WEBVTT 1 00:00:02.200 --> 00:00:10.599 You see somethings are going to happen. What's going to happen? 2 00:00:12.359 --> 00:00:12.919 I think. 3 00:00:15.480 --> 00:00:28.839 What this episode? I got a bunch of us here 4 00:00:28.879 --> 00:00:32.200 tonight with a first time guests. It should be definitely interesting. 5 00:00:33.000 --> 00:00:36.119 But before we introduce the guests, let's have the rejects. 6 00:00:35.920 --> 00:00:38.280 Let's let everybody know which ones we got going on 7 00:00:38.320 --> 00:00:42.159 here tonight, Brook please and Dark Florida, let everybody know what. 8 00:00:42.159 --> 00:00:42.640 Is up with you? 9 00:00:43.520 --> 00:00:46.119 Hi, thank you for having me on. I'm excited for tonight. 10 00:00:46.880 --> 00:00:50.000 You can find me on Instagram at Dark Florida Podcast. 11 00:00:51.039 --> 00:00:53.399 Listen and let everybody know that event you will be 12 00:00:53.399 --> 00:00:54.240 speaking yet, please. 13 00:00:54.840 --> 00:00:58.119 Yeah, So it was just announced today that Charlie's Beyond 14 00:00:58.119 --> 00:01:02.640 Belief Expo that's happening on October fourteenth in Fort Myers, Florida. 15 00:01:03.000 --> 00:01:05.840 I will be one of the speakers there and the 16 00:01:05.840 --> 00:01:08.519 Occult Rejects will also have a booth there. 17 00:01:10.000 --> 00:01:12.000 We're both next to each other. Actually, I looked though, 18 00:01:12.000 --> 00:01:13.319 you're thirty two or thirty three. 19 00:01:13.400 --> 00:01:17.280 So yeah, yeah, it's going to be a really cool event. 20 00:01:17.319 --> 00:01:18.920 It is not going to be one you want to miss. 21 00:01:18.920 --> 00:01:21.959 It's only ten dollars, so if you're in the area, 22 00:01:22.200 --> 00:01:23.920 make sure you're there definitely. 23 00:01:24.000 --> 00:01:26.519 Definitely. Oh and the top of Olph's had a Masonic lodge, 24 00:01:26.599 --> 00:01:27.079 so I mean you. 25 00:01:27.159 --> 00:01:29.959 Got if you're there, lodge fifty six. 26 00:01:30.319 --> 00:01:32.599 Yeah, I said, you gotta visit booth thirty three. That's 27 00:01:32.640 --> 00:01:36.920 the occult reason I'll check this out. So I had, 28 00:01:37.280 --> 00:01:40.159 you know, you know what that was dot some to 29 00:01:40.200 --> 00:01:42.599 think about. It was that like, as you're walking in, 30 00:01:43.120 --> 00:01:45.560 the first booth is like against the wall, and thirty 31 00:01:45.560 --> 00:01:47.599 three is across from the first booth, so technically you 32 00:01:47.719 --> 00:01:51.480 actually see the occult rejects first before you get see That. 33 00:01:51.480 --> 00:01:52.040 Was another reason. 34 00:01:52.040 --> 00:01:53.599 I was like, oh, it's in the perfect spot as well, 35 00:01:53.640 --> 00:01:54.920 so I got to go for thirty three. 36 00:01:55.760 --> 00:01:57.359 So but yeah, it should be a blast. 37 00:01:57.560 --> 00:01:59.159 We got yeah Brook next to us, and then her 38 00:01:59.159 --> 00:02:00.760 friend it's like two boot it's down in the corner 39 00:02:00.840 --> 00:02:02.359 like kind of right next to us. So we'll have 40 00:02:02.359 --> 00:02:05.799 a nice little hilario with the check it out. All right, 41 00:02:05.840 --> 00:02:08.039 Headless Giant, please let everybody know what is up. 42 00:02:09.159 --> 00:02:11.599 Hey everybody, I'm the Headless Giant. You can find me 43 00:02:11.639 --> 00:02:15.479 on x and on Instagram and on YouTube. I've got 44 00:02:15.479 --> 00:02:18.479 a show on Thursdays where I go over your a 45 00:02:18.599 --> 00:02:23.039 cult email. So if you have a cult or spiritual 46 00:02:23.280 --> 00:02:26.680 or paranormal incident that you want to send me, Uh, 47 00:02:27.039 --> 00:02:29.960 send it to the Headless Giant Podcast at gmail dot 48 00:02:30.000 --> 00:02:32.639 com and I will read it. And also I've got 49 00:02:32.680 --> 00:02:36.319 a show on Sundays with Ethan and Ricardo called The Trialogues, 50 00:02:37.080 --> 00:02:39.639 so that's a great one Sunday mornings. 