and they both

569
00:38:03,400 --> 00:38:07,920
have two lists that they have to complete. The main

570
00:38:08,599 --> 00:38:12,639
protagonist antagonist excuse me, the main antagonist of the story

571
00:38:13,199 --> 00:38:16,480
basically allows one of them to go free of this

572
00:38:16,679 --> 00:38:19,719
town that they can that no one in the town

573
00:38:19,800 --> 00:38:23,880
can escape. And the first killer that can complete their

574
00:38:23,960 --> 00:38:26,880
list of ten is allowed to leave the town no

575
00:38:27,000 --> 00:38:30,440
strings attached. So we're a you know, we're able to

576
00:38:30,519 --> 00:38:36,000
take from that brief description of the storyline and go, okay, well,

577
00:38:36,039 --> 00:38:38,679
what kind of album is this going to be? Yeah,

578
00:38:39,039 --> 00:38:41,000
you know, what kind of songs are we going to

579
00:38:41,239 --> 00:38:45,039
put together for this? And and this is going to

580
00:38:45,079 --> 00:38:49,440
be more of like an action type of I don't

581
00:38:49,440 --> 00:38:52,480
want to say, gory type of thing, but a lot

582
00:38:52,599 --> 00:38:56,239
more intense album than the other two.

583
00:38:56,559 --> 00:39:02,719
Speaker 4: Okay, okay, will you be recording? Well? Where did you

584
00:39:02,840 --> 00:39:04,039
record the newest one?

585
00:39:04,880 --> 00:39:09,760
Speaker 8: In my former drummer's house. He had a recording studio

586
00:39:10,119 --> 00:39:14,760
in the basement of his house, and we, uh and

587
00:39:15,039 --> 00:39:18,679
we mixed in the sun room like a sun porch.

588
00:39:19,119 --> 00:39:23,719
Speaker 4: Yeah. Oh so you see you did the entire album there, yep, yeah, okay,

589
00:39:23,920 --> 00:39:26,159
the whole thing was was homemade.

590
00:39:26,599 --> 00:39:26,800
Speaker 1: Yeah.

591
00:39:27,039 --> 00:39:30,599
Speaker 8: Yeah, we didn't have to go to a studio. Obviously

592
00:39:30,719 --> 00:39:33,639
with this next batch of songs, not going to.

593
00:39:33,639 --> 00:39:34,119
Speaker 4: Be the case.

594
00:39:34,800 --> 00:39:39,440
Speaker 8: But but you know, and and the worst part too,

595
00:39:39,639 --> 00:39:42,239
is like I still love those guys, you know, I

596
00:39:43,079 --> 00:39:46,719
I've got I got nothing nothing but love for everybody,

597
00:39:47,039 --> 00:39:50,920
every single person that has helped me along through this ride.

598
00:39:51,159 --> 00:39:56,360
Present and past has you know, has made the spand better.

599
00:39:57,320 --> 00:39:58,159
Speaker 4: So I've.

600
00:39:59,599 --> 00:40:02,320
Speaker 8: Like I I will never say a ill will word

601
00:40:02,559 --> 00:40:07,400
ill word towards any member that you know. Was we

602
00:40:07,719 --> 00:40:11,880
were just talking during the during the opening of past members,

603
00:40:12,280 --> 00:40:15,320
people that I wish we're still in this band, people

604
00:40:15,440 --> 00:40:17,079
that I understand why they left.

605
00:40:17,840 --> 00:40:21,760
Speaker 4: But as far as you know, where we're.

606
00:40:21,639 --> 00:40:26,400
Speaker 8: Gonna go, as far as uh like recording in the future,

607
00:40:27,760 --> 00:40:29,920
you know who knows, you know who knows.

608
00:40:30,400 --> 00:40:32,360
Speaker 4: I was obviously gonna have to go to a studio,

609
00:40:33,480 --> 00:40:36,000
but you've got plenty of options, that's the good news. Yeah.

