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Speaker 1: The CBS Radio Mystery Theater Presents.

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Speaker 2: Come in.

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Speaker 3: Welcome. I'm e. G. Marshall.

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Speaker 1: Before you joined me, I was sitting thinking of all

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the murders, mayhem, and malevolence I have brought to you

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in the name of mystery. Suddenly, in this unaccustomed mellow mood,

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I thought upon the obverse side of the coin, the

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antithesis of the devil's advocates, the ministers of God. And

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it occurred to me that as much terror and suspense

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are contained in the mystery and magic that is invested

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in them by a higher power of greater force, only

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this time a force for evil. So I thought a

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story from the other point of view might be interesting

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for a change.

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Speaker 4: Jars nurse somebody, Hell, Hell, what is it?

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Speaker 5: Miss? What happened? Chaplin?

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Speaker 6: Morgan?

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Speaker 7: He just just suddenly collapsed, seem dead?

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Speaker 6: Doctor Sheldon, nurse, take care of the patient orderly, Send

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me another nurse from the floor quickly.

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Speaker 3: What is it, Liz? What happened to Dan?

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Speaker 8: I don't know yet.

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Speaker 1: Mike, Well, so help me if anything has this one.

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I'm pinning directly on that cold fish.

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Speaker 2: Doctor Hugh Bradley, our Mystery Drama.

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Speaker 3: He moves in a Mysterious Way.

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Speaker 1: Was written especially for the Mystery Theater by Ian Martin

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and stars Terry Keene. It is sponsored in part by

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sign Off the Sinus Medicines and byser Busch Incorporated Brewers

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of Budweiser.

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Speaker 9: I'll be back shortly with Act one.

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Speaker 1: It was the eighteenth century poet William Cowper who gave

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us that familiar and wonderful quote, God moves in mysterious

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ways his wonders to perform. This story is a reflection

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of that Belleville Community Hospital, though located in the town

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of its name, services the entire county of Fairchild. It

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is the pride and joy of the five main towns

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and their smaller brothers and sisters who draw.

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Speaker 3: On its dependable service.

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Speaker 1: But Belleville Hospital is stretched beyond its usual adequate capacity

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at this moment as a result of a train wreck

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on the line to New York.

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Speaker 8: This is doctor Shelton, just want to alert, Thank you Brownie.

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Speaker 6: We can expect twenty to thirty more casualties according to

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police estimates. Our patient facilities are already jammed, so we'll

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use the children's emergency section temporarily in case of serious injuries.

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Speaker 5: It looks surgical.

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Speaker 8: Refer all admissions to doctor Bradley, a nurse.

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Speaker 10: I'm admitting this patient on the cart, Elizabeth Riggs.

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Speaker 6: I knew you'd have to, doctor Bradley, so I had

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her chart prepared.

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Speaker 10: Yes, very efficient doctor, and my compliments to the optation department.

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Speaker 8: I want my service to satisfy the your chief's death.

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Speaker 10: As long as it stays efficient, it will, yes, Doctor Bradley. Yes,

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doctor Bernardo, they're screaming for you in o R. You

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can hold the dramatics. I'm on my way, and oh

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better check out this patient in the meanwhile, Elizabeth Riggs,

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I've given her light sensation.

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Speaker 3: She's free off.

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Speaker 10: No need to diagnose her. I've already done that. Slight concussion,

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fractured patella, calcaneous, and some messy damage in the ankle

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to the fibular and tibial TERMINI. You'll find it all

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on the chart. I'm on my way to the R.

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Speaker 3: I would like to take his child.

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Speaker 8: I remember who he is.

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Speaker 3: Sure a genius.

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Speaker 5: That's getting my back up. Come on, orderly, let's go.

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Speaker 3: Why what do you want.

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Speaker 5: From crazy Italian? Well?

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Speaker 3: As I got here as fast as I could. What

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is this train?

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Speaker 10: Wreck.

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Speaker 8: Chaplain, Sorry to hold you out of bed in the

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middle of the night.

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Speaker 5: Only time anyone really needs a chaplain or aministers when

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there's trouble.

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Speaker 8: You look a little under the weather.

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Speaker 3: You are right, Oh, just staff asleep. I'm the last

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one to be worried about.

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Speaker 5: Not my leg?

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Speaker 8: No, not my leg?

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Speaker 10: What's going on in here?

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Speaker 3: Nurse? Miss Riggs.

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Speaker 4: I won't let them, I won't let anyone, Miss Riggs. Yes,

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I oh, here was.

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Speaker 10: A doctor who treated you when you came in.

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Speaker 4: What's the matter with my arms?

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Speaker 10: You had to be put under restraint. It's imperative you

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stay as still as possible. I can't, don't you see,

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I can't let you are not the only victim of

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the train wreck.

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Speaker 4: Train wreck.

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Speaker 8: Oh that's it, my leg.

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Speaker 10: I lost my don't be silly. You have some broken bones,

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but you have not lost your leg. Give me that, nurse,

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youn't mine to me.

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Speaker 5: I can't feel it.

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Speaker 3: Hold her, nurse?

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Speaker 11: Now?

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Speaker 10: Where's doctor Bernardo?

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Speaker 3: Here? Doctor? And you hold her now? I still.

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Speaker 10: We only want to help.

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Speaker 4: I don't want to be help.

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Speaker 1: Sure you do, baby, that's what we're here for. You

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want to walk out of here as soon as possible.

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Speaker 5: Don't you are are you? Are you a surgeon just

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hired help?

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Speaker 10: I'm the surgeon. Swa that nurse? This is doctor Bernardo.

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Speaker 4: If you are the surgeon. I want to know something.

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Why can't I feel anything where my left leg ought.

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Speaker 10: To be because I immobilized it till doctor McNeil, the

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orthopedist has time to.

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Speaker 3: Operate on it.

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Speaker 5: I don't believe you.

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Speaker 10: I haven't time to argue. I want to see you

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a moment, doctor Bernardo, and I'm convinced this grown up

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child that she has two good legs.

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Speaker 1: Will you I'll try to the best of my limited ability.

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Speaker 10: I don't ask for any more than you have to give.

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Speaker 1: Why you colding humans?

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Speaker 3: A nurse?

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Speaker 1: Bring me that hand mirror from the bureau. Surest way

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to convince you, Miss Riggs. Let you see for yourself.

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Oh thanks, nurse. You want to pull the bedclothes back? Okay,

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I see one of them in a light plaster bandage cast,

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but both where they belong.

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Speaker 4: Why didn't doctor Bradley show me that?

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Speaker 1: Well, he might have if you'd given him a chance

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instead of throwing a wingding.

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Speaker 4: Oh I shouldn't have been. My legs are very special

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to me.

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Speaker 3: I can see where they would be.

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Speaker 4: I didn't mean the way they look.

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Speaker 1: I need to desire, although I wouldn't knock it, but

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I know you're a dancer.

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Speaker 4: It's my whole life if I couldn't have, especially.

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Speaker 5: Now, nothing to worry about it at the moment.

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Speaker 4: But I've got Oh, I feel woozy.

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Speaker 3: Well that's the sedation.

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Speaker 4: What is that surgeon going to do to me?

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Speaker 5: Do you have a cracked knee cap and a broken ankle?

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Speaker 3: He's going to fix them.

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Speaker 4: I don't want an operation.

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Speaker 5: I will work that out when the time comes.

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Speaker 1: You rest now and let the sedation work.

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Speaker 4: I don't want to be alone. I just wish that what.

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Speaker 7: You wouldn't understand. I'm scared. I think God is punishing

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me and I want it. Oh, I don't know what

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I want.

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Speaker 1: There's a chaplain in the hospital, Reverend Dan Morgan, real

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good guy.

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Speaker 3: I want to talk to him.

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Speaker 7: Could I I know I can't sleep until would he

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have time for me?

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Speaker 3: Miss Riggs.

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Speaker 1: Dan Morgan could be drawing his last breath and he'd

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hold it that he got through helping anyone who needed him.

