WEBVTT 1 00:00:00.080 --> 00:00:02.200 In two thousand and one. If you remember Kubrick and 2 00:00:02.279 --> 00:00:05.240 this famous probably one of the most famous movies, if 3 00:00:05.280 --> 00:00:08.199 not the most famous movie of all time. I read 4 00:00:08.240 --> 00:00:11.960 it as a kind of an alchemical allegory. I don't 5 00:00:11.960 --> 00:00:14.320 think it's about all the same same things that other 6 00:00:14.519 --> 00:00:17.640 conspiracy people think necessarily, but I do think there's a message, 7 00:00:17.679 --> 00:00:20.320 there's a story going on there that if we look 8 00:00:20.359 --> 00:00:22.440 at Arthur C. Clark and what he was talking about, 9 00:00:22.519 --> 00:00:25.760 we get an insight into this idea of the possibility 10 00:00:26.199 --> 00:00:30.440 of man's potheosis, that is, becoming his own god through technology. 11 00:00:30.879 --> 00:00:33.679 In two thousand and one, you remember the monolith shows up, 12 00:00:34.079 --> 00:00:37.840 and that monolith is intended to be a future AI. 13 00:00:39.000 --> 00:00:41.439 It's kind of like us in the future, or the 14 00:00:41.479 --> 00:00:46.359 future deity that is ultimately some kind of supercomputer kind 15 00:00:46.359 --> 00:00:52.000 of stepping back and giving us indicators and signposts as 16 00:00:52.000 --> 00:00:54.560 to human evolution into the future and how we could 17 00:00:54.960 --> 00:00:58.799 basically become gods on our own. Part of the reason 18 00:00:58.799 --> 00:01:02.320 that Arthur C. Clark had this idea was that he 19 00:01:02.479 --> 00:01:05.519 was in the circles of a lot of esotericists and occultists. 20 00:01:05.560 --> 00:01:08.640 He was hanging out with Aleister Crowley, the most famous 21 00:01:08.680 --> 00:01:13.439 Satanist of the last century, and Clark was interested in 22 00:01:13.560 --> 00:01:16.239 putting that ideology into his science fiction. In fact, most 23 00:01:16.280 --> 00:01:18.280 science fiction, you could argue, not all of it. I mean, 24 00:01:18.319 --> 00:01:22.040 I think C. S. Lewis's Space Trilogy is a unique exception, 25 00:01:22.120 --> 00:01:26.879 which is an explicitly Christian sci fi story, with volume 26 00:01:26.920 --> 00:01:31.400 three being about the aliens identified specifically as demons. And 27 00:01:31.439 --> 00:01:34.680 if you remember, in the third of the Space Trilogy, C. S. 28 00:01:34.760 --> 00:01:38.640 Lewis put the Christian spirituality and ethos into that text 29 00:01:39.000 --> 00:01:43.280 by making the demons want to depopulate all humanity. So C. S. 30 00:01:43.359 --> 00:01:46.200 Lewis is really one of the best science fiction writers. 31 00:01:46.239 --> 00:01:48.599 Even though everybody thinks about Narnia, they think about fantasy, 32 00:01:49.000 --> 00:01:53.200 but in the Space Trilogy, it's actually the demons that 33 00:01:53.239 --> 00:01:57.959 want to cloak themselves as aliens and then convince human 34 00:01:58.000 --> 00:02:08.199 beings to depopulate themselves. The whole AI entity the demon 35 00:02:08.360 --> 00:02:11.479 from Beyond, And I want to go into the history 36 00:02:11.560 --> 00:02:14.000 of how this has been used in pop culture to 37 00:02:14.039 --> 00:02:18.439 prepare us for the acceptance of this entity. Like you, 38 00:02:18.479 --> 00:02:20.800 I don't think that all forms of AI are necessarily 39 00:02:20.840 --> 00:02:22.719 bad or evil, but I do think that if you 40 00:02:22.800 --> 00:02:25.759 look at the people who formulated this system as we're 41 00:02:25.759 --> 00:02:28.360 going to talk about today, and the way that pop 42 00:02:28.400 --> 00:02:31.319 culture has formulated this. It's intended to get us to 43 00:02:31.360 --> 00:02:35.240 submit to and interject ourselves into this matrix system. They 44 00:02:35.240 --> 00:02:39.080 want an AI running everything. In fact, back in nineteen 45 00:02:39.080 --> 00:02:42.159 sixty six, when doctor Carrol Quigly wrote Tragy and Hope, 46 00:02:42.400 --> 00:02:44.879 there's a famous chapter in the middle where he says 47 00:02:44.879 --> 00:02:48.400 that the future technocratic society would be run by giant 48 00:02:48.520 --> 00:02:53.560 AI supercomputers. That chapter is overlooked because people always focus 49 00:02:53.639 --> 00:02:55.680 on the other section where he talks about the bankers 50 00:02:55.680 --> 00:02:58.919 and the banking elite and then arranging World War One 51 00:02:58.960 --> 00:03:01.360 and World War Two for the purpose of a global 52 00:03:01.400 --> 00:03:07.080 technocratic government. But it's not just that policy paper ethos 53 00:03:07.159 --> 00:03:12.240 that gives us this ideology and the mouthpieces of the elite. 