610
00:40:36,199 --> 00:40:39,000
Speaker 8: Yeah, I keep hearing people tell me, you know, oh

611
00:40:39,079 --> 00:40:40,960
you should go here, you should go here, you should

612
00:40:41,000 --> 00:40:44,199
go here. But you know, right right now we're still

613
00:40:44,239 --> 00:40:47,400
in Like I think we've only got like seven songs,

614
00:40:47,559 --> 00:40:49,920
and I want this thing to be you know, it's

615
00:40:50,039 --> 00:40:53,559
kind of a moot thing to say nowadays, with physical

616
00:40:53,639 --> 00:40:56,360
copies being you know, the thing of the past.

617
00:40:56,480 --> 00:40:58,320
Speaker 4: I guess which makes me sad.

618
00:40:59,119 --> 00:41:01,159
Speaker 6: What one of the a lot of our guests are

619
00:41:01,199 --> 00:41:04,559
still putting out, you know, physical copies of CDs. But

620
00:41:04,960 --> 00:41:07,159
but I think my theory though, is I think most

621
00:41:07,239 --> 00:41:09,559
most of those never actually get played. It's just if

622
00:41:09,599 --> 00:41:11,800
you're really a fan of somebody, it's nice. You know,

623
00:41:11,920 --> 00:41:14,440
same thing with vinyl, Yeah, I mean vinyl. I think

624
00:41:14,519 --> 00:41:15,239
now vinyl is.

625
00:41:15,239 --> 00:41:18,519
Speaker 4: Out selling CDs. Yeah, but if you buy it, if

626
00:41:18,519 --> 00:41:19,039
you buy.

627
00:41:19,199 --> 00:41:21,519
Speaker 6: Somebody's vinyl, a brand new vinyl in the package and

628
00:41:21,599 --> 00:41:23,760
probably you know, most people I'm sure never even open it.

629
00:41:24,039 --> 00:41:25,840
They just it's because they're such a big fan of

630
00:41:25,880 --> 00:41:27,719
that artist. It's cool to have the vinyl.

631
00:41:27,840 --> 00:41:30,320
Speaker 4: Yeah, absolutely, Ye kind of collected, but yeah, you.

632
00:41:30,440 --> 00:41:33,440
Speaker 8: You explained it a lot better than I did, where

633
00:41:33,519 --> 00:41:35,760
it's like, yeah, people are still collecting it.

634
00:41:35,840 --> 00:41:38,159
Speaker 4: I still have CDs, I still have tapes. Yeah.

635
00:41:38,760 --> 00:41:41,239
Speaker 8: One of our main crew guys, his name is Fully,

636
00:41:41,280 --> 00:41:45,840
shout out to Fully. His wall is nothing but cassette tapes.

637
00:41:46,239 --> 00:41:50,320
You know, he's got vinyl for days. Yeah, and you know,

638
00:41:50,519 --> 00:41:52,480
it's just like what you said, you know, if you

639
00:41:52,639 --> 00:41:55,920
appreciate it, then you know you will you will buy it.

640
00:41:56,159 --> 00:41:56,360
Speaker 1: Yeah.

641
00:41:57,199 --> 00:42:01,320
Speaker 4: But but what we're trying to, well, what I'm.

642
00:42:01,679 --> 00:42:04,360
Speaker 8: Hoping to pitch and what the guys hopefully will go

643
00:42:04,440 --> 00:42:09,920
along with, is a double album, really one one album's

644
00:42:09,960 --> 00:42:11,079
worth of material.

645
00:42:10,800 --> 00:42:13,320
Speaker 4: For each killer. Oh that's cool.

646
00:42:13,760 --> 00:42:17,360
Speaker 8: Yeah, Yeah, So I'm hoping, hoping that we can get

647
00:42:17,440 --> 00:42:22,440
that get that out there within the next couple of years.

