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Speaker 1: The Adventures of the Falcon, storrying, let's remain.

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Speaker 2: Hello.

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Speaker 1: Yes he's the Falcon speaking, Oh Lucy. I'm always sorry, Angel,

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but I'm afraid I'll have to skip tonight. I have

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to check on a character who's handing his girl a

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fast line. Claims he'll make a big.

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Speaker 2: Mark in the world, and maybe he will unless somebody

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rub him up.

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Speaker 1: Once again, the Mutual Broadcasting System brings you The Adventures

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of the Falcon. The Falcon, as you know, is Michael Werry,

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free lance detective who's always ready with a hand for

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oppressed man and an eye for repressed women. So join

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him tonight when the Falcon learns murder is a bad bluff.

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It's early Monday evening in New York when the door

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of a small Fifth Avenue jewelry store opens and the

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clerk alone in the store turns the face of a

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dupper young man.

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Speaker 2: Okay, what's can? I is? William? Were you ever in love?

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Where I well? Nature?

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Speaker 3: This year?

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Speaker 1: I'm a man. I dare say I love my wife?

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If you dare say you don't. Let's see the most

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expressive breaklest you have, Yes, sir, one of them a.

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Speaker 2: Breaklet one Cecle had tiny eyed a down rich.

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Speaker 4: Had a dog.

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Speaker 1: That's a rod strange imas you tidna say, show you

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may see roster. Now just bring beautiful out table. Now

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let's see something in engageable. Yes, sir see right.

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Speaker 2: M Gooden's think actually which find the hole table and

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they just thought.

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Speaker 1: Oh, these are the best you have. Let's see the

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really bast o wait up to marry your gun. Yes,

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and no, say I know you're kind of warm all

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of a sudden, so bring out the ice and will

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cool off. Yes, and hurry it up where all of

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a sudden you will be cold, Yes, a stone cold.

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Speaker 5: Yes, all right, record, let's go okay.

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Speaker 3: Got the stuff.

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Speaker 2: I've got the stuff.

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Speaker 3: Okay, back leave And what took you so long?

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Speaker 2: I wanted to do the job right. Gave the clerk

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a build.

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Speaker 3: Up, build up, build up. You got a gun, haven't

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you what more build up?

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Speaker 1: You gotta have trouble with this profession record, not enough imagination.

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You walk in with a gun, the clerk sees it's

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a hold up. And right from the start of tin

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against you.

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Speaker 6: But with me you would talk to talk to up to

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talk all of that, change your pace.

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Speaker 2: That's the secret power believe me, change your pace, keep.

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Speaker 1: Them get by the time much didn't you get a

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hatful rain bracelets, necklaces?

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Speaker 2: Thirty forty grand? Works of me?

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Speaker 3: Okay, we lay load a couple of days in an unload.

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Speaker 2: I'll unload. How that?

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Speaker 1: Let me handle offense the old change of pay, so

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ought'll be good for an extra ten grand?

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Speaker 6: Why okay, Barclay, you unload? I know you say it

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way I don't. But how else can I shut you up?

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Speaker 7: Oh? Hello?

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Speaker 1: Bade an angel swave lad in my life commission?

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Speaker 2: Hey you what's the matter? You call that a kiss?

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Where's the voltage?

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Speaker 7: Jest?

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Speaker 2: I know you're tired. Well I've got a little surprised

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for you. Baby. It'll pet you up. Yeah, take us

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quit at this like I promise. Look at the size

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of X Barklay, that's what I think of you should

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be You rake the press?

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Speaker 7: Where did you get it?

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Speaker 2: But I get it? I bought it. I'm in the

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chip sugar swung a big deal with.

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Speaker 7: The president of the Midwestern Railroad.

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Speaker 2: That's right.

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Speaker 7: I told you huge told me a lot of things.

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But I can read, Bud.

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Speaker 2: That's that's supposed to be.

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Speaker 7: Just that there's an item on the society pages. The

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president of the Midwestern Railroad happens to be away on

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a yachting trip.

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Speaker 1: Uh, sure, sure, I know that, sugar. I've been contacting

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them by radio.

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Speaker 7: In that case, you ought to be able to tell

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me where this yachting ship is.

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Speaker 2: Sure, sure, all right?

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Speaker 7: Go ahead? Where is Newport? You'll muse it, doulf of Mexico?

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Speaker 2: Maybe what is this a third degree?

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Speaker 8: But you're ask me to marry you. I've got a

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right to know something about you. I'm tired of these

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big stories now I want the truth.

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Speaker 2: Sure, there's some things you can't explain.

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Speaker 7: Why.

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Speaker 2: Well, well, look it's like this, a terrific merger's on

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the fire, see but terrific.

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Speaker 1: If word gets thought about it, even the hand, it

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will get the bock market on a fearc.

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Speaker 7: No, I don't see why you're handed.

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Speaker 2: This type sugar. Huh.

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Speaker 1: In a couple of days, it'll all be subtle, and

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I'll collect my commission. You'll see they go thirty forty

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thousand bucks on a person storm and then we can

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make shops.

