Speaker 1: Old venture, adventure, intrigue, mystery romance starring Humphrey ball Guard
Speaker 1: and Lauren becall together in the folk resetting of Tropical
Speaker 1: Havanna and the Mysterious Islands of the Caribbeans.
Speaker 2: Venture once again, the magic names of Humphrey Bogart and Lauren.
Speaker 1: Bacall bring you, oh venture and the tale.
Speaker 3: Of Mystery and Intrigue. Oh Joy, Oh joy? Who I
Speaker 3: thought they've been doing all afternoons? Selah cut it out? Well,
Speaker 3: the stop sniffing?
Speaker 4: What else is there to do on the Isle of
Speaker 4: Pines with sniff like the camp of balls dear Aunt
Speaker 4: Emma used to keep in her hope chests. Hey, you
Speaker 4: know what happened once, White Emma.
Speaker 5: She was putting in her rocking chair love seat with
Speaker 5: her boyfriend and justph ah, like Sailor's sniff waiting gets you, huh,
Speaker 5: wondering what Rhoder's doing now, still carrying a little torch
Speaker 5: for the girl.
Speaker 3: I stop eating your heart out, baby Rode as the
Speaker 3: girl I once knew, wrote as the girl that was
Speaker 3: once beautiful, and she's still beautiful? Do you think so? Huh?
Speaker 4: Watching her on our boat this morning, I thought so?
Speaker 4: In a pail sort of way.
Speaker 3: She looks like she's where her eyes burned, the whiteness
Speaker 3: of her skin, the slow way she moves, and another
Speaker 3: thing you'll hurt to yourself when she hides the bow
Speaker 3: venture to bring her hair to the guile of Pines.
Speaker 3: She said it was her last plan. What did you mean?
Speaker 4: I don't know, lady, she write about her?
Speaker 3: Look at her, said, he rode her, and I knew
Speaker 3: her she would dance up to meet you. She looks
Speaker 3: like she hardly has the strength to walk.
Speaker 5: I rode her.
Speaker 4: Do you have a good day? Yes, yes, and all
Speaker 4: of it. Suddenly I don't know.
Speaker 6: I can hardly walk.
Speaker 7: He said.
Speaker 4: It helped me on to the boot lee.
Speaker 3: Sure, I'll carry her. Ah, that does it? Go on? Ella,
Speaker 3: Let's get back to a banner, I sir, rode her. Yes, yeah,
Speaker 3: lie down here, you said her day on the Isle
Speaker 3: of Pines. It was your last fling. What'd you mean?
Speaker 4: M M, I'm going to dine sleep?
Speaker 6: Didn't you know I'm going to die.
Speaker 5: I'm going to die. I'm staying to die, doctor hesitation,
Speaker 5: and you'll be up.
Speaker 4: Why you're slate shaman with rud and with me, missus Gonzales,
Speaker 4: So I hear happy greeting, my charming. It's been a
Speaker 4: long time plate since you've come to Rhodes's mother to
Speaker 4: ask permission to be with Rhoda. I've missed you.
Speaker 3: The sickness is Gonzales real sick.
Speaker 5: You better get to whole hospital, Missus Gonzales right away.
Speaker 4: I'll take care of her.
Speaker 3: Just leave her alone with me.
Speaker 4: She's had these selves before. I know just what to do.
Speaker 4: All Road in, my poor darling.
Speaker 3: That's yeah. We'll come back to see how Road is
Speaker 3: making out of it.
Speaker 4: So you're always more than welcome place if you'll come.
Speaker 8: Out of this.
Speaker 4: I thank you for bringing my child down to me.
Speaker 4: You tried to get away from me, and it didn't work.
Speaker 4: Your your flame was so concerned for you, you brought
Speaker 4: you right back to your dear mother.
Speaker 6: I just want to lie down somewhere where I'll never
Speaker 6: see your face, never hear your phone.
Speaker 4: Yell, J dying daughter, mine dying? Yell? Does your father
Speaker 4: died the same the racing way that sudden ugly tempted.
Speaker 5: And I want I die you, won't you? Mother?
