1
00:00:00,640 --> 00:00:03,640
Speaker 1: All right, let's see, I think we have Elijah Jenkins

2
00:00:03,720 --> 00:00:06,320
with us via WhatsApp. Let's see how this goes. Elijah,

3
00:00:06,320 --> 00:00:06,759
are you there?

4
00:00:07,719 --> 00:00:08,320
Speaker 2: I am here?

5
00:00:08,640 --> 00:00:09,480
Speaker 3: Is good?

6
00:00:09,679 --> 00:00:13,880
Speaker 1: Oh? Perfect, perfect, no feedback, Everything's awesome, wonderful, all right,

7
00:00:14,640 --> 00:00:17,120
all right, yeah, yeah, I knew we I knew we

8
00:00:17,120 --> 00:00:20,399
would work through it. So so welcome Elijah again. You know,

9
00:00:20,440 --> 00:00:22,920
I love your solo work. Obviously we just played take

10
00:00:22,920 --> 00:00:24,480
a Chance on Her. That is a great song. But

11
00:00:24,760 --> 00:00:28,600
I'm really curious to learn more about your band moving on.

12
00:00:28,679 --> 00:00:32,359
I love that song Absolutely. We did the American radio

13
00:00:32,399 --> 00:00:35,320
premiere for that recently, and I really enjoyed getting to

14
00:00:35,320 --> 00:00:38,840
play that again as well. And so tell us about

15
00:00:38,880 --> 00:00:42,079
the band. I'm curious about how you know, because obviously

16
00:00:42,200 --> 00:00:44,359
you know you have released songs as a solo artist,

17
00:00:44,399 --> 00:00:49,159
but what why moving on? Why why move into a

18
00:00:49,200 --> 00:00:51,479
band project with the with your material?

19
00:00:52,600 --> 00:00:57,159
Speaker 3: So I've had songs like Absolutely, which is obviously out now,

20
00:00:57,479 --> 00:00:59,399
and a couple of other things that we've got in

21
00:00:59,439 --> 00:01:02,280
the works for a while towards the end of the

22
00:01:02,280 --> 00:01:05,439
solo days, and I thought it was I thought the

23
00:01:05,439 --> 00:01:08,120
songs needed a band behind them, to be honest with you, Matt,

24
00:01:08,159 --> 00:01:10,480
I thought that was the way we were going to

25
00:01:10,480 --> 00:01:12,840
get the best potential out of them. So a little

26
00:01:12,840 --> 00:01:15,000
bit about the lads in the band. We've got Scott

27
00:01:15,079 --> 00:01:17,719
on drums, who I was in a former band with

28
00:01:17,719 --> 00:01:21,159
but when I was seventeen, and then we've got George

29
00:01:21,200 --> 00:01:26,000
on bass, who I have a mutual friends with, and

30
00:01:26,040 --> 00:01:28,480
then we've got Alfie on guitar, who was last to

31
00:01:28,560 --> 00:01:32,400
join us in mid October of last year. So you know,

32
00:01:32,439 --> 00:01:35,599
we're still only what we're in now. Late February was

33
00:01:35,599 --> 00:01:39,680
still only about four months into the journey as the band,

34
00:01:39,879 --> 00:01:42,239
but we're really happy with what we've done so far.

35
00:01:43,280 --> 00:01:45,840
Speaker 1: How hard was it to find the right people? I mean,

36
00:01:45,840 --> 00:01:48,760
did the chemistry sort of come together quickly? Because obviously

37
00:01:49,159 --> 00:01:51,359
when you're putting a band together to do material that

38
00:01:51,400 --> 00:01:54,840
you've already written and you know recorded in some form,

39
00:01:54,879 --> 00:01:59,959
I mean, is it obviously it's a priority to write

40
00:02:00,239 --> 00:02:03,719
to find the right people. Was that difficult or did

41
00:02:03,760 --> 00:02:04,760
this come together quickly?

42
00:02:06,280 --> 00:02:10,439
Speaker 3: So with Scott, I knew Scott who was obviously the drummer,

43
00:02:10,560 --> 00:02:12,280
so I knew he was going to be.