648
00:42:22,599 --> 00:42:26,519
Speaker 6: Yeah, yeah, oh that's a that's a great concept. I

649
00:42:26,559 --> 00:42:28,199
can relate to what you were saying about meat Loaf,

650
00:42:28,280 --> 00:42:30,039
by the way, because I was I was such a

651
00:42:30,079 --> 00:42:32,840
big fan growing up. I actually have his non or

652
00:42:32,920 --> 00:42:34,719
I did. I don't know where they are now. I

653
00:42:34,960 --> 00:42:37,760
don't really keep any speaking of physical copies, I really

654
00:42:37,800 --> 00:42:40,559
don't keep physical copies of anything anymore. But but I

655
00:42:40,760 --> 00:42:43,599
I always bought his non bad Out of Hell albums too,

656
00:42:44,360 --> 00:42:47,400
you know, like Whine before I Stop and uh, what's

657
00:42:47,519 --> 00:42:50,440
the uh? I can't even remember the titles now, it's

658
00:42:50,480 --> 00:42:54,199
been so long, but yeah, I actually that's A friend

659
00:42:54,239 --> 00:42:56,400
of mine joked with me once because I had, you know,

660
00:42:56,440 --> 00:42:58,559
I had all these obscure albums of meat Loaf that

661
00:42:58,599 --> 00:43:00,320
nobody else cared about because they didn't have that out

662
00:43:00,320 --> 00:43:02,679
of Helmet title. And yeah, friend of mine said, you know,

663
00:43:02,800 --> 00:43:06,079
he probably knows you, like like like he probably knows

664
00:43:06,119 --> 00:43:08,039
who you are, because you're the one guy who actually

665
00:43:08,119 --> 00:43:11,480
bought these other CDs. Like if you ever met him,

666
00:43:11,519 --> 00:43:13,679
he'd be like, hey, I know you. I heard about you.

667
00:43:13,920 --> 00:43:15,440
They told me you were real, but I didn't think

668
00:43:15,440 --> 00:43:19,960
you were. Eleanor in the chat room says CDs are

669
00:43:20,000 --> 00:43:23,719
totally in. Uh we still use super dupes in uh

670
00:43:24,039 --> 00:43:27,480
in Salem, Salem, New Hampshire. Shout out to Bruce Bannett.

671
00:43:27,559 --> 00:43:28,079
Speaker 4: Oh there you go.

672
00:43:28,599 --> 00:43:30,559
Speaker 6: So yeah, so there's an option for you if you

673
00:43:30,639 --> 00:43:33,480
decide to Uh. Yes, Spelfie was saying too, she's still

674
00:43:33,519 --> 00:43:34,079
buy CDs.

675
00:43:34,079 --> 00:43:36,400
Speaker 8: Oh yeah, And I knew like the way that I

676
00:43:36,480 --> 00:43:39,840
worded it, we were probably going to get people going, hey,

677
00:43:39,960 --> 00:43:43,559
wait a second, I'm not saying that CDs aren't awesome. Yeah, yeah,

678
00:43:43,760 --> 00:43:45,480
I'm just saying that, you know, it just seems like

679
00:43:45,559 --> 00:43:47,719
people don't really buy them anymore. Like when we go

680
00:43:47,880 --> 00:43:51,400
to play shows, you know a lot of people will ask, oh,

681
00:43:51,440 --> 00:43:53,480
are you guys on Spotify or you guys on Apple?

682
00:43:53,559 --> 00:43:58,360
Speaker 6: That's the most important thing to be on the streaming platforms? Absolutely, yeah, absolutely.

683
00:43:58,679 --> 00:43:59,480
Speaker 4: But don't get me wrong.

684
00:44:00,119 --> 00:44:02,480
Speaker 8: Every show we play, we have copies of the floorst

685
00:44:02,559 --> 00:44:04,360
we have copies of Shadow of a Man, we have

686
00:44:04,480 --> 00:44:05,119
the T shirts.

687
00:44:05,199 --> 00:44:07,239
Speaker 4: We have you know, great Hurt in the Flame Throw

688
00:44:07,800 --> 00:44:10,480
kids love that one. Oh yeah, well I bet Eleanor's

689
00:44:10,519 --> 00:44:14,000
excited to see that at Terminus. Just kidding. Yeah, we're

690
00:44:14,039 --> 00:44:17,519
not bringing Pyro. Actually, well you know what they survived,

691
00:44:17,840 --> 00:44:22,519
Green Jello. So yeah, yeah, that's a mess. I had,

692
00:44:22,639 --> 00:44:24,199
I had to I had.

