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Speaker 1: All right, that is poor that kid a whiskey the

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Pop Farmers and they are here with us alive in studio.

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Welcome everybody. We have entered our number two Newmarrow dose

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of Matt Connorton Unleashed and we are live from the

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studios of wm NH ninety five point three FM in

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glorious Manchester, New Hampshire. Of course, you can stream the

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show from anywhere. Go to Matt connorton dot com slash

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live for all of your live streaming options, social media links,

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contact and foshow archives, et cetera, et cetera. Today is

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a Saturday, March fourteen, twenty twenty six, and of course

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this has become an annual tradition. We have the Pop

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Farmers in every Saturday, right before Saint Patrick's Day because

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for these guys, you know, Saint Patrick's Day, it's kind

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of like kind of like Christmases in retail. Right, Let's

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get these mics on and we'll we'll introduce everybody and

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we'll have to do kind of a live sound check.

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Let's see, But Dan, how you doing good?

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Speaker 2: Thanks for having us.

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Speaker 1: Absolutely absolutely okay, I can hear you loud and clear,

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and Tyler good morning, good morning, And why why don't

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you introduce your drummer because he does not have a

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microphone in front of him.

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Speaker 3: We got we got Jimmy Mahone over there on the drums.

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He's got no microphone.

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Speaker 1: So yeah, the the room. Mike will always pick up

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the drums in this in this little room here. And

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then of course we have Gary over there. Gary, say something, Gary,

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I want I want to make sure we can hear you,

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and I cannot hear you over here. Now I can

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hear you. Room beautiful, beautiful, sounding great, sounding great. Uh,

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let's see, And then can you guys just play? I

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want to do uh again because we're already live, so

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we have to kind of do this on the air,

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but we'll do a little bit of a sound check

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and I can check these levels and just make sure

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I can hear everybody. So play a little something for us.

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Speaker 4: Just.

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Speaker 2: You and I get home.

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Speaker 5: The boys, the girls alone, Marty restole my cone.

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Speaker 2: But that's all right till I get home.

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Speaker 6: She is handsome, she is pretty, She is the bell

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of Belfest City.

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Speaker 2: She is a curtain one, two three?

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Speaker 6: Please can you tell me who is she?

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Speaker 7: Albert?

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Speaker 8: He says, all them always are fighting for her.

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Speaker 7: Knock at the door, ring the bell, singing it to love?

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Are you well?

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Speaker 5: Out comes as why this all? With rings on her

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fingers and bells on her toes? Oh Jenny Rephe says,

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she'll die.

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Speaker 7: She don't get the fellow with the roof and on.

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Speaker 2: Tell me ma, when I get home.

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Speaker 9: The boys want me the girls alone, pull my hair

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and on my comb. But that's all right till I

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get home. She is handsome, she is pretty. She is

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the bell of Belfft City. She is the curtain one

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two three? Please can you tell me who is she?

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Speaker 1: I guess? Can you turn your bass lamp up a

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little bit? Is that gonna be as.

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Speaker 2: Long as never tell the bass player to turn on?

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Speaker 1: Well, I am a I am a baseball. That's fine,

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bass players unite, right, That's that's what I say. That's

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what I say. Absolutely, all right?

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Speaker 6: Cool.

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Speaker 1: I think we're we should be good. If you guys, uh,

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if you guys want to play something, and then we'll

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chat for a little bit and okay, I know you

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already played. Ok if you want to play something all.

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Speaker 2: The way through, all right, we'll do you know, Steve

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Earl song Gallway Girl, We Uh, we were playing one

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Saint Patrick's Day and we we hadn't we hadn't actually

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learned this song. And uh. One of the bartenders at

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the Peddler's Daughter in Haveril said, hey, you guys know

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gall Away Girl. Like, no, we don't, but we learned it.

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And so Katrina, if you're listening, this is for you.

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Speaker 1: It's for you, Katrina, all right?

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Speaker 5: Will it took us stroll down to you old long

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walk on a d I e a Hey, I met

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a little girl. Let me talk to talk on a

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fine soft ye and ask my.

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Speaker 7: Friends what's a fellow to do?

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Speaker 2: Jepper hair was black and a rise.

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Speaker 7: Can I do? Right?

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Speaker 10: Then?

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Speaker 7: I'll be taking in a world.

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Speaker 5: Round the Salt till Prom with a call Away girl.

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We were happy there when the ring came down and

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they hate Sookie up to a black downtown.

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Speaker 7: I wanna fine softy and asked my friends, tell me

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what would you do?

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Speaker 2: Jeffer hair was black and to rise and blue. So

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I took her to her hand and I gave her awhirl.

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Speaker 11: And I lost my heart to a Callway girl. When

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I woke up, I was all alone.

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Speaker 5: With a broken hat and the ticket home Wanda fine

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softy man. I asked my friends what a fellow to do?

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He her hair was black and her eyes blue. So

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it traveled around bent all over in this world. Boys,

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I'd never seen nothing like a call away a girl.

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Speaker 1: M So good god, you guys sound great. Thanks absolutely

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if you're just joining us, We've got the pop farmers

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here live in studio, and of course St Patrick's Day

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on Tuesday, So what's the itinerary for you guys.

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Speaker 2: We're playing a function out in near Worcester tonight. I

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forgot what the town is, Auburn, Auburn, mass Jusetts. And

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then tomorrow we're playing a great North Aale works here

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in Manchester starting at one o'clock and playing from one

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to five. Is a great event. They have the Potato concept.

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I don't know if you've hit. They have a place,

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and I think it's on Elm Street right, Yeah, it's

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just behind Yeah it is. It's called the Potato the

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potato concept. They sell these huge baked potatoes and they

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have like corn beef funds or they have all a ruben.

