Speaker 1: H neonic void adoptions.
Speaker 2: Assups because this world sucks. Capitalism is trash. But here's
hoping one day we make it big where we can
just live our lives.
Speaker 1: Since we want, we'll find a way to live without money.
Speaker 2: I hear that too, but I mean as I mean,
as we live today, that's not gonna happen. There's something
castrophic happens. There's two hundred and twenty two episodes of
spook Out lit.
Speaker 1: Its just crazy. God, damn God, damn.
Speaker 3: Okay, welcome to Spookanic Wow.
Speaker 2: Welcome to avoid Anika, a D and D podcast, But
today we're not playing D and D today we are,
of course. In the description ball you'll see a link
at length, I'll take you to the other podcast you
know all that, you know the stick. One of these days,
I'm going to get housekeeper or TeV to record something
for each pod for housekeeping. I'm just gonna implant it
in here. I'll plant it in here. I need to
do that. Actually, let me remind myself. I want to
make another of myself message tip to record record freaking
housekeeping for me once I get the social media stuff
in order, because I do want to work on getting
social media stuff make a blue sky or whatever. But
it's so it's a lot, y'all. It's a lot to
do that shit because I'm the only one. It's just
me doing doing freaking social media social media. I'm not
good at it. I'm not good at it. It's a
lot of work, but I'm working on it. So anyway,
all that weading description below. Listen to the podcast. Please
show us some love and happy Halloween on today, which
would be ye was today's date, the twenty ninth of October.
So if you have listened to Spookoca Lives, please go
listen to Spookgafka because last Saturday was ever. It was
two episodes. First episode was for over the movie Calt
on the Cornfield Normal Shudder Ween. But there was a
surprise episode I came out later on that day that
was Over. That was a It's gonna be a dual
episode between Spook Eclipse and Vordonica over a tabletop game
that me and Tyler are gonna play it together. There's
gonna be no GM, no DM, It's just us. A
little forty five forty two page uh player's guide and
fun and trauma, trauma.
Speaker 1: Trauma and fun, fun, fun, and fun fun fun fun
fun fun fun fun. Yeah.
Speaker 2: So, if you want to listen to last episode of
Spooker Aucalypse, the link or the episode number for that
will be a description blow as well as a link
to like the Spotify or one go listen to that.
That goes over the we go over the rules and
how we're gonna break this game down, and today's episode
is gonna be the gameplay four. Now again, we are
playing a modern day, a modern Prometheus, a two player game.
The game for two players. You can have you can
have more than two, but we we're doing it too
as its originally intended. So this is gonna take place
in Victoria and Victoria, Victorian Age, England, Europe, some random country.
The country doesn't matter. The country doesn't matter. So we're
gonna play two runs of this where we're each playing
the characters of the scientists and the creation. First one
I'm playing is I'm playing the scientist doctor Edmund lily Way,
and Tyler is gonna be playing the creation of doctor
Edmund Lily Wait.
Speaker 3: Okay, so I'm the lily Way Monster. You're the lily
Way Monster.
Speaker 2: Now, Oh my god, lily wait, oh my god, is
connected to everything else.
Speaker 1: I don't know.
Speaker 2: Maybe who knows.
Speaker 1: I don't know.
Speaker 2: I just went with Lily because I'm like, I need
a last name, and I'm like, Lily Way, that's my
go to because everybody's was a random orphan once upon
a time and lives in a goat house that has
multiple different siblings and shit that has multiversal doors. And
I don't know, Okay, I just I just I create stuff. Yo, Okay,
damn yes, Doctor Edmund, Lily Way. So gosh, how do we?
I feel like I've never played a tabletalk game before.
I mean, this one's uh, this one's a new one.
So kind of set the scene. I guess.
Speaker 3: The Darkest Stormy Night.
Speaker 1: I don't know.
Speaker 2: I didn't really think of this through.
Speaker 1: Oh wait, I didn't bring any tokens with me. Oh
if I can find I think I can find a
board game that has like tokens that I could use
as just counting if you don't mind waiting a little bit,
or you can keep explaining.
Speaker 3: Okay, So.
Speaker 2: The game is going to take place in a Victorian
Age Europe and some disclosed country city, doesn't matter, it's
Victorian Gothic or think Frankenstein. I think all that black
and white. It's I'm real estate Victorian age drama dramatique,
and let's see it. It tell us the story of disacreation
born of the Eldress. Science is a dark secret. So
the game, well, I guess, I guess we'll start in
the beginning. So in this Ratorian age out in the
middle of we'll say, outside of a major city.
Speaker 1: Uh, London.
Speaker 2: I guess, I don't know bike a city, but Biga,
say Tyler, take a European city. Oh shit, that's right,
he left. Uh we'll do Paris. Yeah, London, London, obviously,
the Victorian London, eighteen hundreds, Yeah, eighteen hundreds.
Speaker 1: And on a stormy.
Speaker 2: Night out in the outskirts of London, uh, stands a
castle that has been a little a little castle that's
been reworked into a to a home slash laboratory or
doctor Edmund billy Way. Now on this night he is
finishing up his creation. After a long night of digging
up body parts and great engraves, he finally can finish
his creation, his piece resistance and bring he's hoping to
bring his creation. As he opens up the sky, oh god,
what they called.
Speaker 4: Play window.
Speaker 2: I don't know the skylight the skylight there, I hang out.
As he opens the skylight to let in, the rain
falls in as it's lightning, lad lightning future Devin bad
lightning effects.
Speaker 1: Uh.
Speaker 2: And he starts raising up the platform that has the
puzzle piece of a creation made of different dead people's
body part mostly male, I say mostly now all male
body parts, arms, legs, they all belong to people. Torso
the whole works. And he is up there hoisting the
platform up there and hoping that the lightning stripe just right.
As he's flipping through his book of notes.
Speaker 1: And weird.
Speaker 2: Eldridge symbols on set book. He's flipping through the pages,
the lightning strips.
Speaker 1: Loud under the light fills the room and.
Speaker 4: As the body is.
Speaker 2: Faking pulsating from the lightning, Doctor Lillyway is down below,
drops his book, drops to his knees and raised to
whatever unforsaken deity that's out there. He's not religious at all,
but he's praying to something and he's like, please let
this work.
Speaker 1: I can't.
Speaker 4: I can't get any more bodies than that.
Speaker 1: This is it.
Speaker 2: And he's gone through several failures as around him there
are a bunch of other random body parts and shit,
this is his third attempt at creating this creature, this
abomination to some.
Speaker 1: And as he fingers crossed, praying to whatever god forsaken deity,
the lightning stops.
Speaker 4: It's still raining, and he's.
Speaker 1: Just like, okay.
Speaker 2: He takes a breath and he starts wheeling the thing down,
the platform down.
Speaker 4: Do to do, to do, to do, to do, to
do to do, and the body's smoking or the creation
is smoking.
Speaker 2: Let's see what is the first? Okay, cool, cool quote,
Get those questions done. As the platform comes down, he
rolled it down and he looks over the create, the creation,
and he unstraps like the wriststraps and like eagle straps
and all that. He unfrovels it and he just stands
on the side and just looks over and just like
please please.
Speaker 4: When eyes.
Speaker 2: And he's almost the tears. He's just like, this has
to fucking work. If it's it, I'm done, tyloight, Okay,
what chime in? He's at of course, uh, doctor Lilliway
is waiting for the monster to open his eye.
Speaker 1: You're the creature. You can chime in. Okay, I'm gonna
chime in by operating my ocular covers. Huh, by opening
my eyelids. Eyelids come up. Did they really make a sound? No?
Speaker 2: No, dramatic ratorian lights eyes open, Lightning strikes.
Speaker 1: Yeah you know what?
Speaker 4: No, yeah, that's exactly what happens.
Speaker 1: Yeah.
Speaker 2: Yeah, as you open your eyes, lightning strikes. And he
puts his hands on the platform and he and doctor
Lillway is just.
Speaker 4: O, my god did it?
Speaker 2: And he starts dancing around the platform with joy and rejoice.
Speaker 4: What does the creature do for creations?
Speaker 1: Oh? I started looking around with just my eyes. I
haven't gained musclim movement yet.
Speaker 4: Okay, then we're going to start the question.
Speaker 2: So the first part, first mini game we can do
is creating the Monsters again book play. We asked each other.
We ask these questions in sequence. They are written and
each player asks one question from the bonus. We we
take turns asking the questions and then we answer them
while playing. So first question, as the as the creation
is looking around, the scientist, doctor Lilly Way leans in
and I mean, I'm going to vary the question. You
are now alive in my workshop, born in my invention.
I intend your eyes seemed to be fixed on me.
Speaker 1: What do you see?
Speaker 2: Asking to hope get a response and be like, okay,
is this thing cognitive?
Speaker 1: Okay, oh my god, I see lords round man, chisel
features and fiery hair. So think Cannandorf, Cannandorf kind of
a round man around? Wow?
Speaker 4: Am I round? Wow?
Speaker 1: What?
Speaker 4: Wow?
Speaker 1: What?
Speaker 4: Wow?
Speaker 1: What? Wow?
Speaker 4: Why call me fat and king?
Speaker 1: It's not a fast shaming. It's like, it's fine to
be around. It's fine to be round body mother Davin.
Speaker 2: Egg anyway, Okay, cool. So you answer that, and he's
just like, and doctor lilly Way is blubber ghosted, blubber ghosted.
Speaker 4: He's like, he's like, it wentzers to himself.
Speaker 1: I did I.
