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Speaker 1: Oh my god. I love it. Appropriately titled Epic One,

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that is ever Felt from their brand new album Stirring Awake,

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and we've got Adam Seglitch with us. Let me get

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that mic up there. Hello Adam, Hey.

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Speaker 2: What's up man? How you doing? Man?

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Speaker 1: Good good, Welcome back to the show. It's good to

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talk to you. I love the new album. I was,

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I was in the whole thing really really good. And

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that is a that is a great way to open

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I love that.

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Speaker 2: Yeah, man, that song, Uh, that was the song that

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we we were working on even when we released the

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ep That's something that's been with us for a little

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while now. And uh, you know, Corey really brought that

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that whole that that rift, that that opening rift there.

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It actually originally began with the the intro and the

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outro music with the beautiful there, Yeah, and it became

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what it became. But uh, you know, the song Epic

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One really is about the idea. You know, Confucius said

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the greatest glory is not never falling, but in rising

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every time you fall. And so the concept behind this

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song is that you must be willing to fall in

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order to learn to rise. Okay, and so and and

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and then also it talks about the idea of of

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you know, braving the unknown within yourself in order to

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do so in the gray area of what you don't

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know about you, And so that's the that's the premise

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of the song anyway.

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Speaker 1: Yeah, yeah, I like it. Uh So, what is the

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premise of the album? Because in listening to the whole thing,

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and I listened to it all at once, all the

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way through, and I felt like there's a there's a theme,

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there's a story. But I but I want to ask

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you about that. Am I? Am I reading into it?

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Or or is there something?

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Speaker 2: You're exactly right? The Stirring to Wake really the entire

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album in a nutshell is really every single song is philosophically,

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philosophically driven with the ideal of Stirring to Wake one

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soul where our band, you know, we're all about soul metal,

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and for us it's more about you know, the world

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will teach you mind body soul, but really it should

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be soul mind body, and because for us we believe

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in the eternal soul. Though we're not religious, but we

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do believe in the eternal soul and we think that

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that's the one thing neglected by most of the world,

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even ourselves. And uh so the idea is that, you know,

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the stirring to wait concept came from you know that

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that that that place between dreaming and waking, where like

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even the greatest minds from the past, like Tesla and

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Einstein and all they they would even like try to

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induce themselves into that place in order to find answers

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to to the inventions or whatever they were doing in

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actual reality. And it's kind of like, you know, going

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to that place within yourself, being willing to take that

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journey within.

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Speaker 1: Yeah, it's interesting that you bring that up about you know,

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that that place between you know, sort of being asleep

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and awake, when you're sort of almost it's like you're

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you're sort of dreaming a little bit sometimes but you

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kind of know you're dreaming because you're kind of still

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half awake. And right, I I talk about that a lot,

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but I don't know if you know this about me.

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I'm also a hypnotherapist and I tell all my plot

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I remember, yeah, okay, we did talk about that, and

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I tell all my clients. I said, you know, when

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you're in that that state, you're highly suggestible. So that's

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a great, Like if you're someone who falls asleep slow, len,

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that's a great time to give yourself, you know, hypnotics

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suggestions that you know you're you're in a wake up

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feeling great and motivated or whatever it is your your

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goal is. But it it's but I'm glad you brought

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it up because it's such a powerful That is a

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powerful state to be in, that state between right right

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between being asleep and being awake. And unfortunately, I don't

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think everyone gets to experience it the same way, because

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some people, you know, fall asleep quickly wake up quickly.

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But but for those of us who do get to

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experience it, yeah, that's that's it's it's very powerful and

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and it's so interesting to me that that maybe that's

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part of why in listening to this I connected with it, because,

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like I said, I listened to the whole thing all

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the way through and I was just so so drawn

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into it. And uh and and and absolutely absolutely.

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Speaker 2: I mean when we when we wrote the album in

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and then we were trying to decide strong order, I

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I purposefully put the songs in order the way that

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they are on the album M so that they kind

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of give you almost a ride almost like a roller coaster,

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you know, go from spoken word oapen word, spoken word

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poetry to epic one and then we hit you in

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the face with sludge, you know. So it's like it's

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a it's this whole and each song has you know,

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each song has its own way. I'm sure you notice

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that in the album. Even though it's a cohesive album,

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every song is not like the last one, you know, right,

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and each have their own story in a way.

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Speaker 1: Absolutely. Now, who is in the who's in the band?

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Speaker 2: Is it the same?

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Speaker 1: Is it the same lineup as the last time we talked?

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Speaker 2: It is not? So since the last time you and I, So,

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I think it's been like almost two years now, probably

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since we released the EP in twenty four. Yeah, so

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it's been almost two years. But but yeah, since the

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last time we talked. We right after we released the EP,

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we actually lost three members of our band. At that time,

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Corey and I were the only ones left. Oh wow, yeah, man,

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and uh we didn't miss any shows either. We were

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able to find Danny Danny Furlong's our percussion now and

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then Ryan Moore we call him Momo. He's our rhythm

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based plus our sound and tech guy. He's he makes

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it possible. Momo makes it possible for us to have

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one guitarist, where Corey took over both rhythm and lead

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for this for our band now, so there's only one guitarist.

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Oh but uh but yeah, with Momo's ability on the

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rhythm bass, you know, he really brought the song Silhouette

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to the table for us with his ability, he really

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gives us a fullness where even when we're playing live,

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Corey is still able to hit all his leads and

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it still sounds really full because Momo don't just play

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reef root notes. You know, he's very very influenced by

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Justin Chancellor so from tools. So he's, uh, you know,

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that's perfect for our sounds.

