WEBVTT

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<v Speaker 1>Oh is bolt it show die?

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<v Speaker 2>People say good money to see this movie. When they

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<v Speaker 2>go out to a theater, they want clod sodas, hot popcorn,

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<v Speaker 2>and no monsters.

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<v Speaker 1>In the protection booth, everyone pretend podcasting isn't boring?

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<v Speaker 3>Got it off?

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<v Speaker 4>What are we gonna do?

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<v Speaker 5>I got an idea, go faster.

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<v Speaker 2>Dumb A person lacking mental power.

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<v Speaker 4>What's the last name? I'll look it up.

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<v Speaker 6>Starts with an s slappy no swap swappy.

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<v Speaker 7>Nah.

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<v Speaker 4>Maybe it's on the briefcase looking though.

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<v Speaker 6>Oh yeah, it's right here, samsonnight.

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<v Speaker 1>I was way off.

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<v Speaker 2>Idiot, an adult mentally inferior to a child of three.

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<v Speaker 4>Ez huh, that's right.

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<v Speaker 5>The years, Uh huh both of them?

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<v Speaker 8>Yeah?

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<v Speaker 2>Cool? Stupid A person below normal intelligence.

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<v Speaker 9>Hey, want to hear the most annoying sound in the world.

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<v Speaker 2>If they each had half a brain, they'd still only

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<v Speaker 2>have half a brain.

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<v Speaker 1>A luck Frost.

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<v Speaker 2>Jim Carrey.

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<v Speaker 6>You can't go in there, right.

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<v Speaker 10>Driver Jeff Daniels, O, jeez, look at the button. Yeah,

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<v Speaker 10>he must work out more dumb and dumber for these

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<v Speaker 10>guys every day.

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<v Speaker 2>He's a no brainer.

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<v Speaker 5>Welcome to the projection Booth. I'm your host. Mike White

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<v Speaker 5>joined me once again as mister Ryan Lewis Rodriguez, Hello, sir.

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<v Speaker 5>Also back in the booth is mister John Walker. Okay, Gang,

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<v Speaker 5>you know the rules. No humping, no licking, no sniffing,

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<v Speaker 5>heigh knees. This week we are looking at the fairly brothers.

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<v Speaker 5>Dumb and Dumber. Released in nineteen ninety four, the film

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<v Speaker 5>stars Jim Carrey as Lloyd Christmas and Jeff Daniels as

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<v Speaker 5>Harry Dunn, two complete idiots who embark on a quest

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<v Speaker 5>to return a briefcase to Mary Samson I, played by

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<v Speaker 5>Lauren Holly, who secretly is in a heap of trouble.

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<v Speaker 5>We will be spoiling this film if we can, so

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<v Speaker 5>if you don't want anything ruined, please turn off the

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<v Speaker 5>podcast and come on back after you've seen it. We

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<v Speaker 5>will still be here. So, Ryan, when was the first

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<v Speaker 5>time you saw Dumb and Dumber? And what did you think?

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<v Speaker 6>In the Year of Our Lord nineteen ninety four, I

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<v Speaker 6>was obsessed with a man named Jim Carey. He was

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<v Speaker 6>my absolute hero. And of course my dad took me

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<v Speaker 6>to go see Ace Ventura when I was eight, and

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<v Speaker 6>he said, if I ever do that again, and taking

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<v Speaker 6>to another movie like that and it turns out to

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<v Speaker 6>be like that, I will never take you to another movie.

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<v Speaker 6>That's how offended he was. But he took me to

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<v Speaker 6>go see The Mask. We both love The Mask, but

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<v Speaker 6>he did not let me see Dumb and Dummer in theaters,

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<v Speaker 6>so I had to see it on pay per view

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<v Speaker 6>at a motel that we were staying at in maybe

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<v Speaker 6>February of ninety five, and I fell in love instantly,

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<v Speaker 6>And once I was allowed to buy the VHS, I

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<v Speaker 6>wore that fucker out. I wore it out like a

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<v Speaker 6>dirty shirt. And it's still one of my favorite comedies.

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<v Speaker 5>And John, how about yourself?

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<v Speaker 1>I was trying to remember actually, right before we started

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<v Speaker 1>this conversation, like why this movie was on my radar,

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<v Speaker 1>And the only thing I can imagine is that I

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<v Speaker 1>was interested in what Jim Carrey was doing with his comedies.

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<v Speaker 1>But I feel like there was something more. Maybe I

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<v Speaker 1>had read an article because this was the first Fairly

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<v Speaker 1>Brothers movie, right.

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<v Speaker 6>Yeah, and only one of them is credited with directing it,

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<v Speaker 6>which is weird.

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<v Speaker 1>It's an interesting thing though, because it's like after this

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<v Speaker 1>I knew who they were obviously, But anyway, I remember

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<v Speaker 1>looking forward to this and feeling like there was some

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<v Speaker 1>reason why I was particularly I was like excited to

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<v Speaker 1>see a movie like this. I still to this day

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<v Speaker 1>feel this way. But at the time, especially I was

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<v Speaker 1>in college.

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<v Speaker 5>I think I would have been.

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<v Speaker 1>Twenty one when this came out, so I was I

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<v Speaker 1>had I'd fully gone into my sort of pretentious film

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<v Speaker 1>buff face. But I was also a huge fan of

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<v Speaker 1>just pure comedies, and especially things that were like low

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<v Speaker 1>concept or no concept or de concept or whatever, like

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<v Speaker 1>really good dumb comedy was and so I think I

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<v Speaker 1>was really primed and ready for this movie. And at

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<v Speaker 1>the time, I remember at least a couple of times

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<v Speaker 1>going back to the theater with somebody because I wanted

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<v Speaker 1>more people to just laugh with me about this movie.

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<v Speaker 1>And it does feel very nineteen ninety four in a

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<v Speaker 1>strange way now, but it also feels like it's connected

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<v Speaker 1>to like the Cluseau films or something like that, where

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<v Speaker 1>it's really just or Anchorman or anything like that, where

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<v Speaker 1>it's just like classic buffoonery people that think they're the

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<v Speaker 1>smartest people in the room and are definitely not. I've

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<v Speaker 1>always been a fan of that kind of movie. So yeah,

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<v Speaker 1>I just remember being excited to see this movie and

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<v Speaker 1>going to see it. And I also remember, just a

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<v Speaker 1>quick little personal anecdote. I went with my girlfriend and

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<v Speaker 1>some guys were being noisy in the theater, and she

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<v Speaker 1>completely told these guys, you know, shut the fuck out.

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<v Speaker 1>And it was at a point where I was like, Oh,

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<v Speaker 1>they're not gonna hassle her in the parking lot, They're

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<v Speaker 1>gonna hassle me. I remember watching this movie feeling like

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<v Speaker 1>I was gonna have to fight after the movie, and

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<v Speaker 1>it never happened. But I do remember there was like

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<v Speaker 1>there was still when I watched this movie. I'm remembering

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<v Speaker 1>that feeling of maybe if I wait in the theater,

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<v Speaker 1>these guys will leave first and then I can pick

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<v Speaker 1>out later. But yeah, it was definitely a movie I

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<v Speaker 1>was looking forward to and I enjoyed.

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<v Speaker 5>When it came out. Well, you had to stay in

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<v Speaker 5>the theater for that extra scene at the end.

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<v Speaker 1>That's what I told myself. It wasn't an act of cowardice.

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<v Speaker 1>It was an act of completism.

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<v Speaker 5>Samuel L. Jackson shows up and says, Harry Lloyd, I'm

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<v Speaker 5>putting together a team. I don't think I saw this

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<v Speaker 5>in the theater. I remember seeing the mask in the theater.

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<v Speaker 5>I don't think that I saw ace Ventura at the theater.

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<v Speaker 5>I don't think I saw this one. I think I

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<v Speaker 5>saw Did I see King Pen? No, I didn't see

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<v Speaker 5>King Penn theatrically. I did see There's something about Mary theatrically.

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<v Speaker 5>But yeah, this one just went under my raidar. I

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<v Speaker 5>definitely knew who Jim Carey was. I definitely watch a

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<v Speaker 5>lot of in living color, and even remember the great

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<v Speaker 5>strides I had to make to go see Earth Girls

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<v Speaker 5>Are Easy and just how tough it was to see

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<v Speaker 5>that movie around here. I had to like take this

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<v Speaker 5>major road trip to go out and see that. But yeah,

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<v Speaker 5>I remember watching this on VHS and absolutely loumbing it.

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<v Speaker 5>Had a real good time with that. But I didn't

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<v Speaker 5>really go back to this one very often. It's not

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<v Speaker 5>a movie that I watch frequently, nor did I back

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<v Speaker 5>in nineteen ninety four. But I just remember very fondly.

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<v Speaker 5>And it's funny that you bring up the Inspector Cluse movies,

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<v Speaker 5>because I forgot just that this is a it's a

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<v Speaker 5>caper movie. There's this whole thing of a crime that

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<v Speaker 5>has been committed, and it's so funny how they keep

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<v Speaker 5>that away from the rest of the narrative so much.

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<v Speaker 5>They give you a little bit at the beginning with

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<v Speaker 5>Lauren Holly, and then once you start to get into

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<v Speaker 5>more of the Charles Rocket and Mike Stop and Duff characters.

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<v Speaker 5>It's funny that you don't even know who or what

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<v Speaker 5>was taken from Lauren Holly. Why she's giving Charles Rockett

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<v Speaker 5>surreptitiously this briefcase full of money, and obviously she doesn't

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<v Speaker 5>know that somebody so close to the family is involved

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<v Speaker 5>with some sort of thing, and that it's not until

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<v Speaker 5>five minutes before the end that you even know that

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<v Speaker 5>she was married and that her husband was kidnapped. It's

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<v Speaker 5>a little blue velvet at times.

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<v Speaker 6>There's a comparison between that and Earth Girls Are Easy,

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<v Speaker 6>and that Charles Rockett is the villain in both movies.

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<v Speaker 5>Right, Yes, Oh God, I love Charles Rockett, love him

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<v Speaker 5>so much, and he was so good in this He's

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<v Speaker 5>so good in everything that he was in and we

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<v Speaker 5>lost him way too soon.

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<v Speaker 1>Wait, he sells that moment that I think you have

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<v Speaker 1>to have in a movie like this, if you've got

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<v Speaker 1>the caper plotline, and if you've got like villains, the

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<v Speaker 1>way that this story does at some point, at least

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<v Speaker 1>if not for the duration of the movie. The villains

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<v Speaker 1>have to think the idiots are like super competent masters

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<v Speaker 1>of subterfuge. At some point they have to say they're

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<v Speaker 1>just that good. And I think that, like Charles Rockett

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<v Speaker 1>knows like he's a funny guy. I was thinking, is

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<v Speaker 1>it interesting for him to be asked to play basically

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<v Speaker 1>the heavy just because he's got a jaw line and

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<v Speaker 1>he can do that. He could be playing the funny

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<v Speaker 1>guy in a different movie, but in this case he's

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<v Speaker 1>getting to play a very dry character. But he does

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<v Speaker 1>have that sort of he's got to sell that idea

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<v Speaker 1>that these people are like, what are these two men doing?

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<v Speaker 1>We see that they're complete idiots, But what's the Bill

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<v Speaker 1>Murray movie? Is it The Man who Knew too much

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<v Speaker 1>or knew too little? The Man who knew too little?

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<v Speaker 11>Yeah?

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<v Speaker 1>And then there's the great Dave Foley comedy The Wrong Guy.

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<v Speaker 1>It's another great like it's a smart, dumb guy comedy,

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<v Speaker 1>but it's also a guy who doesn't understand the situation

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<v Speaker 1>he's in at all.

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<v Speaker 6>And I'm a bag Jones.

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<v Speaker 5>And with movies like that, you always have to be

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<v Speaker 5>careful as far as how do people treat that character,

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<v Speaker 5>how do they respond to him. It reminds me like

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<v Speaker 5>Frank Drebin, where he will say and do the dumbest

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<v Speaker 5>things on earth. Some people know that he's stupid, and

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<v Speaker 5>other people just look, askance, am I hearing what I'm

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<v Speaker 5>supposed to be hearing? And other people just take him

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<v Speaker 5>completely seriously. I think it's mostly you're George Kennedy, your

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<v Speaker 5>OJ Simpson take him very seriously because they are equally

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<v Speaker 5>as stupid. But then you get to Nancy marsha On

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<v Speaker 5>and she's just like, what is this kind of thing?

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<v Speaker 5>Just making more faces than anything, and just I can't

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<v Speaker 5>believe this, dude. But there's not a lot of people

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<v Speaker 5>that call out Frank Drebin for being a complete idiot,

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<v Speaker 5>and this movie does that good balance, because there are

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<v Speaker 5>some people that are just like, who the hell are

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<v Speaker 5>these guys? They're so stupid, and other times like you're saying,

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<v Speaker 5>oh my god, these are evil geniuses. They're sending me

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<v Speaker 5>a message, what do you mean gas man? How do

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<v Speaker 5>they know I have gas? They're rubbing it in my face,

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<v Speaker 5>which means then.

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<v Speaker 1>That guy's trying to outsmart them and then when he's

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<v Speaker 1>around them, like, I love that stretch of the movie.

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<v Speaker 1>I don't want to get ahead, but that stretch of

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<v Speaker 1>the movie where Mentalalino is in the car with them

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<v Speaker 1>is one of those great like just that's hell for him,

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<v Speaker 1>it's to be around these guys. But somewhere at the

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<v Speaker 1>back of his mind he's like, how are these guys

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<v Speaker 1>kind of running the board? Like I don't know, it's

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<v Speaker 1>just I think that that's probably a through line. You

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<v Speaker 1>would probably find that moment in a lot of these

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<v Speaker 1>types of movies where part of what you're saying, Mike

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<v Speaker 1>is like, how do you keep that? How do you

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<v Speaker 1>keep these characters moving forward in the story. It has

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<v Speaker 1>to do with how people react to them. Do you

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<v Speaker 1>bring it up, Frank Drepen bring something up that I

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<v Speaker 1>was hoping we would get to, which is what's the

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<v Speaker 1>line between like spoof world and like whatever that adjacent

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<v Speaker 1>to spoof world is that this movie takes place in.

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<v Speaker 1>It's not quite spoof world. It's not quite where like

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<v Speaker 1>the scene resets and it's like a cartoon character. If

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<v Speaker 1>you get injured, you probably still look bruised in the

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<v Speaker 1>next scene. In a fairly Brothers movie, it's a French sparse.

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<v Speaker 1>There's a funny line there. But I think Frank Dreban

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<v Speaker 1>is also in spoof world, so he's a little bit

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<v Speaker 1>more even like the Marx Brothers or something, where you

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<v Speaker 1>do have the straight people that react to him just

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<v Speaker 1>like what's this idiot doing? But in Dumb and Dumber

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<v Speaker 1>there's almost like there's more consequences and so you get

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<v Speaker 1>more pushback to these idiots because the world is slightly

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<v Speaker 1>more the real world.

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<v Speaker 5>It's just an interesting distinction. Yeah, you do get those moments,

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<v Speaker 5>so where he runs off the jetway and lands in

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<v Speaker 5>a heap, but he is up and around the next

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<v Speaker 5>time we see him, he's absolutely fine. But yeah, there

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<v Speaker 5>are some consequences, not a lot, but there are some.

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<v Speaker 5>To jump to the third movie when Rob Briggle gets

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<v Speaker 5>blown up with fireworks, like his hair's on fire and

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<v Speaker 5>all this stuff is going on, but then it doesn't

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<v Speaker 5>necessarily look horrible in the next scene, but you definitely

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<v Speaker 5>know he's been through something. But then again, he's one

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<v Speaker 5>of the street people versus Harry and Lloyd, who do

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<v Speaker 5>seem fairly indestructible. A lot of times.

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<v Speaker 6>It's causing chaos wherever they go. People die around them

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<v Speaker 6>frequently and they don't even notice it. Like Jim Carrey

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<v Speaker 6>gets somebody killed in the second scene of the film,

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<v Speaker 6>there's a giant explosion when he's not looking at the road.

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<v Speaker 6>Clearly someone in that car died. I mean it just

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<v Speaker 6>turns back around and starts driving.

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<v Speaker 5>Yeah, I'm shocked when Harry is a little guilty about

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<v Speaker 5>mental dying in the diner and everything, but he gets

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<v Speaker 5>past it pretty darn fast.

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<v Speaker 1>It's funny how that scene plays out, too. That's a

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<v Speaker 1>good example of the logic of this world is that

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<v Speaker 1>they somehow manage to get out of that scene, Like

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<v Speaker 1>the people are realizing right after they left, wait a minute,

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<v Speaker 1>there was something fishy here. But somehow they manage to

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<v Speaker 1>get on the road and get out of there before

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<v Speaker 1>the cops show up or before people start questioning it.

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<v Speaker 1>You can again still see that there's like some plausible

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<v Speaker 1>sense of even if we don't see them getting consequences,

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<v Speaker 1>the idea that there might be some kind of consequences

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<v Speaker 1>are there, even right up until the end when there's

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<v Speaker 1>like gun play, Like you don't know that they're not going.

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<v Speaker 5>To get hurt.

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<v Speaker 1>You just suspect that if they do get hurt, it'll

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<v Speaker 1>be funny and not tragic. But even then I do

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<v Speaker 1>think that well in the third movie, I guess the

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<v Speaker 1>injury that Harry as he's shot through, he's bleeding through.

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<v Speaker 1>It's a kind of realistic wound, but it still played

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<v Speaker 1>for laughs that he's, oh, I think I'll be fine,

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<v Speaker 1>and then he's like, put some bactine on it or whatever.

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<v Speaker 6>But it's a rubber band reality.

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<v Speaker 1>But it's not full on spoof world where you say

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<v Speaker 1>nice beaver and then somebody hands down a taxidermy beaver.

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<v Speaker 1>It's not full on that, but it is like that

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<v Speaker 1>pee weez big adventure world where you feel like, okay,

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<v Speaker 1>there's a certain kind of magic to the comedy gets

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<v Speaker 1>you out of situation somehow.

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<v Speaker 6>I liken it to Beavis and butt Head, where I

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<v Speaker 6>remember some writer of that show on the DVD saying

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<v Speaker 6>the way that you write these characters is you start

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<v Speaker 6>thinking and then stop, And that's really how you write

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<v Speaker 6>an idiot. That's the perfect way is that where does

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<v Speaker 6>logical thought begin? And how do you stop before you

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<v Speaker 6>get to that point? And that's both of these characters.

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<v Speaker 1>Even though it's funny that Lloyd's more proactive and Harry's

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00:15:04.360 --> 00:15:07.360
<v Speaker 1>a little bit smarter. There's a but they still don't

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<v Speaker 1>make that doesn't get him out of any troubles.

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<v Speaker 5>Yeah, yeah, at least Harry can read slightly.

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<v Speaker 1>Harry can read right.

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<v Speaker 5>Even though both of them are complete idiots, they can

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<v Speaker 5>actually both operate motor vehicles. And you mentioned, hey, nice

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<v Speaker 5>beaver kind of thing. There's word play in these movies,

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<v Speaker 5>but it's a different type of word play. It's so

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<v Speaker 5>many malaprops where it's just like they think that they're

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<v Speaker 5>like you said, they think that they're smart, and they

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<v Speaker 5>will use a phrase, but it's always the wrong phrase. Ers,

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<v Speaker 5>there's something slightly different about the phrase or wrong about

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<v Speaker 5>the phrase, And sometimes what they say you can figure

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<v Speaker 5>out what they're trying to say, and other times it's

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<v Speaker 5>just what are you trying to say? But I love

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<v Speaker 5>the layering of the jokes, and I think the best

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<v Speaker 5>example of that for me is the end scene of

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<v Speaker 5>this movie with the Hawaiian Tropic girls, where it becomes

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<v Speaker 5>that whole thing of oh, we're looking for two guys

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<v Speaker 5>to come slather us with suntan lotion and they're like, oh, yeah,

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<v Speaker 5>you know the nearest, Oh you're in luck the nearest

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<v Speaker 5>town is two miles back that way kind of thing,

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<v Speaker 5>and you're just like, what, you guys are so stupid,

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<v Speaker 5>Like why aren't you like jumping at this chance?

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<v Speaker 1>This is a beer commercial that just drove up to

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<v Speaker 1>you and it invited you to join the beer commercial

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<v Speaker 1>by the pool.

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<v Speaker 5>The bus drives off and they're just like, oh, you're

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<v Speaker 5>so stupid, and they run after the bus and you're like, okay,

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<v Speaker 5>here we go. Here's the moment is No, the town

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<v Speaker 5>isn't that way, it's this other way. And then they

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<v Speaker 5>have to turn around and then they go, gosh, just

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<v Speaker 5>think about those lucky guys that are going to be

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<v Speaker 5>with those women and they never get it, they never

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<v Speaker 5>make that connection. And I'm just like, that's so nice

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<v Speaker 5>that every time they just take you up to that

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<v Speaker 5>cliff and then they let you go, and then they

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<v Speaker 5>take you back up to that noe. We're gonna let

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<v Speaker 5>you go again, and never. The joke is that it

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<v Speaker 5>never pays off, which I just love.

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<v Speaker 6>And to piggyback on the malapropoisms, when Jim Carrey says

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<v Speaker 6>rapist wit instead of rapier wit, tell her that I'm

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<v Speaker 6>laugh harder in a few weeks like I was losing

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<v Speaker 6>my mind watching it today at that moment.

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<v Speaker 1>I hate to say that one of the ones that

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<v Speaker 1>is sticking in my mind right now is not from

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<v Speaker 1>the first movie. It's from the from Dumb and Dumber two.

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<v Speaker 1>But when he says, hey, man, I hate to burst

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<v Speaker 1>your butthole.

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<v Speaker 5>And it plays too with the cat's.

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<v Speaker 1>Name, But that's an example of what you're saying, Mike.

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<v Speaker 1>You go, Okay, I wouldn't have thought to like I've

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<v Speaker 1>heard of. There's certain malapropisms that you have heard, and

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<v Speaker 1>then other ones where you go, okay, I know he

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<v Speaker 1>means bubble. It doesn't really sound like butthole, but we

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<v Speaker 1>know what it's just like you're used to the rhythm

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<v Speaker 1>of the thing. And so I wonder if the writing

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<v Speaker 1>process of this it's just funny people trying to top

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<v Speaker 1>each other with what's the most idiotic As you're saying,

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<v Speaker 1>my turn on this scene, Okay, we're gonna have that

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<v Speaker 1>be turn. How about this other turn that adds this

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<v Speaker 1>other layer to it, or even just within one little moment,

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<v Speaker 1>like one of my favorite moments it's also a little

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<v Speaker 1>fun turn is when Harry. It was when he pulls

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<v Speaker 1>up on the moped and he tells him that he

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<v Speaker 1>traded the van for the moped, and he does that

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<v Speaker 1>whole thing of just when I thought you couldn't be

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<v Speaker 1>any dumber, you go and do something like this and

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<v Speaker 1>completely redeem yourself. It's like, you have to know what's

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<v Speaker 1>the movie, what's the moment we think we're getting in

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00:18:30.119 --> 00:18:32.759
<v Speaker 1>a movie like this before you know how to subvert

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<v Speaker 1>it with the complete idiocy, and then the idiocy can

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<v Speaker 1>be surreal idiocy or it can be just like, that's

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<v Speaker 1>actually clever wordplay, and someone like Jeff Daniels knows how

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<v Speaker 1>to make it really sing because he's a great actor.

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<v Speaker 1>But I love that he rose to the occasion of

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<v Speaker 1>this and apparently despite a lot of people around him

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<v Speaker 1>not wanting him to be in it. I find that

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<v Speaker 1>fascinating and almost improbable that Jeff Daniels is as good

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<v Speaker 1>in this movie as he is, because he's not known

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<v Speaker 1>as a natural comedian. But I was watching the behind

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<v Speaker 1>the scenes feature it on the DVD and somebody pointed

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<v Speaker 1>out he gets fifty percent of the last Jim Carrey

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<v Speaker 1>gets the other fifty percent. It is evenly divided, and

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<v Speaker 1>Jim Carrey is a boring comedian. Jeff Daniels is a

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<v Speaker 1>character actor who became funny, and he is absolutely slaying

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<v Speaker 1>it in every single delivery that he gives.

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<v Speaker 5>But Jeff Daniels is so dedicated to his craft and

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<v Speaker 5>he's always looking for those INDs. Like Luckily Jeff Daniels

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<v Speaker 5>being local in Michigan, he was invited to one of

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<v Speaker 5>the film classes that I had in college and he

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<v Speaker 5>came in and it was right around the time that

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<v Speaker 5>he was on SNL and he did this amazing impersonation

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<v Speaker 5>of Jay Leno and he was like, yeah, I was

383
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<v Speaker 5>trying to find the character and trying to do it,

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<v Speaker 5>and then he said he got into the character by

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<v Speaker 5>saying the word Lamborghini and he just was like Lamborghini

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<v Speaker 5>and he was like, Oh, there's the character. And then

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<v Speaker 5>he was able to do that.

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<v Speaker 6>Oh, Johnny, come on, Johnny like that.

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<v Speaker 5>That's whole of thing.

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<v Speaker 12>Look what the cat dragged in?

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<v Speaker 4>How you doing, Jenny?

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<v Speaker 11>Good to see you get.

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<v Speaker 13>This?

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<v Speaker 4>Jay?

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<v Speaker 12>You got something for me? Is that what this is?

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<v Speaker 12>You got a little something?

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<v Speaker 14>Well, yeah, yeah, I think you I got a little

398
00:20:12.240 --> 00:20:14.480
<v Speaker 14>get a little certificate made up here for you.

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<v Speaker 12>Good That shot it says it's.

400
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<v Speaker 14>Says a the king of Late Night, the gingling Night

401
00:20:22.319 --> 00:20:24.920
<v Speaker 14>says there there will never be another.

402
00:20:25.519 --> 00:20:26.119
<v Speaker 11>You know, I means this.

403
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<v Speaker 12>That's nice, Jay, that's nice, Jay? Is it? Is it true?

404
00:20:30.240 --> 00:20:32.799
<v Speaker 12>Ply because I could use this later to wipe my butt?

405
00:20:35.759 --> 00:20:36.200
<v Speaker 12>That's good.

406
00:20:36.200 --> 00:20:38.200
<v Speaker 11>It's good. You're kidding. That's good. It's funny, it's good.

407
00:20:40.319 --> 00:20:41.880
<v Speaker 1>I mean, you know how I feel about.

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<v Speaker 4>You, Jenny.

409
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<v Speaker 11>I mean, you know, King of the Brown Noses.

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00:20:44.880 --> 00:20:49.279
<v Speaker 1>Yes, I mean Johny.

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<v Speaker 14>I mean, come on, you know it's time to tell

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<v Speaker 14>the funk a moment.

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00:20:51.400 --> 00:20:52.000
<v Speaker 11>You're kidding.

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<v Speaker 15>Sure, Jay, I guess you and your grotesque John just

415
00:20:56.160 --> 00:20:56.799
<v Speaker 15>what you wanted.

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<v Speaker 12>Is that it?

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<v Speaker 6>Jenny?

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<v Speaker 15>You know you know champlin an, you know champlon. I

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<v Speaker 15>am having more fun than I've had in years and

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<v Speaker 15>pressures off.

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<v Speaker 12>I feel good, folks. What do you say?

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<v Speaker 15>I stoock around for about five more years.

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00:21:16.119 --> 00:21:19.079
<v Speaker 5>Because it was Dana Carvey was Johnny Carson.

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<v Speaker 1>One of the little vocal things he does as Harry

425
00:21:22.160 --> 00:21:23.480
<v Speaker 1>that I think is great. He does it a couple

426
00:21:23.519 --> 00:21:26.359
<v Speaker 1>of times in Dumb and Dummer is where he gets

427
00:21:26.400 --> 00:21:30.480
<v Speaker 1>like a whiny little kid voice and says, right, it's

428
00:21:30.480 --> 00:21:32.319
<v Speaker 1>like in the middle of them going back and forth.

429
00:21:32.680 --> 00:21:34.279
<v Speaker 1>It's like he's getting ready to tell on him or

430
00:21:34.319 --> 00:21:36.640
<v Speaker 1>something like that. But it's just I feel like that's

431
00:21:36.640 --> 00:21:38.559
<v Speaker 1>that kind of hook that you're talking about that must

432
00:21:38.640 --> 00:21:40.799
<v Speaker 1>be like an actorly thing, because when I noticed him

433
00:21:40.799 --> 00:21:43.200
<v Speaker 1>doing it, I was like, oh, okay, you know that,

434
00:21:43.279 --> 00:21:45.039
<v Speaker 1>you see them doing that, And then of course there's

435
00:21:45.039 --> 00:21:46.920
<v Speaker 1>this whole other layer to that, which is and you

436
00:21:47.000 --> 00:21:49.839
<v Speaker 1>alluded to, this is the Jim Carrey was having a

437
00:21:49.880 --> 00:21:52.559
<v Speaker 1>moment at this point. So this is like him at

438
00:21:52.640 --> 00:21:56.319
<v Speaker 1>the like the height of his Jim carreous, Jim carreousness,

439
00:21:56.400 --> 00:21:59.480
<v Speaker 1>Jim Carrey ish nist. It was at his Jim carreyous

440
00:21:59.599 --> 00:22:02.160
<v Speaker 1>at this point in his career. For me, this was

441
00:22:02.240 --> 00:22:05.279
<v Speaker 1>my favorite one of those, like the Mask, and I

442
00:22:05.319 --> 00:22:07.720
<v Speaker 1>did not see ace Ventura until much later, but this

443
00:22:07.839 --> 00:22:09.880
<v Speaker 1>was definitely the one that I held on to us.

444
00:22:10.119 --> 00:22:12.960
<v Speaker 1>I just loved the purity of it. It's always fun

445
00:22:12.960 --> 00:22:15.000
<v Speaker 1>to see an actor like Jeff Daniels show up and

446
00:22:15.039 --> 00:22:17.480
<v Speaker 1>like really throw themselves into the clowning. And I do

447
00:22:17.519 --> 00:22:19.680
<v Speaker 1>think the craft allows them to do the clowning, but

448
00:22:19.960 --> 00:22:22.200
<v Speaker 1>I think it was bringing something out in Jim Carrey,

449
00:22:22.240 --> 00:22:23.880
<v Speaker 1>Like you can see that when they go back and

450
00:22:23.920 --> 00:22:26.519
<v Speaker 1>forth it's not like they're trying to It's exactly what

451
00:22:26.519 --> 00:22:29.160
<v Speaker 1>you said. It's not like they're trying to steal laughs

452
00:22:29.160 --> 00:22:31.279
<v Speaker 1>from each other. It's like they're trying to build up

453
00:22:31.359 --> 00:22:34.079
<v Speaker 1>the other guy's laugh constantly in the movie, and it's

454
00:22:34.160 --> 00:22:35.920
<v Speaker 1>really it's just, I don't know, it's just a really

455
00:22:35.960 --> 00:22:38.279
<v Speaker 1>fun interplay. And watching the deleted scenes and some of

456
00:22:38.319 --> 00:22:40.680
<v Speaker 1>the longer versions of scenes that were in the movie,

457
00:22:40.920 --> 00:22:43.480
<v Speaker 1>you see how much like they really were just getting

458
00:22:43.480 --> 00:22:47.000
<v Speaker 1>into character and staying there, or it seems that way.

459
00:22:47.039 --> 00:22:49.519
<v Speaker 5>They were teeing each other up for so many lines

460
00:22:49.519 --> 00:22:52.240
<v Speaker 5>where it's oh, what did you say about that? And

461
00:22:52.279 --> 00:22:55.440
<v Speaker 5>then he waits for the punchline and that, or he'll

462
00:22:55.559 --> 00:23:00.039
<v Speaker 5>pass it back to give Jeff Daniels something else to

463
00:23:00.079 --> 00:23:02.000
<v Speaker 5>work on, and then Daniels will pass it back to

464
00:23:02.119 --> 00:23:05.319
<v Speaker 5>Jim Carrey. And Yeah, I love that collaboration that they have,

465
00:23:05.440 --> 00:23:09.279
<v Speaker 5>and so much of what we see is in the script,

466
00:23:09.319 --> 00:23:12.720
<v Speaker 5>but there's definitely a lot of stuff. The most annoying

467
00:23:12.960 --> 00:23:15.480
<v Speaker 5>noise in the world that was something that they came

468
00:23:15.559 --> 00:23:18.039
<v Speaker 5>up with, where they're just like, okay, like fucking around

469
00:23:18.079 --> 00:23:21.319
<v Speaker 5>and pretty much messing with Mike Stars.

470
00:23:22.000 --> 00:23:25.400
<v Speaker 6>It can't be overstated enough that when this movie was

471
00:23:25.440 --> 00:23:29.039
<v Speaker 6>being shot, nobody knew that Jim Carrey was gonna pop.

472
00:23:29.720 --> 00:23:33.720
<v Speaker 6>Like literally, they the offer for him before ace Ventura

473
00:23:33.839 --> 00:23:37.240
<v Speaker 6>came out was a million dollars. They said, this will

474
00:23:37.319 --> 00:23:40.480
<v Speaker 6>last up until the opening weekend of ace Ventura, and

475
00:23:40.519 --> 00:23:44.799
<v Speaker 6>then after that point, we are completely screwed. And they waited,

476
00:23:45.119 --> 00:23:47.640
<v Speaker 6>and so they ended up paying I think four times more.

477
00:23:47.680 --> 00:23:51.640
<v Speaker 6>But it's still it's a perfect example of somebody who

478
00:23:51.680 --> 00:23:55.880
<v Speaker 6>has been who's been starving for years, waiting to attack

479
00:23:55.960 --> 00:23:58.839
<v Speaker 6>something and then finally getting that character of just like

480
00:23:58.960 --> 00:24:02.319
<v Speaker 6>I know exactly what this is, like, I know exactly

481
00:24:02.359 --> 00:24:03.079
<v Speaker 6>how to get this.

482
00:24:03.880 --> 00:24:06.359
<v Speaker 5>Well, you remember the story of Jim Carrey rating himself

483
00:24:06.359 --> 00:24:09.480
<v Speaker 5>a million dollar check, right, a twenty million dollar check.

484
00:24:10.200 --> 00:24:13.599
<v Speaker 5>Twenty million dollar check, Okay, Yeah, And god, that's hilarious

485
00:24:13.640 --> 00:24:16.960
<v Speaker 5>because that was the number. I can't remember which movie

486
00:24:16.960 --> 00:24:19.839
<v Speaker 5>it was where he was making twenty million dollars and

487
00:24:20.680 --> 00:24:25.240
<v Speaker 5>cable Guy, Cable Guy, Yeah, okay, Jesus, which so didn't

488
00:24:25.279 --> 00:24:28.559
<v Speaker 5>deserve twenty million dollars. I love that movie, but it's

489
00:24:28.599 --> 00:24:32.119
<v Speaker 5>a weird movie and it's a very tonally off movie

490
00:24:32.119 --> 00:24:34.480
<v Speaker 5>for me. But yeah, twenty million dollars and that was

491
00:24:34.519 --> 00:24:36.599
<v Speaker 5>such a big deal back then, or it was like

492
00:24:37.079 --> 00:24:40.960
<v Speaker 5>Jim Curry got twenty million dollars, Oh my god. But yeah,

493
00:24:41.000 --> 00:24:43.480
<v Speaker 5>he was raking in the dough because he was pulling

494
00:24:43.519 --> 00:24:45.480
<v Speaker 5>in so many numbers with the box office.

495
00:24:46.200 --> 00:24:48.599
<v Speaker 6>It was so prevalent. A ten year old like me

496
00:24:48.759 --> 00:24:52.160
<v Speaker 6>knew how much he made for that movie. Which is granted,

497
00:24:52.160 --> 00:24:55.000
<v Speaker 6>I was reading Entertainment Weekly because I was a movie nerd,

498
00:24:55.079 --> 00:24:57.839
<v Speaker 6>but come on, ten year old shouldn't know how much

499
00:24:58.160 --> 00:24:59.559
<v Speaker 6>their favorite actors are making.

500
00:25:00.319 --> 00:25:03.039
<v Speaker 1>We all were probably reading that same issue of Entertainment

501
00:25:03.079 --> 00:25:05.720
<v Speaker 1>Weekly in different places. Nice to picture the sort of

502
00:25:05.960 --> 00:25:08.599
<v Speaker 1>bontage of us. I won't say that it was just

503
00:25:08.720 --> 00:25:11.119
<v Speaker 1>Jim Carrey, but I do think that around that time,

504
00:25:11.240 --> 00:25:13.519
<v Speaker 1>actors getting their salaries up to a certain number was

505
00:25:13.559 --> 00:25:16.920
<v Speaker 1>a huge mark of arriving, and it was a huge

506
00:25:16.920 --> 00:25:19.279
<v Speaker 1>part of Jim Carrey's kind of mythos at that point

507
00:25:19.559 --> 00:25:21.119
<v Speaker 1>was that he had gotten to this point and he

508
00:25:21.160 --> 00:25:23.920
<v Speaker 1>was this twenty million dollar man. And yeah, I love

509
00:25:24.000 --> 00:25:25.920
<v Speaker 1>cable guy, but I do agree it's an odd one

510
00:25:25.960 --> 00:25:27.960
<v Speaker 1>to be the one that he got paid twenty million

511
00:25:28.000 --> 00:25:30.880
<v Speaker 1>for because it's not the most mainstream of the bunch.

512
00:25:31.200 --> 00:25:33.359
<v Speaker 1>But no, I guess it's funny to picture, because I

513
00:25:33.359 --> 00:25:36.000
<v Speaker 1>do think Jim Carrey was somebody. I remember there was

514
00:25:36.039 --> 00:25:38.799
<v Speaker 1>a sitcom he was un called Duck Factory, where he

515
00:25:38.799 --> 00:25:41.079
<v Speaker 1>played an animator who drew a duck. I think that's

516
00:25:41.079 --> 00:25:43.000
<v Speaker 1>why it was called that, and that was something that

517
00:25:43.039 --> 00:25:46.200
<v Speaker 1>was on television before he was on in Living Color

518
00:25:46.240 --> 00:25:49.200
<v Speaker 1>a few years later that he popped up there. I

519
00:25:49.200 --> 00:25:51.119
<v Speaker 1>didn't watch that show as much, but certain sketches made

520
00:25:51.160 --> 00:25:52.799
<v Speaker 1>it to me, and I knew that there were really

521
00:25:52.799 --> 00:25:54.839
<v Speaker 1>funny people on that show, and so I think I

522
00:25:54.920 --> 00:25:57.240
<v Speaker 1>was ready for this moment when he hit. But like

523
00:25:57.279 --> 00:25:58.839
<v Speaker 1>I said, I think this may have been the first

524
00:25:58.839 --> 00:26:01.039
<v Speaker 1>of his movies that I really made a point to

525
00:26:01.039 --> 00:26:03.599
<v Speaker 1>see in the theater. But what I remember was just

526
00:26:04.000 --> 00:26:06.480
<v Speaker 1>feeling like so much of his persona I would later see.