44
00:02:13,919 --> 00:02:15,280
Speaker 2: I knew we worked well together.

45
00:02:15,520 --> 00:02:15,639
Speaker 1: Yea.

46
00:02:15,719 --> 00:02:18,280
Speaker 3: With Georgia we had mutual friends, so reached out to

47
00:02:18,360 --> 00:02:22,560
him on Instagram. Before Alfie came in, we did have

48
00:02:22,599 --> 00:02:27,280
another guitarist, but we parted ways for a couple of

49
00:02:27,319 --> 00:02:33,199
different reasons, and George knew Alfie and me and George

50
00:02:33,240 --> 00:02:36,199
both reached out to Alfie. And then then first few

51
00:02:36,240 --> 00:02:40,080
rehearsals were so exciting because it was obviously just as

52
00:02:40,120 --> 00:02:42,400
well as playing the songs and getting to know the songs,

53
00:02:42,840 --> 00:02:44,759
it was also getting to know each other on like

54
00:02:45,000 --> 00:02:48,719
a personal level as well, and to build that band chemistry,

55
00:02:48,919 --> 00:02:51,639
which is something we've gotten, something we're very very happy

56
00:02:51,680 --> 00:02:52,759
with and proud of as well.

57
00:02:52,960 --> 00:02:56,199
Speaker 1: Sure sure, was that always kind of the goal when

58
00:02:56,240 --> 00:02:58,759
you were recording and releasing music as a solo artist.

59
00:02:58,800 --> 00:03:00,319
Did you always kind of have it in mind that

60
00:03:00,639 --> 00:03:02,800
you would like to transition that into a band or

61
00:03:02,840 --> 00:03:05,439
is that something that you sort of came to over time.

62
00:03:07,159 --> 00:03:11,199
Speaker 3: It's come quite recently, to be honest. I think definitely

63
00:03:12,759 --> 00:03:16,199
in my earlier solo days, when I had done Start

64
00:03:16,240 --> 00:03:20,800
Again and stuff like that, I couldn't really see it

65
00:03:20,800 --> 00:03:23,719
as a band. But then the more I started to

66
00:03:23,800 --> 00:03:27,560
write and the more I started to think about it,

67
00:03:28,240 --> 00:03:31,599
and when it was just me and my guitar, I

68
00:03:31,639 --> 00:03:34,159
could hear drums in the back of songs and guitar

69
00:03:34,280 --> 00:03:38,000
solos and bass, and obviously I can't play all that

70
00:03:38,120 --> 00:03:41,159
at once at the same time, so I thought, right,

71
00:03:41,199 --> 00:03:43,520
we need to get a band behind it, and yeah,

72
00:03:43,599 --> 00:03:46,159
that's what we've done and couldn't be happy with it either.

73
00:03:46,400 --> 00:03:49,680
Speaker 1: Yeah, No, it sounds great. Absolutely. Now that's the only

74
00:03:49,719 --> 00:03:52,520
single you've released so far as a band to this point.

75
00:03:52,599 --> 00:03:55,919
Speaker 2: Correct, Yes, that is correct, okay, And.

76
00:03:55,800 --> 00:03:58,240
Speaker 1: What's kind of been the response over there? I mean, obviously,

77
00:03:58,280 --> 00:04:01,560
you know, we played it here, so an American audience

78
00:04:01,599 --> 00:04:03,719
is getting exposure to it. But I mean do people

79
00:04:03,759 --> 00:04:06,319
when people hear it, do they do they recognize it's

80
00:04:06,400 --> 00:04:10,560
you right away with a band or how's how's that

81
00:04:10,639 --> 00:04:13,879
transition been in terms of interacting with your audience and

82
00:04:14,039 --> 00:04:16,120
and what's some of the feedback that you've gotten from them.