693
00:44:25,079 --> 00:44:28,039
Speaker 6: I was there on Tuesday of this week for a

694
00:44:28,119 --> 00:44:31,920
meeting with Eleanor, and I asked her because actually Jenny

695
00:44:32,000 --> 00:44:33,679
is the one who kind of put that ball in

696
00:44:33,800 --> 00:44:35,840
motion as far as booking Green Jellow there.

697
00:44:36,079 --> 00:44:38,360
Speaker 4: But I asked asked me for a venue. Yeah, yeah,

698
00:44:38,800 --> 00:44:39,159
because we.

699
00:44:39,239 --> 00:44:40,920
Speaker 6: We when they were in town, we had them on

700
00:44:41,000 --> 00:44:43,239
the show. And but I asked Eleanor, I said, uh,

701
00:44:43,639 --> 00:44:46,039
did anything get broken that night? I was just curious,

702
00:44:46,199 --> 00:44:48,920
But I apparently nothing did so at least at least

703
00:44:48,960 --> 00:44:50,039
nothing important, So that's good.

704
00:44:50,079 --> 00:44:51,320
Speaker 4: But yeah, that was a that was a hell of

705
00:44:51,360 --> 00:44:53,920
a night. But but yeah, that's cool.

706
00:44:53,920 --> 00:44:56,159
Speaker 6: We should remind people, of course October nineteenth, you're going

707
00:44:56,199 --> 00:44:59,920
to be there, yep, at Terminus also with we had

708
00:45:00,000 --> 00:45:01,840
able Blood in the first hour, they're going to be there.

709
00:45:01,920 --> 00:45:04,719
And Horror is also going to be there at that show.

710
00:45:05,480 --> 00:45:08,440
Who was here with us in the second hour. Also,

711
00:45:08,639 --> 00:45:10,000
do you still have in front of you, Jenny. I'm

712
00:45:10,039 --> 00:45:12,440
kind of doing this for memory deed. Harrison of course

713
00:45:12,480 --> 00:45:15,599
will be there October nineteenth, Thenagans.

714
00:45:15,719 --> 00:45:18,039
Speaker 8: Ye, Joe's Joe from the Nigans is going to be

715
00:45:18,039 --> 00:45:20,320
playing double duty with us and the Megans.

716
00:45:20,440 --> 00:45:21,400
Speaker 5: Oh very cool.

717
00:45:21,480 --> 00:45:24,320
Speaker 4: It's going to be his last show with us, unfortunately.

718
00:45:23,840 --> 00:45:25,079
Speaker 7: And they're going to have a haunted house.

719
00:45:25,280 --> 00:45:26,360
Speaker 4: Yeah you heard about that.

720
00:45:28,039 --> 00:45:30,079
Speaker 6: Oh, here, here we go, I find it. Oh oh,

721
00:45:30,239 --> 00:45:33,280
Questing Beast, that's who I was forgetting. I love that name,

722
00:45:33,400 --> 00:45:36,199
Questing Beast. I just think that's a cool name. So yeah,

723
00:45:36,239 --> 00:45:38,400
So that's gonna be a big night October nineteenth at

724
00:45:38,519 --> 00:45:42,800
Terminus in Nashua. So, and of course we'll we'll definitely

725
00:45:42,840 --> 00:45:45,639
be reminding you all of that as it gets closer.

726
00:45:46,400 --> 00:45:48,079
Speaker 4: But guys, we are.

727
00:45:48,519 --> 00:45:50,920
Speaker 6: I want to get one more song and it's a

728
00:45:51,000 --> 00:45:55,519
long one, so we will we'll begin to wrap up.

729
00:45:55,559 --> 00:45:58,239
But what should people know about? Where to follow you

730
00:45:58,320 --> 00:45:59,079
guys online?