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It's kind of a weird concept, but they they're great

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people and they they sell these big, massive potatoes and yeah,

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so that they'll be there. So we're there from one

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to five. Great Great North there Works. That's off I

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know back in the I forget where they but anyway,

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Great North the Works. They have great beer and beware

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of there was the black Bear, brown Bear, black Bear,

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cave Bear. Cave Bear is scary bear. I think it's

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really potent, so be careful with that. And then on

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we have Monday, we're going to rest up, and then

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Tuesday we got two gigs. One at the peddler's daughter

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in Haveril starting at eleven, right, eleven to three, okay,

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and then we're packing up and heading over to Nashua

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the other peddler's daughter from six to nine I think.

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So yeah, long day.

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Speaker 1: So only only two gigs here on Saint Patrick's Yeah,

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because we're talking, because we're talking off their I think

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last year was three.

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Speaker 2: We could have done several after y yeah, but we

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we love the peddler's daughter has been great to us.

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So yeah, they're great folks and they take good care

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of us, so we're we belong to them for Saint

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Patrick's Day.

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Speaker 1: That's awesome. Yeah, yeah, good good, Well, you guys want

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to play another one. I'm downing here more sure Gary b.

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Speaker 2: You want to sing song?

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Speaker 1: Oh, hang on here for some reason, let me uh

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boost you there.

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Speaker 2: There he is all right.

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Speaker 1: Here, I am there you are Dirty town by the pogues,

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all right pop farmers live in studio.

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Speaker 11: I met my love.

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Speaker 6: The Casper Wall, Dream the dream, by the old.

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Speaker 2: Canal, Kiss my girl.

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Speaker 10: By the factory wall, dirty old town, dirty old town, Wow.

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Speaker 7: To driven.

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Speaker 8: Across the moon.

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Speaker 6: Cats are prowling, prowling on their beat.

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Speaker 2: Strains a girl.

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Speaker 6: From the street, sad night, dirty old town, dirty old.

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Speaker 2: Bad heard the siren.

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Speaker 4: From the docks.

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Speaker 6: Sorry tray, set the night on fire, smelled the spring

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on the smoky wind, Dirty old pads, dirty old pad.

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Speaker 7: So make me.

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Speaker 4: A big sharp axe.

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Speaker 1: Shot is.

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Speaker 7: Up in the fire.

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Speaker 1: I shot it down.

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Speaker 6: Like a dead old tree, dirty old town, the dirty

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old fall. And my love met my love by the

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gas words why gas works, walk.

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Speaker 1: Dream the dream, dream d the old now by the.

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Speaker 3: Old canal, Kiss bucker, We kiss sissor by the factory way,

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the factory wall, dirty.

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Speaker 12: Old town, dirty old, dirty old town, dirty old fa.

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Speaker 1: Oh sounds so good, so good. If you're just joining us,

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we have the pop farmers here live in studio and

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what has become an annual tradition here on the show.

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How many how many songs do you guys know as

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a as a band? How many can you? Can you

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even put a number on it?

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Speaker 2: Yeah, I think I think our song list is I

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don't know, seventy eighty songs. But yeah, we we keep adding, well,

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we keep adding the Irish songs because there's so many

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Irish songs that. Yeah, every time we play people will say, hey,

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do you know Rocky Road to Dublin? Oh no, but

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we'll learn it and yeah, so then we have to

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add that to the list or whatever. But it's yeah,

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there's just so many Irish songs.

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Speaker 1: Yeah, I mean, what what makes a song an Irish song?

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Is it just that it that that's where it is

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came from, or is it is it a little more

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of a genre ra or.

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Speaker 2: We've turned We take Gary Sings a song by was

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it by the band mo and it's kind of like

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a jam band song, but they we turned into it

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sounds Irish to us, so we turned it into an

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Irish song. So is anything that we can we can

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make it into an Irish song if.

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Speaker 1: We have to yeah, yeah, no, that makes sense. That

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makes sense. Are there any that have been particularly challenging

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to learn or are they all kind of pretty straightforward?

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Speaker 6: Well?

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Speaker 2: They a lot of them have lots of words in them,

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So chord wise, there's only like usually like three chords. Yeah,

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but song lyric wise, they just and if you look

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them up online, there might be like if you do

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one song, there'll be like five different versions that have

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all these different verses, and like we'll be singing a

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song and I'll look out and somebody will be looking

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crazy and it's like, huh, I didn't know there was

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another verse there, right, right, But there's Yeah, some of

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them are really wordy, which is the blurny.

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Speaker 1: I guess that makes sense because because I think I

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think we talked about this last time too, A lot

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of these songs they tend to have stories. Yeah, so

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they so they tend to be a lot of verses.

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Speaker 2: Yeah, it takes a while.

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Speaker 1: Is there a song that has like more verses than

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any other song, Like one that like has like five

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or six verses and it's just like, wow, well there's.

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Speaker 13: That Seven Old Ladies or something. Yeah, yeah, at least

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seven verses to that, you know, yeah.

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Speaker 2: Seven drunken nights. We used to do that and we

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had another guy who would sing it and he would

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stop singing after like the fourth night because we're not

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going to skip ahead the Sunday because yeah, it just

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takes forever. Twelve days of question. Yeah, yeah, yeah, yeah,

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you're start in the middle.

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Speaker 1: That makes sense, That makes sense. You guys want to

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play another one him? Dine here more sure?

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Speaker 2: Before we do, though, I want to just say Tyler's

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with us today. Tyler was in the pop Farmers for

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a long time and he's not technically with us. He's

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our our fifth pop farmer. And as Philip's not here today,

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phil grect is he Yeah, yeah, he couldn't make it today,

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but he he's uh, he's our official fourth pop farmer. Okay, Bill,

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if you're listening, I feel so Tyler Tyler, we hire him.

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He comes back for Saint Patrick's Day.

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Speaker 3: Yeah, there's a lot of chaos and like I live

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in it.

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Speaker 1: Yeah, they still need a force.

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Speaker 2: So he's our muscle.

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Speaker 1: Yeah there you go.

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Speaker 2: So yeah, so we do a lot of a lot

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of stuff kind of like drop Kick Murphyish or you know,

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the pogues, but some of them are more traditional, and

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this one we do black velvet band it's kind of

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more traditional, not although the drop kick Murphy's do it,

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is sure. I'm sure they do it a lot rower

246
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rowdy than we do. There's our more traditional.