83
00:04:17,240 --> 00:04:20,519
Speaker 3: Yeah, it's been smooth, to be fair, Even when we've

84
00:04:20,560 --> 00:04:23,040
been working with a lot of the people here in

85
00:04:23,079 --> 00:04:25,920
the on the UK side of things as well, like

86
00:04:26,120 --> 00:04:30,439
gig promoters and stuff, they're really pleased to see it

87
00:04:30,560 --> 00:04:32,680
move into a band and it adds a lot more

88
00:04:32,800 --> 00:04:35,920
energy even to some of the solo stuff that had

89
00:04:35,959 --> 00:04:39,040
been doing as well, a lot of the solo songs

90
00:04:39,079 --> 00:04:41,480
that are out have now got full band versions that

91
00:04:41,519 --> 00:04:44,720
we're obviously playing live, so you know, we're still keeping

92
00:04:44,759 --> 00:04:48,240
the solo stuff in there, but you know, we've transitioned

93
00:04:48,279 --> 00:04:50,839
it all now into a you know, the four piece band,

94
00:04:51,079 --> 00:04:55,920
and you know, the receptions who it's been fantastic from

95
00:04:55,920 --> 00:04:58,319
obviously both sides of the pond, which we're really really

96
00:04:58,399 --> 00:04:58,959
happy about.

97
00:04:59,079 --> 00:05:03,399
Speaker 1: Yeah, no, that's fantas So an obvious question, where does

98
00:05:03,399 --> 00:05:04,680
the name come from? Moving On?

99
00:05:06,040 --> 00:05:10,720
Speaker 3: So the name moving On comes from when I just

100
00:05:10,800 --> 00:05:15,480
previously mentioned we obviously had another guitarist who we separated

101
00:05:16,399 --> 00:05:21,639
ways with, and yeah, I created a WhatsApp group with myself,

102
00:05:21,720 --> 00:05:23,000
George and Scott.

103
00:05:24,319 --> 00:05:25,120
Speaker 2: Called moving On.

104
00:05:25,319 --> 00:05:29,439
Speaker 3: Oh and it wasn't really thought of us like, oh,

105
00:05:29,480 --> 00:05:32,759
this will be the band name or anything. It was

106
00:05:32,839 --> 00:05:34,560
just like, oh, this is how we're going to move

107
00:05:34,639 --> 00:05:39,839
on from this situation. Yeah, and it sort of stuck,

108
00:05:40,079 --> 00:05:43,480
and you know, then we added alphae in and we

109
00:05:43,480 --> 00:05:45,879
were like, right, we've got to think of a band name.

110
00:05:45,920 --> 00:05:51,279
And I was thinking, you know a while about what

111
00:05:51,399 --> 00:05:53,360
a lot of the songs reflect, and a lot of

112
00:05:53,360 --> 00:05:57,839
the songs reflect you know, nostalgia, but also escapism, and

113
00:05:58,040 --> 00:06:01,399
you know that wanting to be free just for moving

114
00:06:01,439 --> 00:06:04,720
on was the perfect fit really for what a lot

115
00:06:04,759 --> 00:06:07,839
of the songs are about that are obviously already out

116
00:06:07,839 --> 00:06:09,839
from the solo project, but a lot of what's to

117
00:06:09,920 --> 00:06:10,519
come as well.

118
00:06:10,920 --> 00:06:15,120
Speaker 1: Okay, okay, were you surprised that the name was available

119
00:06:15,120 --> 00:06:16,959
because you know, it almost seems like somebody else has

120
00:06:16,959 --> 00:06:18,920
already got to be using that name, right, but but

121
00:06:19,000 --> 00:06:21,800
apparently not, like you know, you you found something that

122
00:06:21,959 --> 00:06:25,079
I'm just curious, you know, I'm always fascinated by how artists,

123
00:06:25,160 --> 00:06:29,519
you know, decide to choose a name, and you know,

124
00:06:29,800 --> 00:06:31,839
it is almost surprising to me that was available, but

125
00:06:31,879 --> 00:06:35,480
obviously it was. Was it a surprise to you? It was?

