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<v Speaker 1>It's September sixteenth, and that means it's time for your

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<v Speaker 1>daily fuck on Taboo Tuesday. The campus is silent, cloaked

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<v Speaker 1>in a late evening darkness. The only light comes from

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<v Speaker 1>the third floor of the Humanities Building, a single, warm,

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<v Speaker 1>inviting square, doctor Evelyn Allister's light. I'm in her office,

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<v Speaker 1>surrounded by towering walls books. The air is thick with

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<v Speaker 1>the scent of old paper and her faint, expensive perfume.

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<v Speaker 1>We're supposed to be discussing my final paper on the

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<v Speaker 1>Viennese Secessionists, but for the last hour the conversation is

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<v Speaker 1>felt like a slow, deliberate seduction. She is everything I

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<v Speaker 1>want to be, brilliant, endinggmatic, and utterly in control. She's

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<v Speaker 1>in her forties, with sharp, intelligent eyes and a severe,

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<v Speaker 1>elegant beauty that makes my heart ache. My admiration for

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<v Speaker 1>her began as purely academic, but it has slowly secretly

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<v Speaker 1>morphed into a desperate, aching crush. Thanks to my religious upbringing.

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<v Speaker 1>I'm only just beginning to understand that my desire for

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<v Speaker 1>women is a real and powerful thing, and has found

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<v Speaker 1>its singular focus in her. The eroticism in Shield's work

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<v Speaker 1>isn't just in the nudity, Clara. She rises from behind

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<v Speaker 1>her massive desk. It's in the tension the line. Come here,

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<v Speaker 1>I obey. My leg's feeling a little weak as I

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<v Speaker 1>walk over to where she stands by a bookshelf. She

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<v Speaker 1>pulls down a heavy art book, its pages filled with stark,

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<v Speaker 1>angular nudes. She opens it on electern, her body close

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<v Speaker 1>to mind, her shoulders brushing. See her long manicured finger

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<v Speaker 1>traces the contorted leg of a woman in a painting.

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<v Speaker 1>See how the artist's line doesn't just outline the form,

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<v Speaker 1>but possesses it. True beauty requires a confident hand. As

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<v Speaker 1>she says the last words, the back of her hand

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<v Speaker 1>brushes against mine, a touch that feels anything but accidental.

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<v Speaker 1>My breath hitches, The air is electric. Does she feel

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<v Speaker 1>the same way about me that I do her? It

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<v Speaker 1>seems impossible. And then she closes the book with a

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<v Speaker 1>soft thud and turns to face me, her eyes dark

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<v Speaker 1>and unreadable. But theory is one thing, Clara. Her look

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<v Speaker 1>is intense. Practical application is another. Entirely, just as I'm

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<v Speaker 1>trying to get a handle on whether she is making

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<v Speaker 1>a move, she heads the female body is not just

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<v Speaker 1>to be viewed and appreciated. It is to be touched.

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<v Speaker 1>And as she says the word touched, she takes my

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<v Speaker 1>hand and lifts it up to her lips. Her tongue

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<v Speaker 1>lightly licks my fingertips. I came here for a grade,

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<v Speaker 1>but the look in her eyes is a different kind

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<v Speaker 1>of test. Not I desperate to pass. I decide right

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<v Speaker 1>then to let her teach me everything. I close my

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<v Speaker 1>eyes as she sucks on my fingers. She pulls me

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<v Speaker 1>in for a kiss, and her lips meet mine. The

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<v Speaker 1>kiss is a revelation. It's not the clumsy, mechanical kiss

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<v Speaker 1>of the boys I've known that was lacked any sort

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<v Speaker 1>of passion. The boys wanted to kiss me, but I

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<v Speaker 1>didn't want to kiss them. This, this is different. She

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<v Speaker 1>knows I want her. I don't know how, but she

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<v Speaker 1>knows it. Her kiss is slow, expert, and utterly devastating.

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<v Speaker 1>She's teaching me what a woman's mouth can do, and

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<v Speaker 1>I'm a wrapped student. Her hand comes up to cradle

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<v Speaker 1>my jaw, her thumbs stroking my cheek as she deepens

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<v Speaker 1>the kiss, taking complete control, she pulls back, leaving me

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<v Speaker 1>breathless and dizzy, less than one a ghost of a

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<v Speaker 1>smile and her perfect lips forms. She takes my hand

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<v Speaker 1>and leads me to a warn leather sofa in the

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<v Speaker 1>corner of the office. Lie down. I lie back on

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<v Speaker 1>the cool leather, my heart pounding of frantic rhythm against

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<v Speaker 1>my ribs. She doesn't join me, though. Instead she kneels

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<v Speaker 1>on the floor before me, a queen kneeling before her subject.

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<v Speaker 1>She slowly pushes the fabric of my skirt up by thighs.

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<v Speaker 1>Her case is intense and unwavering Egon's shield, believed the

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<v Speaker 1>body was a vessel for ecstasy. Her voice is a

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<v Speaker 1>low academic purr let's test that theory. Her mouth is

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<v Speaker 1>on me, and the world dissolves into a kaleidoscope of pure,

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<v Speaker 1>unadulterated sensation. She is an artist and my body as

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<v Speaker 1>her canvas. Her tongue is a brush, painting slow deliberate

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<v Speaker 1>strokes along my inner lips before focusing on my clit

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<v Speaker 1>with a schular's single minded intensity. I've never felt anything

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<v Speaker 1>like this. It's a pleasure so sharp, so focused, it's

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<v Speaker 1>almost painful. My hands gripped the edges of the chaise.

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<v Speaker 1>My knuckle's white as she brings me to brink then

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<v Speaker 1>pulls back a control, absolute patience. Clara. The best discoveries

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<v Speaker 1>require thorough research. She returns to her work, and this

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<v Speaker 1>time she doesn't stop. She drags me over the edge

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<v Speaker 1>with a calculated, perfect precision. My orgasm is a violent

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<v Speaker 1>shuddering wave that rips through my body, A stoundless scream

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<v Speaker 1>torn from my throat. It's a moment of complete and

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<v Speaker 1>total discovery. I'm left panting on the chaise, my body

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<v Speaker 1>a trembling, hyper sensitive mess. She rises, gracefully, retrieves a

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<v Speaker 1>silk handkerchief from her desk, and gently dabs the corner

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<v Speaker 1>of my mouth. As I'm pulling myself together, I close

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<v Speaker 1>a tangled mess. She looks at me, her expression once

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<v Speaker 1>again cool and prefaceorial. Your paper showed excellent promise, Clara.

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<v Speaker 1>She has a wicked glint in her eye. But your

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<v Speaker 1>practical work is truly exceptional, an A plus I believe