1 00:00:00,080 --> 00:00:03,399 Speaker 1: And joining us alive in studio, we have Dan from 2 00:00:03,439 --> 00:00:06,480 the band Horror. Hello, sir, Hey, it's great to be here, Matt, 3 00:00:06,519 --> 00:00:09,000 thank you. Yeah, welcome to the program. Looking forward to 4 00:00:09,039 --> 00:00:11,279 playing some of your tunes today and getting to know 5 00:00:11,320 --> 00:00:14,160 you a little bit part of why you're here. So 6 00:00:14,199 --> 00:00:16,559 today it's kind of a kind of a theme today 7 00:00:17,760 --> 00:00:19,160 we're talking to people who are going to be on 8 00:00:19,199 --> 00:00:23,039 this big show coming up October nineteenth at Terminus our 9 00:00:23,079 --> 00:00:27,640 friends at Terminus in Nashua, New Hampshire. You guys are 10 00:00:27,640 --> 00:00:29,679 going to be playing there along with we just had 11 00:00:29,719 --> 00:00:32,320 Able Blood here there on that show as well. We've 12 00:00:32,320 --> 00:00:34,280 got the Gray Curtain coming up in the third hour, 13 00:00:34,880 --> 00:00:41,119 also Questing Beasts on that show and the Megans Dead 14 00:00:41,159 --> 00:00:43,759 Harrison of course, and that's going to be coming up 15 00:00:43,799 --> 00:00:48,479 October nineteenth. So it's wonderful to have you here. Tell 16 00:00:48,560 --> 00:00:51,039 Us about tell Us about the band, tell Us about Horror. 17 00:00:51,439 --> 00:00:54,880 Speaker 2: So me and my buddy Steve, we started it years ago. 18 00:00:55,399 --> 00:00:57,200 It was just a little project we were doing in 19 00:00:57,240 --> 00:01:00,719 high school, and as it turned out, people wanted to join. 20 00:01:01,359 --> 00:01:03,600 My buddy George started playing the bass for us, and 21 00:01:03,640 --> 00:01:07,760 then afterwards his brother Johnny and we had a couple 22 00:01:07,840 --> 00:01:11,480 incarnations of lineups throughout the years, but we finally here 23 00:01:11,719 --> 00:01:14,599 settled on our main one now where we're gonna be 24 00:01:14,640 --> 00:01:17,599 going out playing shows. And this is actually our record 25 00:01:17,599 --> 00:01:20,719 release show at Terminus. Oh congratulations, thank you. Yeah, it's 26 00:01:20,920 --> 00:01:23,239 we've been working hard for years to actually get there. 27 00:01:23,280 --> 00:01:27,879 But yeah, yeah, it's it's gonna be an awesome night. 28 00:01:28,480 --> 00:01:29,599 Super excited about it. 29 00:01:29,799 --> 00:01:32,640 Speaker 1: Yeah. So it's a full album. 30 00:01:33,040 --> 00:01:34,319 Speaker 2: Yeah, oh yeah, full album? 31 00:01:34,439 --> 00:01:36,439 Speaker 1: Okay, and where did you record? 32 00:01:36,640 --> 00:01:40,560 Speaker 2: Well, we recorded ut Blackheart Sound with Eric. 33 00:01:40,599 --> 00:01:43,920 Speaker 1: Okay, Eric Sotter, Yeah, sir, Yeah, we always say. We 34 00:01:43,920 --> 00:01:45,680 had him on the show a few months ago, and 35 00:01:46,799 --> 00:01:48,480 you know, his his name. It was great to have 36 00:01:48,560 --> 00:01:50,439 him on because his name comes up on the show 37 00:01:50,480 --> 00:01:54,879 a lot. Actually, Abel Blood, who was here in the 38 00:01:54,879 --> 00:01:58,200 first hour their album. I think Eric, they didn't record 39 00:01:58,239 --> 00:02:01,760 there with him, but he Eric mastered the album, I believe. Okay, yeah, 40 00:02:01,799 --> 00:02:05,319 but yeah, so, uh, and what went into the decision 41 00:02:05,359 --> 00:02:07,400 to do a full album because obviously you have options, 42 00:02:07,400 --> 00:02:09,039 you know, you can you can do an album, you 43 00:02:09,039 --> 00:02:11,240 can do an EP, you can just release singles. Why 44 00:02:11,240 --> 00:02:12,759 did you guys decide to do a full album? 45 00:02:13,000 --> 00:02:15,199 Speaker 2: Well, we had so much material at this point, we 46 00:02:15,240 --> 00:02:17,039 were like, you know what, screw, we might as well 47 00:02:17,080 --> 00:02:19,280 just do the whole thing and then drop it. You know, 48 00:02:20,560 --> 00:02:24,199 we collaborated with this artist Mexicine Ta Cardi from he 49 00:02:24,479 --> 00:02:28,800 makes insane artwork. Okay, our album cover is actually made 50 00:02:28,800 --> 00:02:32,000 in his blood. Crazy stuff. 51 00:02:32,120 --> 00:02:35,639 Speaker 1: Really yeah, yeah, like he put his blood in the ink. 52 00:02:35,960 --> 00:02:39,479 Speaker 2: I think so. I have no idea, but I know 53 00:02:39,560 --> 00:02:42,479 he made it with his blood, which wow, we thought 54 00:02:42,599 --> 00:02:43,479 was absolutely crazy. 55 00:02:43,520 --> 00:02:45,360 Speaker 1: Well, let's play a track, and I think we're gonna 56 00:02:45,360 --> 00:02:48,080 move you to a different microphone. For those of you 57 00:02:48,159 --> 00:02:52,319 watching on video. That one needs some leavitre or something. 58 00:02:52,960 --> 00:02:58,039 But here, let's let's play a song. I'm gonna play. Huh, 59 00:02:58,919 --> 00:03:03,319 let's play. Oh, let's play Exorcists. I really like this one. 60 00:03:03,439 --> 00:03:05,960 And then we'll come back and talk about it. If 61 00:03:05,960 --> 00:03:08,400 you're just joining us, we have Dan from the band 62 00:03:08,400 --> 00:03:10,520 Horror here with us, live in studio. 63 00:04:05,560 --> 00:04:10,039 Speaker 3: To faith on little crios offense or by all. 64 00:04:12,960 --> 00:04:17,160 Speaker 4: Of us to a set up, sirs, great ail spills, 65 00:04:17,160 --> 00:04:18,399 go rel brows. 66 00:04:19,079 --> 00:04:23,079 Speaker 5: And a night that night, my sloud and my death 67 00:04:23,240 --> 00:04:28,879 side nights and fives bloss Sable. 68 00:04:28,800 --> 00:04:31,800 Speaker 3: Said, I want some. 69 00:04:33,560 --> 00:04:35,680 Speaker 5: John Child light. 70 00:04:36,879 --> 00:04:42,639 Speaker 6: There inside a grave inside so. 71 00:04:44,360 --> 00:04:50,839 Speaker 7: Out, go slap lay all say house lessens a day 72 00:04:51,079 --> 00:04:55,920 and excited Sis says lay out, sid it out insense 73 00:04:57,160 --> 00:04:58,160 gonna tight and a. 74 00:04:58,240 --> 00:05:31,160 Speaker 3: Straight siss ye speaking dolls and gar used to be large. 75 00:05:32,560 --> 00:05:40,120 Speaker 4: Prison goll jurkling down the arks the other or the work. 76 00:05:40,079 --> 00:05:46,720 Speaker 7: Doll r something I said, I say, shout subjecked myster 77 00:05:46,920 --> 00:05:51,680 dagger a day shot rybody got Jason's brain. 78 00:05:51,879 --> 00:06:01,160 Speaker 6: Or all does hun chop rins step in sight little 79 00:06:01,199 --> 00:06:06,000 girl unside the soul, go. 80 00:06:06,199 --> 00:06:09,839 Speaker 5: Out to out doing s ray out. 81 00:06:09,759 --> 00:06:13,519 Speaker 7: And say that the house go sast left, I tight bet, 82 00:06:13,560 --> 00:06:17,079 I say sack some says ray out and say that 83 00:06:17,160 --> 00:06:21,120 the house mon sasla height and I say a. 84 00:06:21,399 --> 00:07:24,360 Speaker 1: Somethings that'll get the blood pumping. That is Exorcist and 85 00:07:24,759 --> 00:07:28,000 the band is Horror and we have Dan from Horror 86 00:07:28,079 --> 00:07:30,040 here in studio with us. All right, let's see, let's 87 00:07:30,040 --> 00:07:31,839 see how this mic is working. How you doing, Dan? 88 00:07:32,920 --> 00:07:36,040 I can't hear you, and I don't know why, but uh, 89 00:07:36,480 --> 00:07:42,360 let's see go ahead and talk. You are not there, Uh, 90 00:07:42,920 --> 00:07:45,040 you're you're on a You're on one of these channels. 