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Speaker 7: But if you won't trust me.

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Speaker 2: Then you'll trust me.

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Speaker 7: Well, give me some reason. I'm getting tired of fairy tape.

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Speaker 1: But did you ever happen to think sugar? Maybe I'm

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getting tired of you're nagging.

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Speaker 2: I'm on the way up. You don't want to come along? Okay?

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Don't remember you had your chance?

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Speaker 7: Maybe I did, but I've heard it's not always healthy

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to take a chance. Hello, Mike are wearing?

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Speaker 2: That's right?

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Speaker 7: You're a private detective, the one they call a falcon

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Are you very expensive?

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Speaker 1: Depends on what you call expensive and what you want

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me to do. Come in, let's talk it over all.

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Speaker 2: Right. You might as well sit down, make suf comfortable

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than you. Tell me your name, Gloria Peace? And why

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are your water detective?

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Speaker 7: I'm engaged to be mad?

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Speaker 2: Congratulations.

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Speaker 7: I'm not sure they're in order. That's what I want

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you to find out.

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Speaker 1: Just second, Gloria, I don't go in for petty snooping.

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If you're just trying to find out whether your boyfriend

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is stepping out.

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Speaker 7: Of I'm not concerned about other women, all right, Then

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what I want to know is what does he do

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for a living?

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Speaker 2: Didn't he tell you yes, a number of things, but

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you don't believe him.

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Speaker 7: I didn't till yesterday.

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Speaker 8: They're too fantastic, all about big business deals, but he

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won't give me any details. It's also secretive. I can't

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help wondering if Baby he's mixed up in something illegal.

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Speaker 7: Otherwise why would he try to keep things from him?

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Speaker 2: I don't know.

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Speaker 7: Well, what'll it cost to have you investigated?

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Speaker 1: Quite a lot, But I'll give you some advice for nothing.

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What's that forgetting? I can't as long as you have

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such serious doubts.

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Speaker 7: About him, I love him.

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Speaker 2: Well, then what are you doing here.

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Speaker 7: Hoping you'll prove my doubts are wrong?

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Speaker 1: And if they aren't, I don't know, mister Waring, you're

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just asking for heartie Gloria.

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Speaker 7: Well, it's my heart and my money, So how much

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do you want for you? The tasing.

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Speaker 2: Hello turns my reading. I'd beings to hear wedding. You

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only hang around and bed it when you're looking for something.

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I like television.

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Speaker 1: Yes, you shouldn't have such a suspicious nature, turnings bad

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for your detention.

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Speaker 2: I don't like coppers, and I don't like private dick

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Well every man with taste.

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Speaker 1: You've seen Barkley lately, Oh, Bud Barkley. I don't know Barkley.

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I haven't seen him. I don't know anybody. I don't

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know anything.

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Speaker 2: It's funny.

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Speaker 1: I was told you're a pretty good friend of Barkley.

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Who oh, I've been getting around. In fact, Barkley himself

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tells me you were on a little.

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Speaker 2: Job with him the other day. That's a lie. Sure,

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I was never done a jab with Barkley in my life.

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It was anybody who was Ricard. He's the only one.

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I thought you didn't know Barkley, so I know him.

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So thanks? But what for some very pleasant conversation? Hello

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t I boy your drink tacty just the second back.

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I've been looking for you. Oh hello, Conness. Sorry, I

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can't stop now I've got a date. I did I

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ever wait for you, But I'm late.

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Speaker 7: You'll be late.

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Speaker 2: It out, that's a clean shirt. Just answer me one

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question then I'll let you go to the devil beating you.

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I'm coming without reading what you did about me? What

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are you talking about? You're already wearing who's wearing? Mike wedding?

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The sports? Are? You're crazy? Tennis? I don't even know

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where he says you do? Well, I don't get you.

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Better go out. I'll take another cab. That's just what

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does wearing say? I told him? He says you told

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him I put a job with you.

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Speaker 1: But that's what he said about so you blew your

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top and started japping about me.

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Speaker 2: He said it it made me sor you popped off.

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I didn't say, mind you some shirt? Don't you see

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wearing with trying to trap enter spelling on it? I didn't. Still,

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at least you didn't know about the Halloway job. I'm

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wondering Holloway job. Uh?

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Speaker 1: Look, looks you got any idea? What's wearing tangle? Is howit?

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That was the jewelry hole?

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Speaker 2: Lessen turns you're the boy who pulled that one.

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Speaker 3: You were RecA.

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Speaker 2: You didn't hear me, right? I heard you very dig

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and you know something, Bodley, I think wedding would be

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kind of interested to hear about it too.

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Speaker 1: I don't start getting ideas. I got him already. Go ahead, buddy,

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we won't discuss the pear. You don't want to keep

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your dates waiting, and I gotta hunch you and me

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are going to do business.

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Speaker 2: Hello. Sorry, I'm late.

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Speaker 7: Well, but I'm afraid to now and it's better never

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than my.

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Speaker 2: Are you still on that kid?

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Speaker 7: I know how things stand out. That's why I asked you, and.