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Speaker 1: So oh yeah, absolutely, is it? So you lost three

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people at once in the band? I mean that's a

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that's a pretty big shakeout. Was that? I mean how

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was that? Was that? Was that hard? Yeah?

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Speaker 2: Yeah, it was difficult because and and and the main

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reason that that has so so originally we lost the

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bass player because he didn't basically, we were booking a

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lot of shows and he just wanted to play like,

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you know, places around local and he didn't want to travel,

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So that's really the reason he left the band. And

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then and then we lost the drummer because he was

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moving away, and then we lost the guitarists because his

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woman got pregnant didn't want him in the band anymore.

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So it was all happened in like a two week period,

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and it was like, what is happening. We just recorded

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the EP, we had all these shows. So what happened

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was is we ended up I found Momo. Momo actually

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works with me, but and I didn't know he was

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as good as he is, but but we you know,

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we got him on when Jason left the bass player,

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we got Momo, and the moment was with us with

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the other guys too, and then the other guys left

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like a week later, and and so what we ended

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up doing was we had like a three week period,

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but we had two shows still happening, so I didn't

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I don't really like canceling. So yeah, we ended up

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playing me Momo and Corey ended up playing those two

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shows in the interim when we were looking for a drummer.

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Just we did an acoustic set of our metal metal

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show and and uh, and yeah it was it was awesome,

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but uh, but yeah, and then we found Danny and

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Danny as a well you heard him on the album.

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He's he's amazing, you know, and you know, you know Cory, So.

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Speaker 1: When when you when that happened? When when all this

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tumult is happening. I mean, what was ever a moment

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where you thought, maybe, you know, maybe this is it,

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maybe we do something new, or or were you determined

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right right through that whole period. Now we're gonna keep determined.

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Speaker 2: Yeah, there was there was no way we were going

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to let go they ever felt sound what what Corey

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and I had, you know, because him and I, even

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though we had the other three members, him and I

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were really the you know, the core of what we

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were doing. The sound. You know, Corey really brings that

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psychedelic He's like the gay David Gilmore. Metal to me

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reminds me kind of reminds me of Randy Roads a

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little bit too, and and with that Black Sabbath influence

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and also painful. And then also you know he's a

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big on Slayer and stuff like that, and and uh, well,

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Corey's ability to bring that to the table and then

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you know what I'm already naturally doing. So as long

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as we had Corey and I we were able to build,

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you know, but if I lost Corey too, I probably

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would have been starting a new band.

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Speaker 1: Yeah. Yeah, were you and Corey in a band together

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prior to Ever Felt or or no?

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Speaker 2: No, okay, no, I've met Corey in twenty twenty two.

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We actually I found out about the band him and

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this our old old old drummer was trying to put

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together on Craiglist of all places, and yeah, man, and

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and so I went over there, and you know, from

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the very first practice where I just went over there

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just freestyle vocals just to just to try to you know,

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basically trying out to be their vocalist. You know, from

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then on, him and I just hit it up. The

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song Medici was one of the first songs we played.

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It became Medicaid, but at the time, you know, it

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was just it was just a diddy. It was just

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a little riff, you know. Yeah, And and even Epic

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one stranger on the album was originally created back then,

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back in when we first met. So some of the

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songs that are on this this album are actually some

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of our original stuff we were working on that just

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didn't make it on the epeaks. It was wasn't ready yet.

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Speaker 1: Oh okay, gotcha. And so this came out in December.

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Speaker 2: Correct, yeah, December fifteenth.

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Speaker 1: Okay, okay. And it's on all the platforms and everything obviously.

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Speaker 2: Oh yeah, yeah, it's everywhere. Man, even band Camp. We

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got it on there too.

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Speaker 1: Excellent, excellent. Band Camp is great. I always encourage people

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to check out band camp because not only is it

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a great resource for new music, but what a lot

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of people don't realize is the files that you get

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from band camp are superior to what you would get.

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You know, if you're just streaming it on YouTube for example, Yeah,

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you got you keep.

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Speaker 2: Like one hundred percent pin on. When the person buys

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your your discography, your album, you get, you get like

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one hundred percent of the purchase. Yep, there's there's so much.

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It's more artists driven, yes, than other platforms. And you

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know what's crazy is I was working with Metal Devastation

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PR with this album, working with another promo company too,

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but I was working with him and he was like, man,

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you guys aren't own band camping. And I thought, I

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don't know why I thought this, but I thought that

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if we were on all you that we had to

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choose either Oh Moodifi or band Camp and that wasn't

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the case at all. And I'm really glad that he

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hit you know, made me hip to that because yeah,

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it's been awesome since we've been on there.

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Speaker 1: So oh absolutely, yeah, very good. What's what's the response been, like?

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I mean, are obviously you have longtime fans who are

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probably U are enjoying the I feel like this is

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your best work that I've heard so far of this album.

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I mean, has that kind of been what the response

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is overall?

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Speaker 2: Oh? Yeah, it's been overwhelming. The response has been phenomenal.

