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<v Speaker 1>It's eight o'clock. Good evening, Ladies and gentlemen. Welcome to

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<v Speaker 1>the Van Crysto Radio Theater, which brings you each week

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<v Speaker 1>great radio shows.

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<v Speaker 2>From the past.

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<v Speaker 1>Tonight gang Busters.

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<v Speaker 3>Gang Busters presided in cooperation with police and federal law

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<v Speaker 3>enforcement departments throughout the United States, the only national program

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<v Speaker 3>that brings you authentic police case history.

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<v Speaker 1>A great reminder to stay tuned to the end of

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<v Speaker 1>tonight's episode for a very special contest and announcement. And

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<v Speaker 1>I'll enjoy tonight's presentation on Van Crysto Radio.

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<v Speaker 4>Theater gang Busters for examp Lewis Jay Valentine, former commissioner

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<v Speaker 4>of the largest police force in the world, who will

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<v Speaker 4>interview by Frosty Lieutenant Tom McGrath, Chicago Police Department, Retired

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<v Speaker 4>Commissioner Valentine.

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<v Speaker 5>Lieutenant mcgrass iin know wins Urban.

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<v Speaker 2>Terrorized the Midwest four years.

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<v Speaker 6>Yes, Commissioner Valentine, the win sulurban crime was a big

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<v Speaker 6>business for other sort thousands. He went there for millions.

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<v Speaker 6>Urban was so cunning and so daring that on one

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<v Speaker 6>occasion he was able to rob hundreds of families of

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<v Speaker 6>their life savings at one blow.

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<v Speaker 5>And that's tonight's case, Lieutenant McGraths, where would you like

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<v Speaker 5>to begin a few.

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<v Speaker 6>Months ago, in Chicago's Commissioner, a slender, wiry man named

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<v Speaker 6>Blue Morgan was keeping an appointment in a large gymnasium

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<v Speaker 6>where prize fighters exercised and trained.

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<v Speaker 7>I j been waiting long last time you guy here Morgan,

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<v Speaker 7>Urban's getting them passion this time. He wants everything set

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<v Speaker 7>and perfect and no more excuse. Everything's okay now, Joe,

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<v Speaker 7>I got it all figured like Urban ware took enough time,

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<v Speaker 7>and he wants a clean job. Joe, it takes time.

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<v Speaker 7>He okay, Clime Evan in the back loom here and yeah,

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<v Speaker 7>he's getting a rub down.

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<v Speaker 8>He's going.

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<v Speaker 2>Morgan says, it's off, said Urban Hi Evans, Philip Morgan.

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<v Speaker 9>It works.

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<v Speaker 7>What are you awake? Try to rub down guy? Ah,

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<v Speaker 7>he's stepping dumb looking. I'm a frump man. I can't

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<v Speaker 7>take no chance and tell me.

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<v Speaker 9>I just.

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<v Speaker 2>Okay, I tell you that's enough rubber McKey see he

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<v Speaker 2>can't look.

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<v Speaker 7>I'm a nether sky okay, Joe send Mickey.

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<v Speaker 2>Hey, Hey Mickey, Urban Yas that's enough robbing for now.

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<v Speaker 8>You should come back later. Yeah later, okay, Morgan, I

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<v Speaker 8>just look like that.

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<v Speaker 2>It's an easy marker in order to be two hundred grand.

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<v Speaker 2>I told you to find out about the burglar alive.

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<v Speaker 7>I did.

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<v Speaker 2>I did well. No burglar alarmed.

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<v Speaker 6>You know.

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<v Speaker 7>Well that's what took me so long. Like I told

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<v Speaker 7>you before, the place looks like a business office. See,

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<v Speaker 7>but they got a big fault with a tin door.

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<v Speaker 7>Some people don't like to keep money in a bank,

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<v Speaker 7>so they rent safe deposit boxes from this office. They

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<v Speaker 7>got hundreds of bucks. Honey, you know there ain't no

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<v Speaker 7>burglar aligned. They got a watchman instead. He lives upstairs

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<v Speaker 7>over the office.

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<v Speaker 2>He and him house.

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<v Speaker 7>I make friends with the guy. See, we take a walk,

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<v Speaker 7>have a couple of years, and before you know it,

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<v Speaker 7>I got to lay out of the whole form, the

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<v Speaker 7>same as if he handed me the blueprint.

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<v Speaker 10>There it'll be a sin cherman.

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<v Speaker 7>You could drop a bomb in there. Nobody here.

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<v Speaker 2>Why if not the doctor there's his office in the

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<v Speaker 2>second floor.

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<v Speaker 7>He's the only one upstairs besides the watchman.

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<v Speaker 2>In case the doctor.

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<v Speaker 7>Sure even let the dog examine me. You got nothing

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<v Speaker 7>worry about again, it goes home every night. You gotta

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<v Speaker 7>do the job.

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<v Speaker 2>It is, Yeah, wait Friday.

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<v Speaker 7>Night, then I guess I'll blow out of town for

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<v Speaker 7>the weekend.

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<v Speaker 2>You'll want your ten percent to do a piece of

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<v Speaker 2>work for it? Well, you late some ready. You gotta

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<v Speaker 2>put this watchman on the spot. We don't know him,

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<v Speaker 2>but you're the one who's gonna do it.

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<v Speaker 7>So I can't come up to my neck now if

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<v Speaker 7>I put the thing on that watchman a couple hanging

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<v Speaker 7>on me.

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<v Speaker 2>Sure, like I say, is you know it's good for this?

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<v Speaker 1>Yeah?

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<v Speaker 2>Yeah, okay. When does the watchman make his round at

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<v Speaker 2>the wolf?

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<v Speaker 3>Every hour?

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<v Speaker 2>On the nose? Takes some fifteen minutes. He carry ten bucks. Yeah,

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<v Speaker 2>he punches at the price station. What do you do

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<v Speaker 2>after he makes his round?

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<v Speaker 7>It takes a walk, maybe for forty five minutes.