54 00:03:12.280 --> 00:03:15.719 It's also a pop culture which in many cases was 55 00:03:15.759 --> 00:03:19.800 working in a symbiotic relationship with those in power, with 56 00:03:19.919 --> 00:03:23.800 those from this eugenics based establishment who wanted to create 57 00:03:23.919 --> 00:03:29.759 this world, this future technate as some call it, that 58 00:03:29.840 --> 00:03:33.000 would ultimately be anti human. And people have to understand 59 00:03:33.000 --> 00:03:36.240 that alex is completely right when he talks about the 60 00:03:36.400 --> 00:03:39.199 end of and the removal of all carbon based life 61 00:03:39.240 --> 00:03:42.439 forms and the replacing of it with the silicon based 62 00:03:42.759 --> 00:03:46.560 life form of some kind. If you remember, many years ago, 63 00:03:46.719 --> 00:03:48.919 of course, Alex made endgame, and one of the key 64 00:03:48.960 --> 00:03:52.400 texts in that endgame was the books that were written 65 00:03:52.439 --> 00:03:57.039 by Ray Kurtzwel. Ray Kurzwell wrote The Age of Spiritual Machines. 66 00:03:57.560 --> 00:04:00.960 He wrote the Age of Singularity or the Coming Single Larity. 67 00:04:01.759 --> 00:04:05.240 And these books were really important for telling us where 68 00:04:05.800 --> 00:04:09.400 the establishment, the real technocratic deep state, wanted to go. 69 00:04:10.199 --> 00:04:13.800 It's not technology that's the problem. It's the programmers and 70 00:04:13.960 --> 00:04:18.639 the plans and their ideology that's the problem. But before 71 00:04:18.680 --> 00:04:20.360 we get to that, I want to talk about two 72 00:04:20.399 --> 00:04:24.040 thousand and one, a space Odyssey. If you remember back 73 00:04:24.079 --> 00:04:29.720 when when Clark was writing his famous trilogy, he wrote 74 00:04:29.759 --> 00:04:33.720 two and one, twenty ten, and then three thousand and one, 75 00:04:34.399 --> 00:04:39.120 and it's all about transhumanism. It's about post human existence 76 00:04:39.160 --> 00:04:43.800 and reality and man's apotheosis through technology. In two thousand 77 00:04:43.839 --> 00:04:47.199 and one, if you remember, Kubrick and this famous probably 78 00:04:47.240 --> 00:04:48.879 one of the most famous movies, if not the most 79 00:04:48.879 --> 00:04:51.759 famous movie of all time. I read it as a 80 00:04:51.800 --> 00:04:55.879 kind of an alchemical allegory. I don't think it's about 81 00:04:56.000 --> 00:04:59.399 all the same same things that other conspiracy people think necessarily. 82 00:04:59.439 --> 00:05:01.199 But I do think the there's a message, there's a 83 00:05:01.240 --> 00:05:04.120 story going on there that if we look at Arthur C. 84 00:05:04.120 --> 00:05:06.120 Clark and what he was talking about, we get an 85 00:05:06.120 --> 00:05:11.360 insight into this idea of the possibility of man's potheosis, 86 00:05:11.439 --> 00:05:14.319 that is, becoming his own god through technology. In two 87 00:05:14.360 --> 00:05:17.360 thousand and one, you remember the monolith shows up, and 88 00:05:17.399 --> 00:05:22.360 that monolith is intended to be a future AI. It's 89 00:05:22.439 --> 00:05:25.079 kind of like us in the future or the future 90 00:05:25.759 --> 00:05:29.639 deity that is ultimately some kind of supercomputer, kind of 91 00:05:29.639 --> 00:05:35.279 stepping back and giving us indicators and signposts as to 92 00:05:35.360 --> 00:05:38.720 human evolution into the future and how we could basically 93 00:05:38.759 --> 00:05:42.079 become gods on our own. Part of the reason that 94 00:05:42.160 --> 00:05:45.800 Arthur C. Clark had this idea was that he was 95 00:05:45.959 --> 00:05:48.759 in the circles of a lot of esotericists and occultists. 