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<v Speaker 1>Oh better that.

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<v Speaker 2>H Trigger Warner.

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<v Speaker 3>This podcast may include explicit content that will take you

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<v Speaker 3>out of your comfort zone and make you question reality.

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<v Speaker 2>Listener's discretion is advised.

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<v Speaker 4>How did folks, your host double jback here, coming at

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<v Speaker 4>you live SLASH Live from my studio slash RV dining

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<v Speaker 4>room located directly inside America. Welcome back, folks of the

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<v Speaker 4>airwebs once again, JJ Vance here host of Operation GCD,

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<v Speaker 4>but perhaps more notably not the Vice President. I will

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<v Speaker 4>be your pilot navigator here tonight, folks, for this shenani

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<v Speaker 4>and infused journey into the mind of this particular garbage can. Dude,

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<v Speaker 4>got a real barnburger on deck for your for you

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<v Speaker 4>folks of the inner webs here tonight.

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<v Speaker 3>So appreciate you, folks. Uh, you know, thanks for joining.

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<v Speaker 4>Us here again to get a little GCD because we

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<v Speaker 4>got accult an so so terror review of the nineteen

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<v Speaker 4>eighty five cinematic masterpiece Back to the Future with an

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<v Speaker 4>entire Occult Rejects lineup, including Nick, host of the Occult Rejects.

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<v Speaker 5>Welcome Nick, Thank you, welcome, sir. You know I would

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<v Speaker 5>have been really upset if you didn't consider this one

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<v Speaker 5>a bar burner. I swear to God, I even had

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<v Speaker 5>that in my head. If he does not use barm

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<v Speaker 5>burner for this, I'm gonna say something.

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<v Speaker 3>No, this is definitely this is definitely a barn Burger.

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<v Speaker 3>This is definitely a barn Burger.

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<v Speaker 1>Yeah.

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<v Speaker 4>And we got a whole, like I said, a whole

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<v Speaker 4>occult rejects lineup so here to get GCD. We got

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<v Speaker 4>jent Ope that's not Jen the Ninja, wrong one and

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<v Speaker 4>Jen the Ninja Welcome, Welcome Jen.

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<v Speaker 6>Thank you so muchj and Nick for having me on.

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<v Speaker 6>And I absolutely love doing these episodes. I know people

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<v Speaker 6>on Twitter are always so excited when it's like a

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<v Speaker 6>group of us. I think it's like the five for me.

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<v Speaker 6>I know I won't give your secret away, Nick, but

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<v Speaker 6>I know I'm the Carl. What episode we use a

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<v Speaker 6>different hermetic number? I should say we, but someone did.

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<v Speaker 6>But five for me is a perfect traumatic number. So

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<v Speaker 6>I appreciate that we can do these kind of roundtable

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<v Speaker 6>esoteric reviews, and I think they're really hot and people

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<v Speaker 6>love them. So thank you so much for guys for

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<v Speaker 6>having me on.

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<v Speaker 4>Oh for sure, host of the Threshold Saints and the

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<v Speaker 4>fellow occult reject there and I definitely appreciate your all

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<v Speaker 4>insight in the last one.

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<v Speaker 2>We did well.

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<v Speaker 3>We've done a couple of.

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<v Speaker 4>Good ones recently, right, we did a little uh, Big Trouble,

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<v Speaker 4>Little China, and we also did a little Golden Child,

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<v Speaker 4>So those are great ones. I enjoyed those myself. Next

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<v Speaker 4>time we got I do you Love? Host of the

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<v Speaker 4>Unfiltered Rise podcast and fellow a cult reject.

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<v Speaker 3>How you doing, Heidi?

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<v Speaker 2>Welcome.

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<v Speaker 3>I'm happy for joining media Llow GCD.

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<v Speaker 2>Here your first appearance, by the way, Yeah, I'm excited

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<v Speaker 2>to be here and on Operation at GCD.

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<v Speaker 1>That is right, right, because we've done Fridays, this is

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<v Speaker 1>a different one and we're just always together.

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<v Speaker 4>It's so fun countless other cult reject shows, right, So,

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<v Speaker 4>if you can introduce the Unfiltered Rise podcast to the

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<v Speaker 4>Operation GCD audience that perhaps is not familiar.

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<v Speaker 1>Absolutely so. I'm Heidi Love of the Unfiltered Rise. I'm

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<v Speaker 1>also an ex Mormon, just like JJ, and I talk

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<v Speaker 1>a lot about that on my show, but I also

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<v Speaker 1>do kind of a whole multitude of different things. Anything

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<v Speaker 1>that strikes my fancy, especially like Mormon mafia, weird stuff

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<v Speaker 1>like that.

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<v Speaker 2>You know, it's a garbage can too.

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<v Speaker 4>And some great parapolitics stuff, especially relative to the from JFK.

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<v Speaker 3>To Whitewater, et cetera.

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<v Speaker 4>And I think you know, I have a general annoised

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<v Speaker 4>theory that everything kind of goes back through that Whitewater

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<v Speaker 4>threading to JFK. So what we're dealing with today.

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<v Speaker 2>That is absolutely absolutely well.

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<v Speaker 1>Thank you guys for being here. I love everyone here,

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<v Speaker 1>all the rejects and boss.

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<v Speaker 2>Thank you, there you go.

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<v Speaker 4>Thank you last, but not least, and no particular order

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<v Speaker 4>a cos me pete. Julia, welcome to Operation GCD. Your

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<v Speaker 4>first appearance as well. Much like Heidi, we've done some

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<v Speaker 4>Fridays and plenty of Occult reject shows, but thanks for joining.

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<v Speaker 2>Me yetle BCD. There Julia looking.

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<v Speaker 7>Forward to We did the Golden Child gather right, Holy smokes,

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<v Speaker 7>you were on the gold seat.

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<v Speaker 3>Now here we go.

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<v Speaker 4>I was just telling Hidi yesterday about that Ed Cassis

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<v Speaker 4>show we were doing Occult Rejects. I thought she was there,

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<v Speaker 4>so I keep I keep replacing who was in these shows,

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<v Speaker 4>so I do apology.

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<v Speaker 5>Everybody here could probably even a test how many times

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<v Speaker 5>I'll text him be like, did I ask you for

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<v Speaker 5>this show? I can't even remember even I write it down,

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<v Speaker 5>I forget there.

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<v Speaker 4>I mean not not just one second there, Julia. Yesterday

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<v Speaker 4>I was in a podcast with doing some Mormon paradpolitics

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<v Speaker 4>and society Cincinnati conversations on the sixth Century podcast with Heidi.

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<v Speaker 2>There was a fellow guest.

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<v Speaker 4>And I kept referencing in the show that that show

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<v Speaker 4>what we did with ed Cassis and she she finally says,

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<v Speaker 4>I wasn't there.

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<v Speaker 3>I was like, go, shoot, you weren't there?

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<v Speaker 5>Like, how long do I play along with this?

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<v Speaker 2>This is my favorite thing?

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<v Speaker 1>He said in my brain, you were there, you should

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<v Speaker 1>have been there, And I'm like, I was off of work.

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<v Speaker 2>I just didn't know.

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<v Speaker 5>Oh yeah, shoot I was.

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<v Speaker 3>I apologize, Julia.

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<v Speaker 8>No, It's it's all good in the hood. I'm just

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<v Speaker 8>happy to be here. I'm for this movie. I got

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<v Speaker 8>a lot of cool notes and what the fuck's up everybody?

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<v Speaker 8>I'm excited.

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<v Speaker 4>What's the What's what's going on the Cosmic Peach podcast

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<v Speaker 4>as of late?

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<v Speaker 3>What's the focus?

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<v Speaker 2>I'm actually the.

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<v Speaker 3>Subjects you've been interested as As a late.

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<v Speaker 8>I'm working on a I don't know if I'm gonna

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<v Speaker 8>do three or four parts, because I always try to

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<v Speaker 8>do four parts, but this one might be three parts.

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<v Speaker 8>But I'm working on a new series about sleep paralysis

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<v Speaker 8>and uh, demonic and paranormal experiences. So that's a new

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<v Speaker 8>focus right now, and that that series should be dropping

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<v Speaker 8>next month. So I'm actually really excited about that.

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<v Speaker 3>That's so exciting for you. Again, I appreciate y'all joining me.

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<v Speaker 4>I got to one plug real quick, real fast before

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<v Speaker 4>we get started, and that's uh my upcoming Sunday show

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<v Speaker 4>eight pm on Sundays, Operation GCD Live Sundays, and first

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<v Speaker 4>first episode this Sundays, the Curse of Robert the Doll.

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<v Speaker 4>So this is my uh Patreon my new Patreon series

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<v Speaker 4>here on Sunday, So that'll be in the show notes

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<v Speaker 4>along with all your all's links as well.

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<v Speaker 5>You know, what the hell is he?

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<v Speaker 2>Where are you scared?

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<v Speaker 5>Though?

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<v Speaker 2>Are you scared to start that crap up over there?

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<v Speaker 5>I don't.

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<v Speaker 3>I don't like looking at a photo of Robert.

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<v Speaker 4>That's why I muppetize him in the first place, even

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<v Speaker 4>though I've been on a real muppet trend as of late.

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<v Speaker 3>But yeah, I don't.

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<v Speaker 4>Uh, I sleep well at night, but thinking about this

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<v Speaker 4>damn thing and the curse, I don't know if I

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<v Speaker 4>sleep that great the last couple of nights. But I'm

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<v Speaker 4>looking at an I was about to say, speaking of

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<v Speaker 4>sleep foralysis, Robert might be haunting me in that too. No,

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<v Speaker 4>I'm trying to approach it. This more of a cathartic experience.

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<v Speaker 3>I know.

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<v Speaker 4>Uh, Julia had It invited me onto her show to

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<v Speaker 4>discuss the matter. I'm like, all right, well, let me

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<v Speaker 4>get all my thoughts on it firstly, put it down

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<v Speaker 4>in order, and then I'll be happy. I'll be happy

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<v Speaker 4>to join you there, Julie. After the Sunday's The Curse

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<v Speaker 4>of the Robert.

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<v Speaker 2>Doll operations sounds good.

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<v Speaker 4>So, but tonight we're talking about the nineteen eighty five

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<v Speaker 4>cinematic masterpiece, Back to the Future. And I believe this

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<v Speaker 4>really started, uh to a conversation. I mean, We've been

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<v Speaker 4>doing these occult esoteric views here. I'm a big fan

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<v Speaker 4>of film and just telling stories and the way stories

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<v Speaker 4>are told in the first place, and you know and

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<v Speaker 4>kind of uh, you know these I love the ideas

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<v Speaker 4>of time. So this this, you know, this movie has

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<v Speaker 4>always been a big, big interest of mine. But this

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<v Speaker 4>really started off with a conversation Nick and I had.

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<v Speaker 4>I think we were doing some disc golfing, and he

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<v Speaker 4>was making a reference to how how often or the

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<v Speaker 4>the use of the term.

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<v Speaker 3>Spooky that I that I was.

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<v Speaker 4>I often call the la you know, the intelligent sagancies

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<v Speaker 4>or lack of intelligence agencies, the I call them, you know, spooky,

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<v Speaker 4>you know, spooky operations, et cetera. And Uh, Nick, you know,

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<v Speaker 4>Nick thought I was you know, at first we heard

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<v Speaker 4>me saying that he was telling me that he thought

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<v Speaker 4>I was making some sort of derogatory and racial reference

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<v Speaker 4>of some of your I.

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<v Speaker 5>Was like, when I was a kid and I heard

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<v Speaker 5>my whatever grown ups say that it was that was.

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<v Speaker 4>A common note nomenclature there a few decades ago for

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<v Speaker 4>you know, for some you know, but I I suppose

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<v Speaker 4>about the same as.

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<v Speaker 3>The N word, right.

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<v Speaker 2>Yeah.

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<v Speaker 4>So as soon as he said that to me, I

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<v Speaker 4>thought of the film Back to the Future. So I

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<v Speaker 4>was like, oh, well, yeah, just like Back to the Future. Right,

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<v Speaker 4>So that's kind of That's kind of what where he

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<v Speaker 4>and I first started talking about the Uh there's a

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<v Speaker 4>cult esoteric review of uh the film. But I'd like

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<v Speaker 4>to hear where we're y'all were first interested in in this,

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<v Speaker 4>you know, starting off, Nick, where where did. Uh you know,

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<v Speaker 4>was this a film you were always a big fan

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<v Speaker 4>of since you were a child, or did you see

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<v Speaker 4>this in the theaters?

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<v Speaker 5>I don't think I saw it in the theaters, but no,

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<v Speaker 5>I mean it was definitely a movie that I had,

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<v Speaker 5>like on a VHS tape that I watched multiple times,

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<v Speaker 5>you know. Yeah, it was a classic for me. Yeah, yeah,

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<v Speaker 5>that that in the second one I did. I did

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<v Speaker 5>enjoy it. Everyone was a little because of the train,

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<v Speaker 5>but I did.

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<v Speaker 9>Uh.

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<v Speaker 5>Yeah, it was. It was huge. I mean I feel like,

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<v Speaker 5>maybe what was that eighty five, so I was seven.

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<v Speaker 5>I mean around that time. I think it's kind of

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<v Speaker 5>silly how I felt like at that time you were

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<v Speaker 5>kind of seeing the world spring I think forward in

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<v Speaker 5>a sense too, Like it's hard to explain, but around

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<v Speaker 5>that time, I even feel like with music and just

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<v Speaker 5>what was going on in the world, it was changing

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<v Speaker 5>as well, So I guess like that was like, oh,

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<v Speaker 5>this is what's to come in the future. I don't know,

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<v Speaker 5>it just seemed very nostalgic, you know, at the time,

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<v Speaker 5>even watching it then. But yeah, that's all I got.

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<v Speaker 5>I think jj frowzp I cut out.

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<v Speaker 4>Yeah, yeah, no, I there was a very sci fi

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<v Speaker 4>futuristic aspect to this. I remember as a child thinking, like,

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<v Speaker 4>especially with the second one, I'm gonna I'm gonna need

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<v Speaker 4>me one of those hoverboards, you know what I mean?

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<v Speaker 3>Like, you know there's things will be around in the future, right,

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<v Speaker 3>you know what I mean.

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<v Speaker 4>It's kind of funny because twenty fifteen is much like

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<v Speaker 4>the I don't think we've really gotten that more technologically

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<v Speaker 4>advanced outside of some cell phone right technologies, Right, it's

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<v Speaker 4>big of.

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<v Speaker 2>Exactly. Yeah, it's not like we thought. Yeah, no, I.

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<v Speaker 4>Said, I think this was the first film that I

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<v Speaker 4>ever saw at the theater. I know, I know, I

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<v Speaker 4>saw the second one in the theater, and like you

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<v Speaker 4>were saying, I wore the VHS out on this one

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<v Speaker 4>for sure. I'm pretty sure this was the first film

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<v Speaker 4>I saw at the theater, but I would have been

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<v Speaker 4>I would have been almost six. So, Jen, Jen, when

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<v Speaker 4>did when did you first find out you're a big,

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<v Speaker 4>big fan of Back to the Future. Is this something

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<v Speaker 4>you've been a big fan of? Is you know your

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<v Speaker 4>whole life as a child or what are you talking

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<v Speaker 4>about here?

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<v Speaker 6>So I'm a nineties kid, obviously, and I watched it

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<v Speaker 6>in the nineties, and I think I liked it, Like

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<v Speaker 6>it's to me, I wasn't sure, like when you were like,

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<v Speaker 6>do you want to do this? Of course I want

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<v Speaker 6>to do our movie reviews. It's like the most fun

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<v Speaker 6>thing we do pretty much everybody, right, So you know,

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<v Speaker 6>of course I want to do it. But I didn't

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<v Speaker 6>know how much I could add to it for through

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<v Speaker 6>this film, simply because of my unfamiliarity with it. But

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<v Speaker 6>then Nick, being the great boss that he is, sent

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<v Speaker 6>me his great notes and I was like, oh, okay,

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<v Speaker 6>You're like yeah, okay, And then I was like, yeah,

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<v Speaker 6>this actually totally makes sense. This is like I can

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<v Speaker 6>follow his bolistic logic from like beginning to end, and

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<v Speaker 6>I was like, yeah, these are the same things that

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<v Speaker 6>I thought were really interesting. So I mean, I feel

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<v Speaker 6>like I'll just be more riffing tonight and like let

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<v Speaker 6>everybody else who is really into the film that go,

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<v Speaker 6>but I definitely will like how I'll add where I

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<v Speaker 6>have to add. And so for me, back to the

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<v Speaker 6>future is we'll call it true Chino because I know

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<v Speaker 6>you love that JJ for this you know, esoteric or

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<v Speaker 6>cult review, but I'm not sure if it's a true

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<v Speaker 6>Chino for me. But I really liked it, I have

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<v Speaker 6>to say, in rewatch, like which is just yesterday. So

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<v Speaker 6>I enjoyed it. I thought it was weird and as

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<v Speaker 6>eighties as I remembered, right, and maybe sorry JJ, no.

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<v Speaker 4>I'll say, so, when did you pers So you saw

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<v Speaker 4>kind of the whole trilogy? Then maybe you know all

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<v Speaker 4>at once then, right, you didn't have to wait between

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<v Speaker 4>the trilogies.

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<v Speaker 6>Then it's interesting because I even watched the trilogy in

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<v Speaker 6>anticipation for this episode because I was like I needed

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<v Speaker 6>to kind of know, like I have to know the canon,

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<v Speaker 6>like have a familiarity with like the text. Right, So

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<v Speaker 6>I guess I must have watched them on VHS or DVD,

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<v Speaker 6>because like I'm more DVD era. But yeah, we definitely

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<v Speaker 6>I definitely had VHS. I'm kidding, so, but I must

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<v Speaker 6>have watched.

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<v Speaker 4>But there was no antist You didn't have to wait

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<v Speaker 4>like anticipating the next one coming out there, right, because

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<v Speaker 4>there was always the to be continued with a like

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<v Speaker 4>a cliffhanger scene.

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<v Speaker 2>Right the end.

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<v Speaker 6>No, So I'm not, I'm not. I'm not old enough

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<v Speaker 6>to yet be like affected by the cliffhanger.

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<v Speaker 2>Right.

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<v Speaker 4>That was very impactful on my childhood, and I'm not

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00:13:56.320 --> 00:14:01.759
<v Speaker 4>I was very hyped, very hyped. So so, Julia, when

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<v Speaker 4>did you first discover the Back to the Future And

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<v Speaker 4>were you in a similar situation as Jen where you

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<v Speaker 4>weren't left with a bunch of cliffhangers because I'd asked

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<v Speaker 4>the same to hide? Yeah, I think I know the answer.

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<v Speaker 8>Well, shit, I just turned thirty, but I still identify

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<v Speaker 8>as twenty nine. My pronouns are forever and young. And

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<v Speaker 8>so my my brother and sister grew up in the eighties,

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00:14:28.000 --> 00:14:30.399
<v Speaker 8>and so when I was really little, they would play

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<v Speaker 8>like all the great eighties movies. For me, I didn't

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00:14:33.559 --> 00:14:35.919
<v Speaker 8>have to wait. I just watched them all. Back to

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00:14:35.960 --> 00:14:37.840
<v Speaker 8>back to back, Back to the Future, Back to the

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00:14:37.919 --> 00:14:41.159
<v Speaker 8>Future two, Back to the Future three. My favorite is

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00:14:41.240 --> 00:14:45.039
<v Speaker 8>actually car Probably no, it's the first one. In the

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00:14:45.080 --> 00:14:47.720
<v Speaker 8>third one, actually, did you see what?

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00:14:47.799 --> 00:14:48.879
<v Speaker 3>Did you grow up with that? There was?

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00:14:48.919 --> 00:14:49.039
<v Speaker 1>That?

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00:14:49.159 --> 00:14:52.039
<v Speaker 4>Was that a cartoon in your childhood too? What the

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00:14:52.080 --> 00:14:53.600
<v Speaker 4>cartoon version of Back to the Future?

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00:14:54.240 --> 00:14:56.960
<v Speaker 8>I never fucked with it, but I will say I

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00:14:57.159 --> 00:15:01.279
<v Speaker 8>was super obsessed with the movies, and actually I kind

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00:15:01.279 --> 00:15:03.120
<v Speaker 8>of had like a little bit of a crush on

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<v Speaker 8>Michael J. Fox there for a minute because it was

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00:15:06.120 --> 00:15:09.200
<v Speaker 8>like teen Wolf and like some of those other like

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00:15:09.240 --> 00:15:15.159
<v Speaker 8>really cool eighties movies that he was doing. And so yeah,

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<v Speaker 8>gee for sure, And I actually have a little bit

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00:15:18.039 --> 00:15:20.519
<v Speaker 8>of a story about that when we get into like

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00:15:20.720 --> 00:15:22.639
<v Speaker 8>stuff about the movie with Michael J.

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<v Speaker 2>Fox.

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00:15:23.240 --> 00:15:27.159
<v Speaker 8>But yeah, no, dude, I loved Back to the Future

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00:15:27.200 --> 00:15:28.960
<v Speaker 8>the first one. In the third one, like I said,

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00:15:29.039 --> 00:15:31.799
<v Speaker 8>my fave. I didn't grow up in the eighties, but

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00:15:32.000 --> 00:15:36.000
<v Speaker 8>I definitely fucked with it heavy. I love all the

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00:15:36.039 --> 00:15:36.840
<v Speaker 8>eighties stuff.

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<v Speaker 4>Nice, nice, well, last but not least hide, He went,

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00:15:42.080 --> 00:15:44.679
<v Speaker 4>when did you discover the Back to the Futures? And

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00:15:45.360 --> 00:15:47.919
<v Speaker 4>were you as affected by these cliffhangers as I was?

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00:15:48.480 --> 00:15:51.279
<v Speaker 1>Oh, definitely. I think I'm the oldest one on the panel.

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00:15:51.440 --> 00:15:57.200
<v Speaker 1>So I was like, this is crazy cool, and like, oh,

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<v Speaker 1>I hope we have flying cars and all this fun.

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00:16:00.120 --> 00:16:03.159
<v Speaker 1>The second one, like it was just yeah. The third one,

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00:16:03.159 --> 00:16:06.639
<v Speaker 1>You're right, it's just not it doesn't hit the third

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00:16:06.679 --> 00:16:08.799
<v Speaker 1>one love me anyway.

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<v Speaker 2>Yeah, so but it was so I appreciate more than

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00:16:11.519 --> 00:16:12.440
<v Speaker 2>I like other sequels.

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00:16:12.440 --> 00:16:14.000
<v Speaker 4>But I agree with you. I think the first two

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00:16:14.080 --> 00:16:16.840
<v Speaker 4>or they were more of a home run. I think, yeah,

336
00:16:16.960 --> 00:16:17.360
<v Speaker 4>so good.

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00:16:17.519 --> 00:16:20.120
<v Speaker 8>How can you not like the third one. It's like

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00:16:20.240 --> 00:16:21.679
<v Speaker 8>the perfect.

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00:16:21.519 --> 00:16:23.840
<v Speaker 5>Ending, the good one about that Doc.

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<v Speaker 8>They I mean, they ended it enough for me to

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00:16:28.519 --> 00:16:31.679
<v Speaker 8>be satisfied with their not being a fourth one.

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00:16:32.519 --> 00:16:33.960
<v Speaker 5>They're making a remake, supposedly.

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<v Speaker 8>I'm not interested in a remake. They ruin everything and

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00:16:37.759 --> 00:16:41.320
<v Speaker 8>they put their woke bullshit in it. When they make remakes,

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00:16:41.559 --> 00:16:44.320
<v Speaker 8>they're going to cast a black guy to play Marty

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<v Speaker 8>McFly and they're gonna have some tranny playing.

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00:16:48.120 --> 00:16:49.799
<v Speaker 2>Doc And I don't want it.

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00:16:49.879 --> 00:16:51.440
<v Speaker 8>I just don't want it.

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<v Speaker 2>Leave it alone.

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<v Speaker 3>It's funny you mentioned that. It's funny you mentioned that, Julie.

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<v Speaker 4>Have you you all familiar with the Back to the

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<v Speaker 4>Future musical that's that has a big thing.

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00:17:00.080 --> 00:17:03.000
<v Speaker 8>Is there a tranny playing Doc Brown? Because I don't

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00:17:03.039 --> 00:17:03.480
<v Speaker 8>want to know.

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00:17:04.680 --> 00:17:04.720
<v Speaker 1>No.

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00:17:04.960 --> 00:17:06.880
<v Speaker 3>But much like in this film we've discussed.

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<v Speaker 4>In the Back to the Future film, you know, it's

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00:17:08.720 --> 00:17:11.000
<v Speaker 4>weird that Marty McFly goes back in time and he's

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00:17:11.079 --> 00:17:13.160
<v Speaker 4>kind of like got a thing with his mother's got

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00:17:13.160 --> 00:17:14.559
<v Speaker 4>falls in love with him, and so there's this kind

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00:17:14.559 --> 00:17:18.200
<v Speaker 4>of incestual thing. Well, in the Broadway musical version and

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00:17:18.240 --> 00:17:20.359
<v Speaker 4>the Broadway musical version, I think he went back in

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00:17:20.400 --> 00:17:21.839
<v Speaker 4>time and his dad had.

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00:17:21.640 --> 00:17:22.279
<v Speaker 3>A thing for him.

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00:17:22.599 --> 00:17:27.039
<v Speaker 4>Oh no, said that it's not overtly that way. But

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<v Speaker 4>like I mean, I'll show you a clip here just

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<v Speaker 4>you know, standing by police one second.

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00:17:30.839 --> 00:17:34.359
<v Speaker 7>Yike, I got a I got a clip of exactly

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<v Speaker 7>what is not gay?

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00:17:37.839 --> 00:17:40.640
<v Speaker 4>Well, well, the Broadway version probably is. But I hear

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00:17:40.680 --> 00:17:42.839
<v Speaker 4>what you're saying, so isn't it it is? It is

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00:17:42.920 --> 00:17:45.079
<v Speaker 4>kind of fascinating how much this is spawned a cultural

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00:17:45.079 --> 00:17:48.000
<v Speaker 4>phenomenon there, right, like this this film, you know here

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00:17:48.039 --> 00:17:51.119
<v Speaker 4>it is you know, forty years you know later, right

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00:17:51.240 --> 00:17:54.759
<v Speaker 4>almost right? I think was July third of nineteen eighty five,

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00:17:54.839 --> 00:17:56.039
<v Speaker 4>right that they released this film.

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00:17:56.079 --> 00:18:02.480
<v Speaker 3>So you know, it's crazy still right, and it's it's

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00:18:02.480 --> 00:18:06.319
<v Speaker 3>still very impactful because, like I said, they're doing Broadway musicals.

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00:18:06.960 --> 00:18:08.880
<v Speaker 4>You know, if you all recall in the film, you know,

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00:18:08.920 --> 00:18:12.799
<v Speaker 4>in the in the sequels they go to October fifteenth,

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00:18:12.880 --> 00:18:15.319
<v Speaker 4>twenty fifteen, right, which.

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00:18:15.119 --> 00:18:19.519
<v Speaker 8>Everybody freaked out on that, for example life on Instagram.

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00:18:19.599 --> 00:18:22.200
<v Speaker 2>Oh it's October fifteen, two thousand fifty.

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00:18:22.480 --> 00:18:24.160
<v Speaker 4>Well they even did things like I Got a clipper.

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00:18:24.200 --> 00:18:25.960
<v Speaker 4>They even did things like this on the Jimmy Kimmel

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00:18:26.039 --> 00:18:26.759
<v Speaker 4>Show on that date.

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00:18:32.920 --> 00:18:37.720
<v Speaker 5>WHOA of course, to my calculations, this is the year

388
00:18:38.160 --> 00:18:41.200
<v Speaker 5>two thousan fifteen, Mardy the Future.

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00:18:44.839 --> 00:18:47.599
<v Speaker 4>That's so I mean, you know this was you know,

390
00:18:47.640 --> 00:18:50.200
<v Speaker 4>it's right, wrong or different whenever you think of Jimmy Kimmel.

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00:18:50.240 --> 00:18:52.119
<v Speaker 3>That's a big audience. They're doing this on, you know,

392
00:18:52.200 --> 00:18:53.160
<v Speaker 3>as a you know.

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00:18:53.240 --> 00:18:56.599
<v Speaker 4>Tribute to this culture that was created, I think, and

394
00:18:56.640 --> 00:18:58.559
<v Speaker 4>it is the sci fi culture in general, but I

395
00:18:58.559 --> 00:18:59.880
<v Speaker 4>mean it is specifically this film.

396
00:19:00.039 --> 00:19:00.400
<v Speaker 3>I think.

397
00:19:00.839 --> 00:19:02.960
<v Speaker 4>I think the esoteric elements that we're going to be

398
00:19:02.960 --> 00:19:05.440
<v Speaker 4>discussing here this evening, some of these occult and or

399
00:19:05.559 --> 00:19:08.920
<v Speaker 4>esoteric elements, is these these things that are embedded in

400
00:19:08.920 --> 00:19:10.960
<v Speaker 4>the storyline of the film is what makes it so

401
00:19:11.400 --> 00:19:13.680
<v Speaker 4>much time you know time, you know, standing through time

402
00:19:13.680 --> 00:19:16.119
<v Speaker 4>as far as being a good story, great you know,

403
00:19:16.599 --> 00:19:21.000
<v Speaker 4>told in a great film, right, And yeah, I mean

404
00:19:21.039 --> 00:19:23.279
<v Speaker 4>I don't know what uh, I don't know. I've ever

405
00:19:23.359 --> 00:19:25.000
<v Speaker 4>met someone who's like, oh, yeah, back to the I've

406
00:19:25.000 --> 00:19:26.680
<v Speaker 4>seen Back to Future and it's super dumb, you know

407
00:19:26.720 --> 00:19:28.359
<v Speaker 4>what I mean, Like because I think you see that

408
00:19:28.400 --> 00:19:29.759
<v Speaker 4>with some of the air sci fi stuff. But I

409
00:19:29.759 --> 00:19:31.519
<v Speaker 4>mean it is a very wide what I'm saying has

410
00:19:31.559 --> 00:19:34.880
<v Speaker 4>a wide ranging audience for sci fi folks, right, Like

411
00:19:35.279 --> 00:19:36.920
<v Speaker 4>you don't have to be a Star Wars person or

412
00:19:36.920 --> 00:19:39.039
<v Speaker 4>a Star Trek person to be kind of, you know,

413
00:19:39.480 --> 00:19:42.119
<v Speaker 4>into this, I think, into this idea of back to

414
00:19:42.119 --> 00:19:44.279
<v Speaker 4>the Future and time travel and it's so.

415
00:19:44.359 --> 00:19:46.119
<v Speaker 8>Embedded in pop culture.

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00:19:46.480 --> 00:19:49.680
<v Speaker 2>Oh sorry, no, that's okay, Please go ahead.

417
00:19:50.480 --> 00:19:52.359
<v Speaker 8>Oh I was just gonna say, it's so embedded in

418
00:19:52.400 --> 00:19:55.680
<v Speaker 8>pop culture, you know, like a lot of movies still

419
00:19:55.759 --> 00:20:00.799
<v Speaker 8>reference things from Back to the Future. So yeah, it's

420
00:20:00.839 --> 00:20:04.160
<v Speaker 8>it's definitely timeless for.

421
00:20:04.200 --> 00:20:07.440
<v Speaker 3>Sure, Jim were what were gonna say there?

422
00:20:07.440 --> 00:20:10.440
<v Speaker 6>Basically just echoing both you and Julia's thing that it was.

423
00:20:10.559 --> 00:20:13.279
<v Speaker 6>It's it's a cultural phenomenon. Like, and I agree with you,

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00:20:13.359 --> 00:20:16.319
<v Speaker 6>this film has such wide ranging appeal. But I didn't

425
00:20:16.319 --> 00:20:19.000
<v Speaker 6>actually think of it as a sci fi film. I

426
00:20:19.039 --> 00:20:22.200
<v Speaker 6>was of and but it is. But it really is

427
00:20:22.200 --> 00:20:25.720
<v Speaker 6>a science speculative fiction film. Maybe not a science fiction

428
00:20:25.799 --> 00:20:28.599
<v Speaker 6>film as we would like normally think of it, maybe

429
00:20:28.599 --> 00:20:30.960
<v Speaker 6>not like total recall science fiction, but it is a

430
00:20:31.000 --> 00:20:34.279
<v Speaker 6>speculative fiction So from that angle, actually, now I'm like

431
00:20:34.440 --> 00:20:37.599
<v Speaker 6>very like, oh, okay, can like that?

432
00:20:39.680 --> 00:20:40.279
<v Speaker 3>Am I back?

433
00:20:41.279 --> 00:20:42.000
<v Speaker 2>Yeah you're back.

434
00:20:42.119 --> 00:20:43.480
<v Speaker 8>Did you hear what Jin said?

435
00:20:44.400 --> 00:20:44.599
<v Speaker 2>Yeah?

436
00:20:44.960 --> 00:20:47.119
<v Speaker 4>No, I just started storming here, real real bad. What

437
00:20:47.119 --> 00:20:48.839
<v Speaker 4>were you saying? Jim, can you can you repeat that

438
00:20:48.839 --> 00:20:49.119
<v Speaker 4>for me?

439
00:20:49.599 --> 00:20:49.759
<v Speaker 5>Oh?

440
00:20:49.839 --> 00:20:51.880
<v Speaker 6>Yeah, no problem, jj. I just was saying, it is

441
00:20:51.880 --> 00:20:54.519
<v Speaker 6>a sci fi film, but it's more of a speculative

442
00:20:54.559 --> 00:20:58.960
<v Speaker 6>fiction film. Then it's like a total recall, which would

443
00:20:59.000 --> 00:21:01.599
<v Speaker 6>be like a high science fiction because of sudden space

444
00:21:01.680 --> 00:21:05.640
<v Speaker 6>philipkay Dick's travel. Right, So this is really a speculative

445
00:21:05.640 --> 00:21:08.119
<v Speaker 6>fiction film. So people don't You're totally right. And when

446
00:21:08.160 --> 00:21:10.640
<v Speaker 6>you said that, people don't have to enjoy science fiction

447
00:21:10.759 --> 00:21:14.200
<v Speaker 6>to go watch this film. But the film really is oxial,

448
00:21:14.359 --> 00:21:16.759
<v Speaker 6>like science fiction is oxial to the whole film.

449
00:21:18.000 --> 00:21:18.440
<v Speaker 2>Absolutely.

450
00:21:18.440 --> 00:21:21.160
<v Speaker 4>I'm glad to pointed that out because because when not

451
00:21:21.319 --> 00:21:24.279
<v Speaker 4>before before we get into the actual you know, characters

452
00:21:24.279 --> 00:21:26.680
<v Speaker 4>and plotline of the film, I'm gonna I would like

453
00:21:26.720 --> 00:21:28.119
<v Speaker 4>to say this on our own little.

454
00:21:27.839 --> 00:21:30.000
<v Speaker 2>Trip back to the future and go over.

455
00:21:29.920 --> 00:21:32.079
<v Speaker 4>How this sci fi stuff began and how this stuff

456
00:21:32.119 --> 00:21:34.559
<v Speaker 4>was impacted in which to the culture which to even

457
00:21:34.599 --> 00:21:35.279
<v Speaker 4>create this film?

458
00:21:35.359 --> 00:21:35.440
<v Speaker 1>Right?

459
00:21:35.519 --> 00:21:37.240
<v Speaker 3>What what what's the backstory on that?

460
00:21:37.359 --> 00:21:37.480
<v Speaker 1>Right?

461
00:21:37.519 --> 00:21:37.720
<v Speaker 2>How?

462
00:21:38.119 --> 00:21:41.279
<v Speaker 3>How did the how did the nature of these tales

463
00:21:41.279 --> 00:21:42.039
<v Speaker 3>even come about? Where?

464
00:21:42.079 --> 00:21:44.799
<v Speaker 4>Where's the root of science fiction? Where's the root of

465
00:21:44.799 --> 00:21:48.960
<v Speaker 4>these ideas of time travel? And strangely enough, it largely

466
00:21:49.000 --> 00:21:52.319
<v Speaker 4>revolves around a fellow that I described last week in

467
00:21:52.400 --> 00:21:55.880
<v Speaker 4>Operation GCD Live in My In My Tales of Cocaine,

468
00:21:55.880 --> 00:21:59.680
<v Speaker 4>Bob Evans meets Marvel Comics is DC Marvel Comics, thelema

469
00:21:59.759 --> 00:22:02.720
<v Speaker 4>fan fiction that was all focused around a fellow by

470
00:22:02.720 --> 00:22:05.559
<v Speaker 4>the name of Forrest j Ackerman. He's actually known as

471
00:22:05.599 --> 00:22:09.079
<v Speaker 4>mister science Fiction, and he's the guy who.

472
00:22:08.559 --> 00:22:09.799
<v Speaker 3>Coined the term science fiction.

473
00:22:09.960 --> 00:22:12.279
<v Speaker 4>So I'm glad you pointed that out, because we're gonna

474
00:22:12.279 --> 00:22:15.720
<v Speaker 4>be getting into a little bit of that. Did anyone

475
00:22:15.720 --> 00:22:18.759
<v Speaker 4>else have any more any more opening comments or statements here?

476
00:22:18.759 --> 00:22:23.039
<v Speaker 4>Before we do a quick quick clip of the trailer

477
00:22:23.119 --> 00:22:25.480
<v Speaker 4>to the film, you know, just to get folks that

478
00:22:25.599 --> 00:22:29.240
<v Speaker 4>refreshed on the who doesn't know, back to the future.

479
00:22:29.279 --> 00:22:31.519
<v Speaker 4>But if folks the interwebs are out there, who don't

480
00:22:31.640 --> 00:22:35.640
<v Speaker 4>I have a brief clip in which to refresh folks memories.

481
00:22:35.640 --> 00:22:38.599
<v Speaker 4>But if anyone else has any other comments before we

482
00:22:38.640 --> 00:22:40.599
<v Speaker 4>do that, please feel free.

483
00:22:43.200 --> 00:22:45.400
<v Speaker 3>We're good, all right?

484
00:22:45.799 --> 00:22:48.200
<v Speaker 4>Actually, you know what, I'm glad I sipped myself there

485
00:22:48.200 --> 00:22:50.680
<v Speaker 4>for a second, because once again, this is how this

486
00:22:50.720 --> 00:22:51.799
<v Speaker 4>whole conversation began.

487
00:22:51.839 --> 00:22:57.000
<v Speaker 2>I have a clip of that first. That's for messing

488
00:22:57.079 --> 00:22:57.279
<v Speaker 2>up my.

489
00:22:57.319 --> 00:22:59.359
<v Speaker 6>Home the hell.

490
00:22:59.160 --> 00:23:01.839
<v Speaker 3>Are you doing to my are hey? Beat it spook.

491
00:23:01.920 --> 00:23:07.480
<v Speaker 2>Just don't concern you who you call it spook? Take

492
00:23:07.519 --> 00:23:07.920
<v Speaker 2>a wood?

493
00:23:09.880 --> 00:23:12.400
<v Speaker 6>Hey hey listen, guys, look, I don't want to mess

494
00:23:12.440 --> 00:23:13.400
<v Speaker 6>with no reforatics.

495
00:23:13.400 --> 00:23:18.279
<v Speaker 3>Okay, I.

496
00:23:20.279 --> 00:23:21.319
<v Speaker 5>Do you ever hear that? Do you ever hear the

497
00:23:21.319 --> 00:23:22.160
<v Speaker 5>Peckerwoods before?

498
00:23:23.640 --> 00:23:23.680
<v Speaker 1>No?

499
00:23:23.880 --> 00:23:24.480
<v Speaker 3>I'm not now.

500
00:23:24.960 --> 00:23:26.960
<v Speaker 5>Yeah. Yeah, they're a group I met in prison as well.

501
00:23:26.960 --> 00:23:28.000
<v Speaker 5>They hung out with the Odinis.

502
00:23:28.240 --> 00:23:31.119
<v Speaker 8>They all have like themselves.

503
00:23:31.200 --> 00:23:33.880
<v Speaker 5>Yeah they have like what wood. Yeah, they have like

504
00:23:33.920 --> 00:23:39.680
<v Speaker 5>white pecker whatdy woodpecker tattoos and ship out of here.

505
00:23:41.160 --> 00:23:42.839
<v Speaker 3>Oh my god, I'd never heard of that.

506
00:23:43.319 --> 00:23:45.640
<v Speaker 4>I just crack up because you know that is uh,

507
00:23:45.960 --> 00:23:48.359
<v Speaker 4>you know, the term spook is obviously you don't know

508
00:23:48.400 --> 00:23:50.440
<v Speaker 4>how long it goes back to with intelligence operations.

509
00:23:50.480 --> 00:23:51.799
<v Speaker 3>I presume that back that far.

510
00:23:51.839 --> 00:23:54.759
<v Speaker 4>But it's that's the term I know for intelligence operations,

511
00:23:54.799 --> 00:23:56.920
<v Speaker 4>not the you know, the the reference from Back to

512
00:23:56.960 --> 00:23:59.240
<v Speaker 4>the Future. But it cracks me up, and that seems

513
00:23:59.319 --> 00:24:01.799
<v Speaker 4>very kind of import and the whole narrative because you know,

514
00:24:01.880 --> 00:24:05.559
<v Speaker 4>Michael J. Fox's character Marty McFly gets locked in that trunk,

515
00:24:05.599 --> 00:24:08.079
<v Speaker 4>and it is that trunk that's an epicode that being

516
00:24:08.079 --> 00:24:10.680
<v Speaker 4>locked in that Trunk's an epicenter of activity that you know,

517
00:24:10.720 --> 00:24:13.160
<v Speaker 4>I don't want to I don't want to confuse mess folks.

518
00:24:13.200 --> 00:24:14.960
<v Speaker 4>Brain holds up at the moment, trying to, you know,

519
00:24:15.079 --> 00:24:18.559
<v Speaker 4>explain time and how this you know that seems imperative

520
00:24:18.559 --> 00:24:20.759
<v Speaker 4>to this whole circular nature of time in this film,

521
00:24:20.799 --> 00:24:23.039
<v Speaker 4>because I'm sure we'll get into that at some point.

522
00:24:23.119 --> 00:24:24.799
<v Speaker 4>But I, you know, I think that is a very

523
00:24:24.799 --> 00:24:26.799
<v Speaker 4>important scene. It's not just comical to me in that regard.

524
00:24:26.839 --> 00:24:29.039
<v Speaker 4>I think it's an important scene in the whole the

525
00:24:29.039 --> 00:24:31.799
<v Speaker 4>whole business. But I got a quick clip here for

526
00:24:31.960 --> 00:24:34.960
<v Speaker 4>the uh, you know, just to describe the storyline from

527
00:24:34.960 --> 00:24:36.599
<v Speaker 4>the original the original.

528
00:24:36.240 --> 00:24:42.640
<v Speaker 3>Trailer Steven Spielberger's ass Back to the Future Robertson Macer's film,

529
00:24:42.880 --> 00:24:45.599
<v Speaker 3>Marty leads an ordinary life. You will looks fly ever

530
00:24:45.680 --> 00:24:48.039
<v Speaker 3>amount to anything in the history of Ill Valley.

531
00:24:48.319 --> 00:24:52.039
<v Speaker 6>You known change, and nineteen eighty five is not.

532
00:24:53.200 --> 00:24:56.559
<v Speaker 2>He is a year, but doctor Brown is about to.

533
00:24:56.680 --> 00:24:57.240
<v Speaker 3>Change all that.

534
00:24:57.839 --> 00:25:01.720
<v Speaker 2>Are you telling me you got the time machine, Victoria.

535
00:25:02.799 --> 00:25:06.319
<v Speaker 3>He's sending Marty thirteen years back in time.

536
00:25:08.960 --> 00:25:11.119
<v Speaker 4>So I figured that was a good encapsulation of what,

537
00:25:11.200 --> 00:25:14.079
<v Speaker 4>at least the baseline of the film is the folks

538
00:25:14.119 --> 00:25:16.960
<v Speaker 4>that they are not familiar with it, but it is

539
00:25:17.119 --> 00:25:18.000
<v Speaker 4>still us.

540
00:25:18.079 --> 00:25:19.960
<v Speaker 3>This is still one of my favorite films. I'm not Claudia.

541
00:25:20.839 --> 00:25:22.119
<v Speaker 3>I get excited just watching.

542
00:25:21.960 --> 00:25:25.799
<v Speaker 8>The trailer me too, And I've watched it twice within

543
00:25:25.880 --> 00:25:29.200
<v Speaker 8>the last twenty four hours preparing for this and love

544
00:25:29.279 --> 00:25:31.720
<v Speaker 8>every moment of it. But I don't know what it

545
00:25:31.839 --> 00:25:37.400
<v Speaker 8>means by Steven Spielberg presents a Robert Mechas film, but

546
00:25:37.880 --> 00:25:43.000
<v Speaker 8>that means he was in some way tied into what

547
00:25:43.240 --> 00:25:44.440
<v Speaker 8>the production of it.

548
00:25:45.200 --> 00:25:47.920
<v Speaker 4>Or y was produced by Amble and Entertainment, which was

549
00:25:47.960 --> 00:25:51.640
<v Speaker 4>owned by Spielberg, with a minority answers byes the Mechas.

550
00:25:52.079 --> 00:25:57.519
<v Speaker 2>Okay, okay, the Mecca's hides in every film he's in period.

551
00:25:57.559 --> 00:25:58.559
<v Speaker 3>Exactly is the Meccas.

552
00:25:58.720 --> 00:25:59.160
<v Speaker 2>Yeah, he was.

553
00:25:59.279 --> 00:26:02.000
<v Speaker 4>He was Spielberg's protege and Bob Gail was best friends.

554
00:26:02.079 --> 00:26:04.680
<v Speaker 4>Was a Mecchas because Bob Gail, much like some of

555
00:26:04.720 --> 00:26:06.680
<v Speaker 4>the actors in this film, Bob Glee, seems to have

556
00:26:06.720 --> 00:26:09.880
<v Speaker 4>distanced himself from Hollywood, away from Za mecchas an Spielberg,

557
00:26:10.359 --> 00:26:12.920
<v Speaker 4>just like Crispin Glover, the actor who played George McFly,

558
00:26:13.640 --> 00:26:18.440
<v Speaker 4>and the female actress that played m Martin McFly's love

559
00:26:18.519 --> 00:26:21.319
<v Speaker 4>interest to Jennifer, whose name I can't think of at

560
00:26:21.359 --> 00:26:21.680
<v Speaker 4>the moment.

561
00:26:21.920 --> 00:26:24.519
<v Speaker 3>They both left after the first one, and years later

562
00:26:24.799 --> 00:26:26.400
<v Speaker 3>we'll get into some of this in a little bit here.

563
00:26:26.599 --> 00:26:28.119
<v Speaker 2>Years later, it would be alleged by.

564
00:26:29.799 --> 00:26:34.079
<v Speaker 4>The Crazy Days and Nights Entertainment lawyer Fellow that it

565
00:26:34.200 --> 00:26:38.160
<v Speaker 4>was all revolving around kids stuff and we're ambling Entertainment

566
00:26:38.160 --> 00:26:41.599
<v Speaker 4>and Spielberg were having a bunch of children audition for

567
00:26:41.640 --> 00:26:44.440
<v Speaker 4>the film when there wasn't any children parts. So and

568
00:26:44.599 --> 00:26:47.000
<v Speaker 4>Krispin Glover made a bit of it, an issue of

569
00:26:47.079 --> 00:26:49.920
<v Speaker 4>it on set, and et cetera, et cetera. But there's

570
00:26:49.960 --> 00:26:52.559
<v Speaker 4>that's a whole that's a whole, big narrative there. But yeah,

571
00:26:52.720 --> 00:26:53.720
<v Speaker 4>that's actually.

572
00:26:55.160 --> 00:26:57.680
<v Speaker 8>That was my first note that I have is that

573
00:26:57.839 --> 00:27:01.559
<v Speaker 8>Crispin Glover actually wrote a letter that you can go

574
00:27:01.759 --> 00:27:04.599
<v Speaker 8>and read. Anybody can go and read it. He wrote

575
00:27:04.640 --> 00:27:08.599
<v Speaker 8>a letter to Steven Spielberg and I'm assuming it was

576
00:27:08.799 --> 00:27:12.480
<v Speaker 8>after Back to the Future about the kid's stuff and

577
00:27:12.519 --> 00:27:13.200
<v Speaker 8>the weirdness.

578
00:27:14.119 --> 00:27:15.000
<v Speaker 3>Well, yeah, you.

579
00:27:15.359 --> 00:27:17.119
<v Speaker 4>Got to look long and hard for that letter, because

580
00:27:17.119 --> 00:27:18.240
<v Speaker 4>I thought you could read it. It took me a

581
00:27:18.279 --> 00:27:19.799
<v Speaker 4>minut to find out to go to the web archive.

582
00:27:21.359 --> 00:27:21.519
<v Speaker 1>Yeah.

583
00:27:21.519 --> 00:27:24.000
<v Speaker 2>I mean it's nice website back in two thousand and five.

584
00:27:24.680 --> 00:27:27.160
<v Speaker 8>It's not easily accessible, but it is out there.

585
00:27:27.759 --> 00:27:29.680
<v Speaker 3>And he did the show notes.

586
00:27:31.319 --> 00:27:33.799
<v Speaker 8>You have it in the show notes, I will.

587
00:27:33.920 --> 00:27:35.759
<v Speaker 3>I haven't put it there yet. I've been really lazy

588
00:27:35.799 --> 00:27:36.920
<v Speaker 3>about that today, but I haven't.

589
00:27:36.920 --> 00:27:37.599
<v Speaker 2>I haven't available.

590
00:27:37.599 --> 00:27:39.000
<v Speaker 3>I'm gonna put it in after the show.

591
00:27:40.319 --> 00:27:41.160
<v Speaker 2>Oh, I haven't available.

592
00:27:42.839 --> 00:27:45.359
<v Speaker 8>I've talked about that before, and so is Sean McCann

593
00:27:45.640 --> 00:27:50.720
<v Speaker 8>about how Crispin Glover wrote this letter to to Steven

594
00:27:50.799 --> 00:27:53.200
<v Speaker 8>Spielberg about this kind of stuff. And I really like

595
00:27:53.279 --> 00:27:55.200
<v Speaker 8>Crispin Glover. I think he's hilarious.

596
00:27:56.680 --> 00:27:59.480
<v Speaker 3>Sure that very go ahead.

597
00:28:00.079 --> 00:28:01.920
<v Speaker 8>Oh, I was just gonna say I watched another movie

598
00:28:02.000 --> 00:28:03.920
<v Speaker 8>recently with him in it, and it just made me

599
00:28:04.039 --> 00:28:06.599
<v Speaker 8>love him even more. Like I feel like he's a

600
00:28:06.640 --> 00:28:07.960
<v Speaker 8>no nonsense kind of guy.

601
00:28:09.119 --> 00:28:10.079
<v Speaker 3>He seems that way, right.

602
00:28:10.160 --> 00:28:12.480
<v Speaker 4>He seems that way because he really diships himself from

603
00:28:12.519 --> 00:28:16.880
<v Speaker 4>Hollywood in the whole Spielberg franchise. So to that note again,

604
00:28:16.920 --> 00:28:18.400
<v Speaker 4>and we'll go into some more of that here in

605
00:28:18.440 --> 00:28:21.680
<v Speaker 4>a minute. But the you know, Crispin Glover really uh

606
00:28:22.119 --> 00:28:25.319
<v Speaker 4>hate he was responsible for a landmark lawsuit for actors'

607
00:28:25.359 --> 00:28:27.920
<v Speaker 4>rights there in Hollywood as far as The Back of

608
00:28:27.960 --> 00:28:30.720
<v Speaker 4>the Future too went because he used his likeness against

609
00:28:30.880 --> 00:28:32.160
<v Speaker 4>against without any permission.

610
00:28:32.279 --> 00:28:34.640
<v Speaker 3>So this that's a whole nother matter as well, but again.

611
00:28:34.480 --> 00:28:38.119
<v Speaker 4>Involves these producers, right, involves this trio of folks, Bob Gail,

612
00:28:38.759 --> 00:28:41.440
<v Speaker 4>you know, Roberts, Mechas, Steven Spielberg, and really you can

613
00:28:41.480 --> 00:28:43.599
<v Speaker 4>toss George Lucas into that, even though he's not involved

614
00:28:43.640 --> 00:28:45.880
<v Speaker 4>in this film, he is kind of the third wheel

615
00:28:45.920 --> 00:28:48.599
<v Speaker 4>there with some Mechas and Spielberg. They're all kind of

616
00:28:48.640 --> 00:28:52.079
<v Speaker 4>a trio. So interesting stuf because then you're dealing with

617
00:28:52.160 --> 00:28:55.119
<v Speaker 4>Star Wars, right with with the Spielberg, Lucas and stuff, right,

618
00:28:55.759 --> 00:28:58.720
<v Speaker 4>and then you know that's, uh, that's kind of all

619
00:28:58.799 --> 00:29:00.559
<v Speaker 4>interesting to me in the sci fi in these sci

620
00:29:00.680 --> 00:29:05.839
<v Speaker 4>fi respects. So the I guess we could start off there,

621
00:29:05.960 --> 00:29:07.480
<v Speaker 4>right some of that sci fi stuff.

622
00:29:08.240 --> 00:29:13.359
<v Speaker 6>Well, let me just when you were saying that sci

623
00:29:13.440 --> 00:29:16.000
<v Speaker 6>fi stuff, because that's obviously very interesting to me from

624
00:29:16.000 --> 00:29:20.400
<v Speaker 6>a metafiction perspective, is that I never really thought of

625
00:29:20.440 --> 00:29:22.160
<v Speaker 6>it before, and I don't know why. I guess I'm

626
00:29:22.160 --> 00:29:24.440
<v Speaker 6>not a true Star Wars enjoyer, which is tolly true.

627
00:29:24.480 --> 00:29:28.039
<v Speaker 6>I actually don't really like Star Wars, but you can

628
00:29:28.119 --> 00:29:31.000
<v Speaker 6>actually look at Star Wars in a really interesting cabalistic

629
00:29:31.079 --> 00:29:34.480
<v Speaker 6>way and the like dualities like that, how dualistic it is,

630
00:29:34.640 --> 00:29:40.400
<v Speaker 6>and how like it's very it's very like clipathic and

631
00:29:40.559 --> 00:29:43.039
<v Speaker 6>like Tree of Life at the same time. It's like

632
00:29:43.160 --> 00:29:45.319
<v Speaker 6>showing you both, but it's showing you kind of like

633
00:29:45.400 --> 00:29:46.359
<v Speaker 6>the retard version.

634
00:29:47.440 --> 00:29:50.200
<v Speaker 3>Okay, can you explain it?