731
00:45:59,119 --> 00:46:00,760
Speaker 4: How to keep up with every thing that you're doing.

732
00:46:02,559 --> 00:46:07,119
Speaker 8: Uh, basically, we're on Facebook. Basically type in the gray curtain.

733
00:46:07,239 --> 00:46:11,679
It'll either show you pictures of curtains or it'll show

734
00:46:11,679 --> 00:46:16,440
you us. But yeah, we're on Spotify, Apple Music, We're

735
00:46:16,880 --> 00:46:19,840
on band Camp, We're on YouTube. Just type in the

736
00:46:19,880 --> 00:46:23,320
gray curtain and it'll take you to one of one

737
00:46:23,360 --> 00:46:26,400
of our pages. We're also on Facebook, Instagram, all of

738
00:46:26,440 --> 00:46:28,400
the streamings, all of the social media's.

739
00:46:28,599 --> 00:46:29,280
Speaker 14: Yeah, very good.

740
00:46:29,360 --> 00:46:30,880
Speaker 4: Oh and we should tell people too.

741
00:46:31,440 --> 00:46:33,559
Speaker 1: It is g R e Y. Yeah.

742
00:46:33,679 --> 00:46:36,400
Speaker 4: A lot of people get that confused too, Yeah, g

743
00:46:36,639 --> 00:46:37,280
R e Y.

744
00:46:39,079 --> 00:46:39,320
Speaker 14: Yes.

745
00:46:41,199 --> 00:46:42,920
Speaker 4: Does the name ever get spelled wrong?

746
00:46:43,000 --> 00:46:43,079
Speaker 6: Oh?

747
00:46:43,159 --> 00:46:44,960
Speaker 4: Yeah, all the time, all the time.

748
00:46:45,039 --> 00:46:45,239
Speaker 1: Yeah.

749
00:46:46,039 --> 00:46:48,079
Speaker 8: You know, I work for meals on wheels, and like

750
00:46:48,199 --> 00:46:50,360
people find out that I'm in a band, They're like

751
00:46:50,639 --> 00:46:51,159
typing it in.

752
00:46:52,039 --> 00:46:53,719
Speaker 4: They're like, oh, we can't find you. I'm like, oh,

753
00:46:53,760 --> 00:46:59,920
it's it's e E why. Yeah, all right, well, very good.

754
00:47:00,119 --> 00:47:02,239
Speaker 6: Well, thank you guys so much. We are going to

755
00:47:02,239 --> 00:47:05,440
play one more track to close out in just a moment.

756
00:47:05,480 --> 00:47:08,920
Thank you to everybody who joined us today on this Saturday.

757
00:47:09,159 --> 00:47:10,880
And Jenny, you want to plug.

758
00:47:10,719 --> 00:47:12,400
Speaker 4: Your website absolutely.

759
00:47:12,480 --> 00:47:14,760
Speaker 7: You can go to Gencoffee dot com j E N

760
00:47:14,880 --> 00:47:17,519
N c O F f Ey dot com. Check out

761
00:47:17,559 --> 00:47:19,360
the blog and you can find my report on the

762
00:47:19,400 --> 00:47:23,320
White House Medical Dead event, as well as information on Spellbound,

763
00:47:23,679 --> 00:47:25,639
the next Mosaic Art collective show.

764
00:47:26,039 --> 00:47:29,239
Speaker 4: Yes, yes, very good. So we'll close out with this song.

765
00:47:29,360 --> 00:47:31,719
Speaker 6: Like I said, it's a long one, but this clip

766
00:47:31,800 --> 00:47:36,079
the Stitch from the album of the Florist by the

767
00:47:36,119 --> 00:47:38,599
Gray Curtain, and what should we know about this before

768
00:47:38,639 --> 00:47:39,000
we play it.

769
00:47:39,800 --> 00:47:42,519
Speaker 8: This takes place in the part of the story where

770
00:47:43,440 --> 00:47:48,519
Surge the Florist starts seeing and hearing, excuse me, seeing

771
00:47:48,599 --> 00:47:54,880
and hearing his dead wife telling him what he needs

772
00:47:54,960 --> 00:47:56,079
to do to get her back.