91 00:07:45,199 --> 00:07:49,720 Speaker 2: All right, I found you awesome there? 92 00:07:50,439 --> 00:07:50,839 Speaker 3: All right? 93 00:07:51,920 --> 00:07:53,480 Speaker 1: Yeah, if you're just joining us. We had to switch 94 00:07:53,519 --> 00:07:57,759 down to a different mic. But these things happen. But no, 95 00:07:57,959 --> 00:08:00,519 that that mic never fails us. He doesn't like it 96 00:08:00,560 --> 00:08:02,160 when I say that, because she thinks I'm gonna jank said, 97 00:08:02,279 --> 00:08:06,399 yes you are. But so far, so far, that mike 98 00:08:06,439 --> 00:08:11,759 has been phenomenal. So yeah, I love that. I love 99 00:08:11,839 --> 00:08:14,519 the time changes, especially the breakdown at the end. Oh, 100 00:08:15,079 --> 00:08:19,120 the groove on that is just truly remarkable. And so 101 00:08:19,360 --> 00:08:21,639 now you were saying off air while that was playing, 102 00:08:21,680 --> 00:08:24,199 So that's just you and Steve? Is that the drummer? 103 00:08:24,360 --> 00:08:26,439 Speaker 2: Yeah, so you, me and my drummer. We went into 104 00:08:26,480 --> 00:08:29,399 Derek's studio. We recorded the whole thing. Steve got the 105 00:08:29,480 --> 00:08:31,839 drums down, I did the bass, the guitars, the vocals, 106 00:08:32,360 --> 00:08:34,600 and Eric killed it with the production and the master 107 00:08:34,960 --> 00:08:36,919 or the mixing. It was absolutely killer. 108 00:08:37,120 --> 00:08:40,240 Speaker 1: Yeah, but is that how you did the full album? 109 00:08:40,360 --> 00:08:42,000 Speaker 2: Or yeah it is, Okay, it's the entire album. 110 00:08:42,039 --> 00:08:43,600 Speaker 1: So the whole thing is just the two of you. Yeah, 111 00:08:43,720 --> 00:08:46,799 Oh wow, wow, very cool? Is that a lot of 112 00:08:47,360 --> 00:08:48,960 Is that a lot of pressure? Is that, you know, 113 00:08:49,039 --> 00:08:51,360 because you're doing I mean, aside from the drums, you're 114 00:08:51,399 --> 00:08:53,320 doing everything else. I mean, that's a lot that's a 115 00:08:53,399 --> 00:08:54,159 lot for one guy. 116 00:08:54,320 --> 00:08:56,679 Speaker 2: Well, it's not particularly a lot of pressure. We had 117 00:08:56,759 --> 00:08:59,039 a bunch of material for a while now, right, and 118 00:08:59,399 --> 00:09:00,919 so we had a lot of time to practice it. 119 00:09:01,399 --> 00:09:03,639 So everything that we did was I went into the studio, 120 00:09:03,720 --> 00:09:05,840 knew exactly what I needed to do for each part. Yeah, 121 00:09:05,919 --> 00:09:06,480 banged it out. 122 00:09:07,519 --> 00:09:09,559 Speaker 1: So in some ways it's easier, right, because you're not 123 00:09:10,120 --> 00:09:12,600 dealing with you know, I've played in a lot of bands, 124 00:09:12,639 --> 00:09:14,879 but never anything like what you're doing in terms of 125 00:09:15,080 --> 00:09:17,759 just you know, two guys going in and doing everything. 126 00:09:17,840 --> 00:09:22,080 So not having to deal with multiple schedules and all 127 00:09:22,159 --> 00:09:23,720 of that. I mean, I can see where in that 128 00:09:23,879 --> 00:09:25,279 sense it's probably a lot easier. 129 00:09:25,360 --> 00:09:28,039 Speaker 2: Actually, yeah, that and you can make it sound exactly 130 00:09:28,120 --> 00:09:28,759 how you wanted to. 131 00:09:29,039 --> 00:09:33,759 Speaker 1: Yeah, yeah, yeah, No, that's that's great. Now, where does 132 00:09:33,879 --> 00:09:36,240 the song Exorcist? 133 00:09:36,440 --> 00:09:36,559 Speaker 8: Is that? 134 00:09:37,600 --> 00:09:39,879 Speaker 1: Or were you inspired by the film or the book. 135 00:09:39,759 --> 00:09:43,039 Speaker 2: Or oh absolutely the film. Yeah, I've seen that film 136 00:09:43,240 --> 00:09:45,360 like one hundred thousand times as a kid, you know, 137 00:09:45,480 --> 00:09:48,360 Oh god, yes, yeah, And well, I mean my band 138 00:09:48,480 --> 00:09:51,600 is based around telling horror stories, the horrors of life. 139 00:09:51,919 --> 00:09:54,120 Our next album is going to be about a little 140 00:09:54,159 --> 00:09:56,879 bit more of a realistic approach. But this album is about, 141 00:09:56,919 --> 00:09:58,720 you know, the fantasy side of horror. 142 00:09:58,919 --> 00:10:01,840 Speaker 1: Yeah, yeah, you know A funny thing about The Exorcist. 143 00:10:01,960 --> 00:10:05,679 For me, I think it's an incredible film. But I 144 00:10:05,759 --> 00:10:08,120 have a list, actually it's a short list, but I 145 00:10:08,159 --> 00:10:09,480 have a list of films that I think are just 146 00:10:10,080 --> 00:10:15,000 some of the most just incredible theatrical accomplishments of all 147 00:10:15,080 --> 00:10:17,240 time that I never want to see again, you know 148 00:10:17,279 --> 00:10:19,320 what I mean? And that's how I feel about The Exorcist. 149 00:10:19,320 --> 00:10:22,559 I think it's an amazing film, fantastic. I've seen it 150 00:10:22,600 --> 00:10:28,240 once and I never want to see it again. I'm 151 00:10:28,279 --> 00:10:30,080 trying to think, what is it? Requiem for a Dream? 152 00:10:30,159 --> 00:10:30,279 Speaker 8: Is that? 153 00:10:30,519 --> 00:10:31,120 Speaker 2: Oh God? 154 00:10:31,799 --> 00:10:34,120 Speaker 1: Dream? You know the film? Yeah, that's that's another one 155 00:10:34,159 --> 00:10:34,919 that's on my list. 156 00:10:35,000 --> 00:10:37,320 Speaker 2: I saw that one once, so yeah. 157 00:10:38,519 --> 00:10:41,000 Speaker 1: Great film. I would recommend it to anybody. I'm never 158 00:10:41,120 --> 00:10:47,559 watching it again. Who writes the songs? Do you write everything? 159 00:10:47,639 --> 00:10:48,519 Or does Steve help you with that? 160 00:10:49,440 --> 00:10:49,600 Speaker 3: Yeah? 161 00:10:49,679 --> 00:10:52,480 Speaker 2: Yeah, Steve does the drums. He'll give me ideas for 162 00:10:52,600 --> 00:10:57,200 guitars and solos and whatnot, and and I'll write my parts. 163 00:10:57,600 --> 00:10:59,799 But now that we have we have two new members. 164 00:11:00,639 --> 00:11:03,600 We got our basis will about a little over a 165 00:11:03,679 --> 00:11:06,200 year ago and dude's been killing it. One of the 166 00:11:06,279 --> 00:11:08,200 greatest basses I've ever met in my entire life. And 167 00:11:08,240 --> 00:11:11,679 you get an awesome guy, awesome musician. And we had 168 00:11:11,879 --> 00:11:15,840 just recently within the past like two months, got a 169 00:11:15,960 --> 00:11:18,759 new guitar samed Cody Parsons. He also plays with a 170 00:11:18,799 --> 00:11:22,000 band called Martial Law. Awesome group, awesome bunch of guys. 171 00:11:22,039 --> 00:11:24,320 I've known them for a long long time. Yeah, but 172 00:11:25,000 --> 00:11:28,960 now that we're all writing together, it sounds totally different, 173 00:11:29,200 --> 00:11:31,240 but in the same vein it's really really cool. 174 00:11:31,440 --> 00:11:34,919 Speaker 1: Yeah, Now, why did you bring in these other guys 175 00:11:35,000 --> 00:11:36,200 initially for live shows? 176 00:11:36,600 --> 00:11:38,960 Speaker 2: Initially? Yeah, and I wanted to see like how it 177 00:11:39,000 --> 00:11:41,879 would go writing with them and everything. And I love it. 178 00:11:42,480 --> 00:11:44,399 It's really cool to be able to write with like 179 00:11:44,480 --> 00:11:46,440 a group of people, you know, because I'm writing with 180 00:11:46,480 --> 00:11:50,919 Steve's awesome, but getting more input, different perspectives, different musical 181 00:11:51,000 --> 00:11:53,720 backgrounds from people. It's absolutely killer. 