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<v Speaker 2>But look at that, And you gotta have that watchman

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<v Speaker 2>that toes. I figure it'll take three hours to open

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<v Speaker 2>the vault and track the lock boxes inside. You gotta

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<v Speaker 2>make the watchman's round him in the alarm orger. I'll

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<v Speaker 2>take care of that of him. Meanwhile, I don't want

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<v Speaker 2>the I nose the cops spotting at Jimmy Dawes. So

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<v Speaker 2>we go in with the watchman's keys, and we keep

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<v Speaker 2>the watchmen where he can.

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<v Speaker 1>Do no damn.

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<v Speaker 2>Yeah, yeah, and I see a point, but why you

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<v Speaker 2>night you'll take a walk for that watchman at ten

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<v Speaker 2>fifteen when you get to the corner drug store, go

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<v Speaker 2>into a cigarette eat the watchman standing in the corner.

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<v Speaker 2>You the boys go handle with these hairs from there on,

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<v Speaker 2>just you have the watchman outside that drug store.

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<v Speaker 7>See, well, I hope you didn't mind walking down there

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<v Speaker 7>by the drug store.

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<v Speaker 2>Oh no, so it's me. It's long as girl walking.

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<v Speaker 2>It's okay, you know, walkings.

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<v Speaker 11>Wire like being a night watchman.

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<v Speaker 2>Yeah, yeah, you can go out prayer, you know, between ride.

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<v Speaker 7>Well, I just wanna step in here for a minute. Okay,

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<v Speaker 7>let's go Uh no, no, I all I want a cigarette.

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<v Speaker 7>Yeah you wait here.

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<v Speaker 8>Let that'll wait time.

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<v Speaker 2>To figure But don't need figurette myself.

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<v Speaker 7>Oh yeah, well, uh okay, what do you talk?

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<v Speaker 11>I'll get a knowledge and I couldn't let you do that.

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<v Speaker 2>I'll come on.

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<v Speaker 7>When the pack of right, just stay here a minute,

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<v Speaker 7>I'll bring it to out, okay, okay with me.

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<v Speaker 8>M m.

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<v Speaker 2>Mmm mmm.

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<v Speaker 12>Uh.

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<v Speaker 2>I means we dropped the key and the curve back there.

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<v Speaker 13>Yeah, we wondered that you hold a match while we

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<v Speaker 13>look for it.

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<v Speaker 2>Yes, I guess so think I got a box. I'm

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<v Speaker 2>at some place here in my pocket and fly say

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<v Speaker 2>had right here? It's a sure if the second hours

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<v Speaker 2>like a match?

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<v Speaker 7>Right now?

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<v Speaker 2>Yo, got called? Hold him up? Out here comes the car, alright,

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<v Speaker 2>keet him in the car?

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<v Speaker 9>Question, okay, step on a head for the vault.

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<v Speaker 7>Look at that thousand a gold mine.

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<v Speaker 6>Look at all them rings and things.

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<v Speaker 7>Come on, we kind of play with a crack fox.

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<v Speaker 2>On a hall. I might see him right.

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<v Speaker 6>Uns with all the boots.

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<v Speaker 2>So yeah, Ivan, I mere you find cracking and boxes. Boys,

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<v Speaker 2>I like to see what Ervan wants? Did you ever

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<v Speaker 2>see so much? Do Ivan's gonna be the biggest hall

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<v Speaker 2>anybody ever got? H What time?

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<v Speaker 7>Is the girl so much?

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<v Speaker 2>One? I'm ting another round with the watchman's time point. Yeah,

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<v Speaker 2>I'll take care of him. I'm about to watch them.

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<v Speaker 7>I just check him. She won't wake up for hours.

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<v Speaker 7>When it does, it'll take him a week on top,

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<v Speaker 7>I have.

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<v Speaker 2>A perfect Joe perfectly all right. Hurry up, you guys,

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<v Speaker 2>get the mask boxet open, we get knock.

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<v Speaker 11>Looks like whoever booke in the VI volt made quite

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<v Speaker 11>a hard, doesn't it. Sac I'm telling you how much,

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<v Speaker 11>Captain Rodgers, what a man?

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<v Speaker 2>Look at it?

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<v Speaker 11>Mortgage papers, registered bonds, heir loom, everything they couldn't use,

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<v Speaker 11>thrown it all over the place, say, left this behind.

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<v Speaker 11>Imagine what they took with him? And he finger prince

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<v Speaker 11>side a lot of print. Captain Rodgers, did you check

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<v Speaker 11>that watchman story? Yes, sir, I'm sure he's in the Claire,

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<v Speaker 11>but he's always got to work with Right now.

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<v Speaker 2>Somebody kissed this job perfectly. Yes, they knew.

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<v Speaker 14>Every corner like a book right now at points to

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<v Speaker 14>the man and the Watchman took a walk to the

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<v Speaker 14>guns show we just before the robbery.

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<v Speaker 2>And what's the Watchman have to say about this man?

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<v Speaker 1>He's given us a.

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<v Speaker 6>Pretty accurate description.

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<v Speaker 7>But it could ThReD a.

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<v Speaker 11>Thousand suspects, all right, But then they're questioning everyone in

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<v Speaker 11>the neighborhood sackings. Maybe if someone else knows this Fingerman meantime,

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<v Speaker 11>I'll get an nestmate of the loot. I hate to

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<v Speaker 11>think of the figure when it gets totaled.

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<v Speaker 2>Not playing them wings and thinks, Joh, I'm trying to

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<v Speaker 2>ask joy boy what I take? How much urban how much?

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<v Speaker 2>Let me check the figure now, let's see currency, coins,

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<v Speaker 2>negotiable bonds, jewelry eight thirteenth, twenty two thirty eight sixty

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<v Speaker 2>twenty four mm, how much urb and how much? That's

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<v Speaker 2>the second moion man ey think of us three hundred grand?

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<v Speaker 2>Take another look, Jill see hunts. Oh, three thousand thousand.