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Speaker 2: I thought maybe it comes to your sense. I have.

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Speaker 1: Were my look, Sugar. A lot of things have gone

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wrong today. I don't want to have trouble with you too.

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I have big business deals coming out.

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Speaker 8: With business with crooks like Greg Rickards and Lieuturnett, who's

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been talking nobody.

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Speaker 7: I had to know the truth, but I had to,

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so I hired a detective.

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Speaker 1: Oh so you don't one who hired wearing? Yes, you

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won't be satisfied until.

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Speaker 2: I do a stretch what you know?

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Speaker 7: But I don't want to cause you any trouble. I

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don't How did I found out what I wanted to know?

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I've called off Mike. Oh it's my mister Waring. What's

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the difference anywhere? I called him off?

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Speaker 2: Thanks? What makes you sure he'll stay off?

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Speaker 8: He isn't interested in you, but he found out who

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your friends are. That's all I wanted to know.

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Speaker 7: Now you better go.

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Speaker 1: Oh sure, sure, get out of here. But you're just dirty,

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no good crooked. Go on, why don't you tell me off?

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Tell me what you really think of me?

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Speaker 7: Get out?

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Speaker 2: But oh so now I'm not even where it's talking

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to I just get out, all right, I'll get out,

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but before I do, hit something from you to remember me?

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Speaker 7: Right?

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Speaker 2: Oh, I'm sorry, should.

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Speaker 1: But I don't know what's the matter because you're You're right,

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I'm no good for anything.

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Speaker 2: You are, right, daddy? Huh?

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Speaker 7: Just get out of your get out?

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Speaker 2: If I record this is Barkley, I gotta see you

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right away. I'll tell you when I see it. I okay,

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you get here, okay, I'll be waiting right if I

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don't you You got oh?

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Speaker 1: I see you recognize when you're on liquored up? You

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mean by that you weren't so sociable this afternoon, brush

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right by me without seaking?

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Speaker 2: When was there at Barkley?

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Speaker 3: What I wasn't at Barclays.

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Speaker 2: No funny. I could swear it was you. That's allow

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I get so excited bout so I thought I saw you.

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Is there something to make you blow it? Got?

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Speaker 3: No?

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Speaker 2: I just well, I wasn't there, okay, my mistake. You see.

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Speaker 1: I was going up to see Barkley, and just as

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I started in the building, this character rushes out and,

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like I say.

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Speaker 2: The dead dreamer for you. So I start to stay alone.

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But you see, don't.

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Speaker 1: Stop by ring barcriast bell and no answer. When I

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try the door and it's not last I go in.

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Speaker 2: And what do you think I find? I don't know,

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don't you, Recad?

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Speaker 3: I told you, I don't.

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Speaker 2: I wasn't there, Okay, I remember that when the low

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art thing. I'll tell them it wasn't you that I saw, Recrd.

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It was just somebody who happens.

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Speaker 1: To look exactly like you. Oh wait, I have to

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tell him something, because inside Barkley's apartment, I see how

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come that character who rushes out he is in such

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a hurry you don't.

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Speaker 2: Even notice an are you trying to see? You guessed this?

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I find Barclay laying and the sofa, and he don't

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even so much as say hello, which I can't blame.

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Speaker 1: Or seeing is how he just happens to be sort

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of kind of danger very dead. Tomorrow throughout our nation,

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Americans who appreciate the right to rule themselves will go

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to the polls and cast their ballots to elect their leaders.

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The right to vote is the very cornerstone of our

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American heritage of freedom.

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Speaker 2: When you vote, vote as you please, as your.

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Speaker 1: Conscience dictates, but vote for freedom is everybody's job, and

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you vote, you're letting America down. Now back to the

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Adventures of the Falcon. A few hours have passed since

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the murder of Bud Barclay. The story has hit the

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newstands and found an interested reader in Mike Waring. He

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was now calling on his ex client, Gloria Page.

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Speaker 2: You've seen the paper, Gloria. Yes, well, well you hire

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me to check on Barkley. I do, and my report

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is hardly in.

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Speaker 1: When he winds up dead, I can't help wondering if.

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Speaker 2: There's a connection. Is there?

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Speaker 7: If you mean did I kill him?

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Speaker 2: No, you saw him this afternoon and had a fight.

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Speaker 7: What makes you say that?

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Speaker 2: Look in the mirror.

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Speaker 7: I told him we were through. He didn't like it.

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Speaker 2: He didn't like kind of rough.

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Speaker 7: He was curious when he found out that I'd hired you.

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Speaker 2: Oh you told him then, so he slept you around?

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Do you have an alibi for the murder time?

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Speaker 7: I don't know. I guess not. I was here alone

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after he left.

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Speaker 1: Oh that's not going to sound to go to the police.

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When they learn about your fight with Barklay, do they

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have to know you were his girl? They're sure to

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be around with questions.

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Speaker 7: What'll I do?

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Speaker 2: That's up to you. You told me you loved barklery.

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Speaker 7: I thought I did well after this afternoon.

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Speaker 2: Yeah, I see what you mean.