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Speaker 8: Version, all right, gold how fast apprenticed to trade?

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Speaker 7: I was bound ten many hours we have we missed

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husband is lessing little.

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Speaker 5: Down to the sad misfortune game.

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Speaker 2: On me and forced me in a straight ron in

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the lands, far away from.

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Speaker 5: Our friends and relias, to follow the black velvet fans herries.

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Speaker 2: They shot like the diamonds.

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Speaker 14: You think she was clean off the land, had her

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hair hung over her shoulder, tied up.

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Speaker 2: With a black velvet fans.

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Speaker 5: As I was out stolen one evening, not meaning to

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go very far, I met with the ficklesome damsel. She

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was playing her trades at a bar when on what

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she took from a custom her and place the trade

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into me.

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Speaker 2: And and the lot cam in arrest in me.

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Speaker 7: Bad luck to my black velvet.

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Speaker 14: Fan herries is share like the diamonds.

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Speaker 7: You think she was queen avel.

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Speaker 5: And she want had her half her lord shot hid

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up with the black velvet ban. The next morning before

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judging jury the trial, I was said to a bed

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and the judge she sends me, young fair hello, the

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case against you is quite clear, and seven long ease

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is your sentence. You're headed for Bondyman's lands, farrow away

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from your friends and relieatians, to follow a black velvet man.

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Speaker 7: Her eyes they shown like the diamers, you think she

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was green of the landing.

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Speaker 14: One hadda hair hung over her should holders tied up

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with love like god it man.

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Speaker 5: Solicten of boggy young fellows, and plead ed this warning

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from me. Whenever you're out on the liquor, me, lets

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beware the pretty colleagues go to fill you with whiskey

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and water.

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Speaker 2: See you're no longer able to stand.

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Speaker 5: And the very next thing you know, me, let you're

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headed for bondy miss land.

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Speaker 2: Her eyes they shown like the diamers.

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Speaker 7: You'd think she was green on the landing.

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Speaker 14: She one had her hair hung over her shoulders tied

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up with love.

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Speaker 7: Like velded fan.

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Speaker 2: Her rise they shown like the diamonds.

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Speaker 7: You think she will queen up the land.

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Speaker 5: And she was in her hair hung over her shot,

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tied up with the black velted ban.

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Speaker 14: Her rise they shown like the diamonds.

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Speaker 7: You think she was Queen up.

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Speaker 14: Land and she want had her hair hung over, her

297
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shot tied up, the black velted fan tied upload black

298
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velvet fans tied up with the light velvet band.

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Speaker 2: Oh so good.

300
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Speaker 1: We've got the pop farmers here live in studio, sounding

301
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fantastic and so for people just joining us. So what's so,

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00:20:00,480 --> 00:20:02,519
do you have a show today? Later? Today?

303
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Speaker 7: Today? Yeah?

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Speaker 2: In Auburn, Massachusetts is a semi private I don't know.

305
00:20:07,200 --> 00:20:09,160
Is it private function? I guess I don't know. I

306
00:20:09,359 --> 00:20:11,240
guess it's open to the public, but we don't know

307
00:20:11,359 --> 00:20:12,759
much about It's our first time playing it.

308
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Speaker 6: Yeah.

309
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Speaker 2: Megan McGirk, who used we play at mcgirk's at Out

310
00:20:17,839 --> 00:20:20,960
of the Beach every every summer, and we do. We're

311
00:20:21,079 --> 00:20:23,400
doing every Saturday, but we have four or five gigs

312
00:20:23,440 --> 00:20:26,319
there this summer and Megan's one of the mcgirk's and she, uh,

313
00:20:27,319 --> 00:20:29,599
the mcgirth McGirk family has always been great to us too,

314
00:20:29,680 --> 00:20:33,240
so they hired us to play this function. Yeah, so

315
00:20:33,400 --> 00:20:37,279
that's going to be tonight. Yeah, it's been a long while. Yeah,

316
00:20:37,960 --> 00:20:42,000
it's started off every Saturday, every Saturday, and they like

317
00:20:42,119 --> 00:20:45,480
this because we would play they had all all Irish music,

318
00:20:45,559 --> 00:20:47,000
but they're like, I don't know if people want to

319
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hear Irish music for three hours, So we can play

320
00:20:50,240 --> 00:20:52,559
as much or little as Irish music. So we would

321
00:20:52,720 --> 00:20:54,200
we would play a bunch and then we play our

322
00:20:54,240 --> 00:20:57,720
regular cover rock bands, you know, bar band stuff, and

323
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then go back to Irish stuff. So if they wanted

324
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more Irish, we could play it. If they want less Irish,

325
00:21:02,359 --> 00:21:03,880
we could play it. So we don't we don't have

326
00:21:04,000 --> 00:21:07,160
to play like some bars. We don't play many Irish songs. Yeah,

327
00:21:07,319 --> 00:21:10,400
just throw in a couple that we like and do

328
00:21:10,519 --> 00:21:12,240
the regular bar bands right right.

329
00:21:12,440 --> 00:21:15,839
Speaker 1: It's so and I know we talk about this every year,

330
00:21:15,880 --> 00:21:18,160
but where does the name pop Farmers come from? Because

331
00:21:18,160 --> 00:21:18,960
it's such a cool name.

332
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Speaker 2: Well, we were we when Jimmy and I started the band,

333
00:21:22,720 --> 00:21:27,640
and we were we were initially uh naughty pine A

334
00:21:28,119 --> 00:21:30,359
n A U g h T y, and after a

335
00:21:30,400 --> 00:21:31,960
while we were like, I don't know if this this

336
00:21:32,079 --> 00:21:34,400
fits us. So we were playing at the time a

337
00:21:34,440 --> 00:21:37,279
lot of what we thought, well is power pop songs. Yeah,

338
00:21:37,640 --> 00:21:39,400
and there's this band that I always like called the

339
00:21:39,440 --> 00:21:41,880
beat Farmers spelled b E A T. So the Beat

340
00:21:41,920 --> 00:21:43,799
Farmers are like, oh, we could be the pop Farmers.