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<v Speaker 2>You're a kidding now that's the total? Three million bucks? Yeah,

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<v Speaker 2>three million, Well, it's a couple of thousand, that's all

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<v Speaker 2>a Jewish I didn't think there was that much doe

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<v Speaker 2>in the world. It was, and then ten nuxes and

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<v Speaker 2>we got it. Yeah, you don't jump out of me.

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<v Speaker 2>I'm dreaming about spending my crut. I just told I

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<v Speaker 2>wanna talk about when your may. That's already settled. Hooks Joe,

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<v Speaker 2>A three million dollars score makes this doda out of

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<v Speaker 2>stuff in the country, So so we can't let the

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<v Speaker 2>boys push it out too freely. Oh my idea is

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<v Speaker 2>everybody takes fifteen grand apiece and we pack the rest

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<v Speaker 2>away into a cool sou Oh packed it away. Who's

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<v Speaker 2>the boy kill? And I take care of the money

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<v Speaker 2>until we split the balance. Ah, No, iban on, you

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<v Speaker 2>think I'm crazy enough to blow up with all this

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<v Speaker 2>doughor the boys to cut my head off and I'd

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<v Speaker 2>play there with that shoppers the night Kanye. So it's settling.

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<v Speaker 2>Each takes fifteen down and I packed away the rest.

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<v Speaker 2>It settled.

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<v Speaker 7>I been, But don't forget what I say about the

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<v Speaker 7>darpest knight. Yeah, so he may rather little punk more

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<v Speaker 7>than he had the right dope. You gotta give him

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<v Speaker 7>credit here Morgan's.

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<v Speaker 2>Then in case in this job it's ten percent. You

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<v Speaker 2>know what ten percent of three million is? See hundred grand?

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<v Speaker 2>So what's a hundred Dollarsand it's a lot of though

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<v Speaker 2>more than we expected from the whole job. He earned it. Ah,

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<v Speaker 2>what business of punk like Morgan got for three hundred sizement?

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<v Speaker 2>It's danger for him. For uh. He tossed that door

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<v Speaker 2>around and get picked up. Cops make him singing, we fly.

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<v Speaker 2>You can't spend no three million in jolly yet, so

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<v Speaker 2>we give 'em Tayn. We ain't give him nothing, Joe,

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<v Speaker 2>he frunt man, and sooner or later the cops are lavenue.

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<v Speaker 2>When a coper says, bore a punk like Morgan singers,

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<v Speaker 2>you mean we gotta give him the business? Yeah, pick

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<v Speaker 2>but make sure it's a clean job. Morgan's out of town.

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<v Speaker 2>I'll step up ber Allaway. We'll be back Monday for

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<v Speaker 2>a split. You and a boys have seen it. He

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<v Speaker 2>get it between the eyes.

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<v Speaker 6>Not twenty four US at Urban Rubb Devout Commision Valentine.

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<v Speaker 6>He was planning to dispose of the weakest member of

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<v Speaker 6>his gangs.

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<v Speaker 5>Lieutenant mcgrant. We're all anxious to hear what happened next

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<v Speaker 5>to the Thuring Eights.

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<v Speaker 1>We'll returned to tonight's episode of Gangbusters on Van Cristo

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<v Speaker 1>Radio Theater in just a few moments. In the recently

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<v Speaker 1>completed tenth annual Francis W. Hatch Awards competition sponsored by

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<v Speaker 1>the Advertising Club of Greater Boston, Van Cristo Associates won

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<v Speaker 1>first prize for Excellence in Radio Advertising. This highly coveted

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<v Speaker 1>award was given to Van Kristo for the agency's radio

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<v Speaker 1>commercials for the books The Military Industrial Complex and The

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<v Speaker 1>Same Sects, published by Pilgrim Press. We're sure the many

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<v Speaker 1>listeners of Van Cristo Radio Theater would like to hear

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<v Speaker 1>these prize winning commercials. Last week, we played for you

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<v Speaker 1>The Military Industry Real Complex. Tonight we'll play the same.

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<v Speaker 15>Sex Alabama two to ten years, Connecticut thirty years, about

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<v Speaker 15>thirty seven percent of all males have had at least

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<v Speaker 15>one overt homosexual experience.

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<v Speaker 2>Georgia.

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<v Speaker 11>Homosexual is undesirably discharged from the army.

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<v Speaker 2>We notified a.

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<v Speaker 10>Local police main the same sex. The term homosexual is dehumanizing,

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<v Speaker 10>the minimal easily murdered. If that's full of humanity?

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<v Speaker 7>Five years or both the old bars, Well, it's a

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<v Speaker 7>sexual market.

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<v Speaker 2>If you know what to watch, bar in a.

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<v Speaker 15>Gay bar seven to twenty vermon I.

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<v Speaker 7>Love You five two the same sex, the same.

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<v Speaker 10>Sex, the same sex. An appraisal of homosexuality. A Pilgrim

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<v Speaker 10>Press paperback now playing at your local bookstore.

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<v Speaker 15>One to five Idaho, five years to life.

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<v Speaker 1>The commercial You've just heard was one of two which

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<v Speaker 1>won for Van Christo Associates first prize in the tenth

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<v Speaker 1>annual Hatch Awards competition for excellence in radio advertising sponsored

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<v Speaker 1>by the Advertising Club of Greater Boston.

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<v Speaker 4>All back to Gangbusters and Commissioner Valentine, Lieutenant McGrath went

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<v Speaker 4>some Urbans had given instructions to his gang to murder

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<v Speaker 4>Lou Morgan, the man who led Urbans for the three

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<v Speaker 4>million dollar Loop.

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<v Speaker 5>What's happened next.

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<v Speaker 6>Well, Chicago detectives questioned hundreds of people commissioned Valentine to

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<v Speaker 6>uncover even the smallest lead to the man who cased

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<v Speaker 6>the vaute for the gang. One of those questions was

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<v Speaker 6>the doctor who had his office above the vault. Campton

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<v Speaker 6>Rogers went there.