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We we you know, not only do we. I mean

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we're booking into August of next year. Now that's how

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I mean, we really booked. I mean, we are definitely

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booking up. But also you know, the response on on

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the different radio station is different, different. The reviews that

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have been done of the album have been just super unbelievable. Man. Uh,

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we feel like this is the best work we've ever

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done as artists so far, and and we we feel

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that way. We felt it when we were recording it

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and when we were creating it. But you know, when

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we hear that from other people when when a lot

241
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of the responses like this is none like anything they've

242
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heard before. No one's doing what you're doing. That kind

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of thing that matters to us because we we to us,

244
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it's all about staying true to the sound and and

245
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what whatever felt is and making sure that we capture

246
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that psychedelic groove metal as we are. And I think that,

247
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you know, there's not a whole lot of people out

248
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there doing what we do, and so I'm really proud

249
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of that because you know, as a band, we really

250
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allow the music to happen to us more than just

251
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trying to. We don't ever get in the studio and say, oh,

252
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we're going to go for a sound or let's sound

253
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like this. It's it's never like that. It's always it's

254
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always we're all willing to be the channel for the

255
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music together. And I think that that's why it's fluid

256
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as it is, because even now we have the we

257
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have all of the song ideas for the next album.

258
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Oh wow, we're yeah, we're working on those now. We're

259
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gonna be releasing another one at the end of this year.

260
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Speaker 1: Oh no kidding, excellent, Wow, Yeah, you guys are crand

261
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a year. Yeah, sure, Oh that's fantastic. Yeah, did you

262
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record where did you record this album? Because it sounds

263
00:11:41,919 --> 00:11:44,840
so good, I mean sonically it's it's just outstanding. Did

264
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you record this the same way you did your previous

265
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work or somewhere new?

266
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Speaker 2: Yes, sir, Yeah, that was with Shelby Brucless at Loud

267
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and Clear Studios in Paduca, Kentucky. Okay, he is the

268
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guy who also did our EP. And he's amazing because

269
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not only is as obviously as you can hear, he's obvious, amazing,

270
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amazing engineer and knows what he's doing, but he is

271
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he makes the experience just so comfortable. Like when we

272
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go there, we stay the whole weekend at the studio,

273
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the whole band, and we you know, it's like we're

274
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at practice, it's like we're at home. And so it's

275
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it's just such a comfortable experience, the way that he

276
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has a set up, the way we do the crash tracks,

277
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and and he's so so awesome because for him, you know,

278
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I don't I don't think all engineers and producers are

279
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like this, but for him, he wants to make sure

280
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more than anything, that what we want to hear on

281
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the album is what's there, not what he thinks should

282
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be there, and uh, I think that that's you know,

283
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you don't find that everywhere and uh and it's affordable.

284
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So we were super stoked. And even if even if

285
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somehow someday we end up, you know, really going somewhere

286
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with this, you know, and they offer us to you know,

287
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to go to a state of the art studio to record,

288
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we're bringing Shelby with us.

289
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Speaker 1: Yeah, yeah, I don't blame you. Clearly the results are there.

290
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And you mentioned so he's in Kentucky. Where are you guys?

291
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Speaker 2: Look again, Uh, southern Illinois.

292
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Speaker 1: Southern Illinois, that's what I thought. Yeah, I'm sure we

293
00:13:04,759 --> 00:13:06,679
talked about this before. But I spent a lot of

294
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time in Illinois growing up because my uh when my

295
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parents split up and my mother moved back to Illinois,

296
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I would spend the summers out there. So I love Illinois.

297
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Oh yeah, great, great, great state. What's the music scene

298
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like where you guys are, because you mentioned that there's

299
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not a lot of people in your area who are

300
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doing what you're doing right, the psychedelic groove metal like like, yeah,

301
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well yeah, tell me about the scene there.

302
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Speaker 2: Well for us, we uh in southern Illinois. It's uh,

303
00:13:33,320 --> 00:13:35,679
it's hit and miss. But to be honest, we are

304
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actually even if you google us today, we're considered a

305
00:13:37,600 --> 00:13:40,600
Saint Louis based band. Okay, we play all of our

306
00:13:40,679 --> 00:13:42,679
music in Saint Louis pretty much. We have a couple

307
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of shows locally, but almost everything we do now is

308
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in Saint Louis. Yeah, we have some of the biggest

309
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shows we ever boked we were about to play. We're

310
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playing Pops twice in Saint Louis on January twenty third

311
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and February thirteenth, and then we're going to play the

312
00:13:55,799 --> 00:13:59,279
Contrarian Concert Hall and Fastest Missouri right outside Saint Louis.

313
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But the big show that I'm super extoked about. I

314
00:14:01,840 --> 00:14:03,679
may almost stoked about all of our shows, but the

315
00:14:03,720 --> 00:14:06,200
one I really am very proud of is the Sovereign.

