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Speaker 1: You're listening to the Paranormal UK Radio Network, the best

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in paranormal talk radio in the UK and around the world.

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Speaker 2: And now stay tuned for mc maloney's Military X Files

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on the Distant Thunder Radio Network.

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Speaker 3: We didn't lie to your folks. We told you we

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had a living, breathing monstrosity you.

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Speaker 4: Laughed at and yet you might be even.

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Speaker 5: As they are.

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Speaker 3: They did not ask to be brought into the world,

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but into the world they came. Their code is a

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lawn to themselves of yone and you are held them all.

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Speaker 2: There are more than one thousand paranormal events reported around

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the world every month. Most can be explained as natural phenomena,

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but about ten percent cannot. UFOs, ghosts, cryptids, monsters, the

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strangest of coincidences, abduction theories and remote viewing, plus what

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the hell that switch have for breakfast? All these things

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and more are revealed every week on Mac maloney's Military

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X Files show. So join Mac and the.

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Speaker 1: Rest of the Gang one one Switch Club, Raven, Susie

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and Susan, Uncle.

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Speaker 2: Al and Agent X as they delve into the ultimate

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mysteries of time and space and how much to tip

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your waitress. This is Mac maloney's Military X Files and

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now here's Mac.

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Speaker 1: Wow Wow Wow. Here we are again welcome to Mac

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maloney's Military Saw Show here on the Distant Thunder Radio Network.

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This is Mac maloney. We are broadcasting live from the

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Snobby Galley Restaurant fifty five Water Street in Newport, Massachusetts.

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A great seafood, great hamburg and a great steak and

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cheese Sammy. Now, I just realized as the opening was

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playing that it's the wrong opening because we have an

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opening from mc maloney's musical X Files, don't we Yeah?

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So what Yeah? Okay, So tonight we're doing a music

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show and music show because people have continually asked us

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to do a music show, So now we're doing it, right,

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Is that it they want? Yeah?

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Speaker 6: I've been down to doing. I've been bugging you about

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a music show too. We should do, you know, every

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every other week should be a music show.

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Speaker 1: Yeah, yeah, I wish not really, but I just let

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me introduce the members of the past. We're having more

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people join us as the show goes on. So girls,

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you're I'm not going to give you do I have

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to give you the intro on the music show? Just

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say one one no, yeah, just one one, okay, the

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very famous one one. Well, I don't know. I can

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shit yourselves down, start fanning yourself. You get your big

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box of clonings, your big box of wipes, your squeegee,

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and your lube is the very famous one one is.

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Speaker 6: Don't forget that lube. Hello, everybody, this is one one.

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Glad to be on the show, Glad to be here,

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Mac and looking forward to doing the music show as

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we are such music geeks. Yes, and that's what we

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just We just talked music. We're not talking paranormal stuff

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or the Red Sox.

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Speaker 1: Or more or less. Okay, all right. Also here in

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live studio is you have several alias? Do you want

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to use your real name or no belly button me

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in what? Yeah? Who name regularly? Okay, Mike Pooling is

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here and we're going to give him. Yeah, this guy's

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a real rock yeah, because he's a multi instrumentalist. He's

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you've heard of talk about the Sky Club on the show.

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We play sky Cup of Songs at the end if

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we don't make the time. And yeah, my did about

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ninety percent of that album and it's a it's really

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great work. And so thanks for being thank you. It's

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all lies, right, It isn't is it really? Maybe you

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don't remember it? So anyway, so Much is a drummer,

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among other things. So he brought his sneer drum tonight.

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Is that a Ludwig what I learned? No, it's a yamaha? Okay, yeah, okay,

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just so long. Yeah, every taste there. Yeah, you get

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hit that symbol ar Okay, it's too that's important. So

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tonight we're going to be just talking about music. And

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one of this idea of a few weeks ago is

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and I know exactly what you mean. You'll be driving

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along usually and the song will come on and go, man,

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I haven't heard that in like twenty years. And it's

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really a good song. But it isn't like something's on

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your playlist or it was over you know, overlooked, or

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you wouldn't have it on your playlist to begin with.

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But it's just like kind of a really cool song.

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So you just wanted to Well, we asked everyone who's

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coming on tonight just come up with two or three songs,

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and I'll give you one right now, just to start

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it off. Okay, driving them home from the station one night,

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and I don't even know what radio station was, but

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they played Macgotha Park and I go, oh, man, when's

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the last time you heard that? Right? Yeah, And it's

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this this it was in the end of the sixties.

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It's Richard Harris the actor, and Jimmy Webb wrote the music, right,

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and it's the it's the Wrecking Crew is the the

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musical background. But it's this like grand you know, opus

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kind of thing. It's it's yeah, it's this long instrumental

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the kind of it in the middle of it long long,

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you know, and it's and it's really moves and it's

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very dramatic, you know, very you know, it's like a

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stage something like a movie soundtrack. Yeah, yeah, yeah, absolutely, yeah.

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So yeah, myth the podcast really weird lyrics, has like

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psychedelic lyrics. Is I'm sure it's high when he wrote it.

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And the music is great and it's the Wrecking cre

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how Blaine is the drama. Just listen to the drums

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and that man really good, keeps the song moving in

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just such a cool way. So yeah, I said, And

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so I downloaded. I haven't on Spotify now listen to

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it all the time, but just out of the blue,

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probably hadn't heard it. It's got that up teppot beat

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the whole Yeah. Yeah. And then it's very operatic too.

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That's another thing. You know, It's like it's like, Wow,

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we'll bring her in hot. You're in hot. Yeah, a

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good friend Bob with is with us coming in hot? Right?

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Speaker 7: Hello? Boys, did you miss me?

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Speaker 1: Did Yeah? Well you know I missed her. Well, you

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know you're around and we missed her too. Even Mike

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doesn't even know her, but he's missing her. I missed it. Barbara.

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You're out in Wisconsin.

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Speaker 5: Right westconsin, yes, opposed to East Wisconsin.

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Speaker 1: That's the second guest we've had on from Wisconsin. Yeah,

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that's odd. Now why is that? I'm getting suspicious about that?

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Did snow? Did it snow out there today?

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Speaker 7: Did you have you?

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Speaker 8: You?

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Speaker 5: Are you like triple backed? I mean, did it snow

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today in Wiscon.

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Speaker 1: Here? Yeah? Okay, So, h Robert, thanks for joining us.

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I just want to introduce you to my pool. And

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he's here tonight and he's going to write. He's a drummer,

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among other things. So give her a little taste. Ready

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to go? Whoa take my wife please? Okay, So we

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just here talking about music, and we just started saying,

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and you're going to perform for us later on, and

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it just give us a little bit about your career.

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When don't we start that way? You've been doing this

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for little bit. You have some beautiful so you got

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a long career and you you're you've been on there.

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I know that you were on the road for a

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long time. Are you not still on the road.

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Speaker 5: Well, I'm on the road for other things that then

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also include music, but not like when I went out

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after high school for twenty years and was.

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Speaker 7: On the road.

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Speaker 1: Yeah yeah, yeah, yeah, yeah wow.

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Speaker 5: Well I started playing piano when I was like four

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or five. I started teaching myself. So that's how far

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back I went.

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Speaker 1: Okay, yeah, yeah, I.

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Speaker 7: Started writing songs when I was about twelve.

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Speaker 1: Really yeah, yeah, you taught yourself the piano. Yeah, that's

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that's a that's a feat, man, because the piano is

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just to me. I can't get two hands. I can't

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get two hands working together on anything, guitar, whatever, you know.

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Speaker 7: But it's wild.

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Speaker 5: It's wild when you're playing the piano to kind of

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step out and look down at what's going on and thinking, wow,

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how does that?

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Speaker 8: Yeah?

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Speaker 1: Yeah, yeah, yeah, and there's just so many different combinations.

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I mean, there's zillions of different ways you can play

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the piano, know, but a lot of songs start on

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the piano, you know what I mean? They start you know,

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people sit down and they'll doodle it on.

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Speaker 4: Yeah.

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Speaker 6: The Christian process always starts, seems to always start in

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the piano.

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Speaker 1: Yeah. Wow. So, so how many songs have you written?

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Speaker 5: I am going to say probably over a thousand, but

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I've probably got well you've seen them one I don't know,

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four or five hundred that are recorded.

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Speaker 6: Hundreds yeah, yeah, really hundreds that are real songs that yeah.

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Speaker 1: Mm all, can you could if we threw one out

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at you, could.

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Speaker 5: You okay, start at the eighth yeh ask me tell me? Okay,

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is this the whole show? You guys look great too,

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by the way, I meant to say, with the lights

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and the things I haven't seen in a while this way,

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so okay. Yeah, but anyway, yeah, back to songwriting.

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Speaker 1: Yes, wow, yeah, Well is it definitely a special talent,

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you know, and I know that a lot of times

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you someone will last, you know that last like maccont Yes,

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and you know, i'd get the idea of that song

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and they say it just comes to you, you know.

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I mean, and I guess that's through the through the

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thin air for something. Yeah, that's this tomato. That is

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that a tomato? You sure? It just comes? So? Yes,

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So how do you feel? I mean, what's what do

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you what? You know lead you to sit down and

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write a song. There's just a thought in your head

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or you see something happen or well.

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Speaker 5: For me, it was never that intentional. It was more

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like I was very traumatized. I was going through like

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a war zone family. Yes, yes, and so I had

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to like get this out of me or I was

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gonna go crazy. So but I would just listen, like

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I'm twelve or thirteen, and I was writing poetry and

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I was doodling around with music. And then one day

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I was like, oh wait, I hear these words and

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here's a melody. And then that was it. I started

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to put it together and didn't stop me.

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Speaker 7: I just write. I'd sit down. In two weeks, I'd

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write fifty songs. Wow, oh man, really crazy.

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Speaker 1: So we're talking to Barbara with a musician among other things, and.

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Speaker 6: She just got her own merch to check it out. Really, yeah,

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we Barbora with band. Really yeah, okay, I like this

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onto that. So Barbara listens. So you have merch for sale?

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Speaker 7: Uh not yet? This is this is from nineteen eighty.

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Speaker 1: Really yeah, what is that? What?

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Speaker 5: It's my Barbera with ban Tisha oh I see? Okay,

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all right, Barbara with band. And here's a cute Barbara

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with band story. We were playing in Sioux Falls, Iowa

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wherever Okay, in a bar called the Runway and it

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was an old you know, quantt hut from whatever the

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army had there, yep.

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Speaker 7: And we got there and it was like a marquee, right,

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Barbara with band and I get in there and the

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stage is really weird. It's really funky.

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Speaker 5: It's like this really skinny stage across the back and

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then there's this front part where the singer sings and

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there's glass on it and there's lights the china.

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Speaker 1: Oh yeah.

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Speaker 5: And so we start the set and they're like, yeah,

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take it off.

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Speaker 7: And I realized they thought it was Barbara because.

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Speaker 5: They were a strip joint in the in the weekdays.

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They thought Barbara brought her band.

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Speaker 1: Yeah right, yeah, yeah, yeah, Barbara with band. So what

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you do?

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Speaker 7: So what I sang and said? I said fuck you

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and sang, oh you.

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Speaker 1: Kept your clothes on.

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Speaker 5: I'm sorry, wow, really, yeah that's what you think of No,

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not at all.

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Speaker 1: But you know, we have to be funny at some point,

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so geez, if there was. If you're driving around okay,

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and we're just talking about this, like I was driving

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around the other day a while ago and hear in

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Magantha Park for the first time in easily twenty years,

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probably twenty five years. It's just amazed how good it was.

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Sounds good even though it's like really kind of hippy

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and sixty nine. Okay, there's a lot of years in that,

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but it still sounds good. It's so exciting that we're

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talking about. The Wrecking Crew is the band Jimmy Webb

241
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wrote lyrics. Richard Harris sings it. You know, he's like

242
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some you know, he's the guy guy Broadway guy. Yeah,

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mostly London stage play and stuff like that. He's an

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interesting guy. And oh, well there's a funny style. I'll

245
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tell it really really quickly because it's about Richard as

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they'll destroy ten times on the show. So Richard Harris,

247
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Richard Burton, Peter O'Toole, all those guys had had a

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club and it's the reverse of AA. If one of

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them hadn't gotten drunk in a week, they'd go get

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them and get them drunk. Right. So, I mean these

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guys were, they were famous, and they were you know,

252
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feeling their oats and they could do this stuff. So anyway,

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Richard Harris, they come and get him. He's married to

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a famous actress so that I can't remember her name.

255
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And he's gone for like a week and a half.

256
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He says, I'm just going down to the plub to

257
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you know, get a beer. And they don't see him

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for a week and a half and he's really loaded

259
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and he's just having this, you know, a week and

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a half of drinking with these guys. So anyway, his

261
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brother calls says, I think you've really done it this

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time because she's changed the locks on the gate and

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the door. You know, this is why he said, you know,

264
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you're really you're you gonna you know, you're gonna go home,

265
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but you're gonna have be in a lot of trouble.

266
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So he did. He wound up in Dublin. Okay, he

267
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lives in London, all right, So he has to fly

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home and it's like two in the morning Taxi brings

269
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them up. He has to climb over the gates because

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you know different. Combo gets up to the door, starts

271
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banging on the door because he can't get any sees

272
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her coming down the steps and he's just a mess,

273
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shows the door and he goes, why didn't you pay

274
00:14:44,360 --> 00:14:55,679
the ransom? Okay, oh wow, we talk about last day.

275
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Just talk about that.

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Speaker 7: Yes, that just jumped out of my thing or I

277
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didn't even go look for it.

278
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Speaker 1: Yeah wow, okay, interesting. Okay, what do you using as

279
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a coffee something?

280
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Speaker 7: I got it? Yeah, coaster.

281
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Speaker 1: So so with that story in mind, what have you

282
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come upon a song like that? A popular song, a

283
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song that you like, you just haven't heard it in

284
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a long time.

285
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Speaker 5: Oh gosh, you know, it's it's hard because I think

286
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there's so many because music to me today just sucks.

287
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Speaker 7: I just yea. And everywhere I traveled for the past

288
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couple of years.

289
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Speaker 5: Everywhere I went from London to Colorado to Tucson, all

290
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the background music was eighties.

291
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Speaker 1: Oh wow, Oh that's interesting.

292
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Speaker 5: Yeah, it's really nobody's gonna play the stuff that yeah, yep.

293
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Speaker 6: Yeah, nobody's gonna play the what stuff the classics from

294
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the sixties.

295
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Speaker 5: No, those are the good ones. Yeah, yeah, I want

296
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I want to hear I want to hear thunder Road.

297
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Speaker 1: Oh you know, Oh my gosh, you're huge Bruce Springsteen.

298
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Speaker 7: I had been yet.

299
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Speaker 1: How many times have you seen Bruce?

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Speaker 7: I think only once.

301
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Speaker 1: Yeah, I've seen him once. Fantastic show. I've never bought

302
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an album of his, nothing like that.

303
00:16:10,639 --> 00:16:14,639
Speaker 5: You know, back when Clarence was with them and unbelievable, yeah,

304
00:16:15,240 --> 00:16:17,120
high energy. Now he's falling away.

305
00:16:17,200 --> 00:16:19,559
Speaker 1: High energy. Three and a half hours at the at

306
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the Dome and Syracuse. Okay, they had in and half says,

307
00:16:23,039 --> 00:16:26,120
thirty thousand people there? And I said, how good is

308
00:16:26,120 --> 00:16:28,360
this going to be? But he was great? He was

309
00:16:28,519 --> 00:16:31,919
He was right, He really was. The way it's just

310
00:16:32,000 --> 00:16:33,840
it's more than a concert. It's like show, you know,

311
00:16:33,960 --> 00:16:37,519
the show and this great. Yeah. I can't say more

312
00:16:37,559 --> 00:16:37,919
about it.

313
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Speaker 7: High energy is did you ever see Prince?

314
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Speaker 1: No? I wish they did.

315
00:16:42,320 --> 00:16:45,000
Speaker 5: Oh my god, okay, Prince, here's my Prince stories. So

316
00:16:45,039 --> 00:16:48,159
I was recording early in Minneapolis. You know, I'm seventeen

317
00:16:48,279 --> 00:16:50,799
and I'm hanging out with you know, the twenty six

318
00:16:50,960 --> 00:16:53,639
thirty six year old Most of them are guys and

319
00:16:53,679 --> 00:16:57,159
this recording guy, Chris Moon, and he wants to, you know,

320
00:16:57,360 --> 00:16:59,600
record and we go and he says, yeah, I'm working

321
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with this kid.

322
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Speaker 7: Man.

323
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Speaker 5: He's just amazing explainment, stuve he plays and everything, you know.

324
00:17:04,519 --> 00:17:08,759
And then it's Prince And in Minneapolis he was coming up.

325
00:17:08,839 --> 00:17:11,759
You know, he wasn't always the god that he was,

326
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and there was this time where he was just coming

327
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up and it was really at the time of of

328
00:17:18,640 --> 00:17:22,240
the movie Purple Ray was yeah, it was the name

329
00:17:22,240 --> 00:17:25,799
of Purple r And it was just this electrical time

330
00:17:25,839 --> 00:17:29,599
in Minneapolis. We had him in the time and First

331
00:17:29,640 --> 00:17:33,160
Avenue and I saw him at first to ab during

332
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that time with the time, and oh my lord, and

333
00:17:36,640 --> 00:17:38,200
he only got better and better and better.

334
00:17:39,160 --> 00:17:41,200
Speaker 1: If only one complain about that guy. He didn't play

335
00:17:41,240 --> 00:17:45,599
the guitar enough. Man. He was believable guitar play, he was,

336
00:17:46,519 --> 00:17:48,400
but he would a lot of times he wouldn't play,

337
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which is weird.

338
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Speaker 6: It's a classic video of him doing uh my guitar

339
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fat one.

340
00:17:55,880 --> 00:17:58,519
Speaker 7: Yeah, oh my god, that he.

341
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Speaker 1: Just came out and did that. They did. Yeah, they

342
00:18:00,720 --> 00:18:03,039
didn't rehears with him or anything. They were just playing

343
00:18:03,039 --> 00:18:04,480
the song and they didn't know. You know, if she's

344
00:18:04,519 --> 00:18:06,799
going to show up. And he comes out and plays that,

345
00:18:06,839 --> 00:18:09,319
and you go, you've got to be kidding me. Every

346
00:18:10,079 --> 00:18:14,960
it's just tremendous. The concert for George Yeah yeah, the

347
00:18:15,119 --> 00:18:18,119
tribute to draw or something. Yeah. Yeah. And you can

348
00:18:18,200 --> 00:18:19,839
see the other people playing the all.

349
00:18:20,799 --> 00:18:25,039
Speaker 6: This this Donny Harrison over to his left and yeah.

350
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Speaker 1: Jeff Flynn and Tom Petty and they're all just like

351
00:18:27,559 --> 00:18:28,119
looking at him.

352
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Speaker 7: This is like and they are the great and great Yeah,

353
00:18:33,559 --> 00:18:34,920
well I know, yeah.

354
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Speaker 5: Well, and we had First Avenue, I mean, First Avenue

355
00:18:37,880 --> 00:18:41,799
is just historic in Minneapolis, and and I I got

356
00:18:41,799 --> 00:18:43,480
to open for Tower Power.

357
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Speaker 1: Oh wow on the ground. Yeah.

358
00:18:46,839 --> 00:18:49,480
Speaker 7: And then do you remember do you remember Leslie West?

359
00:18:49,720 --> 00:18:49,880
Speaker 1: Yes?

360
00:18:49,960 --> 00:18:53,640
Speaker 5: Oh yeah, I opened for him, opened for Chuck Berry.

361
00:18:54,240 --> 00:18:56,319
Speaker 1: Oh we were just thinking about Chuck Berry. No, wait

362
00:18:56,359 --> 00:18:58,759
a second, now, maybe you've told this story before. Don't

363
00:18:58,799 --> 00:18:59,720
you have a Chuck Berry story?

364
00:18:59,720 --> 00:19:01,000
Speaker 7: Didn't I do have a Chuck Berry?

365
00:19:01,400 --> 00:19:03,559
Speaker 1: Did you faint in front of him or something like that?

366
00:19:03,640 --> 00:19:04,640
Speaker 7: No, No, you're close though.

367
00:19:04,920 --> 00:19:05,000
Speaker 9: No.

368
00:19:05,200 --> 00:19:06,920
Speaker 5: You know, he comes to the town and this is

369
00:19:07,039 --> 00:19:11,359
nineteen seventy eight, right, so he's whatever wherever he is

370
00:19:11,400 --> 00:19:14,920
in his career, and of course everybody knows Chuck Berry's song.

371
00:19:15,000 --> 00:19:18,359
So he hires the band, sure, that local band, and

372
00:19:18,440 --> 00:19:23,640
he has some very strict equipment, you know, like the

373
00:19:23,720 --> 00:19:29,640
weirdestamp from nineteen whatever. And usually what happens is the guys,

374
00:19:29,680 --> 00:19:31,799
you know, they're like, oh, well, you know, we can't

375
00:19:31,839 --> 00:19:33,759
find that, but here, we'll just get him this right.

376
00:19:33,799 --> 00:19:35,960
And then he comes out and he sees that the

377
00:19:36,000 --> 00:19:39,720
am he's broken the contract and' he leaves and he

378
00:19:39,799 --> 00:19:43,160
goes to the manager and says, if I don't see

379
00:19:43,680 --> 00:19:46,799
however much money, he says on my amp, because you

380
00:19:46,839 --> 00:19:49,799
broke the contracts, I'm leaving.

381
00:19:49,880 --> 00:19:53,480
Speaker 7: He's got a car waiting. Yeah, So that's what he did.

382
00:19:53,559 --> 00:19:55,880
And no, I was doing yoga in the in the

383
00:19:55,960 --> 00:19:57,519
dressing room and he came in and he's like, are

384
00:19:57,559 --> 00:20:03,400
you okay? Perfectly, but forty minutes he took off the guitar.

385
00:20:03,480 --> 00:20:06,920
Speaker 1: He was out out the door. So Springsteen, Bruce Springsteen

386
00:20:07,519 --> 00:20:09,480
did the same thing he was just talking about on

387
00:20:09,519 --> 00:20:12,200
Howard Stern. I saw the clip of it, exact same thing.

388
00:20:12,599 --> 00:20:14,880
He comes in and and he didn't even talk to

389
00:20:14,920 --> 00:20:17,079
these guys about what songs are going to play. I mean,

390
00:20:17,079 --> 00:20:19,440
he literally drove up in his car, gets out of

391
00:20:19,559 --> 00:20:22,839
that with his guitar, gets his money, plugs in and

392
00:20:22,880 --> 00:20:24,599
you know, and they're going, Chuck, what are you gonna?

393
00:20:24,640 --> 00:20:26,559
What key? You know, you'll get it, you'll get it.

394
00:20:26,759 --> 00:20:30,640
And they do. They do you know the song? Yeah, yeah, right,

395
00:20:30,680 --> 00:20:33,240
and they do. But it didn't get paid, did it

396
00:20:33,359 --> 00:20:36,000
just for to do it? You know? Backup, Chuck Berry.

397
00:20:36,039 --> 00:20:38,599
I'm sure he did that a lot of places, you know.

398
00:20:39,119 --> 00:20:40,039
And well he.

399
00:20:40,000 --> 00:20:41,880
Speaker 7: Got pretty screwed in his career too.

400
00:20:42,640 --> 00:20:44,799
Speaker 1: Oh yeah, yeah. Earlier, I mean he got locked up

401
00:20:44,839 --> 00:20:48,920
for like stupid stuff, but later on he got locked

402
00:20:48,960 --> 00:20:51,079
up with stuff that was something that was he should

403
00:20:51,079 --> 00:20:54,039
have got locked up for. Yeah, right, exactly. Yeah, he

404
00:20:54,160 --> 00:20:57,440
was a little head cameras in the restaurant of his

405
00:20:57,519 --> 00:21:01,680
another laser of his restaurant. Yeah, it was into the

406
00:21:02,039 --> 00:21:04,319
video a little too much. But he was rock and

407
00:21:04,400 --> 00:21:06,759
roll all the way through. Yeah, yeah, yeah, yeah.

408
00:21:06,920 --> 00:21:09,960
Speaker 6: Keith Richards loved him. That's a great documentary of those

409
00:21:10,000 --> 00:21:12,799
two Hail Hail rock and roll. Oh yeah, they're get

410
00:21:12,799 --> 00:21:15,599
in a fight and and and Chuck Berry and Eric

411
00:21:15,599 --> 00:21:18,720
Clapton just happens to be there, and Chuck Berry says,

412
00:21:19,559 --> 00:21:22,720
how does this go? And Keith Richard goes you wrote it,

413
00:21:25,119 --> 00:21:27,599
and Eric Clatt just laughs, he can't believe these dude

414
00:21:27,680 --> 00:21:31,680
due to bubble heads arguing about this stuff. But then

415
00:21:31,720 --> 00:21:34,559
they show the concert is really good. He went and

416
00:21:34,640 --> 00:21:38,640
looked up his old piano player, Keith Richards, looked up

417
00:21:38,640 --> 00:21:41,079
his own piano player in Saint Louis some place. Looked up, uh,

418
00:21:41,440 --> 00:21:44,400
what is Jack Barrett, john Johnny Johnson or something something

419
00:21:44,440 --> 00:21:47,160
like that. Yeah, yeah, and Johnny Johnston.

420
00:21:47,000 --> 00:21:49,400
Speaker 1: Hadn't seen Yeah, he hadn't seen him in like thirty years.

421
00:21:49,440 --> 00:21:50,880
He said, yeah, I'll take it, you know, and he

422
00:21:51,079 --> 00:21:54,319
played and you know, wow, that's another thing too real

423
00:21:54,400 --> 00:21:57,880
quick on those that guy hard to get any money too. Yeah,

424
00:21:57,519 --> 00:22:00,160
but none of those people made any money really. I

425
00:22:00,160 --> 00:22:06,000
mean Chuck probably maybe more than most. But but it's

426
00:22:06,039 --> 00:22:08,359
it's the if you want to look at the evolution

427
00:22:08,440 --> 00:22:10,920
of it, it's like all that kind of Saint Louis

428
00:22:11,839 --> 00:22:14,920
jazz becomes kind of right, not rock and roll, but

429
00:22:15,039 --> 00:22:20,799
kind of mm hmmm uh like blues Like what am

430
00:22:20,839 --> 00:22:26,599
I trying to say? It evolved from like I don't

431
00:22:26,599 --> 00:22:32,160
want to say, Delta blues that becomes that becomes that

432
00:22:32,240 --> 00:22:36,000
goes over to England, they make it famous and then

433
00:22:36,039 --> 00:22:38,240
it comes back. That's why Keith Richards is such a

434
00:22:38,359 --> 00:22:41,279
Chuck Berry fan and put up with anything from because

435
00:22:41,400 --> 00:22:45,599
they're like, I mean, Burry, Muddy Waters, all those guys,

436
00:22:45,640 --> 00:22:50,599
all those guys, you know, they're cool. Keith Richard said,

437
00:22:50,640 --> 00:22:53,240
what's the thing playing with those guys? Yeah, they wound

438
00:22:53,319 --> 00:22:55,440
up playing and being friends with him, he says. He says,

439
00:22:55,440 --> 00:22:57,400
I went to a party of Holland Wolf's house and

440
00:22:57,440 --> 00:23:01,279
I woke up with you know, bb Kings.

441
00:23:02,000 --> 00:23:05,839
Speaker 6: Yeah, he woke up a Muddy Waters.

442
00:23:06,960 --> 00:23:12,640
Speaker 1: Yeah, that's funny, that's funny. So anyway, yeah, so it

443
00:23:12,680 --> 00:23:15,880
is that the microphone, but I hear myself.

