Speaker 1: Now doctor White, And how about the Venerable Bead and
Speaker 1: the adventure of Moultrie Abbey.
Speaker 2: Well mistabell that story again in Baker Street on the
Speaker 2: December afternoon, many many years ago, shortly after tea.
Speaker 3: I remember when Sherlock Holmes.
Speaker 2: Who'd been pacing up and down our room, from the
Speaker 2: stop at the window and looked intently out at the
Speaker 2: street below him. A few moments my curiosity overcame me
Speaker 2: and I joined my old friend. Looking over his shoulder,
Speaker 2: I saw that on the pavement opposite there stood a
Speaker 2: young woman dressed in the height of Edwardian fashion.
Speaker 3: She wore a third boarn and a broad.
Speaker 2: Brimmed hat, from under which she peeped up in a nervous,
Speaker 2: hesitating fashion at our windows, while her body oscillated backward
Speaker 2: and forward, suddenly with a plunge, like the swimmer who
Speaker 2: leaves the bank. She had across the road, and we
Speaker 2: heard the clang of our front.
Speaker 3: Door bell to growl long enough. Mind took time to
Speaker 3: to make up her.
Speaker 4: Mind and homes Here's Watson. I have seen those symptoms
Speaker 4: before him. Women olsolation on the pavement generally means and
Speaker 4: a third you care she would like advice, but is
Speaker 4: not sure whether the matter is not too delicate for communication.
Speaker 3: She looks a pretttle thing. Perhaps some scoundrels. Juti, oh no, Watson.
Speaker 4: In such a case, the usual symptom is a broken
Speaker 4: bell wire. Here, I think we may deduce the young
Speaker 4: lady is not so much angry as grieved or perplexed.
Speaker 4: Why not meet her the head of the stairs, old chap.
Speaker 4: I know MISSU Hudson's heumatism is bothering.
Speaker 3: Here, so of course I will this way, young lady
Speaker 3: s all right, thank you, mister Hutson. I'm I'm Dr
Speaker 3: Watson Watson coverl is.
Speaker 5: Thank you, Doctor Watson.
Speaker 3: This is my friend, mister Sherlock Holmes. How do you do?
Speaker 5: How do you do? I'm ster Bio Carter, and I
Speaker 5: need your help, mister Holmes.
Speaker 4: Then please be seated, Miss Carter. I presume it is
Speaker 4: miss since I see no ring on your wedding finger.
Speaker 5: Yes it's miss, though that awful man Jonathan Davis would
Speaker 5: like to make it missus.
Speaker 3: Why quite as a stand any man of quiet? Watson,
Speaker 3: please tell me your problem is Carter?
Speaker 5: Well, I can tell you in two words, gentlemen, Jonathan
Speaker 5: Devis wanted to marry me, and that was bad enough.
Speaker 5: But even if we save the Martie fortunes, I couldn't
Speaker 5: marry him. Now he wants Harold to leave the company
Speaker 5: and disappear. And when we think of the abbey and
Speaker 5: the tenants, what can we do. I know that my
Speaker 5: brothers did set against outside interference, But tonight is when
Speaker 5: we play the music, and if only you.
Speaker 3: Could be there.
Speaker 2: But it's considerably more than two words, this gutter.
Speaker 4: I'm afraid I can't make any two of any and
Speaker 4: nor can I. Supposing you begin again and talk more slowly, Oh, I.
Speaker 5: Very will, mister Holmes.
Speaker 4: Perhaps it will be better if I ask questions. You
Speaker 4: will mention your brother's title. May I ask what that
Speaker 4: title is?
Speaker 5: My brother Harold Carter, the fourteenth Dale of Madri and
Speaker 5: the poorest. Confidentially, we're in a dreadful way. Financially, Harold
Speaker 5: invested in Canadian copper last year. The market dropped. Recently
Speaker 5: we were nearly wiped out. That's when this awful Jonathan
Speaker 5: Devis came on the scene.
Speaker 3: And who is Jonathan Devis.
Speaker 5: He's a cousin of ours from South Africa. He's a
Speaker 5: dreadful bore that.
Speaker 3: Extremely wealthy, and he wants to marry.
Speaker 5: Yes, but even to the stake of the abbey and
Speaker 5: the Mautree fortunes. I couldn't do that. Now he's off
Speaker 5: at Herald fifty thousand pounds in cash if you'll go
Speaker 5: abroad and pretend to disappear. You see, Jonathan Devis is
Speaker 5: next to male kin in line for the inheritance.