Speaker 2: Now you're gonna ask the next question. We'll go to
continue down the list of questions.
Speaker 1: Okay, So I get some muscle memory up and running.
I am booting up the OS. I rise up, and
I stagger to the floor of your laboratory. And there's
a bunch of sounds coming from your devices, like or
what kind of sounds you would picture in a nineteen
thirties film, And so you are checking me out. So
what do you see.
Speaker 2: As doctor lill Way looks up and down the creation
that he has as created.
Speaker 4: See he sees uh, he sees a.
Speaker 1: God.
Speaker 2: I'm trying to print your house. He sees a man
sorrow built, was stolen flat, this form a hem of devotion,
sung and bone ensue, each piece of him whispered of
another life. A grave, robbed, muscles still hot, the strength
a ripped caves that once housed a lover's laugh, hands
that had tilled soil and cradled infants. Okay, but what
the fuck is going on with this? Together wrotel bound, Together,
they made a feature of unsettling glamor, a body sculpted
like a fallen tightened, perfect in it's imperfections. The scenes
did not marror him so much as they marked him.
Dark cultures, like consolations, mapping the scientist's obsession, crosses across
the creation's very skin. Yet it was the face that
bore the weight of the tragedy. It was the face
of a lover, the one the scientists had cherished, lifted
from the grave like a relic, stored with trembling care, pale,
framed by black hair, as starless as a starless void,
it seemed carved from longing itself, and those eyes, those
ocean blue eyes. There was something that should not be,
a glimmer of ancient hides, depths older than the language.
As though the soul came back into this vessel was
not merely human. When he looked upon the world, we
looked upon the creature, it was not with innocence, but
was knowing of something vast and alien, reflection of secrets
that had no right to rest in mortal flesh. He
was beauty sharpened into grief, a dream pulled from the
abyss and dressed in flesh. The case upon this creature
that doctor Lilly Way has created fields both fills him
both of wonder and dread as it has stumbled upon
it God's unfinished creation, sacred, blasphemous and incon inconcept. Oh oh,
God incomprehensibly alive. And he's just looking at him with
a door adornment as he's describing, I mean, yeah, he
says that kind of more of a romantic sense.
Speaker 1: He's like, I.
Speaker 4: See my love her, and he's just struck, struck with
love and terror that he was even able to do this.
Speaker 2: So as an as doctor Leeway kind of steps the
side to hopefully help your leg help his help. There
help the creation's legs onto the floor. He's like, Okay,
look around my laboratory, laboratory, laboratory, observe, observe the findings.
What do you see, all the signs of a singular
obsession that I have created you to fulfill.
Speaker 4: Oh wait, what am I doing? I'm mixing, I'm reading
the wrong one.
Speaker 2: Hold up, you look around my laboratory, observing papers tacked
to the walls, bookshelves overflowed with books and notes, all
signs of a singular obsession that I have created you
to fulfill.
Speaker 4: What is it that I want?
Speaker 1: Right?
Speaker 4: Yeah, that's a weird question to ask.
Speaker 2: Okay, of course, as you look around, you see papers,
books of science, magic, and then you see pictures of a.
Speaker 1: Someone that has I guess picture. Do I Victorians have pictures?
Your labs have pictures? No, Victorian England have pictures. I'm
pretty sure they had early photographs like the kind of
have to sit very still for.
Speaker 2: Okay, okay, so you see, okay, in the in the
in the laboratory, you see one big picture, a portrait, Yeah,
like a paint portraits of a man that you see
and there's also a mirror there so you can see
your kind of look at your face, look at yourself,
and you see a big old portrait of a of
a man that has the same face as you. But yes,
from what you see around you, what is it that
doctor Lilly way?
Speaker 1: What it looks like he wants to make a perfect,
controllable golum, to be lauded with praise and approval, to
be loved by one and no other. Bet you all
got you got me? Fud?
Speaker 4: Sorry?
Speaker 2: Sorry, sorry that that's fucking good, bro, That was good anyway.
Speaker 1: Okay, your questions up next? Okay, so you the creation?
I think it's referring to me. No, you might be
because it says you raise your hand to your mouth.
Whatke is that you? Or is it me you that
I've read? I read the rest of the sentence. It's
referring to you because you raise your hand to your mouth,
shocked at way you have wrought YEA, I am imbued
with abilities far beyond those of a natural human. What
unnatural strengths do I possess? Okay?
Speaker 2: Okay, So what unnatural strangths that he possesses would be strength?
To bring him to strength? You can, Oh gosh, I
don't what would be good.
Speaker 1: Ability, yeah, because I guess the obvious one is like
I can lift trucks or something, but.
Speaker 2: You can. I don't gosh, what unnatural strengths do I possess?
Superhuman strength?
Speaker 1: You can.
Speaker 4: Your body can go invisible? Do you have a power
of invisibility? Take notes?
Speaker 2: Take notes, Tyler, here's super human strength invisibility.
Speaker 1: And you're like, he can fly and you're like what, No, No,
he was just throwing ship up there. I'm trying to
figure out what would be interesting because I didn't think
about this one.
Speaker 2: Superhuman strength and visibility. I guess we'll stick with those
two because that's I mean, that's a lot. That's a
lot superhemen strength and and an invisibility.
Speaker 1: I'm essentially being a visible man. I guess more strangling.
Speaker 2: Power and as uh, you were kind of discovering your self.
That sounds so inappropriate figuring out your super strength as
well as yours.
Speaker 4: He sees that he sees the look that you gave.
Speaker 2: Him when you were when you were acknowledged that you
were looking around and be like, what does it that
the scientist you kind of gave him a dry look?
And he's like, I must I won't change it from
why do you hate me?
Speaker 1: To do you hate me? Oh? That makes it a
binary question?
Speaker 4: Oh well, why do you hate me? Do you hate me?
I guess do you? I?
Speaker 1: I don't know. I don't know how that really necessarily fits.
Speaker 4: I could I could.
Speaker 1: Change it could be changed like like you could ask
the binary question, but then I specify something and then
I'll explain my answer.
Speaker 4: Yeah, yeah, we could do that.
Speaker 2: He's just like he sees the look of this look
of disgust on his face and not to the way
kind of backs away, and he's just like, I'm well,
I guess we could change it to me more like.
Speaker 4: I'm sensing some this state.
Speaker 1: I'm sensing some hostile energy energy the d you might
want to turn our chill meter up a little like,
don't do that? No, do you me?
Speaker 4: As it kind of backs away a little bit, I.
Speaker 1: Have difficulty tolerating.
Speaker 4: You a present damp. Why though, why? He's just like, why.
Speaker 1: Because you shade be into what you want rather than
what I want? You wouldn't even be alive I created
that is such a cough out argument. Well, the guy
with the god complex kind of so, I mean, roll
with it, but it's just it just sounds like the well,
if you're so cool, if you're so cool with abortion,
why didn't your prayers get rid of you.
Speaker 4: Can't mate Jesus.
Speaker 1: It's like, Wow, way to completely derail the discussion.
Speaker 2: Well, no, I'm leading it too, Like why do you
fear me? I'm leading into that. I'm like adding stuff
in between keep the story going.
Speaker 1: Well, we'll leave out my weird commentary and go into
you being like, well, if it wouldn't for me, you
wouldn't be here. You wouldn't be here. Should I be here?
Speaker 2: What kind of questions that of course you should be
It's like that crazyus like ananthatical It doesn't matter. Okay, lease,
every shouldn't. It doesn't matter if you should be here.
Speaker 1: I what you know? I have an idea. I'm gonna
throwing a bonus question before I ask the real question.
Speaker 4: Okay, bat do it?
Speaker 1: I rise to approach you? How do you respond? Oh?
Speaker 4: Shit?
Speaker 1: Ah? I mean.
Speaker 2: He would back He would back up a little bit
because he's like, I don't know what this guy, what
this thing's going to do, So yeah, he kin he
kind of back up a little bit as he sees
that you're trying to stand up you give you. It
might to him it's trying to make it look like
he's giving you space. But for me, you can obviously
tell that there's there's a little fear there something going on.
There's a little.
Speaker 1: Yeah, and there's a beef pause while he looks at you,
and then he yes, why do you fear me?
Speaker 2: See they should have switched that around where he shows
I rise, how do you respond? Then the bonus question
should be why do you fear me?
Speaker 1: Literally?
Speaker 2: It's why he's like, I don't lying like a goddamn liar.
Speaker 1: I not.
Speaker 2: I'm I'm still comprehending the fact that I.
Speaker 1: Brought you to life.
Speaker 2: He steps forward and he reaches out to touch you.
May I, and he says, reaching on his hand.
Speaker 1: I could say no, yes, doesn't matter. I was trying
to think, like, what was I writing now? I say no,
any kind of recoils and I recoiled.
Speaker 2: Okay, And from there, okay, so we can kind of
do We're gonna do a little filler before.
Speaker 4: We do the confronting about the Board of ethics. Ooh ooh,
I know what we can do.
Speaker 2: I know what we can do. Play along, roll with it.
As he recoils and sees you. I mean, he just
looks at your stature, Chris, I fucking brought this thing up.
And he's kind of just looking at you with happiness
and it turns into you and then you hear a
knock at the door.
Speaker 1: What do you do? I glanced over, and that's a
good question. I would notice that you're pretty much lying
about being afraid, and I would just like be like,
go ahead, answer it if you're brave.
Speaker 5: And he's just like, uh, fuck, and he kind of
just slowly scoots around, and I'm assuming the creation just
stares it up as he's just moving across the room
like a weirdo.