444
00:23:17,680 --> 00:23:21,119
Speaker 6: So the evolution of rock and roll really comes from Chuck.

445
00:23:21,839 --> 00:23:27,079
Speaker 1: It's Boat Diddley and uh yeh playing that, and Robert

446
00:23:27,119 --> 00:23:29,519
Johnson came up with that first kind of you know,

447
00:23:29,559 --> 00:23:33,920
electric guitarish type thing that you would hear guitar.

448
00:23:36,000 --> 00:23:39,759
Speaker 5: The open and the blues are the blues are pulling

449
00:23:39,799 --> 00:23:43,400
out of the rock, out of the jazz. And it's

450
00:23:43,440 --> 00:23:46,759
just amazing how it morphs around the world, like you

451
00:23:46,799 --> 00:23:50,240
were saying, you know, it travels in its own life

452
00:23:50,279 --> 00:23:51,000
and its.

453
00:23:50,720 --> 00:23:54,079
Speaker 6: Own like for instance, well, I listened to an early

454
00:23:54,160 --> 00:23:56,599
Rolling Stones album. This is before they were even writing

455
00:23:56,599 --> 00:23:58,839
their own music, and they did a cover of.

456
00:24:00,440 --> 00:24:02,960
Speaker 1: Little Red Rooster. Oh yeah, there was that first kind

457
00:24:03,000 --> 00:24:04,200
of song.

458
00:24:04,319 --> 00:24:06,559
Speaker 6: Yeah yeah, I mean I've heard a Little Red Rooster

459
00:24:06,839 --> 00:24:08,920
I never heard at that time. I had never heard

460
00:24:08,920 --> 00:24:12,000
it by the original artist who was I think Alan Wolfe.

461
00:24:11,799 --> 00:24:15,359
Speaker 1: Wasn't probably yeah, yep, and they just probably.

462
00:24:16,519 --> 00:24:24,039
Speaker 6: A yeah boom And it's been covered by a million bands.

463
00:24:24,039 --> 00:24:27,160
But the Rolling Stones really put their signature on that

464
00:24:27,400 --> 00:24:30,559
sound and pumped it up a little bit.

465
00:24:30,920 --> 00:24:33,480
Speaker 1: Remember that story from Uh. They just they just do covers.

466
00:24:33,480 --> 00:24:38,799
Speaker 6: They just they added something to their style and they

467
00:24:38,799 --> 00:24:39,720
didn't muck it up.

468
00:24:39,759 --> 00:24:41,720
Speaker 1: They they made it better. They played it, you know,

469
00:24:41,880 --> 00:24:44,279
played it more rough beat to a lot of those songs.

470
00:24:44,400 --> 00:24:47,640
But they got This is from Keith Rich's book. They

471
00:24:47,680 --> 00:24:51,839
get so famous so quick on the on the coattheels

472
00:24:51,839 --> 00:24:54,000
of the Beatles. But whatever, you know, they both came

473
00:24:54,400 --> 00:24:58,720
every famous back then. That so loud they play pop

474
00:24:58,759 --> 00:25:02,160
Eye of the sale Man, remember yeah, on stage and

475
00:25:02,200 --> 00:25:05,759
no one could hear it, No one knew, no one cared.

476
00:25:05,759 --> 00:25:07,680
They were just going crazy that the Stones were there

477
00:25:07,799 --> 00:25:12,119
on the stage, shop by the by the Stone. They

478
00:25:12,119 --> 00:25:14,240
couldn't hear their own stuff anyway, it was in Keith

479
00:25:14,319 --> 00:25:18,000
Ritch's book, video or anything. No, this would be twelve

480
00:25:18,039 --> 00:25:20,279
videos I wanted to be recorded. Well, you couldn't hear it,

481
00:25:20,359 --> 00:25:22,039
That's the whole thing. No one could hear it because

482
00:25:22,039 --> 00:25:26,519
the girls are screaming so loud. They saw nuts barber.

483
00:25:26,640 --> 00:25:30,240
Speaker 6: Can you imagine playing without monitor equipment so that you

484
00:25:30,240 --> 00:25:31,119
can hear yourself?

485
00:25:31,839 --> 00:25:36,279
Speaker 5: No, I have you have not with you know, thousands

486
00:25:36,720 --> 00:25:41,759
of screaming people. But yes, often one in the early days,

487
00:25:42,200 --> 00:25:44,440
you know, I'd show up at a college I was

488
00:25:44,559 --> 00:25:48,920
doing solo, right, and it's the seventies, right, and they'd go,

489
00:25:49,960 --> 00:25:53,000
you play the piano, and then they go down in

490
00:25:53,039 --> 00:25:55,759
the basement into the closet in the back and they'd

491
00:25:55,759 --> 00:25:56,279
pull out.

492
00:25:56,160 --> 00:26:00,200
Speaker 1: In your ear. Yeah, yeah, yeah, okay.

493
00:26:00,200 --> 00:26:02,559
Speaker 5: So that was a that was a so you know,

494
00:26:03,160 --> 00:26:06,920
and here's to all of the musicians, the young uns

495
00:26:06,960 --> 00:26:09,519
who are on the road who never ever, ever, ever

496
00:26:09,640 --> 00:26:13,599
make it to the pinnacle of the stones, laying in

497
00:26:13,720 --> 00:26:17,079
all kinds of I don't know what it's like these days,

498
00:26:17,119 --> 00:26:20,480
but being on the road as a soloist, and you know,

499
00:26:20,559 --> 00:26:25,319
in bands too, but in the Middle America, Yeah, it was.

500
00:26:26,279 --> 00:26:28,880
Speaker 7: It was rich. It often wasn't glamorous.

501
00:26:30,400 --> 00:26:33,799
Speaker 1: How does Bob Dylan do it year after year? Because

502
00:26:33,799 --> 00:26:34,599
he's Bob Dylan.

503
00:26:35,640 --> 00:26:38,960
Speaker 5: Yeah, but he got he went from you know, god

504
00:26:39,079 --> 00:26:42,119
to demon right, they took out rock and roll and

505
00:26:42,160 --> 00:26:44,759
suddenly they hated his guts and booed him off this.

506
00:26:50,359 --> 00:26:53,279
Speaker 1: Yeah, I mean because he That movie was terrible. I think,

507
00:26:53,480 --> 00:26:55,599
did you see the movie? I didn't see it. I

508
00:26:55,640 --> 00:26:58,400
want to see it. I heard it was good, but terrible.

509
00:26:58,720 --> 00:27:01,039
It's like a harm I movie.

510
00:27:01,079 --> 00:27:03,839
Speaker 6: You know, it's like somebody a big star like that,

511
00:27:03,839 --> 00:27:05,720
that's you can't do it.

512
00:27:05,160 --> 00:27:07,799
Speaker 1: It's like walk on neck shows. I'll tell you this though.

513
00:27:08,200 --> 00:27:11,559
It was. It was a crummy movie. In addition to that, Okay,

514
00:27:12,079 --> 00:27:14,200
you look at people. You know it's a bad movie

515
00:27:14,279 --> 00:27:17,319
when people come and go in it and you go,

516
00:27:17,799 --> 00:27:20,799
who's that again? And what's she doing? And does she

517
00:27:21,079 --> 00:27:23,200
you know? And and you're going through that throw out

518
00:27:23,279 --> 00:27:26,359
the movie, these people coming in, you know, who is he?

519
00:27:26,519 --> 00:27:29,559
And stuff like that. But what it did show is

520
00:27:29,599 --> 00:27:32,839
that before that you had all this Pete Seeger stuff

521
00:27:32,839 --> 00:27:37,039
out there, which is fine, but as as hell, and

522
00:27:37,079 --> 00:27:40,039
it's always it's it's there's no melody, there's no bridge,

523
00:27:40,279 --> 00:27:43,519
there's no middle part and they're always bitching about something.

524
00:27:44,000 --> 00:27:49,920
So well it was then is the best is the

525
00:27:49,920 --> 00:27:51,960
best time ever? You know when you look back on

526
00:27:52,039 --> 00:27:55,440
so anyway, so when Dylan did, he brought in like melody,

527
00:27:55,440 --> 00:27:58,559
he brought in like choruses, he brought in you know.

528
00:27:58,599 --> 00:28:02,319
He he really did change that that folky stuff to

529
00:28:02,480 --> 00:28:05,920
something that was more interesting than it ever was. Okay,

530
00:28:06,400 --> 00:28:07,960
and he do that right away.

531
00:28:08,079 --> 00:28:11,039
Speaker 6: He kind of emulated a lot of things folkies that

532
00:28:11,079 --> 00:28:14,160
were really talking about tough times and uh.

533
00:28:14,000 --> 00:28:16,319
Speaker 1: Yes, yeah, and in the lyrics are true. The first

534
00:28:16,359 --> 00:28:19,160
two years of No he did the same thing. They

535
00:28:19,200 --> 00:28:21,839
were protest songs, but it was there was a difference.

536
00:28:21,680 --> 00:28:24,960
Speaker 6: Birch society blues and the lyrics.

537
00:28:24,960 --> 00:28:26,799
Speaker 1: And that's another thing. He wrote lyrics, well, the other

538
00:28:26,880 --> 00:28:33,119
lyrics weren't that you know, you know by the book. Yeah.

539
00:28:33,160 --> 00:28:37,000
Speaker 5: His was gothic poetry. Write poetry to really gothic.

540
00:28:37,680 --> 00:28:40,319
Speaker 1: So he could write, he could write lyrics, he could

541
00:28:40,319 --> 00:28:42,720
write music. He just couldn't sing. But it didn't make

542
00:28:42,720 --> 00:28:45,279
any difference, you know, because it was.

543
00:28:45,599 --> 00:28:48,359
Speaker 6: But Lay Lady Lay, I think was the first song

544
00:28:48,400 --> 00:28:50,640
I ever heard that said, man, that's Bob Dylan.

545
00:28:50,799 --> 00:28:53,599
Speaker 1: Yeah, yeah, I want you. It was also in the

546
00:28:53,720 --> 00:28:55,440
song and say, what the heck happened?

547
00:28:55,440 --> 00:28:57,400
Speaker 5: You know, It's like he was recording Blood on the

548
00:28:57,480 --> 00:29:00,000
Tracks in Minneapolis at the same time.

549
00:29:00,119 --> 00:29:01,920
Speaker 7: I was in the studio with a bunch of my friends.

550
00:29:01,920 --> 00:29:04,839
Speaker 5: We were doing stuff and you see them I did,

551
00:29:04,920 --> 00:29:07,960
and they and then they'd cross pollinate like a bunch

552
00:29:07,960 --> 00:29:11,119
of Minneapolis musicians. Oh really yeah, uh go over there

553
00:29:11,240 --> 00:29:13,960
and then that. I think that's maybe my favorite of

554
00:29:14,000 --> 00:29:14,839
his album.

555
00:29:15,079 --> 00:29:17,680
Speaker 1: Did you did you meet him? Talk to him? Did

556
00:29:17,720 --> 00:29:19,160
he ask you if you were all right when.

557
00:29:19,000 --> 00:29:23,359
Speaker 5: You're laying No, I was just I was singing back

558
00:29:23,440 --> 00:29:28,039
up on all of these tall folks singing guitar, you know,

559
00:29:28,200 --> 00:29:31,480
rock and roll guys. So I was just the backup singer.

560
00:29:31,960 --> 00:29:35,039
So I got to just sort of peer around everybody.

561
00:29:36,279 --> 00:29:41,160
Speaker 1: You know that he has a very lucrative welding business,

562
00:29:41,160 --> 00:29:42,119
Bob Dylan.

563
00:29:43,640 --> 00:29:46,200
Speaker 7: You mean like dirty jobs, you mean welding or like art.

564
00:29:46,440 --> 00:29:53,680
Speaker 1: Yes, yeah, he sells. He sold one to a casino,

565
00:29:53,799 --> 00:29:56,559
the opening to a casino. It's just it looks like

566
00:29:56,640 --> 00:29:59,640
someone did in the thirties, all different kind of Jake

567
00:29:59,720 --> 00:30:00,640
saw and stuff like that.

568
00:30:00,720 --> 00:30:02,519
Speaker 7: I bet just his name's on it.

569
00:30:03,759 --> 00:30:05,799
Speaker 1: But there's pictures of him. I send him to you. Right,

570
00:30:05,839 --> 00:30:07,920
he's in his metal shop and he's got the hat

571
00:30:08,000 --> 00:30:10,680
down the whole mine yeahs and go wow, Bob Dylan,

572
00:30:10,839 --> 00:30:13,240
it looks like he made something out of lawnmower. Well,

573
00:30:13,240 --> 00:30:16,079
but yeah, he takes we had pots and puts them

574
00:30:16,079 --> 00:30:17,079
together like we do it.

575
00:30:17,119 --> 00:30:19,160
Speaker 7: Tom's burned down cafe in the summer.

576
00:30:20,279 --> 00:30:24,039
Speaker 6: The business that they rebuild it, it's.

577
00:30:24,440 --> 00:30:27,079
Speaker 1: Yeah, yeah, yeah, yeah. So you live in an island

578
00:30:27,119 --> 00:30:30,319
where what it empties out of the winter, right it does.

579
00:30:30,480 --> 00:30:32,640
Speaker 5: It gets down about four hundred people in the winter,

580
00:30:33,160 --> 00:30:36,519
and it's it can be a tough place to be.

581
00:30:36,920 --> 00:30:39,440
Speaker 1: And the ferry only runs what once a day in

582
00:30:39,480 --> 00:30:39,880
the winter.

583
00:30:40,920 --> 00:30:44,359
Speaker 5: The faery only runs until the ice freezes, and then

584
00:30:44,599 --> 00:30:47,200
there's a period of time between the time where the

585
00:30:47,240 --> 00:30:50,480
ice freezes enough to drive on it and the ferry runs.

586
00:30:50,559 --> 00:30:54,559
It's called the wind sled. The wind sled you can't

587
00:30:54,559 --> 00:30:57,359
take you can't take a car on it. But it's

588
00:30:57,400 --> 00:31:00,519
like a hydrofoil. But the big airplane engine on the

589
00:31:01,039 --> 00:31:03,440
if it cracks through the ice, it just keeps going

590
00:31:03,599 --> 00:31:04,400
sort of like that.

591
00:31:04,599 --> 00:31:06,799
Speaker 1: So cracks through the ice.

592
00:31:08,039 --> 00:31:11,359
Speaker 6: The drama home man, So you go to a shop

593
00:31:11,400 --> 00:31:14,039
and say for your groceries, you're coming back on the

594
00:31:14,079 --> 00:31:14,519
wind sled.

595
00:31:14,839 --> 00:31:17,119
Speaker 1: Yeah, yeah, you might come back.

596
00:31:17,200 --> 00:31:20,839
Speaker 7: Yeah, Okay, hey, listen, I got caught. I got caught

597
00:31:20,880 --> 00:31:24,400
one year where they said don't draw. There's a crack

598
00:31:24,720 --> 00:31:27,000
in the you can take the ice road all the

599
00:31:27,000 --> 00:31:29,720
way to Bayfield, but don't cross that crack. Well, I

600
00:31:29,759 --> 00:31:32,559
thought I'd just sneak over with my little Kia, get

601
00:31:32,599 --> 00:31:33,920
some gas and come back.

602
00:31:33,960 --> 00:31:37,160
Speaker 5: And oh, my back wheels were in that crack, and

603
00:31:37,279 --> 00:31:39,960
that was some harrowing, really really.

604
00:31:41,240 --> 00:31:41,480
Speaker 7: Yeah.

605
00:31:41,559 --> 00:31:44,000
Speaker 5: I called the guy, you know, the friend who was like,

606
00:31:44,200 --> 00:31:46,440
don't tell anybody, and they hooked me up and then

607
00:31:46,480 --> 00:31:47,400
we can't get me out.

608
00:31:47,680 --> 00:31:48,160
Speaker 1: Wow.

609
00:31:48,400 --> 00:31:51,240
Speaker 5: So we're sitting there hooked up, My tires are in

610
00:31:51,279 --> 00:31:53,920
the crack, We're in this truck, and I'm like, we're

611
00:31:53,960 --> 00:31:56,279
talking about what happens if the car just starts to

612
00:31:56,279 --> 00:31:58,640
go under will it pull us down to or how

613
00:31:58,680 --> 00:32:00,400
long does it take to how long do they give

614
00:32:00,440 --> 00:32:02,680
you to get the car out from under the water?

615
00:32:02,920 --> 00:32:03,599
Speaker 7: Now do you do that?

616
00:32:03,680 --> 00:32:06,400
Speaker 5: And finally then the guy came and he's like popped

617
00:32:06,480 --> 00:32:08,519
us out and he's like just ask me next time.

618
00:32:08,559 --> 00:32:12,279
Speaker 7: I'll tell you where you can go safely, but you

619
00:32:12,480 --> 00:32:12,880
dumb bro.

620
00:32:13,079 --> 00:32:16,480
Speaker 5: Yeah, oh no, everybody said an ice road moment. That

621
00:32:16,599 --> 00:32:18,599
was my first one in like forty five years, so

622
00:32:18,680 --> 00:32:19,000
I would go.

623
00:32:19,000 --> 00:32:22,440
Speaker 6: Okay, ice road moment, driving right, good, that's what they

624
00:32:22,480 --> 00:32:24,799
call it. Madeline Island, matt Island for sure.

625
00:32:24,640 --> 00:32:27,839
Speaker 1: Yeah, Madland ice road moments. Listen, we're gonna have a

626
00:32:27,839 --> 00:32:30,559
moment here. We're going to take a commercial break now. Okay,

627
00:32:30,640 --> 00:32:32,920
hopefully I can get a beer. Yeah, after all that

628
00:32:33,079 --> 00:32:34,559
excitement here.

629
00:32:34,440 --> 00:32:37,599
Speaker 6: With Bob, I could see her on the ice road, yes, right,

630
00:32:37,680 --> 00:32:41,160
singing a happy tune. All of a sudden, do this,

631
00:32:41,400 --> 00:32:44,079
It's start, It's start the list to one.

632
00:32:44,000 --> 00:32:46,960
Speaker 7: Side that one.

633
00:32:48,559 --> 00:32:51,559
Speaker 1: We are here with Baba with one one is here

634
00:32:51,640 --> 00:32:54,519
and no belly button man, Mike pull And we're talking

635
00:32:54,559 --> 00:32:57,880
about music tonight. And why don't we just take a

636
00:32:57,880 --> 00:33:00,160
break now and we'll be right back after the Yes,

637
00:33:00,359 --> 00:33:01,519
please stay tune.

638
00:33:03,799 --> 00:33:07,319
Speaker 9: My dad, he's a double ampute and yeah with one

639
00:33:07,319 --> 00:33:09,160
of my favorite people in the world.

640
00:33:09,960 --> 00:33:12,119
Speaker 4: To be a hero is someone who fights for a

641
00:33:12,160 --> 00:33:13,119
country and freedom.

642
00:33:13,559 --> 00:33:14,720
Speaker 10: My dad is a hero.

643
00:33:15,519 --> 00:33:18,279
Speaker 7: Pos for our troops built this house, and my dad

644
00:33:18,319 --> 00:33:21,920
can get through the wide doorways. She can reach anything.

645
00:33:21,960 --> 00:33:22,920
Speaker 9: Homes for our troops.

646
00:33:22,920 --> 00:33:26,400
Speaker 7: Build and donate specially adapted custom homes nationwide for severely

647
00:33:26,440 --> 00:33:28,799
injured Post nine to eleven veterans and enables them to

648
00:33:28,799 --> 00:33:32,519
rebuild their lives. Join our mission at HFOTUSA dot org.

649
00:33:33,079 --> 00:33:36,079
Speaker 11: Do you know where the world's most secret bases are located?

650
00:33:36,599 --> 00:33:39,240
Do you know what spooky action at a distance means?

651
00:33:40,000 --> 00:33:42,640
Is there a conspiracy by Alias to prevent us from

652
00:33:42,720 --> 00:33:45,799
conquering space? And when it is the best place in

653
00:33:45,839 --> 00:33:52,559
the United States to see a real UFO. Find the

654
00:33:52,640 --> 00:33:55,880
answers to all these questions and more in mac malodey's

655
00:33:55,920 --> 00:34:00,279
new book, mac Malodey's Haunted Universe. Visit places you never

656
00:34:00,359 --> 00:34:03,519
knew exist in the vandom tunnels of Tokyo, the UFO

657
00:34:03,680 --> 00:34:07,920
Trail in South America, OG's Hats, and the very mysterious

658
00:34:08,159 --> 00:34:12,239
m Triangle. Mac malodies Haunted Universe contains hundreds of reports

659
00:34:12,239 --> 00:34:16,519
on ghosts, haunted planes and ships, weird celebrity deaths, mysterious sounds,

660
00:34:16,559 --> 00:34:19,719
and a breakdown of every monster in America.

661
00:34:19,280 --> 00:34:20,559
Speaker 1: States by state.

662
00:34:20,960 --> 00:34:23,519
Speaker 11: You've heard him talk about it on the radio. Now

663
00:34:23,679 --> 00:34:27,039
get all of Max's paranobal research in one large volume.

664
00:34:27,480 --> 00:34:30,760
Mac Maloney's Haunted Universe with the forward by the very

665
00:34:30,800 --> 00:34:34,400
famous one One on sale now in your local bookstore

666
00:34:34,559 --> 00:34:38,519
or on Amazon dot com.

667
00:34:38,559 --> 00:34:42,280
Speaker 1: And I just kept going on and on about myself.

668
00:34:42,559 --> 00:34:45,079
Speaker 6: I'm taking a leak in the driveway. Just I know

669
00:34:45,199 --> 00:34:48,000
you'd like to talk to total stranger. The story has

670
00:34:48,000 --> 00:34:49,760
got nothing to do with the Bruins. Gain, it's what

671
00:34:49,880 --> 00:34:52,199
happened with Grandma. I was wondering if those.

672
00:34:52,079 --> 00:34:58,119
Speaker 1: Were Sado messocresm straps or something. But I digress from

673
00:34:58,159 --> 00:34:58,800
what I don't know.

674
00:34:58,920 --> 00:35:02,719
Speaker 11: Get into the beautiful one one only on the Mac

675
00:35:02,760 --> 00:35:04,719
Maloney Military Exile Show.

676
00:35:44,079 --> 00:35:49,880
Speaker 1: Wow, here we are. We're back Mac Maloney's Musical Exile Show.

677
00:35:50,880 --> 00:35:54,400
There on the Distant Thunder Radio Network. We are broadcasting

678
00:35:54,480 --> 00:35:58,199
live from the Stobby Galley Restaurant. New Report, fifty five

679
00:35:58,199 --> 00:36:01,360
Water Street, New Report, great Seafood, great Hamburgers in great

680
00:36:01,440 --> 00:36:04,920
steak and gee you see me different show tonight so

681
00:36:05,280 --> 00:36:08,159
well on the panel here next to me, it's a

682
00:36:08,239 --> 00:36:11,960
very famous one one. Girls, very girls.

683
00:36:12,679 --> 00:36:15,760
Speaker 6: You can hear them sighing. I got, I got my

684
00:36:15,880 --> 00:36:18,679
vibe for fire on to touch my vibe.

685
00:36:18,800 --> 00:36:25,280
Speaker 1: Really double trouble, it's a double one one gets just squeeze.

686
00:36:25,360 --> 00:36:34,840
We have a drummer bodies. Also with us as my poolman,

687
00:36:38,199 --> 00:36:41,960
famous famous drummer also known as no belly button man.

688
00:36:42,719 --> 00:36:48,119
Just a little taste of those skins there, not the

689
00:36:48,119 --> 00:36:53,480
potato skins, but that's fine, okay. Also with us joining

690
00:36:53,599 --> 00:36:56,800
us is our good friend up there on Wisconsin Bible

691
00:36:56,880 --> 00:36:59,239
with Bibra. Thanks for joining us. It has been too long,

692
00:37:00,039 --> 00:37:00,519
too long.

693
00:37:00,800 --> 00:37:02,320
Speaker 7: I'm back though, m.

694
00:37:02,320 --> 00:37:04,400
Speaker 1: Back and better than ever, you know.

695
00:37:04,679 --> 00:37:07,480
Speaker 5: Yeah, with a bullet, we used to say, with a

696
00:37:07,519 --> 00:37:09,920
bullet right up the charts.

697
00:37:10,599 --> 00:37:13,880
Speaker 1: Also with us talk about bullets, is Switchblade Steve Wood

698
00:37:13,920 --> 00:37:16,840
down there on my sister's tank Top, West Virginia.

699
00:37:17,800 --> 00:37:20,320
Speaker 8: Great to be here again representing tank Top. I mean

700
00:37:20,400 --> 00:37:21,440
who else would.

701
00:37:21,480 --> 00:37:26,000
Speaker 1: Well, I know, Steve allegedly knows about music. That's why

702
00:37:26,000 --> 00:37:26,800
he's on tonight.

703
00:37:28,679 --> 00:37:31,159
Speaker 8: Hey, if we get into film soundtracks at all, I'm

704
00:37:31,199 --> 00:37:31,559
your man.

705
00:37:31,800 --> 00:37:35,800
Speaker 1: Okay, only two hours show that night. Also with us

706
00:37:35,920 --> 00:37:38,800
is Kim Sheha, a good friend up there in Edmonton, Canada. Kim,

707
00:37:38,920 --> 00:37:42,360
thank you. He's got that haircut, he's got that bill

708
00:37:42,440 --> 00:37:46,239
my haircut. Look at that right, all right, don't say

709
00:37:46,320 --> 00:37:49,480
he's going to be some kind of character actor or

710
00:37:49,519 --> 00:37:52,320
something that you're happy because the Edmonton oiler is now

711
00:37:52,360 --> 00:37:53,679
at this point three to one.

712
00:37:53,559 --> 00:37:56,599
Speaker 4: Right, Yeah, go winners.

713
00:37:56,800 --> 00:37:58,800
Speaker 1: Yeah, they played a really good game last night.

714
00:37:59,360 --> 00:38:03,400
Speaker 4: That was fun. That was fun. So you've got to

715
00:38:03,400 --> 00:38:05,320
give it to the Stars. I mean, they're a good team.

716
00:38:05,519 --> 00:38:08,280
They they've been hustling their butt trying to get a

717
00:38:08,280 --> 00:38:10,159
goal but can't get by Skinner.

718
00:38:10,519 --> 00:38:13,880
Speaker 1: Yeah, he's a really good going man. He stops, he's done.

719
00:38:14,280 --> 00:38:16,840
Speaker 4: He's been fantastic to see him play so well.

720
00:38:17,599 --> 00:38:24,400
Speaker 1: Doubt anyway, So your music found too, right? Yeah, oh

721
00:38:24,440 --> 00:38:25,400
my life for sure.

722
00:38:25,519 --> 00:38:27,679
Speaker 4: I mean I can't say I'm an expert on the

723
00:38:27,760 --> 00:38:31,800
subject in regards to names and instruments, but I mean

724
00:38:31,840 --> 00:38:34,119
when it comes to the music itself, for sure, it's

725
00:38:34,159 --> 00:38:37,480
like I think it's just kind of something that gets

726
00:38:37,480 --> 00:38:41,639
inside your cry. I think we've all been so lucky

727
00:38:41,679 --> 00:38:43,480
at our age, you know, you guys, like all of

728
00:38:43,559 --> 00:38:47,239
us so lucky to hear so many different musicians over

729
00:38:47,280 --> 00:38:51,639
our lifetime play and do their utmost greatest stuff. And

730
00:38:51,679 --> 00:38:55,000
I think I think that's you know, it's as you

731
00:38:55,039 --> 00:38:57,280
go along in life and you talk to the younger folks,

732
00:38:57,320 --> 00:38:58,960
and I mean, yeah, they kind of get a little bit,

733
00:38:58,960 --> 00:39:02,480
but it's just like I realize how lucky, yes our age,

734
00:39:02,639 --> 00:39:06,559
you know, to see the coolest people ever on this planet, honestly.