126
00:06:35,879 --> 00:06:38,160
Speaker 3: I mean we had to drop the g Yeah, wasn't

127
00:06:38,480 --> 00:06:43,360
initially on the WhatsApp group chat, but no, Yeah, obviously

128
00:06:43,439 --> 00:06:46,759
did the research around it, and when we found out

129
00:06:46,800 --> 00:06:49,959
it was available and you know, we could get it

130
00:06:50,000 --> 00:06:52,959
on Spotify and all that, it just all seemed to

131
00:06:53,079 --> 00:06:54,279
fall into place at.

132
00:06:54,120 --> 00:06:55,480
Speaker 2: The exact right moment.

133
00:06:55,680 --> 00:06:58,439
Speaker 3: And you know, when we went into the studio to

134
00:06:58,480 --> 00:07:01,199
do Absolutely and then the other songs that will have

135
00:07:01,319 --> 00:07:04,240
coming out later this year, it's just all seemed to

136
00:07:04,240 --> 00:07:08,000
fit into place really well. And you know, we've got

137
00:07:08,000 --> 00:07:11,759
some cracking live shows coming up. We've got a headline

138
00:07:11,759 --> 00:07:15,560
show in Liverpool at the Jacaranda, which is a famous

139
00:07:15,639 --> 00:07:18,439
venue where the Beatles played when they were just starting out.

140
00:07:19,000 --> 00:07:22,040
And then we've got a couple of festivals and a

141
00:07:22,079 --> 00:07:25,639
few unannounced things that I can't spill the lid on yet,

142
00:07:25,680 --> 00:07:29,000
but as soon as soon as I can, you'll be

143
00:07:29,040 --> 00:07:30,079
hearing all about it.

144
00:07:30,279 --> 00:07:33,199
Speaker 1: Outstanding festivals are great. You know I say this all

145
00:07:33,240 --> 00:07:34,759
the time. You might have even heard me say it.

146
00:07:34,879 --> 00:07:37,800
Festivals are The great thing about festivals is on two levels.

147
00:07:37,800 --> 00:07:40,680
On one, you know, obviously you're playing in front of

148
00:07:40,680 --> 00:07:43,759
a large crowd and you're going to get exposed or

149
00:07:43,759 --> 00:07:45,879
fans are going to get exposed to you, new fans

150
00:07:45,920 --> 00:07:48,480
perspectively who might not have been aware of you or

151
00:07:48,519 --> 00:07:50,439
have ever seen you live or heard your music before.

152
00:07:50,519 --> 00:07:53,639
So it's such a fantastic way to expand your fan base.

153
00:07:53,680 --> 00:07:58,000
But it's also an easy way to be able to network,

154
00:07:58,480 --> 00:08:01,480
you know, and meet their industry people and of course

155
00:08:01,519 --> 00:08:05,240
other artists as well, just more broadly, but it's such

156
00:08:05,279 --> 00:08:09,680
a Festivals are just such an amazing opportunity for an

157
00:08:09,720 --> 00:08:13,600
artist like yourself to just really again not only expand

158
00:08:13,600 --> 00:08:17,319
your fan base, but expand yourself within the industry in

159
00:08:17,360 --> 00:08:19,240
terms of who you meet and the connections that you make,

160
00:08:19,279 --> 00:08:21,079
and you never know what might lead to something even

161
00:08:21,120 --> 00:08:23,879
more so, that's great. It's great that you're gonna be

162
00:08:23,879 --> 00:08:25,920
doing a couple of those. I'm curious about the show

163
00:08:25,920 --> 00:08:29,199
at the Jack Randa. You know you mentioned the Beatles.

164
00:08:30,720 --> 00:08:34,080
How how do you feel about I mean, is it

165
00:08:34,120 --> 00:08:36,799
pressure to be playing a show like that or are

166
00:08:36,799 --> 00:08:40,279
you just excited? Or is there like especially where you're from,

167
00:08:40,360 --> 00:08:43,759
because you know, obviously you know there's the Beatles and

168
00:08:44,720 --> 00:08:48,000
the music scene there. I mean, I'm sure it's always

169
00:08:48,240 --> 00:08:50,440
really amazing and that there's so much great talent there.