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<v Speaker 11>I remember every detail, doctor, if, I said, the night

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<v Speaker 11>watchman has told us he first met this aspect in

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<v Speaker 11>the hallway outside coming out of your.

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<v Speaker 14>Office here about ten days ago.

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<v Speaker 11>You see about van doctor, The watchman said, he was

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<v Speaker 11>wearing a plaid shirt, but now.

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<v Speaker 2>Where a thicker? Do recall him? Good?

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<v Speaker 14>Let me look back at my record.

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<v Speaker 2>Mmm.

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<v Speaker 11>Here every sect in jail, Miss he'd use a phony name,

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<v Speaker 11>and certain this is the man.

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<v Speaker 2>He examined him thoroughly.

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<v Speaker 14>He complains of feeling sick. Was he or I could

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<v Speaker 14>find nothing wrong? Hypochondriac type?

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<v Speaker 11>For tell me when you were examining him, doctor, did

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<v Speaker 11>you notice anything about him any peculiar scars, a mink.

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<v Speaker 14>Whre he did have a testoo, bathing beauty tattoo where

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<v Speaker 14>the year lift four? I noticed a tattoo while taking.

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<v Speaker 11>His boat any other match?

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<v Speaker 2>Doctor?

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<v Speaker 13>Uh?

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<v Speaker 14>And that predicted me?

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<v Speaker 10>Good?

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<v Speaker 11>How about his teeth, uh are called several moorers missing.

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<v Speaker 2>He wore a dental breed perfect perfect. Thanks very much.

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<v Speaker 14>I hope I've been helpful, Captain.

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<v Speaker 11>Doctor, you don't know how helpful you've been. This was

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<v Speaker 11>a professional job. Man Vove probably have records that tattoo,

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<v Speaker 11>the appendectmy scar, and the missing teeth are distinctive. Pool

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<v Speaker 11>they may lead us to these criminals.

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<v Speaker 16>Identification Bureauner. Captain Rogers have checked cross file system for

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<v Speaker 16>known criminals with one bathing beauty tattoo, two appendectomy scar,

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00:16:20.639 --> 00:16:25.279
<v Speaker 16>three missing molars and detal bridge results seven known criminals

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<v Speaker 16>answering general description and having those marks. Sending these criminals

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<v Speaker 16>records to your office.

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<v Speaker 13>And once.

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<v Speaker 11>I asked you two gentlemen to come here the police

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<v Speaker 11>headquarters to look at some pictures.

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<v Speaker 6>Yes, doctor, will you.

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<v Speaker 11>Please sit on one side of that table and the

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<v Speaker 11>watchman I'm the other. H I have here seven photographs. Doctor,

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<v Speaker 11>I'm going to hammond you first. It's the man who

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<v Speaker 11>visited your offices in that group and pick him up.

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<v Speaker 2>Cherfol m.

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<v Speaker 14>Here, captain this one.

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<v Speaker 2>Mm alright, don't just make a note of that number.

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<v Speaker 2>Thank you. Doctor.

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<v Speaker 11>Now I'm going to shuffle these same pictures of it

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<v Speaker 11>in Hamden.

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00:17:17.039 --> 00:17:17.400
<v Speaker 14>To the watching.

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<v Speaker 11>Yes, now see it's the man who went walking with

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<v Speaker 11>you on the night of the robbery. Is any one

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<v Speaker 11>of these seven men, yes, by take your time's it's

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00:17:34.680 --> 00:17:36.880
<v Speaker 11>this one, captain. I have known him anywhere.

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<v Speaker 2>I swear it is. If you've been that photograph for.

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<v Speaker 11>Mm hmm number four, five, six eight two Lou Morgan.

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<v Speaker 11>It seems you, gentlemen agree.

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<v Speaker 12>I know him.

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<v Speaker 11>I know him, and thank you, gentlemen for your cooperation.

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<v Speaker 11>I less signed the entire robbery and burger required to

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<v Speaker 11>get a line on this Lou Morgan at once.

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<v Speaker 2>Well even yeah, Lou Morgan.

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<v Speaker 7>I just got back to town Ivan.

333
00:18:05.119 --> 00:18:07.480
<v Speaker 2>He was this good idea good nothing.

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00:18:08.119 --> 00:18:14.039
<v Speaker 7>He was in seventh figures. Yeah, so what terrific my commission? Ready, Evans?

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<v Speaker 2>Not for a big chunk of dover your Morgan, I get.

336
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<v Speaker 7>Ten percent of you gonna pay off?

337
00:18:18.920 --> 00:18:22.319
<v Speaker 2>Sure, Sure, I'm gonna pay I say, how about coming

338
00:18:22.359 --> 00:18:26.599
<v Speaker 2>around tonight? Boys will be here boys, Yeah, we're playing

339
00:18:26.680 --> 00:18:28.519
<v Speaker 2>a little party. Party.

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00:18:28.759 --> 00:18:29.839
<v Speaker 7>I don't know party, Evan.

341
00:18:29.920 --> 00:18:31.160
<v Speaker 2>Don't you want what's coming?

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00:18:31.279 --> 00:18:32.799
<v Speaker 7>Do I know how you wake up? I'm not doing

343
00:18:32.839 --> 00:18:33.559
<v Speaker 7>ain't coming around?

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00:18:33.680 --> 00:18:37.119
<v Speaker 2>I said, coming around here? Morgan, or I send the boys.

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00:18:37.839 --> 00:18:39.680
<v Speaker 7>No, no, I I don't want to nice for my back,

346
00:18:39.759 --> 00:18:40.880
<v Speaker 7>let me pay, wait, let me pay?

347
00:18:45.200 --> 00:18:45.799
<v Speaker 2>Hop what up?

348
00:18:45.880 --> 00:18:46.200
<v Speaker 7>Bargain?

349
00:18:46.279 --> 00:18:47.799
<v Speaker 2>Wait a, you're inside.