182 00:11:54,120 --> 00:11:56,120 Speaker 1: It's good that you're able to do that and embrace it, 183 00:11:56,200 --> 00:11:59,559 because not everyone can. You know, some people are kind 184 00:11:59,600 --> 00:12:02,879 of not necessarily selfish, but but you know, some people 185 00:12:03,000 --> 00:12:05,720 can't just or it's hard for them to really kind 186 00:12:05,759 --> 00:12:09,240 of open that up, right, So it's great that you're 187 00:12:09,279 --> 00:12:14,919 able to do that did before these other guys joined 188 00:12:14,960 --> 00:12:17,759 the band, when like, did you ever do any live 189 00:12:17,840 --> 00:12:20,320 shows just you and Steve? Did you ever try to 190 00:12:20,399 --> 00:12:22,480 hole that off or with Yeah, I don't know how 191 00:12:22,519 --> 00:12:24,639 you would even do it, but maybe with backing tracks 192 00:12:24,720 --> 00:12:25,120 or something. 193 00:12:25,360 --> 00:12:25,519 Speaker 8: Yeah. 194 00:12:25,639 --> 00:12:28,120 Speaker 2: We I mean at that point we didn't have the 195 00:12:28,240 --> 00:12:30,639 money I mean for like an amplifier at that point, 196 00:12:30,679 --> 00:12:34,759 you know, so shows were super far out of our heads. 197 00:12:35,440 --> 00:12:38,200 Once we did get our bassist Johnny years ago, we 198 00:12:38,360 --> 00:12:42,159 played a couple of shows. It's usually down like way 199 00:12:42,360 --> 00:12:45,440 southern mass Okay, we only played a couple, but yeah, 200 00:12:45,720 --> 00:12:48,240 with this new incarnation of Horror. We played one show 201 00:12:49,240 --> 00:12:51,120 with a guitarist we're working with for a little bit 202 00:12:51,200 --> 00:12:56,000 named Brandon and I forgot where it was exactly, but 203 00:12:56,320 --> 00:12:58,519 it went really well. Was an awesome show. We met 204 00:12:58,559 --> 00:13:02,120 the band Vincent Crowley. They they were awesome guys, and uh, 205 00:13:02,840 --> 00:13:04,080 is it a really fun time? Yeah? 206 00:13:04,200 --> 00:13:09,000 Speaker 1: Yeah, yeah. When these when new people come into the band, 207 00:13:09,080 --> 00:13:10,759 I mean I imagine it takes a little bit of 208 00:13:10,840 --> 00:13:13,759 time for them to learn everything. I mean, it's you know, 209 00:13:13,840 --> 00:13:16,759 it's fairly sophisticate and also too you know, with what 210 00:13:16,840 --> 00:13:19,200 you're doing. And that song Exorcist is a great example. 211 00:13:19,240 --> 00:13:20,919 I mean, you've really got to have your chops because 212 00:13:20,919 --> 00:13:23,960 it's time changes and oh sure, you know, just really 213 00:13:24,200 --> 00:13:28,320 uh you know, it's it's complex, it's not it's not 214 00:13:28,480 --> 00:13:31,840 three chord verse chorus, verus chorus roll. 215 00:13:31,960 --> 00:13:32,120 Speaker 6: You know. 216 00:13:32,399 --> 00:13:34,639 Speaker 1: Yeah, so i'd imagine you know, they've they've really gotta 217 00:13:35,279 --> 00:13:36,039 spend some time. 218 00:13:36,679 --> 00:13:39,399 Speaker 2: It's funny. It's funny you say that because with the 219 00:13:39,480 --> 00:13:41,559 musicians that I have now, it almost took them no 220 00:13:41,639 --> 00:13:42,080 time at all. 221 00:13:42,200 --> 00:13:42,759 Speaker 1: That's awesome. 222 00:13:42,840 --> 00:13:45,480 Speaker 2: They sat down, they learned it. It was I was 223 00:13:45,600 --> 00:13:49,039 blown away. Yeah, Will learned it really fast. Cody, I mean, 224 00:13:49,600 --> 00:13:52,600 he's recording bands, he has his own studio, he's doing 225 00:13:52,679 --> 00:13:55,039 all this stuff, and he's still banged out the entire 226 00:13:55,120 --> 00:13:57,960 album a month. It was an absolutely killer. 227 00:13:58,039 --> 00:14:02,279 Speaker 1: Oh that's great. Oh yeah, that's great. Are all the songs? 228 00:14:02,440 --> 00:14:04,559 Uh well, let me ask it this way. Is there 229 00:14:04,600 --> 00:14:06,200 a theme to the album? I mean, I mean, you 230 00:14:06,279 --> 00:14:08,559 know you talked about, you know what what the subject 231 00:14:08,679 --> 00:14:11,720 matter is is that is that? Is there a story 232 00:14:11,759 --> 00:14:13,720 to the album or are they all just kind of about, 233 00:14:13,879 --> 00:14:15,679 like like what you described earlier. 234 00:14:15,600 --> 00:14:18,480 Speaker 2: Some songs are just kind of about horror in general. Yeah, 235 00:14:18,600 --> 00:14:23,519 Black Widow. We have about Countess Bathory, Exorcist, about the Exorcist, 236 00:14:23,600 --> 00:14:25,919 you know, and then then we have songs like Darkness 237 00:14:26,120 --> 00:14:31,799 and Agony, which are about depression and really that dark place, 238 00:14:32,039 --> 00:14:34,159 you know, that really dark mental place that you get, 239 00:14:34,320 --> 00:14:38,480 especially when you feel hopeless, be like everything's coalling apart 240 00:14:38,519 --> 00:14:40,879 for you. Yeah, and I wanted to take that and 241 00:14:40,960 --> 00:14:43,039 put it into music as well as I could. Yeah, 242 00:14:43,679 --> 00:14:44,720 so the horrors of life? 243 00:14:45,600 --> 00:14:46,799 Speaker 1: Is that something that you deal with? 244 00:14:47,000 --> 00:14:51,159 Speaker 2: Oh? Absolutely, Yeah, you have depression, mental health issues I 245 00:14:51,240 --> 00:14:56,039 think are very very much looked over, underfunded. It's awful. 246 00:14:56,240 --> 00:14:56,399 Speaker 8: You know. 247 00:14:57,120 --> 00:14:59,080 Speaker 1: That's something that we discuss a lot on the show, 248 00:14:59,080 --> 00:15:01,799 and we have act really for years because so I'm 249 00:15:01,799 --> 00:15:03,600 pretty open about it now. I haven't always been, but 250 00:15:03,919 --> 00:15:08,360 I also struggle with depression and uh, you know. 251 00:15:08,440 --> 00:15:09,600 Speaker 2: We who was it? 252 00:15:10,840 --> 00:15:13,080 Speaker 1: We had somebody on the show. Who do we have 253 00:15:13,159 --> 00:15:14,799 on the show last week we were talking about the 254 00:15:14,879 --> 00:15:18,480 same thing music could be? Oh no, it was I'm 255 00:15:18,480 --> 00:15:19,600 sorry it was ever Felt. 256 00:15:20,960 --> 00:15:21,080 Speaker 3: Oh. 257 00:15:21,279 --> 00:15:22,720 Speaker 1: I don't know if you know this band Ever Felt. 258 00:15:22,759 --> 00:15:26,440 They're from Illinois. They skyped in, but they they they 259 00:15:26,960 --> 00:15:28,720 write a lot about that kind of thing. Too, and 260 00:15:29,279 --> 00:15:32,759 you know, but it's but it's it's also their music 261 00:15:32,879 --> 00:15:35,759 is is kind of dark, but it's they have more 262 00:15:35,799 --> 00:15:39,080 of a psychedelic metal thing going. But we were talking 263 00:15:39,120 --> 00:15:42,600 about with Adam Seglich, the singer, about how, you know, 264 00:15:42,799 --> 00:15:44,960 he likes the music to be really dark even though 265 00:15:44,960 --> 00:15:48,600 the lyrics are actually quite hopeful, because his his approach is, 266 00:15:48,679 --> 00:15:50,919 you know, you're in this dark tunnel. I want to 267 00:15:50,960 --> 00:15:52,759 meet you there. I want to meet you where you 268 00:15:53,000 --> 00:15:56,039 are to bring you this message hope. And he described 269 00:15:56,080 --> 00:15:57,759 it as a tunnel and