341
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And I thought these guys, I thought they would hate

342
00:21:45,640 --> 00:21:47,799
the name so but they liked it, so we're kind

343
00:21:47,839 --> 00:21:49,759
of stuck with it. Yeah, but people think we're it's

344
00:21:49,880 --> 00:21:52,880
pot Farmers. We just have to pronounce it differently. It's

345
00:21:52,920 --> 00:21:55,200
like we always say we're not pot Farmers because we'd

346
00:21:55,599 --> 00:21:58,279
probably make more money and maybe dress better, but we

347
00:21:59,119 --> 00:22:01,000
it's the pop Farmers. We're We're kind of stuck with it,

348
00:22:01,039 --> 00:22:01,720
but it works for us.

349
00:22:02,200 --> 00:22:04,000
Speaker 1: That's part of what's cool about the name too. Yeah,

350
00:22:04,079 --> 00:22:06,839
it's kind of a play on yeah, you know platform, Yeah, we.

351
00:22:06,960 --> 00:22:09,279
Speaker 2: Get that, and that initially wasn't what I thought of,

352
00:22:09,440 --> 00:22:12,079
but it was like, but it works and it gets

353
00:22:12,079 --> 00:22:12,960
people's attention, So.

354
00:22:13,119 --> 00:22:17,160
Speaker 1: Yeah, what's for Absolutely absolutely, And then like, do you

355
00:22:17,240 --> 00:22:19,559
all have other projects? Well, Tyler, I know you're always

356
00:22:19,599 --> 00:22:20,119
super busy.

357
00:22:20,480 --> 00:22:22,599
Speaker 3: Yeah, yeah, I'm a little less busy now. I've just

358
00:22:22,680 --> 00:22:25,519
got Fox and Flamingos is my main thing now. Yeah, yeah,

359
00:22:25,720 --> 00:22:27,240
I got to get you guys back on it's been

360
00:22:27,279 --> 00:22:30,240
forever since on the show. We're getting ready to go

361
00:22:30,319 --> 00:22:32,759
back into the studio, so well, oh cool, we'll be uh,

362
00:22:33,039 --> 00:22:34,200
we'll be putting out some more stuff.

363
00:22:34,200 --> 00:22:36,640
Speaker 1: Don't be a Stranger. Still, it's one of my absolute

364
00:22:36,680 --> 00:22:38,599
all time favorite songs. I love that song so much.

365
00:22:38,920 --> 00:22:39,920
I love that song so much.

366
00:22:40,000 --> 00:22:42,759
Speaker 2: What about you Dan Well? I got glitter Tooth with

367
00:22:43,000 --> 00:22:47,319
Philip and and then I host an open mic up

368
00:22:47,359 --> 00:22:51,440
in Pittsfield on Thursday nights. Okay, so it's that keeps

369
00:22:51,519 --> 00:22:54,839
me busy. And Jimmy's not Jimmy's not talking because he

370
00:22:54,880 --> 00:22:57,720
doesn't have a microphone, but he plays with the Mason

371
00:22:57,759 --> 00:23:01,079
Brothers sometimes, yes, you do. He was for a while,

372
00:23:01,160 --> 00:23:03,519
he was the only guy who didn't have a second project.

373
00:23:03,559 --> 00:23:08,039
But then, oh yeah, yeah, I forgot about that. My

374
00:23:08,119 --> 00:23:11,000
friend Robert, our friend Robert and I we have a

375
00:23:11,079 --> 00:23:14,160
gig twice a year, twice two or three times a

376
00:23:14,279 --> 00:23:16,960
year down to Florida, our friend Robert, who was the

377
00:23:17,000 --> 00:23:19,559
fifth Pop Farmer for a while. He was our filling guy,

378
00:23:19,680 --> 00:23:23,240
and we play as the Curmudgeon Brothers. And so we've

379
00:23:23,440 --> 00:23:26,119
got I'm going down. Actually we're leaving here Wednesday night.

380
00:23:27,000 --> 00:23:29,759
Well third, we're playing the gigs on Tuesday, flying down

381
00:23:29,759 --> 00:23:31,720
to Florida on Wednesday, doing a gig on Thursday, and

382
00:23:31,759 --> 00:23:34,200
then flying back on Friday. Because we have Glitter Tooth

383
00:23:34,279 --> 00:23:37,680
on against Saturday. So the Curmudgeon Brothers are playing down

384
00:23:37,759 --> 00:23:38,799
in Florida.

385
00:23:38,960 --> 00:23:39,599
Speaker 1: That's a great name.

386
00:23:40,319 --> 00:23:42,799
Speaker 2: And Gary, you always you got here.

387
00:23:43,079 --> 00:23:45,720
Speaker 13: Yeah, I play in a few different things. I'm the

388
00:23:45,759 --> 00:23:47,759
bass player for the Blue Brothers band.

389
00:23:48,039 --> 00:23:50,839
Speaker 2: Okay, they're legendary. They've been forty.

390
00:23:50,640 --> 00:23:55,200
Speaker 13: Years, probably longer, actually they have. They've been playing together

391
00:23:55,240 --> 00:23:55,799
a long time.

392
00:23:56,039 --> 00:23:56,240
Speaker 4: Yeah.

393
00:23:56,480 --> 00:23:59,119
Speaker 13: And then I actually just recently got asked to play

394
00:23:59,200 --> 00:24:00,519
bass for East would.

395
00:24:00,279 --> 00:24:02,480
Speaker 2: Peak, another legendary band.

396
00:24:02,799 --> 00:24:03,079
Speaker 1: Nice.

397
00:24:04,200 --> 00:24:06,279
Speaker 2: They've been around even longer than the Blues.

398
00:24:06,039 --> 00:24:08,680
Speaker 1: Right, yeah, they have been Yeah, very cool.

399
00:24:08,920 --> 00:24:09,119
Speaker 7: Nice.