527
00:26:06.519 --> 00:26:08.039
<v Speaker 1>He does a lot of it in ace Ventura too,

528
00:26:08.079 --> 00:26:09.400
<v Speaker 1>but a lot of that what we think of as

529
00:26:09.480 --> 00:26:12.160
<v Speaker 1>the Jim Carrey persona just turned up to eleven is

530
00:26:12.720 --> 00:26:19.839
<v Speaker 1>Lloyd Christmas. There's it's like a bitter, sarcastic, seething sort

531
00:26:19.839 --> 00:26:22.640
<v Speaker 1>of guy who's in the same way that when Paul

532
00:26:22.720 --> 00:26:26.200
<v Speaker 1>Rubins turns on the Pewee Herman persona. There's that's persona.

533
00:26:26.279 --> 00:26:26.519
<v Speaker 4>I think.

534
00:26:26.519 --> 00:26:28.960
<v Speaker 1>I feel like this is one of these pure distillations

535
00:26:29.000 --> 00:26:32.279
<v Speaker 1>of the Jim Carrey comedic gift is this character who

536
00:26:32.400 --> 00:26:37.799
<v Speaker 1>is everything is so twisted one degree further than it

537
00:26:37.839 --> 00:26:39.839
<v Speaker 1>would be with any other character, and I feel like

538
00:26:39.880 --> 00:26:41.799
<v Speaker 1>this is such a great Lloyd is just a hilarious

539
00:26:41.839 --> 00:26:43.559
<v Speaker 1>character to me. I love to watch his little just

540
00:26:43.599 --> 00:26:46.599
<v Speaker 1>the way he enters a room, this posture, his expressions,

541
00:26:46.640 --> 00:26:50.079
<v Speaker 1>He's constantly doing something and he's like the most awkward

542
00:26:50.119 --> 00:26:53.279
<v Speaker 1>guy trying to be the coolest guy, and it's just

543
00:26:54.079 --> 00:26:56.279
<v Speaker 1>such a it's so cringey, but it's the best kind

544
00:26:56.559 --> 00:26:57.119
<v Speaker 1>of cringe.

545
00:26:57.200 --> 00:27:00.440
<v Speaker 6>And there's like this impotent rage that is just beneath

546
00:27:00.440 --> 00:27:03.599
<v Speaker 6>the surface, like there's an active volcano and he's ready

547
00:27:03.640 --> 00:27:05.880
<v Speaker 6>to blow at any moment. But then he tampers it

548
00:27:05.920 --> 00:27:08.200
<v Speaker 6>down and he's able to get it back inside himself.

549
00:27:08.240 --> 00:27:11.880
<v Speaker 6>But then two scenes later it'll just rrupt and then

550
00:27:11.920 --> 00:27:13.440
<v Speaker 6>he'll just have to bring it back.

551
00:27:14.200 --> 00:27:16.519
<v Speaker 5>And the Fairly Brothers are so smart when it comes

552
00:27:16.559 --> 00:27:20.599
<v Speaker 5>to and then a yelling as well. Just to have

553
00:27:20.759 --> 00:27:24.359
<v Speaker 5>all of the different types of comedy. We're talking about wordplay,

554
00:27:24.359 --> 00:27:27.000
<v Speaker 5>we're talking about physical stuff, and then you get some

555
00:27:27.039 --> 00:27:30.640
<v Speaker 5>of these site gags, like when Harry's like, oh, hey,

556
00:27:30.680 --> 00:27:33.720
<v Speaker 5>this is the last of our money, please use a

557
00:27:33.720 --> 00:27:36.920
<v Speaker 5>wisely kind of thing, And then cut to Jim Carrey

558
00:27:36.960 --> 00:27:42.160
<v Speaker 5>with that huge fucking cowboy hat, with the paddle ball thing,

559
00:27:42.720 --> 00:27:45.839
<v Speaker 5>all of the pin wheels in the box and everything.

560
00:27:45.880 --> 00:27:48.160
<v Speaker 5>He's just like, what the fuck's even in the box?

561
00:27:48.279 --> 00:27:50.680
<v Speaker 5>What kind of food did he buy? They just they're

562
00:27:50.799 --> 00:27:53.640
<v Speaker 5>hitting that thing, and then he sees that Rhode Island

563
00:27:53.839 --> 00:27:55.880
<v Speaker 5>slut news there.

564
00:27:56.880 --> 00:27:59.359
<v Speaker 1>I think about that moment all the time, Mike, Like

565
00:27:59.559 --> 00:28:02.000
<v Speaker 1>every time my wife sends me to the store with

566
00:28:02.119 --> 00:28:04.079
<v Speaker 1>a list of stuff, and then it hits me with

567
00:28:04.119 --> 00:28:06.799
<v Speaker 1>that reminder be sure to get the DA And I

568
00:28:06.839 --> 00:28:08.160
<v Speaker 1>have this thing in the back of my head of

569
00:28:08.279 --> 00:28:09.720
<v Speaker 1>does she think I'm an idiot? Of course I know

570
00:28:09.839 --> 00:28:13.039
<v Speaker 1>to get like what, but I always picture that image

571
00:28:13.119 --> 00:28:15.160
<v Speaker 1>is like that's how she pictures me coming home from

572
00:28:15.160 --> 00:28:17.799
<v Speaker 1>the store. It's a very iconic moment, but it's that

573
00:28:17.880 --> 00:28:20.359
<v Speaker 1>kind of cut from that exact it's the perfect timing

574
00:28:20.400 --> 00:28:21.960
<v Speaker 1>of what kind of an idiot do you think I am?

575
00:28:22.000 --> 00:28:23.960
<v Speaker 1>And then book someone being an idiot?

576
00:28:24.920 --> 00:28:28.079
<v Speaker 6>That scene has the greatest bit of adr ever. When

577
00:28:28.079 --> 00:28:31.079
<v Speaker 6>the old lady approaches him, and he asks her to

578
00:28:31.119 --> 00:28:35.160
<v Speaker 6>stay there and watch the dispenser so that he can

579
00:28:35.240 --> 00:28:37.839
<v Speaker 6>come back and get his wallet, and he yells, don't

580
00:28:37.880 --> 00:28:40.079
<v Speaker 6>you go dying on me. It's one of those things

581
00:28:40.079 --> 00:28:43.160
<v Speaker 6>where it's clearly them sitting in a booth thinking what's

582
00:28:43.200 --> 00:28:46.519
<v Speaker 6>the funniest way to exit this scene, and somebody coming

583
00:28:46.599 --> 00:28:49.720
<v Speaker 6>up with it. But there's so many brilliant adr lines.

584
00:28:49.440 --> 00:28:51.720
<v Speaker 1>In this movie that it's hard to count. Here's a

585
00:28:51.720 --> 00:28:54.960
<v Speaker 1>purely speculative question. Do you think she was going to

586
00:28:55.039 --> 00:28:57.279
<v Speaker 1>just watch his stuff for him before he insulted her?

587
00:28:58.079 --> 00:29:02.000
<v Speaker 5>He does compound it, The world that they create has

588
00:29:02.240 --> 00:29:05.680
<v Speaker 5>just so many vicious and nasty people in there. I'm

589
00:29:05.759 --> 00:29:09.160
<v Speaker 5>so surprised that Lynn Shay isn't a worst person in

590
00:29:09.200 --> 00:29:12.599
<v Speaker 5>this mooth. You know that she's one of their victims

591
00:29:12.680 --> 00:29:15.799
<v Speaker 5>rather than somebody that can turn it around and make

592
00:29:15.839 --> 00:29:18.400
<v Speaker 5>their lives even more miserable, because there are so many

593
00:29:18.440 --> 00:29:21.079
<v Speaker 5>people that I just want to make their lives miserable

594
00:29:21.119 --> 00:29:24.519
<v Speaker 5>that old lady Sea Bass. There's a lot of people

595
00:29:24.559 --> 00:29:27.119
<v Speaker 5>in here that do not like them just from looking

596
00:29:27.160 --> 00:29:27.880
<v Speaker 5>at them.

597
00:29:27.920 --> 00:29:31.000
<v Speaker 6>And with Lynn Shape, they really got their money's worth

598
00:29:31.000 --> 00:29:32.960
<v Speaker 6>when they brought her back for Kingpin, where she is

599
00:29:33.000 --> 00:29:35.559
<v Speaker 6>the single most disgusting human being on the face.

600
00:29:35.400 --> 00:29:35.759
<v Speaker 4>Of the earth.

601
00:29:35.839 --> 00:29:39.400
<v Speaker 5>Oh good. Between that and then what's her name, Magda

602
00:29:39.599 --> 00:29:43.279
<v Speaker 5>and something about Mary with that leather skin that she's

603
00:29:43.359 --> 00:29:48.640
<v Speaker 5>got all but yeah, her with the VV fingers and

604
00:29:47.880 --> 00:29:51.240
<v Speaker 5>that kind of stuff, it's like, oh god, it just

605
00:29:51.279 --> 00:29:52.319
<v Speaker 5>turns your stomach.

606
00:29:53.400 --> 00:29:56.480
<v Speaker 1>That's something that the Fairly Brothers have, that is we

607
00:29:56.519 --> 00:29:59.200
<v Speaker 1>haven't really talked about this, but they do have that

608
00:29:59.319 --> 00:30:02.960
<v Speaker 1>sort of like low comedy or kind of scuzzy or

609
00:30:03.000 --> 00:30:06.960
<v Speaker 1>sleazy quality. Well, that's another brand of comedy that they have.

610
00:30:07.400 --> 00:30:09.440
<v Speaker 1>It's gross out, but it's like again, it's a little

611
00:30:09.480 --> 00:30:14.160
<v Speaker 1>bit more. It's like philosophical almost gross out comedy, which

612
00:30:14.200 --> 00:30:16.440
<v Speaker 1>puts it in that kind of It's not quite John Waters,

613
00:30:16.480 --> 00:30:21.279
<v Speaker 1>but it is that sort of transgressive almost comedic ideas

614
00:30:22.039 --> 00:30:25.720
<v Speaker 1>in anarchic spirit. Yeah, but there's a shock value to

615
00:30:25.799 --> 00:30:29.839
<v Speaker 1>it that is connected to I often watch these movies

616
00:30:29.880 --> 00:30:33.880
<v Speaker 1>and I'm reminded of Oh yeah, there's definitely a great

617
00:30:33.880 --> 00:30:37.160
<v Speaker 1>example is the comedian Fred Stoler, who plays the guy

618
00:30:37.200 --> 00:30:40.359
<v Speaker 1>outside the phone booth. That's a perfect example of a

619
00:30:40.359 --> 00:30:43.400
<v Speaker 1>Fairly Brothers moment. Jim Carrey isn't in this scene. Jeff

620
00:30:43.440 --> 00:30:45.839
<v Speaker 1>Daniels and isn't in this scene. It's one of the

621
00:30:45.839 --> 00:30:47.960
<v Speaker 1>straight men who's in this scene, but he gets a

622
00:30:48.000 --> 00:30:50.960
<v Speaker 1>new comic antagonist, but he can beat this one because

623
00:30:51.000 --> 00:30:54.680
<v Speaker 1>it's not one of the stars. But like the very

624
00:30:54.720 --> 00:30:58.440
<v Speaker 1>fairly premise of oh, here's a guy who's like a

625
00:30:58.519 --> 00:31:02.200
<v Speaker 1>yuppy asshole who's like talking beyond his actual ability to

626
00:31:02.240 --> 00:31:04.559
<v Speaker 1>back up his words, he gets to be taken out

627
00:31:04.599 --> 00:31:07.200
<v Speaker 1>in a punch like that's the gag. It's a little

628
00:31:07.240 --> 00:31:10.119
<v Speaker 1>bit it's not quite Slobs versus Snob's comedy, but there's

629
00:31:10.119 --> 00:31:12.640
<v Speaker 1>a little bit of that. If you're like it reminds

630
00:31:12.640 --> 00:31:15.119
<v Speaker 1>me of the way might judge if he ever has

631
00:31:15.200 --> 00:31:18.960
<v Speaker 1>like an intellectual person wander into his think, they're always

632
00:31:18.960 --> 00:31:21.359
<v Speaker 1>like gonna be punctured in some way. And I think

633
00:31:21.359 --> 00:31:22.880
<v Speaker 1>that in this movie there is a little bit of

634
00:31:22.920 --> 00:31:27.319
<v Speaker 1>a you don't really side with with Harry and Lloyd necessarily,

635
00:31:27.359 --> 00:31:29.559
<v Speaker 1>but you don't really side with the stuffed shirts that

636
00:31:29.599 --> 00:31:31.720
<v Speaker 1>they go up against either, And I guess in that

637
00:31:31.759 --> 00:31:34.000
<v Speaker 1>way it is Mark's brothers e. There's that sort of

638
00:31:34.039 --> 00:31:36.400
<v Speaker 1>anarchic spirit, which is what you just mentioned.

639
00:31:37.039 --> 00:31:40.039
<v Speaker 6>The only thing it's missing is in Margaret Dumont there's

640
00:31:40.079 --> 00:31:43.440
<v Speaker 6>not really a consistent one that goes through the entire film, which.

641
00:31:43.279 --> 00:31:45.319
<v Speaker 5>You might think is going to be Terry Garr at

642
00:31:45.319 --> 00:31:48.480
<v Speaker 5>some point, but no, and then it might be Lauren Holly.

643
00:31:48.240 --> 00:31:48.599
<v Speaker 8>But no.

644
00:31:49.519 --> 00:31:51.119
<v Speaker 5>The other thing I wanted to say, too, is those

645
00:31:51.200 --> 00:31:54.759
<v Speaker 5>moments of incredible pathos that this movie has. You're talking

646
00:31:54.759 --> 00:31:58.440
<v Speaker 5>about the philosopher angle of this, those moments where they're

647
00:31:58.480 --> 00:32:01.799
<v Speaker 5>just at their wits end and and oh my god,

648
00:32:01.920 --> 00:32:06.000
<v Speaker 5>my parakeet's head popped off and everything is just going

649
00:32:06.039 --> 00:32:08.920
<v Speaker 5>to shit, and they have that big teary moment and

650
00:32:08.960 --> 00:32:11.640
<v Speaker 5>they're embracing, and then you get something like that towards

651
00:32:11.720 --> 00:32:15.000
<v Speaker 5>the end too, and it's just like, oh, Harry, you

652
00:32:15.160 --> 00:32:17.279
<v Speaker 5>betrayed me, and all these things. They have to come

653
00:32:17.279 --> 00:32:22.079
<v Speaker 5>to their moments of reconciliation and everything, and I'm just like, yeah,

654
00:32:22.079 --> 00:32:24.799
<v Speaker 5>this is very serious right here, and it's actually being

655
00:32:25.160 --> 00:32:29.000
<v Speaker 5>played for being serious, even though these guys are complete idiots.

656
00:32:29.880 --> 00:32:33.400
<v Speaker 1>I think those moments are there's that little extra twist

657
00:32:33.519 --> 00:32:36.640
<v Speaker 1>of Jim Carrey really putting it on when he's crying

658
00:32:36.720 --> 00:32:39.599
<v Speaker 1>or whatever. But You're right, those moments have a certain

659
00:32:39.640 --> 00:32:43.319
<v Speaker 1>comedy to them that only works because that that's where

660
00:32:43.440 --> 00:32:46.240
<v Speaker 1>Jeff Daniels is playing it straight. Jim Carrey is even

661
00:32:46.240 --> 00:32:48.559
<v Speaker 1>playing those moments related straight where he's I just want

662
00:32:48.599 --> 00:32:51.359
<v Speaker 1>somebody in my life. That's both ridiculous to hear Lloyd

663
00:32:51.440 --> 00:32:54.319
<v Speaker 1>Christmas say, but it's also, like you said, a true

664
00:32:54.319 --> 00:32:57.200
<v Speaker 1>moment of pathos. That is, it kind of gives a

665
00:32:57.319 --> 00:33:00.839
<v Speaker 1>clown that little extra whatever thing it is that you

666
00:33:00.920 --> 00:33:03.480
<v Speaker 1>root for these types of characters. I guess is there's

667
00:33:03.519 --> 00:33:06.000
<v Speaker 1>just you don't want to see anybody get kicked around

668
00:33:06.039 --> 00:33:06.440
<v Speaker 1>too much.

669
00:33:07.799 --> 00:33:10.200
<v Speaker 5>When you mentioned that Fred Stoller moment, and that also

670
00:33:10.319 --> 00:33:14.680
<v Speaker 5>brought to mind the Harlan Williams moment where it's here's

671
00:33:14.720 --> 00:33:17.599
<v Speaker 5>the ultimate figure of authority with him being this motorcycle

672
00:33:17.680 --> 00:33:21.359
<v Speaker 5>cop and the joke being pulled on him unknowingly. And

673
00:33:21.400 --> 00:33:24.480
<v Speaker 5>it's not like they set out for him to drink

674
00:33:24.559 --> 00:33:27.880
<v Speaker 5>Lloyd's piss, but that's what happens. They even try to

675
00:33:27.920 --> 00:33:30.440
<v Speaker 5>stop him from doing it. But yeah, and then the

676
00:33:30.480 --> 00:33:33.119
<v Speaker 5>moment where he's just you better get out of here

677
00:33:33.240 --> 00:33:35.680
<v Speaker 5>kind of thing. It's just all right. There could have

678
00:33:35.720 --> 00:33:38.599
<v Speaker 5>been a lot more trouble there. But I love the

679
00:33:38.599 --> 00:33:41.079
<v Speaker 5>way that they play that moment. I love Harlan Williams

680
00:33:41.119 --> 00:33:44.319
<v Speaker 5>his turn in Something about Mary is one of my

681
00:33:44.440 --> 00:33:48.480
<v Speaker 5>favorite things in the world. The whole six minute ABS thing. Oh,

682
00:33:48.519 --> 00:33:49.599
<v Speaker 5>it's brilliant.

683
00:33:50.279 --> 00:33:51.119
<v Speaker 2>You learn of this thing?

684
00:33:51.160 --> 00:33:52.279
<v Speaker 12>The eight minute abs?

685
00:33:53.359 --> 00:33:56.200
<v Speaker 1>Yeah sure, eight minute aps yeah. The exercise video.

686
00:33:56.440 --> 00:33:58.599
<v Speaker 16>Yeah, well this is gonna blow that right out of

687
00:33:58.640 --> 00:33:59.000
<v Speaker 16>the water.

688
00:33:59.160 --> 00:33:59.880
<v Speaker 4>Listen to this.

689
00:34:02.039 --> 00:34:10.440
<v Speaker 16>Seven minute apps.

690
00:34:07.640 --> 00:34:11.000
<v Speaker 1>Right, yes, okay, all right, I see where you're going.

691
00:34:11.159 --> 00:34:11.760
<v Speaker 1>Think about it.

692
00:34:11.800 --> 00:34:13.920
<v Speaker 16>You walk into a video store, you see eight minute

693
00:34:13.960 --> 00:34:16.800
<v Speaker 16>abs sitting there. There are seven minute abs right beside it.

694
00:34:16.800 --> 00:34:17.880
<v Speaker 12>Which one are you gonna pick?

695
00:34:17.960 --> 00:34:18.199
<v Speaker 1>Man?

696
00:34:18.760 --> 00:34:22.079
<v Speaker 5>I'm I would go for the seven Yeah, bingo.

697
00:34:21.800 --> 00:34:25.440
<v Speaker 16>Man, bingo, seven minute apps, and we guarantee just to

698
00:34:25.480 --> 00:34:27.320
<v Speaker 16>go to workout as the eight minute folk?

699
00:34:27.760 --> 00:34:30.079
<v Speaker 4>Do you guarantee it's you? How do you do that?

700
00:34:30.360 --> 00:34:34.079
<v Speaker 16>If you're not happy with the first seven minutes, we're

701
00:34:34.119 --> 00:34:37.079
<v Speaker 16>gonna send you the extra minute fright.

702
00:34:37.559 --> 00:34:39.280
<v Speaker 1>See that's it. That's our motto.

703
00:34:39.440 --> 00:34:40.760
<v Speaker 16>That's where we're coming from.

704
00:34:40.800 --> 00:34:43.920
<v Speaker 1>That's from A to B. He's always like that. But

705
00:34:44.000 --> 00:34:45.800
<v Speaker 1>what I love is a guy like that shows up

706
00:34:45.800 --> 00:34:48.039
<v Speaker 1>and again I'm playing the state trooper who's pulling him over.

707
00:34:48.159 --> 00:34:50.719
<v Speaker 1>I get this bit. It's a gross out gag. It

708
00:34:50.840 --> 00:34:53.639
<v Speaker 1>was just like everything is dialed in just perfectly to

709
00:34:53.719 --> 00:34:57.440
<v Speaker 1>being the kind of asshole just gets his come up

710
00:34:57.480 --> 00:35:00.800
<v Speaker 1>and for the way he's handling these characters, and it's

711
00:35:00.840 --> 00:35:02.639
<v Speaker 1>like it's part of the comic conceit that they're going

712
00:35:02.679 --> 00:35:05.000
<v Speaker 1>to run into some people, Like you said, who asked

713
00:35:05.000 --> 00:35:05.320
<v Speaker 1>for it?

714
00:35:06.000 --> 00:35:09.239
<v Speaker 5>Oh yeah. He so reminds me of the James Keach

715
00:35:09.320 --> 00:35:12.960
<v Speaker 5>character from a vacation when when they pulled Clark over

716
00:35:13.079 --> 00:35:17.599
<v Speaker 5>after the dog has been tied to the bumper, he

717
00:35:17.719 --> 00:35:19.199
<v Speaker 5>probably kept up for a little while.

718
00:35:21.199 --> 00:35:23.239
<v Speaker 1>That's a great example of an actor playing a moment

719
00:35:23.320 --> 00:35:26.679
<v Speaker 1>really straight, like really dramatic. It's like the like Trlton

720
00:35:26.719 --> 00:35:28.679
<v Speaker 1>Heston in is it Wayne's world that he's in? Or

721
00:35:28.719 --> 00:35:30.320
<v Speaker 1>Wayne's world too where he's shollow?

722
00:35:30.440 --> 00:35:31.119
<v Speaker 5>Yeah, Wayne's world?

723
00:35:31.159 --> 00:35:31.320
<v Speaker 4>Two?

724
00:35:31.400 --> 00:35:33.280
<v Speaker 1>Yeah, But they swap an actor out for a better

725
00:35:33.320 --> 00:35:35.960
<v Speaker 1>actor and they bring in Tarlton Heston to give a monologue.

726
00:35:36.000 --> 00:35:38.320
<v Speaker 12>I once knew a girl who lived on Gordon Street.

727
00:35:39.840 --> 00:35:43.280
<v Speaker 12>That was a long time ago, when I was young.

728
00:35:44.039 --> 00:35:45.199
<v Speaker 11>Do we have to put up with this?

729
00:35:46.039 --> 00:35:48.440
<v Speaker 4>I mean, you know, can't we get a better actor?

730
00:35:48.480 --> 00:35:50.159
<v Speaker 4>I know it's a small part, but I think we

731
00:35:50.159 --> 00:35:51.000
<v Speaker 4>can do better than this.

732
00:35:57.880 --> 00:36:04.360
<v Speaker 8>Gordon Street, Yes, Gordon Street. I once knew a girl

733
00:36:04.360 --> 00:36:07.760
<v Speaker 8>who lived on Gordon Street a long time ago when

734
00:36:07.800 --> 00:36:11.679
<v Speaker 8>I was a young man, not a day passage. I

735
00:36:11.679 --> 00:36:17.119
<v Speaker 8>don't think of her and promise I made I will

736
00:36:17.159 --> 00:36:23.760
<v Speaker 8>always keep at one perfect day on Gordon Street. That's

737
00:36:24.199 --> 00:36:25.800
<v Speaker 8>five blocks up too over.

738
00:36:28.639 --> 00:36:29.079
<v Speaker 4>Thank you.

739
00:36:30.280 --> 00:36:32.599
<v Speaker 1>Someone playing a moment like that straight in the middle

740
00:36:32.599 --> 00:36:35.559
<v Speaker 1>of this ridiculous comedy, it almost always works, especially if

741
00:36:35.599 --> 00:36:37.800
<v Speaker 1>you get an actor who you know who isn't on

742
00:36:37.840 --> 00:36:39.159
<v Speaker 1>the face of a comedic force.

743
00:36:40.719 --> 00:36:44.559
<v Speaker 5>Thinking about these actors or these characters that kind of

744
00:36:44.559 --> 00:36:47.199
<v Speaker 5>get there come up and don't, or you're just wondering

745
00:36:47.599 --> 00:36:50.760
<v Speaker 5>what kind of person am I running into the waitress

746
00:36:50.760 --> 00:36:54.519
<v Speaker 5>at the diner. I love the giggles that Jeff Daniels

747
00:36:54.519 --> 00:36:57.000
<v Speaker 5>gets when Lloyd calls her flow and he just like

748
00:36:57.039 --> 00:36:59.239
<v Speaker 5>starts doing that thing with his hands, or he's just

749
00:36:59.639 --> 00:37:02.079
<v Speaker 5>beyond I'm out of control with the laughter.

750
00:37:02.760 --> 00:37:05.719
<v Speaker 1>Flow from the TV show excuse me.

751
00:37:05.719 --> 00:37:17.960
<v Speaker 13>Flow Flow, Like the TV show.

752
00:37:21.280 --> 00:37:21.920
<v Speaker 5>What's the Soup?

753
00:37:22.000 --> 00:37:25.559
<v Speaker 15>Dis You Were the Day?

754
00:37:26.079 --> 00:37:30.280
<v Speaker 5>That sounds good. I'll have that when Harry starts complaining

755
00:37:30.280 --> 00:37:34.280
<v Speaker 5>about no bubbles drink and she just takes it and

756
00:37:34.320 --> 00:37:36.760
<v Speaker 5>blows on the bubbles, and I'd like that in the

757
00:37:37.000 --> 00:37:40.119
<v Speaker 5>script that was actually chocolate milk he's this isn't mixed

758
00:37:40.159 --> 00:37:42.760
<v Speaker 5>up very well, and then she blows all these bubbles

759
00:37:42.760 --> 00:37:43.400
<v Speaker 5>in the milk.

760
00:37:44.159 --> 00:37:45.880
<v Speaker 1>There are tons of little moments like that, and one

761
00:37:45.920 --> 00:37:48.840
<v Speaker 1>of the funniest moments to me for whatever reason, and

762
00:37:49.079 --> 00:37:51.280
<v Speaker 1>I got a screenshot of it so that I would

763
00:37:51.880 --> 00:37:53.679
<v Speaker 1>so that I would have the line right, because it's

764
00:37:53.719 --> 00:37:57.440
<v Speaker 1>really nothing. But it's the moment where he's coming out

765
00:37:57.440 --> 00:37:59.760
<v Speaker 1>of the gas station and he sees the guys drinking

766
00:38:00.519 --> 00:38:04.880
<v Speaker 1>the big gulps and he says, hey, guys, oh big gulps. Huh,

767
00:38:04.920 --> 00:38:10.519
<v Speaker 1>all right, see you later and walks away. I think

768
00:38:10.519 --> 00:38:13.119
<v Speaker 1>that moment is an ad libbed moment, but I don't

769
00:38:13.159 --> 00:38:15.519
<v Speaker 1>know how moments like that come about. But that just

770
00:38:15.599 --> 00:38:18.159
<v Speaker 1>is such a great example of why these characters are funny.

771
00:38:18.239 --> 00:38:21.360
<v Speaker 1>Is because Lloyd feels like he's supposed to say something

772
00:38:21.400 --> 00:38:23.320
<v Speaker 1>and have a moment with these people but has nothing

773
00:38:23.360 --> 00:38:25.519
<v Speaker 1>to say, and then it's like, all right, cool, and

774
00:38:25.519 --> 00:38:27.599
<v Speaker 1>in his mind he just had a he just he

775
00:38:27.760 --> 00:38:29.679
<v Speaker 1>just bantered with some people. But it's just the most

776
00:38:29.760 --> 00:38:32.559
<v Speaker 1>unnecessary thing to say that you could ever say, and

777
00:38:32.559 --> 00:38:34.000
<v Speaker 1>then just to say, all right, see you later.

778
00:38:34.639 --> 00:38:37.039
<v Speaker 6>There's a similar moment when he's in the bar and

779
00:38:37.119 --> 00:38:41.199
<v Speaker 6>he's been waiting for Mary for six hours and finally leaves.

780
00:38:41.239 --> 00:38:44.960
<v Speaker 6>He notices a newspaper article that says man lands on moon,

781
00:38:45.440 --> 00:38:46.159
<v Speaker 6>and he goes.

782
00:38:45.960 --> 00:38:46.519
<v Speaker 1>We did it.

783
00:38:46.719 --> 00:38:50.159
<v Speaker 6>We landed on the moon. And that was apparently improvised

784
00:38:50.159 --> 00:38:52.400
<v Speaker 6>because they put that as part of set dressing, and

785
00:38:52.440 --> 00:38:55.320
<v Speaker 6>it just that's probably my favorite moment in the entire

786
00:38:55.480 --> 00:38:59.199
<v Speaker 6>I quote that constantly anytime anybody says something stupid, so

787
00:38:59.519 --> 00:39:00.840
<v Speaker 6>we land on the moon.

788
00:39:01.360 --> 00:39:03.679
<v Speaker 1>What I love about that moment that I agree it's

789
00:39:03.719 --> 00:39:07.159
<v Speaker 1>hilarious is even before he shouts, just that he's as

790
00:39:07.159 --> 00:39:09.519
<v Speaker 1>he's walking out, he like to himself says, it's great,

791
00:39:10.440 --> 00:39:12.760
<v Speaker 1>like he's just having a private little moment of pride.

792
00:39:13.480 --> 00:39:15.679
<v Speaker 5>Another really smart thing that they do too, is they

793
00:39:15.719 --> 00:39:19.079
<v Speaker 5>have those fantasy sequences. And here we're talking about how

794
00:39:19.079 --> 00:39:23.000
<v Speaker 5>these characters are basically cartoon characters, they can almost literally

795
00:39:23.039 --> 00:39:27.320
<v Speaker 5>be cartoon characters in those moments, especially the Dreen sequence

796
00:39:27.360 --> 00:39:31.159
<v Speaker 5>that he has where he's out with Mary and the

797
00:39:31.239 --> 00:39:34.400
<v Speaker 5>guy starts kissing on Mary's arm and it has a

798
00:39:34.440 --> 00:39:38.440
<v Speaker 5>whole fight in the restaurant, and you get the chef

799
00:39:38.480 --> 00:39:40.920
<v Speaker 5>coming out from the back who's like a karate master,

800
00:39:41.039 --> 00:39:43.480
<v Speaker 5>and all these things are just the end of the

801
00:39:43.559 --> 00:39:46.079
<v Speaker 5>playing with the like a punching bag with the guy's

802
00:39:46.159 --> 00:39:49.400
<v Speaker 5>nuts and everything. But I love the physical again. Physical

803
00:39:49.400 --> 00:39:52.000
<v Speaker 5>comedy and Jim Carrey go together was so beautifully. The

804
00:39:52.000 --> 00:39:54.719
<v Speaker 5>way he's moving his arms back and forth is he's

805
00:39:54.760 --> 00:39:57.519
<v Speaker 5>like coming up to battle the kung fu guy. Or

806
00:39:57.559 --> 00:40:00.199
<v Speaker 5>when he holds his hands up against the side of

807
00:40:00.199 --> 00:40:04.079
<v Speaker 5>his face and starts making that amazing face. Oh, it's

808
00:40:04.159 --> 00:40:07.239
<v Speaker 5>so good, and it's just yeah, this is why Jim

809
00:40:07.320 --> 00:40:10.320
<v Speaker 5>Carrey was the twenty million dollar man and within a

810
00:40:10.360 --> 00:40:11.199
<v Speaker 5>few years.

811
00:40:11.519 --> 00:40:14.880
<v Speaker 6>And that scene goes on for six minutes. There's four

812
00:40:14.920 --> 00:40:18.519
<v Speaker 6>different fantasies in one fantasy sequence and they all build

813
00:40:18.719 --> 00:40:21.440
<v Speaker 6>to that point of him putting the cook's heart in

814
00:40:21.519 --> 00:40:24.960
<v Speaker 6>the doggy bag, and that's the perfect exclamation point for

815
00:40:25.039 --> 00:40:25.960
<v Speaker 6>that kind of scene.

816
00:40:26.639 --> 00:40:29.840
<v Speaker 1>I love the fireside ski lodge scene with all the sweaters.

817
00:40:29.880 --> 00:40:34.199
<v Speaker 1>Just his idiotic idea of what adults hanging out looks

818
00:40:34.280 --> 00:40:37.679
<v Speaker 1>like and his idiotic idea of being the life of

819
00:40:37.679 --> 00:40:41.039
<v Speaker 1>the party is so great in his own farts, and

820
00:40:41.079 --> 00:40:43.800
<v Speaker 1>he's just like throwing snacks in his face and stuff,

821
00:40:43.880 --> 00:40:47.639
<v Speaker 1>and everyone's laughing and clapping for Oh, it's so perfect.

822
00:40:48.000 --> 00:40:50.480
<v Speaker 1>They and Dumb and Dumber two. They do that. That's

823
00:40:50.519 --> 00:40:53.440
<v Speaker 1>a similar sort of montage, but it's Harry's idiotic idea

824
00:40:53.440 --> 00:40:56.320
<v Speaker 1>of what being a dad would be. It's a similar

825
00:40:56.360 --> 00:40:59.000
<v Speaker 1>idea of just like you said, Mike, vignettes that are

826
00:40:59.039 --> 00:41:01.639
<v Speaker 1>just a little too real to fit this world. But

827
00:41:01.719 --> 00:41:03.920
<v Speaker 1>you get to see them just piled up and they

828
00:41:03.920 --> 00:41:07.159
<v Speaker 1>do escalate in a little chunk like that. It really

829
00:41:07.239 --> 00:41:10.440
<v Speaker 1>is an opportunity to do a slightly different, broader form

830
00:41:10.480 --> 00:41:11.079
<v Speaker 1>of comedy.

831
00:41:11.800 --> 00:41:14.000
<v Speaker 5>It's also a good chance for them to do some

832
00:41:14.119 --> 00:41:16.960
<v Speaker 5>outfit changes since they're in the same outfits for almost

833
00:41:17.039 --> 00:41:19.519
<v Speaker 5>the entire first half of the film until they get

834
00:41:19.559 --> 00:41:23.320
<v Speaker 5>to Aspen, until they finally open up that briefcase and

835
00:41:23.400 --> 00:41:26.480
<v Speaker 5>see all that money in there, and then it's just

836
00:41:26.760 --> 00:41:30.159
<v Speaker 5>an amazing orgy of depravity of the way that they're

837
00:41:30.199 --> 00:41:33.599
<v Speaker 5>spending this money. And just don't worry, we'll write out

838
00:41:33.599 --> 00:41:36.920
<v Speaker 5>IOUs and you're gonna want to keep that one. When

839
00:41:36.920 --> 00:41:37.840
<v Speaker 5>they talk about.

840
00:41:37.840 --> 00:41:44.960
<v Speaker 1>Car, just their outfits, those boots, the ruffled tuxedos. When

841
00:41:45.000 --> 00:41:46.440
<v Speaker 1>they get out of the car and he's wearing like

842
00:41:46.480 --> 00:41:50.239
<v Speaker 1>the big fur boots, that seems hilarious, but yeah, this tuxedos.

843
00:41:50.280 --> 00:41:53.480
<v Speaker 1>Their idea of dressing up is another thing that's like,

844
00:41:53.760 --> 00:41:55.679
<v Speaker 1>this is what an eight year old would think dressing

845
00:41:55.760 --> 00:41:56.360
<v Speaker 1>up look like.

846
00:41:56.920 --> 00:41:59.199
<v Speaker 6>And he has the banaka spray, but he sprays it

847
00:41:59.320 --> 00:42:01.559
<v Speaker 6>not in his own out but in Charles Rocket's face.

848
00:42:02.360 --> 00:42:04.840
<v Speaker 1>It's funny that's paid off. He does it earlier before

849
00:42:04.880 --> 00:42:07.960
<v Speaker 1>he goes in to talk to Mary, and then it's

850
00:42:08.079 --> 00:42:10.079
<v Speaker 1>pay He does it again later, but this time, yeah,

851
00:42:10.119 --> 00:42:12.079
<v Speaker 1>the payoff is he hit someone in the face with it.

852
00:42:12.159 --> 00:42:14.320
<v Speaker 1>So yeah, it's a good kind of recurring gag.

853
00:42:15.159 --> 00:42:17.800
<v Speaker 5>Like I said, there's heist part of it, or crime

854
00:42:18.000 --> 00:42:21.079
<v Speaker 5>keeper kind of thing. It's a road movie in here,

855
00:42:21.239 --> 00:42:23.480
<v Speaker 5>of course, it's a comedy going on, but you just

856
00:42:23.519 --> 00:42:26.679
<v Speaker 5>get so much because really it takes such a major

857
00:42:26.800 --> 00:42:30.079
<v Speaker 5>turn once they finally do get to Aspen. And then

858
00:42:30.119 --> 00:42:33.920
<v Speaker 5>it's the character of Beth who keeps coming in and out,

859
00:42:33.960 --> 00:42:36.599
<v Speaker 5>like her at the gas station and then her at

860
00:42:36.599 --> 00:42:39.679
<v Speaker 5>the bar again later on. I feel so bad for her,

861
00:42:39.679 --> 00:42:41.960
<v Speaker 5>but at the same time she's so ditsy and just

862
00:42:42.000 --> 00:42:45.679
<v Speaker 5>doesn't seem to understand what's happening. But then that's the

863
00:42:45.760 --> 00:42:47.920
<v Speaker 5>joke on us where it turns out that she's an

864
00:42:48.000 --> 00:42:50.760
<v Speaker 5>FBI agent. It's like, oh, okay, that makes a lot

865
00:42:50.800 --> 00:42:54.599
<v Speaker 5>more sense her and the guy from RoboCop, right, the guy.