Speaker 4: So mister Devers is trying to bribe your brother to
Speaker 4: disappear so that he may inherit the title.
Speaker 3: In the States.
Speaker 4: Yes, mister Holmes, in this particular matter, I fail to
Speaker 4: see how I can help you all.
Speaker 5: But you can, mister Holmes. You see the first Earl
Speaker 5: of Moultrie. He was created by Henry bh.
Speaker 6: You know.
Speaker 5: They're the family motto. It's inscribed in our private catle
Speaker 5: at the abbey. It says, if the more trees be
Speaker 5: in need, seek the venerable.
Speaker 4: Bead Beedle, some fellow who works in the parish, and
Speaker 4: b Watson not Beadle, Oh, yes, spelt b.
Speaker 3: E b e.
Speaker 4: The venerable bad if I'm not mistaken, was an eighth
Speaker 4: century monk who is revered not only as a saint
Speaker 4: but a first great English historian.
Speaker 5: Oh yes, mister Holmes, we have a statue of him
Speaker 5: in the chapel, and then we have a pretendly custom at.
Speaker 3: I know this may sound to me to you don't
Speaker 3: want to, Miss Carter. I'm aware that some.
Speaker 4: Of these old crusted supersticions often conceal surprising truths.
Speaker 3: They continual.
Speaker 5: Well, it's been passed down in the family that if
Speaker 5: ever the Molitres were in trouble, they should play a
Speaker 5: peculy piece of music.
Speaker 3: Would he compose it music?
Speaker 4: What an odd idea, extremely interesting, and you're planning to
Speaker 4: play the music tonight.
Speaker 3: You'll say yes, mister Holmes.
Speaker 5: Heaven alone knows the Moltrees couldn't be in worse trouble
Speaker 5: than they are now. And I want you to be there,
Speaker 5: only Harold doesn't. So I thought, if you'd bring your violin,
Speaker 5: I should pretend that you would just come to hear
Speaker 5: the music.
Speaker 4: An excellent idea, Miss Carter. As I remember Montree Abbeys
Speaker 4: in Gloucestershire.
Speaker 5: Oh yes, mister Holmes, at Chipping Martin, and especially it's
Speaker 5: Paddington at five thirty. Perhaps we could travel together.
Speaker 7: Certainly, so it seems like a world goost Chairs Holmes
Speaker 7: eighth century.
Speaker 3: The strange music. There's a lot of mumbo jump on me.
Speaker 3: Where's your chival, Watson?
Speaker 4: In any case, surely you recall the single affair of
Speaker 4: the musgrave ritual. There's no telling what these old family
Speaker 4: customs may portend, so be a good fellow in tack
Speaker 4: your bag. There's no time to be lost.
Speaker 8: I'll just have time to show the chapel before dinner, gentlemen,
Speaker 8: thank you, Lord Gutter. And after dinner I shall be
Speaker 8: happy to gratify your musical curiosity in mister home. But
Speaker 8: you mustn't regard my sister's visit today too seriously. Sybil's
Speaker 8: an overly emotional girl and quite sankly. I wish that
Speaker 8: tree hadn't approached you. I feel that Mortree Abby is
Speaker 8: my duty here. I'll find some way to save it
Speaker 8: and my tenants.
Speaker 3: I trust that the music will live up to its
Speaker 3: magical reputation.
Speaker 7: Hell, this is the travel beautiful building. Let's be very
Speaker 7: old or sixteenth century. The abbey house was built nearly
Speaker 7: one hundred years later. Hold your lantern a little higher,
Speaker 7: doctor Watson. That's it now I want to show you
Speaker 7: our prize possession there you are magnificent, quite magnificent.
Speaker 4: This, I presume is the stantial of the venerable bed
Speaker 4: that your sister's spoke.
Speaker 2: All.
Speaker 8: Yes, it's an excellent specimen of sixteenth century woodcarding. Note
Speaker 8: particularly the delicate work on the beads of the rosary.
Speaker 3: Odd, very odd. Indeed, what's our home? The faith of thee?
Speaker 3: I have to tell you to keep away from me.
Speaker 3: You do this, don't you take you with Tamasha. I'm
Speaker 3: not doing nothing. And come on, come difference take that? Oh,
Speaker 3: don't you lay your whip laid? Jonathan?