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Speaker 5: Come in.

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Speaker 6: You're looking for me, Pat Mike Bernardo just called down

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Dan could you talk to that dancer with a badly

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injured leg?

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Speaker 3: Sure, of course about what she's.

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Speaker 8: Fighting in operation? And she asked for a minister?

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Speaker 3: All right? Should she have the operation?

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Speaker 6: If she doesn't, she may never walk properly again. She

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could even lose it. Oh, Dan, you look tired and

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you don't look well.

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Speaker 8: Maybe you should go home and rest.

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Speaker 3: What I'm needed, not in your life. Ah. What's the

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girl's name?

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Speaker 5: Elizabeth Riggs, Room three seventeen.

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Speaker 3: Dancer?

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Speaker 6: Yes, modern, I suppose, not classical, but a professional.

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Speaker 5: Yes, the operation is successful.

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Speaker 3: Will she Will she dance again?

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Speaker 5: I doubt it, and more than ever she needs me. Yes,

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of course I'll see her.

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Speaker 3: God's will be done.

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Speaker 5: Hello, Elizabeth Riggs, I'm chaplain Dan Morgan.

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Speaker 4: Oh, how good of you to come?

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Speaker 5: Was I asleep for a while. I'm sorry, it's good

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for you?

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Speaker 4: Not good enough?

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Speaker 7: I need help, chaplain hell wireless. I'm afraid of the operation.

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I think they wanted to cut off my leg on

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my foot.

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Speaker 3: How did they say they would?

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Speaker 5: No, just never tell you, of course they do.

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Speaker 3: No one thinks you're going to lose your leg.

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Speaker 4: I do Why because I think God wants to punish me.

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Speaker 3: Punish you what for?

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Speaker 4: There's a boy, Peter Strett. We were very much in love.

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Speaker 7: That's what I went upstate for to marry him. And

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at the last moment I couldn't. I ran out on

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the whole wedding, my parents, his everyone. I took the

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train back to New York. That's why God punished me.

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Speaker 5: Oh, I wouldn't say that there were sixty four people

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in that train wreck. God's a little more efficient than that.

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Speaker 4: Now you make me feel ashamed.

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Speaker 3: I meant to.

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Speaker 5: I don't believe in a god of vengeance who reaches

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out to hurt and punish, and neither should you.

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Speaker 3: List We make our own punishments.

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Speaker 4: And I didn't make the train wreck.

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Speaker 8: No, but.

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Speaker 3: You climbed aboard that trying to run away.

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Speaker 4: But I had to, Chaplin Morgan, Dancing isn't just a profession,

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it's a whole way of life.

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Speaker 5: And that's what I realized.

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Speaker 4: At the last moment. I couldn't give it up to

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marry Peter.

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Speaker 3: Well, you said you loved him, I do it.

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Speaker 4: Tore me apart to give him up, But I had

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to make the choice.

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Speaker 3: Child, Why couldn't you have born.

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Speaker 4: Because Peter's a minister just like you.

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Speaker 7: Can you imagine him running a parish with his wife

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in a Broadway show and cleavage down to my navel

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and net stockings up to my bikini.

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Speaker 5: Okay, Dan, buddy boy, I'm on my way. And that

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was Dan.

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Speaker 1: He's calm terpsy Korean terror. And she now is ready

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to sign for the operation and give me a form. Hunh,

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and I'll go make sure she's prepped.

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Speaker 8: Here's your form. Just watch your own.

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Speaker 3: What's that mean?

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Speaker 8: You want to be a resident in surgery, don't you?

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Speaker 3: It's my life outside of you me.

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Speaker 8: You got to take it easy.

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Speaker 5: If doctor Bradley's the search and okay, okay, so the

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guy gravels me, I'll try to stay out of his hair.

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Speaker 8: Mike, he's a new broom. Give him a chance to

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work in.

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Speaker 12: Oh.

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Speaker 3: I'll be a good little soldier.

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Speaker 5: Anything he can dish out I can take.

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Speaker 8: That's my boy.

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Speaker 3: Just hold the good thought. Too bad.

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Speaker 1: It's neither sane nor sanity for one doctor to kiss another.

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Speaker 3: I take the wish for the deed, and I love you.

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Speaker 5: He's in order the cart to take her up to

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the ready room.

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Speaker 3: Nurse.

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Speaker 5: She's all cleared for Oh are oh?

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Speaker 3: Hi damn.

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Speaker 5: Hey, come as stupay pottery me.

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Speaker 3: Hey, you don't look so hot. Oh I'm a little tard.

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Why don't you hit the sack? No, not till the

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action's over.

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Speaker 5: Hey, wait a minute, Maybe I to run a little

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check on you.

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Speaker 3: It'll be silly.

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Speaker 5: Why what are you rubbing your gut for?

254
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Speaker 11: Hill?

255
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Speaker 5: Come on, come on like a little indigestion. Somebody sneaks

256
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the cucumber and myself of the king.

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Speaker 1: No, no, you don't double over like that from cucumber.

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Speaker 10: I better take you assisting, Doctor McNeil. Yes, Doctor Bradley,

259
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but you ought to be up in the scrub room,

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are you know?

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Speaker 3: Let's go. I was on my way.

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Speaker 5: But the chaplain here needs a check up.

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Speaker 10: That chaplain can take care of himself, as missus Riggs

264
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been prepped. Yes, sir, get in the elevated doctor.

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Speaker 1: Yes, sir, Doctor Bradley, Yes, Sir, Private Bernardo reporting for duty.

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Let may I recommend that the chaplain be temporarily relieved

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from his.

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Speaker 10: Do you want to be relieved? Chaplin?

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Speaker 3: Don't come on here.

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Speaker 5: You you have enough to worry about besides me. If

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you need to No, no, no, I think I'll go

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00:13:40,639 --> 00:13:42,600
in and sit with that poor child when she's taken

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up to war.

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Speaker 3: She needs me more than I need anything. Well, how

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are you feeling this?

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Speaker 4: I don't know, far away, but it's still scared.

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Speaker 3: Oh no, you mustn't be.

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Speaker 4: I won't lose my leg.

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Speaker 3: You mustn't think about that.

280
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Speaker 4: Even if it saves, Will I dance again?

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Speaker 5: Whatever is to be, just leave it in God's hands.

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Speaker 4: It's so easy for you.

283
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Speaker 8: Words just words.

284
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Speaker 3: No, never just words. Listen.

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Speaker 5: I've stayed with you because I wanted to help you

286
00:14:19,279 --> 00:14:24,759
find strength. Don't let it be for nothing. Let me

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00:14:24,840 --> 00:14:27,480
have achieved at least that.

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Speaker 7: Nurse, nurse, somebody's chase is what's happened chain Morgan's He

289
00:14:35,840 --> 00:14:37,240
just suddenly collapsed.

290
00:14:37,320 --> 00:14:39,080
Speaker 6: Nears take care of the patient orderly, get me another

291
00:14:39,120 --> 00:14:40,200
nurse in the floor right away.

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Speaker 8: How the operation go?

293
00:14:48,440 --> 00:14:49,559
Speaker 11: I don't know good.

294
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Speaker 1: I guess McNeill's the best bone man around. But that

295
00:14:52,679 --> 00:14:53,919
leg there was a mess.

296
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Speaker 3: How's Dan? I don't know, running fever.

297
00:14:57,600 --> 00:15:02,360
Speaker 5: Low grade, but he's still in What were the symptoms

298
00:15:02,360 --> 00:15:03,600
when you first examined him?

299
00:15:03,720 --> 00:15:06,519
Speaker 6: Oh, nothing too definite. He's got a surgical abdomen, no

300
00:15:06,600 --> 00:15:07,159
doubt about that.

301
00:15:07,399 --> 00:15:10,240
Speaker 5: But what do you get blood? Samples waiting for them.

302
00:15:10,279 --> 00:15:10,480
Speaker 3: Now.