350
00:18:49.000 --> 00:18:50.039
<v Speaker 13>Hop p u bargin.

351
00:18:50.799 --> 00:18:51.480
<v Speaker 11>Push the door in.

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00:18:51.759 --> 00:19:01.440
<v Speaker 14>Okay, you don't seem.

353
00:19:01.240 --> 00:19:04.400
<v Speaker 7>To be here, poset.

354
00:19:05.039 --> 00:19:05.720
<v Speaker 2>Keep your gun ready?

355
00:19:10.839 --> 00:19:12.880
<v Speaker 14>Okay, Morgan, come out of that closet.

356
00:19:12.960 --> 00:19:14.200
<v Speaker 4>Or will shoot through the door?

357
00:19:20.400 --> 00:19:22.960
<v Speaker 7>I will? We don't tell us, tell lets keep the door.

358
00:19:22.960 --> 00:19:25.240
<v Speaker 7>I want to, don't want to. I want to. I

359
00:19:25.240 --> 00:19:27.319
<v Speaker 7>don't want to. Please, don't want to die? Tell I

360
00:19:28.079 --> 00:19:33.519
<v Speaker 7>don't want to. Let Okay, Hello are you?

361
00:19:33.759 --> 00:19:34.440
<v Speaker 2>Who are you? Guys?

362
00:19:35.759 --> 00:19:38.359
<v Speaker 7>He didn't send you? Take your copy?

363
00:19:38.680 --> 00:19:41.279
<v Speaker 11>Yes, Morgan, we're a police officers. What were you saying

364
00:19:41.279 --> 00:19:43.960
<v Speaker 11>about urban heaven ven?

365
00:19:44.839 --> 00:19:45.799
<v Speaker 7>I don't know any such guy.

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00:19:46.000 --> 00:19:48.480
<v Speaker 11>No, Well, you told us what we want to know, Morgan.

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00:19:49.039 --> 00:19:49.960
<v Speaker 11>Take him downtown side.

368
00:19:53.039 --> 00:19:53.720
<v Speaker 9>Mm hmm.

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00:19:55.759 --> 00:19:57.960
<v Speaker 7>Pie the bad news for the urban Yeah, what we

370
00:19:58.079 --> 00:20:00.759
<v Speaker 7>want to get, lot Morgan. The cops got there first

371
00:20:01.480 --> 00:20:02.720
<v Speaker 7>on ar They hooked out.

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00:20:02.680 --> 00:20:06.759
<v Speaker 2>To you gotta move fast round a ball of boys

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00:20:07.279 --> 00:20:09.680
<v Speaker 2>having the hotel at seven on each of them. It's

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00:20:09.720 --> 00:20:11.839
<v Speaker 2>full of the balance of the doll and blow. As

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00:20:11.880 --> 00:20:13.799
<v Speaker 2>soon as Morgan's sings, Char cargo's not going to be

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00:20:13.839 --> 00:20:14.279
<v Speaker 2>so healthy.

377
00:20:19.720 --> 00:20:22.799
<v Speaker 11>Dog In Thompson speaking, it is Captain Rogers shargon. You

378
00:20:22.839 --> 00:20:23.559
<v Speaker 11>get any more out of.

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00:20:23.559 --> 00:20:26.359
<v Speaker 16>Morgan, dodget Captain, but he'll talk in time.

380
00:20:26.640 --> 00:20:27.200
<v Speaker 2>We can't wait.

381
00:20:27.319 --> 00:20:27.559
<v Speaker 12>Charging.

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00:20:27.680 --> 00:20:29.920
<v Speaker 11>As soon as word of Morgan's red spread that gangs

383
00:20:29.920 --> 00:20:31.559
<v Speaker 11>scattered the four winds the Loop.

384
00:20:31.400 --> 00:20:34.240
<v Speaker 16>With them, we'll get Urban. Captain will work day and

385
00:20:34.400 --> 00:20:35.079
<v Speaker 16>night until we do.

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00:20:35.359 --> 00:20:36.839
<v Speaker 11>And it's important to we cover the loop too.

387
00:20:36.920 --> 00:20:37.200
<v Speaker 2>Charging.

388
00:20:37.559 --> 00:20:39.559
<v Speaker 11>Hundred of people have lost their life saving Now you

389
00:20:39.680 --> 00:20:42.240
<v Speaker 11>check every place Urban has been changed. Couldn't carry three

390
00:20:42.240 --> 00:20:44.680
<v Speaker 11>million dollars around with him, must be hidden out someplace.

391
00:20:45.079 --> 00:21:10.240
<v Speaker 2>Find it? Okay, Urban, wake up? Hey, Hey, what are

392
00:21:10.279 --> 00:21:11.480
<v Speaker 2>your Urban?

393
00:21:12.079 --> 00:21:12.319
<v Speaker 12>Joe?

394
00:21:14.519 --> 00:21:16.680
<v Speaker 2>H I have.

395
00:21:18.759 --> 00:21:22.400
<v Speaker 7>Yeah, I brought the boys along. He took this little

396
00:21:22.480 --> 00:21:24.880
<v Speaker 7>room sixty miles out of town. Didn't think we could

397
00:21:24.920 --> 00:21:25.680
<v Speaker 7>find your hands.

398
00:21:25.920 --> 00:21:27.480
<v Speaker 2>Guys, you got this all wrong.

399
00:21:27.599 --> 00:21:29.680
<v Speaker 7>Yeah, he was supposed to show up at the hotel

400
00:21:29.720 --> 00:21:33.160
<v Speaker 7>at seven o'clock three days ago. Instead you took the dough.

401
00:21:33.039 --> 00:21:35.440
<v Speaker 2>And stn't telling you. Joe, you're wrong. I ain't got

402
00:21:35.480 --> 00:21:35.759
<v Speaker 2>the dough.

403
00:21:35.839 --> 00:21:37.920
<v Speaker 7>Remember Urban, I said I'd be the guy with the

404
00:21:38.000 --> 00:21:38.839
<v Speaker 7>sharpest knife.