316
00:14:06,279 --> 00:14:08,879
It's a brand new it's a nineteen hundred capacity down

317
00:14:08,919 --> 00:14:11,879
downtown Saint Louis, the Saint Louis Arts District, and the

318
00:14:11,879 --> 00:14:13,639
owner you know, got a hold of me to build

319
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the entire show. So yeah, pretty odd. I mean, we

320
00:14:17,120 --> 00:14:19,720
got to build and it's it's gonna be amazing. But

321
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but yeah, so so really Saint Louis Is and the

322
00:14:21,960 --> 00:14:24,480
scene is amazing in Saint Louis. I mean, the amount

323
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of venues to play, the amount of genres of music

324
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is you know, there's a plethora, and and we love

325
00:14:32,200 --> 00:14:35,480
that because you know, like for instance, like we're playing

326
00:14:35,519 --> 00:14:37,480
the Road to Point Fest at Pops again. We played

327
00:14:37,519 --> 00:14:39,519
last year, we're playing again. But then we had the

328
00:14:39,559 --> 00:14:42,000
metal bands in Saint Louis actually invite us to play

329
00:14:42,000 --> 00:14:44,080
back at Pops, not not for a contest, but for

330
00:14:44,120 --> 00:14:47,519
a metal showcase on February thirteenth. And you know, there's

331
00:14:47,559 --> 00:14:49,000
a bunch of bands they could have asked to come

332
00:14:49,039 --> 00:14:51,720
do that, you know, for that, and they asked us,

333
00:14:51,759 --> 00:14:54,159
and you know, it means everything to us. But yeah,

334
00:14:54,200 --> 00:14:56,840
Saint Louis is really where we play all of our music.

335
00:14:56,840 --> 00:14:59,919
It's really we're considered a Saint Louis band, but we

336
00:15:00,080 --> 00:15:01,960
you know, we live about two hours from there, to

337
00:15:01,960 --> 00:15:02,399
be honest.

338
00:15:02,679 --> 00:15:06,679
Speaker 1: Yeah, yeah, no, that's that's great. Obviously Saint Louis is

339
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a great city. And no, it's good to be associated

340
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with that scene. Uh, no doubt. So you're so you're

341
00:15:14,279 --> 00:15:18,240
actually closer to Saint Louis than uh than Chicago, right.

342
00:15:18,840 --> 00:15:21,600
Speaker 2: Oh, yeah, man, we are. Do you know where Carbondell is?

343
00:15:22,039 --> 00:15:23,279
Speaker 1: I I have a vague idea.

344
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Speaker 2: Mary in Illinois, Okay, so there, Yeah, yeah, I work

345
00:15:27,840 --> 00:15:31,120
in Marion. Oh okay, Yeah, so I'm about I'm about

346
00:15:31,120 --> 00:15:34,559
forty minutes. I'll live in Murphy'sboro, Illinois, Okay. And then

347
00:15:34,600 --> 00:15:36,639
the other guys they live in Benton and West Frankfurt.

348
00:15:36,679 --> 00:15:39,240
So we're about forty minutes apart. But we practice every Sunday.

349
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And yeah, I think works with me.

350
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Speaker 1: So yeah, no, that's that's cool. It's funny too that

351
00:15:45,519 --> 00:15:47,159
you know, you guys work together and then but then

352
00:15:47,159 --> 00:15:48,720
you didn't know until recently just how good of a

353
00:15:48,799 --> 00:15:52,679
musician he like, prior to that, prior to him becoming

354
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a part of the band, or or or coming to

355
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UH audition or however it worked. I mean, did did

356
00:15:58,559 --> 00:16:00,720
did you guys talk about the band at like? Was

357
00:16:00,720 --> 00:16:02,120
he already aware of the band?

358
00:16:03,679 --> 00:16:05,759
Speaker 2: Yeah? He knew about us, because you know, he would,

359
00:16:05,799 --> 00:16:07,440
you know, he would we were still playing, he would,

360
00:16:07,480 --> 00:16:09,159
you know, know about the shows I'd be talking about.

361
00:16:09,159 --> 00:16:11,799
I'd play the EP, you know, at the store, and yeah,

362
00:16:11,840 --> 00:16:14,039
and he would tell me he's a bass player, and

363
00:16:14,120 --> 00:16:16,000
he showed me some of his stuff because he you know,

364
00:16:16,080 --> 00:16:17,840
he played in a few bands. He got to open

365
00:16:17,919 --> 00:16:21,200
for Ozzie one time. Oh wow, yeah, he got to

366
00:16:21,240 --> 00:16:24,679
open for who was it Warrant Warrant, He got to

367
00:16:24,720 --> 00:16:26,879
play with them once. Yeah, I'm a little jealous of that.

368
00:16:27,240 --> 00:16:30,320
Speaker 1: Yeah, yeah, yeah.

369
00:16:30,559 --> 00:16:32,480
Speaker 2: He would tell me those stories and everything. And then

370
00:16:32,480 --> 00:16:34,960
when Jason, are former bass player, started you know, being

371
00:16:34,960 --> 00:16:37,840
real flaky and acting like like not responding, not wanting

372
00:16:37,879 --> 00:16:39,720
to play shows, and acting like he was kind of

373
00:16:39,720 --> 00:16:42,399
stepping away. I told him, I was like, hey, man,

374
00:16:42,440 --> 00:16:45,200
I was like, there might be an opportunity here for

375
00:16:45,279 --> 00:16:47,639
you to join the band if you want. Audition, and

376
00:16:47,639 --> 00:16:49,799
and then you know, he played our song the Lie

377
00:16:49,799 --> 00:16:51,799
in the audition and he tore it apart. I mean

378
00:16:52,120 --> 00:16:54,919
not not not to you know, say anything negative about Jason,

379
00:16:54,960 --> 00:16:56,360
but he was more of a root note guy. And

380
00:16:56,360 --> 00:16:59,080
when when Momo stepped up like all over that base,

381
00:16:59,120 --> 00:17:04,440
I was like, yeah, so yeah, And not only is

382
00:17:04,480 --> 00:17:07,640
Momo an amazing bass player, but he is the most

383
00:17:07,680 --> 00:17:10,279
genius soundtag guy. We finally got a rack system. We

384
00:17:10,319 --> 00:17:13,559
can control our own sound on stage nice, and it's

385
00:17:13,559 --> 00:17:15,559
all due to him. I wouldn't know, I wouldn't begin

386
00:17:15,599 --> 00:17:17,039
to know how to make any of that happen.