303
00:15:10,919 --> 00:15:12,879
Speaker 5: You haven't been able to bring him to at all. No,

304
00:15:15,000 --> 00:15:17,679
if God owes anyone to break.

305
00:15:18,799 --> 00:15:30,360
Speaker 11: It's to him. A bitter young man, but then a very.

306
00:15:30,279 --> 00:15:34,679
Speaker 1: Tired and exhausted one, and a deeply concerned one for

307
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a man who is as close as his father. Still,

308
00:15:38,519 --> 00:15:41,440
Doctor Michael Bernardo should know that in the eyes.

309
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Speaker 3: Of God, all men are equal. Or are they?

310
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Speaker 1: We have listened so many times to the triumph of

311
00:15:48,879 --> 00:15:53,080
evil on this program, perhaps the power of good is

312
00:15:53,120 --> 00:16:09,759
not as strong. I'll return shortly with Act two. Across

313
00:16:09,919 --> 00:16:14,399
Dan's bed, doctor Patricia Shelton and doctor Mike Bernardo's eyes

314
00:16:14,559 --> 00:16:19,519
locked in concern for their barely breathing friend from beyond

315
00:16:19,559 --> 00:16:23,159
the curtain, and the other bed in the room, from

316
00:16:23,200 --> 00:16:26,559
the big, heavily muscled, early middle aged man in it

317
00:16:26,639 --> 00:16:29,919
comes a rhythmic and ear shattering snore.

318
00:16:33,000 --> 00:16:35,600
Speaker 3: Oh great, that.

319
00:16:35,759 --> 00:16:37,480
Speaker 5: The best room maid we could find for Dan.

320
00:16:37,919 --> 00:16:39,559
Speaker 6: We were lucky to have a bed at all. Even

321
00:16:39,559 --> 00:16:42,000
the standby rooms are all taken.

322
00:16:42,039 --> 00:16:43,120
Speaker 3: Get him off his back.

323
00:16:43,000 --> 00:16:43,600
Speaker 5: But you can't.

324
00:16:43,639 --> 00:16:45,919
Speaker 8: He's in traction by Yeah.

325
00:16:46,159 --> 00:16:49,440
Speaker 5: McNeil's patient too, from the train wreck. No, he's been

326
00:16:49,480 --> 00:16:50,600
here a week or so.

327
00:16:51,279 --> 00:16:53,159
Speaker 11: Oh, I'm tired.

328
00:16:53,519 --> 00:16:56,519
Speaker 6: Why don't you grab some shut eye. We can't do

329
00:16:56,559 --> 00:16:57,720
anything till we get the test.

330
00:16:57,799 --> 00:16:58,080
Speaker 8: Backer.

331
00:16:58,200 --> 00:17:02,480
Speaker 6: Dan comes to stretch out in the lounge. I'll I'll

332
00:17:02,480 --> 00:17:05,000
wake you the moment to test her back. Come on,

333
00:17:05,079 --> 00:17:11,160
I'll walk you there. How'd the operation go for Liz?

334
00:17:11,240 --> 00:17:15,759
Speaker 1: Rix McNeil patched the knee fairly easily, but the ankle

335
00:17:15,960 --> 00:17:19,319
and the socket of the tibia were fragmented plots of

336
00:17:19,319 --> 00:17:24,240
the broken calcanes. She'll be lucky to retain even partial.

337
00:17:23,880 --> 00:17:27,319
Speaker 5: Mobility, which means no more dancing.

338
00:17:27,559 --> 00:17:28,759
Speaker 3: Certainly not professionally.

339
00:17:30,559 --> 00:17:32,799
Speaker 5: I'd hate to have to be the one to tell.

340
00:17:32,640 --> 00:17:47,559
Speaker 11: Her, Hey, Hey, where is Sam? Who is the.

341
00:17:49,400 --> 00:17:51,559
Speaker 3: Damn? Hey?

342
00:17:51,599 --> 00:17:53,720
Speaker 1: You you're on the next best.

343
00:17:55,039 --> 00:17:56,240
Speaker 11: Hey you're awake?

344
00:17:57,200 --> 00:17:57,759
Speaker 1: Hey?

345
00:17:58,319 --> 00:17:58,759
Speaker 3: What is this?

346
00:17:58,880 --> 00:17:59,400
Speaker 11: A Morgan?

347
00:18:00,480 --> 00:18:00,920
Speaker 1: How you?

348
00:18:02,000 --> 00:18:02,200
Speaker 3: Yes?

349
00:18:03,079 --> 00:18:03,240
Speaker 5: Huh?

350
00:18:04,119 --> 00:18:06,640
Speaker 3: What is it? I don't know what's with you?

351
00:18:06,799 --> 00:18:07,079
Speaker 5: Brother?

352
00:18:07,759 --> 00:18:09,119
Speaker 3: For my back is killing me.

353
00:18:09,960 --> 00:18:13,319
Speaker 1: I want to wait for the nurse, but the gizm

354
00:18:13,359 --> 00:18:15,039
over the button just fell off the bed.

355
00:18:16,200 --> 00:18:17,039
Speaker 5: Can you get upon me?

356
00:18:17,119 --> 00:18:18,640
Speaker 3: Huh?

357
00:18:18,960 --> 00:18:25,039
Speaker 5: Just a minute here, I'll get the call.

358
00:18:25,119 --> 00:18:28,880
Speaker 3: But shall I ring for you or I'll get you

359
00:18:28,880 --> 00:18:30,319
a doctor? Forget it.

360
00:18:31,519 --> 00:18:32,519
Speaker 5: I'm all right for the moment.

361
00:18:32,559 --> 00:18:37,559
Speaker 3: It's what you're in pain. Huh, I can take it? Well,

362
00:18:37,680 --> 00:18:43,759
you got Mike? I don't know. Huh. I don't even

363
00:18:43,799 --> 00:18:47,359
know how I got here. I hope it's nothing catching. No,

364
00:18:47,440 --> 00:18:49,759
I'm sure it isn't. I I thought I had a

365
00:18:51,359 --> 00:18:55,440
There isn't any pain anymore. Can't your blessings? Fellah?

366
00:18:56,160 --> 00:18:58,880
Speaker 5: Yeah? What are you doing out of there?

367
00:18:59,160 --> 00:18:59,720
Speaker 3: I'm all right?

368
00:19:00,079 --> 00:19:02,359
Speaker 8: Are not? Nurse help me get him back in your bed.

369
00:19:03,759 --> 00:19:06,799
You're running a fever, and nurse get does you? Bernardo

370
00:19:06,839 --> 00:19:07,599
down here right away?

371
00:19:07,960 --> 00:19:11,000
Speaker 6: He's catching a nap in the father's lounge on maternity Dan,

372
00:19:11,079 --> 00:19:13,000
won't you ever take care of yourself?

373
00:19:13,119 --> 00:19:15,200
Speaker 3: Hey, what's the big funds? Who is this guy?

374
00:19:16,079 --> 00:19:16,240
Speaker 12: Huh?

375
00:19:16,400 --> 00:19:20,119
Speaker 5: I was right, a doctor, not an MD. He's the

376
00:19:20,160 --> 00:19:22,839
hospital chaplain, the Reverend Dan Morgan.

377
00:19:22,880 --> 00:19:33,519
Speaker 3: A minister for crying outline. That's all I need, okay, Dan.

378
00:19:34,359 --> 00:19:38,519
Speaker 1: Let me know if and where it hurts? Oh there, Uh?

379
00:19:38,920 --> 00:19:39,519
How about here?

380
00:19:41,240 --> 00:19:46,079
Speaker 5: Timber doesn't hurt as much? Okay Dan, that's it?

381
00:19:46,640 --> 00:19:48,519
Speaker 3: Concerned the WBC who.

382
00:19:48,359 --> 00:19:51,359
Speaker 1: Bear it out this time around the pardonidis caused by

383
00:19:51,359 --> 00:19:53,799
a ruptured appendix that perforated.