170
00:08:50,440 --> 00:08:52,480
But i mean, do you feel any pressure with that

171
00:08:52,600 --> 00:08:55,159
or is it more just excitement or maybe you'll feel

172
00:08:55,159 --> 00:08:56,600
pressure on the day of the show. I don't know,

173
00:08:56,679 --> 00:08:58,279
But how do you how do you feel about that?

174
00:08:58,320 --> 00:09:02,399
How do you process that psychologically leading up to it?

175
00:09:02,399 --> 00:09:04,519
Speaker 3: It's a bit of everything, to be honest with you, Matt,

176
00:09:04,879 --> 00:09:07,960
To be honest, obviously, yeah, you know there's pressure. When

177
00:09:07,960 --> 00:09:10,720
you first announced the show, you hope it sells well,

178
00:09:10,759 --> 00:09:13,840
you know, we're nearly sold out, which I'm absolutely delighted

179
00:09:14,320 --> 00:09:17,840
to say. You know that this song and the way

180
00:09:17,879 --> 00:09:21,519
the band's been received since we announced that it would

181
00:09:21,519 --> 00:09:23,799
be a band in late December and then when the

182
00:09:23,799 --> 00:09:26,840
show got announced, you know, we've had a really, really

183
00:09:26,879 --> 00:09:31,279
great reception and response. We've played the Jacaranda beforemat which

184
00:09:31,320 --> 00:09:34,000
I think, oh, ease is a little bit of the pressure.

185
00:09:34,120 --> 00:09:37,639
We've played a support slot there just before Christmas. Yeah,

186
00:09:37,679 --> 00:09:39,759
so I think that eases the pressure. But you know,

187
00:09:39,879 --> 00:09:42,559
headlining it is a different kettle of fish, but I

188
00:09:42,559 --> 00:09:45,840
think it will be that same emotion that's tied to

189
00:09:45,919 --> 00:09:49,879
both nerves but also just immense excitement ready to get

190
00:09:49,919 --> 00:09:50,879
out there and perform.

191
00:09:51,360 --> 00:09:53,360
Speaker 1: That's great. That's great. By the way, I saw a

192
00:09:53,399 --> 00:09:57,000
couple of names of bands associated with you that you

193
00:09:57,039 --> 00:09:59,799
may have played shows with scruff of the neck and

194
00:10:00,519 --> 00:10:03,679
this feeling. Are there are those bands that you've been

195
00:10:03,679 --> 00:10:04,159
playing with.

196
00:10:05,000 --> 00:10:09,240
Speaker 3: No, So they're the promoters and the booking agents that

197
00:10:09,279 --> 00:10:14,080
we use, and they have oh real champions of unsigned,

198
00:10:14,600 --> 00:10:17,360
unsigned acts across the UK.

199
00:10:17,679 --> 00:10:20,720
Speaker 1: Oh fantastic, Okay, that's why those names came up. Yeah,

200
00:10:21,200 --> 00:10:24,200
uh no, that's great. I mean, how how would you

201
00:10:24,720 --> 00:10:27,039
how do you feel about the scene there currently? I mean,

202
00:10:27,279 --> 00:10:28,720
like I said, I know, you know a lot of

203
00:10:28,720 --> 00:10:31,559
great bands have come out of that area, but uh,

204
00:10:31,600 --> 00:10:33,720
I mean, are there a lot of other bands that

205
00:10:33,799 --> 00:10:36,840
sound because I feel like your sound is is unique.

206
00:10:36,879 --> 00:10:39,799
Obviously it's reflective of your solo work, but but with

207
00:10:39,919 --> 00:10:44,799
a full band. But I mean, what's is it competitive there?

208
00:10:45,120 --> 00:10:47,480
Is it more just a community thing where everybody kind

209
00:10:47,480 --> 00:10:50,120
of works together. How would you describe the scene where

210
00:10:50,159 --> 00:10:50,440
you are?