I was like, yeah, I 270 00:15:57,840 --> 00:15:59,759 can relate to that. I can relate to all of that. 271 00:16:00,159 --> 00:16:01,639 Speaker 2: That's a lot happier than the way I went. 272 00:16:03,399 --> 00:16:03,440 Speaker 8: No. 273 00:16:03,639 --> 00:16:05,639 Speaker 1: But like, but you're right though, I mean, these things 274 00:16:05,679 --> 00:16:09,799 are not addressed enough, and you know, there's a lot 275 00:16:09,840 --> 00:16:13,399 of stigma around all of that. So and and another 276 00:16:13,480 --> 00:16:15,000 thing we talked about a lot on the show is 277 00:16:15,320 --> 00:16:18,720 when you can take these terrible things and and create 278 00:16:18,879 --> 00:16:22,080 something with them. So you're taking something negative, but you're 279 00:16:22,120 --> 00:16:25,200 creating something positive with it, right, you know, And that's 280 00:16:25,320 --> 00:16:28,200 to me, that's the best therapy, right, you know, absolutely, 281 00:16:28,279 --> 00:16:31,440 if you can use these things that drag us down, 282 00:16:31,720 --> 00:16:34,759 or traumatic events or whatever it is, but then create 283 00:16:34,960 --> 00:16:38,440 with that. Yes, that's the best, the best way to 284 00:16:38,480 --> 00:16:38,840 deal with it. 285 00:16:39,039 --> 00:16:41,000 Speaker 2: Yeah, exactly. You know, I want to touch upon some 286 00:16:41,120 --> 00:16:45,360 more themes in this upcoming album to uh. It's very 287 00:16:45,440 --> 00:16:48,200 much so along those lines, like I said, string less 288 00:16:48,240 --> 00:16:52,240 away from the like you know, vampires, schools, goblins type stuff, 289 00:16:52,799 --> 00:16:55,279 more into the like what people deal with and what's 290 00:16:55,360 --> 00:16:57,480 going on, and not not in so much of a 291 00:16:57,559 --> 00:17:00,559 political sense, but more just in everyday life type of thing, 292 00:17:00,639 --> 00:17:00,759 you know. 293 00:17:00,960 --> 00:17:04,359 Speaker 1: Yeah, yeah, absolutely, well we should play another track from 294 00:17:04,400 --> 00:17:07,839 the album. Do you have a is there one that 295 00:17:07,839 --> 00:17:09,119 you're pushing as kind of a single. 296 00:17:10,400 --> 00:17:15,680 Speaker 2: Well, our first single was Necromancer. I think the next, 297 00:17:16,000 --> 00:17:18,799 I mean, the best one to play. I'd say, let's 298 00:17:18,799 --> 00:17:19,480 hear black Widow. 299 00:17:19,640 --> 00:17:22,240 Speaker 1: Black Widow, Okay, any kind of a story behind this one? 300 00:17:22,359 --> 00:17:25,039 Speaker 2: Well, this one's this one's the one about Countess Bathory. 301 00:17:25,440 --> 00:17:30,119 Huge inspirations from bands like Venom, bands like Macabre and 302 00:17:31,160 --> 00:17:33,440 I absolutely love this song. It's one of our heavier 303 00:17:33,480 --> 00:17:34,480 ones on the album for sure. 304 00:17:34,640 --> 00:17:37,119 Speaker 1: Okay, all right, cool, all right, get ready, it's gonna 305 00:17:37,119 --> 00:17:39,960 get even heavier. This is a black Widow. The band 306 00:17:40,119 --> 00:18:37,200 is horrorhw. 307 00:18:09,160 --> 00:18:17,680 Speaker 7: Dis Islands A Brays it's a job set. 308 00:18:18,119 --> 00:18:19,200 Speaker 3: Some don't ball. 309 00:18:42,799 --> 00:18:45,519 Speaker 5: Sell my job. I was better than doctor. 310 00:18:45,759 --> 00:18:49,079 Speaker 7: I said, why that shot off three times a praise. 311 00:18:49,160 --> 00:18:50,000 That's glazing. 312 00:18:50,119 --> 00:18:51,599 Speaker 6: There's a better job. 313 00:19:18,759 --> 00:19:24,400 Speaker 7: She her I says, I like, yeah, a y life, 314 00:19:24,960 --> 00:19:27,279 y all shoth I got back storyboy out. 315 00:19:27,119 --> 00:19:30,119 Speaker 3: I I'm trying. I also about an hour. 316 00:19:30,039 --> 00:19:32,319 Speaker 7: Farther off the hey, I been from. 317 00:19:32,160 --> 00:19:35,400 Speaker 5: My head of my real body. I ask it all 318 00:19:35,680 --> 00:19:36,279 back as. 319 00:19:36,160 --> 00:19:39,319 Speaker 7: I said that, I said hardy, I suppos got to 320 00:19:39,559 --> 00:19:40,440 some crok. 321 00:19:43,960 --> 00:19:46,440 Speaker 3: Uh good song. The story. 322 00:19:49,960 --> 00:19:51,240 Speaker 5: Right, totally. 323 00:19:52,400 --> 00:19:53,960 Speaker 3: Pretty sick night. 324 00:20:42,759 --> 00:20:44,119 Speaker 6: Say I got my top off. 325 00:20:44,160 --> 00:20:47,880 Speaker 7: The blow stars a black sat side all the times 326 00:20:47,920 --> 00:20:49,960 of praise, that's too lazy. 327 00:20:50,119 --> 00:20:51,680 Speaker 6: There's a lot of sorners. 328 00:21:24,119 --> 00:21:36,240 Speaker 7: Live after my chist, white. 329 00:21:36,119 --> 00:21:51,119 Speaker 5: Life after Chise, That. 330 00:21:51,319 --> 00:21:54,400 Speaker 1: Is Black Widow. The band is Horror, and we have 331 00:21:54,559 --> 00:21:56,920 Dan from the band Horror here with us alive in 332 00:21:57,079 --> 00:21:59,799 studio on this Saturday morning. They're gonna be playing a 333 00:21:59,799 --> 00:22:04,559 big show coming up October nineteenth at Terminus in Nashua, 334 00:22:04,759 --> 00:22:07,279 New Hampshire, which is an amazing venue. You've you've been 335 00:22:07,319 --> 00:22:08,319 there already, right Dan? 336 00:22:08,400 --> 00:22:09,039 Speaker 2: Oh yeah, yeah. 337 00:22:09,440 --> 00:22:12,519 Speaker 1: I tell everybody. When you walk in the first time, 338 00:22:12,599 --> 00:22:15,039 it's like walking into another world. It is Yeah. 339 00:22:15,119 --> 00:22:16,400 Speaker 2: Oh yeah, the place is awesome. 340 00:22:16,559 --> 00:22:16,759 Speaker 1: Yeah. 341 00:22:16,920 --> 00:22:18,799 Speaker 2: I practiced there as well with my band, Oh you do. 342 00:22:20,000 --> 00:22:23,480 Oh yeah, so it's a pretty easy, uh, pretty easy commute. 343 00:22:23,759 --> 00:22:24,200 Speaker 3: Yeah. Yeah. 344 00:22:26,519 --> 00:22:29,279 Speaker 1: Able Blood our first guest that we had on in 345 00:22:29,640 --> 00:22:33,839 an Hour one they also practiced there. Yeah. No, it's 346 00:22:33,920 --> 00:22:35,559 it's a great it's a great location. 347 00:22:37,519 --> 00:22:38,160 Speaker 2: I love that. 348 00:22:39,720 --> 00:22:41,440 Speaker 1: Part of what I really like about your sound is, 349 00:22:41,559 --> 00:22:44,839 you know, you can do the it's fast, it's heavy, 350 00:22:46,000 --> 00:22:48,039 but but it's also very melodic. 351 00:22:48,279 --> 00:22:48,519 Speaker 3: Yeah. 352 00:22:48,519 --> 00:22:50,319 Speaker 1: You know, you can really kind of find the groove 353 00:22:50,359 --> 00:22:53,079 in it, because a lot of bands that operate in 354 00:22:53,200 --> 00:22:58,279 this particular genre really aren't that melodic, you know what 355 00:22:58,319 --> 00:23:01,279 I mean? Right, Yeah, So I think that's really cool, 356 00:23:01,480 --> 00:23:02,839 and I assume that's important to you. 357 00:23:03,559 --> 00:23:03,799 Speaker 3: It is. 358 00:23:03,880 --> 00:23:05,920 Speaker 2: It's quite important. We want to be able to have 359 00:23:06,000 --> 00:23:08,319 our songs be as heavy as possible but also have 360 00:23:08,440 --> 00:23:11,240 that nice melody with it. Yeah, something to be able 361 00:23:11,240 --> 00:23:14,599 to pleasantly listen to, right without it just being like grindcore. 362 00:23:14,799 --> 00:23:20,839 Speaker 1: Yeah, you've got some fast fingers too. How old were 363 00:23:20,839 --> 00:23:22,039 you when you started playing guitar? 