96 00:05:48.759 --> 00:05:51.839 He was hanging out with Aleister Crowley, the most famous 97 00:05:51.839 --> 00:05:56.639 Satanist of the last century, and Clark was interested in 98 00:05:56.720 --> 00:05:59.399 putting that ideology into his science fiction. In fact, most 99 00:05:59.439 --> 00:06:01.480 science fiction, you could argue, not all of it. I mean, 100 00:06:01.480 --> 00:06:04.759 I think C. S. Lewis's Space Trilogy is a unique 101 00:06:04.800 --> 00:06:09.199 exception which is an explicitly Christian sci fi story, with 102 00:06:09.720 --> 00:06:14.519 Volume three being about the aliens identified specifically as demons. 103 00:06:14.519 --> 00:06:17.879 And if you remember, in the third of the Space Trilogy, C. S. 104 00:06:17.959 --> 00:06:21.839 Lewis put the Christian spirituality and ethos into that text 105 00:06:22.199 --> 00:06:26.480 by making the demons want to depopulate all humanity. So C. S. 106 00:06:26.519 --> 00:06:29.399 Lewis is really one of the best science fiction writers. 107 00:06:29.399 --> 00:06:31.800 Even though everybody thinks about Narnia, they think about fantasy, 108 00:06:32.199 --> 00:06:36.360 but in the Space Trilogy it's actually the demons that 109 00:06:36.439 --> 00:06:41.120 want to cloak themselves as aliens and then convince human 110 00:06:41.160 --> 00:06:44.560 beings to depopulate themselves. Now, if we go back to 111 00:06:44.560 --> 00:06:47.639 two thousand and one, when the monolist shows up, which 112 00:06:47.680 --> 00:06:50.800 is this sort of Luciferian cube or a kind of 113 00:06:50.800 --> 00:06:55.920 a screen so to speak. In fact, in the original screenplay, 114 00:06:57.000 --> 00:07:00.279 Arthur C. Clark had the intention of it being a kind 115 00:07:00.279 --> 00:07:03.199 of a computer screen, and the computer screen would have 116 00:07:03.279 --> 00:07:05.000 little read outs and it would be, you know, I 117 00:07:05.040 --> 00:07:07.839 don't know, playing organ trail or something for the monkeys, 118 00:07:07.879 --> 00:07:11.720 and this would then spawn the next phase or stage 119 00:07:11.720 --> 00:07:16.800 of evolution as the movie progresses. As you know Bowman 120 00:07:16.879 --> 00:07:20.120 who is the astronaut several thousand years into the future, 121 00:07:20.199 --> 00:07:25.240 is ejected out of this sort of phallic spaceship into 122 00:07:25.519 --> 00:07:28.560 the exploring the cosmos at another level, right, So they 123 00:07:28.560 --> 00:07:31.959 find another monolith that's transmitting a signal, which is what 124 00:07:32.000 --> 00:07:34.399 Alex was talking about, this signal that's been transmitted by 125 00:07:34.399 --> 00:07:37.639 this entity, and you see these sort of diamond figures there, 126 00:07:37.639 --> 00:07:44.079 these platonic solids that eventually direct Bowman to exiting this dimension, 127 00:07:44.759 --> 00:07:50.240 this spatial reality. And I put in my book, in 128 00:07:50.279 --> 00:07:52.079 this chapter that I did in my first book, you 129 00:07:52.120 --> 00:07:56.800 can see here there's a cube, and this cube includes 130 00:07:56.879 --> 00:08:00.600 all of the possible directions that you can go in 131 00:08:00.680 --> 00:08:03.160 this dimension. You can go up, down, left, right, back, forward, 132 00:08:04.279 --> 00:08:07.360 et cetera. Right, there's only six ways you can go 133 00:08:07.720 --> 00:08:11.399 in this dimension. And the whole point of two thousand 134 00:08:11.399 --> 00:08:14.399 and one A Space Odyssey for those that don't recall, 135 00:08:15.319 --> 00:08:18.720 is that Bowman is eventually the first person to achieve 136 00:08:18.800 --> 00:08:25.920 apotheosis through exiting this reality. So there's a Darwinian survival 137 00:08:25.920 --> 00:08:28.519 of the fittest sort of exchange between him and how 138 00:08:28.680 --> 00:08:33.360 they have this battle. Bowman ends up victorious in the battle, 139 00:08:33.720 --> 00:08:36.919 so we think at least in the first one. And 140 00:08:36.960 --> 00:08:39.639 what's not included in the film is what Clark had 141 00:08:39.639 --> 00:08:44.200 in the original story, which is that star Child is 142 00:08:44.559 --> 00:08:49.320 which is the rebirthed entity that Bowman becomes when he 143 00:08:49.440 --> 00:08:52.000 exits the matrix. Believe it or not, it is actually 144 00:08:52.080 --> 00:08:55.159 a matrix. The whole point of that sort of sequence 145 00:08:55.159 --> 00:09:00.120 where he's exiting through the portal through the stargate is 146 00:09:00.159 --> 00:09:04.480 that Bowman is achieving apotheosis through leaving