51 00:02:39.919 --> 00:02:42.919 Yes, any story sending the Headless definitely try check out 52 00:02:43.000 --> 00:02:45.280 The Trial looks Bennitt, my man? 53 00:02:45.520 --> 00:02:46.080 What's going on? 54 00:02:46.120 --> 00:02:46.240 Sir? 55 00:02:46.520 --> 00:02:46.879 What's up? 56 00:02:46.960 --> 00:02:51.319 Guys? So glad to be here. You can find me 57 00:02:51.479 --> 00:02:56.759 at Broadcasting Seeds dot com. Uh, and at Broadcasting Seeds 58 00:02:56.840 --> 00:02:58.759 basically everywhere else so. 59 00:02:59.719 --> 00:03:01.879 Well, So thank you very much for joining us. Always 60 00:03:02.039 --> 00:03:05.360 enjoy you having been here and we got my man, Tyrone. 61 00:03:05.400 --> 00:03:07.000 What is going on, sir? How are you? 62 00:03:07.919 --> 00:03:08.599 What's going on? 63 00:03:08.599 --> 00:03:09.000 Everybody? 64 00:03:09.000 --> 00:03:09.560 How you doing? 65 00:03:09.919 --> 00:03:10.000 So? 66 00:03:10.080 --> 00:03:12.280 Everything you can find about me is on my website, 67 00:03:12.560 --> 00:03:15.360 Rebirth of theWord dot com. You can also find my 68 00:03:15.479 --> 00:03:19.400 book on Amazon, Journey through the Origins of History appreciated. 69 00:03:18.879 --> 00:03:20.439 Nick of course, of course. 70 00:03:20.560 --> 00:03:23.120 And uh, those some of those events I think Tyrone 71 00:03:23.120 --> 00:03:24.400 said he might be able to make them, you know, 72 00:03:24.400 --> 00:03:25.319 someone I don't want to. 73 00:03:25.400 --> 00:03:26.479 I'm not putting him on the spot. 74 00:03:26.560 --> 00:03:30.000 So co is you gonna You're gonna get me in 75 00:03:30.120 --> 00:03:32.680 Tyrone and uh, the one in Florida, you'll get all 76 00:03:32.719 --> 00:03:35.159 three of us. So yeah, definitely, I definitely try to 77 00:03:35.199 --> 00:03:37.840 check out those events and I will post them. So 78 00:03:38.439 --> 00:03:40.960 all right, Uh and we got Ricardo. 79 00:03:42.800 --> 00:03:45.240 What is going on? You got on mutube? 80 00:03:45.400 --> 00:03:49.560 Yeah, So good evening everyone. And because this is not 81 00:03:49.639 --> 00:03:53.199 an academic realm, I don't have to say doctor, doctor, doctor, 82 00:03:53.319 --> 00:03:56.120 doctor doctor. I can say good evening, Brooks, good evening Headless, 83 00:03:56.120 --> 00:04:00.360 good even Nick, good even Bunnett, and good evening Iron, 84 00:04:00.479 --> 00:04:04.759 which is much much more pleasant. So my name is Ricarcovardi. 85 00:04:04.840 --> 00:04:06.960 You can find me at the ed that is on 86 00:04:07.000 --> 00:04:10.039 the screen on x I would like to promote the 87 00:04:10.719 --> 00:04:15.520 Universe and Veil podcast on YouTube and other applications. My 88 00:04:15.680 --> 00:04:18.680 two books, The Resonant Earth, that I think is relevant 89 00:04:18.839 --> 00:04:21.639 to Rob and if you're interested, I can send you 90 00:04:21.680 --> 00:04:29.560 my book in PDF format and Stardust and the Institute 91 00:04:29.560 --> 00:04:31.959 for Natural Philosophy dot org, where you can find our magazine. 92 00:04:31.959 --> 00:04:34.360 We are a little bit delayed this year with the magazines, 93 00:04:34.519 --> 00:04:37.399 but you have two there you can watch freely or 94 00:04:37.439 --> 00:04:41.319 download or whatever. So excited to be here and heard 95 00:04:41.439 --> 00:04:44.240 from Rob and from everyone else. Thank you Nick for 96 00:04:44.279 --> 00:04:45.360 the opportunity. 97 00:04:45.439 --> 00:04:47.360 No, thank you for coming on and joining us. Ricardo 98 00:04:47.399 --> 00:04:51.040 always appreciate it. And finally that to the man himself. 99 00:04:51.160 --> 00:04:55.360 We got Robert Robert from Flooded Temples. Robert, please let 100 00:04:55.360 --> 00:04:57.560 everybody know I guess where they can find you, and 101 00:04:57.839 --> 00:04:59.480 we'll get into like what your deal is and what 102 00:04:59.519 --> 00:05:01.920 you do. Yeah, plug anything you want to you want 103 00:05:01.959 --> 00:05:02.639 people to know about. 104 00:05:02.639 --> 00:05:02.920 Please. 