400
00:24:09,759 --> 00:24:13,680
Speaker 2: Yeah, Gary's Gary's an awesome bass player. Actually, yep. It

401
00:24:13,839 --> 00:24:16,319
makes me mad because I'm the when Tyler's with us,

402
00:24:16,359 --> 00:24:18,839
I'm the third best bass player in the band. But

403
00:24:19,000 --> 00:24:21,759
I played bass when I'm not playing mandolin and Gary

404
00:24:21,799 --> 00:24:25,000
plays guitar, so he goes back and forth. Gary, He's

405
00:24:25,400 --> 00:24:26,279
a killer bass player.

406
00:24:26,480 --> 00:24:30,480
Speaker 1: Yeah, yeah, absolutely absolutely. Well, you said you were asked

407
00:24:30,519 --> 00:24:33,960
to play with Eastwood Peak. Yes you didn't say if

408
00:24:34,000 --> 00:24:34,480
you accept that.

409
00:24:34,640 --> 00:24:37,799
Speaker 13: Well, I have agreed to it, but we haven't actually

410
00:24:37,839 --> 00:24:40,640
played any gigs yet. You haven't gotten together in practice.

411
00:24:40,839 --> 00:24:42,839
Speaker 1: Okay, but all right.

412
00:24:42,880 --> 00:24:45,319
Speaker 13: Hopefully they send me a list of songs because they

413
00:24:45,480 --> 00:24:47,240
do a bunch of different stuff that I don't do.

414
00:24:47,440 --> 00:24:50,319
Speaker 1: So oh okay, yeah, that'll be cool, that'll be that'll

415
00:24:50,359 --> 00:24:52,559
be exciting, good for you, excellent. Well you guys want

416
00:24:52,559 --> 00:24:53,160
to play another one?

417
00:24:53,559 --> 00:24:54,039
Speaker 2: Sure? Gary?

418
00:24:55,119 --> 00:24:58,480
Speaker 13: Yeah, let's can we do leave the leaving of Liverpool?

419
00:24:59,759 --> 00:25:00,599
Speaker 2: Right all right?

420
00:25:00,640 --> 00:25:02,960
Speaker 1: We got the pop farmers here live in studio.

421
00:25:10,200 --> 00:25:20,680
Speaker 2: Okay, thirty. It took me a while to figure out, right, Hi.

422
00:25:21,119 --> 00:25:22,039
Speaker 7: I used to know it.

423
00:25:55,519 --> 00:26:01,759
Speaker 6: Well as fair the wealth.

424
00:26:03,720 --> 00:26:07,480
Speaker 11: The peal of forn eye in the place that I

425
00:26:07,680 --> 00:26:08,599
know right.

426
00:26:08,599 --> 00:26:14,400
Speaker 7: Well, so fairy well my own true though. When I

427
00:26:14,640 --> 00:26:18,720
return the Knights a grief of me, it's notable. And

428
00:26:18,839 --> 00:26:24,000
on Liverpool that crazy from Darling. When I think of the.

429
00:26:44,359 --> 00:26:48,720
Speaker 13: Afforded the Yankee, he's a a ancient dammy crocket.

430
00:26:49,359 --> 00:26:55,440
Speaker 10: This is her name, Percies, the captain of her, and

431
00:26:55,640 --> 00:26:58,319
they say that she's uploaded help.

432
00:26:59,119 --> 00:27:02,720
Speaker 6: So fair baty well, my old true love.

433
00:27:03,200 --> 00:27:06,720
Speaker 12: When I return and I tap it would be there's

434
00:27:06,799 --> 00:27:10,160
probably be a up Liverpool that can please me.

435
00:27:10,559 --> 00:27:13,079
Speaker 7: From mid Orland. When I think, cause you.

436
00:27:48,720 --> 00:27:50,440
Speaker 12: Yep, this is uh.

437
00:27:50,640 --> 00:27:56,319
Speaker 6: Harbor loved and I wish it good remains before I go,

438
00:27:56,759 --> 00:27:59,480
it'll be a long long time.

439
00:28:00,279 --> 00:28:02,000
Speaker 7: Or I will see you again.

440
00:28:03,279 --> 00:28:06,759
Speaker 2: So fairy well, Mile Trudel.

441
00:28:07,400 --> 00:28:11,319
Speaker 7: When I return United, we will be. It's not the

442
00:28:11,519 --> 00:28:15,680
lead and of Liverpool that please me from the Darland

443
00:28:15,759 --> 00:28:22,160
when I find Dogy, So fairy well, mile true love.

444
00:28:22,680 --> 00:28:24,799
When I return United, we will be.

445
00:28:25,920 --> 00:28:30,119
Speaker 15: It's not the lead and of Liverpool that freezing from

446
00:28:30,200 --> 00:28:32,759
the Darling when I think Dolly.

447
00:28:52,799 --> 00:28:55,160
Speaker 1: Wonderful. We've got the pop farmers here with us live

448
00:28:55,240 --> 00:28:58,319
in studio. That was great. I don't remember hearing that

449
00:28:58,400 --> 00:28:58,839
one before.

450
00:28:58,960 --> 00:29:02,240
Speaker 2: Yeah, that's when we we we we sometimes gets out

451
00:29:02,279 --> 00:29:04,319
of our our set list and then we bring it back.

452
00:29:04,440 --> 00:29:06,759
So I don't think we played it live since last

453
00:29:06,799 --> 00:29:08,680
Saint Patrick's Day. So that's why I was a little

454
00:29:08,720 --> 00:29:11,039
rusty at the beginning. Oh it'll come back.

455
00:29:11,160 --> 00:29:12,960
Speaker 1: Oh I gotcha, I gotcha. No, that makes sense.

456
00:29:13,119 --> 00:29:15,160
Speaker 2: Some of the songs stay in this in this rotation.

457
00:29:15,359 --> 00:29:17,079
Some of them get kind of pushed them aside and

458
00:29:17,519 --> 00:29:19,759
come out once a year. But we want to keep

459
00:29:19,799 --> 00:29:20,839
that one in. That's a fun one.