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Speaker 7: You warned me that'd be hearted. There was when he

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told me he was Frenchy and that's the way he acted.

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Speaker 2: It's all over you heal fast.

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Speaker 7: You think I killed him?

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Speaker 2: I didn't say that.

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Speaker 7: Believe me, Mike. I'm sorry he's dead. I was shocked

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when I read about it. You don't believe me?

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Speaker 1: Oh that's all right, glory. Yeah, it's not me. You

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have to convince. It's the police.

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Speaker 3: Yes.

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00:15:57,320 --> 00:15:59,919
Speaker 2: Hello, my name is Michael Waring and like to talk

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to you. What about murder? You're greg record, aren't you am? I?

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00:16:05,600 --> 00:16:07,480
Speaker 1: Well, this is his apartment and you're in it, so

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it seems like a reasonable assumption.

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Speaker 2: That's what I call a detective.

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Speaker 3: Okay, I'm record. Now where do we go from here?

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00:16:14,799 --> 00:16:19,399
Speaker 2: Inside? More comfortable? All right? I'm glad you're not going

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to be difficult.

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Speaker 3: That remains to be seen. How are you want?

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Speaker 2: I understand you and Bud Barkley were pals.

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00:16:27,440 --> 00:16:29,200
Speaker 3: How can you understand that.

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00:16:29,120 --> 00:16:31,279
Speaker 2: In my business? And fellow asked question that.

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00:16:31,399 --> 00:16:33,240
Speaker 3: He doesn't always get the right answer.

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Speaker 2: I suppose you give me an answer.

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00:16:34,519 --> 00:16:34,679
Speaker 1: Then?

334
00:16:35,399 --> 00:16:36,320
Speaker 2: Was Barkley a pal of you?

335
00:16:36,480 --> 00:16:36,960
Speaker 3: I knew him?

336
00:16:37,200 --> 00:16:39,159
Speaker 2: When's the last time he saw? A couple of days ago?

337
00:16:39,279 --> 00:16:42,960
Not today? Not today? Where were you this afternoon? Right here?

338
00:16:43,080 --> 00:16:46,840
All afternoon? All afternoon? Suppose I were to tell you

339
00:16:46,879 --> 00:16:49,159
why I tried to phone you and got no answer, and.

340
00:16:49,120 --> 00:16:50,879
Speaker 6: I'd tear it in the shower and didn't hear the

341
00:16:50,919 --> 00:16:51,960
phone for over an hour.

342
00:16:52,639 --> 00:16:56,159
Speaker 2: I kept trying. I was very dirty. Oh you can

343
00:16:56,200 --> 00:16:57,159
do better than that record.

344
00:16:57,200 --> 00:17:00,000
Speaker 6: So I'll be taking an app for the radio plane.

345
00:17:00,039 --> 00:17:03,080
Speaker 2: It's better. But at least now I know you were lying.

346
00:17:03,159 --> 00:17:03,519
Oh he know.

347
00:17:04,480 --> 00:17:06,559
Speaker 6: Anyhow, you haven't put me at Barkley. If that's what

348
00:17:06,599 --> 00:17:09,519
you're trying to do, give me time. How come you're

349
00:17:09,759 --> 00:17:13,000
trying to nail me for the job anyway, just because

350
00:17:13,079 --> 00:17:14,279
I knew Barblays.

351
00:17:14,319 --> 00:17:17,640
Speaker 2: We have to start somewhere. Do you know any better suggests? Yeah,

352
00:17:17,680 --> 00:17:17,960
there are.

353
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Speaker 6: Plenty, just as good anybody else who knew Barclay's girl,

354
00:17:21,160 --> 00:17:22,119
For instance.

355
00:17:21,799 --> 00:17:24,920
Speaker 2: Gloriam, do you know any reason why she should have

356
00:17:24,960 --> 00:17:25,480
wanted to kill?

357
00:17:25,480 --> 00:17:27,599
Speaker 3: But you know any reason why I should.

358
00:17:27,839 --> 00:17:30,559
Speaker 1: I'm working on it, But as long as we're playing

359
00:17:30,599 --> 00:17:30,960
the field.

360
00:17:31,039 --> 00:17:36,160
Speaker 2: Just now, who else should we consider? Lou Turnez? No, no,

361
00:17:36,480 --> 00:17:38,839
why do you say that? Why not he knew Barklay too?

362
00:17:38,839 --> 00:17:40,920
Didn't he believe me wearing? It wasn't?

363
00:17:41,160 --> 00:17:41,440
Speaker 3: NAIs?

364
00:17:41,480 --> 00:17:42,960
Speaker 2: What makes you so sure? All right?

365
00:17:43,119 --> 00:17:45,480
Speaker 6: I'm not sure only I don't think it was Tournaiz.

366
00:17:45,559 --> 00:17:47,480
Speaker 2: It's not like him. Funny, you should be so anxious

367
00:17:47,519 --> 00:17:48,039
to protect him.

368
00:17:48,079 --> 00:17:50,720
Speaker 3: I'm not trying to protect him. You think it's Turniz.