Speaker 9: What's the matter. I didn't mind that to discharge this
Speaker 9: room of yours. You can't wait me, mister devils. I'll
Speaker 9: get blood finish our well. But what's he done, Jonathan?
Speaker 9: He's been following me, I say.
Speaker 3: I bumped into him in the ground not half an
Speaker 3: hour ago.
Speaker 10: I was taking a walk by the bottom of.
Speaker 3: The carn and I found him scuffing behind me. Now
Speaker 3: I done between. You have to be here. I think
Speaker 3: you want to talk in hell? He was only high today.
Speaker 3: I suppose you're right, Wilson.
Speaker 8: You'll make a collector week's wages and leave in the morning.
Speaker 3: Oh, I wasn't doing no harm, just trying to deliver
Speaker 3: a telegram. That's why I came here. It's one of
Speaker 3: you'll just mister Sherlock Holmes, I am here, then this
Speaker 3: telegram come for you. I was only trying to find
Speaker 3: you when this son of a chat Affia, I'll have
Speaker 3: your blood. Just see if I don't.
Speaker 8: That's enough erson A girl signs Sally Donovan. So, by
Speaker 8: the way, this is mister Sherlock Holmes, and start to watch.
Speaker 8: Mister Donothan Devis, how do you do, mister Devans. Sybil
Speaker 8: told me that you were.
Speaker 10: Having distinguished company at your musical suare tonight.
Speaker 3: Oh you gentlemen, excuse me. We'll see you then, no
Speaker 3: doubt simple less that per del groom was half it.
Speaker 4: Says mister Devis mentioned that he was walking by the
Speaker 4: Bottomless tarn half an hour ago.
Speaker 3: What may I ask is the bottomless time?
Speaker 8: Oh, it's a lake on the estate, just behind the
Speaker 8: game gapers cut. It is a legend that it's fathoms.
Speaker 8: All I know is that some years ago a prize
Speaker 8: heifer of mine was seen to fall in and drown.
Speaker 8: We dragged the lake, but now grappling hooks we could
Speaker 8: have didn't touch the bottom interesting homes. The telegram that
Speaker 8: fellow brought you highs for teograms.
Speaker 4: I'll give me the lantern. Watson't thanks an extremely illuminating message.
Speaker 3: Read it for yourself, Lord Carter.
Speaker 4: Why says nothing but my cousin's name, Jonathan Devils? And
Speaker 4: yet the message is quite eloquent. It is an answer
Speaker 4: to a query I made before leaving London. Who forced
Speaker 4: that market drop in Canadian copper which wiped out the
Speaker 4: moll tree fortunes. Don't mean that Jonathan deliberately smashed me homes.
Speaker 4: It would seem out here here's a perfect.
Speaker 3: Are the Devil's come? It's the title and stop nothing
Speaker 3: to get it? Holmes? What am I going to do?
Speaker 3: What the devil am I going to do?
Speaker 4: We must wait until after dinner and hope that the
Speaker 4: musical composition may give us a solution.
Speaker 3: To your unhappy problem. Ah.
Speaker 10: Now the Simples played that rather dull piece of discordancy.
Speaker 10: I hope you're all satisfied. Naturally, the more tree fortunes
Speaker 10: will be restored.
Speaker 3: Very funny, Jonathan, What do you make of it?
Speaker 5: Mister Holmes?
Speaker 4: It's curious, very curious. Will you repeat that principal theme again, please,
Speaker 4: miss Cardam. Yes, of course, thank you, Miss Carter. I
Speaker 4: think I begin to get a glimmering of the mysterious message.
Speaker 3: Sounds like a jumble of meaningless note to know.
Speaker 10: I'm doctor Watson. Your brilliant friend thinks that he saved
Speaker 10: them Alti fortunes, and that is herold. I suppose you
Speaker 10: won't need to see mister Alexander in London tomorrow. Why
Speaker 10: how did you know that your sitid is is a
Speaker 10: fan of Star bankruptcy proceedings at the latest tomorrow, I
Speaker 10: too have my investigators, Harold, I seem a bit more
Speaker 10: efficient than your great Sherlock Holmes. Good night, sall, good
Speaker 10: night gentlemen.
Speaker 3: There you are. What are you doing listening at a
Speaker 3: dog swim? I was just a guide to the kitchen.