405
00:21:38.920 --> 00:21:40.759
<v Speaker 2>Hop for getting too close to me, trying to reach

406
00:21:40.839 --> 00:21:42.920
<v Speaker 2>where's the dough? Urban? He plays it always.

407
00:21:43.039 --> 00:21:44.759
<v Speaker 14>Where where is it?

408
00:21:45.039 --> 00:21:46.319
<v Speaker 2>You'll get your end of time?

409
00:21:46.440 --> 00:21:47.200
<v Speaker 7>We want it now?

410
00:21:47.359 --> 00:21:48.200
<v Speaker 2>Where's the door?

411
00:21:48.319 --> 00:21:48.559
<v Speaker 16>Urban?

412
00:21:48.720 --> 00:21:50.279
<v Speaker 2>If I tell you you grab this three minute and

413
00:21:50.319 --> 00:21:51.200
<v Speaker 2>take a walk with my split.

414
00:21:51.279 --> 00:21:52.079
<v Speaker 15>Where's the door?

415
00:21:52.240 --> 00:21:52.480
<v Speaker 5>Urban?

416
00:21:52.559 --> 00:21:53.480
<v Speaker 6>He's kid, good.

417
00:21:55.119 --> 00:21:55.799
<v Speaker 1>Way, what is it?

418
00:21:56.200 --> 00:21:58.400
<v Speaker 2>My boss? Is this Marborina? You ate Urban?

419
00:21:58.839 --> 00:22:00.759
<v Speaker 7>We just stolen for time, alright, but we want that

420
00:22:00.880 --> 00:22:04.079
<v Speaker 7>dough quick. Gotta work our boys, make him tell us

421
00:22:04.079 --> 00:22:19.720
<v Speaker 7>where it is. No, no, no, boy, I tell you, Joe,

422
00:22:19.880 --> 00:22:22.440
<v Speaker 7>we shouldn't kill living to give a handsom a dove.

423
00:22:22.640 --> 00:22:24.759
<v Speaker 7>He wasn't lying about the door being up here in

424
00:22:24.839 --> 00:22:26.000
<v Speaker 7>this attic, but a pipe.

425
00:22:26.640 --> 00:22:30.440
<v Speaker 2>Be sure after that work god we gave him. Urban

426
00:22:30.599 --> 00:22:34.480
<v Speaker 2>wasn't telling no life. Uh oh, June, June, you're the

427
00:22:34.559 --> 00:22:36.640
<v Speaker 2>boss them any home?

428
00:22:39.039 --> 00:22:42.559
<v Speaker 7>Alright, you guys when we go in the attics, no noise,

429
00:22:42.680 --> 00:22:45.599
<v Speaker 7>no lights, The does in a tin box under the

430
00:22:45.680 --> 00:22:49.640
<v Speaker 7>floor by a pipe. Now, I don't want myself cut

431
00:22:49.720 --> 00:22:52.799
<v Speaker 7>to pieces and dumping at dicks like Urban, So we

432
00:22:52.920 --> 00:22:57.640
<v Speaker 7>split the dough right hair, Okay, Okay, maybe open the

433
00:22:57.720 --> 00:22:58.880
<v Speaker 7>door poiet.

434
00:22:59.000 --> 00:23:12.920
<v Speaker 2>Now that's the corner over there at the crowbarry Yeah,

435
00:23:13.920 --> 00:23:18.480
<v Speaker 2>shot four? Sorry Joe showing up the floorboard. Easy now,

436
00:23:21.839 --> 00:23:32.519
<v Speaker 2>oh h you see you Joe say no, we shouldn't

437
00:23:32.519 --> 00:23:34.359
<v Speaker 2>have not enough yet?

438
00:23:40.880 --> 00:23:41.839
<v Speaker 7>See what did I tell you?

439
00:23:41.920 --> 00:23:42.240
<v Speaker 2>Here it is?

440
00:23:42.319 --> 00:23:48.799
<v Speaker 7>And help me get the box. I'll s what I said.

441
00:23:48.839 --> 00:23:52.000
<v Speaker 13>No, right, we'll turn them right, nobody turn him on.

442
00:23:52.920 --> 00:23:54.640
<v Speaker 13>Put your hands up, everybody, we'll hop it.

443
00:23:55.000 --> 00:23:55.519
<v Speaker 2>Keep him up.

444
00:23:56.000 --> 00:23:58.119
<v Speaker 11>Your trusts all right? So I didn't start putting the

445
00:23:58.119 --> 00:23:58.599
<v Speaker 11>cup on him.

446
00:24:00.079 --> 00:24:00.720
<v Speaker 5>Saw a plot.

447
00:24:00.880 --> 00:24:02.920
<v Speaker 11>He found Wich eleven's body in a ditch the Kankakey

448
00:24:02.960 --> 00:24:03.559
<v Speaker 11>a few hours ago.

449
00:24:03.640 --> 00:24:03.880
<v Speaker 3>So what?

450
00:24:04.119 --> 00:24:06.240
<v Speaker 11>And Morgan told us about this house one of the

451
00:24:06.319 --> 00:24:08.640
<v Speaker 11>many places I've been used. And you headed hit was

452
00:24:08.720 --> 00:24:11.119
<v Speaker 11>quite obvious where the luke was hidden. You walked right

453
00:24:11.200 --> 00:24:12.039
<v Speaker 11>into our train.

454
00:24:11.960 --> 00:24:14.279
<v Speaker 7>At Morgan, he'll get what's come of the hand between

455
00:24:14.319 --> 00:24:14.680
<v Speaker 7>our web.

456
00:24:15.000 --> 00:24:16.319
<v Speaker 11>You won't be the ones to give it to him.

457
00:24:16.640 --> 00:24:18.160
<v Speaker 11>He's got your red energ. You're going up for a.

458
00:24:18.319 --> 00:24:23.119
<v Speaker 6>Long, long time, Lieutenant McGrath.