369
00:17:50,920 --> 00:17:53,519
Speaker 2: Okay, I don't think it's Turnaiz yet.

370
00:17:54,359 --> 00:17:56,240
Speaker 1: From the way you've been acting, I may get around

371
00:17:56,240 --> 00:17:59,119
to it at any rate. It's an angle worth checking.

372
00:18:00,400 --> 00:18:12,920
Thanks Ricord, Hello Turnans.

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00:18:13,079 --> 00:18:14,279
Speaker 2: Some people can't take a hint.

374
00:18:15,480 --> 00:18:17,880
Speaker 1: Look reading how many times I have to tell you

375
00:18:18,839 --> 00:18:20,279
I don't like people in your racket?

376
00:18:21,440 --> 00:18:23,480
Speaker 2: I don't like you. Why should I know a little

377
00:18:23,480 --> 00:18:25,400
thing like that? Stop me? When we have so much

378
00:18:25,440 --> 00:18:28,279
in common? Like what like? You don't like me? I

379
00:18:28,319 --> 00:18:30,720
don't like you. That could be the basis for a

380
00:18:30,720 --> 00:18:33,079
beautiful friendship. How are you going to get out of here? Nope?

381
00:18:34,039 --> 00:18:35,240
And I is, what do.

382
00:18:35,160 --> 00:18:38,480
Speaker 1: You know about the Bartley murder? Turnans wedding, go wedding.

383
00:18:41,279 --> 00:18:43,119
I want to talk to you look reading.

384
00:18:43,160 --> 00:18:44,920
Speaker 2: I don't know any reason why a record should want

385
00:18:44,920 --> 00:18:45,400
to frame you.

386
00:18:45,359 --> 00:18:45,880
Speaker 3: For the murder?

387
00:18:47,400 --> 00:18:53,559
Speaker 2: Did he? And you? Don't do adding?

388
00:18:54,400 --> 00:18:56,960
Speaker 1: No, I don't want you tell me Ricard is trying

389
00:18:57,000 --> 00:18:59,279
to frame me. That's the first to set me off

390
00:18:59,279 --> 00:19:01,079
on record, Staddy.

391
00:19:01,599 --> 00:19:02,559
Speaker 2: I don't want to play.

392
00:19:02,759 --> 00:19:05,079
Speaker 1: I didn't say Record tried to frame you. I was

393
00:19:05,119 --> 00:19:07,359
just wondering he tried to keep you out of this.

394
00:19:08,599 --> 00:19:11,359
Maybe he was really protecting you, or maybe he just

395
00:19:11,400 --> 00:19:13,720
thought that would make me suspicious bad. You'll have to

396
00:19:13,759 --> 00:19:17,079
figure it out for yourself. Wedding, I told you, I'm

397
00:19:17,119 --> 00:19:20,480
not going to help you. Go on back to the

398
00:19:20,519 --> 00:19:24,119
babe and tell her you drew a blank babe, bloody

399
00:19:24,119 --> 00:19:26,200
of page. Where'd you get the idea I'm working for

400
00:19:26,279 --> 00:19:31,720
her Barkley quast year round. No, I was working for him,

401
00:19:32,039 --> 00:19:34,880
but that was before the murder. Now I'm strictly on

402
00:19:34,920 --> 00:19:36,960
my own. Where's the traffic in that?

403
00:19:37,079 --> 00:19:39,920
Speaker 2: You never can tell? Well, he won't get any dividends

404
00:19:39,920 --> 00:19:40,240
from me.

405
00:19:40,559 --> 00:19:44,279
Speaker 1: Can't hurt the try. There's something between you and Record.

406
00:19:44,400 --> 00:19:45,960
I want to know what it is, ask Ricord.

407
00:19:46,039 --> 00:19:48,640
Speaker 2: I did now I'm asking you. You're just wasting your

408
00:19:48,680 --> 00:19:50,200
time waiting. I could beat it out of you. You

409
00:19:51,680 --> 00:19:57,359
could you on second talk, I guess I couldn't. Not

410
00:19:57,440 --> 00:19:59,000
as long as you have that busted beer.

411
00:19:58,839 --> 00:20:02,480
Speaker 1: Mug in your hand by wedding, and now if you

412
00:20:02,559 --> 00:20:06,000
don't want it in your face, just.

413
00:20:06,000 --> 00:20:21,519
Speaker 4: Get out of my way.

414
00:20:22,400 --> 00:20:24,720
Speaker 3: Hell no, turner, I've been expecting.

415
00:20:24,279 --> 00:20:30,240
Speaker 2: You do it good. Have you uh got the money liquer? Well,

416
00:20:30,279 --> 00:20:32,759
that's what are called coming right to the point if

417
00:20:32,799 --> 00:20:34,759
it's not a social court ricord? Have you got it?

418
00:20:35,200 --> 00:20:36,240
That's true? Girl?

419
00:20:37,519 --> 00:20:41,279
Speaker 1: You know I've been thinking maybe I'm letting you off

420
00:20:41,319 --> 00:20:45,200
too easily. Oh yeah, you don't want me to talk

421
00:20:45,240 --> 00:20:47,799
to the police about what happened next to noon, But

422
00:20:48,000 --> 00:20:52,599
the police I'm the only ones interested wearing yeah easiness too,

423
00:20:52,880 --> 00:20:53,440
So your too.