Speaker 4: Now think about it? And Rooda Rhoder, you talked to
Speaker 4: Slaton that girl? What did you talk about but why
Speaker 4: but you your father, you shouldn't have roder you want
Speaker 4: them to join your dying. I'll think about that too.
Speaker 4: I'm so glad you too came back to wanting to
Speaker 4: see Rhoda.
Speaker 5: She's out here on the patio, Uh.
Speaker 4: Rhoda, Rhoda, dear the slate and missus Isla here you're
Speaker 4: looking well this morning.
Speaker 3: All of the men say that she's asleep. That's what
Speaker 3: looks like.
Speaker 4: That, missus.
Speaker 3: Father are they're gonna do a doctor?
Speaker 8: She won't letther.
Speaker 3: I know it's not a lot of my business. But
Speaker 3: a long time ago, when your first husband was living,
Speaker 3: wrote his father, doctor Burkey. Remember when doctor Burke looked
Speaker 3: the same way when he died. You know what my
Speaker 3: daughter says of me, don't you?
Speaker 4: She says I killed her father.
Speaker 5: She reviled me from marrying you again, exclaim her doctor.
Speaker 4: He said, I'm a murderers you are, mother, Roda? Did
Speaker 4: you think I was sleepy? I was my father's name.
Speaker 4: Awaken me.
Speaker 5: I was dread of him.
Speaker 4: She did kill him late.
Speaker 5: I could do my word the way she's killing me.
Speaker 3: Why don't you too just leave? What do you mind
Speaker 3: if I talk to your.
Speaker 4: My new husband is he's a dentist too, you know
Speaker 4: that's my first one.
Speaker 3: That's just dandy for the Daniel profession. Oh, I want
Speaker 3: to talk.
Speaker 4: To him if it makes you happy.
Speaker 3: And doctor Gonala, where's his office?
Speaker 5: That room over there is Rhoda's bedroom, my father's bedroom.
Speaker 4: Yes, doctor Burke's old bedroom. Rhoda took it when he died.
Speaker 3: The office is right next to it, heyl. I keep
Speaker 3: your eye on Rhoda. I'll see you later.
Speaker 7: If I were not so disturbed, we probably the tragedy.
Speaker 7: Signor Shannon, perhaps I could speak with you and paid
Speaker 7: it proper attention. On the other hand, if you wish
Speaker 7: to discuss you by custy.
Speaker 3: Held my bicash was out of a doctor, hesaid, you
Speaker 3: had your personal tragedy like what, for instance, uh the
Speaker 3: death of the tooth gold from me two days ago.
Speaker 7: Many carrots for a dentist.
Speaker 3: Pieces tragedy and likes to make her cry too. But
Speaker 3: about Rotter, even now there is insight him my office.
Speaker 7: He detective, sticking his nose into my dreels, my instrument cabinet,
Speaker 7: swiveling up and down in my beautiful chair in such
Speaker 7: a way he must look for cruise, he says.
Speaker 3: I think guy Paper will put my eye on him.
Speaker 3: He might let the man have another swaddle. You're talking
Speaker 3: to me about Rod the rudder. Uh see pop received
Speaker 3: the poor one. She's dying. Why you watch a lovely girl,
Speaker 3: the girl who is not of you her stepfather, but
Speaker 3: of her mother and the first husband. You watch her
Speaker 3: and you know she dies. Who can explain this? Why?
Speaker 3: When I heard Rod her before, she was strolling off
Speaker 3: over the life. It is hard for a man to
Speaker 3: keep up you. So in your office, your doctor, I
Speaker 3: give it back to you.
Speaker 4: You'll find the sea.
Speaker 3: You will be back to me, my gold.
Speaker 1: My patients are walking with plastic.
Speaker 3: You'll empty too gently till I find your Ah. Then
Speaker 3: you're Shannon. Do we not know each other? Yeah? Yeah, Marchael.
Speaker 3: Last time we met you were making chalk marks on
Speaker 3: my tires. But nah, I'm a detective and I searched
Speaker 3: for dentist goals. I come up any world that's free.