866
00:42:54.559 --> 00:42:57.679
<v Speaker 1>That plaid CP Yeah, yeah, yeah.

867
00:42:57.440 --> 00:43:00.320
<v Speaker 5>He's the other agent in there. And I always when

868
00:43:00.320 --> 00:43:03.719
<v Speaker 5>he shows up, especially when he's getting the whole lowdown

869
00:43:03.760 --> 00:43:07.639
<v Speaker 5>on how they murdered Mike's star, poor mic Star.

870
00:43:09.239 --> 00:43:11.320
<v Speaker 1>But again, when you think of him, this is maybe

871
00:43:11.360 --> 00:43:13.920
<v Speaker 1>the role that at least I when I picture him,

872
00:43:13.960 --> 00:43:17.440
<v Speaker 1>I picture him in the car with them telling him

873
00:43:17.440 --> 00:43:18.280
<v Speaker 1>to shut up.

874
00:43:19.119 --> 00:43:22.719
<v Speaker 6>I picture this and mad Dog and Glory. Those are

875
00:43:22.719 --> 00:43:23.320
<v Speaker 6>the two for me.

876
00:43:24.119 --> 00:43:27.239
<v Speaker 1>What a great mug, what a great character actor. And again,

877
00:43:27.280 --> 00:43:30.000
<v Speaker 1>someone who knows exactly what he's doing in this, knows

878
00:43:30.000 --> 00:43:33.239
<v Speaker 1>he's playing the heavy, but also knows that we're going

879
00:43:33.320 --> 00:43:36.039
<v Speaker 1>to be watching him for how he interacts with these

880
00:43:36.039 --> 00:43:38.559
<v Speaker 1>two guys, and if he's too mean to them, he

881
00:43:38.639 --> 00:43:42.360
<v Speaker 1>will seem mean, but we're with him in terms of

882
00:43:42.400 --> 00:43:44.440
<v Speaker 1>being annoyed by them. I don't know. It's just something

883
00:43:44.440 --> 00:43:47.039
<v Speaker 1>that I think that playing a heavy and a comedy

884
00:43:47.159 --> 00:43:49.840
<v Speaker 1>like this, it is like a weird skill because there

885
00:43:49.920 --> 00:43:51.599
<v Speaker 1>is a certain amount of menace to him. Even with

886
00:43:51.639 --> 00:43:55.320
<v Speaker 1>all that, you believe he would kill them if if

887
00:43:55.360 --> 00:43:56.719
<v Speaker 1>it seemed like the right thing to do. He would

888
00:43:56.760 --> 00:43:58.679
<v Speaker 1>just kill them without a thought, but because he's trying

889
00:43:58.719 --> 00:44:01.559
<v Speaker 1>to figure them out, he dies.

890
00:44:02.400 --> 00:44:07.599
<v Speaker 5>Yes, yeah, and he's so ready to poison them. And

891
00:44:07.639 --> 00:44:11.239
<v Speaker 5>then they turned it around not knowing oh his pills.

892
00:44:11.280 --> 00:44:15.480
<v Speaker 5>Oh yeah, here's your pills right here, and now acuy

893
00:44:15.559 --> 00:44:20.800
<v Speaker 5>pills too. Yeah, so good. So def That's how I

894
00:44:20.840 --> 00:44:23.239
<v Speaker 5>knew her because she was a VJ for a long time.

895
00:44:24.119 --> 00:44:26.280
<v Speaker 5>I mostly knew her as Duff. I never knew her

896
00:44:26.320 --> 00:44:28.159
<v Speaker 5>as a real name. And I love that whole thing

897
00:44:28.199 --> 00:44:32.320
<v Speaker 5>of her playing basically a male character but just playing

898
00:44:32.320 --> 00:44:34.960
<v Speaker 5>it straight, even to the point where she's like, I

899
00:44:34.960 --> 00:44:37.920
<v Speaker 5>got to pitch a loaf, play Jesus Christ.

900
00:44:39.000 --> 00:44:41.360
<v Speaker 6>Apparently they gave her the role because she was such

901
00:44:41.360 --> 00:44:44.920
<v Speaker 6>a staunch supporter of the script, and they said, this

902
00:44:45.079 --> 00:44:47.719
<v Speaker 6>character is a man, but do you want to play

903
00:44:47.760 --> 00:44:49.599
<v Speaker 6>and she's like, fucking I want to play it. And

904
00:44:50.239 --> 00:44:53.599
<v Speaker 6>that's how you that's how you end up in movies sometimes.

905
00:44:54.079 --> 00:44:55.559
<v Speaker 5>Yeah, And I think it's great. I feel like they

906
00:44:55.760 --> 00:44:59.039
<v Speaker 5>really did not rewrite that role for her and just

907
00:44:59.239 --> 00:45:01.840
<v Speaker 5>kept it the same way, because that's exactly the way

908
00:45:01.880 --> 00:45:03.239
<v Speaker 5>it's written in the screenplay.

909
00:45:04.000 --> 00:45:06.440
<v Speaker 1>I think. I think the Fairly Brothers frequently there's a

910
00:45:06.480 --> 00:45:08.840
<v Speaker 1>story like that with who gets cast and like they

911
00:45:08.880 --> 00:45:12.039
<v Speaker 1>do a lot of like real casting from just the

912
00:45:12.079 --> 00:45:14.480
<v Speaker 1>celebrity pool, but they also do their They have their

913
00:45:14.719 --> 00:45:17.119
<v Speaker 1>kind of regular people that come up with them, that

914
00:45:17.199 --> 00:45:19.320
<v Speaker 1>are friends of theirs, or that they just want to

915
00:45:19.320 --> 00:45:22.119
<v Speaker 1>stick in a role. There's always interesting casting like that

916
00:45:22.159 --> 00:45:23.960
<v Speaker 1>in their movies.

917
00:45:23.920 --> 00:45:26.559
<v Speaker 6>And as the movies go on, those roles get bigger

918
00:45:26.960 --> 00:45:30.320
<v Speaker 6>and bigger, Like the bartender at the bar is one

919
00:45:30.360 --> 00:45:33.719
<v Speaker 6>of their good friends, ends up being the guy who

920
00:45:33.719 --> 00:45:37.599
<v Speaker 6>wears eyeshadow and Kingpin as his own bowling outlet.

921
00:45:38.039 --> 00:45:42.079
<v Speaker 1>Isn't he also in Me Myself and Irene and one

922
00:45:42.119 --> 00:45:42.719
<v Speaker 1>of the roles?

923
00:45:42.840 --> 00:45:45.400
<v Speaker 6>Yeah, yes, I think he's in all of them. I

924
00:45:45.440 --> 00:45:47.239
<v Speaker 6>think pretty sure he's in all of their movies.

925
00:45:48.159 --> 00:45:50.199
<v Speaker 1>I think that was the last one that I really

926
00:45:50.559 --> 00:45:53.960
<v Speaker 1>found myself enjoying the way that I did the ones

927
00:45:54.079 --> 00:45:56.119
<v Speaker 1>that came before it. I feel like after that is

928
00:45:56.199 --> 00:45:59.159
<v Speaker 1>when the Fairly Brothers movies just started to feel a

929
00:45:59.199 --> 00:46:02.480
<v Speaker 1>little bit I don't know, sloppier or something to me.

930
00:46:02.519 --> 00:46:05.440
<v Speaker 1>I don't know. I haven't watched them all after that one,

931
00:46:05.480 --> 00:46:08.559
<v Speaker 1>but for a while there I was really from Dumb

932
00:46:08.559 --> 00:46:11.400
<v Speaker 1>and Dumber to kingpinned something about Mary. It was like

933
00:46:12.440 --> 00:46:14.440
<v Speaker 1>as a comedy fan, I was just like, no one

934
00:46:14.480 --> 00:46:17.199
<v Speaker 1>else is making comedies like this, and then Something about Mary. Really,

935
00:46:17.800 --> 00:46:19.760
<v Speaker 1>I haven't watched it in a long time, but it's

936
00:46:19.840 --> 00:46:22.840
<v Speaker 1>one of those times I remember laughing so hard in

937
00:46:22.880 --> 00:46:24.760
<v Speaker 1>the theater and being in a room full of people

938
00:46:24.760 --> 00:46:27.679
<v Speaker 1>that were laughing that hard. Another time was Peewe's Big Adventure,

939
00:46:27.719 --> 00:46:30.559
<v Speaker 1>but I remember the big laughs in those movies, and

940
00:46:30.800 --> 00:46:35.039
<v Speaker 1>Something About Mary had three or four just long stretches

941
00:46:35.119 --> 00:46:37.840
<v Speaker 1>where the entire theater was just roaring. I don't know

942
00:46:37.880 --> 00:46:39.719
<v Speaker 1>if I've seen movies like that in a while, or

943
00:46:39.760 --> 00:46:42.119
<v Speaker 1>if they even make I don't know. People like to

944
00:46:42.119 --> 00:46:43.679
<v Speaker 1>talk about how they don't make a certain kind of

945
00:46:43.679 --> 00:46:46.559
<v Speaker 1>movie anymore, but I do think the sort of big

946
00:46:46.599 --> 00:46:50.280
<v Speaker 1>budget comedy or mid budget comedy, it's a form of

947
00:46:50.559 --> 00:46:54.880
<v Speaker 1>that we just don't see that often. I'm streaming now, yeah.

948
00:46:55.000 --> 00:46:59.119
<v Speaker 5>I mean their last movie, Dear Santa was just I

949
00:46:59.119 --> 00:47:02.360
<v Speaker 5>think that was just to Amazon and it was not

950
00:47:02.480 --> 00:47:04.480
<v Speaker 5>even a regular release.

951
00:47:04.719 --> 00:47:08.320
<v Speaker 6>And Ricky stinicky that I don't know which fairly brother

952
00:47:08.400 --> 00:47:10.519
<v Speaker 6>wrote that one, but that one ended up and then

953
00:47:11.440 --> 00:47:14.519
<v Speaker 6>the longest beer run in history or something that ended

954
00:47:14.559 --> 00:47:15.199
<v Speaker 6>up on Apple.

955
00:47:15.960 --> 00:47:17.480
<v Speaker 1>So even when they go solo.

956
00:47:17.920 --> 00:47:20.679
<v Speaker 6>They can't get them theatrically, So I.

957
00:47:20.639 --> 00:47:24.599
<v Speaker 5>Remember Dumb and Dumber Kingpin. There's something about Mary, and

958
00:47:24.639 --> 00:47:29.159
<v Speaker 5>then it was it was just two years between. There's

959
00:47:29.199 --> 00:47:31.559
<v Speaker 5>something about marrying Me myself and Irene, and then there's

960
00:47:31.599 --> 00:47:36.360
<v Speaker 5>Osmosis Jones, which I don't think. I saw, Shallow hal

961
00:47:37.159 --> 00:47:41.000
<v Speaker 5>Stuck on You, and then I think Stuck on You

962
00:47:41.159 --> 00:47:44.000
<v Speaker 5>was the last comedy of theirs that I really saw,

963
00:47:44.119 --> 00:47:48.639
<v Speaker 5>because Yeah, Fever, Pitch, No Thank You, Jimmy Fellon, No,

964
00:47:48.920 --> 00:47:51.960
<v Speaker 5>Thank You, Heartbreak Kid. I didn't want to see a

965
00:47:52.039 --> 00:47:53.000
<v Speaker 5>remake of that.

966
00:47:53.480 --> 00:47:55.679
<v Speaker 6>Saw it on a date, regretted it.

967
00:47:55.840 --> 00:47:58.159
<v Speaker 5>Hall Pass, I bet you I saw hall Pass.

968
00:47:58.239 --> 00:47:58.480
<v Speaker 17>I know.

969
00:47:58.599 --> 00:48:00.400
<v Speaker 5>I actually saw The Three Student Z.

970
00:48:00.679 --> 00:48:01.320
<v Speaker 4>Yeah.

971
00:48:01.480 --> 00:48:03.119
<v Speaker 1>I actually think that movie is underrated.

972
00:48:03.840 --> 00:48:06.519
<v Speaker 5>The Three Stooges I think so too, and I think

973
00:48:06.559 --> 00:48:09.199
<v Speaker 5>the guys that actually played the Stooges are really good.

974
00:48:09.199 --> 00:48:11.400
<v Speaker 5>And then it's got our friend of the show, Craig

975
00:48:11.400 --> 00:48:12.800
<v Speaker 5>Berko in there as well.

976
00:48:12.599 --> 00:48:14.719
<v Speaker 1>Right, I know, I think Three Stooges felt right, And

977
00:48:14.800 --> 00:48:17.960
<v Speaker 1>I can't say I loved the whole experience of watching it,

978
00:48:18.000 --> 00:48:19.360
<v Speaker 1>but I had fun with it and I liked it,

979
00:48:19.400 --> 00:48:21.000
<v Speaker 1>and I was glad that they did it the way.

980
00:48:20.880 --> 00:48:21.280
<v Speaker 5>They did it.

981
00:48:21.280 --> 00:48:23.440
<v Speaker 1>It's an odd movie, but I was glad that they

982
00:48:23.519 --> 00:48:25.639
<v Speaker 1>just said, let's make a new Three Stooges thing. Let's

983
00:48:25.639 --> 00:48:27.800
<v Speaker 1>not do a biopic, Let's not try to make a

984
00:48:27.920 --> 00:48:32.039
<v Speaker 1>movie necessarily side like a movie sized story. It was

985
00:48:32.280 --> 00:48:34.880
<v Speaker 1>an old fashioned approach to them, singly.

986
00:48:34.960 --> 00:48:37.599
<v Speaker 6>Jim Carrey was supposed to be curly, I know.

987
00:48:38.320 --> 00:48:42.440
<v Speaker 1>Oh wow, the was supposed to be mo yeah, and

988
00:48:42.519 --> 00:48:45.320
<v Speaker 1>Sean Penn was supposed to be Larry Larry, Yeah.

989
00:48:45.199 --> 00:48:45.519
<v Speaker 11>That's right.

990
00:48:45.639 --> 00:48:47.239
<v Speaker 5>Yeah, I did remember that.

991
00:48:47.440 --> 00:48:50.119
<v Speaker 1>I think their movies have often had cast things like

992
00:48:50.360 --> 00:48:52.440
<v Speaker 1>that sound like, oh my god, because remember what it

993
00:48:52.480 --> 00:48:54.400
<v Speaker 1>was supposed to be. Was it Jim Carrey and Woody

994
00:48:54.440 --> 00:48:56.679
<v Speaker 1>Allen that were supposed to be stuck on.

995
00:48:56.679 --> 00:49:00.239
<v Speaker 6>You Woody Allen? And I'm blanking on who the other

996
00:49:00.280 --> 00:49:01.119
<v Speaker 6>person was, But.

997
00:49:02.000 --> 00:49:04.199
<v Speaker 1>It was somebody like, not Woody Allen. It was somebody

998
00:49:04.199 --> 00:49:05.840
<v Speaker 1>in that sort of physical.

999
00:49:06.280 --> 00:49:10.400
<v Speaker 6>Somebody like thirty years younger than Woody Allen's blanking.

1000
00:49:10.599 --> 00:49:12.519
<v Speaker 1>Then the movie that comes out, which is not a

1001
00:49:12.679 --> 00:49:14.960
<v Speaker 1>it's not a this is not a ding on the movie.

1002
00:49:15.159 --> 00:49:17.400
<v Speaker 1>It's just the movie that comes out is Gret Kinnear

1003
00:49:17.440 --> 00:49:19.880
<v Speaker 1>and Matt Damon, two actors who are very fine and

1004
00:49:19.960 --> 00:49:25.840
<v Speaker 1>very funny, but not the almost experiment in celebrity casting

1005
00:49:25.880 --> 00:49:27.360
<v Speaker 1>that it sounded like it was going to be in

1006
00:49:27.400 --> 00:49:29.559
<v Speaker 1>the beginning of Oh, these two people who have such

1007
00:49:29.559 --> 00:49:32.039
<v Speaker 1>different energies. This is more like two good actors that

1008
00:49:32.079 --> 00:49:33.960
<v Speaker 1>are going to find a way to make this work versus.

1009
00:49:34.480 --> 00:49:36.239
<v Speaker 1>But when it was Woody Allen and somebody, it was like,

1010
00:49:36.280 --> 00:49:37.920
<v Speaker 1>what is Woody Allen even going to do in a

1011
00:49:37.920 --> 00:49:40.440
<v Speaker 1>fairly brother's context. Are they going to have him like

1012
00:49:40.480 --> 00:49:43.519
<v Speaker 1>shitting his pants and stuff like that? Surely they would,

1013
00:49:43.519 --> 00:49:45.440
<v Speaker 1>But at the same time, is that why he wasn't

1014
00:49:45.480 --> 00:49:47.599
<v Speaker 1>in it? Is that that kind of thing's never really

1015
00:49:47.639 --> 00:49:48.199
<v Speaker 1>going to happen.

1016
00:49:49.039 --> 00:49:51.360
<v Speaker 6>They deleted that scene for Manhattan Race.

1017
00:49:51.400 --> 00:49:52.880
<v Speaker 1>Shit right exactly.

1018
00:49:53.639 --> 00:49:56.199
<v Speaker 5>I'm seeing Jim Carry was once attached to the film

1019
00:49:56.519 --> 00:49:59.599
<v Speaker 5>with Woody Allen in talks and plays brother. Yeah, so yeah,

1020
00:49:59.599 --> 00:50:04.599
<v Speaker 5>that would pretty interesting to see those two together. And

1021
00:50:04.639 --> 00:50:07.760
<v Speaker 5>I didn't remember that Ben Carson, the magical hands of

1022
00:50:08.000 --> 00:50:10.639
<v Speaker 5>Sleepy Ben Carson were in that movie as well.

1023
00:50:11.400 --> 00:50:13.239
<v Speaker 1>Have you ever heard the notion of the screening room

1024
00:50:13.280 --> 00:50:16.000
<v Speaker 1>in Heaven where like all the movies that didn't get

1025
00:50:16.000 --> 00:50:19.480
<v Speaker 1>made are exist. I would love to see the version

1026
00:50:19.519 --> 00:50:21.639
<v Speaker 1>of this that got made in some alternate universe with

1027
00:50:21.639 --> 00:50:23.639
<v Speaker 1>Woody Allen and Jim Carrey, that would be an interesting

1028
00:50:23.760 --> 00:50:26.480
<v Speaker 1>thing to see. Maybe not now, but back then I

1029
00:50:26.480 --> 00:50:27.719
<v Speaker 1>would have been interested to see.

1030
00:50:28.480 --> 00:50:31.119
<v Speaker 5>Yeah, now, poor whatd he's ninety years old. I don't

1031
00:50:31.119 --> 00:50:34.480
<v Speaker 5>know how spry he is. There's a mention of the

1032
00:50:34.519 --> 00:50:38.199
<v Speaker 5>Menendez brothers in this who will probably get pardoned very soon,

1033
00:50:39.039 --> 00:50:42.800
<v Speaker 5>and the right before the story about Pete and being

1034
00:50:43.159 --> 00:50:48.800
<v Speaker 5>built by those horrible monsters that sold them a head parakeet.

1035
00:50:48.840 --> 00:50:51.239
<v Speaker 1>You sold my dead to a blind kid.

1036
00:50:51.400 --> 00:50:54.920
<v Speaker 5>Polly wanted Cracker, and there was a little bit more

1037
00:50:54.920 --> 00:50:57.199
<v Speaker 5>of him too that ended up on the cutting room floor,

1038
00:50:57.239 --> 00:51:01.840
<v Speaker 5>a little bit of the men character taking the bird

1039
00:51:02.000 --> 00:51:05.519
<v Speaker 5>and throwing it and being like a bird flew south

1040
00:51:05.599 --> 00:51:06.119
<v Speaker 5>for the winter.

1041
00:51:07.239 --> 00:51:09.559
<v Speaker 1>We do feel slightly bad for him that he gets

1042
00:51:09.639 --> 00:51:12.760
<v Speaker 1>murdered by them, but he pulled the head off a bird,

1043
00:51:13.559 --> 00:51:17.280
<v Speaker 1>and he does it so thoughtlessly. It's like that you're like, oh, yeah,

1044
00:51:17.320 --> 00:51:19.559
<v Speaker 1>there is this moment in the script that tells us

1045
00:51:19.599 --> 00:51:21.719
<v Speaker 1>like we shouldn't feel too bad for whatever happens to

1046
00:51:21.760 --> 00:51:24.840
<v Speaker 1>this guy. We just relate to him because we would

1047
00:51:24.840 --> 00:51:26.960
<v Speaker 1>be annoyed to be with those two guys in a

1048
00:51:27.000 --> 00:51:29.599
<v Speaker 1>car as well, but he's still a pretty nasty guy.

1049
00:51:30.760 --> 00:51:33.400
<v Speaker 5>I mentioned how they never really talk about what the

1050
00:51:33.519 --> 00:51:36.880
<v Speaker 5>crime is, and it is so late in the movie

1051
00:51:37.079 --> 00:51:40.880
<v Speaker 5>that you find out that her husband was kidnapped, and

1052
00:51:40.920 --> 00:51:43.880
<v Speaker 5>then right towards the very end where you actually get

1053
00:51:43.920 --> 00:51:48.519
<v Speaker 5>to see the husband before is that another fantasy sequence

1054
00:51:48.719 --> 00:51:52.800
<v Speaker 5>to shoot the husband And then looking at those deleted scenes,

1055
00:51:52.800 --> 00:51:55.760
<v Speaker 5>so so much stuff about the husband and this whole

1056
00:51:55.800 --> 00:51:59.519
<v Speaker 5>thing of the husband being kept in a little foot

1057
00:51:59.599 --> 00:52:05.440
<v Speaker 5>locker and Charles rocket like torturing him basically and blowing

1058
00:52:05.840 --> 00:52:08.440
<v Speaker 5>cigar smoke into the hole that they have for his

1059
00:52:08.519 --> 00:52:12.320
<v Speaker 5>air hole, dropping a lit either cigar or cigarette into

1060
00:52:12.440 --> 00:52:12.960
<v Speaker 5>the hole.

1061
00:52:13.480 --> 00:52:15.000
<v Speaker 1>Very smart of them to trim all that.

1062
00:52:15.320 --> 00:52:18.320
<v Speaker 5>Oh god, yeah, deaf at one point leans over and

1063
00:52:18.360 --> 00:52:20.760
<v Speaker 5>gets spit on, so she takes a broom and starts

1064
00:52:20.800 --> 00:52:23.840
<v Speaker 5>trying to like bash whoever's inside with the broom handle.

1065
00:52:24.400 --> 00:52:28.639
<v Speaker 5>There is one little remainder where it's when they're talking

1066
00:52:28.679 --> 00:52:32.599
<v Speaker 5>about how they murdered how Harry and Lloyd murdered those snowowls,

1067
00:52:33.440 --> 00:52:36.199
<v Speaker 5>and there's a push in where it's Charles Rockett on

1068
00:52:36.199 --> 00:52:37.920
<v Speaker 5>one side of the screen and stuff on the other

1069
00:52:38.000 --> 00:52:41.480
<v Speaker 5>side of the screen, and eventually had they not cut away,

1070
00:52:42.119 --> 00:52:44.320
<v Speaker 5>you would see that the trunk was out on the

1071
00:52:44.400 --> 00:52:47.719
<v Speaker 5>driveway and it was scooching itself down trying to escape.

1072
00:52:48.199 --> 00:52:51.400
<v Speaker 5>That was very judicious because you watch those scenes here,

1073
00:52:51.440 --> 00:52:55.920
<v Speaker 5>just like glad all this stuff, Glad everything that is

1074
00:52:56.159 --> 00:52:59.480
<v Speaker 5>cut out of this movie. I'm so glad it I'll

1075
00:52:59.559 --> 00:53:02.559
<v Speaker 5>end up the cutting room floor because it really didn't

1076
00:53:02.639 --> 00:53:05.320
<v Speaker 5>need anything. I don't think there's one joke. There's some

1077
00:53:05.400 --> 00:53:08.159
<v Speaker 5>good jokes, but I don't think any joke really needed

1078
00:53:08.199 --> 00:53:10.320
<v Speaker 5>to be back in this movie. And I really appreciate

1079
00:53:10.719 --> 00:53:13.800
<v Speaker 5>how tight it moves. I didn't need to see the

1080
00:53:13.960 --> 00:53:17.079
<v Speaker 5>mind getting his hand shot when Duff is now trying

1081
00:53:17.119 --> 00:53:19.840
<v Speaker 5>to take the shot that Harry when his tongue is

1082
00:53:19.840 --> 00:53:23.079
<v Speaker 5>stuck to the chair lift or anything. I didn't need

1083
00:53:23.119 --> 00:53:25.199
<v Speaker 5>to see that, but it was worth a laugh on

1084
00:53:25.280 --> 00:53:28.920
<v Speaker 5>the deleted scene. But the way that this movie stands now,

1085
00:53:29.639 --> 00:53:32.280
<v Speaker 5>I think it just runs like a very well oiled machine.

1086
00:53:32.760 --> 00:53:36.519
<v Speaker 6>And unfortunately you can't see the theatrical cut on high definition.

1087
00:53:36.840 --> 00:53:40.400
<v Speaker 6>They put a fell unrated version which is eight minutes longer,

1088
00:53:40.440 --> 00:53:44.000
<v Speaker 6>and you can see where probably these sins were trimmed

1089
00:53:44.000 --> 00:53:46.760
<v Speaker 6>to get like a PG. Thirteen, But they just they

1090
00:53:46.800 --> 00:53:50.519
<v Speaker 6>feel off. There's something about the kind of the circadian

1091
00:53:50.639 --> 00:53:54.480
<v Speaker 6>rhythm of what the movie's doing and just adding anything

1092
00:53:54.519 --> 00:53:57.840
<v Speaker 6>to it. It's it's lean, it's stripped down. There's not

1093
00:53:57.920 --> 00:54:00.440
<v Speaker 6>a lot of fat on it, and the more you

1094
00:54:00.519 --> 00:54:03.960
<v Speaker 6>push into it, the less effective it becomes. And I

1095
00:54:04.000 --> 00:54:05.800
<v Speaker 6>wish that if they ever do a four K, which

1096
00:54:05.840 --> 00:54:07.840
<v Speaker 6>I hope they do, that they at least put the

1097
00:54:07.840 --> 00:54:09.920
<v Speaker 6>theatrical version on there because I miss it.

1098
00:54:10.079 --> 00:54:13.840
<v Speaker 1>Yeah, those unrated versions were often like you just went

1099
00:54:13.920 --> 00:54:17.039
<v Speaker 1>back one version. If the movie we saw was version

1100
00:54:17.119 --> 00:54:19.840
<v Speaker 1>two B, you went back to version two A that

1101
00:54:19.920 --> 00:54:22.559
<v Speaker 1>had more fat on every scene, and it was just like,

1102
00:54:22.639 --> 00:54:24.679
<v Speaker 1>unrated really just meant, oh, we never put this in

1103
00:54:24.679 --> 00:54:26.880
<v Speaker 1>front of the board. It didn't necessarily it always sounded

1104
00:54:26.880 --> 00:54:28.719
<v Speaker 1>like it meant there was gonna be wild stuff, but

1105
00:54:28.760 --> 00:54:32.280
<v Speaker 1>it really just meant this wasn't officially rated. But I

1106
00:54:32.280 --> 00:54:34.920
<v Speaker 1>think that interesting thing you mentioned the mime scene. I

1107
00:54:35.000 --> 00:54:38.440
<v Speaker 1>did think it was funny to see that someone should

1108
00:54:38.480 --> 00:54:43.400
<v Speaker 1>market the cinematic era of dumping on mimes in movie.

1109
00:54:44.280 --> 00:54:46.199
<v Speaker 1>There had to be the first time a mime was

1110
00:54:46.239 --> 00:54:49.039
<v Speaker 1>depicted as somebody who gets pushed over or we all

1111
00:54:49.159 --> 00:54:51.519
<v Speaker 1>think it's funny that they get hurt, but even the

1112
00:54:51.559 --> 00:54:54.719
<v Speaker 1>mime has it coming, Like he gets his handshot, but

1113
00:54:54.920 --> 00:54:58.679
<v Speaker 1>he's making fun of Harry in a vulnerable moment, and

1114
00:54:58.719 --> 00:55:01.079
<v Speaker 1>he's making so much fun that it's okay. You're going

1115
00:55:01.119 --> 00:55:03.119
<v Speaker 1>from just being a mime to being someone who deserves

1116
00:55:03.119 --> 00:55:05.599
<v Speaker 1>a comedy come up. And so I think that that's interesting.

1117
00:55:05.639 --> 00:55:08.159
<v Speaker 1>But there's a long tradition of mimes being the butt

1118
00:55:08.199 --> 00:55:10.840
<v Speaker 1>of jokes, and I think it's interesting because you had

1119
00:55:10.920 --> 00:55:13.599
<v Speaker 1>to cast a mime to play that part. So I

1120
00:55:13.639 --> 00:55:15.159
<v Speaker 1>wonder what it always. I wonder what it felt like

1121
00:55:15.199 --> 00:55:16.880
<v Speaker 1>to be a mime. Did you feel like a sellout

1122
00:55:16.920 --> 00:55:19.079
<v Speaker 1>when you went home? Going Yeah, I got another one

1123
00:55:19.079 --> 00:55:20.639
<v Speaker 1>of those film gigs where it was all about how

1124
00:55:20.719 --> 00:55:21.440
<v Speaker 1>lame mimes are.

1125
00:55:22.199 --> 00:55:24.559
<v Speaker 6>It couldn't have been an episode of Shields in Yurnel.

1126
00:55:24.679 --> 00:55:26.320
<v Speaker 6>Had to be another goddamn movie.

1127
00:55:26.519 --> 00:55:28.199
<v Speaker 1>Had to be another movie where I get pushed in

1128
00:55:28.199 --> 00:55:30.400
<v Speaker 1>front of a train or something like that. But I

1129
00:55:30.400 --> 00:55:32.400
<v Speaker 1>don't know. I don't know what the first abused mime

1130
00:55:32.519 --> 00:55:35.760
<v Speaker 1>on screen was. But so much or make that listical.

1131
00:55:37.000 --> 00:55:39.920
<v Speaker 5>I thought it was interesting too to see how they're

1132
00:55:40.000 --> 00:55:43.800
<v Speaker 5>basically playing with things in some of those deleted scenes,

1133
00:55:43.840 --> 00:55:47.000
<v Speaker 5>like you get two versions of one scene where there's

1134
00:55:47.119 --> 00:55:50.800
<v Speaker 5>one of the hotel's staff where there's a scene early

1135
00:55:50.840 --> 00:55:55.239
<v Speaker 5>on where he brings them something and they're like, oh,

1136
00:55:55.280 --> 00:55:57.840
<v Speaker 5>there's some money for you there on the table and goes, oh,

1137
00:55:57.920 --> 00:56:00.440
<v Speaker 5>I accidentally grabbed two is I don't care? It's so

1138
00:56:00.559 --> 00:56:03.440
<v Speaker 5>two hundred dollars and they're like oh yeah, and they

1139
00:56:03.440 --> 00:56:05.639
<v Speaker 5>start to talk to him like we're come from the

1140
00:56:05.639 --> 00:56:08.039
<v Speaker 5>same cloth or whatever, and just really stop the bond

1141
00:56:08.119 --> 00:56:11.440
<v Speaker 5>with this guy. And then at the end he is

1142
00:56:11.519 --> 00:56:17.119
<v Speaker 5>basically walking them out to their vehicle and they're just say, oh, yeah,

1143
00:56:17.159 --> 00:56:18.880
<v Speaker 5>we've got to go back, and this is going to

1144
00:56:18.960 --> 00:56:19.559
<v Speaker 5>be so rough.

1145
00:56:20.599 --> 00:56:22.079
<v Speaker 4>Maybe you could both stay right here.

1146
00:56:24.199 --> 00:56:26.000
<v Speaker 1>This joint's a little rich for our blood.

1147
00:56:26.039 --> 00:56:28.880
<v Speaker 18>Bernie, Well, we might be able to find you a

1148
00:56:28.920 --> 00:56:32.679
<v Speaker 18>free room somewhere, After all, you once told me we

1149
00:56:32.760 --> 00:56:35.320
<v Speaker 18>all come from the same mold. You just don't have

1150
00:56:35.360 --> 00:56:36.400
<v Speaker 18>any do right now?

1151
00:56:37.360 --> 00:56:38.239
<v Speaker 4>Are you on the level?

1152
00:56:38.559 --> 00:56:41.960
<v Speaker 18>Absolutely, We'll slide you into one of those employee rooms,

1153
00:56:42.719 --> 00:56:49.159
<v Speaker 18>providing you don't mind working one half day a week.

1154
00:56:49.840 --> 00:56:53.960
<v Speaker 4>Doing what well, I don't know, doing what I do.

1155
00:56:54.960 --> 00:56:56.280
<v Speaker 18>I can train you myself.

1156
00:57:05.239 --> 00:57:16.519
<v Speaker 4>Oh yeah, right, is there anything.

1157
00:57:16.159 --> 00:57:21.119
<v Speaker 1>Else something where you don't have to have your.

1158
00:57:21.440 --> 00:57:31.639
<v Speaker 9>Nose up people's butts all day.

1159
00:57:35.440 --> 00:57:38.719
<v Speaker 18>You know, maybe you should try your luck along the road.

1160
00:57:40.320 --> 00:57:48.880
<v Speaker 5>Yeah, And that's one version. Then there's another where he's.

1161
00:57:48.719 --> 00:57:51.599
<v Speaker 18>Like, oh, I think we could possibly work something out.

1162
00:57:53.320 --> 00:57:54.199
<v Speaker 4>Are you on the level?

1163
00:57:54.800 --> 00:57:58.239
<v Speaker 18>Absolutely, We'll slide you into one of those employee rooms.

1164
00:57:58.360 --> 00:58:01.440
<v Speaker 1>Providing you don't mind doing a few work a week.

1165
00:58:03.519 --> 00:58:03.840
<v Speaker 13>Doing what.

1166
00:58:05.079 --> 00:58:07.239
<v Speaker 4>Hey, I've got a great idea.

1167
00:58:07.280 --> 00:58:08.760
<v Speaker 18>You can look after my grandson.

1168
00:58:08.800 --> 00:58:09.920
<v Speaker 4>He's out here on a visit.

1169
00:58:10.639 --> 00:58:13.079
<v Speaker 18>Poor little Tyke suffered a traumatic experience.

1170
00:58:13.559 --> 00:58:14.920
<v Speaker 5>You've probably read about it.

1171
00:58:18.239 --> 00:58:18.440
<v Speaker 6>Here.

1172
00:58:18.440 --> 00:58:18.760
<v Speaker 4>He is.

1173
00:58:18.840 --> 00:58:21.559
<v Speaker 11>Now, Hi, Billy, come over here.

1174
00:58:23.119 --> 00:58:25.320
<v Speaker 1>I want you to meet these two nice men.

1175
00:58:29.000 --> 00:58:32.760
<v Speaker 5>That actually might have been funny, but you have to

1176
00:58:32.800 --> 00:58:34.679
<v Speaker 5>have the setup in order to have the payoff. And

1177
00:58:34.719 --> 00:58:37.039
<v Speaker 5>I'm glad that they cut both because it's just like, yeah,

1178
00:58:37.159 --> 00:58:39.559
<v Speaker 5>let's just keep this thing moving. But yeah, I agree

1179
00:58:39.599 --> 00:58:43.440
<v Speaker 5>with you, right. I dislike unrated cuss sometimes because yeah, no,

1180
00:58:43.599 --> 00:58:46.440
<v Speaker 5>I like the rhythm of the comedy and you get

1181
00:58:46.480 --> 00:58:48.960
<v Speaker 5>those weird things like The Blues Brothers where they just

1182
00:58:49.039 --> 00:58:52.480
<v Speaker 5>added in all of these little bits and I'm just like, no,

1183
00:58:52.760 --> 00:58:56.800
<v Speaker 5>you ruined the pacing of your own film by adding

1184
00:58:56.840 --> 00:58:59.920
<v Speaker 5>all these little bits in this thing sang like a

1185
00:59:00.280 --> 00:59:05.119
<v Speaker 5>like an orchestra, and now it's so clunky and just

1186
00:59:05.320 --> 00:59:08.320
<v Speaker 5>it feels like we are having an extra beat every

1187
00:59:08.360 --> 00:59:09.199
<v Speaker 5>single scene.

1188
00:59:09.639 --> 00:59:11.639
<v Speaker 6>Nobody walked out of either of these movies and said,

1189
00:59:11.639 --> 00:59:14.199
<v Speaker 6>you know what, this needed to be eight minutes longer.

1190
00:59:15.480 --> 00:59:18.159
<v Speaker 1>There is a moment where you go the DVD Blu

1191
00:59:18.239 --> 00:59:20.159
<v Speaker 1>Ray era was such a good era because you got

1192
00:59:20.199 --> 00:59:22.679
<v Speaker 1>to see those moments and I appreciate, Oh, some of

1193
00:59:22.719 --> 00:59:26.000
<v Speaker 1>the choices they made without seeing them shoved back into

1194
00:59:26.000 --> 00:59:29.119
<v Speaker 1>the movie feels wrong headed when most of the time,

1195
00:59:29.519 --> 00:59:33.400
<v Speaker 1>nine times out of ten watching deleted scenes, I would say, whoever,

1196
00:59:33.400 --> 00:59:35.159
<v Speaker 1>I watched them with, oh, I see why they cut

1197
00:59:35.159 --> 00:59:37.280
<v Speaker 1>that out. Oh I see why they cut that out.

1198
00:59:37.480 --> 00:59:39.639
<v Speaker 1>It's yeah, it's not even just it's rare to want

1199
00:59:39.639 --> 00:59:41.440
<v Speaker 1>a movie to have been longer. You see those moments

1200
00:59:41.480 --> 00:59:44.519
<v Speaker 1>and you usually go, oh, I appreciate the editor's craft

1201
00:59:44.559 --> 00:59:47.639
<v Speaker 1>even more now seeing that moment, because yeah, even if

1202
00:59:47.639 --> 00:59:50.280
<v Speaker 1>it's a funny bit, sometimes you need the rhythm and

1203
00:59:50.320 --> 00:59:51.039
<v Speaker 1>you need the pacing.