635
00:29:50.480 --> 00:29:57.640
<v Speaker 6>Really, It's like it's like very fastile. It's like, oh

636
00:29:57.759 --> 00:29:59.960
<v Speaker 6>you just you get there through this, like it's kind

637
00:30:00.039 --> 00:30:02.880
<v Speaker 6>kind of syncretic, right, Like he the joke is is

638
00:30:02.920 --> 00:30:05.160
<v Speaker 6>that he was reading the e Chang as he wrote

639
00:30:06.160 --> 00:30:09.680
<v Speaker 6>that film, right, but they were obviously they were obviously

640
00:30:09.759 --> 00:30:11.599
<v Speaker 6>reading other things. And give me a break, it's not

641
00:30:11.720 --> 00:30:14.880
<v Speaker 6>just the eaching. But you know, so the reality is

642
00:30:15.039 --> 00:30:18.319
<v Speaker 6>it has these mataghysical themes. Like absolutely, people will fight

643
00:30:18.440 --> 00:30:22.079
<v Speaker 6>me about it, but it really does. But it's not

644
00:30:22.400 --> 00:30:25.279
<v Speaker 6>very deep. It's not like truly deep. It's not like

645
00:30:25.400 --> 00:30:27.359
<v Speaker 6>actually studying like I think.

646
00:30:27.480 --> 00:30:31.680
<v Speaker 3>You can journey that. Marty McFly goes on, No.

647
00:30:31.680 --> 00:30:33.759
<v Speaker 6>I'm sorry, I'm talking about Star Wars and just how

648
00:30:33.839 --> 00:30:36.680
<v Speaker 6>that is interesting. You were making like the thing where

649
00:30:36.720 --> 00:30:38.200
<v Speaker 6>it's like a parallel.

650
00:30:38.359 --> 00:30:40.000
<v Speaker 4>What's kind of similar, right, because there's kind of a

651
00:30:40.160 --> 00:30:44.039
<v Speaker 4>hero story between the two characters, right, Skywalker and Marty McFly,

652
00:30:44.279 --> 00:30:45.279
<v Speaker 4>And Martin.

653
00:30:45.160 --> 00:30:48.920
<v Speaker 6>McFly is a more interesting hero because he's a little

654
00:30:49.079 --> 00:30:56.119
<v Speaker 6>I agree with American, right, he's just something much more

655
00:30:56.200 --> 00:30:59.920
<v Speaker 6>interesting about him, much more relatable. There's nothing really related

656
00:31:00.079 --> 00:31:02.480
<v Speaker 6>all about Luke Skywalker to anyone. It's like, that's what

657
00:31:02.559 --> 00:31:04.160
<v Speaker 6>I was trying to get out. I'm sorry I went

658
00:31:04.200 --> 00:31:04.440
<v Speaker 6>on the.

659
00:31:04.480 --> 00:31:05.240
<v Speaker 3>Town now you're good.

660
00:31:05.960 --> 00:31:06.240
<v Speaker 1>It was.

661
00:31:06.400 --> 00:31:10.799
<v Speaker 6>It's that the Luke Skywalker is kind of the messianic figure, right.

662
00:31:11.640 --> 00:31:13.799
<v Speaker 6>No one can ever live up to that because it's

663
00:31:13.839 --> 00:31:17.839
<v Speaker 6>too pristine from the beginning. So Marty McFly, he has

664
00:31:17.839 --> 00:31:20.079
<v Speaker 6>a girlfriend. He's probably had said probly, you know, like

665
00:31:20.599 --> 00:31:24.279
<v Speaker 6>he's lived his life, and it's like that's much more

666
00:31:24.920 --> 00:31:27.839
<v Speaker 6>it's just much more relatable, I think, right.

667
00:31:27.759 --> 00:31:30.640
<v Speaker 2>Right, girlfriend's not his sister.

668
00:31:30.920 --> 00:31:36.119
<v Speaker 4>So well, that's that's a good kind of analysis and

669
00:31:36.160 --> 00:31:38.079
<v Speaker 4>what we're going into here. Does anyone else have anything

670
00:31:38.119 --> 00:31:39.680
<v Speaker 4>to share a kind of that regard kind of just

671
00:31:39.880 --> 00:31:42.119
<v Speaker 4>your overview of what you saw in these things, just

672
00:31:42.160 --> 00:31:44.640
<v Speaker 4>not the particular necessarily, but you know, kind of a

673
00:31:44.920 --> 00:31:46.440
<v Speaker 4>meta analysis of what you looked at.

674
00:31:48.440 --> 00:31:51.279
<v Speaker 1>I definitely see a mystical journey like a Heroes for

675
00:31:52.039 --> 00:31:54.519
<v Speaker 1>I'm seeing, you know, with the time travel, a lot of.

676
00:31:54.599 --> 00:31:56.599
<v Speaker 2>NASA like stuff.

677
00:31:56.680 --> 00:32:00.119
<v Speaker 1>Their space stuff gonna pop in big time with the

678
00:32:00.759 --> 00:32:02.440
<v Speaker 1>Dad and the book. I don't know if you guys

679
00:32:02.480 --> 00:32:05.000
<v Speaker 1>saw when he comes back, but when he comes back

680
00:32:05.039 --> 00:32:09.440
<v Speaker 1>and everything changes the books about space and how he

681
00:32:09.640 --> 00:32:12.400
<v Speaker 1>met his wife, it's like space lovers or something. And

682
00:32:12.960 --> 00:32:17.480
<v Speaker 1>I'm seeing like divine, a lot of divine you know, intervention.

683
00:32:19.240 --> 00:32:20.599
<v Speaker 1>So yeah, I don't want to.

684
00:32:20.599 --> 00:32:24.880
<v Speaker 4>Go I got that's you're definitely reading my mind there,

685
00:32:24.880 --> 00:32:26.759
<v Speaker 4>because I got some massive stuff on deck force here

686
00:32:26.799 --> 00:32:28.880
<v Speaker 4>in the sci fi background of this film.

687
00:32:29.720 --> 00:32:32.720
<v Speaker 8>I put down a lot of like about the predictive

688
00:32:32.880 --> 00:32:39.640
<v Speaker 8>programming type stuff that they snuck in there, Yeah, for sure,

689
00:32:39.880 --> 00:32:42.079
<v Speaker 8>and I have like a few notes on that, and

690
00:32:42.160 --> 00:32:44.000
<v Speaker 8>then I have a few notes of.

691
00:32:46.759 --> 00:32:47.200
<v Speaker 1>Like how.

692
00:32:48.799 --> 00:32:55.160
<v Speaker 8>How they chose specific times and even stuff in the

693
00:32:55.279 --> 00:33:00.319
<v Speaker 8>background to me looked a little bit on purpose. So sure,

694
00:33:01.319 --> 00:33:04.319
<v Speaker 8>but I did want to say they took a lot

695
00:33:04.400 --> 00:33:07.279
<v Speaker 8>of time to make sure that this movie was perfect

696
00:33:08.039 --> 00:33:12.759
<v Speaker 8>and everything was very much on purpose. And something a

697
00:33:12.839 --> 00:33:16.799
<v Speaker 8>lot of people don't know is that another actor besides

698
00:33:16.960 --> 00:33:22.920
<v Speaker 8>Michael J. Fox filmed half of this movie and was

699
00:33:23.279 --> 00:33:26.160
<v Speaker 8>on the way to finishing the movie before they said

700
00:33:26.240 --> 00:33:29.119
<v Speaker 8>you chuck dicks, we hate you, fuck off and they

701
00:33:29.319 --> 00:33:30.960
<v Speaker 8>recasted him with Michael J.

702
00:33:31.119 --> 00:33:31.319
<v Speaker 5>Fox.

703
00:33:32.519 --> 00:33:33.759
<v Speaker 3>Can you talking about Eric Stoltz?

704
00:33:34.359 --> 00:33:41.359
<v Speaker 8>Yeah, yeah, yeah, so I don't know it. Yeah yeah,

705
00:33:42.839 --> 00:33:45.960
<v Speaker 8>another big eighties movie, some kind of wonderful. I don't

706
00:33:46.000 --> 00:33:49.079
<v Speaker 8>know if you guys watched that, but he's he's the

707
00:33:49.200 --> 00:33:53.000
<v Speaker 8>main guy in some kind of wonderful And he was

708
00:33:53.039 --> 00:33:54.440
<v Speaker 8>supposed to be Martin McFly.

709
00:33:55.920 --> 00:34:02.039
<v Speaker 2>This one was masked, right, yes, mask wine of yes, yes, Rocky.

710
00:34:03.720 --> 00:34:07.079
<v Speaker 8>Yeah, so he was supposed to be Marty McFly. He

711
00:34:07.200 --> 00:34:09.760
<v Speaker 8>got like halfway through making the movie before they told

712
00:34:09.800 --> 00:34:13.000
<v Speaker 8>him he sucked Dix and got rid of him and

713
00:34:13.280 --> 00:34:14.760
<v Speaker 8>recasted him with Michael J.

714
00:34:14.920 --> 00:34:15.159
<v Speaker 4>Fox.

715
00:34:15.280 --> 00:34:18.719
<v Speaker 8>But like, everything they did was very intentional, was very

716
00:34:18.800 --> 00:34:19.440
<v Speaker 8>on purpose.

717
00:34:20.880 --> 00:34:22.400
<v Speaker 4>You sure was the sucond Deck thing. He looks a

718
00:34:22.400 --> 00:34:24.000
<v Speaker 4>little along in the face to me. Maybe that's why

719
00:34:24.039 --> 00:34:24.719
<v Speaker 4>they recast him.

720
00:34:27.760 --> 00:34:30.480
<v Speaker 8>But I only say that to say every move that

721
00:34:30.599 --> 00:34:33.639
<v Speaker 8>they made was very purposeful, and they had to get

722
00:34:33.639 --> 00:34:36.159
<v Speaker 8>it right, they had to make it perfect. So I

723
00:34:36.320 --> 00:34:38.719
<v Speaker 8>think that's also really interesting.

724
00:34:39.880 --> 00:34:41.480
<v Speaker 4>Well, I'd like to put a pin in that note

725
00:34:41.519 --> 00:34:43.280
<v Speaker 4>there real quick, Julia and have you what are you

726
00:34:43.440 --> 00:34:45.119
<v Speaker 4>what are your thoughts on this? You're talking about predictive

727
00:34:45.159 --> 00:34:48.360
<v Speaker 4>programming they did. Now it's technically it's number two. You

728
00:34:48.480 --> 00:34:51.840
<v Speaker 4>see this really manifested in in the film series the trilogy.

729
00:34:51.920 --> 00:34:54.360
<v Speaker 4>But BEF was written on Donald Trump future Biff.

730
00:34:55.599 --> 00:34:58.039
<v Speaker 8>Oh right, yeah, yeah, I mean a lot of that

731
00:34:58.239 --> 00:35:03.039
<v Speaker 8>comes in with the second movie because that going back

732
00:35:03.119 --> 00:35:05.840
<v Speaker 8>to the past is But they still ended up putting

733
00:35:05.840 --> 00:35:08.079
<v Speaker 8>a lot of stuff in the first one. But you

734
00:35:08.199 --> 00:35:10.960
<v Speaker 8>know there was a lot in Back to the Future

735
00:35:11.039 --> 00:35:15.000
<v Speaker 8>too that just screams like oh fuck yeah.

736
00:35:15.000 --> 00:35:17.159
<v Speaker 4>And same with number three. But that begs the question

737
00:35:17.199 --> 00:35:19.280
<v Speaker 4>of what is time? When did all these things happen?

738
00:35:19.320 --> 00:35:22.320
<v Speaker 4>Because you know the things, Did these things always happen?

739
00:35:22.679 --> 00:35:25.360
<v Speaker 4>Did Marty's parents only meet because he went back in time?

740
00:35:25.440 --> 00:35:25.920
<v Speaker 3>You know what I mean?

741
00:35:26.760 --> 00:35:30.199
<v Speaker 8>Shame meet in a sequel the Chicken thing, it's the

742
00:35:30.320 --> 00:35:31.320
<v Speaker 8>chicken or the thing.

743
00:35:31.920 --> 00:35:33.679
<v Speaker 3>Bill Clinton or the blue dress exactly.

744
00:35:33.760 --> 00:35:36.039
<v Speaker 5>The actually that's in that movie if you pay attention

745
00:35:36.119 --> 00:35:37.960
<v Speaker 5>to it. Actually he's telling you that this has already

746
00:35:38.000 --> 00:35:40.760
<v Speaker 5>happened al ready, I have stuff in there. He's actually

747
00:35:40.840 --> 00:35:43.360
<v Speaker 5>telling you it's already changed.

748
00:35:45.840 --> 00:35:47.480
<v Speaker 3>Like yeah, I like where you're at neck on.

749
00:35:47.559 --> 00:35:51.800
<v Speaker 8>That is Marty only friends with Doc Brown because he

750
00:35:51.920 --> 00:35:54.079
<v Speaker 8>went back in the past and Doc Brown knew who

751
00:35:54.159 --> 00:35:57.320
<v Speaker 8>he was. Or how the fuck did Marty become friends

752
00:35:57.400 --> 00:36:03.840
<v Speaker 8>with a disgraced nuclear physicist while he's in high schools Oh, oh.

753
00:36:03.960 --> 00:36:06.440
<v Speaker 3>I'm glad you brought that. I'm glad you brought that up.

754
00:36:06.440 --> 00:36:08.320
<v Speaker 3>Am I cutting out here? Can you all hear me?

755
00:36:08.440 --> 00:36:08.480
<v Speaker 1>No?

756
00:36:08.920 --> 00:36:09.440
<v Speaker 2>I can hear you.

757
00:36:09.519 --> 00:36:12.920
<v Speaker 4>You're good, I got some bad storms that keeps cutting out. No,

758
00:36:13.000 --> 00:36:16.320
<v Speaker 4>that's a great point, Julia, because that that physics that

759
00:36:16.440 --> 00:36:19.199
<v Speaker 4>you know, renowned kind of disgraced physicists and the high

760
00:36:19.239 --> 00:36:22.079
<v Speaker 4>school student being friends. I think that's a nod to

761
00:36:22.199 --> 00:36:25.239
<v Speaker 4>Warner von Braun and Jack Parsons, who had a pen

762
00:36:25.360 --> 00:36:28.280
<v Speaker 4>pal and phone call relationship in the nineteen twenties as

763
00:36:28.679 --> 00:36:29.880
<v Speaker 4>Parsons was a teenager.

764
00:36:30.599 --> 00:36:32.880
<v Speaker 6>So I should have said this before, but I wrote

765
00:36:32.920 --> 00:36:37.559
<v Speaker 6>down Personian as my primary talking point for the entire

766
00:36:37.719 --> 00:36:42.880
<v Speaker 6>face because exactly I didn't know that factor it. So

767
00:36:42.960 --> 00:36:47.719
<v Speaker 6>thank you JJ. Obviously rely, yes, sir, But it makes

768
00:36:47.760 --> 00:36:50.119
<v Speaker 6>perfect sense, right because that's exactly what it is. And

769
00:36:50.159 --> 00:36:52.280
<v Speaker 6>you can even say in like a hero's journey like well,

770
00:36:52.559 --> 00:36:56.760
<v Speaker 6>he was saying he is like the Gandalf figure. He is,

771
00:36:57.280 --> 00:37:00.840
<v Speaker 6>you know, the carew the teacher one to take him

772
00:37:00.920 --> 00:37:02.719
<v Speaker 6>under the wing. And I also think it's really interesting

773
00:37:02.800 --> 00:37:06.000
<v Speaker 6>about the time paradox because it's something like we discussed

774
00:37:06.079 --> 00:37:09.199
<v Speaker 6>on the Carl What episodes, like what kind of universe

775
00:37:09.239 --> 00:37:12.639
<v Speaker 6>do you believe in, Like if there's a closed universe

776
00:37:12.800 --> 00:37:16.679
<v Speaker 6>or a fixed universe. So I'm going off when when

777
00:37:16.800 --> 00:37:20.119
<v Speaker 6>Nick sent me in notewise, but in my this is

778
00:37:20.119 --> 00:37:22.480
<v Speaker 6>all I also agree with it is. I actually think

779
00:37:22.519 --> 00:37:27.000
<v Speaker 6>it's more of an infinity universe kind of world, where

780
00:37:27.920 --> 00:37:31.760
<v Speaker 6>like the connections are kind of infinitely possible, so it

781
00:37:31.880 --> 00:37:35.199
<v Speaker 6>doesn't really it's sort of like when we see them together,

782
00:37:35.280 --> 00:37:38.239
<v Speaker 6>it doesn't really matter. It's just like the universe's causal

783
00:37:38.360 --> 00:37:41.800
<v Speaker 6>that way, like everything that they've done up to this

784
00:37:42.039 --> 00:37:43.880
<v Speaker 6>point in time, they only exist.

785
00:37:44.000 --> 00:37:46.639
<v Speaker 2>Now, I totally agree with you.

786
00:37:46.760 --> 00:37:49.920
<v Speaker 3>I think so does doctor mc brown Gray Scott.

787
00:37:51.119 --> 00:37:55.159
<v Speaker 2>Oh, sorry, go ahead, the uh so.

788
00:37:55.360 --> 00:37:57.320
<v Speaker 4>Now, I like I like the ideas that Nick you

789
00:37:57.360 --> 00:37:58.840
<v Speaker 4>and Nick are both point out here with these times,

790
00:37:58.880 --> 00:38:02.440
<v Speaker 4>these times time loops, the what is time and when?

791
00:38:02.480 --> 00:38:04.519
<v Speaker 3>When when do these things happen? And what is really

792
00:38:04.559 --> 00:38:07.760
<v Speaker 3>cause and effect there? But you know before we get.

793
00:38:09.280 --> 00:38:12.000
<v Speaker 2>Yeah, is it real? Because the dream world?

794
00:38:12.159 --> 00:38:14.480
<v Speaker 1>Okay, So when he enters in from the past and

795
00:38:14.519 --> 00:38:17.840
<v Speaker 1>he goes to town, the song that's playing is mister Sandman.

796
00:38:18.400 --> 00:38:22.320
<v Speaker 4>And so heard I've heard that sound very familiar. That's

797
00:38:22.360 --> 00:38:23.920
<v Speaker 4>the first time ever heard this song was this film?

798
00:38:24.639 --> 00:38:27.360
<v Speaker 1>Right? And then the mom walks up at the same time,

799
00:38:27.440 --> 00:38:29.960
<v Speaker 1>and she's like, oh my gosh, she's such a dream.

800
00:38:30.199 --> 00:38:33.280
<v Speaker 1>And he's meanwhile saying, this is a nightmare. This is

801
00:38:33.320 --> 00:38:36.320
<v Speaker 1>a nightmare, and this is all happening at the same time.

802
00:38:36.480 --> 00:38:39.199
<v Speaker 1>So I'm like, is this even reality?

803
00:38:39.440 --> 00:38:42.559
<v Speaker 4>You're employing a kind of like a kind of a

804
00:38:42.639 --> 00:38:44.880
<v Speaker 4>meta analysis of a Wizard of Oz effect to the

805
00:38:44.880 --> 00:38:45.280
<v Speaker 4>whole matter.

806
00:38:45.599 --> 00:38:49.239
<v Speaker 1>Very very that part, yeah, just that part right there

807
00:38:49.719 --> 00:38:52.440
<v Speaker 1>definitely makes you go, Okay, is this real?

808
00:38:52.639 --> 00:38:54.159
<v Speaker 2>Is it a dream? Did he have a dream?

809
00:38:54.199 --> 00:38:54.559
<v Speaker 1>I don't know?

810
00:38:55.039 --> 00:38:58.679
<v Speaker 4>You know, sure, Nick, what was what was kind of

811
00:38:58.719 --> 00:39:00.719
<v Speaker 4>your meta analysis? Besides some of the time things were

812
00:39:00.760 --> 00:39:03.360
<v Speaker 4>pointing out there? Do you have any other comments on that?

813
00:39:03.960 --> 00:39:08.119
<v Speaker 3>Well, I can tell you, like, I know you have

814
00:39:08.159 --> 00:39:09.239
<v Speaker 3>a deep analysis of these things.

815
00:39:09.360 --> 00:39:11.039
<v Speaker 4>I was to say, do you have any like when

816
00:39:11.079 --> 00:39:12.760
<v Speaker 4>you when you when you were approaching that, was there

817
00:39:12.840 --> 00:39:16.000
<v Speaker 4>something like overall besides, maybe it was the Masonic stuff,

818
00:39:16.119 --> 00:39:17.559
<v Speaker 4>Like maybe was the time stuff.

819
00:39:17.599 --> 00:39:20.159
<v Speaker 3>What was what was jumping out to you specifically.

820
00:39:19.840 --> 00:39:24.039
<v Speaker 5>The hero's journey, uh, especially with like you know time

821
00:39:24.119 --> 00:39:28.000
<v Speaker 5>and the electricity, uh you know on the clock all

822
00:39:28.039 --> 00:39:29.239
<v Speaker 5>that stuff, and uh.

823
00:39:30.199 --> 00:39:32.800
<v Speaker 4>Just big into the lightning aspects. I figured that was

824
00:39:32.840 --> 00:39:34.599
<v Speaker 4>gonna hit him with you in some regard for.

825
00:39:34.639 --> 00:39:37.400
<v Speaker 5>Sure, for sure, Yeah, yeah, yeah. I definitely thought it

826
00:39:37.519 --> 00:39:39.480
<v Speaker 5>was more of like possibly like you know, crossing the

827
00:39:39.559 --> 00:39:42.280
<v Speaker 5>abyss or showing the hero's journey to having that experience.

828
00:39:43.000 --> 00:39:45.880
<v Speaker 5>And I did eventually at one point started catching a

829
00:39:45.920 --> 00:39:49.440
<v Speaker 5>little tons of my opinion, tons and tons of Masonic stuff.

830
00:39:50.039 --> 00:39:51.880
<v Speaker 5>So that's kind of where I'm going there. You get

831
00:39:51.880 --> 00:39:54.199
<v Speaker 5>into my stuff. But I mean there's a lot of

832
00:39:54.360 --> 00:39:56.280
<v Speaker 5>a lot. I mean I even ran Jamatia and stuff.

833
00:39:56.280 --> 00:39:58.960
<v Speaker 5>I mean, you still have decent stuff.

834
00:40:00.079 --> 00:40:01.719
<v Speaker 4>Now you took it in depth study. I'm looking forward

835
00:40:01.719 --> 00:40:03.840
<v Speaker 4>to get in some of those notes. I appreciate everyone's

836
00:40:04.119 --> 00:40:05.760
<v Speaker 4>kind of mad at analysis there. And as I was

837
00:40:05.800 --> 00:40:07.880
<v Speaker 4>looking at it, I saw a little bit of kind

838
00:40:07.920 --> 00:40:09.800
<v Speaker 4>of everything. What y'all are saying is, you know a

839
00:40:09.840 --> 00:40:11.559
<v Speaker 4>lot of my focus. I think when I was watching

840
00:40:11.599 --> 00:40:15.920
<v Speaker 4>it again yesterday, was looking back seeing all this, you know,

841
00:40:16.599 --> 00:40:18.400
<v Speaker 4>I guess I was looking at through more of a

842
00:40:18.440 --> 00:40:21.440
<v Speaker 4>parapolitical lens. You know, I could see a lot of

843
00:40:21.480 --> 00:40:23.320
<v Speaker 4>the politics so that they were written into the film,

844
00:40:23.400 --> 00:40:27.360
<v Speaker 4>like hardcore propaganda, like against the Libyans. That was at

845
00:40:27.400 --> 00:40:30.840
<v Speaker 4>a peak time when you know, the the Libyan disaster

846
00:40:31.000 --> 00:40:34.360
<v Speaker 4>in America was, you know, they were they were hyping

847
00:40:34.400 --> 00:40:35.840
<v Speaker 4>that up, and I got I got some stuff on

848
00:40:35.920 --> 00:40:38.719
<v Speaker 4>that here later for the parapolitics section of our discussion

849
00:40:38.760 --> 00:40:42.519
<v Speaker 4>this evening. But besides that, you know, this predictive programming aspect,

850
00:40:42.559 --> 00:40:46.239
<v Speaker 4>I suppose with and to a certain degree just the

851
00:40:46.360 --> 00:40:48.199
<v Speaker 4>nature of time, these things wrap up on this one

852
00:40:48.280 --> 00:40:51.000
<v Speaker 4>subject of this Donald Trump matter, and is that being

853
00:40:51.039 --> 00:40:55.119
<v Speaker 4>the Biff Tannic character, right, Because you know it's it's

854
00:40:55.199 --> 00:40:57.480
<v Speaker 4>not just that he's the Biff Tanning character, right. He

855
00:40:58.159 --> 00:41:02.800
<v Speaker 4>he ends up buying the prop from John DeLorean, the

856
00:41:02.880 --> 00:41:05.599
<v Speaker 4>guy who makes the Delareuan vehicle that's used in the film.

857
00:41:06.519 --> 00:41:09.320
<v Speaker 4>Trump buys that Bedminster, New Jersey property, and that is

858
00:41:09.400 --> 00:41:12.440
<v Speaker 4>where he primarily resides from the months of I believe

859
00:41:12.679 --> 00:41:16.559
<v Speaker 4>May through through August. That's his primary residence there in Bedminster,

860
00:41:16.639 --> 00:41:21.119
<v Speaker 4>New Jersey. So that's the other that Oh yeah, how weird?

861
00:41:21.199 --> 00:41:21.639
<v Speaker 3>Is that right?

862
00:41:22.559 --> 00:41:24.480
<v Speaker 5>There was? Actually I wish I would have saved it now,

863
00:41:24.760 --> 00:41:26.960
<v Speaker 5>but there was a lot of Trump and Elon stuff

864
00:41:27.000 --> 00:41:31.039
<v Speaker 5>popping up in Jamatria. But it's just like, it wasn't

865
00:41:31.519 --> 00:41:33.320
<v Speaker 5>my opinion for what I was looking for. It wasn't

866
00:41:33.320 --> 00:41:35.440
<v Speaker 5>going along with that because then I started one thing

867
00:41:35.480 --> 00:41:37.400
<v Speaker 5>I did forgether, Sorry, I mating it in and out

868
00:41:37.599 --> 00:41:41.039
<v Speaker 5>something I found running Jamatria. Tons of Russian connections, stuff

869
00:41:41.039 --> 00:41:44.159
<v Speaker 5>with Russia, and even with the pin he's wearing on

870
00:41:44.320 --> 00:41:47.239
<v Speaker 5>his jacket goes back to a Russian thing. So I

871
00:41:48.039 --> 00:41:49.039
<v Speaker 5>might actually be on purpose.

872
00:41:51.559 --> 00:41:52.159
<v Speaker 3>I'm sure it is.

873
00:41:52.199 --> 00:41:53.320
<v Speaker 4>I think that a lot of these things in this

874
00:41:53.360 --> 00:41:55.239
<v Speaker 4>film are very well plot in and to that point

875
00:41:55.519 --> 00:41:57.920
<v Speaker 4>as well, as Julia was saying, so like, that's one

876
00:41:57.960 --> 00:41:58.840
<v Speaker 4>thing I appreciate about that.

877
00:41:58.880 --> 00:42:00.199
<v Speaker 3>I don't like a lot of sci fi film.

878
00:42:00.320 --> 00:42:01.800
<v Speaker 4>I mean, I do like Star Wars, but I don't

879
00:42:01.840 --> 00:42:03.159
<v Speaker 4>I don't do Star Trek and a lot of other

880
00:42:03.199 --> 00:42:06.119
<v Speaker 4>sci fi stuff. And it's largely because of the special effects.

881
00:42:06.639 --> 00:42:08.079
<v Speaker 4>You're into all the space stuff.

882
00:42:08.960 --> 00:42:11.639
<v Speaker 2>I love it all. Did you see that hat tip?

883
00:42:11.840 --> 00:42:15.599
<v Speaker 2>Speaking of space, did you see the hat tip to Kubrick?

884
00:42:17.559 --> 00:42:17.599
<v Speaker 1>No?

885
00:42:17.719 --> 00:42:18.320
<v Speaker 3>I didn't you.

886
00:42:19.719 --> 00:42:23.480
<v Speaker 2>Yeah, So there's there's a little hat tip to Cubrick

887
00:42:23.559 --> 00:42:26.960
<v Speaker 2>in there. When they have the original.

888
00:42:27.960 --> 00:42:30.440
<v Speaker 1>The amplifier at the very beginning of the movie, he

889
00:42:30.559 --> 00:42:33.400
<v Speaker 1>goes to plug in and there's a little tiny tag

890
00:42:33.559 --> 00:42:37.320
<v Speaker 1>on it and it says c RM one fourteen on

891
00:42:37.480 --> 00:42:41.320
<v Speaker 1>the amplifier, which is a total nod from one of

892
00:42:41.440 --> 00:42:45.599
<v Speaker 1>his destroyed messages decoded in the nineteen sixty four Doctor

893
00:42:45.639 --> 00:42:48.599
<v Speaker 1>Strane Love and Jupiter Explorer and Space Odyssey.

894
00:42:49.199 --> 00:42:50.480
<v Speaker 2>So I found that.

895
00:42:52.000 --> 00:42:52.519
<v Speaker 1>On my own.

896
00:42:52.880 --> 00:42:55.360
<v Speaker 2>I didn't. Yeah, I just looked that.

897
00:42:55.440 --> 00:43:00.719
<v Speaker 4>Up to that note of all the science fiction of

898
00:43:00.800 --> 00:43:03.320
<v Speaker 4>this film, and like that that. I think everything is

899
00:43:03.360 --> 00:43:05.840
<v Speaker 4>well plotted out in this film. Like that is you

900
00:43:05.920 --> 00:43:08.360
<v Speaker 4>know that to that note, they really focus on those things.

901
00:43:08.400 --> 00:43:10.239
<v Speaker 4>There's not a lot of special effects scenes. Most of

902
00:43:10.239 --> 00:43:12.239
<v Speaker 4>the special effect scenes you've seen in this film, or

903
00:43:12.280 --> 00:43:15.199
<v Speaker 4>the lightning scenes, they really dedicated a lot of times

904
00:43:15.719 --> 00:43:17.639
<v Speaker 4>that lightning very pop out.

905
00:43:17.679 --> 00:43:19.880
<v Speaker 8>They want to make a pop for you, right, more

906
00:43:20.039 --> 00:43:23.039
<v Speaker 8>like when when the DeLorean takes off and there's the

907
00:43:23.159 --> 00:43:26.960
<v Speaker 8>two little streaks of fire and stuff like that. That's

908
00:43:27.039 --> 00:43:29.719
<v Speaker 8>about it. But I was gonna say everything.

909
00:43:29.559 --> 00:43:31.199
<v Speaker 4>Else is very well plotted out, and I think there's

910
00:43:31.239 --> 00:43:33.760
<v Speaker 4>really they really only shot like about three or four

911
00:43:34.159 --> 00:43:36.159
<v Speaker 4>like less than four dozen. I think it was about

912
00:43:36.159 --> 00:43:38.840
<v Speaker 4>thirty five different scenes. This film is very you know,

913
00:43:39.000 --> 00:43:41.079
<v Speaker 4>very it's not very complex shot film, but it's a

914
00:43:41.119 --> 00:43:44.880
<v Speaker 4>great storyline. It's very It really grasps your attention throughout

915
00:43:44.880 --> 00:43:46.960
<v Speaker 4>the whole film. Even when I watched it yesterday, I

916
00:43:47.000 --> 00:43:49.760
<v Speaker 4>was still very much involved in watching the film and

917
00:43:49.840 --> 00:43:52.320
<v Speaker 4>not like you know, doing other things while you know

918
00:43:52.360 --> 00:43:54.199
<v Speaker 4>what I mean, And I don't know. I think that

919
00:43:54.280 --> 00:43:57.679
<v Speaker 4>speaks again to this the esoteric secrets they're embedded in

920
00:43:57.760 --> 00:44:01.559
<v Speaker 4>the film. Is it really grabs your subconscious But and

921
00:44:01.760 --> 00:44:04.119
<v Speaker 4>and on that nature of subconscious and time like when

922
00:44:04.599 --> 00:44:07.039
<v Speaker 4>when I when when there's a really surface way to

923
00:44:07.039 --> 00:44:09.280
<v Speaker 4>look at the Donald Trump situation, But again I look

924
00:44:09.280 --> 00:44:10.400
<v Speaker 4>at it through like what is time?

925
00:44:10.519 --> 00:44:13.199
<v Speaker 3>And like did the writers of this film did they? Did?

926
00:44:13.400 --> 00:44:13.559
<v Speaker 1>You know?

927
00:44:13.760 --> 00:44:15.840
<v Speaker 4>There's a concept of that I like to consider of

928
00:44:15.920 --> 00:44:19.199
<v Speaker 4>a guy by the name J. W. Dunn about the

929
00:44:19.320 --> 00:44:21.880
<v Speaker 4>dream state. As you know, we're talking about the dream

930
00:44:21.880 --> 00:44:24.000
<v Speaker 4>state as being better of this film in the nature

931
00:44:24.039 --> 00:44:26.159
<v Speaker 4>of time and the dream state is your subconscious can

932
00:44:26.280 --> 00:44:29.079
<v Speaker 4>kind of remember the future in a sense, whereas it

933
00:44:29.159 --> 00:44:31.800
<v Speaker 4>doesn't operate in a linear timeline like we do in

934
00:44:32.079 --> 00:44:35.039
<v Speaker 4>in uh in our in our waken state, and you know,

935
00:44:35.239 --> 00:44:37.920
<v Speaker 4>then that way you can almost remember the future. This

936
00:44:38.079 --> 00:44:40.920
<v Speaker 4>was explained some deje vu elements, but also would explain

937
00:44:42.519 --> 00:44:43.920
<v Speaker 4>incidents of recognition.

938
00:44:44.039 --> 00:44:44.880
<v Speaker 3>And JW.

939
00:44:45.039 --> 00:44:47.159
<v Speaker 4>Dunn wrote a pamphlet on this back in the nineteen

940
00:44:47.239 --> 00:44:50.239
<v Speaker 4>twenties called an Experiment in Time, and it was one

941
00:44:50.239 --> 00:44:50.800
<v Speaker 4>of the most.

942
00:44:50.599 --> 00:44:55.400
<v Speaker 3>Fascinating things I've ever read. So really really big question.

943
00:44:55.440 --> 00:44:57.679
<v Speaker 4>Are they just coming up with this idea from something

944
00:44:57.760 --> 00:45:00.440
<v Speaker 4>that they possibly got into a dream state, you know,

945
00:45:00.760 --> 00:45:03.079
<v Speaker 4>that's where the idea came from. And it's really they're

946
00:45:03.159 --> 00:45:05.000
<v Speaker 4>just saying something in the future in their dream state,

947
00:45:05.079 --> 00:45:07.320
<v Speaker 4>and they're just in their current time. They're just you know,

948
00:45:07.400 --> 00:45:10.480
<v Speaker 4>transcribing a matter where it looks very similar rights. You know,

949
00:45:10.840 --> 00:45:13.280
<v Speaker 4>they do predict a lot of things relative to Donald Trump. Right,

950
00:45:15.119 --> 00:45:17.000
<v Speaker 4>go ahead, Jen No.

951
00:45:17.079 --> 00:45:18.960
<v Speaker 6>I just wanted to say that I totally agree with

952
00:45:19.519 --> 00:45:23.400
<v Speaker 6>that writer that you're citing, JJ, because it's very interesting

953
00:45:23.440 --> 00:45:26.280
<v Speaker 6>because it actually correlates really well the Buddhism. Time is

954
00:45:26.320 --> 00:45:29.440
<v Speaker 6>of the mind, Time is of the nine expressed in nine.

955
00:45:30.199 --> 00:45:35.119
<v Speaker 6>So exactly what you're saying, it's like the the you

956
00:45:35.480 --> 00:45:39.400
<v Speaker 6>are the chronopoetic master. You are the time king of

957
00:45:39.480 --> 00:45:42.400
<v Speaker 6>your own timeline kind of thing. So there's something really

958
00:45:42.440 --> 00:45:45.480
<v Speaker 6>interesting about that. And then also you were saying, like

959
00:45:45.599 --> 00:45:48.079
<v Speaker 6>the dreaming state, Well what if I told you, like

960
00:45:48.199 --> 00:45:51.679
<v Speaker 6>the the dreaming mind is the color of turquoise, but

961
00:45:51.920 --> 00:45:55.280
<v Speaker 6>the waking mind is the color of lapis. So when

962
00:45:55.320 --> 00:45:58.800
<v Speaker 6>you were saying, like, what is the color of lightning, well,

963
00:45:58.880 --> 00:46:02.239
<v Speaker 6>lightning is actually insurerched for both of those things, because

964
00:46:02.239 --> 00:46:04.239
<v Speaker 6>it's also clear, very.

965
00:46:04.199 --> 00:46:05.199
<v Speaker 5>Scientist, I know.

966
00:46:05.519 --> 00:46:08.880
<v Speaker 1>And to your point, his address when he makes it

967
00:46:09.000 --> 00:46:12.760
<v Speaker 1>back home to Hill Valley, which is an oxymoron by

968
00:46:12.800 --> 00:46:16.840
<v Speaker 1>the you can't Heill Valley, Okay, whatever, but his address

969
00:46:16.960 --> 00:46:21.400
<v Speaker 1>is nine three zero three, and so three times three

970
00:46:21.559 --> 00:46:23.840
<v Speaker 1>is nine or we have thirty three.

971
00:46:24.159 --> 00:46:27.480
<v Speaker 2>Right there too. So I found that really interesting.

972
00:46:27.599 --> 00:46:29.880
<v Speaker 1>That was on the house, So nine three zero three,

973
00:46:30.079 --> 00:46:33.639
<v Speaker 1>And that's exactly what you're saying, jin it's it's all nine,

974
00:46:33.880 --> 00:46:36.880
<v Speaker 1>it's the nine, and then three zero three three times

975
00:46:36.920 --> 00:46:39.280
<v Speaker 1>three is nine or thirty three? Would you say the

976
00:46:39.400 --> 00:46:41.599
<v Speaker 1>nine three zero three is well would you say that

977
00:46:41.719 --> 00:46:44.440
<v Speaker 1>was on his house, that's his address when he's coming

978
00:46:44.519 --> 00:46:48.159
<v Speaker 1>up m hm. And so that was really interesting. And

979
00:46:48.440 --> 00:46:51.079
<v Speaker 1>if we move past him coming home to his house.

980
00:46:51.519 --> 00:46:53.159
<v Speaker 1>I have something to say about that, but I don't

981
00:46:53.159 --> 00:46:55.719
<v Speaker 1>know if we're there yet, So yeah, we can.

982
00:46:55.679 --> 00:46:57.079
<v Speaker 4>Jump into that here shortly when we go through the

983
00:46:57.119 --> 00:46:59.679
<v Speaker 4>film and the characters here in a minute. But no,

984
00:46:59.800 --> 00:47:02.519
<v Speaker 4>I well, I got to say, I just got lost

985
00:47:02.639 --> 00:47:03.960
<v Speaker 4>like three different things at the same time.

986
00:47:04.079 --> 00:47:09.320
<v Speaker 3>Again the uh, the uh? Where was it? I forget

987
00:47:09.320 --> 00:47:13.880
<v Speaker 3>where I was at? Now I apologize there, what's let's uh,

988
00:47:14.039 --> 00:47:14.800
<v Speaker 3>I guess let's jump on.

989
00:47:15.320 --> 00:47:17.320
<v Speaker 4>Have any any other comments on time or some of

990
00:47:17.360 --> 00:47:19.480
<v Speaker 4>these other concepts before we jump into the back.

991
00:47:19.639 --> 00:47:26.119
<v Speaker 8>I had one thing that I noticed to do with

992
00:47:26.280 --> 00:47:28.519
<v Speaker 8>the time thing that I wanted to say.

993
00:47:28.679 --> 00:47:30.480
<v Speaker 3>Or dream stuff, because I think that's very interesting too

994
00:47:30.519 --> 00:47:32.119
<v Speaker 3>that brought up I didn't.

995
00:47:31.920 --> 00:47:34.320
<v Speaker 8>I didn't get I didn't put anything down about the

996
00:47:34.400 --> 00:47:37.400
<v Speaker 8>dream stuff because I was so fixated on this other aspect.

997
00:47:37.519 --> 00:47:40.880
<v Speaker 8>But at the very beginning of the movie, when it's

998
00:47:41.039 --> 00:47:44.280
<v Speaker 8>showing all the clocks and there's like a million clocks

999
00:47:44.320 --> 00:47:47.559
<v Speaker 8>in Doc Brown's house, even down to like one of

1000
00:47:47.599 --> 00:47:49.719
<v Speaker 8>the clocks is like a guy hanging off of a

1001
00:47:49.800 --> 00:47:55.800
<v Speaker 8>clock tower. Like everything in every little scene, every you know,

1002
00:47:56.039 --> 00:48:00.320
<v Speaker 8>it's it's like it's so on purpose to predict what's

1003
00:48:00.400 --> 00:48:04.840
<v Speaker 8>gonna come later in the film, but also what's to

1004
00:48:05.000 --> 00:48:08.400
<v Speaker 8>come later in like reality too, And I'm I'm sure

1005
00:48:08.440 --> 00:48:09.760
<v Speaker 8>you know where I'm going.

1006
00:48:09.599 --> 00:48:10.119
<v Speaker 1>With that, but.

1007
00:48:11.719 --> 00:48:12.320
<v Speaker 3>Any difference.

1008
00:48:13.800 --> 00:48:17.440
<v Speaker 8>And then I did do the name Marty and I

1009
00:48:17.559 --> 00:48:21.360
<v Speaker 8>did the name emmittt to see what they mean. And

1010
00:48:21.519 --> 00:48:28.800
<v Speaker 8>so Marty means warlike or of Mars, and it refers

1011
00:48:28.880 --> 00:48:33.079
<v Speaker 8>to the Roman god of war Mars. And then Emmitt,

1012
00:48:34.599 --> 00:48:40.760
<v Speaker 8>doctor Emmitt Brown, his name means universal or truth. So

1013
00:48:41.119 --> 00:48:44.239
<v Speaker 8>both I think both of those names are very interesting

1014
00:48:44.360 --> 00:48:45.960
<v Speaker 8>for the two main characters there.

1015
00:48:46.360 --> 00:48:49.360
<v Speaker 1>Oh yeah, well, and Jennifer means so if we're gonna

1016
00:48:49.360 --> 00:48:51.320
<v Speaker 1>do characters, I do have something a couple of things,

1017
00:48:51.400 --> 00:48:52.719
<v Speaker 1>but I can bring it back in later.

1018
00:48:52.800 --> 00:48:56.039
<v Speaker 4>For the time, you mentioned Hill Valley as a oxymoron.

1019
00:48:56.119 --> 00:48:58.280
<v Speaker 4>That's where I got stuck there a moment ago. That

1020
00:48:58.440 --> 00:49:00.800
<v Speaker 4>is a good point, like there's some meaning to that.

1021
00:49:00.840 --> 00:49:02.840
<v Speaker 4>Why are they using such an obscure name?

1022
00:49:02.920 --> 00:49:06.639
<v Speaker 2>Then right, so uh, I'll go back, I'll go backward

1023
00:49:06.679 --> 00:49:07.159
<v Speaker 2>to sergeant.

1024
00:49:07.280 --> 00:49:10.360
<v Speaker 1>I'll just say really quickly that I think that when

1025
00:49:10.639 --> 00:49:14.599
<v Speaker 1>when they're talking about this time part, when they're not

1026
00:49:14.920 --> 00:49:18.320
<v Speaker 1>in reality the time is running on the clock, but

1027
00:49:18.440 --> 00:49:21.280
<v Speaker 1>when they're in reality, the time is fixed because the

1028
00:49:21.320 --> 00:49:24.719
<v Speaker 1>clock is broken. So we have to look at this

1029
00:49:25.119 --> 00:49:29.880
<v Speaker 1>like Doc Brown is almost like Zeus, you know, and

1030
00:49:30.679 --> 00:49:33.079
<v Speaker 1>they've got you know, Posidon there and all that.

1031
00:49:33.199 --> 00:49:35.199
<v Speaker 2>But I'll do that when we get into characters.

1032
00:49:35.280 --> 00:49:38.639
<v Speaker 1>But what I'm saying is is also you've got like

1033
00:49:38.840 --> 00:49:44.039
<v Speaker 1>the flux capacitor, which is chaos, right, it's the why yes,

1034
00:49:44.760 --> 00:49:49.079
<v Speaker 1>And so when they're using it and they're in wherever

1035
00:49:49.199 --> 00:49:53.239
<v Speaker 1>they've traveled to, like whether it's past your future, whatever it's,

1036
00:49:53.360 --> 00:49:55.559
<v Speaker 1>it's again chaotic because it's.

1037
00:49:55.480 --> 00:49:57.800
<v Speaker 2>Not in sync with reality. That's all I was going

1038
00:49:57.880 --> 00:50:02.199
<v Speaker 2>to say on the timing part. But but I'm weird. No,

1039
00:50:02.400 --> 00:50:07.159
<v Speaker 2>that was great. That was really great, legit, I'm sorry, Jenny.

1040
00:50:07.920 --> 00:50:07.960
<v Speaker 1>No.

1041
00:50:08.199 --> 00:50:11.159
<v Speaker 6>The Marty. The Marty thing was really interesting because then

1042
00:50:11.199 --> 00:50:14.360
<v Speaker 6>you'd have to say he's a governatic hero, right, like

1043
00:50:14.480 --> 00:50:17.719
<v Speaker 6>he's coming from Mars, he's coming from Govera, but he

1044
00:50:17.880 --> 00:50:20.400
<v Speaker 6>tries to travel on the lightning path. So that's something

1045
00:50:20.480 --> 00:50:24.079
<v Speaker 6>that Mighty said that was really interesting about Hill Valley,

1046
00:50:24.159 --> 00:50:25.599
<v Speaker 6>And I think I know why you got suck on

1047
00:50:25.679 --> 00:50:26.800
<v Speaker 6>it because it is a paradox.

1048
00:50:26.920 --> 00:50:27.119
<v Speaker 8>JJ.

1049
00:50:27.559 --> 00:50:29.880
<v Speaker 4>It doesn't make I never really considered it, but it

1050
00:50:29.920 --> 00:50:31.320
<v Speaker 4>makes no sense until you just said I was to

1051
00:50:31.360 --> 00:50:31.920
<v Speaker 4>wait a second.

1052
00:50:32.639 --> 00:50:35.079
<v Speaker 6>But it's a cola state paradox that's resolved in the

1053
00:50:35.199 --> 00:50:36.840
<v Speaker 6>center the hidden pillar.

1054
00:50:39.480 --> 00:50:42.280
<v Speaker 4>It's all about a time paradox, right, They're all they're saying, Oh,

1055
00:50:42.360 --> 00:50:45.039
<v Speaker 4>that's a paradox, and this is a paradox, and yeah.

1056
00:50:45.000 --> 00:50:48.440
<v Speaker 1>Well he and he lives in Lions Estate and you

1057
00:50:48.639 --> 00:50:51.519
<v Speaker 1>see this Lion's estate with the two pillars, but you

1058
00:50:51.679 --> 00:50:56.599
<v Speaker 1>go in between the Lions Gate and then what does that?

1059
00:50:56.880 --> 00:51:00.159
<v Speaker 2>Do you know what we know about Lions eight?

1060
00:51:00.320 --> 00:51:00.480
<v Speaker 5>Right?

1061
00:51:00.960 --> 00:51:02.039
<v Speaker 2>With and with eighty eight?

1062
00:51:02.239 --> 00:51:05.199
<v Speaker 1>Did that eighty eight miles per hour charge the Lions Gate?

1063
00:51:06.159 --> 00:51:08.960
<v Speaker 1>And with double infinity where it's not even real? You

1064
00:51:09.000 --> 00:51:09.679
<v Speaker 1>know what I'm saying, I.

1065
00:51:09.800 --> 00:51:13.880
<v Speaker 8>Have something on the Lions if I if we're getting

1066
00:51:13.920 --> 00:51:16.639
<v Speaker 8>into that, I have something about the Lions? Can I

1067
00:51:16.719 --> 00:51:17.480
<v Speaker 8>should I save it?

1068
00:51:18.840 --> 00:51:20.400
<v Speaker 4>Can we table that for a moment we start getting

1069
00:51:20.400 --> 00:51:22.039
<v Speaker 4>into the film. We'll discuss the settings a little bit

1070
00:51:22.119 --> 00:51:24.559
<v Speaker 4>like that, because I want to do a quick background

1071
00:51:25.599 --> 00:51:27.800
<v Speaker 4>signed to these names. Y'all were just saying, do a

1072
00:51:27.880 --> 00:51:31.480
<v Speaker 4>quick background the sci fi and the predictive programming aspect

1073
00:51:31.519 --> 00:51:35.679
<v Speaker 4>of that, real quick with Donald Trump that is, and

1074
00:51:35.719 --> 00:51:38.000
<v Speaker 4>then we'll get into the entire film here after that.

1075
00:51:38.039 --> 00:51:39.480
<v Speaker 4>If you don't be all to mind bearing with me

1076
00:51:39.559 --> 00:51:41.639
<v Speaker 4>here for a moment, because we already brought some of

1077
00:51:41.679 --> 00:51:43.159
<v Speaker 4>these names. I want to kind of jump into this

1078
00:51:43.239 --> 00:51:45.360
<v Speaker 4>point real quick, and it goes right to the sci

1079
00:51:45.440 --> 00:51:47.880
<v Speaker 4>fi stuff. So we were talking about how the meaning

1080
00:51:47.920 --> 00:51:49.800
<v Speaker 4>of these names and some of the background there well,

1081
00:51:50.440 --> 00:51:51.760
<v Speaker 4>jumping ahead to back to the future.

1082
00:51:51.840 --> 00:51:54.199
<v Speaker 3>Three we learned. We learned this about Doc Brown.

1083
00:51:55.760 --> 00:51:55.880
<v Speaker 2>Bro.

1084
00:51:56.559 --> 00:51:58.760
<v Speaker 8>Maybe it was a mistake. Maybe it wasn't yours.

1085
00:51:58.800 --> 00:52:03.079
<v Speaker 2>It could have been another Emmig Brown relatives back then.

1086
00:52:03.239 --> 00:52:05.039
<v Speaker 8>The Bros didn't come to the Hill Valley until nineteen

1087
00:52:05.039 --> 00:52:06.880
<v Speaker 8>o eight, and then they were the von Brons.

1088
00:52:07.480 --> 00:52:09.079
<v Speaker 6>I just want to change our name. During the First

1089
00:52:09.079 --> 00:52:09.599
<v Speaker 6>World War.

1090
00:52:15.599 --> 00:52:19.440
<v Speaker 8>Von Braun, like Werner v how can you say, how

1091
00:52:19.559 --> 00:52:21.679
<v Speaker 8>can you say the first and the third one aren't

1092
00:52:21.719 --> 00:52:23.880
<v Speaker 8>the best when they put ship like that in the

1093
00:52:23.960 --> 00:52:24.440
<v Speaker 8>third one.

1094
00:52:25.519 --> 00:52:27.119
<v Speaker 5>Oh, I.

1095
00:52:28.599 --> 00:52:30.199
<v Speaker 3>Won't get me wrong. I enjoy these things.

1096
00:52:30.360 --> 00:52:33.159
<v Speaker 4>There's there's nuggets of information all around there and they

1097
00:52:33.199 --> 00:52:35.000
<v Speaker 4>even have some Thelamites in the third one, right with

1098
00:52:35.079 --> 00:52:36.599
<v Speaker 4>Flea he's a member of the Red How do you

1099
00:52:36.639 --> 00:52:37.119
<v Speaker 4>look right?

1100
00:52:38.400 --> 00:52:41.360
<v Speaker 6>I wouldn't totally make sense because like you can consider,

1101
00:52:41.519 --> 00:52:44.400
<v Speaker 6>like I call it nasau space. Cabala is how they

1102
00:52:44.559 --> 00:52:47.559
<v Speaker 6>referred to it before, but the way they put it

1103
00:52:48.280 --> 00:52:50.960
<v Speaker 6>because for the way they teach the planets is actually Cabala.

1104
00:52:51.159 --> 00:52:54.079
<v Speaker 6>You could understand it like that, So the first introduction

1105
00:52:54.280 --> 00:52:59.360
<v Speaker 6>to what people think of, but it's actually the inverse

1106
00:52:59.480 --> 00:53:02.880
<v Speaker 6>because it's the physical densities, so it's actually not Cabala.

1107
00:53:02.960 --> 00:53:05.519
<v Speaker 6>But you could say that it's the first way, the

1108
00:53:05.599 --> 00:53:08.960
<v Speaker 6>first layer that people understand. So it would make sense

1109
00:53:09.000 --> 00:53:12.079
<v Speaker 6>if they're doing all these von Braun references because obviously

1110
00:53:12.199 --> 00:53:15.280
<v Speaker 6>that's what he was also talking about by the.

1111
00:53:15.320 --> 00:53:18.320
<v Speaker 4>Way he dies in right, it just ties into the

1112
00:53:18.360 --> 00:53:20.519
<v Speaker 4>whole sci fi background, and these rockets and nasts are

1113
00:53:20.599 --> 00:53:26.079
<v Speaker 4>right with with with a reference like that, right, Oh,

1114
00:53:26.119 --> 00:53:27.639
<v Speaker 4>I said, Von Bron.

1115
00:53:27.519 --> 00:53:30.679
<v Speaker 2>Just was definitely in the good with the Marmons.

1116
00:53:30.719 --> 00:53:34.079
<v Speaker 1>He made a theological film with them that nobody else

1117
00:53:34.199 --> 00:53:39.039
<v Speaker 1>was allowed in, only Von Braun. Yeah, so it was weird.

1118
00:53:39.440 --> 00:53:43.519
<v Speaker 1>I think that's very interesting, you know. And what we

1119
00:53:43.639 --> 00:53:46.559
<v Speaker 1>know about Parsons and his mother, well we'll save that

1120
00:53:46.679 --> 00:53:47.480
<v Speaker 1>for later, but.

1121
00:53:48.199 --> 00:53:51.559
<v Speaker 3>Yeah, just all Parsons and about his Parsons, right, because

1122
00:53:51.559 --> 00:53:55.719
<v Speaker 3>he's just such an interesting character with his whole background, right, absolutely,

1123
00:53:57.400 --> 00:53:59.920
<v Speaker 3>So that guy there before re Ackerman meet four.

1124
00:54:00.159 --> 00:54:03.719
<v Speaker 4>He's the fellow that I used as a center point

1125
00:54:03.760 --> 00:54:06.760
<v Speaker 4>in this narrative of Cocaine Bob meets Marvel Comics my

1126
00:54:06.840 --> 00:54:10.199
<v Speaker 4>operation GCD Live last week. Fory Ackerman is the guy

1127
00:54:10.360 --> 00:54:13.559
<v Speaker 4>mister science fiction. He's the guy who coins the term

1128
00:54:14.920 --> 00:54:18.000
<v Speaker 4>sci fi right. He's a literary agent for all these folks.