364 00:23:22,279 --> 00:23:24,200 Speaker 2: I was twelve. Yeah, I'm twenty seven now, so you 365 00:23:24,240 --> 00:23:24,960 started pretty young. 366 00:23:25,079 --> 00:23:25,279 Speaker 3: Yeah. 367 00:23:25,400 --> 00:23:28,480 Speaker 1: Yeah. Was it always your goal to be able to 368 00:23:28,480 --> 00:23:32,200 play like that, to be able to play really fast. 369 00:23:32,680 --> 00:23:36,119 Speaker 2: Yes. Ever, since I saw or heard Buckethead on Guitar 370 00:23:36,240 --> 00:23:39,359 hero Too, I knew that he would be my favorite. 371 00:23:39,480 --> 00:23:41,119 And then I found out about the likes of Paul 372 00:23:41,200 --> 00:23:45,960 Gilbert Ingay Mountstein and it just blew up from there. Yeah, 373 00:23:45,960 --> 00:23:46,599 never looked back. 374 00:23:46,799 --> 00:23:47,039 Speaker 1: Yeah. 375 00:23:48,680 --> 00:23:50,640 Speaker 2: Was that your first instrument guitar? 376 00:23:50,759 --> 00:23:50,960 Speaker 3: Yeah? 377 00:23:51,039 --> 00:23:53,839 Speaker 1: Yeah yeah, and then from there you also learned bass obviously. 378 00:23:54,559 --> 00:23:57,519 Speaker 2: Oh yeah, I taught myself bass. I'm not a very 379 00:23:57,519 --> 00:24:00,000 good bassist, but I can play a little bit. 380 00:24:00,240 --> 00:24:00,440 Speaker 1: Yeah. 381 00:24:00,559 --> 00:24:03,880 Speaker 2: Yeah. My very first guitar actually won from a Lego sweepstakes. 382 00:24:03,920 --> 00:24:04,039 Speaker 3: Man. 383 00:24:04,400 --> 00:24:07,359 Speaker 2: Really yeah, it was a bionical sweepstakes with the all 384 00:24:07,359 --> 00:24:10,759 American rejects. I think. I was like god, I must 385 00:24:10,799 --> 00:24:13,839 have been like eight nine, and I just so happened 386 00:24:13,880 --> 00:24:16,480 to win it. It was this junky Chinese guitar with 387 00:24:16,559 --> 00:24:21,559 a Lego sticker slapped on it, No kidding, yep. Then wow, Yeah, 388 00:24:21,640 --> 00:24:25,119 Steve sat down with the guitar one day, the cable 389 00:24:25,200 --> 00:24:27,200 was poking out, crushed it into the guitar, had to 390 00:24:27,279 --> 00:24:27,759 throw it away. 391 00:24:30,359 --> 00:24:35,599 Speaker 1: That's funny. Wow. Now I'm really curious about your vocals 392 00:24:35,839 --> 00:24:39,400 because I can't imagine one of us be like to 393 00:24:39,480 --> 00:24:43,160 sing that way. Are you able to, Like, do you 394 00:24:43,240 --> 00:24:45,599 ever get a sore throat? Or did you learn how 395 00:24:45,680 --> 00:24:48,359 to do it? Because from what everyone tells me, if 396 00:24:48,400 --> 00:24:50,720 you learn how to do it correctly, you won't have 397 00:24:50,799 --> 00:24:53,839 any problem. The only problem is not everyone learns how 398 00:24:53,880 --> 00:24:55,240 to do it correctly, right. 399 00:24:55,400 --> 00:24:57,680 Speaker 2: See, I never learned how to really do it. I 400 00:24:57,880 --> 00:25:00,160 just started doing it until it was come from It 401 00:25:00,319 --> 00:25:03,200 used to hurt. Yeah, like years ago, Oh god, my 402 00:25:03,440 --> 00:25:07,960 throat would be killing me after now. If I'm not dehydrated, 403 00:25:08,000 --> 00:25:11,240 it's fine. Okay, make sure you're hydrated, everybody, Yeah, gotta 404 00:25:12,000 --> 00:25:14,400 you can really mess up your throat, But not when 405 00:25:14,440 --> 00:25:17,000 I'm doing anything like that, it's it just comes out 406 00:25:17,000 --> 00:25:18,240 really clean. It doesn't hurt at all. 407 00:25:18,480 --> 00:25:21,240 Speaker 1: Yeah, that's good. What about when you're playing live, do 408 00:25:21,279 --> 00:25:23,079 you ever run into a problem where you know, because 409 00:25:23,079 --> 00:25:25,720 you mentioned hydration and obviously if you're playing in a 410 00:25:26,160 --> 00:25:28,480 hot room, you know that that might be an issue. 411 00:25:28,519 --> 00:25:29,240 Does that ever? Uh? 412 00:25:29,559 --> 00:25:32,160 Speaker 2: Oh, yeah, that's happened to me before I was playing 413 00:25:32,200 --> 00:25:34,519 with this a brutal death metal band called Infected God 414 00:25:34,599 --> 00:25:37,559 for a while, okay, and there was this one time 415 00:25:37,880 --> 00:25:39,640 it was it was at a it was at a 416 00:25:39,680 --> 00:25:43,400 marijuana farm, right, And I remember getting up on stage 417 00:25:43,400 --> 00:25:45,920 and my throat was so dry that I was talking 418 00:25:46,079 --> 00:25:47,880 like this, and I get up and I was just 419 00:25:48,119 --> 00:25:51,359 barking into the microphone. I couldn't do anything. I was like, Oh, 420 00:25:51,440 --> 00:25:53,960 I know this sounds terrible, but we gotta do it. 421 00:25:54,160 --> 00:26:00,240 Speaker 1: Yeah. Oh wow, do your fingers ever get tired like that? 422 00:26:00,400 --> 00:26:00,519 Speaker 3: Oh? 423 00:26:00,599 --> 00:26:04,640 Speaker 1: God, no, No, that's good. That's good. 424 00:26:04,880 --> 00:26:05,039 Speaker 3: Yeah. 425 00:26:05,039 --> 00:26:07,000 Speaker 1: I can't imagine what it must be like to play 426 00:26:07,079 --> 00:26:09,200 that way. Yeah. None of the bands that I've ever 427 00:26:09,240 --> 00:26:11,759 played in really, you know, nothing really super fast. So 428 00:26:13,039 --> 00:26:14,119 to me, it's very impressive. 429 00:26:14,759 --> 00:26:18,559 Speaker 2: Well, I appreciate that. I'll spend sometimes eight to ten 430 00:26:18,599 --> 00:26:22,440 hours a day, especially at studio days, just playing essentially NonStop. 431 00:26:22,640 --> 00:26:22,880 Speaker 1: Yeah. 432 00:26:23,039 --> 00:26:24,079 Speaker 2: Yeah, it takes a lot. 433 00:26:25,480 --> 00:26:29,000 Speaker 1: How many do you guys have more songs that? Obviously 434 00:26:29,200 --> 00:26:31,599 you know? I assume you're, as you mentioned earlier, you've 435 00:26:31,640 --> 00:26:34,680 got new material planned for the next album and you're 436 00:26:34,680 --> 00:26:37,519 writing together. Do you play anything live now that you 437 00:26:37,599 --> 00:26:39,000 haven't already put on this album? 438 00:26:39,400 --> 00:26:42,319 Speaker 2: We're planning to. Okay, we got to make sure it 439 00:26:42,440 --> 00:26:45,960 sounds pretty good first, and then we're gonna be playing 440 00:26:46,000 --> 00:26:48,559 it live as we can. Yeah, so I'm only really 441 00:26:48,640 --> 00:26:52,640 runs about thirty two minutes long, I believe. Okay, so 442 00:26:52,799 --> 00:26:54,799 typically if we're getting like a forty five minute set, 443 00:26:54,839 --> 00:26:56,559 we'll be able to play a bunch of songs. Yeah, 444 00:26:56,720 --> 00:26:57,759 but that's the idea for now. 445 00:26:57,920 --> 00:27:01,799 Speaker 1: Okay, Okay, Well, let's let's play another one. So I'm 446 00:27:01,839 --> 00:27:03,960 curious about this song, Compelled to Kill. 447 00:27:04,119 --> 00:27:08,400 Speaker 2: It's compelled to Kill. That one was about Diary of 448 00:27:08,480 --> 00:27:12,759 a Serial Killer, which is an insane movie if you've 449 00:27:12,839 --> 00:27:15,960 never seen it or sorry, Henry Portrait of a serial Killer. 