735
00:39:06,320 --> 00:39:08,320
Speaker 1: As you say, And we are really lucky when you

736
00:39:08,360 --> 00:39:10,239
think about that, because we lived in this age of

737
00:39:11,000 --> 00:39:15,559
just repeat what you said, incredible explosion of music from different,

738
00:39:15,719 --> 00:39:18,119
really weird way. I mean someone said, if you take

739
00:39:18,199 --> 00:39:21,360
the population of Britain and divided by the name of

740
00:39:21,480 --> 00:39:24,679
like big rock rules, they have like a very un

741
00:39:25,119 --> 00:39:29,880
even amount of talent comes from that little country to

742
00:39:30,039 --> 00:39:32,280
rule rock and roll. I mean, you know, it's I mean,

743
00:39:32,280 --> 00:39:34,119
when you think about it, you know, the Beatles and

744
00:39:34,159 --> 00:39:35,079
everyone after them.

745
00:39:35,159 --> 00:39:38,639
Speaker 6: It was pretty shocking that great Britain and England in

746
00:39:38,719 --> 00:39:41,599
general would rule during that period of time. It still

747
00:39:41,639 --> 00:39:45,599
does in away right in the era of when the

748
00:39:45,679 --> 00:39:49,239
BBC had their issues with some rock and roll music

749
00:39:49,280 --> 00:39:52,519
coming from America or even homegrown stuff, they would ban

750
00:39:52,639 --> 00:39:54,719
it just figrints.

751
00:39:54,760 --> 00:39:56,840
Speaker 1: I mean, we don't like that word of banning it,

752
00:39:56,920 --> 00:39:58,760
but I think that they they were the only game

753
00:39:58,800 --> 00:40:01,360
in town as far as radio thing. Banning it helped,

754
00:40:01,519 --> 00:40:04,000
you know, the rock explosion, let's say whatever on the

755
00:40:04,000 --> 00:40:06,480
British explosion. But there's a great book that I know

756
00:40:06,559 --> 00:40:08,360
both of us read it. It was was the name of it,

757
00:40:08,639 --> 00:40:13,599
James Bond, the Beatles and Live and Let Ye Live

758
00:40:13,639 --> 00:40:19,480
and let Something. Uh wow, great book. We should remember

759
00:40:19,519 --> 00:40:22,320
the title. But basically what it was, this guy sat

760
00:40:22,400 --> 00:40:27,840
down and he just took the parallel experiences of the

761
00:40:27,840 --> 00:40:31,639
Beatles and James Bond movies. Okay, Live and let don

762
00:40:31,679 --> 00:40:32,159
who knows the.

763
00:40:33,280 --> 00:40:35,039
Speaker 7: Live and let Die, Live and Let Die.

764
00:40:35,599 --> 00:40:36,840
Speaker 1: Yeah, that was the name of it. But he had

765
00:40:36,840 --> 00:40:40,760
a more clever title like Living Something that was called

766
00:40:40,800 --> 00:40:44,320
the Beatles, James Bond and the British Psychic, the British Psyche. Yeah.

767
00:40:44,800 --> 00:40:48,159
So like, for instance, the first James Bond movie came

768
00:40:48,199 --> 00:40:50,639
out the day that Loved Me Do came out, Okay,

769
00:40:50,679 --> 00:40:54,760
and it goes from there. The ways that they intersect

770
00:40:55,000 --> 00:40:59,199
are really really kind of interesting. But they came in

771
00:40:59,280 --> 00:41:02,960
a point where after World War Two Britain was like broke.

772
00:41:03,320 --> 00:41:05,559
I mean that, like the whole place was like in

773
00:41:05,559 --> 00:41:08,360
the depression for years and years and years.

774
00:41:08,280 --> 00:41:11,800
Speaker 6: And Love and Let Die Bond, the Beatles, and the

775
00:41:11,800 --> 00:41:13,400
British Psyche, Love and Let Die.

776
00:41:13,519 --> 00:41:15,719
Speaker 1: Yeah, just to get it right for our listeners, right,

777
00:41:15,960 --> 00:41:18,920
great book. If you can find that book, really read it. Okay,

778
00:41:19,039 --> 00:41:21,079
I wrote When I saw the cover it said Beatles

779
00:41:21,079 --> 00:41:23,199
in double O seven, I said, I bought it. I

780
00:41:23,199 --> 00:41:25,400
didn't if it said the British Psyche in the bottom,

781
00:41:25,440 --> 00:41:27,679
I don't know why I would have bought it.

782
00:41:29,039 --> 00:41:32,599
Speaker 5: What's the implication though, that they're that they coincide? Is

783
00:41:32,639 --> 00:41:36,360
it like intentional? Is it like the history spiritual?

784
00:41:36,920 --> 00:41:39,000
Speaker 1: Well, they don't know. I mean there's so many times.

785
00:41:39,199 --> 00:41:41,079
Speaker 6: Well, some of the examples was the history of the

786
00:41:41,159 --> 00:41:44,039
music as it was becoming popular. I have different songs

787
00:41:44,119 --> 00:41:47,159
were becoming popular by the Beatles. There were these parallel

788
00:41:47,239 --> 00:41:50,360
lifestyle things going on in the country, right and.

789
00:41:50,239 --> 00:41:52,280
Speaker 7: Reflected inspired by.

790
00:41:52,360 --> 00:41:56,400
Speaker 6: Inspired by, and reflected in some of the James Bond

791
00:41:56,480 --> 00:42:00,039
movie content, right right. That is uncanny the way the

792
00:42:00,039 --> 00:42:03,119
way the books written. It's uncanny how many parallels they were.

793
00:42:03,199 --> 00:42:05,199
Speaker 1: And then the Beatles come would help, And that's basically

794
00:42:05,280 --> 00:42:08,480
a James Bond plot. Let's say those kind.

795
00:42:08,360 --> 00:42:13,159
Speaker 6: Of but but a lot of their great moments happened

796
00:42:13,199 --> 00:42:15,159
like almost like on the same day.

797
00:42:15,320 --> 00:42:17,519
Speaker 1: And and and the point of this whole thing was

798
00:42:17,519 --> 00:42:20,440
that the guy said that you know, they're so broke

799
00:42:20,480 --> 00:42:23,400
after World War two and they used to rule the world.

800
00:42:23,639 --> 00:42:25,559
They said, well, can they possibly rule. Now you know

801
00:42:25,559 --> 00:42:29,079
what they did. They ruled the entertainment world. They took

802
00:42:29,079 --> 00:42:31,760
over the entertainment world, the global entertainment world.

803
00:42:32,039 --> 00:42:34,119
Speaker 6: You know, they took they took it over so much

804
00:42:34,159 --> 00:42:37,480
as some American bands try to emulate the British. British

805
00:42:37,480 --> 00:42:40,599
bands like Theos for example, you know.

806
00:42:40,679 --> 00:42:42,440
Speaker 1: I mean they wanted to be like them, you know,

807
00:42:42,559 --> 00:42:47,000
so uh it really super duple book is the last

808
00:42:47,119 --> 00:42:50,239
chapter he talks about that celebration they had in England

809
00:42:50,239 --> 00:42:53,599
and what was that about? You were the queen parachuted

810
00:42:53,679 --> 00:42:57,119
in with the double O seven you know that thing? Yeah,

811
00:42:57,159 --> 00:43:00,599
the centennial with some British stuff, right, But he does

812
00:43:00,599 --> 00:43:04,800
this whole thing about Maccarttony playing there and and it

813
00:43:04,960 --> 00:43:09,320
was a jubilee. Yeah, some excuse to have a party.

814
00:43:09,360 --> 00:43:10,360
But she whizz and.

815
00:43:10,360 --> 00:43:15,880
Speaker 6: I was there for the seventieth seventieth jubilee seventy years.

816
00:43:15,719 --> 00:43:20,760
Speaker 1: She died right after she died after YEA, so cool. So, Kim,

817
00:43:20,760 --> 00:43:24,079
do you do you have a favorite song? I'm gonna

818
00:43:24,119 --> 00:43:28,639
switching to do you have a favorite song? I don't.

819
00:43:29,239 --> 00:43:32,320
Speaker 8: I don't think I have a favorite. I mean, when

820
00:43:32,320 --> 00:43:37,039
I was going through the list of just dozens and dozens.

821
00:43:36,239 --> 00:43:37,639
Speaker 1: Name on so we know you got a song that

822
00:43:37,679 --> 00:43:38,480
gives you goose.

823
00:43:38,960 --> 00:43:40,840
Speaker 8: Autumn by the Moody Blues.

824
00:43:40,800 --> 00:43:44,960
Speaker 1: Forever Autumn of Justin Heywood sings that.

825
00:43:44,960 --> 00:43:50,119
Speaker 8: Song, right, but which part of the thath re telling

826
00:43:50,239 --> 00:43:53,960
of More of the World Jess Wayne and with Liam

827
00:43:54,039 --> 00:43:57,280
Neeson narrating it and being one like one of the characters.

828
00:43:57,400 --> 00:44:00,119
Speaker 1: Yeah, that's a very sad song. And he tells a

829
00:44:00,159 --> 00:44:02,400
story about that too. The song contacted him, So we

830
00:44:02,920 --> 00:44:04,679
you sing this song, it's going to be for this,

831
00:44:04,960 --> 00:44:09,039
uh this Wire of the World's movie and uh he said, okay,

832
00:44:09,239 --> 00:44:11,199
didn't Yeah, I guess got paid. Didn't hear from them?

833
00:44:11,199 --> 00:44:13,280
And the next thing, you know, like it's a hit record.

834
00:44:13,519 --> 00:44:15,800
You know that's not what happens sometimes so these guys,

835
00:44:16,519 --> 00:44:17,280
but that is it.

836
00:44:17,280 --> 00:44:19,960
Speaker 8: It's it's a standalone song if you don't know the connection, right, Yeah,

837
00:44:19,960 --> 00:44:22,159
with the Jeff Wayne record, it's it's perfect.

838
00:44:22,239 --> 00:44:24,199
Speaker 1: Yeah, you would have a song, yeah, yeah, it really

839
00:44:24,239 --> 00:44:26,400
is a good song. Yeah. The movie blues are interesting.

840
00:44:26,480 --> 00:44:29,599
I mean a lot of people have to I don't

841
00:44:29,639 --> 00:44:31,440
want to say a choir taste, but you know, the

842
00:44:31,599 --> 00:44:34,800
kind of beatle ish and they brought in a melotron

843
00:44:34,920 --> 00:44:36,639
for the first time. They were really the first kind

844
00:44:36,679 --> 00:44:40,119
of band with a melotron and did some interesting things.

845
00:44:40,159 --> 00:44:41,920
They really did. You know, a lot of people thought

846
00:44:41,920 --> 00:44:44,599
they were a little I don't want to say fairy rock.

847
00:44:45,360 --> 00:44:52,039
Whoa where are you? It's worse every time we're paying

848
00:44:52,159 --> 00:44:52,559
this guy.

849
00:44:53,039 --> 00:44:56,280
Speaker 6: Yeah, but justin Haber's going on a solo tour, right, No.

850
00:44:56,320 --> 00:44:57,840
Speaker 1: Yeah, they had a lot of yeah, yeah, a lot

851
00:44:57,840 --> 00:44:59,599
of I mean, he's done that, He's done that. And

852
00:44:59,639 --> 00:45:01,480
then the John Lodge you got on the bass player

853
00:45:01,639 --> 00:45:04,639
was a great bass player, super Dupa base. I've seen

854
00:45:04,679 --> 00:45:07,239
it a couple of times in the concert. Was he

855
00:45:07,280 --> 00:45:10,679
does he does tours too? Okay? Gray Edges passed away.

856
00:45:10,719 --> 00:45:13,800
Mike Pinder originally Keebop play He passed away, Ray Thomas.

857
00:45:13,920 --> 00:45:16,159
Mike Pinder is one of the original movies. Right.

858
00:45:16,840 --> 00:45:20,280
Speaker 6: Danny Lane was Denny Lane was seeing his famous go

859
00:45:20,480 --> 00:45:24,320
Now which he he sang with Wings.

860
00:45:23,840 --> 00:45:27,159
Speaker 1: And our friend I'm saying Mock and ice friend Patrick

861
00:45:27,199 --> 00:45:30,079
Moraspili with them for eleven years. Eleven years. He was

862
00:45:30,079 --> 00:45:32,880
in the Moody Lewis. Yeah, yeah, interesting. They made a

863
00:45:32,880 --> 00:45:34,400
lot of money. I mean, you know a lot of

864
00:45:34,400 --> 00:45:38,639
people like them. Why not, you know, so, uh, Kim,

865
00:45:38,679 --> 00:45:41,079
what's your favorite song some kind of weird Canadian song

866
00:45:41,159 --> 00:45:41,800
that we don't.

867
00:45:41,639 --> 00:45:47,079
Speaker 4: Know, like Cashmere, I mean go by led Zeppelin.

868
00:45:47,760 --> 00:45:51,480
Speaker 8: Yeah, isn't that a category weird Canadian songs? I mean

869
00:45:51,480 --> 00:45:52,840
you can google it, right.

870
00:45:53,000 --> 00:45:56,199
Speaker 4: I was talking about Bruce Coburn today that Yeah, yeah,

871
00:45:56,400 --> 00:45:57,760
loving a Dangerous Time.

872
00:45:57,719 --> 00:45:59,440
Speaker 1: That's kind of yeah, that's a clue in.

873
00:45:59,280 --> 00:46:02,440
Speaker 4: One of our songs in Canada that's been done by

874
00:46:02,440 --> 00:46:06,119
so many other bands. Yeah, I don't know that. I'm

875
00:46:06,119 --> 00:46:08,800
like you, Steve. You I got a lot of music

876
00:46:08,840 --> 00:46:11,960
that I like. I mean I go across every genre,

877
00:46:12,440 --> 00:46:14,440
every genre of music. I have something that I was

878
00:46:14,480 --> 00:46:16,920
just playing Gershwin. I don't know. It's just kind of

879
00:46:16,960 --> 00:46:22,320
like whatever kind of hits my tune and vibrates me

880
00:46:22,360 --> 00:46:23,519
in the right way. I'm into.

881
00:46:24,880 --> 00:46:27,559
Speaker 1: One of the best things John like some of Max music.

882
00:46:27,639 --> 00:46:31,039
I don't say that. One of the best things John

883
00:46:31,079 --> 00:46:33,280
Lennon never said was he just said, simply, don't be

884
00:46:33,320 --> 00:46:36,159
a snob about music. Listen to every kind of don't

885
00:46:36,199 --> 00:46:38,280
just he was basically saying, don't just listen to rock

886
00:46:38,320 --> 00:46:40,320
and roll, is what he was saying. Yeah, but just

887
00:46:40,360 --> 00:46:42,719
listen to everything. You know, if that's what it's there for,

888
00:46:43,360 --> 00:46:47,760
jazz sound trash page. Well, I don't know if you

889
00:46:47,800 --> 00:46:48,039
want to.

890
00:46:48,039 --> 00:46:49,199
Speaker 7: Go back, you know.

891
00:46:49,320 --> 00:46:51,880
Speaker 5: And when I was starting out as in the seventy

892
00:46:51,920 --> 00:46:55,480
two as a folks not a folk singer, but a soloist,

893
00:46:55,599 --> 00:46:59,679
go ahead, I just play what I love to sing.

894
00:47:00,119 --> 00:47:02,639
I love to sing Springsteen. And everyone was like, you can't.

895
00:47:02,960 --> 00:47:06,280
You're a woman, you can't sing Springsteen. It's like, well,

896
00:47:06,320 --> 00:47:09,679
I think I can and do and do, and so

897
00:47:09,800 --> 00:47:12,280
it was just like you said, Kim, I have this

898
00:47:12,400 --> 00:47:15,760
wide mixture of you know, when Sonny gets blue to

899
00:47:16,079 --> 00:47:17,480
uh to thunder Road.

900
00:47:17,880 --> 00:47:19,360
Speaker 7: I mean, that's the fun of it.

901
00:47:20,559 --> 00:47:24,679
Speaker 1: Let me tell one about musician jokes your mind, Bob,

902
00:47:24,840 --> 00:47:29,800
if we do okay, get ready, what's your definition of

903
00:47:29,840 --> 00:47:39,880
an optimist? No, folks sing with a lutgage? Sorry, Bauer.

904
00:47:40,599 --> 00:47:46,599
Speaker 6: I can't say that about Judy Collins or no.

905
00:47:46,039 --> 00:47:48,280
Speaker 1: Uh no, I mean some do make it. Yeah, yeah,

906
00:47:48,320 --> 00:47:51,440
there's no doubt about it. But Jerny Mitchell, Jerny Mitchell.

907
00:47:51,679 --> 00:47:54,559
Speaker 5: No. But when when I was coming up in it, uh,

908
00:47:54,880 --> 00:47:56,639
the way I tell it is I was I was

909
00:47:56,719 --> 00:48:00,239
dog sitting one time and the owner said, this dog

910
00:48:00,639 --> 00:48:05,519
doesn't really he doesn't respond to food, and I said, oh,

911
00:48:05,559 --> 00:48:07,679
come on, and I can put a hamburger.

912
00:48:07,199 --> 00:48:08,639
Speaker 7: On the floor. Would not.

913
00:48:09,360 --> 00:48:12,719
Speaker 5: And that's how I felt about making money. It's like

914
00:48:12,960 --> 00:48:16,400
I didn't respond to someone saying here's the money because

915
00:48:16,440 --> 00:48:17,760
I just wanted to be.

916
00:48:17,719 --> 00:48:19,840
Speaker 7: A rock star and I didn't. You know, I would

917
00:48:19,920 --> 00:48:21,039
have paid to be a rock star.

918
00:48:21,320 --> 00:48:22,639
Speaker 1: Sure, yes, right yet.

919
00:48:22,519 --> 00:48:25,079
Speaker 5: But that they paid me one hundred and fifty dollars

920
00:48:25,159 --> 00:48:28,639
a night was tremendous for a while, you know. But

921
00:48:28,719 --> 00:48:31,679
you get to a point where and I've seen my

922
00:48:31,760 --> 00:48:34,159
friends in Minneapolis who have come up through the years

923
00:48:34,199 --> 00:48:39,360
and they have a wonderful uh enough venues to do

924
00:48:39,719 --> 00:48:42,880
regular shows. But I don't know anybody who goes out

925
00:48:42,880 --> 00:48:44,320
there on the road like we used to.

926
00:48:44,920 --> 00:48:47,039
Speaker 7: I'm sure they're out there. I just don't know any

927
00:48:47,079 --> 00:48:47,360
of them.

928
00:48:47,440 --> 00:48:49,400
Speaker 1: Can you just ask something about the dog? How long

929
00:48:49,440 --> 00:48:56,480
did that dog live without eating? You said, the dog

930
00:48:56,519 --> 00:48:59,800
didn't respond to food. He wouldn't eat, right, the dog

931
00:49:00,159 --> 00:49:01,119
some kind of disorder.

932
00:49:01,199 --> 00:49:04,480
Speaker 7: He would eat when he wanted to eat. You weren't

933
00:49:04,519 --> 00:49:05,440
going to make.

934
00:49:05,360 --> 00:49:08,360
Speaker 5: Him do anything, okay, all right, waving the food in

935
00:49:08,400 --> 00:49:10,519
front of him, He's like, did.

936
00:49:10,400 --> 00:49:18,800
Speaker 1: He sleep at all? Wow? Okay? All right one. I'm

937
00:49:18,840 --> 00:49:21,239
going to throw out a couple of fun facts here. Okay,

938
00:49:21,320 --> 00:49:24,599
do you mind? Yeah, it's about time for creditline. In

939
00:49:24,639 --> 00:49:28,039
nineteen eighty Living or Not, Ringo had a successful furniture

940
00:49:28,159 --> 00:49:33,079
business you know that, Yeah, in the eighties. Yeah, he

941
00:49:33,159 --> 00:49:36,400
teamed up with some furniture designer, sold very high and

942
00:49:37,320 --> 00:49:41,559
furniture like chrome furniture, that kind of stuff, and was

943
00:49:41,679 --> 00:49:44,119
very successful at it. I guess you know he was

944
00:49:44,119 --> 00:49:46,880
out of my price range or one't they? We talked

945
00:49:46,920 --> 00:49:52,760
about earlier that Bob Dylan has a successful welding business

946
00:49:52,840 --> 00:49:56,559
where he welds ot and I couldn't live till just

947
00:49:56,679 --> 00:49:59,960
someone mentioned to me and I looked on YouTube. Sure

948
00:50:00,079 --> 00:50:02,760
off the pictures of him welding away and his big

949
00:50:02,760 --> 00:50:05,199
shot with a hand on the worst. Yeah. Funny.

950
00:50:05,280 --> 00:50:07,280
Speaker 8: Well, you know when it comes to the first your business,

951
00:50:07,519 --> 00:50:08,920
they usually don't come easy.

952
00:50:10,320 --> 00:50:15,760
Speaker 1: Wow, excellent Chris, when he didn't have to be prompted

953
00:50:15,800 --> 00:50:16,559
on all right.

954
00:50:16,440 --> 00:50:18,639
Speaker 8: He's horrible. Pun in there early.

955
00:50:18,880 --> 00:50:22,400
Speaker 6: Don't you have a fun fact about which beatles solo

956
00:50:23,440 --> 00:50:25,559
right hit the charts more often?

957
00:50:25,639 --> 00:50:27,840
Speaker 1: So the Beatles break up, just a little hit Beatles break

958
00:50:27,880 --> 00:50:32,719
up and they all go into solo careers. That's I

959
00:50:32,760 --> 00:50:35,400
think that's right to say. Okay, George Harrison comes out

960
00:50:35,480 --> 00:50:42,280
with this triple album called which is incredible. Still Roger

961
00:50:42,400 --> 00:50:45,679
selling beetle solo album and it's a three record set,

962
00:50:45,800 --> 00:50:51,519
so think about that. Okay, McCartney had hit songs, hit albums.

963
00:50:51,559 --> 00:50:54,000
But Lennon, David think you had hit songs and hit

964
00:50:54,079 --> 00:50:58,760
albums and Weno did too. What Beatle had more number

965
00:50:58,760 --> 00:51:02,719
one hits than as a solo Beatle? Mick, you should

966
00:51:02,719 --> 00:51:10,000
know this what Beatle had. Paul, You're right on that, Dah,

967
00:51:10,119 --> 00:51:12,880
get right on that, Mic I want to say, Paul, Yeah,

968
00:51:12,920 --> 00:51:14,239
it's Ringo, believe it or not.

969
00:51:14,440 --> 00:51:15,559
Speaker 7: That's what I was going to say.

970
00:51:16,360 --> 00:51:20,360
Speaker 6: A lot of the number one hits, I think his

971
00:51:20,519 --> 00:51:24,000
best for the cover of You're Sixteen Your Beautiful, and

972
00:51:24,559 --> 00:51:27,119
think about in rock and roll in the in its

973
00:51:27,519 --> 00:51:33,320
incubation period, a lot of songs talking about girls who

974
00:51:33,320 --> 00:51:36,920
are sixteen watch it, well, yeah I have the right

975
00:51:37,599 --> 00:51:41,880
sweet little sixteen. Yes, right, you're sixteen, you're beautiful in

976
00:51:41,880 --> 00:51:42,159
your mind.

977
00:51:42,239 --> 00:51:45,960
Speaker 1: Let's get back the fun. Thanks before you know what's

978
00:51:46,000 --> 00:51:46,480
up with that?

979
00:51:46,719 --> 00:51:50,559
Speaker 8: Sammy just seventeen? If you know what I mean, we

980
00:51:50,679 --> 00:51:51,239
don't know it.

981
00:51:51,880 --> 00:51:57,599
Speaker 1: Uh, Sam, I don't know what I mean, Sammy Haga,

982
00:51:58,159 --> 00:52:03,199
Sammy hag Wan, Yes, can't in his brother this this

983
00:52:03,239 --> 00:52:05,480
should be true, of false, Sammy Hager and his brother

984
00:52:05,559 --> 00:52:11,239
on the second largest fire alarm company in the United States. Okay,

985
00:52:11,480 --> 00:52:14,159
Sammy Hager, this is true. Sammy Hager and his brother

986
00:52:14,719 --> 00:52:19,079
on the second largest fire alarm company in the USA.

987
00:52:19,480 --> 00:52:24,559
It's called fire Chief, Inc. And And what they did

988
00:52:24,760 --> 00:52:27,039
was I don't know who his brother is, but you know,

989
00:52:27,119 --> 00:52:30,920
once he became kind of famous, his brother was able

990
00:52:30,960 --> 00:52:35,039
to pass a Lauren California that said, instead of putting

991
00:52:35,320 --> 00:52:38,199
fire alarms in these apartment buildings that they were building

992
00:52:38,239 --> 00:52:41,960
like crazy, put sprinklers in them. And they said, if

993
00:52:41,960 --> 00:52:44,239
you can prove that this sprinkle can put out this

994
00:52:44,320 --> 00:52:47,920
fire that's raging after five minutes, we'll do it. They

995
00:52:47,960 --> 00:52:49,880
did it, and they passed a lot say you have

996
00:52:49,960 --> 00:52:54,679
to sprinklers in all these abutments. Wow. So yeah, he's

997
00:52:54,719 --> 00:52:57,960
made more money out of that. He also had a

998
00:52:57,960 --> 00:53:00,599
tequila brand that he sold for one hundred million dollars.

999
00:53:00,639 --> 00:53:04,079
He's made more money doing this than being a rock star.

1000
00:53:04,239 --> 00:53:08,199
That guy, and he's in Van Halen. Bruce Dickinson of

1001
00:53:08,360 --> 00:53:13,559
Iron Maiden Iron Maid love that guy. Okay, three things

1002
00:53:13,599 --> 00:53:17,599
about him. Number one, he's a licensed pilot. He flies

1003
00:53:17,760 --> 00:53:20,679
their plane. Now do you really want the leads of

1004
00:53:20,719 --> 00:53:26,719
Iron Maiden flying your plane? Okay, that's cool. He's a

1005
00:53:26,760 --> 00:53:30,840
fencing instructor, a fencing instructor, and he runs a very

1006
00:53:30,920 --> 00:53:35,079
expensive beer brewery. Wow. Okay, let's see wha one more?

1007
00:53:35,199 --> 00:53:38,039
Okay you should know this. They want he of the

1008
00:53:38,079 --> 00:53:41,840
five original Rolling Stones, which one performed under a different

1009
00:53:41,920 --> 00:53:45,800
name than his own. Who had an aliens in the

1010
00:53:45,880 --> 00:53:46,639
Rolling Stones?

1011
00:53:51,239 --> 00:53:51,440
Speaker 4: Uh?

1012
00:53:52,320 --> 00:53:56,519
Speaker 1: Jones? Brian Jones. Yeah, no, that was his real name.

1013
00:53:56,599 --> 00:53:59,440
Speaker 6: No, well, I know, but he didn't he in he

1014
00:54:00,360 --> 00:54:06,079
called himself. Uh he named himself after a famous blues

1015
00:54:06,119 --> 00:54:07,039
player from the past.

1016
00:54:07,119 --> 00:54:10,320
Speaker 1: Now his name is Brian Jones, right, it's Bill Wyman.

1017
00:54:10,800 --> 00:54:14,920
Oh yeah. Bill Wyman's original name was William Perks, that's right.

1018
00:54:15,079 --> 00:54:17,199
And he took on Bill Wyman as a he was.