1204
00:59:51.800 --> 00:59:54.079
<v Speaker 5>Also with the extras on the Blu ray or DVD,

1205
00:59:54.159 --> 00:59:57.400
<v Speaker 5>it's nice too, where you get those moments where Jeff

1206
00:59:57.480 --> 01:00:00.880
<v Speaker 5>Daniels is talking about how he did some of those scenes.

1207
01:00:00.920 --> 01:00:03.519
<v Speaker 5>Like the diarrhea scene, you actually get to hear, like

1208
01:00:03.559 --> 01:00:07.039
<v Speaker 5>the wild audio on the set, you hear somebody say, Harry,

1209
01:00:07.079 --> 01:00:10.360
<v Speaker 5>what are you doing? And it's obviously not Lauren Holly.

1210
01:00:10.440 --> 01:00:13.280
<v Speaker 5>It's just some grip on set or something just yelling

1211
01:00:13.320 --> 01:00:17.320
<v Speaker 5>that at him and oh, I'm shaving. But then you

1212
01:00:17.360 --> 01:00:20.840
<v Speaker 5>get to see more of that take and how he just, yeah,

1213
01:00:20.840 --> 01:00:23.639
<v Speaker 5>I probably did that for four minutes straight than just

1214
01:00:23.880 --> 01:00:25.920
<v Speaker 5>talking about how difficult it was to come up with

1215
01:00:25.960 --> 01:00:29.480
<v Speaker 5>all those different expressions and things. And actually getting to

1216
01:00:29.519 --> 01:00:33.079
<v Speaker 5>see him making those faces while he's talking about doing that,

1217
01:00:33.159 --> 01:00:35.719
<v Speaker 5>I thought was really good and really fun to see.

1218
01:00:36.079 --> 01:00:38.960
<v Speaker 6>And he talks about Clint Eastwood meeting him and saying

1219
01:00:39.119 --> 01:00:42.679
<v Speaker 6>that same thing happened to me the strangest thing because

1220
01:00:42.679 --> 01:00:46.280
<v Speaker 6>it's Clint fucking Eastwood. Did you really suspect that he

1221
01:00:46.320 --> 01:00:49.519
<v Speaker 6>would ever have a situation like that? But apparently he did.

1222
01:00:50.599 --> 01:00:52.519
<v Speaker 1>I love the closed caption set at all. It just

1223
01:00:52.559 --> 01:00:55.960
<v Speaker 1>said all caps and brackets sparting and defecating.

1224
01:00:56.639 --> 01:00:58.559
<v Speaker 5>I watched this with the captions on too it I

1225
01:00:58.639 --> 01:01:00.960
<v Speaker 5>just thought that was hilarious. Yes, that was so good.

1226
01:01:01.000 --> 01:01:03.039
<v Speaker 1>Did you happen to read the novelization? I didn't get

1227
01:01:03.039 --> 01:01:04.559
<v Speaker 1>a chance to read it, but I was wondering how

1228
01:01:04.599 --> 01:01:06.280
<v Speaker 1>that part was treated in the novelization.

1229
01:01:07.159 --> 01:01:09.599
<v Speaker 5>Yeah, I did not, but I really probably should have.

1230
01:01:09.760 --> 01:01:12.039
<v Speaker 1>Yeah, that one scene at least, I'm curious how they

1231
01:01:12.039 --> 01:01:14.320
<v Speaker 1>pulled it off. Did they write it like it's dramatic

1232
01:01:14.480 --> 01:01:15.599
<v Speaker 1>or do they you know what I mean? How do

1233
01:01:15.639 --> 01:01:17.400
<v Speaker 1>you write about that right scene?

1234
01:01:17.760 --> 01:01:20.320
<v Speaker 5>Anyway, I'm curious. All right, we're going to take a

1235
01:01:20.320 --> 01:01:23.000
<v Speaker 5>break and we'll be back with an interview with Bennett Yellen,

1236
01:01:23.079 --> 01:01:25.519
<v Speaker 5>who wrote the screenplay for Dumb and Dumber with the

1237
01:01:25.519 --> 01:01:28.239
<v Speaker 5>Fairly Brothers. Now, this was recorded a little while ago.

1238
01:01:28.280 --> 01:01:31.000
<v Speaker 5>You actually hear him make references to the writer's strike.

1239
01:01:31.239 --> 01:01:34.159
<v Speaker 5>Can you remember that? Remember when we thought that AI

1240
01:01:34.360 --> 01:01:38.800
<v Speaker 5>was going to be dangerous and take away people's jobs. Geez,

1241
01:01:39.000 --> 01:01:41.719
<v Speaker 5>what a different time that was. Anyway, we'll be back

1242
01:01:41.760 --> 01:01:44.000
<v Speaker 5>with all that right after these messages.

1243
01:01:46.519 --> 01:01:49.800
<v Speaker 19>Get ready to dive deep into the life, career, and

1244
01:01:49.960 --> 01:01:54.079
<v Speaker 19>unforgettable moments of the one and Only Chevy Chase. Join

1245
01:01:54.199 --> 01:01:57.400
<v Speaker 19>us on an exciting journey through the illustrious career of

1246
01:01:57.440 --> 01:02:02.199
<v Speaker 19>this comedy icon as we explore groundbreaking roles, behind the

1247
01:02:02.239 --> 01:02:06.400
<v Speaker 19>scenes stories, and timeless contributions to the world of entertainment.

1248
01:02:07.000 --> 01:02:11.199
<v Speaker 19>Each episode of the Chasing chevy Chase podcast brings you

1249
01:02:11.360 --> 01:02:16.239
<v Speaker 19>expert analysis and nostalgic reflections on Chevy Chase's most iconic

1250
01:02:16.360 --> 01:02:21.800
<v Speaker 19>characters in classic films like National Lampoon's Vacation, Caddy Shack,

1251
01:02:21.960 --> 01:02:26.599
<v Speaker 19>and Fletch. Whether you're a diehard Chevy Chase aficionado or

1252
01:02:26.639 --> 01:02:30.599
<v Speaker 19>simply curious about the man behind the laughter, Chasing chevy

1253
01:02:30.679 --> 01:02:34.159
<v Speaker 19>Chase is your go to podcast for all things chevy Chase.

1254
01:02:34.840 --> 01:02:37.559
<v Speaker 19>Tune in and join the conversation as we celebrate the

1255
01:02:37.639 --> 01:02:41.320
<v Speaker 19>life and legacy of a true Hollywood legend. Don't miss out.

1256
01:02:41.880 --> 01:02:45.840
<v Speaker 19>Subscribe now to Chasing chevy Chase wherever you get your podcasts,

1257
01:02:46.079 --> 01:02:47.360
<v Speaker 19>and let the adventure begin.

1258
01:02:57.079 --> 01:02:59.599
<v Speaker 5>Obviously, I want to ask you about Dumb and Dummer

1259
01:02:59.719 --> 01:03:01.599
<v Speaker 5>and your work with the Fairly Brothers, but I would

1260
01:03:01.599 --> 01:03:04.880
<v Speaker 5>love to know more about you and where you grew

1261
01:03:05.000 --> 01:03:06.920
<v Speaker 5>up and how you got into the business.

1262
01:03:07.159 --> 01:03:10.360
<v Speaker 11>I was born and raised in Los Angeles. I don't

1263
01:03:10.400 --> 01:03:14.320
<v Speaker 11>meet a lot of La Natives. This is like the

1264
01:03:14.440 --> 01:03:18.519
<v Speaker 11>terminal island of Los Angeles, but I grew up here.

1265
01:03:18.519 --> 01:03:21.320
<v Speaker 11>I was born and raised here and went to UCLA.

1266
01:03:22.320 --> 01:03:24.920
<v Speaker 11>I lived at home until I went off to graduate school,

1267
01:03:25.039 --> 01:03:27.159
<v Speaker 11>I lived at home. I was going to UCLA and

1268
01:03:27.199 --> 01:03:30.800
<v Speaker 11>I was raised Orthodox Jewish, so that explains the living

1269
01:03:30.840 --> 01:03:34.880
<v Speaker 11>at home part. I didn't go away until graduate school.

1270
01:03:35.360 --> 01:03:37.320
<v Speaker 11>And then I went to graduate school at the University

1271
01:03:37.360 --> 01:03:41.199
<v Speaker 11>of Massachusetts at Amherst, and that is where on the

1272
01:03:41.239 --> 01:03:45.159
<v Speaker 11>first day of class, I met Peter Fairley in my

1273
01:03:45.320 --> 01:03:50.039
<v Speaker 11>first class, first day of class, first time I was

1274
01:03:50.079 --> 01:03:55.920
<v Speaker 11>away from home, really like a little Orthodox Jewish bird. Yeah,

1275
01:03:56.079 --> 01:03:58.679
<v Speaker 11>I wouldn't say kicked out of the desk, but it

1276
01:03:58.760 --> 01:04:00.679
<v Speaker 11>was time to go and see what life was all

1277
01:04:00.719 --> 01:04:05.679
<v Speaker 11>about outside of Orthodoxy and all that stuff. And I

1278
01:04:05.719 --> 01:04:09.199
<v Speaker 11>remember the first day of class, this will take twenty

1279
01:04:09.239 --> 01:04:12.400
<v Speaker 11>five minutes of our however, a lot of where to go.

1280
01:04:12.800 --> 01:04:16.199
<v Speaker 11>But I was really, I'm nervous. I was like, what

1281
01:04:16.400 --> 01:04:20.920
<v Speaker 11>is really? Was experiencing so much so fast. Peter and

1282
01:04:20.960 --> 01:04:23.599
<v Speaker 11>I were sitting across from each other at table and

1283
01:04:23.639 --> 01:04:28.000
<v Speaker 11>we were both getting an MFA in fiction, which for

1284
01:04:28.079 --> 01:04:31.880
<v Speaker 11>me it was basically my way of postponing having to

1285
01:04:31.920 --> 01:04:36.960
<v Speaker 11>do anything for another three years and get this degree

1286
01:04:36.960 --> 01:04:40.639
<v Speaker 11>and I'm going to buy a corduroy coat with patches

1287
01:04:40.679 --> 01:04:43.440
<v Speaker 11>on the ala and a pipe and end up teaching

1288
01:04:43.920 --> 01:04:49.000
<v Speaker 11>as a professor teaching creative writing at some university in

1289
01:04:49.039 --> 01:04:51.039
<v Speaker 11>the Midwest. That's truly what I thought I was going

1290
01:04:51.119 --> 01:04:53.559
<v Speaker 11>to do. So we were sitting across from each other.

1291
01:04:53.960 --> 01:04:56.559
<v Speaker 11>We had a teacher. He was a little heavy set.

1292
01:04:56.599 --> 01:04:59.039
<v Speaker 11>His name was George Cuomo, and we were supposed we

1293
01:04:59.039 --> 01:05:01.360
<v Speaker 11>had a sigmon and for the first day of class

1294
01:05:01.639 --> 01:05:04.119
<v Speaker 11>where we were supposed to bring in the first page

1295
01:05:04.519 --> 01:05:07.199
<v Speaker 11>of a short story that we had written, and we

1296
01:05:07.199 --> 01:05:08.719
<v Speaker 11>were going to go around the table, and there were

1297
01:05:08.719 --> 01:05:10.920
<v Speaker 11>probably ten people of class. They were small we got

1298
01:05:10.960 --> 01:05:14.440
<v Speaker 11>to grad school and smaller classes at least for a

1299
01:05:14.480 --> 01:05:18.480
<v Speaker 11>degree like this. And so we read the first person's

1300
01:05:18.679 --> 01:05:23.159
<v Speaker 11>first page, and the whole point being that we were

1301
01:05:23.199 --> 01:05:26.280
<v Speaker 11>going to try and what can we assume from just

1302
01:05:26.320 --> 01:05:29.119
<v Speaker 11>this first page of the story? And so the first

1303
01:05:29.119 --> 01:05:35.159
<v Speaker 11>person read this beginning of class, and George Cualmo, the teacher, said,

1304
01:05:35.480 --> 01:05:38.360
<v Speaker 11>I liked this first page. But and I won very

1305
01:05:38.400 --> 01:05:41.840
<v Speaker 11>big butt and Peter and I see you're laughing. Peter,

1306
01:05:42.039 --> 01:05:44.199
<v Speaker 11>I looked across the tail from each other and we

1307
01:05:44.199 --> 01:05:49.800
<v Speaker 11>were like, we'd get fod And the teacher was like what,

1308
01:05:49.920 --> 01:05:52.599
<v Speaker 11>and We're like nothing. And as soon as class was over,

1309
01:05:53.360 --> 01:05:55.639
<v Speaker 11>we met in the hallway, and we said he had

1310
01:05:55.679 --> 01:05:59.920
<v Speaker 11>a big butt, didn't he. I'm betting, I'm Peter. We

1311
01:06:00.199 --> 01:06:03.440
<v Speaker 11>met from the same stupid sense that you know where.

1312
01:06:04.079 --> 01:06:06.840
<v Speaker 5>So how orthodox were you? Did you have the big.

1313
01:06:06.760 --> 01:06:09.320
<v Speaker 11>Hat and I didn't have the beaver hat. I didn't

1314
01:06:09.320 --> 01:06:12.360
<v Speaker 11>even I put my foot down on a lot of it,

1315
01:06:12.599 --> 01:06:16.079
<v Speaker 11>like I didn't even wear a yamaka. But we were kosher,

1316
01:06:16.960 --> 01:06:18.119
<v Speaker 11>like strictly kosure.

1317
01:06:19.119 --> 01:06:19.559
<v Speaker 4>We were.

1318
01:06:20.159 --> 01:06:24.800
<v Speaker 11>We honored the Jewish Sabbath. By I would say, oh,

1319
01:06:25.559 --> 01:06:27.960
<v Speaker 11>I wouldn't. You can't drive in a car, you can't

1320
01:06:28.320 --> 01:06:31.519
<v Speaker 11>turn on lights and things like that. But I was

1321
01:06:31.639 --> 01:06:35.039
<v Speaker 11>blessed to have incredibly wonderful parents and I have two

1322
01:06:35.159 --> 01:06:39.360
<v Speaker 11>older sisters, and so we would spend the weekends together

1323
01:06:39.440 --> 01:06:42.480
<v Speaker 11>as a family. Always we ate all our meals together.

1324
01:06:43.280 --> 01:06:50.159
<v Speaker 11>That's that really reinforced the idea of family and relationships

1325
01:06:50.159 --> 01:06:52.480
<v Speaker 11>and things like that. So I don't have a lot

1326
01:06:52.519 --> 01:06:56.559
<v Speaker 11>of criticism about the fact that that element of how

1327
01:06:56.840 --> 01:07:00.920
<v Speaker 11>beautiful it was and what it gave Lilah life, which

1328
01:07:00.960 --> 01:07:04.840
<v Speaker 11>was a great sense of family and relationships and things

1329
01:07:04.880 --> 01:07:08.239
<v Speaker 11>like that. But of course, when I went to graduate school,

1330
01:07:08.320 --> 01:07:09.880
<v Speaker 11>that was the first time that I broke away from

1331
01:07:09.880 --> 01:07:12.320
<v Speaker 11>all that and It's also the first time I ever

1332
01:07:13.360 --> 01:07:17.519
<v Speaker 11>I hadn't drank, I hadn't gotten drunk. I'd never smoked pot,

1333
01:07:17.559 --> 01:07:21.719
<v Speaker 11>I'd never played poker. That all happened one night, Like

1334
01:07:21.800 --> 01:07:25.800
<v Speaker 11>the first weekend, I did not always stay if I

1335
01:07:25.840 --> 01:07:28.119
<v Speaker 11>had a bucket list of things I wanted to try.

1336
01:07:28.880 --> 01:07:34.639
<v Speaker 11>That happened the first weekend. I loved it. I loved it.

1337
01:07:34.679 --> 01:07:38.239
<v Speaker 11>I loved suddenly I understood completely what Like I had

1338
01:07:38.280 --> 01:07:42.119
<v Speaker 11>such a disdain for cheatin chong and drug and humor,

1339
01:07:42.360 --> 01:07:47.199
<v Speaker 11>and like it's so anti authoritative to me. It was

1340
01:07:47.280 --> 01:07:50.079
<v Speaker 11>just like roll my eyes. In the moment I got high,

1341
01:07:50.159 --> 01:07:52.960
<v Speaker 11>I was like, I get it, got it. Fantastic. Cheating

1342
01:07:53.039 --> 01:07:56.440
<v Speaker 11>Child the funniest thing in the world. So watched Cheating

1343
01:07:56.480 --> 01:07:58.920
<v Speaker 11>Child's the next movie, and I still think it's actually

1344
01:07:59.039 --> 01:08:02.199
<v Speaker 11>one of my ten fings favorite holidays. It's just a movie.

1345
01:08:02.199 --> 01:08:03.719
<v Speaker 11>It's just hilarious.

1346
01:08:03.960 --> 01:08:07.360
<v Speaker 5>How do you go from that into writing?

1347
01:08:07.840 --> 01:08:11.039
<v Speaker 11>You meane screenwriting. Peter and I knew we had the

1348
01:08:11.079 --> 01:08:14.320
<v Speaker 11>same sense of humor instantly. He was writing his own

1349
01:08:14.599 --> 01:08:17.720
<v Speaker 11>novel outside Providence when we met, and he would come

1350
01:08:17.720 --> 01:08:20.359
<v Speaker 11>over my where I was living, and he'd read it

1351
01:08:20.399 --> 01:08:24.840
<v Speaker 11>to me off of yellow pads. And his handwritten that's

1352
01:08:24.880 --> 01:08:29.359
<v Speaker 11>where were in our writing fields. And we both said

1353
01:08:29.399 --> 01:08:31.840
<v Speaker 11>a certain point, you know what, we have the same

1354
01:08:31.920 --> 01:08:37.560
<v Speaker 11>twisted sensit humor. George Cuomo's but was being let's write

1355
01:08:37.560 --> 01:08:41.119
<v Speaker 11>a movie together. We should do that. He's from Cumberland,

1356
01:08:41.199 --> 01:08:45.039
<v Speaker 11>Rhode Island, and his dad is a doc. My father

1357
01:08:45.560 --> 01:08:50.319
<v Speaker 11>had group homes in Los Angeles for wards of the court.

1358
01:08:50.399 --> 01:08:54.800
<v Speaker 11>We had no connection whatsoever to the business, even though

1359
01:08:54.960 --> 01:08:57.840
<v Speaker 11>I was from Los Angeles. But we said, let's do it.

1360
01:08:57.880 --> 01:09:00.000
<v Speaker 11>So we did it. We wrote the silly script called

1361
01:09:00.239 --> 01:09:04.399
<v Speaker 11>Trusted Us, really funny comedy. It was like we never

1362
01:09:04.479 --> 01:09:08.279
<v Speaker 11>taken a comedy, We never taken a writing class, nothing.

1363
01:09:08.399 --> 01:09:12.199
<v Speaker 11>We just wrote it and it was stupid and funny.

1364
01:09:12.239 --> 01:09:14.840
<v Speaker 11>I was about two idiots in our minds when we

1365
01:09:14.840 --> 01:09:17.279
<v Speaker 11>were writing. It was like Bel Murray and John Candy

1366
01:09:17.359 --> 01:09:21.399
<v Speaker 11>who get jobs at a funeral home, a shady funeral home,

1367
01:09:22.079 --> 01:09:26.159
<v Speaker 11>one that advertises like holiday layaway sale, that sort of thing.

1368
01:09:27.000 --> 01:09:30.359
<v Speaker 11>Now we had this silly, funny script written. What do

1369
01:09:30.439 --> 01:09:33.640
<v Speaker 11>you do with it? What do we do with it?

1370
01:09:33.720 --> 01:09:36.760
<v Speaker 11>So Peter was on a date. He was in New York.

1371
01:09:36.800 --> 01:09:39.680
<v Speaker 11>He was on a date, and this was the time

1372
01:09:39.720 --> 01:09:43.560
<v Speaker 11>when Eddie Murphy had made Beverly Hills cop and just

1373
01:09:43.880 --> 01:09:45.880
<v Speaker 11>it was a huge hit, like he was the number

1374
01:09:45.920 --> 01:09:50.279
<v Speaker 11>one I think box office at the time. And the

1375
01:09:50.279 --> 01:09:53.159
<v Speaker 11>girl said, you'll never guess who moved in next door

1376
01:09:53.279 --> 01:09:57.159
<v Speaker 11>my parents and out by New Jersey, Eddie Murphy. Really

1377
01:09:57.840 --> 01:10:01.399
<v Speaker 11>you ever see out that's a long shot. But this

1378
01:10:01.600 --> 01:10:04.720
<v Speaker 11>was nineteen eighty six, I think, And she said, yeah,

1379
01:10:05.159 --> 01:10:09.319
<v Speaker 11>he was washing his car. So Peter gave her dust

1380
01:10:09.319 --> 01:10:12.079
<v Speaker 11>to dust and said, if you ever see him, will

1381
01:10:12.119 --> 01:10:14.920
<v Speaker 11>you please give him this script? And she said sure,

1382
01:10:15.039 --> 01:10:17.880
<v Speaker 11>and then strangely enough, a week later must have been

1383
01:10:17.920 --> 01:10:21.439
<v Speaker 11>a good take, because a week later she called she said,

1384
01:10:21.960 --> 01:10:24.479
<v Speaker 11>I saw him coming out to get his paper, and

1385
01:10:24.520 --> 01:10:27.159
<v Speaker 11>I ran out and gave him dust to dust. What

1386
01:10:27.199 --> 01:10:32.439
<v Speaker 11>the hell? Fantastic. Meanwhile, this was like around December of

1387
01:10:32.560 --> 01:10:36.880
<v Speaker 11>nineteen eighty six. Meanwhile, I was home for Jewish holidays,

1388
01:10:37.439 --> 01:10:40.560
<v Speaker 11>and I knew that my sister Freda this is Freda

1389
01:10:40.760 --> 01:10:43.680
<v Speaker 11>was her name, And yes she is who we named

1390
01:10:43.680 --> 01:10:47.079
<v Speaker 11>Freda Felcher after in Dumb and Dummer. This is that's

1391
01:10:47.119 --> 01:10:47.720
<v Speaker 11>her honor.

1392
01:10:48.359 --> 01:10:49.920
<v Speaker 5>Does she have a smiley face tattoo?

1393
01:10:51.319 --> 01:10:53.960
<v Speaker 11>But she does not know. I'm glad you're taking the

1394
01:10:54.039 --> 01:10:59.119
<v Speaker 11>reference deeper Zamond Dummer too, but she went she would

1395
01:10:59.119 --> 01:11:03.680
<v Speaker 11>go Israeli dancing, and she knew David Sucker from Israeli dancing.

1396
01:11:03.840 --> 01:11:06.760
<v Speaker 11>I said to her, afraid of will you ask David

1397
01:11:06.800 --> 01:11:09.960
<v Speaker 11>Zucker if he'd read our script? Dusted us? And she

1398
01:11:10.000 --> 01:11:12.600
<v Speaker 11>came back to me and she said, yeah, David said,

1399
01:11:12.880 --> 01:11:15.119
<v Speaker 11>no' read it. So I gave her dust to dust.

1400
01:11:15.159 --> 01:11:18.680
<v Speaker 11>She gave it David. Now, first of all, those two

1401
01:11:18.760 --> 01:11:24.000
<v Speaker 11>things couldn't happen today period. No one can hand a

1402
01:11:24.000 --> 01:11:27.199
<v Speaker 11>physical script. At least there would be a hard drive

1403
01:11:27.960 --> 01:11:30.680
<v Speaker 11>to Eddie Murphy or even David Dusk. They just wouldn't

1404
01:11:30.680 --> 01:11:33.880
<v Speaker 11>take it. I wouldn't take it because legal reasons. You

1405
01:11:33.920 --> 01:11:37.840
<v Speaker 11>don't want to make yourself vulnerable. What happens if you

1406
01:11:37.960 --> 01:11:41.479
<v Speaker 11>accept it and then something you do ends up similar

1407
01:11:41.920 --> 01:11:43.800
<v Speaker 11>to the script, even if you didn't read it right.

1408
01:11:43.840 --> 01:11:49.039
<v Speaker 11>But let's dissolve in motion picture terms too. Several months later,

1409
01:11:49.159 --> 01:11:52.760
<v Speaker 11>we were both finishing our programs and we got an

1410
01:11:53.560 --> 01:11:56.760
<v Speaker 11>article in the Los Angeles Times. It was all about

1411
01:11:56.840 --> 01:12:00.640
<v Speaker 11>what is Eddie Murphy going to do next? It's called

1412
01:12:00.640 --> 01:12:02.439
<v Speaker 11>like the Eddie Murphy script Derby. It was in the

1413
01:12:02.479 --> 01:12:06.520
<v Speaker 11>Los Angeles Times and it started out Eddie Murphy was

1414
01:12:06.520 --> 01:12:10.800
<v Speaker 11>looking out his Alpine, New Jersey window when he saw

1415
01:12:10.840 --> 01:12:14.279
<v Speaker 11>a neighbor coming across the street with a script. That's

1416
01:12:14.399 --> 01:12:17.439
<v Speaker 11>the opening of it. And then they mentioned the script

1417
01:12:17.560 --> 01:12:20.560
<v Speaker 11>Dusted Us. They say, the script Dusted Us is now

1418
01:12:20.600 --> 01:12:24.479
<v Speaker 11>on Murphy's shelf, and like he read it on here's

1419
01:12:24.520 --> 01:12:28.319
<v Speaker 11>what happened. He read it and he thought it was hilarious,

1420
01:12:28.920 --> 01:12:32.239
<v Speaker 11>and he went back to Los Angeles and they looked

1421
01:12:32.239 --> 01:12:35.880
<v Speaker 11>for two writers were vaguely remembered. I think their names

1422
01:12:35.880 --> 01:12:39.279
<v Speaker 11>were Peter Fairley and Ben couldn't find us anywhere because

1423
01:12:39.279 --> 01:12:43.359
<v Speaker 11>we weren't anywhere, and so they planted that in the

1424
01:12:43.520 --> 01:12:47.640
<v Speaker 11>article so that we would call exactly. But meanwhile and

1425
01:12:47.720 --> 01:12:50.960
<v Speaker 11>then Freida called, So we called Paramount. We were like, hey,

1426
01:12:51.399 --> 01:12:52.079
<v Speaker 11>that's our script.

1427
01:12:52.239 --> 01:12:52.640
<v Speaker 4>Just to us.

1428
01:12:52.680 --> 01:12:55.880
<v Speaker 11>They were like, we've been looking for you. Meanwhile, my

1429
01:12:55.960 --> 01:12:59.800
<v Speaker 11>sister Freda said, David read the script and he thought

1430
01:13:00.119 --> 01:13:02.159
<v Speaker 11>ready gave it to his brother, and they gave it

1431
01:13:02.199 --> 01:13:04.680
<v Speaker 11>to their partner, Jim, and they want t oft to you.

1432
01:13:05.399 --> 01:13:09.119
<v Speaker 11>That's how we got started. It couldn't happen today, Mike

1433
01:13:09.319 --> 01:13:12.680
<v Speaker 11>couldn't possibly. It wouldn't be possible. We were just in

1434
01:13:12.760 --> 01:13:17.079
<v Speaker 11>the right place and did the right thing with the

1435
01:13:17.159 --> 01:13:19.279
<v Speaker 11>right piece of material, and I guess it was funny.

1436
01:13:19.319 --> 01:13:22.520
<v Speaker 11>And it still blows my mind that we'd never written

1437
01:13:22.520 --> 01:13:25.159
<v Speaker 11>the script before, but that was and by the way,

1438
01:13:25.760 --> 01:13:29.479
<v Speaker 11>pieces of that have been cannibalized things we've done since then,

1439
01:13:29.600 --> 01:13:32.960
<v Speaker 11>including and up to Green Book. Green Book has a

1440
01:13:33.039 --> 01:13:36.000
<v Speaker 11>joke from dust to dust in it at the beginning

1441
01:13:36.279 --> 01:13:42.000
<v Speaker 11>where he the character parks and takes a trash can

1442
01:13:42.079 --> 01:13:45.880
<v Speaker 11>and turns it over and covers the fire hydrant that

1443
01:13:45.960 --> 01:13:49.359
<v Speaker 11>he parks next to. That's from us to dust. That's

1444
01:13:49.359 --> 01:13:50.279
<v Speaker 11>how we got started.

1445
01:13:50.760 --> 01:13:53.479
<v Speaker 5>That must have been how you got to our planet tonight.

1446
01:13:54.199 --> 01:13:57.960
<v Speaker 11>Yes to the Zucker brothers. Oh, this man reads IMDb pages.

1447
01:13:59.000 --> 01:14:01.840
<v Speaker 5>I had a great opportunity. I spoke with mister Zucker

1448
01:14:01.880 --> 01:14:05.199
<v Speaker 5>a few months ago and his early stuff. I was

1449
01:14:05.239 --> 01:14:08.199
<v Speaker 5>like just amazed to see some of it. And then

1450
01:14:08.239 --> 01:14:11.640
<v Speaker 5>I was a big Rich Hall fan, especially from not

1451
01:14:11.680 --> 01:14:13.239
<v Speaker 5>necessarily the news.

1452
01:14:13.479 --> 01:14:17.880
<v Speaker 11>Yeah, Richshaw was great on our plans. So, by the way,

1453
01:14:18.680 --> 01:14:21.680
<v Speaker 11>this is a twist on it all, and I know

1454
01:14:21.760 --> 01:14:25.920
<v Speaker 11>he's joking. But years later, many years later, the Writers Guild,

1455
01:14:26.319 --> 01:14:30.800
<v Speaker 11>both Writers Guild West and East, finally decided to take

1456
01:14:30.800 --> 01:14:32.800
<v Speaker 11>a poll on what they thought were the hundred and

1457
01:14:32.840 --> 01:14:38.600
<v Speaker 11>one funniest screenplays of all time. I am beyond honored

1458
01:14:38.680 --> 01:14:42.680
<v Speaker 11>that Dumb and Dumber one was a number fifty six

1459
01:14:42.720 --> 01:14:45.560
<v Speaker 11>and it tied with Anchorman, another thing that I would

1460
01:14:45.680 --> 01:14:49.680
<v Speaker 11>honored to share. And as a result of that, they

1461
01:14:49.760 --> 01:14:53.600
<v Speaker 11>did a beautiful night at the we have cin around Madelt,

1462
01:14:54.079 --> 01:14:56.960
<v Speaker 11>world famous Cinta aram Medelt, which is right now just

1463
01:14:57.239 --> 01:15:01.560
<v Speaker 11>dormant until it gets opened to get close for COVID,

1464
01:15:01.600 --> 01:15:05.920
<v Speaker 11>and it hasn't opened again. But they did honoring the

1465
01:15:06.000 --> 01:15:10.560
<v Speaker 11>winners of of that contest and they had us up

1466
01:15:10.560 --> 01:15:15.800
<v Speaker 11>on stage, Peter, Bobby and I with David, Jim and

1467
01:15:16.000 --> 01:15:19.600
<v Speaker 11>Jerry and other people, Alexander Payne, and so it was

1468
01:15:19.640 --> 01:15:23.000
<v Speaker 11>such an honor. Before it started, I said, I went

1469
01:15:23.079 --> 01:15:26.960
<v Speaker 11>up to David. I said, David, you really the one

1470
01:15:26.960 --> 01:15:30.960
<v Speaker 11>who got us started, you and Annie Murphy. If you

1471
01:15:31.039 --> 01:15:33.840
<v Speaker 11>hadn't accepted, if you hadn't read the script, asked to

1472
01:15:33.840 --> 01:15:37.159
<v Speaker 11>read it. He said, oh really, honestly, I just want

1473
01:15:37.199 --> 01:15:41.520
<v Speaker 11>to date your sister. So don't ever have anyone who

1474
01:15:41.920 --> 01:15:44.399
<v Speaker 11>wants to get a script rate, make sure you have

1475
01:15:44.479 --> 01:15:49.079
<v Speaker 11>attractive sister and give it to someone who wants the

1476
01:15:49.199 --> 01:15:54.039
<v Speaker 11>dater or brother whatever, you came. Nothing ever happened with

1477
01:15:54.159 --> 01:15:57.560
<v Speaker 11>Dust to Dust. But the Zuckers thought liked us and

1478
01:15:57.720 --> 01:15:59.800
<v Speaker 11>asked us to work with a few things on them.

1479
01:16:00.119 --> 01:16:02.760
<v Speaker 11>The first thing they gave us, actually was the very

1480
01:16:02.760 --> 01:16:06.680
<v Speaker 11>first thing was they were doing Ruthless People, and they said,

1481
01:16:07.079 --> 01:16:09.840
<v Speaker 11>read it, see if you can, if there's anything you

1482
01:16:09.880 --> 01:16:12.960
<v Speaker 11>want to throw in. It was a great script. Dale

1483
01:16:12.960 --> 01:16:16.079
<v Speaker 11>Lonna wrote a fantastic screen but and we just we

1484
01:16:16.119 --> 01:16:18.399
<v Speaker 11>threw a few things in. Not only do we throw

1485
01:16:18.439 --> 01:16:21.119
<v Speaker 11>a few things in, they used a couple of them,

1486
01:16:21.159 --> 01:16:26.560
<v Speaker 11>and one of them, oh yeah, It was a line about, oh,

1487
01:16:26.960 --> 01:16:29.159
<v Speaker 11>Gandhi would have strangled She's not By the end, the

1488
01:16:29.199 --> 01:16:31.760
<v Speaker 11>line was like, she's not, mother, Teresa, Gandhi would have

1489
01:16:31.760 --> 01:16:37.640
<v Speaker 11>strangled her, And the New York Times review of Ruthless

1490
01:16:37.640 --> 01:16:41.319
<v Speaker 11>People mentioned that line. So the screenplay is full of

1491
01:16:42.039 --> 01:16:45.520
<v Speaker 11>funny one liners. Peter and I were like, all right,

1492
01:16:45.560 --> 01:16:47.880
<v Speaker 11>we thrown But in the meantime they were also putting

1493
01:16:47.920 --> 01:16:50.640
<v Speaker 11>together our Plan Tonight, which was their parody. And you

1494
01:16:50.640 --> 01:16:52.359
<v Speaker 11>can actually, I think you can see it now it's

1495
01:16:52.359 --> 01:16:55.600
<v Speaker 11>on YouTube, but for years you couldn't access any of it.

1496
01:16:56.279 --> 01:17:01.560
<v Speaker 11>The parody of information shows like Minutes, but combined with

1497
01:17:01.640 --> 01:17:05.439
<v Speaker 11>the variety show. But the idea was, if you see it,

1498
01:17:05.439 --> 01:17:09.159
<v Speaker 11>it's so bizarre, But yeah, we did. We wrote a

1499
01:17:09.199 --> 01:17:14.560
<v Speaker 11>sketch for Jay Leno and then another one for about

1500
01:17:14.560 --> 01:17:18.199
<v Speaker 11>a guy who is seems to have a twin brother

1501
01:17:18.560 --> 01:17:22.640
<v Speaker 11>living in another town, but it's actually just the same guy.

1502
01:17:22.680 --> 01:17:26.119
<v Speaker 11>He's just living with two families. But that was fun

1503
01:17:26.119 --> 01:17:28.479
<v Speaker 11>and that was our real That was an introduction. I

1504
01:17:28.520 --> 01:17:31.600
<v Speaker 11>think that was our first thing before, unless we may

1505
01:17:31.640 --> 01:17:35.399
<v Speaker 11>have done the Paul Riiser, the HBO Paul Riser Special first,

1506
01:17:35.600 --> 01:17:37.920
<v Speaker 11>but in doing the Paul Riser Special, the producer of

1507
01:17:37.920 --> 01:17:41.000
<v Speaker 11>the Paul Riser Special was Charlie Westler, and Charlie Westler

1508
01:17:41.399 --> 01:17:43.600
<v Speaker 11>is the producer of Dun the Dumber. That's how we

1509
01:17:44.399 --> 01:17:48.520
<v Speaker 11>got Dumb and Dummer made was Charlie Westler. We met

1510
01:17:48.560 --> 01:17:53.319
<v Speaker 11>him doing the Paul Riiser HBO special, which was a delight.

1511
01:17:53.920 --> 01:17:55.079
<v Speaker 11>That was a lot of fun. I don't know if

1512
01:17:55.079 --> 01:17:58.880
<v Speaker 11>you've seen it, but it has an incredible cast. Paul

1513
01:17:58.920 --> 01:18:01.039
<v Speaker 11>wanted to do something more more than just stand up,

1514
01:18:01.119 --> 01:18:03.520
<v Speaker 11>so we came in and pitched, what if we have

1515
01:18:03.680 --> 01:18:07.159
<v Speaker 11>a whole wrap around story that explains how you even

1516
01:18:07.199 --> 01:18:11.039
<v Speaker 11>get to your stand up. So there's three quarters of

1517
01:18:11.079 --> 01:18:14.520
<v Speaker 11>it are a wrap around and then one quarter is

1518
01:18:15.560 --> 01:18:18.079
<v Speaker 11>the stand, or maybe says half a wrap around, half

1519
01:18:18.119 --> 01:18:22.279
<v Speaker 11>a statu But Paul was delightful. We were so lucky

1520
01:18:22.359 --> 01:18:25.319
<v Speaker 11>to and we also ended up writing something for Eddie Murphy.

1521
01:18:26.079 --> 01:18:29.720
<v Speaker 11>He wanted to direct this. He said, I want you

1522
01:18:29.760 --> 01:18:34.520
<v Speaker 11>guys to write a like a teenage Robin hood story,

1523
01:18:35.159 --> 01:18:37.119
<v Speaker 11>and we did. It was called Young Robbers, and he

1524
01:18:37.199 --> 01:18:40.359
<v Speaker 11>wanted to direct it in paramount. They wanted him star

1525
01:18:40.600 --> 01:18:46.000
<v Speaker 11>and everything in perpetuity because and so they were not

1526
01:18:46.159 --> 01:18:49.359
<v Speaker 11>happy never got made. And we would see him every

1527
01:18:49.359 --> 01:18:52.840
<v Speaker 11>once in a while rare and he'd say, guys, I

1528
01:18:52.880 --> 01:18:56.199
<v Speaker 11>still want to do Young Robbers. What do your members

1529
01:18:56.239 --> 01:18:58.439
<v Speaker 11>that I haven't seen him in years, but it's.