384
00:19:55,079 --> 00:19:57,240
Speaker 5: How did you ever take the pain?

385
00:19:57,400 --> 00:19:57,599
Speaker 1: Then?

386
00:19:57,799 --> 00:19:57,920
Speaker 5: Oh?

387
00:19:58,240 --> 00:19:58,880
Speaker 3: Not bad?

388
00:19:59,160 --> 00:20:02,319
Speaker 5: Everyone was busy the real emergency. My help was needed

389
00:20:02,519 --> 00:20:03,119
by others.

390
00:20:03,240 --> 00:20:07,200
Speaker 1: So you just let your appendix explode when I roll

391
00:20:07,240 --> 00:20:07,599
them to you.

392
00:20:07,759 --> 00:20:13,359
Speaker 5: Pat, strip to mice and two nurse. Your technique is

393
00:20:13,400 --> 00:20:16,000
too good, Mike. I didn't feel any needles. A bull

394
00:20:16,119 --> 00:20:17,799
of bone head stunts to.

395
00:20:17,880 --> 00:20:24,200
Speaker 3: Pull so many people. I couldn't. I couldn't let them down.

396
00:20:25,559 --> 00:20:28,359
Fevers rising. I don't like it.

397
00:20:28,960 --> 00:20:30,440
Speaker 5: You in pain, still don't.

398
00:20:33,759 --> 00:20:38,640
Speaker 3: No. I was just thinking about that poor little dancer.

399
00:20:38,920 --> 00:20:42,480
Speaker 1: Look, concentrate on yourself. Let us worry about Ms Riggs.

400
00:20:43,079 --> 00:20:46,480
There's no problem of her losing her leg. Doctor McNeil

401
00:20:46,519 --> 00:20:50,240
did a bang up job. With luck, she'll regain almost

402
00:20:50,279 --> 00:20:54,640
total mobility. Pat, when you sit on this stubborn mule

403
00:20:54,759 --> 00:20:55,960
till that kick goes out.

404
00:20:55,799 --> 00:20:57,839
Speaker 5: Of him, I will go make like a doctor.

405
00:20:57,880 --> 00:21:02,440
Speaker 1: At least my other patients treat me like one.

406
00:21:03,720 --> 00:21:07,920
Speaker 5: You. You're still going to marry that crazy Italian.

407
00:21:07,799 --> 00:21:09,839
Speaker 8: The first moment I can pin him down.

408
00:21:10,119 --> 00:21:13,640
Speaker 5: Then I'll stick around. I don't know who he figures

409
00:21:13,680 --> 00:21:16,720
will be best man, but Dan Morgan knows only the

410
00:21:16,720 --> 00:21:19,920
most important or I'll make sure he ties or not

411
00:21:20,160 --> 00:21:25,759
within the faith with my own two hands, my own

412
00:21:26,799 --> 00:21:42,160
two hands joining the two morning miss Riggs.

413
00:21:42,079 --> 00:21:47,559
Speaker 7: Warning, doctor Bernardo, you look pretty pretty this morning, real wonderful.

414
00:21:48,119 --> 00:21:50,759
I can almost feel the bones knitting. I could just

415
00:21:51,039 --> 00:21:54,079
jump right out of bed doe or handle a Woltz

416
00:21:54,119 --> 00:21:57,119
clog just like that. Well, I wouldn't rush things, well,

417
00:21:57,160 --> 00:22:00,640
not without a warm up, anyway. I bet you I'll

418
00:22:00,680 --> 00:22:05,079
be dancing in no time. Thanks to Chaplin Morgan. How

419
00:22:05,119 --> 00:22:05,680
is he today?

420
00:22:05,720 --> 00:22:06,160
Speaker 4: Is he better?

421
00:22:07,000 --> 00:22:08,319
Speaker 3: And I wish I could say he was?

422
00:22:09,559 --> 00:22:10,880
Speaker 4: Didn't they take out his appendix?

423
00:22:11,200 --> 00:22:13,720
Speaker 3: No? Not yet? Do you mean it?

424
00:22:13,720 --> 00:22:14,359
Speaker 8: It's serious?

425
00:22:15,400 --> 00:22:18,160
Speaker 1: It could be very serious.

426
00:22:19,279 --> 00:22:21,920
Speaker 4: I wish I could do something for him.

427
00:22:22,599 --> 00:22:23,119
Speaker 3: You could.

428
00:22:24,519 --> 00:22:29,319
Speaker 1: You could see a young man who's waiting downstairs, Peter Staret.

429
00:22:29,759 --> 00:22:30,799
Speaker 4: How did he find me?

430
00:22:31,839 --> 00:22:34,759
Speaker 1: As sick as the chaplain was last night? He managed

431
00:22:34,799 --> 00:22:35,680
to contact him?

432
00:22:37,079 --> 00:22:37,519
Speaker 11: What for?

433
00:22:37,759 --> 00:22:39,759
Speaker 4: He knows it's all over between Peter and me?

434
00:22:40,119 --> 00:22:40,480
Speaker 3: Why?

435
00:22:40,480 --> 00:22:43,039
Speaker 1: Because you just can't bear to hang up those little

436
00:22:43,079 --> 00:22:43,680
red shoes?

437
00:22:44,480 --> 00:22:45,240
Speaker 4: Something like that.

438
00:22:46,680 --> 00:22:49,240
Speaker 1: I think maybe what Chaplain Morgan wanted to tell you

439
00:22:49,519 --> 00:22:53,200
was that a dancer has a short life, and sooner

440
00:22:53,279 --> 00:22:55,200
or later she has to hang them up.

441
00:22:56,119 --> 00:22:59,119
Speaker 3: A marriage can last a lot longer I can.

442
00:23:00,759 --> 00:23:02,440
Speaker 4: It wouldn't be fair to Peter or to me.

443
00:23:03,720 --> 00:23:06,160
Speaker 5: That's the message you want me to give.

444
00:23:06,079 --> 00:23:09,039
Speaker 1: Him and the chaplain.

445
00:23:10,039 --> 00:23:10,839
Speaker 4: Doctor Bernardo.

446
00:23:12,240 --> 00:23:15,119
Speaker 7: I will be able to dance, won't I.

447
00:23:15,119 --> 00:23:17,839
Speaker 1: I'm not the one to ask that question to miss Riggs.

448
00:23:18,039 --> 00:23:21,599
You'd better ask it of the surgeons, doctor McNeil or

449
00:23:21,759 --> 00:23:33,400
Dr Bradley. Good morning, mister Wolfson, Hey morning chaplain.

450
00:23:34,400 --> 00:23:38,759
Speaker 3: See you're out of truction. Eh? How you feeling?

451
00:23:39,359 --> 00:23:39,759
Speaker 5: Oh?

452
00:23:39,799 --> 00:23:46,440
Speaker 3: I felt better? So see him? Hold of him. I'll

453
00:23:46,480 --> 00:23:48,359
get you some ice for no. No, no, you're back.

454
00:23:48,720 --> 00:23:49,559
You mustn't get a hurt.

455
00:23:51,400 --> 00:23:54,279
Speaker 1: You can love a bust at appendix around and not complain.

456
00:23:54,559 --> 00:23:57,079
I commnize the stiff back here.

457
00:23:58,839 --> 00:23:59,519
Speaker 3: Thanks.

458
00:24:02,440 --> 00:24:07,680
Speaker 1: Oh yeah, watch some more please?

459
00:24:10,160 --> 00:24:21,000
Speaker 3: That was good? That's good. Hey? What is a passion record?

460
00:24:21,079 --> 00:24:22,519
Speaker 11: A knife?

461
00:24:22,799 --> 00:24:23,200
Speaker 5: Knife?

462
00:24:23,559 --> 00:24:24,799
Speaker 3: I'll get the doctor.

463
00:24:30,119 --> 00:24:32,880
Speaker 4: Don't answer that. It might be Peter for me.

464
00:24:33,240 --> 00:24:34,480
Speaker 3: Could be a call for me too.