1019
00:54:17,400 --> 00:54:19,320
He was also in the Royal if Force. Imagine that

1020
00:54:19,360 --> 00:54:25,159
guy was in the Royal Uh. He's the official keeper

1021
00:54:25,199 --> 00:54:28,519
of all he kept, has a couple of books up. Man,

1022
00:54:28,559 --> 00:54:33,320
he kept everything, all kinds of tapes and changed his name.

1023
00:54:33,360 --> 00:54:37,920
For some reason. Bill Wyman thought it sounded cool. So anyway, Okay,

1024
00:54:38,039 --> 00:54:40,440
let's see, so I switch if you thought of your

1025
00:54:40,440 --> 00:54:42,920
favorite song. Is there some bobber Shop quat Tet or

1026
00:54:42,960 --> 00:54:46,000
something song that you like you strike me in from

1027
00:54:46,039 --> 00:54:46,679
of those guys?

1028
00:54:47,880 --> 00:54:51,480
Speaker 8: Yeah, something from Andy of Mayberry maybe you know. I can't.

1029
00:54:51,920 --> 00:54:53,679
I don't think I could think of a favorite song.

1030
00:54:53,719 --> 00:54:56,320
I mean I must have two dozen favorite songs.

1031
00:54:57,119 --> 00:54:59,719
Speaker 1: Yeah, just a song about your favorite Who's your favorite artist? Yeah?

1032
00:54:59,760 --> 00:55:03,719
Who you whose records you buy? Well?

1033
00:55:03,719 --> 00:55:06,119
Speaker 8: Back in the old days, it was Cat Stevens.

1034
00:55:05,719 --> 00:55:09,320
Speaker 1: There you go Cheer in the Fire Cat album. Yeah,

1035
00:55:09,880 --> 00:55:11,280
his best album was lit a Box.

1036
00:55:12,559 --> 00:55:15,000
Speaker 8: I guess one of my favorites of his was On

1037
00:55:15,039 --> 00:55:19,400
the Road to find Out, Oh Yeah, which kind of

1038
00:55:19,440 --> 00:55:21,719
resonated with me when I was from Europe back in

1039
00:55:21,760 --> 00:55:22,480
the old days.

1040
00:55:22,800 --> 00:55:24,599
Speaker 7: Wasn't that tea for the Tillerman.

1041
00:55:25,840 --> 00:55:25,920
Speaker 2: Was?

1042
00:55:26,280 --> 00:55:29,280
Speaker 8: Yes, it wasn't on teaser in the Fire Cat it

1043
00:55:29,320 --> 00:55:30,400
was for the Tiller.

1044
00:55:30,719 --> 00:55:33,440
Speaker 1: Do you remember the one You might remember this? Maybe

1045
00:55:33,480 --> 00:55:37,599
myke he he got in the controversy, couldn't controversy Cat

1046
00:55:37,639 --> 00:55:40,039
Steven's and the Stripper down in the combat zone, remember

1047
00:55:40,039 --> 00:55:43,440
that story. So he comes to town, he plays and

1048
00:55:43,639 --> 00:55:45,559
how weird it is he plays the boss. He got

1049
00:55:45,639 --> 00:55:48,559
he's huge. Somehow he gets his way down to the

1050
00:55:48,559 --> 00:55:51,840
combat zone in the Boston, which was this two blocks

1051
00:55:51,880 --> 00:55:57,519
of dirty movies, stripper clubs, really good pizza, Giants is

1052
00:55:58,719 --> 00:56:01,039
King of Pizza. That was my favorite play literally the

1053
00:56:01,079 --> 00:56:03,880
combat zone, okay, and and Boston just kind of let

1054
00:56:03,920 --> 00:56:06,639
this go. Okay. So he finds himself down there. He

1055
00:56:06,679 --> 00:56:12,199
falls in love with this stripper, she's very young. They

1056
00:56:12,800 --> 00:56:16,519
have this whirlwind kind of rocks don Roman. She dumps him,

1057
00:56:17,039 --> 00:56:19,639
She dumps him to go back to stripping down the

1058
00:56:19,639 --> 00:56:23,039
combat zone. He called her mother every night for a

1059
00:56:23,159 --> 00:56:26,079
year to see how she was. Yeah, yeah, yeah, and

1060
00:56:26,159 --> 00:56:29,320
then I guess heined the Muslim sect. And right after that,

1061
00:56:29,920 --> 00:56:33,880
but yeah, yeah at Stevens, you know, now he's trying

1062
00:56:33,880 --> 00:56:35,639
to make a comeback to I think he just came

1063
00:56:35,679 --> 00:56:37,159
out with some album, some.

1064
00:56:37,079 --> 00:56:40,880
Speaker 5: Books well and T for the Tillerman was the soundtrack

1065
00:56:40,920 --> 00:56:41,800
to Harold and Matt.

1066
00:56:42,199 --> 00:56:50,440
Speaker 1: Yeah right there. Yeah, yeah. I thought his stuff was

1067
00:56:50,480 --> 00:56:53,039
a little boring, a little almost like a little too

1068
00:56:53,760 --> 00:56:56,519
polished for I thought the production value.

1069
00:56:56,880 --> 00:57:01,000
Speaker 4: And spoke to me, yeah, I mean we thought we

1070
00:57:01,000 --> 00:57:02,480
were going to get answers from him.

1071
00:57:02,440 --> 00:57:05,559
Speaker 6: A lot of good guitar playing a lot of good.

1072
00:57:06,639 --> 00:57:11,000
This backup guitar player was really good. Yeah, I don't know,

1073
00:57:11,239 --> 00:57:14,440
kind of preachy, but peace trained, peace strain.

1074
00:57:14,679 --> 00:57:18,960
Speaker 1: It's kind of the kids. Yeah, you hear that like

1075
00:57:18,960 --> 00:57:24,320
two or three times. How about the the those guys

1076
00:57:24,400 --> 00:57:27,119
from Cleveland, the Ojs, they did peace Strain. I'd listened

1077
00:57:27,159 --> 00:57:32,199
to that one hundred freaking times. Uh. Anyway, Okay, well

1078
00:57:32,400 --> 00:57:33,440
let's uh one more.

1079
00:57:33,559 --> 00:57:35,000
Speaker 7: Are you gonna ask me my favorite song?

1080
00:57:35,079 --> 00:57:35,159
Speaker 9: Oh?

1081
00:57:35,239 --> 00:57:36,320
Speaker 1: Yeah, so I thought we did.

1082
00:57:36,400 --> 00:57:39,400
Speaker 5: Okay please, No, we were reminiscing about have you heard

1083
00:57:39,440 --> 00:57:41,719
a song? But well, I just wanted to say, and

1084
00:57:41,800 --> 00:57:42,719
this is this isn't.

1085
00:57:42,840 --> 00:57:44,519
Speaker 7: I don't mean this to be egotistical.

1086
00:57:44,599 --> 00:57:48,920
Speaker 5: It's just that I wrote this song, and it's if

1087
00:57:48,960 --> 00:57:51,960
I had of all the thousands of songs I've written, yep,

1088
00:57:52,039 --> 00:57:54,400
I would say it was my favorite song. And it

1089
00:57:54,480 --> 00:57:57,119
might be just my favorite song in the whole, whole

1090
00:57:57,159 --> 00:57:59,159
whole world because none of the other great songs in

1091
00:57:59,199 --> 00:58:02,880
the world can like sit right inside me like it does.

1092
00:58:02,960 --> 00:58:04,440
Speaker 7: And it's dancing on the beach.

1093
00:58:04,559 --> 00:58:06,880
Speaker 1: Oh I love that song. Yeah, yeah, that is a

1094
00:58:06,920 --> 00:58:09,320
really good song. Can you play that for us?

1095
00:58:10,280 --> 00:58:10,400
Speaker 9: No?

1096
00:58:10,480 --> 00:58:11,880
Speaker 7: But you have a video, but you could.

1097
00:58:12,000 --> 00:58:15,199
Speaker 1: Yeah, we'd like to hear it. You can do it live?

1098
00:58:15,760 --> 00:58:17,079
Speaker 7: I can't. I told one.

1099
00:58:17,159 --> 00:58:20,280
Speaker 5: I spent all day trying to figure out how to

1100
00:58:20,360 --> 00:58:21,800
get the from the thing.

1101
00:58:22,440 --> 00:58:24,280
Speaker 1: What if I play it and then she can sing

1102
00:58:24,320 --> 00:58:24,679
with it?

1103
00:58:26,119 --> 00:58:27,719
Speaker 7: You want to see the video though?

1104
00:58:27,800 --> 00:58:29,960
Speaker 1: The video is great? We can watch the video. Well,

1105
00:58:30,000 --> 00:58:32,079
we should just help people about the video. Why don't

1106
00:58:32,079 --> 00:58:34,159
we Why don't we leave? Why don't we play out

1107
00:58:34,199 --> 00:58:36,679
the segment? Okay, with the song, and then we'll take

1108
00:58:36,719 --> 00:58:38,880
a commercial break and then we'll be back. All right,

1109
00:58:39,159 --> 00:58:42,360
all right, this is all set up. We're just gonna

1110
00:58:42,360 --> 00:58:44,159
take a quick commercial break. This all set up here?

1111
00:58:44,159 --> 00:58:45,199
Where was this video done?

1112
00:58:45,199 --> 00:58:49,920
Speaker 7: By the way, I think I was at my kitchen table.

1113
00:58:52,079 --> 00:58:54,239
Speaker 5: I moved around the house, so sometimes I worked out

1114
00:58:54,280 --> 00:58:56,239
it in the bedroom and sometimes I work down it

1115
00:58:56,320 --> 00:58:56,800
on the coach.

1116
00:58:56,880 --> 00:58:59,079
Speaker 1: Looks like you're in the human layers. Yeah, what happened,

1117
00:59:01,039 --> 00:59:02,800
isn't that? Don't you on the mountain here?

1118
00:59:02,840 --> 00:59:02,920
Speaker 2: Oh?

1119
00:59:03,000 --> 00:59:06,639
Speaker 1: You mean you put together the film in your kitchen? Yeah?

1120
00:59:06,760 --> 00:59:07,840
Speaker 7: When you say it, you'll see.

1121
00:59:08,000 --> 00:59:11,559
Speaker 1: Okay, all right, well he has some kind of porn movie.

1122
00:59:11,559 --> 00:59:18,639
Now you want to put on barbs Once the drummers away.

1123
00:59:19,440 --> 00:59:22,440
Speaker 6: This is this is Barbara Speed, quite erotic no matter

1124
00:59:22,480 --> 00:59:23,000
what she does.

1125
00:59:25,119 --> 00:59:29,000
Speaker 1: All right, when we play out the kids, help fants,

1126
00:59:29,880 --> 00:59:33,519
I can't help. All right? Are you ready?

1127
00:59:33,519 --> 00:59:33,679
Speaker 8: Then?

1128
00:59:34,639 --> 00:59:37,559
Speaker 1: Yeah, okay, here we go Boba Wood dancing on the beach. Excellent,

1129
00:59:37,920 --> 00:59:39,679
go ahead, Okay.

1130
00:59:44,320 --> 00:59:50,119
Speaker 10: We're not gonna be able to see it though, it's.

1131
00:59:49,960 --> 00:59:50,960
Speaker 7: A whole experience.

1132
00:59:54,639 --> 01:00:01,320
Speaker 10: Then I took my radio, my rock 'n' roll.

1133
01:00:02,760 --> 01:00:05,159
Speaker 7: Until moon light bay.

1134
01:00:06,719 --> 01:00:12,679
Speaker 9: Along the way, I strained to see your campfire.

1135
01:00:15,239 --> 01:00:16,519
Speaker 7: I even came.

1136
01:00:18,039 --> 01:00:23,039
Speaker 1: Loud, you name, I.

1137
01:00:22,920 --> 01:00:27,760
Speaker 4: Said, Steven, Come dancer.

1138
01:00:28,599 --> 01:00:38,039
Speaker 7: I've got this perfect beach con dance, con dance all.

1139
01:00:40,440 --> 01:00:41,000
Speaker 1: The beach.

1140
01:00:47,920 --> 01:00:51,239
Speaker 9: I jumped it by the red and green of his

1141
01:00:51,760 --> 01:00:53,239
horly lights.

1142
01:00:55,119 --> 01:00:59,159
Speaker 7: It fired his wheels untinke of a fly went.

1143
01:01:00,880 --> 01:01:04,599
Speaker 1: But the moon ist fall so it's.

1144
01:01:07,599 --> 01:01:10,519
Speaker 10: And was celebrating down here on.

1145
01:01:10,599 --> 01:01:17,400
Speaker 7: The street of dreams. I said, come dance, let's dance.

1146
01:01:17,760 --> 01:01:24,760
I have a perfect beach. Come dance. Come dancing on

1147
01:01:25,320 --> 01:01:38,960
the beach. Come dance, calm dancing on the beach. Summer

1148
01:01:39,000 --> 01:01:43,440
wrapped her love around to keep by surprise.

1149
01:01:45,440 --> 01:01:48,280
Speaker 4: What do you do with soo?

1150
01:01:48,920 --> 01:01:50,400
Speaker 5: What can you do with pride?

1151
01:01:52,320 --> 01:01:59,000
Speaker 7: You know you just can't trasstin everyone you meet, not

1152
01:01:59,239 --> 01:02:00,559
unless it's dance.

1153
01:02:01,519 --> 01:02:09,679
Speaker 9: To dance on the beach, con dance, Come dancing on

1154
01:02:10,199 --> 01:02:21,519
the beach. So wait until the night falls. Then bring

1155
01:02:21,719 --> 01:02:23,079
your radio.

1156
01:02:24,719 --> 01:02:29,480
Speaker 7: Get your heart, take your soul at the moonlight Bay

1157
01:02:30,519 --> 01:02:31,000
along the.

1158
01:02:31,079 --> 01:02:38,360
Speaker 9: World, strange to see my campfire, because I'm about the celebrating.

1159
01:02:39,320 --> 01:02:45,159
Speaker 7: I'm dancing. Then a word said, con dance.

1160
01:02:46,000 --> 01:02:51,599
Speaker 9: Let's dance at the perfect beach, the perfect beach. To dance,

1161
01:02:52,239 --> 01:03:02,199
all dancing on the beach. Dance, Oh dance, long beach.

1162
01:03:05,159 --> 01:03:05,480
Speaker 4: Dance.

1163
01:03:05,880 --> 01:03:15,280
Speaker 9: Oh dancing on the beach, dance, Oh dancing all the beach.

1164
01:03:25,199 --> 01:03:28,920
Speaker 10: Con dance, con dance.

1165
01:03:35,400 --> 01:03:37,639
Speaker 1: The beach. Wow. You know what instead of going to

1166
01:03:37,840 --> 01:03:42,079
the Yeah, we really want to clap here. That is

1167
01:03:42,119 --> 01:03:45,679
a beautiful song. It really is. It's it's yeah. Some

1168
01:03:45,800 --> 01:03:47,719
of the and and I'm not an expert on this,

1169
01:03:47,880 --> 01:03:49,920
these guys not, but some of the chord changes in

1170
01:03:50,000 --> 01:03:53,599
that are really really, really really well done. You know,

1171
01:03:54,199 --> 01:03:55,880
you didn't go to the place that everyone thought you

1172
01:03:55,920 --> 01:03:57,480
were going to go. You went to some place better.

1173
01:03:58,039 --> 01:04:00,880
I love that. Yeah, thank you, Barbs.

1174
01:04:02,880 --> 01:04:08,519
Speaker 5: And nowadays with the kinds of graphic services and video services,

1175
01:04:08,679 --> 01:04:13,000
and you can pull all those clips of people dancing

1176
01:04:13,079 --> 01:04:13,559
on the beach.

1177
01:04:14,000 --> 01:04:17,599
Speaker 4: Yeah yet voice, thank you very.

1178
01:04:19,280 --> 01:04:21,519
Speaker 1: Wow. Let's take a break. Now get drunk and not

1179
01:04:21,599 --> 01:04:24,800
get drunk and well we read back. You're listening to

1180
01:04:24,920 --> 01:04:28,119
mccloney's musical X Files show here on the Distant Thunder

1181
01:04:28,239 --> 01:04:30,760
Radio Network. Please stay tuned.

1182
01:04:34,280 --> 01:04:37,039
Speaker 2: Well, Hello Mac maloney fans, this is Pistol Pete.

1183
01:04:37,280 --> 01:04:37,440
Speaker 8: Hey.

1184
01:04:37,599 --> 01:04:40,119
Speaker 2: You know, by all reports, twenty twenty five is going

1185
01:04:40,159 --> 01:04:42,719
to be a rough and tumble year. Who knows what's

1186
01:04:42,760 --> 01:04:45,559
going to happen next, but whatever it is, you should

1187
01:04:45,599 --> 01:04:48,920
be prepared. And to help you do that, Mac Maloney's

1188
01:04:48,960 --> 01:04:52,280
Military X Files has assembled the one and only one

1189
01:04:52,400 --> 01:04:56,199
one survival pack. That's right, the one one survival pack.

1190
01:04:56,360 --> 01:04:59,360
It includes a seat cushion, a fan, a big box

1191
01:04:59,400 --> 01:05:02,599
of Kleenex, a big box of wipes, a squeegee, and

1192
01:05:03,000 --> 01:05:05,800
some kind of lube. Everything you need for when the

1193
01:05:05,880 --> 01:05:08,519
asteroid hits. Now you've heard Mac talk about it a

1194
01:05:08,599 --> 01:05:11,320
thousand times on his show, and now you can get

1195
01:05:11,360 --> 01:05:15,320
this marvelous addition to any underground bunker by simply writing

1196
01:05:15,400 --> 01:05:17,880
to the mc maloney show and telling us why you

1197
01:05:18,000 --> 01:05:21,480
deserve the wan Wan Survival Pack. That's right, Just tell

1198
01:05:21,559 --> 01:05:23,800
us in a couple of sentences. Why you should win

1199
01:05:24,159 --> 01:05:26,960
the wan Wan Survival Pack that will put all the

1200
01:05:27,119 --> 01:05:29,519
entries into a magic fish bowl and pick out three

1201
01:05:29,679 --> 01:05:33,920
lucky winners. That's the one and only one Wan Survival Pack,

1202
01:05:34,199 --> 01:05:37,400
containing a fluffy seat cushion, a hand fan, a big

1203
01:05:37,480 --> 01:05:41,000
box of double plied Kleenex, a big box of industrial

1204
01:05:41,119 --> 01:05:45,079
sized wipes, a rubber squeegee, and some kind of lube

1205
01:05:45,519 --> 01:05:48,880
approved by the United States Surgeon General. Enough to get

1206
01:05:48,920 --> 01:05:51,679
you through those tough times when the apocalypse is happening

1207
01:05:51,960 --> 01:05:55,079
right outside your door. That's the wan Wan Survival Pack

1208
01:05:55,239 --> 01:05:58,159
and why you should win it. Write us at Macaroni

1209
01:05:58,280 --> 01:06:02,599
one thousand at my yahoo dot com. That's Macaroni one

1210
01:06:02,840 --> 01:06:06,880
zero zero zero at my yahoo dot com. It's spelled

1211
01:06:07,000 --> 01:06:11,079
just like the pasta Macaroni one thousand at my yahoo

1212
01:06:11,159 --> 01:06:14,199
dot com USA and Canada only. All results are final.

1213
01:06:14,360 --> 01:06:16,880
Please no lute photographs at del Toys or puppets.

1214
01:06:19,960 --> 01:06:23,400
Speaker 1: Puppets as it turns so, we ken't puppets. That's the

1215
01:06:23,519 --> 01:06:26,840
sogent pepper of bumpers, right, would you agree? I love it?

1216
01:06:30,079 --> 01:06:34,559
So anyway, we're back here at maccloney's mccloney's musical X

1217
01:06:34,639 --> 01:06:37,599
files show our broadcast from Life from the Snobby Galley

1218
01:06:37,679 --> 01:06:39,360
fifty five Water Street in Newport.

1219
01:06:39,880 --> 01:06:41,840
Speaker 6: It's going crazy here. The rest of what's going on,

1220
01:06:44,000 --> 01:06:46,679
birthday or anything. It's just it's just crazy down here

1221
01:06:46,679 --> 01:06:47,360
in Newburyport.

1222
01:06:47,480 --> 01:06:53,199
Speaker 1: Yeah. Also with us is the very famous one one

1223
01:06:53,320 --> 01:06:56,400
is Yeah girls, oh girls, welcome back to the show.

1224
01:06:59,239 --> 01:07:06,400
I can hear you so yes, switch stop it. Also

1225
01:07:06,480 --> 01:07:09,599
with us worry after the show. It's a medical issue.

1226
01:07:09,639 --> 01:07:13,840
It's not you know, anything anything get alarmed about. Also

1227
01:07:14,039 --> 01:07:17,840
with us is our drummer here for tonight. No belly button, man,

1228
01:07:17,920 --> 01:07:23,760
let's hear it there, MBB one. Yeah that he made

1229
01:07:23,800 --> 01:07:26,320
that up. Thank you for joining us, Mike Pooling, this

1230
01:07:26,400 --> 01:07:28,519
is his real name. Thank you for having me. Also

1231
01:07:28,599 --> 01:07:30,920
with us is switch Blade Steve Wood down there in

1232
01:07:31,039 --> 01:07:32,119
West Virginia somewhere.

1233
01:07:33,400 --> 01:07:35,679
Speaker 8: Great but and I do have a belly button for

1234
01:07:35,800 --> 01:07:36,280
what it's worth.

1235
01:07:36,360 --> 01:07:38,400
Speaker 1: Okay, sorry, all right, this is the name.

1236
01:07:38,480 --> 01:07:40,880
Speaker 8: I'm not trying to war on up anybody, but I'm.

1237
01:07:40,800 --> 01:07:43,639
Speaker 1: Just saying there is a naval joke in there somewhere.

1238
01:07:43,719 --> 01:07:43,920
Is it.

1239
01:07:45,719 --> 01:07:48,159
Speaker 8: That was in the naval service?

1240
01:07:48,360 --> 01:07:49,840
Speaker 1: Oh that's right, I think. Do you eat a lot

1241
01:07:49,880 --> 01:07:53,840
of naval lounges? Mark, Yes, you're go ahead to hit

1242
01:07:53,880 --> 01:07:58,360
the drava. So anyway, switch, did you have anything interesting

1243
01:07:58,440 --> 01:07:59,000
for breakfast?

1244
01:07:59,840 --> 01:08:04,639
Speaker 8: I just went to uh tutors had the super breakfast okay, yep,

1245
01:08:05,480 --> 01:08:08,039
three eggs over easy, substitute the apples for an extra egg.

1246
01:08:08,159 --> 01:08:09,000
So I got three eggs.

1247
01:08:10,119 --> 01:08:11,679
Speaker 7: Did you say you went to Hooters?

1248
01:08:12,079 --> 01:08:17,760
Speaker 8: No, Tutors, do you do where to? Right?

1249
01:08:17,800 --> 01:08:18,039
Speaker 2: Okay?

1250
01:08:18,119 --> 01:08:18,359
Speaker 1: Sorry?

1251
01:08:18,760 --> 01:08:20,800
Speaker 8: Yeah I addressed appropriately there?

1252
01:08:21,399 --> 01:08:24,039
Speaker 1: Who is too? But yeah, okay, you.

1253
01:08:24,079 --> 01:08:26,960
Speaker 8: Know, biscuit, bacon, the whole whole bit. I was hungry man.

1254
01:08:27,079 --> 01:08:30,199
Speaker 1: Okay. Yeah, so let's guess.

1255
01:08:30,279 --> 01:08:35,520
Speaker 8: Now, let's say so, no, uh, the strippers or pizza there? Okay,

1256
01:08:35,560 --> 01:08:37,159
you have to go down the street to get the pizza.

1257
01:08:37,199 --> 01:08:39,520
I don't know where you'd go around here to get strippers.

1258
01:08:39,560 --> 01:08:41,439
Speaker 1: Once again, that's yes, sir. So.

1259
01:08:41,960 --> 01:08:48,319
Speaker 8: So you had three eggs with home fries, home fries

1260
01:08:49,239 --> 01:08:53,960
smeared and gravy, a few strips of bacon, okay, ye

1261
01:08:54,359 --> 01:08:56,520
in a biscuit. I did not devour the entire biscuit.

1262
01:08:56,600 --> 01:09:01,359
Speaker 1: Okay, I'm gonna say, is it was that on the

1263
01:09:01,439 --> 01:09:02,239
fifteen bucks?

1264
01:09:02,720 --> 01:09:04,920
Speaker 8: No, it's under ten bucks, because you know I get

1265
01:09:04,960 --> 01:09:05,920
my old man discount.

1266
01:09:06,279 --> 01:09:12,840
Speaker 1: Oh yeah, yeah, you do that I love the old

1267
01:09:12,880 --> 01:09:15,119
man discount again, used to it now, And.

1268
01:09:15,159 --> 01:09:17,520
Speaker 8: Because I'm seeing on so many DVDs where I look

1269
01:09:17,560 --> 01:09:20,239
coked out, you.

1270
01:09:20,279 --> 01:09:23,000
Speaker 7: Look a little look a little edgy tonight.

1271
01:09:23,479 --> 01:09:26,359
Speaker 8: Well edge or coked out the thing.

1272
01:09:26,880 --> 01:09:30,319
Speaker 1: Oh okay, they have the same. I will never get

1273
01:09:30,319 --> 01:09:33,439
the old man discount. I'll tell you why, because I'd

1274
01:09:33,560 --> 01:09:38,000
rather pay the money. Alright, So listen, why don't we

1275
01:09:38,079 --> 01:09:42,680
do someone? Okay? Also with us is a good friend

1276
01:09:42,800 --> 01:09:45,640
Barbara with Barbara with musicians flok musician.

1277
01:09:46,640 --> 01:09:50,239
Speaker 7: I'm here, I'm on the one meal a day carnivore

1278
01:09:50,399 --> 01:09:50,680
right now?

1279
01:09:51,039 --> 01:09:53,840
Speaker 1: Oh really? Oh is that right? Yeah? And you kill

1280
01:09:53,880 --> 01:09:56,039
your own food that type of thing. Yeah.

1281
01:09:56,279 --> 01:10:01,960
Speaker 7: I strangled the chickens and get the turkey road kill stuff. Yeah,

1282
01:10:02,199 --> 01:10:05,079
it's great though. Clears up the brain fog. All my

1283
01:10:05,239 --> 01:10:09,840
joints are clear. I'm last ten fifteen pounds very short time. Yeah,

1284
01:10:09,840 --> 01:10:14,119
I'm really excited. The diet, well, this is this I'm

1285
01:10:14,199 --> 01:10:18,760
doing just straight carnivore. Oh wow, straight Carnivor's with me.

1286
01:10:19,479 --> 01:10:20,800
Speaker 4: It's a great way to get off sugar.

1287
01:10:21,199 --> 01:10:25,000
Speaker 7: Okay, yeah, a lot of basted.

1288
01:10:26,600 --> 01:10:29,760
Speaker 5: Well you're going to get off basically, it's just chicken.

1289
01:10:29,840 --> 01:10:33,319
I'm eating chicken and eggs and okay, hamburger.

1290
01:10:33,520 --> 01:10:36,359
Speaker 1: You know in Boston or the pot of Boston. I

1291
01:10:36,439 --> 01:10:38,960
grew up and strangled the chicken was meant something else.

1292
01:10:42,119 --> 01:10:43,479
It was there. It was there.

1293
01:10:44,920 --> 01:10:46,600
Speaker 7: Too many years in rock bands.

1294
01:10:48,479 --> 01:10:50,199
Speaker 8: Also the Monkey, Yeah.

1295
01:10:50,399 --> 01:10:55,960
Speaker 1: The hang out Switchy. I thought it was choking the chicken.

1296
01:10:56,039 --> 01:11:00,119
Speaker 7: But close enough.

1297
01:11:02,359 --> 01:11:04,760
Speaker 1: In Edmonton. Get us out of this. How are you, Kim?