105 00:05:03.279 --> 00:05:07.480 Okay, Well, thank you Nick for having me on. You 106 00:05:07.519 --> 00:05:10.120 can only find me here on x is. I'm banned 107 00:05:10.160 --> 00:05:13.319 from YouTube and that that's where I started off. I 108 00:05:13.360 --> 00:05:18.639 put two episodes on YouTube and got bamed for spam, 109 00:05:18.680 --> 00:05:22.759 scam disinformation, you know, and tried to get back on, 110 00:05:22.879 --> 00:05:25.720 but we'll see how that goes. I'm not really plugging 111 00:05:25.720 --> 00:05:28.879 anything right at this point, just trying to get the 112 00:05:28.920 --> 00:05:29.639 message out there. 113 00:05:29.720 --> 00:05:31.199 So, yeah, this is it. You can only find me 114 00:05:31.279 --> 00:05:32.639 here on x right now. 115 00:05:33.759 --> 00:05:36.199 And so you stream and you do stream today too, right, 116 00:05:36.399 --> 00:05:39.480 Just let people know I do what you stream to. 117 00:05:39.680 --> 00:05:41.759 You do streams of Twitter right or you put you 118 00:05:41.800 --> 00:05:42.639 put videos up. 119 00:05:42.720 --> 00:05:45.000 I'm like, you know, yeah, yeah, I put videos up 120 00:05:45.040 --> 00:05:46.959 on Twitter, that's right, But that's the only place you 121 00:05:46.959 --> 00:05:47.360 can find me. 122 00:05:47.439 --> 00:05:49.959 Right now, exactly, Okay, perfect? 123 00:05:50.199 --> 00:05:53.879 So so yeah, so the question was, I guess who 124 00:05:53.920 --> 00:05:56.639 am I? I sort of like just introduce myself a 125 00:05:56.680 --> 00:06:02.639 bit why I'm here maybe, So yeah, basically like I 126 00:06:02.639 --> 00:06:08.040 I'm an electrician. I've been working a long time doing 127 00:06:08.079 --> 00:06:12.439 a construction mostly in industrial and commercial settings, so just 128 00:06:12.480 --> 00:06:15.720 building all sorts of electrical stuff. So that's what I 129 00:06:15.800 --> 00:06:18.519 do as a career. Then the not the majority, but 130 00:06:18.600 --> 00:06:20.920 about half of it's been in a smelter's setting, so 131 00:06:21.079 --> 00:06:23.560 in like mining and whatnot. Where I live here, there's 132 00:06:23.920 --> 00:06:26.879 some very old smelters that everybody works in at one 133 00:06:26.879 --> 00:06:32.759 point or another. And so anyways, I, when I was younger, 134 00:06:33.560 --> 00:06:36.000 was definitely interested in Egypt and the Pyramids, like a 135 00:06:36.040 --> 00:06:37.800 lot of young kids, right, And I looked at him 136 00:06:37.800 --> 00:06:39.959 and I was amazed and thought, I think, you know 137 00:06:40.079 --> 00:06:42.920 that probably even back then there were machines or something. 138 00:06:42.959 --> 00:06:45.639 But of course I grew up and stopped thinking about 139 00:06:45.680 --> 00:06:49.439 those things and just kind of came back to me 140 00:06:49.519 --> 00:06:52.920 later when I was watching a YouTube video by Jeffrey Drum, 141 00:06:52.920 --> 00:06:56.480 which I'm sure you guys probably already know, And so 142 00:06:56.600 --> 00:06:59.240 he was going through some of his theories and whatnot, 143 00:06:59.360 --> 00:07:00.399 and I was I was. 144 00:07:01.000 --> 00:07:02.120 I was looking at it, and I was like, oh 145 00:07:02.160 --> 00:07:02.519 my god. 146 00:07:02.560 --> 00:07:05.639 Like during my times at the smelters, we're constantly going 147 00:07:05.639 --> 00:07:09.199 to different places to work and build and do things, 148 00:07:09.199 --> 00:07:10.839 and they're always telling us we have to do an 149 00:07:10.879 --> 00:07:13.160 in dock. I'd look a little safety in dock and 150 00:07:13.680 --> 00:07:16.480 see what we're walking into. And when you look at it, 151 00:07:16.480 --> 00:07:18.160 it's exactly like the Pyramids. 