Speaker 3: Please don't be me sing you spleepy, but my good
Speaker 3: patience and your lack of patience, Uh, Senior Shannon, and
Speaker 3: I whisper a word? Would you be sure I haven't
Speaker 3: whispered that all day. I'll hear in the hallways in
Speaker 3: your you want to task me for gold marker and
Speaker 3: the conqueror singion, I give you gold. We've you're gonna
Speaker 3: tell me to get out of here too on the
Speaker 3: busn't then you're because you look like a picture of help.
Speaker 3: Stay that way, especially keep away from mules it. You
Speaker 3: know she's gonna ram exact well huh but me, he
Speaker 3: is noted. I give you gorles I meet though you
Speaker 3: did not help the moderate to it. He bes your life,
Speaker 3: he dis your debt. I uh, oh, yeah, well it
Speaker 3: is when I.
Speaker 5: Walk on the beach at night, I don't like to
Speaker 5: hurry say yeah what. That's because he used to know
Speaker 5: road he let's be close.
Speaker 3: Because every time I go to help her, I get
Speaker 3: slapped in the mouth with the butt. Well you want
Speaker 3: me to do? Pick my head and the sand, make
Speaker 3: out like nothing's happening.
Speaker 4: Just climb your seat and the sand. Stay that's right,
Speaker 4: Stay there. I wanta talked to you about what about nothing?
Speaker 4: You don't likes to talk about nothing. Sometimes she likes
Speaker 4: to take advantage. She finds herself in a situation like this,
Speaker 4: food and beech doom, the land she sort of like.
Speaker 3: You wanna know something hidden? All right at the moment,
Speaker 3: I can do without. Hey, way, hippopact. You are right.
Speaker 4: You ain't stand us? All right, I'm alright.
Speaker 3: I just say where you are, don't move. I just
Speaker 3: lie there.
Speaker 4: I say that. What are you going to do?
Speaker 3: I'm gonna stand up. I wanna see if I'm as
Speaker 3: attractive as I was the gun fire.
Speaker 4: It's a lot attractive. Uh.
Speaker 3: Well, A shot at us? Think she got us? He
Speaker 3: give me a hand out, help you out?
Speaker 5: Did you say it was in my mind?
Speaker 3: In my mind, I got a pretty good look at him?
Speaker 4: Makes you think it was mark us? Nice?
Speaker 3: Heave me? Not of a wisdom one. So guy like
Speaker 3: Marco has to prove his point. Come one, the guy
Speaker 3: at the headquarters an apartment twelve. He said, this is
Speaker 3: an apartment twelve. See here's one and two side by side.
Speaker 4: That makes shut up, comedian.
Speaker 3: Don't you hear that?
Speaker 4: Come on?
Speaker 2: I didn't I didn't do it.
Speaker 4: I didn't do it.
Speaker 6: I wasn't in the room.
Speaker 1: I didn't kill him.
Speaker 3: Mancrel Marco, what does it? He's dead? Bullet toys, throat open,
Speaker 3: something in his hands, out a clump of gold well
Speaker 3: that's a way to die, huh, sayla bullet near throat
Speaker 3: full of gold.
Speaker 2: Now back to bol venture, our stars Comprivlegard and Lauren McCall.
Speaker 1: And the second act of our story.
Speaker 3: Hey, you will.
Speaker 8: Formit me this cool glass of mineral water. The hot
Speaker 8: breath of both of you has been fanning my face
Speaker 8: so long. That keep your ears open while you set out,
Speaker 8: so we'll get through your brain that wrote I couldn't
Speaker 8: have killed Marco? Why have I incarcerated her? Why have
Speaker 8: I had her cost whom in prisoned?
Speaker 3: Demons?
Speaker 8: You say to me that Senorita Roda could not kill,
Speaker 8: but you yourselves find her standing over my freshly murdered
Speaker 8: detective with sut your bird in my hand. Why should
Speaker 8: I go beating up bushes?