1298
01:11:05,159 --> 01:11:08,000
Speaker 4: I'm doing fantastic. I just like to say thank you

1299
01:11:08,159 --> 01:11:11,520
for your consistently delivering outstanding results.

1300
01:11:13,079 --> 01:11:13,960
Speaker 1: What are you talking about?

1301
01:11:19,760 --> 01:11:21,680
Speaker 4: Somebody said that was the plate thing to say.

1302
01:11:24,119 --> 01:11:27,279
Speaker 1: Results? Good results are here all the time.

1303
01:11:27,760 --> 01:11:30,560
Speaker 4: So the standing team, outstanding team. I learned stuff every

1304
01:11:30,560 --> 01:11:32,439
time I come on the show and every time I listen.

1305
01:11:32,600 --> 01:11:36,119
So I mean, I think one one you you gave

1306
01:11:36,279 --> 01:11:38,960
a really funny story years ago that I listened to

1307
01:11:39,079 --> 01:11:41,640
and I cracked me up. And that was the name

1308
01:11:41,840 --> 01:11:45,000
of the pilots on like the aircraft carriers and how

1309
01:11:45,039 --> 01:11:47,479
they get their names. I think one of them was Hazelnuts.

1310
01:11:48,760 --> 01:11:49,039
Speaker 2: That was.

1311
01:11:52,239 --> 01:11:55,479
Speaker 1: He was a That guy was rich. I forget his name,

1312
01:11:55,520 --> 01:11:59,439
but he was a He was a navy pilot turned comedian. Okay,

1313
01:11:59,479 --> 01:12:04,000
and he's down in giggles believe it or not, and

1314
01:12:04,439 --> 01:12:11,159
he and you got your nickname usually the first two

1315
01:12:11,239 --> 01:12:12,960
or three months if you're a rookie, if you do

1316
01:12:13,119 --> 01:12:16,680
something stupid, and then sticks with you till you die. Right,

1317
01:12:17,279 --> 01:12:21,239
And and he flew intention if I remember this, he

1318
01:12:21,920 --> 01:12:25,319
flew intentionally into this air base that they knew the

1319
01:12:25,479 --> 01:12:29,720
female cadets were getting, you know, graduating or something like that,

1320
01:12:29,840 --> 01:12:32,119
and it was like the place where single pilots should

1321
01:12:32,159 --> 01:12:36,840
be for the weekend. So he flew. He flies his trainer,

1322
01:12:36,920 --> 01:12:40,000
that T four trainer that they that they fly in,

1323
01:12:40,880 --> 01:12:42,920
and and then and all the girls right as he's

1324
01:12:42,920 --> 01:12:48,399
getting out, his parachute hooks him and he winds upside

1325
01:12:48,439 --> 01:12:53,399
that and the parachute thing is on his groin area toolbag. Yes, yes,

1326
01:12:53,680 --> 01:13:03,399
upside down and forever you know, hazel nuts. Yeah, that's sorry, Barbara, but.

1327
01:13:03,479 --> 01:13:05,640
Speaker 7: That don't be sorry.

1328
01:13:06,079 --> 01:13:09,720
Speaker 5: I traveled for years and years with rock bands filled

1329
01:13:09,880 --> 01:13:14,479
with men of the same mind, and they always said

1330
01:13:14,560 --> 01:13:14,880
that I.

1331
01:13:15,119 --> 01:13:17,359
Speaker 7: Was like one of the guys. So really that was

1332
01:13:17,399 --> 01:13:18,600
an ultimate compliment.

1333
01:13:19,880 --> 01:13:22,199
Speaker 1: Where are you drummer the guys?

1334
01:13:24,000 --> 01:13:27,600
Speaker 6: Okay, well, Barbara, sounds like you traveled with some good guys,

1335
01:13:27,680 --> 01:13:30,439
some good talented guys that treated you properly.

1336
01:13:31,279 --> 01:13:33,079
Speaker 1: I know they were a little wild. Sometimes you told

1337
01:13:33,119 --> 01:13:35,800
me some stories, very very great.

1338
01:13:35,880 --> 01:13:38,640
Speaker 7: Guys always treated me great. But you know you guys

1339
01:13:38,680 --> 01:13:42,399
are guys. I don't want to be guys because I'm

1340
01:13:42,479 --> 01:13:43,399
around I.

1341
01:13:43,479 --> 01:13:47,680
Speaker 1: Find I find that offensive and objection. Guys are guys.

1342
01:13:47,800 --> 01:13:51,159
Well listen, not to win this fun but another couple

1343
01:13:51,159 --> 01:13:54,159
of fun facts real quick. Now, is anyone familiar with

1344
01:13:54,319 --> 01:13:58,920
Skunk Baxter of Steely Dan? Yeah, okay, do you know

1345
01:13:58,960 --> 01:14:01,760
what he does? The skunk Backstree Jeff Scott.

1346
01:14:01,840 --> 01:14:03,640
Speaker 7: Give us a minute to think, not a minute, but

1347
01:14:03,720 --> 01:14:06,560
give us ten seconds. What did he Skunk Baxter?

1348
01:14:06,840 --> 01:14:06,960
Speaker 8: Right?

1349
01:14:07,079 --> 01:14:08,960
Speaker 1: Yes, right, great? He was in the Dewey, he was

1350
01:14:09,000 --> 01:14:10,760
in the Steely. He was in Steely and then he

1351
01:14:10,840 --> 01:14:11,880
was in the Doobie Brothers.

1352
01:14:12,159 --> 01:14:19,520
Speaker 7: I think he's he's perfected a variety of tomato.

1353
01:14:20,479 --> 01:14:24,720
Speaker 5: Tomato that has spread because it's good for like, it

1354
01:14:24,800 --> 01:14:26,960
can grow in bad climates and it's helping to feed

1355
01:14:27,039 --> 01:14:27,319
the world.

1356
01:14:27,359 --> 01:14:33,560
Speaker 1: Okay, yes, okay, anyone else? I guess he invented something.

1357
01:14:33,720 --> 01:14:34,760
I can't think of what it is.

1358
01:14:35,520 --> 01:14:39,039
Speaker 8: Well, I got it hosted notes, that's it.

1359
01:14:39,600 --> 01:14:40,640
Speaker 1: No, who did that? Someone?

1360
01:14:41,279 --> 01:14:41,319
Speaker 9: No?

1361
01:14:41,439 --> 01:14:47,760
Speaker 1: There was you have a treated Okay, Skunk, get ready

1362
01:14:47,800 --> 01:14:53,800
for this. Skunk Baxter runs a highly successful No wait

1363
01:14:53,840 --> 01:14:56,399
a minute, that was the that was the false one. Okay,

1364
01:14:57,159 --> 01:15:00,800
Skunk Baxter actually is a self taught expert a missile

1365
01:15:00,880 --> 01:15:05,199
defense systems. He works at the Piece, worked at the Pentagon,

1366
01:15:05,720 --> 01:15:09,920
and he was part of the missile defense Agency, the NASH,

1367
01:15:10,079 --> 01:15:15,520
and he worked for the National Geospatial Intelligence Agency, which,

1368
01:15:16,239 --> 01:15:20,119
uh exultay is the most secret agency that we have.

1369
01:15:20,239 --> 01:15:25,039
It's basically all the satellites. This is this is his hobby,

1370
01:15:26,119 --> 01:15:29,720
this is his this is his He's not in music anymore.

1371
01:15:31,039 --> 01:15:31,920
Speaker 7: The Brothers.

1372
01:15:32,880 --> 01:15:34,920
Speaker 1: Yeah, he did a lot of session work and you

1373
01:15:35,000 --> 01:15:36,960
see him. Yeah, he shows up in movies. He had

1374
01:15:37,039 --> 01:15:38,239
to look you know what I mean, he had to

1375
01:15:38,279 --> 01:15:41,920
look great. Guitar plans sink. Steve Cropper was in the

1376
01:15:41,960 --> 01:15:45,319
Blues Brothers. I think, yeah, probably Yeah. So anyway, yes,

1377
01:15:45,399 --> 01:15:49,279
cut backs to everywhere and chot of a missile system.

1378
01:15:49,319 --> 01:15:50,680
I don't know how good I feel about that.

1379
01:15:51,439 --> 01:15:54,600
Speaker 5: Yeah, I don't think that was just like accidental that

1380
01:15:54,680 --> 01:15:59,079
he happened to be good. They usually recruit people, and

1381
01:15:59,199 --> 01:16:02,640
you know that NASA was really built by the Nazis.

1382
01:16:02,720 --> 01:16:05,520
Speaker 1: Anyway, Yes, yeah, we've done shows on that. It's true.

1383
01:16:05,720 --> 01:16:06,479
Speaker 7: Okay, of course.

1384
01:16:07,960 --> 01:16:12,239
Speaker 1: One last question, this is a trivia question, a true

1385
01:16:12,319 --> 01:16:18,920
false question in the eighties, because the Japanese writ for

1386
01:16:19,000 --> 01:16:23,239
Apple is Ringo. Ringo stat in Apple dreuice commercials in

1387
01:16:23,319 --> 01:16:30,399
Japan in the eighties. Okay, so Apple and Ringo is

1388
01:16:30,520 --> 01:16:34,600
Ringo in Japanese. So therefore Ringo appeared in some Apple

1389
01:16:34,680 --> 01:16:35,880
juice ads in Japan.

1390
01:16:37,319 --> 01:16:38,119
Speaker 7: That's what I'm saying.

1391
01:16:39,479 --> 01:16:42,319
Speaker 1: It is true. Yeah, it's absolutely true. And he was

1392
01:16:42,359 --> 01:16:46,680
in Pizza Hut commercials one super Bowl. Really yeah, he

1393
01:16:46,800 --> 01:16:48,159
did a lot of cool Ringo did a lot of

1394
01:16:48,199 --> 01:16:48,640
cool things.

1395
01:16:48,680 --> 01:16:52,600
Speaker 6: He was in Shining Times Station, he was the conductory.

1396
01:16:53,319 --> 01:16:56,640
Speaker 5: And also Japan, Japan was a place where you could

1397
01:16:56,680 --> 01:16:59,800
go as a musician. I mean not Ringo was Ringo

1398
01:17:00,319 --> 01:17:02,840
the rest of us, Like my friends were like world

1399
01:17:02,880 --> 01:17:03,720
feingous in Japan.

1400
01:17:03,880 --> 01:17:05,359
Speaker 1: My folks, funny say.

1401
01:17:05,199 --> 01:17:08,119
Speaker 7: Her friends sold albums up the wazoo in Japan.

1402
01:17:08,640 --> 01:17:13,079
Speaker 1: Yea, yeah, funny. Yeah, it's an interesting places.

1403
01:17:13,199 --> 01:17:15,239
Speaker 7: They love Americans American music.

1404
01:17:15,439 --> 01:17:18,840
Speaker 1: Yeah, and and and Japanese jazz is really you know

1405
01:17:19,399 --> 01:17:22,880
the name jazz expert. But it's not bad.

1406
01:17:23,119 --> 01:17:27,720
Speaker 6: You know, see acts that are playing live and uh,

1407
01:17:28,159 --> 01:17:29,880
they got a video of it or something that's on

1408
01:17:30,000 --> 01:17:31,439
TV in Japan.

1409
01:17:31,680 --> 01:17:34,560
Speaker 1: It's like they go crazy. They go crazy of the stones, Yeah, yeah,

1410
01:17:34,680 --> 01:17:35,079
big time.

1411
01:17:35,840 --> 01:17:38,800
Speaker 5: I did two months in Okinawa with a band out

1412
01:17:38,840 --> 01:17:40,279
of was she out of Boston?

1413
01:17:41,119 --> 01:17:47,840
Speaker 7: I thought she was Trina Love and Sweet Selection and

1414
01:17:48,000 --> 01:17:52,720
that was uh yeah. The the Okinawan people there was a.

1415
01:17:53,000 --> 01:17:58,079
Speaker 5: Because they're very you know, yes, oh yeah, except after hours,

1416
01:17:59,199 --> 01:18:01,000
you know, we're a done at the band and all

1417
01:18:01,039 --> 01:18:03,560
the all the help said, oh.

1418
01:18:03,560 --> 01:18:08,279
Speaker 7: You come to party with that? Yeeople are kind of whatever.

1419
01:18:09,439 --> 01:18:12,039
Oh my god. They had this game called ping pang

1420
01:18:12,239 --> 01:18:16,159
pong and if you you know, you pointed to someone

1421
01:18:16,359 --> 01:18:18,840
ping pang and if you missed it, if you weren't

1422
01:18:19,000 --> 01:18:20,119
like if you're too drunk.

1423
01:18:20,359 --> 01:18:24,960
Speaker 5: They'd stock you in the heady literally punch you in

1424
01:18:25,039 --> 01:18:25,359
the head.

1425
01:18:28,439 --> 01:18:32,439
Speaker 7: They were crazy people throwing up all over the places.

1426
01:18:33,199 --> 01:18:38,760
Speaker 1: Cool I like to throwing up all to drink well.

1427
01:18:38,840 --> 01:18:41,079
Speaker 7: And the commercials in Japan have you ever seen those?

1428
01:18:41,479 --> 01:18:42,000
Speaker 1: I've heard.

1429
01:18:43,840 --> 01:18:45,079
Speaker 7: The wildest stuff.

1430
01:18:45,399 --> 01:18:47,760
Speaker 1: Oh my god. Yeah, And it's funny because they're not.

1431
01:18:48,319 --> 01:18:52,760
I wouldn't call them a jovial population, would you. But

1432
01:18:52,960 --> 01:18:54,840
some of the ads. You look at it, you know

1433
01:18:55,359 --> 01:18:57,560
what is going through you. And I hate to say it,

1434
01:18:57,640 --> 01:18:59,640
but one one just gave me a note says, look

1435
01:18:59,680 --> 01:19:04,920
at the Japanese pawn, baby. I mean it is you know,

1436
01:19:05,640 --> 01:19:12,359
a very very uh extreme Yeah, okay, they made Tokyo

1437
01:19:12,479 --> 01:19:15,720
that looks like New York City on stero. Yeah. My

1438
01:19:15,800 --> 01:19:18,199
brother was just there. I have a nephew who was

1439
01:19:18,319 --> 01:19:21,359
stationed in Okinawa right in the Air Force, and my

1440
01:19:21,720 --> 01:19:23,239
brother went over there and they all went up to

1441
01:19:23,359 --> 01:19:25,359
Tokyo and I said to him, Tokyo is going to

1442
01:19:25,439 --> 01:19:27,760
blow your mind man, and he says, yeah, sure is.

1443
01:19:27,840 --> 01:19:31,039
At night, it's incredible crazy. Yeah, it's like Manhattan all

1444
01:19:31,119 --> 01:19:33,600
it up like the last call at two o'clock in

1445
01:19:33,600 --> 01:19:35,840
the morning in Tokyo. I don't think so. Yeah. Yeah,

1446
01:19:36,199 --> 01:19:38,840
but you think of them as very and they're very polite.

1447
01:19:39,279 --> 01:19:43,960
People clean. You know, there's no janitors in the schools

1448
01:19:44,039 --> 01:19:47,439
ora in Japan because the kids clean the schools okay.

1449
01:19:47,600 --> 01:19:47,840
I mean.

1450
01:19:47,880 --> 01:19:50,520
Speaker 7: Well, and you can get everything out of a machine.

1451
01:19:50,479 --> 01:19:54,079
Speaker 1: Everything, everything, everything. You can sleep in tubes in the

1452
01:19:54,159 --> 01:19:57,119
subway station. You literally get in the tube and you sleep.

1453
01:19:58,560 --> 01:20:00,800
I don't know, it's it's it's it's a funny culture.

1454
01:20:00,880 --> 01:20:04,600
It's Americanized, but it's you know, it's Asian but also Americanized.

1455
01:20:04,640 --> 01:20:07,760
Since world and our presence is still big over there.

1456
01:20:07,800 --> 01:20:10,039
You want the pieces of my brother sent me? And

1457
01:20:10,079 --> 01:20:12,479
I always wonder about this. I mean, there's a lot

1458
01:20:12,560 --> 01:20:14,640
of signages in Japanese, but a lot of it is

1459
01:20:14,680 --> 01:20:18,079
in English too, so you think, wow, these people speak

1460
01:20:18,159 --> 01:20:20,800
English too? Are they at least no more English than

1461
01:20:20,840 --> 01:20:21,720
we know Japanese?

1462
01:20:21,840 --> 01:20:24,199
Speaker 7: Right, that's the whole world?

1463
01:20:25,840 --> 01:20:30,960
Speaker 1: Yeah, yeah, anyway, anybody, I thought a Yoko joke in there,

1464
01:20:31,039 --> 01:20:38,439
but there was anyway. So music, So I'm going to

1465
01:20:38,520 --> 01:20:42,439
chee in the one one. Who's the best live performance

1466
01:20:42,520 --> 01:20:45,560
you've ever seen? Not not a show that you you know,

1467
01:20:46,319 --> 01:20:49,760
worked at, right, you worked at very many? What's just

1468
01:20:49,840 --> 01:20:53,039
the best out out? Just it was just the best

1469
01:20:53,319 --> 01:20:58,640
Tina Turner really? Yeah? Yeah, okay, yeah, I didn't.

1470
01:20:58,399 --> 01:21:00,840
Speaker 6: Work at Tina Turner show that I've saw her. I

1471
01:21:00,960 --> 01:21:10,319
saw her during the uh Private Dancer era? Yes really yeah,

1472
01:21:10,359 --> 01:21:13,920
that whole album back to back with that great band

1473
01:21:13,960 --> 01:21:17,279
we've talked about before. Guy from The Fix, Yeah, believe

1474
01:21:17,279 --> 01:21:17,439
it not.

1475
01:21:17,800 --> 01:21:21,560
Speaker 1: Then the Fix was he did turn his backup band. Yeah,

1476
01:21:21,600 --> 01:21:22,479
when she was hot.

1477
01:21:22,520 --> 01:21:24,920
Speaker 6: A couple of guys from The Fix, The Fix, Yeah,

1478
01:21:25,079 --> 01:21:27,359
the thick and that muscular guy that does a lot

1479
01:21:27,399 --> 01:21:28,640
of that does saxophone.

1480
01:21:28,840 --> 01:21:33,359
Speaker 1: He's with Ringko now works out well, he works out

1481
01:21:33,399 --> 01:21:34,319
while he's playing.

1482
01:21:34,680 --> 01:21:38,199
Speaker 6: Right, what's that guy's name? He's really good. He plays everything,

1483
01:21:38,399 --> 01:21:41,840
Yeah he does. He plays great sax player, the.

1484
01:21:42,000 --> 01:21:46,479
Speaker 1: The I've seen Rinko's I've seen him rinkle like four

1485
01:21:46,560 --> 01:21:51,439
times maybe always, but he's really yeah. Yeah, well because

1486
01:21:51,439 --> 01:21:54,720
he has he's got the guns. Rinko is always a

1487
01:21:54,760 --> 01:21:57,920
good show. He was always great musicians and he had

1488
01:21:57,960 --> 01:22:00,640
great We saw once Greg Lake was the bass player

1489
01:22:01,079 --> 01:22:04,079
and they did call the Crimson King and what did that?

1490
01:22:04,640 --> 01:22:05,560
Ringo's playing this?

1491
01:22:05,920 --> 01:22:06,479
Speaker 8: This is cool?

1492
01:22:06,600 --> 01:22:10,159
Speaker 1: Yeah, yeah, it was very cool. Peter Frampton was with

1493
01:22:10,239 --> 01:22:12,720
them one stop on a guitar player. Man oh man,

1494
01:22:12,960 --> 01:22:17,359
is he good? And so I know, always a good show. Yeah.

1495
01:22:17,359 --> 01:22:19,399
Speaker 6: I saw Ringo in the All Star Band in the

1496
01:22:19,520 --> 01:22:23,600
early years, and I think they had Nils Lofgren. I

1497
01:22:23,680 --> 01:22:25,560
mean they had everybody, but I think I was there

1498
01:22:25,600 --> 01:22:29,520
for Nils Lofgren and yeah, somebody else. And what Ringo does.

1499
01:22:29,800 --> 01:22:34,159
He lets those guys really play play their stuff. Yep,

1500
01:22:34,640 --> 01:22:37,600
absolutely do this one of their famous songs or whatever,

1501
01:22:38,319 --> 01:22:40,239
and Ringo will be on the drums or he'll be

1502
01:22:40,279 --> 01:22:42,960
in the background, and then then it's then there's Ringo time.

1503
01:22:43,079 --> 01:22:46,680
Speaker 1: You know, you'll have submarine or you're right. Ringo probably

1504
01:22:46,720 --> 01:22:48,000
does half a dozen.

1505
01:22:47,840 --> 01:22:52,239
Speaker 6: Songs Octopus's Garden. Everybody gets two songs. I think everyone

1506
01:22:52,279 --> 01:22:55,720
in the band gets two songs. We saw on once

1507
01:22:55,760 --> 01:22:57,680
and the bass player was the guy from Mister Mister

1508
01:22:58,079 --> 01:23:00,159
Oh all right, and I'll tell you his sons were good.

1509
01:23:00,239 --> 01:23:02,359
Speaker 1: He was they were good. And Todd Rundgren was the

1510
01:23:02,439 --> 01:23:04,720
guitar player, the guy found Average White Band was the

1511
01:23:04,760 --> 01:23:08,520
only guitar player. And Greg Rowley on on keyboards, the

1512
01:23:08,640 --> 01:23:15,079
original keyboard player from Santanna, and and Luke what's his

1513
01:23:15,239 --> 01:23:20,720
name Lucatha, Yeah, was playing guitar. Two drummers, Steve, Steve

1514
01:23:20,840 --> 01:23:25,560
Lucatha and that guy the muscle man there. They were good.

1515
01:23:25,720 --> 01:23:29,600
Speaker 4: They were very initating that tribute to George Harrison with

1516
01:23:29,720 --> 01:23:32,319
everybody playing and Prince playing that guitar.

1517
01:23:32,640 --> 01:23:34,880
Speaker 1: We talked about that. Yeah, amazing.

1518
01:23:35,840 --> 01:23:40,000
Speaker 6: I think Prince was the declared the best Super Bowl

1519
01:23:40,119 --> 01:23:41,680
halftime entertainment.

1520
01:23:41,920 --> 01:23:46,760
Speaker 5: That was great, hands down, the best ever. And those

1521
01:23:46,880 --> 01:23:50,079
gals and those five inch spike heels in the rain.

1522
01:23:50,720 --> 01:23:51,920
Speaker 1: Yeah, yeah.

1523
01:23:53,800 --> 01:24:00,399
Speaker 8: About Houston. Well Houston. I didn't ask they see it,

1524
01:24:00,479 --> 01:24:03,000
but I saw the when they redid it for the

1525
01:24:03,079 --> 01:24:06,239
film with the woman that played Whitney Houston go ahead,

1526
01:24:06,279 --> 01:24:08,399
and it was where she was saying the uh well

1527
01:24:08,479 --> 01:24:12,920
this wasn't then the uh uh half the halftime show.

1528
01:24:13,000 --> 01:24:16,880
This was the spangled banner. Okay, yes, yes, yeah, with

1529
01:24:17,000 --> 01:24:20,319
the jets going over. So I'm sorry, Can I tell

1530
01:24:20,319 --> 01:24:23,680
you what what ruined Whitney Houston? She married a guy

1531
01:24:23,760 --> 01:24:29,479
from Dorchester, Yeah, yes, yes, yeah, that's all you need

1532
01:24:29,600 --> 01:24:29,720
to know.

1533
01:24:30,680 --> 01:24:34,600
Speaker 6: Anyway, So well, last second, I asked that Barbara, did

1534
01:24:34,720 --> 01:24:36,600
you visited Paisley Park?

1535
01:24:36,640 --> 01:24:36,960
Speaker 1: Didn't you?

1536
01:24:38,119 --> 01:24:38,159
Speaker 9: No?

1537
01:24:38,319 --> 01:24:42,479
Speaker 1: I was never at Peace Princess Recording Studio. Yeah, but

1538
01:24:43,159 --> 01:24:46,319
I remember the hearing stories about like he was you know,

1539
01:24:46,479 --> 01:24:48,840
well he was big, big, big in Minneapolis. He was

1540
01:24:48,960 --> 01:24:53,239
like the guy. And then some not talent agency, but

1541
01:24:53,439 --> 01:24:55,840
you know some company that does is probably some agent,

1542
01:24:55,920 --> 01:24:58,279
a manageer, and brought him out to Los Angeles and

1543
01:24:59,119 --> 01:25:02,880
people have said, like the Eagles and Lucas has said,

1544
01:25:02,880 --> 01:25:04,840
you know, they'd be in studios and it's like there's

1545
01:25:04,840 --> 01:25:07,399
a little kid there, like a little kid, you know,

1546
01:25:08,079 --> 01:25:11,239
didn't say anything, just kind of absorbed at all type

1547
01:25:11,239 --> 01:25:13,000
of thing, you know, and then he was on his way.

1548
01:25:13,600 --> 01:25:13,720
Speaker 9: You know.

1549
01:25:13,840 --> 01:25:16,640
Speaker 1: A year later, he's like the biggest thing in the world, right,

1550
01:25:16,840 --> 01:25:20,439
and for a good reason, because he's such a talented guy.

1551
01:25:21,359 --> 01:25:24,399
It's amazing that. Yeah, he wouldn't play the guitar, and

1552
01:25:24,479 --> 01:25:27,119
he's one of the best guitar players ever ever, you know,

1553
01:25:28,479 --> 01:25:31,479
but doing all the instruments, piano and played.

1554
01:25:31,279 --> 01:25:33,520
Speaker 4: In our city here. Yeah, he played in our city here,

1555
01:25:33,600 --> 01:25:36,239
and he went to one of the guitar shops in

1556
01:25:36,319 --> 01:25:40,000
town here and he stepped in to try guitar rout

1557
01:25:40,039 --> 01:25:42,239
and they shut the door and he put on a

1558
01:25:42,319 --> 01:25:44,720
show in this guitar which is still famous in the

1559
01:25:44,800 --> 01:25:47,199
city for what he did. It was like unbelievable. But

1560
01:25:47,520 --> 01:25:49,920
if anybody had a chance to be in the in

1561
01:25:50,119 --> 01:25:53,800
that music shop when they shut the door, right, yeah,

1562
01:25:54,560 --> 01:25:58,239
it's psych man. The guy was unbelievable guitarist.

1563
01:25:58,359 --> 01:26:02,560
Speaker 5: Yes, well, and he was trying to break from the

1564
01:26:02,640 --> 01:26:07,399
system that was draining all his potential profits. I mean,

1565
01:26:07,479 --> 01:26:10,800
that's why he became, you know, the symbol, because they

1566
01:26:10,880 --> 01:26:13,560
couldn't take the music from the symbol.

1567
01:26:13,720 --> 01:26:19,560
Speaker 1: Right yeah, yeah, yeah, funny. Someone explained ones. You know

1568
01:26:19,600 --> 01:26:25,079
about rockstock contracts, right, someone Mariah Carey like signed a

1569
01:26:25,119 --> 01:26:28,199
thirty million dollar contract and they go, wow, it's huge,

1570
01:26:28,279 --> 01:26:31,640
But they say, well, you know she sells Let's say

1571
01:26:31,720 --> 01:26:37,439
she sells thirty million copies of an album, which is possible. Maybe,

1572
01:26:37,479 --> 01:26:40,640
Well let's say she has two fifteen million dollars. Okay,

1573
01:26:41,359 --> 01:26:44,840
So who starts making the money after that? It's the

1574
01:26:44,960 --> 01:26:47,439
record company. I mean it sounds like a lot of money,

1575
01:26:47,479 --> 01:26:50,600
but they're making tons and tons of money, all right,

1576
01:26:50,800 --> 01:26:54,600
And sometimes Otis gets screwed like that, especially if you're

1577
01:26:54,640 --> 01:26:58,039
doing your first contract. You'll take anything. You'll take anything.