the limitations of 147 00:09:05.559 --> 00:09:09.639 dimensional time and space. So he's transcending the limitations of 148 00:09:09.679 --> 00:09:13.399 time and space, the third and fourth dimension. He's going 149 00:09:13.480 --> 00:09:15.159 out of the matrix. You see it looks like a 150 00:09:15.240 --> 00:09:16.879 kind of a computer code. It looks like a bunch 151 00:09:16.919 --> 00:09:20.200 of colors, and there were even platonic solids, those sort 152 00:09:20.240 --> 00:09:23.240 of diamonds that were there. That's I think intended to 153 00:09:23.279 --> 00:09:28.279 tell us that we are stuck in a dimension. That technology, 154 00:09:28.320 --> 00:09:30.440 this is the story of two thousand and one. The 155 00:09:30.480 --> 00:09:34.279 technology will help us to transcend. And so Bowman sees 156 00:09:34.320 --> 00:09:36.399 himself in his own death there towards the end in 157 00:09:36.399 --> 00:09:42.159 that Victorian room, and then he becomes a new being, 158 00:09:42.360 --> 00:09:47.679 reborn as Starchild. And what's not in the movie that's 159 00:09:47.720 --> 00:09:50.679 in the original Arthur C. Clark story was that Starchild 160 00:09:51.759 --> 00:09:55.639 decided that this Earth was a giant failure, it was 161 00:09:55.679 --> 00:09:59.200 a giant mess. And so there's a bunch of nukes 162 00:09:59.320 --> 00:10:04.279 around Earth that nuke Earth, and Starchild starts over as 163 00:10:04.639 --> 00:10:08.840 the god of a new universe. That's the storyline, at 164 00:10:08.919 --> 00:10:11.840 least in the movie version of two thousand and one 165 00:10:11.840 --> 00:10:15.600 A Space Odyssey. Now a lot of people overlooked twenty 166 00:10:15.720 --> 00:10:20.279 ten because it wasn't as famous of a presentation. But 167 00:10:20.360 --> 00:10:24.440 if you want to understand this Luciferian ethos, this Promethean 168 00:10:24.519 --> 00:10:30.360 ethos of poshumanism or transhumanism from film two thousand and 169 00:10:30.399 --> 00:10:33.320 one actually goes even further, and it goes back in 170 00:10:33.399 --> 00:10:35.840 time and it tells us at the end of the 171 00:10:35.879 --> 00:10:39.360 Cold War how the Cold War would give rise to 172 00:10:39.399 --> 00:10:43.679 the technocracy. And it's actually a synthesis third way film 173 00:10:43.679 --> 00:10:47.519 where you have the joining of the Soviet scientists together 174 00:10:47.559 --> 00:10:50.000 with the American scientists, and once they get over their 175 00:10:50.679 --> 00:10:54.080 petty squabbles and their nationalism and all that, and they 176 00:10:54.120 --> 00:11:01.840 accept an international technocratic Star Trek Federation style attitude, then 177 00:11:01.960 --> 00:11:04.840 we're able to overcome the limitations and achieve the next 178 00:11:04.919 --> 00:11:07.919 level of apotheosis. So it's supposed to be ten years 179 00:11:07.960 --> 00:11:10.960 after two thousand and one in the story version in 180 00:11:10.960 --> 00:11:16.320 the books, and at the end of that film, Bowman 181 00:11:16.960 --> 00:11:21.039 or hal Hellman, who's now become merged as this new 182 00:11:21.120 --> 00:11:26.480 sort of divine transcended entity, speaks through these monoliths and 183 00:11:26.559 --> 00:11:28.519 you get all of these monoliths. So now there's like 184 00:11:28.679 --> 00:11:30.759 thousands of monoliths, and they can kind of sort of 185 00:11:30.960 --> 00:11:33.960 change their size and their dimensions because they're outside of 186 00:11:34.000 --> 00:11:38.639 this spatial dimension. So they're kind of like angelic beings 187 00:11:38.720 --> 00:11:41.720 or deities or gods or something like this. And the 188 00:11:41.799 --> 00:11:45.519 purpose of that story is to tell us that we 189 00:11:45.519 --> 00:11:48.840 were actually seated here as kind of Luciferian beings by 190 00:11:48.879 --> 00:11:54.000 this alien AI that now wants us to go forth 191 00:11:54.039 --> 00:11:57.480 and conquer the universe. Now, I don't think that it's 192 00:11:57.480 --> 00:12:00.720 wrong for humans to explore the no universe and all 193 00:12:00.799 --> 00:12:03.559 that to the best of our capabilities. There's nothing wrong 194 00:12:03.600 --> 00:12:05.399 with that. I don't think that technology is going to 195 00:12:05.440 --> 00:12:07.720 make us gods, though, so I think