1530
01:18:58.319 --> 01:19:00.000
<v Speaker 5>Like he should have the cloud to direct now.

1531
01:19:00.560 --> 01:19:02.880
<v Speaker 11>They let him do Harlem Knights, which I think he

1532
01:19:03.079 --> 01:19:05.239
<v Speaker 11>co wrote, or they about it. I think that was

1533
01:19:05.840 --> 01:19:08.279
<v Speaker 11>his one dipping the toe, but he was in that too.

1534
01:19:08.760 --> 01:19:10.479
<v Speaker 11>They wouldn't have let him just direct it. I don't

1535
01:19:10.520 --> 01:19:13.640
<v Speaker 11>think they really wanted him want their star to be

1536
01:19:13.680 --> 01:19:14.079
<v Speaker 11>a star.

1537
01:19:15.000 --> 01:19:17.159
<v Speaker 5>How did Dum and Dummer come to be? Was that

1538
01:19:17.279 --> 01:19:20.479
<v Speaker 5>your guys' original thing or was it already out there

1539
01:19:20.520 --> 01:19:21.439
<v Speaker 5>and then you took it over.

1540
01:19:22.159 --> 01:19:26.159
<v Speaker 11>We pitched Elman Dumber to John Hughes. John Hughes had

1541
01:19:26.199 --> 01:19:29.199
<v Speaker 11>a deal at Universal. There's the reason why I'm telling

1542
01:19:29.479 --> 01:19:32.520
<v Speaker 11>this detail. And we came in and we pitched him

1543
01:19:33.079 --> 01:19:37.079
<v Speaker 11>the plot of Dulmin Dumber and he was like, that's hilarious.

1544
01:19:37.079 --> 01:19:40.840
<v Speaker 11>Well go and write that and I will let you

1545
01:19:40.880 --> 01:19:44.760
<v Speaker 11>direct it. We were like, you will. None of us

1546
01:19:44.760 --> 01:19:47.520
<v Speaker 11>have got anywhere near. I made super great movies as

1547
01:19:47.520 --> 01:19:50.439
<v Speaker 11>a kid, and regular eight movies. But yeah, we weren't

1548
01:19:50.479 --> 01:19:54.520
<v Speaker 11>like directed. So we went away and wrote it and

1549
01:19:54.520 --> 01:19:57.159
<v Speaker 11>we came back and gave it to him and he

1550
01:19:57.359 --> 01:19:59.920
<v Speaker 11>liked it. But here's what happened, is his deal at

1551
01:20:00.079 --> 01:20:05.600
<v Speaker 11>Universal ended, and typical of what happens when director or

1552
01:20:05.880 --> 01:20:10.079
<v Speaker 11>producer or writer who has a development deal, when their

1553
01:20:10.079 --> 01:20:13.640
<v Speaker 11>deal ends one place, they go someplace else. All the

1554
01:20:13.720 --> 01:20:19.000
<v Speaker 11>material that they developed just goes into the icy vault

1555
01:20:19.680 --> 01:20:22.960
<v Speaker 11>and disappears and it never really, nothing ever happens with it.

1556
01:20:23.479 --> 01:20:27.279
<v Speaker 11>And of course he went to Fox and made the

1557
01:20:27.319 --> 01:20:30.960
<v Speaker 11>next thing he did was Home Alone. So he'd just

1558
01:20:31.000 --> 01:20:32.960
<v Speaker 11>done that a little earlier. It would have been a

1559
01:20:33.079 --> 01:20:36.760
<v Speaker 11>Universal movie. But we always loved dust to dust, love

1560
01:20:36.800 --> 01:20:40.359
<v Speaker 11>the script, and so we asked him if we could

1561
01:20:40.800 --> 01:20:42.960
<v Speaker 11>get it back and take it around and try and

1562
01:20:43.000 --> 01:20:44.880
<v Speaker 11>set it up. And he said, yeah, but yes you can,

1563
01:20:44.960 --> 01:20:48.399
<v Speaker 11>but not officially attached to this, so you can't use

1564
01:20:48.399 --> 01:20:50.640
<v Speaker 11>my name to set it up where you have to

1565
01:20:50.640 --> 01:20:54.039
<v Speaker 11>pay me my dolls. Like, we just saved a million

1566
01:20:54.119 --> 01:20:59.079
<v Speaker 11>dollars on the budget. So we took it every mike.

1567
01:20:59.439 --> 01:21:03.359
<v Speaker 11>We took it every everywhere, and then everywhere else. I

1568
01:21:03.399 --> 01:21:06.960
<v Speaker 11>think it's turned down at least twice by everybody. And

1569
01:21:07.000 --> 01:21:10.560
<v Speaker 11>to the point we thought if we'd read what happens

1570
01:21:10.600 --> 01:21:15.359
<v Speaker 11>typically is a studio has coverage where they get a

1571
01:21:15.399 --> 01:21:18.640
<v Speaker 11>script and there's a whole department where they'll read it

1572
01:21:19.039 --> 01:21:21.640
<v Speaker 11>and someone will write down a synopsis of what it

1573
01:21:21.720 --> 01:21:24.319
<v Speaker 11>was and whether they recommend it or not. Those are

1574
01:21:24.359 --> 01:21:27.279
<v Speaker 11>the gatekeepers, the people who write coverage, because they could

1575
01:21:27.399 --> 01:21:32.000
<v Speaker 11>kill your script right of that. Boy they did. They

1576
01:21:32.319 --> 01:21:34.880
<v Speaker 11>constantly killed them. We got things like this is the

1577
01:21:35.000 --> 01:21:38.920
<v Speaker 11>stupidest thing hello, So we changed that. We've sent it

1578
01:21:38.920 --> 01:21:41.600
<v Speaker 11>out again, and we changed the title. We had two

1579
01:21:41.680 --> 01:21:45.479
<v Speaker 11>other titles. We had go West, which isn't hilarious but

1580
01:21:46.039 --> 01:21:50.159
<v Speaker 11>it's obvious, and then A Power Tool Is Not a Toy,

1581
01:21:50.880 --> 01:21:54.560
<v Speaker 11>which was a song by a group they were called

1582
01:21:54.560 --> 01:21:57.319
<v Speaker 11>the Americans or something, or it makes them sound like

1583
01:21:57.399 --> 01:21:59.960
<v Speaker 11>up with people, so it had those they catch up.

1584
01:22:00.479 --> 01:22:02.720
<v Speaker 11>So didn't we get this when it was called du

1585
01:22:02.920 --> 01:22:05.960
<v Speaker 11>dumb and Dummer and then there was one, but we kept,

1586
01:22:06.000 --> 01:22:10.000
<v Speaker 11>we wouldn't stop. We were indefatigable, a word I love

1587
01:22:10.640 --> 01:22:14.279
<v Speaker 11>because it's so many syllables. And at one point this

1588
01:22:14.399 --> 01:22:19.640
<v Speaker 11>little company called the Motion Picture Corporation of America, which

1589
01:22:19.720 --> 01:22:23.680
<v Speaker 11>was to producer Steven Stabler and Brad Kervoy. They've read

1590
01:22:23.720 --> 01:22:26.920
<v Speaker 11>it and oh the reason why also got what's getting

1591
01:22:26.920 --> 01:22:29.520
<v Speaker 11>turned down was that we were attaching Pete as the director,

1592
01:22:29.600 --> 01:22:32.439
<v Speaker 11>like we said, let's And by the way, our agent

1593
01:22:32.520 --> 01:22:35.720
<v Speaker 11>at the time was a gentleman named Richard Lovett at

1594
01:22:35.800 --> 01:22:38.680
<v Speaker 11>Richard love It is now the head of creative Artists.

1595
01:22:38.680 --> 01:22:41.960
<v Speaker 11>At the time he was just like a junior agent

1596
01:22:42.039 --> 01:22:46.680
<v Speaker 11>coming up assigned. These two idiots are three. At that point,

1597
01:22:46.960 --> 01:22:49.560
<v Speaker 11>the thief Stabler and Radvoy thought it was hysterical. They

1598
01:22:49.560 --> 01:22:52.000
<v Speaker 11>were like, this is what they were, the very low

1599
01:22:52.000 --> 01:22:56.000
<v Speaker 11>budgety kind of thing. But once they had made that

1600
01:22:56.239 --> 01:22:58.840
<v Speaker 11>once they said we will do it with them, and

1601
01:22:58.920 --> 01:23:02.039
<v Speaker 11>they were thinking low budget at that point. I don't

1602
01:23:02.119 --> 01:23:06.359
<v Speaker 11>remember how New Line ended up getting reading dumb and dubber.

1603
01:23:06.640 --> 01:23:11.279
<v Speaker 11>But New Line had just made the mask with Jim Carrey,

1604
01:23:12.199 --> 01:23:14.720
<v Speaker 11>and they read dumb and dumber, and somehow Jim got it.

1605
01:23:15.279 --> 01:23:18.239
<v Speaker 11>I loved it. I just thought it was hysterical. And

1606
01:23:18.279 --> 01:23:21.520
<v Speaker 11>so New Line heard the Most Picture Corporation was going

1607
01:23:21.600 --> 01:23:24.640
<v Speaker 11>to do it, and they said, we'll co produce it

1608
01:23:24.680 --> 01:23:27.920
<v Speaker 11>with Most of Picture Corporation and that created the momentum

1609
01:23:28.000 --> 01:23:28.800
<v Speaker 11>to make it happen.

1610
01:23:29.399 --> 01:23:31.640
<v Speaker 5>What was that version of the script like at this point?

1611
01:23:32.319 --> 01:23:35.520
<v Speaker 11>Very similar to what was on the screen, Very similar,

1612
01:23:36.600 --> 01:23:38.159
<v Speaker 11>only really big difference.

1613
01:23:38.640 --> 01:23:39.199
<v Speaker 4>We didn't do it.

1614
01:23:39.359 --> 01:23:43.159
<v Speaker 11>We didn't do a lot of rewriting production we had to.

1615
01:23:43.640 --> 01:23:46.520
<v Speaker 11>We had a different ending in the script which we shot.

1616
01:23:46.640 --> 01:23:50.119
<v Speaker 11>We actually shot it. I don't know though it's an

1617
01:23:50.159 --> 01:23:52.760
<v Speaker 11>extra on any of the but we had a different

1618
01:23:52.880 --> 01:23:56.479
<v Speaker 11>ending and preview it and it previewed great. The ending

1619
01:23:56.600 --> 01:24:00.479
<v Speaker 11>was just it wasn't funny like they so the whole

1620
01:24:00.560 --> 01:24:04.880
<v Speaker 11>ending with them and the Swedish wrestling team is that

1621
01:24:05.000 --> 01:24:08.880
<v Speaker 11>was the new ending, which was thank goodness because it

1622
01:24:08.960 --> 01:24:12.479
<v Speaker 11>was so much better. But it was very similar. You

1623
01:24:12.520 --> 01:24:16.039
<v Speaker 11>read the production draft or the script was the actual

1624
01:24:16.479 --> 01:24:20.319
<v Speaker 11>shooting draft, you would very similar. There are things that

1625
01:24:20.600 --> 01:24:26.039
<v Speaker 11>there are improvised things too, not Pete Bobby and Pete

1626
01:24:26.039 --> 01:24:29.039
<v Speaker 11>Bobby co directed it. Technically, I don't know if I

1627
01:24:29.079 --> 01:24:31.680
<v Speaker 11>should be saying that, but it's Peter on the screen.

1628
01:24:31.720 --> 01:24:34.239
<v Speaker 11>But it's very much the way the Zucker brothers gave

1629
01:24:34.279 --> 01:24:36.239
<v Speaker 11>them a crash course and how they do it. One

1630
01:24:36.239 --> 01:24:37.920
<v Speaker 11>of them is on the set with the actors, the

1631
01:24:37.920 --> 01:24:42.560
<v Speaker 11>other one is back on the monitor video village. They

1632
01:24:42.600 --> 01:24:47.159
<v Speaker 11>would always shoot the script and then if Jim or

1633
01:24:47.279 --> 01:24:51.359
<v Speaker 11>Jeff had a suggestion, they would suggest it, they'd shoot that.

1634
01:24:51.520 --> 01:24:55.680
<v Speaker 11>They'd always pay deference to them. There were a few

1635
01:24:55.720 --> 01:24:59.279
<v Speaker 11>things that we sat down with Jeff and with Jim

1636
01:24:59.319 --> 01:25:01.600
<v Speaker 11>and he said, I would love to do this in

1637
01:25:01.600 --> 01:25:04.920
<v Speaker 11>a movie, and we put it in. Things like he

1638
01:25:05.000 --> 01:25:09.359
<v Speaker 11>wanted to do like the most the weirdest kiss, romantic

1639
01:25:09.439 --> 01:25:11.920
<v Speaker 11>kiss in a movie, So we threw that in. So

1640
01:25:11.960 --> 01:25:15.000
<v Speaker 11>we threw some stuff in before we shot. Yeah, they

1641
01:25:15.039 --> 01:25:18.800
<v Speaker 11>would also do an improv take. Especially Jim was like,

1642
01:25:18.920 --> 01:25:21.399
<v Speaker 11>I got an idea, let's do it. And so there's

1643
01:25:21.439 --> 01:25:24.640
<v Speaker 11>a few of those in the movie too. Yeah, And

1644
01:25:24.680 --> 01:25:29.319
<v Speaker 11>weirdly enough, what I've read online is being the most

1645
01:25:29.720 --> 01:25:34.000
<v Speaker 11>popular line from the movie. We didn't write it. It's

1646
01:25:34.039 --> 01:25:36.720
<v Speaker 11>not even funny. And it is the line where they

1647
01:25:36.720 --> 01:25:42.319
<v Speaker 11>were shooting out outside of the seven levels and there's

1648
01:25:42.399 --> 01:25:45.680
<v Speaker 11>the gas station mini mart, and there were these two

1649
01:25:45.680 --> 01:25:49.760
<v Speaker 11>guys off on the side just slurping on some slurpy,

1650
01:25:49.920 --> 01:25:53.840
<v Speaker 11>some big gulps, and people say, hey, get in the picture,

1651
01:25:54.000 --> 01:25:58.000
<v Speaker 11>go stand by the door and Drake. And the end,

1652
01:25:58.439 --> 01:26:02.319
<v Speaker 11>Jim comes out and goes, oh, big golfs. That's the

1653
01:26:02.319 --> 01:26:06.840
<v Speaker 11>most popular line movie. And we did not write that line.

1654
01:26:06.920 --> 01:26:11.439
<v Speaker 11>That line just happened. It's not even funny, but it's

1655
01:26:11.560 --> 01:26:16.079
<v Speaker 11>apparently it's People think that's the essence of the addedness.

1656
01:26:16.960 --> 01:26:20.159
<v Speaker 5>Is it true that they really low balled the studio,

1657
01:26:20.239 --> 01:26:23.239
<v Speaker 5>low bald Jeff Daniels to keep him out of the movie.

1658
01:26:23.720 --> 01:26:28.319
<v Speaker 11>Well, yeah, they weren't enthusiastic, but they wanted another comedian

1659
01:26:29.119 --> 01:26:33.079
<v Speaker 11>and they pitched everybody because they they just thought in

1660
01:26:33.119 --> 01:26:36.760
<v Speaker 11>their minds, Jim Carrey is funny. Let's get another funny person.

1661
01:26:37.520 --> 01:26:40.119
<v Speaker 11>And they did lowball him. Not only do they love ball,

1662
01:26:40.239 --> 01:26:43.520
<v Speaker 11>but his management didn't want him to do it. I

1663
01:26:43.520 --> 01:26:47.199
<v Speaker 11>remember nobody. Well, the reason that Jeff Daniels is in

1664
01:26:47.279 --> 01:26:50.239
<v Speaker 11>that movie and he's the greatest guy is because he's

1665
01:26:50.279 --> 01:26:52.680
<v Speaker 11>the greatest guy and he wanted to do it, and

1666
01:26:52.720 --> 01:26:55.479
<v Speaker 11>they thought it would be funny and and but I

1667
01:26:55.479 --> 01:26:59.560
<v Speaker 11>remember the very first we had. The first cut was long.

1668
01:26:59.640 --> 01:27:04.039
<v Speaker 11>It was like two hours forty minutes. Is that long? Yeah?

1669
01:27:04.159 --> 01:27:06.479
<v Speaker 11>And now at least an hour more than it is now.

1670
01:27:07.079 --> 01:27:11.159
<v Speaker 11>And I'm sitting next to Jeff Daniels manager and the

1671
01:27:11.239 --> 01:27:15.399
<v Speaker 11>toilet scene which was longer too, that comes on and

1672
01:27:15.680 --> 01:27:20.600
<v Speaker 11>turned to him and I swear it's blanched. He was white,

1673
01:27:21.119 --> 01:27:23.479
<v Speaker 11>and he said you're going to cut that, aren't you?

1674
01:27:24.239 --> 01:27:27.079
<v Speaker 11>And he said, oh, I said it's all gone. I'm sure.

1675
01:27:28.119 --> 01:27:32.479
<v Speaker 11>But yeah, they did low. They did want Jeff and everybody.

1676
01:27:32.479 --> 01:27:37.520
<v Speaker 11>They were pitching us, everybody from Sinbad. And we are thinking,

1677
01:27:37.760 --> 01:27:43.600
<v Speaker 11>was we knew Jim was hilarious, and we wanted an actor.

1678
01:27:44.479 --> 01:27:48.520
<v Speaker 11>We love Jeff Daniels. We had seen Something Wild, that

1679
01:27:48.680 --> 01:27:51.319
<v Speaker 11>Jonathan Demi movie, and the first half of Something Wild

1680
01:27:51.800 --> 01:27:56.479
<v Speaker 11>is really a comedy almost, it's definitely a comedy. We

1681
01:27:56.600 --> 01:28:00.319
<v Speaker 11>just thought his reactions to being in this world he

1682
01:28:00.359 --> 01:28:03.479
<v Speaker 11>gets pulled into this crazy with this by this crazy girl,

1683
01:28:04.119 --> 01:28:07.159
<v Speaker 11>was so funny, and we just knew he'd be funny.

1684
01:28:07.640 --> 01:28:10.560
<v Speaker 11>We knew he would, and we also thought he would

1685
01:28:10.720 --> 01:28:15.279
<v Speaker 11>pull Jeff into he Jeff would do less stick. At

1686
01:28:15.319 --> 01:28:18.199
<v Speaker 11>this point, I had just seen I remember when I

1687
01:28:18.319 --> 01:28:22.359
<v Speaker 11>met not Jeff, Jim would. When I met Jim, I

1688
01:28:22.399 --> 01:28:25.960
<v Speaker 11>had seen ace Ventura that day, so I met him

1689
01:28:26.039 --> 01:28:29.960
<v Speaker 11>later that day. That that evening, I was watching a Ventura.

1690
01:28:30.239 --> 01:28:34.880
<v Speaker 11>What the hell is he like? It's so extreme? Every

1691
01:28:35.119 --> 01:28:37.840
<v Speaker 11>line and every that was what he wanted to do

1692
01:28:37.880 --> 01:28:41.199
<v Speaker 11>with that character. Then I was thinking, I honestly was thinking,

1693
01:28:41.239 --> 01:28:45.640
<v Speaker 11>like I just I don't know. Could he be Lloyd?

1694
01:28:46.439 --> 01:28:48.359
<v Speaker 11>The first thing he said when I met him, he

1695
01:28:48.880 --> 01:28:52.199
<v Speaker 11>shook his hand and invited us into this place, and

1696
01:28:52.239 --> 01:28:54.520
<v Speaker 11>they said, I just want to assure you I am

1697
01:28:54.600 --> 01:28:59.319
<v Speaker 11>not doing ace Ventur in this movie. And I was like, oh,

1698
01:28:59.359 --> 01:29:03.439
<v Speaker 11>thank god. And he didn't doing a whole other character,

1699
01:29:04.159 --> 01:29:07.640
<v Speaker 11>and thank goodness. I really think having Jeff Daniels there

1700
01:29:08.279 --> 01:29:12.359
<v Speaker 11>balanced them perfectly in many respects. Jeff gets the biggest

1701
01:29:12.600 --> 01:29:16.000
<v Speaker 11>laughs in the movie if you really think about it,

1702
01:29:16.079 --> 01:29:18.199
<v Speaker 11>He gets the toilets, and he gets some of the

1703
01:29:18.199 --> 01:29:21.079
<v Speaker 11>biggest last well even more so maybe than Jim does.

1704
01:29:21.119 --> 01:29:25.760
<v Speaker 11>But Jim was It was such a perfect The stars aligned.

1705
01:29:25.800 --> 01:29:28.079
<v Speaker 11>What can I tell you? They truly did. We were

1706
01:29:28.119 --> 01:29:31.520
<v Speaker 11>so lucky on it. We were blessed.

1707
01:29:32.119 --> 01:29:34.479
<v Speaker 5>This is a really dumb question, but where did Lloyd

1708
01:29:34.640 --> 01:29:36.399
<v Speaker 5>Christmas the name come from.

1709
01:29:37.039 --> 01:29:40.119
<v Speaker 11>I don't remember where Lloyd Christmas came from, except that

1710
01:29:40.880 --> 01:29:44.800
<v Speaker 11>we wanted if her name was married. In his mind,

1711
01:29:44.880 --> 01:29:47.760
<v Speaker 11>if they got married, she would be married Christmas. That

1712
01:29:47.880 --> 01:29:51.720
<v Speaker 11>was we wanted that. But I don't remember how Lloyd

1713
01:29:51.800 --> 01:29:56.239
<v Speaker 11>came up. We actually knew a Harry Dunn. He was

1714
01:29:56.279 --> 01:29:59.199
<v Speaker 11>a journalist and I think Pete called them up and said, hey,

1715
01:29:59.279 --> 01:30:02.119
<v Speaker 11>can we use your name for character? And he said, yeah,

1716
01:30:02.239 --> 01:30:04.479
<v Speaker 11>that's why the last name was Christmas.

1717
01:30:05.000 --> 01:30:10.920
<v Speaker 5>The Street performers Mike Starr, Duff, Charles Rocket. Charles Rocket

1718
01:30:11.159 --> 01:30:12.159
<v Speaker 5>was a national treasure.

1719
01:30:12.760 --> 01:30:16.159
<v Speaker 11>By the way, Duff, that part was written originally for

1720
01:30:17.039 --> 01:30:20.319
<v Speaker 11>a male and we didn't change any lines or anything

1721
01:30:20.319 --> 01:30:23.640
<v Speaker 11>like that. They just cast stuff instead, which was great.

1722
01:30:24.319 --> 01:30:27.119
<v Speaker 11>You can do that with scripts. He lucked out and

1723
01:30:27.199 --> 01:30:30.000
<v Speaker 11>everyone got into the spirit of it. It's when you

1724
01:30:30.039 --> 01:30:35.119
<v Speaker 11>think about how weird it was forever for them to

1725
01:30:35.199 --> 01:30:39.680
<v Speaker 11>do it and take two guys who never directed before

1726
01:30:40.359 --> 01:30:46.079
<v Speaker 11>directing their first screenplay starring. By the time when Jim

1727
01:30:46.159 --> 01:30:49.880
<v Speaker 11>did it, he was on the rise. So this was

1728
01:30:49.920 --> 01:30:52.560
<v Speaker 11>the third movie he shot that ended up being released

1729
01:30:52.560 --> 01:30:55.640
<v Speaker 11>in ninety four. A Spentaur came out in ninety four

1730
01:30:56.159 --> 01:31:00.680
<v Speaker 11>begging it. Now, he's a superstar time he made it,

1731
01:31:01.319 --> 01:31:03.800
<v Speaker 11>he wasn't. I was like it was O, the guy

1732
01:31:03.800 --> 01:31:06.479
<v Speaker 11>from in Living Color. None of those had come out.

1733
01:31:06.960 --> 01:31:10.800
<v Speaker 11>So the fact that everyone said let's do this movie,

1734
01:31:11.000 --> 01:31:13.960
<v Speaker 11>that we're going over to Utah to shoot Crack of Ridge,

1735
01:31:14.000 --> 01:31:17.279
<v Speaker 11>Colorado and let these two guys have never direginate that,

1736
01:31:17.680 --> 01:31:21.319
<v Speaker 11>there's a lot of respects. It's aligned similarly to I

1737
01:31:21.359 --> 01:31:25.359
<v Speaker 11>think to the the Zuckers and a Airplane. I don't

1738
01:31:25.359 --> 01:31:27.760
<v Speaker 11>want to rule out Jim too yet, Jim Abrams, but

1739
01:31:28.960 --> 01:31:31.600
<v Speaker 11>they never direcd it before, and this is their first

1740
01:31:31.640 --> 01:31:35.880
<v Speaker 11>screenplay if you don't count Kentucky forright movie. Yet everyone

1741
01:31:35.920 --> 01:31:38.399
<v Speaker 11>got into the spirit of it once they figured out

1742
01:31:38.399 --> 01:31:40.359
<v Speaker 11>what was going on, and they got into the spirit

1743
01:31:40.399 --> 01:31:42.960
<v Speaker 11>of it, and the script with the script spoke for itself.

1744
01:31:43.680 --> 01:31:47.159
<v Speaker 5>And I remember in ninety four Carrie was everywhere in

1745
01:31:47.199 --> 01:31:50.319
<v Speaker 5>that movie, all three of them, but especially Dumb and Dumber.

1746
01:31:50.560 --> 01:31:53.319
<v Speaker 5>It was huge, absolutely huge.

1747
01:31:53.880 --> 01:31:56.199
<v Speaker 11>Because we were number three in line and I remember

1748
01:31:56.760 --> 01:32:00.000
<v Speaker 11>going to the theaters to see because Dumb was really

1749
01:32:00.159 --> 01:32:02.640
<v Speaker 11>by Neil Line, and so is the Mask and so

1750
01:32:02.680 --> 01:32:06.479
<v Speaker 11>they attacked a Dumb and Dumber trailer onto the Mask

1751
01:32:06.640 --> 01:32:09.720
<v Speaker 11>before the Mask started, and I'd go to theaters to

1752
01:32:09.800 --> 01:32:14.159
<v Speaker 11>watch the audience react to the trailer and it'd be roaring,

1753
01:32:14.359 --> 01:32:18.439
<v Speaker 11>and I'd be like, it's possible. Could we possibly be

1754
01:32:18.520 --> 01:32:20.760
<v Speaker 11>a hit? Yeah, it's gonna happen. I'm like, but they

1755
01:32:20.760 --> 01:32:23.399
<v Speaker 11>can't know. That's not the way the business works. You

1756
01:32:23.439 --> 01:32:26.079
<v Speaker 11>can't predict things. And don't even think that, and stop

1757
01:32:26.119 --> 01:32:31.119
<v Speaker 11>being so certain, Bennett. It's and again, we were so lucky,

1758
01:32:31.399 --> 01:32:34.000
<v Speaker 11>not just lucky about it being the hit that it was,

1759
01:32:34.319 --> 01:32:37.960
<v Speaker 11>the financial that it was at the time, but think

1760
01:32:38.000 --> 01:32:42.000
<v Speaker 11>of all the movies that are classic, that are great,

1761
01:32:42.039 --> 01:32:46.159
<v Speaker 11>classic movies that get forgotten. They come out and then

1762
01:32:46.439 --> 01:32:50.520
<v Speaker 11>time marches on, and somehow, I don't know how it happened,

1763
01:32:50.640 --> 01:32:54.840
<v Speaker 11>and nothing to do with us, Dumb and Dumber got

1764
01:32:55.079 --> 01:32:59.640
<v Speaker 11>became part of the zeitgeist. Really. It's definitely a cult

1765
01:32:59.720 --> 01:33:03.119
<v Speaker 11>hit favorite. And the lines from it which come up

1766
01:33:04.159 --> 01:33:07.680
<v Speaker 11>all the time, you can't make that happen. That's just

1767
01:33:07.800 --> 01:33:12.600
<v Speaker 11>something that just happens. It happens culturally. It's amazing to

1768
01:33:12.640 --> 01:33:15.960
<v Speaker 11>me that just occurred to me, like cult and cultural.

1769
01:33:16.560 --> 01:33:18.359
<v Speaker 11>I didn't I never thought of the two, that those

1770
01:33:18.399 --> 01:33:24.000
<v Speaker 11>two things are the same, but we're It blows my mind,

1771
01:33:24.680 --> 01:33:27.119
<v Speaker 11>it really does. You can't make it happen.

1772
01:33:27.760 --> 01:33:32.760
<v Speaker 5>It isn't just pratfalls and like the toilet scene and

1773
01:33:32.800 --> 01:33:36.239
<v Speaker 5>all that, but you've got all of the wordplay. I

1774
01:33:36.319 --> 01:33:40.159
<v Speaker 5>just love how fast everything is paced throughout the entire thing,

1775
01:33:40.199 --> 01:33:42.880
<v Speaker 5>and that you have those multiple levels of comedy happening.

1776
01:33:43.399 --> 01:33:46.720
<v Speaker 11>It's a solid screenplay. The thing about it, you could

1777
01:33:46.760 --> 01:33:52.439
<v Speaker 11>say it's called dumb, and we're telling you we're not

1778
01:33:52.560 --> 01:33:56.600
<v Speaker 11>trying to pull in the wool over your head. It's stupid,

1779
01:33:57.119 --> 01:34:00.000
<v Speaker 11>but it's a kind of a smart. It's a smart stupid.

1780
01:34:00.279 --> 01:34:04.880
<v Speaker 11>I'll definitely say that structured. There's nothing easier. I wouldn't

1781
01:34:04.920 --> 01:34:08.159
<v Speaker 11>say easier. There's nothing. If you're going to do a movie,

1782
01:34:08.880 --> 01:34:12.560
<v Speaker 11>make it a road movie, because already you have this

1783
01:34:13.000 --> 01:34:17.960
<v Speaker 11>incredibly strong spine. It's there's a journey and then there's

1784
01:34:18.000 --> 01:34:21.800
<v Speaker 11>a destination, and that's the spine on which you're hanging everything,

1785
01:34:21.840 --> 01:34:25.640
<v Speaker 11>and it's you can't go wrong downb with Delver two.

1786
01:34:26.159 --> 01:34:27.880
<v Speaker 11>After we made it, we looked at each other and said,

1787
01:34:27.960 --> 01:34:35.279
<v Speaker 11>did we just basically remain that's them. They're supposed to

1788
01:34:35.319 --> 01:34:39.600
<v Speaker 11>be on taking another journey going somebody. It'd be silly

1789
01:34:39.600 --> 01:34:43.239
<v Speaker 11>if it wasn't that. But yeah, the road structure. And

1790
01:34:43.439 --> 01:34:46.119
<v Speaker 11>by the way, I didn't hear this until I started

1791
01:34:46.159 --> 01:34:51.119
<v Speaker 11>mentioning it on podcasts. We very deliberately designed to be

1792
01:34:51.199 --> 01:34:55.119
<v Speaker 11>an homage to the Bing Crosby Bob Hope road movies.

1793
01:34:55.479 --> 01:34:59.760
<v Speaker 11>Down to this always happened in those movies. The dynamic

1794
01:35:00.399 --> 01:35:04.720
<v Speaker 11>there they're smiling at each other and backstabbing each other

1795
01:35:04.760 --> 01:35:08.960
<v Speaker 11>for Dorothy Lamore simultaneously. That's that was a direct steal

1796
01:35:09.680 --> 01:35:13.439
<v Speaker 11>from the Road to Looby's. There you go. There's a

1797
01:35:13.479 --> 01:35:14.880
<v Speaker 11>spoiler alert where.

1798
01:35:16.239 --> 01:35:18.520
<v Speaker 5>So after Dummen Dummer comes out, what does it do

1799
01:35:18.680 --> 01:35:19.039
<v Speaker 5>for you?

1800
01:35:19.680 --> 01:35:22.560
<v Speaker 11>That's a good question. I still had to wait in

1801
01:35:22.640 --> 01:35:26.399
<v Speaker 11>line everywhere I went, even at the gas station. You'd

1802
01:35:26.439 --> 01:35:29.760
<v Speaker 11>think they'd say, mister Yellen, come on out, No, we

1803
01:35:29.800 --> 01:35:33.279
<v Speaker 11>don't want your credit card. Gave me a career, and

1804
01:35:33.439 --> 01:35:37.840
<v Speaker 11>career that I that, thank goodness, continues to this day.

1805
01:35:38.520 --> 01:35:42.279
<v Speaker 11>Although I consider myself semi retired now, although I do

1806
01:35:42.399 --> 01:35:46.439
<v Speaker 11>have my full time job now is picketing, which I

1807
01:35:46.439 --> 01:35:50.119
<v Speaker 11>don't do full time, but several hours a week left

1808
01:35:50.119 --> 01:35:52.520
<v Speaker 11>the partnership, and that was nothing to do with Peter

1809
01:35:52.600 --> 01:35:56.520
<v Speaker 11>and Bobby. They were incredibly great partners that had everything

1810
01:35:56.520 --> 01:35:58.319
<v Speaker 11>to do with me and where I was in my

1811
01:35:58.399 --> 01:35:59.880
<v Speaker 11>life and where I was going through I was going

1812
01:36:00.119 --> 01:36:05.279
<v Speaker 11>I was wrestling with all sorts of dark things, and

1813
01:36:05.319 --> 01:36:08.640
<v Speaker 11>as a result not maybe not necessarily making the best choices,

1814
01:36:09.520 --> 01:36:13.720
<v Speaker 11>meaning leaving the partnership to move across the country, things

1815
01:36:13.760 --> 01:36:16.880
<v Speaker 11>like that. But I came back, and I've always worked

1816
01:36:16.880 --> 01:36:20.000
<v Speaker 11>with partners. I always I love to co I love

1817
01:36:20.079 --> 01:36:23.159
<v Speaker 11>to be a part in a partnership. I like to

1818
01:36:23.159 --> 01:36:26.560
<v Speaker 11>be on a team, like to be like a kind

1819
01:36:26.560 --> 01:36:29.159
<v Speaker 11>of a writer's You sit around and everyone's pitching and

1820
01:36:29.199 --> 01:36:32.920
<v Speaker 11>throwing ideas and you've got I like being gear in

1821
01:36:32.960 --> 01:36:38.319
<v Speaker 11>the machinery. It's so much fun. Also, the pressures, it's

1822
01:36:38.359 --> 01:36:41.720
<v Speaker 11>not all on you to creates. There's so much more

1823
01:36:41.840 --> 01:36:45.720
<v Speaker 11>fun than throwing things back and forth. And you're also

1824
01:36:46.079 --> 01:36:49.079
<v Speaker 11>when you're in a partnership, you're hanging out with your friend.

1825
01:36:49.760 --> 01:36:52.279
<v Speaker 11>Imagine hanging out. Your job is to hang out with

1826
01:36:52.319 --> 01:36:55.239
<v Speaker 11>your friend and create something that's just so much fun

1827
01:36:55.279 --> 01:36:59.000
<v Speaker 11>to think about. So I've always worked with partners. I've

1828
01:36:59.239 --> 01:37:02.880
<v Speaker 11>ever had a problem finding one. But it's interesting because

1829
01:37:03.520 --> 01:37:07.880
<v Speaker 11>it's in finding asking each person I asked in my

1830
01:37:08.000 --> 01:37:11.399
<v Speaker 11>life in different ways. That's why I ask them, do

1831
01:37:11.439 --> 01:37:15.600
<v Speaker 11>you really have to have it asked? Work instantly? There's

1832
01:37:15.640 --> 01:37:20.720
<v Speaker 11>no time to see if you guys don't work. It

1833
01:37:20.760 --> 01:37:23.279
<v Speaker 11>has to work. It's like a marriage that has to

1834
01:37:23.319 --> 01:37:27.399
<v Speaker 11>be perfect right off the bat, because that's how you're

1835
01:37:27.399 --> 01:37:30.359
<v Speaker 11>going to make your money. That's career, that's your life.

1836
01:37:30.520 --> 01:37:34.720
<v Speaker 11>And maybe I'm not giving myself enough credit for being

1837
01:37:34.760 --> 01:37:37.119
<v Speaker 11>a collaborator, but because I don't have a much of

1838
01:37:37.159 --> 01:37:39.159
<v Speaker 11>an ego when it comes to it, I really don't.

1839
01:37:39.319 --> 01:37:44.239
<v Speaker 11>It's what makes the product, the project best. And if

1840
01:37:44.600 --> 01:37:46.920
<v Speaker 11>pitch something that's not good and you're saying, no, I'm

1841
01:37:46.920 --> 01:37:49.319
<v Speaker 11>not crazy about that, I don't take I never take

1842
01:37:49.359 --> 01:37:53.680
<v Speaker 11>that personally. Just we move on. I just had a

1843
01:37:53.760 --> 01:37:57.600
<v Speaker 11>career of with different writing partners and managed to and

1844
01:37:57.640 --> 01:38:00.960
<v Speaker 11>I think there's no question that being one of the

1845
01:38:00.960 --> 01:38:03.560
<v Speaker 11>people who co wrote doumb and Dummer has got me

1846
01:38:03.720 --> 01:38:08.239
<v Speaker 11>indoors and got people look at the work that I

1847
01:38:08.319 --> 01:38:12.359
<v Speaker 11>do as a part of a team. They look upon it.

1848
01:38:12.359 --> 01:38:15.560
<v Speaker 11>It's got me jobs. We'd love to get the co

1849
01:38:15.600 --> 01:38:19.039
<v Speaker 11>writer of Domen Daher on this project. There's no question

1850
01:38:19.279 --> 01:38:22.479
<v Speaker 11>it's had that sort of positive effect on me. There's

1851
01:38:22.520 --> 01:38:26.600
<v Speaker 11>nothing negative about it whatsoever. It's funny because I'm talking

1852
01:38:26.600 --> 01:38:28.560
<v Speaker 11>to something. I meet someone, I don't know them, I'm

1853
01:38:28.560 --> 01:38:31.720
<v Speaker 11>talking with them. I don't ever lead with domin Daha.

1854
01:38:32.239 --> 01:38:35.600
<v Speaker 11>That will come later if that's where the conversation goes, maybe,

1855
01:38:35.880 --> 01:38:38.359
<v Speaker 11>but a point where it may what do you do?