1129
00:54:18.039 --> 00:54:20.039
<v Speaker 4>He knew Parsons, he knew Hubbard, he was an oto

1130
00:54:20.119 --> 00:54:23.559
<v Speaker 4>guy at Parsons Lodge. Apparently he was an early scientologist.

1131
00:54:24.079 --> 00:54:26.519
<v Speaker 4>He knew all the Marvel stuff. He knew Cocaine Bob

1132
00:54:26.599 --> 00:54:29.480
<v Speaker 4>of course, well with all these characters. And that's Sane

1133
00:54:29.559 --> 00:54:32.119
<v Speaker 4>Lee of Marvel Comics, who was a good friend of

1134
00:54:32.199 --> 00:54:35.599
<v Speaker 4>fory Ackerman as well. So fory Ackerman for a quick

1135
00:54:35.880 --> 00:54:39.320
<v Speaker 4>rehash on that. He's a legendary figure in Hollywood. I

1136
00:54:39.440 --> 00:54:42.360
<v Speaker 4>decided to muppetize him like anyone else these days, because

1137
00:54:42.360 --> 00:54:43.199
<v Speaker 4>he actually is a muppet.

1138
00:54:43.239 --> 00:54:43.360
<v Speaker 1>Two.

1139
00:54:43.440 --> 00:54:46.519
<v Speaker 3>Just this guy in general, he's he's a legendary dude.

1140
00:54:46.519 --> 00:54:49.159
<v Speaker 4>Like I said, sci fi stuff, literary agent for every

1141
00:54:49.199 --> 00:54:53.119
<v Speaker 4>sci fi writer you can think of, Isaac Asimov, Bradbury, Hubbard,

1142
00:54:53.599 --> 00:54:56.440
<v Speaker 4>you know all these guys, Arthur C. Clark, he ran

1143
00:54:56.519 --> 00:54:58.679
<v Speaker 4>their little sci fi club in Los Angeles. He was

1144
00:54:58.760 --> 00:55:02.239
<v Speaker 4>there the head of the again big time of cultists

1145
00:55:02.280 --> 00:55:05.800
<v Speaker 4>ran the thing called Monsters and Magazines. A monstras a

1146
00:55:06.639 --> 00:55:10.559
<v Speaker 4>famous monsters magazine, and the actual picture of them is

1147
00:55:11.400 --> 00:55:13.599
<v Speaker 4>not nearly as funny as that. But if you look

1148
00:55:13.599 --> 00:55:16.719
<v Speaker 4>at kind of the onset of these stories of where

1149
00:55:16.800 --> 00:55:18.800
<v Speaker 4>these film like Back to the Future comes from, it

1150
00:55:19.199 --> 00:55:23.599
<v Speaker 4>goes back to Fory. So the idea this is Wikipedia,

1151
00:55:23.800 --> 00:55:26.559
<v Speaker 4>the source of all information on the interwebs. It's a

1152
00:55:26.559 --> 00:55:28.079
<v Speaker 4>good jumping off point in times. I do like to

1153
00:55:28.119 --> 00:55:30.920
<v Speaker 4>see what the normative view on subjects are too. But

1154
00:55:31.400 --> 00:55:34.360
<v Speaker 4>here's a good quote here regarding time travel and fiction

1155
00:55:34.800 --> 00:55:39.320
<v Speaker 4>article here, and like I said, it goes to fory Ackerman.

1156
00:55:40.000 --> 00:55:43.880
<v Speaker 4>So Fory Akerman noted in his nineteen seventy three anthology

1157
00:55:44.039 --> 00:55:46.039
<v Speaker 4>of the Best Fiction of the Year that the theme

1158
00:55:46.079 --> 00:55:49.199
<v Speaker 4>of getting hold of tomorrow's newspaper is a recurrent one,

1159
00:55:49.599 --> 00:55:52.760
<v Speaker 4>you know, in regards to science fiction and these matters

1160
00:55:52.800 --> 00:55:57.039
<v Speaker 4>of time travel. Right, so this is the first, to

1161
00:55:57.119 --> 00:55:59.400
<v Speaker 4>my understanding, this is the first time travel story in fiction.

1162
00:56:00.079 --> 00:56:00.239
<v Speaker 2>HG.

1163
00:56:00.320 --> 00:56:02.880
<v Speaker 4>Will's time Machine not really the same thing we're talking

1164
00:56:02.920 --> 00:56:05.440
<v Speaker 4>about here, but this is the early onset of kind

1165
00:56:05.480 --> 00:56:07.480
<v Speaker 4>of the subject, right, is that you all agree on that?

1166
00:56:07.639 --> 00:56:10.199
<v Speaker 3>Is there an earlier piece that I'll remember.

1167
00:56:11.800 --> 00:56:16.239
<v Speaker 4>Not that I can think of, Yeah, because that's eighteen

1168
00:56:16.400 --> 00:56:18.760
<v Speaker 4>ninety five, and shortly thereafter we see things it's not

1169
00:56:18.840 --> 00:56:21.800
<v Speaker 4>really time travel, but we see this story by Mark

1170
00:56:21.840 --> 00:56:25.360
<v Speaker 4>Twain at Connecticut Yankee in King Arthur's Court, And I

1171
00:56:25.440 --> 00:56:27.360
<v Speaker 4>saw a comment earlier on in the chat before I

1172
00:56:27.440 --> 00:56:29.840
<v Speaker 4>lost all side of what was going on there regarding

1173
00:56:29.920 --> 00:56:32.039
<v Speaker 4>time slips. This is a time slip, right. We kind

1174
00:56:32.079 --> 00:56:35.000
<v Speaker 4>of talked about time slips recently on the Cult Rejects

1175
00:56:35.000 --> 00:56:35.559
<v Speaker 4>as well, right.

1176
00:56:35.519 --> 00:56:41.039
<v Speaker 5>Nick, Yes, sir, Yeah that was with Ride, Right, Yeah,

1177
00:56:41.400 --> 00:56:42.000
<v Speaker 5>that was It's.

1178
00:56:41.920 --> 00:56:44.559
<v Speaker 4>Kind of like it's time travel and you don't have

1179
00:56:44.599 --> 00:56:47.760
<v Speaker 4>a DeLorean, right, But I mean it's it's the same concept.

1180
00:56:47.400 --> 00:56:48.920
<v Speaker 5>Though, right, Yeah, pretty much.

1181
00:56:51.119 --> 00:56:53.159
<v Speaker 2>Well, are you'll familiar with this story?

1182
00:56:55.239 --> 00:56:55.480
<v Speaker 1>I'm not.

1183
00:56:55.760 --> 00:56:59.559
<v Speaker 6>I'm not, no, I am, but but I think there

1184
00:56:59.639 --> 00:57:02.159
<v Speaker 6>is some interesting that you're picking up on. JJ is

1185
00:57:02.239 --> 00:57:04.599
<v Speaker 6>that there is a difference in a way. But the

1186
00:57:05.599 --> 00:57:07.679
<v Speaker 6>because the Dolorean is the heck a lot. So it's

1187
00:57:07.760 --> 00:57:09.480
<v Speaker 6>like the vehicle, like I talked a lot about this

1188
00:57:10.119 --> 00:57:12.719
<v Speaker 6>on our episode, it's like the you know, the Mormons

1189
00:57:12.800 --> 00:57:15.559
<v Speaker 6>have this idea. They're more into the palace architecture, the

1190
00:57:15.639 --> 00:57:18.840
<v Speaker 6>temple architecture. They're into bringing things back down into the

1191
00:57:18.920 --> 00:57:21.480
<v Speaker 6>diamonds and nuts. That's what they're all about, right, Like

1192
00:57:21.800 --> 00:57:25.360
<v Speaker 6>Mormon money magic. Well that's Mormon money magic, yes, sir.

1193
00:57:25.480 --> 00:57:29.679
<v Speaker 6>But the this actually, and I even texted Nick this

1194
00:57:30.360 --> 00:57:32.480
<v Speaker 6>as I said, yeah, absolutely, I agree with you. This

1195
00:57:32.679 --> 00:57:37.719
<v Speaker 6>is like a hodemaxing, like double dragon because in Chinese, interestingly,

1196
00:57:37.840 --> 00:57:40.599
<v Speaker 6>eight is a dragon number, so it's like eighty eight

1197
00:57:40.760 --> 00:57:41.559
<v Speaker 6>double dragons.

1198
00:57:41.639 --> 00:57:46.519
<v Speaker 2>Let's fucking like, that's like the yep maybe yep.

1199
00:57:47.039 --> 00:57:49.079
<v Speaker 5>I think that has a do even parts of your

1200
00:57:49.119 --> 00:57:50.920
<v Speaker 5>brain too. I'm not gonna take it that far.

1201
00:57:52.960 --> 00:57:55.480
<v Speaker 1>Well, did you think it was weird at the at

1202
00:57:55.519 --> 00:57:58.000
<v Speaker 1>the mall parking lot before they're taking off that that

1203
00:57:58.119 --> 00:58:01.280
<v Speaker 1>you see the visual of j C so like Jesus

1204
00:58:01.360 --> 00:58:05.760
<v Speaker 1>Christ and then Penny like copper, and that was that stood.

1205
00:58:05.519 --> 00:58:07.840
<v Speaker 2>Out to me so much, And I mean I was like,

1206
00:58:08.039 --> 00:58:08.960
<v Speaker 2>is this charging?

1207
00:58:09.519 --> 00:58:09.719
<v Speaker 1>Yeah?

1208
00:58:10.079 --> 00:58:13.239
<v Speaker 2>Is this like charging? This situation? And then the guns

1209
00:58:13.280 --> 00:58:15.119
<v Speaker 2>come with iron their shoes.

1210
00:58:15.199 --> 00:58:17.000
<v Speaker 3>Oh, I'm glad you said that. I got that clip

1211
00:58:17.079 --> 00:58:17.480
<v Speaker 3>on deck here.

1212
00:58:17.800 --> 00:58:18.000
<v Speaker 8>Yeah.

1213
00:58:18.079 --> 00:58:21.159
<v Speaker 4>Yeah, director predictive programming, because that was the Libyans, Right,

1214
00:58:21.639 --> 00:58:23.239
<v Speaker 4>that was the Libyans assaulting.

1215
00:58:22.840 --> 00:58:23.559
<v Speaker 3>Them in the parking lot.

1216
00:58:23.599 --> 00:58:27.159
<v Speaker 4>And that was the great time where will marked Dolphie

1217
00:58:27.280 --> 00:58:29.760
<v Speaker 4>was was the bin laden of that era, Right, that

1218
00:58:29.880 --> 00:58:31.159
<v Speaker 4>was the time.

1219
00:58:31.920 --> 00:58:37.000
<v Speaker 1>Doc is wearing the biohazard sign behind on his jumper.

1220
00:58:37.559 --> 00:58:40.000
<v Speaker 1>And that can also be the skull and crossbones, So

1221
00:58:40.360 --> 00:58:40.559
<v Speaker 1>is he?

1222
00:58:41.280 --> 00:58:44.480
<v Speaker 4>Oh that's you know, I mean, do they want to

1223
00:58:44.480 --> 00:58:47.079
<v Speaker 4>scare everybody about the Libyans and nuclear war at the time? Right,

1224
00:58:47.159 --> 00:58:49.119
<v Speaker 4>this was the era of the mid eighties, right, it

1225
00:58:49.199 --> 00:58:52.119
<v Speaker 4>was a nuclear scare terrorism by the Olypyans.

1226
00:58:52.159 --> 00:58:54.079
<v Speaker 3>And while we're on that note, I got a clip

1227
00:58:54.119 --> 00:58:54.599
<v Speaker 3>here for us.

1228
00:59:00.559 --> 00:59:02.599
<v Speaker 5>Oh my god, they found me.

1229
00:59:02.639 --> 00:59:07.039
<v Speaker 2>I don't know how they found me. Look Hardvarted whoo whoo?

1230
00:59:07.679 --> 00:59:08.559
<v Speaker 1>Who do you think.

1231
00:59:14.239 --> 00:59:17.800
<v Speaker 4>It was Oleviyan's they did it? And now I know

1232
00:59:18.000 --> 00:59:20.159
<v Speaker 4>I wasn't really old enough to really understand what's going on.

1233
00:59:20.239 --> 00:59:22.480
<v Speaker 4>I do remember kind of the whole Avian scare there

1234
00:59:22.480 --> 00:59:24.280
<v Speaker 4>around that time, right in the media.

1235
00:59:26.519 --> 00:59:27.159
<v Speaker 3>On it again.

1236
00:59:27.239 --> 00:59:30.039
<v Speaker 4>It was a very bit load uh situation, But I

1237
00:59:30.239 --> 00:59:32.079
<v Speaker 4>don't want to I got a different clip to kind

1238
00:59:32.079 --> 00:59:34.039
<v Speaker 4>of explain that to folks real quick to emphasize that

1239
00:59:34.079 --> 00:59:39.079
<v Speaker 4>point from comedian Jim Brewer, all right.

1240
00:59:38.960 --> 00:59:41.519
<v Speaker 2>And I took his I took his newspaper. It was

1241
00:59:41.559 --> 00:59:42.960
<v Speaker 2>a newspaper on his little desk.

1242
00:59:43.000 --> 00:59:45.840
<v Speaker 10>I'm we go right, he took his newspaper and show

1243
00:59:45.920 --> 00:59:50.760
<v Speaker 10>him now a little part of history. At that time,

1244
00:59:52.000 --> 00:59:55.079
<v Speaker 10>America was in a serious situation with Libya.

1245
00:59:55.920 --> 00:59:58.400
<v Speaker 3>Huge before Bin Ladin.

1246
00:59:59.199 --> 01:00:05.079
<v Speaker 11>There is move Ko Duffy, and he was huge in

1247
01:00:05.320 --> 01:00:12.199
<v Speaker 11>news because he shot six missiles at a US plane

1248
01:00:13.079 --> 01:00:21.440
<v Speaker 11>he missed and then the next day we bombed his tent.

1249
01:00:21.880 --> 01:00:25.320
<v Speaker 11>That's what happened, and it was huge news.

1250
01:00:25.360 --> 01:00:25.960
<v Speaker 10>It was right on.

1251
01:00:26.159 --> 01:00:28.239
<v Speaker 11>If you when you went home, you only had four

1252
01:00:28.360 --> 01:00:31.719
<v Speaker 11>channels watching TV, was before ven remotes. You're just your father,

1253
01:00:31.880 --> 01:00:34.440
<v Speaker 11>go hey, turney and channel four and.

1254
01:00:34.440 --> 01:00:36.320
<v Speaker 2>You have to get up dam.

1255
01:00:40.000 --> 01:00:42.920
<v Speaker 3>And so everything was next on the news.

1256
01:00:43.039 --> 01:00:48.000
<v Speaker 11>Mumah Kadaffi's America, Muma Kadaffi, Mumah Kadaffi shoot six missiles,

1257
01:00:48.079 --> 01:00:49.119
<v Speaker 11>Muma Kodoffy.

1258
01:00:50.239 --> 01:00:51.280
<v Speaker 3>I think we get the port there.

1259
01:00:53.039 --> 01:00:55.440
<v Speaker 8>So that's what the whole Libya thing was about.

1260
01:00:56.239 --> 01:00:58.199
<v Speaker 4>Yeah, So that was the height of that activity when

1261
01:00:58.239 --> 01:01:00.360
<v Speaker 4>he's talked about So Jim Burger is telling the story

1262
01:01:00.440 --> 01:01:01.960
<v Speaker 4>there on one of those Comedy Central.

1263
01:01:02.039 --> 01:01:02.960
<v Speaker 3>This is not happening, I think.

1264
01:01:03.400 --> 01:01:05.440
<v Speaker 4>And he actually is talking about working at that Valley

1265
01:01:05.480 --> 01:01:08.519
<v Speaker 4>Stree mall, Nicknase, I'm talking about and at Long Island,

1266
01:01:08.559 --> 01:01:10.159
<v Speaker 4>and he was working at the Seers. He was playing

1267
01:01:10.199 --> 01:01:12.280
<v Speaker 4>a prank on a fellow coworker of this old dude

1268
01:01:12.280 --> 01:01:14.400
<v Speaker 4>who was giving him ship as a teenager, and he

1269
01:01:14.519 --> 01:01:16.840
<v Speaker 4>called the dude, you know, across to a different department,

1270
01:01:16.960 --> 01:01:18.599
<v Speaker 4>was just telling him that it was he was claiming

1271
01:01:18.639 --> 01:01:20.400
<v Speaker 4>to be Mo Marke Godolphie on the phone and he's

1272
01:01:20.440 --> 01:01:22.840
<v Speaker 4>going to bomb the mall there or drop six missiles

1273
01:01:22.880 --> 01:01:25.159
<v Speaker 4>on the mall, because that's what all the media kept saying,

1274
01:01:25.199 --> 01:01:26.559
<v Speaker 4>six missiles, six missiles.

1275
01:01:27.119 --> 01:01:30.159
<v Speaker 3>So they they ended up evacuating the whole mall and

1276
01:01:30.239 --> 01:01:30.880
<v Speaker 3>called the FBI.

1277
01:01:30.960 --> 01:01:33.679
<v Speaker 4>And it's a funny story, but yeah, it's that was

1278
01:01:34.119 --> 01:01:40.280
<v Speaker 4>Ghidelphia era of the eighties. I never knew that that's

1279
01:01:40.320 --> 01:01:43.519
<v Speaker 4>the some yeah, some wild stuff, right, and that that

1280
01:01:43.679 --> 01:01:47.119
<v Speaker 4>story cracks me up there. That's unfortunately it circumstances finding

1281
01:01:47.199 --> 01:01:49.280
<v Speaker 4>in playing a prank and suddenly the FBI gets called,

1282
01:01:49.320 --> 01:01:50.920
<v Speaker 4>you know, because some idiot can't realize that it was

1283
01:01:50.920 --> 01:01:55.719
<v Speaker 4>a prank. He actually thinks, momar cud Off, he's calling

1284
01:01:55.800 --> 01:01:57.840
<v Speaker 4>the paint department at Sears and telling him he's.

1285
01:01:59.519 --> 01:02:00.000
<v Speaker 2>Ridiculous.

1286
01:02:02.400 --> 01:02:06.639
<v Speaker 4>So yeah, back to this, these matters of the backstory

1287
01:02:06.639 --> 01:02:08.880
<v Speaker 4>of kind of how how Back to the Future came

1288
01:02:08.920 --> 01:02:11.199
<v Speaker 4>to be through these matters of science fiction and whatnot.

1289
01:02:11.840 --> 01:02:14.199
<v Speaker 4>So you see the reference Jules Verne a lot in

1290
01:02:14.239 --> 01:02:17.000
<v Speaker 4>the film. In fact, I believe he later names his

1291
01:02:17.119 --> 01:02:19.760
<v Speaker 4>kids Jewels and vern right, and number three Doc Brown.

1292
01:02:19.840 --> 01:02:27.599
<v Speaker 12>That is, yes, I know he named this dog Einstein

1293
01:02:27.880 --> 01:02:30.039
<v Speaker 12>and you want to talk about Mason's.

1294
01:02:31.679 --> 01:02:33.800
<v Speaker 4>And the other one was Copernicus, right, The other dog

1295
01:02:33.880 --> 01:02:37.719
<v Speaker 4>was Copernicus, right, yes, yes, So it's a lot of

1296
01:02:37.760 --> 01:02:40.960
<v Speaker 4>space stuff, science stuff, and then Jules and vern is

1297
01:02:41.039 --> 01:02:43.760
<v Speaker 4>reference to Jules Verna. Obviously he didn't do any time

1298
01:02:43.880 --> 01:02:46.679
<v Speaker 4>travel stuff, you know, around the world eighty days, twenty

1299
01:02:46.760 --> 01:02:47.840
<v Speaker 4>thousand leagues under the sea.

1300
01:02:48.800 --> 01:02:51.039
<v Speaker 8>He did journey to the center of the Earth, which

1301
01:02:51.079 --> 01:02:53.079
<v Speaker 8>I think is like a real fucking thing.

1302
01:02:53.960 --> 01:02:55.519
<v Speaker 3>That's the that's the one, that's the big one. I

1303
01:02:55.599 --> 01:02:56.360
<v Speaker 3>was missing this one.

1304
01:02:56.400 --> 01:02:58.840
<v Speaker 4>He's not as known for, but thank you Julia for

1305
01:02:58.880 --> 01:03:00.920
<v Speaker 4>that when I was stuck there on the other title,

1306
01:03:01.480 --> 01:03:02.639
<v Speaker 4>From the Earth to the Moon.

1307
01:03:03.039 --> 01:03:04.480
<v Speaker 3>So this is a this is an idea of this

1308
01:03:04.599 --> 01:03:05.159
<v Speaker 3>is one of the early.

1309
01:03:05.199 --> 01:03:07.440
<v Speaker 4>I think this is the earliest idea of rockets, right,

1310
01:03:07.920 --> 01:03:10.039
<v Speaker 4>and even talking about a moon landing and a projectile

1311
01:03:10.079 --> 01:03:12.320
<v Speaker 4>that looks a lot like what Warner von Braun would

1312
01:03:12.320 --> 01:03:18.119
<v Speaker 4>develop as a rocket, this obelisk looking object right, see

1313
01:03:18.159 --> 01:03:20.679
<v Speaker 4>what I'm saying here on the cover right and is

1314
01:03:21.000 --> 01:03:24.719
<v Speaker 4>read in eighteen sixty five, and it's talking about he

1315
01:03:24.840 --> 01:03:26.519
<v Speaker 4>wrote a sequel to it around the Moon, but it's

1316
01:03:26.519 --> 01:03:28.760
<v Speaker 4>talking about landing with a projectile with a goal of

1317
01:03:28.840 --> 01:03:32.039
<v Speaker 4>landing on the Moon. So you know, I think that's

1318
01:03:32.039 --> 01:03:34.719
<v Speaker 4>interesting because again we go back to that von Braun reference.

1319
01:03:34.840 --> 01:03:38.840
<v Speaker 4>Right now, we got the earliest version. So everything I

1320
01:03:39.239 --> 01:03:41.079
<v Speaker 4>covered that in the last show I did last week

1321
01:03:41.159 --> 01:03:44.159
<v Speaker 4>on this deleamite science or fan fiction ideas of Marvel

1322
01:03:44.159 --> 01:03:47.719
<v Speaker 4>and DC comics, because all of these ideas of science

1323
01:03:47.800 --> 01:03:50.639
<v Speaker 4>and space that we know from revolving around rocketry and

1324
01:03:50.840 --> 01:03:54.840
<v Speaker 4>space travel revolves around that they were written in fiction

1325
01:03:55.039 --> 01:04:00.119
<v Speaker 4>first by writers whose literary agent was for Reactorman and

1326
01:04:00.280 --> 01:04:02.400
<v Speaker 4>who fory Ackerman was the head of that sci fi

1327
01:04:02.480 --> 01:04:04.599
<v Speaker 4>writers club in which all of these writers were also

1328
01:04:04.639 --> 01:04:07.159
<v Speaker 4>a part of so and they also were all apparently

1329
01:04:07.239 --> 01:04:10.920
<v Speaker 4>involved by forty Ackerman's own admission, they were all involved

1330
01:04:10.960 --> 01:04:14.159
<v Speaker 4>in first the OTO and then later scientology. And four

1331
01:04:14.239 --> 01:04:16.440
<v Speaker 4>he stuck around in scientology for a while. He didn't

1332
01:04:16.519 --> 01:04:20.960
<v Speaker 4>leave until the late early fifties, so he was seemed

1333
01:04:20.960 --> 01:04:23.519
<v Speaker 4>pretty dedicated in these matters. But you know, we learn

1334
01:04:23.559 --> 01:04:25.920
<v Speaker 4>about these ideas of space first through these through these

1335
01:04:26.000 --> 01:04:28.480
<v Speaker 4>matters of science fiction, and then later supposedly you know,

1336
01:04:29.480 --> 01:04:33.960
<v Speaker 4>supposedly science right, and then it really impacts a lot

1337
01:04:34.000 --> 01:04:35.480
<v Speaker 4>of stuff. I don't want to go too far here,

1338
01:04:35.519 --> 01:04:37.400
<v Speaker 4>but it really impacts a lot of stuff just outside

1339
01:04:37.440 --> 01:04:40.760
<v Speaker 4>of what we're thinking of regarding occultism in our modern

1340
01:04:40.800 --> 01:04:43.480
<v Speaker 4>day with these science fiction notions. So I learned this

1341
01:04:43.599 --> 01:04:47.400
<v Speaker 4>from this book Operation Mind Control from Walter bou Art.

1342
01:04:48.000 --> 01:04:51.039
<v Speaker 4>Great book, highly recommend if anyone folks of the interwebs

1343
01:04:51.079 --> 01:04:55.639
<v Speaker 4>want anything to do with matters of mind control operations,

1344
01:04:55.840 --> 01:04:58.880
<v Speaker 4>not just the mk ulture style experimental stuff. Bo Art

1345
01:04:58.920 --> 01:05:01.800
<v Speaker 4>writes a whole book in nineteen seventy circus seventy eight

1346
01:05:02.280 --> 01:05:05.280
<v Speaker 4>describing how it's operational. So but he puts here in

1347
01:05:05.320 --> 01:05:09.679
<v Speaker 4>this book how Michael Achino Old Temple sat. Michael Akino

1348
01:05:10.320 --> 01:05:14.159
<v Speaker 4>wrote three different Star Wars fan fiction and used to

1349
01:05:15.119 --> 01:05:18.000
<v Speaker 4>He was reported as having been identified standing outside the

1350
01:05:18.079 --> 01:05:22.280
<v Speaker 4>Gate at Skywalker Ranch, forcing copies of these manuscripts upon

1351
01:05:22.320 --> 01:05:25.840
<v Speaker 4>people who employed by George Lucas friends with Zamachus and

1352
01:05:26.880 --> 01:05:31.199
<v Speaker 4>and Spielberg. Since Lucas does not received un solicited manuscripts,

1353
01:05:31.199 --> 01:05:35.599
<v Speaker 4>the manuscripts were returned unopened upon several occasions. One was

1354
01:05:35.679 --> 01:05:41.480
<v Speaker 4>sub subsequently published in a monster magazine. I'll uh let

1355
01:05:41.519 --> 01:05:42.960
<v Speaker 4>you know which monster magazine that was.

1356
01:05:43.000 --> 01:05:49.119
<v Speaker 3>It was the one of chacherin Razy. Yeah, but you

1357
01:05:49.280 --> 01:05:50.880
<v Speaker 3>know back around.

1358
01:05:52.119 --> 01:05:55.840
<v Speaker 8>Are you familiar with Fritz Springmeyer at all? He wrote

1359
01:05:55.960 --> 01:06:00.400
<v Speaker 8>a lot of stuff about you know, underground programs, stuff

1360
01:06:00.480 --> 01:06:00.639
<v Speaker 8>like that.

1361
01:06:00.960 --> 01:06:01.159
<v Speaker 1>Yeah.

1362
01:06:02.000 --> 01:06:04.960
<v Speaker 8>He talks about how they use Star Trek in a

1363
01:06:05.000 --> 01:06:08.199
<v Speaker 8>lot of the programs. And there's a lot of weird

1364
01:06:08.320 --> 01:06:11.800
<v Speaker 8>stuff with Star Trek in general. I love Star Trek,

1365
01:06:12.039 --> 01:06:16.880
<v Speaker 8>but that's beside the point. And there was an actress

1366
01:06:17.199 --> 01:06:20.199
<v Speaker 8>in Star Trek, the first one, the original one. Her

1367
01:06:20.320 --> 01:06:23.920
<v Speaker 8>brother was a member of the Heaven's Gate Cult. Come on,

1368
01:06:25.039 --> 01:06:27.760
<v Speaker 8>so I'm telling you this is all fuck.

1369
01:06:28.079 --> 01:06:30.559
<v Speaker 3>Come on, I did not know that.

1370
01:06:31.119 --> 01:06:31.519
<v Speaker 6>I love.

1371
01:06:34.440 --> 01:06:34.599
<v Speaker 1>You know.

1372
01:06:36.679 --> 01:06:38.960
<v Speaker 8>Yeah, he killed himself in the Heaven's Gate cult.

1373
01:06:39.000 --> 01:06:39.320
<v Speaker 3>We got it.

1374
01:06:40.519 --> 01:06:41.920
<v Speaker 4>I just put a pan in my brain on that one.

1375
01:06:41.920 --> 01:06:44.440
<v Speaker 4>We're definite gonna talking about that in the future here, Julie, because.

1376
01:06:44.199 --> 01:06:47.119
<v Speaker 8>That's uh, you know, man, I love subjects like this

1377
01:06:47.400 --> 01:06:50.280
<v Speaker 8>because I love science fiction stuff. I think Jules Vern

1378
01:06:50.760 --> 01:06:53.920
<v Speaker 8>actually inspired all of the inner Earth talk and like

1379
01:06:54.039 --> 01:06:57.760
<v Speaker 8>the new Godzilla Calling movies with like the interview stuff,

1380
01:06:57.840 --> 01:06:59.440
<v Speaker 8>that all comes from Jules Vern.

1381
01:06:59.559 --> 01:07:02.280
<v Speaker 4>Dude, I'm glad you said that. So just like that

1382
01:07:02.400 --> 01:07:04.239
<v Speaker 4>all comes from Jules Burn. And then we get these

1383
01:07:04.239 --> 01:07:06.239
<v Speaker 4>ideas of what we're supposed to accept space as from

1384
01:07:06.239 --> 01:07:09.119
<v Speaker 4>folks like Arthur C. Clark and Isaac asim Off for

1385
01:07:09.280 --> 01:07:12.039
<v Speaker 4>Reackerman's buddies, and you know, he's a literary agent.

1386
01:07:12.679 --> 01:07:13.280
<v Speaker 2>The idea that.

1387
01:07:13.360 --> 01:07:15.800
<v Speaker 4>Dinosaurs may still run the Earth comes from this guy,

1388
01:07:16.320 --> 01:07:19.480
<v Speaker 4>Willie Lay. He's a German fellow scientists fell and sci

1389
01:07:19.559 --> 01:07:22.679
<v Speaker 4>fi writer who was also part of that same sci

1390
01:07:22.760 --> 01:07:25.280
<v Speaker 4>fi club in Los Angeles, whose literary agent was also

1391
01:07:25.519 --> 01:07:28.920
<v Speaker 4>for reachermen. So that you know, these ideas that we

1392
01:07:29.079 --> 01:07:32.159
<v Speaker 4>that are getting created through cryptozoology and whatnot. This dude

1393
01:07:32.320 --> 01:07:34.039
<v Speaker 4>is the one who literally started the idea of that

1394
01:07:34.199 --> 01:07:36.920
<v Speaker 4>disor still exists on the planet in nineteen forty nine.

1395
01:07:38.079 --> 01:07:39.519
<v Speaker 8>And then what did he help?

1396
01:07:39.840 --> 01:07:43.440
<v Speaker 3>This dude also wrote a book in nineteen What's that did.

1397
01:07:43.400 --> 01:07:46.079
<v Speaker 8>He help with Spielsberg on fucking Jurassic Park.

1398
01:07:46.840 --> 01:07:48.480
<v Speaker 4>Well, look, I mean we're not that far off from

1399
01:07:48.519 --> 01:07:50.400
<v Speaker 4>this whole crew, right, So like as Spielberg kind of

1400
01:07:50.400 --> 01:07:52.760
<v Speaker 4>the next generation of the same kind of club, Right,

1401
01:07:52.880 --> 01:07:56.159
<v Speaker 4>that's kind of how I'm almost looking at it, right. Sure,

1402
01:07:56.159 --> 01:07:59.239
<v Speaker 4>So Willy Lay writes a book in nineteen twelve called

1403
01:07:59.280 --> 01:08:02.519
<v Speaker 4>Conquest on the Moon with other than Werner von Braun

1404
01:08:04.440 --> 01:08:07.159
<v Speaker 4>again Warner von Braun by the shortly thereafter starts a

1405
01:08:07.199 --> 01:08:10.800
<v Speaker 4>pen pal and telephone call relationship with Jack Parsons old

1406
01:08:10.880 --> 01:08:15.760
<v Speaker 4>Marvel Jack Parsons right, von Braun's in Germany. Parsons is

1407
01:08:15.840 --> 01:08:18.680
<v Speaker 4>in Pasadena. You know, what are these two? How do

1408
01:08:18.760 --> 01:08:19.520
<v Speaker 4>these two link up?

1409
01:08:19.760 --> 01:08:21.760
<v Speaker 3>Right? And why are they talking on the phone? Their

1410
01:08:22.079 --> 01:08:24.920
<v Speaker 3>international calls are not that you know common back then, right?

1411
01:08:27.600 --> 01:08:28.199
<v Speaker 3>How weird is that?

1412
01:08:29.920 --> 01:08:30.319
<v Speaker 2>I wonder?

1413
01:08:30.359 --> 01:08:34.159
<v Speaker 8>I wonder if this guy was friends with Cubrick at all,

1414
01:08:34.239 --> 01:08:40.000
<v Speaker 8>because Kubrick and von barn were friends, and he did.

1415
01:08:43.079 --> 01:08:45.000
<v Speaker 4>Now he just sent me with a different one, because

1416
01:08:45.920 --> 01:08:48.119
<v Speaker 4>I don't know who the intersection of Akerman at Kubrick is.

1417
01:08:48.199 --> 01:08:52.319
<v Speaker 4>Because definitely Isaac Asimov and Clark were because they were

1418
01:08:52.960 --> 01:08:55.600
<v Speaker 4>on not only on the set, they were also involved

1419
01:08:55.760 --> 01:08:58.279
<v Speaker 4>with the apall eleven missions at the time.

1420
01:08:58.279 --> 01:09:01.479
<v Speaker 2>As far as tech they were quote unquote Nicole Advisor's.

1421
01:09:01.439 --> 01:09:03.319
<v Speaker 8>Well, then Kubrick's got to be in there.

1422
01:09:04.039 --> 01:09:04.880
<v Speaker 3>Yeah, they got to be in there.

1423
01:09:04.920 --> 01:09:07.359
<v Speaker 4>Something old Jack Kirby too, Right, So two thousand and

1424
01:09:07.399 --> 01:09:09.279
<v Speaker 4>one of Space Odyssey, they had a comic book from

1425
01:09:09.319 --> 01:09:12.079
<v Speaker 4>Marvel Comics that was supposed to come out simultaneously. That

1426
01:09:12.279 --> 01:09:15.800
<v Speaker 4>was from Jack Kirby. Again, Cocaine Bob meets Marvel Comics. Right,

1427
01:09:15.800 --> 01:09:17.920
<v Speaker 4>we're talking about the same club of folks, right, Jack

1428
01:09:18.000 --> 01:09:19.479
<v Speaker 4>Kirby's want of stan Lee's associates.

1429
01:09:19.520 --> 01:09:24.000
<v Speaker 8>Obviously they're all in there. They have to be, They

1430
01:09:24.079 --> 01:09:25.319
<v Speaker 8>absolutely have to be.

1431
01:09:27.399 --> 01:09:29.800
<v Speaker 4>So I appreciate y'all joined me here on that quick

1432
01:09:29.840 --> 01:09:31.680
<v Speaker 4>journey and how we got to the story of Back

1433
01:09:31.720 --> 01:09:33.960
<v Speaker 4>to the Future, and again how it revolves around I

1434
01:09:34.039 --> 01:09:35.640
<v Speaker 4>took you all on a back to the future yourself

1435
01:09:35.720 --> 01:09:38.600
<v Speaker 4>talking about how I was just discussing these things last

1436
01:09:38.640 --> 01:09:41.880
<v Speaker 4>week inadvertently did not even consider at the time how

1437
01:09:42.000 --> 01:09:44.720
<v Speaker 4>much this tied into this future one we already had planned,

1438
01:09:44.720 --> 01:09:46.960
<v Speaker 4>because I didn't really consider how much of the sci

1439
01:09:47.039 --> 01:09:48.159
<v Speaker 4>fi connections there really were.

1440
01:09:48.239 --> 01:09:53.760
<v Speaker 3>But it's obviously pretty deep. So onto the film onto.

1441
01:09:53.520 --> 01:09:55.800
<v Speaker 6>The film, JJ, I'm just going to jump in really quick,

1442
01:09:55.920 --> 01:09:56.479
<v Speaker 6>which promise.

1443
01:09:56.560 --> 01:09:56.880
<v Speaker 3>Shoot.

1444
01:09:57.479 --> 01:10:00.880
<v Speaker 6>Yeah, well okay, so the Michael Oku no thing. Since

1445
01:10:00.920 --> 01:10:03.039
<v Speaker 6>I've read a lot of his writings, it totally makes

1446
01:10:03.079 --> 01:10:05.359
<v Speaker 6>sense to me he did identify as as Seth. I

1447
01:10:05.439 --> 01:10:07.119
<v Speaker 6>think he even has a fucking story.

1448
01:10:07.239 --> 01:10:09.640
<v Speaker 3>Yeah, he's you're telling me it's a Zizi is a

1449
01:10:09.760 --> 01:10:10.199
<v Speaker 3>zip lord.

1450
01:10:11.560 --> 01:10:13.920
<v Speaker 6>I mean he look at the colors, It's like it's

1451
01:10:13.960 --> 01:10:17.800
<v Speaker 6>his banah thing. It's like very like you know, sapphire tablet,

1452
01:10:18.039 --> 01:10:22.000
<v Speaker 6>like flashing red. It's like just like he was just

1453
01:10:22.119 --> 01:10:25.199
<v Speaker 6>obsessed with like Cabbala and obsessed with the sufferer and

1454
01:10:25.319 --> 01:10:28.439
<v Speaker 6>obsessed with like trying to deify them and make them

1455
01:10:28.520 --> 01:10:31.479
<v Speaker 6>into like real things. And that goes to your point

1456
01:10:31.560 --> 01:10:34.800
<v Speaker 6>about Warner ron Braun making like the dick shaped rocket.

1457
01:10:35.359 --> 01:10:39.279
<v Speaker 6>It's like that is like very right. If you're like Marty,

1458
01:10:39.600 --> 01:10:43.279
<v Speaker 6>he's the marsh Marshall Martian maybe, but he's like a

1459
01:10:43.359 --> 01:10:45.920
<v Speaker 6>martial figure. So he's like erect. He's eth o fail

1460
01:10:46.000 --> 01:10:49.079
<v Speaker 6>like we would call it in our history. So he's

1461
01:10:49.239 --> 01:10:52.520
<v Speaker 6>it's like the projections, like the projecting off the earth

1462
01:10:52.960 --> 01:10:56.079
<v Speaker 6>with fire, just like Julia said, the car has fire

1463
01:10:56.239 --> 01:10:58.560
<v Speaker 6>behind it it needs fire for like Hidi and I

1464
01:10:58.560 --> 01:11:02.479
<v Speaker 6>were talking about the chat and fire for transmutation, but

1465
01:11:02.640 --> 01:11:04.680
<v Speaker 6>it's not the only thing that happens. Like we said,

1466
01:11:04.720 --> 01:11:07.600
<v Speaker 6>there's a lot of mercurial elements in it, and Heidi

1467
01:11:07.720 --> 01:11:11.479
<v Speaker 6>caught that amazing point about J. C. Penny because you

1468
01:11:11.560 --> 01:11:14.399
<v Speaker 6>need copper to transmute gold. So one thing I was

1469
01:11:14.479 --> 01:11:18.960
<v Speaker 6>interested in, independent of Nick's amazing notepack, was what is

1470
01:11:19.039 --> 01:11:22.600
<v Speaker 6>the composition of a DeLorean and like, how could you

1471
01:11:22.800 --> 01:11:26.279
<v Speaker 6>sort of cabalistically mapped steel and specifically the steel that

1472
01:11:26.560 --> 01:11:31.600
<v Speaker 6>was used to make Deloreans. So it is actually an

1473
01:11:31.640 --> 01:11:34.239
<v Speaker 6>interesting kind of question if you're looking at it from

1474
01:11:34.279 --> 01:11:37.119
<v Speaker 6>like an outchemic color cobalistic loans, so you would have

1475
01:11:37.319 --> 01:11:41.640
<v Speaker 6>to consider it to be to ferratic that lions Gate

1476
01:11:41.840 --> 01:11:46.760
<v Speaker 6>sort of element but becoming from Mars because the content

1477
01:11:47.000 --> 01:11:52.600
<v Speaker 6>is largely iron, so it's a majority. So that's really

1478
01:11:52.640 --> 01:11:54.640
<v Speaker 6>interesting I think to think about, like there's a lot

1479
01:11:54.720 --> 01:11:57.239
<v Speaker 6>of Marshall stuff Elon, like to bring up something Nick

1480
01:11:57.319 --> 01:11:59.239
<v Speaker 6>said like, yeah, there is kind of an Elon thing

1481
01:11:59.319 --> 01:12:04.159
<v Speaker 6>because it he's obsessed with Mars. And obviously when Ron

1482
01:12:04.199 --> 01:12:07.039
<v Speaker 6>Brown is obsessed with Mars, because there's that it's that

1483
01:12:07.279 --> 01:12:10.279
<v Speaker 6>question in modern occultism. Do men come from Mars or

1484
01:12:10.319 --> 01:12:13.520
<v Speaker 6>do they come from Mercury? But I think that Euro's

1485
01:12:13.600 --> 01:12:16.960
<v Speaker 6>journey makes room four. They can come from both, or

1486
01:12:17.119 --> 01:12:19.840
<v Speaker 6>they can maybe grow through the paths and come out,

1487
01:12:20.520 --> 01:12:22.760
<v Speaker 6>you know, through the fire if you want to call that,

1488
01:12:22.960 --> 01:12:26.359
<v Speaker 6>and you know, enter the pathiosis whatever.

1489
01:12:28.159 --> 01:12:30.079
<v Speaker 4>Fair enough, But that is that is the story I like,

1490
01:12:30.199 --> 01:12:31.520
<v Speaker 4>I like your heads out and that is with the

1491
01:12:31.560 --> 01:12:35.399
<v Speaker 4>story where we are at the moment, right with the

1492
01:12:35.479 --> 01:12:37.920
<v Speaker 4>storyline here Back to the Future revolves around this the

1493
01:12:38.000 --> 01:12:41.560
<v Speaker 4>transport of Marty McFly Michael J. Fox's character through this

1494
01:12:41.680 --> 01:12:45.319
<v Speaker 4>here fancy car that I well, we can get into

1495
01:12:45.399 --> 01:12:47.159
<v Speaker 4>more of this discussion on the car here because you know,

1496
01:12:47.279 --> 01:12:49.640
<v Speaker 4>after we you know, develop more of this tale here.

1497
01:12:49.760 --> 01:12:52.239
<v Speaker 3>But see, I find it very unique that for many

1498
01:12:52.279 --> 01:12:53.319
<v Speaker 3>reasons they chose this car.

1499
01:12:53.399 --> 01:12:55.800
<v Speaker 4>But so he meets Doc Brown and you know, they

1500
01:12:55.840 --> 01:12:59.199
<v Speaker 4>get they start doing this seemingly start interrupting time right

1501
01:12:59.279 --> 01:13:01.800
<v Speaker 4>and disrupting reality. But really I would argue that's just

1502
01:13:01.880 --> 01:13:04.199
<v Speaker 4>the nature of reality was always gonna happen that way.

1503
01:13:04.319 --> 01:13:07.199
<v Speaker 4>But what are your all thoughts here on the characters

1504
01:13:07.279 --> 01:13:10.560
<v Speaker 4>that we lay out the story here Back to the Future.

1505
01:13:10.319 --> 01:13:12.640
<v Speaker 3>Right, we got a teenager meeting the old scientists.

1506
01:13:13.199 --> 01:13:16.199
<v Speaker 4>Right again, I would argue, that's a marvel Jack Parsons

1507
01:13:16.279 --> 01:13:19.840
<v Speaker 4>Warner von Braun, right doctor Emit von Braun relationship.

1508
01:13:22.359 --> 01:13:25.439
<v Speaker 1>I I definitely saw this in a different weird I

1509
01:13:25.600 --> 01:13:28.039
<v Speaker 1>was telling Jin in the chat just that I saw

1510
01:13:28.079 --> 01:13:32.600
<v Speaker 1>it as he was like a Zeus type character, because he's,

1511
01:13:32.880 --> 01:13:35.840
<v Speaker 1>you know, gonna be messing with the lightning. Later.

1512
01:13:36.399 --> 01:13:38.960
<v Speaker 2>There's more. I don't want to give it all right now,

1513
01:13:39.199 --> 01:13:42.000
<v Speaker 2>but like, oh, go ahead, please please describe the character

1514
01:13:42.079 --> 01:13:43.479
<v Speaker 2>that's that sounds I like words.

1515
01:13:44.319 --> 01:13:47.439
<v Speaker 1>Sure, so he's gonna, you know, overthrow Cronus, but but

1516
01:13:47.560 --> 01:13:50.239
<v Speaker 1>we also have Pluto, we have plutonium.

1517
01:13:50.960 --> 01:13:53.439
<v Speaker 4>So he's gonna throw Cronus by defeating time or by

1518
01:13:53.479 --> 01:13:55.399
<v Speaker 4>traveling through time. That's like a defeat of Chronos.

1519
01:13:55.479 --> 01:13:58.319
<v Speaker 1>Is ever saying, Well, he's gonna he's gonna get him

1520
01:13:58.399 --> 01:14:02.479
<v Speaker 1>out of the unreality to send Marty back through to

1521
01:14:03.359 --> 01:14:08.640
<v Speaker 1>reality by harnessing with his rod that's wrapped like a

1522
01:14:08.760 --> 01:14:13.439
<v Speaker 1>kundalini and he's gonna harness the energy to hook it

1523
01:14:13.600 --> 01:14:14.319
<v Speaker 1>onto the car.

1524
01:14:14.760 --> 01:14:15.600
<v Speaker 2>That's what I see.

1525
01:14:15.720 --> 01:14:18.920
<v Speaker 1>And then Neptune post Sidon's there at the under the

1526
01:14:18.960 --> 01:14:21.560
<v Speaker 1>Seed dance. There's a statue of him. If you catch that,

1527
01:14:22.199 --> 01:14:27.119
<v Speaker 1>he's there, Pluto's there, plutonium. It's the tale of you know,

1528
01:14:27.479 --> 01:14:29.079
<v Speaker 1>them defeating Chronos.

1529
01:14:30.479 --> 01:14:30.760
<v Speaker 9>Eh.

1530
01:14:32.319 --> 01:14:34.399
<v Speaker 4>Yeah, the Under the Seed dance, it certainly seems very

1531
01:14:34.520 --> 01:14:35.840
<v Speaker 4>chilling because it was a very that was one of

1532
01:14:35.880 --> 01:14:37.359
<v Speaker 4>the scenes. Like I said, there's not a lot of

1533
01:14:37.479 --> 01:14:39.640
<v Speaker 4>scenes filmed here, and they put a lot of effort

1534
01:14:40.239 --> 01:14:41.279
<v Speaker 4>into really decorating that.

1535
01:14:41.359 --> 01:14:45.880
<v Speaker 8>I feel like, yeah, they really pish put Yeah I

1536
01:14:45.960 --> 01:14:47.960
<v Speaker 8>put that in my notes too, that they spent a

1537
01:14:48.039 --> 01:14:49.279
<v Speaker 8>lot of time decorating that.

1538
01:14:51.000 --> 01:14:54.119
<v Speaker 2>Really it's and all that like on and on about

1539
01:14:54.159 --> 01:14:55.960
<v Speaker 2>this Under the Seed dance. It was like over and

1540
01:14:56.079 --> 01:14:59.199
<v Speaker 2>over and you know it was a lot Well.

1541
01:14:59.159 --> 01:15:01.119
<v Speaker 4>So that same age or is that like why do

1542
01:15:01.159 --> 01:15:05.520
<v Speaker 4>you think Martin McFly is always wearing uh this life preserver?

1543
01:15:08.840 --> 01:15:09.479
<v Speaker 3>Preserver there?

1544
01:15:09.560 --> 01:15:09.680
<v Speaker 8>Right?

1545
01:15:10.079 --> 01:15:13.880
<v Speaker 3>So yeah, they joke on him, right he gets found

1546
01:15:13.920 --> 01:15:14.479
<v Speaker 3>on about it.

1547
01:15:14.720 --> 01:15:17.039
<v Speaker 5>Yeah, when he walks into the until they get the

1548
01:15:17.079 --> 01:15:20.840
<v Speaker 5>place to get wherever at the diner, what you would

1549
01:15:20.840 --> 01:15:21.439
<v Speaker 5>you fall overboard?

1550
01:15:21.520 --> 01:15:22.039
<v Speaker 2>Is that what he says?

1551
01:15:22.920 --> 01:15:25.640
<v Speaker 8>And then when he gets hit by the car and

1552
01:15:25.920 --> 01:15:29.600
<v Speaker 8>and Lorraine's parents take him in and she's like, I

1553
01:15:29.720 --> 01:15:34.359
<v Speaker 8>figured you're a sailor because you have the life preserver.

1554
01:15:34.079 --> 01:15:38.039
<v Speaker 4>On what's the use of Calvin Klein in that in

1555
01:15:38.119 --> 01:15:40.600
<v Speaker 4>that aspect too, right, because they go he's wearing Calvin

1556
01:15:40.640 --> 01:15:41.279
<v Speaker 4>Kline underwear.

1557
01:15:41.319 --> 01:15:45.359
<v Speaker 3>So he starts going by the name of because that's Mormons.

1558
01:15:45.640 --> 01:15:48.000
<v Speaker 1>Because he got his new name, and he got his

1559
01:15:48.159 --> 01:15:51.199
<v Speaker 1>underwear and got his underwear, he got his new name.

1560
01:15:52.479 --> 01:15:55.439
<v Speaker 1>Considered that way, he went through the veil and he

1561
01:15:55.560 --> 01:15:58.359
<v Speaker 1>has his he's the news specifically more.

1562
01:15:59.600 --> 01:16:03.079
<v Speaker 2>Yeah, but I mean like in general, well in general.

1563
01:16:02.880 --> 01:16:07.520
<v Speaker 5>Any magician would take him name. I mean, it's not

1564
01:16:07.760 --> 01:16:08.439
<v Speaker 5>just a Morman thing.

1565
01:16:09.239 --> 01:16:15.119
<v Speaker 3>You're an aspect to that's any magician, Masons and Masons

1566
01:16:15.520 --> 01:16:16.399
<v Speaker 3>ceremony magician.

1567
01:16:17.279 --> 01:16:21.760
<v Speaker 8>Yes, yes, is this terrificant that they're purple and that

1568
01:16:21.920 --> 01:16:22.680
<v Speaker 8>they bring that up.

1569
01:16:22.720 --> 01:16:24.800
<v Speaker 2>I've never seen purple be royalty.

1570
01:16:24.840 --> 01:16:27.199
<v Speaker 5>There would be probably more of like making a claim

1571
01:16:27.279 --> 01:16:29.039
<v Speaker 5>that you've actually seen both sides.

1572
01:16:29.920 --> 01:16:33.079
<v Speaker 2>Yeah, red is both life and death. Yeah, the red.

1573
01:16:33.439 --> 01:16:37.720
<v Speaker 6>Resolution of paradox, bringing the blue and the red together,

1574
01:16:37.880 --> 01:16:39.960
<v Speaker 6>the material spiritual and.

1575
01:16:40.520 --> 01:16:43.159
<v Speaker 1>Even when he goes to the dance, Yeah, he's in

1576
01:16:43.479 --> 01:16:46.800
<v Speaker 1>a reddish jacket again, even at the dance, so.

1577
01:16:48.319 --> 01:16:50.399
<v Speaker 6>They keep I thought that was an amazing point.

1578
01:16:50.439 --> 01:16:53.680
<v Speaker 2>Sorry, Heidi, No, no, I was just saying they keep

1579
01:16:53.760 --> 01:16:54.199
<v Speaker 2>him in red.

1580
01:16:55.720 --> 01:16:57.680
<v Speaker 6>See this is really interesting. But I want to say

1581
01:16:57.800 --> 01:17:00.199
<v Speaker 6>the thing really quick about what Heidi was saying, to

1582
01:17:00.239 --> 01:17:04.960
<v Speaker 6>build off that joked. In Vedic astrology, Jupiter is the

1583
01:17:05.039 --> 01:17:08.880
<v Speaker 6>planet of the teacher, so it's but it's the spiritual teacher,

1584
01:17:09.479 --> 01:17:12.600
<v Speaker 6>not the not necessarily the material teacher, which is actually

1585
01:17:12.680 --> 01:17:16.119
<v Speaker 6>more Gevrotic in Hebrew. Balls that's actually really interesting as well.

1586
01:17:17.039 --> 01:17:20.479
<v Speaker 6>And but I agree with what Heidi is saying in

1587
01:17:20.680 --> 01:17:23.479
<v Speaker 6>like I don't use obviously the Greek cosmology, but I

1588
01:17:24.119 --> 01:17:26.319
<v Speaker 6>understand what she's saying, and it makes a lot of

1589
01:17:26.399 --> 01:17:30.439
<v Speaker 6>sense because there's this third idea of So we spoke

1590
01:17:30.479 --> 01:17:34.840
<v Speaker 6>a little bit yesterday about the hyper Uranian the trans

1591
01:17:34.920 --> 01:17:37.760
<v Speaker 6>Plutonian obviously that's though both of those ideas are in

1592
01:17:37.880 --> 01:17:40.439
<v Speaker 6>this film. But then there's like the third idea, which

1593
01:17:40.560 --> 01:17:45.680
<v Speaker 6>is the trans Neptunian. So it goes exactly with this

1594
01:17:45.960 --> 01:17:49.199
<v Speaker 6>under the sea the dreaming god. That's even one of

1595
01:17:49.239 --> 01:17:51.479
<v Speaker 6>the names for a Vishnu. And if you map him

1596
01:17:51.479 --> 01:17:53.159
<v Speaker 6>to the tree, he'd be like a joke Ma, so

1597
01:17:53.600 --> 01:17:57.960
<v Speaker 6>very Neptunian figure. He's dreaming under the superno ocean. He's

1598
01:17:58.039 --> 01:18:01.680
<v Speaker 6>sleeping on his back in a c like a deis

1599
01:18:01.800 --> 01:18:04.319
<v Speaker 6>I guess you could say. So, yeah, it's like this

1600
01:18:04.600 --> 01:18:08.039
<v Speaker 6>the dreaming God. He's sleeping reality into existence. And then

1601
01:18:08.079 --> 01:18:12.920
<v Speaker 6>there's this last idea that but the idea of space

1602
01:18:13.199 --> 01:18:16.039
<v Speaker 6>versus time, and this goes perfectly along with that because

1603
01:18:16.159 --> 01:18:20.800
<v Speaker 6>Vishnu is assigned space, whereas like as Heidi said, she

1604
01:18:20.880 --> 01:18:23.600
<v Speaker 6>called him Kronos, I'm gonna call him Shiva, but he

1605
01:18:24.000 --> 01:18:28.479
<v Speaker 6>is time at least in one version, is too.

