Speaker 1: Around Dodge City and in the territory on West, there
is just one way to handle the killers and the spoilers.
And that's where the US Marshal and the smell of
guns smoke.
Speaker 2: Gone.
Speaker 1: Will Spoke, starring William Conrad, the story of the violence
that moved west with young America and the story of
a man who moved with it.
Speaker 3: I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the less they want to meet.
It's a chancy job, and it makes a man watchful
and a little lonely. You want some more, pie, Kitty,
You might as well, sins. Doc's paying for him.
Speaker 4: No thanks, Matt, I've had plenty now.
Speaker 3: What happened to make you such a big spender?
Speaker 4: Doc?
Speaker 3: Some forgotten relative leave you something in his will might
as well?
Speaker 4: Oh what do you mean that?
Speaker 2: Well?
Speaker 1: You remember that cowboy got himself shot.
Speaker 2: Up in a long branch brawl.
Speaker 3: That was a year or two ago, and more than
one of them.
Speaker 2: I know that, but Kitty might remember this. She helped
stop the bleeding until.
Speaker 3: I got there.
Speaker 5: Oh, I remember, Doc, he didn't even have enough money
to buy a.
Speaker 3: Beer, and we figured he never would have or what
happened to him?
Speaker 2: Well, sir, I had a letter from him this morning.
Speaker 6: He's had some kind of a payoff from California and
he sent me a twenty dollars gold piece to pay
me for what he called my medical services.
Speaker 5: Oh that's fine that I'm glad he made out.
Speaker 2: Man like him don't do it.
Speaker 3: And you don't often get paid.
Speaker 2: Well, you never know of my business.
Speaker 4: Chester.
Speaker 1: Man at the door, you to Doc, hurry out, He
means the doc excuse, but he's going back outside.
Speaker 3: Somebody must be hurt.
Speaker 2: I didn't hear any shooting.
Speaker 3: There are other ways to get hurt.
Speaker 2: Dock.
Speaker 3: We we're here for the stage.
Speaker 2: Mister, that man has been hurt.
Speaker 4: Mat.
Speaker 3: That's a shotgun, messenger, Doc.
Speaker 2: Somebody must have held up the stage. Mike got shot,
mister Joan. He's hurt pretty bad.
Speaker 3: Let me take a look what happened Chester, Well, I
don't know for sure.
Speaker 2: I'd in the stage come in just now, and Mike
was driving.
Speaker 3: Mike was driving, Yes, you're sure.
Speaker 2: I knew something was wrong. Then I could see he
is hurt too.
Speaker 1: Yeah, he's trying to see something.
Speaker 2: Make it past man. Now, I got to get him
up to my office.
Speaker 3: Mike, it's Marshall. Dolla. What happened? Held up? Driver? Cue?
Was there any passengers? No? No currency?
Speaker 6: Ship men?
Speaker 2: Twenty dollars?
Speaker 3: What did happened? Mike?
Speaker 2: He's going out?
Speaker 3: Man, Mike, Mike, try please try tell me, well, what
had happened? How many minutes?
Speaker 2: Huh new Worth hat creek?
Speaker 3: Two men?
Speaker 2: Who? That's all man?
Speaker 3: He he's unconsortable. I'll find a couple of men to
help you drive Joster, go at our horses and hurry.
Speaker 2: All along here? Alright, now much your young? That crack
hue and throws up real point.
Speaker 3: Yeah they've been riding hard too, but they must have
slowed down or stopped for a while somewhere.
Speaker 2: I hope they didn't get no more sleep last night
than we did.
Speaker 3: It was the matter of Chester you getting old, I.
Speaker 6: Know, say it ain't that, but my gracious two hours sleep.
It just don't seem worth bothering about that song.
Speaker 3: And I hope our friends bothered a little without sleep.
Speaker 6: Now, if I was carrying twenty thousand dollars in bills,
I wouldn't never stop.
Speaker 3: Yeah, you'd have to be riding a pretty unusual little horse.
Speaker 2: Well, yes, I guess you're ride.
Speaker 3: Wait a minute, it's like they did stop after all?
What I built a fire over there?
Speaker 2: Yeah it was them, Yeah.
Speaker 3: Same tracks. I think we picked up a little time
on them.
Speaker 4: Chester.
Speaker 3: Come on, let's pick up some more. Whoa, I swear
that you're.
Speaker 2: Doing their men riding like they're stuck to the saddle turn.
They're dark again.
Speaker 3: I'll have to stop someplace so long are pretty.
Speaker 2: Soon now, I don't know.
Speaker 3: Hold up, chuck, those tracks are having done with those
bushes along.
Speaker 6: The creek or let's go easy, let's see.
Speaker 2: What you're doing. Yeah, walk beyonder. Brother's been there.
Speaker 6: They just shacked.
Speaker 2: Yeah, I said, do you think they might maybe a
hit out any Maybe?
Speaker 3: But I'm not gonna ride straight up to find out.
Speaker 2: But they leave the horses here, ye see.
Speaker 3: I will circle around back. Just keep low.
Speaker 2: There's two horses tied up there. Uh huh, mister dying
now they are?