460
00:29:21,079 --> 00:29:22,920
Speaker 1: Yeah, yeah, no, I like that. Well, yeah, like you

461
00:29:23,000 --> 00:29:24,920
were saying earlier, you've got like what eighty songs that

462
00:29:25,000 --> 00:29:28,480
you know? Yeah, I mean that's a lot, plenty to rotate,

463
00:29:28,960 --> 00:29:30,640
plenty to rotate, and a lot to remember.

464
00:29:30,839 --> 00:29:33,519
Speaker 2: Yeah, it is kind of a lot, but we we

465
00:29:33,640 --> 00:29:36,279
want to get some more, so we got to keep practicing.

466
00:29:37,799 --> 00:29:39,720
Speaker 1: That's that's incredible. That's incredible.

467
00:29:39,799 --> 00:29:39,960
Speaker 2: Phi.

468
00:29:40,720 --> 00:29:44,079
Speaker 1: Yeah, and since we last talked, so last year, obviously

469
00:29:44,119 --> 00:29:48,519
you guys had a bunch of shows. Any anything interesting

470
00:29:48,640 --> 00:29:52,319
happened or anything, any wild stories or anything or was

471
00:29:52,359 --> 00:29:53,640
it pretty much business as usual?

472
00:29:54,000 --> 00:29:57,359
Speaker 2: Yeah, it's we had a spot where we weren't playing

473
00:29:57,400 --> 00:29:59,960
too often, but we're getting back into it more. When

474
00:30:00,079 --> 00:30:02,519
Phil joined on, you know, we got him caught all

475
00:30:02,599 --> 00:30:05,920
caught up and Phil's Phil's awesome, so we uh we

476
00:30:07,240 --> 00:30:11,119
it's kind of it's every time the guitar players player

477
00:30:11,200 --> 00:30:13,519
see changes, it kind of takes in a little new,

478
00:30:13,559 --> 00:30:16,319
little direction. Like Phil, we have like to tell us

479
00:30:16,519 --> 00:30:19,119
that we were playing once at the Peddler's daughter and

480
00:30:19,240 --> 00:30:22,640
we're older guys except for Phil feels young and uh

481
00:30:23,039 --> 00:30:25,440
some young you know, twenty something girls saying can you

482
00:30:25,559 --> 00:30:29,279
guys play something new? We're kind of old. We don't

483
00:30:29,279 --> 00:30:31,640
know a lot of new songs, but I remember Phil's young,

484
00:30:31,720 --> 00:30:34,519
he knows some new songs, so right, so Phil brings

485
00:30:34,599 --> 00:30:36,720
us some of some of the newer songs, so yeah

486
00:30:36,720 --> 00:30:39,680
it makes sense. Yeah, we're mostly classic rock guys, but

487
00:30:39,759 --> 00:30:42,119
Phil brings the uh the young stuff.

488
00:30:42,160 --> 00:30:44,160
Speaker 1: So yeah, yeah, he's a busy guy too.

489
00:30:44,319 --> 00:30:46,519
Speaker 2: Yeah, yeah, he's got this. Him and I were actually

490
00:30:46,559 --> 00:30:49,119
that's him and Emma have with the gig with the

491
00:30:49,200 --> 00:30:51,720
two's they're playing tonight, I think somewhere.

492
00:30:52,279 --> 00:30:56,200
Speaker 1: So if you're listening, hi, So yeah, yeah they've been

493
00:30:56,240 --> 00:30:58,640
on and yeah they're they're a lot of fun too. Absolutely,

494
00:31:00,039 --> 00:31:01,200
do you guys want to play one more?

495
00:31:02,000 --> 00:31:02,920
Speaker 2: Sure? Got time?

496
00:31:03,759 --> 00:31:05,160
Speaker 1: I know that's I know that's more than we had

497
00:31:05,200 --> 00:31:06,960
talked about. But you sound so good, oh tanks, you

498
00:31:07,319 --> 00:31:08,359
being being selfish?

499
00:31:10,200 --> 00:31:12,960
Speaker 2: We're good. Do uh we'll do one of our non

500
00:31:13,680 --> 00:31:15,640
Irish songs that sounds kind of an Irish when we

501
00:31:15,680 --> 00:31:19,319
do it, do uh ring a fire? Yeah, oh cool,

502
00:31:19,599 --> 00:31:22,200
it ends up. I don't know if it sounds Irish,

503
00:31:22,240 --> 00:31:25,640
but like I always say, this is Irish spiritual by

504
00:31:25,680 --> 00:31:55,640
Johnny Ocash. All right, well here's a burning thing better

505
00:31:55,640 --> 00:31:58,240
than me my I rear ring.

506
00:32:01,240 --> 00:32:06,480
Speaker 7: By wild desire. I'm feeling to ring of fire.

507
00:32:08,279 --> 00:32:13,119
Speaker 15: I fell into a burning ring of fire, went down, down,

508
00:32:13,359 --> 00:32:17,880
down in the flames. When higher it Burns, Burns burns

509
00:32:18,720 --> 00:32:21,400
that ring of fire, that ring.

510
00:32:21,359 --> 00:32:27,920
Speaker 2: A fire, the take of love and sweep when art

511
00:32:29,039 --> 00:32:30,000
like hours meet.

512
00:32:31,720 --> 00:32:34,119
Speaker 4: I f for you like a child.

513
00:32:35,960 --> 00:32:41,920
Speaker 7: Oh but the fire went down. I fell into a

514
00:32:42,079 --> 00:32:43,039
burning ring.

515
00:32:42,920 --> 00:32:45,839
Speaker 15: Of fire, went down, down, down, in.

516
00:32:46,000 --> 00:32:47,640
Speaker 7: The flames went higher.

517
00:32:48,079 --> 00:32:52,799
Speaker 4: It burns, Burns burns that ring of fire, that.

518
00:32:53,000 --> 00:32:54,359
Speaker 7: Ring of fire island.

519
00:33:11,799 --> 00:33:17,160
Speaker 15: I fell intil a burning ring of fire, went down, down, down,

520
00:33:17,400 --> 00:33:19,279
and the flames went higher.

521
00:33:19,720 --> 00:33:24,759
Speaker 4: It burns, Burns burns that ring of fire, that ring

522
00:33:24,880 --> 00:33:25,319
of fire.