387
00:17:17,079 --> 00:17:18,480
Speaker 1: But yeah, but.

388
00:17:18,519 --> 00:17:21,480
Speaker 2: Yeah, he's and he's hilarious. He's the I mean, he

389
00:17:21,640 --> 00:17:23,279
is the comic relief of the band.

390
00:17:23,359 --> 00:17:25,240
Speaker 1: So oh that's cool too. Yeah, that's good.

391
00:17:26,880 --> 00:17:27,960
Speaker 2: Yeah, you gotta have that.

392
00:17:27,960 --> 00:17:29,759
Speaker 1: That's really good. When do you play live, do you

393
00:17:29,759 --> 00:17:31,759
play the whole album?

394
00:17:31,960 --> 00:17:33,839
Speaker 2: Yeah, So it depends on the show. So, like today

395
00:17:33,880 --> 00:17:36,920
we have a show. We're playing a show for a

396
00:17:36,920 --> 00:17:40,440
fundraiser event for a guy biker had lost his life

397
00:17:40,799 --> 00:17:42,680
for his family, raising money for his family, and then

398
00:17:42,720 --> 00:17:45,759
for a couple of dispensaries we're raising money for them,

399
00:17:45,799 --> 00:17:48,640
and so that so for instance, just to explain, so

400
00:17:48,680 --> 00:17:50,720
that's like five or six bands playing that. So we're

401
00:17:50,720 --> 00:17:52,519
only going to do a forty five minute set there,

402
00:17:53,519 --> 00:17:55,400
and it's an all day event, but we're playing at

403
00:17:55,440 --> 00:17:57,400
like six thirty. But next weekend when we play at

404
00:17:57,400 --> 00:17:59,440
the Road to Point Fest, it pops. It's a thirty

405
00:17:59,440 --> 00:18:02,559
minute sets only doing five songs, you know, Yeah, because

406
00:18:02,599 --> 00:18:05,519
it's concept and so it depends on the venue and

407
00:18:05,559 --> 00:18:09,039
how many bands. But but yeah, what normally happens when

408
00:18:09,079 --> 00:18:10,880
we get a forty five minute set, we get to

409
00:18:10,880 --> 00:18:13,559
play the entire album plus Reach from the EP Okay,

410
00:18:13,640 --> 00:18:18,279
and then whenever we have our May twenty third album

411
00:18:18,319 --> 00:18:20,880
release show and we're going to be playing our entire discography.

412
00:18:20,920 --> 00:18:22,400
We really love when we're able to do that because

413
00:18:22,440 --> 00:18:26,079
it's like two hours of music. Yeah, and and yeah,

414
00:18:26,200 --> 00:18:29,400
that's that's fun because you know, we get to let

415
00:18:29,440 --> 00:18:30,480
loose and just play.

416
00:18:30,920 --> 00:18:33,160
Speaker 1: Reach is a great song too. I'm glad you mentioned

417
00:18:33,200 --> 00:18:35,039
it because I love that song because we I remember

418
00:18:35,039 --> 00:18:36,400
we played that. I believe it was the last time

419
00:18:36,400 --> 00:18:38,720
you're on the show. We played that because I think

420
00:18:38,759 --> 00:18:43,720
that had just come out. That's such a great track too. Absolutely, absolutely,

421
00:18:44,279 --> 00:18:46,559
Oh and also too. I mean, obviously I've asked you

422
00:18:46,599 --> 00:18:48,319
this before, but I don't remember what the answer was.

423
00:18:48,359 --> 00:18:50,799
And for newer listeners who aren't familiar, where where does

424
00:18:50,839 --> 00:18:52,799
the name ever Felt come from? And what does it mean?

425
00:18:55,000 --> 00:18:58,200
Speaker 2: So the name ever Felt was originally came from So

426
00:18:58,400 --> 00:19:01,200
I have a best friend named Charles linger Felt that

427
00:19:01,240 --> 00:19:03,519
I did my first album with him when I was nineteen,

428
00:19:03,559 --> 00:19:05,319
called Clinch. We had just me and him. He did

429
00:19:05,359 --> 00:19:07,079
all the music. I did the vocals and lyrics, and

430
00:19:07,119 --> 00:19:08,880
I didn't know at all what I was doing then.

431
00:19:09,839 --> 00:19:12,319
And over the years, you know, we wrote many much

432
00:19:12,400 --> 00:19:16,759
music together and became like brothers. And he passed away

433
00:19:16,839 --> 00:19:21,480
in twenty twenty one from cancer and all suddenly. Actually

434
00:19:21,480 --> 00:19:24,279
we had a project going called anger Felt when that happened.

435
00:19:24,799 --> 00:19:28,079
And so when he passed away, we actually just went

436
00:19:28,079 --> 00:19:29,920
to Florida to play music. We came back and I

437
00:19:30,079 --> 00:19:32,039
literally had to drop him off at the UK hospital

438
00:19:32,480 --> 00:19:34,759
and he didn't make it. I didn't see him again.

439
00:19:34,960 --> 00:19:40,039
He went to a coma his first treatment of chemotherapy.