424
00:20:53,799 --> 00:20:55,480
Speaker 3: All you can do, Isle is turn it over to

425
00:20:55,519 --> 00:20:55,960
the police.

426
00:20:56,119 --> 00:20:59,160
Speaker 1: Maybe I could make a deal. You might pay more

427
00:20:59,240 --> 00:21:01,920
for my information the new vote for silent.

428
00:21:02,319 --> 00:21:03,000
Speaker 2: Why don't you ask?

429
00:21:03,359 --> 00:21:07,079
Speaker 1: I prefer to do business with you, But I think

430
00:21:07,119 --> 00:21:08,720
you'll better sleep in bikiki.

431
00:21:13,039 --> 00:21:16,799
Speaker 3: But did you I've been doing some thinking too, tonnas.

432
00:21:17,759 --> 00:21:20,920
Speaker 6: I've been thinking only a sucker based blackmail, because once.

433
00:21:20,799 --> 00:21:22,279
Speaker 3: He starts, there's no stopping.

434
00:21:22,559 --> 00:21:26,920
Speaker 2: Sometimes you don't have any shot. Yeah, that's right, but

435
00:21:27,160 --> 00:21:29,880
this gun gives me a wait a minute, do the

436
00:21:29,920 --> 00:21:30,839
worry turners.

437
00:21:30,960 --> 00:21:32,079
Speaker 3: I won't out here.

438
00:21:33,480 --> 00:21:36,640
Speaker 2: It looks like a nice knife for a ride. So

439
00:21:37,480 --> 00:21:37,799
let's go.

440
00:21:38,119 --> 00:21:38,559
Speaker 7: Shall we.

441
00:21:49,319 --> 00:21:51,200
Speaker 6: Turn right at the next corner and stop when you

442
00:21:51,200 --> 00:21:54,680
get to the door. I'll swear you wanted the buckets

443
00:21:54,720 --> 00:21:57,200
so they don't. Three will swear anything with a gun

444
00:21:57,279 --> 00:22:00,079
looking you away, you'll sing a different song if I

445
00:22:00,079 --> 00:22:03,799
give you a chance, and I do mean saying, here's.

446
00:22:03,640 --> 00:22:09,400
Speaker 2: Where we sat. But then tell your head stop. Now

447
00:22:09,839 --> 00:22:11,160
you know if.

448
00:22:11,079 --> 00:22:18,960
Speaker 3: You only get out, I'll start walking ahead. I'll be

449
00:22:19,000 --> 00:22:19,559
right behind you.

450
00:22:20,720 --> 00:22:22,519
Speaker 6: I have the anything you say, only give you a

451
00:22:22,519 --> 00:22:25,000
break plan walking out to the end of the pier.

452
00:22:25,160 --> 00:22:27,359
Speaker 2: You didn't kid Bussy. I can prove it. Give you

453
00:22:27,440 --> 00:22:30,640
a Tranfert's talk it over that you didn't kill him

454
00:22:30,720 --> 00:22:32,640
on sweat with anything only? Okay?

455
00:22:33,680 --> 00:22:34,920
Speaker 3: Now stop?

456
00:22:35,200 --> 00:22:36,000
Speaker 2: Please good night.

457
00:22:46,559 --> 00:22:48,839
Speaker 1: After you have cast your vote for your favorite candidates

458
00:22:48,839 --> 00:22:51,359
in tomorrow's election, you'll want to be among the first

459
00:22:51,359 --> 00:22:52,039
to know who.

460
00:22:51,880 --> 00:22:54,599
Speaker 2: The winners are, so tune to Mutual tomorrow night.

461
00:22:54,759 --> 00:22:56,880
Speaker 1: For Mutual and the stations which you are now listening

462
00:22:57,200 --> 00:23:00,440
is your best bet for fast, accurate, complete election return.

463
00:23:01,000 --> 00:23:04,279
Yes for radio's clearest, easiest to understand, the most exciting

464
00:23:04,319 --> 00:23:12,119
election returns. It's mutual on the election night. Now back

465
00:23:12,160 --> 00:23:14,160
to the Adventures.

466
00:23:13,440 --> 00:23:14,279
Speaker 2: Of the Falcon.

467
00:23:18,079 --> 00:23:21,440
Speaker 1: Twelve hours have passed since Rickard switched from buying silent

468
00:23:21,559 --> 00:23:25,039
to gunning for it. Now he's in his room packing

469
00:23:25,559 --> 00:23:26,680
when there's a knock at the door.

470
00:23:28,559 --> 00:23:33,799
Speaker 2: Yeah, man, you can take us back. Oh you wear

471
00:23:34,200 --> 00:23:37,359
mm hmm. Would you expect a moving man for that

472
00:23:37,400 --> 00:23:38,480
trunk slip wearing?

473
00:23:38,559 --> 00:23:39,440
Speaker 3: I don't have time.