Speaker 3: Yeah, all right? All the time.
Speaker 2: Head him to the horses.
Speaker 3: You got him, yeah, but the other one has gotten
the way he arranged, sir, you go bring the horses up.
I'll say about the man.
Speaker 2: I shot, I'll need you going after the other way.
Speaker 3: He's got a pretty good heads start, and it's near dark.
I'm not gonna after him blind morning soon or not.
Speaker 4: I M.
Speaker 2: You get my brother? Did you get wrecked?
Speaker 3: Not yet? You hurt bad? Yeah?
Speaker 2: Yeah, not sure, cho, sir God, sir.
Speaker 3: T let those horses and come here. Carry him under
the shack right there. M yeah, he stumble's horse? What
about it? Well, his legs broke.
Speaker 2: Must have stumbled, and there's time to get away.
Speaker 3: You reckon. I better shoot him, all right, chicken daughter,
As soon as we got this man out of the shock, alright,
open the door of Chester. I'll keep holding him.
Speaker 2: He's locked. You suppose somebody lives in this forsaken place.
Speaker 3: I will find out. I ahead knock.
Speaker 2: Anybody in there, Open up anybody in there.
Speaker 5: There's no need for any more noise at my door.
Just when he's telling you men you can't stay in
my house.
Speaker 3: You don't need that shotgun man. We don't mean any harm.
Speaker 5: I intend to defend my home, sir. No rough men
are going to tramp around amongst my fine things.
Speaker 3: You open the door a little wider, man, and you
will see we're not the same men.
Speaker 5: I don't open my home to any string.
Speaker 3: A Marshall Dillon from Dodge City, and I got a
badly injured mine here.
Speaker 5: A United States marsh that's right, ma'am you are then,
I guess I'll have to let you in. But I
don't hold a your Yankee government.
Speaker 4: I want that.
Speaker 3: Cruise, alright, ma'am, fine, come on now, you'll just show
us for you and want us to put him.
Speaker 2: He hit bad, not bad?
Speaker 3: Nothing.
Speaker 2: Well.
Speaker 5: I suppose even a rough man has a right to
die in the bed.
Speaker 4: But mind you be careful of my thing, alright.
Speaker 3: Ma'am, will mind.
Speaker 2: I horsemes, you don't rung the saddle I could? They?
Ain't things a little strange in there?
Speaker 6: A little all that talk about not hurting her? Fine
things right? Ain't nothing there that's worth cart and wi
except maybe that old pine.
Speaker 2: Everything else is all cracked and broke. For most ladies
wouldn't give that stuff house room.
Speaker 5: You gentlemen would care to join me? I fixed a
small supper.
Speaker 3: Oh that's very nice, 'em man, and just.
Speaker 5: Say it's nice, mister Jeaneford, he's my husband. Misinferd always
said I could spot a gentleman right away.
Speaker 4: I could see you two.
Speaker 5: Where General Winston had the exchanged pleasantries there in the entryway.
Speaker 4: Thank you, mister proudfoot.
Speaker 2: Ma'am.
Speaker 5: Please take your hat off my cherrywood piee, my mammy,
it it can't hurt nothing. I do not allow anything
tomorrow finish. It's my beautiful cherrywood pine.
Speaker 4: Yes, ma'am, thank you, it's your place. Sees it down,
I hear.
Speaker 5: I don't imagine your wound and friend will be able
to partake.
Speaker 3: I know, Miss Hanford, he's not likely to come to
for some time.
Speaker 5: As if he ever does, I can't imagine how he
got his wound.
Speaker 4: I'd seen him just a few minutes before you.
Speaker 6: German, Miss Hanford, ma'am, needn't you hear the shooting right
outside the door.
Speaker 5: I have trained myself not to see and hear the
ugliest things.
Speaker 4: Arise. I just live here alone among my friend.
Speaker 3: But uh here you you said that you have a husband.
Speaker 4: My husband has been gone for two.
Speaker 5: Three four years now.
Speaker 3: Marshall, oh I I'm sorry to hear that, ma'am.
Speaker 5: Miss Time could you'll never be content to live a
quiet life? He thought he could when play he came
here directly after the war, I had in mind. He
built me a new plantation.
Speaker 4: M the Marshall.
Speaker 5: Just between you and me, mister Hennefer didn't appreciate my
lovely things.
Speaker 4: And one day, well one day he just moved on west.
Speaker 3: Uh uh, that's too bad, man.
Speaker 4: I do not need your pity, sir. I'm content.
Speaker 3: Well, well, sure of course.
Speaker 5: I'd be obliged if you gentlemen would sleep out there
on the lander Brandbell.
Speaker 3: Oh, that's all right, Chester, we'll sleep on the rinder.
Uh I. I am gonna have to keep an eye
on Miller though, Man.
Speaker 4: I will watch over here, Marshall.
Speaker 3: Well, no, that's not your job, Missay.
Speaker 5: I'm mistress of this house, Marshrell Dling. I will watch
over him. I will call you if there's any change.
As a matter of fact, I'll look to him right now.