1856
01:38:38.439 --> 01:38:41.319
<v Speaker 11>I'm a writer? What kind of usually someone does? What

1857
01:38:41.359 --> 01:38:45.399
<v Speaker 11>do you ride like horses? No writer? A writer? Not

1858
01:38:45.479 --> 01:38:48.840
<v Speaker 11>a writer? And then what do you write? Entertainment? So

1859
01:38:49.479 --> 01:38:51.880
<v Speaker 11>film and I've done a little bit of television, Okay,

1860
01:38:51.920 --> 01:38:53.600
<v Speaker 11>what do you think? The next question is am I

1861
01:38:53.680 --> 01:38:56.600
<v Speaker 11>seeing anything you've done? Now? At this point, I know

1862
01:38:56.920 --> 01:39:00.199
<v Speaker 11>we are like the Robert Frost We are at that

1863
01:39:00.560 --> 01:39:06.000
<v Speaker 11>the two roads, and you may have one of them

1864
01:39:06.119 --> 01:39:08.119
<v Speaker 11>was a pretty pretty popular movie. Did you see Dom

1865
01:39:08.199 --> 01:39:11.560
<v Speaker 11>and Dumber? At that point, either somebody goes, oh I

1866
01:39:11.600 --> 01:39:14.800
<v Speaker 11>love DuMond Dumber or oh, Mike, little brothers it's always

1867
01:39:14.840 --> 01:39:18.640
<v Speaker 11>a little brother, my little brother's favorite movie, or it's

1868
01:39:18.920 --> 01:39:21.600
<v Speaker 11>oh yeah, no, I didn't see that. Not really a

1869
01:39:21.600 --> 01:39:25.920
<v Speaker 11>big Jim Carrey fan. Then then it's that conversation kind

1870
01:39:25.920 --> 01:39:28.560
<v Speaker 11>of ends because what and then if it keeps going

1871
01:39:28.800 --> 01:39:32.479
<v Speaker 11>on the plus side, did you also get Oh, that's great,

1872
01:39:32.479 --> 01:39:35.039
<v Speaker 11>and what else have you done? I'm like, well, I mean,

1873
01:39:35.119 --> 01:39:38.159
<v Speaker 11>really that was the most I've done other things, but

1874
01:39:38.239 --> 01:39:41.359
<v Speaker 11>that's the one that is the most famous. I don't

1875
01:39:41.359 --> 01:39:45.600
<v Speaker 11>have anyone that's more famous than that. I'm sorry. I'll

1876
01:39:45.640 --> 01:39:47.600
<v Speaker 11>come back to you at the end of my career.

1877
01:39:48.159 --> 01:39:52.079
<v Speaker 11>But no. But there's no question that being involved with

1878
01:39:52.079 --> 01:39:56.479
<v Speaker 11>it has had nothing but a positive effect on my life.

1879
01:39:56.640 --> 01:39:59.880
<v Speaker 11>When Panna Barbara, I think it was NBC was developing

1880
01:40:00.680 --> 01:40:04.319
<v Speaker 11>an animated show series of Duvin Tower, came to us

1881
01:40:04.319 --> 01:40:07.079
<v Speaker 11>and said, you guys want to be involved, and Pete

1882
01:40:07.079 --> 01:40:09.520
<v Speaker 11>and Bobby said, Ben, why don't you? Why don't you

1883
01:40:09.880 --> 01:40:13.319
<v Speaker 11>like being get involved in it? And I said, all right, look,

1884
01:40:13.640 --> 01:40:17.079
<v Speaker 11>and they dropped me in, really in the position of

1885
01:40:17.199 --> 01:40:20.600
<v Speaker 11>the show runner. I had never at that point hadn't

1886
01:40:20.880 --> 01:40:23.800
<v Speaker 11>been on a TV show at all. I didn't even

1887
01:40:23.840 --> 01:40:25.359
<v Speaker 11>know what a show were I I'd never been in

1888
01:40:25.399 --> 01:40:28.000
<v Speaker 11>a writer's room, and they dropped me into this position

1889
01:40:28.039 --> 01:40:30.399
<v Speaker 11>that I was Mike when I say it was not

1890
01:40:30.520 --> 01:40:34.640
<v Speaker 11>qualified for this. It would be like taking a writer

1891
01:40:34.920 --> 01:40:40.279
<v Speaker 11>and making them a surgeon. That's so I struggled as

1892
01:40:40.279 --> 01:40:43.000
<v Speaker 11>long as I could before I got myself out of

1893
01:40:43.079 --> 01:40:47.079
<v Speaker 11>that situation. To this day feel terrible about being knowing

1894
01:40:47.119 --> 01:40:49.800
<v Speaker 11>I was the wrong person in the wrong place. But

1895
01:40:50.359 --> 01:40:52.560
<v Speaker 11>that was the most negative thing that ever happened as

1896
01:40:52.560 --> 01:40:55.319
<v Speaker 11>a result of being involved in dumbn Toower and not

1897
01:40:56.039 --> 01:40:59.600
<v Speaker 11>completely on me nobody else. As I accepted that, I

1898
01:40:59.640 --> 01:41:02.439
<v Speaker 11>find no I think if I had just known more

1899
01:41:02.880 --> 01:41:05.239
<v Speaker 11>what I was going to do and what was going

1900
01:41:05.279 --> 01:41:08.119
<v Speaker 11>to be expected to me. But I remember I would

1901
01:41:08.199 --> 01:41:10.439
<v Speaker 11>have to I'd spend so much time having to talk

1902
01:41:10.479 --> 01:41:14.600
<v Speaker 11>with the NBC sensors because we had one joke, like

1903
01:41:14.720 --> 01:41:17.760
<v Speaker 11>pretending to be a show runner or when I thought

1904
01:41:17.800 --> 01:41:20.039
<v Speaker 11>a show runner was supposed to be. But we had

1905
01:41:20.039 --> 01:41:22.640
<v Speaker 11>this one joke where one of them sticks their head

1906
01:41:22.760 --> 01:41:26.359
<v Speaker 11>outside the van. We had the van animated show and

1907
01:41:26.479 --> 01:41:30.279
<v Speaker 11>all these things smash against him's face as he goes

1908
01:41:30.920 --> 01:41:33.079
<v Speaker 11>through them, as they drive through them, and one of

1909
01:41:33.079 --> 01:41:39.079
<v Speaker 11>them was a flashing railroad sign, and the NBC sensor said,

1910
01:41:39.199 --> 01:41:42.359
<v Speaker 11>you have to take the sign out. I said, why

1911
01:41:42.439 --> 01:41:45.079
<v Speaker 11>is it? Because it suggests they didn't stop for the train.

1912
01:41:45.800 --> 01:41:49.800
<v Speaker 11>Completely sensible. They also made they had to have seatbelts

1913
01:41:49.960 --> 01:41:54.039
<v Speaker 11>on in the van as well with their beaver, their

1914
01:41:54.039 --> 01:41:54.600
<v Speaker 11>pet beaver.

1915
01:41:55.640 --> 01:41:58.720
<v Speaker 5>Were you or the fairly brothers involved at all with

1916
01:41:58.880 --> 01:42:00.800
<v Speaker 5>the prequel Dumb and Dumber.

1917
01:42:01.399 --> 01:42:04.800
<v Speaker 11>We were not. They New Line came to us and said,

1918
01:42:04.840 --> 01:42:07.680
<v Speaker 11>we want to do a prequel because the time I

1919
01:42:07.680 --> 01:42:11.359
<v Speaker 11>don't remember what happened right after Dumb. You remember Jim

1920
01:42:11.439 --> 01:42:16.800
<v Speaker 11>Carrey was huge. In fact, his price they paid him

1921
01:42:16.800 --> 01:42:19.399
<v Speaker 11>like seven hundred thousand dollars for seven hundred and fifty

1922
01:42:19.399 --> 01:42:22.880
<v Speaker 11>thousand for the mask. And when they were going to

1923
01:42:22.920 --> 01:42:25.600
<v Speaker 11>sign him for Dumb, the mask hadn't come out yet

1924
01:42:26.079 --> 01:42:29.720
<v Speaker 11>and we said you should get him for this price.

1925
01:42:29.920 --> 01:42:33.199
<v Speaker 11>Then they said, let's wait and see how the mask done.

1926
01:42:33.479 --> 01:42:38.000
<v Speaker 11>As a result, cost went up to seven million dollars.

1927
01:42:38.520 --> 01:42:40.399
<v Speaker 11>So the price was a lot. And that's why the

1928
01:42:40.439 --> 01:42:42.800
<v Speaker 11>movie by it made so much money. Why it was

1929
01:42:42.960 --> 01:42:46.720
<v Speaker 11>such a profit was it was made for seventeen million dollars.

1930
01:42:47.199 --> 01:42:50.199
<v Speaker 11>The movie cost ten and then Gym was seven and

1931
01:42:50.319 --> 01:42:53.319
<v Speaker 11>worth every penny obviously, and it made two hundred and

1932
01:42:53.319 --> 01:42:56.359
<v Speaker 11>seventy five nine on its release. So that was a

1933
01:42:56.359 --> 01:43:00.199
<v Speaker 11>big profit for New Line. But it wanted to you

1934
01:43:00.880 --> 01:43:02.760
<v Speaker 11>because they didn't. They wanted to avoid having to pay

1935
01:43:02.800 --> 01:43:05.840
<v Speaker 11>a lot of mys to a sequel for both of them.

1936
01:43:06.079 --> 01:43:08.079
<v Speaker 11>They said, let's do a prequel, and they came to

1937
01:43:08.159 --> 01:43:12.840
<v Speaker 11>us and we said, no, we just it's the joke

1938
01:43:13.039 --> 01:43:16.840
<v Speaker 11>is there are too adults who act like adolescents. It's

1939
01:43:16.840 --> 01:43:19.680
<v Speaker 11>not funny when they're stupid and they're in high school.

1940
01:43:19.800 --> 01:43:24.000
<v Speaker 11>It's funny when they're stupid. Man. So we backed off

1941
01:43:24.000 --> 01:43:26.399
<v Speaker 11>on that, and they I have a credit and executive

1942
01:43:26.399 --> 01:43:29.800
<v Speaker 11>produce a credit on that. Only that's it. They said,

1943
01:43:29.840 --> 01:43:32.119
<v Speaker 11>do you want your name on this? I said why not?

1944
01:43:33.359 --> 01:43:35.680
<v Speaker 11>I mean, Peter and Bobbie were smart enough to take

1945
01:43:35.680 --> 01:43:38.000
<v Speaker 11>their name off of it. But I only saw it once.

1946
01:43:38.119 --> 01:43:42.479
<v Speaker 11>I was toes curdle. It was like, remember thinking, why

1947
01:43:42.520 --> 01:43:45.439
<v Speaker 11>wouldn't they at least let us or let me do

1948
01:43:45.520 --> 01:43:48.960
<v Speaker 11>a pass to throw some jokes in the here. But

1949
01:43:49.039 --> 01:43:50.960
<v Speaker 11>maybe it's the best. It's better that they didn't.

1950
01:43:51.880 --> 01:43:55.000
<v Speaker 5>That same year that came out, you got a story

1951
01:43:55.079 --> 01:43:57.279
<v Speaker 5>credit for Stuck on You.

1952
01:43:57.520 --> 01:43:58.960
<v Speaker 11>Stuck on You? Yeah?

1953
01:43:59.279 --> 01:44:02.119
<v Speaker 5>Was that from Dust to Dust? Or was that a

1954
01:44:02.119 --> 01:44:02.800
<v Speaker 5>fresh credit?

1955
01:44:03.279 --> 01:44:06.399
<v Speaker 11>That was a fresh credit? Funny about that was I

1956
01:44:06.439 --> 01:44:09.479
<v Speaker 11>took a movie to beat and Bobby I said, guys,

1957
01:44:10.079 --> 01:44:13.760
<v Speaker 11>watch this movie because I'm telling you there's a comedy

1958
01:44:13.800 --> 01:44:16.600
<v Speaker 11>in it, because it's so ridiculous. And it was this movie.

1959
01:44:16.600 --> 01:44:20.119
<v Speaker 11>It was made in the fifties, and it starred and

1960
01:44:20.159 --> 01:44:24.039
<v Speaker 11>they're gonna think I'm joking. But and IMDb this Daisy

1961
01:44:24.159 --> 01:44:29.159
<v Speaker 11>and Violet Hilton, the Hilton sisters who were conjoined twins,

1962
01:44:29.800 --> 01:44:32.880
<v Speaker 11>and they were also actors in this movie. And they

1963
01:44:32.920 --> 01:44:37.279
<v Speaker 11>play sister conjoined sisters and one of them is dating

1964
01:44:37.319 --> 01:44:40.640
<v Speaker 11>a good guy and the other one's dating a bad guy.

1965
01:44:41.199 --> 01:44:45.279
<v Speaker 11>And the bad guy's abusive and she's defending herself. He's

1966
01:44:45.279 --> 01:44:48.359
<v Speaker 11>trying to beat her up and she accidentally kills him,

1967
01:44:48.479 --> 01:44:51.840
<v Speaker 11>and they both go on trial for his bird because

1968
01:44:52.399 --> 01:44:56.199
<v Speaker 11>they had to both go on And I said, this

1969
01:44:56.359 --> 01:45:00.560
<v Speaker 11>is a comedy, and so that that set off stugging you. Yeah,

1970
01:45:00.720 --> 01:45:06.920
<v Speaker 11>And I didn't write it, participated in round table rewrites

1971
01:45:07.680 --> 01:45:11.199
<v Speaker 11>after once they'd written it. It was going closer to production.

1972
01:45:11.600 --> 01:45:14.880
<v Speaker 11>At one point, Meryl Streep was the whole Meryl Streep

1973
01:45:14.920 --> 01:45:17.760
<v Speaker 11>thing was actually going to be Jack Nicholson. Oh. At

1974
01:45:17.760 --> 01:45:21.960
<v Speaker 11>one point, you'll love this. Woody Allen was signed to

1975
01:45:22.039 --> 01:45:25.000
<v Speaker 11>be one of one of the brothers, and we were gonna,

1976
01:45:25.319 --> 01:45:28.840
<v Speaker 11>we're gonna say to explain how he was older and

1977
01:45:28.880 --> 01:45:31.760
<v Speaker 11>everything was they were sharing a liver, so that was

1978
01:45:32.119 --> 01:45:36.319
<v Speaker 11>I he looked. But but and I remember Pete I said,

1979
01:45:36.359 --> 01:45:38.760
<v Speaker 11>what did he say? I mean, Pete said, he said,

1980
01:45:39.079 --> 01:45:42.680
<v Speaker 11>just don't show me on the toilet. So there were

1981
01:45:42.720 --> 01:45:45.279
<v Speaker 11>some interesting twists a lot of the way of that.

1982
01:45:45.319 --> 01:45:47.560
<v Speaker 11>But that's such a sweating that movie. I remember after

1983
01:45:47.600 --> 01:45:50.720
<v Speaker 11>I saw the first screening of it, I said, you, guys,

1984
01:45:50.760 --> 01:45:54.199
<v Speaker 11>you realize that's you guys made a Valentine to each other.

1985
01:45:54.600 --> 01:45:58.760
<v Speaker 11>He really did. That's that's a love to each of you,

1986
01:45:59.159 --> 01:46:01.680
<v Speaker 11>to each of you. So I think that's a very

1987
01:46:01.800 --> 01:46:03.800
<v Speaker 11>underrated movie. I think it's very sweet.

1988
01:46:04.399 --> 01:46:07.760
<v Speaker 5>Well, it really showed us what Matt Damon was capable

1989
01:46:07.840 --> 01:46:09.079
<v Speaker 5>as far as comedy.

1990
01:46:09.479 --> 01:46:12.000
<v Speaker 11>He's great at it. And then Greg was great. And yeah,

1991
01:46:12.000 --> 01:46:14.520
<v Speaker 11>but I got a lot of people who tell me

1992
01:46:14.560 --> 01:46:18.399
<v Speaker 11>how much they like it. I'm like, I'm glad you do. Yeah,

1993
01:46:18.760 --> 01:46:19.680
<v Speaker 11>it's a final one.

1994
01:46:20.159 --> 01:46:24.760
<v Speaker 5>And how was it revisiting Lloyd and Harry twenty years

1995
01:46:24.800 --> 01:46:26.840
<v Speaker 5>after to do Dumb and Number two?

1996
01:46:27.319 --> 01:46:31.199
<v Speaker 11>It was so much fun. Everybody was in the best

1997
01:46:31.319 --> 01:46:34.800
<v Speaker 11>mood and everybody we just had a great time doing it.

1998
01:46:35.319 --> 01:46:37.520
<v Speaker 11>I'm starting to figure out why the reaction to the

1999
01:46:37.560 --> 01:46:40.760
<v Speaker 11>movie was because Louis had a very mixed reaction, especially

2000
01:46:40.760 --> 01:46:45.680
<v Speaker 11>for first of all, the first one got almost it

2001
01:46:45.720 --> 01:46:48.800
<v Speaker 11>was not well reviewed. There were only a few good

2002
01:46:48.840 --> 01:46:52.079
<v Speaker 11>reviews of the original Dumb and Dumber. And to give

2003
01:46:52.079 --> 01:46:54.680
<v Speaker 11>you an idea of my mother's sense of humor, she

2004
01:46:54.760 --> 01:46:58.159
<v Speaker 11>only had one review ever in my entire career, on

2005
01:46:58.359 --> 01:47:01.760
<v Speaker 11>the Refrigerator. I wish I could remember which review this

2006
01:47:01.880 --> 01:47:04.039
<v Speaker 11>was from, but it may have been just like a

2007
01:47:04.079 --> 01:47:07.279
<v Speaker 11>local paper. But it said the writer's mother should be

2008
01:47:07.319 --> 01:47:11.239
<v Speaker 11>ashamed of the stuff. That was the only review of

2009
01:47:11.279 --> 01:47:14.840
<v Speaker 11>my mom ever had and was on the which I

2010
01:47:15.079 --> 01:47:20.319
<v Speaker 11>saw everything about Ellen Ellen, but it was a blast.

2011
01:47:20.399 --> 01:47:22.359
<v Speaker 11>I was so shocked with Bee called and said, hey,

2012
01:47:22.399 --> 01:47:24.760
<v Speaker 11>we're going to make another one, and I'm like, it's great,

2013
01:47:24.880 --> 01:47:28.680
<v Speaker 11>I can't wait. And then everyone, Jim and Jeff had

2014
01:47:28.720 --> 01:47:32.560
<v Speaker 11>such a great time making it. They really enjoyed being together.

2015
01:47:32.800 --> 01:47:37.279
<v Speaker 11>I remember when Jeff arrived. He rived his first day.

2016
01:47:38.159 --> 01:47:41.439
<v Speaker 11>It was his birthday and he had just won he'd

2017
01:47:41.479 --> 01:47:45.319
<v Speaker 11>flown in from winning the Emmy for the News Rowy

2018
01:47:46.079 --> 01:47:48.920
<v Speaker 11>and so we saying happy birthday till we had a cake,

2019
01:47:48.960 --> 01:47:51.239
<v Speaker 11>and then he blopped down into his chair and he said,

2020
01:47:51.399 --> 01:47:54.560
<v Speaker 11>I just wanted Emmy, let's make this fuck her. But

2021
01:47:54.720 --> 01:47:58.880
<v Speaker 11>it was a blast. Weird about it, comedy sensibility, I

2022
01:47:58.920 --> 01:48:01.159
<v Speaker 11>don't think this is a strange thing to say. Kid

2023
01:48:01.159 --> 01:48:05.119
<v Speaker 11>does canon does change in some respects. We're in like

2024
01:48:05.199 --> 01:48:09.800
<v Speaker 11>the Hayes Office, some comedy right how it got We've

2025
01:48:09.840 --> 01:48:13.000
<v Speaker 11>gone backwards in some respects, But so a lot of

2026
01:48:13.039 --> 01:48:16.720
<v Speaker 11>what was funny if people laugh in nineteen ninety four

2027
01:48:17.520 --> 01:48:21.479
<v Speaker 11>maybe doesn't fly now. And I don't mean it's inappropriate

2028
01:48:21.520 --> 01:48:23.680
<v Speaker 11>because we got in under the wire of it appropriate.

2029
01:48:23.840 --> 01:48:27.680
<v Speaker 11>We've got a man groping a grandmother. Half that movie

2030
01:48:27.720 --> 01:48:31.239
<v Speaker 11>couldn't be done today, I think. But I was surprised

2031
01:48:31.239 --> 01:48:35.319
<v Speaker 11>that more people because we really felt so affectionate toward

2032
01:48:35.399 --> 01:48:37.199
<v Speaker 11>it and we were making and it was so much fun.

2033
01:48:37.239 --> 01:48:39.800
<v Speaker 11>And that doesn't always mean the movies that'd be good,

2034
01:48:39.800 --> 01:48:43.239
<v Speaker 11>but the energies, the energy was right. It came out

2035
01:48:43.319 --> 01:48:45.680
<v Speaker 11>a lot of fans of dumb and dumbt What happens,

2036
01:48:45.720 --> 01:48:48.399
<v Speaker 11>I think is it's fish the sentence. A lot of

2037
01:48:48.399 --> 01:48:51.319
<v Speaker 11>fans they were like, oh, that's not the way Harry

2038
01:48:51.359 --> 01:48:53.760
<v Speaker 11>and Lloyd like, they were like critical of it. And

2039
01:48:53.800 --> 01:48:57.279
<v Speaker 11>I think what happens is when you love something, you

2040
01:48:57.399 --> 01:49:01.439
<v Speaker 11>literally and you internalize it and it becomes a part

2041
01:49:01.479 --> 01:49:05.159
<v Speaker 11>of you, and your relationship to it is so personal

2042
01:49:05.760 --> 01:49:11.760
<v Speaker 11>and so intense and intimate. That the second one, people

2043
01:49:12.199 --> 01:49:15.079
<v Speaker 11>didn't feel that about those characters, like they felt that

2044
01:49:15.079 --> 01:49:18.159
<v Speaker 11>they were being mean spirit or whatever, and they've always

2045
01:49:18.159 --> 01:49:23.840
<v Speaker 11>been means, they've always adult adolescents. But it was a

2046
01:49:23.960 --> 01:49:26.399
<v Speaker 11>joy to make, and it was so much fun. The

2047
01:49:26.439 --> 01:49:29.239
<v Speaker 11>idea of able to get a do over and do

2048
01:49:29.359 --> 01:49:33.920
<v Speaker 11>it again was just unexpected. I had a blast. It

2049
01:49:33.960 --> 01:49:37.439
<v Speaker 11>was that's the most. That was the most because when

2050
01:49:37.479 --> 01:49:39.279
<v Speaker 11>we were making Domadeo, reidn know is going to be

2051
01:49:39.279 --> 01:49:42.159
<v Speaker 11>a hit. So now and now you're writing a sequel

2052
01:49:42.199 --> 01:49:44.720
<v Speaker 11>to something that was not just a hit, but it's

2053
01:49:44.760 --> 01:49:48.039
<v Speaker 11>like a it's a cult hit. And so we although

2054
01:49:48.039 --> 01:49:51.319
<v Speaker 11>we said, let's not think about what the audience would want,

2055
01:49:51.520 --> 01:49:54.720
<v Speaker 11>let's just trust to do what we want to do

2056
01:49:54.800 --> 01:49:57.760
<v Speaker 11>and that they'll think it's funny. They did before, hopefully

2057
01:49:57.760 --> 01:50:00.680
<v Speaker 11>they will this time. That was a constant, that's a

2058
01:50:00.800 --> 01:50:04.319
<v Speaker 11>question we had. They would maybe they want to see this. No,

2059
01:50:05.079 --> 01:50:09.560
<v Speaker 11>let's not burden ourselves with trying to think what they're thinking.

2060
01:50:09.840 --> 01:50:12.239
<v Speaker 11>Let's just do what we're doing. But it was fun

2061
01:50:12.279 --> 01:50:12.880
<v Speaker 11>for us.

2062
01:50:13.239 --> 01:50:16.079
<v Speaker 5>I mentioned all those levels of comedy earlier. Do you

2063
01:50:16.159 --> 01:50:19.319
<v Speaker 5>have one or two or more that you specialize in

2064
01:50:19.439 --> 01:50:22.479
<v Speaker 5>do they come to you for here's the visual gags

2065
01:50:22.560 --> 01:50:23.760
<v Speaker 5>or here's the wordplay.

2066
01:50:24.520 --> 01:50:27.039
<v Speaker 11>No, and in fact a genre guy. So as I

2067
01:50:27.079 --> 01:50:30.880
<v Speaker 11>write with different writing partners, done different types of projects.

2068
01:50:30.880 --> 01:50:33.279
<v Speaker 11>So I've done a horror film. In fact, I just

2069
01:50:33.399 --> 01:50:39.680
<v Speaker 11>sold Hours before the Strike, sold a supernatural thriller, so

2070
01:50:39.760 --> 01:50:43.560
<v Speaker 11>I've done that. I've done family films, a Christmas movie,

2071
01:50:43.960 --> 01:50:48.319
<v Speaker 11>all co written with different writing partners, a Disney movie

2072
01:50:48.319 --> 01:50:51.119
<v Speaker 11>of the Week, all over the place. So I like

2073
01:50:51.239 --> 01:50:55.720
<v Speaker 11>doing comedy best only because when you're writing, you're in

2074
01:50:55.760 --> 01:50:58.279
<v Speaker 11>that the period of time it takes to write it,

2075
01:50:58.520 --> 01:51:03.560
<v Speaker 11>which is months, weeks and two months. You're living the

2076
01:51:03.680 --> 01:51:05.880
<v Speaker 11>energy of that movie, if it's a horror movie or

2077
01:51:05.880 --> 01:51:08.840
<v Speaker 11>if it's a I did a like revenge thriller called

2078
01:51:08.880 --> 01:51:13.680
<v Speaker 11>In the Blood with Gina Carano, the beloved Gina Aran.

2079
01:51:14.680 --> 01:51:17.640
<v Speaker 11>That's the word I'm in canceled. But you're in the

2080
01:51:17.800 --> 01:51:20.600
<v Speaker 11>energy of the movie you're writing. And I like being

2081
01:51:21.119 --> 01:51:25.720
<v Speaker 11>I'm a lighthearted person and maybe lightheaded sometimes, but I

2082
01:51:25.840 --> 01:51:31.119
<v Speaker 11>like being in a happy place. Movies, puppies. We wrote

2083
01:51:31.119 --> 01:51:33.680
<v Speaker 11>a sequel to Marley and Me that didn't get made.

2084
01:51:34.079 --> 01:51:37.760
<v Speaker 11>It was like a like the Lost Weekend of Marley,

2085
01:51:39.119 --> 01:51:42.239
<v Speaker 11>A chapter in Marley and things like that, and so

2086
01:51:42.359 --> 01:51:45.439
<v Speaker 11>much stuff that I've written didn't get done. Oh my gosh,

2087
01:51:45.520 --> 01:51:48.600
<v Speaker 11>it's the number of scripts and projects that don't get

2088
01:51:48.640 --> 01:51:52.000
<v Speaker 11>made but you get paid, Thank goodness. I don't think

2089
01:51:52.000 --> 01:51:54.680
<v Speaker 11>there's anything that once. And the other thing also is

2090
01:51:54.720 --> 01:51:57.800
<v Speaker 11>that once my writing partner and I get into a room,

2091
01:51:58.279 --> 01:52:01.119
<v Speaker 11>we're really good for great about If we're drawn to

2092
01:52:01.119 --> 01:52:03.880
<v Speaker 11>a project and we're going in to try and pitch

2093
01:52:03.920 --> 01:52:08.640
<v Speaker 11>on it, we're good. You conduct ourselves, we can impress.

2094
01:52:09.359 --> 01:52:12.119
<v Speaker 11>But I don't. I know certainly are things that I've

2095
01:52:12.119 --> 01:52:15.359
<v Speaker 11>probably gotten comedy wise been asked to do that we're

2096
01:52:15.439 --> 01:52:20.279
<v Speaker 11>the best, because dumb. There's no question nobody's ever said, oh,

2097
01:52:20.960 --> 01:52:23.920
<v Speaker 11>you wrote the sequel to Oh is it called the.

2098
01:52:23.920 --> 01:52:26.359
<v Speaker 5>Trucker joy Ride?

2099
01:52:26.720 --> 01:52:29.680
<v Speaker 11>Yeah? Joyride? You wrote the sequel to Joybride. We want

2100
01:52:29.720 --> 01:52:32.560
<v Speaker 11>you to do this too. Nobody's mentioned joy Ride? Is it?

2101
01:52:33.039 --> 01:52:36.840
<v Speaker 11>But you're right? And see that's another thriller. I like genre,

2102
01:52:37.319 --> 01:52:39.680
<v Speaker 11>but I like comedy, Bess. I do like it, and

2103
01:52:39.720 --> 01:52:42.920
<v Speaker 11>comedy is the sort of thing that really comes with it.

2104
01:52:43.079 --> 01:52:46.439
<v Speaker 11>It comes out with collaboration. I couldn't just sit and write.

2105
01:52:46.439 --> 01:52:50.199
<v Speaker 11>I wouldn't trust lines that I write necessarily myself. They're

2106
01:52:50.199 --> 01:52:52.920
<v Speaker 11>want to throw them back and forth. Somebody tells me

2107
01:52:52.960 --> 01:52:55.000
<v Speaker 11>something and I'll go, yeah, I want we add this

2108
01:52:55.039 --> 01:52:58.600
<v Speaker 11>to it. It's very satisfying that kind of work that

2109
01:52:58.680 --> 01:53:01.439
<v Speaker 11>M's have been interesting to go back can work so

2110
01:53:01.560 --> 01:53:04.760
<v Speaker 11>intensely with the Fairlies and were there other people involved

2111
01:53:04.760 --> 01:53:08.119
<v Speaker 11>with the sequel. Jim had read the script called Mister

2112
01:53:08.159 --> 01:53:11.479
<v Speaker 11>Popper's Penguins, which was made to a movie, and he

2113
01:53:11.560 --> 01:53:14.880
<v Speaker 11>loved the screenplay and I cannot, Oh God, I wish

2114
01:53:14.920 --> 01:53:16.880
<v Speaker 11>I could remember the name of the writers. But he

2115
01:53:16.920 --> 01:53:20.920
<v Speaker 11>really liked those writers. So we agreed, let's let these

2116
01:53:21.039 --> 01:53:24.640
<v Speaker 11>those writers write the first draft of Dom and Dober two,

2117
01:53:25.399 --> 01:53:27.039
<v Speaker 11>and then Pete and Bobby and I would come in

2118
01:53:27.159 --> 01:53:30.439
<v Speaker 11>and rewrite it. And we all agree from the beginning

2119
01:53:30.560 --> 01:53:33.840
<v Speaker 11>to take shared screen credit. We worked in a it

2120
01:53:33.880 --> 01:53:36.000
<v Speaker 11>was an agreement in front of it, which is perfect,

2121
01:53:36.520 --> 01:53:40.439
<v Speaker 11>and they handed it in. We ended up having to rewrite.

2122
01:53:40.920 --> 01:53:43.039
<v Speaker 11>I want to say this diplomatically because those guys have

2123
01:53:43.079 --> 01:53:45.920
<v Speaker 11>gone onto like huge careers, and so I don't want

2124
01:53:45.920 --> 01:53:49.039
<v Speaker 11>to say anything negative about them. They're great writers, but

2125
01:53:49.119 --> 01:53:54.840
<v Speaker 11>we ended up rewriting it significantly. But so they worked

2126
01:53:54.880 --> 01:53:58.319
<v Speaker 11>on it, and then the point Bobby had to take

2127
01:53:58.359 --> 01:54:01.319
<v Speaker 11>some time to bow out, and we brought on a

2128
01:54:01.359 --> 01:54:05.319
<v Speaker 11>friend of ours, Mike Sara and who's very funny guy,

2129
01:54:05.439 --> 01:54:08.039
<v Speaker 11>very funny writer, and so Mike worked on that with

2130
01:54:08.119 --> 01:54:10.520
<v Speaker 11>us too, and so we all shared that. So there

2131
01:54:10.600 --> 01:54:14.199
<v Speaker 11>was I feel like an asked for not remembering the.

2132
01:54:14.279 --> 01:54:17.079
<v Speaker 5>Guy Sean Anders and John Morris.

2133
01:54:17.239 --> 01:54:20.680
<v Speaker 11>Yes, Sewan Anders and John Morris very nice guys too.

2134
01:54:21.399 --> 01:54:25.039
<v Speaker 11>And then yeah, so there's them, Peter, Bobby, myself and

2135
01:54:25.079 --> 01:54:28.279
<v Speaker 11>then Mike SARONYA a lot of people on that one.

2136
01:54:28.319 --> 01:54:31.760
<v Speaker 11>But it was so much fun. We laughed so much

2137
01:54:31.800 --> 01:54:32.359
<v Speaker 11>writing it.

2138
01:54:32.560 --> 01:54:35.239
<v Speaker 5>So yeah, I can't even imagine what that must be

2139
01:54:35.399 --> 01:54:38.239
<v Speaker 5>like to sit there and do that whole this line

2140
01:54:38.279 --> 01:54:41.239
<v Speaker 5>that's funnier. We were just talking recently on the show

2141
01:54:41.239 --> 01:54:44.760
<v Speaker 5>about Ernest Slupitch and Billy Wilder and it was just like,

2142
01:54:44.800 --> 01:54:46.680
<v Speaker 5>who's going to come up with the button? Who's got

2143
01:54:46.680 --> 01:54:48.359
<v Speaker 5>the best button for each bit?

2144
01:54:49.039 --> 01:54:53.159
<v Speaker 11>Billy Wilder is my favorite screenwriter. When I saw something

2145
01:54:53.199 --> 01:54:56.880
<v Speaker 11>like it hot and it was, it changed, I suddenly realized, oh,

2146
01:54:56.960 --> 01:55:00.359
<v Speaker 11>you mean a movie. Every line in a movie can

2147
01:55:01.199 --> 01:55:03.560
<v Speaker 11>can lead to another line, and then that can be

2148
01:55:03.600 --> 01:55:07.800
<v Speaker 11>brought back something they saw how a screenplay functioned at

2149
01:55:07.880 --> 01:55:12.880
<v Speaker 11>multiple levels and aspired to be by the way again.

2150
01:55:13.079 --> 01:55:16.239
<v Speaker 11>One of the one hundred and one, along with several

2151
01:55:16.279 --> 01:55:20.960
<v Speaker 11>Billy Wilder scripts, is Beyond I can't believe it. It

2152
01:55:21.640 --> 01:55:22.479
<v Speaker 11>blows my mind.

2153
01:55:23.159 --> 01:55:26.279
<v Speaker 5>Yeah, So when you're not picketing, what are you up

2154
01:55:26.279 --> 01:55:27.000
<v Speaker 5>to these days?

2155
01:55:27.640 --> 01:55:30.039
<v Speaker 11>Now? That's it. So I want if anyone from the

2156
01:55:30.039 --> 01:55:31.960
<v Speaker 11>guild is watching this, I want them to know that's

2157
01:55:32.000 --> 01:55:34.800
<v Speaker 11>all I do is picket. The one thing I have

2158
01:55:34.880 --> 01:55:37.800
<v Speaker 11>done by writing part and I is can get windy

2159
01:55:38.039 --> 01:55:41.239
<v Speaker 11>here it's s Angeles but and you've got the sign

2160
01:55:41.880 --> 01:55:46.039
<v Speaker 11>and there's splinters and stuff. So we've turned made sandwich boards.

2161
01:55:46.079 --> 01:55:49.760
<v Speaker 11>So we walk around with sandwich boards and we're the

2162
01:55:49.760 --> 01:55:52.399
<v Speaker 11>only ones out there wearing sandwich board. Nobody else is.

2163
01:55:52.439 --> 01:55:56.880
<v Speaker 11>Every time we show either Netflix or Warner Brothers or whatever,

2164
01:55:57.079 --> 01:56:00.279
<v Speaker 11>people going that's a great idea, and we're like, do

2165
01:56:00.359 --> 01:56:03.560
<v Speaker 11>it because basically, if I see one other person do it,

2166
01:56:03.600 --> 01:56:06.840
<v Speaker 11>I'm going to retire. That's my work here is done,

2167
01:56:06.960 --> 01:56:10.359
<v Speaker 11>so I think. But now it's interest time, Like I

2168
01:56:10.399 --> 01:56:14.680
<v Speaker 11>am somewhere retired, so thinking about what do I want

2169
01:56:14.720 --> 01:56:18.119
<v Speaker 11>to do? And other projects have come up that have

2170
01:56:18.279 --> 01:56:20.479
<v Speaker 11>been surprising and out of left field and one of

2171
01:56:20.479 --> 01:56:23.720
<v Speaker 11>them was, and this is before the strike, that the

2172
01:56:23.880 --> 01:56:28.960
<v Speaker 11>company that called Rovio that owns the IP for Angry Birds,

2173
01:56:29.199 --> 01:56:34.199
<v Speaker 11>they wanted to do a stage like a ninety minute

2174
01:56:34.239 --> 01:56:39.479
<v Speaker 11>family stage show of Angry Birds. So we got writing

2175
01:56:39.479 --> 01:56:42.439
<v Speaker 11>partner James Johnston and I, who's who I've written with

2176
01:56:42.680 --> 01:56:46.079
<v Speaker 11>for fifteen years, so that's a pretty long partnership. I

2177
01:56:46.079 --> 01:56:48.720
<v Speaker 11>think my partnership with Peter involving was maybe like seven.

2178
01:56:49.319 --> 01:56:51.760
<v Speaker 11>But we got involved in that and they hired us.

2179
01:56:52.159 --> 01:56:56.439
<v Speaker 11>Who knows whether Domin Dubber was helpful, it didn't hurt,

2180
01:56:56.520 --> 01:56:59.800
<v Speaker 11>there's no question about. We may have hired one of

2181
01:56:59.840 --> 01:57:02.520
<v Speaker 11>the I was from Devin Dunter, and we did it.

2182
01:57:02.840 --> 01:57:05.439
<v Speaker 11>We wrote it and was I'd never done it before,

2183
01:57:05.600 --> 01:57:08.000
<v Speaker 11>neither James or I had ever done a stage show.

2184
01:57:08.720 --> 01:57:12.720
<v Speaker 11>The one thing. Never even played Angry Words on my phone.