773
00:47:56,320 --> 00:47:59,440
Speaker 4: Okay, all right, very good. So we're going to close

774
00:47:59,440 --> 00:47:59,760
out with this.

775
00:48:00,000 --> 00:48:01,599
Speaker 6: If you miss any part of today's show it we'll

776
00:48:01,599 --> 00:48:03,280
be up in just a little bit at w m

777
00:48:03,320 --> 00:48:06,679
n H radio dot org at my website Matt Connorton

778
00:48:06,800 --> 00:48:07,320
dot com.

779
00:48:07,679 --> 00:48:09,599
Speaker 4: And uh yes, we will leave you with this. This

780
00:48:09,760 --> 00:48:12,960
is clip the Stitch. The band is the Gray Curtain,

781
00:48:13,159 --> 00:48:15,960
and thanks everybody. We'll talk to y'all a little bit later.

782
00:48:34,119 --> 00:49:14,360
Speaker 15: M m m hm.

783
00:49:36,360 --> 00:49:42,440
Speaker 10: Over my past until the top, heavy burden in my

784
00:49:42,800 --> 00:49:46,840
pride and help read me while I thought the guy

785
00:49:47,360 --> 00:49:52,639
is tame to be my talking rot. My father's the

786
00:49:52,920 --> 00:49:54,239
lid my father.

787
00:49:55,239 --> 00:49:56,280
Speaker 5: If you want.

788
00:49:59,559 --> 00:50:05,559
Speaker 1: I should out, don't, I shall go lit u s get.

789
00:50:06,000 --> 00:50:07,760
Speaker 5: Don't think it's.

790
00:50:10,360 --> 00:50:19,519
Speaker 15: Still see to see.

791
00:50:24,159 --> 00:50:50,679
Speaker 12: Too well, think it's kind of funny.

792
00:50:52,599 --> 00:50:55,880
Speaker 1: I'm going yet, but make it.

793
00:50:56,079 --> 00:51:06,280
Speaker 10: Think this still the stray people distresses in the spy SHOs.

794
00:51:08,920 --> 00:51:14,840
Speaker 4: Well, I think it's kind of funny, all me d.

795
00:51:15,000 --> 00:51:16,880
Speaker 5: And didn't thinking leave me?

796
00:51:17,079 --> 00:51:22,000
Speaker 16: Still, I'll clip the stitu me on distresses and the

797
00:51:22,159 --> 00:51:25,599
spy of you the listen.

798
00:51:33,559 --> 00:51:39,559
Speaker 5: Bother my last mistakes. I'm begging to repardon and dollow me.

799
00:51:40,079 --> 00:51:46,360
Speaker 13: If the monkey and the state don my law an

800
00:51:47,719 --> 00:51:54,960
welcome to the lad something there shout, I shall.

801
00:51:54,840 --> 00:51:58,519
Speaker 5: Ask me, I shove out to my hole.

802
00:51:58,840 --> 00:52:11,679
Speaker 17: Aga still listen to the sun.

803
00:52:12,280 --> 00:52:13,079
Speaker 18: She said.

804
00:52:15,159 --> 00:52:16,039
Speaker 5: This time.

805
00:52:19,400 --> 00:52:21,400
Speaker 4: Over think, it's kind of funny.

806
00:52:22,519 --> 00:52:24,599
Speaker 1: It's a sali hide.

807
00:52:24,760 --> 00:52:26,519
Speaker 5: Didn't get the mad completely.

808
00:52:26,679 --> 00:52:29,400
Speaker 1: Still, how couldn't this the true.

809
00:52:29,320 --> 00:52:33,480
Speaker 5: Down the rops in this time a moment.

810
00:52:37,199 --> 00:52:42,679
Speaker 11: On the monos, the suns, the door, same bi card and.

811
00:52:42,880 --> 00:52:44,239
Speaker 5: Now she's gone.