Speaker 6: Well, alright, man, mister Dillon, Yeah, Chester, do me that
slanty old portrait?
Speaker 2: Random?
Speaker 3: Well, it's to her.
Speaker 2: My if she don't be all claire, if you only
every time I dig a grave, the ground seemed harder.
Speaker 3: Than the last time our grave. Thinkness and supposed to
be easy, Chester, it's too permanent.
Speaker 2: Funny how many men dies at daybreak? Innis? I mean
when everything else is starting up and all.
Speaker 3: I guess when you have to die, it's as good
a time as any.
Speaker 2: Or do you reckon his brother is bang right?
Speaker 3: I don't know. I wish you're gonna have a long
ride to catch up with him.
Speaker 2: And sure, I ain't want to hurry up a man
body dying. But I'm sure would have been glad to
have been shot at this place.
Speaker 3: For now, it's a matter of Chester. Don't you enjoy
Southern hospitality?
Speaker 2: Muster d him.
Speaker 6: I have to walk around in that old shack on
my hiptoes. He's after me every minute about not hurting
her things rich as good as I couldn't hurt them
old things if I try.
Speaker 3: I can be leaving soon now. Chester, we've done about
always until my guns are in the house.
Speaker 4: Come on, I believe it's cushing.
Speaker 1: Me when you got out of the way.
Speaker 3: Please, I want my gun over there.
Speaker 2: What do you fool that crazy fools thinking?
Speaker 3: I don't know Chester, but he must have a good
reason for sticking around his brother. No, I don't think
he'd take on these odds when he was pretty sure
his brother was done for. I think he's got another racing.
Where As the saddle it came off Miller's horse over
there in the corner.
Speaker 5: Oh, be careful of y'all heavy footstead.
Speaker 3: Let's see now, Yeah, I said, I want to stuck.
Speaker 2: Around all the money. He's up into a right pretty
little package, don't it so, darling.
Speaker 5: I don't understand this sudden rudeness on your part.
Speaker 3: I'm sorry, man, but I'm not too polite when I'm
being shot at. And you'll stay away from us, wonders.
Speaker 5: I thank you, not give me orders my own eye.
Speaker 3: Just let's push the piano in front of that window
over there. We're like sitting ducks.
Speaker 4: Swa. You will not touch my chair, all right? Come?
Speaker 5: Oh, don't harm it, Oh, don't harm it?
Speaker 3: All right. I'll watch the front, you take the side.
I don't think you'll wait long.
Speaker 5: Long, miss Time do this?
Speaker 1: How long?
Speaker 3: As long as that outlaws out there, Miss Henrick, he's
not gonna let us out of heir alive.
Speaker 5: You are going to stay here tramping around among my
nice things until he goes away.
Speaker 4: I'm afraid so many well, I just order hear him off, my.
Speaker 3: Lad right, mus have come back here.
Speaker 5: See here's your truspassion.
Speaker 2: I want you to.
Speaker 6: Ride up.
Speaker 1: He shorter.
Speaker 3: Uh alright, it's running for the creak.
Speaker 2: He's done. You got him.
Speaker 3: Uh, you go make sure while you touching, I'll see
him as hampers. Let's have he let's have it.
Speaker 4: I sure didn't. Then you were right.
Speaker 3: I'm sorry man.
Speaker 4: He was no gentleman, was he? Marshall? Just pass on
the lady's property.
Speaker 3: Oh he wasn't.
Speaker 2: He's dead, Miss doing that was Miss Hamprid.
Speaker 3: Not good, not good at all, Miss Havard. I gotta
take you under your house.
Speaker 5: Huh no, n not just yet.
Speaker 4: Mark Shore, don't move me. Let me die here on
the brendle.
Speaker 3: Huh yeah, you'd be more comfortable.
Speaker 4: Tosha, oh delayed.
Speaker 3: Is there anything we can do? I mean, it's any
way to make you feel better.
Speaker 4: You would just see, you would just see that somebody
takes care of I love it, she would.
Speaker 3: I had She gone, Yeah, well I can carry her
inside her.
Speaker 2: What's she doing?
Speaker 3: Yeah?
Speaker 2: She really be Rack Millard. Listen to her and go away,
didn't she?
Speaker 3: Yeah that he was a little gentleman.
Speaker 2: Well it's just a shame. That's what teas his PANEA
sure must play pretty way. She loved it, took care
of it so good?
Speaker 3: What are you doing?
Speaker 4: Oh?
Speaker 2: I just thought I'd hit me a note or two.
She she wouldn't care, would she?
Speaker 3: Oh? I guess she wouldn't.
Speaker 2: Why Why don't play at tall? And look here under
the top. All the strings is rusted away, just hanging there.
What you're doing? His Pioney ain't made a sound for years?
Speaker 3: Hm uh, I guess I didn't have to play Chester.
Just had to look pretty, That's all she had.
Speaker 1: M Gunsmoke were used and directed by Norman McDonald. Stars
William Conrad as Matt Dylan US Marshall. Featured in the
cast were Parley Bear as Chester, Howard McNair as Doc,
and Georgia Ellis as Kitty.