1606
01:18:28.840 --> 01:18:31.279
<v Speaker 2>Yeah, the women, we can't forget the women too.

1607
01:18:32.199 --> 01:18:35.039
<v Speaker 6>So it's always this battle. It's always this battle in

1608
01:18:35.239 --> 01:18:39.000
<v Speaker 6>like sort of occult thinking like do you master space?

1609
01:18:39.199 --> 01:18:42.039
<v Speaker 6>Do you master time? Like which one is it? Which

1610
01:18:42.079 --> 01:18:46.800
<v Speaker 6>one is superior? And it's because it's both poles, right,

1611
01:18:46.880 --> 01:18:48.800
<v Speaker 6>it's really it's it's a hoke mod and bin off.

1612
01:18:49.159 --> 01:18:52.000
<v Speaker 6>So it's both of those things and they're like it's

1613
01:18:52.039 --> 01:18:56.199
<v Speaker 6>like electric, like very lightning. So but that's how they

1614
01:18:56.319 --> 01:18:57.600
<v Speaker 6>kind of spark off each other.

1615
01:18:59.359 --> 01:19:02.760
<v Speaker 3>Interesting. We have any more thoughts here on on the

1616
01:19:02.960 --> 01:19:04.600
<v Speaker 3>uh Mary Flies.

1617
01:19:04.239 --> 01:19:08.159
<v Speaker 2>A character, Oh not Marty, No, sorry, his girlfriend.

1618
01:19:08.159 --> 01:19:09.319
<v Speaker 3>You want to go to his girlfriend next?

1619
01:19:10.000 --> 01:19:10.199
<v Speaker 2>Yeah?

1620
01:19:10.279 --> 01:19:13.279
<v Speaker 1>Yeah, I just think at the very beginning, when she's

1621
01:19:13.319 --> 01:19:15.960
<v Speaker 1>coming out of the school, Well, first of all, Jennifer

1622
01:19:16.079 --> 01:19:19.920
<v Speaker 1>is white Wave, and so she that's represented with Venus absolutely,

1623
01:19:20.640 --> 01:19:22.399
<v Speaker 1>and she's at the top of the stairs and he

1624
01:19:22.560 --> 01:19:25.800
<v Speaker 1>never ascends up, but she starts coming down and she

1625
01:19:26.000 --> 01:19:28.960
<v Speaker 1>meets him, but he doesn't go up, which makes total sense.

1626
01:19:29.600 --> 01:19:32.439
<v Speaker 2>And then we've got the mom too. But you know,

1627
01:19:32.600 --> 01:19:36.760
<v Speaker 2>her name is Lorraine, which doesn't translate into much but

1628
01:19:37.159 --> 01:19:41.119
<v Speaker 2>La Rain like queen and isis and then we get

1629
01:19:41.159 --> 01:19:43.560
<v Speaker 2>into you know, I'm gonna marry my son things, so

1630
01:19:44.000 --> 01:19:45.760
<v Speaker 2>that you were you were.

1631
01:19:45.680 --> 01:19:47.319
<v Speaker 4>Saying it doesn't relate to much, but I think Nick

1632
01:19:47.439 --> 01:19:49.720
<v Speaker 4>was talking about it released to Cronos, right, the Rain.

1633
01:19:51.000 --> 01:19:54.319
<v Speaker 5>Oh yeah yeah, and some of the uh the Jamatu

1634
01:19:54.399 --> 01:19:58.279
<v Speaker 5>when I get to it, yeah, Lorrain.

1635
01:19:58.279 --> 01:20:01.119
<v Speaker 4>Oh yeah h And that's that's what Hatty was just

1636
01:20:01.159 --> 01:20:03.119
<v Speaker 4>saying too, right, So you came up with some Jamatria

1637
01:20:03.199 --> 01:20:06.520
<v Speaker 4>conclusions concluding what Hatty was just saying without you know,

1638
01:20:06.560 --> 01:20:07.520
<v Speaker 4>from two Cybarate angles.

1639
01:20:07.560 --> 01:20:09.319
<v Speaker 3>It sounds like, yeah, yeah, I have to.

1640
01:20:10.840 --> 01:20:11.199
<v Speaker 5>Look for that.

1641
01:20:11.920 --> 01:20:12.720
<v Speaker 3>That's pretty interesting.

1642
01:20:12.760 --> 01:20:14.159
<v Speaker 4>I know when you were saying that, Heidi, I was

1643
01:20:14.239 --> 01:20:15.960
<v Speaker 4>just you know, I was like, wait a second, I've

1644
01:20:16.000 --> 01:20:18.119
<v Speaker 4>heard these, I've heard some similar things before, and I

1645
01:20:18.239 --> 01:20:20.600
<v Speaker 4>was looking back at Next Nights and me yep ye, Nick,

1646
01:20:21.039 --> 01:20:22.239
<v Speaker 4>Nick already reached the inclusions.

1647
01:20:23.199 --> 01:20:24.880
<v Speaker 5>No no, no, no, no, no, you totally.

1648
01:20:25.439 --> 01:20:27.600
<v Speaker 4>I think I think it's interesting because I think it's great.

1649
01:20:27.640 --> 01:20:29.840
<v Speaker 4>You're saying it from one perspective. He's doing jamatry and

1650
01:20:29.840 --> 01:20:32.560
<v Speaker 4>come up with that same conclusion. It's reaching these things.

1651
01:20:32.600 --> 01:20:35.159
<v Speaker 6>That's that's interesting because there's a there's a there's a

1652
01:20:35.319 --> 01:20:36.159
<v Speaker 6>deeper launch.

1653
01:20:36.119 --> 01:20:38.279
<v Speaker 5>Even with totching too.

1654
01:20:39.079 --> 01:20:41.840
<v Speaker 3>Yeah, yeah, okay, I like this. That's interesting.

1655
01:20:43.039 --> 01:20:46.720
<v Speaker 6>When the prince is at Mercury, like Marty's at Mercury

1656
01:20:47.199 --> 01:20:52.119
<v Speaker 6>before he leaves on his magic journey. Okay, the mother

1657
01:20:52.600 --> 01:20:55.920
<v Speaker 6>the venus sprample, Heidi said, So we're kind of synthesizing

1658
01:20:56.039 --> 01:21:00.960
<v Speaker 6>Nick and Heidi his ideas. She's attracted to him. That's

1659
01:21:01.039 --> 01:21:04.119
<v Speaker 6>kind of the idea. But it's really it's like electromagnetic,

1660
01:21:04.239 --> 01:21:09.039
<v Speaker 6>that's really what it is. But it gets a confusing feeling, right,

1661
01:21:09.319 --> 01:21:12.800
<v Speaker 6>It's it's easily confused. That's very hermetic, that's very mercurial.

1662
01:21:13.600 --> 01:21:15.640
<v Speaker 6>It's like kind of entwined.

1663
01:21:16.319 --> 01:21:20.880
<v Speaker 1>So because father and he took his father's place when

1664
01:21:20.920 --> 01:21:23.720
<v Speaker 1>he got hit by the car, so he becomes the

1665
01:21:23.840 --> 01:21:27.960
<v Speaker 1>father's journey and it's it's linear than and like just

1666
01:21:28.119 --> 01:21:30.600
<v Speaker 1>like when I say isis and stuff like I'm talking

1667
01:21:30.680 --> 01:21:33.039
<v Speaker 1>about like with the Isis horse, what does she do?

1668
01:21:33.199 --> 01:21:37.479
<v Speaker 1>She says he's the reincarnation of her husband. So that

1669
01:21:37.720 --> 01:21:39.279
<v Speaker 1>combination makes total sense.

1670
01:21:39.600 --> 01:21:45.479
<v Speaker 5>You know, yes, Oh, real quick, h JJ, if you

1671
01:21:45.520 --> 01:21:49.199
<v Speaker 5>don't mind, Yeah, I was, I did. I wasn't speaking

1672
01:21:49.279 --> 01:21:51.199
<v Speaker 5>up fast enough before we left off a Martin McFly.

1673
01:21:51.319 --> 01:21:53.079
<v Speaker 5>I did actually have some things just real quick. I

1674
01:21:53.079 --> 01:21:55.359
<v Speaker 5>didn't want to with him because I did have a

1675
01:21:55.439 --> 01:21:55.920
<v Speaker 5>section just.

1676
01:21:55.920 --> 01:21:56.399
<v Speaker 2>At least do.

1677
01:21:58.119 --> 01:22:00.319
<v Speaker 4>Going on with his character, right, yes, kind of the

1678
01:22:00.479 --> 01:22:03.680
<v Speaker 4>uh he's kind of that that not only the Hero's journey,

1679
01:22:03.720 --> 01:22:06.760
<v Speaker 4>but he's kind of that Masonic kind of uh what

1680
01:22:06.840 --> 01:22:08.680
<v Speaker 4>do they call it, like sun God kind of thing.

1681
01:22:08.800 --> 01:22:08.920
<v Speaker 2>Right.

1682
01:22:11.159 --> 01:22:14.079
<v Speaker 5>Well, see, this is this is something that I've said before.

1683
01:22:14.279 --> 01:22:16.920
<v Speaker 5>I and Horace would fit in there, just with total us.

1684
01:22:17.199 --> 01:22:18.720
<v Speaker 3>That's what I was thinking up, the kind of a

1685
01:22:18.720 --> 01:22:19.399
<v Speaker 3>horror situation.

1686
01:22:19.600 --> 01:22:22.279
<v Speaker 5>Well, the thing is, in my opinion, the Hero's Journey.

1687
01:22:22.399 --> 01:22:24.800
<v Speaker 5>I mean, you're gonna have different characters for the same

1688
01:22:24.920 --> 01:22:28.239
<v Speaker 5>exact person or energy. It's just gonna have a different name.

1689
01:22:28.760 --> 01:22:30.800
<v Speaker 5>Like I've said before, I think like to and Horace

1690
01:22:31.279 --> 01:22:35.159
<v Speaker 5>and Raw, it's all the same technically. I guess energy

1691
01:22:35.239 --> 01:22:37.319
<v Speaker 5>or thing. It's just during a different time in space.

1692
01:22:37.399 --> 01:22:38.119
<v Speaker 5>It's something else.

1693
01:22:38.840 --> 01:22:41.000
<v Speaker 4>But uh right, that's well, that's what that's the term

1694
01:22:41.039 --> 01:22:45.680
<v Speaker 4>of hermetic, right, that's thought and and another character, right,

1695
01:22:45.760 --> 01:22:46.319
<v Speaker 4>very chemical.

1696
01:22:46.439 --> 01:22:48.800
<v Speaker 5>Yeah, you from going from one character to the next.

1697
01:22:49.199 --> 01:22:52.119
<v Speaker 4>And they matched me together and then they become Hermes

1698
01:22:52.119 --> 01:22:53.119
<v Speaker 4>trist Magestus, right.

1699
01:22:53.760 --> 01:22:57.399
<v Speaker 5>Yeah, but with Martin McFly as, uh that is the

1700
01:22:57.479 --> 01:23:02.600
<v Speaker 5>nature of cultism, it seems, yes, Marty McFly as Mercury

1701
01:23:02.680 --> 01:23:05.159
<v Speaker 5>and Hermes kind of like an archetype. But I did

1702
01:23:05.600 --> 01:23:09.279
<v Speaker 5>I did have him there too, But Kuser Peach mentioned

1703
01:23:09.640 --> 01:23:14.520
<v Speaker 5>his name is Mars though too. Yeah, Martian right, yeah, Mars, Yeah,

1704
01:23:14.760 --> 01:23:15.920
<v Speaker 5>like war force.

1705
01:23:17.640 --> 01:23:19.800
<v Speaker 3>Kind of this this chaos effect, right, is that what

1706
01:23:19.920 --> 01:23:22.560
<v Speaker 3>that means is like a chaos effort or cho.

1707
01:23:23.079 --> 01:23:29.840
<v Speaker 5>Any chaos to create change regardless, someone's messenger. I looked

1708
01:23:29.840 --> 01:23:32.359
<v Speaker 5>at him as a messenger between both worlds. I even

1709
01:23:32.399 --> 01:23:35.000
<v Speaker 5>looked at it like in the beginning when he plays

1710
01:23:35.000 --> 01:23:37.960
<v Speaker 5>the guitar, kind of like the like the logos of Thunder,

1711
01:23:38.560 --> 01:23:41.640
<v Speaker 5>Hermes invents the lyre. So, I mean I did wonder

1712
01:23:41.680 --> 01:23:45.159
<v Speaker 5>if there was like somewhere a connection with that. He's

1713
01:23:45.239 --> 01:23:47.600
<v Speaker 5>kind of a trickster again even playing the guitar, that's

1714
01:23:47.720 --> 01:23:52.880
<v Speaker 5>vibration and sound, you know, to right to the.

1715
01:23:52.920 --> 01:23:55.199
<v Speaker 3>Loudest degree, right, So that's a very trickster element to that.

1716
01:23:55.319 --> 01:23:58.399
<v Speaker 5>Right, Technically, he does go to the future and brings

1717
01:23:58.439 --> 01:24:01.039
<v Speaker 5>back knowledge. I mean, he knows what's his face's death,

1718
01:24:01.119 --> 01:24:03.680
<v Speaker 5>So I mean he is somewhere who was going back

1719
01:24:03.720 --> 01:24:08.560
<v Speaker 5>and forth with bringing knowledge Hermes or I could be

1720
01:24:08.640 --> 01:24:11.960
<v Speaker 5>wrong about the exact person. He had? What wings on

1721
01:24:12.119 --> 01:24:13.039
<v Speaker 5>his shoes?

1722
01:24:13.640 --> 01:24:15.720
<v Speaker 3>This guy's got to ask you, right, he's got a

1723
01:24:15.800 --> 01:24:17.159
<v Speaker 3>skateboard with wings, right.

1724
01:24:17.119 --> 01:24:19.199
<v Speaker 5>He's got a skateboard and a hovering skateboard, so I

1725
01:24:19.279 --> 01:24:21.199
<v Speaker 5>mean he does kind of got like traveling feet in

1726
01:24:21.239 --> 01:24:21.640
<v Speaker 5>the sense.

1727
01:24:23.039 --> 01:24:25.000
<v Speaker 2>Yeah, I was going to ask you about that because

1728
01:24:25.159 --> 01:24:27.560
<v Speaker 2>that is the hermit real quick with the wings.

1729
01:24:27.640 --> 01:24:32.920
<v Speaker 8>Right, do you know how much? Go ahead, I was

1730
01:24:33.039 --> 01:24:36.359
<v Speaker 8>just gonna say, because I love sneakers and I have

1731
01:24:37.159 --> 01:24:39.039
<v Speaker 8>a lot of Nikes. Do you know how much the

1732
01:24:39.159 --> 01:24:43.960
<v Speaker 8>Marty mcflies are? Dude, don't even fucking.

1733
01:24:43.920 --> 01:24:44.319
<v Speaker 5>Try to.

1734
01:24:46.000 --> 01:24:48.279
<v Speaker 3>But is it isn't Nike. It's a good point because

1735
01:24:48.319 --> 01:24:50.119
<v Speaker 3>isn't Nike an ancient Greek god as well?

1736
01:24:50.720 --> 01:24:53.199
<v Speaker 8>Yeah, that's why I bring it up because I also

1737
01:24:53.439 --> 01:24:56.479
<v Speaker 8>own the forest Gump running shoes.

1738
01:24:58.720 --> 01:24:59.279
<v Speaker 2>For Gump.

1739
01:25:00.199 --> 01:25:02.880
<v Speaker 8>Right, I won't tell you how much I paid for him.

1740
01:25:02.880 --> 01:25:06.039
<v Speaker 8>But anyways, Nike is very important because we got like

1741
01:25:06.159 --> 01:25:12.600
<v Speaker 8>this whole Poseidon Mars chronos and he wears those nikes

1742
01:25:12.640 --> 01:25:15.800
<v Speaker 8>throughout almost the entire movie except for when he changes

1743
01:25:15.840 --> 01:25:19.119
<v Speaker 8>it over to the black converse. But anyways, the Marty

1744
01:25:19.199 --> 01:25:22.520
<v Speaker 8>McFly nikes are like a couple grand They don't even

1745
01:25:22.600 --> 01:25:27.279
<v Speaker 8>make that style anymore. But anyways, go ahead.

1746
01:25:29.800 --> 01:25:32.039
<v Speaker 5>Uh one other thing that I had to I mean,

1747
01:25:32.079 --> 01:25:34.359
<v Speaker 5>Marty McFly, you get the m m you know that's

1748
01:25:34.479 --> 01:25:38.319
<v Speaker 5>very Masonic. You have McFly, you already have like the

1749
01:25:38.560 --> 01:25:41.279
<v Speaker 5>fly in there, And this one could be a stretch,

1750
01:25:41.319 --> 01:25:44.000
<v Speaker 5>but he did find it interesting that in the movie

1751
01:25:44.039 --> 01:25:46.520
<v Speaker 5>he does get i think aggravated it maybe more than

1752
01:25:46.560 --> 01:25:51.079
<v Speaker 5>once being called the chicken. Nobody calls me the chicken can.

1753
01:25:51.000 --> 01:25:53.439
<v Speaker 3>Call him red too later, right, So that's another kind

1754
01:25:53.479 --> 01:25:54.199
<v Speaker 3>of Mars reference.

1755
01:25:54.439 --> 01:25:58.920
<v Speaker 5>Right, And Mercury's animal was a rooster, So maybe that's

1756
01:25:58.920 --> 01:26:01.279
<v Speaker 5>why they want to be the chicken, because no, a rooster,

1757
01:26:01.399 --> 01:26:01.720
<v Speaker 5>I don't know.

1758
01:26:02.840 --> 01:26:05.319
<v Speaker 4>So it sounds like they're covering the whole basis of

1759
01:26:05.359 --> 01:26:07.159
<v Speaker 4>the planetary system here with one character.

1760
01:26:11.359 --> 01:26:14.319
<v Speaker 5>Yeah, exactly, he's gonna he's gonna any any male energy

1761
01:26:14.359 --> 01:26:16.399
<v Speaker 5>in that cabalistic tree is going to be all him

1762
01:26:16.600 --> 01:26:20.159
<v Speaker 5>and every female energy and that cabalistic tree. That's probably

1763
01:26:20.199 --> 01:26:22.960
<v Speaker 5>why you have the girlfriend in the beginning in order

1764
01:26:23.000 --> 01:26:25.079
<v Speaker 5>for him to my opinion, in order for you to

1765
01:26:25.119 --> 01:26:27.800
<v Speaker 5>cross the abyss, you have to kind of untangle the

1766
01:26:27.880 --> 01:26:30.640
<v Speaker 5>feminine energy. That's why he doesn't bang his girlfriend. Now

1767
01:26:30.720 --> 01:26:33.560
<v Speaker 5>on the other side, if he would have banged his

1768
01:26:33.680 --> 01:26:35.239
<v Speaker 5>mom things, you know what I'm just saying, like, now

1769
01:26:35.279 --> 01:26:37.439
<v Speaker 5>you have the total opposite. Like it's just.

1770
01:26:41.319 --> 01:26:46.119
<v Speaker 4>So the hero's journey, this travel through the cabalistic tree,

1771
01:26:46.720 --> 01:26:50.479
<v Speaker 4>this is all this is all represented by traveling, by

1772
01:26:50.560 --> 01:26:52.760
<v Speaker 4>traveling through these different planets of his character. Right, he's

1773
01:26:52.760 --> 01:26:57.119
<v Speaker 4>representing Mercury when one time he's representing you know what

1774
01:26:57.239 --> 01:26:57.800
<v Speaker 4>was the Purple one?

1775
01:26:57.840 --> 01:26:58.079
<v Speaker 3>Again?

1776
01:26:58.159 --> 01:26:59.880
<v Speaker 2>Was that was that Pluto.

1777
01:27:02.720 --> 01:27:03.079
<v Speaker 5>Saturday?

1778
01:27:03.159 --> 01:27:06.760
<v Speaker 1>But the next point of Braxis too. I was thinking

1779
01:27:06.840 --> 01:27:09.039
<v Speaker 1>of Braxis with the chicken things.

1780
01:27:09.119 --> 01:27:10.920
<v Speaker 3>Are these are these all the same things though?

1781
01:27:11.159 --> 01:27:12.920
<v Speaker 2>Like the heroes the gate.

1782
01:27:13.560 --> 01:27:16.640
<v Speaker 3>Yeah, so the chickensary travels.

1783
01:27:17.600 --> 01:27:20.960
<v Speaker 6>Yeah, he's starting from position A you could say, jumps

1784
01:27:20.960 --> 01:27:25.600
<v Speaker 6>in the Dolorean, then ends up he travels through time

1785
01:27:25.760 --> 01:27:29.279
<v Speaker 6>but the Wikipedia was very specific to say not through space.

1786
01:27:29.880 --> 01:27:32.720
<v Speaker 6>There you go, space is there? There's spot right now,

1787
01:27:32.800 --> 01:27:34.319
<v Speaker 6>spaceball all right there?

1788
01:27:35.680 --> 01:27:39.039
<v Speaker 1>Well one point the one point twenty one gigawatts to

1789
01:27:39.199 --> 01:27:42.680
<v Speaker 1>charge it is for? So think about I don't know

1790
01:27:42.800 --> 01:27:43.359
<v Speaker 1>if you know.

1791
01:27:44.079 --> 01:27:45.359
<v Speaker 8>I have that.

1792
01:27:45.640 --> 01:27:47.760
<v Speaker 4>Okay, did you say one point did you say one

1793
01:27:47.760 --> 01:27:50.000
<v Speaker 4>point twenty one jawats one point.

1794
01:27:49.840 --> 01:27:51.199
<v Speaker 2>Twenty one jigawatts?

1795
01:27:52.680 --> 01:27:54.640
<v Speaker 5>But I need a nuclear reaction to to generate the

1796
01:27:54.680 --> 01:27:55.159
<v Speaker 5>one point.

1797
01:28:00.119 --> 01:28:09.880
<v Speaker 2>Point I definitely have something on that.

1798
01:28:11.840 --> 01:28:13.680
<v Speaker 3>So before we get to the one point twenty one,

1799
01:28:13.760 --> 01:28:15.880
<v Speaker 3>Jacob watch what was this a Praxis and chicken business?

1800
01:28:16.439 --> 01:28:20.399
<v Speaker 2>I don't know just when Nick says that's what first

1801
01:28:20.479 --> 01:28:21.720
<v Speaker 2>came to my mind was a.

1802
01:28:21.760 --> 01:28:23.239
<v Speaker 3>Brax what's the connection there?

1803
01:28:23.279 --> 01:28:23.319
<v Speaker 1>What?

1804
01:28:23.439 --> 01:28:25.239
<v Speaker 3>I'm not familiar with them with a Braxism.

1805
01:28:25.000 --> 01:28:26.720
<v Speaker 8>Because he doesn't want to be called chicken?

1806
01:28:27.680 --> 01:28:30.720
<v Speaker 2>No, no, what is a Braxis? Though, Jim, you want

1807
01:28:30.760 --> 01:28:31.800
<v Speaker 2>to go on a Braxis?

1808
01:28:32.159 --> 01:28:32.199
<v Speaker 10>So?

1809
01:28:32.439 --> 01:28:36.039
<v Speaker 6>Broxis is a goetic spirit who's often associated with Saint Peter.

1810
01:28:36.159 --> 01:28:38.119
<v Speaker 6>If you're looking at it through more like left hand

1811
01:28:38.159 --> 01:28:40.920
<v Speaker 6>path so falsest and ones like how I used to

1812
01:28:41.760 --> 01:28:44.600
<v Speaker 6>and so it was, he's like a guardian of gates

1813
01:28:44.640 --> 01:28:46.800
<v Speaker 6>you could say if he serves the same function in

1814
01:28:46.840 --> 01:28:50.119
<v Speaker 6>the GOA as Sam Peter doesn't like the normative because

1815
01:28:50.119 --> 01:28:52.039
<v Speaker 6>they're all a colonel and.

1816
01:28:52.119 --> 01:28:55.560
<v Speaker 2>Chicken colonel he has, he's the chicken headed.

1817
01:28:56.359 --> 01:29:00.920
<v Speaker 6>Right there we got and then he feed our snakes.

1818
01:29:01.439 --> 01:29:03.800
<v Speaker 6>There we go and he holds his sigil is like

1819
01:29:03.840 --> 01:29:06.840
<v Speaker 6>a key and like an a and some other things.

1820
01:29:07.079 --> 01:29:10.039
<v Speaker 2>But yeah, like I remember that left hand path business.

1821
01:29:10.319 --> 01:29:12.760
<v Speaker 1>Remember what he just said about that, because later later,

1822
01:29:13.119 --> 01:29:15.199
<v Speaker 1>that's going to be something I'm going to talk about later.

1823
01:29:16.399 --> 01:29:18.600
<v Speaker 4>It's the chicken headed snake got eating itself there, right,

1824
01:29:18.680 --> 01:29:20.560
<v Speaker 4>That's what we're talking about with the braxis.

1825
01:29:20.359 --> 01:29:24.079
<v Speaker 3>Well, not the it's not the That's what I was

1826
01:29:24.079 --> 01:29:25.800
<v Speaker 3>getting confused with. I couldn't think of the names I

1827
01:29:25.920 --> 01:29:26.399
<v Speaker 3>was getting them.

1828
01:29:27.159 --> 01:29:30.439
<v Speaker 6>Think just think of him in the positive polarity. So

1829
01:29:30.640 --> 01:29:33.479
<v Speaker 6>he's like the guardian of the gate. He's standing at Mercury.

1830
01:29:33.600 --> 01:29:36.479
<v Speaker 6>He the guy has to he has to go through

1831
01:29:37.039 --> 01:29:38.560
<v Speaker 6>where does he go through? He has to go through

1832
01:29:38.640 --> 01:29:40.800
<v Speaker 6>a eisode, so he has to pass through the truth

1833
01:29:40.880 --> 01:29:45.319
<v Speaker 6>through the world. Someone said like the Doctor Brown was

1834
01:29:45.439 --> 01:29:47.640
<v Speaker 6>the sort of like the working next set it. I

1835
01:29:47.800 --> 01:29:49.560
<v Speaker 6>was like, there's a tre mantrial link to like the

1836
01:29:49.680 --> 01:29:50.800
<v Speaker 6>world or the truth.

1837
01:29:51.119 --> 01:29:56.600
<v Speaker 2>With his name is is everything. Emma means everything.

1838
01:29:56.520 --> 01:29:59.680
<v Speaker 6>Everything, so it's everything that we see. So it's that

1839
01:30:00.079 --> 01:30:03.640
<v Speaker 6>path between like he has to go from householder to

1840
01:30:04.199 --> 01:30:07.960
<v Speaker 6>like magician. So he's a chicken because he's a householder,

1841
01:30:08.079 --> 01:30:10.640
<v Speaker 6>meaning that he doesn't know what the outside world is like.

1842
01:30:11.199 --> 01:30:14.079
<v Speaker 6>But once he's a rooster, the broxis he has to

1843
01:30:14.159 --> 01:30:16.399
<v Speaker 6>pass through that gate. It's like passing through the gate

1844
01:30:16.479 --> 01:30:20.600
<v Speaker 6>to adulthood. So he passed exactly.

1845
01:30:20.279 --> 01:30:21.079
<v Speaker 2>Looks like a rooster.

1846
01:30:21.479 --> 01:30:26.119
<v Speaker 6>Yeah, yeah, you're too right, it's like a harder rocket

1847
01:30:26.239 --> 01:30:27.840
<v Speaker 6>passing through negative space.

1848
01:30:29.319 --> 01:30:32.399
<v Speaker 4>It kind of seems like people are calling him chicken

1849
01:30:32.479 --> 01:30:34.159
<v Speaker 4>or people are calling him red. It seems like he's

1850
01:30:34.199 --> 01:30:36.720
<v Speaker 4>popping off like he's a cock. Right, kind of khaky

1851
01:30:36.800 --> 01:30:37.079
<v Speaker 4>about it.

1852
01:30:39.239 --> 01:30:44.079
<v Speaker 2>Nick's already laughing, not set up, yes to all of that.

1853
01:30:46.279 --> 01:30:48.079
<v Speaker 4>So do we have any Nick does anything else on

1854
01:30:48.199 --> 01:30:51.439
<v Speaker 4>Martiny McFly before we cruise over to doctor Everything Von Braun.

1855
01:30:52.359 --> 01:30:53.880
<v Speaker 5>Yeah, sure, yeah, I'm good.

1856
01:30:53.960 --> 01:31:01.560
<v Speaker 2>Yes, So Julie think about twenty one gigawatts?

1857
01:31:02.000 --> 01:31:03.880
<v Speaker 4>Yeah, well, I was want to say, I figure we

1858
01:31:03.920 --> 01:31:05.439
<v Speaker 4>get into that since he's the one point twenty one

1859
01:31:05.520 --> 01:31:06.119
<v Speaker 4>jigabat guy.

1860
01:31:06.239 --> 01:31:09.520
<v Speaker 3>Right, Okay, so that's that, That is how he feels this.

1861
01:31:09.600 --> 01:31:12.840
<v Speaker 4>Time machine is through this immense amount of power and

1862
01:31:13.279 --> 01:31:15.920
<v Speaker 4>and it's, uh, he needs this exit. I think they

1863
01:31:16.119 --> 01:31:19.760
<v Speaker 4>you know, obviously created through this you know, nuclear reaction

1864
01:31:19.880 --> 01:31:22.600
<v Speaker 4>with plutonium. But these are all elements of you know,

1865
01:31:22.880 --> 01:31:25.800
<v Speaker 4>real science, kind of rooted in some science fiction aspects

1866
01:31:25.840 --> 01:31:28.239
<v Speaker 4>to it, right, and this one point twenty one jigawats

1867
01:31:28.279 --> 01:31:30.199
<v Speaker 4>is probably rooted in some occultism, right, Is that?

1868
01:31:30.399 --> 01:31:30.920
<v Speaker 3>Is that what I'm here?

1869
01:31:32.560 --> 01:31:35.039
<v Speaker 8>Well, I don't know what anybody else got out of it,

1870
01:31:35.239 --> 01:31:39.000
<v Speaker 8>but I'll just give you kind of my very limited

1871
01:31:39.479 --> 01:31:45.880
<v Speaker 8>knowledge and what it means to me. Because before, before

1872
01:31:45.960 --> 01:31:50.920
<v Speaker 8>he says the thing about the jigawats, he sends Einstein

1873
01:31:51.159 --> 01:31:54.359
<v Speaker 8>into the future, right, and when he gets back, it's

1874
01:31:55.119 --> 01:32:00.239
<v Speaker 8>one twenty one a M yeah, And then he's as

1875
01:32:00.399 --> 01:32:06.600
<v Speaker 8>one point twenty one jigawats. And this to me stood

1876
01:32:06.640 --> 01:32:08.800
<v Speaker 8>out because it's like, why did they one two one

1877
01:32:09.000 --> 01:32:11.439
<v Speaker 8>one two one? Why they keep using this one to one?

1878
01:32:12.399 --> 01:32:16.640
<v Speaker 8>And I mean, I just I don't remember was JJ

1879
01:32:16.840 --> 01:32:18.800
<v Speaker 8>on the Gamatria episode or not.

1880
01:32:19.920 --> 01:32:21.199
<v Speaker 3>I'm glad I'm not the only one Joe.

1881
01:32:21.359 --> 01:32:25.079
<v Speaker 8>No, Okay, So me and Nick were talking about on

1882
01:32:25.479 --> 01:32:31.199
<v Speaker 8>the Gamatria episode the significance of four and the significance

1883
01:32:31.479 --> 01:32:34.880
<v Speaker 8>of eight, And there are plenty of eighths in here,

1884
01:32:35.039 --> 01:32:39.840
<v Speaker 8>but the one point one, right, the one point twenty

1885
01:32:39.880 --> 01:32:42.680
<v Speaker 8>one is also the four. So I feel like, you know,

1886
01:32:42.840 --> 01:32:45.560
<v Speaker 8>and they're they're using that over and over again. One

1887
01:32:45.560 --> 01:32:49.279
<v Speaker 8>point twenty one? Jigawats what one twenty one a m

1888
01:32:49.680 --> 01:32:53.760
<v Speaker 8>And it's very specific at like to me that that

1889
01:32:53.880 --> 01:32:59.079
<v Speaker 8>would be something they want to catch your attention. So

1890
01:32:59.399 --> 01:33:01.159
<v Speaker 8>I don't what you guys get out of that.

1891
01:33:02.159 --> 01:33:04.359
<v Speaker 1>Before I say I'm gonna have Nick go because he's

1892
01:33:04.399 --> 01:33:06.199
<v Speaker 1>got the Jamatria, I think he might have to.

1893
01:33:06.479 --> 01:33:09.119
<v Speaker 5>Yeah, you know what the thing is is it pops

1894
01:33:09.199 --> 01:33:14.000
<v Speaker 5>up as if I was to go through my notes. Yeah,

1895
01:33:14.960 --> 01:33:17.000
<v Speaker 5>there was a lot of eights, that is for sure.

1896
01:33:17.039 --> 01:33:19.000
<v Speaker 5>There was even there was even a picture that I

1897
01:33:19.159 --> 01:33:22.279
<v Speaker 5>had that even shows an eight. Like one of the

1898
01:33:22.920 --> 01:33:25.319
<v Speaker 5>roads is like a route or something. It shows out

1899
01:33:25.359 --> 01:33:27.439
<v Speaker 5>with Marty the frame which.

1900
01:33:27.279 --> 01:33:30.000
<v Speaker 3>When you got there, Bud, we got Hill Street, Hill

1901
01:33:30.079 --> 01:33:30.439
<v Speaker 3>and Maine.

1902
01:33:32.399 --> 01:33:33.840
<v Speaker 2>Do you have control of this because or do I?

1903
01:33:34.800 --> 01:33:36.199
<v Speaker 3>You got it nice.

1904
01:33:42.119 --> 01:33:42.479
<v Speaker 5>Right there?

1905
01:33:46.079 --> 01:33:46.560
<v Speaker 2>Mm hmm.

1906
01:33:47.720 --> 01:33:50.079
<v Speaker 3>And it was obviously very intentional because this is a set.

1907
01:33:50.159 --> 01:33:51.239
<v Speaker 3>They all did this on right, So.

1908
01:33:51.279 --> 01:33:55.840
<v Speaker 2>This is not like add the numbers three ninety five too,

1909
01:33:58.119 --> 01:34:02.960
<v Speaker 2>like it's eight eight eight.

1910
01:34:04.039 --> 01:34:08.319
<v Speaker 8>Well, so also also just really quick, the clock tower

1911
01:34:08.479 --> 01:34:12.800
<v Speaker 8>has a lion on either side or a lion s yeah,

1912
01:34:13.840 --> 01:34:17.960
<v Speaker 8>and then he lives in lion estate, which is two lions. Yeah,

1913
01:34:18.680 --> 01:34:22.039
<v Speaker 8>and the lion is Leo, which is the eighth month

1914
01:34:22.119 --> 01:34:24.680
<v Speaker 8>of the year. So you're getting double eights on the

1915
01:34:24.800 --> 01:34:28.479
<v Speaker 8>clock tower and double eights on the estate that he

1916
01:34:28.640 --> 01:34:29.000
<v Speaker 8>lives in.

1917
01:34:29.319 --> 01:34:33.039
<v Speaker 3>So that you're saying.

1918
01:34:34.720 --> 01:34:39.239
<v Speaker 8>Because the lion is Leo the eighth month. So if

1919
01:34:39.279 --> 01:34:41.359
<v Speaker 8>you look at it, it's eighty eight on the clock

1920
01:34:41.479 --> 01:34:44.880
<v Speaker 8>tower and eighty eight on lion estates and then one

1921
01:34:44.920 --> 01:34:48.359
<v Speaker 8>point twenty one jigawatts and one twenty one a m

1922
01:34:48.560 --> 01:34:53.039
<v Speaker 8>is four and so if you added that, that's eight again.

1923
01:34:53.479 --> 01:34:56.720
<v Speaker 8>But anyways, a lot of eights, a lot of fours,

1924
01:34:57.000 --> 01:35:00.760
<v Speaker 8>a lot of a lot of significance on time and

1925
01:35:00.920 --> 01:35:03.479
<v Speaker 8>numbers for sure, the four for.

1926
01:35:03.600 --> 01:35:06.640
<v Speaker 1>Sure, because it's all of the elements together. And so

1927
01:35:06.960 --> 01:35:11.119
<v Speaker 1>you're right, yeah, charging it with everything, And think of Emmett.

1928
01:35:11.279 --> 01:35:14.239
<v Speaker 1>What is he He's everything, He's the universe and and

1929
01:35:14.439 --> 01:35:17.640
<v Speaker 1>he's the one that's always talking about this for because

1930
01:35:17.720 --> 01:35:22.880
<v Speaker 1>it makes sense because he's everything so goodness these.

1931
01:35:22.840 --> 01:35:25.720
<v Speaker 5>Lines, yeah, yeah, pretty much.

1932
01:35:25.800 --> 01:35:30.760
<v Speaker 4>Yeah, these are some pretty interesting little uh. I mean again,

1933
01:35:31.039 --> 01:35:32.119
<v Speaker 4>taking into note that this.

1934
01:35:32.239 --> 01:35:34.119
<v Speaker 5>Is all that's a Russian pin.

1935
01:35:36.199 --> 01:35:38.479
<v Speaker 4>This, you know, this is all very well designed, you know,

1936
01:35:38.640 --> 01:35:40.760
<v Speaker 4>for a purpose here. This is the strange enough, this

1937
01:35:40.800 --> 01:35:42.319
<v Speaker 4>is I believe this is the same set they use

1938
01:35:42.359 --> 01:35:44.960
<v Speaker 4>for Gremlins the year prior to yours, prior maybe.

1939
01:35:45.359 --> 01:35:49.479
<v Speaker 8>As far as the Badass I loves.

1940
01:35:50.560 --> 01:35:52.800
<v Speaker 4>Have you watched Gremlins and you watched you know, back

1941
01:35:52.840 --> 01:35:54.439
<v Speaker 4>to Future, you'd be like, wait a second, I've seen

1942
01:35:54.479 --> 01:35:58.720
<v Speaker 4>this town square before the but no, these lines are

1943
01:35:58.800 --> 01:36:00.840
<v Speaker 4>very interesting because you obviously you see him like very

1944
01:36:00.920 --> 01:36:04.119
<v Speaker 4>prominently between you know, him and Brown in the middle

1945
01:36:04.159 --> 01:36:06.000
<v Speaker 4>of the clock. And it's a very it's a very

1946
01:36:07.000 --> 01:36:09.760
<v Speaker 4>scene that you recalled. It gets, you know, very long

1947
01:36:09.880 --> 01:36:11.199
<v Speaker 4>lasting a scene in your memory.

1948
01:36:11.239 --> 01:36:13.560
<v Speaker 8>I feel like there is a clock at the beginning

1949
01:36:13.840 --> 01:36:17.880
<v Speaker 8>the very opening scene though, jj of that a guy

1950
01:36:18.079 --> 01:36:20.760
<v Speaker 8>hanging off of the clock tower, just like that.

1951
01:36:21.399 --> 01:36:23.279
<v Speaker 3>It's it's you got to find an image of that.

1952
01:36:23.279 --> 01:36:24.720
<v Speaker 3>I'm gonna have to go back and watch it though

1953
01:36:24.760 --> 01:36:25.760
<v Speaker 3>and find that do it.

1954
01:36:26.199 --> 01:36:29.439
<v Speaker 8>It's in there. It's an opening scene, opening scene.

1955
01:36:30.840 --> 01:36:33.680
<v Speaker 6>It's interesting that errows like it's almost pointing onto like

1956
01:36:33.800 --> 01:36:38.920
<v Speaker 6>the paths that the magicians should take, like which way

1957
01:36:38.960 --> 01:36:39.279
<v Speaker 6>he should?

1958
01:36:39.880 --> 01:36:42.319
<v Speaker 1>I know that I have some things that I want

1959
01:36:42.319 --> 01:36:43.760
<v Speaker 1>to say, but I don't want to say it yet

1960
01:36:43.760 --> 01:36:46.039
<v Speaker 1>because it'll wreck stuff because we're not there yet.

1961
01:36:46.119 --> 01:36:51.359
<v Speaker 2>But yes, absolutely, or should I wreck it?

1962
01:36:55.039 --> 01:36:55.720
<v Speaker 1>What? Nick?

1963
01:36:55.800 --> 01:36:58.000
<v Speaker 4>Did you have anything else on that pen you were

1964
01:36:58.039 --> 01:37:01.600
<v Speaker 4>talking about? Excuse me all the what you were talking about?

1965
01:37:01.600 --> 01:37:06.479
<v Speaker 4>A pin on your slides here? Pin somebody's somebody?

1966
01:37:07.039 --> 01:37:09.880
<v Speaker 5>Oh yeah, yeah, oh wow, my bad, my bad. Yeah, yeah,

1967
01:37:09.920 --> 01:37:11.840
<v Speaker 5>that was the pin that I mentioned before. You can't

1968
01:37:11.880 --> 01:37:13.760
<v Speaker 5>really see it too well, but it is a it's

1969
01:37:13.800 --> 01:37:17.359
<v Speaker 5>a pin that goes back to uh, some Russian stuff again.

1970
01:37:17.439 --> 01:37:19.239
<v Speaker 5>It's just when when I get into it, it's just

1971
01:37:19.279 --> 01:37:23.720
<v Speaker 5>a lot of stuff, rocket stuff jamatria. Uh yeah, let

1972
01:37:23.800 --> 01:37:24.920
<v Speaker 5>me pull up my notes.

1973
01:37:25.199 --> 01:37:27.840
<v Speaker 3>Wouldn't that be word of its Russian rocket stuff? It connects. Besides,

1974
01:37:28.279 --> 01:37:28.520
<v Speaker 3>it was.

1975
01:37:28.520 --> 01:37:33.359
<v Speaker 5>Something with like art art gallery, okay, yeah, place of Uh.

1976
01:37:33.600 --> 01:37:35.960
<v Speaker 5>Marty wears a souvenir. It's a souvenir button from the

1977
01:37:36.199 --> 01:37:39.680
<v Speaker 5>Art and Revolution Soviet art and designed from nineteen seventeen

1978
01:37:39.720 --> 01:37:44.359
<v Speaker 5>to nineteen thirty five. Exhibition that toured the UK in

1979
01:37:44.399 --> 01:37:48.680
<v Speaker 5>the late nineteen seventies early eighties, mostly known at Liverpool's

1980
01:37:48.680 --> 01:37:49.760
<v Speaker 5>Walker Art Gallery.

1981
01:37:50.840 --> 01:37:52.920
<v Speaker 3>Well, that's a weird thing to incorporate in this film,

1982
01:37:52.960 --> 01:37:53.560
<v Speaker 3>not you think.

1983
01:37:53.600 --> 01:37:56.560
<v Speaker 5>Well, there's tons of like weird Russian shit, so many

1984
01:37:56.640 --> 01:38:00.760
<v Speaker 5>Easter eggs that was very red on of them.

1985
01:38:01.840 --> 01:38:05.399
<v Speaker 4>Okay, there you get more more embedding in the communism

1986
01:38:05.479 --> 01:38:07.159
<v Speaker 4>and the era of the of the times, right, the

1987
01:38:07.199 --> 01:38:08.479
<v Speaker 4>Ansi communism.

1988
01:38:08.039 --> 01:38:13.760
<v Speaker 5>Mara one thing I can bring up I have in

1989
01:38:13.840 --> 01:38:16.840
<v Speaker 5>front of me, now, sure if it goes with the

1990
01:38:16.880 --> 01:38:20.239
<v Speaker 5>seventeen in the eight it's kind of like what I say.

1991
01:38:20.239 --> 01:38:22.159
<v Speaker 3>I'm around a roll with these numbers. Please, yeah, please

1992
01:38:22.239 --> 01:38:25.199
<v Speaker 3>keep going, all right.

1993
01:38:25.920 --> 01:38:28.239
<v Speaker 5>All right? Yeah, when Marty leaves the house, he is

1994
01:38:28.279 --> 01:38:32.439
<v Speaker 5>the address. It's sixteen forty six at equal seventeen, and

1995
01:38:32.479 --> 01:38:37.159
<v Speaker 5>then you can turn that into eight again. Then you

1996
01:38:37.239 --> 01:38:39.840
<v Speaker 5>also get I don't know what made me think about it,

1997
01:38:41.119 --> 01:38:43.800
<v Speaker 5>that is a date and I looked that up for

1998
01:38:44.000 --> 01:38:49.479
<v Speaker 5>like anything to go with ma sonic stuff. And back

1999
01:38:49.560 --> 01:38:57.399
<v Speaker 5>in October twenties, well October sixteenth, sixteen forty six, going

2000
01:38:57.479 --> 01:39:01.600
<v Speaker 5>by the old calendar, which would be October twenty sixth,

2001
01:39:01.880 --> 01:39:05.720
<v Speaker 5>sixteen forty six. Elias Ashmole, who was an A Brosa

2002
01:39:05.760 --> 01:39:08.399
<v Speaker 5>Crucian too. We've covered him on the Occult Rejects with

2003
01:39:09.319 --> 01:39:19.640
<v Speaker 5>Absidia Mott, and he got initiated into freemasonry. And that

2004
01:39:19.760 --> 01:39:23.000
<v Speaker 5>is the very moment Doc and Marty fire up at

2005
01:39:23.000 --> 01:39:26.880
<v Speaker 5>the Loren. It is October twenty six, nineteen eighty five.

2006
01:39:28.279 --> 01:39:31.319
<v Speaker 3>Interesting, it looks like Marty's address is sixteen forty six.

2007
01:39:31.920 --> 01:39:35.560
<v Speaker 5>Yes, that's why, Yeah, the first yeah, sixty.

2008
01:39:36.239 --> 01:39:37.800
<v Speaker 3>These things are a lot of these things are deeply

2009
01:39:37.880 --> 01:39:38.840
<v Speaker 3>better than is what you're telling me.

2010
01:39:39.079 --> 01:39:43.920
<v Speaker 5>In sixteen forty six, the Saint John that there was

2011
01:39:43.960 --> 01:39:46.039
<v Speaker 5>a Masonic Wait, hold on one second, there was one

2012
01:39:46.039 --> 01:39:47.720
<v Speaker 5>thing that I wanted to just mention. Anything is interesting.

2013
01:39:48.640 --> 01:39:52.000
<v Speaker 5>Thomas Brown's he has a book that comes out that

2014
01:39:52.279 --> 01:39:56.720
<v Speaker 5>coins in sixteen forty six, as well coins the word electricity,

2015
01:39:57.680 --> 01:40:00.680
<v Speaker 5>So the word electricity even comes out in six forty six.

2016
01:40:00.800 --> 01:40:03.880
<v Speaker 5>And somebody else that I have mentioned multiple times, and

2017
01:40:04.000 --> 01:40:08.359
<v Speaker 5>I've said about like being able to move you know,

2018
01:40:08.479 --> 01:40:12.079
<v Speaker 5>spirits of demons through light and crystals. Anthonysius Kircher in

2019
01:40:12.279 --> 01:40:15.600
<v Speaker 5>sixteen forty six put out a book saying that he

2020
01:40:15.720 --> 01:40:19.039
<v Speaker 5>thinks that you can project moving images with light.

2021
01:40:19.560 --> 01:40:22.560
<v Speaker 4>Okay, that's very interesting thing because that's really what we're

2022
01:40:22.560 --> 01:40:25.159
<v Speaker 4>talking about here is the magic through the moving images

2023
01:40:25.199 --> 01:40:25.479
<v Speaker 4>of light.

2024
01:40:25.600 --> 01:40:28.880
<v Speaker 1>Huh yeah, And I should have clarified on my address,

2025
01:40:28.920 --> 01:40:31.479
<v Speaker 1>it's the real address of the real house.

2026
01:40:31.680 --> 01:40:34.079
<v Speaker 5>So nine three zero throw that might be the happen

2027
01:40:34.520 --> 01:40:35.600
<v Speaker 5>because I think it does change.

2028
01:40:37.079 --> 01:40:40.439
<v Speaker 2>I think that's just the actual reel at like where

2029
01:40:40.520 --> 01:40:41.039
<v Speaker 2>they film.

2030
01:40:41.760 --> 01:40:43.039
<v Speaker 4>And I was just looking at that too. How do

2031
01:40:43.039 --> 01:40:44.960
<v Speaker 4>you write there is the idea of they made a

2032
01:40:45.039 --> 01:40:47.560
<v Speaker 4>fictional address for these buildings versus the real locations, even

2033
01:40:47.600 --> 01:40:55.199
<v Speaker 4>the numbers once again, because right, no reality is yeah,

2034
01:40:56.319 --> 01:40:57.840
<v Speaker 4>well there you go, there you go. That's a good

2035
01:40:57.880 --> 01:40:58.600
<v Speaker 4>way to look at it too.

2036
01:41:00.079 --> 01:41:00.640
<v Speaker 2>Go ahead and.

2037
01:41:00.640 --> 01:41:04.399
<v Speaker 6>Bringing the polls together. You're layering it, you're using you're

2038
01:41:04.479 --> 01:41:06.880
<v Speaker 6>choosing a house that has a magic number to begin with.

2039
01:41:07.079 --> 01:41:10.079
<v Speaker 6>There's lots of houses that do. Then you're going to

2040
01:41:10.159 --> 01:41:14.359
<v Speaker 6>add in your metafictional very all magicians do this. They

2041
01:41:14.479 --> 01:41:17.159
<v Speaker 6>kind of create like a fake narrative. We could say

2042
01:41:17.439 --> 01:41:19.319
<v Speaker 6>it's not that it's a lie, it's just that it's

2043
01:41:19.680 --> 01:41:22.039
<v Speaker 6>it's like a movie. It's like kind of fictional, so

2044
01:41:22.600 --> 01:41:24.479
<v Speaker 6>but it's kind of real at the same time because

2045
01:41:24.479 --> 01:41:27.159
<v Speaker 6>there's like real it's a real underlying truth, like I'm

2046
01:41:27.239 --> 01:41:30.520
<v Speaker 6>really impressed by everybody. Let me just say, like how

2047
01:41:30.640 --> 01:41:34.039
<v Speaker 6>good like Nick is, Heidi is, Julia is you are JJ.

2048
01:41:34.279 --> 01:41:36.279
<v Speaker 6>Like I didn't know any of this coming into this,

2049
01:41:36.399 --> 01:41:38.720
<v Speaker 6>Like I didn't really have that deep of a thought,

2050
01:41:39.239 --> 01:41:41.079
<v Speaker 6>but I I and I have to say that the

2051
01:41:41.279 --> 01:41:44.880
<v Speaker 6>thing about Jupiter that he he keeps saying is really

2052
01:41:44.960 --> 01:41:50.319
<v Speaker 6>important because there's the sayingbull that the spark, the mercurial element,

2053
01:41:50.439 --> 01:41:55.039
<v Speaker 6>that the starting point of the prince is the heart

2054
01:41:55.520 --> 01:41:58.960
<v Speaker 6>of that Jupiter character or the Zeus character, it's the

2055
01:41:59.079 --> 01:42:02.199
<v Speaker 6>heart of Hesseid. So it has to go through his

2056
01:42:02.359 --> 01:42:06.119
<v Speaker 6>journey in order to be expansive like lightning, to travel

2057
01:42:06.319 --> 01:42:09.680
<v Speaker 6>through space, that's the whole thing is and become lightning.

2058
01:42:10.079 --> 01:42:13.319
<v Speaker 6>Then he reflects off the water like a mirror, and

2059
01:42:13.399 --> 01:42:16.720
<v Speaker 6>the lightning goes everywhere else and then can energize like

2060
01:42:16.880 --> 01:42:17.560
<v Speaker 6>everything else.

2061
01:42:18.439 --> 01:42:20.159
<v Speaker 3>There's just so much lightning stuff here, right.

2062
01:42:21.199 --> 01:42:25.279
<v Speaker 1>Oh, there's some exactly what he said, and then I'm

2063
01:42:25.319 --> 01:42:27.319
<v Speaker 1>going to say something at that towards the end, and

2064
01:42:27.399 --> 01:42:30.399
<v Speaker 1>it's gonna all come together exactly what he said. Like

2065
01:42:30.520 --> 01:42:35.239
<v Speaker 1>that's how I interpreted it anyway. But I like everybody's

2066
01:42:35.239 --> 01:42:38.479
<v Speaker 1>stuff because it's all different, you know. But it's a

2067
01:42:38.560 --> 01:42:40.800
<v Speaker 1>duality movie. Oh yeah, for sure.

2068
01:42:41.239 --> 01:42:43.279
<v Speaker 3>I think there's a duality to all of it.

2069
01:42:43.439 --> 01:42:45.359
<v Speaker 5>Right, it's right, dre in Hill Valley, you're getting a

2070
01:42:45.439 --> 01:42:51.439
<v Speaker 5>duality exactly. That's even another thing you November fifth is

2071
01:42:51.439 --> 01:42:52.079
<v Speaker 5>one of the dates in.

2072
01:42:52.079 --> 01:42:56.560
<v Speaker 4>The movie, right, November fifth, nineteen fifty five was the day.

2073
01:42:56.560 --> 01:42:58.199
<v Speaker 4>I think that's when we developed the fox capacity.

2074
01:42:58.319 --> 01:43:02.800
<v Speaker 5>Right, that's Guy Folke's day too, right, Oh yeah, Hill

2075
01:43:02.880 --> 01:43:04.399
<v Speaker 5>Valley matches Guy folks.

2076
01:43:05.640 --> 01:43:06.119
<v Speaker 3>New ship.

2077
01:43:06.359 --> 01:43:08.279
<v Speaker 5>Yes. Well.

2078
01:43:08.439 --> 01:43:14.560
<v Speaker 1>And you mentioned Germany before and Einstein's Freemasons. The Freemason

2079
01:43:14.680 --> 01:43:19.039
<v Speaker 1>lodge that he was reportedly associated with is the Theodore

2080
01:43:19.279 --> 01:43:21.920
<v Speaker 1>ding new Hoff number one one.

2081
01:43:21.960 --> 01:43:25.960
<v Speaker 2>One in Berlin, Germany. I thought that was weird.

