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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the smell of

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guns smoke.

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Speaker 2: Gone.

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Speaker 1: Will Spoke, starring William Conrad, the story of the violence

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that moved west with young America and the story of

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a man who moved with it.

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Speaker 3: I'm that man, Matt Dillon, United States Marshall, the first

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man they look for and the less they want to meet.

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It's a chancy job, and it makes a man watchful

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and a little lonely. You want some more, pie, Kitty,

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You might as well, sins. Doc's paying for him.

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Speaker 4: No thanks, Matt, I've had plenty now.

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Speaker 3: What happened to make you such a big spender?

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Speaker 4: Doc?

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Speaker 3: Some forgotten relative leave you something in his will might

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as well?

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Speaker 4: Oh what do you mean that?

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Speaker 2: Well?

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Speaker 1: You remember that cowboy got himself shot.

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Speaker 2: Up in a long branch brawl.

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Speaker 3: That was a year or two ago, and more than

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one of them.

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Speaker 2: I know that, but Kitty might remember this. She helped

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stop the bleeding until.

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Speaker 3: I got there.

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Speaker 5: Oh, I remember, Doc, he didn't even have enough money

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to buy a.

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Speaker 3: Beer, and we figured he never would have or what

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happened to him?

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Speaker 2: Well, sir, I had a letter from him this morning.

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Speaker 6: He's had some kind of a payoff from California and

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he sent me a twenty dollars gold piece to pay

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me for what he called my medical services.

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Speaker 5: Oh that's fine that I'm glad he made out.

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Speaker 2: Man like him don't do it.

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Speaker 3: And you don't often get paid.

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Speaker 2: Well, you never know of my business.

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Speaker 4: Chester.

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Speaker 1: Man at the door, you to Doc, hurry out, He

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means the doc excuse, but he's going back outside.

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Speaker 3: Somebody must be hurt.

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Speaker 2: I didn't hear any shooting.

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Speaker 3: There are other ways to get hurt.

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Speaker 2: Dock.

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Speaker 3: We we're here for the stage.

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Speaker 2: Mister, that man has been hurt.

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Speaker 4: Mat.

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Speaker 3: That's a shotgun, messenger, Doc.

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Speaker 2: Somebody must have held up the stage. Mike got shot,

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mister Joan. He's hurt pretty bad.

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Speaker 3: Let me take a look what happened Chester, Well, I

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don't know for sure.

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Speaker 2: I'd in the stage come in just now, and Mike

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was driving.

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Speaker 3: Mike was driving, Yes, you're sure.

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Speaker 2: I knew something was wrong. Then I could see he

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is hurt too.

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Speaker 1: Yeah, he's trying to see something.

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Speaker 2: Make it past man. Now, I got to get him

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up to my office.

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Speaker 3: Mike, it's Marshall. Dolla. What happened? Held up? Driver? Cue?

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Was there any passengers? No? No currency?

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Speaker 6: Ship men?

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Speaker 2: Twenty dollars?

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Speaker 3: What did happened? Mike?

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Speaker 2: He's going out?

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Speaker 3: Man, Mike, Mike, try please try tell me, well, what

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had happened? How many minutes?

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Speaker 2: Huh new Worth hat creek?

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Speaker 3: Two men?

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Speaker 2: Who? That's all man?

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Speaker 3: He he's unconsortable. I'll find a couple of men to

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help you drive Joster, go at our horses and hurry.

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Speaker 2: All along here? Alright, now much your young? That crack

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hue and throws up real point.

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Speaker 3: Yeah they've been riding hard too, but they must have

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slowed down or stopped for a while somewhere.

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Speaker 2: I hope they didn't get no more sleep last night

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than we did.

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Speaker 3: It was the matter of Chester you getting old, I.

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Speaker 6: Know, say it ain't that, but my gracious two hours sleep.

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It just don't seem worth bothering about that song.

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Speaker 3: And I hope our friends bothered a little without sleep.

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Speaker 6: Now, if I was carrying twenty thousand dollars in bills,

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I wouldn't never stop.