440
00:19:40,240 --> 00:19:42,640
And yeah, the last time I talked to him was

441
00:19:42,680 --> 00:19:46,119
a thirty minute like interview, I mean thirty minute conversational messenger.

442
00:19:46,160 --> 00:19:50,480
But anyway, so when he passed, you know, with his

443
00:19:50,960 --> 00:19:53,400
last name being linger Felt, and with us having the

444
00:19:53,400 --> 00:19:56,240
project anger Felt, I wanted him to be forever Felt

445
00:19:56,319 --> 00:19:58,720
and any music that I ever do from the moment

446
00:19:58,720 --> 00:20:02,720
from now on. And and so the name ever Felt

447
00:20:02,759 --> 00:20:05,160
was born. Okay, that's how it became that.

448
00:20:05,559 --> 00:20:08,960
Speaker 1: Okay, Okay, yeah, I do, I do recall you and now.

449
00:20:09,000 --> 00:20:15,160
Speaker 2: You know, and now it's like, you know, although that

450
00:20:15,359 --> 00:20:17,240
was the original of the origin of how the name

451
00:20:17,279 --> 00:20:20,799
became what it is now, it's it's more about as

452
00:20:20,880 --> 00:20:23,400
a band, it's more about have you ever felt music?

453
00:20:23,480 --> 00:20:27,240
Like this before. Okay, you know, have you ever felt

454
00:20:27,279 --> 00:20:29,759
like you know, lyrics and so so really it's a

455
00:20:30,400 --> 00:20:32,799
it's a play on words, but also it originally became

456
00:20:32,880 --> 00:20:35,079
you know, I wanted I wanted Charlie to be forever

457
00:20:35,119 --> 00:20:35,839
felt in the music.

458
00:20:36,039 --> 00:20:38,200
Speaker 1: Yeah, yeah, that's right. I do remember now, I do

459
00:20:38,240 --> 00:20:43,599
remember you talking about that and uh yeah, wow, No,

460
00:20:43,720 --> 00:20:45,519
that's a that's a great that's a great way to

461
00:20:45,599 --> 00:20:48,279
kind of, you know, carry on his his memory. And

462
00:20:48,519 --> 00:20:51,759
you know, obviously he was somebody very important in your life,

463
00:20:51,960 --> 00:20:53,720
you know, being there at kind of the beginning of

464
00:20:53,759 --> 00:20:55,880
your music career and being such a big part of it.

465
00:20:56,039 --> 00:20:58,720
And uh, that's that's terrible. What happened to him?

466
00:20:58,759 --> 00:20:59,640
Speaker 2: He taught me so much.

467
00:21:00,119 --> 00:21:05,400
Speaker 1: Yeah, yeah, it taught me a lot. Yeah. Okay, wow.

468
00:21:05,880 --> 00:21:09,279
By the way, so is any of the the original

469
00:21:09,359 --> 00:21:12,920
the Anger Felt or or or the first the first

470
00:21:12,960 --> 00:21:14,480
things that you recorded with him? Is any of that

471
00:21:14,559 --> 00:21:15,920
online still.

472
00:21:15,720 --> 00:21:20,720
Speaker 2: Or it's not online? I do have some of that

473
00:21:20,960 --> 00:21:24,039
those recordings, but we never we never post we never

474
00:21:24,119 --> 00:21:27,359
like published, like, we never released it or anything. We

475
00:21:27,440 --> 00:21:30,240
had just finished the album Anger for the Engerfelt album

476
00:21:30,240 --> 00:21:31,599
and we were we went to Florida to play a

477
00:21:31,640 --> 00:21:33,839
couple of shows down there. Yeah, and then when we

478
00:21:33,880 --> 00:21:38,160
came back he you know, and that was it. And

479
00:21:38,279 --> 00:21:40,960
uh and and honestly, I have a couple of actually,

480
00:21:41,000 --> 00:21:42,920
I have a couple of songs from when we had

481
00:21:42,920 --> 00:21:46,519
a band called Chaotic Harmony years ago when I was

482
00:21:46,559 --> 00:21:50,559
like thirty and uh, and we had that band, and

483
00:21:50,680 --> 00:21:52,960
so I've got some music from before. But the anger

484
00:21:52,960 --> 00:21:55,559
felt music is I don't know. I think his daughter

485
00:21:55,640 --> 00:21:57,759
has some of it still, but that's not out there

486
00:21:57,759 --> 00:21:58,759
anywhere unfortunately.

487
00:21:58,880 --> 00:21:59,119
Speaker 1: Yeah.

488
00:21:59,240 --> 00:22:02,119
Speaker 2: Yeah, no, I will say our song River, that's only

489
00:22:03,440 --> 00:22:07,480
the song River on the EP was original melody by Charlie.

490
00:22:08,079 --> 00:22:10,079
That song was a song that was his that I

491
00:22:10,160 --> 00:22:12,720
brought to when we first started this this band.

492
00:22:13,160 --> 00:22:17,880
Speaker 1: Oh okay, okay, oh interesting, very good. Now so what

493
00:22:18,119 --> 00:22:20,160
uh what what do you guys have? So you have

494
00:22:20,200 --> 00:22:22,160
a show tonight, right, you said? And you are you

495
00:22:22,200 --> 00:22:23,359
playing in Saint Louis tonight?