2082
01:43:26.800 --> 01:43:32.039
<v Speaker 5>Nice, No Hill Valley just even throw in that too,

2083
01:43:32.079 --> 01:43:35.520
<v Speaker 5>which I thought was weird because as I go along,

2084
01:43:35.600 --> 01:43:37.359
<v Speaker 5>like when we talk about things all at the Jamatia,

2085
01:43:37.439 --> 01:43:39.640
<v Speaker 5>as I follow it in my notes, you get a

2086
01:43:39.680 --> 01:43:42.079
<v Speaker 5>lot of twins stuff coming up, and you even have

2087
01:43:42.279 --> 01:43:44.800
<v Speaker 5>twin pines. You don't know a lot of stuff. It

2088
01:43:44.880 --> 01:43:48.840
<v Speaker 5>does match the twins in twin Peaks and two Keys.

2089
01:43:49.760 --> 01:43:51.720
<v Speaker 5>I thought that was maybe interesting because I think I

2090
01:43:51.960 --> 01:43:55.560
<v Speaker 5>started getting all right, just real quick. It is the

2091
01:43:55.600 --> 01:43:58.159
<v Speaker 5>next thing I have anyway at mayor Goldie Wilson. I

2092
01:43:58.239 --> 01:44:01.880
<v Speaker 5>looked up, you know, Goldie Wilson. His his name matches

2093
01:44:01.920 --> 01:44:05.800
<v Speaker 5>twin dragons, the Secret Key, and Wilson equals the Joker

2094
01:44:05.960 --> 01:44:10.439
<v Speaker 5>and the Dragon, and Valley equals like Marty, justter ussr

2095
01:44:10.520 --> 01:44:11.680
<v Speaker 5>and Caduces.

2096
01:44:12.680 --> 01:44:13.079
<v Speaker 3>How do you like?

2097
01:44:14.479 --> 01:44:16.279
<v Speaker 2>And man the Caducers too.

2098
01:44:17.119 --> 01:44:20.119
<v Speaker 5>You will get an excluppius later on, which is, you know,

2099
01:44:20.359 --> 01:44:23.720
<v Speaker 5>the same thing, just minus one of the one of

2100
01:44:23.800 --> 01:44:24.399
<v Speaker 5>the snakes.

2101
01:44:25.600 --> 01:44:25.720
<v Speaker 1>Right.

2102
01:44:25.840 --> 01:44:30.479
<v Speaker 8>Also, if you add eleven plus five plus fifty five

2103
01:44:30.680 --> 01:44:33.359
<v Speaker 8>is seventy one some plus one.

2104
01:44:34.039 --> 01:44:37.920
<v Speaker 5>You get another eight Holy smokes, eleven times eleven one

2105
01:44:37.960 --> 01:44:38.399
<v Speaker 5>twenty one.

2106
01:44:39.680 --> 01:44:41.279
<v Speaker 4>The eights are really everywhere in this film. I mean

2107
01:44:41.319 --> 01:44:43.960
<v Speaker 4>it went really hard tocore on that. Huh yeah, old Max,

2108
01:44:44.520 --> 01:44:46.239
<v Speaker 4>Yeah for sure, shooting Max.

2109
01:44:46.279 --> 01:44:46.720
<v Speaker 2>And I like that.

2110
01:44:46.840 --> 01:44:49.520
<v Speaker 4>I like the Maxing terminology of the I'm trying to

2111
01:44:50.159 --> 01:44:52.159
<v Speaker 4>the zoo the zoomers. That's more of a zoomer term.

2112
01:44:52.199 --> 01:44:55.520
<v Speaker 6>I feel like, Yeah, but if you're very online, like

2113
01:44:55.600 --> 01:44:56.039
<v Speaker 6>if you're.

2114
01:44:56.680 --> 01:44:59.520
<v Speaker 3>Is that a keynote term where we talk about that term.

2115
01:44:59.680 --> 01:45:02.960
<v Speaker 6>That's the zemers, but it's it's keeping by millennial Saturday.

2116
01:45:02.960 --> 01:45:05.960
<v Speaker 5>It's cool, yo. I had that stuff on jennermen.

2117
01:45:06.119 --> 01:45:08.079
<v Speaker 3>It kind of cracks me up, right, like the whole

2118
01:45:08.119 --> 01:45:11.399
<v Speaker 3>idea of Max and you're right this go ahead, nic

2119
01:45:11.479 --> 01:45:11.880
<v Speaker 3>what we're saying.

2120
01:45:11.960 --> 01:45:13.520
<v Speaker 5>Yes, I didn't throw up. I had that. I finally

2121
01:45:13.560 --> 01:45:16.399
<v Speaker 5>looked at that stuff with the Jennifer the Jamacho U

2122
01:45:16.399 --> 01:45:20.319
<v Speaker 5>asked me to talk about. Yeah, that equals in simple

2123
01:45:20.479 --> 01:45:24.560
<v Speaker 5>of Venus Horus Mason's square tower.

2124
01:45:25.000 --> 01:45:25.439
<v Speaker 2>The fool.

2125
01:45:26.520 --> 01:45:30.760
<v Speaker 5>My phone number is five five five four eight two seven. Now,

2126
01:45:30.960 --> 01:45:32.279
<v Speaker 5>I mean I just kind of took out the five

2127
01:45:32.319 --> 01:45:34.359
<v Speaker 5>to five. No, I'm sorry, four eight two three. I

2128
01:45:34.439 --> 01:45:36.680
<v Speaker 5>took out the five five five because it's like on everything,

2129
01:45:37.279 --> 01:45:40.000
<v Speaker 5>and the last four would equal seventeen. You can add

2130
01:45:40.000 --> 01:45:45.920
<v Speaker 5>to eight again, damn. And he lives in Lion the States,

2131
01:45:45.960 --> 01:45:49.279
<v Speaker 5>and then simple that equals twin and Lion and Hebrew

2132
01:45:49.359 --> 01:45:50.039
<v Speaker 5>equals Russian.

2133
01:45:52.079 --> 01:45:54.279
<v Speaker 2>Well there the twin pillars, don't you think?

2134
01:45:54.880 --> 01:45:57.279
<v Speaker 4>Yeah, they were back to the duality here too, right,

2135
01:45:57.439 --> 01:46:00.199
<v Speaker 4>we got the different versions of the mall during from

2136
01:46:00.239 --> 01:46:04.399
<v Speaker 4>times right with this, like you're saying, Julia with the

2137
01:46:04.560 --> 01:46:07.479
<v Speaker 4>with the nine to eleven predicted programming aspects to you,

2138
01:46:07.720 --> 01:46:09.720
<v Speaker 4>you also have the single tower now too, right.

2139
01:46:10.560 --> 01:46:12.239
<v Speaker 8>Well, I was going to say I think this would

2140
01:46:12.279 --> 01:46:15.159
<v Speaker 8>be a good time if if you could JJ to

2141
01:46:15.279 --> 01:46:19.800
<v Speaker 8>play my clip. If not, I can. He texted to

2142
01:46:19.960 --> 01:46:22.399
<v Speaker 8>Nick and see if he can get it pulled up

2143
01:46:22.479 --> 01:46:24.319
<v Speaker 8>on his But I did email it to you.

2144
01:46:25.039 --> 01:46:28.479
<v Speaker 4>Well, well let's uh, you know, I I'll work on

2145
01:46:28.560 --> 01:46:31.720
<v Speaker 4>that here. Let's let's start talking about some of your

2146
01:46:31.720 --> 01:46:33.359
<v Speaker 4>thoughts are on the mall. Well, I get that clip

2147
01:46:33.479 --> 01:46:34.119
<v Speaker 4>up here for us.

2148
01:46:34.079 --> 01:46:37.760
<v Speaker 1>Please, I mean the twin twin turns to the loan

2149
01:46:37.880 --> 01:46:39.319
<v Speaker 1>because he's finished the journey.

2150
01:46:39.319 --> 01:46:42.199
<v Speaker 2>He's not he's coming out, he's not going in. So

2151
01:46:43.239 --> 01:46:46.000
<v Speaker 2>it's completion type. Is it one?

2152
01:46:46.159 --> 01:46:48.520
<v Speaker 8>Thirty four? Am eight as well?

2153
01:46:48.680 --> 01:46:51.359
<v Speaker 2>It's all eight mm hm, there you go.

2154
01:46:51.560 --> 01:46:54.520
<v Speaker 6>But you never reduced You should really never reduce a

2155
01:46:54.600 --> 01:46:57.319
<v Speaker 6>prime number. I'm not saying you're wrong, it's not. It's

2156
01:46:57.359 --> 01:46:59.039
<v Speaker 6>not like that. I think you're you're right. It's eight,

2157
01:46:59.159 --> 01:47:02.680
<v Speaker 6>but it's it's all. It should be seventeen. But Heidi's right,

2158
01:47:02.800 --> 01:47:05.479
<v Speaker 6>because it is it's showing a different path on the tree,

2159
01:47:05.960 --> 01:47:08.399
<v Speaker 6>so it's the one plus the thirty four. Thirty four

2160
01:47:08.479 --> 01:47:11.680
<v Speaker 6>is the number of apotheosis. So you've gone through the

2161
01:47:11.720 --> 01:47:15.239
<v Speaker 6>whole tree and then you've exactly like Heidi set, you've

2162
01:47:15.319 --> 01:47:19.479
<v Speaker 6>come back into the kingdom. But the twin pines mall

2163
01:47:20.399 --> 01:47:23.399
<v Speaker 6>you've split off. You are the hero on the dragon,

2164
01:47:23.800 --> 01:47:27.039
<v Speaker 6>you are the beast and the hero both and then

2165
01:47:27.119 --> 01:47:29.399
<v Speaker 6>you've just gone up straight to Tifferi. So you have

2166
01:47:29.560 --> 01:47:32.680
<v Speaker 6>to the son, which is again to your point about

2167
01:47:32.720 --> 01:47:35.239
<v Speaker 6>the lions, Julia, like, that's what the symbol is. Leo

2168
01:47:35.479 --> 01:47:38.960
<v Speaker 6>is the son, so that's why you see that there.

2169
01:47:39.039 --> 01:47:41.199
<v Speaker 6>So it's like, that's also the beast. That's why it's

2170
01:47:41.239 --> 01:47:42.840
<v Speaker 6>a noble animal, but it's.

2171
01:47:42.800 --> 01:47:45.880
<v Speaker 2>Also a beast and also the son.

2172
01:47:46.119 --> 01:47:48.640
<v Speaker 1>It is the son doing the journey for the father

2173
01:47:48.840 --> 01:47:51.479
<v Speaker 1>because he takes his place and kicks him out of

2174
01:47:51.600 --> 01:47:55.319
<v Speaker 1>his place where he should be because he's the one

2175
01:47:55.399 --> 01:47:59.079
<v Speaker 1>that gets hit by the car. So therefore, once again, can.

2176
01:47:59.000 --> 01:48:03.640
<v Speaker 8>We just say the fact that George McFly was a

2177
01:48:03.760 --> 01:48:05.039
<v Speaker 8>peeping creep in.

2178
01:48:05.119 --> 01:48:13.279
<v Speaker 2>To weird, so weird, I have a sexual sext magic. Again,

2179
01:48:13.439 --> 01:48:14.119
<v Speaker 2>you're getting.

2180
01:48:15.520 --> 01:48:19.399
<v Speaker 4>That's all that gets super creepy, really circumcidering all those aspects.

2181
01:48:19.439 --> 01:48:20.359
<v Speaker 2>It is dark.

2182
01:48:20.920 --> 01:48:24.239
<v Speaker 3>So you're saying there's some sex magic aspects numerology of that,

2183
01:48:25.159 --> 01:48:25.560
<v Speaker 3>there's some.

2184
01:48:26.800 --> 01:48:29.560
<v Speaker 2>Like actual like outward ones at the end too.

2185
01:48:29.720 --> 01:48:32.920
<v Speaker 1>And with George McFly, I I dare say when we

2186
01:48:33.000 --> 01:48:34.880
<v Speaker 1>get to him, it'll make a lot more sense. I'm

2187
01:48:34.920 --> 01:48:36.760
<v Speaker 1>gonna hold onto it so I don't mess you guys

2188
01:48:36.840 --> 01:48:38.119
<v Speaker 1>up because we're going to play the clip.

2189
01:48:38.199 --> 01:48:40.399
<v Speaker 6>And I don't know if Nick said this, but maybe

2190
01:48:40.479 --> 01:48:41.479
<v Speaker 6>he is the fool.

2191
01:48:43.279 --> 01:48:44.720
<v Speaker 4>We're gonna have to take a moment on that clip

2192
01:48:44.760 --> 01:48:46.479
<v Speaker 4>because I couldn't quite download, but I didn't forward.

2193
01:48:47.760 --> 01:48:50.720
<v Speaker 3>He can handle it. My connections to the moment and

2194
01:48:50.760 --> 01:48:51.640
<v Speaker 3>the file was too big.

2195
01:48:53.279 --> 01:48:54.079
<v Speaker 8>Can I text?

2196
01:48:55.680 --> 01:48:56.439
<v Speaker 5>I got it right now?

2197
01:48:57.399 --> 01:48:59.920
<v Speaker 8>Oh perfect? If you can, if you'll, if you're able

2198
01:48:59.920 --> 01:49:05.520
<v Speaker 8>to a play, that would be super helpful. It wouldn't

2199
01:49:05.640 --> 01:49:08.239
<v Speaker 8>it wouldn't. Let me share it all on my end.

2200
01:49:09.319 --> 01:49:12.520
<v Speaker 1>I can say one thing, why we're going and talking

2201
01:49:12.560 --> 01:49:16.840
<v Speaker 1>about this about George. If you guys want so, I truly.

2202
01:49:16.760 --> 01:49:19.560
<v Speaker 3>Believe done with everything von Braun here is ever telling me?

2203
01:49:20.479 --> 01:49:22.279
<v Speaker 2>Well, yeah, yeah, I.

2204
01:49:22.359 --> 01:49:26.359
<v Speaker 6>Think okay, the whole thing, that's just the whole the

2205
01:49:26.439 --> 01:49:29.760
<v Speaker 6>whole film is you can consider like a von Braun Parson.

2206
01:49:31.079 --> 01:49:32.960
<v Speaker 3>Yeah, I think so, yeah, I think so.

2207
01:49:33.720 --> 01:49:36.439
<v Speaker 6>Even this image that you pulled up, it's call a

2208
01:49:36.560 --> 01:49:39.880
<v Speaker 6>sick exactly like what Nick said, Most people don't pick

2209
01:49:39.960 --> 01:49:42.760
<v Speaker 6>up the purple density I've been on. Most people don't.

2210
01:49:42.840 --> 01:49:45.880
<v Speaker 6>They'll associate black like deep black, but there's actually a

2211
01:49:45.960 --> 01:49:47.720
<v Speaker 6>flashing blue and a purple there.

2212
01:49:48.439 --> 01:49:51.479
<v Speaker 5>Purple purple is basically saturn.

2213
01:49:52.800 --> 01:49:55.760
<v Speaker 6>That's right, that's a right when nix that, like, that's

2214
01:49:55.840 --> 01:49:58.680
<v Speaker 6>like that's more deep knowledge, Like most people wouldn't say that,

2215
01:49:58.880 --> 01:50:02.479
<v Speaker 6>they would say black whatever. So that's what I mean

2216
01:50:02.720 --> 01:50:06.119
<v Speaker 6>going like a little more. You'd have to have a

2217
01:50:06.159 --> 01:50:11.319
<v Speaker 6>little more magic knowledge maybe to like pick that specific

2218
01:50:11.439 --> 01:50:14.159
<v Speaker 6>thing rather than just pick Like if you're picking from

2219
01:50:14.199 --> 01:50:16.199
<v Speaker 6>a book, you're going to pick black because that's what

2220
01:50:16.279 --> 01:50:19.319
<v Speaker 6>the books would tell you. But if you're picking from experience,

2221
01:50:19.880 --> 01:50:24.359
<v Speaker 6>you'd pick purple with the flashing gold and the lightning

2222
01:50:24.439 --> 01:50:26.439
<v Speaker 6>in between, because that's like the luminosity.

2223
01:50:27.279 --> 01:50:30.840
<v Speaker 8>Do you think that it's significant The mayor's name is

2224
01:50:31.119 --> 01:50:39.119
<v Speaker 8>Goldie whatever whatever, Goldie Wilson Wilson, Yeah, Goldie Wilson. Like

2225
01:50:39.319 --> 01:50:42.840
<v Speaker 8>because you mentioned the J. C. Penny and like the

2226
01:50:43.000 --> 01:50:46.439
<v Speaker 8>other stuff and then like the mayor's name is Goldie.

2227
01:50:47.880 --> 01:50:48.640
<v Speaker 2>That's interesting.

2228
01:50:48.840 --> 01:50:53.159
<v Speaker 8>Could be also inspired by Marty because Marty says, oh,

2229
01:50:53.239 --> 01:50:56.720
<v Speaker 8>you should run for mayor, So it's like he impacted

2230
01:50:56.840 --> 01:50:58.039
<v Speaker 8>that outcome as well.

2231
01:50:59.479 --> 01:51:02.319
<v Speaker 4>His he had a very tost Gump experience. You know

2232
01:51:02.960 --> 01:51:05.560
<v Speaker 4>before zamkas Is Forest Gump. I mean, Marty McFly did

2233
01:51:05.600 --> 01:51:12.680
<v Speaker 4>a lot lot of fun. Yeah, we're saying, Jen apologize,

2234
01:51:12.720 --> 01:51:13.239
<v Speaker 4>I stepped on it.

2235
01:51:13.479 --> 01:51:15.239
<v Speaker 6>Oh no, no, that's okay. I just think that that

2236
01:51:15.680 --> 01:51:18.960
<v Speaker 6>was a really interesting point Julia made, like about the mayor,

2237
01:51:19.039 --> 01:51:21.199
<v Speaker 6>and then Nick said, like a bunch of amazing points

2238
01:51:21.199 --> 01:51:24.920
<v Speaker 6>about the mayor's name, like the double keys. That's very

2239
01:51:25.000 --> 01:51:27.479
<v Speaker 6>Saint Peter, Like we're talking about a braxis. Part of

2240
01:51:27.560 --> 01:51:31.000
<v Speaker 6>his sigil is a key. Saint Peter holds the double keys,

2241
01:51:31.079 --> 01:51:33.199
<v Speaker 6>but there was actually more than two keys to get

2242
01:51:33.239 --> 01:51:35.399
<v Speaker 6>into the gate of habit in a more esoteric greeting.

2243
01:51:36.079 --> 01:51:39.960
<v Speaker 6>So that's really interesting, right, And so yeah, maybe he's

2244
01:51:40.039 --> 01:51:42.840
<v Speaker 6>like the he's the grand master of the town. He's

2245
01:51:42.880 --> 01:51:45.840
<v Speaker 6>like the grand master mason of their little lodge in

2246
01:51:45.920 --> 01:51:48.880
<v Speaker 6>the middle of wherever they are. So that's what I

2247
01:51:48.920 --> 01:51:51.720
<v Speaker 6>would see him as. He's the tifferatic in nature. He's

2248
01:51:51.760 --> 01:51:54.760
<v Speaker 6>a thirty three even has like his one of his

2249
01:51:54.880 --> 01:51:57.520
<v Speaker 6>billboards had magic numbers. I don't remember what it was.

2250
01:51:57.600 --> 01:52:01.239
<v Speaker 6>I'm sure Nick wrote it in his notes, but I

2251
01:52:01.439 --> 01:52:04.000
<v Speaker 6>just I that's like immediately what I thought, Like Goldie

2252
01:52:04.039 --> 01:52:08.199
<v Speaker 6>Wilson tifferatic, like, Okay, he's going to be the boss,

2253
01:52:08.359 --> 01:52:10.680
<v Speaker 6>but he was projected outwards so that it was like

2254
01:52:10.720 --> 01:52:13.239
<v Speaker 6>a very I consider this film like very plus ultra,

2255
01:52:13.359 --> 01:52:16.560
<v Speaker 6>like it's very like magicians wrote it. Magicians kind of

2256
01:52:16.600 --> 01:52:22.279
<v Speaker 6>inserted their little you know, little like little tricks and

2257
01:52:22.439 --> 01:52:24.960
<v Speaker 6>interesting little points to the East Eggs as I do

2258
01:52:25.000 --> 01:52:26.720
<v Speaker 6>you call them. That's a perfect way to describe it.

2259
01:52:27.239 --> 01:52:30.159
<v Speaker 6>So they inserted it in and they're like, oh, how deep?

2260
01:52:30.279 --> 01:52:33.880
<v Speaker 6>How many layers can you go? Because interestingly, this is

2261
01:52:33.960 --> 01:52:38.359
<v Speaker 6>considered a perfect film, like there's no technical errors. The

2262
01:52:38.600 --> 01:52:43.000
<v Speaker 6>editing is considered like really really good, right, So it's

2263
01:52:43.039 --> 01:52:47.800
<v Speaker 6>a perfect Herman nutic to carry the magicians East Eggs

2264
01:52:48.079 --> 01:52:53.640
<v Speaker 6>Seeds forward into the future, because what travels through space

2265
01:52:53.720 --> 01:52:56.600
<v Speaker 6>and time but flashing light and moving images?

2266
01:52:59.640 --> 01:53:01.840
<v Speaker 4>Yeah, for sure, I got I finally got your video

2267
01:53:02.439 --> 01:53:04.359
<v Speaker 4>cueued up here, Julia. I was able to finally download

2268
01:53:04.399 --> 01:53:05.840
<v Speaker 4>it here. My connection got better.

2269
01:53:06.119 --> 01:53:08.600
<v Speaker 5>But I just coarting it. I couldn't get it.

2270
01:53:12.520 --> 01:53:13.000
<v Speaker 3>No, I don't.

2271
01:53:13.000 --> 01:53:14.319
<v Speaker 2>I couldn't get I got not have to share it

2272
01:53:14.359 --> 01:53:15.239
<v Speaker 2>from a different app.

2273
01:53:15.359 --> 01:53:18.600
<v Speaker 4>But do we have any more commentary here on some

2274
01:53:18.720 --> 01:53:21.880
<v Speaker 4>of the this George mc flaud Before we jump into that.

2275
01:53:22.079 --> 01:53:23.000
<v Speaker 2>Oh George.

2276
01:53:23.119 --> 01:53:25.239
<v Speaker 1>Yeah, I have lots on George, but I can wait

2277
01:53:25.359 --> 01:53:29.239
<v Speaker 1>until you know it's we got them up right now. Okay,

2278
01:53:29.960 --> 01:53:33.479
<v Speaker 1>I just think that George, there's a couple of things

2279
01:53:33.520 --> 01:53:36.960
<v Speaker 1>that were Easter eggs that I found, and that's that.

2280
01:53:37.119 --> 01:53:40.479
<v Speaker 1>He he mentioned that he was a left handed person,

2281
01:53:40.840 --> 01:53:44.640
<v Speaker 1>but he's writing right handed for some most of it.

2282
01:53:44.720 --> 01:53:46.600
<v Speaker 1>And they used to push this on people because it

2283
01:53:46.760 --> 01:53:50.359
<v Speaker 1>was very seen as negative. And I dare say this

2284
01:53:50.520 --> 01:53:54.239
<v Speaker 1>whole thing is about how George's life is going to

2285
01:53:54.279 --> 01:53:57.880
<v Speaker 1>be changed if he continues on right hand path or

2286
01:53:57.960 --> 01:54:00.399
<v Speaker 1>the left hand path right, and they're forcing him to

2287
01:54:00.520 --> 01:54:02.720
<v Speaker 1>be on the right hand path, but we don't really.

2288
01:54:02.640 --> 01:54:05.399
<v Speaker 2>Know if that's what he would decide.

2289
01:54:06.159 --> 01:54:11.560
<v Speaker 1>And so we also have his name means earthworker or farmer,

2290
01:54:11.720 --> 01:54:14.960
<v Speaker 1>and or it means works with the dirt, which we

2291
01:54:15.079 --> 01:54:17.880
<v Speaker 1>get back to Adam. Adam means ready we get into

2292
01:54:17.960 --> 01:54:22.439
<v Speaker 1>the whole Adam, you know Mason type stuff there when

2293
01:54:22.479 --> 01:54:27.359
<v Speaker 1>we're talking about creation. So where George is concerned, I

2294
01:54:27.479 --> 01:54:31.239
<v Speaker 1>think it's pretty interesting that eventually, when he's had enough

2295
01:54:31.319 --> 01:54:36.600
<v Speaker 1>of enough and he punches the guy, he does it

2296
01:54:36.800 --> 01:54:40.960
<v Speaker 1>with his left hand, even though he's been using his

2297
01:54:41.199 --> 01:54:42.039
<v Speaker 1>right hand.

2298
01:54:42.239 --> 01:54:47.760
<v Speaker 2>The whole time, and so it's yeah, and then what

2299
01:54:47.960 --> 01:54:49.359
<v Speaker 2>happens is he goes home.

2300
01:54:49.680 --> 01:54:53.439
<v Speaker 1>And also we have to remember the lightning path is

2301
01:54:53.680 --> 01:54:56.079
<v Speaker 1>a direct ascension and it's fast and it works, but

2302
01:54:56.199 --> 01:55:00.640
<v Speaker 1>also it's not always the best way. It's very magical.

2303
01:55:00.680 --> 01:55:04.920
<v Speaker 1>It's very left hand path to choose lightning, and you

2304
01:55:05.079 --> 01:55:07.840
<v Speaker 1>go back and his life is completely not hard anymore.

2305
01:55:08.319 --> 01:55:11.640
<v Speaker 1>He's got all the comforts which would be very Luciferian,

2306
01:55:11.800 --> 01:55:15.479
<v Speaker 1>very left hand pathy, like, okay, you know, it's much

2307
01:55:15.520 --> 01:55:18.479
<v Speaker 1>better now. Now he's bossing people around. Now he's the

2308
01:55:18.600 --> 01:55:22.920
<v Speaker 1>boss of his own universe, and he's chosen that one

2309
01:55:23.119 --> 01:55:26.479
<v Speaker 1>thing changed everything for George, that punch.

2310
01:55:26.520 --> 01:55:30.319
<v Speaker 3>Sure, so I can go on left handed path.

2311
01:55:30.399 --> 01:55:32.720
<v Speaker 2>Hum, that's how I felt about it.

2312
01:55:34.560 --> 01:55:38.359
<v Speaker 6>Interesting, that was an incredible point. I have to say, like, honestly,

2313
01:55:38.479 --> 01:55:41.319
<v Speaker 6>I didn't touch on it all, but it's like sounds

2314
01:55:41.359 --> 01:55:44.079
<v Speaker 6>so obvious when Heidi's singing, and I'm like, oh fuck,

2315
01:55:44.159 --> 01:55:46.199
<v Speaker 6>why did I Why did I.

2316
01:55:46.279 --> 01:55:49.279
<v Speaker 2>Had help with the punch? But the thoughts were mine

2317
01:55:49.319 --> 01:55:49.800
<v Speaker 2>on the rest.

2318
01:55:51.239 --> 01:55:52.920
<v Speaker 4>I think the folks of the chat and the interwews

2319
01:55:52.960 --> 01:55:54.680
<v Speaker 4>you agree with you. How that's an excellent point.

2320
01:55:55.600 --> 01:55:58.800
<v Speaker 2>Thank you, thank you. I think that that's all, you know.

2321
01:55:58.960 --> 01:56:01.920
<v Speaker 1>And so when we think about Marty, why is he

2322
01:56:02.079 --> 01:56:05.760
<v Speaker 1>the one going through this path right because he took

2323
01:56:05.840 --> 01:56:09.239
<v Speaker 1>the Dad's place. We're back to isis what happens with

2324
01:56:09.439 --> 01:56:13.239
<v Speaker 1>Horace is the son is the father, and the father

2325
01:56:13.439 --> 01:56:13.800
<v Speaker 1>is the son.

2326
01:56:13.880 --> 01:56:15.840
<v Speaker 2>The son is the recreation of the father.

2327
01:56:16.039 --> 01:56:18.760
<v Speaker 1>So he takes over the journey to fix it for

2328
01:56:19.000 --> 01:56:21.479
<v Speaker 1>him because he's too much of a goofball really to

2329
01:56:21.560 --> 01:56:24.039
<v Speaker 1>do this right, Like he's just not doing it correctly.

2330
01:56:24.399 --> 01:56:26.520
<v Speaker 2>So the son is fixing it all the way.

2331
01:56:26.920 --> 01:56:29.560
<v Speaker 1>And then he ultimately gets the choice with the hit

2332
01:56:30.279 --> 01:56:33.880
<v Speaker 1>and he chooses which way he goes there, and then

2333
01:56:33.960 --> 01:56:35.960
<v Speaker 1>his whole life is completely changed after that.

2334
01:56:36.960 --> 01:56:41.239
<v Speaker 6>So that's fascinating when to look at that, and he's

2335
01:56:41.319 --> 01:56:44.560
<v Speaker 6>able to reconcile sort of the changes in his life.

2336
01:56:44.720 --> 01:56:48.239
<v Speaker 6>So he's like the true hermetic character of the movie.

2337
01:56:49.159 --> 01:56:52.000
<v Speaker 1>Yes, and they're one and the same because you know,

2338
01:56:52.319 --> 01:56:54.479
<v Speaker 1>the son is the father for a brief time until

2339
01:56:54.560 --> 01:56:59.600
<v Speaker 1>he returns to reality, which is why it's not reality

2340
01:56:59.720 --> 01:57:02.800
<v Speaker 1>because because it's you know, he's fixing past.

2341
01:57:03.159 --> 01:57:06.680
<v Speaker 4>So what's the show on what's the show on the

2342
01:57:06.720 --> 01:57:09.119
<v Speaker 4>background here? It's a good question from Dolan Ferguson. It's

2343
01:57:09.399 --> 01:57:11.800
<v Speaker 4>it's Ralph Cramton, right and the honeymooner's right.

2344
01:57:12.479 --> 01:57:12.640
<v Speaker 1>Is it?

2345
01:57:12.920 --> 01:57:13.760
<v Speaker 2>I can't e would tell.

2346
01:57:15.239 --> 01:57:17.399
<v Speaker 3>Doesn't Ralph always want to send his wife to the moon?

2347
01:57:17.800 --> 01:57:18.000
<v Speaker 5>Yeah?

2348
01:57:18.920 --> 01:57:21.239
<v Speaker 2>Oh I think so. Yeah, Yeah, he's.

2349
01:57:21.159 --> 01:57:23.239
<v Speaker 3>Always send his wife to the moon. I mean it's

2350
01:57:23.239 --> 01:57:25.640
<v Speaker 3>a little domestic violence, but I mean he's always trying

2351
01:57:25.640 --> 01:57:30.520
<v Speaker 3>to send his wife to the moon by hitting her, right.

2352
01:57:32.159 --> 01:57:35.479
<v Speaker 6>Heid he said a really great plan about how like, yeah,

2353
01:57:35.560 --> 01:57:38.319
<v Speaker 6>he's recifying the past. She didn't use that exact phrase,

2354
01:57:38.399 --> 01:57:40.399
<v Speaker 6>but it does exactly what she I mean, we're all

2355
01:57:40.439 --> 01:57:42.479
<v Speaker 6>speaking the same language, that's what she's talking about. You

2356
01:57:43.159 --> 01:57:46.680
<v Speaker 6>bring both hands into synthesis. You're fixing the sins of

2357
01:57:46.760 --> 01:57:50.119
<v Speaker 6>the father. Yes, it is in the dream of the magician,

2358
01:57:50.279 --> 01:57:53.239
<v Speaker 6>dream of the you know, person traveling. We're saying Marty,

2359
01:57:53.560 --> 01:57:56.479
<v Speaker 6>So it's like in his dream. But for the even

2360
01:57:56.560 --> 01:57:59.479
<v Speaker 6>in that dream, he is the he is those people.

2361
01:58:00.079 --> 01:58:01.960
<v Speaker 6>That's starchromatically correct. That sounds weird.

2362
01:58:02.479 --> 01:58:05.760
<v Speaker 4>I'm sorry, No, that's a good No, I'm appreciate. That's

2363
01:58:05.760 --> 01:58:07.600
<v Speaker 4>a good point there. I just want to one cavet

2364
01:58:07.640 --> 01:58:08.039
<v Speaker 4>on the show.

2365
01:58:08.119 --> 01:58:08.840
<v Speaker 2>So that was the show.

2366
01:58:09.279 --> 01:58:11.159
<v Speaker 4>Later when he goes back in nineteen fifty five, the

2367
01:58:11.239 --> 01:58:13.600
<v Speaker 4>one there with George McFly. We see in the background

2368
01:58:13.680 --> 01:58:17.760
<v Speaker 4>him watching nineteen eighty five is Science Fiction Theater, which

2369
01:58:17.840 --> 01:58:19.800
<v Speaker 4>was a show from nineteen fifty five. It was his

2370
01:58:19.840 --> 01:58:22.279
<v Speaker 4>favorite show apparently as a child or whatever they're you know,

2371
01:58:22.399 --> 01:58:24.359
<v Speaker 4>as a teenager. So it's a little you know, it's

2372
01:58:24.359 --> 01:58:26.520
<v Speaker 4>a little interesting, right, little the show in the background

2373
01:58:26.640 --> 01:58:28.039
<v Speaker 4>is Science Fiction Theater.

2374
01:58:28.119 --> 01:58:30.840
<v Speaker 3>And then again they're doing some you know that more

2375
01:58:30.840 --> 01:58:31.880
<v Speaker 3>space stuff, right, more.

2376
01:58:31.800 --> 01:58:35.039
<v Speaker 6>Space space yep, not that more many though.

2377
01:58:35.840 --> 01:58:40.079
<v Speaker 1>No, Masony Mason's and a cold tea today.

2378
01:58:43.439 --> 01:58:46.359
<v Speaker 4>So do we have anything else here on mister McFly

2379
01:58:47.000 --> 01:58:48.399
<v Speaker 4>and before we kind of go over some of the

2380
01:58:48.560 --> 01:58:51.520
<v Speaker 4>esoteric aspects and the cold aspects of the journey that

2381
01:58:52.079 --> 01:58:52.720
<v Speaker 4>they go on here.

2382
01:58:53.960 --> 01:58:56.640
<v Speaker 1>No, But I have a funny little piece because you know,

2383
01:58:56.720 --> 01:58:59.199
<v Speaker 1>I love JFK so much when he goes back to

2384
01:58:59.279 --> 01:59:02.159
<v Speaker 1>the Ronald reg thing, he and he blows Doc's mind

2385
01:59:02.199 --> 01:59:04.479
<v Speaker 1>and he's like, well, who's the president then? And he's

2386
01:59:04.560 --> 01:59:08.319
<v Speaker 1>like Ronald Reagan and he and he says, why you

2387
01:59:08.680 --> 01:59:10.640
<v Speaker 1>have got an actor? Like does he need to look

2388
01:59:10.680 --> 01:59:13.600
<v Speaker 1>good on TV? That's a hat tip to JFK because

2389
01:59:13.680 --> 01:59:17.239
<v Speaker 1>JFK once time got on a speech. Yeah, and he

2390
01:59:17.439 --> 01:59:19.479
<v Speaker 1>was like, I'm just gonna win because I look good.

2391
01:59:20.680 --> 01:59:22.800
<v Speaker 4>That's interesting because I have that clip right here, Roddy

2392
01:59:23.159 --> 01:59:24.520
<v Speaker 4>doc you gotta believe.

2393
01:59:24.279 --> 01:59:29.239
<v Speaker 5>Me, then tell me scuture boy, who's President of the

2394
01:59:29.359 --> 01:59:32.920
<v Speaker 5>United States in nineteen eighty five, Ronald Reagan.

2395
01:59:33.279 --> 01:59:38.840
<v Speaker 11>Ronald Reagan the actor's doc you gotta believe me, then

2396
01:59:39.000 --> 01:59:39.279
<v Speaker 11>tell me.

2397
01:59:40.600 --> 01:59:41.159
<v Speaker 2>I think that all.

2398
01:59:41.319 --> 01:59:43.720
<v Speaker 4>I think that also ties into the Donald Trump aspects

2399
01:59:43.760 --> 01:59:46.000
<v Speaker 4>that we see that introduced back to the future too,

2400
01:59:46.159 --> 01:59:48.319
<v Speaker 4>and kind of that kind of predictive nature as I

2401
01:59:48.359 --> 01:59:50.319
<v Speaker 4>was referring to, of where do these ideas come from?

2402
01:59:50.439 --> 01:59:53.520
<v Speaker 4>But that is an interesting aspect of JFK toospective.

2403
01:59:53.640 --> 01:59:57.680
<v Speaker 8>Did you notice when Marty gets to nineteen fifty five

2404
01:59:58.439 --> 02:00:01.039
<v Speaker 8>and he's walking through Towns school where the movie that's

2405
02:00:01.119 --> 02:00:04.640
<v Speaker 8>on it the movies is a Ronald Reagan No shit,

2406
02:00:05.640 --> 02:00:06.560
<v Speaker 8>well I know what one it.

2407
02:00:06.640 --> 02:00:09.119
<v Speaker 5>Is when they get yeah, yeah, yeah, it's up on

2408
02:00:09.239 --> 02:00:11.880
<v Speaker 5>the Yeah. The first thing, Yeah, what what you just said?

2409
02:00:12.600 --> 02:00:12.760
<v Speaker 1>Up on?

2410
02:00:12.800 --> 02:00:15.560
<v Speaker 8>The movie zooms in on it. Yeah, it says Ronald

2411
02:00:15.600 --> 02:00:16.920
<v Speaker 8>Reagan and it has.

2412
02:00:18.359 --> 02:00:18.920
<v Speaker 5>That's awesome.

2413
02:00:20.000 --> 02:00:22.800
<v Speaker 6>It's a meta movie. Before the meta movie, I never

2414
02:00:22.920 --> 02:00:25.279
<v Speaker 6>really thought about it like that because this never really

2415
02:00:25.319 --> 02:00:27.600
<v Speaker 6>gets considered to be like a meta film. The first

2416
02:00:27.960 --> 02:00:30.479
<v Speaker 6>meta film was Thesis, which is a Spanish film from

2417
02:00:30.920 --> 02:00:33.880
<v Speaker 6>like nineteen ninety five. So we're talking about like pretty

2418
02:00:34.039 --> 02:00:38.159
<v Speaker 6>late like past this film. But this film really actually

2419
02:00:38.239 --> 02:00:41.239
<v Speaker 6>has it all. It's really telling you. It's like everything's

2420
02:00:41.439 --> 02:00:44.920
<v Speaker 6>not in a wink to the outside reality, to the

2421
02:00:44.960 --> 02:00:46.600
<v Speaker 6>outside world. So it's very interesting.

2422
02:00:48.399 --> 02:00:52.119
<v Speaker 4>Yeah, well, I totally agree, And uh, I think that's

2423
02:00:52.159 --> 02:00:54.479
<v Speaker 4>a good point. It's good jumping off point for the

2424
02:00:54.600 --> 02:00:56.279
<v Speaker 4>video that that Julian wants to share with this here,

2425
02:00:56.279 --> 02:00:58.840
<v Speaker 4>which I've I've kind of keyed it down here. It's

2426
02:00:58.840 --> 02:01:01.159
<v Speaker 4>the name of the video a Paul Julia, but I've

2427
02:01:01.199 --> 02:01:02.800
<v Speaker 4>kind of keyed it down to these aspects of what

2428
02:01:02.880 --> 02:01:05.399
<v Speaker 4>we're just talking about there and the twin pines, mall

2429
02:01:05.479 --> 02:01:07.079
<v Speaker 4>the nine to eleven predicted programming.

2430
02:01:07.399 --> 02:01:08.359
<v Speaker 3>I am familiar with this clip?

2431
02:01:08.479 --> 02:01:09.119
<v Speaker 2>Is is this true?

2432
02:01:09.159 --> 02:01:09.760
<v Speaker 3>Stream media?

2433
02:01:09.840 --> 02:01:09.960
<v Speaker 1>Is that?

2434
02:01:10.039 --> 02:01:10.399
<v Speaker 2>Who is that?

2435
02:01:10.399 --> 02:01:11.640
<v Speaker 3>Who originated this this clip?

2436
02:01:12.399 --> 02:01:15.640
<v Speaker 8>So Colby found it and he talked about it on

2437
02:01:15.840 --> 02:01:19.920
<v Speaker 8>his podcast, which is where this clip is from. If

2438
02:01:19.960 --> 02:01:21.920
<v Speaker 8>we can't play the whole thing, that's fine because I

2439
02:01:22.000 --> 02:01:25.880
<v Speaker 8>can sum it all up however much we watch. If

2440
02:01:25.920 --> 02:01:27.960
<v Speaker 8>we don't get the rest of it, I can sum

2441
02:01:28.039 --> 02:01:32.479
<v Speaker 8>it up. But the video that is in this clip

2442
02:01:32.600 --> 02:01:36.159
<v Speaker 8>is no longer available. It got removed. You can't find

2443
02:01:36.199 --> 02:01:40.479
<v Speaker 8>it on YouTube, you can't find it anywhere. So that's

2444
02:01:40.560 --> 02:01:43.880
<v Speaker 8>why I had to get the clip from his podcast episode,

2445
02:01:43.920 --> 02:01:46.600
<v Speaker 8>because you can't even go find the actual clip itself.

2446
02:01:46.760 --> 02:01:49.399
<v Speaker 8>So it's one of those things.

2447
02:01:51.920 --> 02:01:53.079
<v Speaker 3>I think I've seen a long time ago.

2448
02:01:53.079 --> 02:01:53.439
<v Speaker 2>I think it was.

2449
02:01:53.680 --> 02:01:54.640
<v Speaker 3>I didn't realize it had been.

2450
02:01:54.760 --> 02:01:57.199
<v Speaker 4>It had been memory hold with the way Houdini here

2451
02:01:57.239 --> 02:01:59.239
<v Speaker 4>because that, yeah, I think that was true stream media.

2452
02:01:59.079 --> 02:01:59.439
<v Speaker 3>That made that.

2453
02:02:00.439 --> 02:02:04.279
<v Speaker 8>Yeah, they've removed it from everywhere interesting.

2454
02:02:06.479 --> 02:02:09.279
<v Speaker 4>Yeah, No, I think there's some great points brought up

2455
02:02:09.279 --> 02:02:12.680
<v Speaker 4>in here with even additional layering of this whole you know,

2456
02:02:12.840 --> 02:02:16.520
<v Speaker 4>this whole nine to eleven twenty towers business, right, you

2457
02:02:16.600 --> 02:02:19.439
<v Speaker 4>know again, it's a I don't know if I don't

2458
02:02:19.439 --> 02:02:20.960
<v Speaker 4>know if that's the true stream media. The name, the

2459
02:02:21.760 --> 02:02:23.680
<v Speaker 4>name of that one, well, I don't remember all these names,

2460
02:02:23.720 --> 02:02:26.000
<v Speaker 4>too many names, but yeah, I have come across this clip.

2461
02:02:26.000 --> 02:02:27.680
<v Speaker 4>But it is interesting the would memory hole it there, right,

2462
02:02:27.720 --> 02:02:31.640
<v Speaker 4>because it's almost like it provides validity to the fact

2463
02:02:31.640 --> 02:02:33.199
<v Speaker 4>that there's something way way deeper.

2464
02:02:32.960 --> 02:02:33.439
<v Speaker 3>Going on here.

2465
02:02:33.520 --> 02:02:33.680
<v Speaker 2>Huh.

2466
02:02:34.199 --> 02:02:38.920
<v Speaker 4>Yeah, Yeah, do we have anything other commentary there before

2467
02:02:38.920 --> 02:02:41.159
<v Speaker 4>we start the clip. I think you were gonna say something.

2468
02:02:43.560 --> 02:02:47.159
<v Speaker 5>God, I think should already move with my notes. Uh, yeah,

2469
02:02:47.199 --> 02:02:49.039
<v Speaker 5>there was something I was gonna say about George mcflight,

2470
02:02:49.079 --> 02:02:50.119
<v Speaker 5>about the stuff that does.

2471
02:02:50.520 --> 02:02:50.720
<v Speaker 1>Yeah.

2472
02:02:53.359 --> 02:02:57.520
<v Speaker 5>Sorry, George mcflight again when you get I've already mentioned

2473
02:02:57.600 --> 02:03:01.079
<v Speaker 5>dragon in keys his name equals three keys and wood dragon,

2474
02:03:01.600 --> 02:03:08.960
<v Speaker 5>and George does equal magician, pineal, Rose and Saturnalia. Yeah,

2475
02:03:10.800 --> 02:03:16.239
<v Speaker 5>Lorraine his mother and his Lorraine his mother's name equals Kronos.

2476
02:03:17.560 --> 02:03:19.800
<v Speaker 4>And there's the what's you know, is there any reference

2477
02:03:19.800 --> 02:03:21.479
<v Speaker 4>to the cross of the Lorraine with the name with

2478
02:03:21.600 --> 02:03:22.960
<v Speaker 4>the use of the name Lorraine.

2479
02:03:23.800 --> 02:03:28.960
<v Speaker 6>Yeah, yeah, because if if to go with what Heidi

2480
02:03:29.319 --> 02:03:32.680
<v Speaker 6>had pointed out, like it's it can be also translated

2481
02:03:32.720 --> 02:03:35.720
<v Speaker 6>as the Queen. So Lorraine is also a region in France,

2482
02:03:36.279 --> 02:03:39.079
<v Speaker 6>so all of like people with that name that would

2483
02:03:39.119 --> 02:03:42.399
<v Speaker 6>have originated in that region of France. So yeah, it's

2484
02:03:42.439 --> 02:03:46.680
<v Speaker 6>like a very templar Rosicrucian, you know, very like it's

2485
02:03:46.720 --> 02:03:50.000
<v Speaker 6>a very magician's nod to something like wing Wain, Like

2486
02:03:50.199 --> 02:03:50.880
<v Speaker 6>look over here.

2487
02:03:53.319 --> 02:03:56.039
<v Speaker 1>Well, and to your point, Nick put to the pineal

2488
02:03:56.640 --> 02:03:59.680
<v Speaker 1>the twin pines, I mean, we've got pines, pine cones,

2489
02:04:00.359 --> 02:04:00.760
<v Speaker 1>I neil.

2490
02:04:01.079 --> 02:04:04.199
<v Speaker 5>Yeah, so that's all gonna be president.

2491
02:04:04.760 --> 02:04:04.920
<v Speaker 2>Yeah.

2492
02:04:07.039 --> 02:04:09.960
<v Speaker 3>Yeah, with the twin pines. That's very that's very much

2493
02:04:10.000 --> 02:04:11.520
<v Speaker 3>a nod of that. Huh, with the pine cones.

2494
02:04:12.720 --> 02:04:17.479
<v Speaker 8>I was gonna say that pine cone.

2495
02:04:19.079 --> 02:04:21.560
<v Speaker 4>All right, Well on that day, we'll we'll uh, we'll

2496
02:04:21.560 --> 02:04:31.800
<v Speaker 4>get started here on this journey on this video. Maybe

2497
02:04:33.840 --> 02:04:35.439
<v Speaker 4>I gotta get some sound going for us here.

2498
02:04:37.359 --> 02:04:37.560
<v Speaker 2>Yeah.

2499
02:04:43.079 --> 02:04:45.279
<v Speaker 8>Oh, I don't think the sound is coming true.

2500
02:04:49.399 --> 02:04:50.479
<v Speaker 3>Is the sound not coming through?

2501
02:04:52.800 --> 02:04:52.840
<v Speaker 1>No?

2502
02:04:53.199 --> 02:04:59.479
<v Speaker 2>Shoot, I was afraid of that. Well can you walk

2503
02:04:59.560 --> 02:05:03.439
<v Speaker 2>through it with your analysis? Why we watched the visual Julia?

2504
02:05:03.600 --> 02:05:06.119
<v Speaker 3>Yeah? Do you mind tell us what's going on here?

2505
02:05:09.640 --> 02:05:09.760
<v Speaker 5>Oh?

2506
02:05:09.960 --> 02:05:10.439
<v Speaker 2>She muted.

2507
02:05:11.119 --> 02:05:14.680
<v Speaker 8>Sorry, I can definitely do that. If you back it

2508
02:05:14.800 --> 02:05:17.520
<v Speaker 8>up to the beginning, we can speak through the whole

2509
02:05:17.640 --> 02:05:20.279
<v Speaker 8>eight minute thing in like two seconds, because I can

2510
02:05:20.560 --> 02:05:26.239
<v Speaker 8>break it down for you myself. But yeah, take it

2511
02:05:26.319 --> 02:05:28.960
<v Speaker 8>all the way back and I'll tell you when to

2512
02:05:29.960 --> 02:05:33.279
<v Speaker 8>fast forward it or whatever. So this guy is basically

2513
02:05:33.439 --> 02:05:38.239
<v Speaker 8>talking about how Back to the Future is predicting the

2514
02:05:38.439 --> 02:05:45.439
<v Speaker 8>nine to eleven terif attacks, and he starts with this

2515
02:05:45.640 --> 02:05:48.800
<v Speaker 8>letter because in the background here, if you can see us,

2516
02:05:48.920 --> 02:05:51.640
<v Speaker 8>he's writing this letter to Doc Brown, there's this there's

2517
02:05:51.680 --> 02:05:53.800
<v Speaker 8>a sign in the back with the big nine on it,

2518
02:05:54.920 --> 02:05:56.640
<v Speaker 8>and it's just that same intersection.

2519
02:05:56.319 --> 02:05:58.199
<v Speaker 3>With the was that an eight? Was that that eight?

2520
02:05:58.239 --> 02:06:00.680
<v Speaker 3>And three? The same one we saw the four next bloods.

2521
02:06:01.640 --> 02:06:03.079
<v Speaker 5>I thought I was the ship, putting the ship in

2522
02:06:03.159 --> 02:06:03.520
<v Speaker 5>my nose.

2523
02:06:04.960 --> 02:06:09.479
<v Speaker 8>Well, this right here he's saying like twin pines and

2524
02:06:10.159 --> 02:06:15.159
<v Speaker 8>actually the the terrorist attack with the twin pines, and

2525
02:06:15.520 --> 02:06:19.600
<v Speaker 8>if you flip the time upside down, it's nine to eleven.

2526
02:06:21.039 --> 02:06:26.039
<v Speaker 8>And so we got nine eleven at Twin Pines Mall

2527
02:06:27.399 --> 02:06:32.239
<v Speaker 8>with the terrorist attack, and then the pines are representing

2528
02:06:32.279 --> 02:06:35.960
<v Speaker 8>the towers whatever. And then at the end of the

2529
02:06:36.399 --> 02:06:42.520
<v Speaker 8>movie it's lone Pine representing the single what do they

2530
02:06:42.600 --> 02:06:45.560
<v Speaker 8>call it, the One World Tower.

2531
02:06:46.760 --> 02:06:50.439
<v Speaker 3>Whatever it is, Yeah, trade Center.

2532
02:06:51.239 --> 02:06:55.560
<v Speaker 8>And then again Doc Brown on his clock, he sends

2533
02:06:55.640 --> 02:07:00.199
<v Speaker 8>ay into the future at one nineteen. That's another nine

2534
02:07:00.239 --> 02:07:03.000
<v Speaker 8>to eleven. But in the second back to the future,

2535
02:07:03.199 --> 02:07:06.199
<v Speaker 8>they got the twin Pines on the TV and they

2536
02:07:06.359 --> 02:07:12.199
<v Speaker 8>changed the channel and it immediately becomes a visual of

2537
02:07:12.439 --> 02:07:17.560
<v Speaker 8>the twin Towers right there. Yeah, so it's like there

2538
02:07:19.159 --> 02:07:21.279
<v Speaker 8>tin pines just like in the first one. Then it

2539
02:07:21.359 --> 02:07:23.279
<v Speaker 8>goes to the twin towers. This is supposed to be

2540
02:07:23.359 --> 02:07:30.159
<v Speaker 8>in twenty fifteen, right into the future, and the he's

2541
02:07:30.199 --> 02:07:33.279
<v Speaker 8>shown the nine to eleven thing again, the terrorist.

2542
02:07:32.960 --> 02:07:34.840
<v Speaker 2>Attacks the Libyans.

2543
02:07:35.720 --> 02:07:39.039
<v Speaker 8>Uh huh, and he talks about how this guy right here,

2544
02:07:39.119 --> 02:07:42.960
<v Speaker 8>I think it's George McFly. He's hanging upside down right oh,

2545
02:07:43.119 --> 02:07:46.560
<v Speaker 8>in the Statue of Liberty Torch, which also is like

2546
02:07:46.640 --> 02:07:52.319
<v Speaker 8>the New York reference with the twin towers there. But uh,

2547
02:07:53.720 --> 02:07:56.000
<v Speaker 8>is it George McFly in the second one that's hanging

2548
02:07:56.119 --> 02:07:57.199
<v Speaker 8>upside down in this scene?

2549
02:07:57.239 --> 02:08:00.520
<v Speaker 3>I can't remember, or is it market it's George, but

2550
02:08:00.560 --> 02:08:01.520
<v Speaker 3>it's not Crispin Glover.

2551
02:08:01.680 --> 02:08:04.159
<v Speaker 2>It is George the character Georgeman flaw right.

2552
02:08:04.800 --> 02:08:08.479
<v Speaker 8>So if you look at it from his perspective, basically

2553
02:08:08.680 --> 02:08:12.600
<v Speaker 8>with him hanging upside down, he'll flip it and it'll

2554
02:08:12.720 --> 02:08:16.920
<v Speaker 8>show like this is a projection of the towers falling

2555
02:08:17.720 --> 02:08:19.479
<v Speaker 8>in back to the future too.

2556
02:08:22.399 --> 02:08:25.680
<v Speaker 3>But if you act Terio hangman, is that what you said?

2557
02:08:26.159 --> 02:08:27.439
<v Speaker 2>M h it's very.

2558
02:08:29.479 --> 02:08:31.680
<v Speaker 8>But if you speed it up just a little bit,

2559
02:08:32.000 --> 02:08:36.479
<v Speaker 8>because we already talked about this part, it's doing towers

2560
02:08:36.560 --> 02:08:39.600
<v Speaker 8>Da Da DA nine to eleven hanging upside down.

2561
02:08:39.840 --> 02:08:42.079
<v Speaker 5>We talked about all you know, the Libyans where the

2562
02:08:42.159 --> 02:08:46.760
<v Speaker 5>Pharaohs like military. I did not know that, yes, yeah, yeah,

2563
02:08:47.039 --> 02:08:49.119
<v Speaker 5>And and in this uh, this bit, I just all

2564
02:08:49.239 --> 02:08:51.399
<v Speaker 5>since you know, waiting for it fast forward, they do

2565
02:08:51.680 --> 02:08:54.119
<v Speaker 5>they do, they do specify it's in AK forty seven

2566
02:08:54.199 --> 02:08:57.039
<v Speaker 5>and they said damn Russian guns or some shit like that,

2567
02:08:57.800 --> 02:08:59.800
<v Speaker 5>because I do have tons of stuff from points to Russia.