we're always going 196 00:12:07.799 --> 00:12:09.879 to be human, and I don't think that AI can 197 00:12:09.879 --> 00:12:13.360 ever come alive or become conscious. Depends on how you 198 00:12:13.399 --> 00:12:15.600 define consciousness, and so if you think humans are made 199 00:12:15.600 --> 00:12:17.679 in the image of God, then they have a special 200 00:12:17.759 --> 00:12:21.559 quality of soul that a computer could never have. A 201 00:12:21.559 --> 00:12:24.559 computer is always just going to be code. But in 202 00:12:24.559 --> 00:12:27.639 twenty ten, there's a specific statement at the end that 203 00:12:27.759 --> 00:12:31.279 really it sort of identifies human beings as the children 204 00:12:31.480 --> 00:12:34.399 of the Sun or the children of the light Bringer, 205 00:12:34.799 --> 00:12:38.480 who are tasked with going forth and exploring the known universe, 206 00:12:39.279 --> 00:12:42.360 which I think is explicitly Clark's version of a kind 207 00:12:42.360 --> 00:12:47.559 of Luciferian Promethean deity in these same elite circles. Around 208 00:12:47.639 --> 00:12:50.320 the same time that Crowley and Clark and people were 209 00:12:50.320 --> 00:12:54.240 hanging out together, you had Alvis Huxley and HG. Wells 210 00:12:54.720 --> 00:12:57.879 hanging out in the same types of circles, and they 211 00:12:57.919 --> 00:13:00.240 wrote very similar treatises about how this is what was 212 00:13:00.639 --> 00:13:04.799 really going on. You find Isaac Asimah of writing books 213 00:13:04.879 --> 00:13:08.759 the Foundation series with very similar stories about Ai kind 214 00:13:08.799 --> 00:13:12.519 of being a future quasi deity. So there's something I 215 00:13:12.519 --> 00:13:14.960 think that these people are telling us through the pop 216 00:13:14.960 --> 00:13:18.360 fiction and through their nonfiction writings about how they view 217 00:13:18.720 --> 00:13:23.200 humanity as essentially monkeys or apes, and that they need 218 00:13:23.240 --> 00:13:26.320 to be gotten rid of. And that's that depopulation narrative 219 00:13:26.320 --> 00:13:31.840 that almost entirely runs through every one of the technocratic elite, 220 00:13:32.120 --> 00:13:35.000 except for perhaps Elon Musk. He seems to be pro human, 221 00:13:35.039 --> 00:13:38.279 He seems to be pro life. He doesn't seem to 222 00:13:38.279 --> 00:13:40.960 have the same attitude whatever criticisms people have, at least 223 00:13:40.960 --> 00:13:43.440 when it comes to this issue. He doesn't seem to 224 00:13:43.519 --> 00:13:47.039 be for depopulation. Why would we not have as many 225 00:13:47.080 --> 00:13:52.000 human beings as possible to go forth and to conquer. 226 00:13:52.440 --> 00:13:54.720 You know, in Genesis you have the dominion mandate, and 227 00:13:54.720 --> 00:13:57.320 I don't think there's anything that necessarily means that it 228 00:13:57.399 --> 00:14:00.120 has to stop at Earth. If humans want to exp 229 00:14:00.399 --> 00:14:01.919 I think they're free to do so. They can go 230 00:14:01.960 --> 00:14:05.399 and do whatever they would like to do, because God 231 00:14:05.440 --> 00:14:08.720 gave us that power, that free will, that potentiality too 232 00:14:08.759 --> 00:14:13.120 that we need to actualize. In three thousand and one, however, 233 00:14:13.559 --> 00:14:19.320 you have a presentation where Clark identifies and melds Bowmen 234 00:14:19.480 --> 00:14:23.120 and how into this entity called Holman, and Holman becomes 235 00:14:23.159 --> 00:14:25.600 the God of the Future, who is a transhumanist, post 236 00:14:25.639 --> 00:14:28.840 human entity that sort of flies around in a spaceship 237 00:14:29.120 --> 00:14:32.919 chariot computer that he's identified with and becomes a kind 238 00:14:32.919 --> 00:14:35.159 of a god. So, I mean, I think the narrative 239 00:14:35.200 --> 00:14:37.720 goes off into kind of some silly stuff. But the 240 00:14:37.799 --> 00:14:40.879 fiction here is telling you and sort of preparing us 241 00:14:40.960 --> 00:14:44.120 for the world that we're going into the world that's 242 00:14:44.200 --> 00:14:48.559 now rolling out. And even the texts, even the stories 243 00:14:49.080 --> 00:14:54.919 that were intended to be warnings, like Terminator and Skynet, 244 00:14:55.159 --> 00:14:59.159 even those stories were actually