496
00:22:24,200 --> 00:22:29,319
Speaker 2: Yeah? Yeah, yeah, it's actually it's Martha'sville, Missouri. It's like

497
00:22:29,400 --> 00:22:32,359
right outside Saint Louis. But yeah, yeah, we're playing. We're

498
00:22:32,400 --> 00:22:35,720
playing at Corey Gables and it's gonna be a it's

499
00:22:35,759 --> 00:22:39,160
for a originally was a dispensary show. And then it

500
00:22:39,200 --> 00:22:42,480
became a dual show where it's a biker had lost

501
00:22:42,480 --> 00:22:44,200
his life so they're doing a fundraiser and they moved

502
00:22:44,200 --> 00:22:46,359
the show to the bar where the fundraiser is, so

503
00:22:46,400 --> 00:22:49,759
it's kind of a dual thing. But but yeah, we're

504
00:22:50,039 --> 00:22:53,160
we're stoked to do it. Man. You know, they they've

505
00:22:53,200 --> 00:22:55,160
already I mean, they already sent us everything we need

506
00:22:55,160 --> 00:22:57,000
to get there and get back before we even played

507
00:22:57,000 --> 00:22:58,720
any music, which I thought was pretty awesome.

508
00:22:58,799 --> 00:23:01,680
Speaker 1: So yeah, yeah, no, that's good. You know, it's going

509
00:23:01,720 --> 00:23:03,519
to be able to do things like that and and

510
00:23:03,599 --> 00:23:05,559
do you know, do things that are that are positive

511
00:23:05,599 --> 00:23:07,680
and helping people and uh, you know, that's that's what

512
00:23:07,680 --> 00:23:10,079
it's all about. And uh no, I think that's I

513
00:23:10,160 --> 00:23:14,480
think that's great. So Adam or yeah, man, absolutely, Oh

514
00:23:14,519 --> 00:23:14,880
go ahead.

515
00:23:14,960 --> 00:23:15,960
Speaker 2: Oh I didn't say anything.

516
00:23:16,039 --> 00:23:17,640
Speaker 1: Oh okay, sorry, I thought I thought we lost it

517
00:23:17,680 --> 00:23:20,119
there for a second. I think we have I think

518
00:23:20,119 --> 00:23:21,680
we have a slight delay. No, you were, you were

519
00:23:21,920 --> 00:23:23,640
you were starting to say something and I think I

520
00:23:23,640 --> 00:23:25,000
I interrupted you or maybe not.

521
00:23:28,200 --> 00:23:30,519
Speaker 2: No, No you didn't. You didn't interrupt me.

522
00:23:30,559 --> 00:23:32,680
Speaker 1: You're good brother, Okay, cool, Yeah, No, I think we

523
00:23:32,720 --> 00:23:35,680
have a slight delay on the that happens online, but

524
00:23:35,960 --> 00:23:39,000
no big deal. No where where where should people go

525
00:23:39,039 --> 00:23:41,000
online to keep up with everything that I ever Felt

526
00:23:41,079 --> 00:23:43,160
is doing and and to get the get the album

527
00:23:43,200 --> 00:23:45,160
and everything? What? What where should people know about where

528
00:23:45,160 --> 00:23:45,839
to go online?

529
00:23:46,240 --> 00:23:48,160
Speaker 2: So the easiest thing to do is just to go

530
00:23:48,240 --> 00:23:51,720
to everfelt dot net. Okay, website where you can access

531
00:23:51,759 --> 00:23:54,119
all of our all of our social media platforms are

532
00:23:54,119 --> 00:23:55,640
on the on there. You can go to our Spotify,

533
00:23:55,680 --> 00:23:59,119
our bank, everything ever felt is on ever felt dot net.

534
00:23:59,240 --> 00:24:01,880
So you can find all our shows, everything you want

535
00:24:01,920 --> 00:24:03,720
to know about us there. But if you want to

536
00:24:03,759 --> 00:24:06,400
purchase the album or you want to listen to it,

537
00:24:06,400 --> 00:24:09,200
it's on all the streamings, band camp everywhere. But you

538
00:24:09,240 --> 00:24:11,160
can access that through the website. So it's so much

539
00:24:11,200 --> 00:24:12,960
easier just to go to that one place and not

540
00:24:13,039 --> 00:24:14,480
have a bunch of you know, a bunch of links

541
00:24:14,519 --> 00:24:17,519
to try to remember anything. So yeah, ever felt dot net.

542
00:24:18,039 --> 00:24:22,759
Speaker 1: Did somebody else already have ever felt dot com?

543
00:24:22,880 --> 00:24:25,440
Speaker 2: I'm just yeah, I don't know if they I don't

544
00:24:25,440 --> 00:24:27,240
know if it's I don't know if they have it

545
00:24:27,359 --> 00:24:29,480
or not. But it was that that was just the

546
00:24:29,559 --> 00:24:32,920
domain that band zoogle offered me when I created the website.

547
00:24:33,000 --> 00:24:35,440
Speaker 1: Gotcha, gotcha, But I don't know why it's not a

548
00:24:35,519 --> 00:24:37,519
dot com. Yeah, I wonder. I wonder if there's like

549
00:24:38,119 --> 00:24:40,839
a company that makes pool tables or something called ever

550
00:24:40,839 --> 00:24:43,079
Felt and maybe they have ever felt dot com or something.

551
00:24:46,359 --> 00:24:47,799
Speaker 2: That's probably true.