474
00:23:39,519 --> 00:23:41,880
Speaker 2: Don't be so sure. You'll probably get plenty of time.

475
00:23:42,279 --> 00:23:43,599
What's that's supposed to me?

476
00:23:43,880 --> 00:23:45,599
Speaker 1: Just when I read the Tournez was fished out of

477
00:23:45,599 --> 00:23:46,960
the river with a slug in him, I thought to

478
00:23:47,000 --> 00:23:49,200
you when he said he was still alive, I had

479
00:23:49,200 --> 00:23:52,000
a hunt. You'd be preparing to clear up before Tournez

480
00:23:52,039 --> 00:23:53,039
recovered enough to talk.

481
00:23:53,319 --> 00:23:55,720
Speaker 3: All right, I'm moving. It doesn't prove anything.

482
00:23:55,440 --> 00:23:58,319
Speaker 1: But Turnez's talking will Next time you toss a peal

483
00:23:58,359 --> 00:24:00,160
and the drink, you better make sure he stopped breathing.

484
00:24:00,319 --> 00:24:01,599
Speaker 3: You can't prove anything on it.

485
00:24:01,759 --> 00:24:03,400
Speaker 2: You don't intend to wait until I can?

486
00:24:03,519 --> 00:24:05,119
Speaker 3: Is that I don't intend.

487
00:24:04,880 --> 00:24:07,160
Speaker 6: To wait because I have other plans and you're.

488
00:24:07,039 --> 00:24:10,200
Speaker 2: Not stopping me. No, but maybe the law will. May

489
00:24:10,240 --> 00:24:11,000
I use your phone.

490
00:24:11,200 --> 00:24:12,480
Speaker 3: You don't be like that.

491
00:24:12,519 --> 00:24:19,200
Speaker 2: I'll give you a nickel it. Sorry. I was waiting

492
00:24:19,279 --> 00:24:23,319
for you to reach for your gun. Now I'll take it. Now.

493
00:24:23,319 --> 00:24:26,000
Speaker 1: You can get back your packing because you're going for

494
00:24:26,039 --> 00:24:28,759
a trip, all right, but it's not the one you planned.

495
00:24:39,200 --> 00:24:41,599
Hello to nas, the doctor said, I can come in

496
00:24:41,599 --> 00:24:46,200
for a minute. Hello ready, How are you feeling all right?

497
00:24:46,559 --> 00:24:49,400
I tell you, I mean you can turn that off now.

498
00:24:49,440 --> 00:24:52,039
To man, we're on the same team. Would you state's

499
00:24:52,039 --> 00:24:53,039
evidence against Rickards?

500
00:24:53,880 --> 00:24:54,079
Speaker 2: Yeah?

501
00:24:54,359 --> 00:24:56,359
Speaker 1: The police tell me you've not only tammed Ricord for

502
00:24:56,440 --> 00:24:58,519
plugging you, but for doing the job on Barkley too.

503
00:24:59,359 --> 00:25:01,119
Speaker 2: Eh, it's way.

504
00:25:00,920 --> 00:25:04,119
Speaker 1: He runs, the Saccinis said, I said, coming in at

505
00:25:04,119 --> 00:25:07,200
the back right after the murder. Well you're doing at Barkley,

506
00:25:07,440 --> 00:25:10,119
recurred to me as to the after Ernie, did you

507
00:25:10,200 --> 00:25:10,960
learned the Cassini?

508
00:25:11,559 --> 00:25:14,160
Speaker 2: What about? He didn't say. When I got this space

509
00:25:14,319 --> 00:25:18,400
us say in shame, Well, thanks, NAIs. Looks like we've

510
00:25:18,400 --> 00:25:19,799
pretty well taken care of miss Rickets.

511
00:25:20,400 --> 00:25:22,559
Speaker 1: We've got him for attempted murder on you, and now

512
00:25:22,599 --> 00:25:24,759
that he's in so deep anyway, he's admitted pulling some

513
00:25:24,880 --> 00:25:27,559
robberies with Barklay. The only thing he won't admit is

514
00:25:27,640 --> 00:25:30,519
Barkley's murdering. But with your testimony, I think we'll clinch

515
00:25:30,599 --> 00:25:35,000
that too, uh huh, only not against Rickets right, No, Turnus,

516
00:25:35,799 --> 00:25:37,240
that's been the job, was your handiwork.

517
00:25:37,599 --> 00:25:39,960
Speaker 2: So hurry up and get well because you've got to face.

518
00:25:39,799 --> 00:25:42,160
Speaker 1: A murder trial, and if you're any sort of a man,

519
00:25:42,720 --> 00:25:44,200
you won't want to take it lying down.

520
00:25:53,000 --> 00:25:54,000
Speaker 2: I'm sorry, you see, Gloria.

521
00:25:54,359 --> 00:25:56,880
Speaker 1: When Turnetz found out at Barkley and Ricker that worked

522
00:25:56,920 --> 00:25:59,160
the jewelry job, he went up to Barkley to ask

523
00:25:59,160 --> 00:26:01,480
for blacknails, and when Barkley didn't want to play as

524
00:26:01,519 --> 00:26:04,480
much as Turnez demanded, Tournez killed him and took everything

525
00:26:04,519 --> 00:26:05,119
he had mm M.