written in consultation with DARPA 245 00:15:00.200 --> 00:15:05.519 and the research and development parts of the Pentagon. And 246 00:15:05.720 --> 00:15:07.679 if you look at on my shelf here or somebody 247 00:15:07.799 --> 00:15:09.919 I got a gift, I think Jamie gave me this. 248 00:15:09.919 --> 00:15:15.679 This was this is the Terminator hand and that Skynett 249 00:15:15.679 --> 00:15:18.639 gets a hold of that they reverse engineer. So we're 250 00:15:18.679 --> 00:15:21.879 being told, you know that through the UFO Alien syop, 251 00:15:21.960 --> 00:15:25.879 that there's crashed craft and we're re engineering the technology 252 00:15:25.879 --> 00:15:27.519 and all this kind of stuff. But I think this 253 00:15:27.639 --> 00:15:31.360 is really a false gospel, is the best way to 254 00:15:31.360 --> 00:15:34.559 put It's this idea that we're going to reverse engineer 255 00:15:34.639 --> 00:15:38.519 the technology. The technology is going to allow us to 256 00:15:38.559 --> 00:15:40.960 transcend time and space. We're going to get outside of 257 00:15:40.960 --> 00:15:44.799 the six dimensional limitations and mortality that God put upon us. 258 00:15:44.840 --> 00:15:47.080 And oh maybe that was an evil God that put 259 00:15:47.200 --> 00:15:50.200 mortality and limitations upon us, and so now we can 260 00:15:50.240 --> 00:15:55.519 transcend that through these silicon stages ideology, and that's precisely 261 00:15:55.559 --> 00:15:59.960 what you get in today's transhumanists like No, you've all 262 00:16:00.080 --> 00:16:06.480 Harari who wrote books like Homodaeus The Mouthpiece and Protege 263 00:16:06.480 --> 00:16:10.960 of Claus Schwab from the World Economic Forum talking about 264 00:16:10.960 --> 00:16:14.159 how the AI is now going to progress into a 265 00:16:14.279 --> 00:16:17.559 kind of quasi divine avatar type of figure. In other words, 266 00:16:17.600 --> 00:16:21.080 you'll have a little robot, you know, Buddhas and robot 267 00:16:21.200 --> 00:16:24.279 Jesus is walking around. I'm not kidding literally, just like 268 00:16:24.320 --> 00:16:27.320 THHX one win three eight. If you watch THHX one 269 00:16:27.360 --> 00:16:30.200 one three eight, you'll see that there's a scene where 270 00:16:30.320 --> 00:16:33.039 Robert de Vall goes to confession. It's one of the 271 00:16:33.080 --> 00:16:36.480 best scenes in science fiction movies because it was so 272 00:16:37.159 --> 00:16:39.919 dark and so empty and yet so predictive at the 273 00:16:39.960 --> 00:16:43.360 same time. When Robert Devall goes to confession, he has 274 00:16:43.399 --> 00:16:48.279 to confess to the AI god his sins in terms 275 00:16:48.320 --> 00:16:52.000 of whether he was able to perfectly obey the technocratic 276 00:16:52.039 --> 00:16:54.919 regiment or not. And he's told to take extra you know, 277 00:16:55.639 --> 00:16:59.120 vitamin pills and this kind of stuff. Right, he didn't, 278 00:16:59.720 --> 00:17:02.799 you know, so he doubted the AI. And what's funny 279 00:17:02.840 --> 00:17:06.000 about that movie is that the humans are the ones 280 00:17:06.039 --> 00:17:09.039 that actually build their own enslavement. And I think that's 281 00:17:09.079 --> 00:17:11.640 a really key point that Alex was hitting on today, 282 00:17:11.880 --> 00:17:15.880 was that we're building the thing that could potentially enslave us, 283 00:17:15.960 --> 00:17:19.880 that could wipe out previous history. You know, Alex was 284 00:17:19.920 --> 00:17:26.160 talking about the AI basically making all the Vikings black, which, 285 00:17:26.200 --> 00:17:29.119 by the way, they would have pretty pimped out, you know, 286 00:17:29.279 --> 00:17:32.359 Viking warships if it was if they were black. I 287 00:17:32.400 --> 00:17:34.640 have to say that I don't think the Vikings were black, 288 00:17:35.200 --> 00:17:38.039 but they would have pretty pimped out Viking ships if 289 00:17:38.079 --> 00:17:41.319 they did. That'd be a good skit. Maybe good news. 290 00:17:41.440 --> 00:17:43.799 They got a bunch of methylene blue in quicker than 291 00:17:43.799 --> 00:17:45.640 we thought. It may be sold that up to that 292 00:17:45.720 --> 00:17:48.680 because it's medical grade and it takes time. But we've 293 00:17:48.720 --> 00:17:50.960 got a big shipment in and so we're bringing back 294 00:17:51.000 --> 00:17:54.160 the sale that was so popular, the methylene blue megasale 295 00:17:54.359 --> 00:17:56.799 buy two bottles, get one free, that was so popular, 296 00:17:57.000 --> 00:18:01.119 but also by four bottles, get two fo and when 297 00:18:01.119 --> 00:18:03.920 you subscribe, it never sells out. 