523
00:33:26,839 --> 00:33:32,920
Speaker 2: The tea of love is sweet, wait harness like I

524
00:33:33,160 --> 00:33:33,400
with me.

525
00:33:35,240 --> 00:33:41,160
Speaker 7: I beelfo you like a child. Oh but the fire

526
00:33:41,240 --> 00:33:41,839
went would.

527
00:33:43,599 --> 00:33:49,279
Speaker 15: I fell into a burning ring of fire, went down, down, down, and.

528
00:33:49,440 --> 00:33:53,039
Speaker 7: The flames wing higher. It burns Burns.

529
00:33:52,799 --> 00:34:17,559
Speaker 16: Burns that ring of fire, that ring of dark, burning

530
00:34:17,719 --> 00:34:18,800
ring of fire.

531
00:34:18,960 --> 00:34:22,719
Speaker 7: Went down, down, down in the flames went fire.

532
00:34:23,079 --> 00:34:28,199
Speaker 4: It burn burn burn that ring of fire, that ring

533
00:34:28,320 --> 00:34:31,199
of fire, that ring of fire.

534
00:34:31,800 --> 00:34:32,440
Speaker 6: That ring a.

535
00:34:53,840 --> 00:34:56,719
Speaker 1: Oh I love that. That was amazing. Great job, guys,

536
00:34:56,800 --> 00:34:58,800
great job. We got the pot farmers here with us

537
00:34:58,840 --> 00:35:01,760
alive in studio. And by the way, in the chat room,

538
00:35:01,840 --> 00:35:05,079
I see someone named at jazz n s h T

539
00:35:05,280 --> 00:35:07,440
two says yeah, Tyler, get after.

540
00:35:07,360 --> 00:35:10,559
Speaker 2: It, after Tyler, Do you know who that is?

541
00:35:10,639 --> 00:35:10,920
Speaker 7: Tyler?

542
00:35:11,239 --> 00:35:14,400
Speaker 2: What is it again? At Jazz?

543
00:35:14,960 --> 00:35:15,079
Speaker 4: Oh?

544
00:35:16,119 --> 00:35:20,840
Speaker 3: Yeah, that's my sex player, Derek. Hey, Derek, Oh, very good, Hey, Derek,

545
00:35:21,199 --> 00:35:24,960
Great Great Jazz saxophonest he's plays baritone sex with us now.

546
00:35:25,119 --> 00:35:29,719
Speaker 1: Oh okay, oh very cool, awesome, awesome, Well guys, this

547
00:35:29,800 --> 00:35:31,880
has been wonderful as always, I always look forward to this.

548
00:35:32,000 --> 00:35:33,519
It's you know, like I said, it's become an annual

549
00:35:33,559 --> 00:35:36,239
tradition on the show. Great to have you on. Let's

550
00:35:36,280 --> 00:35:39,840
remind everybody again what you got coming up this weekend

551
00:35:39,880 --> 00:35:42,280
of course into Saint Patrick's Day. This is a big

552
00:35:42,360 --> 00:35:44,159
time of year for the pop Farmers.

553
00:35:46,239 --> 00:35:46,360
Speaker 7: One.

554
00:35:46,719 --> 00:35:50,519
Speaker 3: So Sunday we're at Great North, aale works from one

555
00:35:50,599 --> 00:35:53,039
to five. That's one of my favorite locations. When I

556
00:35:53,199 --> 00:35:56,360
when I officially gave my resignation here, I said, no

557
00:35:56,480 --> 00:35:59,199
matter what, as long as you're playing Great North, I

558
00:35:59,320 --> 00:36:00,480
want that get gig.

559
00:36:00,840 --> 00:36:02,320
Speaker 1: Yeah that's my Lisa.

560
00:36:03,119 --> 00:36:03,280
Speaker 4: Yeah.

561
00:36:03,400 --> 00:36:06,239
Speaker 2: The people at Great North they're awesome. They they have us.

562
00:36:06,320 --> 00:36:09,039
Let's start fourth year doing it, I think so, yeah,

563
00:36:09,119 --> 00:36:11,840
third or fourth okay and no yeah, so and we'll

564
00:36:11,840 --> 00:36:13,360
probably be back there next year. It's awesome.

565
00:36:13,679 --> 00:36:16,679
Speaker 13: And then it was our last gig before COVID.

566
00:36:16,960 --> 00:36:20,000
Speaker 2: Oh that's right, okay, oh yeah, were shut down yeah,

567
00:36:20,280 --> 00:36:23,480
oh wow, yeah, because we had we had Massachusetts closed

568
00:36:23,480 --> 00:36:26,400
down first, right, so we had the havel gig was canceled,

569
00:36:26,400 --> 00:36:28,599
but we were still waiting on the Nashville gig. And

570
00:36:28,679 --> 00:36:31,079
then they canceled the Nashville gigain when the world shut

571
00:36:31,119 --> 00:36:33,079
down for a little while, that was our last gig.

572
00:36:33,679 --> 00:36:34,079
Good point.

573
00:36:34,079 --> 00:36:34,679
Speaker 7: Wow. Yeah.

574
00:36:34,840 --> 00:36:36,920
Speaker 2: And then so Tuesday we're at the Peddler's Daughter in

575
00:36:36,960 --> 00:36:41,880
Haveril from one from eleven to three and then Nashua

576
00:36:42,000 --> 00:36:44,960
from six to nine. So and then have a few

577
00:36:45,000 --> 00:36:47,880
guinness and we'll be uh, we'll be a few guinness, right,

578
00:36:47,960 --> 00:36:52,880
jim Jimmy three pints Jimmy three pints.

579
00:36:53,000 --> 00:36:58,039
Speaker 1: Drink responsibly, yes, And then uh, where should people go

580
00:36:58,079 --> 00:36:59,320
online too to keep up with everything?