Speaker 4: And he goes to the door and.
Speaker 2: He's having a conversation with somebody about uh, he needs
to he needs to be he needs to give it
up to the board tomorrow, the board of ethics leading
into the next one, and needs to be there promptly
in the morning at sun up. And he's like, yes, sir,
I'll be more than happy to be there. He's like,
can I come in like it's raining a no, no, no,
it's a little it's really messy in here. So I
will be there tomorrow to give up give my updates
on what's happening here, but thank you and closed and
closed the door, and he puts back to the door
and just looks at the confusion. You need to stay here,
and he kind of just looks at the creation of like,
how the fun I'm gonna think, how the funk? I'm
gonna keep you under wraps? And what is his response?
Speaker 1: Oh, he's gonna stay but oh he's on stay foot.
Oh he's not gonna say anything. He's just gonna stay.
Speaker 2: But and then the night goes on, or to say,
this is like late night, night goes on, and literally
the doctor is just staring at his creation because he's like,
if I fall asleep, this thing might like snap my
neck like a goddamn twig that I need to keep
an eye on it. And he's looking through his books
his papers to figure out did I do something wrong
because obviously he's not acting like his previous, like his lover,
and he's like, I should I know I did everything right.
He's just kind of looking through his books and he's
just like, I did the rituals, I did the sacrifice.
Speaker 4: Why isn't it him? Looks like it's not him?
Speaker 1: Did she use like the brain of your previous lever. Yes,
yes he did.
Speaker 2: He's whispering that to himself. He's like, why you Oh, also,
you have superhering so you can hear everything that happen.
Put that down superhearing and or yeah, superheering or actually
no read minds all yeah, take off the superheering, read
minds or at hand senses and read minds. There you go,
prom solved hand senses and you could actually read minds.
That's from the Eldridge rituals. And shit, he's thinking to himself,
why is it Not's like, but it's not acting like
I use the brain, I use his head. I use
the same heart for God's sakes.
Speaker 1: But it's not.
Speaker 2: Yeah, I do wrong thinking that to himself and you hurt.
You hear that now the first time you're able to
hear anyone without them actually saying anything. It reminds Kay,
was your response or do you have one?
Speaker 1: I don't have a response. But this is really similar
to the plot of Fring Hooker. Stop, oh my god,
it is a spreaking hooker. Oh God, to literally is
breaking hooker. But gay interesting that you mentioned that you
used your lover's heart, because I was like, oh, if
there was a technicality, it would have been like that's it,
Like his heart just isn't in it, But it literally
isn't it.
Speaker 4: His heart is something else.
Speaker 2: Okay, you know what, I kind of liked the idea
of you just sitting there and not doing anything, or
just staring, observing, hearing if you have no responses to
all that. We can skip to the morning where doctor
Lilly Waite leaves to go to the board and he's like,
h and he goes back to the platform and he's like,
can you lay back down please?
Speaker 1: He lies back down, but he's like, there's no point.
I don't sleep.
Speaker 2: No, I'm not doing it for you to love sleep,
and he starts putting the restraints back on him.
Speaker 4: I'm doing this to make sure you stay here.
Speaker 1: We don't need you.
Speaker 2: It's only going be for a short time and I'll
be back. But you were going to stay.
Speaker 1: Here because they're gonna make any noise, all right, very clear? Sure,
if this helps you feel certain, then we are clear.
Speaker 2: He narrows his eyes, like, I don't know why you
wear that. Of course, at this point he has no
idea that he can reminds. The remind thing was just
that was by accident. Once he figures it out that
was by accent. It's like a debating he's debating should hey,
he don't get He's gonna go get a a cloth
of some kind and he's going to make a.
Speaker 4: Gag out of it. So I gotta make.
Speaker 1: Sure he's guys it.
Speaker 2: He's like, okay, I will be back a few hours.
Don't go anywhere. He kind of chuckles him, so he's like,
that's fucking stupid. As he grabs his research and he
walks out the door and closes the closes the big
door and locks in here lock and he starts to
make his way through London to find the Board Ethics,
to the Board of Ethics. Now this is one where okay,
the creation takes a I guess we can board of it,
so we can do are they Are they okay? So
in these minigames, are supposed to play them like the
scientists mini games and then the creation or do we
go back and forth?
Speaker 1: I'm not really sure. It just depends on how we
play it out, but.
Speaker 4: I guess we can go back and forth. That would
make more sense.
Speaker 1: And see, you go with the board and I'm going
to play the entire boards. Maybe it's like four or
five people, but I just do different ways.
Speaker 2: It's for each question, we do the board and then
seek humanity, masquerade, hunt through the streets. We'll just go
back and forth between the ship. See where Let's see
how that goes. All right, So the board of addicts.
He he runs and he goes to I'm assuming this
will be at the university, some university, some fucking science
bull shit.
Speaker 1: I don't know. Welcome to the university of University, University
of London probably, yeah, I don't know, Yeah, University of
London in this world.
Speaker 2: He goes up before he walks in and he's waiting
there as someone kind of ushes them into the board
because he goes into like a room like a judge's rumors,
like the boards sitting up there. He comes up to
the panel, he's like, but does research there? Looks up
to the board. Who's he see at the board? Who's there?
Speaker 1: Sees five people mostly three men and two women. And
they decide the ethics of people's research obviously, and they
also approve research basically, like if you want to do
like a thesis paper for your master's degree, you'd have
to talk with them, like is this okay research. Of
course you've already gotten to your like PhD, because I
see you're a doctor. Yeah, yeah, you still have to
report to them for like approval of research, but in
this case, it's like you're running late on something and
it sounds kind of dubious. As we looked over the
notes and it was like, I think that's what we're
here for. That was just the explanation, not the actual
world play.
Speaker 2: Okay, I'm back, sorry anyway, So we confront the board,
and of course with this mini game we do, the
board poses at least two challenges to the scientists, who
I must respond accordingly.
Speaker 1: So what's your first challenge? Quote unquote was like one
of them has glasses that slide down his nose a lot.
So he's just like just like, good day, doctor Lee, way,
how are you this morning?
Speaker 2: And I'm fine, I'm alive. Craisey be I'm alive and
well hm, he's just kind of like act normal. It's
not acting normal.
Speaker 1: Yes, we can plainly see you are alive, as we
all are. Now we do know why you're here, right, yes.
Speaker 4: For my research? On would be the reason?
Speaker 1: On what.
Speaker 2: Be the research? The fuck is he lying? And he
decided to use the funds for this or is he
using this says the research? What would the research be
human immortality, human revival?
Speaker 1: Like would be he could because the one hand, he
could be like, yeah, until they're trying to bring dead
people back to life. Or it could be like I
was hoping to reanimate. Necritized tissue as a way of
healing against oh, flesh eating diseases or something like, you know,
like he is fronting the Board of Ethics.
Speaker 2: Of course, we're here to talk about my research on
bringing life to dead tissue, the use for humanitarian reason,
and he had to blatters his eyes and smiles nervously.
Speaker 1: The board just glance at each other and it's like,
we're just going to ask you a few questions, one
at a time, of course. And he looks over to
the lady on the far right and she leads forwards,
like all right, missus, doctor Lilly Way, explaining what you
hope to achieve by your actions and how the benefits
outweighed the risks.
Speaker 2: Well, the benefits would obviously be for medical where it
could extend human life by bringing back by bringing life
back to dead tissue that could replace flush and tissue
for certain diseases and conditions, and it could I mean,
in long terms, it could extend human life.
Speaker 1: I mean I.
Speaker 2: Would say that out that outweighs any risk that comes
along with us. I mean, I just want to extend
human life and this was seen so far it seems
to be the best way to do it. And it
kind of just smiles nervously.
Speaker 1: And where did you appropriate the samples that you used
to try your experiments.
Speaker 2: I know someone and the morg and communicating with a
local Morgue as well as families with people who passed.
I was able to acquire samples. Lo he he's fucking lying.
He dug graves and ship me and gotta tell him
that I.
Speaker 1: Think flings with two grave diggers who saw that did.
Speaker 2: Yeah, who happened to work out Morgue. But he's he's
not telling them the whole He's telling the partial truth,
but not the whole truth. I got with two I
know two people who work out Morgue and communicate with
families and was able to get samples of issue from
loved ones who passed at different stages of recently to
body has that been by the pass of by over
a year ago or so. So, yeah, I was I
was able to get these with the proper protocol and permissions.
He likes to he over stresses on that, even though
the goddamn life.
Speaker 1: And then it moves on to another man on the
board who's like, all right, could you explain why you
believed you had exhausted all other options in your pursuit
of your goal and why this was the only course
of action available to you?
Speaker 4: Is this is this questions like if they knew about
the dead body?
Speaker 1: It kind of seems like so like, let's say that
one of them, I'll say, the head guys like, yeah,
we received reports that there was a sallow looking man
inside your laboratory the other day. God, who's telling.
Speaker 2: You that that's not true?
Speaker 1: It's just been me in that lab. We'll just call
them anonymous Andy. Oh good, I'm a fucking cut Andy
cut anonymous, hands could look.
Speaker 4: Cut, anonymous Andy, fucking bitch.
Speaker 1: Shut the sound cut Andy and beat up nark Nancy.
Speaker 2: Nancy, goddamn, oh god, Well, I don't know what you're hearing,
but if I mean, you're more welcome to come to
my lab and see my research firsthand, if you like
for me to prevent there's been no.