2185
01:57:13.479 --> 01:57:17.640
<v Speaker 11>But I watched both of the movies the cartoons, and

2186
01:57:17.680 --> 01:57:23.800
<v Speaker 11>they're really funny movies. They're really solid scripts, great voice work,

2187
01:57:24.199 --> 01:57:26.880
<v Speaker 11>and we said, hey, if you want us to do

2188
01:57:26.960 --> 01:57:30.880
<v Speaker 11>that on the stage, we'd love to, and that's what

2189
01:57:30.920 --> 01:57:33.880
<v Speaker 11>we did. So we did that and now we're seeing

2190
01:57:33.920 --> 01:57:37.239
<v Speaker 11>how that plays out. But that was a blast. I

2191
01:57:37.439 --> 01:57:39.119
<v Speaker 11>was one of one of the most enjoyable things I've

2192
01:57:39.159 --> 01:57:41.439
<v Speaker 11>ever done. It was a lot of fun that it's

2193
01:57:41.439 --> 01:57:44.000
<v Speaker 11>a really it's a really funny it's a funny script.

2194
01:57:44.359 --> 01:57:49.279
<v Speaker 11>I've always opened to that sort of thing. Writing is writing, right,

2195
01:57:50.119 --> 01:57:54.560
<v Speaker 11>I'm relaxing. I'm enjoying my dotage. Gonna call me Dame

2196
01:57:54.720 --> 01:57:55.520
<v Speaker 11>Bennett soon.

2197
01:57:56.319 --> 01:57:58.239
<v Speaker 5>Mister Yellen, thank you so much for your time. This

2198
01:57:58.279 --> 01:58:00.319
<v Speaker 5>has been so nice talking with you.

2199
01:58:00.399 --> 01:58:04.359
<v Speaker 11>Mister White. You asked very good questions. Thank you. Now,

2200
01:58:04.479 --> 01:58:06.640
<v Speaker 11>this is very enjoyable. And where are you.

2201
01:58:07.560 --> 01:58:08.920
<v Speaker 5>I'm just outside of Detroit.

2202
01:58:09.720 --> 01:58:12.760
<v Speaker 11>Okay, just outside, that's right, all right, I'll meet you

2203
01:58:12.800 --> 01:58:13.560
<v Speaker 11>at the truck stop.

2204
01:58:13.760 --> 01:58:19.199
<v Speaker 5>Never for manly love or men we got there was a.

2205
01:58:19.079 --> 01:58:24.319
<v Speaker 11>Memo that circulated fast around a new line when we

2206
01:58:24.359 --> 01:58:28.600
<v Speaker 11>had the first cut of the movie, and there were

2207
01:58:28.600 --> 01:58:32.520
<v Speaker 11>some gay employees who were offended. They felt it was homophobic.

2208
01:58:33.159 --> 01:58:36.159
<v Speaker 11>Trust me, we didn't write it any intention to be

2209
01:58:36.279 --> 01:58:39.319
<v Speaker 11>homophobic or to be was not at all our intent.

2210
01:58:39.920 --> 01:58:43.880
<v Speaker 11>But defended some employees and so detailed what they were,

2211
01:58:43.880 --> 01:58:47.600
<v Speaker 11>and we said take it up. So what's left is

2212
01:58:47.680 --> 01:58:51.520
<v Speaker 11>just manly love. That's it. But I wonder again today,

2213
01:58:51.560 --> 01:58:53.479
<v Speaker 11>I wonder if you could get away with it if

2214
01:58:53.520 --> 01:58:56.159
<v Speaker 11>we'd made Dumb and Dumber today, I do we have

2215
01:58:56.199 --> 01:58:58.560
<v Speaker 11>to make changes in Dumb and Dumber two, but we

2216
01:58:58.600 --> 01:59:01.319
<v Speaker 11>probably would have to make some changes in Dumb and Duver.

2217
01:59:01.960 --> 01:59:05.359
<v Speaker 11>You can't talk about a woman's anatomy even like that.

2218
01:59:05.439 --> 01:59:09.000
<v Speaker 11>They can't giggle about that sort of thing too. I

2219
01:59:09.039 --> 01:59:11.520
<v Speaker 11>think I could do another one. The guys would. I

2220
01:59:11.560 --> 01:59:13.359
<v Speaker 11>think the guys would like to make another one. But

2221
01:59:13.439 --> 01:59:16.800
<v Speaker 11>on the other hand, doesn't need doesn't have to. It's

2222
01:59:16.880 --> 01:59:20.199
<v Speaker 11>not I'm this philosophical rate of my life where if

2223
01:59:20.239 --> 01:59:25.079
<v Speaker 11>something isn't necessary, then don't do it. Two we're good.

2224
01:59:25.720 --> 01:59:28.279
<v Speaker 11>I don't do things just for the money. I do

2225
01:59:28.359 --> 01:59:34.640
<v Speaker 11>it for the spiritual satisfaction whatever it's not. There is

2226
01:59:35.000 --> 01:59:38.640
<v Speaker 11>maybe talk about possibly fighting some sort of streamy or

2227
01:59:38.680 --> 01:59:42.800
<v Speaker 11>television sort of exploration for the two characters, but I don't.

2228
01:59:43.199 --> 01:59:46.079
<v Speaker 11>If it happens, it's great, and if it doesn't, it's

2229
01:59:46.560 --> 01:59:50.119
<v Speaker 11>I'm fine with it. I'm not your typical need to

2230
01:59:50.119 --> 01:59:52.840
<v Speaker 11>do it. It has to be exploited. I need more money.

2231
01:59:53.319 --> 01:59:56.840
<v Speaker 11>I don't think that way. The cash gow is there's

2232
01:59:56.840 --> 02:00:00.960
<v Speaker 11>nothing left, there's no milk left, so kill it and

2233
02:00:01.039 --> 02:00:04.319
<v Speaker 11>make some burgers for God's sakes and then feed the world.

2234
02:00:06.520 --> 02:00:07.560
<v Speaker 11>This summer.

2235
02:00:08.800 --> 02:00:13.680
<v Speaker 17>You Line Cinema proudly presents the greatest saga of all time,

2236
02:00:15.439 --> 02:00:22.760
<v Speaker 17>from the very beginning of Dumb and Dumber.

2237
02:00:22.840 --> 02:00:24.560
<v Speaker 6>Sorry about that, buddy, it's my first time bringing a

2238
02:00:24.560 --> 02:00:25.199
<v Speaker 6>friend up there.

2239
02:00:25.399 --> 02:00:28.520
<v Speaker 17>Okay, so high school's all about looking cool, Harry, so

2240
02:00:28.520 --> 02:00:29.000
<v Speaker 17>stick with me.

2241
02:00:31.640 --> 02:00:32.319
<v Speaker 11>What stinks?

2242
02:00:33.119 --> 02:00:33.800
<v Speaker 2>That'd be me, sir?

2243
02:00:34.680 --> 02:00:35.720
<v Speaker 17>They're on the journey?

2244
02:00:36.119 --> 02:00:36.920
<v Speaker 4>Is that what I think it is?

2245
02:00:37.079 --> 02:00:42.119
<v Speaker 1>Noped treasure map, cool and an adventure. It's O's a loss, Harry.

2246
02:00:42.079 --> 02:00:43.720
<v Speaker 17>Of idiotic proportions.

2247
02:00:44.600 --> 02:00:46.119
<v Speaker 1>It's even sort of than ionizing.

2248
02:00:46.199 --> 02:00:51.359
<v Speaker 7>The state's giving one hundred grand in every school that

2249
02:00:51.479 --> 02:00:56.079
<v Speaker 7>has a special needs flash. The problem is where do

2250
02:00:56.159 --> 02:00:59.479
<v Speaker 7>we find kids we can pass off as special?

2251
02:01:00.159 --> 02:01:03.399
<v Speaker 1>Stuck FINGO on June thirteenth.

2252
02:01:03.479 --> 02:01:05.680
<v Speaker 7>Well, I've got a little surprise for you.

2253
02:01:05.680 --> 02:01:06.680
<v Speaker 3>You got the extender.

2254
02:01:07.199 --> 02:01:07.880
<v Speaker 5>That's gross.

2255
02:01:07.960 --> 02:01:09.000
<v Speaker 1>It's a meeting.

2256
02:01:10.479 --> 02:01:17.359
<v Speaker 17>Of the mindless?

2257
02:01:18.119 --> 02:01:19.119
<v Speaker 4>Are you trying to be funny?

2258
02:01:19.119 --> 02:01:20.239
<v Speaker 7>Are you actually reading.

2259
02:01:21.920 --> 02:01:23.000
<v Speaker 4>Special Crash?

2260
02:01:24.359 --> 02:01:26.760
<v Speaker 2>Before the first movie there.

2261
02:01:26.760 --> 02:01:27.960
<v Speaker 11>Was high school?

2262
02:01:28.239 --> 02:01:28.800
<v Speaker 4>What are you doing?

2263
02:01:28.960 --> 02:01:29.520
<v Speaker 9>What are you doing?

2264
02:01:29.560 --> 02:01:30.560
<v Speaker 5>I think I need a.

2265
02:01:30.560 --> 02:01:32.439
<v Speaker 11>Bacon because it's gonna be on the mid term.

2266
02:01:36.680 --> 02:01:39.079
<v Speaker 1>No, that's my boy.

2267
02:01:39.680 --> 02:01:41.159
<v Speaker 11>Girls, anyone want to settle this?

2268
02:01:42.000 --> 02:01:42.800
<v Speaker 1>Make y'all contest.

2269
02:01:45.640 --> 02:01:47.039
<v Speaker 12>Mom, Hi, lady.

2270
02:01:47.159 --> 02:01:51.199
<v Speaker 17>Dumb and Dumber when Harry met Lloyd?

2271
02:01:52.039 --> 02:01:52.560
<v Speaker 4>Did you just.

2272
02:01:54.039 --> 02:01:57.239
<v Speaker 5>Maybe all right? We were back and we were talking

2273
02:01:57.239 --> 02:02:00.840
<v Speaker 5>about Dumb and Dumber, And of course, like I always say,

2274
02:02:00.920 --> 02:02:03.960
<v Speaker 5>any good movie deserves a bad sequel, but I would

2275
02:02:04.039 --> 02:02:08.399
<v Speaker 5>say that this movie actually has a pretty good sequel,

2276
02:02:08.600 --> 02:02:11.800
<v Speaker 5>and I'm going to put this out there and hopefully

2277
02:02:11.800 --> 02:02:13.680
<v Speaker 5>you guys can tear me a new one. I thought

2278
02:02:13.720 --> 02:02:16.960
<v Speaker 5>that the prequel was pretty good as well, Dumb and

2279
02:02:17.119 --> 02:02:22.680
<v Speaker 5>Dumberer when Harry met Lloyd, which I think it kind

2280
02:02:22.680 --> 02:02:25.159
<v Speaker 5>of lights that one. What did you guys think of

2281
02:02:25.199 --> 02:02:25.760
<v Speaker 5>the prequel?

2282
02:02:26.479 --> 02:02:28.720
<v Speaker 6>Not so crazy about the when Harry met For the

2283
02:02:28.800 --> 02:02:32.000
<v Speaker 6>stupid people in the audience, I'll get dumb and Dummer.

2284
02:02:32.800 --> 02:02:36.920
<v Speaker 6>I don't recognize those characters whatsoever. Oh, Harry and Lloyd. Right,

2285
02:02:37.199 --> 02:02:37.920
<v Speaker 6>that's the one.

2286
02:02:41.000 --> 02:02:44.920
<v Speaker 1>Maybe not liked, but definitely found things to like about it.

2287
02:02:45.039 --> 02:02:48.000
<v Speaker 1>I would say that Dumb and Dumber there were moments

2288
02:02:48.000 --> 02:02:50.000
<v Speaker 1>where it would just throw me off and where I

2289
02:02:50.039 --> 02:02:54.479
<v Speaker 1>felt like the tone wasn't quite the right tone. That like,

2290
02:02:54.520 --> 02:02:56.800
<v Speaker 1>it's like it's not written by the same people, it's

2291
02:02:56.800 --> 02:02:59.560
<v Speaker 1>not the same performers, but within that realm of an

2292
02:02:59.640 --> 02:03:04.960
<v Speaker 1>unnecessary prequel that doesn't have the same people associated with it.

2293
02:03:05.199 --> 02:03:08.920
<v Speaker 1>I do think there were some moments where I don't know,

2294
02:03:09.119 --> 02:03:11.920
<v Speaker 1>it had its own little moments of idiocy and it

2295
02:03:11.960 --> 02:03:13.720
<v Speaker 1>made me laugh. Like an example would be when the

2296
02:03:14.199 --> 02:03:16.680
<v Speaker 1>character Jessica says to Harry to come by her house

2297
02:03:16.720 --> 02:03:20.600
<v Speaker 1>around seven, and he says, o'clock come on, so.

2298
02:03:20.600 --> 02:03:22.439
<v Speaker 11>You'll pick me up tonight at seven forty five.

2299
02:03:23.279 --> 02:03:25.720
<v Speaker 14>Joy, Well, no, I got a few things to take

2300
02:03:25.760 --> 02:03:27.560
<v Speaker 14>care of first, but why don't we make a quarter

2301
02:03:27.560 --> 02:03:27.920
<v Speaker 14>to eight?

2302
02:03:28.840 --> 02:03:31.239
<v Speaker 1>But the guy who does young Jim Carrey. Also it's

2303
02:03:31.279 --> 02:03:34.239
<v Speaker 1>like I have to give him credit, like he's doing

2304
02:03:34.800 --> 02:03:37.439
<v Speaker 1>It's an impression, for sure, but it's not like a

2305
02:03:37.439 --> 02:03:41.760
<v Speaker 1>Saturday Night Live sketch impression. He's actually doing something. It's

2306
02:03:41.760 --> 02:03:44.800
<v Speaker 1>a finely tuned comic performance that happens to be exactly

2307
02:03:44.880 --> 02:03:47.560
<v Speaker 1>imitative of Jim Carrey's energy. But he does do something

2308
02:03:47.600 --> 02:03:49.640
<v Speaker 1>with it, and I was impressed to I looked at

2309
02:03:49.720 --> 02:03:52.239
<v Speaker 1>the actor's resume and I realize I know him from Community.

2310
02:03:52.239 --> 02:03:55.399
<v Speaker 1>He played Vaughn, the kind of hippie bro, the shirtless

2311
02:03:55.439 --> 02:03:58.319
<v Speaker 1>hippie bro with the tiny nipples, who is in a

2312
02:03:58.319 --> 02:04:00.600
<v Speaker 1>recurring role in that show. But I him from that,

2313
02:04:01.000 --> 02:04:02.479
<v Speaker 1>and I was like, Okay, so that shows he has

2314
02:04:02.520 --> 02:04:05.640
<v Speaker 1>comic range because in that he's totally not a weird

2315
02:04:05.760 --> 02:04:07.880
<v Speaker 1>bull cut dork like he is in this.

2316
02:04:08.680 --> 02:04:12.199
<v Speaker 6>I knew him as Mason's son on twenty four. He

2317
02:04:12.239 --> 02:04:15.159
<v Speaker 6>has like a two episode arc when Mason gets exposed

2318
02:04:15.199 --> 02:04:19.279
<v Speaker 6>to radiation and then starts quickly dying and he starts

2319
02:04:19.279 --> 02:04:21.079
<v Speaker 6>getting me in his affairs in order and he finds

2320
02:04:21.079 --> 02:04:23.000
<v Speaker 6>his son, and he's only in it for two episodes,

2321
02:04:23.000 --> 02:04:25.119
<v Speaker 6>but that's what I remember him most far.

2322
02:04:25.680 --> 02:04:30.239
<v Speaker 5>I know him only as Deeks from NCIS Los Angeles,

2323
02:04:30.239 --> 02:04:34.279
<v Speaker 5>where he's like this kind of hip surfer dude FBA

2324
02:04:34.399 --> 02:04:40.279
<v Speaker 5>while not n CIS agent, and he's so hip and cool,

2325
02:04:40.399 --> 02:04:43.199
<v Speaker 5>And when I saw him in Dumb and Dummer, I

2326
02:04:43.279 --> 02:04:46.800
<v Speaker 5>was like, that's the same guy. And I don't know

2327
02:04:46.800 --> 02:04:48.840
<v Speaker 5>if they actually chipped his tooth or if it was

2328
02:04:48.880 --> 02:04:52.079
<v Speaker 5>an appliance, but he yeah, he really goes for it

2329
02:04:52.119 --> 02:04:56.479
<v Speaker 5>and really does a Jim Carrey impersonation like nobody's business.

2330
02:04:56.720 --> 02:04:59.479
<v Speaker 6>And that's something we didn't bring up earlier. The chip

2331
02:04:59.560 --> 02:05:02.520
<v Speaker 6>tooth Jim Carrey has is his real tooth, and he

2332
02:05:02.560 --> 02:05:05.119
<v Speaker 6>wears a falsey whenever he's he's out in public and

2333
02:05:05.920 --> 02:05:09.359
<v Speaker 6>doing red carpet events, but that is how he's teeth naturally.

2334
02:05:09.399 --> 02:05:11.840
<v Speaker 1>Look. It kind of links to that thing I was

2335
02:05:11.880 --> 02:05:13.439
<v Speaker 1>saying about how this is in some ways like the

2336
02:05:13.479 --> 02:05:16.800
<v Speaker 1>perfect comedy form of Jim Carrey that he was like this,

2337
02:05:16.800 --> 02:05:18.760
<v Speaker 1>will I'll have my real tooth for this, you know

2338
02:05:18.800 --> 02:05:21.479
<v Speaker 1>what I mean. There's something about it says that's a

2339
02:05:21.520 --> 02:05:23.720
<v Speaker 1>way of getting in touch with the character that feels

2340
02:05:23.760 --> 02:05:26.159
<v Speaker 1>like it does change his looks, so does that awful haircut.

2341
02:05:26.199 --> 02:05:29.039
<v Speaker 1>Of course, Dumb and Dummer has that other thing too.

2342
02:05:29.119 --> 02:05:32.159
<v Speaker 1>Of there's certain jokes that just it's like they just

2343
02:05:32.199 --> 02:05:35.159
<v Speaker 1>haven't aged well in the context of if you did

2344
02:05:35.199 --> 02:05:37.520
<v Speaker 1>them now you would they just would feel different even

2345
02:05:37.560 --> 02:05:39.199
<v Speaker 1>if you wanted to joke about the same thing. Like

2346
02:05:39.239 --> 02:05:41.840
<v Speaker 1>I think some of the kind of Asian humor in

2347
02:05:42.159 --> 02:05:46.399
<v Speaker 1>Dumb and Dummer really did not age well compared to

2348
02:05:46.399 --> 02:05:50.039
<v Speaker 1>the other stuff that's like transgressive, where you're like, Okay,

2349
02:05:50.239 --> 02:05:52.159
<v Speaker 1>maybe there's a certain amount of that kind of gay

2350
02:05:52.199 --> 02:05:55.359
<v Speaker 1>panic stuff that was very popular in comedies of this time,

2351
02:05:55.520 --> 02:05:58.560
<v Speaker 1>but it's couched in the fact that these guys are idiots.

2352
02:05:59.279 --> 02:06:01.399
<v Speaker 1>So some of the stuff, like I saw some people

2353
02:06:01.439 --> 02:06:03.800
<v Speaker 1>saying that they were too mean spirited in the in

2354
02:06:03.880 --> 02:06:06.479
<v Speaker 1>Dumb and Dumber two, or that the characters were not

2355
02:06:06.520 --> 02:06:09.239
<v Speaker 1>as they didn't know the characters. But I feel like

2356
02:06:09.239 --> 02:06:11.479
<v Speaker 1>these have always been nasty guys in a certain way,

2357
02:06:11.520 --> 02:06:14.119
<v Speaker 1>Like they betray each other constantly and they're always trying

2358
02:06:14.159 --> 02:06:16.760
<v Speaker 1>to get one up on people. So I don't think

2359
02:06:16.760 --> 02:06:19.039
<v Speaker 1>it's out of character for them to have like crappy

2360
02:06:19.119 --> 02:06:22.960
<v Speaker 1>views or to represent something nasty in a moment. But

2361
02:06:23.119 --> 02:06:25.159
<v Speaker 1>I do think sometimes you watch an old comedy and

2362
02:06:25.199 --> 02:06:27.239
<v Speaker 1>you go, oh, they weren't quite meaning to make the

2363
02:06:27.319 --> 02:06:29.880
<v Speaker 1>joke that now it seems like they're making because they

2364
02:06:29.880 --> 02:06:34.279
<v Speaker 1>weren't thinking about how kind of limited and reductive the

2365
02:06:34.319 --> 02:06:37.319
<v Speaker 1>Asian representation in this movie would seem. And I feel

2366
02:06:37.359 --> 02:06:39.399
<v Speaker 1>it's the same way with the sort of homophobic jokes.

2367
02:06:39.399 --> 02:06:42.000
<v Speaker 1>It's like that stuff just it's not, oh, I'm so offended,

2368
02:06:42.079 --> 02:06:44.439
<v Speaker 1>it's just, oh, this movie would be just fine without

2369
02:06:44.439 --> 02:06:44.960
<v Speaker 1>this stuff.

2370
02:06:45.720 --> 02:06:50.319
<v Speaker 5>My biggest surprise from Dumb and Dumber err is Shia

2371
02:06:50.359 --> 02:06:52.600
<v Speaker 5>lah Boof. I had no idea that he was in this.

2372
02:06:52.680 --> 02:06:55.479
<v Speaker 1>I just wrote down the beef that was.

2373
02:06:55.439 --> 02:06:59.039
<v Speaker 5>Amazing, And I love how they're so dumb that he

2374
02:06:59.119 --> 02:07:02.520
<v Speaker 5>thinks that think that he's half man, half horse because

2375
02:07:02.520 --> 02:07:05.600
<v Speaker 5>he's a mascot, and then later on when he's also

2376
02:07:05.720 --> 02:07:08.800
<v Speaker 5>a mascot but now for a like a fish place

2377
02:07:08.880 --> 02:07:11.159
<v Speaker 5>or whatever it is, and he's dressed like a pirate

2378
02:07:11.560 --> 02:07:14.239
<v Speaker 5>and they think that he's a literal pirate, or I

2379
02:07:14.279 --> 02:07:16.600
<v Speaker 5>think that's just Lloyd thinks that he's a pirate and

2380
02:07:16.640 --> 02:07:21.199
<v Speaker 5>that he's actually Harry's invisible friend. That whole thing, and

2381
02:07:21.239 --> 02:07:23.880
<v Speaker 5>then it was nice seeing Mimi Rodgers. It's always great

2382
02:07:23.920 --> 02:07:28.359
<v Speaker 5>to see Louis Guzman, and then Eugene Levy and Cherry. Oh,

2383
02:07:28.439 --> 02:07:31.399
<v Speaker 5>Terry I thought were great as the principal and the

2384
02:07:31.520 --> 02:07:36.479
<v Speaker 5>lunch lady turned special ed teacher. So there. Yeah, gave

2385
02:07:36.520 --> 02:07:40.920
<v Speaker 5>me a couple lass which I was really just shocked by.

2386
02:07:41.600 --> 02:07:43.439
<v Speaker 1>When they get hung up on the flagpole and one

2387
02:07:43.479 --> 02:07:45.159
<v Speaker 1>of them says, so this is what a flag sees

2388
02:07:45.159 --> 02:07:48.039
<v Speaker 1>all day. It's so dumb. I think. When this one

2389
02:07:48.159 --> 02:07:49.720
<v Speaker 1>came on, I put this one on because I had

2390
02:07:49.720 --> 02:07:52.800
<v Speaker 1>never seen it before. I just instantly had that thought of, Okay,

2391
02:07:52.840 --> 02:07:55.039
<v Speaker 1>if a movie is trying to be dumb, and all

2392
02:07:55.039 --> 02:07:57.439
<v Speaker 1>it's trying to be is funny, there's a certain kind

2393
02:07:57.479 --> 02:08:01.079
<v Speaker 1>of forgiveness I have in my heart for I'm not

2394
02:08:01.119 --> 02:08:04.119
<v Speaker 1>gonna it's like I'm not. Maybe there's not much expectation

2395
02:08:04.239 --> 02:08:06.600
<v Speaker 1>for some comedies, but if that's all you're trying to do,

2396
02:08:07.000 --> 02:08:10.359
<v Speaker 1>I don't really begrudge a movie for being dumb when

2397
02:08:10.439 --> 02:08:14.199
<v Speaker 1>that's clearly the goal. There is something that doesn't quite

2398
02:08:14.319 --> 02:08:17.199
<v Speaker 1>nail the tone in the characters. But in my mind,

2399
02:08:17.279 --> 02:08:20.399
<v Speaker 1>I was always putting it next to that Kid ace

2400
02:08:20.479 --> 02:08:23.760
<v Speaker 1>Ventura movie, where it's like, oh god, little boy acting

2401
02:08:23.880 --> 02:08:27.479
<v Speaker 1>like ace Ventura. And it's not that it's not as

2402
02:08:27.520 --> 02:08:30.680
<v Speaker 1>awful and hard to watch as that Acepina Junior.

2403
02:08:31.600 --> 02:08:35.000
<v Speaker 5>Yes, God, oh man, and it's.

2404
02:08:34.920 --> 02:08:38.840
<v Speaker 6>Amazing that Dumb and Dummer, like the other two Jim

2405
02:08:38.880 --> 02:08:41.319
<v Speaker 6>Carrey movies that came out in nineteen ninety four, all

2406
02:08:41.399 --> 02:08:45.439
<v Speaker 6>received animated series. Yeah, that's crazy, and if you count

2407
02:08:45.479 --> 02:08:48.520
<v Speaker 6>Batman Forever the next year, Batman the animated series was

2408
02:08:48.560 --> 02:08:50.159
<v Speaker 6>on at the time because they were making fun of

2409
02:08:50.199 --> 02:08:53.039
<v Speaker 6>that movie, so technically he's got four animated series.

2410
02:08:53.359 --> 02:08:55.279
<v Speaker 5>Did either of you guys get a chance to watch

2411
02:08:55.359 --> 02:08:57.840
<v Speaker 5>Dumb and Dumber the kurtoon from ninety five.

2412
02:08:58.199 --> 02:09:00.199
<v Speaker 1>I watched one episode I was able to. I was

2413
02:09:00.199 --> 02:09:02.520
<v Speaker 1>really curious about it because I almost maybe i'd seen

2414
02:09:02.640 --> 02:09:04.319
<v Speaker 1>a moment or two from it, but I don't know

2415
02:09:04.359 --> 02:09:07.239
<v Speaker 1>that I had an awareness of this, so I I

2416
02:09:07.279 --> 02:09:08.800
<v Speaker 1>just wanted to see the style of the animation, and

2417
02:09:08.840 --> 02:09:10.039
<v Speaker 1>when I saw it, I was like, oh, yeah, this

2418
02:09:10.079 --> 02:09:14.920
<v Speaker 1>is definitely nineteen ninety five style animation and character designs.

2419
02:09:15.039 --> 02:09:17.600
<v Speaker 1>But what I love is that the conventions are in

2420
02:09:17.640 --> 02:09:19.680
<v Speaker 1>place from when I was a kid, and it was

2421
02:09:19.720 --> 02:09:21.560
<v Speaker 1>like the seventies into the eighties when they would do

2422
02:09:21.600 --> 02:09:23.920
<v Speaker 1>the animated show based on the sitcom they would do,

2423
02:09:24.000 --> 02:09:26.640
<v Speaker 1>like the Laverne and Shirley Show or whatever, but like

2424
02:09:27.079 --> 02:09:29.880
<v Speaker 1>the animated show always has a talking animal or an

2425
02:09:29.920 --> 02:09:33.239
<v Speaker 1>alien or a robot or something fantastical in it, and

2426
02:09:33.359 --> 02:09:37.399
<v Speaker 1>dumb and dumber they have a purple beaver that it

2427
02:09:37.439 --> 02:09:40.159
<v Speaker 1>doesn't speak, but is like smarter than them and sometimes

2428
02:09:40.199 --> 02:09:42.680
<v Speaker 1>points things out to them and helps them out with stuff.

2429
02:09:42.680 --> 02:09:44.680
<v Speaker 1>So I do think it's funny that, like, even though

2430
02:09:44.680 --> 02:09:47.760
<v Speaker 1>the animation style was more kind of postern and stimpy

2431
02:09:47.960 --> 02:09:50.800
<v Speaker 1>influenced and not what in my mind when I read

2432
02:09:50.800 --> 02:09:53.079
<v Speaker 1>the description, I was picturing like a Hanna Barbara cartoon

2433
02:09:53.119 --> 02:09:55.640
<v Speaker 1>from nineteen eighty two or something. It's not that it's

2434
02:09:55.720 --> 02:09:58.680
<v Speaker 1>much more modern than that, but it still hits that

2435
02:09:58.720 --> 02:10:00.720
<v Speaker 1>thing of Oh, they have to have an animal mascot,

2436
02:10:00.760 --> 02:10:03.039
<v Speaker 1>and it has to be somehow like fantastical. So it's

2437
02:10:03.039 --> 02:10:05.680
<v Speaker 1>a purple beaver. It's just such an odd It should have.

2438
02:10:05.640 --> 02:10:07.640
<v Speaker 6>Done the Back to the Future cartoon and had the

2439
02:10:07.680 --> 02:10:11.520
<v Speaker 6>purple beaver give science lessons in between episodes. Oh, it's

2440
02:10:11.560 --> 02:10:12.520
<v Speaker 6>like Doc Brown would do.

2441
02:10:13.119 --> 02:10:15.720
<v Speaker 5>Oh god, I never saw that cartoon. I didn't even

2442
02:10:15.720 --> 02:10:17.479
<v Speaker 5>know there was one until that just came out of

2443
02:10:17.479 --> 02:10:17.920
<v Speaker 5>your mouth.

2444
02:10:18.199 --> 02:10:19.960
<v Speaker 1>Did you know about the Lavern and Shirley cartoon?

2445
02:10:20.000 --> 02:10:20.119
<v Speaker 11>Mic?

2446
02:10:20.239 --> 02:10:23.000
<v Speaker 1>Just as quick, I did not know there was a

2447
02:10:23.479 --> 02:10:25.079
<v Speaker 1>I want to check what I'm about to tell you.

2448
02:10:25.199 --> 02:10:27.239
<v Speaker 1>I believe there was one where they were in the

2449
02:10:27.399 --> 02:10:31.600
<v Speaker 1>army and they had a drill sergeant who was a pig.

2450
02:10:32.560 --> 02:10:36.720
<v Speaker 1>Oh wow. Didn't they appear on Scooby Doo at one point? Oh,

2451
02:10:36.720 --> 02:10:37.680
<v Speaker 1>I'm certain they must have.

2452
02:10:37.800 --> 02:10:42.039
<v Speaker 5>Yet, I was very surprised that the character design of

2453
02:10:42.079 --> 02:10:45.159
<v Speaker 5>these of this cartoon because it so reminded me of

2454
02:10:45.279 --> 02:10:51.199
<v Speaker 5>like Powerpuff Girls Dexter's Laboratory. But this was ninety five,

2455
02:10:51.279 --> 02:10:52.600
<v Speaker 5>and I don't think.

2456
02:10:52.640 --> 02:10:56.560
<v Speaker 6>When those shows were starting. Okay, yeah, it was Hanna

2457
02:10:56.600 --> 02:10:59.600
<v Speaker 6>Barbara on the Way Out and the Cartoon Network brand

2458
02:10:59.720 --> 02:11:00.880
<v Speaker 6>kind of coming on the way in.

2459
02:11:01.800 --> 02:11:06.399
<v Speaker 5>Especially the way that Lloyd looks where it's the bowl cut,

2460
02:11:06.439 --> 02:11:08.960
<v Speaker 5>but then there's a little streak in his hair to

2461
02:11:09.039 --> 02:11:12.119
<v Speaker 5>kind of show that it's almost shiny, and then the

2462
02:11:12.239 --> 02:11:16.359
<v Speaker 5>exaggerated features of Harry where he's got this majorly big nose,

2463
02:11:16.560 --> 02:11:20.479
<v Speaker 5>majorly big chin coming out. It's really nice to hear

2464
02:11:20.840 --> 02:11:24.159
<v Speaker 5>Bill fager Becky's or however you pronounce it, part of

2465
02:11:24.199 --> 02:11:27.279
<v Speaker 5>me his voice coming out of Harry.

2466
02:11:27.800 --> 02:11:28.119
<v Speaker 2>Though.

2467
02:11:28.239 --> 02:11:30.600
<v Speaker 5>I was saying to Ryan before we started recording that

2468
02:11:30.680 --> 02:11:34.920
<v Speaker 5>it's amazing that Patrick Starr is dumber than Harry, which

2469
02:11:35.000 --> 02:11:39.800
<v Speaker 5>is amazing. But yeah, it's almost like a precursor to

2470
02:11:39.920 --> 02:11:42.640
<v Speaker 5>SpongeBob with the way that these two are sometimes. But

2471
02:11:42.760 --> 02:11:48.560
<v Speaker 5>there's no meanness. Obviously, neither Patrick Starr nor SpongeBob ever

2472
02:11:49.159 --> 02:11:52.479
<v Speaker 5>intend to be mean. Ever, they're a little bit like

2473
02:11:52.560 --> 02:11:55.119
<v Speaker 5>Harry and Lloyd in that the way that they annoyed

2474
02:11:55.119 --> 02:11:57.760
<v Speaker 5>squid word. But I also have to say that Matt

2475
02:11:57.800 --> 02:12:00.800
<v Speaker 5>Fruher did a really good Lloyd Christmas. But it's Matt Frewer,

2476
02:12:00.920 --> 02:12:02.760
<v Speaker 5>so yeah, he can do no wrong.

2477
02:12:02.800 --> 02:12:05.640
<v Speaker 1>In my book, it made me realize how much the

2478
02:12:05.720 --> 02:12:08.479
<v Speaker 1>sort of somebody stopped me that kind of Jim Carrey said,

2479
02:12:08.800 --> 02:12:13.039
<v Speaker 1>set's very max Headroom, and so Frewer doing Jim Carrey

2480
02:12:13.119 --> 02:12:17.720
<v Speaker 1>it fits. It's like this heightened as this person thinks

2481
02:12:17.760 --> 02:12:20.560
<v Speaker 1>they're an entertainer and they're doing this thing. So I was,

2482
02:12:20.840 --> 02:12:22.800
<v Speaker 1>but I had the same thought. Matt Frewer does a

2483
02:12:22.800 --> 02:12:26.119
<v Speaker 1>great job, and I think that so does Patrick. I'll

2484
02:12:26.159 --> 02:12:27.359
<v Speaker 1>just call him Patrick because I don't know how to

2485
02:12:27.359 --> 02:12:30.279
<v Speaker 1>pronounce his last name either. But he's got such a

2486
02:12:30.319 --> 02:12:33.239
<v Speaker 1>recognizable voice that it was it didn't feel as much

2487
02:12:33.359 --> 02:12:37.039
<v Speaker 1>like an impression of what Jeff Daniels is doing, by

2488
02:12:37.039 --> 02:12:38.800
<v Speaker 1>the way, I wanted to say, Yes, I was correct

2489
02:12:38.800 --> 02:12:42.479
<v Speaker 1>that the Laverna's early cartoon they had a drill sergeant

2490
02:12:42.560 --> 02:12:45.920
<v Speaker 1>named Sergeant Squeally who was a pig, and it's voiced

2491
02:12:45.960 --> 02:12:49.199
<v Speaker 1>by horses. Shack, oh wow, welcome back catter.

2492
02:12:49.479 --> 02:12:53.439
<v Speaker 6>So yeah, it's really celebrity boxing days before he found his.

2493
02:12:53.399 --> 02:12:56.359
<v Speaker 1>True calling as a celebrity boxer. I didn't even think

2494
02:12:56.359 --> 02:12:59.000
<v Speaker 1>about that. This was before some of those cartoons that

2495
02:12:59.079 --> 02:13:01.399
<v Speaker 1>it feels in league with, like around this time. Definitely,

2496
02:13:01.399 --> 02:13:03.239
<v Speaker 1>the mid nineties was a time for this kind of

2497
02:13:03.399 --> 02:13:08.800
<v Speaker 1>those chunky, line weight and slightly more like our animation

2498
02:13:08.880 --> 02:13:11.319
<v Speaker 1>that looked a little bit more like alt comics, edging

2499
02:13:11.319 --> 02:13:13.920
<v Speaker 1>towards that style, but still a very user friendly kind

2500
02:13:13.960 --> 02:13:15.840
<v Speaker 1>of Saturday Morning style.

2501
02:13:16.000 --> 02:13:21.479
<v Speaker 5>Overall, it had both Patrick and SpongeBob because Tom Kenny

2502
02:13:21.600 --> 02:13:24.159
<v Speaker 5>was doing a voice as well. It was Weenie in there,

2503
02:13:24.920 --> 02:13:27.039
<v Speaker 5>which I don't know if I remember the Weenie character,

2504
02:13:27.079 --> 02:13:29.000
<v Speaker 5>because I did watch a few of these episodes, but

2505
02:13:29.680 --> 02:13:33.239
<v Speaker 5>towards the second one, I just started fast forwarding because

2506
02:13:33.279 --> 02:13:35.960
<v Speaker 5>I was like, I'm not enjoying this as much as

2507
02:13:36.000 --> 02:13:37.119
<v Speaker 5>I feel like I should be.

2508
02:13:37.760 --> 02:13:39.399
<v Speaker 1>I felt like I needed to see what it was

2509
02:13:39.479 --> 02:13:41.600
<v Speaker 1>about because it sounded crazy. But once I got it,

2510
02:13:41.640 --> 02:13:43.479
<v Speaker 1>I was like, oh, okay, I got it. You know,

2511
02:13:43.520 --> 02:13:44.960
<v Speaker 1>I don't need to watch all of them.