152 00:07:18.600 --> 00:07:18.800 You know. 153 00:07:18.800 --> 00:07:21.560 It's just a bunch of chambers with tunnels and then 154 00:07:21.879 --> 00:07:26.279 other chambers and they're heating things up and deep pressurizing, pressurizing, 155 00:07:26.319 --> 00:07:28.879 cooling them down, you know. So it kind of made 156 00:07:28.920 --> 00:07:31.480 a lot of sense to me. But of course I 157 00:07:31.560 --> 00:07:34.240 don't know chemicals, you know, but it really did. Like 158 00:07:34.319 --> 00:07:38.040 I thought, yeah, this is probably the best, you know, 159 00:07:39.160 --> 00:07:42.360 idea I've seen so far, And so he really had 160 00:07:42.399 --> 00:07:44.319 an effect on me. So then a little bit later, 161 00:07:44.439 --> 00:07:47.800 after watching some of the site visits, you know, he 162 00:07:47.879 --> 00:07:50.839 talked about the obelisks and how they had the electron 163 00:07:50.920 --> 00:07:53.279 on them and they're made of granite, and then they're 164 00:07:53.279 --> 00:07:57.600 sitting on these beautiful red courtz blocks, and right away 165 00:07:57.879 --> 00:07:59.920 I realized what I was looking at was a piece 166 00:07:59.920 --> 00:08:03.279 of electric transducer that I learned about in school or 167 00:08:03.360 --> 00:08:07.600 similar to anyways, and so you know, one example of 168 00:08:07.600 --> 00:08:10.720 that is that they're looking at with Mums Tommy. They 169 00:08:10.759 --> 00:08:14.519 put it on on Moms Tommy and they're shooting waves 170 00:08:14.519 --> 00:08:19.000 to look at the different layers of density. Another one 171 00:08:19.000 --> 00:08:21.360 they talked about then that's closest I think to what 172 00:08:21.399 --> 00:08:23.519 the allbelist looks like. But another one they talked about, 173 00:08:23.519 --> 00:08:25.720 which I really thought was interesting, that really talks about 174 00:08:25.720 --> 00:08:29.480 how piso electricity works that they taught to school was 175 00:08:29.759 --> 00:08:33.480 and why they use it in one respect was because 176 00:08:33.519 --> 00:08:35.559 they would park cars on it. So if you go 177 00:08:35.600 --> 00:08:37.679 to the dump and you're trying to find out how 178 00:08:37.720 --> 00:08:40.759 much of carways. Now, I don't know if today you're 179 00:08:40.799 --> 00:08:42.879 still like driving over a piece of quartz crystal, or 180 00:08:42.919 --> 00:08:44.919 if they change it with other piez of electrics, because 181 00:08:44.919 --> 00:08:47.200 they just make kind of like computer you know, like 182 00:08:47.840 --> 00:08:50.720 fabricated piez of electrics, I think now, but you know 183 00:08:51.360 --> 00:08:53.960 what you do is that amount of pressure that deforms 184 00:08:53.960 --> 00:08:56.120 that courts will give you a very exact voltage what 185 00:08:56.200 --> 00:08:57.799 tells you exactly what the way your car is. 186 00:08:57.919 --> 00:09:00.159 So they'd use it for that, So I thought that 187 00:09:00.200 --> 00:09:00.919 was very interesting. 188 00:09:01.679 --> 00:09:04.120 And then so then anyways, with a lot of transducers, 189 00:09:04.120 --> 00:09:06.799 and I mean I'm pretty sure, like just the definition 190 00:09:06.840 --> 00:09:09.279 of a transducer is something that takes some energy turns 191 00:09:09.320 --> 00:09:11.679 it into a different form of energy, right, So this 192 00:09:11.759 --> 00:09:13.759 is a piece of electric transducer, and a lot of 193 00:09:13.799 --> 00:09:17.360 the transducers they work in reverts, so like you'll get 194 00:09:18.399 --> 00:09:21.240 if you deform crystals, this is the piece of electric effect. 195 00:09:21.399 --> 00:09:23.440 You're going to get a voltage across that crystal, so 196 00:09:23.559 --> 00:09:26.320 courts crystal, but if you put a voltage into a crystal, 197 00:09:26.399 --> 00:09:28.519 you're going to get. 198 00:09:27.840 --> 00:09:30.559 The vibration out of that crystal. 199 00:09:31.399 --> 00:09:36.960 So so anyways, I realized these were transducers essentially oscillators. 200 00:09:37.559 --> 00:09:40.799 And what I started to do was just looking at 201 00:09:40.840 --> 00:09:42.559 the Egyptian temples. 