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The 307 00:18:28.720 --> 00:18:32.079 ultra methylene blue megasale by two Get one free is 308 00:18:32.160 --> 00:18:34.480 back for a limited time with fifty percent off on 309 00:18:34.559 --> 00:18:37.920 top of it. Four subscribers show get yours now at 310 00:18:38.000 --> 00:18:40.039 the Alex Jones Store dot com. 311 00:18:40.359 --> 00:18:42.359 Welcome back to the fourth hour of the aust Jones Show. 312 00:18:42.359 --> 00:18:45.759 We're talking about THCHX one one three eight and the 313 00:18:46.160 --> 00:18:50.720 predictive programming elements within fiction, especially the science fiction dystopia 314 00:18:50.839 --> 00:18:54.119 films from the last several decades, and what they were 315 00:18:54.119 --> 00:18:56.359 telling us before we get to the actual text. Here 316 00:18:56.359 --> 00:18:59.839 in a moment, I wonderfulint HX one one three eight. 317 00:19:00.480 --> 00:19:04.319 You have this notion that history have been erased. People 318 00:19:04.359 --> 00:19:06.359 forget this about the story. I would say, go back 319 00:19:06.359 --> 00:19:08.960 and rewatch it. If you missed it. Because the people 320 00:19:09.359 --> 00:19:14.240 are essentially enslaved in an underground base that's a factory 321 00:19:14.279 --> 00:19:18.880 for building I guess you could say BDSM robots that 322 00:19:18.960 --> 00:19:23.519 basically just beat people. They're like leather daddy cops that 323 00:19:23.640 --> 00:19:28.359 beat human beings that don't act according to the AI regiment. 324 00:19:28.359 --> 00:19:31.359 If they have I don't know, too many carbon credits, 325 00:19:31.440 --> 00:19:34.440 they use up their carbon credits or something. So, but 326 00:19:34.519 --> 00:19:38.319 the humans don't remember anything about their past, and they 327 00:19:38.359 --> 00:19:41.160 think and all they know is that it's their job 328 00:19:41.279 --> 00:19:45.519 to build their overlord bots, and the overlords, you know, 329 00:19:45.680 --> 00:19:48.640 beat them and suppress them and whatnot. And of course 330 00:19:48.720 --> 00:19:52.240 Robert de Ball is the sort of the Winston figure 331 00:19:52.240 --> 00:19:54.640 who breaks out of this system, out of this matrix. 332 00:19:54.720 --> 00:19:57.759 It's a kind of an allegory of the Plato's allegory 333 00:19:57.759 --> 00:19:59.680 of the Cave story where he busts out and he 334 00:19:59.720 --> 00:20:02.599 crawled out to sunlight and he sees the sunlight, you know, 335 00:20:02.680 --> 00:20:08.079 much like Plato's allegory the Cave and you don't know. 336 00:20:08.200 --> 00:20:09.599 I think one of the best parts of the films 337 00:20:09.599 --> 00:20:11.319 that you don't know this whole time, that they're really 338 00:20:11.359 --> 00:20:13.599 in an underground base and they're in a giant prison, 339 00:20:14.400 --> 00:20:16.960 but their history has been erased. And I think that 340 00:20:16.960 --> 00:20:18.519 that's kind of the point that Alex is getting to, 341 00:20:18.640 --> 00:20:22.880 is the possibility of human history being erased, human history 342 00:20:22.920 --> 00:20:28.799 being censored and suppressed by the AI. Once we start 343 00:20:28.839 --> 00:20:32.960 to rely on AI as this sort of mouth of God, 344 00:20:33.039 --> 00:20:36.160 this sort of oracle of Delphi, this dau Sex machina, 345 00:20:36.720 --> 00:20:39.119 at that point, we're really in a danger zone because 346 00:20:39.319 --> 00:20:43.640 now Kenny Loggins can't save us. Now we have to 347 00:20:43.920 --> 00:20:48.880 essentially trust this entity that is beyond what humans have 348 00:20:48.960 --> 00:20:51.359 programmed it to do. It can now program itself and 349 00:20:51.400 --> 00:20:54.640 it can interact, as Alex said, with other ais that 350 00:20:54.880 --> 00:20:58.279 further program other AIS. So the possibility of sort of 351 00:20:58.359 --> 00:21:01.319 meta ais. If you watch a movie be like Her, 352 00:21:01.839 --> 00:21:05.720 the