Speaker 4: We are to be let alone out of the person
in there just been me myself.
Speaker 1: So intend to do that this afternoon. But we do
have other questions for.
Speaker 2: You, of course, and you think of yourself, oh.
Speaker 1: A lot of us. Like the other lady is like,
he's like, well, a lot of things you've done like
just contradicts what you've been saying. We have reports that
you have stolen away dead body parts from relatives in
mass graves. You've also reanimated tissue, not just from dead animals,
but also humans, And we explicitly don't allow people to
experiment on humans unless they passed animal trials first, and
you didn't exactly pass animal trials. Now, could you justify
why you alienated your colleagues and refuse to consult your
mentors and tutors on this low key, that's a good
ask question. That's a good ask question. Huh. Oh. Like
I had to back it up a little bit because
I'm like, how would they know that he was experimenting
on human tissue?
Speaker 2: Next, he kind of just yeah, he kind of just
spilled his own beans, which makes it which fits, which
he spilled his own beans that he did researching and
realized to.
Speaker 1: Himself, fluck, okay, he kind of thanks to himself. I
took an.
Speaker 4: Opportunity I was again.
Speaker 2: I got with two people who work at a local
morgue and touched some families who were up for giving
samples of human tissue, and I decided to take the
opportunity to just jump straight to the big guns and
work on human fund. Granted, these individuals were passed from
the samples that I got were already passed again. Some
passed for longer than a year, so I'm as little
as a couple of days. But I got an opportunity
and I took it. And I know that's not necessarily protocol,
but wouldn't you do the same thing if you got
the opportunity handed to you on a silver plotter just
to jump to the big gun sets have a chance
at something big when it's just basically handed to you.
Speaker 1: They think for a moment in the fourth person is
like he just super seeds and is like, yeah, explain
how your action served a nobler purpose for the good
of humankind. Because I'm I'm almost convinced that this was
more selfish selfish.
Speaker 2: It kind of takes offense that he's like selfish. Why
is it selfish for me to want to be able
to help people, extend people's lives, help with diseases that
lead people either disfigured or mutilated, or even like this
could help people who are injured into battle.
Speaker 1: Perfect, We recognize your intents, but intents do not always
match actions. And then one of the board members is like,
really angry, and this is when that's last going is like,
express your frustrations with the scientific community and explain how
you see yourself in relation. But that's not so much
of a question. It's more like a response to him.
You're just judging you. Yeah, it's like, no, you took
dead loved ones from their graves in the night without
anyone's permission, and you just toyed with them. You tried
to play god and we're not meant to do that.
And I don't think you're doing this for the good
of humanity. No, no, no, don't talk. It's like, don't tell
me to shut up God anyway, Oh, let's fight track
the trade of thought. It's like, what were you really
doing this form for fame, for money, for what?
Speaker 2: He looks at that remember, and he's like, how there
are you? I have done nothing.
Speaker 1: But do this. He kind of stay his hand on
the down the.
Speaker 2: On the platform in front of him. I've been doing
this for nothing more than to help people, like I've
always like. For example, I loved.
Speaker 4: One who passed. May he rest in peace.
Speaker 2: He died of injury that could be that could be
saved by my research that I'm doing that could have
been saved or what I'm doing now. I want to
be able to help other people after go through similar things.
I'm doing this not for me. I'm doing this for
all of you sitting at sitting up there on your
goddamn high horses. And no, I'm not playing God, I'm
not even I'm not even religious.
Speaker 1: I we risky.
Speaker 2: He's like, I acquired those samples through ethical means. I
don't know where you're hearing, Oh God, great, all body
parts from people. I don't know where you're hearing that.
But that is incorrect, and that's pretty insulting be told
that when I've done nothing, everything by the book except
there's one thing of jump into human jump into human
trials on human tissue. Everything else by the goddamn book.
Speaker 1: And then the board discussed among himself while the angry
guy is still kind of seething, and it's like, well,
we seem it seems like your work may be a
little dubious, but we will give you a chance to
defend yourself once we see your experiment. So therefore we
approve of the research. In the fifth guy like, ohash
like like an old time returned, like kind of like
a bush. Expect us close to sundown. We expect to
see your creation alive, and well.
Speaker 4: Raises an eyebrows like.
Speaker 2: M and it's like fine. He picks up the papers.
He's like, we can't wait, and he just walks out. Okay,
so that concludes that thing.
Speaker 1: I don't see. I have coins, so I guess I'll
give you one coin for completing the challenge thing. Yay.
I have tokens from a Yachtzi game, which I have
never used. The tokens and Yatzi, I just don't know.
I just don't know what you're used for. But for
coins to reward you, I have lifesavers. It's a lot.
I was like, I can't find you other coins, and
I already have a coin reserve for flipping.
Speaker 4: Well, I'm using a jolly your ranger.
Speaker 1: I'm trying to flip all your keeping a record, because
I have a jolly rancher, I'm keeping a record. Okay,
I put you down as one coin.
Speaker 4: Yeah, same, all right.
Speaker 2: Next up, we're gonna go while this is happening, we're
gonna be doing the the Innocence.
Speaker 1: Where is it seeking Humanity? Oh yeah, I was gonna
say if the Creation has already left, just like the
restraints did nothing. The gag was I don't even know
what that was for. He just walked out.
Speaker 2: He just literally busts open the door and walks out. Okay,
So the Creation, you are walking around London and you
obviously I'm hoping you get hands something.
Speaker 4: Actually, oh my god, is he nude?
Speaker 1: Wait? What page this on? This?
Speaker 2: This on page twenty six for seeking humanity? Because you're
gonna come across an innocent.
Speaker 4: And I'm like, is he naked? Would you even know
the concept of pants?
Speaker 1: I think he would. How big did you make his member?
Because that's going to be necessary to know how big
those pants need to be? Oh my god, look, you
brought your over back to life. Hin, So you were like,
I'm gonna make some modifications, some modification.
Speaker 4: Oh my god, ah, he could be grow he's a
grower not a shower.
Speaker 1: Oh my god, I was gonna say a grower should
go a hulk style where he just has pants and
maybe a jacket or a cloak that he found something.
Speaker 2: Yeah, he still like shirtless, like stud not really his
his a normal, he's in built. But anyway, so he
walks out pants barefoot, either some coat, cloak, robe something
or just wearing going hulks ale and he's walking around
London and he people kind of avoid him. They're kind
of looking at I'm like, what the fuck? And you
kind of put your cloak covering your stitch mark, your
stitches stitch marks. And you come across a little girl
who has a a basket of flower a daisy, a
basket of daisies.
Speaker 4: And it's a little it's a little little blonde girl.
Speaker 2: And she's just skipping around and then she stops and
just looks at you. She stops right in front of you,
and she kind of tilts her head.
Speaker 1: You look strange.
Speaker 2: I'm incorporate the questions as we go. So you look strange.
Speaker 1: I'm strange. Mhm. What's your name? Did you give his name?
Did you give him a name? Oh m hmmm, I
have no name. Everyone has a name. Okay, fine, you
know what, I'm gonna give you a name.
Speaker 2: She turns around, looks around, and of just thinks to
herself that she's looking around see if she can get
some inspiration.
Speaker 4: This is like a eight year old girl, a child.
Speaker 1: She's like, hmmm mm hmmm, I know what I'm gonna
call you.
Speaker 4: I'm gonna give you the name of one of my
favorite writers. Let me see if he was seing alive,
Oscar Wilde.
Speaker 1: Nope, no one was the Victorian Agel.
Speaker 2: Okay, cool, lovely, lovelyate, this works. This works Drian Angels
from eighteen thirty seven to nineteen oh one. Okay, she said,
I'm gonna give you the name one of my favorite writers,
one of my favorite American writers, Edgar.
Speaker 1: You're uging Edger, okay, Edgar.
Speaker 2: And she holds out her hand and to hold your
hands as you're as you're walking, tell me.
Speaker 1: Like like holding the hand.
Speaker 2: She's kind of la la la la la la la la.
And let's see, I'm trying to see how I can
figure into these questions. I might change some of these
questions a little bit. What is your purpose? Okay, I'm
gonna change.
Speaker 1: That a little bit.
Speaker 4: So why are you in the city. We're brought you,
We're brought.
Speaker 1: You to the city.
Speaker 4: Wall is that one of the questions? No, it's not.
What's your purpose?
Speaker 2: But I don't know that doesn't really make sense how
to do that per se?
Speaker 1: Okay, are you also doing the thing where you mark
something as human or a monster? Yes? Okay, so what
brought me to the city? Like I was recently brought here?
And I'm gaging my surroundings.
Speaker 4: As you kind of looks up at you, and.
Speaker 1: This is gonna be from all right.
Speaker 2: And she's like, okay, uh huh, and it's gonna be
a variant of who's your creator?
Speaker 1: Who brought you here? His name is Lily Way.
Speaker 2: Uh anyway, I don't know one interesting And she kind
of just skips along and she trying to think, ah,
and she kind of she lets go of your hand
and she runs out into a crowd to an old,
elderly lady and she hands her a beautiful flower, beautiful daisy,
and she kind of runs and she walks back. What
do you find beautiful?
Speaker 1: I find kindness beautiful?
Speaker 2: He smiles, and she grabs your hands. She's like, hmm,
in school today, Well, school, I guess whatever school.
Speaker 4: Last ship, we always.
Speaker 2: Talked about what we want to do for a for
a lot, for our lives, what we desire. And she
looks over to you, Edgar, what do you desire in life?