202 00:09:42.639 --> 00:09:43.639 You know, I didn't look at. 203 00:09:43.559 --> 00:09:47.000 The pyramids anymore because Jeffrey Drum was on that and 204 00:09:47.879 --> 00:09:50.879 you know, it's more of a chemical thing. But I 205 00:09:50.960 --> 00:09:54.240 realized that like it was something maybe that I could 206 00:09:54.440 --> 00:09:58.799 figure out more So anyways, so after weeks of just 207 00:09:59.159 --> 00:10:05.360 thinking watching videos physics videos about acoustical waves oscillators by 208 00:10:05.600 --> 00:10:09.960 Walter Lewin who's like a master teacher of physics who's 209 00:10:09.960 --> 00:10:14.159 all over YouTube and uh and trying to figure out 210 00:10:14.159 --> 00:10:19.399 you know, basically what was going on. I, uh, because 211 00:10:19.399 --> 00:10:21.480 I have pictures of like you see right here, pictures 212 00:10:21.480 --> 00:10:25.240 of the temples all over my house here. So my 213 00:10:25.240 --> 00:10:27.720 my wife was talking to me one day and I 214 00:10:27.720 --> 00:10:30.279 I think I had a moment where I realized that 215 00:10:30.360 --> 00:10:34.039 what I thought I saw them doing was double slit 216 00:10:34.919 --> 00:10:39.799 wave interference experiments in these temples. And so when I 217 00:10:39.799 --> 00:10:44.679 started pursuing that, that's kind of you know, that's what 218 00:10:44.759 --> 00:10:46.600 convinced me that I was onto something. And then I 219 00:10:46.600 --> 00:10:48.240 started looking through that and I kind of took it 220 00:10:48.279 --> 00:10:52.440 from there and then yeah, that's that's where I started. 221 00:10:56.720 --> 00:10:58.440 That's lux Or right there, isn't it. 222 00:10:58.799 --> 00:11:01.720 I see, Yeah, this is what is Luxore. 223 00:11:01.840 --> 00:11:04.320 But I mean I was I was always staring at 224 00:11:04.399 --> 00:11:07.679 Karnak Temple. Karnack Temple was for me, the most impressive. 225 00:11:08.240 --> 00:11:11.240 But where I had my moment, my kind of epiphany moment, 226 00:11:11.279 --> 00:11:13.879 I guess, was at the Temple of Seti the first 227 00:11:14.679 --> 00:11:16.639 and because so if you if you look around, you 228 00:11:16.679 --> 00:11:18.759 see the Obelis, they're always got these clamp marks on 229 00:11:18.840 --> 00:11:20.720 them because they've been blown apart. 230 00:11:20.559 --> 00:11:23.200 By acoustical waves, so they're all over around the Obelis. 231 00:11:23.240 --> 00:11:25.600 So then I was watching another episode by Jeffrey Drum 232 00:11:25.600 --> 00:11:29.399 where he was looking at the temple Sadie the first 233 00:11:29.679 --> 00:11:33.039 and he was looking at these old wells, like these. 234 00:11:32.840 --> 00:11:34.759 Old wells, you know. So I was like, hmm. 235 00:11:34.879 --> 00:11:37.519 And then there's you know, he's picking up pieces with 236 00:11:37.600 --> 00:11:39.519 clamp marks in them and whatnot. And I noticed that 237 00:11:39.559 --> 00:11:42.279 where these old wells are they perfectly these two slits, 238 00:11:42.879 --> 00:11:44.879 you know, And I was like, okay, well, those aren't 239 00:11:44.879 --> 00:11:48.799 old wells. They're obelists, right, And they always put the obelis, 240 00:11:48.879 --> 00:11:51.720 two of them on the sides of the uh, you know, 241 00:11:52.440 --> 00:11:54.399 the main corridor out from the. 242 00:11:54.279 --> 00:11:58.000 Sanctuary of the temple. So I was like, no, that's 243 00:11:58.000 --> 00:11:59.840 where they fit in a lot of the other temples. 244 00:11:59.840 --> 00:12:01.320 So let's just call these obelists. 245 00:12:01.320 --> 00:12:04.039 So once you put those obelisks down from there, you 246 00:12:04.080 --> 00:12:08.000 can kind of see how the the wave interference experiment, 247 00:12:08.440 --> 00:12:11.919 how they controlled it with what essentially was a wave guide. 248 00:12:12.080 --> 00:12:15.039 And what I found they seem to be trying to 249 00:12:15.080 --> 00:12:20.399 do was to get rid of the side waves. I 250 00:12:20.399 --> 00:12:22.360 guess we'd call them for now the and just keep 251 00:12:22.360 --> 00:12:23.879 the prominent central maximum. 