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Speaker 3: Yeah, you'd have to be riding a pretty unusual little horse.

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Speaker 2: Well, yes, I guess you're ride.

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Speaker 3: Wait a minute, it's like they did stop after all?

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What I built a fire over there?

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Speaker 2: Yeah it was them, Yeah.

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Speaker 3: Same tracks. I think we picked up a little time

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on them.

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Speaker 4: Chester.

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Speaker 3: Come on, let's pick up some more. Whoa, I swear

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that you're.

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Speaker 2: Doing their men riding like they're stuck to the saddle turn.

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They're dark again.

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Speaker 3: I'll have to stop someplace so long are pretty.

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Speaker 2: Soon now, I don't know.

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Speaker 3: Hold up, chuck, those tracks are having done with those

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bushes along.

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Speaker 6: The creek or let's go easy, let's see.

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Speaker 2: What you're doing. Yeah, walk beyonder. Brother's been there.

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Speaker 6: They just shacked.

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Speaker 2: Yeah, I said, do you think they might maybe a

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hit out any Maybe?

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Speaker 3: But I'm not gonna ride straight up to find out.

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Speaker 2: But they leave the horses here, ye see.

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Speaker 3: I will circle around back. Just keep low.

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Speaker 2: There's two horses tied up there. Uh huh, mister dying

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now they are?

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Speaker 3: Yeah, all right? All the time.

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Speaker 2: Head him to the horses.

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Speaker 3: You got him, yeah, but the other one has gotten

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the way he arranged, sir, you go bring the horses up.

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I'll say about the man.

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Speaker 2: I shot, I'll need you going after the other way.

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Speaker 3: He's got a pretty good heads start, and it's near dark.

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I'm not gonna after him blind morning soon or not.

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Speaker 4: I M.

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Speaker 2: You get my brother? Did you get wrecked?

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Speaker 3: Not yet? You hurt bad? Yeah?

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Speaker 2: Yeah, not sure, cho, sir God, sir.

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Speaker 3: T let those horses and come here. Carry him under

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the shack right there. M yeah, he stumble's horse? What

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about it? Well, his legs broke.

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Speaker 2: Must have stumbled, and there's time to get away.

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Speaker 3: You reckon. I better shoot him, all right, chicken daughter,

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As soon as we got this man out of the shock, alright,

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open the door of Chester. I'll keep holding him.

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Speaker 2: He's locked. You suppose somebody lives in this forsaken place.

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Speaker 3: I will find out. I ahead knock.

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Speaker 2: Anybody in there, Open up anybody in there.

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Speaker 5: There's no need for any more noise at my door.

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Just when he's telling you men you can't stay in

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my house.

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Speaker 3: You don't need that shotgun man. We don't mean any harm.

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Speaker 5: I intend to defend my home, sir. No rough men

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are going to tramp around amongst my fine things.

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Speaker 3: You open the door a little wider, man, and you

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will see we're not the same men.

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Speaker 5: I don't open my home to any string.

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Speaker 3: A Marshall Dillon from Dodge City, and I got a

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badly injured mine here.

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Speaker 5: A United States marsh that's right, ma'am you are then,

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I guess I'll have to let you in. But I

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don't hold a your Yankee government.

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Speaker 4: I want that.

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Speaker 3: Cruise, alright, ma'am, fine, come on now, you'll just show

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us for you and want us to put him.

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Speaker 2: He hit bad, not bad?

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Speaker 3: Nothing.

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Speaker 2: Well.

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Speaker 5: I suppose even a rough man has a right to

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die in the bed.

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Speaker 4: But mind you be careful of my thing, alright.

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Speaker 3: Ma'am, will mind.

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Speaker 2: I horsemes, you don't rung the saddle I could? They?

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Ain't things a little strange in there?

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Speaker 6: A little all that talk about not hurting her? Fine

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things right? Ain't nothing there that's worth cart and wi

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except maybe that old pine.

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Speaker 2: Everything else is all cracked and broke. For most ladies

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wouldn't give that stuff house room.