450 00:27:16,000 --> 00:27:20,720 There we go. Amazing movie, absolutely incredible. It follows the 451 00:27:20,799 --> 00:27:24,039 whole movie is through his eyes, you know, as opposed 452 00:27:24,079 --> 00:27:27,039 to like, you know, the people running away, you know, 453 00:27:27,279 --> 00:27:30,039 the the victims of the movie. It's him. The whole 454 00:27:30,079 --> 00:27:33,599 movie's him, and it's twisted. Yeah, awesome stuff. And the 455 00:27:33,720 --> 00:27:36,920 music was heavily heavily inspired by bands like Children About 456 00:27:37,000 --> 00:27:41,440 Them and of course macab I love them, they do everything, 457 00:27:41,519 --> 00:27:45,039 you know. Yeah, but the Children About Him was I 458 00:27:45,119 --> 00:27:46,799 was in a huge kick with them for a while 459 00:27:46,880 --> 00:27:51,039 and man it, Alexei Lejo opened my opened my eyes, 460 00:27:51,079 --> 00:27:53,079 brought my perspectives to a lot of different stuff. 461 00:27:53,200 --> 00:27:56,039 Speaker 1: Really in what way, Oh, the. 462 00:27:56,160 --> 00:27:59,960 Speaker 2: Way he does melodies. There's especially like songs like mass 463 00:28:00,079 --> 00:28:02,519 Insanity and then if you want peace, Prepare for War. 464 00:28:02,759 --> 00:28:06,119 The guitar work and these songs are unparalleled. They're amazing, 465 00:28:07,240 --> 00:28:10,039 and I wanted to try to emulate something like that, 466 00:28:10,279 --> 00:28:13,799 and I'm no Alexi Leo, so it came out different. 467 00:28:13,960 --> 00:28:17,400 But but yeah, this is a song I'm actually really 468 00:28:17,440 --> 00:28:19,880 proud of, one of my favorite solos I've ever written. 469 00:28:20,000 --> 00:28:22,119 Speaker 1: Oh okay, okay, oh very curious here of this said, 470 00:28:22,240 --> 00:28:23,799 All right, let's give this a spin. If you are 471 00:28:23,880 --> 00:28:26,480 just joining us. We have Dan from the band Horror 472 00:28:26,880 --> 00:28:29,079 here with us, live in studio, and this is called 473 00:28:29,160 --> 00:28:30,160 Compelled to kill. 474 00:29:02,599 --> 00:29:08,039 Speaker 7: Even it's hid, it alive, gas in my mind hurt 475 00:29:08,079 --> 00:29:09,759 cause in my eyes getting alive. 476 00:29:10,559 --> 00:29:11,359 Speaker 3: Give it to my. 477 00:29:12,319 --> 00:29:13,400 Speaker 5: All shot. 478 00:29:17,599 --> 00:29:26,759 Speaker 3: Shouting the jewl w si you strike to ou? Why 479 00:29:28,240 --> 00:29:33,000 shouting the gel? Why you wanna tell me. 480 00:29:36,839 --> 00:29:54,599 Speaker 8: Suthing night side everybody, I'm telling you, my stu si. 481 00:30:49,240 --> 00:30:53,079 Speaker 7: Even inside even alive, the sooners, high. 482 00:30:54,519 --> 00:30:57,640 Speaker 6: Girdles and my eyes getting even alive, give it. 483 00:30:57,720 --> 00:31:03,640 Speaker 5: To my dolls, got go. 484 00:31:03,799 --> 00:31:09,400 Speaker 4: I'm gonna shouting the gel wells that you'll try to 485 00:31:09,680 --> 00:31:19,519 go out. I'm gonna shouting to Gell, why you wanna. 486 00:31:19,279 --> 00:31:24,599 Speaker 3: Tell it s something? 487 00:31:26,039 --> 00:31:35,359 Speaker 8: Says Donating s s watch you want to tell. 488 00:31:35,240 --> 00:31:41,160 Speaker 6: You something the side. 489 00:32:27,480 --> 00:32:31,319 Speaker 1: I like that dramatic ending. That's cool. That is compelled 490 00:32:31,400 --> 00:32:34,480 to kill. And the band is Horror. We have Dan 491 00:32:34,799 --> 00:32:37,759 from the band Horror here with us live in studio. 492 00:32:38,279 --> 00:32:41,480 By the way, some chat room activity. Our friend Spelfy 493 00:32:41,599 --> 00:32:44,160 Ham is in there, of course from Terminus and says, 494 00:32:44,240 --> 00:32:48,480 Hi Dan, Hi, Matt Hi. Jen bf Raid says this 495 00:32:48,599 --> 00:32:52,319 song is awesome. Andre Dumont of course from Dad. Harrison 496 00:32:52,400 --> 00:32:56,720 says waking up to some horror. This show hits right 497 00:32:56,799 --> 00:32:59,720 in the morning spot. Thank you very much, Thank you 498 00:32:59,839 --> 00:33:05,319 very much. Let's see hello to easy beat society. 499 00:33:06,559 --> 00:33:06,680 Speaker 5: Uh. 500 00:33:07,119 --> 00:33:09,759 Speaker 1: Spelfie made a comment about what we were talking earlier 501 00:33:09,799 --> 00:33:13,440 about mental health. She said, facts too much stigma around 502 00:33:13,680 --> 00:33:16,960 talking about mental health. Absolutely, absolutely, although not. 503 00:33:17,000 --> 00:33:19,359 Speaker 2: As much as there used to be, which is uh, absolutely, 504 00:33:19,720 --> 00:33:20,319 which is great. 505 00:33:20,400 --> 00:33:24,599 Speaker 1: It is getting better, it is getting better. Let's see. 506 00:33:24,799 --> 00:33:27,599 Eleanor is in the chat room says I want these 507 00:33:27,759 --> 00:33:33,039 horror vocals inside my body. That's an interesting way of 508 00:33:33,079 --> 00:33:37,359 phrasing that she wants to be able to sing that way. 509 00:33:37,440 --> 00:33:37,960 Speaker 3: I guess. 510 00:33:39,359 --> 00:33:39,920 Speaker 2: Let's go with that. 511 00:33:40,119 --> 00:33:43,920 Speaker 1: Yeah, I got to I got to see Eleanor on Tuesday. 512 00:33:43,960 --> 00:33:47,000 I went there to meet with her and about some things, 513 00:33:47,039 --> 00:33:49,839 and yeah, lots of good things going on, lots of 514 00:33:49,880 --> 00:33:55,920 positive things. Very excited, very excited. Oh, Spelfie says, yeah, 515 00:33:56,000 --> 00:33:59,319 the whole Terminus crew in the chat and Andre says, oh, 516 00:33:59,400 --> 00:34:04,000 those vocals will be coursing through everybody molecule at Terminus. 517 00:34:04,440 --> 00:34:06,880 Speaker 2: Yeah, they will. I saw your pa man. That thing 518 00:34:06,960 --> 00:34:07,559 looks crazy. 519 00:34:07,839 --> 00:34:12,760 Speaker 1: Yeah, absolutely absolutely, Jenny, you wanted to you were gonna 520 00:34:12,920 --> 00:34:14,320 tell us more about that show. 521 00:34:14,400 --> 00:34:16,079 Speaker 2: And all the bands you're hearing today. 522 00:34:16,119 --> 00:34:19,079 Speaker 9: You can see the live at Terminus Underground on Saturday, 523 00:34:19,119 --> 00:34:22,480 October nineteenth. Terminus is located at one thirty four Haines 524 00:34:22,519 --> 00:34:25,440 Street in Nashua. Doors will open at five pm twenty 525 00:34:25,519 --> 00:34:29,159 one plus byop. Entry is twenty dollars and includes the 526 00:34:29,239 --> 00:34:30,039 Haunted House. 527 00:34:29,920 --> 00:34:30,639 Speaker 1: And the show. 528 00:34:31,039 --> 00:34:33,199 Speaker 9: So check out all the bands from today live at 529 00:34:33,280 --> 00:34:35,280 Terminus Underground on October nineteenth. 530 00:34:35,719 --> 00:34:38,119 Speaker 1: Very good, very good. And if you are listening live 531 00:34:38,199 --> 00:34:40,159 on Saturday, of course, coming up in the third hour, 532 00:34:40,280 --> 00:34:43,159 we have the Gray Curtain, a couple members joining us, 533 00:34:43,239 --> 00:34:47,599 I think, and really what they are fascinating, what a 534 00:34:47,760 --> 00:34:50,400 unique sound, they ask, it will be really looking forward 535 00:34:50,400 --> 00:34:54,159 to that. Dan, tell us about your live show. I mean, 536 00:34:54,199 --> 00:34:56,199 do you do you have any effects or anything, or 537 00:34:56,280 --> 00:34:57,519 do you guys just play. 538 00:34:57,599 --> 00:35:00,440 Speaker 2: Or I mean typically we just play. We have like 539 00:35:00,519 --> 00:35:03,880 a gimmick or anything like that. It's always cool when 540 00:35:03,920 --> 00:35:06,480 the venue has like some stuff up, like Terminus is 541 00:35:06,599 --> 00:35:11,760 just loaded with crazy stuff like skeletons, spider web, yeahsterious, mayhem, 542 00:35:11,840 --> 00:35:14,559 you know, the whole nine. But yeah, yeah, whenever we play, 543 00:35:14,639 --> 00:35:18,320 we typically just wear like what I'm wearing now, T shirt, 544 00:35:19,239 --> 00:35:21,079 jeans and just go up there and play. 545 00:35:21,440 --> 00:35:23,960 Speaker 1: I'm having visions of you know, the future, you guys 546 00:35:24,039 --> 00:35:26,760 in an arena with a big screen of all kinds 547 00:35:26,760 --> 00:35:32,000 of oh yeah, all kinds of terrible things happening you guys. 548 00:35:32,559 --> 00:35:34,360 Speaker 2: That'd be great. We want to take over the world. 