252 00:12:24.120 --> 00:12:24.960 I can maybe bring up. 253 00:12:24.879 --> 00:12:26.399 A couple of slides and try and show it to you, 254 00:12:26.519 --> 00:12:31.639 But like basically their wave guides to cavitate water. Because 255 00:12:31.679 --> 00:12:34.080 what happens is when you have two oscillators in water, 256 00:12:34.679 --> 00:12:37.639 if you've got the good amplitude, you're going to have 257 00:12:37.759 --> 00:12:40.039 those waves interfere with each other and you're going to 258 00:12:40.080 --> 00:12:44.879 start to cavitate water, which is little implosions in water. 259 00:12:44.919 --> 00:12:47.360 It's little bubbles imploating. And so. 260 00:12:49.159 --> 00:12:52.519 They do it today in ultrasonic cleaners, you know at 261 00:12:52.519 --> 00:12:55.039 the jewelry stores, but there's also. 262 00:12:54.879 --> 00:12:58.679 Other there's other things they're looking to try and do use. 263 00:12:58.720 --> 00:13:02.919 It was with pulp and paper, stop using so many chemicals. 264 00:13:03.000 --> 00:13:06.039 They were trying to look at maybe using big oscillators. 265 00:13:05.399 --> 00:13:07.600 And I don't think they were actually using quartz, but 266 00:13:08.600 --> 00:13:10.519 they were having real problems. They weren't as good as 267 00:13:10.519 --> 00:13:13.039 the Egyptians at it. Another way is they do it 268 00:13:13.039 --> 00:13:15.039 on a very small scale, and it's it's a good 269 00:13:15.039 --> 00:13:19.720 way to sort blood platelets and blood because you can 270 00:13:19.759 --> 00:13:24.120 get the blood platelets or whatever's in it to sit 271 00:13:24.200 --> 00:13:26.000 in the nodes, but there's not as much pressure and 272 00:13:26.279 --> 00:13:28.720 basically you're sorting them and as you're moving them, and 273 00:13:28.759 --> 00:13:32.480 it's an easy it's very easy on the blood, very 274 00:13:32.480 --> 00:13:35.080 low amplitude style of doing it, so they do use 275 00:13:35.919 --> 00:13:39.000 you know, the technology today. So I found two papers 276 00:13:39.039 --> 00:13:41.000 about it, these actually treaties I just told you about 277 00:13:41.039 --> 00:13:43.600 the pulp mill and the blood and it talked about 278 00:13:43.639 --> 00:13:47.480 how you know they do it is an orthogonal process, 279 00:13:47.519 --> 00:13:52.559 which just means perpendicular orthogonal, and you know they're controlling, 280 00:13:52.720 --> 00:13:56.240 trying to move things around in the fluid. And so 281 00:13:56.320 --> 00:13:59.320 then I started looking at Google Earth and zooming out 282 00:13:59.399 --> 00:14:00.799 on Google Earth Earth, and all of a sudden, you 283 00:14:00.840 --> 00:14:03.759 can see like all these temples are orthogonically arranged. 284 00:14:03.799 --> 00:14:05.960 They all have like a level temple at the end 285 00:14:06.000 --> 00:14:08.679 that's like shooting sideways at it. And I don't know why. 286 00:14:08.799 --> 00:14:10.840 Maybe it's to turn it off, it's a break, I'm 287 00:14:10.879 --> 00:14:13.200 not sure, but they just all start to look a 288 00:14:13.200 --> 00:14:13.679 lot like. 289 00:14:16.120 --> 00:14:16.200 That. 290 00:14:16.679 --> 00:14:18.879 So I started to work my way through how how 291 00:14:18.919 --> 00:14:20.039 it would all work. 292 00:14:19.919 --> 00:14:23.120 And and honestly, I was very confused because when you 293 00:14:23.159 --> 00:14:25.480 look at like if you look at Karnak Temple or 294 00:14:25.519 --> 00:14:27.960 any of these temples, like they look like flutes almost 295 00:14:28.000 --> 00:14:32.080 like if you picture them as a as a instrument, 296 00:14:32.960 --> 00:14:35.879 you know, you would picture yourself blowing at the sanctuary, right, 297 00:14:36.320 --> 00:14:38.519 that's the way it looks. But in my but I'm 298 00:14:38.559 --> 00:14:41.799 looking at it all the oscillators at the pyramid are 299 00:14:41.879 --> 00:14:43.480 the all. 300 00:14:43.399 --> 00:14:45.279 Bolists that are getting hit it right? 301 00:14:45.320 --> 00:14:50.440 So it's so confused for so long, and then I realized, well, no, okay, 302 00:14:50.039 --> 00:14:54.159 these sarcophaga they must be oscillators too, because they're all courts. 