465
00:24:34,519 --> 00:24:37,720
Speaker 7: But if it should be Peter, I'm just not ready

466
00:24:37,759 --> 00:24:40,720
to talk to her. Couldn't you just let it go?

467
00:24:41,160 --> 00:24:43,279
Speaker 3: Sure? Nothing so urgent.

468
00:24:43,279 --> 00:24:45,200
Speaker 1: It won't last till I get to the nurse's desk.

469
00:24:46,039 --> 00:24:47,400
Speaker 3: I'll be seeing you, miss Riggs.

470
00:24:53,119 --> 00:24:57,079
Speaker 10: Ice water for a man with paragonitis. Where were you,

471
00:24:57,240 --> 00:24:58,039
doctor Bernardo?

472
00:24:58,599 --> 00:25:00,240
Speaker 5: I went to see miss Riggs.

473
00:25:00,599 --> 00:25:04,119
Speaker 10: You know the dancer who is not your patient. No, sir,

474
00:25:05,240 --> 00:25:08,480
you don't like me very much, do you, Doctor Bernardo.

475
00:25:08,799 --> 00:25:10,599
Speaker 3: Well, that is a bit direct.

476
00:25:11,279 --> 00:25:13,720
Speaker 1: Puts me at quite a disadvantage because.

477
00:25:13,440 --> 00:25:17,039
Speaker 10: You applied here for a residency and surgery. My personal

478
00:25:17,039 --> 00:25:21,079
feelings would not dictate my judgment of your qualifications unless

479
00:25:21,119 --> 00:25:26,039
you wish to withdraw your application. Not yet, sir, Oh,

480
00:25:26,640 --> 00:25:30,200
what does that depend on the success of our operation?

481
00:25:30,359 --> 00:25:34,559
On Chaplain Morgan to a degree? Then we must be

482
00:25:34,720 --> 00:25:37,799
sure that it is immaculately successful.

483
00:25:38,920 --> 00:25:42,720
Speaker 1: As far as I'm concerned, it's the same way, no

484
00:25:42,759 --> 00:25:44,240
matter who's on the table.

485
00:25:45,799 --> 00:25:49,279
Speaker 10: I deserve that rebuke. I bought it because of my

486
00:25:49,319 --> 00:25:53,119
own resentments. I am human, not a robot.

487
00:25:53,920 --> 00:25:56,319
Speaker 3: You are kind of a stickler for detail.

488
00:25:56,400 --> 00:25:59,839
Speaker 10: You're damn right. The doctor can make minor mistakes which

489
00:26:00,200 --> 00:26:05,039
be rectified. Isn't quite the same with a surgeon. Habit, discipline,

490
00:26:05,160 --> 00:26:10,640
minute attention to detail, constant vigilance and objectivity. That's what

491
00:26:10,759 --> 00:26:14,839
a surgeon has to pay. Still want to be one.

492
00:26:15,119 --> 00:26:17,119
Speaker 1: As long as I don't have to retire from the

493
00:26:17,240 --> 00:26:18,839
human race like me.

494
00:26:20,559 --> 00:26:23,519
Speaker 10: That perhaps is a personal trait, but I have some reason.

495
00:26:25,000 --> 00:26:29,880
You see, one surgeon's momentary carelessness. His anxiety to look

496
00:26:29,960 --> 00:26:33,519
up and be a nice guy and assure me everything

497
00:26:33,599 --> 00:26:39,359
was going well cost me my wife and with it

498
00:26:39,400 --> 00:26:44,240
a large part of me. Well, no one is very

499
00:26:44,319 --> 00:26:48,839
much interested in my immortal soul. Now Dan Morgan is

500
00:26:48,839 --> 00:26:53,400
something else again, but for the moment, objectively, just another

501
00:26:53,440 --> 00:26:54,359
surgical problem.

502
00:26:55,319 --> 00:26:59,160
Speaker 1: Agreed, I'll assist to the best of my ability.

503
00:26:59,359 --> 00:27:02,359
Speaker 10: I'll accept that doctor, the patient is waiting.

504
00:27:03,160 --> 00:27:14,240
Speaker 3: Shall we go? The great poet w.

505
00:27:14,519 --> 00:27:18,720
Speaker 1: H Orden had a craggy face so masked with wrinkles

506
00:27:19,160 --> 00:27:23,160
that Igor Stravinsky once said, soon we'll have to smooth

507
00:27:23,160 --> 00:27:27,559
it out to see exactly who he is. Nan Morgan's

508
00:27:27,599 --> 00:27:31,480
face is like that, only now under anesthetic it.

509
00:27:31,559 --> 00:27:33,039
Speaker 3: Is smoothed out.

510
00:27:33,319 --> 00:27:36,920
Speaker 1: The only difference is that as the two surgeons approach,

511
00:27:37,559 --> 00:27:41,839
it is less a revelation than a mask, the mask

512
00:27:41,960 --> 00:27:58,720
of encroaching death. Our return shortly with Act three, the

513
00:27:58,799 --> 00:28:02,480
operation is completed, and the two surgeons returned to the

514
00:28:02,519 --> 00:28:08,039
locker room, still gowned, capped, gloved and masked. With a

515
00:28:08,119 --> 00:28:12,480
quick practice move, doctor Bradley divests himself with gloves, mask

516
00:28:12,559 --> 00:28:15,279
and cap, dropping them in a sanitary container.

517
00:28:16,039 --> 00:28:17,400
Speaker 3: What are Dan's chances?

518
00:28:18,119 --> 00:28:21,799
Speaker 10: You saw what was there when we opened. The infection

519
00:28:21,960 --> 00:28:25,200
is massive and well established. The drain should bring relief,

520
00:28:25,279 --> 00:28:26,720
I hope more than temporary.

521
00:28:27,200 --> 00:28:29,079
Speaker 1: But once we can get a reading on the culture,

522
00:28:29,519 --> 00:28:32,599
we can pick the right antibiotic to knock out the infection.

523
00:28:33,119 --> 00:28:38,720
Speaker 3: You were lucky if Dan doesn't pull through this. If

524
00:28:38,759 --> 00:28:39,880
he doesn't, doctor, I.

525
00:28:41,720 --> 00:28:46,160
Speaker 10: Shall resign from this hospital. I was guilty of just

526
00:28:46,279 --> 00:28:51,319
what I demand from my staff, total thoroughness on every case.

527
00:28:52,480 --> 00:28:55,720
Speaker 1: Well, in all fairness, sir, with sixty five victims of

528
00:28:55,759 --> 00:28:57,559
a train wreck suddenly dumped on.

529
00:28:57,559 --> 00:29:02,440
Speaker 10: It, still doesn't excuse carelessness. Are in attention Now, I'm

530
00:29:02,440 --> 00:29:06,039
going to recovery room to check on Chaplain Morgan. I

531
00:29:06,200 --> 00:29:10,680
might suggest you get together with doctor McNeil and prepare

532
00:29:10,839 --> 00:29:12,759
miss Riggs to face her future.

533
00:29:19,400 --> 00:29:23,559
Speaker 8: Yes, Mike, I guess I understand. Oh, he's here in

534
00:29:23,599 --> 00:29:25,759
the waiting room, all right, looking pretty forlorn.

535
00:29:27,480 --> 00:29:30,720
Speaker 5: What well, I'll do my best.

536
00:29:32,519 --> 00:29:37,440
Speaker 6: Yeah, okay, I'll talk to him.

537
00:29:37,480 --> 00:29:39,039
Speaker 5: Hello, Reverence Deret.

538
00:29:38,880 --> 00:29:44,160
Speaker 12: Oh, hello doctor Sheldon.

539
00:29:45,119 --> 00:29:49,599
Speaker 3: Yes, excuse me, I know the others, but I wasn't

540
00:29:49,720 --> 00:29:50,119
sure of.

541
00:29:50,079 --> 00:29:52,799
Speaker 5: You because I'm a lady doctor.

542
00:29:54,160 --> 00:29:56,799
Speaker 3: Because I only met you once briefly.