526
00:26:05,480 --> 00:26:06,960
Speaker 2: And then just as he was leaving, he saw a

527
00:26:07,000 --> 00:26:08,160
Ricord go into Barclays.

528
00:26:08,799 --> 00:26:10,480
Speaker 1: He knew Record wouldn't want it known that he was

529
00:26:10,519 --> 00:26:12,079
at the scene so near the time of the murder,

530
00:26:12,240 --> 00:26:14,079
so Tournez tried to blackmail him.

531
00:26:14,759 --> 00:26:17,279
Speaker 2: You see, Tournez wasn't satisfied with just Barkley's half of

532
00:26:17,359 --> 00:26:19,559
the split. He wanted the whole tape so.

533
00:26:19,920 --> 00:26:22,400
Speaker 7: He blackmailed Ricord for a murder he committed himself.

534
00:26:22,559 --> 00:26:24,200
Speaker 2: Yeah, talk about Gaune.

535
00:26:24,279 --> 00:26:27,400
Speaker 7: Huh, Well tell me, Mike, how did you know Tournez

536
00:26:27,519 --> 00:26:27,960
was the murder?

537
00:26:28,119 --> 00:26:30,799
Speaker 2: That's simple. Turnez claimed the last time he spoke to

538
00:26:30,880 --> 00:26:32,119
Barkley was yesterday morning.

539
00:26:32,920 --> 00:26:35,440
Speaker 1: He said, when he arrived at Barcley's yesterday afternoon, Barkley

540
00:26:35,519 --> 00:26:36,200
was already dead.

541
00:26:36,880 --> 00:26:40,200
Speaker 2: But Tournez knew I was working for you. When I

542
00:26:40,279 --> 00:26:41,400
asked him how he knew.

543
00:26:41,240 --> 00:26:44,119
Speaker 1: He said, Barkley told him, yeah, Well, don't you see,

544
00:26:44,880 --> 00:26:48,319
Barkley didn't know that until you told him yesterday afternoon.

545
00:26:49,640 --> 00:26:52,759
Speaker 2: Cool. So that meant Tournez was lying. He did see

546
00:26:52,799 --> 00:26:54,039
Barkley yesterday afternoon, but.

547
00:26:54,079 --> 00:26:56,920
Speaker 1: He arrived before the murder, not after it, and killed

548
00:26:56,960 --> 00:26:58,400
Barkley in order to rob him.

549
00:26:59,039 --> 00:27:03,039
Speaker 7: Well, that crazy out there. Now, there's just one other thing.

550
00:27:03,640 --> 00:27:03,960
Speaker 2: What's that?

551
00:27:04,880 --> 00:27:07,480
Speaker 7: I only hired you to check on blocks, but you

552
00:27:07,599 --> 00:27:11,160
kept right after his murder until you solve that. Why

553
00:27:12,160 --> 00:27:13,240
what did you hope to gain?

554
00:27:14,440 --> 00:27:17,680
Speaker 1: It's a beautiful night glowing m hmm, it's a beautiful

555
00:27:17,720 --> 00:27:20,759
moon mm hmm, and a beautiful girl.

556
00:27:22,279 --> 00:27:22,640
Speaker 7: Thanks you.

557
00:27:23,519 --> 00:27:27,160
Speaker 1: But until the murder was cleared up, you were a suspect.

558
00:27:28,240 --> 00:27:30,599
You know something, Golia I was never much good at

559
00:27:30,839 --> 00:27:31,799
kissing through a wire.

560
00:27:31,880 --> 00:27:32,200
Speaker 2: Scream.

561
00:27:39,000 --> 00:27:45,720
Speaker 1: Murder doesn't fit the frame. Murder doesn't fit the frame.

562
00:27:45,880 --> 00:27:48,319
That's the title of next week's Adventure of the Falcon.

563
00:27:48,400 --> 00:27:50,359
When Mike Waring learns that if you know the name

564
00:27:50,400 --> 00:27:53,200
of a murderer, you'd better spill that information before he

565
00:27:53,319 --> 00:27:55,920
spills your blood. They'll be sure to listen next week

566
00:27:55,960 --> 00:27:59,039
at the same time to another exciting adventure of the Falcon.

567
00:28:04,680 --> 00:28:06,720
The Adventures of the Falcon are based on the famous

568
00:28:06,759 --> 00:28:10,200
character created by Drexel Drake, Produced by Bernard L. Schubert,

569
00:28:10,359 --> 00:28:13,319
written Tonight by Jerome Epstein, and directed by Richard Lewis,

570
00:28:13,640 --> 00:28:16,680
music by Milton k Les. Tremaine was starred as the Falcon.

571
00:28:17,000 --> 00:28:19,640
Turnez was played by Joe DeSantis. This program came from

572
00:28:19,680 --> 00:28:22,480
New York. This is the Mutual Broadcasting System.