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Speaker 5: You gentlemen would care to join me? I fixed a

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small supper.

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Speaker 3: Oh that's very nice, 'em man, and just.

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Speaker 5: Say it's nice, mister Jeaneford, he's my husband. Misinferd always

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said I could spot a gentleman right away.

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Speaker 4: I could see you two.

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Speaker 5: Where General Winston had the exchanged pleasantries there in the entryway.

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Speaker 4: Thank you, mister proudfoot.

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Speaker 2: Ma'am.

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Speaker 5: Please take your hat off my cherrywood piee, my mammy,

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it it can't hurt nothing. I do not allow anything

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tomorrow finish. It's my beautiful cherrywood pine.

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Speaker 4: Yes, ma'am, thank you, it's your place. Sees it down,

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I hear.

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Speaker 5: I don't imagine your wound and friend will be able

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to partake.

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Speaker 3: I know, Miss Hanford, he's not likely to come to

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for some time.

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Speaker 5: As if he ever does, I can't imagine how he

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got his wound.

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Speaker 4: I'd seen him just a few minutes before you.

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Speaker 6: German, Miss Hanford, ma'am, needn't you hear the shooting right

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outside the door.

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Speaker 5: I have trained myself not to see and hear the

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ugliest things.

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Speaker 4: Arise. I just live here alone among my friend.

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Speaker 3: But uh here you you said that you have a husband.

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Speaker 4: My husband has been gone for two.

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Speaker 5: Three four years now.

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Speaker 3: Marshall, oh I I'm sorry to hear that, ma'am.

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Speaker 5: Miss Time could you'll never be content to live a

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quiet life? He thought he could when play he came

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here directly after the war, I had in mind. He

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built me a new plantation.

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Speaker 4: M the Marshall.

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Speaker 5: Just between you and me, mister Hennefer didn't appreciate my

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lovely things.

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Speaker 4: And one day, well one day he just moved on west.

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Speaker 3: Uh uh, that's too bad, man.

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Speaker 4: I do not need your pity, sir. I'm content.

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Speaker 3: Well, well, sure of course.

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Speaker 5: I'd be obliged if you gentlemen would sleep out there

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on the lander Brandbell.

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Speaker 3: Oh, that's all right, Chester, we'll sleep on the rinder.

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Uh I. I am gonna have to keep an eye

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on Miller though, Man.

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Speaker 4: I will watch over here, Marshall.

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Speaker 3: Well, no, that's not your job, Missay.

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Speaker 5: I'm mistress of this house, Marshrell Dling. I will watch

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over him. I will call you if there's any change.

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As a matter of fact, I'll look to him right now.

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Speaker 6: Well, alright, man, mister Dillon, Yeah, Chester, do me that

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slanty old portrait?

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Speaker 2: Random?

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Speaker 3: Well, it's to her.

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Speaker 2: My if she don't be all claire, if you only

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every time I dig a grave, the ground seemed harder.

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Speaker 3: Than the last time our grave. Thinkness and supposed to

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be easy, Chester, it's too permanent.

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Speaker 2: Funny how many men dies at daybreak? Innis? I mean

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when everything else is starting up and all.

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Speaker 3: I guess when you have to die, it's as good

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a time as any.

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Speaker 2: Or do you reckon his brother is bang right?

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Speaker 3: I don't know. I wish you're gonna have a long

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ride to catch up with him.

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Speaker 2: And sure, I ain't want to hurry up a man

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body dying. But I'm sure would have been glad to

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have been shot at this place.

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Speaker 3: For now, it's a matter of Chester. Don't you enjoy

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Southern hospitality?

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Speaker 2: Muster d him.

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Speaker 6: I have to walk around in that old shack on

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my hiptoes. He's after me every minute about not hurting

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her things rich as good as I couldn't hurt them

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old things if I try.

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Speaker 3: I can be leaving soon now. Chester, we've done about

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always until my guns are in the house.

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Speaker 4: Come on, I believe it's cushing.

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Speaker 1: Me when you got out of the way.