543
00:29:56,960 --> 00:29:59,799
Speaker 5: I know, have you seen Ms Riggs.

544
00:30:00,039 --> 00:30:04,279
Speaker 3: Oh, no, she doesn't want to sing.

545
00:30:04,000 --> 00:30:09,720
Speaker 6: That's because she doesn't know the truth yet, the truth

546
00:30:10,880 --> 00:30:12,759
that she'll never be able to dance again.

547
00:30:14,079 --> 00:30:15,079
Speaker 11: But he didn't tell me that.

548
00:30:15,200 --> 00:30:20,759
Speaker 6: He didn't know it then, just lives, reverenced Starret. After

549
00:30:20,799 --> 00:30:25,480
the accident, your fiance was in psychogenic shock. It took

550
00:30:25,599 --> 00:30:28,880
Dan the chaplain, to persuade her to have any operation

551
00:30:28,960 --> 00:30:32,200
at all, just so she could walk again. All the

552
00:30:32,240 --> 00:30:35,160
doctors agreed that since her career was so vital to her,

553
00:30:36,039 --> 00:30:38,720
the news that she didn't have one anymore had to

554
00:30:38,759 --> 00:30:40,119
be broken to her carefully.

555
00:30:40,240 --> 00:30:44,279
Speaker 12: Oh, I agree, Elizabeth has to be told the truth,

556
00:30:45,720 --> 00:30:53,720
and we've got to figure out how.

557
00:30:54,799 --> 00:30:59,119
Speaker 10: I'm getting in, miss Riggs. I'm doctor Hugh Bradley. I

558
00:30:59,119 --> 00:31:01,240
don't know if you remember, but I treated you an

559
00:31:01,240 --> 00:31:03,240
emergency and admitted you to the hospital.

560
00:31:03,680 --> 00:31:06,880
Speaker 4: Yes, I remember. How soon can I dance again?

561
00:31:07,039 --> 00:31:10,480
Speaker 10: Well, the first thing used to walk. As for the other,

562
00:31:10,519 --> 00:31:12,640
Miss Riggs, I think you will have to make an

563
00:31:12,680 --> 00:31:16,400
adjustment in your mind now. I don't believe in hiding

564
00:31:16,400 --> 00:31:19,680
the truth from patients. There isn't a chance that you'll

565
00:31:19,680 --> 00:31:21,599
ever be able to dance professionally again.

566
00:31:25,759 --> 00:31:28,039
Speaker 1: Oh, good morning, doctor Bradley, did you have me on

567
00:31:28,160 --> 00:31:29,359
page Yes.

568
00:31:29,599 --> 00:31:29,799
Speaker 3: Yes.

569
00:31:29,920 --> 00:31:32,799
Speaker 10: McNeil is off today and his patient, Miss Riggs, had

570
00:31:32,839 --> 00:31:35,640
an attack of hysterics last night. I had the sedator.

571
00:31:36,079 --> 00:31:36,680
Speaker 5: What happened?

572
00:31:36,720 --> 00:31:39,000
Speaker 3: Was it Peter Starrett being here upset her so much?

573
00:31:39,240 --> 00:31:39,960
Speaker 10: Whoever he is.

574
00:31:40,079 --> 00:31:40,119
Speaker 13: No.

575
00:31:41,319 --> 00:31:43,720
Speaker 10: I simply told her something that should have been made

576
00:31:43,799 --> 00:31:45,920
clear to her from the first, that her dancing days

577
00:31:45,920 --> 00:31:49,640
are over, just like that. She had a right to know.

578
00:31:50,599 --> 00:31:55,359
Speaker 1: But abruptly, coldly, you just don't Miss face.

579
00:31:55,519 --> 00:31:59,599
Speaker 10: Riggs is not under psychiatric care. She is of age, and.

580
00:31:59,400 --> 00:31:59,960
Speaker 11: We are.

581
00:32:01,359 --> 00:32:05,440
Speaker 10: Our function is to heal and inform. She asked for you,

582
00:32:05,480 --> 00:32:07,480
and I said you would stop by this morning.

583
00:32:14,240 --> 00:32:16,200
Speaker 3: Hi, Liz, do you want to see me?

584
00:32:17,359 --> 00:32:17,559
Speaker 5: Yes?

585
00:32:19,079 --> 00:32:21,200
Speaker 7: I want you to get Peter Starrett off my back

586
00:32:21,240 --> 00:32:23,640
and out of here. I never want to see him

587
00:32:23,680 --> 00:32:24,880
again or any of you.

588
00:32:25,119 --> 00:32:25,720
Speaker 3: Now.

589
00:32:25,920 --> 00:32:29,720
Speaker 1: Look, I just got the bad word about you too,

590
00:32:29,960 --> 00:32:32,599
So you're not going to be Margaret Fontaine or whatever.

591
00:32:33,480 --> 00:32:37,000
But you're not going to be crippled either. And this way,

592
00:32:37,200 --> 00:32:41,000
there's nothing to stand between you and that nice guy who.

593
00:32:40,799 --> 00:32:44,039
Speaker 7: Loves you, and nothing to stand between the sets for

594
00:32:44,039 --> 00:32:46,000
the last Now it's.

595
00:32:45,880 --> 00:32:46,519
Speaker 8: Worse than ever.

596
00:32:46,640 --> 00:32:48,960
Speaker 4: We just don't stand a chance at all. What do

597
00:32:49,039 --> 00:32:54,680
you mean, Oh, you wouldn't understand, No doctor would. That's

598
00:32:54,680 --> 00:32:56,519
why I've got to see the chaplain.

599
00:33:01,720 --> 00:33:05,160
Speaker 1: Well, all things considered, you seem in fairly good shape

600
00:33:05,160 --> 00:33:05,640
this morning.

601
00:33:05,640 --> 00:33:06,400
Speaker 3: How do you feel that.

602
00:33:07,039 --> 00:33:11,960
Speaker 5: All things considered not so hot? But I think if

603
00:33:11,960 --> 00:33:15,720
Elizabeth Riggs wants to see me, I must see her

604
00:33:15,960 --> 00:33:19,599
once we've licked the paratnidis. You're in no condition. Must

605
00:33:19,640 --> 00:33:22,440
see her to convince myself that I didn't fail. And

606
00:33:22,599 --> 00:33:25,319
if you did, or disgrace and failure, Mike, as long

607
00:33:25,359 --> 00:33:29,440
as you tried to the utmost, if I'm to be

608
00:33:29,519 --> 00:33:34,200
called home, let me try to go with a clean conscience.

609
00:33:39,519 --> 00:33:43,079
Speaker 6: You're sure you feel all right, doctor Bradley, You know

610
00:33:43,119 --> 00:33:45,000
you're supposed to rest after donating blood.

611
00:33:45,079 --> 00:33:51,240
Speaker 10: I realize that, by some strange chance, the chaplain's in

612
00:33:51,319 --> 00:33:55,920
mine match. I'd like to think that. Well, I mean,

613
00:33:55,960 --> 00:33:56,200
I are.

614
00:33:56,440 --> 00:33:57,960
Speaker 5: He's due for a replacement.

615
00:33:58,000 --> 00:34:01,640
Speaker 8: I'll see he gets this particular botty. Oh hi, Mike,

616
00:34:02,240 --> 00:34:03,240
where are you taking miss.

617
00:34:03,160 --> 00:34:06,839
Speaker 5: Riggs to see Dan? He's in no condition for visitors.

618
00:34:07,240 --> 00:34:12,760
Speaker 1: He was the one who insisted, and just in case,

619
00:34:14,400 --> 00:34:23,800
I wouldn't deny him anything. He asked, Well, I've wield

620
00:34:23,840 --> 00:34:26,679
it to you, Dan, although you shouldn't be seeing any visitors.

621
00:34:28,639 --> 00:34:31,639
Speaker 5: I wonder doctor, if I might claim the privilege of

622
00:34:31,679 --> 00:34:32,400
the confessional.