459
00:24:23.359 --> 00:24:25.839
<v Speaker 5>The Night's case is an outstanding example of a fiction

460
00:24:26.039 --> 00:24:28.720
<v Speaker 5>police work. What happened to Erben's gang?

461
00:24:29.599 --> 00:24:32.599
<v Speaker 6>All seven of them commissioned Valentine and now serving terms

462
00:24:32.759 --> 00:24:34.200
<v Speaker 6>ranging up to life imprisonment.

463
00:24:35.000 --> 00:24:39.279
<v Speaker 5>Congratulations, Lieutenant to the Chicago police. Even though this vicious

464
00:24:39.319 --> 00:24:42.000
<v Speaker 5>gang stayed one of the biggest robberies and criminal records.

465
00:24:42.599 --> 00:24:45.720
<v Speaker 5>Their luke did them no good, and all they got

466
00:24:45.799 --> 00:24:48.960
<v Speaker 5>for their trouble was death or long sentences in prison.

467
00:24:49.799 --> 00:24:53.680
<v Speaker 1>Say Fune for a new contest on Van Cristo Radio.

468
00:24:53.839 --> 00:24:57.640
<v Speaker 1>Say it Saraho de Bergerac may have had the nose

469
00:24:57.720 --> 00:25:01.720
<v Speaker 1>that launched a thousand ships, but this fellow Schnarz became

470
00:25:01.759 --> 00:25:03.920
<v Speaker 1>an institution along with the rest of it.

471
00:25:06.599 --> 00:25:08.599
<v Speaker 12>Nay, Jimmy, Jimmy, you look worried.

472
00:25:08.640 --> 00:25:09.839
<v Speaker 13>There's something on your mind.

473
00:25:09.880 --> 00:25:10.680
<v Speaker 7>I wasn't the one of this.

474
00:25:12.119 --> 00:25:16.599
<v Speaker 13>I just had anonymous with sick Field, Big Fields on

475
00:25:16.799 --> 00:25:20.359
<v Speaker 13>a Broadway and forty third some corner, you know. Sick

476
00:25:20.480 --> 00:25:21.200
<v Speaker 13>Field said you know.

477
00:25:21.240 --> 00:25:21.759
<v Speaker 7>Who I am?

478
00:25:22.200 --> 00:25:23.240
<v Speaker 13>I said, you know whwaii?

479
00:25:23.400 --> 00:25:23.880
<v Speaker 7>What happened?

480
00:25:23.920 --> 00:25:24.799
<v Speaker 2>He said who I am?

481
00:25:25.240 --> 00:25:26.000
<v Speaker 7>I said nothing.

482
00:25:26.039 --> 00:25:27.680
<v Speaker 2>I was cornered corners.

483
00:25:27.839 --> 00:25:31.279
<v Speaker 13>A plant makes no difference. But I started out to say,

484
00:25:31.440 --> 00:25:34.400
<v Speaker 13>why not, jim Why this is what I wish to convey?

485
00:25:34.599 --> 00:25:35.000
<v Speaker 13>What is it?

486
00:25:35.079 --> 00:25:35.359
<v Speaker 14>Jimmy?

487
00:25:36.039 --> 00:25:40.119
<v Speaker 13>Now you know don Well I can do it out Broadway, but.

488
00:25:40.680 --> 00:25:42.400
<v Speaker 2>But can Broadway do it out?

489
00:25:42.599 --> 00:25:42.799
<v Speaker 7>Mean?

490
00:25:43.079 --> 00:25:48.319
<v Speaker 13>No? Why Harold's Square Times Clare Columbus Cycle ninety six,

491
00:25:48.720 --> 00:25:50.839
<v Speaker 13>Say where am I must have passed my station.

492
00:25:51.000 --> 00:25:52.759
<v Speaker 12>Why raw, they.

493
00:25:52.720 --> 00:25:55.000
<v Speaker 13>Must have found out a time square that that passed

494
00:25:55.039 --> 00:25:58.240
<v Speaker 13>my destination. Whine they sent messengers all over to get

495
00:25:58.319 --> 00:25:59.359
<v Speaker 13>me the head of celebration.

496
00:25:59.480 --> 00:26:00.559
<v Speaker 12>I ain't get it, you know.

497
00:26:00.720 --> 00:26:03.160
<v Speaker 13>As I got off the express, them yo boat pushes

498
00:26:03.240 --> 00:26:04.039
<v Speaker 13>me and so a lode go.

499
00:26:04.160 --> 00:26:04.680
<v Speaker 7>What happened?

500
00:26:04.720 --> 00:26:07.759
<v Speaker 13>The crowd, seeing a mistake, pulled the emergency brake and.

501
00:26:07.839 --> 00:26:09.680
<v Speaker 12>Shouted, why Jimmy Man?

502
00:26:09.920 --> 00:26:11.240
<v Speaker 7>Well the rest man?

503
00:26:12.480 --> 00:26:13.960
<v Speaker 4>Oh you know, don Well?

504
00:26:14.400 --> 00:26:18.039
<v Speaker 13>I can do it out Broadway rock, But can Broadway

505
00:26:18.200 --> 00:26:19.720
<v Speaker 13>do without me? No?

506
00:26:20.440 --> 00:26:21.000
<v Speaker 1>They fellows.

507
00:26:21.279 --> 00:26:23.680
<v Speaker 13>You remember that Eddie Lennard got sick. Stally, I'll let

508
00:26:23.880 --> 00:26:26.039
<v Speaker 13>forget the stape us alw I'm just sitting home when

509
00:26:26.079 --> 00:26:28.799
<v Speaker 13>incomes another telegram which read, what at rest the only

510
00:26:28.839 --> 00:26:30.640
<v Speaker 13>one who could replace Eddie Lennery's you?

511
00:26:31.000 --> 00:26:32.160
<v Speaker 12>You I went?

512
00:26:32.519 --> 00:26:33.640
<v Speaker 4>When I When I went?