211
00:10:52,399 --> 00:10:54,159
Speaker 3: It makes it both to be honest, Matt, you know,

212
00:10:54,200 --> 00:10:58,279
there's support and there's you know, willingness from you know

213
00:10:58,440 --> 00:11:01,480
of the bands to do well and opportunities, you know,

214
00:11:01,679 --> 00:11:04,879
like when we've been looking for support slots, we've been

215
00:11:04,919 --> 00:11:06,799
offered it by different.

216
00:11:06,480 --> 00:11:08,360
Speaker 2: Bands who are on the way up as well.

217
00:11:09,120 --> 00:11:12,559
Speaker 3: But you know, it's it's a competitive scene, but there's

218
00:11:12,600 --> 00:11:15,799
no one, you know, drugging anyone down and wanting anyone

219
00:11:15,879 --> 00:11:19,240
to not do well just so they can do well.

220
00:11:19,279 --> 00:11:20,320
Speaker 2: If that makes sense.

221
00:11:20,679 --> 00:11:22,799
Speaker 3: Like there's a lot of bands out there, but a

222
00:11:22,799 --> 00:11:25,320
lot of the bands are all very good, and you know,

223
00:11:25,399 --> 00:11:28,240
everyone supports each other, which I think is fantastic.

224
00:11:28,679 --> 00:11:31,759
Speaker 1: No, that is fantastic. You know. I always say success

225
00:11:31,799 --> 00:11:35,120
in life or or in a career. It's not a

226
00:11:35,200 --> 00:11:37,279
zero sum game, you know. It's not like just because

227
00:11:37,279 --> 00:11:39,679
somebody else is doing well that means you're automatically doing

228
00:11:39,759 --> 00:11:43,639
less well, you know so, and I think musicians generally

229
00:11:43,720 --> 00:11:48,759
understand that, which is good. What's kind of the forward

230
00:11:48,840 --> 00:11:51,879
trajectory for you guys as a band? Obviously you've got

231
00:11:51,879 --> 00:11:55,600
the single Absolutely, which is out. Is there a second

232
00:11:55,639 --> 00:11:57,799
single on the way? Do you plan to do an

233
00:11:57,840 --> 00:12:00,440
EP or an album? What's kind of the next year

234
00:12:00,639 --> 00:12:01,919
look like for Moving On?

235
00:12:03,639 --> 00:12:06,000
Speaker 3: Yeah, I think the next year for Moving On, Matt,

236
00:12:06,279 --> 00:12:09,840
it looks good. We've already got our second single recorded

237
00:12:09,879 --> 00:12:12,879
and produced. Oh so that that will lead into an

238
00:12:12,919 --> 00:12:17,240
EP okay, probably into the second half of this year,

239
00:12:18,000 --> 00:12:21,840
and then just getting out everywhere, Matt. You know, as

240
00:12:21,840 --> 00:12:24,639
I said before, we've got a couple of festivals lined up.

241
00:12:25,919 --> 00:12:28,840
We're going to be announcing a London show this weekend

242
00:12:28,960 --> 00:12:33,960
as well. We'll be announcing another headline in our hometown

243
00:12:33,960 --> 00:12:37,879
of Chester in the next few weeks. So it's going

244
00:12:37,960 --> 00:12:39,960
to be a really busy year for us, Matt, but

245
00:12:40,000 --> 00:12:42,600
it's one we're really looking forward to. But yeah, I

246
00:12:42,639 --> 00:12:46,519
think in terms of obviously you know, the second single

247
00:12:46,559 --> 00:12:50,120
will be out, give it to a three months. We'll

248
00:12:50,159 --> 00:12:53,600
let people enjoy absolutely, but then we'll make sure that

249
00:12:53,639 --> 00:12:55,919
they're wanting the next one as well, and then we'll

250
00:12:56,600 --> 00:12:59,639
give the people what they want. But yeah, second half

251
00:12:59,679 --> 00:13:03,039
of the year and especially the summer is going to

252
00:13:03,080 --> 00:13:05,360
be a really great time for Moving On with lots

253
00:13:05,360 --> 00:13:08,679
of gigs and a couple of festivals lined up as well.