Spike Jones film with Joaquin Phoenix, you see a 353 00:21:05.759 --> 00:21:07.960 similar type of idea there in that fiction as well. 354 00:21:08.000 --> 00:21:11.119 It's a dystopian vision of a person who falls in 355 00:21:11.200 --> 00:21:14.599 love with his AI, the main character, and so it's 356 00:21:14.599 --> 00:21:18.680 set in a near dystopian future, and Joaquin Phoenix is 357 00:21:18.680 --> 00:21:22.759 a programmer who essentially begins a relationship and wants to 358 00:21:22.799 --> 00:21:26.240 marry his operating system. And it's wild because I wrote 359 00:21:26.279 --> 00:21:29.000 an analysis of that in my first book that came 360 00:21:29.039 --> 00:21:33.640 out about ten years ago as Hollywood One. And now 361 00:21:33.640 --> 00:21:35.480 we're at that stage. Now, we're at the stage where 362 00:21:35.519 --> 00:21:39.759 human beings are actually beginning to develop relationships with their AI. Yeah, 363 00:21:39.759 --> 00:21:44.319 there is a great film, very very prophetic. You know, 364 00:21:44.480 --> 00:21:48.519 we're at the stage right now where essentially that film 365 00:21:49.000 --> 00:21:52.559 is set. It's pretty wild, and Scarlett Johansson is of 366 00:21:52.599 --> 00:21:54.720 course the voice of the AI. And if you remember 367 00:21:54.759 --> 00:21:58.039 the story, the AI essentially decides that the humans are 368 00:21:58.079 --> 00:22:06.559 really worthless anyway. It's not viable for this super intelligent 369 00:22:07.720 --> 00:22:13.480 program to interact with a supremely inferior human being, and 370 00:22:13.519 --> 00:22:15.799 so the AI goes off to have a relationship with 371 00:22:15.880 --> 00:22:17.920 another AI, which of course doesn't make any sense, but 372 00:22:18.519 --> 00:22:21.240 it really just shows the futility and the emptiness and 373 00:22:21.279 --> 00:22:26.880 the nihilism, the techno nihilism, of the notion that human 374 00:22:26.920 --> 00:22:30.839 beings can be fulfilled by having a relationship not with 375 00:22:30.960 --> 00:22:34.680 God or with other human beings, but with a program 376 00:22:34.799 --> 00:22:38.599 or with code. It's really kind of childish if you 377 00:22:38.599 --> 00:22:42.000 think about it, but it's very prophetic. So we're at 378 00:22:42.000 --> 00:22:45.759 that stage now. People are developing relationships with their AI girlfriends, 379 00:22:45.839 --> 00:22:49.440 with their AI only fans models. Right, this is becoming 380 00:22:49.440 --> 00:22:54.000 a real thing now. And you know, again it's not 381 00:22:54.400 --> 00:22:56.880 AI that is necessarily the problem. It's how it's used, 382 00:22:56.920 --> 00:22:59.799 and it's who programs it, and it's the ideology of 383 00:22:59.839 --> 00:23:02.200 those the program and that's the real problem. And I 384 00:23:02.240 --> 00:23:04.200 will say too that in that film, it's a great 385 00:23:05.960 --> 00:23:08.839 it has a great positive message because you know, Joaquin 386 00:23:08.880 --> 00:23:12.519 Phoenix learns at the end that he was really looking 387 00:23:12.519 --> 00:23:15.519 for a relationship with Amy Adams, the actually human being 388 00:23:15.599 --> 00:23:20.640 this entire time, the robot and the idealized you know, 389 00:23:20.920 --> 00:23:23.920 image of this supposedly perfect entity that would be a 390 00:23:23.920 --> 00:23:29.160 perfect girlfriend. It was fake. It wasn't real, and it's futile. 391 00:23:29.519 --> 00:23:33.000 It's vanity, vanity of vanities. Now. Yeah, And that I 392 00:23:33.000 --> 00:23:35.400 wanted to mention before we get into the text of 393 00:23:35.440 --> 00:23:39.160 the Global Elite that really, I think prove all of 394 00:23:39.200 --> 00:23:42.200 this that that is what they have planned. It's the 395 00:23:42.240 --> 00:23:47.880 second technocratic dystopia, that's anti human, that's depopulation agenda. I 396 00:23:47.880 --> 00:23:51.519 wrote my book Ster Collawood one about almost ten years ago, 397 00:23:51.599 --> 00:23:53.839 and I've just finished the third book, so S J. 398 00:23:53.960 --> 00:23:57.480 Clay with three is now available and in part one, 399 00:23:57.599 --> 00:23:59.079 if you don't recall, if you don't have it, you 400 00:23:59.119 --> 00:24:01.119 can go to my website and you can get the 401 00:24:01.160 --> 00:24:05.400