549 00:35:34,239 --> 00:35:38,079 Speaker 1: Man, Yeah, yeah, yeah, no, absolutely. Now, if you gotten 550 00:35:38,119 --> 00:35:40,440 to play with any if you gotten open for any 551 00:35:40,599 --> 00:35:42,119 any of the bands you know you were talking earlier 552 00:35:42,159 --> 00:35:43,840 about some of the bands you really love and admire, 553 00:35:44,000 --> 00:35:47,119 you have you gotten to any opportunities to play with 554 00:35:47,199 --> 00:35:48,280 any of those bands yet. 555 00:35:48,199 --> 00:35:49,039 Speaker 2: Or not quite? 556 00:35:49,400 --> 00:35:49,639 Speaker 1: Yeah? 557 00:35:50,400 --> 00:35:54,079 Speaker 2: I played with some really really cool bands, like, for instance, 558 00:35:54,119 --> 00:35:56,840 Permanent Disfigurement was an awesome band I played with with 559 00:35:56,960 --> 00:35:59,719 Infected God. Yeah, I had played a couple of shows 560 00:35:59,760 --> 00:36:04,840 with them, and Vincent Crowley was another one. They were 561 00:36:06,360 --> 00:36:09,039 absolutely killer guys. I knew about them prior and they're 562 00:36:09,119 --> 00:36:12,440 awesome music. Yeah, but we haven't played too too many 563 00:36:12,519 --> 00:36:13,840 shows to be able to actually do that. 564 00:36:14,239 --> 00:36:14,440 Speaker 3: Yeah. 565 00:36:15,360 --> 00:36:17,199 Speaker 2: But yeah, for what it's worth, all the bands that 566 00:36:17,239 --> 00:36:19,440 we played with, all of our flyers are still up 567 00:36:19,599 --> 00:36:23,000 on the Instagram and everything. They're all wonderful bands. There 568 00:36:23,039 --> 00:36:26,000 hasn't been a single band we played with where I've disliked. So, yeah, 569 00:36:26,280 --> 00:36:29,599 you guys are interested, go check them out. Everyone's gonna 570 00:36:29,599 --> 00:36:30,199 be a killer band. 571 00:36:30,320 --> 00:36:31,639 Speaker 1: Yeah, yeah, excellent. 572 00:36:33,280 --> 00:36:33,800 Speaker 3: What was the. 573 00:36:35,760 --> 00:36:36,440 Speaker 2: Your your logo? 574 00:36:36,480 --> 00:36:37,400 Speaker 1: Who designed your logo? 575 00:36:37,960 --> 00:36:41,639 Speaker 2: So that's an artist named Alex Ridley. Okay, he's based 576 00:36:41,679 --> 00:36:44,119 out of Canada, an old friend of mine. I've known 577 00:36:44,199 --> 00:36:47,719 him for probably a decade now, and I asked him like, hey, man, 578 00:36:47,800 --> 00:36:50,360 can you just make something like a bones and bloody 579 00:36:50,519 --> 00:36:51,719 and just see what you come up with. 580 00:36:51,920 --> 00:36:52,119 Speaker 1: Yeah. 581 00:36:52,119 --> 00:36:54,079 Speaker 2: He's like, yeah, dude, whatever, And he sent me that 582 00:36:54,239 --> 00:36:56,840 and I was like, oh, yeah, okay, that's cool. 583 00:36:57,039 --> 00:36:59,840 Speaker 1: Yeah, you know, I was particularly curious about it. Because 584 00:37:00,079 --> 00:37:02,920 I like about the logo. Is so a lot of 585 00:37:03,039 --> 00:37:06,119 the bands again that are in kind of your genre, 586 00:37:06,360 --> 00:37:09,320 they have logos with fonts kind of similar to that, 587 00:37:09,880 --> 00:37:15,199 but they are indecipherable to me, right, but your logo, 588 00:37:15,400 --> 00:37:17,719 so you've got that cool kind of fun but but 589 00:37:17,880 --> 00:37:18,239 you can. 590 00:37:18,199 --> 00:37:20,320 Speaker 2: Read it, you know what I mean. See, that's what 591 00:37:20,400 --> 00:37:22,079 we wanted to We didn't want it to be like, 592 00:37:22,199 --> 00:37:24,119 you know, the back of a computer chair or where 593 00:37:24,159 --> 00:37:26,239 you've been laying on it too long, it's all you. No, 594 00:37:26,360 --> 00:37:28,360 we didn't want it to be something like that. We 595 00:37:28,480 --> 00:37:30,480 wanted people actually read it and know who we were. 596 00:37:30,679 --> 00:37:33,280 Speaker 1: Yeah. Yeah, yeah, because there's a lot of it. Jeez, 597 00:37:33,280 --> 00:37:36,920 I remember uh so years ago. I don't know if 598 00:37:36,920 --> 00:37:40,199 you remember Strawberries and then Fye bought it, but you 599 00:37:40,280 --> 00:37:43,599 know the old music store there, and I just remember uh, 600 00:37:44,280 --> 00:37:47,000 flipping through CDs at work or putting CDs away and 601 00:37:47,199 --> 00:37:49,119 and just you know, looking at the covers of some 602 00:37:49,239 --> 00:37:53,800 of these bands, and and just and again and that 603 00:37:54,000 --> 00:37:57,079 specific genre, just being like, I don't know what that says. 604 00:37:58,480 --> 00:37:59,920 Speaker 2: Yeah, some of them are unbelievable. 605 00:38:00,199 --> 00:38:02,639 Speaker 1: Yeah, you know it's it's you know, because I'm also 606 00:38:02,679 --> 00:38:05,639 a marketing guy, so from my perspective, it's like, why 607 00:38:05,679 --> 00:38:08,400 would you want something that no one can read? But 608 00:38:08,840 --> 00:38:10,480 but but that seems to be the thing for a 609 00:38:10,519 --> 00:38:11,400 lot of these bands. 610 00:38:11,599 --> 00:38:15,360 Speaker 2: Yeah, yeah, you know, I don't understand it personally, but 611 00:38:15,599 --> 00:38:18,639 it looks really cool. So especially seeing that live with 612 00:38:18,760 --> 00:38:20,960 the music, it adds a lot of atmosphere. I see 613 00:38:21,000 --> 00:38:22,960 why they do it. But as far as marketing goes. 614 00:38:22,880 --> 00:38:26,119 Speaker 1: He writes it, Yeah, some of those album covers too. 615 00:38:26,360 --> 00:38:27,199 Speaker 2: Oh man. 616 00:38:27,519 --> 00:38:32,679 Speaker 1: Yeah, there's a Cannibal Corpse album cover that still gives 617 00:38:32,760 --> 00:38:33,360 me nightmares. 618 00:38:33,679 --> 00:38:36,159 Speaker 2: Yeah, which one I don't remember the game. 619 00:38:36,039 --> 00:38:38,599 Speaker 1: I've blocked it out, but yeah, probably all probably any of. 620 00:38:38,599 --> 00:38:40,920 Speaker 2: Them, all, any of them. That's exactly what I was thinking. Yeah. 621 00:38:41,000 --> 00:38:43,599 Speaker 1: Well, I'm actually not even kidding when I say this. 622 00:38:43,719 --> 00:38:46,480 If I had to put Cannibal Corps CDs into the bin, 623 00:38:47,719 --> 00:38:50,480 I would try not to look directly up the s Like, 624 00:38:51,280 --> 00:38:54,559 I'm actually not kidding. I'm very squeamish about that. But 625 00:38:54,840 --> 00:38:57,079 uh no. But anyway, so the point being though I 626 00:38:57,320 --> 00:39:02,079 really like the logo. I think it's cool, awesome. Yeah, absolutely, Now, 627 00:39:02,159 --> 00:39:04,239 what is kind of the future trajectory for you guys? 628 00:39:04,239 --> 00:39:06,920 So obviously, so the nineteenth you mentioned that's the official 629 00:39:07,239 --> 00:39:09,480 CD release party, correct it is? And what's what's the 630 00:39:09,559 --> 00:39:10,679 name of the album by the way, I don't know 631 00:39:10,679 --> 00:39:11,280 if we talked about it. 632 00:39:11,360 --> 00:39:11,960 Speaker 2: It's self titled. 