513
00:26:33.759 --> 00:26:34.759
<v Speaker 7>And how I went?

514
00:26:34.960 --> 00:26:40.000
<v Speaker 12>He's alenzend why the apport was definite as I started trooning,

515
00:26:40.599 --> 00:26:44.240
<v Speaker 12>it's love, yes, sir, I believe me, No, sir, I

516
00:26:44.319 --> 00:26:46.640
<v Speaker 12>don't mean may I Now that's not the song.

517
00:26:46.799 --> 00:26:47.720
<v Speaker 7>What wasn't Jimmy boy?

518
00:26:47.759 --> 00:26:48.160
<v Speaker 12>What was it?

519
00:26:48.519 --> 00:26:48.720
<v Speaker 13>All?

520
00:26:48.960 --> 00:26:50.039
<v Speaker 7>I love you?

521
00:26:51.119 --> 00:26:53.599
<v Speaker 13>Ide h.

522
00:26:56.839 --> 00:27:02.119
<v Speaker 1>Shucks, yes, sir. The famous ink Dinkadoo man Jimmy Durranty

523
00:27:02.359 --> 00:27:05.880
<v Speaker 1>back in the days of the Claywel Jackson and Durranti trio.

524
00:27:06.519 --> 00:27:10.480
<v Speaker 1>Can Broadway do without me? Jimmy Durranty just one of

525
00:27:10.559 --> 00:27:13.920
<v Speaker 1>the exciting people on this recording which takes you back

526
00:27:14.039 --> 00:27:17.920
<v Speaker 1>to the great moments from old time radio. Van Cristo

527
00:27:18.200 --> 00:27:21.599
<v Speaker 1>has just obtained this album featuring some of old time

528
00:27:21.720 --> 00:27:27.039
<v Speaker 1>Radio's my famous stars, Will Rogers, Rudy Valley, Al Jolson, W. C.

529
00:27:27.279 --> 00:27:27.640
<v Speaker 13>Fields.

530
00:27:28.200 --> 00:27:31.039
<v Speaker 1>It's a living history of some of radio's greatest moments.

531
00:27:31.519 --> 00:27:34.240
<v Speaker 1>And you can own this recording for four ninety five

532
00:27:34.440 --> 00:27:37.880
<v Speaker 1>in check or money order to Old Time Radio Van

533
00:27:38.000 --> 00:27:42.240
<v Speaker 1>Cristo Radio Theater, eighteen Newbury Streets, Boston O two one

534
00:27:42.400 --> 00:27:45.799
<v Speaker 1>one sixth. Remember, when you purchase one of these recordings,

535
00:27:46.200 --> 00:27:49.640
<v Speaker 1>you not only buy special listening pleasure for yourself, but

536
00:27:49.799 --> 00:27:53.599
<v Speaker 1>also help ensure your continued Sunday night enjoyment of the

537
00:27:53.720 --> 00:27:57.440
<v Speaker 1>Van Cristo Radio Theater as it brings back the great

538
00:27:57.640 --> 00:28:01.920
<v Speaker 1>radio shows of the past. Audio Tonight four ninety five

539
00:28:02.079 --> 00:28:05.839
<v Speaker 1>in check or money order to Old Time Radio Van

540
00:28:06.000 --> 00:28:11.559
<v Speaker 1>Cristo Radio Theater, eighteen Newbury Streets, Boston, O two one

541
00:28:11.920 --> 00:28:16.279
<v Speaker 1>one six And now our special new contest. As we promised,

542
00:28:16.880 --> 00:28:18.920
<v Speaker 1>now we're making it easy for you to be eligible

543
00:28:19.000 --> 00:28:22.160
<v Speaker 1>to win a free copy of Orsonwell's famous production The

544
00:28:22.279 --> 00:28:25.720
<v Speaker 1>War of the World. Anyone can play the Van Cristo

545
00:28:25.960 --> 00:28:30.359
<v Speaker 1>Radio buff game, and last week An Simpson of Buckman

546
00:28:30.440 --> 00:28:34.000
<v Speaker 1>Drive in Chelsford was among those who played, and she won.

547
00:28:34.480 --> 00:28:37.240
<v Speaker 1>She'll soon be receiving her copy of the War of

548
00:28:37.319 --> 00:28:42.599
<v Speaker 1>the Worlds, Orsonwell's famous radio production of H. G. Wells classic.

549
00:28:43.720 --> 00:28:46.240
<v Speaker 1>To be eligible to win your copy of the War

550
00:28:46.359 --> 00:28:49.200
<v Speaker 1>of the Worlds by Orson Wells, all you have to

551
00:28:49.279 --> 00:28:51.640
<v Speaker 1>do is send a card with your name and address

552
00:28:51.720 --> 00:28:55.640
<v Speaker 1>to Van Cristo Radio Theater, eighteen Newberry Street, Boston, O

553
00:28:55.799 --> 00:28:59.200
<v Speaker 1>two one one six. That's a postcard with your name

554
00:28:59.279 --> 00:29:03.599
<v Speaker 1>and address to Van and Crystal Radio Theater, eighteen Newberry Street, Boston,

555
00:29:03.680 --> 00:29:07.240
<v Speaker 1>O two one one six. One winner will be drawn

556
00:29:07.319 --> 00:29:10.880
<v Speaker 1>from all cards received and will announce the winner's name

557
00:29:11.480 --> 00:29:14.400
<v Speaker 1>next Sunday night, But hurry and send your card. That

558
00:29:14.599 --> 00:29:16.400
<v Speaker 1>winner might be you.

559
00:29:23.920 --> 00:29:25.880
<v Speaker 11>Bangbusters is a philip State Lord

560
00:29:25.960 --> 00:29:30.079
<v Speaker 1>Production which comes to you by special recording every Sunday

561
00:29:30.160 --> 00:29:33.920
<v Speaker 1>night at eight o'clock on Van Crystal Radio Theater over

562
00:29:34.160 --> 00:29:35.000
<v Speaker 1>WCRB