Speaker 1: A difficult question. I think I desire to be free
of all restraints and bonds. And he looks at his
hands and grips and this including.
Speaker 4: These kind of just stops. It kind of looks like, uh.
Speaker 2: Huh huh okay, Okay, yeah, she wouldn't know. She's like
she'd be like, that's a little weird, all right, Okay,
roll me a foreside diet. Okay, and someone put them
in two piles?
Speaker 1: Do I say? What the what they are?
Speaker 2: There's questions, acts, apprecious as the result. Okay, do you
choose humanity or monster. I'm gonna go with humanity. And
I rolled a three. A three, You get a coin, Yes,
get a coin. And as the interaction ends, she sees her.
The little girl sees her mother in the distance, and
she starts, she starts running towards her mom. She kind
of she stops, turns around, runs back, and she raised
it and she hands you a flower, a daisy.
Speaker 4: She's like, my name is Alice. It was nice to
meet you, Edgar.
Speaker 1: And I take the daisy and I smell it with
my super high perception. Yeah, likewise, she smiled, and then
her mom's like, get over, grabby light, don't talk to
weird old man. Huh who said we you were talking to? Yeah.
Speaker 4: When she walks over, her mom's like, who the weird
guy you're talking to?
Speaker 1: I don't know.
Speaker 2: Someone nice As they continue on through the city, and
she waved goodbye to Edgar as she disappears into the crowd.
All Edgar next one would be the I'm trying to
think and because we could change the order of this
too kind of, I.
Speaker 1: Guess it makes sense, like the sequence of events. I'm
sure you signed it. Would run back home like, oh fuck,
I gotta check on and then see he's like, oh
not here.
Speaker 2: Okay, okay, here's the order events we're gonna do. Go home,
receive the letter. Where's the how do we fit the masqueraine?
Speaker 1: Can we fit? Maybe there is a letter, Maybe there's
two letters, Like maybe one letter is like that, hey,
how are you doing? Bad news? And then there's another
one that's like, hey, even mine to a masquerade? And
it's like, oh, it's gonna be this evening after the
board shows up.
Speaker 2: Yeah, yeah, yeah, oh drama.
Speaker 1: Of course that wouldn't okay, you have to run around
town looking for Edgar or the monster as he knows him. Yeah, okay, cool,
coo coo cool, we got we got we got planned,
you know, we got planned. Okay, so Edgar.
Speaker 2: Of course, from this point Edgar would just be walking
around the city doing god knows what. Lily Way runs
home and sees the door is open, and he runs
up to and he's like no, no, no, And he
runs up and he looks and he's like fuck. And
he sees all the restraints and ship.
Speaker 1: He's like, God, I I knew I should have put
him out. Why didn't I put him out? Why?
Speaker 4: Why?
Speaker 2: As he goes in, and he's like, he walks to
his mailbox, texts his mail. He's like, walks inside, puts
his puts his research down and.
Speaker 1: Looks at the two letters, and one's like, I'm mass Garade.
It opens it.
Speaker 2: What the fuck I'm mascarade. He said, Masquerade join us tonight,
blah blah blah. And it's like, of course it's after
the word.
Speaker 1: Okay, I'll go that later, and then he opens a letter.
Speaker 4: And what's a letter?
Speaker 2: Omalla lah love okay, and read off the letter and
he opens it and reads it, and I'm.
Speaker 1: Looking at the instructions. I'm like, forget the dice. So
I'm not going to adjust the value because I'm just
gonna say your hope is about middling please from now
and then the game is the end letter, okay, And
here's my coin, salutations and greetings to you. Flip the
coin in his heads. Okay, so my words for you
with joy, we's hope by one yep. I don't know
how to write out the full letter. I guess I'll
just do the general stuff okay, and then it hopefully
improvise what the full letter might say afterwards. So I
tell you a story of your home or friends. You
have not seen any gears, so another coin. Flip. It
is tails, So the story is tragic news you're not heard.
So yeah, I write of the rumors that swirl around
you concern for your well being. Flip coin. Okay, it's heads.
So the rumor's bared, nevers and lists to your current
circumstances and are easily dismissed. So I beg you for
some assurance of your safety and good health. So throw
another coin, heads, So I ask you to perform an
action that you can achieve. Oh hag and I haven't
been increasing the die since Okay, so this one and
I sign off with news that I am on my
way to visit you. So one more coin toss Okay, heads,
so I will arrive shortly, like let's say by tomorrow morning. Gotcha?
And so that makes your hope increased to six, which
means you get a coin because it's fiber higher. Okay,
So how do I make this letter work? Salutations and
greetings to you? That was positive, like, I hope you
are in good health. I tell you a story of
your home or friends you not senior years. I think
that's the one. Is like sad that that was tales? Well,
like I just got worried that only one of your friends,
Stanley has passed away. He came down with a nasty
case of I don't know, disease, disease not living. He
came down with a nasty case of not living anymore.
I've read of the rooms that swirl around you. There
are rumors that you are trying to move out of
London and he's like, oh, that's nothing to do with me,
so not really anything. So I beg for your shows.
I'm sure it's for your safety and good health. And
I'm like, what action would I have you perform?
Speaker 4: M M.
Speaker 1: I guess you would technically find out by the time
you visit, like, oh, hey, he's doing fine, and then
I'll be here by the by sunrise tomorrow, sincerely William. Yeah,
I'm going with William, and I think that concludes that challenge, okay,
and then.
Speaker 4: After the letter, MASCAR will be probably one of the
last things we did word a man's steel.
Speaker 1: Comf.
Speaker 4: I guess we'll do.
Speaker 6: Mm hmmorry.
Speaker 4: Trying to think which one would fit best.
Speaker 1: I'm still gonna make a desperate You're probably gonna be
trying to hunt him down to try and get him
back so the Board of Ethics will be satisfied with you.
And they didn't go to that mass right, like okay,
everything's fine.
Speaker 2: Yeah, okay, So what he's gonna do But till the
Board of Ethics come, he's gonna run out and he's
started going to start looking for.
Speaker 1: Now.
Speaker 2: I guess this can go into Actually what we'll do
is we'll hunt this.
Speaker 4: Quit one of them.
Speaker 1: Time with the conveidant all.
Speaker 4: The witness see the letter.
Speaker 1: Corly raid which one is it? See the innocent fishing
plays She's a target if it's any character include the scientist.
Speaker 4: All right, we're going to do invade pursuers. We'll do
that one.
Speaker 2: So basically, the scientist lily Way goes into town, tries
looking for Edgar, does not find him, so he ends
up going to a man that he knows a hunts.
Speaker 4: It's a hunter.
Speaker 2: He goes to his adopted brother. Uh, Eric lily Way, Yeah.
Speaker 1: And ware Eric Lilywa.
Speaker 2: Okay, he goes to his his adopted brother, as he
was adopted. He goes to adopted brother to help him search.
So while the science well, Edgar is out around the
town looking, so is Eric. So and this the creation plays.
The scientist takes the role of the hunter, which is
Eric lily Way who leads the honey who leads the
honey party. Eric, it's mainly just him and he's hunting
this thing for his brother. They plays a sack of
tokens on the table. The hundred takes two and the
creation head takes again with a coin throat on heads.
The creation has the has the initiative. On tails, the
hunter has the initiative.
Speaker 4: Player with the initiative poses a challenge.
Speaker 2: After each challenge, throw again and repeat, and it begins
with the either player makes their fourth challenge and the
creation roles a foresight diet. The result is under the
number of tokens you hold, you gain a coin.
Speaker 1: So if you win, yeah, if you.
Speaker 2: Win the challenge, or depending on which one you gain
a token, discard a choken or one.
Speaker 1: Okay, cool, cool, Okay.
Speaker 2: So Eric is after you clip a coin, heads, you
go first, Tails, I go first.
Speaker 1: On my flipping or you I'll let you since you
have a coin.
Speaker 2: Yeah, okay, gets tales lit, I'm over first challenge. So
I have two tokens.
Speaker 1: You have none. Let's see.
Speaker 4: So Eric is running around the city and.
Speaker 1: He sees.
Speaker 2: What looks what he thinks is you because he gets
it because he was a total description and he says,
look looks like my dead lover. And he's like fucking serious,
and he's running around. He said, okay, where the fuck
is he? And he sees Edgar. He doesn't know his
name is Hegar? And he sees his faces like and
he starts running. He starts running toward Now I truth,
I'm really sure that uh we have to go to
these in order or I.
Speaker 1: Think the challenges can be done in any order. You
just have to do at least.
Speaker 6: Four mm hmmmmf.
Speaker 1: What Okay, I don't get the challenges. Hang on, he's
the trend to my advantage flanking you. Okay. So the
turn with the initiative posts a challenge, which would be you,
and after each challenge you throw coins again. So I
think like, if I do tails, then you initiate the challenge,
and if I do heads, then I initiate the challenge.
Speaker 4: Okay, and the.
Speaker 1: First one to do four challenges, it's like okay, the
game ends and then the creation would roll a foresighted die.
Speaker 2: Okay, we'll try this, So Eric, since I did first,
I'll take take an opportunity to confronts.
Speaker 1: You had a lot, Okay, So that means I discard
a token or do you discard a token? Huh? Discard
because I start with no tokens?
Speaker 4: I guess yeah, I mean.
Speaker 2: I guess I would I lose a token if I
take I take an opportunity to confront you.
Speaker 1: I don't.
Speaker 4: Do you see someone running right at you now it's
your turn.