1578
01:26:58,119 --> 01:27:02,039
I mean this we talked about off about this. Tileopatra

1579
01:27:02,159 --> 01:27:05,439
Records they have their record forever. I mean literally, we

1580
01:27:05,600 --> 01:27:08,520
gave up every kind of rights we had just to

1581
01:27:08,640 --> 01:27:11,720
get a record contract. You know a lot of people

1582
01:27:11,840 --> 01:27:16,239
do that. Creeden's clear Water read hear that story how

1583
01:27:16,319 --> 01:27:19,359
the rec just absolutely screwed him at the height of

1584
01:27:19,439 --> 01:27:24,840
his career. John Fogeting, the Beatles had the Capitol Records,

1585
01:27:24,840 --> 01:27:28,880
would give the Beatles brief, you're wasting too much money,

1586
01:27:29,680 --> 01:27:30,520
You're wasting well.

1587
01:27:31,960 --> 01:27:35,199
Speaker 7: Those you know, the rumors that all of those major

1588
01:27:35,319 --> 01:27:38,560
deaths were although you know, Prince was challenging him, Michael

1589
01:27:38,640 --> 01:27:43,439
Jackson was challenging them, Kanye was challenging him, and then

1590
01:27:43,479 --> 01:27:45,920
they come after you like mafia.

1591
01:27:47,880 --> 01:27:52,079
Speaker 8: Well there's a great book by Dick Peterson, who was

1592
01:27:52,119 --> 01:27:54,920
one of the kingsmen, you know, Louis Louis, and the

1593
01:27:54,920 --> 01:27:56,880
book is called Louis Louis We Got to Go Now.

1594
01:27:57,319 --> 01:28:00,079
He tells the whole story. He was just young, he

1595
01:28:00,159 --> 01:28:03,000
had extremely naive and they were always messing with him,

1596
01:28:03,159 --> 01:28:06,800
telling him all things about sex that were untrue. But

1597
01:28:07,079 --> 01:28:09,560
he and all the people they met, it's a great story.

1598
01:28:09,920 --> 01:28:13,720
But part of it is he's he was instrumental and

1599
01:28:14,279 --> 01:28:19,079
ensuing the companies and he got them to a situation

1600
01:28:19,199 --> 01:28:24,560
where the artists could buy back their original music. Yes,

1601
01:28:25,079 --> 01:28:28,119
I mean they wasn't wasn't free. But he enlisted the

1602
01:28:28,199 --> 01:28:30,199
help of some guy. They never mentioned who it was.

1603
01:28:30,760 --> 01:28:33,399
The guy said he was just a really wealthy dude,

1604
01:28:33,399 --> 01:28:35,680
and he said, I don't I won't, don't want my

1605
01:28:35,760 --> 01:28:38,000
name in this because everybody will come to me and

1606
01:28:38,159 --> 01:28:40,279
wants you to fight this, and I'll help you. I'll

1607
01:28:40,319 --> 01:28:42,239
give you the money to do it. But so people

1608
01:28:42,359 --> 01:28:44,960
and they were instrumental. That's part of the last part

1609
01:28:45,000 --> 01:28:50,720
of the book. They were victorious and allowing groups and

1610
01:28:50,960 --> 01:28:53,560
musicians to buy back their original music.

1611
01:28:53,840 --> 01:28:56,640
Speaker 1: To buy it back. Yeah, that's a weird way.

1612
01:28:56,880 --> 01:28:59,600
Speaker 8: I mean you should, but before they couldn't get it

1613
01:28:59,640 --> 01:29:02,199
at all at all. Right, yes, but it's a great book.

1614
01:29:02,239 --> 01:29:04,239
I think you'll probably have to go to third party sellers.

1615
01:29:04,520 --> 01:29:07,439
But Louis Louis we got to go now by Dick Peterson.

1616
01:29:07,760 --> 01:29:10,720
I heard him years ago interviewed by Ian Punnett on

1617
01:29:10,800 --> 01:29:14,279
the weekend Coast to Coast a m and it was hilarious.

1618
01:29:14,359 --> 01:29:16,239
It's just a it's a great story.

1619
01:29:16,399 --> 01:29:19,359
Speaker 5: We should explain that you can do that in book publishing.

1620
01:29:20,279 --> 01:29:23,239
You know, if they if they are through, they've the cycle,

1621
01:29:23,399 --> 01:29:25,479
you can go back and buy oh yeah, yeah.

1622
01:29:25,399 --> 01:29:29,119
Speaker 1: Yeah, oh right, exactly right. The thing about Louis Louie

1623
01:29:29,159 --> 01:29:31,159
we should explain to people who don't know what it is.

1624
01:29:31,359 --> 01:29:35,119
It's it's a it's basically you know, a white band

1625
01:29:35,239 --> 01:29:39,640
doing you know that? Is that reggae in a way there, Mic,

1626
01:29:39,680 --> 01:29:41,479
I'm looking at you like a get right on that

1627
01:29:41,560 --> 01:29:44,800
ice stream fund what is that? Louis Louis. But it's

1628
01:29:44,840 --> 01:29:48,119
like Calypso or something. Okay, this is some kind of

1629
01:29:48,239 --> 01:29:52,000
story about it's about a sailor. But they muffed they

1630
01:29:52,079 --> 01:29:56,079
intentionally muffed the words okay, and somehow they leave.

1631
01:29:56,520 --> 01:29:59,560
Speaker 8: I gotta just recording Cook twenty to Dick Peterson. They

1632
01:29:59,600 --> 01:30:01,920
were in that the the guy that hired them to

1633
01:30:02,000 --> 01:30:04,439
do it, he wanted to use it the UH for

1634
01:30:04,600 --> 01:30:08,399
for background, so he moved the mic way far away

1635
01:30:08,439 --> 01:30:11,399
from the guy singing it. So this guy is belting

1636
01:30:11,479 --> 01:30:14,079
it out so he can, you know, And and they've

1637
01:30:14,079 --> 01:30:16,840
got they've readed this studio for an hour, and they

1638
01:30:16,880 --> 01:30:19,840
had one ship and so and and also the guy

1639
01:30:19,920 --> 01:30:23,960
had had his braces tightened. So it wasn't wasn't intentional,

1640
01:30:24,039 --> 01:30:26,000
I don't think, but that's the way it came out.

1641
01:30:26,119 --> 01:30:29,239
But they people they get a call at some point

1642
01:30:29,600 --> 01:30:33,279
from some gentlemen in the South asking about the lyrics

1643
01:30:34,039 --> 01:30:37,359
repeat the lyrics that they thought it was, but they.

1644
01:30:38,840 --> 01:30:39,039
Speaker 9: It was.

1645
01:30:39,079 --> 01:30:41,479
Speaker 8: They're listening to this guy, thinking what's he talking about?

1646
01:30:41,960 --> 01:30:44,319
And you know how the UH it was banned in

1647
01:30:44,399 --> 01:30:48,399
certain states or whatever. They were actually flabbergasted that people

1648
01:30:48,560 --> 01:30:50,439
thought that the lyrics were what they what.

1649
01:30:50,479 --> 01:30:51,920
Speaker 1: They thought it was supposed to be dirty. They were

1650
01:30:51,920 --> 01:30:54,600
supposed to be you know, they thought it was the

1651
01:30:54,680 --> 01:30:56,760
dirty song, But can I tell you that was a

1652
01:30:57,079 --> 01:30:59,439
that was lightning from God, you know what I mean?

1653
01:30:59,560 --> 01:31:02,439
That all the because you would never hear that freaking song.

1654
01:31:02,800 --> 01:31:05,520
I remember being on the Southeast Expressway it was probably

1655
01:31:06,119 --> 01:31:09,199
twenty years ago maybe, and the bust went by. Yeah

1656
01:31:09,239 --> 01:31:12,560
they're still touring. Yeah they yes, right, Louie Louis right

1657
01:31:12,600 --> 01:31:14,479
on the side of it. So they had that one

1658
01:31:14,600 --> 01:31:16,920
hit and there, you know, made a lot of money

1659
01:31:17,079 --> 01:31:20,640
because people couldn't figure out what they were singing about,

1660
01:31:20,880 --> 01:31:23,520
you know, and we'd try. I remember as kids, you know,

1661
01:31:23,640 --> 01:31:24,119
we tried.

1662
01:31:24,199 --> 01:31:27,279
Speaker 7: But what else do they sing in the gigs? I mean,

1663
01:31:27,319 --> 01:31:28,359
do they have other songs?

1664
01:31:28,800 --> 01:31:31,039
Speaker 1: They got Bobby Bobby Freddy Freddy.

1665
01:31:32,600 --> 01:31:34,840
Speaker 8: Like Eustace. Eustace was a greater.

1666
01:31:37,159 --> 01:31:41,279
Speaker 1: Wow. Okay, So and every band played Louis Lewis too.

1667
01:31:41,840 --> 01:31:44,279
Yeah it was easy. Yeah, als who played.

1668
01:31:48,560 --> 01:31:50,039
Speaker 7: That's how you learned the guitar.

1669
01:31:50,039 --> 01:31:57,840
Speaker 1: Yeah, right, exactly. So yeah, hang on, Sloopy. There's videos

1670
01:31:57,880 --> 01:32:00,760
of guys who go into like guitar shops and they

1671
01:32:00,800 --> 01:32:03,399
sit down, they plug them all, they go into don

1672
01:32:04,039 --> 01:32:06,479
and the guy comes, oh no, no, you're not gonna pay.

1673
01:32:10,560 --> 01:32:13,479
Speaker 6: Well, Kim talked about One of his favorite songs is

1674
01:32:13,600 --> 01:32:17,920
Cashmere yep, m hm. And what album is that on.

1675
01:32:19,119 --> 01:32:22,520
It's on the the fourth album Bilhouettes. Whatever it is,

1676
01:32:22,600 --> 01:32:23,119
you know, it's a.

1677
01:32:24,720 --> 01:32:31,439
Speaker 4: Theft wall.

1678
01:32:32,199 --> 01:32:36,720
Speaker 1: They they wrote that after driving through Kashmere, Robert Plant,

1679
01:32:36,880 --> 01:32:40,359
Jimmy Page and uh. And they really got that uh,

1680
01:32:40,479 --> 01:32:42,800
I mean you hear it. It's like, well they really

1681
01:32:42,880 --> 01:32:46,880
did get that sound, you know. Yeah, you know they

1682
01:32:46,880 --> 01:32:49,319
were I never saw them. I don't know anyone who

1683
01:32:49,359 --> 01:32:52,479
saw them. They went around long enough. Did you see him? Yeah?

1684
01:32:53,159 --> 01:32:53,720
Did you? I did?

1685
01:32:54,039 --> 01:32:58,319
Speaker 6: You did Dido in Chicago, a big flash of sixty

1686
01:32:58,439 --> 01:33:02,720
nine they weren't. Yeah, a place that's about the size

1687
01:33:02,760 --> 01:33:06,079
of your local theater. Yeah, yeah, yeah, the local small theater.

1688
01:33:06,439 --> 01:33:08,520
Any good yea yeah? Were they good?

1689
01:33:09,000 --> 01:33:09,159
Speaker 1: Well?

1690
01:33:09,199 --> 01:33:13,880
Speaker 6: Their second album that just come out, and the warm

1691
01:33:13,960 --> 01:33:18,279
up it was like a package tour, yes, I say,

1692
01:33:18,319 --> 01:33:22,760
the warm up back. The opening act was Santana. Okay,

1693
01:33:22,960 --> 01:33:25,319
all right, all right, Actually the opening act was Lighthouse,

1694
01:33:25,359 --> 01:33:26,880
and it was Santana Lighthouse.

1695
01:33:27,039 --> 01:33:28,840
Speaker 1: Yeah. They had one big hit, yeah one they like

1696
01:33:28,880 --> 01:33:32,159
a big man. They had once and they're.

1697
01:33:31,279 --> 01:33:33,079
Speaker 6: Kind of like Chicago and this and this was in

1698
01:33:33,199 --> 01:33:37,039
Chicago and Santana was on and then there was a

1699
01:33:37,399 --> 01:33:40,720
Zeppelin and the second album came out.

1700
01:33:40,720 --> 01:33:43,239
Speaker 1: A whole lot of love was that was? That was

1701
01:33:43,640 --> 01:33:47,640
the charts. Yeah, yeah, it just sounded so different. It's funny.

1702
01:33:47,680 --> 01:33:50,079
Speaker 6: Their first album, which I liked just as much as

1703
01:33:50,119 --> 01:33:53,039
a second, didn't chart very well. It was kind of like,

1704
01:33:53,399 --> 01:33:55,800
it's okay, but they were about the second album for

1705
01:33:55,920 --> 01:33:56,880
a second album.

1706
01:33:57,640 --> 01:34:00,560
Speaker 1: Now that we talk about Canadians though. All right, two guys,

1707
01:34:00,640 --> 01:34:06,199
all right, I just I just wrote, I just read

1708
01:34:07,479 --> 01:34:11,760
I'm almost done with it is Geddy Lee's autobiography called

1709
01:34:11,760 --> 01:34:15,359
My FM Life. It's great, it really is. It's it's

1710
01:34:15,800 --> 01:34:17,960
he writes in such a way as just you know,

1711
01:34:18,079 --> 01:34:20,960
it's it's like a pleasure to read. Let's say, it's not.

1712
01:34:21,359 --> 01:34:25,079
You don't have to figure stout out stuff. But number one,

1713
01:34:25,279 --> 01:34:29,000
well he was on height. They actually toured with led Zeppelin.

1714
01:34:29,680 --> 01:34:33,000
When led Zeppelin started, Jimmy Page didn't want to be known.

1715
01:34:33,000 --> 01:34:35,439
Everyone said he's the guy in the odd words, it's

1716
01:34:35,520 --> 01:34:38,760
his band, you know, and he hated that, right, but

1717
01:34:38,880 --> 01:34:40,800
when they start out, that's what everyone said. We're gonna

1718
01:34:40,800 --> 01:34:42,960
go see him. And on the Marquis he has a

1719
01:34:43,000 --> 01:34:45,920
picture of it it's l e a d Zeppelin like

1720
01:34:46,159 --> 01:34:48,840
led Zeppelin, that's all small and were then a Yield

1721
01:34:48,880 --> 01:34:51,479
led a Boom. They're huge. But the thing about Getty

1722
01:34:51,560 --> 01:34:53,479
Lee was if you ever want to be in a

1723
01:34:53,640 --> 01:34:55,760
rock band, if you have that dream in you when

1724
01:34:55,760 --> 01:34:58,279
you were a kid, and let me in a rock band,

1725
01:34:58,520 --> 01:35:01,439
forget about it. All right, you've got to get smashed.

1726
01:35:01,560 --> 01:35:04,119
It's going to be terrible because it was terrible on

1727
01:35:04,239 --> 01:35:08,600
those guys because they were Canadian. I mean, sorry, Kim,

1728
01:35:08,720 --> 01:35:11,439
but that's what it was. You know, they took advantage

1729
01:35:11,439 --> 01:35:16,880
of them. They didn't think the record company, yeah, record company,

1730
01:35:17,039 --> 01:35:19,239
and in the radio stations, the people who did and

1731
01:35:19,319 --> 01:35:22,279
did not play their music. You know, it was because

1732
01:35:22,279 --> 01:35:26,199
they're Canadian. They they didn't think they had the talent

1733
01:35:26,319 --> 01:35:29,239
that they you know, Lid had. I don't think Neil.

1734
01:35:29,079 --> 01:35:34,039
Speaker 4: Young sure, yeah, well the inferiority complex, yeah, you know, yeah,

1735
01:35:34,159 --> 01:35:35,079
it really was, you know.

1736
01:35:35,319 --> 01:35:38,199
Speaker 1: And and they tell these incredible stories about like backup

1737
01:35:38,319 --> 01:35:41,359
Aerosmith and stuff, and it's just in kiss and you know,

1738
01:35:41,439 --> 01:35:44,439
it's just it's funny. It's almost spinal tap in a way.

1739
01:35:44,880 --> 01:35:48,600
And it's also him about the first chapter, which is

1740
01:35:48,720 --> 01:35:53,600
unbelievably written is about his parents who meet Cute and Ushwitz.

1741
01:35:54,920 --> 01:35:59,880
They literally meet Cute at the Nazi consecration concentration camp

1742
01:36:00,199 --> 01:36:05,439
and the guy got his wife from going into the chamber.

1743
01:36:05,960 --> 01:36:08,840
They were separated the wads and they run into each

1744
01:36:08,840 --> 01:36:11,399
other in a refugee camp where there's like two million

1745
01:36:11,479 --> 01:36:14,560
people there. Right, They got married and moved over to Toronto.

1746
01:36:14,680 --> 01:36:17,760
I mean that's the story. Wow. So you know, he

1747
01:36:17,920 --> 01:36:20,039
was brought up in a real but he is not

1748
01:36:20,279 --> 01:36:23,640
really religious, but his family was, you know, and there's

1749
01:36:23,720 --> 01:36:26,479
like the balance between that really well done, well done.

1750
01:36:26,520 --> 01:36:28,199
And he said, yeah, we got high all the time

1751
01:36:28,239 --> 01:36:30,439
we're in high school. We can smoke about like crazy,

1752
01:36:30,520 --> 01:36:32,680
you know. I mean he's really upfront about it. And

1753
01:36:32,760 --> 01:36:35,720
it was very good. And those guys are such great musicians.

1754
01:36:35,760 --> 01:36:39,000
They're just like crazy good, three of them, you know.

1755
01:36:39,039 --> 01:36:41,600
And they said, let's just be let's be a three

1756
01:36:41,680 --> 01:36:44,079
min Augusta and that's what they did, you know, And

1757
01:36:45,039 --> 01:36:46,840
it was I mean, once again, I know they hit

1758
01:36:47,680 --> 01:36:49,760
I haven't listened every rush long there is. You know,

1759
01:36:49,880 --> 01:36:53,880
you can really be into them, but for you know,

1760
01:36:53,960 --> 01:36:57,439
writing really good song. Subdivisions is an unbelievable song if

1761
01:36:57,439 --> 01:37:01,720
you listen to that all aspects just really right, you know. Yeah,

1762
01:37:01,760 --> 01:37:03,840
they were good, They're very good. And the other guy

1763
01:37:03,880 --> 01:37:07,760
we want to mention two. It was Rick Deringer. Okay,

1764
01:37:07,880 --> 01:37:11,239
he passed away, I guess either today yesterday, and people

1765
01:37:11,359 --> 01:37:14,439
might not know him, but way way back and they

1766
01:37:14,520 --> 01:37:16,439
had a hit record when he was a teenager, called

1767
01:37:16,520 --> 01:37:19,079
him on Sloopy right then the name of the band

1768
01:37:19,159 --> 01:37:21,279
was the Real McCoy's. Then they changed it to the

1769
01:37:21,399 --> 01:37:24,479
McCoys and it was a It was a hit when

1770
01:37:24,520 --> 01:37:27,239
he was a kid, and they were around for a while.

1771
01:37:27,279 --> 01:37:29,560
They had a few hits I think after that, right,

1772
01:37:29,600 --> 01:37:33,079
the real Look, he was seventeen when he did that. Yeah, yeah,

1773
01:37:33,199 --> 01:37:37,359
that's early. I mean, so then he you know, he

1774
01:37:37,560 --> 01:37:39,239
he to wol and so on and so forth. But

1775
01:37:39,279 --> 01:37:44,039
then he hooked up with Eggar Winter was a Johnny okay,

1776
01:37:44,279 --> 01:37:48,239
and and had huge hits Frankenstein and he was around

1777
01:37:48,319 --> 01:37:52,039
in this that was seventies and eighties. But then he

1778
01:37:52,119 --> 01:37:56,520
went on to produce like Boba Streisand and Sidney Lopmer

1779
01:37:56,720 --> 01:37:59,600
and he played this is the most amazing thing. He

1780
01:37:59,720 --> 01:38:03,239
played on Steely Dan records. Now we were talking about

1781
01:38:03,239 --> 01:38:05,359
earlier Steely Dan. The way that they would do records.

1782
01:38:06,000 --> 01:38:08,600
Was crazy, Okay, it was like HOWM I T would

1783
01:38:08,600 --> 01:38:11,439
build a record, right, and then we have all kinds

1784
01:38:11,479 --> 01:38:14,760
of really top notch people you'd never even heard of

1785
01:38:15,720 --> 01:38:18,439
were on those records. I never thought Rick Dereinger was

1786
01:38:18,479 --> 01:38:21,199
that kind of a guitar player that he'd be in

1787
01:38:21,560 --> 01:38:25,399
Steely Dan's orbit, but he was. He's only three of

1788
01:38:25,439 --> 01:38:29,279
those records, So yeah, it seemed like a great guy.

1789
01:38:29,439 --> 01:38:32,000
He was just, you know, a musicians, musician. He played

1790
01:38:32,039 --> 01:38:34,039
with a lot of people, He played a lot of

1791
01:38:34,079 --> 01:38:38,560
hit songs, he produced hit songs, and uh yeah, Rick

1792
01:38:38,640 --> 01:38:39,359
Darren jump.

1793
01:38:40,039 --> 01:38:43,359
Speaker 4: Very amazing dude, no doubt. Yeah, it's amazing how long

1794
01:38:43,439 --> 01:38:44,119
his career went.

1795
01:38:44,399 --> 01:38:44,720
Speaker 1: Yeah, I.

1796
01:38:46,520 --> 01:38:49,000
Speaker 4: Guess he was really fascinated by Asian music. Hey, that

1797
01:38:49,199 --> 01:38:52,960
was kind of written that really kind of strung his chord. So,

1798
01:38:53,199 --> 01:38:55,399
I mean, he had a lot of different alleys that

1799
01:38:55,479 --> 01:38:57,920
he went down for music, isn't it that? So most

1800
01:38:57,960 --> 01:39:01,039
people that he played with and worked with, Yeah, there

1801
01:39:01,079 --> 01:39:03,680
must be some sad folks like today, I would think

1802
01:39:03,800 --> 01:39:08,079
that I think it was yesterday that he passed away, right, yeah, Mac, Yeah,

1803
01:39:08,279 --> 01:39:10,960
I don't know where it was in California. Maybe that he's.

1804
01:39:10,920 --> 01:39:14,960
Speaker 1: Florida past Yeah, Florida. Yeah, he was on I'm reading here.

1805
01:39:15,000 --> 01:39:18,399
There was also on Donald Fagan's solo album Nightfly Well,

1806
01:39:18,520 --> 01:39:22,199
which was big, which is as big as huge. That's amazing. Yeah.

1807
01:39:22,199 --> 01:39:23,920
I would never think that he would be in that,

1808
01:39:24,079 --> 01:39:26,960
like I said, in that orbit, but he was. So

1809
01:39:27,039 --> 01:39:29,720
he was seventeen when that hit and he died at

1810
01:39:29,800 --> 01:39:32,399
seventy seven. So basically he was in. He's in the

1811
01:39:32,479 --> 01:39:36,319
rock world sixty years. That it was his career sixty years.

1812
01:39:36,439 --> 01:39:36,680
Speaker 4: Wow.

1813
01:39:37,640 --> 01:39:40,279
Speaker 1: Wow, doing all these different things. It wasn't just this

1814
01:39:40,479 --> 01:39:43,159
one hit two hit. Wonder is they produced in top

1815
01:39:43,399 --> 01:39:45,640
I mean, if you have the producer for Rabas streisser Man,

1816
01:39:46,720 --> 01:39:48,600
you know, what, do you like her music? You have

1817
01:39:48,720 --> 01:39:51,560
to have it. You have to have something going for you,

1818
01:39:51,560 --> 01:39:55,079
you know, I mean she's a perfectionist and big, big star.

1819
01:39:55,520 --> 01:39:59,039
How about Bonnie Tyler's Total Eclips of the Heart. Yeah,

1820
01:39:59,239 --> 01:40:06,079
what about it? Great songs for me? There you go,

1821
01:40:06,279 --> 01:40:06,520
thank you.

1822
01:40:07,119 --> 01:40:09,079
Speaker 4: Robbie robertson the band.

1823
01:40:10,119 --> 01:40:12,880
Speaker 1: Yeah. You know, here's another thing. How much time we

1824
01:40:12,960 --> 01:40:16,840
have left? Robbie Robinson have like how many screenplays he

1825
01:40:17,000 --> 01:40:21,560
was doing with screenplays? But how much be so he's

1826
01:40:21,600 --> 01:40:23,640
in with what's his name? They had that other hack

1827
01:40:24,399 --> 01:40:28,359
squat Sacy and you know, they had this romance and

1828
01:40:29,319 --> 01:40:32,319
none of it is really good. But the thing about it,

1829
01:40:32,399 --> 01:40:35,000
there's another Canadian guy. Right. So when he was in

1830
01:40:35,079 --> 01:40:37,039
the band, I mean, I like the band, but I

1831
01:40:37,079 --> 01:40:40,680
don't know. I like people like George Harrison and Eric Clapton,

1832
01:40:40,800 --> 01:40:43,560
Like we just went Google on the band. They were okay,

1833
01:40:43,720 --> 01:40:46,520
but they fell in love with that Americana type of music.

1834
01:40:47,079 --> 01:40:49,840
So he was the guitar player for the band, and

1835
01:40:49,920 --> 01:40:52,159
he was a great guitar player. And he grew up

1836
01:40:52,199 --> 01:40:54,920
in an Indian reservation. I think this is Robbie Robinson

1837
01:40:55,000 --> 01:40:59,159
now seven game of Guitar and someone gave him I

1838
01:40:59,279 --> 01:41:04,000
guess Robert Johnson recon of one of those old guys, right,

1839
01:41:04,960 --> 01:41:08,279
and he learned it. He learned and learned it until

1840
01:41:08,319 --> 01:41:12,560
his fingers bled and it was the worst. And then

1841
01:41:12,640 --> 01:41:16,319
they said he's playing a slide. He didn't know then

1842
01:41:16,359 --> 01:41:18,800
the guy who's playing a slide guitar, So he's doing

1843
01:41:18,840 --> 01:41:21,119
it with his fingers, right, And that's how he had

1844
01:41:21,159 --> 01:41:24,000
that kind of style. You know, so from not knowing

1845
01:41:24,399 --> 01:41:29,000
you you get your own style. I don't what. Wow, Okay,

1846
01:41:29,119 --> 01:41:32,960
the only Canadian story. I'm exhausted. The only story I

1847
01:41:33,079 --> 01:41:40,920
know is Rick James, Rick James, Rick James, right, none

1848
01:41:40,960 --> 01:41:45,399
of the you know whatever. Rick James was saved from

1849
01:41:45,520 --> 01:41:52,119
being murdered by two guys in the band heard this story.

1850
01:41:52,920 --> 01:41:55,520
So he's in a Toronto bus stage. He's he's a

1851
01:41:55,640 --> 01:41:58,560
draft dodger. He's gone to Canada to avoid the draft.

1852
01:41:58,680 --> 01:42:01,960
Rick Dames. And he's in the Toronto bus station three

1853
01:42:02,000 --> 01:42:04,239
in the morning and two guys are beating the crap

1854
01:42:04,279 --> 01:42:06,520
out of them, robbing him, and they're gonna if they

1855
01:42:06,720 --> 01:42:09,760
let to their own devices, they would kill him. God Hudson,

1856
01:42:09,960 --> 01:42:16,439
and I think it's the drummer. They don't. Just happened

1857
01:42:16,439 --> 01:42:18,439
to be there, and they stopped the guys show him

1858
01:42:18,520 --> 01:42:22,079
from beating and they became good friends. And Neil Young

1859
01:42:22,159 --> 01:42:26,680
and Rick James were actually in a band together, that's true.