254
00:13:08,799 --> 00:13:11,000
Speaker 2: So yeah, we're all really excited about it.

255
00:13:11,279 --> 00:13:13,320
Speaker 1: No, that's wonderful. Yeah, it's great to see that you're

256
00:13:13,320 --> 00:13:15,559
off to such a great start with the band, and

257
00:13:15,919 --> 00:13:18,159
you know, and obviously with your solo work you built

258
00:13:18,320 --> 00:13:21,799
a strong foundation. But it's great to see the band

259
00:13:21,840 --> 00:13:23,440
doing well. And like I said, I love that first

260
00:13:23,440 --> 00:13:27,679
single absolutely, that's really good. Where should people go, Elijah,

261
00:13:27,679 --> 00:13:29,320
where's the best place to go online to keep up

262
00:13:29,360 --> 00:13:32,080
with everything that Moving On is doing or that Elijah

263
00:13:32,120 --> 00:13:33,639
Jenkins is doing? Where should people go?

264
00:13:34,919 --> 00:13:39,559
Speaker 3: Yeah? So for the band, it's moving On Official without

265
00:13:39,600 --> 00:13:45,399
the g So m ov in On Official for the

266
00:13:45,639 --> 00:13:48,639
Instagram and that's where to keep up with everything, and

267
00:13:48,679 --> 00:13:51,200
then it's the same on Spotify as well.

268
00:13:51,519 --> 00:13:54,960
Speaker 1: Okay, okay, outstanding. I think in a moment we're gonna

269
00:13:55,600 --> 00:13:58,399
close with one of your again, one of your solo songs,

270
00:13:58,600 --> 00:14:01,799
start Again, which I think is appropriate in a sense

271
00:14:01,879 --> 00:14:06,919
because you know you moving on. Start Again. This is

272
00:14:06,960 --> 00:14:09,200
another one of the songs that we had played previously

273
00:14:09,240 --> 00:14:12,440
that I really love, and then I'll probably play absolutely

274
00:14:12,480 --> 00:14:13,919
again a little bit later in the show because we

275
00:14:13,960 --> 00:14:15,759
did play it to open our segment with you today.

276
00:14:15,960 --> 00:14:19,600
But Elijah again, congratulations on the band and the success

277
00:14:19,600 --> 00:14:22,440
that you're having. It's wonderful to see this transition in

278
00:14:22,480 --> 00:14:25,759
your career. And when the next single is ready, we

279
00:14:25,799 --> 00:14:28,720
would love to be again the first American radio station

280
00:14:28,799 --> 00:14:31,120
to play that, if you will do us the honor,

281
00:14:31,159 --> 00:14:33,080
and we love being able to kind of be your

282
00:14:33,120 --> 00:14:35,639
conduit into the American radio market because we're big fans

283
00:14:35,679 --> 00:14:36,320
of what you're doing.

284
00:14:38,200 --> 00:14:40,720
Speaker 2: Yeah. Absolutely, Matt, I appreciate that nice one.

285
00:14:40,919 --> 00:14:43,639
Speaker 1: Oh, definitely, definitely, So we're going to hit that track.

286
00:14:43,720 --> 00:14:46,720
We will let you go. But Elijah Jenkins of Moving On,

287
00:14:47,399 --> 00:14:49,320
thank you again, my friend, and we will talk to

288
00:14:49,320 --> 00:14:50,080
you soon, I'm sure.

289
00:14:50,480 --> 00:14:52,240
Speaker 2: James out, thank you everyone, you got it.

290
00:14:52,240 --> 00:14:55,039
Speaker 1: Bye bye, all right. That is Elijah Jenkins from the

291
00:14:55,080 --> 00:14:57,840
band Moving On, and this is another one of his

292
00:14:57,879 --> 00:15:00,639
solo songs This is so good. I love this. This

293
00:15:00,720 --> 00:15:01,639
is called start Again.