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Speaker 3: Please, I want my gun over there.

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Speaker 2: What do you fool that crazy fools thinking?

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Speaker 3: I don't know Chester, but he must have a good

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reason for sticking around his brother. No, I don't think

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he'd take on these odds when he was pretty sure

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his brother was done for. I think he's got another racing.

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Where As the saddle it came off Miller's horse over

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there in the corner.

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Speaker 5: Oh, be careful of y'all heavy footstead.

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Speaker 3: Let's see now, Yeah, I said, I want to stuck.

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Speaker 2: Around all the money. He's up into a right pretty

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little package, don't it so, darling.

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Speaker 5: I don't understand this sudden rudeness on your part.

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Speaker 3: I'm sorry, man, but I'm not too polite when I'm

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being shot at. And you'll stay away from us, wonders.

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Speaker 5: I thank you, not give me orders my own eye.

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Speaker 3: Just let's push the piano in front of that window

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over there. We're like sitting ducks.

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Speaker 4: Swa. You will not touch my chair, all right? Come?

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Speaker 5: Oh, don't harm it, Oh, don't harm it?

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Speaker 3: All right. I'll watch the front, you take the side.

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I don't think you'll wait long.

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Speaker 5: Long, miss Time do this?

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Speaker 1: How long?

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Speaker 3: As long as that outlaws out there, Miss Henrick, he's

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not gonna let us out of heir alive.

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Speaker 5: You are going to stay here tramping around among my

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nice things until he goes away.

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Speaker 4: I'm afraid so many well, I just order hear him off, my.

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Speaker 3: Lad right, mus have come back here.

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Speaker 5: See here's your truspassion.

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Speaker 2: I want you to.

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Speaker 6: Ride up.

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Speaker 1: He shorter.

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Speaker 3: Uh alright, it's running for the creak.

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Speaker 2: He's done. You got him.

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Speaker 3: Uh, you go make sure while you touching, I'll see

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him as hampers. Let's have he let's have it.

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Speaker 4: I sure didn't. Then you were right.

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Speaker 3: I'm sorry man.

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Speaker 4: He was no gentleman, was he? Marshall? Just pass on

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the lady's property.

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Speaker 3: Oh he wasn't.

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Speaker 2: He's dead, Miss doing that was Miss Hamprid.

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Speaker 3: Not good, not good at all, Miss Havard. I gotta

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take you under your house.

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Speaker 5: Huh no, n not just yet.

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Speaker 4: Mark Shore, don't move me. Let me die here on

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the brendle.

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Speaker 3: Huh yeah, you'd be more comfortable.

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Speaker 4: Tosha, oh delayed.

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Speaker 3: Is there anything we can do? I mean, it's any

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way to make you feel better.

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Speaker 4: You would just see, you would just see that somebody

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takes care of I love it, she would.

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Speaker 3: I had She gone, Yeah, well I can carry her

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inside her.

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Speaker 2: What's she doing?

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Speaker 3: Yeah?

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Speaker 2: She really be Rack Millard. Listen to her and go away,

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didn't she?

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Speaker 3: Yeah that he was a little gentleman.

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Speaker 2: Well it's just a shame. That's what teas his PANEA

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sure must play pretty way. She loved it, took care

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of it so good?

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Speaker 3: What are you doing?

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Speaker 4: Oh?

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Speaker 2: I just thought I'd hit me a note or two.

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She she wouldn't care, would she?

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Speaker 3: Oh? I guess she wouldn't.

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Speaker 2: Why Why don't play at tall? And look here under

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the top. All the strings is rusted away, just hanging there.

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What you're doing? His Pioney ain't made a sound for years?

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Speaker 3: Hm uh, I guess I didn't have to play Chester.

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Just had to look pretty, That's all she had.

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Speaker 1: M Gunsmoke were used and directed by Norman McDonald. Stars

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William Conrad as Matt Dylan US Marshall. Featured in the

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cast were Parley Bear as Chester, Howard McNair as Doc,

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and Georgia Ellis as Kitty.