1860
01:42:27,520 --> 01:42:30,680
It's called the High Birds or something or you know. Yeah,

1861
01:42:30,760 --> 01:42:33,359
they played together for a while. Rick James and Neil Young.

1862
01:42:33,439 --> 01:42:37,079
Can you imagine? I can't imagine, but this is all yeah,

1863
01:42:37,800 --> 01:42:41,520
this is actually happening. So yeah, has happened. And they

1864
01:42:41,560 --> 01:42:43,640
were like good friends. And I think he's dead now, right,

1865
01:42:43,760 --> 01:42:46,880
Rick James you must be, but that that riff is

1866
01:42:47,159 --> 01:42:50,439
you know everywhere now, no matter what. And he married

1867
01:42:50,479 --> 01:42:54,159
Linda Blair of The Exorcist by the way, who Yeah,

1868
01:42:54,520 --> 01:42:58,640
she'd laid up almost do it, but that's okay. I

1869
01:42:58,840 --> 01:43:01,479
on the show No Doubt rested herself was fun.

1870
01:43:01,600 --> 01:43:02,359
Speaker 4: That's a great story.

1871
01:43:02,560 --> 01:43:05,239
Speaker 5: And you know when I was when I was playing

1872
01:43:05,279 --> 01:43:08,520
in Okinawa, I was playing with these guys and their

1873
01:43:08,640 --> 01:43:14,000
whole thing was that they wanted to play with Great White. Yeah,

1874
01:43:14,039 --> 01:43:17,039
that was their whole They were from Ohio and Great

1875
01:43:17,079 --> 01:43:18,079
White was whatever.

1876
01:43:18,319 --> 01:43:23,560
Speaker 7: Yeah, and and ty Uh actually later went on to

1877
01:43:23,880 --> 01:43:27,680
play with Great White really yeah, and they were the

1878
01:43:27,760 --> 01:43:30,720
ones who There was a big nightclub fire.

1879
01:43:30,680 --> 01:43:31,439
Speaker 1: Down Rhode Island.

1880
01:43:31,560 --> 01:43:33,600
Speaker 7: Yeah, that's right, and he and he died in it.

1881
01:43:33,800 --> 01:43:35,720
He had like hair out of here and he just

1882
01:43:36,159 --> 01:43:39,600
caught anyway. This is one of those strange stories like

1883
01:43:39,840 --> 01:43:40,199
that's wire.

1884
01:43:40,239 --> 01:43:42,359
Speaker 1: It happened just down the road from us. Yeah, and

1885
01:43:42,680 --> 01:43:45,039
it's as big story here because it's in Roade Island.

1886
01:43:45,039 --> 01:43:46,880
But it was very close. One hundred and three people

1887
01:43:47,079 --> 01:43:50,239
I think died and they blocked off a lot of

1888
01:43:50,279 --> 01:43:53,159
the exits and then there were some exit that bunces

1889
01:43:53,239 --> 01:43:56,039
were at. It would not open the door, so people

1890
01:43:56,119 --> 01:43:59,960
got crushed. Basically what happened. Yeah, great white, great white.

1891
01:44:00,159 --> 01:44:00,439
Speaker 4: Wow.

1892
01:44:01,479 --> 01:44:02,239
Speaker 1: I didn't get one hundred.

1893
01:44:02,279 --> 01:44:04,279
Speaker 4: That Cotton Club too in Boston.

1894
01:44:05,600 --> 01:44:09,600
Speaker 1: Was the Blints Village. No, that burnt down. It was

1895
01:44:10,800 --> 01:44:15,039
oh Man, not the Beach Comba. In Boston, there was

1896
01:44:15,079 --> 01:44:20,399
a huge grove, coconut grove. It was after a BC

1897
01:44:21,760 --> 01:44:24,960
Yale game football game. I think that's like five hundred

1898
01:44:24,960 --> 01:44:30,720
people grow far big growing up when we heard that.

1899
01:44:30,800 --> 01:44:32,640
All a lot of good Boston stories about that.

1900
01:44:33,039 --> 01:44:36,239
Speaker 8: Yeah, I got another one, Matt, and I got a

1901
01:44:36,279 --> 01:44:38,720
whole list here. But this is because I read a

1902
01:44:38,760 --> 01:44:42,159
book on the making of Caddy of Caddy Shack by

1903
01:44:42,279 --> 01:44:45,039
Chris Nattawaiting, I think it is, and he goes to

1904
01:44:45,119 --> 01:44:47,960
the whole thing, the beginning with you know Harvard Lampoon,

1905
01:44:48,279 --> 01:44:53,239
National Lampoon, uh uh, Saturday Night Live, uh Animal House,

1906
01:44:53,439 --> 01:44:56,159
and how all these people came together with creative people,

1907
01:44:56,199 --> 01:44:58,479
and how things didn't work or whatever all the way

1908
01:44:58,520 --> 01:45:00,880
up to Caddyshack. And one of the parts that cracked

1909
01:45:00,920 --> 01:45:03,800
me up was, you know, the gopher, which kind of

1910
01:45:03,800 --> 01:45:06,560
the central character it was. Later on they decided the

1911
01:45:06,600 --> 01:45:08,560
gopher was going to be a bigger presence to kind

1912
01:45:08,560 --> 01:45:10,920
of pull things together, and they added more stuff to

1913
01:45:10,960 --> 01:45:14,199
Bill Murray and so forth. But I did not know

1914
01:45:14,359 --> 01:45:18,560
that I'm all right by Kenny Logins was commissioned for

1915
01:45:18,800 --> 01:45:20,680
that film. I thought it was just one of his

1916
01:45:21,239 --> 01:45:25,640
songs tour it, but just on a side the Gopher.

1917
01:45:25,720 --> 01:45:27,920
Originally they had some kind of like a hand puppet,

1918
01:45:28,319 --> 01:45:31,119
and they're told that's that's just not gonna work. They

1919
01:45:31,319 --> 01:45:34,680
actually hired John Dykstra, the guy that did the Star

1920
01:45:34,800 --> 01:45:40,199
Wars special effects, excuseously, to make an animatronic gopher would

1921
01:45:40,319 --> 01:45:43,239
move and dance and move his facial features and even

1922
01:45:43,399 --> 01:45:46,479
blow smoke after the Bill Murray blew up everything. So

1923
01:45:46,640 --> 01:45:49,239
it's a it's a really fascinating book. If you love

1924
01:45:49,640 --> 01:45:54,159
you love those movies and and the way things come together, Chris.

1925
01:45:54,680 --> 01:45:56,920
Speaker 1: That's good. So so do they mention in the book

1926
01:45:57,000 --> 01:45:59,840
that now, I don't think it's a good movie at all,

1927
01:46:00,239 --> 01:46:03,399
because it's it's stitched together, and you just said it.

1928
01:46:03,479 --> 01:46:06,479
When when the gopher has to get a bigger pot,

1929
01:46:06,640 --> 01:46:09,439
you know you're in trouble, right, They.

1930
01:46:09,399 --> 01:46:10,840
Speaker 8: Were in trouble without the Gopher.

1931
01:46:11,479 --> 01:46:15,199
Speaker 1: So so I heard that they had the they had

1932
01:46:15,239 --> 01:46:18,239
the movie and it just wasn't working. So I get

1933
01:46:18,319 --> 01:46:21,079
Bill Murray and they get the Gopher and they and

1934
01:46:21,199 --> 01:46:24,119
they actually put a lot of his shots in and

1935
01:46:24,239 --> 01:46:26,680
no one else's around, you know what I mean, Right,

1936
01:46:26,800 --> 01:46:29,439
they like kind of like cut it in, Okay, and

1937
01:46:29,560 --> 01:46:31,439
then I don't know, it.

1938
01:46:31,560 --> 01:46:34,680
Speaker 8: Worked the same thing happened with with Meatballs. Things weren't working,

1939
01:46:34,720 --> 01:46:37,600
and they added more stuff with Chris Makepiece and Bill Murray,

1940
01:46:38,199 --> 01:46:42,319
but uh, you know they uh. And also they realized

1941
01:46:42,319 --> 01:46:46,039
they didn't have any scenes between Chevy Chase and Bill Murray. Okay,

1942
01:46:46,119 --> 01:46:49,239
so they hated those two guys. Remember when they meet

1943
01:46:49,319 --> 01:46:54,199
in in Carl's shack because Chevy wants to play through

1944
01:46:54,279 --> 01:46:58,920
with his golf ball, and they had this bizarre, mindless conversation. Okay,

1945
01:46:59,159 --> 01:47:00,000
it's hilarious.

1946
01:47:00,079 --> 01:47:00,520
Speaker 1: It's just like.

1947
01:47:02,039 --> 01:47:04,239
Speaker 8: Well they wrote they they wrote that pretty much during

1948
01:47:04,359 --> 01:47:05,479
lunch and then filmed it.

1949
01:47:05,800 --> 01:47:09,399
Speaker 1: You could tell you know what lunch was. But Gopher,

1950
01:47:09,800 --> 01:47:12,920
those two guys hate each other. They used to fight,

1951
01:47:13,479 --> 01:47:14,479
in fact, I know, but.

1952
01:47:14,560 --> 01:47:16,760
Speaker 8: They made up. They kissed and made up, didn't they really?

1953
01:47:16,960 --> 01:47:18,439
Speaker 1: Was that in the movie. I forgot that.

1954
01:47:19,119 --> 01:47:22,960
Speaker 8: Well, they actually cut that out. They pixelated it.

1955
01:47:24,720 --> 01:47:25,199
Speaker 1: Even better.

1956
01:47:25,399 --> 01:47:27,199
Speaker 7: Yeah, that's Jenner.

1957
01:47:27,439 --> 01:47:31,239
Speaker 5: Jennifer Lopez apparently is her new thing is just making

1958
01:47:31,319 --> 01:47:33,079
out with everybody.

1959
01:47:33,720 --> 01:47:38,239
Speaker 7: Dancers, okay, the women, the men around the stage.

1960
01:47:41,359 --> 01:47:43,319
Speaker 8: One one. Maybe you want to get rody again?

1961
01:47:44,000 --> 01:47:47,840
Speaker 1: I do, boy missed that? Have you ever seen he made?

1962
01:47:48,560 --> 01:47:54,000
Ben Affleck who is from here, made the worst movie

1963
01:47:54,079 --> 01:48:01,199
ever with her, uh Bigley Geo bully as Okay, I

1964
01:48:01,359 --> 01:48:03,880
saw right. Now here's the weird thing. She's not a

1965
01:48:03,920 --> 01:48:06,399
bad actress. I know she's a terrible person in life,

1966
01:48:07,000 --> 01:48:09,640
but and you know, I guess she's saying so who knows.

1967
01:48:09,840 --> 01:48:13,800
But she's not a terrible, terrible actress. He's a terrible

1968
01:48:14,039 --> 01:48:19,039
terrible action man. Holy I'm no liba, you know. And

1969
01:48:19,239 --> 01:48:23,079
it's just this really stupid, stupid movie. They got married,

1970
01:48:23,119 --> 01:48:26,439
Remember they got married just in the publicity for the movie,

1971
01:48:26,520 --> 01:48:31,640
and stuff movie comes out. It's Hindenburg crashing into the Titanic.

1972
01:48:31,800 --> 01:48:35,800
That's all bad it is. And then they get divorced,

1973
01:48:35,920 --> 01:48:38,600
more publicity, then they got back together. I mean, come on,

1974
01:48:38,960 --> 01:48:40,279
you know, is this really long?

1975
01:48:40,600 --> 01:48:42,960
Speaker 8: She was dynamite and anaconda was.

1976
01:48:42,960 --> 01:48:45,800
Speaker 1: She could eat? Did they did the snake eater?

1977
01:48:46,600 --> 01:48:46,640
Speaker 8: No?

1978
01:48:46,920 --> 01:48:46,960
Speaker 1: No?

1979
01:48:47,159 --> 01:48:50,159
Speaker 8: She she actually she might she moved faster than the Snake.

1980
01:48:50,439 --> 01:48:52,079
I don't know how they maybe she was c G

1981
01:48:52,239 --> 01:48:52,560
I two.

1982
01:48:52,800 --> 01:48:55,359
Speaker 7: Well, she was great in Selena.

1983
01:48:55,640 --> 01:49:02,159
Speaker 1: I mean that's another that's another snooze though, you know,

1984
01:49:03,760 --> 01:49:07,039
was she uh? Was that the person the superstid down

1985
01:49:07,079 --> 01:49:09,920
in Brazil? They got shot by her own fan club.

1986
01:49:10,239 --> 01:49:14,800
Speaker 5: He was actually from Mexico. She was from Corpus Christie. Okay,

1987
01:49:15,439 --> 01:49:18,680
but yeah she got shot by. I thought she did

1988
01:49:18,720 --> 01:49:19,439
a really great job.

1989
01:49:19,720 --> 01:49:21,039
Speaker 7: But then whatever, so.

1990
01:49:21,079 --> 01:49:25,880
Speaker 1: The other one starry Okay. Anyway, all right, it's time

1991
01:49:25,920 --> 01:49:28,560
to say goodbye, all right, and I'm going to singobye.

1992
01:49:29,439 --> 01:49:34,840
Speaker 6: Oh, I don't want to say goodbye. No, it's time

1993
01:49:35,000 --> 01:49:36,680
to say good night.

1994
01:49:38,399 --> 01:49:44,960
Speaker 1: I didn't. But yeah, they've done some good songs. I mean,

1995
01:49:45,119 --> 01:49:46,840
was one of these bands that can sit down to

1996
01:49:47,560 --> 01:49:50,319
a hit song, you know, if they're in a good

1997
01:49:50,439 --> 01:49:52,600
mood or you know, when when it comes to like

1998
01:49:52,680 --> 01:49:55,760
Billy Joel for instance, he can sit down and write

1999
01:49:55,800 --> 01:49:58,239
a hit song, you know, and he just does it.

2000
01:49:58,439 --> 01:50:00,239
You know, that's just he knows how to to do

2001
01:50:00,359 --> 01:50:05,399
it a little too quirky. And you know, they don't

2002
01:50:05,399 --> 01:50:07,439
want to be rock stars, but they are, and all

2003
01:50:07,520 --> 01:50:08,119
that bullshit.

2004
01:50:09,399 --> 01:50:11,880
Speaker 4: No sex symbols, no sex symbols in that band. Yeah,

2005
01:50:12,439 --> 01:50:15,600
they were just yeah, unbelievable.

2006
01:50:15,640 --> 01:50:18,079
Speaker 1: They were safe from that. They did some good songs

2007
01:50:18,159 --> 01:50:21,159
they did. They did Automatic for the People that album.

2008
01:50:21,760 --> 01:50:24,039
I just played that from beginning to end. That was

2009
01:50:24,239 --> 01:50:29,600
just And you know who produced no, no, you know

2010
01:50:29,680 --> 01:50:33,039
who produced Automatic for the People is John Paul Jones.

2011
01:50:33,079 --> 01:50:42,279
And yeah, just a great, super duper album. Wow. Artists yeah, artists, yeah,

2012
01:50:42,920 --> 01:50:45,680
they realize. Yeah. You see them on TV all the

2013
01:50:45,840 --> 01:50:48,840
time being m TV, you know, being interviewed, and they're

2014
01:50:48,960 --> 01:50:53,840
just like droopy, like they don't want to be there. Jesus,

2015
01:50:53,960 --> 01:50:56,800
you know, they get out of the business, you know. Anyway,

2016
01:50:57,479 --> 01:50:59,399
I'm not going to say goodbye to anyone. I'm not

2017
01:50:59,479 --> 01:51:02,199
going to go through that, you know, put in to

2018
01:51:02,239 --> 01:51:04,399
say about of Bobera and then she's gone. And I

2019
01:51:04,520 --> 01:51:06,520
just want to thank everyone that joining us that this

2020
01:51:06,640 --> 01:51:09,399
is fun. Right, Well, you got to do this more often.

2021
01:51:09,439 --> 01:51:12,560
I love it. I'd rather do this, frankly than UFO stuff.

2022
01:51:12,920 --> 01:51:15,840
I really would. Yeah, maybe we should.

2023
01:51:15,840 --> 01:51:19,039
Speaker 7: Great fun grade fine, great, it was fun you.

2024
01:51:19,079 --> 01:51:22,079
Speaker 1: Guys and and and switching. You surprised this you know who,

2025
01:51:22,399 --> 01:51:24,159
uh who do you say?

2026
01:51:24,960 --> 01:51:26,039
Speaker 7: Louis Louis?

2027
01:51:26,079 --> 01:51:28,039
Speaker 1: Yeah, I tell you.

2028
01:51:28,159 --> 01:51:29,760
Speaker 8: You guys, you got to find that book. It is

2029
01:51:30,000 --> 01:51:32,359
an absolute hoot. And if there's any way you can

2030
01:51:32,399 --> 01:51:35,000
find that interview, I've actually got it on I burned

2031
01:51:35,039 --> 01:51:38,920
it on CD. Remember CDs? Yeah, yeah, years ago. Uh

2032
01:51:39,479 --> 01:51:42,960
Ian Punnett was such a good interviewer and Dick Peterson

2033
01:51:43,199 --> 01:51:45,800
was a great guest and he had such a great

2034
01:51:45,880 --> 01:51:49,359
story and it's, uh, it is so entertaining. But man,

2035
01:51:49,640 --> 01:51:51,359
get that book, even if you have to pay a

2036
01:51:51,439 --> 01:51:53,640
few bucks extra from a third party pirate.

2037
01:51:53,880 --> 01:51:56,520
Speaker 1: Yeah, it's interesting. They got to buy their music back,

2038
01:51:56,600 --> 01:51:58,720
and I know that's one step closer than you know,

2039
01:51:58,920 --> 01:52:01,680
just getting it back, but to buy it back, that's

2040
01:52:02,159 --> 01:52:05,600
so it's possible to buy your hit music back. You know,

2041
01:52:05,800 --> 01:52:07,359
I'm you know who they were?

2042
01:52:07,479 --> 01:52:09,720
Speaker 8: That group were the ones that were proper the benefactor

2043
01:52:09,920 --> 01:52:12,840
was what was? Were the ones instrumental in doing that?

2044
01:52:13,239 --> 01:52:17,359
Speaker 1: The the guy in in England who it's not the

2045
01:52:17,439 --> 01:52:21,319
same thing. He said, I'm going to retain the rights

2046
01:52:21,399 --> 01:52:23,800
to my music from the get go, or I'm not

2047
01:52:23,880 --> 01:52:25,560
going to put it out right, and he retained the

2048
01:52:25,640 --> 01:52:28,920
rights to it and he became a zillion zillion zillion

2049
01:52:29,239 --> 01:52:33,039
is Dave Clock. He was the first guy that said, yeah,

2050
01:52:33,159 --> 01:52:36,000
you're not going to keep it fubb ever, I'm going

2051
01:52:36,079 --> 01:52:39,479
to have it. And yeah yeah, and he's you know,

2052
01:52:39,640 --> 01:52:45,560
he's he's still around his terrible plastic surgery. It's really bad.

2053
01:52:45,760 --> 01:52:48,159
But yeah, yeah, but a friend of Freddie Mercury and

2054
01:52:48,479 --> 01:52:51,720
uh uh yeah, you know he he knew enough he

2055
01:52:51,720 --> 01:52:54,319
couldn't play the drums him and Dennis Wilson. I mean, jews,

2056
01:52:54,760 --> 01:53:02,439
I can do that. Go ahead, yeah, no, you do it,

2057
01:53:02,520 --> 01:53:04,039
you do it. I'll pretend it to me.

2058
01:53:06,119 --> 01:53:08,880
Speaker 6: I think the drum work and Dave clock five records

2059
01:53:09,000 --> 01:53:10,239
wasn't really that complicated.

2060
01:53:13,279 --> 01:53:22,600
Speaker 1: Yeah, pie, oh that's right. He did the running right, yeah, okay,

2061
01:53:23,079 --> 01:53:27,000
all right, always on ED Solving, always on every other week.

2062
01:53:27,640 --> 01:53:29,520
So anyway it Sulvan loved everybody.

2063
01:53:29,680 --> 01:53:33,039
Speaker 6: But you can't sing let's spend the night together and

2064
01:53:33,359 --> 01:53:35,079
use those words and the label.

2065
01:53:35,199 --> 01:53:39,720
Speaker 1: And they did that. I mean they made yeah right, yeah,

2066
01:53:39,800 --> 01:53:43,840
light my fire, yeah yeah, yeah, got kicked off. Yeah

2067
01:53:43,880 --> 01:53:46,880
there's the doors. They said, what was it in the doors,

2068
01:53:47,880 --> 01:53:51,800
and we won't get no higher right yeah uh and

2069
01:53:52,039 --> 01:53:54,880
and he's sanging on. But they made ED Solving made

2070
01:53:54,880 --> 01:53:57,279
them rolling stones change, Let's spend the night together to

2071
01:53:57,439 --> 01:54:00,479
let's spend some time together. And they actually they did it.

2072
01:54:00,680 --> 01:54:03,199
They did it, and you know they had this rebel

2073
01:54:03,239 --> 01:54:06,319
image and image and stuff like that, but it was

2074
01:54:06,439 --> 01:54:10,359
just it was just it's the word they get so famous,

2075
01:54:10,560 --> 01:54:12,479
you know, from being an Ed Sullivan that's you know,

2076
01:54:12,600 --> 01:54:15,479
you're a comedian. Gleno San was the ticket back. Yeah,

2077
01:54:15,520 --> 01:54:15,880
that was it.

2078
01:54:16,199 --> 01:54:18,000
Speaker 6: And they did the Beatles do that and that was

2079
01:54:18,079 --> 01:54:20,560
a b line right to the Sullivan show.

2080
01:54:20,640 --> 01:54:23,359
Speaker 1: Yeah, don't do the airport, don't do songs with dirty lyrics,

2081
01:54:23,399 --> 01:54:27,760
and went back to the Kingsman. You know, Hard Days Night.

2082
01:54:27,840 --> 01:54:30,239
Speaker 6: If you if you watch The Hard Days Night by

2083
01:54:30,279 --> 01:54:35,239
the Beatles with the excellent production quality and the remastering

2084
01:54:35,279 --> 01:54:38,399
of the whole film and the music is wonderful. You

2085
01:54:38,520 --> 01:54:41,359
watch the joy in their faces being in New York

2086
01:54:41,439 --> 01:54:46,479
City and listening to their listening to this transistor rator

2087
01:54:46,560 --> 01:54:52,239
that looked like a pepsi A great it was a

2088
01:54:52,319 --> 01:54:58,159
great marketing tools listen and listening to their own songs yep,

2089
01:54:58,760 --> 01:55:02,399
number one hit again. Yeah, yeah, while they're in the taxi.

2090
01:55:02,840 --> 01:55:09,039
Speaker 1: Yeah to the there's a there's a footage okay that

2091
01:55:09,159 --> 01:55:12,039
people someone have they've taken it out. It's on YouTube

2092
01:55:12,159 --> 01:55:15,239
and In that scene, they're at like the Plaza Hotel

2093
01:55:15,520 --> 01:55:17,439
and now they're getting the husses and all that, the

2094
01:55:17,520 --> 01:55:20,319
cops and stuff ready to go, and Jonlin is sitting

2095
01:55:20,359 --> 01:55:24,399
there with a what is that thing? What's the thing? Ammonium?

2096
01:55:24,600 --> 01:55:27,520
It's basically it's like a flute, but it has keys

2097
01:55:27,640 --> 01:55:30,439
like a piano on it. Okay, and then the sound

2098
01:55:30,560 --> 01:55:33,199
is kind of like flu dish. But and he plays

2099
01:55:33,279 --> 01:55:36,119
the beginning of Strawberry Fields. Now this is like nineteen

2100
01:55:36,239 --> 01:55:43,880
sixty four in February, and he plays that, you know, dude, yeah, dude,

2101
01:55:44,000 --> 01:55:47,279
and you go wow. So that's in his head when

2102
01:55:47,319 --> 01:55:50,840
they run at Sullivan like two hours like amazing.

2103
01:55:52,199 --> 01:55:54,000
Speaker 8: You know, next time Mac will have to bring up

2104
01:55:54,199 --> 01:55:57,840
the Wrecking Crew. Oh right, they were, Oh yeah, yeah,

2105
01:55:58,479 --> 01:55:59,319
that's a great book too.

2106
01:55:59,520 --> 01:56:04,279
Speaker 1: Yeah, this is two whiles. But basically, yeah, it's a movie.

2107
01:56:04,319 --> 01:56:06,119
I think there's a movie now too. But the Wrecking

2108
01:56:06,239 --> 01:56:09,279
Crew was this bunch of studio musicians in the sixties

2109
01:56:09,359 --> 01:56:12,359
and seventies, and believe me, they played on all your

2110
01:56:12,399 --> 01:56:15,359
favorite songs, you know they would. They were the backup

2111
01:56:15,439 --> 01:56:18,439
being for the Beach Boys. For instance, the Beach Boys

2112
01:56:18,520 --> 01:56:21,279
didn't record the music. The record crew did. They came

2113
01:56:21,399 --> 01:56:24,039
up with that whole surf thing. You know, they were

2114
01:56:24,399 --> 01:56:27,159
doing dig Dale but you know, the bass, and they

2115
01:56:27,239 --> 01:56:32,359
did that the modes, they did the Monkeys, all the

2116
01:56:32,439 --> 01:56:34,960
monkey stuff, and that's basically that's how the Monkeys got

2117
01:56:35,000 --> 01:56:37,920
found out for not doing the wrong music. They did

2118
01:56:38,199 --> 01:56:40,920
Simon and goffunk O Records. I think Simon and Gofak

2119
01:56:40,960 --> 01:56:42,880
would be in New York and never leave New York,

2120
01:56:43,000 --> 01:56:45,520
you know, forever and ever. They did all their they

2121
01:56:45,600 --> 01:56:48,880
did the first few albums with the record crew. Hal

2122
01:56:48,960 --> 01:56:53,079
Blaine and MacArthur Park were talked about earlier. Al Blaine

2123
01:56:53,119 --> 01:56:56,479
the drummer. Someone said I didn't know who he was,

2124
01:56:56,520 --> 01:56:58,359
and then I found out who he was, and he's

2125
01:56:58,439 --> 01:57:01,680
like the drummer room. He's like ten favorite drummers, you know.

2126
01:57:01,840 --> 01:57:07,319
They yeah great, Yeah, yeah, they were great. Just a

2127
01:57:07,399 --> 01:57:10,119
bunch of people who got together, made a lot of money, Carol.

2128
01:57:10,720 --> 01:57:13,319
Speaker 8: Some of them were names people might not know. One

2129
01:57:13,600 --> 01:57:14,319
was Glenn Campbell.

2130
01:57:14,319 --> 01:57:18,720
Speaker 1: Glenn Campbell was yep Sonny and Cheer would go in

2131
01:57:18,840 --> 01:57:26,439
and sing backup and stuff. As a woman bass player

2132
01:57:26,560 --> 01:57:31,600
on all those songs. She came up. It was just

2133
01:57:31,680 --> 01:57:34,479
a street one. Cord Neal and she came up with

2134
01:57:35,479 --> 01:57:39,840
makes the song right, yeah, goes on yep, And all

2135
01:57:39,920 --> 01:57:42,880
that Beach Boys stuff came from most people, you know,

2136
01:57:43,640 --> 01:57:47,560
really cool, cool story, great book and the movies around

2137
01:57:48,199 --> 01:57:51,199
somewhere there. It's a documentary. I think. The guy there's

2138
01:57:51,239 --> 01:57:53,680
a guy named Teddy Tedisco and his son, I think

2139
01:57:53,760 --> 01:57:55,920
put it out and he has this great plot with

2140
01:57:56,000 --> 01:57:58,279
his father, right, and he's just this guy, right, he

2141
01:57:58,319 --> 01:58:00,880
looks like he's done on the beach Miami somewhere. He's

2142
01:58:00,920 --> 01:58:02,680
got the hat on and stuff. He says, I I

2143
01:58:02,920 --> 01:58:05,600
do like ten sessions a day. So I go into

2144
01:58:05,640 --> 01:58:08,720
a place and they go, listen, we're doing a movie

2145
01:58:08,760 --> 01:58:10,840
about Mexico, so we need some Mexican you know, so

2146
01:58:10,920 --> 01:58:14,840
you have a few times like you know, like that. Right.