Speaker 3: Get out the table the way you're belong. I see
Speaker 3: that groom again, Harold. I'll break his neck. See where
Speaker 3: he goes tonight?
Speaker 5: How dare he think you like that? Harold?
Speaker 8: He's not nassy here, not yet, so I can't hold
Speaker 8: onto the place much longer and he knows it.
Speaker 3: Sorry, unpleasant candle, you ask me.
Speaker 5: Mister Holmes. You said the music gave you some clue
Speaker 5: to the message.
Speaker 4: It did, Misscutter, but it requires thought and a certain
Speaker 4: amount of musical experimentation. I doubt if this music room
Speaker 4: would welcome the consumption of an ounce of two shag tobacco.
Speaker 3: I think, therefore, that Watson and I will retire to
Speaker 3: our own rooms.
Speaker 4: With the aid of a pipe in my violin, I
Speaker 4: shall give the matter undivided attentions, and tomorrow, tomorrow own
Speaker 4: Montree Abbey will go into receiverships.
Speaker 3: Not while Sherlock Holmes is on the case.
Speaker 4: Thank you, Watson, A man of my peculiar modesty needs
Speaker 4: your constant reassurance.
Speaker 3: Good listen, though, then why not go to sleep, my dear?
Speaker 6: How can I keep scrapping where the wretched siddles.
Speaker 3: Dad, dead, dead, dead lot of rubbish did them? Half
Speaker 3: the night We'll get you. Oh, I will sleep. When
Speaker 3: the more trees are in need to seek the venerable Bee,
Speaker 3: this music will solve them all trees problems. You don't
Speaker 3: we play, mister Dams.
Speaker 4: I'll have your plot for this so well.
Speaker 10: Too bad that you're the first started back up the
Speaker 10: proceedings tomorrow.
Speaker 3: You must help us, You must when the more trees
Speaker 3: need he Oh, I've got it, spots them wake up,
Speaker 3: Wake up? What's up? Homes I prop answer Watson, I've.
Speaker 4: Solved the musical message before the night, just Drew. I
Speaker 4: think we shall find the secret of Moultrie Abbes.
Speaker 1: In just a moment, we will rejoin Sherlock Holmes and
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Speaker 1: hair timing well, Doctor Watson, I'm just as confused as
Speaker 1: I'm sure you must have been when Sherlock Holmes awakened you.
Speaker 1: What was the musical message?
Speaker 2: Supposing I tell you the story in its a actual
Speaker 2: sequet answers to go. I quickly dressed, and, in the
Speaker 2: moonlight homes and eyes still thick, crept down the corridor
Speaker 2: to Lord Carter's room. A few moments later, the three
Speaker 2: of us, carrying lanterns, started down.
Speaker 3: The staircase leading to the main hall home. If we waited,
Speaker 3: Lord Carter's room. I'm sure it is certain that I
Speaker 3: saw another door down the corridor half open and then closed.
Speaker 3: Which door wanted? The last one on the right, that's
Speaker 3: Jonathan's Ever's room. Well, I suppose he knows that we're
Speaker 3: up to, which I must confess is more than I do. Well,
Speaker 3: if I'm right, not eating devils can stop it.
Speaker 4: Now you're being confined to mysterious homes. Will you tell
Speaker 4: me why we're heading to the chapel at two in
Speaker 4: the morning. In a few moments, I shall make the
Speaker 4: reason extremely clear to you, I hope. Well, I here's
Speaker 4: the door.
Speaker 3: Look, look, look, Look whose stained glass.
Speaker 4: Windows are there? I swear that someone with a lantern
Speaker 4: in the grounds outside. Our immediate problem is here inside.
Speaker 4: Focus your lantern on the statue of the venerable Bead,
Speaker 4: Wasn't That's where the answer to the mortary legend lies.
Speaker 4: I think, for Heaven's sake, Holmes, I wish would be
Speaker 4: more explicit. Very well, let me see if I can
Speaker 4: whistle those notes written in the musical scene. The notes
Speaker 4: are B E D E B E A D. These
Speaker 4: notes were followed by a rhythmically repeated series of the
Speaker 4: note D four times. Surely now the pattern becomes clear.
Speaker 3: Well, note the E D e obviosist and for b
Speaker 3: a velnerable bad. And we're standing in front of a
Speaker 3: statue here now. But the second four notes A, B,
Speaker 3: E A D.