303 00:14:54.200 --> 00:14:56.960 You know, they're piezy electrics too. But I mean, how 304 00:14:56.960 --> 00:14:59.639 are they powered right? They're they're not powered by lightning. 305 00:14:59.679 --> 00:15:02.960 They're all covered, like what are they doing? And so 306 00:15:03.039 --> 00:15:06.679 I realized, okay, they they needed You need to attract 307 00:15:06.679 --> 00:15:09.480 the lightning. You can't just like the one thing where 308 00:15:09.480 --> 00:15:12.559 I kind of disagree with Jeffrey Drummer, I just don't 309 00:15:12.919 --> 00:15:17.519 don't see a lot of people's you know, what they 310 00:15:17.559 --> 00:15:19.639 see when it comes to the to a lyric currents 311 00:15:19.879 --> 00:15:21.879 and how that would attract lightnings. I would see that 312 00:15:21.919 --> 00:15:24.919 maybe attracting lightning to a general area. But you needed 313 00:15:24.960 --> 00:15:26.799 to hit your you know what you want to hit 314 00:15:26.879 --> 00:15:29.480 in order to power your temples. So I felt like 315 00:15:29.559 --> 00:15:33.799 you had to make them active lightning rods, these allbelists. 316 00:15:33.840 --> 00:15:35.320 And the way to do that would be the charge 317 00:15:35.360 --> 00:15:38.399 them just the reverse piesio electric effects. 318 00:15:38.000 --> 00:15:41.200 So easy enough. You just to form the bases. 319 00:15:41.320 --> 00:15:43.840 You got to shoot some waves at them and they'll 320 00:15:43.879 --> 00:15:46.120 get a positive charge on top which will actually attract 321 00:15:46.159 --> 00:15:48.639 the lightning. And so that's when I realized that's what 322 00:15:48.639 --> 00:15:53.639 the sarcophagus were doing. They were basically shooting the uh 323 00:15:53.679 --> 00:15:56.639 the waves at the all bliss in order to attract 324 00:15:56.679 --> 00:15:57.200 the lightning. 325 00:15:58.039 --> 00:16:02.360 And I like that theory because that theory kind of. 326 00:16:02.320 --> 00:16:05.320 Explains the dimensions of the temple a little bit better, 327 00:16:05.399 --> 00:16:08.240 because you know, the temples are quite big, right, whereas 328 00:16:08.360 --> 00:16:10.080 ultrasound waves are very small. 329 00:16:11.720 --> 00:16:14.360 It's uh, the size doesn't really work. 330 00:16:15.840 --> 00:16:20.879 Please please, But if i'm why, why do you think 331 00:16:20.919 --> 00:16:24.399 that they need lightning to power these site, Well. 332 00:16:24.279 --> 00:16:29.840 The lightning would create the oscillators, the the the obelisk 333 00:16:29.960 --> 00:16:31.840 to cavitate the water, and that was the whole point 334 00:16:31.919 --> 00:16:33.039 was to get cavitating water. 335 00:16:33.200 --> 00:16:35.720 They needed the amplitude, They needed the power of lightning. 336 00:16:35.759 --> 00:16:38.320 That that's why I'm asking you don't need the power 337 00:16:38.320 --> 00:16:40.840 of lighting. The natural energy of the place and the 338 00:16:41.639 --> 00:16:45.600 natural uh sacred geometry type of construction, the way that 339 00:16:45.720 --> 00:16:49.440 sound waves rebate the mineralogy of the material is used 340 00:16:49.879 --> 00:16:52.679 in itself will power the site. So I give you 341 00:16:52.840 --> 00:16:57.320 the example of the Osiris shift, whereas the only place 342 00:16:57.399 --> 00:17:01.279 that I've known and researched in terms of archae acoustics 343 00:17:02.879 --> 00:17:06.519 that doesn't require external sound. So when you look into 344 00:17:06.680 --> 00:17:10.480 archae acoustics, you find that they call it a tredent 345 00:17:10.519 --> 00:17:14.400 of frequencies. So two of the frequencies are natural occurring. 346 00:17:14.519 --> 00:17:16.880 One comes from the ground, the other one is the 347 00:17:17.000 --> 00:17:20.079 natural resonance of the place itself, and the third one 348 00:17:20.160 --> 00:17:24.079 is introduced by man. So as long as you introduce 349 00:17:24.119 --> 00:17:27.839 these three frequencies in the court to what dimensions of 350 00:17:27.920 --> 00:17:31.279 the site and its construction, this architecture is built to do, 351 00:17:31.880 --> 00:17:34.079 you don't need lighting at all because they will be 352 00:17:34.200 --> 00:17:37.400 fully activated, as in the cause of the Si shift. 