581
00:36:59,360 --> 00:37:02,960
Speaker 2: The Pop Farmer, Yeah, pop the Pop Farmers dot Com,

582
00:37:03,079 --> 00:37:06,599
t ah g P o P Farmers dot Com. And yeah,

583
00:37:06,639 --> 00:37:10,119
we have two original songs that are out there on

584
00:37:10,320 --> 00:37:12,639
you can find them. I Thick but it's under Moran

585
00:37:12,800 --> 00:37:15,159
Moran Tyler and I Oh Got You did an album

586
00:37:15,599 --> 00:37:18,559
and these guys played we we just got together and

587
00:37:18,880 --> 00:37:20,519
Tyler and I played with a bunch of our friends

588
00:37:20,559 --> 00:37:23,840
and these guys we played two Irish We wrote two

589
00:37:23,880 --> 00:37:26,480
Irish songs and they're out there. Ye poor that kid

590
00:37:26,559 --> 00:37:27,920
a whiskey and the Peddler's.

591
00:37:27,599 --> 00:37:31,159
Speaker 1: Daughter outstanding, outstanding, well guys, as always, thank you so much,

592
00:37:31,239 --> 00:37:33,800
wonderful to have you here, Thanks for having us absolutely,

593
00:37:33,880 --> 00:37:36,800
And we'll close out with the studio recording of the

594
00:37:36,840 --> 00:37:40,559
Peddler's Daughter. And if you are listening live on Saturday,

595
00:37:40,679 --> 00:37:42,119
be sure to stick around. Coming up in the third

596
00:37:42,159 --> 00:37:45,719
hour we have rust Never sleeps Neil Young tribute and

597
00:37:46,280 --> 00:37:47,960
really looking forward to to that, but.

598
00:37:47,960 --> 00:37:48,920
Speaker 2: I want to stick around for that.

599
00:37:49,119 --> 00:37:51,000
Speaker 1: Yeah, yeah, it's gonna be good. It's gonna be good.

600
00:37:51,320 --> 00:37:53,920
But here it is. This is the Peddler's Daughter, the

601
00:37:54,000 --> 00:37:57,239
pop Farmers. Guys, thanks again such much, thank you absolutely.

602
00:38:02,119 --> 00:38:06,599
Speaker 17: Paddie McGee's a peddler, really braid now.

603
00:38:10,679 --> 00:38:19,599
Speaker 4: He pedaled his wares from town through the town, get.

604
00:38:19,519 --> 00:38:24,480
Speaker 5: An old jaunty wagon and filled to the brim, freaking

605
00:38:24,840 --> 00:38:25,760
some treasures.

606
00:38:25,800 --> 00:38:29,519
Speaker 4: They would pile the p in. But he had one

607
00:38:29,639 --> 00:38:30,639
jemmy name.

608
00:38:30,519 --> 00:38:38,639
Speaker 7: He said, Kathleen McGee, who's he apple Dad?

609
00:38:39,239 --> 00:38:39,719
Speaker 10: He's a.

610
00:38:43,400 --> 00:38:52,559
Speaker 5: She had ven black hair ixclue as the sky. The

611
00:38:52,760 --> 00:38:58,840
young girl's beauty was known far and wide for twenty years.

612
00:38:59,039 --> 00:39:03,280
Speaker 4: She rode inside when our the sofer.

613
00:39:03,559 --> 00:39:12,360
Speaker 18: I I'm in love with the fatler's daughter, and she

614
00:39:12,599 --> 00:39:15,119
mastered every trick had he taught her.

615
00:39:16,679 --> 00:39:21,079
Speaker 7: I swore and stopped until I caught her. But I'm

616
00:39:21,159 --> 00:39:29,199
in love with that girl's daughter. For three long years,

617
00:39:30,480 --> 00:39:39,360
I tried to catch her. I needed to prove I

618
00:39:39,679 --> 00:39:41,480
was just the other guy.

619
00:39:45,280 --> 00:39:50,440
Speaker 19: So every week when they come to town, I grabbed

620
00:39:50,639 --> 00:39:51,920
my money.

621
00:39:51,639 --> 00:39:55,880
Speaker 11: And I laid it down, and I spent every shilling

622
00:39:55,960 --> 00:39:56,840
that I had.

623
00:40:01,039 --> 00:40:10,400
Speaker 7: Week after week we play that game. She'dn't take all

624
00:40:10,679 --> 00:40:11,559
my money.

625
00:40:12,840 --> 00:40:21,960
Speaker 19: Forget my name, but I little, I wear her down

626
00:40:22,800 --> 00:40:26,400
until that did she find me drums and around.

627
00:40:27,119 --> 00:40:34,360
Speaker 7: Should look at me and she'll know. I'm in love

628
00:40:34,599 --> 00:40:36,599
with the bad Your's daughter.

629
00:40:38,039 --> 00:40:42,559
Speaker 18: Like a drowning man, I'm trying to treadwater like a

630
00:40:42,719 --> 00:40:44,519
lad be led.

631
00:40:44,480 --> 00:40:45,400
Speaker 11: To the slaughter.

632
00:40:46,760 --> 00:40:50,039
Speaker 4: I'm in love and that Your's daughter.

633
00:41:26,639 --> 00:41:31,880
Speaker 17: As hard as I tried, cheers as good my charms,

634
00:41:35,480 --> 00:41:39,119
until last one night she fell.

635
00:41:39,000 --> 00:41:40,559
Speaker 7: Into my arms.

636
00:41:44,239 --> 00:41:48,639
Speaker 19: In night, sweet moment, you lay down the yard you

637
00:41:48,719 --> 00:41:54,480
can stand, you roll underneath the stars, She looked into

638
00:41:54,719 --> 00:41:55,599
eyes at.

639
00:41:59,360 --> 00:42:05,599
Speaker 18: Almen with the bad the starters I launch every time

640
00:42:06,039 --> 00:42:06,840
had a fad.

641
00:42:08,400 --> 00:42:13,599
Speaker 7: She sold that a gift. I ey fodder. But I'm love.

642
00:42:15,239 --> 00:42:18,840
Speaker 15: Star, I love to my soul.

643
00:42:21,440 --> 00:42:26,679
Speaker 7: I'm with the starter