2568
02:08:59.840 --> 02:09:02.720
<v Speaker 5>So I'm even trying to show that with this part too.

2569
02:09:04.399 --> 02:09:07.760
<v Speaker 8>So in this part he's talking about how it says

2570
02:09:08.039 --> 02:09:15.800
<v Speaker 8>tower strike on the newspaper, tower struck, like twin towers,

2571
02:09:15.960 --> 02:09:19.840
<v Speaker 8>tower struck, and how in this scene it cuts it off,

2572
02:09:19.920 --> 02:09:24.520
<v Speaker 8>but it goes nine eleven with the fire nine one one,

2573
02:09:25.840 --> 02:09:28.600
<v Speaker 8>and then in the background is the all seeing eye,

2574
02:09:30.119 --> 02:09:34.520
<v Speaker 8>that is that is looking at them. And so Robert Zemeckis,

2575
02:09:36.039 --> 02:09:38.199
<v Speaker 8>this is the date when they go back into the future, right,

2576
02:09:38.279 --> 02:09:44.960
<v Speaker 8>October twenty for twenty fifteen. So Robert Zemeckis would later

2577
02:09:45.119 --> 02:09:50.720
<v Speaker 8>go on to direct a film called The Wire October

2578
02:09:51.279 --> 02:09:55.720
<v Speaker 8>twenty first, twenty fifteen, about a guy stringing a wire

2579
02:09:56.560 --> 02:10:00.800
<v Speaker 8>between the twin towers and walking across it. So he's

2580
02:10:00.960 --> 02:10:05.319
<v Speaker 8>literally referencing the date of the movie he's going to

2581
02:10:05.399 --> 02:10:08.359
<v Speaker 8>make in twenty fifteen, So from nineteen eighty five Back

2582
02:10:08.399 --> 02:10:10.439
<v Speaker 8>to the Future twenty fifteen when he comes out with

2583
02:10:10.560 --> 02:10:13.359
<v Speaker 8>the Wire on the day that he put in Back

2584
02:10:13.399 --> 02:10:16.920
<v Speaker 8>to the Future, Too, is another movie about the World

2585
02:10:17.000 --> 02:10:18.760
<v Speaker 8>Trade Center, which.

2586
02:10:18.640 --> 02:10:21.199
<v Speaker 4>Is wild because they made a documentary when the dude

2587
02:10:21.239 --> 02:10:23.000
<v Speaker 4>did that at the time, in the late seventies, right

2588
02:10:23.039 --> 02:10:25.800
<v Speaker 4>after they built the trade centers, he made a documentary

2589
02:10:25.800 --> 02:10:28.199
<v Speaker 4>about it, I believe, right, And so like.

2590
02:10:28.359 --> 02:10:31.199
<v Speaker 8>In Back to the Future, they're like, what's with the wire?

2591
02:10:31.359 --> 02:10:34.000
<v Speaker 8>What's with the wire? Talking about the wire from the

2592
02:10:34.119 --> 02:10:38.359
<v Speaker 8>clock tower to the Dolorean, and then Roberts Mechis goes

2593
02:10:38.399 --> 02:10:41.439
<v Speaker 8>on to make a movie called The Wire about a

2594
02:10:41.520 --> 02:10:44.920
<v Speaker 8>guy string and a wire between the twin towers and

2595
02:10:45.039 --> 02:10:49.439
<v Speaker 8>walking across it right the Walk. Yeah, it's called And

2596
02:10:49.880 --> 02:10:54.720
<v Speaker 8>the craziest part about it is actually the way that

2597
02:10:54.960 --> 02:10:59.800
<v Speaker 8>he dresses the character in the Walk is the last

2598
02:11:00.119 --> 02:11:04.000
<v Speaker 8>outfit Marty McFly has on right here, it'll show it. Yeah,

2599
02:11:04.560 --> 02:11:07.640
<v Speaker 8>So Marty McFly has on the black leather jacket, the

2600
02:11:07.840 --> 02:11:10.560
<v Speaker 8>red shirt, and I don't know, I guess like some

2601
02:11:10.720 --> 02:11:15.479
<v Speaker 8>kind of blue jeans or something. Literally, that's the exact

2602
02:11:15.600 --> 02:11:19.199
<v Speaker 8>outfit that he puts on the guy in the Walk

2603
02:11:19.600 --> 02:11:20.159
<v Speaker 8>Twin Times.

2604
02:11:20.800 --> 02:11:23.239
<v Speaker 3>Gordon levitt Man, that's jg L. What are you talking about?

2605
02:11:23.640 --> 02:11:26.680
<v Speaker 8>I never I never really liked him after ten Things

2606
02:11:26.720 --> 02:11:27.399
<v Speaker 8>I Hate about You.

2607
02:11:28.359 --> 02:11:31.560
<v Speaker 4>He's definitely ancient alien cargo cult. You know, heard rock

2608
02:11:31.600 --> 02:11:33.920
<v Speaker 4>from Son he plays in the Batman films.

2609
02:11:34.880 --> 02:11:37.560
<v Speaker 8>But yeah, so, I mean, it's it's literally kind of

2610
02:11:37.720 --> 02:11:42.880
<v Speaker 8>like this weird Twin Towers pictive programming thing between the

2611
02:11:43.039 --> 02:11:45.399
<v Speaker 8>first two Back to the Future movies and then a

2612
02:11:45.520 --> 02:11:50.000
<v Speaker 8>movie he literally directed exactly thirty years later to the

2613
02:11:50.159 --> 02:11:53.199
<v Speaker 8>date and Back to the Future too. October twenty first,

2614
02:11:53.279 --> 02:11:57.000
<v Speaker 8>twenty fifteen, he releases another movie about the Twin Towers.

2615
02:11:58.000 --> 02:11:59.960
<v Speaker 2>So, I mean, it's just wild.

2616
02:12:00.119 --> 02:12:03.880
<v Speaker 8>You wonder how much of this is purposeful?

2617
02:12:04.720 --> 02:12:04.880
<v Speaker 1>You know?

2618
02:12:06.159 --> 02:12:08.000
<v Speaker 4>And it also kind of makes me wonder where does

2619
02:12:08.159 --> 02:12:10.119
<v Speaker 4>where does ideas come from? And how does time work?

2620
02:12:10.199 --> 02:12:12.560
<v Speaker 4>Because how does that get plan to do all those things?

2621
02:12:13.399 --> 02:12:15.800
<v Speaker 8>Like how did he know in nineteen eighty five to

2622
02:12:15.920 --> 02:12:19.239
<v Speaker 8>talk about October twenty first, twenty fifteen about a movie

2623
02:12:19.319 --> 02:12:21.279
<v Speaker 8>he hadn't even made yet, And.

2624
02:12:21.359 --> 02:12:23.279
<v Speaker 4>How does he know that some looney tune French fella

2625
02:12:23.359 --> 02:12:25.079
<v Speaker 4>is going to go to a trapeez act on top

2626
02:12:25.119 --> 02:12:26.680
<v Speaker 4>of the Twin Towers Back in seventy eight.

2627
02:12:26.720 --> 02:12:28.319
<v Speaker 3>You know what I mean, you can't plain these things.

2628
02:12:28.359 --> 02:12:35.039
<v Speaker 6>I feel like, well maybe he can. Maybe that's an interesting.

2629
02:12:34.720 --> 02:12:36.880
<v Speaker 3>Way to I'm open to it. I'm open to it.

2630
02:12:37.680 --> 02:12:41.960
<v Speaker 8>Maybe how that news he's got a doc brown of his.

2631
02:12:42.039 --> 02:12:45.119
<v Speaker 6>Own somewhere, right, Maybe that's what it is, because like

2632
02:12:45.199 --> 02:12:48.079
<v Speaker 6>one of the masteries of time is the knowledge of

2633
02:12:48.159 --> 02:12:53.640
<v Speaker 6>your own astrological chart, so that that's demarcations of time

2634
02:12:53.800 --> 02:12:58.359
<v Speaker 6>in space, right, like very practical demarcations of time and space.

2635
02:12:58.760 --> 02:13:02.000
<v Speaker 6>So someone but there's also the idea of the magician

2636
02:13:02.079 --> 02:13:04.760
<v Speaker 6>who's going to like plan in the future like every

2637
02:13:04.960 --> 02:13:08.880
<v Speaker 6>what we call chrono poetic where we put like the seed,

2638
02:13:11.119 --> 02:13:13.520
<v Speaker 6>like he plans the seed in the film, and then

2639
02:13:13.600 --> 02:13:16.399
<v Speaker 6>he's like, I'm going to see this work to completion

2640
02:13:16.960 --> 02:13:19.000
<v Speaker 6>because like I've never even heard of that movie with

2641
02:13:19.319 --> 02:13:21.600
<v Speaker 6>like Gordon love It or whatever his name is, Like

2642
02:13:21.680 --> 02:13:23.560
<v Speaker 6>I've never heard of it. I've never seen it, and

2643
02:13:23.640 --> 02:13:26.319
<v Speaker 6>I'm I like a lot of Kenos. So I'm not

2644
02:13:26.399 --> 02:13:28.000
<v Speaker 6>saying that I know all the films, so I'm just

2645
02:13:28.079 --> 02:13:32.199
<v Speaker 6>saying that it's like it seems very forgettable. So I'm

2646
02:13:32.319 --> 02:13:36.000
<v Speaker 6>saying that, yeah, maybe he manifested it, but like what

2647
02:13:36.319 --> 02:13:39.439
<v Speaker 6>was it's just like some film about the why, right,

2648
02:13:39.600 --> 02:13:41.880
<v Speaker 6>Like he can, he can do the great work, but

2649
02:13:42.119 --> 02:13:45.399
<v Speaker 6>what is he really like bringing forth into reality.

2650
02:13:45.760 --> 02:13:48.760
<v Speaker 1>When we're talking about von Braun in space and all

2651
02:13:48.840 --> 02:13:50.560
<v Speaker 1>that too, and time travel.

2652
02:13:50.720 --> 02:13:53.000
<v Speaker 2>I mean, I'm just saying, like that gets weird.

2653
02:13:53.119 --> 02:13:55.760
<v Speaker 4>I'm glad you said. I'm glad you said manifesting also

2654
02:13:55.840 --> 02:13:57.479
<v Speaker 4>on top of the von Braun stuff, which I think

2655
02:13:57.520 --> 02:13:59.239
<v Speaker 4>is just very fascinating. That is, you know that this

2656
02:13:59.319 --> 02:14:02.119
<v Speaker 4>is all invited with again the whole Parsons relationship, right,

2657
02:14:02.199 --> 02:14:05.720
<v Speaker 4>but with regard to the reality. And Simon went, not like,

2658
02:14:05.920 --> 02:14:07.880
<v Speaker 4>well where are these ideas coming from? You know, is

2659
02:14:07.880 --> 02:14:10.920
<v Speaker 4>somebody are they? Are they manifesting some of these ideas.

2660
02:14:10.680 --> 02:14:13.680
<v Speaker 3>Through some sort of you know, external sources communicating these

2661
02:14:13.760 --> 02:14:16.720
<v Speaker 3>soon you know, a plan or even the ideas generally

2662
02:14:18.119 --> 02:14:19.039
<v Speaker 3>through these rituals.

2663
02:14:19.319 --> 02:14:22.199
<v Speaker 6>The space stick right as we call it, the space

2664
02:14:22.239 --> 02:14:27.560
<v Speaker 6>stick right right, it's very like me and like exactly

2665
02:14:27.760 --> 02:14:30.039
<v Speaker 6>like what Heidi's been saying the whole time. It's like

2666
02:14:30.119 --> 02:14:33.359
<v Speaker 6>it's a sleeping God and he has to be erect

2667
02:14:33.680 --> 02:14:37.880
<v Speaker 6>to travel through space. So the rocket is like the

2668
02:14:38.079 --> 02:14:43.000
<v Speaker 6>perfect vehicle, very heck a lot right to travel through

2669
02:14:43.119 --> 02:14:47.079
<v Speaker 6>space and to penetrate your mother because the sepherer actually

2670
02:14:47.119 --> 02:14:50.680
<v Speaker 6>are feminine in quality. It's kind of an interesting way

2671
02:14:50.720 --> 02:14:53.800
<v Speaker 6>to think about it too. It's like exactly what Marty

2672
02:14:53.960 --> 02:14:56.600
<v Speaker 6>is doing in the whole film. It's like, is he

2673
02:14:56.800 --> 02:14:59.920
<v Speaker 6>going to because it comes pretty close. It's like gets

2674
02:15:00.319 --> 02:15:08.039
<v Speaker 6>very weird. Jen I liked on that one. So do

2675
02:15:08.159 --> 02:15:10.720
<v Speaker 6>we have any any notes here on this the odometer

2676
02:15:10.840 --> 02:15:12.359
<v Speaker 6>run there? Because it all seems to be rooted in

2677
02:15:12.359 --> 02:15:12.960
<v Speaker 6>the eights again?

2678
02:15:13.039 --> 02:15:17.159
<v Speaker 5>Huh oh yeah, yeah, yeah, oh you have it up

2679
02:15:17.199 --> 02:15:20.600
<v Speaker 5>on the screen. I'm sorry it was the notes, Yeah, yeah.

2680
02:15:20.640 --> 02:15:23.319
<v Speaker 5>I thought that was interesting, like when when they're uh

2681
02:15:23.399 --> 02:15:26.680
<v Speaker 5>because we were talking about like the male and the Libyans,

2682
02:15:27.520 --> 02:15:29.520
<v Speaker 5>it made me think about the odometer when he went

2683
02:15:29.640 --> 02:15:32.039
<v Speaker 5>to go jump and he you know, did you again

2684
02:15:32.079 --> 02:15:33.720
<v Speaker 5>you have the eight on there? You have thirty three

2685
02:15:33.800 --> 02:15:36.840
<v Speaker 5>oh six. I do find it interesting if you leave

2686
02:15:36.880 --> 02:15:41.640
<v Speaker 5>it up, though, it does change as he's driving somehow

2687
02:15:41.680 --> 02:15:45.439
<v Speaker 5>it goes backwards the bottom's ninth.

2688
02:15:45.479 --> 02:15:49.800
<v Speaker 3>Interesting and then what do you mean, well, the mileage

2689
02:15:49.840 --> 02:15:55.359
<v Speaker 3>goes backwards? Huh yeah, wow, is.

2690
02:15:55.359 --> 02:15:58.159
<v Speaker 5>That even at the time travel? I don't know, thirty

2691
02:15:58.199 --> 02:15:59.640
<v Speaker 5>three and then it goes back to thirty three oh

2692
02:15:59.760 --> 02:16:01.800
<v Speaker 5>six and you can see the two seven right there also,

2693
02:16:01.960 --> 02:16:03.039
<v Speaker 5>and then this is zero eight.

2694
02:16:04.760 --> 02:16:06.079
<v Speaker 2>Is this after or before?

2695
02:16:06.479 --> 02:16:08.880
<v Speaker 5>That's before he jumps. That's before he jumps.

2696
02:16:09.760 --> 02:16:12.319
<v Speaker 1>So he goes back, okay, and then he fixes everything.

2697
02:16:12.399 --> 02:16:15.840
<v Speaker 1>If you look backward on that, if you add the

2698
02:16:15.920 --> 02:16:21.880
<v Speaker 1>numbers on the on the other picture with the odometer,

2699
02:16:22.079 --> 02:16:26.520
<v Speaker 1>it goes back to a one on the bottom. Back

2700
02:16:26.560 --> 02:16:30.319
<v Speaker 1>to what I was saying on the completion. It's on

2701
02:16:30.439 --> 02:16:33.399
<v Speaker 1>the other a dometer on the changed one. When they

2702
02:16:33.440 --> 02:16:33.799
<v Speaker 1>fix it.

2703
02:16:37.200 --> 02:16:39.959
<v Speaker 5>When when he hits you know, when he crosses over,

2704
02:16:40.000 --> 02:16:41.399
<v Speaker 5>you remember how like he hits a scarecrow in that

2705
02:16:41.440 --> 02:16:46.600
<v Speaker 5>guy's property. Hey, yeah, yeah, scarecrow equals as scluppy as

2706
02:16:47.399 --> 02:16:52.040
<v Speaker 5>and Francis Bacon masonry. And the letters nine to eleven

2707
02:16:52.799 --> 02:16:55.440
<v Speaker 5>and April eighth and April eight is also the first

2708
02:16:55.520 --> 02:16:59.440
<v Speaker 5>writing of the book of the Law. The speed, the

2709
02:16:59.520 --> 02:17:02.559
<v Speaker 5>speed win hitting the scarecrow, you'll see on the screen

2710
02:17:02.799 --> 02:17:04.639
<v Speaker 5>is like, h if I let me see if I

2711
02:17:04.680 --> 02:17:05.200
<v Speaker 5>can move over.

2712
02:17:06.440 --> 02:17:07.799
<v Speaker 3>If you don't have that, bring it up.

2713
02:17:07.879 --> 02:17:11.799
<v Speaker 5>But right there he hits it at seventy seven. Seventy

2714
02:17:11.879 --> 02:17:17.680
<v Speaker 5>seven is Canduce's valley. Jester USSR silly.

2715
02:17:18.559 --> 02:17:21.360
<v Speaker 8>Damn Nick, I wouldn't expecting you.

2716
02:17:21.440 --> 02:17:22.600
<v Speaker 2>To hit me with that one.

2717
02:17:22.879 --> 02:17:27.280
<v Speaker 5>And then when he's leaving, you'll hear at some point

2718
02:17:27.319 --> 02:17:31.319
<v Speaker 5>in the movie, Doc says, uh, he was at mister

2719
02:17:31.360 --> 02:17:33.840
<v Speaker 5>Peabody's house. And Doc does say at some point he's like,

2720
02:17:34.159 --> 02:17:35.719
<v Speaker 5>the guy was supposed to be building a pine farm.

2721
02:17:35.840 --> 02:17:39.440
<v Speaker 5>I wonder why he never did. And as yes, and

2722
02:17:39.600 --> 02:17:43.719
<v Speaker 5>as he's leaving Peabody's yard, you hear him yell, you

2723
02:17:43.959 --> 02:17:45.079
<v Speaker 5>killed my pines.

2724
02:17:46.120 --> 02:17:46.680
<v Speaker 2>Well, there you go.

2725
02:17:46.719 --> 02:17:48.959
<v Speaker 5>That's why I never got built, because Marty ran it over.

2726
02:17:50.639 --> 02:17:53.239
<v Speaker 8>I think that's also why it goes from twin pines

2727
02:17:53.319 --> 02:17:57.479
<v Speaker 8>to lone Pine, because Marty runs over just the one

2728
02:17:57.799 --> 02:18:01.440
<v Speaker 8>and then there's only one left stand ding Well.

2729
02:18:01.479 --> 02:18:04.920
<v Speaker 1>And he also fixes his dad's life and then completes

2730
02:18:05.040 --> 02:18:08.159
<v Speaker 1>the wholeness of the whole thing, so it changes.

2731
02:18:07.879 --> 02:18:11.440
<v Speaker 4>To one like he was a loser and becomes a

2732
02:18:11.479 --> 02:18:14.159
<v Speaker 4>successful author who's kind of a winner there when he comes.

2733
02:18:13.959 --> 02:18:18.760
<v Speaker 3>Back right after all that, Yeah, yeah, I like, I like,

2734
02:18:18.879 --> 02:18:20.719
<v Speaker 3>I like you picked up on all the rotary signs.

2735
02:18:20.719 --> 02:18:22.120
<v Speaker 3>And this is when you go into a town. I

2736
02:18:22.200 --> 02:18:25.239
<v Speaker 3>always folks, you know, if you get to a town,

2737
02:18:25.280 --> 02:18:26.799
<v Speaker 3>you see all these signs. When you pull into a town,

2738
02:18:26.840 --> 02:18:30.200
<v Speaker 3>that's who runs that town and he runs Hill Valley, right,

2739
02:18:30.319 --> 02:18:33.239
<v Speaker 3>the Lions.

2740
02:18:33.319 --> 02:18:36.520
<v Speaker 8>I'm surprised that the Masons aren't on there because all

2741
02:18:36.600 --> 02:18:41.040
<v Speaker 8>of the town signs in Oklahoma have the Masons on them,

2742
02:18:41.760 --> 02:18:42.040
<v Speaker 8>is it not?

2743
02:18:43.799 --> 02:18:49.399
<v Speaker 2>Basically, yeah, they are the Lions Club and the Rotary Club.

2744
02:18:49.760 --> 02:18:53.639
<v Speaker 8>Yeah, I guess I was talking about right then, the

2745
02:18:53.760 --> 02:18:56.719
<v Speaker 8>old compass one the compass.

2746
02:18:56.799 --> 02:19:00.239
<v Speaker 6>What if what if the person to draft what Julius saying,

2747
02:19:00.319 --> 02:19:02.559
<v Speaker 6>what if the person making the film is a Mason?

2748
02:19:03.120 --> 02:19:05.840
<v Speaker 3>That's what I'm That's what I'm saying. That's that's that's

2749
02:19:05.879 --> 02:19:07.559
<v Speaker 3>the one, that's the will.

2750
02:19:07.840 --> 02:19:10.520
<v Speaker 6>They don't need to put the this, They don't need

2751
02:19:10.559 --> 02:19:13.159
<v Speaker 6>to put the sigil on the thing because they're wearing it.

2752
02:19:14.360 --> 02:19:16.840
<v Speaker 4>They also don't want to flag their own business necessarily

2753
02:19:16.879 --> 02:19:19.879
<v Speaker 4>too so symbolical, so overtly right, And it's kind of

2754
02:19:19.920 --> 02:19:22.159
<v Speaker 4>a to me, it almost seems like a nod, like, hey,

2755
02:19:22.239 --> 02:19:24.920
<v Speaker 4>the Masons aren't involved. They're trying to a trickster nod, right,

2756
02:19:24.959 --> 02:19:27.360
<v Speaker 4>because they're not including the sign on on the Hill

2757
02:19:27.440 --> 02:19:28.879
<v Speaker 4>Valley sign right, the symbol.

2758
02:19:30.200 --> 02:19:33.479
<v Speaker 5>And real quick I could actually connect all these to freemasonry.

2759
02:19:34.239 --> 02:19:34.760
<v Speaker 2>Well, there you go.

2760
02:19:35.760 --> 02:19:38.760
<v Speaker 5>Gustaf Laura ate it wrong. Was one of the Rotary

2761
02:19:38.840 --> 02:19:42.639
<v Speaker 5>Cubs for founders. He was a Mason. The National Range

2762
02:19:42.719 --> 02:19:45.360
<v Speaker 5>founder Oliver Kelly was a Mason and used those ties

2763
02:19:45.399 --> 02:19:48.920
<v Speaker 5>to recruit farmers after the Civil War. Daniel Carter Beard,

2764
02:19:49.000 --> 02:19:52.639
<v Speaker 5>boy Scout pioneer who helped launch Campfire Girls, was a

2765
02:19:52.840 --> 02:19:56.879
<v Speaker 5>Mason as well. The Grange borrowed in It's an explicit

2766
02:19:57.200 --> 02:20:01.600
<v Speaker 5>harvest degree system from Masonic Virtual Handbook. Future Farmers of

2767
02:20:01.680 --> 02:20:04.719
<v Speaker 5>America built its opening and closing ceremony on the scene

2768
02:20:05.239 --> 02:20:09.280
<v Speaker 5>Orfiso pole format used the Masonic lodges. The American Legion

2769
02:20:09.360 --> 02:20:13.079
<v Speaker 5>has a short initiatory right and nineteen nineties Fraternal survey

2770
02:20:13.200 --> 02:20:17.920
<v Speaker 5>noted some posts whose memberships were entirely Masonic. So like

2771
02:20:18.000 --> 02:20:21.559
<v Speaker 5>what that's getting at is, basically some American Legion places

2772
02:20:21.600 --> 02:20:26.399
<v Speaker 5>were only like Masons. Basically that were numbers. Many small

2773
02:20:26.719 --> 02:20:31.879
<v Speaker 5>Kawanas or Optimist clubs rent local Masonic holes to do things.

2774
02:20:33.559 --> 02:20:40.840
<v Speaker 5>The civic freemasonries nineteenth century stress on philanthropy and networking

2775
02:20:40.959 --> 02:20:44.799
<v Speaker 5>inspired the progressive era in the servicing clubs, which was

2776
02:20:44.879 --> 02:20:50.159
<v Speaker 5>the Kawanas, the Optimists, and the Rotary. The Kawanis International

2777
02:20:50.520 --> 02:20:56.239
<v Speaker 5>sometimes uses Masonic lodges. The Rotary International will sometimes use

2778
02:20:56.319 --> 02:20:58.959
<v Speaker 5>Masonic lodges, and one of the founders, Gus Lore, was

2779
02:20:59.000 --> 02:21:04.799
<v Speaker 5>a Mason and uh Nazi Germany. I mean the American

2780
02:21:04.879 --> 02:21:09.399
<v Speaker 5>Legion again also has initiatorial things for that, the Grange,

2781
02:21:10.079 --> 02:21:14.600
<v Speaker 5>the Agricultural Degree, the Optimist International will also rent out

2782
02:21:14.719 --> 02:21:17.559
<v Speaker 5>meson like places to do their things at. So they

2783
02:21:17.600 --> 02:21:21.360
<v Speaker 5>were all either like somehow one of the founders was involved,

2784
02:21:21.440 --> 02:21:24.120
<v Speaker 5>they're renting that space, or they're actually including some of

2785
02:21:24.200 --> 02:21:27.959
<v Speaker 5>their initiatory stuff into their crap, every single one of them.

2786
02:21:28.120 --> 02:21:30.840
<v Speaker 5>I didn't cover the j c's. I actually forgot that

2787
02:21:30.920 --> 02:21:31.399
<v Speaker 5>that was there.

2788
02:21:31.719 --> 02:21:35.280
<v Speaker 2>Yeah, but the j didn't cover this.

2789
02:21:35.520 --> 02:21:37.440
<v Speaker 5>I didn't throw the j c's in there. But I mean,

2790
02:21:37.879 --> 02:21:39.719
<v Speaker 5>that's who the fuck was in the j c's that

2791
02:21:39.799 --> 02:21:40.840
<v Speaker 5>killed count clown.

2792
02:21:40.639 --> 02:21:42.840
<v Speaker 8>Killer John Wayne Gacy.

2793
02:21:43.040 --> 02:21:46.520
<v Speaker 5>Yeah, yeah, the j Yeah, there's something weird with that.

2794
02:21:46.840 --> 02:21:48.600
<v Speaker 3>He was National jay C of the Year, wasn't he.

2795
02:21:48.600 --> 02:21:50.520
<v Speaker 3>That's why he got photographs with Roslynd Carter.

2796
02:21:50.600 --> 02:21:52.520
<v Speaker 2>I believe yes, he was.

2797
02:21:52.719 --> 02:21:57.399
<v Speaker 8>That was in Program to Kill. Actually, Dave McGowan wrote

2798
02:21:57.440 --> 02:22:01.799
<v Speaker 8>about that. There was common it was McGowan. There was

2799
02:22:01.840 --> 02:22:04.399
<v Speaker 8>a comment that popped up. I don't remember. I think

2800
02:22:04.559 --> 02:22:08.639
<v Speaker 8>the user name was oak Tree sixty nine.

2801
02:22:09.559 --> 02:22:11.280
<v Speaker 3>I fine, you must see this one right here.

2802
02:22:12.159 --> 02:22:14.440
<v Speaker 8>Yeah, okay, I don't know if they noticed this, because

2803
02:22:14.479 --> 02:22:17.559
<v Speaker 8>they say twin Pines Loan Pine upside down, V.

2804
02:22:17.879 --> 02:22:22.120
<v Speaker 2>And W and the terrorists were in a V W

2805
02:22:22.639 --> 02:22:24.799
<v Speaker 2>bug van or.

2806
02:22:24.840 --> 02:22:29.399
<v Speaker 8>Whatever they call him, of old swaggen hippie van, you know,

2807
02:22:29.719 --> 02:22:31.639
<v Speaker 8>which I thought was an interesting selection.

2808
02:22:32.079 --> 02:22:33.000
<v Speaker 2>And you actually.

2809
02:22:34.319 --> 02:22:37.440
<v Speaker 8>Yeah, and you actually see that same van at the

2810
02:22:37.639 --> 02:22:40.719
<v Speaker 8>end of the movie when they're blasting off where we're

2811
02:22:40.799 --> 02:22:44.399
<v Speaker 8>going we don't need roads, that same van is parked

2812
02:22:44.719 --> 02:22:48.360
<v Speaker 8>on this on the street in front of the mcflyes household.

2813
02:22:49.040 --> 02:22:51.040
<v Speaker 2>So I thought that was interesting too.

2814
02:22:52.120 --> 02:22:53.920
<v Speaker 4>Here's a great that is very interesting. Here's a great

2815
02:22:53.959 --> 02:22:56.799
<v Speaker 4>comment about Darth Vader making that scene. And they're right

2816
02:22:56.840 --> 02:23:00.680
<v Speaker 4>when he does the the alien you know, invasion into

2817
02:23:00.719 --> 02:23:05.120
<v Speaker 4>his father's bedroom there in nineteen for there's nuclear suit.

2818
02:23:05.479 --> 02:23:07.159
<v Speaker 8>He mixes it with Star Trek too.

2819
02:23:07.959 --> 02:23:10.360
<v Speaker 4>Yeah, but it goes back again to all these you

2820
02:23:10.479 --> 02:23:13.079
<v Speaker 4>know rockets, the nast of the von Braun, the ancient

2821
02:23:13.079 --> 02:23:15.639
<v Speaker 4>alien cargo cult stories you knew of the you know,

2822
02:23:15.799 --> 02:23:18.239
<v Speaker 4>long time ago in a galaxy far far away with

2823
02:23:18.600 --> 02:23:20.920
<v Speaker 4>Star Wars, right, couldn't get any more incent alien than that.

2824
02:23:23.319 --> 02:23:26.159
<v Speaker 4>That's awesome. Stuff, though I appreciate the comments on those

2825
02:23:26.159 --> 02:23:29.559
<v Speaker 4>things as well. Did you have any any more points

2826
02:23:29.600 --> 02:23:30.719
<v Speaker 4>here on these slides?

2827
02:23:35.360 --> 02:23:37.239
<v Speaker 6>Oh? No, I just want to say that Julia made

2828
02:23:37.239 --> 02:23:40.000
<v Speaker 6>a realated comment and I also noticed that comment that

2829
02:23:40.239 --> 02:23:42.920
<v Speaker 6>you pulled up JJ, because it's very The whole film

2830
02:23:43.040 --> 02:23:46.079
<v Speaker 6>is very plus ultray. Even Hill Valley, it's like two

2831
02:23:46.159 --> 02:23:48.360
<v Speaker 6>poles of a magnet with a bridge between. Then you

2832
02:23:48.479 --> 02:23:51.399
<v Speaker 6>have the valley, the point of the star coming down,

2833
02:23:51.600 --> 02:23:56.200
<v Speaker 6>very eastern star right riving into manifestation. That's seventeen the

2834
02:23:56.639 --> 02:24:01.319
<v Speaker 6>seventeenth path of Kabbala Venus into your soad, it's coming

2835
02:24:01.399 --> 02:24:05.120
<v Speaker 6>into formation. So you're drawing like the Venus down the wealth,

2836
02:24:05.959 --> 02:24:09.719
<v Speaker 6>you know, all the magic that is that is light

2837
02:24:09.879 --> 02:24:12.479
<v Speaker 6>really and you're drawing it in. So it's something really

2838
02:24:12.520 --> 02:24:16.239
<v Speaker 6>interesting about like what everybody's saying, and just like the

2839
02:24:16.360 --> 02:24:19.600
<v Speaker 6>kind of meta narrative of the whole film, because you

2840
02:24:19.680 --> 02:24:23.440
<v Speaker 6>could also say that they're kind of telling you that, yeah,

2841
02:24:23.680 --> 02:24:27.120
<v Speaker 6>they use we use plutonium. This is our cover story.

2842
02:24:27.639 --> 02:24:29.559
<v Speaker 6>But then when he goes back in the past, he

2843
02:24:29.639 --> 02:24:32.559
<v Speaker 6>has to use lightning. So they're saying you can actually

2844
02:24:32.639 --> 02:24:37.440
<v Speaker 6>recreate it totally on your own through lightning, because like

2845
02:24:37.520 --> 02:24:39.959
<v Speaker 6>what Heidi said, it's all the dream, right, So the

2846
02:24:40.000 --> 02:24:44.319
<v Speaker 6>plutonium was just the trial in that time and space,

2847
02:24:45.079 --> 02:24:48.920
<v Speaker 6>but once they moved through time into a different space,

2848
02:24:49.959 --> 02:24:53.120
<v Speaker 6>they used a different method. I don't know, there's something

2849
02:24:53.200 --> 02:24:55.840
<v Speaker 6>really metaphysically interesting now that we're all talking about this,

2850
02:24:55.920 --> 02:24:58.000
<v Speaker 6>because I honestly did not catch all of this that

2851
02:24:58.079 --> 02:25:01.239
<v Speaker 6>I'm saying. So don't like like this is just like

2852
02:25:01.399 --> 02:25:03.239
<v Speaker 6>free range me just totally.

2853
02:25:06.760 --> 02:25:09.559
<v Speaker 3>Well, that goes conversations, right, you know what I mean?

2854
02:25:11.639 --> 02:25:15.079
<v Speaker 1>Yeah, to the two pines splitting apart because they go

2855
02:25:15.200 --> 02:25:17.719
<v Speaker 1>on the journey together to try and fix the dad's life.

2856
02:25:17.840 --> 02:25:20.520
<v Speaker 1>Like I've said, it's linear the whole time. And then

2857
02:25:20.639 --> 02:25:24.120
<v Speaker 1>as he returns, he's the only one returning to the

2858
02:25:24.200 --> 02:25:27.920
<v Speaker 1>one back to one, same with the speedometer going back.

2859
02:25:28.559 --> 02:25:31.719
<v Speaker 1>It went to one when you added him. So I think,

2860
02:25:31.959 --> 02:25:34.479
<v Speaker 1>I mean, for me, it's a hero's journey all of this,

2861
02:25:34.719 --> 02:25:36.600
<v Speaker 1>you know, Greek stuff. But I mean I see every

2862
02:25:36.639 --> 02:25:37.319
<v Speaker 1>other point too.

2863
02:25:37.840 --> 02:25:44.600
<v Speaker 6>So yeah, he's the true he's like doing the Joe.

2864
02:25:44.600 --> 02:25:46.799
<v Speaker 6>I'll make a warming joke, Heidi. For you, he's the

2865
02:25:46.959 --> 02:25:48.360
<v Speaker 6>Joseph Smith of the journey.

2866
02:25:49.159 --> 02:25:49.319
<v Speaker 1>Right.

2867
02:25:49.799 --> 02:25:52.680
<v Speaker 6>It travels through the arc. That's what the DeLorean is

2868
02:25:52.799 --> 02:25:56.120
<v Speaker 6>it's his arc, right, Yeah, so like he puts in

2869
02:25:56.200 --> 02:25:58.920
<v Speaker 6>the plutonium. Like you said, Pluto is kind of like

2870
02:25:59.040 --> 02:26:01.360
<v Speaker 6>the Dead Father, the corpse of the Father, maybe you

2871
02:26:01.399 --> 02:26:04.479
<v Speaker 6>could say. And so they spend it, so they spend

2872
02:26:04.600 --> 02:26:07.719
<v Speaker 6>his seed and then they wind up with nothing. So

2873
02:26:07.879 --> 02:26:09.920
<v Speaker 6>he kind of like burns out the arc. And then

2874
02:26:09.959 --> 02:26:12.799
<v Speaker 6>he asks to go get his friend who's the god

2875
02:26:12.879 --> 02:26:16.879
<v Speaker 6>of infinite giving Jupiter Zeus, and yes, rectify it.

2876
02:26:16.959 --> 02:26:22.680
<v Speaker 1>With lightning, yes, exactly, and then they win against Kronos

2877
02:26:22.799 --> 02:26:25.719
<v Speaker 1>in time. And then at the end when when they

2878
02:26:25.840 --> 02:26:27.879
<v Speaker 1>come back, well, I don't know if you want me

2879
02:26:28.000 --> 02:26:30.479
<v Speaker 1>to tell this now or well I was going to say.

2880
02:26:30.440 --> 02:26:32.239
<v Speaker 4>Yeah, we can if we want to wrap up the

2881
02:26:32.280 --> 02:26:35.840
<v Speaker 4>storyline before we get into the actual time traveling device

2882
02:26:35.920 --> 02:26:38.159
<v Speaker 4>here the Delorian, before we you know, I'm going to

2883
02:26:38.200 --> 02:26:40.280
<v Speaker 4>close up some stuff around the DeLorean subject. But if

2884
02:26:40.319 --> 02:26:42.719
<v Speaker 4>you want to finish up the the cult stuff we've

2885
02:26:42.719 --> 02:26:43.959
<v Speaker 4>seen in the narrative, that's great.

2886
02:26:44.639 --> 02:26:47.159
<v Speaker 1>So when they re enter, when he comes back through,

2887
02:26:47.680 --> 02:26:51.280
<v Speaker 1>you'll see him come in and the scene she showed

2888
02:26:51.319 --> 02:26:55.040
<v Speaker 1>with the fire makes a piscey sign as they're.

2889
02:26:54.920 --> 02:26:58.040
<v Speaker 2>Coming through, and then on top of it, up in

2890
02:26:58.120 --> 02:26:59.120
<v Speaker 2>the cinema.

2891
02:26:58.879 --> 02:27:02.879
<v Speaker 1>Area, you'll see green lights and and it's glowing, so

2892
02:27:03.719 --> 02:27:07.399
<v Speaker 1>you know, with the green and the heart chakra re entrance.

2893
02:27:07.879 --> 02:27:11.479
<v Speaker 1>And then on the town theater when they come back,

2894
02:27:11.639 --> 02:27:15.319
<v Speaker 1>you'll see the movie has changed to an American orgy.

2895
02:27:15.440 --> 02:27:17.360
<v Speaker 2>It's a sex film, so sex magic.

2896
02:27:18.239 --> 02:27:20.840
<v Speaker 1>And then to the other side of it, it has

2897
02:27:21.000 --> 02:27:25.399
<v Speaker 1>Jesus saves signs and all these salvation signs. So there

2898
02:27:25.600 --> 02:27:29.319
<v Speaker 1>was his choice to go either again right right hand path,

2899
02:27:29.399 --> 02:27:31.959
<v Speaker 1>left hand past sex magic. Are you gonna be the

2900
02:27:32.040 --> 02:27:34.680
<v Speaker 1>magician of your own life and creation or are you gonna,

2901
02:27:34.920 --> 02:27:37.360
<v Speaker 1>you know, put your faith in something else? And then

2902
02:27:37.520 --> 02:27:42.159
<v Speaker 1>it's it's surrounding the hole that he comes like, yeah,

2903
02:27:42.879 --> 02:27:43.479
<v Speaker 1>so that's.

2904
02:27:43.319 --> 02:27:43.840
<v Speaker 2>What I saw.

2905
02:27:44.040 --> 02:27:46.079
<v Speaker 4>I didn't catch the I didn't catch the maybe title

2906
02:27:46.159 --> 02:27:48.239
<v Speaker 4>with with that, that is very much a reference to

2907
02:27:48.399 --> 02:27:51.479
<v Speaker 4>such things as sex magic, which is interesting. So back

2908
02:27:51.520 --> 02:27:53.680
<v Speaker 4>to for Reacerman real quick, you just spawned a thought

2909
02:27:53.719 --> 02:27:57.280
<v Speaker 4>of mine. For Reackerman, he was a literary agent for

2910
02:27:57.440 --> 02:27:59.920
<v Speaker 4>ed Wood, you know, uh kind of a He was

2911
02:28:00.079 --> 02:28:03.840
<v Speaker 4>the pioneer of exploit exploitation films, which was largely blow Yeah,

2912
02:28:04.920 --> 02:28:05.680
<v Speaker 4>so he uh.

2913
02:28:05.840 --> 02:28:09.840
<v Speaker 8>You know, there you go with these the one from

2914
02:28:09.920 --> 02:28:11.319
<v Speaker 8>the Johnny Depp movie.

2915
02:28:12.680 --> 02:28:15.639
<v Speaker 4>That's the precise same one, and again Depth depths deeply

2916
02:28:15.719 --> 02:28:18.399
<v Speaker 4>involved in the neo process and the processes who popular

2917
02:28:18.479 --> 02:28:22.159
<v Speaker 4>popularized exploitation films in the seventies, such as Processed Church

2918
02:28:22.239 --> 02:28:25.920
<v Speaker 4>member John Waters, Hollywood director m hmm.

2919
02:28:27.360 --> 02:28:31.520
<v Speaker 8>Isn't it crazy how it's like literally every time with

2920
02:28:31.799 --> 02:28:37.040
<v Speaker 8>each new episode, I learn a plethora of fucking information.

2921
02:28:37.879 --> 02:28:38.760
<v Speaker 3>That's why I listen.

2922
02:28:39.360 --> 02:28:40.760
<v Speaker 4>I listened to all of a cult rejects when we

2923
02:28:40.840 --> 02:28:43.000
<v Speaker 4>get together, because I I know things when we're talking

2924
02:28:43.040 --> 02:28:44.799
<v Speaker 4>about I'm like, I always pick up other things I

2925
02:28:44.840 --> 02:28:46.200
<v Speaker 4>didn't know when I re listened to it too.

2926
02:28:46.319 --> 02:28:49.520
<v Speaker 6>Yeah, you select.

2927
02:28:51.479 --> 02:28:55.840
<v Speaker 4>Very So I'll just say, now that we're talking about

2928
02:28:55.879 --> 02:28:58.000
<v Speaker 4>that scene, what are your thoughts on the hobo?

2929
02:28:58.120 --> 02:28:58.239
<v Speaker 1>Here?

2930
02:28:58.680 --> 02:28:59.159
<v Speaker 3>Go ahead, Jen.

2931
02:29:00.159 --> 02:29:02.559
<v Speaker 6>No, it's just a super cabalistic image, and it actually

2932
02:29:02.840 --> 02:29:05.680
<v Speaker 6>fits really well with our discussions on Mormon and magic

2933
02:29:06.200 --> 02:29:10.440
<v Speaker 6>because it really is like a very good nuts oc color.

2934
02:29:10.559 --> 02:29:12.559
<v Speaker 6>But then there's also a quality of green that can

2935
02:29:12.639 --> 02:29:15.520
<v Speaker 6>be hoed. This is where a lot of people get confused,

2936
02:29:15.559 --> 02:29:18.760
<v Speaker 6>because there's like a blue green quality also there. So

2937
02:29:19.159 --> 02:29:21.280
<v Speaker 6>it can either be described as like emerald with light

2938
02:29:21.360 --> 02:29:24.399
<v Speaker 6>passing through, but it can also be described as blue

2939
02:29:24.479 --> 02:29:27.120
<v Speaker 6>green like turquoise, but that's really the reflection of Hesse.

2940
02:29:27.360 --> 02:29:32.280
<v Speaker 6>That's how it's described. So it's interesting because that's kind

2941
02:29:32.319 --> 02:29:35.719
<v Speaker 6>of the hermitic journey of the whole film, right, So

2942
02:29:35.920 --> 02:29:39.239
<v Speaker 6>it's kind of in one image, it kind of relays

2943
02:29:40.000 --> 02:29:42.559
<v Speaker 6>a hero's journey, like does he go through the mother

2944
02:29:43.200 --> 02:29:46.559
<v Speaker 6>the diamond into the splendors of light? Or does he

2945
02:29:46.639 --> 02:29:48.680
<v Speaker 6>travel through the fire into the path of the Father.

2946
02:29:50.639 --> 02:29:52.760
<v Speaker 4>And so you're saying he's kind of a messenger then,

2947
02:29:52.799 --> 02:29:54.719
<v Speaker 4>because I was thinking, this guy's kind of a messenger

2948
02:29:54.799 --> 02:29:55.600
<v Speaker 4>between all these worlds.

2949
02:29:55.680 --> 02:29:57.680
<v Speaker 3>He's always run into this d town.

2950
02:29:59.079 --> 02:30:00.319
<v Speaker 5>Yep, yep.

2951
02:30:01.280 --> 02:30:03.639
<v Speaker 1>And then in that by the cinema, it's a clearer

2952
02:30:03.760 --> 02:30:06.200
<v Speaker 1>green instead of a turquoise green. It's more of a

2953
02:30:07.159 --> 02:30:10.280
<v Speaker 1>brighter green where you can see the American Orgy sign

2954
02:30:11.200 --> 02:30:14.079
<v Speaker 1>and the Jesus Saves and all that signs.

2955
02:30:14.200 --> 02:30:17.399
<v Speaker 2>And also we've got Biff before we leave him out,

2956
02:30:17.600 --> 02:30:18.520
<v Speaker 2>like Hiram a Biff.

2957
02:30:19.920 --> 02:30:22.280
<v Speaker 4>Well, then I was going to close out with Biff

2958
02:30:22.319 --> 02:30:24.479
<v Speaker 4>once we're done with the storyline here, because he ties

2959
02:30:24.520 --> 02:30:26.520
<v Speaker 4>it into the stuff with the Glorian after when we

2960
02:30:26.600 --> 02:30:27.920
<v Speaker 4>talk the Glorian stuff as well.

2961
02:30:28.799 --> 02:30:30.600
<v Speaker 1>Yeah, I just wanted to mention that and that the

2962
02:30:30.680 --> 02:30:33.680
<v Speaker 1>brother when you look at the photo, when they're looking

2963
02:30:33.799 --> 02:30:36.360
<v Speaker 1>at the picture of them disappearing, the brother's wearing a

2964
02:30:36.440 --> 02:30:37.719
<v Speaker 1>Disney Mickey Mouse shirt.

2965
02:30:37.920 --> 02:30:40.000
<v Speaker 2>I just had to say that since we've been talking about.

2966
02:30:41.280 --> 02:30:46.239
<v Speaker 3>Yeah, well there's the m M right, Mickey Mouse, Marty mcfla.

2967
02:30:47.079 --> 02:30:49.040
<v Speaker 2>And that's all I have. I'll be quiet now. Sorry

2968
02:30:49.120 --> 02:30:50.000
<v Speaker 2>I nerded out on this.

2969
02:30:50.760 --> 02:30:56.399
<v Speaker 4>That's great, that's great now I like it. Do we

2970
02:30:56.440 --> 02:30:58.440
<v Speaker 4>have any other closing commentary on the journey that he

2971
02:30:58.479 --> 02:31:00.680
<v Speaker 4>took before we start closing out with biff In in

2972
02:31:00.959 --> 02:31:01.559
<v Speaker 4>the DeLorean?

2973
02:31:02.040 --> 02:31:03.879
<v Speaker 5>Oh, Delorian, I have some stuff I could talk about

2974
02:31:03.879 --> 02:31:04.239
<v Speaker 5>real quick.

2975
02:31:05.520 --> 02:31:08.000
<v Speaker 4>Yeah, let's do the Delorium. We'll roll it into fifteen

2976
02:31:08.079 --> 02:31:09.959
<v Speaker 4>and how does that sound? Yeah, and we'll call and

2977
02:31:10.200 --> 02:31:11.559
<v Speaker 4>and we'll call it in here after that.

2978
02:31:12.799 --> 02:31:13.239
<v Speaker 5>All right?

2979
02:31:13.639 --> 02:31:14.000
<v Speaker 1>What uh?

2980
02:31:14.120 --> 02:31:15.280
<v Speaker 3>What are your thoughts on Delorian?

2981
02:31:15.319 --> 02:31:15.479
<v Speaker 2>Nick?

2982
02:31:16.799 --> 02:31:19.079
<v Speaker 5>Oh, the DeLorean? Well, I mean it's more like silver,

2983
02:31:19.760 --> 02:31:21.520
<v Speaker 5>so I kind of put that more with mercury, like

2984
02:31:21.840 --> 02:31:26.440
<v Speaker 5>kind of like quicksilver symbolic of the albedo stage in alchemy.

2985
02:31:27.399 --> 02:31:30.600
<v Speaker 5>It's plowered by powered like Heidi had even mentioned before,

2986
02:31:30.639 --> 02:31:33.040
<v Speaker 5>the plutonium Pluto god of the underworld.

2987
02:31:33.680 --> 02:31:36.040
<v Speaker 3>And what was the why situation? With the fox capacitor.

2988
02:31:36.159 --> 02:31:38.399
<v Speaker 3>What was the significance there in to me?

2989
02:31:38.600 --> 02:31:41.200
<v Speaker 5>I mean, it's the shape of the rising beast. And uh,

2990
02:31:41.280 --> 02:31:42.600
<v Speaker 5>when you're doing the l v X.

2991
02:31:44.440 --> 02:31:48.719
<v Speaker 13>Formula and uh you're interesting, Yeah, when you're actually Yeah,

2992
02:31:48.760 --> 02:31:52.399
<v Speaker 13>when you're doing a ritual, there's certain things that you

2993
02:31:52.520 --> 02:31:56.000
<v Speaker 13>make a y and uh yeah, it's supposed to supposed.

2994
02:31:55.639 --> 02:31:58.159
<v Speaker 3>To be of some regards what you're saying.

2995
02:31:58.479 --> 02:32:00.280
<v Speaker 5>It's something that you will make when you're doing actual

2996
02:32:02.760 --> 02:32:04.600
<v Speaker 5>and then I have I mean it needs one point

2997
02:32:04.639 --> 02:32:06.799
<v Speaker 5>twenty when jigawatts, I just found it interesting with eleven

2998
02:32:06.879 --> 02:32:10.399
<v Speaker 5>times eleven does get that, you know, very giantus like

2999
02:32:10.520 --> 02:32:13.239
<v Speaker 5>or double poles or twin pines. I guess again, I

3000
02:32:13.280 --> 02:32:18.719
<v Speaker 5>don't know. Yeah, uh again, uh, stainless still body kind

3001
02:32:18.760 --> 02:32:22.600
<v Speaker 5>of uh you know even that look purifying mercury stage

3002
02:32:22.840 --> 02:32:27.479
<v Speaker 5>reflex reality a mirror or a portal I did I mean,

3003
02:32:27.559 --> 02:32:30.440
<v Speaker 5>maybe going too far, but even with the wings opening up,

3004
02:32:31.280 --> 02:32:35.680
<v Speaker 5>it's very like a scar blike or you know, the soul.

3005
02:32:35.520 --> 02:32:36.879
<v Speaker 3>The gold the gold wing style.

3006
02:32:36.879 --> 02:32:39.840
<v Speaker 4>I mean, that's very unique, very neat even I mean

3007
02:32:39.959 --> 02:32:42.559
<v Speaker 4>and to all automobiles, that's not a very common feature, right,

3008
02:32:42.680 --> 02:32:45.200
<v Speaker 4>So what do you think the the nature of that is,

3009
02:32:45.280 --> 02:32:46.799
<v Speaker 4>as far as the cultism goes, I.

3010
02:32:46.840 --> 02:32:49.840
<v Speaker 5>Have like horses ring or rings, the Egyptian like solar,

3011
02:32:50.079 --> 02:32:53.319
<v Speaker 5>the solar discu scowlike kind of resurrection.

3012
02:32:54.680 --> 02:32:59.120
<v Speaker 2>That's even a fallen angel, even fallen angel type, you know.

3013
02:33:00.079 --> 02:33:03.600
<v Speaker 5>Yeah, yeah, that would that would coming back. Yeah, that

3014
02:33:03.600 --> 02:33:09.840
<v Speaker 5>would make sense. Yeah, yes, exactly, yeah, totally. Uh, the

3015
02:33:09.920 --> 02:33:13.360
<v Speaker 5>plutonium core against Pluto when you give the descendant to

3016
02:33:13.399 --> 02:33:20.120
<v Speaker 5>the yeah, and then the flex capacitor, the y shaped sigil. Again,

3017
02:33:20.159 --> 02:33:23.399
<v Speaker 5>I think the rising beast, and I've always like I

3018
02:33:23.479 --> 02:33:25.159
<v Speaker 5>said that, I think the beasts without a leash is.

3019
02:33:25.120 --> 02:33:28.959
<v Speaker 4>Pretty much just like electricity on its own, right, right,

3020
02:33:29.040 --> 02:33:30.600
<v Speaker 4>that's very That's an interesting way to look at that.

3021
02:33:31.120 --> 02:33:33.239
<v Speaker 4>I guess it looks like the etymology of DeLorean is

3022
02:33:33.280 --> 02:33:36.680
<v Speaker 4>related to these hills right the hillside it says, think

3023
02:33:36.760 --> 02:33:38.040
<v Speaker 4>of think of what you just.

3024
02:33:38.079 --> 02:33:41.040
<v Speaker 2>Said, Nick, electricity on its own. That's exactly what the.

3025
02:33:41.079 --> 02:33:42.479
<v Speaker 5>Lightning was, yeah exactly.

3026
02:33:42.520 --> 02:33:46.680
<v Speaker 2>Yeah, So I didn't need the plutonium. It was on

3027
02:33:46.879 --> 02:33:47.280
<v Speaker 2>its own.

3028
02:33:47.479 --> 02:33:51.440
<v Speaker 5>Yeah. And you see that supposedly that that amount of

3029
02:33:51.600 --> 02:33:54.159
<v Speaker 5>energy does equal electric bolt. I don't know if that's

3030
02:33:54.200 --> 02:34:01.000
<v Speaker 5>true or not. Hmm, yeah, yeah, I didn't even another thing. Uh,

3031
02:34:02.559 --> 02:34:06.600
<v Speaker 5>to ma sonic. The eighth letter is H, you know,

3032
02:34:06.639 --> 02:34:07.959
<v Speaker 5>and you do see that a lie, like with the

3033
02:34:08.079 --> 02:34:11.319
<v Speaker 5>number eighty eight, that would be like h H again

3034
02:34:11.360 --> 02:34:13.239
<v Speaker 5>and that you're not even going to touch so much

3035
02:34:13.280 --> 02:34:14.959
<v Speaker 5>with hal Hitler. But I would even say that would

3036
02:34:14.959 --> 02:34:19.440
<v Speaker 5>be like maybe the the double pillars and like the

3037
02:34:19.799 --> 02:34:22.040
<v Speaker 5>pines again, the twin pines, like just showing like double

3038
02:34:22.239 --> 02:34:25.719
<v Speaker 5>double stuff, and even the twin towers. I even thought

3039
02:34:25.760 --> 02:34:29.920
<v Speaker 5>that that might have somehow fit in there. That's a

3040
02:34:29.959 --> 02:34:33.280
<v Speaker 5>little just happy to be in my face. Yeah, No,

3041
02:34:33.479 --> 02:34:34.639
<v Speaker 5>I think that makes sense.