353 00:17:37.440 --> 00:17:40.039 And we know it is still activated because the water 354 00:17:40.119 --> 00:17:46.279 at the bottom is what science now calls oh I 355 00:17:46.319 --> 00:17:49.319 forgot the name, so that the engines call it living 356 00:17:49.400 --> 00:17:52.920 water and today is structured water. So what happens is 357 00:17:52.960 --> 00:17:57.279 because of the sound, it creates exagonal molecules and this 358 00:17:57.599 --> 00:18:00.519 causes it to repel any kind of impurity. And that's 359 00:18:00.599 --> 00:18:05.799 how we know because the water is pure, although it's 360 00:18:05.839 --> 00:18:08.200 full of debris, it's absolutely pure. 361 00:18:09.079 --> 00:18:11.960 This is the Temple study the first right, No, no, 362 00:18:12.559 --> 00:18:13.480 this is. 363 00:18:13.279 --> 00:18:17.880 This is a third of the way from the sphinx 364 00:18:18.079 --> 00:18:22.039 to the pyramid on the causeway on the Giza Plateau 365 00:18:22.319 --> 00:18:25.039 on the left side of the causeway, if you're going 366 00:18:25.079 --> 00:18:26.319 to the pyramid, So. 367 00:18:26.640 --> 00:18:28.240 I know what you're talking about. Yesterday I get a 368 00:18:28.240 --> 00:18:33.519 compuse with the Osirian shaft by temple study. The first 369 00:18:35.000 --> 00:18:37.039 maybe is do you think maybe they're a similar thing 370 00:18:37.160 --> 00:18:37.880 those two. 371 00:18:39.920 --> 00:18:40.519 In their purpose. 372 00:18:40.640 --> 00:18:44.799 Well, in after my research into the osirih shift, and 373 00:18:45.279 --> 00:18:48.279 I can send you the paper that I wrote, it 374 00:18:48.400 --> 00:18:52.400 all seems that the sarcophagus were, uh, the function of 375 00:18:52.480 --> 00:18:56.039 the site would be as a healing facility because when 376 00:18:56.039 --> 00:18:59.359 you compare it the use of this structured water or 377 00:18:59.440 --> 00:19:02.799 living what into this sarcophagus, which I at first thought 378 00:19:02.799 --> 00:19:05.400 it was salt water, but I was mistaken because salt 379 00:19:05.400 --> 00:19:08.799 water would be efficient but only fifteen to twenty percent efficient, 380 00:19:09.240 --> 00:19:13.200 while living water reaches sixty percent efficients. Which means if 381 00:19:13.240 --> 00:19:16.839 you put someone on those sarcophagus with that sound therapy 382 00:19:16.960 --> 00:19:19.480 working through the piece of electric effect, because the sound 383 00:19:19.559 --> 00:19:23.480 itself as it reached a constant standing wave will cause 384 00:19:23.880 --> 00:19:28.799 the piezoelectric effect by pressure of sound alone. So when 385 00:19:28.880 --> 00:19:35.160 compared to natural means of treating a broken leg. For instance, 386 00:19:35.880 --> 00:19:40.079 the time of recovery inside of this sarcophagus we just 387 00:19:40.400 --> 00:19:44.039 well I call it stone boxes. Sarcophagus is a misleading name. 388 00:19:44.799 --> 00:19:48.559 Inside of the stone boxes, we just one to two 389 00:19:48.599 --> 00:19:51.559 hours a day of treatment would be sixty percent faster 390 00:19:51.720 --> 00:19:53.640 than by the means that we use today. 391 00:19:54.160 --> 00:19:54.359 Right. 392 00:19:54.519 --> 00:19:56.960 The only way to put it the same is if 393 00:19:56.960 --> 00:19:59.240 you go to a very advanced clinic that is using 394 00:19:59.319 --> 00:20:03.799 ultrasound as treatment also that recreates more or less the same. 395 00:20:03.880 --> 00:20:06.680 It's not as efficient as this ancient site is, but 396 00:20:06.759 --> 00:20:10.599 it's very close compared to what natural medicine will or 397 00:20:11.359 --> 00:20:15.079 current medicine will will do. So, just to finish my point, 398 00:20:15.079 --> 00:20:18.640 what I mean is you have for instance, are you 399 00:20:18.680 --> 00:20:20.880 aware of the Tarkian temples in Malta? 400 00:20:22.960 --> 00:20:23.039 No? 401 00:20:23.680 --> 00:20:26.799