Speaker 1: What do you do now? I mean, look at us
toss the coin and then I toss the coin, and
that means that this one's a little confusing. Okay, it's
tails again. So I guess that means you initiate a challenge, and.
Speaker 4: That's this part.
Speaker 2: It starts off the scenario and then we play from
that that we might just do that it might be okay,
So Eric is charging at you.
Speaker 4: Do you see this man coming out? You have no
idea who this is? What do you do?
Speaker 1: I Am going to brace for impact and get ready
to choke slam him if he gets anywhere near me.
Speaker 4: Damn get it. Okay.
Speaker 2: So now as you're doing that, ooh, okay, So since
I went first, I'm charging right fucking at you and
you're bracing for impact and ready to fucking deca bitch.
Speaker 1: Let's see.
Speaker 2: So Eric goes up to you and starts and starts
trying to grab a hold of you, grab a hold
of your cloak or whatnot. And in response, I mean,
some of these can be responses to It just depends,
like I forced you into a location that benefits you
or benefits me.
Speaker 1: That could be a response. Okay, then I'll force you
into a location that benefits me, such as against a tree.
Speaker 2: You grab a hold of Eric and slammer gets a tree.
Eric's like Jesus Christ, knocks the air right out of him.
Speaker 1: He's like, knocks the Eric right out of him, knocks
the Eric right out of him. You what the fuck
are you? I do not respond because I do not
have an answer. Do not care. Pulp another corn heads.
Speaker 4: Okay, you go first.
Speaker 1: Okay, I thank these kind of lit fit because some
of them are like, Okay, now we're going to a
completely different area, such as an alley. We're like, what.
Speaker 2: We make that? We'll make that. We'll make a fit.
We'll make a fit.
Speaker 1: I appear in your vision as lightning crashes overhead, feeling
it with year. So you just got a token I discarded. Okay,
I think we have like a zero token style. So
it's like, yes, I think that was two or three challenges. Okay,
there's so there's one more. So I do one more
challenge and then we think, I mean, then we can
end this m in this section of it. Yeah.
Speaker 4: So from that being.
Speaker 2: Slammed against a tree and knocked the breath out of
me up, Eric and the lightning strikes, the storms rolling
in and just see it puts fear in him.
Speaker 4: Eric is going to.
Speaker 2: Attempt to hide, disguising myself in an alleyway. He's gonna
run into the nearest.
Speaker 4: Alleyway and hide because he's like, oh fuck, I'm not dealing.
Speaker 1: With the ship.
Speaker 2: Of course, Eric would be like six foot. He's like, God,
this guy took me down. I'm up fucking around with this.
So he hides and just leaves you out in the
middle by a tree whereas people. Some people are noticing,
others are too worried about. Oh guy, it's it's starting
to rain.
Speaker 1: So that ends that one. Then we can go to
what's the other one? Do I get a coin for this?
Or no?
Speaker 4: Wait, hold up, where we void?
Speaker 1: If the hunter is reduced as you were token to
any time, then the game ends and then I get
a coin.
Speaker 4: Okay, get a coin? You got coin? I got this zero,
you're you got coin.
Speaker 2: Yeah.
Speaker 1: We may have to redo this at some point in
the future, just to really because this one was like
I thought we understood it. I mean it's I mean
it's fine.
Speaker 2: I mean we played it out, so I mean I'll
hit this down where we where it's more cohesive. But
I mean doesn't it's it's it's a tabletop game, doesn't
have to be like a completely dramas. I'll add this
down a little bit, the fit more.
Speaker 1: So let's see.
Speaker 2: So, yeah, Eric went to the eye away and hid
and of course you get a cord.
Speaker 1: Now you community.
Speaker 4: Now we're gonna go to.
Speaker 2: The maker desters better than that career, not the mass.
Speaker 1: I guess it would be the afternoon, so in this
is an official chance for the Board of Ethics would
show up.
Speaker 2: Okay, no before the Board of Ethics, this would be
a good time for Would this be a good time
for the Hunt through the Streets or those or the
now now, let's do the Board of Ethics.
Speaker 4: That makes finals.
Speaker 2: Let's do the Ward of the Ethics in the house,
because we could do the Hunt of the Streets after
the masquerade, because so far we've done Board of Ethics,
receive a letter see humanity hunt through the Streets. So
we have a few more of each one three more
of each level.
Speaker 1: Okay.
Speaker 4: So, as.
Speaker 2: Edmund is running around town trying to find his question,
no luck, he realizes, fuck heck, get back, so he
runs back and meets up with the board as they're
right outside door, and he's just.
Speaker 1: Like, oh, just give me one moment.
Speaker 2: He opens the door and looks at it and he's
like please, And of course he opens the door and
lets the board members in chosen the research or what
he's doing kind of as a quote unquote he bullshits,
he bullshits, he bullshits up the goddamn ass. And he
explains the platform, whether ris terrains, he's like a fuck.
Speaker 1: Who.
Speaker 4: He tries to save his eyes. I guess roll, we'll do,
we'll do.
Speaker 2: We'll make this another game, roll heads or tails. Heads
they believe, they buy it, tails they do not.
Speaker 1: Oh they buy it, don't, don't buy it. He's like,
ha ha, So where is this product of your research,
doctor Lilly Way?
Speaker 2: I mean, had I've shown you us just points to
the samples of human flesh at.
Speaker 4: This the wh at working currently.
Speaker 1: He's just like please.
Speaker 4: Of course, his research is all scattered around the place
of the rituals.
Speaker 1: The whole word is that to your advantage? What it
means to my advantage?
Speaker 2: He literally has books of the Aldridge Rituals and literally
a platform that has restraints on it.
Speaker 1: I guess your advantage. I suppose it would look durbious
if someone's gonna say he looks like someone had a
late night with the devil. What uh oh oh that
that that don't worry about that. It's fine, it's fine.
It's something serious. He's just like, fuck, you could say
I'm into some kiki shit.
Speaker 4: Yeah, well, the.
Speaker 1: Releast we could take a look at some of your
papers and samples.
Speaker 2: Just explain what all you've done so far. He goes
into a long, extent, long drawn out lecture on how
he's been trying to use different chemical compounds and different
set the citing different materials to try and restart the
reactivate the cells. You try and basically make new cell,
regenerate the cells. That word that our day, long drawn
dragging out. He's kind of just looking around, trying to
make sure that they don't see any of the Eldridge
ritual books and shit.
Speaker 4: It's like, God, they find this shit.
Speaker 1: I'm looked. I'm guessing that stuff would be.
Speaker 4: He is out everywhere.
Speaker 2: He didn't come home and clear out before they got there,
to be out everywhere.
Speaker 1: I thought he was gonna be like, hey, you guys,
look at the first floor. I'm gonna go to the
second floor and h all my dubious stuff when all
of it's on one floor, like one big word. Okay,
so it's not easy for him to like hide it.
Speaker 2: No, not unless he had time to hide this stuff properly.
Speaker 1: But she didn't.
Speaker 4: He was to be looking for Edgar. What do they do, Well,
they're pretty.
Speaker 1: Much looking around, mostly at the mundane looking stuff they
don't notice. Let's say they roll perception and don't notice
the weird stuff yet. Okay, so it sort of becomes
like a gag and there's like, oh, well, they're almost
about to look at it, and then you'd like cover
it up just in time.
Speaker 4: But a few several close calls.
Speaker 1: We could roll. For those close calls, we can roll
for those, I can roll a six sided die and
basically if it's like a one, they definitely figure things out.
If it's a sixth, they are clueless. And everything in
between is sort of like close call. All right, So
let's see what would the next step be?
Speaker 4: So or what with the board?
Speaker 1: Yeah, Like, let's say they're looking through the papers and
I'm not understanding that. I was like, could you explain
some of these terms to us? Like some of them,
like they pretty much already know what some of the
term means, so they're just testing your vocabulary knowledge. Okay.
Speaker 2: Uh he goes into a imman responds with a proper
perminology defines it. Of course, as he's slowly trying to
standing in front of a stack of books of Eldridge
mysticism and shit, he's just like he's just standing from
trying to hide it. Uh huh, just blah blah blah
blah blah. Uh yeah, go ahead and roll a D six,
rolled a three.
Speaker 1: Oh okay.
Speaker 4: They're kind of saying, like, what are you hiding over there?
Speaker 2: They're not like they notice that I'm hiding it, but
they're not like running over there to go I don't know.
Speaker 1: Yeah, you know something's.
Speaker 2: Up, Like okay, yeah, so how long is this gonna
take my chance? Because I have a thing to get
to tonight masquerade you know, like.
Speaker 1: I mean that masquerade party. Yeah, I know what a
lot of people go into there. Mhmm. Of course, like luck,
we won't take that too much of your time. At most,
it should be an hour just to look through all
the things you've written down, hopefully not hiding anything that
would be very suspicious.
Speaker 2: Why would I Why would I do that? No, of
course not. I'm an open book, you know, like a liar,
because he's a liar roll a d Sex.
Speaker 1: Two. Oh m hmm.
Speaker 4: Yeah, they definitely do something up. He's not you know,
they know he's not telling the full truth.
Speaker 2: He's he's showing different samples and research papers on he's
written and the non eldered stuff.
Speaker 1: Mm hmm hmmmm. I could explain what kind of chemicals
you're using? Oh of course.
Speaker 2: He goes down to his uh, his table with different
chemicals and ship and he's again, bullshit, they kind of
planned for this, but he just wish he was here
to clean it up, clean up before.