623
00:34:32,880 --> 00:34:34,440
Speaker 3: Well, not for long.

624
00:34:34,719 --> 00:34:37,840
Speaker 1: You have less strength than you think you.

625
00:34:37,880 --> 00:34:41,239
Speaker 5: Have, and maybe Liz and I can find a lot

626
00:34:41,280 --> 00:34:43,159
of it between us.

627
00:34:50,840 --> 00:34:54,199
Speaker 7: If you hadn't been worried about me, you'd have gone

628
00:34:54,199 --> 00:34:55,639
back to the doctors for help.

629
00:34:56,119 --> 00:34:59,320
Speaker 5: If I hadn't been worried about you, I would have

630
00:34:59,320 --> 00:35:04,280
no right to principles I serve I should say, Principal,

631
00:35:06,400 --> 00:35:08,559
will you still turn your back on him?

632
00:35:09,360 --> 00:35:10,639
Speaker 4: I'd rather talk about you.

633
00:35:11,639 --> 00:35:13,679
Speaker 3: It may not be much time to talk about me,

634
00:35:13,840 --> 00:35:14,159
so I.

635
00:35:14,119 --> 00:35:17,840
Speaker 5: Have to be abrupt because I have so little.

636
00:35:19,320 --> 00:35:23,280
Speaker 3: Strength left. How are you going to marry Peter?

637
00:35:24,480 --> 00:35:26,840
Speaker 4: I can't more than ever now.

638
00:35:26,960 --> 00:35:28,280
Speaker 3: Why don't you love him?

639
00:35:28,719 --> 00:35:32,199
Speaker 7: I've always loved him, but I broke that love for

640
00:35:32,280 --> 00:35:34,920
a simple thing, like a wish for a career.

641
00:35:36,679 --> 00:35:37,039
Speaker 5: Chaplain.

642
00:35:37,039 --> 00:35:39,559
Speaker 7: When Doctor Bradley told me that I could never dance again.

643
00:35:40,559 --> 00:35:44,079
Of all the reactions that I had, the most definite

644
00:35:44,159 --> 00:35:48,440
and unshakable was that I cannot believe in a god

645
00:35:49,039 --> 00:35:51,039
who would take away from me the one thing that

646
00:35:51,079 --> 00:35:53,679
I have worked all my life to.

647
00:35:53,760 --> 00:35:58,920
Speaker 5: Achieve because of that, even though it removed another less

648
00:35:59,000 --> 00:36:04,039
important barrier. You can't go back to the man who

649
00:36:04,079 --> 00:36:04,679
loves you.

650
00:36:05,559 --> 00:36:09,360
Speaker 4: Of all men, how can I. He's a minister like you,

651
00:36:09,440 --> 00:36:11,440
and I no longer believe in God.

652
00:36:12,039 --> 00:36:12,960
Speaker 3: Is I don't believe that.

653
00:36:13,079 --> 00:36:15,199
Speaker 5: I don't think you're like all the people who put

654
00:36:15,239 --> 00:36:19,199
on religion like a Sunday dress just for the occasion.

655
00:36:20,159 --> 00:36:22,480
Speaker 3: You can't deny him any more than I can.

656
00:36:23,679 --> 00:36:28,639
Speaker 5: Or Peter, because no matter how hard all of us try,

657
00:36:28,719 --> 00:36:36,079
in the end, we must have a personal God. Take

658
00:36:36,159 --> 00:36:39,760
him to your heart. How can I.

659
00:36:41,599 --> 00:36:42,119
Speaker 4: Forget me?

660
00:36:42,360 --> 00:36:45,079
Speaker 14: How can he destroy a man like you?

661
00:36:45,320 --> 00:36:49,800
Speaker 5: And I convince you that death is not destruction, certainly not.

662
00:36:51,280 --> 00:36:55,079
Speaker 3: For me. What would you ask a miracle?

663
00:36:56,639 --> 00:37:01,039
Speaker 4: I don't know. I don't know what I want, Just

664
00:37:01,039 --> 00:37:02,280
just for you not to die?

665
00:37:02,400 --> 00:37:10,360
Speaker 3: All right? Then? To help me to live. Don't deny him.

666
00:37:08,400 --> 00:37:14,719
Speaker 5: As I once prayed for you. Now if you want,

667
00:37:16,800 --> 00:37:19,360
try to pray for me.

668
00:37:20,960 --> 00:37:24,599
Speaker 7: Oh, chaplain, don't you see? It would just be a

669
00:37:24,679 --> 00:37:26,679
mockery when I don't believe.

670
00:37:28,719 --> 00:37:29,199
Speaker 5: Chaplain?

671
00:37:30,880 --> 00:37:34,480
Speaker 4: Chaplin are you? Oh?

672
00:37:34,360 --> 00:37:35,639
Speaker 5: Oh, I've got to get the doctor.

673
00:37:36,039 --> 00:37:40,679
Speaker 1: Excuse men who who Hey, it's okay, it's okay. I've

674
00:37:40,679 --> 00:37:42,679
been in chaplain's roommate these last days.

675
00:37:42,840 --> 00:37:43,039
Speaker 3: I was.

676
00:37:43,119 --> 00:37:45,119
Speaker 1: I was in the bathroom shaving and cleaning.

677
00:37:44,800 --> 00:37:46,519
Speaker 5: Out to go home, and you overheard.

678
00:37:46,599 --> 00:37:48,480
Speaker 1: Yeah, yeah, I couldn't help hearing some of it. And

679
00:37:48,559 --> 00:37:50,960
you gotta listen to me, cause I got something to say.

680
00:37:51,079 --> 00:37:52,119
Speaker 4: No, I can't listen now.

681
00:37:52,159 --> 00:37:54,639
Speaker 1: The chap it'll take him at it and a way

682
00:37:54,679 --> 00:37:57,480
I see it. Maybe you can do him more good

683
00:37:57,559 --> 00:37:59,440
right this moment than all the doctors in the world.

684
00:38:00,920 --> 00:38:04,599
Faith and belief didn't put any fingers on you or

685
00:38:04,639 --> 00:38:05,280
the chaplain.

686
00:38:05,880 --> 00:38:08,519
Speaker 3: The one on him he put there himself.

687
00:38:09,239 --> 00:38:10,320
Speaker 4: I don't know what you mean.

688
00:38:10,519 --> 00:38:14,320
Speaker 1: I mean when you were brought into this hospital, the

689
00:38:14,440 --> 00:38:17,760
chaplain was dying of pain. He needed a doc a

690
00:38:17,760 --> 00:38:19,679
lot more than you did. But he stuck with you,

691
00:38:20,559 --> 00:38:23,199
even with his appendixy exploding inside him.

692
00:38:23,519 --> 00:38:25,480
Speaker 3: He covered it up to help you out.

693
00:38:26,840 --> 00:38:29,920
Speaker 1: The poisons all through them now and maybe he's dying,

694
00:38:31,400 --> 00:38:34,639
but if it is, it's a risk he took for

695
00:38:34,679 --> 00:38:40,519
you to save not only your leg, but well all

696
00:38:40,559 --> 00:38:40,760
of you.

697
00:38:42,400 --> 00:38:44,760
Speaker 3: Now, are you going to make the belief that.

698
00:38:44,800 --> 00:38:47,480
Speaker 1: Made him sacrifice himself for you the way he did

699
00:38:48,920 --> 00:38:52,519
be off of nothing? Are you're going to give back

700
00:38:52,840 --> 00:38:54,840
something of yourself in return.

701
00:38:57,119 --> 00:38:57,719
Speaker 3: Well, I'll.

702
00:38:59,079 --> 00:39:02,159
Speaker 1: I'll go get thee maybe to think about it.

703
00:39:07,559 --> 00:39:12,079
Speaker 4: My God, I have heartily offended you.

704
00:39:13,559 --> 00:39:19,960
Speaker 14: I beg you to forgive me. I employ you listen

705
00:39:20,039 --> 00:39:20,280
to me.