552
00:24:47,680 --> 00:24:50,599
Speaker 1: Probably probably no. But it's good that you have a sound.

553
00:24:50,799 --> 00:24:50,960
Speaker 2: You know.

554
00:24:51,200 --> 00:24:54,440
Speaker 1: It's funny a lot of bands don't don't have websites anymore.

555
00:24:54,440 --> 00:24:56,799
They just rely on Instagram or whatever, and it's like, yeah,

556
00:24:56,839 --> 00:24:58,079
you still got to have a website. So I think

557
00:24:58,119 --> 00:25:00,240
it's great that you guys have a website and it is,

558
00:25:00,519 --> 00:25:02,559
like you said, it's a great central hub for everything

559
00:25:02,599 --> 00:25:04,839
that you're looking for, all things ever felt. Just go

560
00:25:04,880 --> 00:25:06,759
to everfelt dot net. That's the way to do it.

561
00:25:06,799 --> 00:25:12,480
So I agree, yes, sir. In a moment, Adam, we'll

562
00:25:12,559 --> 00:25:14,759
let you go. You've been generous with your time this morning,

563
00:25:14,839 --> 00:25:16,559
and we appreciate it. Always great to talk with you.

564
00:25:17,480 --> 00:25:19,079
I do want to play though, at the end of

565
00:25:19,119 --> 00:25:22,000
our conversation. I'm gonna play another track from the album,

566
00:25:22,079 --> 00:25:23,680
but gonna kind of put you on the spot. I'm

567
00:25:23,680 --> 00:25:26,400
gonna let you pick this one. I opened with epic one,

568
00:25:26,519 --> 00:25:29,839
But what would you suggest that we play at the

569
00:25:30,000 --> 00:25:30,920
end of the segment.

570
00:25:33,640 --> 00:25:36,359
Speaker 2: Well, we'll play my favorite song from the album and

571
00:25:36,759 --> 00:25:37,519
that is Stranger.

572
00:25:38,400 --> 00:25:41,720
Speaker 1: Stranger. Okay, that's a good choice. Okay, I'm gonna get

573
00:25:41,880 --> 00:25:45,359
I'm gonna queue that up and we'll play that and wonderful. Well,

574
00:25:45,359 --> 00:25:48,000
Adam again, thank you so much for joining us this morning.

575
00:25:48,039 --> 00:25:50,279
It's it's been great. And are you Are you in

576
00:25:50,319 --> 00:25:51,680
the same time zone as us or are you an

577
00:25:51,720 --> 00:25:52,279
hour behind?

578
00:25:55,519 --> 00:25:57,680
Speaker 2: I think I'm an hour behind. It's nine thirty here.

579
00:25:57,720 --> 00:26:00,240
Speaker 1: Okay, yeah, your Central time. Yeah, I wasn't sure because

580
00:26:00,279 --> 00:26:02,559
I'm never sure where the where the line is for

581
00:26:02,640 --> 00:26:05,559
the you know, down the middle of the midwest of

582
00:26:05,599 --> 00:26:07,559
the country. I know that Chicago because when I would

583
00:26:07,559 --> 00:26:09,519
spend the summers in Chicago with my mom, it was

584
00:26:09,799 --> 00:26:14,839
Central time. What's that, I said me.

585
00:26:14,880 --> 00:26:16,440
Speaker 2: Either, I don't know. I don't ever know either.

586
00:26:16,599 --> 00:26:21,039
Speaker 1: Yeah, exactly where that line is? Yeah, yeah, exactly. All right,

587
00:26:21,079 --> 00:26:23,720
So we're gonna hit this track Stranger again. This is

588
00:26:23,720 --> 00:26:27,039
from the new Ever Felt release Stirring to Wake, which

589
00:26:27,079 --> 00:26:29,319
I love. But we'll let you go for now, but

590
00:26:29,359 --> 00:26:31,839
I'm sure we'll talk again in the future. Adam. Congratulations

591
00:26:31,839 --> 00:26:34,799
again on the album. It's wonderful and uh and I

592
00:26:34,839 --> 00:26:36,680
look for and you did mention you're going to be

593
00:26:36,759 --> 00:26:38,680
doing one a year, so we'll definitely, but we won't

594
00:26:38,720 --> 00:26:40,440
let a whole year go by before we have you back.

595
00:26:40,480 --> 00:26:42,920
I promise, because I love talking to you, man, And

596
00:26:43,160 --> 00:26:46,160
thank you so much for joining us today. You two brother,

597
00:26:46,559 --> 00:26:47,720
all right, Adam, take care.

598
00:26:47,640 --> 00:26:49,359
Speaker 2: Thank you man. Thank you for everything, Matt that you

599
00:26:49,400 --> 00:26:50,559
do for the music community.

600
00:26:50,599 --> 00:26:52,559
Speaker 1: Man. Oh yeah, glad to do it. I love it.

601
00:26:52,599 --> 00:26:54,359
All right, thank you. We'll talk to you soon, man,

602
00:26:54,400 --> 00:26:57,240
take care, bye bye. All right. That is Adam Seglitz

603
00:26:57,319 --> 00:26:59,519
from the band Ever Felt, and we are going to

604
00:26:59,559 --> 00:27:01,839
close out the segment with this. This is another great

605
00:27:01,920 --> 00:27:04,920
track from the brand new release Stirring to Wake and

606
00:27:05,240 --> 00:27:06,599
this is called a Stranger