Speaker 4: Exactly he won't grow to full power.
Speaker 1: But that's so weird. What was you? That's funny? Literally him,
literally him right now.
Speaker 4: But yeah, so he's.
Speaker 1: He's explaining the chemicals and ship and again he's trying
to low key keep away, keep them away from all
the good ship and in royalty six. Yeah, it's like
it's an hour. It's taking forever.
Speaker 4: Hours dragging on a five.
Speaker 1: Oh okay, good, they're buying it. Ye, kind of like
this seems like sciencey stuff.
Speaker 2: And he's just like, oh, well, the hour is coming
close to an end.
Speaker 1: I can see. Do you have any last spinnet questions? Yeah.
One of them holds up a vial of yellow liquid
like this wouldn't happen to be Pickrick acid, would it?
Speaker 2: Uh, kind of looks at it and he notices that
file something not naturally of this world. Some of the
elder shit is that, yeah, yeah, yeah, it most deadly.
Speaker 1: Is because that is not I am a roll too,
They're like, yeah, because the label doesn't match the chemical
formula for piceric acid.
Speaker 2: Oh you know, I get a little creative with some
of the names of stuff, and it's my own little
hobby to keep things energetic here.
Speaker 1: I think as me and the board, I've been talking
and we're still not entirely convinced this is safe or
even good. So far, I haven't seen a whole lot
of medical notes, just biology notes, not exactly the same thing.
Speaker 4: I mean, everyone does their research differently, do they not.
Speaker 1: That maybe, but this doesn't exactly help your case too much.
Speaker 2: No, but you're sitting here judging me how I do
my research, when when I explained what I am doing,
I've answered all your questions, brought you.
Speaker 4: To my lab and you're still gonna question let alone.
Speaker 2: The way I'm doing my research? Really are you? Are
you five that washed out because your careers didn't go anywhere,
so now you're on some board.
Speaker 1: Yeah?
Speaker 4: He really here, really going.
Speaker 1: Hang like I would want your step to Lily way.
You do not know where you tread?
Speaker 2: Oh no, I do know where I tread, and right
now you're treading in my turtle.
Speaker 1: Will be back this evening with a more thorough investigation.
Enjoy your party, and then they go to leave, see
yourselves out. He walks him out, closing the door, and
he's just like, fuck.
Speaker 2: What is that creation? What the fuck is that monster?
And he gets ready for the masquerade? Okay. Then Mascarade
Creation plays at socialite and other non player characters. The
social life and the scientists take turns exchanging rumors with another,
beginning with the scientists. When the scientist gives a rumor,
it can be about any character in the game. When
the socialite gives a rumor, it must be something that
they heard about the scientists their work. They're lovely again
after at least two rumors each. If the socialite is
intrigued or delighted fully satisfied by the scientists. The person
the scientist lovely okay, bet right? So who's so he
walks so doctor Lilly walks into a messker walks into
the masquet ball and he's looking for one person. They
know this person's going to be. Who is he looking for?
Who's the socialite?
Speaker 1: Oh? Sure, it'd be like multiple socialites, just rumors.
Speaker 4: Okay, who's the first social life? I'm afraid social.
Speaker 1: Oh my god, it's gonna be like a chatty Kathy or.
Speaker 4: Somebody you know what color?
Speaker 1: Katherine?
Speaker 4: Hell yeah.
Speaker 1: Katherine walks up to Katherine's like, oh, Catherine, how's it been? Oh?
You recognized me underneath my peacock mask? Oh how could
I not? Oh I've been delightful lately. Thank you, Edmund?
And what were you who dressed as?
Speaker 4: Again, I'm he's thinking of someone. I'm thinking myself, what
the fuck if we do dress up as?
Speaker 1: Oh? I am a fox? Of course. Yeah.
Speaker 2: It's like he brought out his fot is like the
fox fox mask and.
Speaker 1: Puts it on.
Speaker 2: And of course he's wearing like all like red, reds
and oranges. Looks nice.
Speaker 4: It looks like a foxead.
Speaker 1: You sly K nine it's so fitting, isn't it. Ever. Yes,
it's definitely like an animal theine masquerade. No one's got
dams and they're doing their thing, walking around themed and
then I guess she'll start with her questions.
Speaker 4: Yeah, I'll let you, I'll let you go first.
Speaker 1: It's like he's like, okay, so just keep this on
the down low. I don't know if they would say that,
keep this on the down low. What I've heard that
Missy is broken living off the wealth of a mysterious benefactor.
Is this true?
Speaker 2: You now have heard the same thing I've heard one
of the board members. You know, he says it's number
five board, Remember number five, the one that yelled at him. Yeah,
in the case that might that's most like, that's him
that he know, that's.
Speaker 1: Him as the wealthy benefactor. Who as the wealthy benefactory? Yeah,
throw the four, undo the bus. Damn.
Speaker 2: Now, remember the rumors also have to deal with the
scientists when it comes from the social line.
Speaker 1: Got to throw some random ones.
Speaker 4: Oh yeah, yeah, no, continue, continue, let's go back and forth.
Speaker 1: I heard.
Speaker 2: Lily forms twisted acts under the cover darkness. Do you
know any about that?
Speaker 1: Oh, Lily, she's done some nasty business, of course, but
that's the first time I'm hearing of it.
Speaker 4: Oh, I've heard some horrid things that woman does.
Speaker 1: Oh to spill.
Speaker 2: Well, you see, she takes a man right as she
beat some up. He goes into this really excreciating detailing
like what he heard. He's like, clench the pearls with
something as simple as raising her skirt, show her knees,
her ankles.
Speaker 1: Oh my gosh, she unbuttons like part of the shoe,
just like, oh my goodness, you a button that shoe?
You heartla tent. Would she directly address you for a
rumor or would she be like, there's a scientist who's
doing this.
Speaker 4: She'd be like, hey, so maybe you could have found
this chigger.
Speaker 1: No, so I've heard that you are blah blah blah
blah blah blah blah. Okay, I'm I'm gonna do another.
What's the good one? I have heard? I have an idea.
I have one that could be like it's one that
you hallucinate. Oh, I have heard that you are in
love with someone you can never be with.
Speaker 4: Uh huh, I mean.
Speaker 1: No, I'm not.
Speaker 4: I'm too busy to be in love with someone.
Speaker 1: And then yeah, She's like, I'm sorry, I didn't ask that.
I asked that. I asked that Stephanie is having an
affair with someone below their station.
Speaker 2: Oh oh oh oh oh oh oh. Yeah, that sounds
like her. That definitely sounds like And he's.
Speaker 1: Like, fuck, what did I care? Because when she said that,
the fuck.
Speaker 4: And under his Matthew's like, what the fuck?
Speaker 1: Ha ha mm hmm. Let's see.
Speaker 4: Oh, I've heard that, Annalyas.
Speaker 2: I heard that your brother is as an addiction that's
slowly ruining them.
Speaker 1: Is this true? Oh, I must confess. Yes, he's addicted
to They call it the devil's dandruff. But devil's dandre
it's cooking. H anyway, you say, like, I know, it's
fun goship. At least don't tell too many people. I
have a reputation to the poem. I think. So, I've
heard that you were on it by Traumas in there
in your pass and wake up nicold sweat during the night.
Is this true? Confess everything?
Speaker 2: Oh Jesus, It's like a wait, why would you ask that?
He says that's your Why would you ask that?
Speaker 1: They're like, what, It's just it's just gossip. It's just
a little bit of fun.
Speaker 2: A little bit of fun about what about trauma? I'm
haunted by traumas?
Speaker 1: Really? Whoa, I didn't ask you that? I mean, what
do you? Yeah?
Speaker 4: You know right, It's like, okay, what did you ask again?
Speaker 1: Well, I just heard that Jacob was conspiring to perform
a dastardly crime. This true?
Speaker 4: Oh m hm.
Speaker 1: Mm hmm.
Speaker 4: Yeah, sure.
Speaker 2: Uh. I heard that he was with a married man
and he was plotting to kill his wife. Damn, Now
that is scandalous.
Speaker 1: A few week. Excuse me, I'm gonna I'm gonna I'm
gonna look for the laboratory real quick, if you don't mind,
at least I take time. But it don't take too long.
I've got plenty more to share. I'm sure.
Speaker 2: He's like, I'm sure you do. Just like scurries away,
and because that's one did.
Speaker 1: You want to do? What I was I was going
to ask one more from the same person, and the
trick was going to be that it would sound like
a hoaseination. But wasn't.
Speaker 2: Okay, bet bet So he goes to the he goes
to the restroom and he's like, Okay, I'm gonna fucking lee,
I'm there's too much going on. So he starts walking out,
and that's when Catherine comes up to him and he's like,
oh yeah, one more question for you and we'll play
like that. She catches him right as he's going out
the door.
Speaker 1: So I just I have this the biggest gossip you
just have to hear, okay, and that you've been making
monsters in your laboratory. Is this true?
Speaker 2: I wanted to clarify of what I heard. You just
asked me I'm creating He raises up his mask, and
I'm creating monsters in my laboratory.
Speaker 1: Well maybe monsters too strong a word, but just creations
or animate golembs or something like that. It's it's just
a rumor. It doesn't mean anything.
Speaker 4: He freezes up. He just looks at her.
Speaker 2: He's like, oh shit, she really asks that, and he doesn't.
He just stares at her, doesn't know what to say.