706
00:39:21,280 --> 00:39:26,159
Speaker 4: I am nothing but he This man is so important.

707
00:39:28,400 --> 00:39:30,320
I don't know how to say it, to ask it.

708
00:39:30,400 --> 00:39:37,480
Speaker 14: But please, in your infinite mercy, dear Father's heaven, who

709
00:39:37,519 --> 00:39:41,960
looks after us all and wants to help us, please

710
00:39:42,280 --> 00:39:46,159
help this one man who deserves it more than any

711
00:39:46,199 --> 00:39:49,960
of us, don't let him be wasted.

712
00:39:51,559 --> 00:39:54,639
Speaker 8: I ask it with all my heart in your name.

713
00:39:57,880 --> 00:40:00,760
It's all right, miss Reeks, take it easy.

714
00:40:02,719 --> 00:40:04,159
Speaker 4: He should have called you sooner.

715
00:40:04,599 --> 00:40:05,440
Speaker 3: I'll forget it.

716
00:40:06,440 --> 00:40:10,880
Speaker 1: As a doctor, I tell you it's all right.

717
00:40:12,599 --> 00:40:14,559
Speaker 4: You mean he's going to live.

718
00:40:15,079 --> 00:40:19,679
Speaker 1: She ever seen anything more beautiful than plain ordinary sweat.

719
00:40:20,760 --> 00:40:22,079
It's broken.

720
00:40:22,360 --> 00:40:26,199
Speaker 3: Old fever is broken. We're on the way.

721
00:40:27,199 --> 00:40:28,320
Speaker 4: He asked me to pray.

722
00:40:29,079 --> 00:40:34,480
Speaker 13: Whatever it was that did it, he answered, He answered,

723
00:40:35,760 --> 00:40:37,719
you mean it God.

724
00:40:38,079 --> 00:40:43,320
Speaker 1: Some the oldest cliche in the world, Miss Riggs. Man proposes.

725
00:40:43,639 --> 00:40:48,280
God disposes, no matter how far medicine takes us.

726
00:40:49,360 --> 00:40:51,760
Speaker 3: In the end, that's the result.

727
00:40:52,840 --> 00:40:55,480
Speaker 4: Then the chaplet will be all right.

728
00:40:56,320 --> 00:41:01,159
Speaker 1: Just give him a look bathed in perspiration, his fever tumbling,

729
00:41:01,199 --> 00:41:08,239
and blissfully asleep. We're all getting out of this lucky

730
00:41:08,280 --> 00:41:09,760
except you maybe.

731
00:41:10,039 --> 00:41:11,800
Speaker 4: Oh that's decided.

732
00:41:13,280 --> 00:41:15,519
Speaker 7: Oh, it isn't all that much of a life as

733
00:41:15,559 --> 00:41:19,119
a dancer, as long as Peter is still around if

734
00:41:19,119 --> 00:41:21,679
he still wants me is and he sure does.

735
00:41:21,760 --> 00:41:24,119
Speaker 6: We couldn't have moved him out of here with a bulldozer.

736
00:41:24,599 --> 00:41:27,199
Now we have only one restriction before you leave here,

737
00:41:27,239 --> 00:41:30,280
we expect to be invited as guests at the wedding.

738
00:41:30,480 --> 00:41:34,679
Speaker 7: Well won't take place without you, because one thing I'll

739
00:41:34,719 --> 00:41:38,840
never give in to Peter about the chaplain will have

740
00:41:38,920 --> 00:41:39,840
to marry us.

741
00:41:39,960 --> 00:41:44,840
Speaker 1: Why not we We might even make it.

742
00:41:44,840 --> 00:41:45,559
Speaker 3: A double wedding.

743
00:41:54,079 --> 00:41:58,840
Speaker 1: Well there it is no sound, no fury, but certainly

744
00:41:58,840 --> 00:42:02,400
a tale that's signify by something a mystery.

745
00:42:03,280 --> 00:42:04,880
Speaker 3: I think it qualifies for the title.

746
00:42:05,760 --> 00:42:07,960
Speaker 1: As I said in the beginning, and as you have

747
00:42:08,039 --> 00:42:12,840
seen for yourself, God does move in mysterious ways his

748
00:42:13,000 --> 00:42:29,920
wonders to perform. I'll be back shortly. The Reverend Daniel

749
00:42:30,000 --> 00:42:35,679
Morgan did recover. Fortunately, because four anxious young people no

750
00:42:35,719 --> 00:42:40,239
longer wanted to postpone weddings too long delayed it wasn't

751
00:42:40,280 --> 00:42:43,760
a double wedding has once had been considered. Mike was

752
00:42:43,880 --> 00:42:46,800
operating the morning Liz and Peter were married, but he

753
00:42:46,880 --> 00:42:50,199
was able to make the reception afterwards. As for Pat's

754
00:42:50,239 --> 00:42:53,360
marriage to Mike, it was a very simple and quiet

755
00:42:53,400 --> 00:42:56,880
one in the hospital chapel, notable for only one thing.

756
00:42:57,800 --> 00:43:02,920
The best man was doctor Hugh Bragging. Our cast included

757
00:43:03,000 --> 00:43:07,519
Terry Keane, Patsy Brooder, Leon Janney, Robert Dryden and Ian Martin.

758
00:43:08,159 --> 00:43:10,639
Speaker 11: The entire production was under the direction of.

759
00:43:10,679 --> 00:43:18,360
Speaker 1: Hymond Brown, and now a preview of our next tale.

760
00:43:19,360 --> 00:43:21,679
Speaker 11: It was long before I could get to sleep, but

761
00:43:21,800 --> 00:43:22,679
when at last I.

762
00:43:22,679 --> 00:43:27,000
Speaker 13: Did, if indeed I really was asleep, I was conscious

763
00:43:27,079 --> 00:43:31,840
of something huge and black circling by the foot of

764
00:43:31,880 --> 00:43:37,119
my bed, a monstrous cat like shape that suddenly.

765
00:43:36,800 --> 00:43:41,559
Speaker 11: Spread, and I felt the stinging pain, as if.

766
00:43:41,480 --> 00:43:46,480
Speaker 13: Two needle sharp claws had plunged like hot irons.

767
00:43:46,079 --> 00:43:50,320
Speaker 5: Into my breast. And then suddenly my eyes were.

768
00:43:50,239 --> 00:43:54,679
Speaker 13: Open, and I thought I saw Carmilla standing there. The

769
00:43:54,719 --> 00:43:57,800
figure moved quickly to the door, and I followed it,

770
00:43:58,039 --> 00:44:01,039
only to find the door securely locked from the inside,

771
00:44:01,199 --> 00:44:01,920
just the way I.

772
00:44:01,840 --> 00:44:03,920
Speaker 11: Had left it before I retired.

773
00:44:05,280 --> 00:44:06,440
Speaker 5: I sprang into.

774
00:44:06,239 --> 00:44:08,360
Speaker 13: My bed with the covers over my head, and I

775
00:44:08,519 --> 00:44:13,039
lay there more dead than alive until morning.

776
00:44:13,920 --> 00:44:14,239
Speaker 11: Radio.

777
00:44:14,280 --> 00:44:17,800
Speaker 1: Mystery Theater were sponsored in part by Enhuzer Bush Incorporated,

778
00:44:18,119 --> 00:44:19,960
brewers of Budweiser.

779
00:44:19,639 --> 00:44:23,400
Speaker 3: And sign off the Sinus Medicines. This is E. G.

780
00:44:23,639 --> 00:44:27,079
Speaker 1: Marshall inviting you to return to our Mystery Theater for

781
00:44:27,159 --> 00:44:28,719
another adventure.

782
00:44:28,559 --> 00:44:29,519
Speaker 3: In the macabre.

783
00:44:30,519 --> 00:45:00,840
Speaker 1: Until next time, pleasant dreams, Bye

784
00:45:03,360 --> 00:45:03,679
Speaker 11: Bye,