812
00:52:46,199 --> 00:52:49,119
Speaker 10: On the b on the joy if the summons the

813
00:52:49,400 --> 00:52:52,960
thought and not card, and now she's gone.

814
00:52:55,079 --> 00:53:28,880
Speaker 5: God away is.

815
00:53:28,880 --> 00:53:30,840
Speaker 3: The challenge just to speak of the.

816
00:53:31,239 --> 00:53:38,039
Speaker 5: Lodes world, Lord Afrek at the.

817
00:53:38,119 --> 00:53:49,159
Speaker 10: Challenge, just to speak of the lodest world. Well, she said,

818
00:53:49,199 --> 00:53:50,239
we've always been together.

819
00:53:53,960 --> 00:54:05,199
Speaker 1: She lied, she said, oh woking for whatever bore she died.

820
00:54:06,119 --> 00:54:10,320
Speaker 4: She said, she said she said that she would never

821
00:54:10,599 --> 00:54:11,119
leave me.

822
00:54:11,400 --> 00:54:15,119
Speaker 1: She said, she said, she said I love.

823
00:54:15,039 --> 00:54:16,199
Speaker 4: Would never die.

824
00:54:16,639 --> 00:54:20,079
Speaker 17: She said, she said, she said that she.

825
00:54:20,320 --> 00:54:24,519
Speaker 5: Would never leave me. She said, she said, she said

826
00:54:24,960 --> 00:54:26,760
I would never die.

827
00:54:27,239 --> 00:54:31,960
Speaker 16: She said, she said, she said that she would never leave.

828
00:54:32,519 --> 00:54:37,320
She said, she said, she said, O love never die.

829
00:54:37,760 --> 00:54:42,519
She said, she said, she said that she would never leave.

830
00:54:43,079 --> 00:55:10,360
Speaker 1: She said, she said, she said, R.

831
00:55:15,480 --> 00:55:17,480
Speaker 5: Dies dies.

832
00:55:19,079 --> 00:55:35,119
Speaker 11: And love what the momola, the serments, the noise and

833
00:55:35,400 --> 00:55:42,320
bart he had, And now she's gone, gone, gone the umma,

834
00:55:43,199 --> 00:55:46,800
the silent, the noise and pie he had.

835
00:55:47,199 --> 00:55:57,480
Speaker 5: And now she's gone. To save a head, I have

836
00:55:57,719 --> 00:56:07,440
a little more. Will I ride my nfty man? Will

837
00:56:07,480 --> 00:56:08,000
I die?

838
00:56:10,800 --> 00:56:26,360
Speaker 1: I shall do? I shall god s leave.

839
00:56:27,079 --> 00:56:30,480
Speaker 5: I shall not lift till I see them again.

840
00:56:32,159 --> 00:56:35,440
Speaker 1: I shall do. I shall not.

841
00:56:37,280 --> 00:56:41,119
Speaker 5: I shall until the well again.

842
00:56:42,400 --> 00:56:46,719
Speaker 1: I shall not. I shall not so leave.

843
00:56:47,480 --> 00:56:51,440
Speaker 5: I shall not left to my horse again.

844
00:57:00,760 --> 00:57:01,079
Speaker 1: Again.

845
00:57:13,519 --> 00:57:17,719
Speaker 18: Kitchen to Life with Queen City Cabinetry located at eighty

846
00:57:17,800 --> 00:57:21,599
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847
00:57:22,039 --> 00:57:25,360
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848
00:57:25,679 --> 00:57:29,199
in Saturdays ten am to two pm. They can be

849
00:57:29,320 --> 00:57:33,159
reached at six oh three two two two to zero

850
00:57:33,360 --> 00:57:37,760
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851
00:57:38,360 --> 00:57:42,239
dot com. Come see the possibilities Queen City Cabinet Tree.

852
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853
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854
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855
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856
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857
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858
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859
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860
00:58:13,719 --> 00:58:14,559
Speaker 1: Dizzey's Cafe.

861
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862
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863
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864
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865
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867
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