3042
02:34:34.680 --> 02:34:39.639
<v Speaker 6>Sick because you're doubling the blessings from mercury, from Hoe

3043
02:34:39.760 --> 02:34:42.600
<v Speaker 6>to Hasset. That's exactly what you're doing. You're throwing the

3044
02:34:42.719 --> 02:34:46.879
<v Speaker 6>lightning at the ocean, staying and stubbling and stubbling double

3045
02:34:46.920 --> 02:34:50.040
<v Speaker 6>a double a double eight. Right, But it's really a reflection.

3046
02:34:51.440 --> 02:34:53.799
<v Speaker 6>So are you're gonna transmute the water? Like you were

3047
02:34:53.840 --> 02:34:57.879
<v Speaker 6>saying about alchemy because the film is extremely outchomical, like

3048
02:34:58.120 --> 02:35:02.520
<v Speaker 6>everything in the film, even flux. Flux can be alchemically

3049
02:35:02.639 --> 02:35:06.120
<v Speaker 6>linked to hod or Hoke mo is it is it

3050
02:35:06.399 --> 02:35:11.040
<v Speaker 6>before it's used or after it's used? Because actually you

3051
02:35:11.120 --> 02:35:14.920
<v Speaker 6>can reconstitute flux, So that's another really interesting thing. I

3052
02:35:15.000 --> 02:35:18.440
<v Speaker 6>also nested an image of that of the deity with

3053
02:35:18.559 --> 02:35:22.159
<v Speaker 6>the serpent, which reminds me of that image that Nick makes,

3054
02:35:22.239 --> 02:35:26.520
<v Speaker 6>like the why because it he also makes that, And

3055
02:35:26.639 --> 02:35:29.360
<v Speaker 6>then you can also explain it with like the serpent

3056
02:35:29.760 --> 02:35:33.319
<v Speaker 6>crown behind him, it's like kind of exploding into view

3057
02:35:34.000 --> 02:35:38.360
<v Speaker 6>and his body is blue, so it's kind of stainless,

3058
02:35:38.520 --> 02:35:42.600
<v Speaker 6>kind of adamantine. You could say. It's interesting. I think

3059
02:35:42.639 --> 02:35:44.639
<v Speaker 6>that you can make a case that, like their God

3060
02:35:44.799 --> 02:35:47.239
<v Speaker 6>is really space. However you want to conceptualize that.

3061
02:35:48.159 --> 02:35:50.479
<v Speaker 1>What if it's like the father's son too, Like what

3062
02:35:50.559 --> 02:35:54.319
<v Speaker 1>if it's representing the two that become one because the

3063
02:35:54.440 --> 02:35:55.239
<v Speaker 1>kid goes home.

3064
02:35:55.840 --> 02:35:57.680
<v Speaker 5>That's why I think I have that Marty has the

3065
02:35:57.799 --> 02:36:01.040
<v Speaker 5>yellow and the yellow. It's some points in my opinion,

3066
02:36:01.120 --> 02:36:03.120
<v Speaker 5>if you look at Marty in the street and look

3067
02:36:03.159 --> 02:36:05.280
<v Speaker 5>at a red car, it is an orange kind of

3068
02:36:05.360 --> 02:36:08.719
<v Speaker 5>looking vest that really read the orange and hod and

3069
02:36:08.760 --> 02:36:12.559
<v Speaker 5>then the blue. The blue clothes shows the prince in

3070
02:36:12.600 --> 02:36:13.600
<v Speaker 5>the king. At the same time.

3071
02:36:14.959 --> 02:36:24.360
<v Speaker 1>On sex, sex sex power too with orange right passion, Yeah,

3072
02:36:27.239 --> 02:36:27.719
<v Speaker 1>I think so.

3073
02:36:29.479 --> 02:36:31.559
<v Speaker 4>Yeah, So why do y'all think they? Aside from these

3074
02:36:31.559 --> 02:36:33.399
<v Speaker 4>are all great details, why do you think they chose

3075
02:36:33.479 --> 02:36:35.040
<v Speaker 4>this car? I mean, they said it was kind of

3076
02:36:35.079 --> 02:36:37.079
<v Speaker 4>because it's futuristic look, and I guess I can buy

3077
02:36:37.159 --> 02:36:39.280
<v Speaker 4>that to a certain extent, but I would.

3078
02:36:39.120 --> 02:36:43.399
<v Speaker 8>Say it's futuristic looking, especially with the doors opening like that.

3079
02:36:44.680 --> 02:36:47.840
<v Speaker 4>But I definitely lookistic. But why couldn't they just, you know,

3080
02:36:48.000 --> 02:36:50.200
<v Speaker 4>church up another car. That the only what I'm getting

3081
02:36:50.200 --> 02:36:52.399
<v Speaker 4>as this is a very unique automobile. And not only

3082
02:36:52.479 --> 02:36:55.760
<v Speaker 4>that was John Dolorian was not like they chose this

3083
02:36:55.920 --> 02:36:58.360
<v Speaker 4>car after a time where he was already he just

3084
02:36:58.479 --> 02:37:02.760
<v Speaker 4>got acquitted of those cocaine trafficking charges, right this is

3085
02:37:02.840 --> 02:37:04.120
<v Speaker 4>nineteen eighty four, just gets.

3086
02:37:03.959 --> 02:37:06.719
<v Speaker 3>Acquitted, so he, you know, right when the movies just

3087
02:37:06.799 --> 02:37:07.559
<v Speaker 3>about long.

3088
02:37:07.680 --> 02:37:09.879
<v Speaker 4>So that means they wrote the film while he's on

3089
02:37:10.079 --> 02:37:12.040
<v Speaker 4>trial for cocaine trafficking charges.

3090
02:37:13.000 --> 02:37:18.000
<v Speaker 2>And to cart me question enough just very.

3091
02:37:23.520 --> 02:37:24.680
<v Speaker 8>JJ you cut out.

3092
02:37:25.719 --> 02:37:29.440
<v Speaker 4>Oh shoot, yes, So I was saying, it's very bizarre circumstances.

3093
02:37:29.760 --> 02:37:32.639
<v Speaker 4>John Delorian's on trial while they're writing this film and

3094
02:37:32.760 --> 02:37:35.360
<v Speaker 4>getting ready to start filming it. It's on trial for

3095
02:37:35.440 --> 02:37:39.079
<v Speaker 4>cocaine trafficking charges that he's on trumped up charges by

3096
02:37:39.120 --> 02:37:41.840
<v Speaker 4>the FBI and the DEA. So they set him up

3097
02:37:41.840 --> 02:37:44.079
<v Speaker 4>for these things on a sting operation. He gets acquitted,

3098
02:37:44.120 --> 02:37:46.799
<v Speaker 4>but he gets acquitted just shortly before they start filming.

3099
02:37:46.879 --> 02:37:49.520
<v Speaker 4>But meaning they used a vehicle of a dude who's

3100
02:37:49.559 --> 02:37:53.000
<v Speaker 4>on trial for cocaine trafficking charges in a vehicle. He

3101
02:37:53.079 --> 02:37:55.399
<v Speaker 4>only made nine thousand of them, which I had already

3102
02:37:55.399 --> 02:37:58.280
<v Speaker 4>seesed production, so just it seemed like an odd vehicle

3103
02:37:58.399 --> 02:37:58.840
<v Speaker 4>choice to me.

3104
02:37:59.440 --> 02:38:02.879
<v Speaker 8>Well, so you know what the last name Delarean means.

3105
02:38:03.760 --> 02:38:06.760
<v Speaker 2>Hill Thought apparently, which is wild man from the Hills.

3106
02:38:07.079 --> 02:38:11.959
<v Speaker 8>Yeah, from the Hills Hill Valley. That's that's why I

3107
02:38:12.559 --> 02:38:13.840
<v Speaker 8>put that in my notes.

3108
02:38:14.000 --> 02:38:16.440
<v Speaker 5>But I mean, oh, I just.

3109
02:38:16.440 --> 02:38:18.040
<v Speaker 3>Tell that in the chatam I'm again, But no, that's

3110
02:38:18.079 --> 02:38:19.239
<v Speaker 3>great stuff, Julia.

3111
02:38:19.120 --> 02:38:23.399
<v Speaker 5>JJ, real quick before you move on. Uh, I thought

3112
02:38:23.440 --> 02:38:26.639
<v Speaker 5>of the mirroring with the the Larean forgot like the

3113
02:38:26.719 --> 02:38:29.040
<v Speaker 5>first thing of my notes, which really made me start

3114
02:38:29.079 --> 02:38:31.719
<v Speaker 5>to think. Besides Martin McFly with the MM obviously for

3115
02:38:31.799 --> 02:38:34.680
<v Speaker 5>the MEA since uh, he wakes up at seven fifty

3116
02:38:34.719 --> 02:38:37.559
<v Speaker 5>three and back, I started thinking mirroring, and I really

3117
02:38:37.559 --> 02:38:39.000
<v Speaker 5>wish I would have done this with more stuff. I

3118
02:38:39.040 --> 02:38:42.799
<v Speaker 5>didn't really get a chance to run everything backwards. But

3119
02:38:42.920 --> 02:38:45.760
<v Speaker 5>three fifty seven is a Masonic Rich write in a

3120
02:38:45.840 --> 02:38:49.360
<v Speaker 5>ritual that William Preston and Thomas Smith Webb do use

3121
02:38:49.440 --> 02:38:52.200
<v Speaker 5>in like their areas, and that kind of starts getting

3122
02:38:52.200 --> 02:38:53.680
<v Speaker 5>into the Scottish rite type stuff.

3123
02:38:56.159 --> 02:38:59.319
<v Speaker 1>And to Julia's point, or who made the point about

3124
02:38:59.319 --> 02:39:04.520
<v Speaker 1>the hill Julia? And where do they build the altars

3125
02:39:04.639 --> 02:39:07.399
<v Speaker 1>to their fallen angels at the high point?

3126
02:39:10.159 --> 02:39:12.280
<v Speaker 8>I mean, I think they chose it for a reason.

3127
02:39:12.440 --> 02:39:16.040
<v Speaker 8>I mean, the doors do look futuristic, Don't get me wrong, That's.

3128
02:39:15.879 --> 02:39:17.959
<v Speaker 3>What I'm saying, Like that is an easy cop out there, right,

3129
02:39:18.000 --> 02:39:20.040
<v Speaker 3>there's more to it, much like the film. There's more

3130
02:39:20.079 --> 02:39:20.319
<v Speaker 3>of an.

3131
02:39:20.399 --> 02:39:24.879
<v Speaker 2>Esoteric or I think so, well, the pr natural.

3132
02:39:24.639 --> 02:39:27.040
<v Speaker 4>End, the dudes on the dudes on trial for cocaine?

3133
02:39:27.239 --> 02:39:29.200
<v Speaker 4>What if what if he gets found guilty? They're going

3134
02:39:29.280 --> 02:39:31.159
<v Speaker 4>to have his car in a big budget film?

3135
02:39:31.440 --> 02:39:32.079
<v Speaker 3>I don't think so.

3136
02:39:32.840 --> 02:39:35.559
<v Speaker 8>Yeah, but what if was he found guilty?

3137
02:39:36.760 --> 02:39:38.639
<v Speaker 3>No, but that's what I'm saying. They wrote the film

3138
02:39:38.639 --> 02:39:44.079
<v Speaker 3>while he was on trial. Okay, but well they started

3139
02:39:44.120 --> 02:39:46.600
<v Speaker 3>filming at weeks like two maybe we'll call it ten

3140
02:39:46.680 --> 02:39:47.920
<v Speaker 3>weeks after the trial ended.

3141
02:39:49.000 --> 02:39:51.680
<v Speaker 8>Okay, Well, what if they knew he wasn't going to

3142
02:39:52.319 --> 02:39:56.079
<v Speaker 8>get convicted of anything? I know that what if he

3143
02:39:56.239 --> 02:39:59.159
<v Speaker 8>was running. What if he was running, because they let

3144
02:39:59.239 --> 02:40:01.959
<v Speaker 8>him off just they did with like literally a bunch

3145
02:40:02.000 --> 02:40:02.399
<v Speaker 8>of yies.

3146
02:40:02.600 --> 02:40:06.760
<v Speaker 4>Yes, but I mean whatever they were really I don't

3147
02:40:06.760 --> 02:40:09.319
<v Speaker 4>know who he pissed off, but the Feds literally set

3148
02:40:09.399 --> 02:40:11.120
<v Speaker 4>him up. They brought him the deal and then they

3149
02:40:11.280 --> 02:40:13.040
<v Speaker 4>video taped him doing the deal, and that's why he

3150
02:40:13.079 --> 02:40:15.159
<v Speaker 4>got off. But then a couple of years later they

3151
02:40:15.239 --> 02:40:18.040
<v Speaker 4>busted in for tax evasion, so they were really after

3152
02:40:18.159 --> 02:40:19.959
<v Speaker 4>old uh jd here John.

3153
02:40:20.120 --> 02:40:23.079
<v Speaker 8>Maybe maybe he pissed them off in some kind of way,

3154
02:40:23.159 --> 02:40:26.319
<v Speaker 8>because like, if you were trying to buy a Dolorean

3155
02:40:26.479 --> 02:40:28.600
<v Speaker 8>now you can't.

3156
02:40:33.200 --> 02:40:33.399
<v Speaker 3>Yeah.

3157
02:40:33.440 --> 02:40:35.639
<v Speaker 4>Strangely enough, Julia, there's a he made a very fine

3158
02:40:35.639 --> 02:40:38.239
<v Speaker 4>automobile apparently, because out of the nine thousand or so

3159
02:40:38.280 --> 02:40:40.360
<v Speaker 4>it was produced, about sixty percent are still still on

3160
02:40:40.399 --> 02:40:40.719
<v Speaker 4>the road.

3161
02:40:41.719 --> 02:40:44.559
<v Speaker 8>Well, what I'm saying though, is unless you're a millionaire,

3162
02:40:44.639 --> 02:40:47.360
<v Speaker 8>you're not probably going to be able to afford this

3163
02:40:47.600 --> 02:40:48.680
<v Speaker 8>to ride around it.

3164
02:40:49.559 --> 02:40:51.799
<v Speaker 3>No, I know, I does a great point. I wasn't

3165
02:40:51.840 --> 02:40:52.239
<v Speaker 3>saying you wrong.

3166
02:40:52.319 --> 02:40:54.120
<v Speaker 4>Yeah, it's a great point because there's only nine thousand

3167
02:40:54.159 --> 02:40:56.200
<v Speaker 4>that were ever produced, and you know, only about six

3168
02:40:56.280 --> 02:40:57.479
<v Speaker 4>thousand I believe exists today.

3169
02:40:57.479 --> 02:40:59.040
<v Speaker 3>But yeah, You're right. You're paying money because of the

3170
02:40:59.200 --> 02:41:00.920
<v Speaker 3>lack of a you know man, right.

3171
02:41:01.319 --> 02:41:04.639
<v Speaker 8>Well, you're paying money because everybody loves back to the future,

3172
02:41:06.280 --> 02:41:06.840
<v Speaker 8>you know what I mean.

3173
02:41:08.600 --> 02:41:10.399
<v Speaker 3>Everyone wants a delaory and they want to pamput out

3174
02:41:10.760 --> 02:41:11.000
<v Speaker 3>my rid.

3175
02:41:11.319 --> 02:41:15.520
<v Speaker 8>Yeah, they want to put the led light strips on it.

3176
02:41:15.719 --> 02:41:18.840
<v Speaker 6>Yet, what if the Delorian guy was a member of

3177
02:41:18.920 --> 02:41:22.520
<v Speaker 6>their lodge. I'm just thinking totally hypothetically, okay, and so

3178
02:41:22.719 --> 02:41:24.719
<v Speaker 6>or he was like a member of their faction. You

3179
02:41:24.760 --> 02:41:26.639
<v Speaker 6>could say, like, I know, JJ likes that word.

3180
02:41:26.719 --> 02:41:29.760
<v Speaker 4>So you're reading my mind there, Jen, I'll be using

3181
02:41:29.799 --> 02:41:32.200
<v Speaker 4>your wizard skills over here, buddy, you're reading my mind now.

3182
02:41:33.159 --> 02:41:34.319
<v Speaker 5>So well, thank you.

3183
02:41:35.680 --> 02:41:37.760
<v Speaker 6>So, yeah, he's a member of their fashion. It doesn't

3184
02:41:37.760 --> 02:41:40.000
<v Speaker 6>matter if he gets convicted or not convicted, because they're

3185
02:41:40.000 --> 02:41:42.079
<v Speaker 6>going to like give their little wink in their nod

3186
02:41:42.200 --> 02:41:47.440
<v Speaker 6>to him. It's also interesting that like Delareian Motor Company.

3187
02:41:47.239 --> 02:41:47.879
<v Speaker 1>D M C.

3188
02:41:48.200 --> 02:41:51.479
<v Speaker 6>De Lette mem cough. I don't know. There's something kind

3189
02:41:51.479 --> 02:41:54.639
<v Speaker 6>of interesting about that because if you write it out

3190
02:41:54.639 --> 02:41:57.840
<v Speaker 6>in Hebrew, it looks like seven O seven. I'm just saying,

3191
02:41:58.399 --> 02:42:01.040
<v Speaker 6>sure is an additional way to do the tamata. I'm

3192
02:42:01.040 --> 02:42:03.520
<v Speaker 6>not saying that's the proper way and just just like

3193
02:42:03.719 --> 02:42:04.600
<v Speaker 6>you know, just riffing.

3194
02:42:05.440 --> 02:42:07.559
<v Speaker 4>That's good stuff. And to this comment here, that's a

3195
02:42:07.559 --> 02:42:09.360
<v Speaker 4>great comment. The car turned out to suck, but it's

3196
02:42:09.719 --> 02:42:12.239
<v Speaker 4>the collectors. I know it barely mechanically, it did not

3197
02:42:12.360 --> 02:42:14.079
<v Speaker 4>function well. But what I was getting at was the

3198
02:42:14.159 --> 02:42:16.719
<v Speaker 4>durability and long lasting nature of the body style and everything.

3199
02:42:16.959 --> 02:42:18.879
<v Speaker 4>The way they did it kind of reminds me. I

3200
02:42:18.920 --> 02:42:21.200
<v Speaker 4>think Elon Musk copied it for a cyber truck, right.

3201
02:42:21.239 --> 02:42:23.559
<v Speaker 4>It is like that same kind of steel or whatever,

3202
02:42:23.840 --> 02:42:26.120
<v Speaker 4>or that same kind of production of the body style.

3203
02:42:27.360 --> 02:42:28.440
<v Speaker 6>They think they're plus ultra.

3204
02:42:28.600 --> 02:42:31.559
<v Speaker 3>Dude, you're talking about.

3205
02:42:31.399 --> 02:42:34.639
<v Speaker 4>Factions and cults, right, Yeah, talking about factions and cults

3206
02:42:34.719 --> 02:42:36.159
<v Speaker 4>right there, you go, right, I mean that sounds like

3207
02:42:36.200 --> 02:42:38.440
<v Speaker 4>a nice connection right there with just having the same

3208
02:42:38.479 --> 02:42:40.200
<v Speaker 4>aesthetic to these automobiles they're designing.

3209
02:42:42.840 --> 02:42:48.000
<v Speaker 1>Yep, they think they're the gay GAO tu right, like

3210
02:42:48.120 --> 02:42:49.399
<v Speaker 1>we talked about last night.

3211
02:42:51.159 --> 02:42:51.600
<v Speaker 2>For sure.

3212
02:42:51.760 --> 02:42:54.319
<v Speaker 4>So just a quick rundown on old Dolaian Here he

3213
02:42:54.360 --> 02:42:58.280
<v Speaker 4>gets charged October nineteenth of nineteen eighty two fifty nine

3214
02:42:58.319 --> 02:42:58.959
<v Speaker 4>pounds of coke.

3215
02:42:59.120 --> 02:43:01.239
<v Speaker 3>That's a lot. That's a lot. He wanted to sell

3216
02:43:01.280 --> 02:43:03.280
<v Speaker 3>two hundred and twenty of them though, so he was

3217
02:43:03.319 --> 02:43:05.600
<v Speaker 3>even into more of that, so again the FEDS brought

3218
02:43:05.639 --> 02:43:07.440
<v Speaker 3>it to him, and the FED busted him. He was

3219
02:43:07.479 --> 02:43:09.680
<v Speaker 3>pissing off Detroit by making this vehicles, I think is

3220
02:43:09.680 --> 02:43:12.319
<v Speaker 3>what really boiled down to him in one aspect at least.

3221
02:43:12.360 --> 02:43:14.479
<v Speaker 3>You know, he he was a former Detroit Guy's like

3222
02:43:14.520 --> 02:43:15.959
<v Speaker 3>I'm gonna make my own car and the like the

3223
02:43:16.040 --> 02:43:19.079
<v Speaker 3>hell you are, buddy. So he gets to quitted on

3224
02:43:19.200 --> 02:43:24.360
<v Speaker 3>that on let's see here some September twenty first, nineteen

3225
02:43:24.399 --> 02:43:27.559
<v Speaker 3>eighty five. So this movie comes out, comes out. I

3226
02:43:27.600 --> 02:43:31.959
<v Speaker 3>guess really what started filming. I guess in December I believe,

3227
02:43:32.280 --> 02:43:35.399
<v Speaker 3>so about three months later. So you know, I think

3228
02:43:35.440 --> 02:43:37.559
<v Speaker 3>that's very interesting. And again I'm sorry that we'd know.

3229
02:43:37.600 --> 02:43:39.680
<v Speaker 3>That's when he got charged with the fraud stuff.

3230
02:43:40.479 --> 02:43:42.920
<v Speaker 4>He gets a quitted in August sixteenth, that's right, because

3231
02:43:42.920 --> 02:43:45.559
<v Speaker 4>the movie came out July third, twenty or nineteen eighty five,

3232
02:43:46.120 --> 02:43:48.879
<v Speaker 4>that makes sense. So he gets a quitted on August sixteenth,

3233
02:43:48.959 --> 02:43:52.559
<v Speaker 4>nineteen eighty four, and then he's charged again in September

3234
02:43:52.559 --> 02:43:54.920
<v Speaker 4>of eighty five. So they were after Delaurien, right, you

3235
02:43:54.959 --> 02:43:56.920
<v Speaker 4>know what I mean, Like, whatever this dude did you know,

3236
02:43:56.959 --> 02:44:00.479
<v Speaker 4>there were some some wall for or if you will,

3237
02:44:00.559 --> 02:44:02.079
<v Speaker 4>being executed against him.

3238
02:44:02.159 --> 02:44:07.079
<v Speaker 8>But what I find he was acquitted of all charges.

3239
02:44:07.760 --> 02:44:09.799
<v Speaker 4>Well, yeah, they had it on videotape and there was

3240
02:44:09.879 --> 02:44:11.479
<v Speaker 4>so much evidence that he was he was all it

3241
02:44:11.559 --> 02:44:13.479
<v Speaker 4>was all in trapman, and he had some good attorneys.

3242
02:44:13.479 --> 02:44:15.920
<v Speaker 4>But then and then, but did he win because then

3243
02:44:15.959 --> 02:44:17.920
<v Speaker 4>they came after him, right, and then they're like, yeah,

3244
02:44:18.120 --> 02:44:19.920
<v Speaker 4>we got you for fraud like months after, you know,

3245
02:44:20.319 --> 02:44:22.319
<v Speaker 4>a year or so after he gets acquitted, right, So

3246
02:44:23.239 --> 02:44:24.040
<v Speaker 4>you know he.

3247
02:44:24.040 --> 02:44:28.399
<v Speaker 8>Said he was he was acquitted even after this September

3248
02:44:28.680 --> 02:44:29.559
<v Speaker 8>nineteen eighty five.

3249
02:44:30.360 --> 02:44:31.840
<v Speaker 4>No, that's a great point, That's what I'm getting at.

3250
02:44:31.879 --> 02:44:33.399
<v Speaker 4>So do you really win because he's spending all this

3251
02:44:33.520 --> 02:44:36.760
<v Speaker 4>money on attorneys to by two thousand, he's got he's

3252
02:44:36.799 --> 02:44:38.719
<v Speaker 4>financially bankrupt and he's.

3253
02:44:38.559 --> 02:44:39.639
<v Speaker 3>Got to sell it mansion.

3254
02:44:40.159 --> 02:44:43.319
<v Speaker 8>It's all in who you know, right, right, right?

3255
02:44:43.399 --> 02:44:46.920
<v Speaker 4>But what I'm getting is, there after someone's after bankrupting Glorian,

3256
02:44:47.000 --> 02:44:50.000
<v Speaker 4>he sells his mansion in two thousands as a result

3257
02:44:50.159 --> 02:44:51.040
<v Speaker 4>of this bankruptcy.

3258
02:44:51.079 --> 02:44:52.559
<v Speaker 3>Right, we're gonna get into the bif tan. And here's

3259
02:44:52.600 --> 02:44:53.799
<v Speaker 3>when I'm where I'm heading here.

3260
02:44:53.879 --> 02:44:56.159
<v Speaker 6>So the day he got acquitted was magic.

3261
02:44:56.200 --> 02:44:58.639
<v Speaker 3>I just want to say that seven one.

3262
02:45:00.079 --> 02:45:04.920
<v Speaker 6>August sixteenth, nineteen eighty four. Nineteen four is twenty two,

3263
02:45:05.559 --> 02:45:07.239
<v Speaker 6>super much number right.

3264
02:45:07.319 --> 02:45:09.360
<v Speaker 2>How about September twenty first, nineteen eighty.

3265
02:45:09.200 --> 02:45:16.159
<v Speaker 5>Five, Well, Augus is also the eight did you say them?

3266
02:45:17.280 --> 02:45:19.280
<v Speaker 3>Yeah, eighteen sixteen, you got two eights?

3267
02:45:19.360 --> 02:45:19.479
<v Speaker 1>Right?

3268
02:45:21.280 --> 02:45:21.479
<v Speaker 2>Yeah?

3269
02:45:22.840 --> 02:45:25.319
<v Speaker 3>How about September twenty first, nineteen eighty five.

3270
02:45:28.760 --> 02:45:29.639
<v Speaker 5>I don't option.

3271
02:45:32.319 --> 02:45:33.239
<v Speaker 3>Any comments.

3272
02:45:35.120 --> 02:45:40.239
<v Speaker 6>Math, Yeah, well ninety three right right away? Yeah, and

3273
02:45:40.399 --> 02:45:47.520
<v Speaker 6>what'd you say nineteen eighty five? Yes, sir, well you

3274
02:45:47.680 --> 02:45:50.760
<v Speaker 6>have I mean you would be like a perfect five, right,

3275
02:45:50.799 --> 02:45:54.200
<v Speaker 6>It would be like the completion of like something that

3276
02:45:54.319 --> 02:45:57.719
<v Speaker 6>you've done, maybe to do some greater thing, because you

3277
02:45:57.760 --> 02:45:59.799
<v Speaker 6>always want to try and go up to seven. That's

3278
02:45:59.840 --> 02:46:03.079
<v Speaker 6>the idea. So you use like maybe a launching pad.

3279
02:46:04.319 --> 02:46:06.680
<v Speaker 6>That'd be a good date for like some the new venture,

3280
02:46:06.920 --> 02:46:07.399
<v Speaker 6>you could say.

3281
02:46:08.600 --> 02:46:13.280
<v Speaker 2>Yeah, So so that's uh.

3282
02:46:13.760 --> 02:46:16.479
<v Speaker 4>That former estate there you see now is the clubhouse

3283
02:46:16.520 --> 02:46:20.200
<v Speaker 4>of the Trump National Bedminster golf Course and the Prime Residency.

3284
02:46:20.360 --> 02:46:23.399
<v Speaker 4>Trump calls it his summer white House Prime Residency that

3285
02:46:23.479 --> 02:46:25.079
<v Speaker 4>he established there in his first term.

3286
02:46:25.159 --> 02:46:26.159
<v Speaker 3>Between May and September.

3287
02:46:26.520 --> 02:46:29.000
<v Speaker 4>That's where he normally lives during those months, but I'm

3288
02:46:29.000 --> 02:46:31.399
<v Speaker 4>saying that's that's what he called the summer White House there.

3289
02:46:32.200 --> 02:46:34.079
<v Speaker 3>That house right there used to be John Delauriance.

3290
02:46:34.799 --> 02:46:36.079
<v Speaker 2>So after getting.

3291
02:46:37.920 --> 02:46:39.120
<v Speaker 3>Now, I can't make this ship up.

3292
02:46:39.280 --> 02:46:41.879
<v Speaker 4>It's for all those d m UFO sidings in New Jersey.

3293
02:46:41.959 --> 02:46:44.040
<v Speaker 4>I mean to holler there as well. I'm getting a

3294
02:46:44.079 --> 02:46:45.879
<v Speaker 4>little a little too wild there. And this is where

3295
02:46:45.879 --> 02:46:48.920
<v Speaker 4>all those UFO sidings in New Jersey were over Trump's

3296
02:46:49.639 --> 02:46:52.040
<v Speaker 4>over Delaurian's property, which is now Trump's property.

3297
02:46:52.799 --> 02:46:53.680
<v Speaker 8>Are you serious?

3298
02:46:54.479 --> 02:46:56.319
<v Speaker 3>Right right over right over it?

3299
02:46:56.799 --> 02:46:58.879
<v Speaker 8>Not all sidings.

3300
02:46:59.440 --> 02:47:01.840
<v Speaker 4>Well those there's weird drone starting. There was a high

3301
02:47:01.879 --> 02:47:04.520
<v Speaker 4>concentration of them in New Jersey. They were going over Bedminster,

3302
02:47:04.760 --> 02:47:07.440
<v Speaker 4>the former property of Do Lore in the current property

3303
02:47:07.479 --> 02:47:07.840
<v Speaker 4>of Trump.

3304
02:47:08.719 --> 02:47:09.040
<v Speaker 1>Wow.

3305
02:47:11.000 --> 02:47:13.239
<v Speaker 8>Yeah, it was weird.

3306
02:47:14.719 --> 02:47:16.479
<v Speaker 2>So it makes numbers.

3307
02:47:17.479 --> 02:47:19.719
<v Speaker 3>What's that gen? It makes sense to what the numbers.

3308
02:47:19.559 --> 02:47:22.319
<v Speaker 6>Something that like Heidi always says like there's some they're

3309
02:47:22.360 --> 02:47:24.959
<v Speaker 6>playing with angels. That's that's exactly what it is, and

3310
02:47:25.079 --> 02:47:28.280
<v Speaker 6>that like or they or they're playing with going away

3311
02:47:28.639 --> 02:47:31.040
<v Speaker 6>like an angel like how the movie describes.

3312
02:47:31.559 --> 02:47:32.319
<v Speaker 2>It's like the same.

3313
02:47:32.840 --> 02:47:34.680
<v Speaker 6>It's like two different ideas like do you believe in

3314
02:47:34.719 --> 02:47:36.559
<v Speaker 6>the other power or do you believe in the self

3315
02:47:36.600 --> 02:47:38.600
<v Speaker 6>power exactly what Heidi said. I'm just us seeing a

3316
02:47:38.639 --> 02:47:41.719
<v Speaker 6>different way to describe it. So it's exactly, do you

3317
02:47:41.840 --> 02:47:43.959
<v Speaker 6>believe in the angels or do you believe in yourself?

3318
02:47:44.479 --> 02:47:48.360
<v Speaker 6>There's two different schools of thinking, two different factions. So

3319
02:47:49.079 --> 02:47:52.280
<v Speaker 6>that that's an interesting idea because it's like the Trump

3320
02:47:52.360 --> 02:47:55.639
<v Speaker 6>connection is really interesting. The just all of this, it's

3321
02:47:55.719 --> 02:47:59.280
<v Speaker 6>just so fascinating, Like the whole film is like very

3322
02:48:00.159 --> 02:48:04.280
<v Speaker 6>much deeper than its outer presentation. And maybe that's also

3323
02:48:04.959 --> 02:48:09.719
<v Speaker 6>like a credit to its success because it it it's

3324
02:48:09.840 --> 02:48:12.600
<v Speaker 6>not like, you know, sometimes the magical works, they work

3325
02:48:12.639 --> 02:48:15.040
<v Speaker 6>and sometimes they don't. That's kind of the idea. Someday

3326
02:48:15.120 --> 02:48:18.360
<v Speaker 6>sometimes they are successful and bear fruit and sometimes they don't.

3327
02:48:18.879 --> 02:48:21.840
<v Speaker 6>But like this film sort of bears endless fruit in

3328
02:48:21.920 --> 02:48:25.799
<v Speaker 6>a way, very double ages. That's right, because it kind

3329
02:48:25.840 --> 02:48:29.120
<v Speaker 6>of like it keeps Michael J. Fox perpetually famous, even

3330
02:48:29.159 --> 02:48:33.440
<v Speaker 6>though he retired like twenty years ago. He's perpetually he'll

3331
02:48:33.520 --> 02:48:37.719
<v Speaker 6>be famous long after he's like an old man because

3332
02:48:37.760 --> 02:48:38.360
<v Speaker 6>of this film.

3333
02:48:39.360 --> 02:48:42.799
<v Speaker 8>Yeah, it's definitely not because of Teen Wolf. I'm telling

3334
02:48:42.879 --> 02:48:48.719
<v Speaker 8>you that right now. I I'm just saying to the

3335
02:48:48.959 --> 02:48:54.159
<v Speaker 8>back to the Future is is like what saled him

3336
02:48:54.239 --> 02:48:55.479
<v Speaker 8>off into infamy.

3337
02:48:56.079 --> 02:48:56.479
<v Speaker 3>Oh it does.

3338
02:48:56.719 --> 02:48:59.479
<v Speaker 4>It doesn't compare between the city and doesn't compare. It's

3339
02:48:59.520 --> 02:49:00.319
<v Speaker 4>still a fine film.

3340
02:49:00.879 --> 02:49:04.600
<v Speaker 1>You do find the FBI informant on the Dolorean case thing.

3341
02:49:05.440 --> 02:49:07.920
<v Speaker 1>His last name was Hoffman, which made me giggle.

3342
02:49:08.159 --> 02:49:11.159
<v Speaker 4>Oh well, that's yeah, I've dug into that dude's past.

3343
02:49:11.200 --> 02:49:13.239
<v Speaker 4>He was doing some I ran conscience spelling for the

3344
02:49:13.280 --> 02:49:15.120
<v Speaker 4>FEDS and the DA back in the mid seventies.

3345
02:49:15.239 --> 02:49:16.680
<v Speaker 3>That's how he became an informant.

3346
02:49:16.760 --> 02:49:18.760
<v Speaker 4>So I got a lot to unpack with that because

3347
02:49:18.799 --> 02:49:21.040
<v Speaker 4>I got some cocaine Bob connections involved in that mixt

3348
02:49:21.120 --> 02:49:21.559
<v Speaker 4>month Oh.

3349
02:49:21.520 --> 02:49:25.120
<v Speaker 3>Boy, topic for a different day, Yeah, for sure, for

3350
02:49:25.239 --> 02:49:25.840
<v Speaker 3>a different day.

3351
02:49:26.840 --> 02:49:30.239
<v Speaker 6>The well, cocaine, like you olays say, JJ, cocaine seems

3352
02:49:30.239 --> 02:49:33.399
<v Speaker 6>to drive a lot of these kinds of protects, and

3353
02:49:33.559 --> 02:49:36.600
<v Speaker 6>coin is a very mercurial substance, like if you were

3354
02:49:36.680 --> 02:49:39.159
<v Speaker 6>to mop it out in Kabala, would be a very

3355
02:49:39.239 --> 02:49:41.799
<v Speaker 6>hard substance because it requires fire from government.

3356
02:49:44.879 --> 02:49:46.840
<v Speaker 3>No don't you ain't kidding. I mean that's for sure.

3357
02:49:46.920 --> 02:49:50.559
<v Speaker 4>So uh, we can transition here on the fifteen and

3358
02:49:50.600 --> 02:49:53.520
<v Speaker 4>who is based on Donald Trump as the man who

3359
02:49:53.600 --> 02:49:56.360
<v Speaker 4>was owning the owner now of the old Dolorian estate,

3360
02:49:56.440 --> 02:50:00.319
<v Speaker 4>the five hundred and thirty five acre estate formerly as

3361
02:50:00.959 --> 02:50:04.399
<v Speaker 4>as the delarey In Estate. Again, it's a fantastic place.

3362
02:50:04.479 --> 02:50:07.879
<v Speaker 4>The Summer White House where Trump uh trump uh. In fact,

3363
02:50:08.399 --> 02:50:11.239
<v Speaker 4>moments after he left Pennsylvania there in July was at

3364
02:50:11.280 --> 02:50:14.520
<v Speaker 4>fourteenth twenty twenty four, when he got the assassination attempted

3365
02:50:14.559 --> 02:50:15.120
<v Speaker 4>Butler Pa.

3366
02:50:15.600 --> 02:50:19.840
<v Speaker 3>He went directly to his Badminster property, the same.

3367
02:50:21.920 --> 02:50:25.799
<v Speaker 2>He likes. He likes that place. Maybe the fallen angels

3368
02:50:25.879 --> 02:50:27.920
<v Speaker 2>held his ear there, you go.

3369
02:50:28.760 --> 02:50:31.079
<v Speaker 4>Maybe the drone UFO aliens got him, maybe they helped

3370
02:50:31.120 --> 02:50:34.479
<v Speaker 4>him out them in JFK Junior.

3371
02:50:36.239 --> 02:50:38.040
<v Speaker 5>You know, there was somebody who showed that those things

3372
02:50:38.079 --> 02:50:40.239
<v Speaker 5>like flew out like right near like a Boeing plan.

3373
02:50:42.079 --> 02:50:42.319
<v Speaker 8>Yeah.

3374
02:50:42.920 --> 02:50:45.719
<v Speaker 4>No, for sure, there's some weird stuff. I mean, it

3375
02:50:45.840 --> 02:50:47.479
<v Speaker 4>was all hot news and then now it's not, and

3376
02:50:47.719 --> 02:50:49.840
<v Speaker 4>no one really explained it. It was shining, it was Iran,

3377
02:50:49.959 --> 02:50:52.200
<v Speaker 4>it was nothing, it was ours. I mean, I mean,

3378
02:50:52.239 --> 02:50:54.200
<v Speaker 4>I think that's all part of a distraction from whatever

3379
02:50:54.319 --> 02:50:56.239
<v Speaker 4>what it really was right in which we don't really

3380
02:50:56.280 --> 02:50:59.760
<v Speaker 4>know and did it didn't not? Again, it was over

3381
02:51:00.200 --> 02:51:02.079
<v Speaker 4>over different parts of New Jersey, but there was a

3382
02:51:02.200 --> 02:51:05.680
<v Speaker 4>pocket where the concentration was for weeks. Donald Trump did

3383
02:51:05.719 --> 02:51:07.760
<v Speaker 4>a press conference about it during the election and during

3384
02:51:07.799 --> 02:51:10.120
<v Speaker 4>his campaign, like, you know, someone really needs to check

3385
02:51:10.159 --> 02:51:12.600
<v Speaker 4>this out. I've had these drones over my property for

3386
02:51:12.680 --> 02:51:14.680
<v Speaker 4>two weeks. This seems to be a national security issue

3387
02:51:14.760 --> 02:51:15.040
<v Speaker 4>or something.

3388
02:51:15.079 --> 02:51:16.079
<v Speaker 2>He says, so.

3389
02:51:19.079 --> 02:51:20.319
<v Speaker 3>Very very wild stuff.

3390
02:51:20.319 --> 02:51:23.280
<v Speaker 4>If you asked me so, Bif Tanner, based on Donald

3391
02:51:23.319 --> 02:51:26.079
<v Speaker 4>Trump there, what what are your thoughts on him as

3392
02:51:26.120 --> 02:51:26.520
<v Speaker 4>a character.

3393
02:51:29.440 --> 02:51:31.159
<v Speaker 8>Well, he's just a dick.

3394
02:51:32.319 --> 02:51:35.239
<v Speaker 2>He's just that's true. That's true.

3395
02:51:35.280 --> 02:51:38.280
<v Speaker 8>And he's not and he's like the proverbi. He's like

3396
02:51:38.479 --> 02:51:42.079
<v Speaker 8>not even a smart dick. He's just a retarded dick.

3397
02:51:42.600 --> 02:51:45.239
<v Speaker 8>And he's a tree and get.

3398
02:51:45.120 --> 02:51:48.399
<v Speaker 3>Out of here, right, And he's kind of that's right,

3399
02:51:48.520 --> 02:51:50.879
<v Speaker 3>and he's kind of like he's like quantum entangled with

3400
02:51:51.200 --> 02:51:52.079
<v Speaker 3>Marty Wick flies.

3401
02:51:52.319 --> 02:51:57.399
<v Speaker 6>Uh you know, a family tree, right. Yeah, that's just

3402
02:51:57.479 --> 02:52:00.840
<v Speaker 6>like what he said. They have to play each other.

3403
02:52:00.879 --> 02:52:02.239
<v Speaker 6>It's like opposing role.

3404
02:52:02.719 --> 02:52:04.879
<v Speaker 4>Because every time he goes back or forward in time,

3405
02:52:04.959 --> 02:52:06.319
<v Speaker 4>he's got a new biff and he's got a new

3406
02:52:06.319 --> 02:52:06.920
<v Speaker 4>biff to handle.

3407
02:52:07.600 --> 02:52:08.680
<v Speaker 2>Mm hmmm hmm.

3408
02:52:10.479 --> 02:52:14.479
<v Speaker 8>Kind of reminds me of the Butterfly Effect. That's another

3409
02:52:14.600 --> 02:52:19.639
<v Speaker 8>movie I really love, and uh would you say, Nick,

3410
02:52:20.440 --> 02:52:24.559
<v Speaker 8>Oh yeah, no, dude, that that's that could be another

3411
02:52:24.639 --> 02:52:28.520
<v Speaker 8>episode in itself. But it's like every time Marty goes

3412
02:52:28.639 --> 02:52:31.479
<v Speaker 8>back or forward, he gets a new Biff, and it's

3413
02:52:31.559 --> 02:52:34.040
<v Speaker 8>like he's still just as awful as ever, but just

3414
02:52:34.120 --> 02:52:39.079
<v Speaker 8>in different ways. He Butterfly affects him throughout. It's like

3415
02:52:39.200 --> 02:52:42.319
<v Speaker 8>he's still a dick, it's just different variations of what

3416
02:52:42.440 --> 02:52:43.959
<v Speaker 8>kind of dicky is like.

3417
02:52:44.200 --> 02:52:47.760
<v Speaker 4>Through just too McFly. It's to his parents, right, He's

3418
02:52:47.760 --> 02:52:51.360
<v Speaker 4>got a whole thing with the Antagon, this thing with

3419
02:52:51.440 --> 02:52:54.479
<v Speaker 4>George McFly. So he's like he's just the dude. He's

3420
02:52:54.479 --> 02:52:55.840
<v Speaker 4>always there, you know, beefing.

3421
02:52:56.639 --> 02:52:57.200
<v Speaker 2>Mm hmmmm.

3422
02:52:58.760 --> 02:53:01.680
<v Speaker 8>I will say though, in the second movie, the old

3423
02:53:01.840 --> 02:53:06.200
<v Speaker 8>Man Biff is a lot more intelligent than this one

3424
02:53:06.280 --> 02:53:08.799
<v Speaker 8>that we got pulled up because he's like he wants

3425
02:53:08.879 --> 02:53:12.440
<v Speaker 8>to rig the sports and stuff like that, so he

3426
02:53:12.559 --> 02:53:13.719
<v Speaker 8>becomes the billionaire.

3427
02:53:15.600 --> 02:53:17.760
<v Speaker 4>Of course, there's the Masonic nature of Hira a Biff, right,

3428
02:53:17.840 --> 02:53:21.440
<v Speaker 4>Like he was saying before, mm hmmm, Well.

3429
02:53:21.440 --> 02:53:25.559
<v Speaker 8>Isn't there something about like Trump's family being connected with

3430
02:53:25.760 --> 02:53:28.200
<v Speaker 8>Tesla and they were working on some kind of time

3431
02:53:28.319 --> 02:53:29.120
<v Speaker 8>travel thing.

3432
02:53:30.040 --> 02:53:33.079
<v Speaker 1>Like I love that.

3433
02:53:33.520 --> 02:53:37.399
<v Speaker 2>Yeah, so that's to go with so Tesla.

3434
02:53:38.200 --> 02:53:41.559
<v Speaker 1>Uncle John was his understudy, and then you get to

3435
02:53:41.680 --> 02:53:44.200
<v Speaker 1>Van olver Bush and this goes into a hole like

3436
02:53:44.920 --> 02:53:47.079
<v Speaker 1>I'll be short because I've talked way too much tonight.

3437
02:53:47.159 --> 02:53:52.280
<v Speaker 1>But yes, he supposedly possibly got Tesla's papers. However, there's

3438
02:53:52.319 --> 02:53:54.600
<v Speaker 1>an argument whether he ever wrote a paper because he

3439
02:53:54.760 --> 02:53:55.639
<v Speaker 1>memorized everything.

3440
02:53:55.799 --> 02:53:59.879
<v Speaker 2>So it's a little shady there, But that's basically you know,

3441
02:54:00.040 --> 02:54:02.440
<v Speaker 2>they talked mar al Largo and they were looking for something.

3442
02:54:02.600 --> 02:54:04.799
<v Speaker 2>So I'm just saying I don't know.

3443
02:54:04.879 --> 02:54:08.319
<v Speaker 8>I had only heard about it, like on a very

3444
02:54:08.760 --> 02:54:12.440
<v Speaker 8>surface level, that there was something about Trump and Tesla.

3445
02:54:13.000 --> 02:54:16.920
<v Speaker 8>And then if that's true and this character is based

3446
02:54:17.000 --> 02:54:23.200
<v Speaker 8>off of like his archetype, the Trump archetype, it makes

3447
02:54:23.319 --> 02:54:25.399
<v Speaker 8>it would make a lot of sense, especially like in

3448
02:54:25.479 --> 02:54:28.280
<v Speaker 8>the second movie with like the Biff Tower or whatever

3449
02:54:28.600 --> 02:54:30.879
<v Speaker 8>and the sure the weirdness with that.

3450
02:54:31.680 --> 02:54:32.959
<v Speaker 3>No, it's and it's definitely true.

3451
02:54:32.959 --> 02:54:33.159
<v Speaker 1>It was.

3452
02:54:33.280 --> 02:54:37.079
<v Speaker 4>It was, Uh, it was not unclassified for four years,

3453
02:54:37.120 --> 02:54:39.760
<v Speaker 4>but it was a John G. Trump was the top

3454
02:54:39.879 --> 02:54:42.479
<v Speaker 4>physicist in m my tea. He was the longest serving professor,

3455
02:54:42.680 --> 02:54:45.479
<v Speaker 4>you know, and him you will see plenty of interviews

3456
02:54:45.479 --> 02:54:47.760
<v Speaker 4>where Trump talks about his relationship with his uncle.

3457
02:54:48.399 --> 02:54:50.440
<v Speaker 2>Oh, he flexes on that hardcore.

3458
02:54:50.639 --> 02:54:53.799
<v Speaker 1>He's like my uncle John whenever he wants to push

3459
02:54:53.920 --> 02:54:55.319
<v Speaker 1>something and f with everybody.

3460
02:54:55.440 --> 02:54:58.639
<v Speaker 2>He's like my uncle John and his papers.

3461
02:54:59.319 --> 02:55:01.559
<v Speaker 3>He knows the buttons to push, he knows what he's doing.

3462
02:55:02.559 --> 02:55:05.319
<v Speaker 8>I hate to say it, but I give him an

3463
02:55:05.479 --> 02:55:11.479
<v Speaker 8>A plus A plus for disgrace nuclear physicist. He's the

3464
02:55:11.600 --> 02:55:12.719
<v Speaker 8>best you've ever seen.

3465
02:55:13.959 --> 02:55:17.360
<v Speaker 3>And do we know that's that's a good does a

3466
02:55:17.440 --> 02:55:19.879
<v Speaker 3>good trouve opression. But I just want to I just

3467
02:55:19.959 --> 02:55:21.959
<v Speaker 3>wanted to ask if you all any more commentary here

3468
02:55:22.000 --> 02:55:24.840
<v Speaker 3>on Biff before we get too long in the matters.

3469
02:55:25.120 --> 02:55:30.920
<v Speaker 8>Yeah, I do fuck Biff his character and get out

3470
02:55:30.920 --> 02:55:33.639
<v Speaker 8>of here. Yeah, I want I want Biff to make

3471
02:55:33.760 --> 02:55:35.399
<v Speaker 8>like a tree and get out of here.

3472
02:55:36.040 --> 02:55:37.159
<v Speaker 5>Believe well.

3473
02:55:37.280 --> 02:55:39.200
<v Speaker 1>I did think it was funny that they covered him

3474
02:55:39.239 --> 02:55:41.639
<v Speaker 1>in ship, and I do think that the whole darkness

3475
02:55:41.840 --> 02:55:43.239
<v Speaker 1>I could have gone into a whole thing.

3476
02:55:43.319 --> 02:55:44.760
<v Speaker 2>But I talked a lot tonight, so.

3477
02:55:46.600 --> 02:55:50.520
<v Speaker 6>That's good. The ship thing isn't is honest legit interesting

3478
02:55:50.600 --> 02:55:53.360
<v Speaker 6>from a metaphysical perspective because it's kind of it was

3479
02:55:53.440 --> 02:55:57.200
<v Speaker 6>like public humiliation almost. I'm not saying humiliation ritual Nick

3480
02:55:58.600 --> 02:56:02.159
<v Speaker 6>was saying. I'm saying it was like a public humiliation,

3481
02:56:02.440 --> 02:56:05.440
<v Speaker 6>Like it was like he's tard and feathered. He is

3482
02:56:05.479 --> 02:56:09.040
<v Speaker 6>the chicken he has to start again. And Biff is

3483
02:56:09.159 --> 02:56:12.680
<v Speaker 6>never like there's nothing redeemable about him in any of

3484
02:56:12.760 --> 02:56:16.840
<v Speaker 6>the films, in any moment. Like he's not funny, he's

3485
02:56:16.920 --> 02:56:21.399
<v Speaker 6>not charming, he's not like the Trump that we see right.

3486
02:56:21.319 --> 02:56:22.760
<v Speaker 8>Like that he's a rapist.

3487
02:56:23.760 --> 02:56:26.159
<v Speaker 6>Yeah well, yeah, he's an attempted.

3488
02:56:25.959 --> 02:56:30.680
<v Speaker 1>Like assaulter, and he's gigantic like back at like possible

3489
02:56:30.879 --> 02:56:31.879
<v Speaker 1>fallowing angel stuff.

3490
02:56:31.920 --> 02:56:37.840
<v Speaker 6>But like yeah, plus ultra right, like plus Ultra may

3491
02:56:37.840 --> 02:56:41.600
<v Speaker 6>believe that Tesla was like the one magician to follow.

3492
02:56:42.000 --> 02:56:46.959
<v Speaker 6>He was like there, I'm sorry, Heidi, I forget you're

3493
02:56:47.000 --> 02:56:50.239
<v Speaker 6>telling me Jim Yeah, yeah, like, and they're going in

3494
02:56:50.319 --> 02:56:55.200
<v Speaker 6>different directions, different factions, they follow different leaders. One follows Crowley,

3495
02:56:55.319 --> 02:56:59.440
<v Speaker 6>one follows you know, there's the way I don't know well.

3496
02:56:59.479 --> 02:57:02.040
<v Speaker 1>And he has always the people behind him backing him,

3497
02:57:02.159 --> 02:57:04.520
<v Speaker 1>like you know, Trump has had the mob and Cone

3498
02:57:04.600 --> 02:57:07.600
<v Speaker 1>and you know, lots of people that helped him get

3499
02:57:07.639 --> 02:57:08.200
<v Speaker 1>where he is.

3500
02:57:08.399 --> 02:57:11.600
<v Speaker 2>I mean, he came up from the depths of shit, is.

3501
02:57:12.120 --> 02:57:13.000
<v Speaker 1>What you know.

3502
02:57:13.719 --> 02:57:15.520
<v Speaker 4>Well, I'm glad you point out the rape. The rape

3503
02:57:15.559 --> 02:57:17.799
<v Speaker 4>Part two with this character. He's kind of rapil Biff,

3504
02:57:18.040 --> 02:57:22.399
<v Speaker 4>and there is an element to it, right with this

3505
02:57:22.559 --> 02:57:25.000
<v Speaker 4>with his character, but there's an underlying kind of rape

3506
02:57:25.040 --> 02:57:26.879
<v Speaker 4>element to the whole film if you asked me. And

3507
02:57:26.920 --> 02:57:29.719
<v Speaker 4>that was one of the apparent contentions as we mentioned earlier,

3508
02:57:29.799 --> 02:57:32.719
<v Speaker 4>with Crispin Glover not returning to the film there in

3509
02:57:32.799 --> 02:57:35.479
<v Speaker 4>number two and suing them when they use his likeness,

3510
02:57:35.559 --> 02:57:37.280
<v Speaker 4>and he's got a big beef about all those things.

3511
02:57:38.000 --> 02:57:40.360
<v Speaker 4>But that really does kind of there is kind of

3512
02:57:40.399 --> 02:57:43.959
<v Speaker 4>that esoteric understanding to this whole situation based if his

3513
02:57:44.040 --> 02:57:48.879
<v Speaker 4>statements are true, which I'll do a quick recap on that.

3514
02:57:49.040 --> 02:57:55.319
<v Speaker 4>Here we're done with the character of Biff, so on

3515
02:57:55.639 --> 02:57:57.959
<v Speaker 4>crazy days and nights, which you know, take it from

3516
02:57:58.000 --> 02:58:00.120
<v Speaker 4>what you will. This guy's got a lot of had

3517
02:58:00.159 --> 02:58:01.479
<v Speaker 4>a long record of being right on a lot of

3518
02:58:01.520 --> 02:58:06.360
<v Speaker 4>things before it's public this entertainment lawyer fellow, but back

3519
02:58:06.440 --> 02:58:13.399
<v Speaker 4>in twenty eighteen August seventeenth, twenty eighteen, he's discussing the

3520
02:58:13.879 --> 02:58:17.920
<v Speaker 4>why the Crispin Glover and the actress who played Jennifer

3521
02:58:17.959 --> 02:58:19.360
<v Speaker 4>there did not return to the film.

3522
02:58:19.920 --> 02:58:22.600
<v Speaker 3>This actor, who has never probably.

3523
02:58:22.360 --> 02:58:25.760
<v Speaker 4>Eclipsed b plus lists was portrayed as a troublemaker for

3524
02:58:25.840 --> 02:58:29.639
<v Speaker 4>spreading the truth. He was effectively blacklisted by any and

3525
02:58:29.719 --> 02:58:33.040
<v Speaker 4>all people who were friends with the producers. Again, Lucas

3526
02:58:33.120 --> 02:58:36.159
<v Speaker 4>Spielberg semechis, I mean that's most of Hollywood, and the

3527
02:58:36.280 --> 02:58:38.159
<v Speaker 4>entertainment lawyer says, that's seventy five percent.