633 00:39:13,280 --> 00:39:15,920 Speaker 1: That's a good way to do it. Yeah, And then 634 00:39:16,480 --> 00:39:19,840 so where is that available? Are there physical copies or. 635 00:39:19,920 --> 00:39:22,159 Speaker 2: We don't have physical copies yet? I'm okay, we're pretty 636 00:39:22,159 --> 00:39:24,840 broke you yeah. Yeah, so no physical copies. We're working 637 00:39:24,880 --> 00:39:27,199 on getting some merch for this show. Hopefully it shows 638 00:39:27,280 --> 00:39:30,599 up in time. But yeah, otherwise, that's pretty much where 639 00:39:30,599 --> 00:39:33,239 we're at with like that kind of media. As far 640 00:39:33,400 --> 00:39:38,119 as like streaming, we are on Apple Music, Spotify, YouTube. 641 00:39:38,280 --> 00:39:41,840 Definitely check out our YouTube. We're really pumping up those numbers. Cool, good, good, 642 00:39:41,960 --> 00:39:45,719 But we're based on any stream platform that you can access. 643 00:39:46,000 --> 00:39:46,360 Speaker 3: Yeah, and. 644 00:39:47,840 --> 00:39:52,480 Speaker 2: We're gonna continue uploading to YouTube, videos, shorts, whatever it 645 00:39:52,559 --> 00:39:54,599 might be. Okay, just kind of keep everyone updated and 646 00:39:54,800 --> 00:39:56,760 have a little fun like maybe some playthrough videos and 647 00:39:56,800 --> 00:39:57,239 stuff like that. 648 00:39:58,039 --> 00:40:00,239 Speaker 1: I think right now, that's the most important thing, is 649 00:40:00,320 --> 00:40:02,480 well obvious. Well no, actually, let me rephrase that. So 650 00:40:02,559 --> 00:40:04,639 being on all the streaming platforms, that's the most important thing. 651 00:40:04,639 --> 00:40:06,559 And you've got that, sure, But I think after that 652 00:40:06,760 --> 00:40:08,960 YouTube right now is the most important thing. 653 00:40:09,079 --> 00:40:10,760 Speaker 2: Oh yeah, oh, I absolutely agree. 654 00:40:10,880 --> 00:40:13,199 Speaker 1: Yeah yeah, and I mean it changes, you know, tomorrow 655 00:40:13,440 --> 00:40:17,159 something completely different the important thing, But right now I 656 00:40:17,199 --> 00:40:19,320 think it's definitely YouTube. So that's right. So your numbers 657 00:40:19,519 --> 00:40:21,039 are growing quickly. 658 00:40:21,280 --> 00:40:23,480 Speaker 2: Oh yeah. In the first two months we got fifteen 659 00:40:23,559 --> 00:40:25,760 thousand without advertising. 660 00:40:25,239 --> 00:40:26,599 Speaker 1: It all fantastic. 661 00:40:26,840 --> 00:40:28,840 Speaker 2: Yeah good. We just set up a little bit of 662 00:40:28,880 --> 00:40:30,639 a Google ad campaign. So the last couple of days 663 00:40:30,679 --> 00:40:32,079 we've gotten like two or three more thousand. 664 00:40:32,280 --> 00:40:36,360 Speaker 1: Okay, excellent. Oh you're on the right track then, world. 665 00:40:36,440 --> 00:40:38,760 Speaker 2: So excited man, Yeah, yeah, we want to take this 666 00:40:38,880 --> 00:40:39,639 as far as we can. 667 00:40:39,880 --> 00:40:42,239 Speaker 1: Absolutely, absolutely, Well, you're off to a great start. So 668 00:40:42,320 --> 00:40:42,880 that's amazing. 669 00:40:42,920 --> 00:40:43,480 Speaker 2: Appreciate that. 670 00:40:43,679 --> 00:40:46,920 Speaker 1: And yeah, yeah, definitely. So we're approaching the top of 671 00:40:46,920 --> 00:40:49,079 the hour, so in the moment we'll play we'll play 672 00:40:49,119 --> 00:40:52,519 one more track. Nuke is the other one that you sent. 673 00:40:52,639 --> 00:40:54,920 But anything else we should know about where people should 674 00:40:54,920 --> 00:40:57,000 go to find you online. Obviously, you know, we talked 675 00:40:57,039 --> 00:40:58,840 about the nineteenth but anything else you want to make 676 00:40:58,840 --> 00:40:59,840 sure our listeners know about. 677 00:41:00,079 --> 00:41:03,280 Speaker 2: Yeah, so if you had a horror dot band instead 678 00:41:03,280 --> 00:41:06,760 of dot Com dot band wikie cool, Yeah, it'll have 679 00:41:06,920 --> 00:41:11,000 links to all of our social media's Instagram, Facebook, even 680 00:41:11,039 --> 00:41:14,679 stuff like SoundCloud, you know, everything's there, and our full 681 00:41:14,719 --> 00:41:16,400 album on YouTube is gonna be the first thing that 682 00:41:16,440 --> 00:41:18,639 you see right as you get onto the page. Okay, 683 00:41:19,840 --> 00:41:22,119 and I haven't updated it yet, but it's on. We 684 00:41:22,199 --> 00:41:24,360 have different tabs like, for instance, shows, and we have 685 00:41:24,519 --> 00:41:30,920 merch that you can request when it's available, and yeah, 686 00:41:30,920 --> 00:41:33,119 I mean that's the horrid up band is going to 687 00:41:33,159 --> 00:41:34,760 be primarily where you can find everything. 688 00:41:35,000 --> 00:41:35,440 Speaker 1: Yeah, but. 689 00:41:36,960 --> 00:41:41,159 Speaker 2: Yeah, as far as outside of that, try to keep 690 00:41:41,199 --> 00:41:43,480 updated with our social media is and see where we're at. 691 00:41:43,760 --> 00:41:47,159 Speaker 1: Yeah, excellent, excellent Nuke What should we know about this? 692 00:41:47,639 --> 00:41:51,119 Speaker 2: So Nuke is full time fully titled Nuke the World? 693 00:41:51,440 --> 00:41:52,000 Speaker 1: Oh okay. 694 00:41:52,079 --> 00:41:57,360 Speaker 2: It's our commentary on basically taking the position of someone 695 00:41:57,440 --> 00:42:00,000 pushing the big red button, you know, just destroying everything 696 00:42:00,079 --> 00:42:03,960 thing mutually assured destruction, you know. Yeah, it's our take 697 00:42:04,079 --> 00:42:07,199 on how much we detest war and how we see 698 00:42:07,280 --> 00:42:10,360 the world going right now. The song is a tongue 699 00:42:10,400 --> 00:42:13,199 in cheek kind of take on that, okay, and it's 700 00:42:13,199 --> 00:42:13,880 our mash song. 701 00:42:14,239 --> 00:42:19,119 Speaker 1: Okay, all right, very good. So we're gonna close out 702 00:42:19,159 --> 00:42:21,239 the segment with this, and then at the top of 703 00:42:21,280 --> 00:42:23,239 the hour, We're gonna play the new Chasing the Devil 704 00:42:23,320 --> 00:42:26,000 track one more time today their brand new single lighted up. 705 00:42:26,000 --> 00:42:28,480 And then we're gonna have The Gray Curtain joining us 706 00:42:28,519 --> 00:42:29,159 in the third hour. 707 00:42:29,239 --> 00:42:30,280 Speaker 2: Do you know those guys already? 708 00:42:30,320 --> 00:42:31,760 Speaker 1: You're playing with them on October nineteenth. 709 00:42:31,840 --> 00:42:33,679 Speaker 2: We haven't met any of the bands yet. Oh okay, 710 00:42:33,760 --> 00:42:35,440 I can't wait too though. They all seem great. 711 00:42:35,559 --> 00:42:37,719 Speaker 1: Yeah, yeah, yeah, the Gray Curtain has a really really 712 00:42:37,800 --> 00:42:40,400 interesting sound, so yeah, looking forward to talking to them. 713 00:42:40,480 --> 00:42:42,239 But yeah, that's gonna be that's gonna be a great 714 00:42:42,239 --> 00:42:46,159 show October nineteenth, that Terminus in Nashua. But damn, thank 715 00:42:46,199 --> 00:42:46,440 you so. 716 00:42:46,559 --> 00:42:47,760 Speaker 2: Much, hey, thank you for having me. 717 00:42:48,199 --> 00:42:50,559 Speaker 1: Absolutely and we will close out the segment with this. 718 00:42:50,719 --> 00:42:53,239 This is called Nuke from the band Horror