2512
02:13:45.399 --> 02:13:49.199
<v Speaker 5>Nah, No, all thirteen episodes very quick, just a one

2513
02:13:49.279 --> 02:13:53.720
<v Speaker 5>season show, and then yeah, the sequel coming out twenty

2514
02:13:53.800 --> 02:13:58.840
<v Speaker 5>years later, and that they are very open to. This

2515
02:13:58.920 --> 02:14:02.840
<v Speaker 5>is twenty years later, and they are doing everything right

2516
02:14:03.079 --> 02:14:05.239
<v Speaker 5>in my opinion. When it comes to Dumb and Dumber

2517
02:14:05.279 --> 02:14:08.720
<v Speaker 5>two to really put in the future. I love that

2518
02:14:08.760 --> 02:14:12.800
<v Speaker 5>they're making all these references back to free to Felcher

2519
02:14:13.159 --> 02:14:15.560
<v Speaker 5>because they talk about her in Dumb and Dumber and

2520
02:14:15.880 --> 02:14:18.560
<v Speaker 5>I forgot all about that until I was watching it

2521
02:14:18.600 --> 02:14:21.720
<v Speaker 5>again because I actually went through and I watched this week,

2522
02:14:21.720 --> 02:14:25.319
<v Speaker 5>I watched Dumb and Dumber, I watched Dumb and Dumber two,

2523
02:14:25.520 --> 02:14:27.840
<v Speaker 5>and then I wrapped up with Dumb and Dummer, and

2524
02:14:27.920 --> 02:14:30.479
<v Speaker 5>it was so interesting to see the way that they

2525
02:14:30.520 --> 02:14:33.880
<v Speaker 5>would do the touch points back to Dumb and Dumber

2526
02:14:33.880 --> 02:14:36.600
<v Speaker 5>from Dumb and Dumber two, watching them out of order

2527
02:14:37.000 --> 02:14:39.479
<v Speaker 5>and just oh, okay, yeah, I forgot all about that,

2528
02:14:39.520 --> 02:14:42.000
<v Speaker 5>and they talk about the French tickler and all those things.

2529
02:14:42.039 --> 02:14:44.119
<v Speaker 5>I'm like, Wow, you guys are really doing a good

2530
02:14:44.239 --> 02:14:47.560
<v Speaker 5>job bringing all of these things back. And then the

2531
02:14:47.720 --> 02:14:50.680
<v Speaker 5>crime that's in that film I found to be pretty

2532
02:14:50.680 --> 02:14:54.279
<v Speaker 5>interesting as well. And just the girl that played their

2533
02:14:55.319 --> 02:14:59.520
<v Speaker 5>not daughter who seemed like their daughter, Rachel Melvin as Penny.

2534
02:15:00.439 --> 02:15:03.039
<v Speaker 5>I thought she did an amazing job in this. But

2535
02:15:03.199 --> 02:15:08.399
<v Speaker 5>I was really just taken by Rob Riggle, especially when

2536
02:15:08.399 --> 02:15:11.960
<v Speaker 5>he plays his own twin brother and those scenes where

2537
02:15:12.000 --> 02:15:14.800
<v Speaker 5>he would walk out of the background because he was

2538
02:15:15.319 --> 02:15:18.760
<v Speaker 5>an expert. Apparently, it's just like Peta from The Hunger Games.

2539
02:15:18.760 --> 02:15:20.800
<v Speaker 5>It can blend into any.

2540
02:15:21.920 --> 02:15:25.439
<v Speaker 1>Except unlike Peta, this is intended to be ridiculously funny,

2541
02:15:26.199 --> 02:15:28.399
<v Speaker 1>and Pete has apparently played as a dramatic moment and

2542
02:15:28.399 --> 02:15:30.399
<v Speaker 1>it's just the instead. It's the silliest thing that's ever

2543
02:15:30.399 --> 02:15:32.479
<v Speaker 1>been in a movie. Hell yes, I love the way

2544
02:15:32.520 --> 02:15:34.359
<v Speaker 1>it's like he has to quickly apply this makeup and

2545
02:15:34.359 --> 02:15:37.039
<v Speaker 1>then lay down amongst the rocks. It's just ridiculous. Whatever

2546
02:15:37.079 --> 02:15:39.800
<v Speaker 1>you think of the movie, I found myself just enjoying

2547
02:15:39.840 --> 02:15:42.279
<v Speaker 1>that they the spirit was intact, even if the gags

2548
02:15:42.279 --> 02:15:44.600
<v Speaker 1>weren't always intact. For me, I thought, you know what,

2549
02:15:44.680 --> 02:15:47.279
<v Speaker 1>I love that Jeff Daniels is here throwing himself back

2550
02:15:47.279 --> 02:15:49.680
<v Speaker 1>into it as Harry, and I love that Jim Carrey.

2551
02:15:50.039 --> 02:15:52.079
<v Speaker 1>Jim Carrey doesn't do a lot of stuff. He's maybe

2552
02:15:52.119 --> 02:15:54.600
<v Speaker 1>now he does the Sonic movies, and it seems like

2553
02:15:54.640 --> 02:15:57.359
<v Speaker 1>that's mainly what he does. But at the time, I

2554
02:15:57.359 --> 02:15:58.960
<v Speaker 1>felt like it had been a while since I'd seen

2555
02:15:59.039 --> 02:16:01.279
<v Speaker 1>Jim Carrey go for broke with this type of stuff.

2556
02:16:02.159 --> 02:16:05.119
<v Speaker 1>And I love the gag. I just love the concept

2557
02:16:05.439 --> 02:16:09.199
<v Speaker 1>that he's been a catatonic since the end of the

2558
02:16:09.199 --> 02:16:12.359
<v Speaker 1>first movie, and then b that he's been faking it.

2559
02:16:12.640 --> 02:16:15.079
<v Speaker 1>But that is such a great way to answer the

2560
02:16:15.159 --> 02:16:17.079
<v Speaker 1>question of what is what have the character has been

2561
02:16:17.159 --> 02:16:19.560
<v Speaker 1>up to since the last time we saw them. Literally

2562
02:16:19.600 --> 02:16:22.720
<v Speaker 1>nothing in the way. This movie kind of wipes away

2563
02:16:22.720 --> 02:16:24.479
<v Speaker 1>the can And I mean, it's an interesting thing to

2564
02:16:24.520 --> 02:16:27.199
<v Speaker 1>say that one of these movies is not canonical, but

2565
02:16:27.399 --> 02:16:29.560
<v Speaker 1>I believe the events of Dumb and Dumber two make

2566
02:16:29.600 --> 02:16:32.319
<v Speaker 1>Dumb and Dumber a non canonical just because of the

2567
02:16:32.399 --> 02:16:35.120
<v Speaker 1>parents and certain things about the background of the characters.

2568
02:16:35.559 --> 02:16:37.559
<v Speaker 1>So now we have a multiverse. We don't just have

2569
02:16:37.639 --> 02:16:39.479
<v Speaker 1>a saga. We have a multiverse of.

2570
02:16:41.799 --> 02:16:44.399
<v Speaker 5>And I thought it was great that Kathleen Turner was

2571
02:16:44.440 --> 02:16:47.079
<v Speaker 5>able to play into her comedy chuffs because she has

2572
02:16:47.159 --> 02:16:50.479
<v Speaker 5>those and it rarely gets to use them. And she

2573
02:16:50.639 --> 02:16:53.399
<v Speaker 5>was great in here as Fraida, and I love that

2574
02:16:53.399 --> 02:16:56.360
<v Speaker 5>they're not afraid or she's not afraid to take some

2575
02:16:56.399 --> 02:16:59.559
<v Speaker 5>of these insults that they're throwing around, and that she's

2576
02:16:59.600 --> 02:17:04.879
<v Speaker 5>a leet slut. The end with her doctor Pinchela was fantastic.

2577
02:17:05.440 --> 02:17:08.159
<v Speaker 5>But yeah, and just when she's talking about, oh yeah,

2578
02:17:08.200 --> 02:17:10.239
<v Speaker 5>you're not the father, and nor are you the father?

2579
02:17:10.319 --> 02:17:12.959
<v Speaker 5>That was my place? What was it like I took

2580
02:17:13.000 --> 02:17:14.479
<v Speaker 5>on the whole basketball team.

2581
02:17:14.559 --> 02:17:17.760
<v Speaker 1>I'm there, there's no telling. And also when you find

2582
02:17:17.760 --> 02:17:20.040
<v Speaker 1>out that not only has she been with all these

2583
02:17:20.040 --> 02:17:22.399
<v Speaker 1>other guys, but she wasn't ever with them, and they

2584
02:17:22.440 --> 02:17:24.639
<v Speaker 1>didn't know that, they didn't have sex with her. They

2585
02:17:24.680 --> 02:17:28.000
<v Speaker 1>both had no understanding of sex. It's so ridiculous.

2586
02:17:28.000 --> 02:17:31.760
<v Speaker 5>But the reaction of both of them when she finally

2587
02:17:31.840 --> 02:17:34.440
<v Speaker 5>tells them what sex says.

2588
02:17:34.280 --> 02:17:38.159
<v Speaker 6>No, worry, that's just not my mom.

2589
02:17:38.440 --> 02:17:43.000
<v Speaker 12>But we're pea like him and I cannot learn it.

2590
02:17:43.600 --> 02:17:44.360
<v Speaker 1>You're bad.

2591
02:17:44.840 --> 02:17:45.719
<v Speaker 4>Can you show us?

2592
02:17:45.959 --> 02:17:46.639
<v Speaker 5>I call sloppy.

2593
02:17:46.680 --> 02:17:50.959
<v Speaker 1>Seconds then the one flashback to him being with her,

2594
02:17:51.399 --> 02:17:53.040
<v Speaker 1>he says, I need to put on protection, and then

2595
02:17:53.040 --> 02:17:55.520
<v Speaker 1>he puts on the bike helmet and then he like

2596
02:17:55.840 --> 02:17:58.040
<v Speaker 1>comes at her with his mouth wide open and does

2597
02:17:58.120 --> 02:18:01.079
<v Speaker 1>this to her shoulder. So it's like they play into

2598
02:18:01.120 --> 02:18:03.200
<v Speaker 1>that idea that these guys don't know what's going on,

2599
02:18:03.239 --> 02:18:05.079
<v Speaker 1>but you don't know, you really don't know, Like how

2600
02:18:05.159 --> 02:18:07.360
<v Speaker 1>much do they really not know? Like you could have

2601
02:18:07.399 --> 02:18:09.920
<v Speaker 1>another version of this where they are regularly with women

2602
02:18:10.000 --> 02:18:12.040
<v Speaker 1>but they just can't keep a girlfriend or something, But no,

2603
02:18:12.159 --> 02:18:15.079
<v Speaker 1>these guys are complete cartoon characters in the world that's

2604
02:18:15.120 --> 02:18:16.200
<v Speaker 1>slightly more real than them.

2605
02:18:16.959 --> 02:18:19.719
<v Speaker 5>I almost wish that they had gotten Derek Richardson and

2606
02:18:19.840 --> 02:18:22.920
<v Speaker 5>Eric Christian Olsen to be the younger versions of them

2607
02:18:22.959 --> 02:18:26.360
<v Speaker 5>in this movie. That would have been nice. But yeah,

2608
02:18:26.399 --> 02:18:29.840
<v Speaker 5>you're right, it's multiverse now, and they can even dip

2609
02:18:29.840 --> 02:18:31.719
<v Speaker 5>into cartoon World two.

2610
02:18:31.879 --> 02:18:35.319
<v Speaker 1>That's three hole multiverses. We need a crisis on infinite

2611
02:18:35.600 --> 02:18:36.319
<v Speaker 1>and dumbers now.

2612
02:18:37.479 --> 02:18:40.120
<v Speaker 5>Somewhere in Rhode Island there's a hell mouth that has

2613
02:18:40.159 --> 02:18:40.719
<v Speaker 5>opened up.

2614
02:18:41.559 --> 02:18:43.440
<v Speaker 1>I think there are several I've been to Rhode Island

2615
02:18:43.440 --> 02:18:44.079
<v Speaker 1>and I'm just kidding.

2616
02:18:45.680 --> 02:18:49.239
<v Speaker 5>There's not a whole lot of room for multiple strip

2617
02:18:49.280 --> 02:18:52.360
<v Speaker 5>in there. Nice having a little cameo from Bill Murray

2618
02:18:52.360 --> 02:18:55.959
<v Speaker 5>and here is a nice pick. I thought that was, yes,

2619
02:18:56.280 --> 02:18:59.280
<v Speaker 5>the best day of my life. And then they have

2620
02:18:59.479 --> 02:19:02.159
<v Speaker 5>PD as well. I thought was wonderful. And that they

2621
02:19:02.200 --> 02:19:05.479
<v Speaker 5>had to track down that actor via Facebook because they

2622
02:19:05.639 --> 02:19:09.079
<v Speaker 5>couldn't find contact information for him. And then I guess

2623
02:19:09.120 --> 02:19:12.760
<v Speaker 5>he had to audition regardless, just because of the rules

2624
02:19:12.799 --> 02:19:16.120
<v Speaker 5>of the way that the movie was made, and it's yeah,

2625
02:19:16.200 --> 02:19:19.239
<v Speaker 5>you got the role, but they still made him audition.

2626
02:19:20.200 --> 02:19:22.879
<v Speaker 5>That was nice to have him show back up. And

2627
02:19:22.920 --> 02:19:26.799
<v Speaker 5>then especially now that he's got all those beautiful birds

2628
02:19:27.079 --> 02:19:30.719
<v Speaker 5>and you're talking about, oh, the characters are too mean.

2629
02:19:31.600 --> 02:19:34.559
<v Speaker 5>When they do set brob Riggla on fire and they

2630
02:19:34.639 --> 02:19:37.920
<v Speaker 5>do that pointing and laughing, the literal pointing and laughing.

2631
02:19:37.920 --> 02:19:39.879
<v Speaker 5>I'm like, that's the exact same thing that they did

2632
02:19:39.920 --> 02:19:43.040
<v Speaker 5>to Mental in the first movie after they just murdered

2633
02:19:43.120 --> 02:19:46.040
<v Speaker 5>him with the hot peppers. They don't know that they

2634
02:19:46.040 --> 02:19:49.440
<v Speaker 5>are murdering him, and it's before they give him the cyanide,

2635
02:19:50.280 --> 02:19:53.239
<v Speaker 5>but they do that same point and laugh kind of thing.

2636
02:19:53.280 --> 02:19:56.680
<v Speaker 5>And yeah, just the intensity around the pranks that they're

2637
02:19:56.680 --> 02:19:59.840
<v Speaker 5>pulling on each other. And I'm not going to give

2638
02:19:59.840 --> 02:20:01.760
<v Speaker 5>a way the final twist of the movie, but that

2639
02:20:01.920 --> 02:20:04.639
<v Speaker 5>actually really got me the first time I watched it,

2640
02:20:04.680 --> 02:20:06.799
<v Speaker 5>and I thought that was wonderful that they did.

2641
02:20:07.559 --> 02:20:09.719
<v Speaker 1>If we're gonna leave that ending slightly unspoiled, then I

2642
02:20:09.760 --> 02:20:11.280
<v Speaker 1>will not say what I would say that was spoil it,

2643
02:20:11.319 --> 02:20:13.879
<v Speaker 1>but I can expect to something I said earlier about

2644
02:20:13.920 --> 02:20:16.399
<v Speaker 1>an injury that Harry has. I just think that moment

2645
02:20:16.879 --> 02:20:19.760
<v Speaker 1>is funnier because it's being played while Harry has a

2646
02:20:19.799 --> 02:20:21.079
<v Speaker 1>bullet hole through him.

2647
02:20:21.440 --> 02:20:25.200
<v Speaker 5>Yeah, and I think that Lloyd's injury is wonderful as well,

2648
02:20:26.159 --> 02:20:28.920
<v Speaker 5>and the way that Carrie plays that is terrific and

2649
02:20:29.639 --> 02:20:34.799
<v Speaker 5>just the repetition of the dialogue. Yeah, but not as Yeah,

2650
02:20:34.840 --> 02:20:37.319
<v Speaker 5>I find a lot of laughs in Dumb and Dumber two.

2651
02:20:37.760 --> 02:20:41.680
<v Speaker 5>It's not a classic, it's it's better than a lot

2652
02:20:41.719 --> 02:20:44.360
<v Speaker 5>of legacy sequels I see, though I have to say

2653
02:20:44.719 --> 02:20:46.920
<v Speaker 5>it definitely feels like they thought about this one a

2654
02:20:46.959 --> 02:20:49.760
<v Speaker 5>lot more than they did something like Beetlejuice. Beetlejuice.

2655
02:20:50.559 --> 02:20:53.520
<v Speaker 1>The question of do comedy sequels ever fully work, and

2656
02:20:53.600 --> 02:20:56.120
<v Speaker 1>I think that when they have the best success, it's

2657
02:20:56.159 --> 02:20:59.319
<v Speaker 1>when they just again not to sound like I'm beating

2658
02:20:59.319 --> 02:21:01.079
<v Speaker 1>a dead horse, but when and just try to be funny.

2659
02:21:01.079 --> 02:21:03.840
<v Speaker 1>And I think the fact that this movie has literally

2660
02:21:03.879 --> 02:21:06.719
<v Speaker 1>nothing on its mind other than that, I think that

2661
02:21:06.920 --> 02:21:11.239
<v Speaker 1>is that's there's a certain kind of grace that it

2662
02:21:11.280 --> 02:21:14.559
<v Speaker 1>achieves just by virtue of being like, Okay, gag to gag.

2663
02:21:14.600 --> 02:21:16.200
<v Speaker 1>Maybe you didn't like that last one, but you might

2664
02:21:16.239 --> 02:21:18.840
<v Speaker 1>really like the next one, and it doesn't move quite

2665
02:21:18.840 --> 02:21:21.559
<v Speaker 1>as efficiently. It maybe could be a little bit tighter,

2666
02:21:21.600 --> 02:21:23.799
<v Speaker 1>and maybe that would make it seem funnier. But I

2667
02:21:23.840 --> 02:21:26.639
<v Speaker 1>think there's something about just I'm a sucker for when

2668
02:21:26.639 --> 02:21:28.760
<v Speaker 1>it feels like, oh, these people had fun getting back

2669
02:21:28.799 --> 02:21:31.399
<v Speaker 1>together to make this movie. So I think that's what

2670
02:21:31.440 --> 02:21:33.200
<v Speaker 1>I feel when I watched that one, is just that

2671
02:21:33.280 --> 02:21:35.440
<v Speaker 1>Jim Carrey and Jeff Daniels seem to be having such

2672
02:21:35.479 --> 02:21:37.399
<v Speaker 1>a blast, and that's infectious to me.

2673
02:21:38.520 --> 02:21:42.440
<v Speaker 5>Were you aware of the controversy around the making of

2674
02:21:42.719 --> 02:21:46.440
<v Speaker 5>A Dumb and Dumber two? On June fifteen, twenty seventeen,

2675
02:21:46.479 --> 02:21:49.559
<v Speaker 5>the United States Department of Justice charge that money used

2676
02:21:49.600 --> 02:21:53.000
<v Speaker 5>to produce the film was stolen from a Malaysian government

2677
02:21:53.200 --> 02:21:54.120
<v Speaker 5>investment fund.

2678
02:21:55.079 --> 02:21:56.200
<v Speaker 1>You know, I did not know this.

2679
02:21:56.799 --> 02:22:01.399
<v Speaker 5>Yes, According to Wikipedia, the source of all knowledge, Red

2680
02:22:01.399 --> 02:22:07.959
<v Speaker 5>Granite Pictures denied knowingly accepting stolen money. Prosecutors also filed

2681
02:22:08.399 --> 02:22:11.799
<v Speaker 5>a forfeiture complaint in federal court to seize the rights

2682
02:22:11.840 --> 02:22:14.920
<v Speaker 5>of ownerships to Dumb and Dumber two, as well as

2683
02:22:14.920 --> 02:22:18.280
<v Speaker 5>the rights to the twenty to fifteen film Daddy's Home.

2684
02:22:18.719 --> 02:22:21.719
<v Speaker 6>So didn't they also do with Wolf of Wall Street?

2685
02:22:22.079 --> 02:22:23.520
<v Speaker 6>Wasn't that alsopart of it?

2686
02:22:23.639 --> 02:22:26.719
<v Speaker 1>They went half, is there an agenda being pushed by

2687
02:22:26.719 --> 02:22:27.200
<v Speaker 1>this movie?

2688
02:22:27.239 --> 02:22:27.360
<v Speaker 5>Is that?

2689
02:22:29.479 --> 02:22:32.719
<v Speaker 1>I don't know there's anything political about the actual sun.

2690
02:22:33.559 --> 02:22:37.120
<v Speaker 5>Yeah, now, other than all the clean energy that they have.

2691
02:22:37.840 --> 02:22:42.200
<v Speaker 5>The thing where they've got Harry judging all of those

2692
02:22:42.239 --> 02:22:46.959
<v Speaker 5>young geniuses with their projects, and it's so reminded me

2693
02:22:47.079 --> 02:22:52.239
<v Speaker 5>of like Martin from The Simpsons, Behold the power plant

2694
02:22:52.319 --> 02:22:54.639
<v Speaker 5>of the future Today.

2695
02:22:56.040 --> 02:23:00.360
<v Speaker 1>To cold and sterrile whiz the hot but.

2696
02:23:00.399 --> 02:23:02.120
<v Speaker 6>It really generates power.

2697
02:23:02.360 --> 02:23:08.120
<v Speaker 1>It's letting this room right now, you lose, get off

2698
02:23:08.159 --> 02:23:11.639
<v Speaker 1>mud pupperty. I thought that was eerily reminiscent of what's

2699
02:23:11.639 --> 02:23:14.959
<v Speaker 1>happening in the research community and in DC right now,

2700
02:23:15.079 --> 02:23:17.799
<v Speaker 1>these people presenting like the cure for cancer and this

2701
02:23:17.920 --> 02:23:21.639
<v Speaker 1>complete idiot city there going no yeah, but what's in

2702
02:23:21.680 --> 02:23:24.719
<v Speaker 1>it for me? And he's loving that. The crowds with him,

2703
02:23:24.760 --> 02:23:27.799
<v Speaker 1>they're laughing at him, and Harry's so stupid, He's I

2704
02:23:27.799 --> 02:23:30.079
<v Speaker 1>don't know, it's so funny to see him. He gets

2705
02:23:30.079 --> 02:23:31.959
<v Speaker 1>a little full of himself in that moment. I think

2706
02:23:32.000 --> 02:23:34.000
<v Speaker 1>that's it. Yeah, Jeff Daniels is good in that scene.

2707
02:23:34.079 --> 02:23:36.079
<v Speaker 1>I'll just say that one of the best lines in

2708
02:23:36.159 --> 02:23:38.239
<v Speaker 1>Dumb and Dumber two was one that really stuck with me,

2709
02:23:38.319 --> 02:23:41.520
<v Speaker 1>is when he says, so this is what rock Bottom

2710
02:23:41.600 --> 02:23:43.840
<v Speaker 1>feels like. It's not that bad.

2711
02:23:44.319 --> 02:23:46.079
<v Speaker 5>All right, We're going to take another break and play

2712
02:23:46.120 --> 02:23:48.959
<v Speaker 5>a preview for next week's show right after these brief

2713
02:23:48.959 --> 02:23:50.639
<v Speaker 5>messages down.

2714
02:23:50.680 --> 02:23:52.000
<v Speaker 3>That's street.

2715
02:23:53.360 --> 02:23:55.159
<v Speaker 4>In Manhattan.

2716
02:24:00.079 --> 02:24:04.520
<v Speaker 1>That has no window pane, and that.

2717
02:24:06.360 --> 02:24:12.719
<v Speaker 20>That bad little way, God.

2718
02:24:12.440 --> 02:24:13.719
<v Speaker 4>It's bad.

2719
02:24:15.520 --> 02:24:16.000
<v Speaker 16>To night.

2720
02:24:36.239 --> 02:24:38.479
<v Speaker 4>Damn that street.

2721
02:24:40.159 --> 02:24:45.479
<v Speaker 3>In Manhattan, and that house.

2722
02:24:46.879 --> 02:24:49.520
<v Speaker 1>That has no window paye.

2723
02:24:51.000 --> 02:24:54.520
<v Speaker 4>And that love that bad.

2724
02:24:55.360 --> 02:24:59.520
<v Speaker 20>Lot away God, it's Spad.

2725
02:25:10.559 --> 02:25:13.520
<v Speaker 5>That's right. We'll be back next week with something very different,

2726
02:25:13.639 --> 02:25:17.760
<v Speaker 5>Jean Pierre Melville's Two men in Manhattan, two very different

2727
02:25:17.840 --> 02:25:19.920
<v Speaker 5>men from Harry and Lloyd. Until then, I want to

2728
02:25:19.959 --> 02:25:23.319
<v Speaker 5>thank my co host John and Ryan, two very different

2729
02:25:23.399 --> 02:25:25.799
<v Speaker 5>men from Harry and Lloyd. So, John, what is the

2730
02:25:25.920 --> 02:25:26.879
<v Speaker 5>latest in your world?

2731
02:25:28.440 --> 02:25:30.159
<v Speaker 1>I'll just go ahead and throw my blue sky out there.

2732
02:25:30.200 --> 02:25:32.399
<v Speaker 1>That seems like the smart thing to do nowadays. I'm

2733
02:25:32.559 --> 02:25:36.000
<v Speaker 1>johnnyw dot bsky dot social, So that's g I A

2734
02:25:36.399 --> 02:25:38.920
<v Speaker 1>N N I d U b y A. And from there,

2735
02:25:39.000 --> 02:25:40.959
<v Speaker 1>if you look at my bio you can link out

2736
02:25:41.000 --> 02:25:43.600
<v Speaker 1>to my music and other podcasts I do. But I

2737
02:25:43.680 --> 02:25:46.600
<v Speaker 1>will say I have a podcast that has been working

2738
02:25:46.639 --> 02:25:48.719
<v Speaker 1>in little batches, in another batch. At the time this

2739
02:25:48.799 --> 02:25:51.040
<v Speaker 1>episode comes out should be in full swing, and that

2740
02:25:51.200 --> 02:25:53.440
<v Speaker 1>is my Coen Brothers podcast, co Intel Pro.

2741
02:25:54.000 --> 02:25:56.360
<v Speaker 4>That's co O E N T E L p r O.

2742
02:25:56.879 --> 02:25:59.479
<v Speaker 1>Mike was kind enough to be on the first episode

2743
02:25:59.479 --> 02:26:01.920
<v Speaker 1>where we talk about Blood Simple and Crime Wave and

2744
02:26:02.280 --> 02:26:04.959
<v Speaker 1>those continue to roll out with fun guests and if

2745
02:26:05.000 --> 02:26:06.799
<v Speaker 1>you know the movies of the Coen Brothers, there's lots

2746
02:26:06.799 --> 02:26:08.920
<v Speaker 1>of fun stuff to talk about there, so that's happening.

2747
02:26:08.959 --> 02:26:11.319
<v Speaker 1>And then just about every week, Movie Movie is a

2748
02:26:11.360 --> 02:26:14.479
<v Speaker 1>podcast I've been on for thirteen years now and we

2749
02:26:14.639 --> 02:26:18.000
<v Speaker 1>pretty much talk about whatever we've been watching recently, so

2750
02:26:18.280 --> 02:26:20.200
<v Speaker 1>a lot of recent stuff, but we also usually try

2751
02:26:20.239 --> 02:26:22.719
<v Speaker 1>to pick a classic or a not so recent film

2752
02:26:22.799 --> 02:26:25.479
<v Speaker 1>to talk about each week as well. So that's Moviemovie

2753
02:26:25.959 --> 02:26:27.319
<v Speaker 1>and yeah, that's where you can find me.

2754
02:26:28.120 --> 02:26:31.079
<v Speaker 5>And I say your name at least twice a month

2755
02:26:31.159 --> 02:26:33.200
<v Speaker 5>on the air because I always thank you for the

2756
02:26:33.319 --> 02:26:36.239
<v Speaker 5>theme song for The Shabby Detective and the Life and

2757
02:26:36.319 --> 02:26:39.520
<v Speaker 5>Times of Captain Barney Miller podcast. So John is a

2758
02:26:39.760 --> 02:26:43.440
<v Speaker 5>very wonderful and talented musician who has definitely done right

2759
02:26:43.520 --> 02:26:43.760
<v Speaker 5>by me.

2760
02:26:44.159 --> 02:26:45.120
<v Speaker 1>Thanks for the kind words.

2761
02:26:46.120 --> 02:26:47.639
<v Speaker 5>And Ryan, what is happening with you?

2762
02:26:47.760 --> 02:26:51.600
<v Speaker 6>Sir? I am the co host and producer of two

2763
02:26:51.680 --> 02:26:55.639
<v Speaker 6>different podcasts. The first is called One Track Mind, which

2764
02:26:55.719 --> 02:26:58.479
<v Speaker 6>is the only commentary podcast that matters because it's the

2765
02:26:58.559 --> 02:27:01.840
<v Speaker 6>only one that exists where every week or every other

2766
02:27:01.879 --> 02:27:05.239
<v Speaker 6>week a guest and myself will cover the audio commentary

2767
02:27:05.319 --> 02:27:08.120
<v Speaker 6>of a movie and see how it relates to the film.

2768
02:27:08.200 --> 02:27:11.079
<v Speaker 6>Mike has been on twice and by the way, I

2769
02:27:11.200 --> 02:27:14.159
<v Speaker 6>listen to your Demolition Man commentary on the Aero video

2770
02:27:14.559 --> 02:27:15.840
<v Speaker 6>four k outstanding.

2771
02:27:16.440 --> 02:27:19.200
<v Speaker 5>Oh thank you. I was hoping you could completely skewer

2772
02:27:19.319 --> 02:27:19.760
<v Speaker 5>it for me.

2773
02:27:20.920 --> 02:27:22.399
<v Speaker 1>I can't skewer something that was good.

2774
02:27:23.239 --> 02:27:26.479
<v Speaker 6>You can find those first off Blue Sky one track

2775
02:27:26.639 --> 02:27:30.799
<v Speaker 6>Mind atbsky dot, social Instagram at one that is the

2776
02:27:31.000 --> 02:27:34.719
<v Speaker 6>Numeral one Track Mind podcast. I'm on Facebook, on Podchaser,

2777
02:27:35.479 --> 02:27:38.200
<v Speaker 6>and i just had an essay in issue sixteen of

2778
02:27:38.239 --> 02:27:42.000
<v Speaker 6>The Physical Media Advocate where I talked about the five

2779
02:27:42.120 --> 02:27:46.079
<v Speaker 6>commentaries that Roger Ebert has done since I shouldn't say

2780
02:27:46.120 --> 02:27:49.760
<v Speaker 6>has done considering that he's dead, but did past tense

2781
02:27:50.559 --> 02:27:52.920
<v Speaker 6>and then I also have a different podcast which is

2782
02:27:53.000 --> 02:27:55.600
<v Speaker 6>a fake movie court called Reels of Justice, where we

2783
02:27:55.680 --> 02:27:58.040
<v Speaker 6>have a prosecutor, a defender, a judge, and a jury.

2784
02:27:58.559 --> 02:28:00.520
<v Speaker 6>We try to conclude whether or not a movie is

2785
02:28:00.600 --> 02:28:03.120
<v Speaker 6>guilty of being a bad movie. You can find that

2786
02:28:03.280 --> 02:28:06.000
<v Speaker 6>anywhere on social media at Reels of Justice.

2787
02:28:06.920 --> 02:28:08.920
<v Speaker 5>Well, thank you so much guys for being on the show.

2788
02:28:09.040 --> 02:28:11.000
<v Speaker 5>Thanks to everybody for listening. If you want to hear

2789
02:28:11.040 --> 02:28:12.920
<v Speaker 5>more of me shooting off my mouth, check out some

2790
02:28:13.040 --> 02:28:14.760
<v Speaker 5>of the other shows that I work on. They are

2791
02:28:14.799 --> 02:28:18.360
<v Speaker 5>all available at Weirdingwaymedia. Dot com. Thanks especially to our

2792
02:28:18.399 --> 02:28:20.920
<v Speaker 5>Patreon community. If you want to join the community, visit

2793
02:28:21.000 --> 02:28:24.479
<v Speaker 5>patreon dot com. Slash projection booth. Every donation we get

2794
02:28:24.520 --> 02:28:26.799
<v Speaker 5>help some projection booth take over the world.

2795
02:28:33.360 --> 02:28:38.120
<v Speaker 21>Boom people, I want Umadema flex ad Amanda, machant gotty

2796
02:28:38.159 --> 02:28:41.479
<v Speaker 21>sixty start a topic comback drop of your back on

2797
02:28:41.639 --> 02:28:50.079
<v Speaker 21>fronto why nobody.

2798
02:28:54.360 --> 02:28:54.680
<v Speaker 15>Style?

2799
02:28:55.719 --> 02:28:57.879
<v Speaker 19>Why not.

2800
02:29:00.239 --> 02:29:01.600
<v Speaker 4>Rack cartoon in your style?

2801
02:29:01.799 --> 02:29:02.319
<v Speaker 6>Arona?

2802
02:29:02.440 --> 02:29:03.319
<v Speaker 21>You feel I need to?

2803
02:29:04.000 --> 02:29:08.120
<v Speaker 3>Are you say why need adding the boom shaka latatooty

2804
02:29:08.280 --> 02:29:13.079
<v Speaker 3>dance out the bass boom shaka Lucky daddy brand new style.

2805
02:29:13.600 --> 02:29:17.040
<v Speaker 21>Wiki said a wiki won't say wild.

2806
02:29:17.280 --> 02:29:21.479
<v Speaker 3>Rag mop stila it is a pretty child and go

2807
02:29:21.680 --> 02:29:26.680
<v Speaker 3>down a cat well versue tyler you he is bofe

2808
02:29:26.840 --> 02:29:27.360
<v Speaker 3>your back?

2809
02:29:27.920 --> 02:29:30.920
<v Speaker 21>Why not go down a toy shaka la co lat

2810
02:29:32.000 --> 02:29:35.879
<v Speaker 21>nadi groups can't you are a top notch babbo lana

2811
02:29:36.000 --> 02:29:40.120
<v Speaker 21>wine galla right bandy wine your body.

2812
02:29:40.079 --> 02:29:43.559
<v Speaker 4>Your big, your belly fan god on in.

2813
02:29:43.680 --> 02:29:48.799
<v Speaker 19>And in your style whine goobo whine not go down

2814
02:29:49.239 --> 02:29:51.799
<v Speaker 19>your bobolana rack cartoon in your style?

2815
02:29:52.000 --> 02:29:53.559
<v Speaker 1>Aromna your remplemental?

2816
02:29:54.159 --> 02:29:57.760
<v Speaker 21>Are you fag adding the boom shaka la.

2817
02:29:57.760 --> 02:30:02.040
<v Speaker 3>Cartoody dance out your girl bandy left and she to

2818
02:30:02.440 --> 02:30:08.520
<v Speaker 3>lad design what sheble and what she whines backship front

2819
02:30:08.959 --> 02:30:13.000
<v Speaker 3>and she wills lying amid labor said that the girls

2820
02:30:13.159 --> 02:30:16.920
<v Speaker 3>so she mind you know mind she mind away rocket.

2821
02:30:16.879 --> 02:30:19.760
<v Speaker 22>In her time memory body chin in when.

2822
02:30:19.639 --> 02:30:25.000
<v Speaker 23>She do you design people, your body, your bagerhobel, your

2823
02:30:25.280 --> 02:30:30.000
<v Speaker 23>define God only, and in your style you whine the bob.

2824
02:30:30.639 --> 02:30:34.120
<v Speaker 3>Why not go down over land a rapper card and

2825
02:30:34.239 --> 02:30:38.360
<v Speaker 3>your style arounda your fam in it are your fine.

2826
02:30:39.639 --> 02:30:47.559
<v Speaker 22>One new styler today dancer, missing English Galada boomsmeric candy

2827
02:30:47.680 --> 02:30:54.280
<v Speaker 22>Galada booms, missing Indiani pass door booms, find the yard

2828
02:30:54.799 --> 02:30:59.760
<v Speaker 22>Galadora booms, miss Japanese the madora.

2829
02:30:59.280 --> 02:31:02.600
<v Speaker 1>Booms has your many ya lad on.

2830
02:31:02.680 --> 02:31:08.200
<v Speaker 22>The booms you wind them body, your wrinkles, the belly, your.

2831
02:31:08.520 --> 02:31:12.920
<v Speaker 19>Fan, God only adding your sign Why not go up?

2832
02:31:13.600 --> 02:31:14.760
<v Speaker 4>Why not go down?

2833
02:31:15.399 --> 02:31:22.399
<v Speaker 3>Bobbl aracatad and you fight aroona entament adding at.

2834
02:31:22.399 --> 02:31:24.959
<v Speaker 21>The boom shaka lacerto, the that's.

2835
02:31:24.719 --> 02:31:44.639
<v Speaker 20>Out into boots boom boom boom boom boot.

2836
02:31:47.680 --> 02:31:50.159
<v Speaker 22>Find your body, your wrinkle, your.

2837
02:31:50.120 --> 02:31:55.120
<v Speaker 19>Belly, God only adding your signing, your wine.

2838
02:31:56.600 --> 02:31:59.600
<v Speaker 23>Why not godam babbolan.

2839
02:31:59.159 --> 02:32:02.319
<v Speaker 2>Araca cad and you stile arounda you feel it.

2840
02:32:03.120 --> 02:32:03.879
<v Speaker 4>I don't say.

2841
02:32:03.760 --> 02:32:07.000
<v Speaker 21>Find labo shaka lacto.

2842
02:32:07.120 --> 02:32:10.000
<v Speaker 1>They dance out and chanci.

2843
02:32:09.600 --> 02:32:12.639
<v Speaker 21>Nadi here like you just don't be care rack the

2844
02:32:12.760 --> 02:32:15.680
<v Speaker 21>moping the boat so you better be aw here.

2845
02:32:16.319 --> 02:32:17.479
<v Speaker 1>No turning south.

2846
02:32:17.719 --> 02:32:22.200
<v Speaker 3>Everybody everywhere flex shackled caddy vibes.

2847
02:32:22.000 --> 02:32:25.040
<v Speaker 22>In Nadi here, Bobolanda.

2848
02:32:24.360 --> 02:32:31.360
<v Speaker 3>Wine caddy galadran here. Everybody single towny dig whine your.

2849
02:32:31.319 --> 02:32:33.760
<v Speaker 23>Body, You reckle your alia.

2850
02:32:34.520 --> 02:32:36.719
<v Speaker 22>I'm go down in nadding your sign.

2851
02:32:37.799 --> 02:32:40.719
<v Speaker 1>Why not go? Why not go down?

2852
02:32:41.399 --> 02:32:44.360
<v Speaker 3>Bobolana raka caddy and you sign arenda.

2853
02:32:44.479 --> 02:32:50.000
<v Speaker 22>You feel anyttle tiny tisable shaka laca too.

2854
02:32:50.159 --> 02:32:51.040
<v Speaker 5>The dance out to