3528
02:58:39.239 --> 02:58:40.159
<v Speaker 3>That sounds about right.

3529
02:58:40.719 --> 02:58:42.959
<v Speaker 4>There was a group through though, that were not friends

3530
02:58:43.040 --> 02:58:45.239
<v Speaker 4>with those producers, that have kept the actor at least

3531
02:58:45.280 --> 02:58:47.399
<v Speaker 4>earning enough to make a living, and that's accurate. He

3532
02:58:47.440 --> 02:58:50.440
<v Speaker 4>played some bit roles in smaller roles in things including

3533
02:58:50.520 --> 02:58:53.040
<v Speaker 4>the antagonist or the villain, and Charlie's Angels being one

3534
02:58:53.079 --> 02:58:55.000
<v Speaker 4>of the bigger ones that he was offered, you know,

3535
02:58:55.120 --> 02:58:58.040
<v Speaker 4>many years after, you know, back to the future. I

3536
02:58:58.040 --> 02:58:59.920
<v Speaker 4>would say he's a pretty good actor, right, I tend to.

3537
02:59:01.760 --> 02:59:03.559
<v Speaker 8>I love him. I think he's so funny.

3538
02:59:04.600 --> 02:59:06.239
<v Speaker 4>Kind of anoyed it now when he started the Smiling

3539
02:59:06.280 --> 02:59:10.040
<v Speaker 4>Face Killer film by Brendy Stonellis who wrote American Psychode.

3540
02:59:10.040 --> 02:59:14.840
<v Speaker 4>But that's a different story altogether, so it says the

3541
02:59:15.079 --> 02:59:17.000
<v Speaker 4>entertainment tayment lawyer goes on to say, I can't even

3542
02:59:17.040 --> 02:59:18.840
<v Speaker 4>watch the film any longer because of what I know

3543
02:59:19.000 --> 02:59:21.399
<v Speaker 4>what was happening on the set. The actor said the

3544
02:59:21.520 --> 02:59:23.639
<v Speaker 4>multiple bedrooms used in scenes in the film, so the

3545
02:59:23.840 --> 02:59:26.000
<v Speaker 4>scenes from the film would often smell of cigars and

3546
02:59:26.040 --> 02:59:28.760
<v Speaker 4>booze because that is often where the producers would take

3547
02:59:28.799 --> 02:59:31.479
<v Speaker 4>the boys after their tour of the set, and they're

3548
02:59:31.520 --> 02:59:34.840
<v Speaker 4>quote their jan Waite for quote unquote tour of the set.

3549
02:59:35.520 --> 02:59:38.000
<v Speaker 4>Our actor also says that every other actor on that

3550
02:59:38.120 --> 02:59:40.520
<v Speaker 4>film set knew what was going on, but they valued

3551
02:59:40.520 --> 02:59:42.399
<v Speaker 4>their careers more than the horrors taking place.

3552
02:59:43.479 --> 02:59:47.200
<v Speaker 3>So that's why apparently those two decided not to leave. Again,

3553
02:59:47.280 --> 02:59:48.600
<v Speaker 3>this was made by you.

3554
02:59:48.799 --> 02:59:51.280
<v Speaker 4>We were mentioning the Steven Spielberg gets ambling entertainment, so

3555
02:59:51.360 --> 02:59:53.680
<v Speaker 4>he was in charge of this operation along with Zemecchus

3556
02:59:54.479 --> 02:59:56.760
<v Speaker 4>and Lucas wasn't nessiately involved, but he's you know, he's

3557
02:59:56.760 --> 02:59:57.600
<v Speaker 4>part of their same.

3558
02:59:57.520 --> 02:59:58.159
<v Speaker 3>Mixed with these guys.

3559
02:59:58.159 --> 03:00:01.399
<v Speaker 4>I don't know where he was necessarily, but I'm just

3560
03:00:01.440 --> 03:00:03.559
<v Speaker 4>saying they socially speaking, they were probably hanging out still

3561
03:00:03.600 --> 03:00:06.440
<v Speaker 4>even while the film was going right. But you know,

3562
03:00:06.479 --> 03:00:08.920
<v Speaker 4>it's a very very odd environment. We see Crispin Glover,

3563
03:00:09.120 --> 03:00:10.760
<v Speaker 4>I got a quick clip to show you kind of

3564
03:00:10.840 --> 03:00:12.639
<v Speaker 4>how he feels about this stuff today.

3565
03:00:13.879 --> 03:00:16.840
<v Speaker 2>I did not do anything illegal, Bob Gail did something legal.

3566
03:00:17.000 --> 03:00:18.840
<v Speaker 6>We didn't do anything that was illegal.

3567
03:00:19.120 --> 03:00:22.159
<v Speaker 8>In the ever twisting corridors of Hollywood history, one of

3568
03:00:22.239 --> 03:00:25.879
<v Speaker 8>tinsel Town's most intriguing tales is the legal drama surrounding

3569
03:00:25.959 --> 03:00:28.440
<v Speaker 8>Crispin Glover and Back to the Future Part two.

3570
03:00:31.639 --> 03:00:33.719
<v Speaker 4>So obviously he's talking about using his likeness where he

3571
03:00:33.760 --> 03:00:36.479
<v Speaker 4>fantasy sued them and was successful in that effort, and

3572
03:00:36.520 --> 03:00:38.639
<v Speaker 4>that was kind of a landmark issue. But with the

3573
03:00:38.719 --> 03:00:41.799
<v Speaker 4>anger in Visrael you see Crispin Glover in an interview

3574
03:00:41.840 --> 03:00:44.559
<v Speaker 4>from recent years. I think it's rooted more in that

3575
03:00:44.719 --> 03:00:47.479
<v Speaker 4>letter you were talking about it earlier, Julia, which is hmmm.

3576
03:00:47.719 --> 03:00:49.479
<v Speaker 4>I will include in the show notes. But I had

3577
03:00:49.479 --> 03:00:51.840
<v Speaker 4>to go back to locate. I had to go back

3578
03:00:51.840 --> 03:00:52.760
<v Speaker 4>to the way back machine.

3579
03:00:53.479 --> 03:00:54.000
<v Speaker 2>Mm hmmm.

3580
03:00:54.280 --> 03:00:57.479
<v Speaker 8>Yeah. I mean it's it's buried. And he talks about

3581
03:00:57.879 --> 03:01:00.319
<v Speaker 8>Steven Spielberg on.

3582
03:01:02.200 --> 03:01:05.440
<v Speaker 3>He goes, He goes, he goes pretty, he goes pretty

3583
03:01:05.479 --> 03:01:06.319
<v Speaker 3>tough on Spielberg.

3584
03:01:06.360 --> 03:01:09.600
<v Speaker 8>Here, doesn't he Yeah, he does, he does, he does,

3585
03:01:09.719 --> 03:01:10.000
<v Speaker 8>he does.

3586
03:01:10.120 --> 03:01:12.959
<v Speaker 1>If you ever saw the picture of Steven Spielberg with

3587
03:01:13.200 --> 03:01:15.799
<v Speaker 1>the little Poultergeist girl on his lap, you will have

3588
03:01:15.959 --> 03:01:24.159
<v Speaker 1>no questions, right right, And she died like a bell obstruction. Yeah,

3589
03:01:25.000 --> 03:01:29.360
<v Speaker 1>that's what they said. That's what they said. It makes

3590
03:01:29.639 --> 03:01:33.559
<v Speaker 1>sense if there was traumatic injury there where she couldn't Yeah.

3591
03:01:33.360 --> 03:01:37.600
<v Speaker 8>But they said that she that she had like a

3592
03:01:37.760 --> 03:01:41.799
<v Speaker 8>congested colon and that way that she got backed up,

3593
03:01:41.840 --> 03:01:46.719
<v Speaker 8>and that's what But it's like, come on, now, I agree.

3594
03:01:46.440 --> 03:01:49.600
<v Speaker 2>And I and Steven Spielberg got so many dark tails.

3595
03:01:49.600 --> 03:01:51.120
<v Speaker 4>I was, you know, I was going to say, maybe

3596
03:01:51.159 --> 03:01:53.920
<v Speaker 4>we'll have to discuss that one, you know, collectively here

3597
03:01:53.959 --> 03:01:54.879
<v Speaker 4>in the future, because I think we.

3598
03:01:54.879 --> 03:01:55.159
<v Speaker 6>All have some.

3599
03:01:55.559 --> 03:02:01.440
<v Speaker 4>But it sounds like well, when I think it's verymore, well,

3600
03:02:01.600 --> 03:02:02.680
<v Speaker 4>the hold on when I think of well, and I

3601
03:02:02.719 --> 03:02:03.639
<v Speaker 4>think it's Drew Barrymore.

3602
03:02:03.719 --> 03:02:08.799
<v Speaker 3>This is also my same reaction Scott Drew Barrymore was

3603
03:02:08.840 --> 03:02:11.399
<v Speaker 3>doing coke and drinking at Studio fifty three nine.

3604
03:02:11.799 --> 03:02:13.600
<v Speaker 4>I mean, yeah, I don't know, I Spielberg was there,

3605
03:02:13.680 --> 03:02:17.200
<v Speaker 4>but some of their characters and somebody old Donald.

3606
03:02:16.959 --> 03:02:20.239
<v Speaker 2>Trump, right, yeah, some girls person was there for sure.

3607
03:02:20.280 --> 03:02:23.440
<v Speaker 4>She This is this is the era of when Roe

3608
03:02:23.479 --> 03:02:26.639
<v Speaker 4>boy conees basically running Studio fifty four because the owners

3609
03:02:26.680 --> 03:02:29.520
<v Speaker 4>are so in debt to him for legal services to

3610
03:02:29.559 --> 03:02:31.239
<v Speaker 4>stay out of jail and keep the place open that

3611
03:02:31.319 --> 03:02:33.440
<v Speaker 4>he's kind of running that spot by that point.

3612
03:02:33.559 --> 03:02:34.079
<v Speaker 2>Oh yeah.

3613
03:02:34.319 --> 03:02:36.719
<v Speaker 8>The only reason I bring her up is because a

3614
03:02:36.840 --> 03:02:40.920
<v Speaker 8>fire starter in et both Steven Spielberg.

3615
03:02:41.200 --> 03:02:42.079
<v Speaker 3>Right, And that's what I'm saying.

3616
03:02:42.120 --> 03:02:44.959
<v Speaker 4>They got up seventy eight back there Studio fifty four

3617
03:02:45.159 --> 03:02:47.680
<v Speaker 4>on some coke and some benzos and some alcohol and whatnot.

3618
03:02:47.719 --> 03:02:51.719
<v Speaker 4>By the time she met Spielberg, he was like, He's like, yep, Jack.

3619
03:02:51.600 --> 03:02:56.799
<v Speaker 2>Thought, mm hmmmmm, sad do you have?

3620
03:02:57.639 --> 03:02:59.920
<v Speaker 6>That was really good? By the way the clip played,

3621
03:03:01.159 --> 03:03:01.920
<v Speaker 6>the clip.

3622
03:03:03.559 --> 03:03:07.280
<v Speaker 2>I enjoyed, it was better without the sound I think

3623
03:03:07.360 --> 03:03:07.600
<v Speaker 2>that was.

3624
03:03:08.120 --> 03:03:09.600
<v Speaker 6>I think Julian narrating it was.

3625
03:03:11.719 --> 03:03:12.159
<v Speaker 9>Thank you.

3626
03:03:12.319 --> 03:03:13.239
<v Speaker 8>I appreciate that.

3627
03:03:13.479 --> 03:03:14.280
<v Speaker 2>I appreciate that.

3628
03:03:15.719 --> 03:03:17.440
<v Speaker 3>Let me make one more note on it. We'll go ahead,

3629
03:03:17.520 --> 03:03:17.840
<v Speaker 3>go ahead.

3630
03:03:18.399 --> 03:03:20.479
<v Speaker 8>Oh, I was gonna say I had I had just

3631
03:03:20.600 --> 03:03:24.120
<v Speaker 8>a funny pop culture reference to Back to the Future.

3632
03:03:24.200 --> 03:03:30.040
<v Speaker 8>You guys might remember, did have you guys watched Knocked Up.

3633
03:03:30.639 --> 03:03:34.840
<v Speaker 8>It's it's got like seth rogen and what's her face

3634
03:03:34.959 --> 03:03:38.799
<v Speaker 8>in it? Where she gets pregnant and whatever. Paul Redd

3635
03:03:38.879 --> 03:03:42.879
<v Speaker 8>is in it and they go to like this dinner whatever,

3636
03:03:43.239 --> 03:03:45.559
<v Speaker 8>and Paul Rudd is like, you know, if Doc Brown

3637
03:03:45.680 --> 03:03:48.479
<v Speaker 8>screeched up in the Dolorean right now, would you go

3638
03:03:48.639 --> 03:03:51.399
<v Speaker 8>back and put a condom on Ben's stick? And they

3639
03:03:51.559 --> 03:03:54.639
<v Speaker 8>act like Catherine Heigel and the other chick don't know

3640
03:03:54.760 --> 03:03:56.559
<v Speaker 8>what Back to the Future is. They were like, you

3641
03:03:56.639 --> 03:04:01.319
<v Speaker 8>don't know who Doc Brown is? And I was, fuck yeah,

3642
03:04:01.360 --> 03:04:04.079
<v Speaker 8>I was like, who the fuck wouldn't know what back

3643
03:04:04.159 --> 03:04:06.879
<v Speaker 8>to the Like, I'm not believing that for a fucking

3644
03:04:07.000 --> 03:04:09.399
<v Speaker 8>second that they didn't know what Back to the Future was.

3645
03:04:10.159 --> 03:04:12.680
<v Speaker 3>But that's a good example of how culturally impactful this

3646
03:04:12.760 --> 03:04:13.879
<v Speaker 3>has been, right m.

3647
03:04:15.600 --> 03:04:19.159
<v Speaker 8>Yeah, yeah, for sure. I just mentioned that because I

3648
03:04:19.319 --> 03:04:21.479
<v Speaker 8>watched that movie the other day and then you asked

3649
03:04:21.520 --> 03:04:23.120
<v Speaker 8>me to do this and I was like, dude, everybody

3650
03:04:23.200 --> 03:04:24.639
<v Speaker 8>loves Back to the Future.

3651
03:04:24.479 --> 03:04:28.239
<v Speaker 3>Right, So well, I mean, I don't know if Christin

3652
03:04:28.239 --> 03:04:31.200
<v Speaker 3>Glover does, but I do love the film. I know,

3653
03:04:31.440 --> 03:04:33.079
<v Speaker 3>I know what you mean. I know what you mean.

3654
03:04:33.520 --> 03:04:35.639
<v Speaker 4>So on this nature though, of this Christin Glover and

3655
03:04:35.719 --> 03:04:39.920
<v Speaker 4>Spielberg situations and the parent k deuling situations, there's in

3656
03:04:40.000 --> 03:04:42.360
<v Speaker 4>the rapist you know, rape ee qualities of old beif

3657
03:04:42.399 --> 03:04:44.559
<v Speaker 4>Tainn and you know there's a there's a nature of

3658
03:04:44.639 --> 03:04:47.559
<v Speaker 4>again still underlying this film that continues to perpetrate these

3659
03:04:47.600 --> 03:04:49.680
<v Speaker 4>same ideas. If you ask me and I'll play this

3660
03:04:49.719 --> 03:04:51.000
<v Speaker 4>clip to demonstrate that point.

3661
03:04:54.600 --> 03:05:00.479
<v Speaker 11>It's mocause it bear you.

3662
03:05:00.600 --> 03:05:02.200
<v Speaker 2>Know that sounds.

3663
03:05:04.079 --> 03:05:04.319
<v Speaker 10>To me.

3664
03:05:08.959 --> 03:05:11.760
<v Speaker 4>So that cousin obviously being Chuck Berry. The song that

3665
03:05:11.920 --> 03:05:15.040
<v Speaker 4>old Johnny Be Good that Michael J. Fox was playing

3666
03:05:15.079 --> 03:05:17.600
<v Speaker 4>right so in a Forest Gump effect. And another is

3667
03:05:17.680 --> 03:05:20.200
<v Speaker 4>some Becca style there he events the song Johnny Be Good.

3668
03:05:22.040 --> 03:05:25.639
<v Speaker 8>Yeah, Chuck Berry infamous for the Taco bellfarts.

3669
03:05:26.559 --> 03:05:29.479
<v Speaker 4>Uh well, that's that's only later in his life, maam.

3670
03:05:29.559 --> 03:05:31.799
<v Speaker 4>He has a lot of accolades in this nature previous

3671
03:05:31.840 --> 03:05:32.000
<v Speaker 4>to that.

3672
03:05:32.319 --> 03:05:35.159
<v Speaker 8>If you will, I'll never forget that after you told

3673
03:05:35.239 --> 03:05:37.799
<v Speaker 8>me that I can't even drive past the Taco bell

3674
03:05:37.879 --> 03:05:39.200
<v Speaker 8>without playing Johnny be Good.

3675
03:05:39.760 --> 03:05:42.879
<v Speaker 2>There you go, yep, that's why I bellfarts.

3676
03:05:43.840 --> 03:05:46.040
<v Speaker 4>So Chuck Berry was convicted under the Main Act in

3677
03:05:46.079 --> 03:05:48.719
<v Speaker 4>nineteen fifty nine for transporting a fourteen year old girl

3678
03:05:48.799 --> 03:05:52.760
<v Speaker 4>across state lines for the purposes of prostitutions or sexual exploitation.

3679
03:05:53.760 --> 03:05:55.440
<v Speaker 4>The record company is the one who got him out

3680
03:05:55.440 --> 03:05:57.600
<v Speaker 4>of prison, so, which is kind of funny. So he's

3681
03:05:57.600 --> 03:06:00.280
<v Speaker 4>a convicted sex offender. And then in nineteen seven too

3682
03:06:00.360 --> 03:06:03.280
<v Speaker 4>he records this song tours Nashally on number one hit

3683
03:06:03.319 --> 03:06:07.719
<v Speaker 4>on the billboards. My dangling. That's kind of weird.

3684
03:06:09.000 --> 03:06:09.520
<v Speaker 3>So then.

3685
03:06:11.200 --> 03:06:13.040
<v Speaker 4>So then in nineteen ninety two, he gets rated for

3686
03:06:13.120 --> 03:06:15.799
<v Speaker 4>all sorts of drugs in Saint Louis, which becomes in

3687
03:06:16.680 --> 03:06:19.479
<v Speaker 4>another incident later as Julia he just pointed out. And

3688
03:06:19.600 --> 03:06:22.600
<v Speaker 4>in this incident, the uh, they raid his home there

3689
03:06:22.600 --> 03:06:24.639
<v Speaker 4>in Saint Louis, and he they raid a bunch of

3690
03:06:24.719 --> 03:06:27.719
<v Speaker 4>videotapes the later get leaked to tabloids of him farting

3691
03:06:27.760 --> 03:06:30.680
<v Speaker 4>in Hooker's mouse. Apparently that was his favorite thing to do,

3692
03:06:30.840 --> 03:06:32.200
<v Speaker 4>higher Hooker and then fart.

3693
03:06:32.040 --> 03:06:32.559
<v Speaker 3>In her mouth.

3694
03:06:33.959 --> 03:06:36.840
<v Speaker 4>So he would and then he would so you know,

3695
03:06:36.879 --> 03:06:40.079
<v Speaker 4>he would later be arrested for for payoff a lot

3696
03:06:40.159 --> 03:06:42.000
<v Speaker 4>of women in civil lawsuits. I don't know if they

3697
03:06:42.079 --> 03:06:45.520
<v Speaker 4>think they dropped the criminal charges for installing video cameras

3698
03:06:45.559 --> 03:06:48.479
<v Speaker 4>and the toilets of women's bathrooms, of the Taco Bells

3699
03:06:48.479 --> 03:06:51.079
<v Speaker 4>and Kfcson he owned about, you know, a couple dozen,

3700
03:06:51.120 --> 03:06:51.520
<v Speaker 4>I believe.

3701
03:06:53.520 --> 03:06:56.799
<v Speaker 3>So Chuck Berry kind of was, I mean, he hadn't

3702
03:06:56.840 --> 03:06:59.399
<v Speaker 3>got he'd been you know, he was, Oh, he's just

3703
03:06:59.440 --> 03:07:01.280
<v Speaker 3>like fuck, but you know he was. He was convicted

3704
03:07:01.319 --> 03:07:03.399
<v Speaker 3>of the Manx stuff at that point, and then weird

3705
03:07:03.440 --> 03:07:04.879
<v Speaker 3>that he did the whole dangling thing.

3706
03:07:04.840 --> 03:07:07.040
<v Speaker 4>But that you know, it was after it was after

3707
03:07:07.079 --> 03:07:08.520
<v Speaker 4>the back to the future stuff they got on for

3708
03:07:08.639 --> 03:07:10.799
<v Speaker 4>the part the hooker's mouse, which is not obviously not

3709
03:07:10.920 --> 03:07:13.600
<v Speaker 4>the charge, but it's so ridiculous. And then you know

3710
03:07:13.680 --> 03:07:15.280
<v Speaker 4>then of course the camera stuff I think was more

3711
03:07:15.319 --> 03:07:16.719
<v Speaker 4>like nineteen ninety eight or ninety nine.

3712
03:07:17.680 --> 03:07:22.120
<v Speaker 8>Well, you want a full circle movement?

3713
03:07:22.520 --> 03:07:22.799
<v Speaker 2>Please?

3714
03:07:22.879 --> 03:07:25.920
<v Speaker 8>Do you remember I said nobody gets out of this

3715
03:07:26.000 --> 03:07:30.840
<v Speaker 8>place without farting in my mouth? The adventures in babysitting, so.

3716
03:07:31.120 --> 03:07:33.920
<v Speaker 3>Adventures in leaving the stage unless you play the blues.

3717
03:07:34.280 --> 03:07:37.120
<v Speaker 8>Right, but adventures in babysitting and back to the future

3718
03:07:37.200 --> 03:07:38.879
<v Speaker 8>to Elizabeth Shoe.

3719
03:07:39.920 --> 03:07:43.879
<v Speaker 3>Oh shit, you're right, yep, you are correct man.

3720
03:07:43.920 --> 03:07:45.360
<v Speaker 8>That's a full circle moment.

3721
03:07:45.479 --> 03:07:47.079
<v Speaker 3>That is full that is full circle.

3722
03:07:47.120 --> 03:07:48.520
<v Speaker 4>And if I, if I may close this, if anyone

3723
03:07:48.559 --> 03:07:50.159
<v Speaker 4>else has any other commentary here, we we'll do some

3724
03:07:50.280 --> 03:07:51.239
<v Speaker 4>closing statements.

3725
03:07:51.280 --> 03:07:53.399
<v Speaker 3>But I want to kind of go full circle here

3726
03:07:53.440 --> 03:07:55.159
<v Speaker 3>myself here with going.

3727
03:07:55.079 --> 03:07:57.959
<v Speaker 4>Back to the future on some operations GCD shows relative

3728
03:07:58.000 --> 03:08:00.760
<v Speaker 4>to these topics here, relative to the care for biftaining,

3729
03:08:01.399 --> 03:08:04.079
<v Speaker 4>the you know Jnald Trump, who was you know that

3730
03:08:04.239 --> 03:08:06.959
<v Speaker 4>based on biftaining kind of the predictive programming natures of

3731
03:08:07.040 --> 03:08:09.559
<v Speaker 4>that stuff, and the fact that he's connected to the

3732
03:08:09.600 --> 03:08:10.479
<v Speaker 4>Delirium property.

3733
03:08:10.479 --> 03:08:11.920
<v Speaker 3>I find it all very fascinating.

3734
03:08:12.040 --> 03:08:15.200
<v Speaker 4>So we'll do some closing stuff here after this clip

3735
03:08:15.239 --> 03:08:17.360
<v Speaker 4>if I just want to go back to the future

3736
03:08:17.399 --> 03:08:19.799
<v Speaker 4>here on this one and go full circle as you

3737
03:08:19.920 --> 03:08:56.559
<v Speaker 4>were just saying there, Julia. So that's some interesting aspects.

3738
03:08:56.600 --> 03:08:59.079
<v Speaker 4>You know, Danny does use the casino money and shakes

3739
03:08:59.120 --> 03:09:02.280
<v Speaker 4>out the Republican part in the movie. Did almost get

3740
03:09:02.440 --> 03:09:05.879
<v Speaker 4>right the winning the Chicago Cubs winning the World Series?

3741
03:09:05.959 --> 03:09:06.079
<v Speaker 1>Right?

3742
03:09:06.879 --> 03:09:09.600
<v Speaker 4>They were off by year, were well, they were off

3743
03:09:09.639 --> 03:09:12.879
<v Speaker 4>by year. They won in twenty sixteen. They were in

3744
03:09:12.959 --> 03:09:15.920
<v Speaker 4>twenty sixteen. So well, that's what I'm saying. It's creepy enough, right,

3745
03:09:16.000 --> 03:09:19.840
<v Speaker 4>And that whole incident of the Cubs winning the World Series,

3746
03:09:20.520 --> 03:09:23.200
<v Speaker 4>that incident's real creepy to me. So it was called

3747
03:09:23.239 --> 03:09:26.520
<v Speaker 4>the Curse of the Goat. Was this was this Curse

3748
03:09:26.559 --> 03:09:28.079
<v Speaker 4>of the Goat was like one of the most infamous

3749
03:09:28.559 --> 03:09:33.399
<v Speaker 4>curses and in any major sports, right, haunting the Cubs

3750
03:09:33.440 --> 03:09:36.799
<v Speaker 4>for nearly one hundred years. Well, the folks that are

3751
03:09:36.879 --> 03:09:39.399
<v Speaker 4>credited for breaking the Curse of the Goat is the

3752
03:09:39.799 --> 03:09:45.600
<v Speaker 4>Revisa Sports Hypnosis and sports psychotherapist. Family family business as

3753
03:09:45.719 --> 03:09:54.600
<v Speaker 4>in Buffalo Jerre. Yeah, that man my former stocker. He

3754
03:09:55.120 --> 03:09:56.959
<v Speaker 4>his dad and uncle. He was actually part of the

3755
03:09:57.000 --> 03:10:00.639
<v Speaker 4>family business too, were the folks who broke the Curse

3756
03:10:00.719 --> 03:10:04.360
<v Speaker 4>of the Goat. The Chicago Cubs officially recognized Ken Revisa

3757
03:10:04.799 --> 03:10:06.680
<v Speaker 4>as the person who broke the Curse of the Goat.

3758
03:10:07.600 --> 03:10:10.559
<v Speaker 4>So that aspect of the Back to the Future series,

3759
03:10:11.479 --> 03:10:12.639
<v Speaker 4>it's a little close to home.

3760
03:10:13.600 --> 03:10:15.520
<v Speaker 6>What if the come thing was a year and a day,

3761
03:10:17.520 --> 03:10:20.600
<v Speaker 6>like it was like like an HGA ritual, Like it

3762
03:10:20.760 --> 03:10:24.920
<v Speaker 6>was like intentionally off by a year. It was like

3763
03:10:25.000 --> 03:10:27.079
<v Speaker 6>to it was like to, I don't know that that

3764
03:10:27.120 --> 03:10:28.559
<v Speaker 6>would be a funny little game.

3765
03:10:29.440 --> 03:10:31.399
<v Speaker 4>I enjoy your perspective on these things because it's not

3766
03:10:31.680 --> 03:10:34.000
<v Speaker 4>it's totally unique from what I what I look at things.

3767
03:10:34.079 --> 03:10:39.239
<v Speaker 4>So I like, like we were saying, so, I appreciate it.

3768
03:10:39.399 --> 03:10:41.280
<v Speaker 4>I appreciate you all join me here tonight to gold

3769
03:10:41.360 --> 03:10:44.319
<v Speaker 4>GCD and discussed this occult and esoteric review of the

3770
03:10:44.440 --> 03:10:47.600
<v Speaker 4>nineteen eighty five cinematic masterpiece Back to the Future. And

3771
03:10:47.639 --> 03:10:50.319
<v Speaker 4>I appreciate the folks with the interwebs staying with us.

3772
03:10:50.399 --> 03:10:52.760
<v Speaker 4>We got we folks seem to be enjoying the conversation.

3773
03:10:52.799 --> 03:10:54.799
<v Speaker 4>I know, I am so like to go on a

3774
03:10:54.879 --> 03:10:57.559
<v Speaker 4>round table here and uh give everyone you know, any

3775
03:10:57.600 --> 03:11:00.079
<v Speaker 4>closing statements, any plugs you want to do by on

3776
03:11:00.159 --> 03:11:00.719
<v Speaker 4>me to take.

3777
03:11:00.520 --> 03:11:04.760
<v Speaker 3>Your time, not trying to rush anybody, but you know who.

3778
03:11:05.120 --> 03:11:07.440
<v Speaker 4>Well I'll start off with Heidi, since you're down there

3779
03:11:07.440 --> 03:11:08.840
<v Speaker 4>in the bottom right, let's start down there.

3780
03:11:09.840 --> 03:11:11.840
<v Speaker 2>Well, thank you so much for putting up with me tonight,

3781
03:11:11.879 --> 03:11:14.360
<v Speaker 2>you guys, I'm I nerd it out. I'm so sorry.

3782
03:11:14.840 --> 03:11:16.520
<v Speaker 5>Good me too.

3783
03:11:16.559 --> 03:11:18.719
<v Speaker 2>I was Yeah, it was fun.

3784
03:11:18.840 --> 03:11:19.639
<v Speaker 8>I love the show.

3785
03:11:19.799 --> 03:11:21.959
<v Speaker 2>I love I love the second one almost as much.

3786
03:11:22.120 --> 03:11:25.120
<v Speaker 3>So it was just at this series right.

3787
03:11:25.840 --> 03:11:30.360
<v Speaker 1>Yes, always always a great time to rejects. And anytime

3788
03:11:30.399 --> 03:11:31.959
<v Speaker 1>I can come on and be on a show with

3789
03:11:32.040 --> 03:11:36.360
<v Speaker 1>JJ is amazing. So thank you, guys, you ma'am, thank you,

3790
03:11:36.479 --> 03:11:39.920
<v Speaker 1>Thank you. Find me anywhere podcasts are served unfiltered rise

3791
03:11:40.000 --> 03:11:42.680
<v Speaker 1>podcast dot com. I also know if you watch me

3792
03:11:42.760 --> 03:11:46.079
<v Speaker 1>on YouTube it's only once a week drop versus twice

3793
03:11:46.639 --> 03:11:49.799
<v Speaker 1>or more on Spotify, just because they dig me so much.

3794
03:11:49.879 --> 03:11:51.760
<v Speaker 2>Love to all of you, thank you for watching.

3795
03:11:54.959 --> 03:11:55.319
<v Speaker 3>Julia.

3796
03:11:55.479 --> 03:11:58.040
<v Speaker 4>Appreciate you joining us, ma'am as always, since I forgot

3797
03:11:58.079 --> 03:11:59.840
<v Speaker 4>about you joining us in Golden Child, I'm glad you

3798
03:12:00.079 --> 03:12:02.440
<v Speaker 4>make it back around too. We'll have to do a

3799
03:12:02.600 --> 03:12:06.600
<v Speaker 4>non occult necessary review and talk to some other parapolitics

3800
03:12:07.000 --> 03:12:09.040
<v Speaker 4>as we often cross over in a lot of our

3801
03:12:09.120 --> 03:12:11.719
<v Speaker 4>ideas and subjects we we enjoy, not not the least

3802
03:12:11.760 --> 03:12:12.879
<v Speaker 4>of which Tuesday Wild.

3803
03:12:13.680 --> 03:12:15.680
<v Speaker 8>Hey, you know what would be a nice follow up

3804
03:12:15.760 --> 03:12:19.079
<v Speaker 8>to Tuesday Weld. We we could really throw down on JFK.

3805
03:12:19.319 --> 03:12:24.159
<v Speaker 8>Junior because that's another one of my faiths that I'm doing.

3806
03:12:24.159 --> 03:12:26.079
<v Speaker 3>Kids once again.

3807
03:12:26.200 --> 03:12:27.799
<v Speaker 4>Once again, Like I said, a lot of cross every

3808
03:12:27.959 --> 03:12:30.079
<v Speaker 4>You may have well just read my mind because Heidi

3809
03:12:30.120 --> 03:12:32.159
<v Speaker 4>and I were on the Sixth sens Since a Sixth

3810
03:12:32.200 --> 03:12:35.079
<v Speaker 4>Sensory podcast last night, and I came to the revelation

3811
03:12:35.200 --> 03:12:38.239
<v Speaker 4>when we were talking Society of Cincinnati that JFK. Junior

3812
03:12:38.360 --> 03:12:41.520
<v Speaker 4>was likely a dual member of the Society of Cincinnati

3813
03:12:42.479 --> 03:12:44.799
<v Speaker 4>won the French chapter and won the Maryland chapter. And

3814
03:12:44.840 --> 03:12:46.920
<v Speaker 4>that's a longer tail, but it's wow.

3815
03:12:47.239 --> 03:12:50.000
<v Speaker 8>No, yeah, I would. I'd love to pick your guys'

3816
03:12:50.159 --> 03:12:53.559
<v Speaker 8>brain on him, because that's that's another topic I could

3817
03:12:53.639 --> 03:12:55.920
<v Speaker 8>just talk about forever. But thanks so much for having

3818
03:12:56.000 --> 03:12:58.120
<v Speaker 8>me on this one. I love Back to the Future.

3819
03:12:58.120 --> 03:13:00.319
<v Speaker 8>I love the third one. You can skip me on

3820
03:13:00.440 --> 03:13:02.639
<v Speaker 8>the esoteric review of the second one because I think

3821
03:13:02.680 --> 03:13:05.600
<v Speaker 8>it sucks sticks but the first one. In the third one,

3822
03:13:05.920 --> 03:13:06.440
<v Speaker 8>I'm down.

3823
03:13:06.799 --> 03:13:07.680
<v Speaker 3>You think it's garbage.

3824
03:13:07.760 --> 03:13:09.200
<v Speaker 2>Jay, Yeah, I don't like it.

3825
03:13:09.760 --> 03:13:13.639
<v Speaker 8>And you know, it's funny to think where they thought

3826
03:13:13.719 --> 03:13:16.159
<v Speaker 8>we would be in twenty fifteen and we're still just

3827
03:13:16.879 --> 03:13:22.399
<v Speaker 8>lame weirdos. No flying cars, no hoverboards, no self tying shoes.

3828
03:13:22.639 --> 03:13:25.360
<v Speaker 8>I mean, I don't like the second one, but thanks

3829
03:13:25.399 --> 03:13:29.639
<v Speaker 8>so much for having me. This was really fun, Jennie, Heidi, JJ,

3830
03:13:29.879 --> 03:13:32.440
<v Speaker 8>You're all awesome. I love working with you. I think

3831
03:13:32.479 --> 03:13:34.399
<v Speaker 8>we covered a lot of ground on this one.

3832
03:13:37.159 --> 03:13:37.559
<v Speaker 3>For sure.

3833
03:13:38.799 --> 03:13:41.879
<v Speaker 4>Jen greeting, Sir, how about you share some more wizard

3834
03:13:41.959 --> 03:13:46.680
<v Speaker 4>skills with us this evening. I appreciate your your reviewsay, I'm.

3835
03:13:46.559 --> 03:13:48.719
<v Speaker 3>Convinced of it. Man, You've always you're always having some

3836
03:13:48.799 --> 03:13:50.799
<v Speaker 3>wizardry on me, you know.

3837
03:13:50.920 --> 03:13:53.760
<v Speaker 6>I I love to play the hermestissis when I When

3838
03:13:53.799 --> 03:13:57.159
<v Speaker 6>we do wise, it's like Nick already knows. Heidi also knows,

3839
03:13:57.280 --> 03:13:59.719
<v Speaker 6>just because she's like into it like that, but Nick

3840
03:14:00.159 --> 03:14:01.280
<v Speaker 6>he knows because there's that it's him.

3841
03:14:01.319 --> 03:14:01.639
<v Speaker 1>I love.

3842
03:14:02.000 --> 03:14:04.959
<v Speaker 6>It's my favorite thing to play plus Ultron on live.

3843
03:14:05.079 --> 03:14:09.719
<v Speaker 6>So there you go. There's I'm admitting it. No, I

3844
03:14:09.799 --> 03:14:11.879
<v Speaker 6>want to thank you guys obviously, thank you JJ so

3845
03:14:12.000 --> 03:14:13.920
<v Speaker 6>much for inviting me, including me on this year. And

3846
03:14:14.000 --> 03:14:15.920
<v Speaker 6>I know that we get a lot of cool people

3847
03:14:16.040 --> 03:14:18.600
<v Speaker 6>liking my posts about this, so it's like it's it's

3848
03:14:18.639 --> 03:14:21.639
<v Speaker 6>a big it's interesting for me to like see these

3849
03:14:21.680 --> 03:14:23.440
<v Speaker 6>people who I think are like cooler than me and

3850
03:14:23.840 --> 03:14:26.680
<v Speaker 6>they're kind of into it. So that's great. And thank

3851
03:14:26.719 --> 03:14:29.360
<v Speaker 6>you obviously, boss, thank you Nick so much, thank you

3852
03:14:29.479 --> 03:14:32.479
<v Speaker 6>Heidi so much, thank you Julia so much. And I

3853
03:14:32.600 --> 03:14:34.879
<v Speaker 6>just want to say thank you. I want to keep

3854
03:14:34.879 --> 03:14:37.440
<v Speaker 6>it light tonight, but the Carl Wood interview was like

3855
03:14:37.520 --> 03:14:40.040
<v Speaker 6>a really cathartic moment for me. And I just want

3856
03:14:40.120 --> 03:14:43.440
<v Speaker 6>to dedicate this one to my co host for the

3857
03:14:43.520 --> 03:14:47.159
<v Speaker 6>twyement series, Zach Schumer and of course Zach Third Eye

3858
03:14:47.159 --> 03:14:50.319
<v Speaker 6>Homuncula who passed away. So thank you guys so much.

3859
03:14:50.360 --> 03:14:52.600
<v Speaker 6>It meant like a huge, a great deal to me.

3860
03:14:52.799 --> 03:14:56.719
<v Speaker 6>So it's like a really beautiful way to close that chapter.

3861
03:14:57.680 --> 03:14:58.200
<v Speaker 2>Thank you guys.

3862
03:14:59.159 --> 03:15:03.200
<v Speaker 5>Hell yeah, that was awesome. Nick.

3863
03:15:03.280 --> 03:15:05.360
<v Speaker 4>As always, I appreciate your time as always, sir, and

3864
03:15:05.760 --> 03:15:08.319
<v Speaker 4>look forward to our Friday conversation. Come up with as

3865
03:15:08.319 --> 03:15:12.360
<v Speaker 4>always with our cars Fridays together. Yes, yeah, also wait

3866
03:15:12.399 --> 03:15:14.040
<v Speaker 4>the car, But what else? What else your thoughts on

3867
03:15:14.079 --> 03:15:16.079
<v Speaker 4>closing statements tonight and anything else you want to plug?

3868
03:15:16.719 --> 03:15:22.040
<v Speaker 5>Oh well, I think well, first off, I'm thankfully after

3869
03:15:22.200 --> 03:15:25.159
<v Speaker 5>posting it was gonna be the most comprehensive covering of

3870
03:15:25.639 --> 03:15:28.639
<v Speaker 5>Back to the Future. That's what exactly happened. So thank

3871
03:15:28.680 --> 03:15:31.559
<v Speaker 5>you everybody. I think that was amazing. It was three

3872
03:15:31.600 --> 03:15:32.959
<v Speaker 5>hours long. There was a lot, a lot of a

3873
03:15:33.000 --> 03:15:36.319
<v Speaker 5>lot of stuff in there. That's what's saying. Yes, yeah,

3874
03:15:36.520 --> 03:15:40.440
<v Speaker 5>it was. It was called Rejeck style. So and ill

3875
03:15:40.479 --> 03:15:42.200
<v Speaker 5>just one thing I just want to add. I do

3876
03:15:42.399 --> 03:15:44.200
<v Speaker 5>think and I think we've all kind of said it

3877
03:15:44.520 --> 03:15:46.479
<v Speaker 5>as somebody said it earlier. It might have been Julia

3878
03:15:47.879 --> 03:15:50.600
<v Speaker 5>or maybe it was Heidi h I do think if

3879
03:15:50.639 --> 03:15:53.079
<v Speaker 5>you look at everything that we talked about, in my opinion,

3880
03:15:53.319 --> 03:15:56.600
<v Speaker 5>all that stuff is in that movie on purpose. It's

3881
03:15:56.639 --> 03:15:58.879
<v Speaker 5>all been added to the scene. It's all there for

3882
03:15:58.959 --> 03:16:01.639
<v Speaker 5>a reason. I think that the way we all looked

3883
03:16:01.639 --> 03:16:03.920
<v Speaker 5>at it and pretty much came to the same stuff,

3884
03:16:04.840 --> 03:16:06.799
<v Speaker 5>I think you can kind of see that that's the

3885
03:16:07.200 --> 03:16:09.600
<v Speaker 5>choreographed that doesn't happen by Actually, I don't think.

3886
03:16:09.879 --> 03:16:12.479
<v Speaker 8>I mean there it is, JJ you finally found it

3887
03:16:12.639 --> 03:16:13.879
<v Speaker 8>for that yep, to.

3888
03:16:13.959 --> 03:16:16.280
<v Speaker 4>That point you were making it and to Julius Common earlier.

3889
03:16:16.319 --> 03:16:19.440
<v Speaker 4>There you go the opening scene and there's Doc Brown

3890
03:16:19.479 --> 03:16:21.319
<v Speaker 4>hanging from a clock tower in the background of that

3891
03:16:21.440 --> 03:16:22.040
<v Speaker 4>opening scene.

3892
03:16:23.479 --> 03:16:28.680
<v Speaker 8>Everything is on purpose, dude, Every little thing is is

3893
03:16:28.840 --> 03:16:29.479
<v Speaker 8>on purpose.

3894
03:16:30.159 --> 03:16:31.920
<v Speaker 3>Even be bringing this up right now is on purpose.

3895
03:16:31.959 --> 03:16:32.959
<v Speaker 3>I was waiting for this moment.

3896
03:16:35.920 --> 03:16:39.399
<v Speaker 2>I love it. Yeah, man, I love that was on

3897
03:16:39.600 --> 03:16:41.120
<v Speaker 2>the clock it says axis.

3898
03:16:43.120 --> 03:16:48.319
<v Speaker 6>Oh yeah, that's a room too. The kid hanging from anything,

3899
03:16:48.360 --> 03:16:51.680
<v Speaker 6>it's thorn. Actually, I don't really know the rooms. I

3900
03:16:51.760 --> 03:16:52.840
<v Speaker 6>hate the norse stuff.

3901
03:16:53.719 --> 03:17:01.079
<v Speaker 3>You need, Julia. He's even got the same hat on.

3902
03:17:01.280 --> 03:17:02.079
<v Speaker 3>He's got that hat on.

3903
03:17:03.360 --> 03:17:04.760
<v Speaker 8>That's what I'm telling you, dude.

3904
03:17:05.799 --> 03:17:08.440
<v Speaker 2>It's Doc Brown for sure.

3905
03:17:08.639 --> 03:17:09.719
<v Speaker 3>Dude. That's crazy.

3906
03:17:10.399 --> 03:17:12.840
<v Speaker 2>The shadow doesn't match and it's very phallic looking.

3907
03:17:13.000 --> 03:17:17.479
<v Speaker 4>Sorry you're good, no by all means, but I mean

3908
03:17:17.520 --> 03:17:19.200
<v Speaker 4>this is what we're talking about here, right, we're closing

3909
03:17:19.200 --> 03:17:21.760
<v Speaker 4>it out here with exactly This is a great, great

3910
03:17:21.799 --> 03:17:23.399
<v Speaker 4>closing m hmm.

3911
03:17:23.440 --> 03:17:29.559
<v Speaker 9>Looks like the Amazon sign almost right, yeah, dude, Or

3912
03:17:29.719 --> 03:17:32.040
<v Speaker 9>like if you look at it maybe from the side,

3913
03:17:32.120 --> 03:17:35.000
<v Speaker 9>it kind of looks like the whole compass thing I

3914
03:17:35.040 --> 03:17:35.399
<v Speaker 9>don't know.

3915
03:17:35.559 --> 03:17:38.000
<v Speaker 2>Right, right, Well, why is there a pretty aspect to

3916
03:17:38.079 --> 03:17:39.159
<v Speaker 2>a two D object here?

3917
03:17:39.280 --> 03:17:39.440
<v Speaker 1>Right?

3918
03:17:40.680 --> 03:17:41.159
<v Speaker 2>Exactly?

3919
03:17:41.600 --> 03:17:44.239
<v Speaker 8>Well, I think it might be. I think it might

3920
03:17:44.319 --> 03:17:46.079
<v Speaker 8>be three D though I think, like.

3921
03:17:46.200 --> 03:17:48.319
<v Speaker 3>The guy, I thought it was painted on. Okay, no,

3922
03:17:48.479 --> 03:17:48.719
<v Speaker 3>I don't.

3923
03:17:49.399 --> 03:17:50.600
<v Speaker 2>Is this more of that duality?

3924
03:17:51.879 --> 03:17:52.399
<v Speaker 3>Maybe it is.

3925
03:17:55.719 --> 03:17:57.280
<v Speaker 8>I mean I see the shadow. I thought it was

3926
03:17:57.360 --> 03:18:00.479
<v Speaker 8>because it was like as the clockhand moves the little

3927
03:18:00.600 --> 03:18:01.559
<v Speaker 8>values with it.

3928
03:18:01.879 --> 03:18:03.879
<v Speaker 3>You know, you may be right, you may be right.

3929
03:18:03.920 --> 03:18:05.479
<v Speaker 4>I was just viewing his painted on there with that

3930
03:18:05.600 --> 03:18:07.479
<v Speaker 4>kind of shadow of it as well, like the duality

3931
03:18:07.600 --> 03:18:09.360
<v Speaker 4>nature of it's still m.

3932
03:18:09.760 --> 03:18:12.719
<v Speaker 6>Yeah, because the man is he who travels through time.

3933
03:18:13.479 --> 03:18:16.079
<v Speaker 6>It's not it's not someone who's matt right that they're

3934
03:18:16.120 --> 03:18:20.319
<v Speaker 6>out to master traveling, right like they they they they

3935
03:18:20.479 --> 03:18:23.360
<v Speaker 6>solved time travel, They solve that paradox, they solve that

3936
03:18:23.600 --> 03:18:26.280
<v Speaker 6>area between the hill and the valley. That's done.

3937
03:18:26.639 --> 03:18:26.760
<v Speaker 1>Now.

3938
03:18:26.840 --> 03:18:31.399
<v Speaker 6>The next thing is you did is conquer space. It's

3939
03:18:31.479 --> 03:18:33.399
<v Speaker 6>just a metaphor for the whole film. It's like the

3940
03:18:33.840 --> 03:18:35.559
<v Speaker 6>hermetic journey the hero.

3941
03:18:35.760 --> 03:18:38.719
<v Speaker 3>And again and again, my response don't you.

3942
03:18:41.120 --> 03:18:42.159
<v Speaker 2>Again almost innate.

3943
03:18:42.280 --> 03:18:44.479
<v Speaker 1>It's almost like he's trying to hold it back from

3944
03:18:44.520 --> 03:18:47.079
<v Speaker 1>being an eight once again on here.

3945
03:18:47.360 --> 03:18:50.959
<v Speaker 5>Yeah, a lottom it will look like the bottom one

3946
03:18:50.959 --> 03:18:51.920
<v Speaker 5>would be on an eight anyway.

3947
03:18:52.000 --> 03:18:53.760
<v Speaker 3>Right, I was gonna say, I think you have this

3948
03:18:53.920 --> 03:18:54.680
<v Speaker 3>all hands on the eight.

3949
03:18:55.440 --> 03:18:59.799
<v Speaker 2>Yeah, but it's it's not quiet, right, like right, it's.

3950
03:18:59.639 --> 03:19:01.840
<v Speaker 4>Not it's almost it's almost eight am, right, yeah, it's

3951
03:19:01.879 --> 03:19:03.559
<v Speaker 4>seven fifty.

3952
03:19:02.920 --> 03:19:07.200
<v Speaker 1>Four right, So he's holding back time, so there can't

3953
03:19:07.280 --> 03:19:10.959
<v Speaker 1>be a complete, a completeness of infinity.

3954
03:19:11.319 --> 03:19:13.920
<v Speaker 3>Well, I think all those clocks here on that same time, right,

3955
03:19:14.000 --> 03:19:14.920
<v Speaker 3>there's this one, right, is.

3956
03:19:14.959 --> 03:19:18.440
<v Speaker 8>That right, Julie, Yeah, they're all on the same time exactly,

3957
03:19:18.639 --> 03:19:26.159
<v Speaker 8>remember from the phone call exactly twenty five minutes late, right, yeah,

3958
03:19:26.680 --> 03:19:27.239
<v Speaker 8>that's right.

3959
03:19:27.440 --> 03:19:32.479
<v Speaker 4>Okay, nice, nice. Now I don't remember where I was

3960
03:19:32.520 --> 03:19:34.879
<v Speaker 4>going with that before, but I like those points. That's

3961
03:19:34.920 --> 03:19:38.399
<v Speaker 4>good stuff. Oh my response to all this, my response

3962
03:19:38.399 --> 03:19:42.799
<v Speaker 4>to all this, scot There you go. So now I

3963
03:19:42.959 --> 03:19:45.879
<v Speaker 4>I appreciate everyone's time, and uh if I if I

3964
03:19:45.959 --> 03:19:47.760
<v Speaker 4>can offer a couple of quick plugs like I said,

3965
03:19:47.760 --> 03:19:50.959
<v Speaker 4>I got Operation GCD Live Sundays coming up here, eight pm,

3966
03:19:51.520 --> 03:19:53.719
<v Speaker 4>Patreon only with links in the show notes, along with

3967
03:19:53.840 --> 03:19:56.200
<v Speaker 4>links for all of our wonderful guests here in the

3968
03:19:56.200 --> 03:19:59.840
<v Speaker 4>Occult Rejects panel here this evening full blown Occult Rejects panel,

3969
03:19:59.840 --> 03:20:02.760
<v Speaker 4>and uh, I got this Sunday at eight pm Eastern time,

3970
03:20:02.799 --> 03:20:05.719
<v Speaker 4>I got the Curse of Robert the Doll. That's going

3971
03:20:05.799 --> 03:20:07.360
<v Speaker 4>to be a scary one, more so for me than

3972
03:20:07.399 --> 03:20:11.040
<v Speaker 4>anyone else. And then the following Sunday, as I just mentioned,

3973
03:20:11.079 --> 03:20:13.079
<v Speaker 4>the Revisa family and the Curse of the Goat, which

3974
03:20:13.120 --> 03:20:15.239
<v Speaker 4>is a great, great tie in here because I got

3975
03:20:15.920 --> 03:20:18.760
<v Speaker 4>the Legends of Buffalo Jared Revisa. This is my former

3976
03:20:19.399 --> 03:20:22.200
<v Speaker 4>stalker slash almost He wanted me to hire him as

3977
03:20:22.239 --> 03:20:24.520
<v Speaker 4>my pr guy, and then he pretty sure he wanted

3978
03:20:24.520 --> 03:20:26.360
<v Speaker 4>to murder me and wear my skin as a coat

3979
03:20:26.399 --> 03:20:28.920
<v Speaker 4>because he later went out to a multi state killing spree.

3980
03:20:29.000 --> 03:20:31.280
<v Speaker 4>And I think he I suspected some sort of mind

3981
03:20:31.319 --> 03:20:34.399
<v Speaker 4>controlled situation. So that'll be a fun tale again, not

3982
03:20:34.520 --> 03:20:37.600
<v Speaker 4>so much for me, but probably for other people. For

3983
03:20:37.760 --> 03:20:40.799
<v Speaker 4>you just ptsc Yeah, for me, just drudging out some

3984
03:20:40.920 --> 03:20:42.600
<v Speaker 4>nasty memories. But you know, I try to make some

3985
03:20:42.719 --> 03:20:44.159
<v Speaker 4>humor out of it. That's how that's how I get

3986
03:20:44.200 --> 03:20:44.719
<v Speaker 4>by in life.

3987
03:20:45.200 --> 03:20:48.760
<v Speaker 7>He wanted to wear you like an Edgar suit. Yeah,

3988
03:20:48.840 --> 03:20:51.159
<v Speaker 7>he was like he told me to put the lotion

3989
03:20:51.319 --> 03:20:52.959
<v Speaker 7>on the skin, and you know, I was like, wait,

3990
03:20:53.000 --> 03:20:59.120
<v Speaker 7>what's wrang? Yeah, dude, what are you talking about?

3991
03:20:59.159 --> 03:21:02.719
<v Speaker 8>Lotiontting you up so you could hibernate together.

3992
03:21:04.319 --> 03:21:05.559
<v Speaker 3>All right? Right?

3993
03:21:06.280 --> 03:21:08.959
<v Speaker 4>Well, strangely enough, the man he murdered, he actually hired

3994
03:21:09.000 --> 03:21:13.719
<v Speaker 4>him to be his pr rep in. So again, this

3995
03:21:13.840 --> 03:21:15.760
<v Speaker 4>is the life and times of that I have to

3996
03:21:15.799 --> 03:21:17.719
<v Speaker 4>deal with here in the circumstances and whatnot.

3997
03:21:17.760 --> 03:21:20.000
<v Speaker 2>But I appreciate all folks at the inner webs.

3998
03:21:19.719 --> 03:21:22.159
<v Speaker 4>Tonight and tune in and chatting and seem to be

3999
03:21:22.239 --> 03:21:24.719
<v Speaker 4>fairly well engaged in and join the things I like

4000
03:21:24.799 --> 03:21:26.840
<v Speaker 4>to see that I always aim to entertain here, and

4001
03:21:26.879 --> 03:21:29.079
<v Speaker 4>I believe many of most of the rest of the

4002
03:21:29.120 --> 03:21:31.680
<v Speaker 4>panel here does, except for Jen. He just intends to

4003
03:21:31.719 --> 03:21:35.159
<v Speaker 4>do wizardry around everywhere. So for that much I also appreciate.

4004
03:21:35.719 --> 03:21:38.719
<v Speaker 3>But I think thanks to all the cult rejects here

4005
03:21:38.760 --> 03:21:41.799
<v Speaker 3>for joining us, and any any final comments from anyone.

4006
03:21:43.559 --> 03:21:48.399
<v Speaker 8>Where we're going. We don't need roads, that's great.

4007
03:21:48.440 --> 03:22:06.879
<v Speaker 3>Scott Bastos