2147
01:58:15,560 --> 01:58:17,880
So then he says, now I go someplace and it's

2148
01:58:17,960 --> 01:58:20,680
like human music, and they go, we went to you know,

2149
01:58:20,960 --> 01:58:24,479
like a Cuban inche to this. So he just goes's

2150
01:58:24,520 --> 01:58:29,359
the same thing. He's just funny, you know, just he said,

2151
01:58:29,600 --> 01:58:31,279
and they pick up my check and go, you know,

2152
01:58:31,359 --> 01:58:32,680
and they all say, wow, that's great.

2153
01:58:32,840 --> 01:58:37,239
Speaker 6: The wrecking crew, though they did, they did respond to

2154
01:58:37,439 --> 01:58:40,640
what the artist was looking for for the song, yeah, yes,

2155
01:58:40,840 --> 01:58:44,479
and the Wrecking Crew always adapted or they made it better.

2156
01:58:45,439 --> 01:58:48,239
Speaker 1: Right, right. So the guys who are playing on the

2157
01:58:48,319 --> 01:58:51,960
grass roots hits other people playing on the beach Boy hit, right,

2158
01:58:52,239 --> 01:58:54,399
And that's why he said, he goes, this guy's like

2159
01:58:54,520 --> 01:58:57,399
my ten favorite drammas because he's wunning ten different not like.

2160
01:58:57,359 --> 01:58:59,439
Speaker 6: When you listen to the record, say, well that band

2161
01:58:59,479 --> 01:59:03,159
sounds a sad no, yeah, yeah, the beach Boys sounded

2162
01:59:03,239 --> 01:59:06,119
like the Beach Boys, and the Monkeys sounded like what

2163
01:59:06,239 --> 01:59:07,199
they were for a while.

2164
01:59:07,159 --> 01:59:09,279
Speaker 1: Right, yeah, But as all these guys and the thing

2165
01:59:09,479 --> 01:59:12,319
was what his stad was was money. Okay, you put

2166
01:59:12,359 --> 01:59:14,439
the Beach Boys there or the Monk if I get it,

2167
01:59:14,520 --> 01:59:17,439
the Monkeys of the grassroots and there record their own

2168
01:59:17,560 --> 01:59:20,199
songs and you know, go through that process. You have

2169
01:59:20,319 --> 01:59:22,279
these guys doing it in the hour. Yeah, I mean,

2170
01:59:22,359 --> 01:59:24,000
and they know how to do a hit record, you know,

2171
01:59:24,239 --> 01:59:27,560
boom boom boom the day easy.

2172
01:59:27,760 --> 01:59:31,760
Speaker 7: Yeah, but how miraculous they could play on so many

2173
01:59:32,079 --> 01:59:35,439
wide varieties of that And Nope, you didn't.

2174
01:59:35,239 --> 01:59:38,319
Speaker 1: Know, Yeah, you didn't know. You didn't know. To the monkeys,

2175
01:59:38,560 --> 01:59:40,479
they blew a time magazine went to go see a

2176
01:59:40,520 --> 01:59:43,880
Monkey's thing. They got there shadowing Peter talk. He leaves

2177
01:59:43,920 --> 01:59:45,920
his house with his guitar. He goes in. They go,

2178
01:59:46,520 --> 01:59:48,800
you won't need that, you know, you're just singing on this,

2179
01:59:49,520 --> 01:59:52,239
and he goes what he claims, that's the first you

2180
01:59:52,319 --> 01:59:54,479
ever heard of it. But the record was all done,

2181
01:59:54,960 --> 01:59:57,000
Everything was done. It was just you know, put their

2182
01:59:57,079 --> 01:59:59,439
vocals on so and that made it. It's a Time magazine.

2183
01:59:59,720 --> 02:00:02,159
But but you know, people thought it was kind of

2184
02:00:02,199 --> 02:00:06,359
dishonest in a way, but not really because it wasn't

2185
02:00:06,399 --> 02:00:09,840
the same band. It was the band that the artists wanted.

2186
02:00:10,039 --> 02:00:12,479
You know what I mean is they like backup, but

2187
02:00:12,560 --> 02:00:16,399
they improved stuff beyond heads and tails. That's why we're

2188
02:00:16,439 --> 02:00:17,000
talking about it.

2189
02:00:17,159 --> 02:00:19,199
Speaker 7: But what did they do live then? Like when you

2190
02:00:19,239 --> 02:00:20,800
went to see the Monkeys live.

2191
02:00:21,199 --> 02:00:23,960
Speaker 1: They just had a backup band in the second row. Yeah,

2192
02:00:24,880 --> 02:00:28,920
I saw them. I saw them in Boston. Yeah you've

2193
02:00:28,920 --> 02:00:30,640
seen that, right, didn't they have a second line and

2194
02:00:30,720 --> 02:00:32,199
back of them, right? And they would just come out

2195
02:00:32,199 --> 02:00:35,279
and go fake it and start the stage.

2196
02:00:36,079 --> 02:00:38,159
Speaker 6: When they when they first started touring, they toured with

2197
02:00:38,279 --> 02:00:42,319
Jimmy Hendrix. Yeah, comings came in the Boston Garden. I

2198
02:00:42,399 --> 02:00:45,800
had tickets and my girlfriend and I had really good seats,

2199
02:00:46,800 --> 02:00:49,479
so we tall. I tolerateed the Monkeys. She was a

2200
02:00:49,520 --> 02:00:52,239
Monkeys fan. But they were good. It seemed like they

2201
02:00:52,279 --> 02:00:53,520
were playing their own stuff.

2202
02:00:53,399 --> 02:00:55,920
Speaker 1: By that time. They they were musicians, you know, they

2203
02:00:56,039 --> 02:00:59,199
could kind of do it, you know, but there's there's

2204
02:00:59,239 --> 02:01:00,840
definitely times that backup.

2205
02:01:00,520 --> 02:01:02,760
Speaker 6: Band Jimmy Hendrix was not there though. I didn't know

2206
02:01:02,840 --> 02:01:05,000
what he didn't see. I didn't know it that he

2207
02:01:05,119 --> 02:01:09,399
had left that tour to go solo and I'm there

2208
02:01:09,479 --> 02:01:11,079
tolerating the Monkeys and some other.

2209
02:01:11,079 --> 02:01:15,680
Speaker 1: Local band in uh yeah, I mean no Hendricks, no Hendrix.

2210
02:01:15,800 --> 02:01:20,239
Imagine he's going what I'm talking who? Yeah? All right,

2211
02:01:20,279 --> 02:01:22,920
One last thing on Jimmy Hendrix. Okay, if you see

2212
02:01:23,079 --> 02:01:27,520
video of Jimmy Hendrick starting a song, okay, he counts

2213
02:01:27,600 --> 02:01:31,159
down the frets on his guitar to know what to play. Yeah,

2214
02:01:32,840 --> 02:01:36,359
every song goes okay, I'm doing this right. He wouldn't

2215
02:01:36,399 --> 02:01:40,319
know your guitar player gets around that's yeah. If that's

2216
02:01:40,359 --> 02:01:43,319
the play that his starting point right right. Wow, that's

2217
02:01:43,399 --> 02:01:45,760
kind of an odd based on what key's going to

2218
02:01:45,800 --> 02:01:48,600
play in or yeah. Yeah, it's almost like you didn't

2219
02:01:48,680 --> 02:01:53,119
know where where to stott he would count down. He

2220
02:01:53,159 --> 02:01:59,439
would count it okay, eighth, My it's this song, yeah right, okay.

2221
02:02:00,079 --> 02:02:03,720
Speaker 8: The Wrecking Crew DBD is available on Amazon, very inexpensive

2222
02:02:04,079 --> 02:02:06,880
and runs quite a few hours. Oh wow, it could

2223
02:02:06,880 --> 02:02:08,000
be a lot of fun. I'm going to want to

2224
02:02:08,079 --> 02:02:08,479
check it out.

2225
02:02:08,800 --> 02:02:13,199
Speaker 1: It's really good, fascinating. When Campbell was in there, Bruce

2226
02:02:13,279 --> 02:02:15,479
Johnson who went on to be in The Beach Boys,

2227
02:02:17,560 --> 02:02:20,840
Captain and to Neil. Yeah, he was a studio musician,

2228
02:02:20,960 --> 02:02:24,239
the captain was and she used to sing background stuff.

2229
02:02:25,960 --> 02:02:30,720
They did a lot with the Coppenters. Okay, there was huge, huge,

2230
02:02:30,800 --> 02:02:35,760
They played on almost all the Competences songs and maybe

2231
02:02:35,880 --> 02:02:37,960
like John Denver and people like that, though those are

2232
02:02:38,000 --> 02:02:40,560
people that don't they're not faking like the band, but

2233
02:02:40,640 --> 02:02:45,359
they did like the grassroots and you know, bread, bread

2234
02:02:45,479 --> 02:02:46,560
and all that stuff. You know.

2235
02:02:47,760 --> 02:02:49,960
Speaker 6: One of the one of the guys that wrote the

2236
02:02:50,079 --> 02:02:54,760
song We've Only Just Begun, which is even makes me cry.

2237
02:02:54,880 --> 02:02:57,680
Speaker 1: I love really yeah, I love that. Oh wow.

2238
02:02:57,920 --> 02:03:01,960
Speaker 6: I love the voice of Karen Kapproenter of God Tonight.

2239
02:03:02,039 --> 02:03:08,760
Folks love her voice. But that song came from a

2240
02:03:08,960 --> 02:03:14,039
jingle for a bank that right, right right, that's the

2241
02:03:14,119 --> 02:03:17,119
guy for the on the record company said, is there

2242
02:03:17,199 --> 02:03:18,199
a song in there someplace?

2243
02:03:18,239 --> 02:03:21,640
Speaker 1: You heard the jingle? And the guy who wrote I

2244
02:03:21,680 --> 02:03:23,159
think his name is just passed away.

2245
02:03:23,520 --> 02:03:28,880
Speaker 8: Wasn't it Paul the little short dude Williams, Paul Williams,

2246
02:03:29,159 --> 02:03:29,800
I think he did it.

2247
02:03:29,880 --> 02:03:31,760
Speaker 1: Was Paul Williams and some other guy, the other guy

2248
02:03:32,199 --> 02:03:36,199
one that died. Yeah, he's the guy who brought the said, yeah,

2249
02:03:36,199 --> 02:03:36,439
this is.

2250
02:03:36,399 --> 02:03:39,000
Speaker 6: A song around it. There wasn't They just wrote it up. Yep,

2251
02:03:39,119 --> 02:03:40,199
that's how they put together.

2252
02:03:40,920 --> 02:03:46,159
Speaker 1: Just be gone. Paul Williams brought the village people. He

2253
02:03:46,479 --> 02:03:48,479
he found the village people.

2254
02:03:48,600 --> 02:03:54,720
Speaker 6: As it turns out, Yeah, we got to show about

2255
02:03:54,760 --> 02:04:00,880
songwriters and and how it's from the real building. Pat

2256
02:04:01,000 --> 02:04:05,800
Boone legitimized so much rock and roll, and he would

2257
02:04:06,079 --> 02:04:10,199
steal the song, make a hit out of it, It's true,

2258
02:04:10,520 --> 02:04:13,119
and wrecked the song at the same toy fruity.

2259
02:04:12,960 --> 02:04:16,680
Speaker 1: And so he did. He did a version of Long

2260
02:04:16,800 --> 02:04:19,159
Tall Sally. That's so ridiculous. You got to hear it.

2261
02:04:19,319 --> 02:04:22,039
I mean, come on, but that's what they said, singing

2262
02:04:22,119 --> 02:04:24,479
Long Tall Sally. That's what he used to be. That's

2263
02:04:24,640 --> 02:04:27,439
how he made his bones, you know, bone. And it

2264
02:04:27,560 --> 02:04:29,359
was this wholesome blah blah blah.

2265
02:04:30,840 --> 02:04:33,319
Speaker 8: You know he even sang in Journey to the Center

2266
02:04:33,359 --> 02:04:34,560
of the Earth for crying out loud.

2267
02:04:35,439 --> 02:04:37,840
Speaker 1: That's he's good in that movie though. Yeah, yeah, yeah

2268
02:04:37,840 --> 02:04:41,800
he was. Yeah, the originally holding down. You know who's.

2269
02:04:43,399 --> 02:04:43,840
Speaker 8: On Roe?

2270
02:04:45,279 --> 02:04:47,800
Speaker 1: It was Pat Boone and James Mason and who the

2271
02:04:47,880 --> 02:04:51,600
two is that? Oh wow? Hang on?

2272
02:04:51,880 --> 02:04:54,359
Speaker 8: Yeah, and a gentleman I don't remember his name, but

2273
02:04:54,439 --> 02:05:00,760
he played Hans. There was a guy that played Ernie. No,

2274
02:05:00,880 --> 02:05:03,840
not every factors from the guy they were following, count

2275
02:05:04,399 --> 02:05:07,960
Count Sacnism. Yeah, played by a character actor that often

2276
02:05:08,000 --> 02:05:09,000
played bad guys.

2277
02:05:09,000 --> 02:05:11,359
Speaker 1: I don't know what his name was, this real mean guy. Yeah.

2278
02:05:11,359 --> 02:05:11,880
Speaker 8: Real cast.

2279
02:05:12,000 --> 02:05:13,039
Speaker 1: Yeah yeah, really.

2280
02:05:13,039 --> 02:05:16,279
Speaker 8: Great cast, including Iguanas which weren't really that giant, but

2281
02:05:16,439 --> 02:05:20,520
they fought bigger big I want anybody to be scared. Yeah,

2282
02:05:20,800 --> 02:05:24,760
but very cool, very kind of sixties tackling. It was

2283
02:05:25,079 --> 02:05:28,720
the sixties and fiftiest I think it was fifty nine,

2284
02:05:28,760 --> 02:05:35,239
I'm not sure. Yeah, And a great soundtrack by Bernard Herman. Phenomenal.

2285
02:05:35,479 --> 02:05:37,520
Speaker 1: Yeah. Yeah, yeah, we should do a whole show one

2286
02:05:37,760 --> 02:05:41,279
on soundtracks, man me and switching. Yeah, yeah, we're always

2287
02:05:41,279 --> 02:05:44,359
talking about soundtracks, but listen we got to go now, okay,

2288
02:05:44,359 --> 02:05:46,760
because they're closing the bar. I mean, it's time if

2289
02:05:46,800 --> 02:05:47,279
you gotta go.

2290
02:05:47,800 --> 02:05:49,439
Speaker 7: I was gonna say, do you ever end your show

2291
02:05:49,560 --> 02:05:49,760
or what?

2292
02:05:51,880 --> 02:05:54,880
Speaker 1: Every right? Overtime a lot? Yeah, yeah yeah, but other

2293
02:05:55,000 --> 02:05:55,680
times we don't.

2294
02:05:55,800 --> 02:05:58,880
Speaker 8: So we're trying to we get time and a half overtime?

2295
02:05:59,000 --> 02:06:00,840
Speaker 1: So when do we do this? So well? I want

2296
02:06:00,880 --> 02:06:04,199
to thank everyone. All right, Barbara with thank you very much, Boba.

2297
02:06:04,239 --> 02:06:05,159
Where do you get your stuff?

2298
02:06:05,359 --> 02:06:07,720
Speaker 7: I mean, you know, Barbara with dot com?

2299
02:06:08,000 --> 02:06:09,239
Speaker 1: Barbara with dot com.

2300
02:06:11,159 --> 02:06:12,079
Speaker 7: Again to you?

2301
02:06:12,319 --> 02:06:18,079
Speaker 1: Yeah, yeah, yeah, that's right on. Thank you, Kim Shay,

2302
02:06:18,199 --> 02:06:21,000
Thank you, Kim Shay. Give us a pose? Hollywood? Doesn't

2303
02:06:21,039 --> 02:06:22,880
he look like a Hollywood? Who is?

2304
02:06:22,920 --> 02:06:22,960
Speaker 4: It?

2305
02:06:23,119 --> 02:06:23,159
Speaker 9: Is?

2306
02:06:23,159 --> 02:06:26,319
Speaker 1: A Richard? Every every time he's on, we say, good,

2307
02:06:26,439 --> 02:06:28,720
just get the ego? Good, do it again? Do it again?

2308
02:06:28,800 --> 02:06:34,600
Go ahead, give that little like the captain of a

2309
02:06:34,640 --> 02:06:37,800
whaling ship or something. I don't know, man ends on

2310
02:06:37,880 --> 02:06:40,960
the profile. Thank you, Kevin. We appreciate man.

2311
02:06:41,600 --> 02:06:44,439
Speaker 4: It's so much fun. You guys, this is who I like.

2312
02:06:44,520 --> 02:06:47,199
The different you know, the different genre we're talking about.

2313
02:06:47,239 --> 02:06:49,760
Speaker 1: Oh yeah, yeah, you talk about music forever forever.

2314
02:06:50,039 --> 02:06:52,520
Speaker 4: Well, you guys are experts. Okay, I feel like.

2315
02:06:52,560 --> 02:06:55,239
Speaker 1: Some kind of like you know, I don't feel I've

2316
02:06:55,359 --> 02:06:57,279
just listened to a lot of stuff, that's all.

2317
02:06:57,520 --> 02:07:00,399
Speaker 4: You know, that's great. Guys all have such great memories

2318
02:07:00,439 --> 02:07:03,000
and I mean you hold onto this stuff like that's awesome.

2319
02:07:03,119 --> 02:07:05,079
Speaker 1: Well the stuff you have good to use the noodle.

2320
02:07:05,119 --> 02:07:06,279
Speaker 4: It's good to use the noodle.

2321
02:07:06,560 --> 02:07:09,000
Speaker 1: It took French for twelve years, man, I know, uh

2322
02:07:11,399 --> 02:07:16,600
that's it. Okay, So anyway, thank you, Kem. We appreciate it. Switchy,

2323
02:07:16,720 --> 02:07:17,760
thank you, switch.

2324
02:07:18,520 --> 02:07:20,600
Speaker 8: Listen, thank you. And I did the best I could

2325
02:07:20,640 --> 02:07:23,239
being coked out those eyes.

2326
02:07:23,800 --> 02:07:28,680
Speaker 1: He did very well zooming those He was drinking a

2327
02:07:28,720 --> 02:07:32,560
coke earlier. I think you looked like a coke Okay,

2328
02:07:32,680 --> 02:07:36,640
all right, good good playing this radio, okay. And in

2329
02:07:36,800 --> 02:07:39,560
cat Free for the night, cat Free, thank you, switch

2330
02:07:39,720 --> 02:07:43,439
We appreciate it. He embarrassed himself last night on the show.

2331
02:07:43,640 --> 02:07:46,720
I didn't wait to you hear it there, my friend.

2332
02:07:47,039 --> 02:07:52,119
Speaker 8: In fact, in fact that that particular kitten. I rescued it, wondering, yes,

2333
02:07:52,560 --> 02:07:55,880
you see see what you did? And I took it.

2334
02:07:55,960 --> 02:07:58,680
Turns out he was a boy we didn't know, okay,

2335
02:07:58,720 --> 02:08:02,199
and the vest gave me perfect health. Okay, you know

2336
02:08:02,640 --> 02:08:05,720
eyes look good, hydrated and everything so clean.

2337
02:08:05,800 --> 02:08:08,800
Speaker 1: Billet help eyes look good. We heard you chased him

2338
02:08:08,920 --> 02:08:11,439
through a mall and the kitten was trying to get

2339
02:08:11,439 --> 02:08:13,319
away from you. You counted him.

2340
02:08:13,399 --> 02:08:16,439
Speaker 8: That is another another line. And I was not coked

2341
02:08:16,439 --> 02:08:17,279
out at the time either.

2342
02:08:17,439 --> 02:08:23,119
Speaker 1: Oh that's just say well, thank you, thank you, thank you. Yeah,

2343
02:08:23,319 --> 02:08:25,399
that kit is going to be in the back winking

2344
02:08:25,479 --> 02:08:29,520
to us. Help me, help me, thank you. Switch. We appreciate.

2345
02:08:29,640 --> 02:08:33,880
We'll see you next week. Okay, okay, so good, okay, now,

2346
02:08:34,199 --> 02:08:37,840
thank you, Mike Pooling. They go, no belly button, man,

2347
02:08:38,079 --> 02:08:42,239
that's right. Okay. You have anything to plug? Nothing nothing.

2348
02:08:44,479 --> 02:08:47,479
Speaker 8: Much much plug sky Club. That's a phenomenal.

2349
02:08:48,079 --> 02:08:50,680
Speaker 1: It is good stuff. Go on YouTube. There's a lot

2350
02:08:50,760 --> 02:08:53,479
they put without asking us. They put it on YouTube,

2351
02:08:53,520 --> 02:08:56,680
the first album, so you can hear everything there. Sounds good,

2352
02:08:56,880 --> 02:09:01,279
sounds good. Yeah it does. It's a CD like check

2353
02:09:01,319 --> 02:09:05,920
it out, got it sky Club? Yeah yeah, it's a

2354
02:09:05,960 --> 02:09:09,600
lot of funny Scotch Frisbee. There's one single. I'll just

2355
02:09:09,600 --> 02:09:12,319
say real quick. So we recorded the Basic Trucks at

2356
02:09:12,319 --> 02:09:16,239
this place in New reput Roger's Place, right, get right

2357
02:09:16,279 --> 02:09:19,840
on that there and laugh when it's uh yeah, So

2358
02:09:20,640 --> 02:09:23,359
when you recording the instruments, which we did during the day,

2359
02:09:24,079 --> 02:09:26,159
you don't screw around. You go in and you play

2360
02:09:26,279 --> 02:09:28,520
and and that's it. And it saw Mike, you know,

2361
02:09:28,760 --> 02:09:32,560
it's mock and omni casting play saxophone. And he just

2362
02:09:32,600 --> 02:09:36,680
passed away a few months ago. Uh, a great sax player.

2363
02:09:37,119 --> 02:09:39,479
But when you do the lyric, when you do the singing,

2364
02:09:39,880 --> 02:09:43,600
which was at night, we'd get like really fucked up.

2365
02:09:45,159 --> 02:09:48,319
We'd get really really toasted, all right, And the engineer

2366
02:09:48,399 --> 02:09:52,439
didn't like it. So I got cargo pants just for

2367
02:09:52,720 --> 02:09:54,920
the occasion, and I'd go out by those little nips

2368
02:09:55,000 --> 02:09:58,359
of Jack Daniels and plug them into my pants. So

2369
02:09:58,520 --> 02:10:01,680
in this place, the control room is in the house.

2370
02:10:01,920 --> 02:10:04,399
The control room is in one room and you go

2371
02:10:04,520 --> 02:10:07,840
through a like a hallway and go into the recording studio.

2372
02:10:08,159 --> 02:10:11,000
We'd go in there, we'd be so freaking loaded, man.

2373
02:10:11,439 --> 02:10:13,000
But a lot of the lyrics you were singing in

2374
02:10:13,119 --> 02:10:14,880
and then and they wound up on the record, right,

2375
02:10:14,920 --> 02:10:18,640
But you're really really loaded, loaded kind of over remote

2376
02:10:18,760 --> 02:10:22,039
sometimes yeah, yeah, that's the secret, kids, that's the secret.

2377
02:10:22,239 --> 02:10:27,560
Get drugs, right and then just okay, wow, this is exhausting.

2378
02:10:27,680 --> 02:10:30,800
So I want to thank everyone, uh for joining us

2379
02:10:30,840 --> 02:10:33,079
tonight the Mac Macaloney's musical X Files. We had a

2380
02:10:33,119 --> 02:10:35,880
good time. And I'm not even going to do the plugs.

2381
02:10:35,920 --> 02:10:38,359
I'm just going to say until you hear us next time,

2382
02:10:38,479 --> 02:10:41,800
this is Mac from the entire gang. Be safe, be happy,

2383
02:10:41,920 --> 02:10:49,319
and and bye bye. Hey ten. All right, thank you everyone,

2384
02:10:49,479 --> 02:10:58,960
thank you, thank you, thank you. Well ya well, Barbara,

2385
02:10:59,079 --> 02:11:00,479
take care right, Kim.

2386
02:11:00,680 --> 02:11:03,199
Speaker 4: Go for you guys. That was a lot of fun.

2387
02:11:03,600 --> 02:11:04,079
Speaker 1: That was good.

2388
02:11:04,840 --> 02:11:06,720
Speaker 4: I'm well educated now, okay.

2389
02:11:06,600 --> 02:11:09,319
Speaker 1: So we made it all up. Don't listen to us.

2390
02:11:09,680 --> 02:11:13,000
So Oiler's got it now, man, they got it. So

2391
02:11:13,159 --> 02:11:14,880
who are they going to play next? You know? Can

2392
02:11:14,920 --> 02:11:15,239
you tell?

2393
02:11:16,119 --> 02:11:17,640
Speaker 4: Looks like the Panthers again?

2394
02:11:18,000 --> 02:11:21,680
Speaker 1: Oh oh yeah, well okay, yeah, Carolina.

2395
02:11:21,239 --> 02:11:23,039
Speaker 4: Though was given them. Hopefully Carolina can beat them. I

2396
02:11:23,039 --> 02:11:24,159
think they're playing tonight right now.

2397
02:11:24,279 --> 02:11:27,840
Speaker 1: I believe really Carolina Hurricanes. And then when the Bruins

2398
02:11:28,000 --> 02:11:30,920
swept them for in a row, yeah, they want it.

2399
02:11:31,039 --> 02:11:34,119
They referred to as the Carolina light Drizzles or something.

2400
02:11:34,840 --> 02:11:40,000
Speaker 4: Yeah, but the last game I believe right, So well,

2401
02:11:40,039 --> 02:11:41,920
hopefully they'll extend this series so that we get a

2402
02:11:41,960 --> 02:11:45,199
little break because we lost a couple of players. Yeah, yeah, injuries, right,

2403
02:11:45,319 --> 02:11:47,840
but you know the next game should be a good one.

2404
02:11:48,000 --> 02:11:49,600
Speaker 1: Yeah, yeah, yeah, the skin again.

2405
02:11:49,720 --> 02:11:51,760
Speaker 4: The last game is really the toughest when you're in

2406
02:11:51,800 --> 02:11:53,319
that kind of a series and it's two to one.

2407
02:11:53,840 --> 02:11:55,039
I mean, the stars came out.

2408
02:11:55,279 --> 02:11:57,159
Speaker 1: Just that was the one. Yeah, that was the one.

2409
02:11:57,239 --> 02:12:00,560
Speaker 4: Yeah for sure, you guys a man, Yeah yeah, all.

2410
02:12:00,560 --> 02:12:02,560
Speaker 1: Right, man, talk your soon, okay, all right.

2411
02:12:02,800 --> 02:12:04,600
Speaker 4: There's somebody behind you over there looking at you.

2412
02:12:05,560 --> 02:12:09,319
Speaker 1: All right, we'll talk all right, We'll talk to you soon. Man.

2413
02:12:09,680 --> 02:12:15,159
Enjoy the night, guys, see you later. By now. Now,

2414
02:12:15,239 --> 02:12:16,439
I have no idea how to do this.