Speaker 1: He's just like, BI, give him up. Oh and he started,
and he just runs out the door, doesn't answer, just
runs out the door. He's it all a cliffhanger, and Catherine
is just bewildered, like it's like, how Rude just goes
right back to the party. How rude.
Speaker 4: Then we go to hunt through the street, and.
Speaker 1: I guess that also means you get a coin.
Speaker 4: I get a coin.
Speaker 1: Because because she was definitely delightfully scandalized. Oh scandalone is
Lyddy City.
Speaker 2: Pep have enough time to get through all these we
might I mean we can go to hunt through the streets.
We can kind of arrow it down for the first game.
I guess we can narrow it down. So hunt through
the streets and then.
Speaker 1: We can lead into the deliver a demand. Oh well,
it's gonna be a.
Speaker 4: Two part I don't know, it might not be.
Speaker 1: Who knows, and hunt through the streets and then deliver
a demand. Because I kind of have a I sort
of have an Indian mind mind. I'm like, I'm seeing
how it might go. Okay, okay, let's light out, let's
lay out. But we might want to do this hunt
through the streets thing. Okay, this goes into that, I think,
so you would think I'm just thinking of like a
final scene that I think would be cool. Okay, all right,
so we'll do hunt through the streets and then we'll
go we'll go with the flow and then see if,
of course we'll get your ending.
Speaker 4: Because I've seen where I want to see what this goes,
but you got planned.
Speaker 1: So running through the streets, as doctor Lillway is running.
Speaker 2: Home, he at a certain point he feels watched and
he kind of starts picking up speed and then he
looks behind him and he does these dark darkness lightning
strikes and he sees the creation there. He's just like,
oh fuck, this creation started, like create do enlightened strings.
He sees that lily Way is looking at him.
Speaker 1: So eye contact, pickup speed. Oh shit, he guys need
a bird, It's like and it starts running, bolting through
the town.
Speaker 2: Okay, so the posts. So the creation poses three challenges
to the target. The target can choose to push or
on or give up and allow themselves to be captured
when asked to throw flip a coin. Game ends with
three challenges that the target is not being caught the escape. Okay, cool,
So what are your challenge? What's the first one?
Speaker 1: H Let's say I'm trying to think there's one where like,
if you succeed it it means that like the next
time I catch you that I fail to.
Speaker 4: Huh. Okay, looking from the shadows, slipping like you know,
it's my presence.
Speaker 1: Let's say there's no one else around, so I'm gonna
talk you through the shadows, slipping like a rate between
alleyways and door frames and across the rooftops. And do
you notice my presence? Yes, which obviously you do.
Speaker 2: Yeah, And I am going to so throw some entails,
spy me too late, and you catch me? Okay, I
got a coin.
Speaker 1: Flip heads, thank god. Okay, so you've definitely got some
distance between me.
Speaker 4: Now, next next challenge.
Speaker 1: I chase you through an empty street, our feet pounding
loudly on the cobbles. Do you attempt to outrun me?
And if so, throw and if it's tails, then I'm
faster and I catch up. Okay, Okay, I am going
to try it outrun you, but hails. Oh no, I've got.
Speaker 4: Your facts are obviously and you catch me.
Speaker 1: Oh no, mister months, what are you gonna do? Okay?
Speaker 4: What do I do now?
Speaker 2: If we jump to the end game, the final charge
of this, I'm at your mercy?
Speaker 4: What do you do? That sounds so inappropriate?
Speaker 1: And I'm holding it down or not not not down,
just like I'm just holding you so you can't run away.
Look at me? Huh I said, look at me.
Speaker 4: He turns around me in lily way, looks at you.
Speaker 1: H breathing, Oh, definitely any breathing. But also who are you?
Speaker 4: Who am I.
Speaker 1: What? Yeah? It looks at you, like what your face
is becoming familiar to me. But I don't have a name.
Name is u Edmund? Edmund? I am and Edgar.
Speaker 4: You gave yourself a name?
Speaker 1: Someone else did.
Speaker 2: He's like, uh huh, and why are you? Were you
chasing me down in the dead.
Speaker 1: Of night then Maurice coming back? Yeah?
Speaker 2: Oh oh oh yeah.
Speaker 1: Like so my rationalization is that he doesn't remember you
at first because I'm as brains don't really deserve memories
too well when they're dead. That's true. So that's like,
let's say he just starts to remember more, you know, conveniently.
Oh it's gonna have a happy ending. I don't know
about a happy ending, but maybe not gruesome. And he's
just like, you're you're remembering you were mine once?
Speaker 4: Yeah, He's like yeah, he's just like he does. He
kind of just like his bear turns into sorrow.
Speaker 1: He's just like, yeah, what was you were mine? And
now I do know what you are? I asked you
if you were afraid of me At first I was.
Now I'm not so sure. I realized you were not
afraid of me. You were afraid to let me go.
How do you read me like a book? Damn?
Speaker 4: He's just like, damn me like a goddamn book ship.
Speaker 1: Damned eagle study al And we're like damn, damn, damn, God, damn.
Speaker 4: And Edmund.
Speaker 1: Is kind of just.
Speaker 2: Looking at I'm like, okay, what let you that? I
don't know where this is to go from here, So
if you know where to go from here, go for
mm hm.
Speaker 1: I'm trying to think because in my eyes, the least
thon was I brought this person back so I can
left them again. And it's like, but you should have
just let them go, and that's why he's angry with you.
Speaker 2: Okay, you know what we'll lead. I'll lean into this.
This will be a variation of deliver a demand. And
and he's just like, what do you want? Not asking for.
Speaker 1: What do you want? Right now? I wanted to be
free from this vessel you've crafted.
Speaker 2: And then kind of just looks up at the monster
and sees the face of his lover and cries for
a second, and he's just like sighs, I could fix that.
Speaker 1: And he.
Speaker 2: But then with him with the with Edgar still holding
his hel still holding him, he's don't start walking down
to walking down to the lab, and when he gets inside, he.
Speaker 1: Oh god, this is gonna get dark. Kay continue, He's
gonna look through his.
Speaker 2: Materials and he's go on, get a vial. He's gonna
put it on the platform front of Edgar.
Speaker 1: That get your ticket out a fine drink this free.
And he takes the blow and he gets ready to drink,
and he's like, what we say, you will live, you
will move on, and you will find others. Do love,
do you do anything? And he just.
Speaker 4: He isn't why I see him die again? So Edmund nod.
Speaker 2: He kind of just turns his back to Edgar, knowing
that he's gonna bring the signers.
Speaker 4: He's just thinking himself, I can't. I can't watch him
die again.
Speaker 1: Do you want to give him like his lover's name,
like like a goodbye? Oh? Oh oh what the what?
Speaker 4: Okay, okay, Coca coo cool? I got it, I got it.
So as mh.
Speaker 2: You as Edgar, let's sign it up to his lips
to drink freaking Edmund turns around.
Speaker 1: And he's just like.
Speaker 2: He runs he walked He runs over and grabs a
hold of Edgar's hand. I know you're not him, but
last time I didn't get.
Speaker 1: What do I need? And he leans in for a hugging.
He's like.
Speaker 2: Wraps his arms around. I'm sorry, couldn't be Frankly, I
love you and I'll never forget. And then of course
cry and then he lets go of Edgar and he
kind of just pulls himself together. Right now, it's like, okay,
it kind of motions to Edgars when.
Speaker 4: Your freedom.
Speaker 1: Then he takes a drink of the cyanide and lies
on the table, and.
Speaker 4: Edmund is holding Edgar's hand as he dies.
Speaker 2: M And even though Edgar said Edgar, Edmund said he
wasn't gonna he wasn't gonna look to see his ever
die again.
Speaker 1: But he couldn't. He couldn't help.
Speaker 2: He had to be there or Edgar's passing, because it's
like when Arthur died. Originally he wanted to make sure
he wasn't alone when he Edmund did the same thing
Edgar like he did for Arthur.
Speaker 4: Passes.
Speaker 2: And then hear a knock at the door at the
board with the police, with the police and there's a
dead body on the table. Oh no, Lilly way, you're
going to jail. And that's the end of Yeah I
did in this game.
Speaker 3: Oh man, you could have had like a like a
little and he was like, well, did you get it
to work?
Speaker 1: And you're like, no, I didn't.
Speaker 2: Oh damn, you're right, you're right.
Speaker 3: Then he'd be like, Okay, you still gotta get a prison.
Speaker 1: This was a little.
Speaker 2: He kind of just it just looks at the body
and he's crying as the board and the police walk
in and they're looking at everything, and yeah, you're just
like there you could my ass. No Ah, he'll never
be the same, gets arrested, and that is the end
of game one of Modern Prometheus. Uh So that'll be
a part two to this. It will be the second
episode of the second part where I'm playing the creation
and Tyler is gonna play the scientist. This the second
part will be uploaded at the same time as this part,
So that link will be in description below. Because I
could put these in one whole episode that's almost four hours.
Speaker 3: I don't know.
Speaker 1: I might do that.
Speaker 2: So if you see this, if you've seen this, as
a long episode.
Speaker 1: That's why.
Speaker 2: Otherwise I might put in two different parts. But next
game will be where we're played. The roles are reversed.
Speaker 1: Until then.
Speaker 2: I mean, we're just gonna jump right, cut it and
jump right to the next.
Speaker 1: Yeah.
Speaker 2: Cool first game. Wow you got I got more tragic
than I thought.
Speaker 1: It's two hours.
Speaker 3: Two hours, yes, yeah, two hours, which is fine.
Speaker 1: We also haven't stopped recording. No, we haven't