Speaker 4: You yourself pointed out the rosary on the Venerable Beads
Speaker 4: statue Old Kata. The notes B, E, A, D must
Speaker 4: refer to the beads of the rosary. That's why I
Speaker 4: became suspicious on first seeing the statue. The rosary did
Speaker 4: not come into use till almost five centuries after the
Speaker 4: Venerable bead, yet his statue had one.
Speaker 3: What does a repetition in the note D four times
Speaker 3: mean after the melody, I.
Speaker 4: Think it gives us the vital clue. D is the
Speaker 4: fourth letter in the alphabet, and it's repeated four times.
Speaker 4: Let's see what happens when we press the fourth bead
Speaker 4: on the Venerable bead's rosary. So, by George, I think
Speaker 4: you're on the right track.
Speaker 3: You are. Look at that section of all behind the
Speaker 3: pont It's said back, come on, let's see what it
Speaker 3: takes us to. There's a narrow stone staircase leading below.
Speaker 4: But I'll go first homes. Perhaps you have saved the
Speaker 4: Mortreine fortunes after all. I hope so, Lord Carter, I
Speaker 4: hope so. I watch your head watching on the built
Speaker 4: the steps of pigments.
Speaker 3: Homes. Do you suppose we'll find any hidden treasure down here?
Speaker 4: I shall suppose nothing buttson. In a few moments, there
Speaker 4: will be no need for conjecture. Oh, I'm afraid we've
Speaker 4: drawn a black what's wrong, Lord Carter? Look for yourself.
Speaker 3: Hmm. Deserted crypt with a few cobwebill relics.
Speaker 8: Yes, a crucifix, a bible, a gutted candlestick on the
Speaker 8: table here, or they may have some small intrinsic value,
Speaker 8: but nothing else.
Speaker 3: Oh, I was a fool to have any hopes. I
Speaker 3: was expecting to find buried treasure.
Speaker 4: Wait a moment, something, possibly the treasurer has recently been
Speaker 4: removed from here.
Speaker 3: What makes you say that? Homes?
Speaker 4: The room is thick with dust, and yet there's a
Speaker 4: large rectangular space free from dust on the table, as
Speaker 4: though a heavy folio volume had recently been lying there by. Georgia, Right, homes,
Speaker 4: and look here on the floor, fresh footprints. Yes, someone
Speaker 4: has recently anticipated our discovery.
Speaker 3: It's a very hard to guess who that someone was.
Speaker 3: Jonathan Devils Ah.
Speaker 4: Observed these curious marks on the floor by the table,
Speaker 4: four round dusts, rectangularly spaced. I should say that the
Speaker 4: Glanston bag has been placed here, a bag that was
Speaker 4: undoubtedly used to remove the treasure.
Speaker 3: Why homes? Why carry off a heavy book in a bag?
Speaker 4: Supposing that book will priceless Vanue Watson? Suppose it with
Speaker 4: the air room with the Mautar's family, and its discovery
Speaker 4: by the rightful owner might stay the estate. Yes, and
Speaker 4: I'm sure that Devils is quite capable of stealing it.
Speaker 4: The question is, though, what would he do with it?
Speaker 3: Precisely?
Speaker 4: And to answer that question, I shall try and imagine
Speaker 4: myself in the shoes and mister Devils, I am a millionaire,
Speaker 4: and therefore I don't need the treasure to risk it
Speaker 4: to tell it anyway, All I want to do is
Speaker 4: to keep it from the moor trees.
Speaker 3: So I'll destroy it. But how I have the time
Speaker 3: or the opportunity to burn it?
Speaker 4: Difficult to put a heavy book in any case, So
Speaker 4: I'm looking for some place to dispose of it where
Speaker 4: it may never be recovered. Does fathomless lag on this estate.
Speaker 4: That'd be the face the bottomless time to.
Speaker 3: Remember the devil tell us earlier that he'd been walking
Speaker 3: back this evening.
Speaker 4: Then let's go there as sash as we can. I
Speaker 4: can only pray that we're not too late, doctorK.
Speaker 6: Look here in the moonlight, he's sound of the devis.
Speaker 6: He's running towards edge in the lake. Yes, and he's
Speaker 6: getting a gladstone bag, which means that we can run
Speaker 6: faster than he can. You have your revolval, what's masters
Speaker 6: I have? Don't hesitate youth it This devil's work must
Speaker 6: be stopped.
Speaker 3: Come on faster, passed out. Oh we'll we'll never catch
Speaker 3: it is at the end of.
Speaker 6: The top that day, mister devils, you're killing me like
Speaker 6: Robin or I'll shoot.
Speaker 4: High from it and the bottom us town there, good.
Speaker 3: Tryer the tighter the mothas you, devil, you'll ruin me.
Speaker 3: I'll have the law on you for this. You're a
Speaker 3: common seat hid and how you'll prove it?
Speaker 4: Herald.
Speaker 3: I was my own judson bag and I dropped in
Speaker 3: a turn. You don't even know what was inside it.
Speaker 3: But here comes the man who can tell us. No,
Speaker 3: it's Wilson, the groom fellow. You discharged, Lord Kada. What
Speaker 3: are you doing here with?
Speaker 9: What's that book you're carry I just don't what mister
Speaker 9: Shellerfurms told me to Sir.
Speaker 3: I was following mister Devis.
Speaker 9: When he put down the bagger went off to get
Speaker 9: his Coatopho coming out here, I thought there might be
Speaker 9: something valuable in this.
Speaker 3: Took out this book and I'll fill the bag with
Speaker 3: a fool. Oh you weren't dabs where you end up
Speaker 3: in the town. Why are you're along? Let me see
Speaker 3: the book.
Speaker 4: Wilson, here, your governor, thank you, hold the lantern a
Speaker 4: little high Watson.
Speaker 3: That's it, Ah.
Speaker 4: These faded pages are written in Monkish Latin of the
Speaker 4: eighth century and the hands of the same period. Unless
Speaker 4: all my researches on the datings of documents of valueabus
Speaker 4: these may be. They must be the original manuscripts of
Speaker 4: the venerable Bede himself.
Speaker 3: Good lord, and there absolutely priceless and that means that
Speaker 3: the more trees are saved, and you, mister Devers, will
Speaker 3: have the privilege of inspecting.
Speaker 4: The interior of an English prison. Rubbish, What charge could
Speaker 4: you make? Common sat burglary?
Speaker 3: The proof would depend on the word of a softy
Speaker 3: room there.
Speaker 9: And who's going to believe the oath of a certain
Speaker 9: with a grudge over the word of a fanth Africa millionaire.
Speaker 4: I think it's high time that this uh filthy groom
Speaker 4: disclosed his true identity. All right, mister Holmes, the gentlemen,
Speaker 4: I'm Inspector eth Le Jones of Scotland, girl, and.
Speaker 3: A great credit to the force you've been, my dear,
Speaker 3: as the dud.
Speaker 4: You certainly heard or impersonation of a contry groom was
Speaker 4: martially quite masterie. And now let's return to the house,
Speaker 4: shall we. And it's nearly three in the morning, and
Speaker 4: I think we've had enough excitement for one night. Very
Speaker 4: satisfactory case, wasn't going to think? As we head back
Speaker 4: for London. I must contest to a certain glow satisfax.
Speaker 4: The fortunes of the mall trees are restored to the
Speaker 4: villain foiled and in custody and Scotland we will get
Speaker 4: the credit. You know that it calls home, so they
Speaker 4: deserve it. Asana Jones is a very enterprising fellow. Yes,
Speaker 4: what's an an immensely interesting case. You see, mont Abbey
Speaker 4: was from its name, one of the properties expropriated from
Speaker 4: the monks by Henry the Eighth, who created the Feldom
Speaker 4: undoubted the Abbots had hidden the monastery's most valuable To
Speaker 4: say the bead management.
Speaker 3: That I've post.
Speaker 2: The first girl discovered the hiding place and left the
Speaker 2: book there as a future.
Speaker 4: Security for the more Tree family, exactly leaving the cryptic
Speaker 4: verse as a clue if the more.
Speaker 3: Trees being need seek venerable bead. Yes, sir, I see
Speaker 3: it all now, you know how to me the whole
Speaker 3: case was worth it. When I saw that girl's face
Speaker 3: light up as we told them the good news, I
Speaker 3: fear that I'm less impressionable old chapter.
Speaker 4: For me, my retrospective pleasure in this case lies in
Speaker 4: the fact that an irreplaceable treasure has been saved, and
Speaker 4: that a monk who died twelve centuries ago will have
Speaker 4: been responsible for restoring the fortunes of a final family. Yes, Watson,
Speaker 4: I think that in many ways you might refer to
Speaker 4: this as an arm of successful case.