Speaker 3: He whever you want to do? That a cell? The
Speaker 3: way I hear it, your attacked Marco was quite a
Speaker 3: boy for hiding behind hedges, behind sand dunes too. You
Speaker 3: are saying that Marco was on savory. Marco was found
Speaker 3: dead with his gun and his holster, wasn't he as
Speaker 3: all good policemen should die with holsters on any pullet's
Speaker 3: messing out of that gun. See as a matter of
Speaker 3: fact see prey bullets meeting. However, that Marco was one
Speaker 3: for target practice.
Speaker 4: I'm glad he didn't practice more often.
Speaker 3: He missed me as usual, Senor Snon, you will have
Speaker 3: to translate for me. He means, the next time he
Speaker 3: goes sand craving that point of air, he looked for
Speaker 3: three empty shells. If a Marco's gun he shot at us,
Speaker 3: I'll answer your question. Yeah, Marco was unsavory.
Speaker 4: Not only that, he was distasteful when he was a
Speaker 4: clap and classic to tell. Did you ever have a
Speaker 4: mirrored you from the seat of a three wheeler?
Speaker 3: Anyhow, you better get a skiller lassalle or your course
Speaker 3: might come down with an epidemic of that stuff. I
Speaker 3: have his murderer, the girl Roda. She can give me
Speaker 3: no reason for being with Mark. I'll find a reason.
Speaker 3: I don't forget. Rhoda is dying, she's being killed. She
Speaker 3: has wet my shoulder with tears of this story. Also,
Speaker 3: Signor Channon, how her mother attempts to kill her. Our
Speaker 3: mother killed her father, the dentist doctor Burke.
Speaker 4: Oh, maybe her mother did. We've seen her talk to him.
Speaker 8: And on this you base such violent accusation. You should
Speaker 8: blush no, Senorita the vaal the painless. Then as doctor
Speaker 8: Birth died of lupinia. A medical examiner established it too
Speaker 8: because we also were curious of the manner of his death,
Speaker 8: and that leaves Rhoda.
Speaker 3: We have her future plan for her in my prison.
Speaker 3: Why do you disturb ah, Senora Gonzales, please to come
Speaker 3: in k you.
Speaker 8: You know Channon and the Senorita go Wal. They wish
Speaker 8: also to convince me that your brother did not kill
Speaker 8: I know them.
Speaker 4: And I'm grateful to them as single as all. My
Speaker 4: lawyer got me a red ordering you to release Rhodens.
Speaker 3: She should be at home for her meet me to
Speaker 3: observe this threat.
Speaker 4: Grass m hmm.
Speaker 3: It is an order the girl released to you. But
Speaker 3: I questioned, Senora, do not let us sleep from your
Speaker 3: motherly fingers.
Speaker 4: They wait on the isle of lime or girls so young?
Speaker 4: Who you to the climb?
Speaker 1: The girl who died for they last thing before death,
Speaker 1: her long.
Speaker 4: Do things and every bird this day she goes.
Speaker 1: That's allow might be all on her fools, Oh father the.
Speaker 4: First then detective mind up the shooting bullet drum dunes
Speaker 4: of times you're poking.
Speaker 3: My wish worked through and my wish is for you
Speaker 3: to leave it alone.
Speaker 4: Claire, big time operator. You got hold of a low
Speaker 4: price grief and you can't let it go. Huh. You
Speaker 4: have to stick around and be shot at one of
Speaker 4: these days. You're not going to recover from her.
Speaker 3: And there must be other places in the vanna you
Speaker 3: could spoil so they don't. Why don't you go spoil one?
Speaker 4: The road is dying. Let's conceive the point. And her
Speaker 4: father's dead and Marco's dead. Let's bunch them all together
Speaker 4: and make a bouquet out of them slates you wanna wake,
Speaker 4: Let's have a big one while we're at it.
Speaker 3: I never busted you one before. Now seems a good
Speaker 3: time do it.
Speaker 4: Maybe it'll bring you to Maybe it'll make you remember
Speaker 4: the kind of man you really are.
Speaker 3: I wouldn't know about that, you tell.
Speaker 4: Me, kind of man who can take gold out of
Speaker 4: a dead man's hand and not tell the police about it.
Speaker 5: Kind of man who tears a girl apart.
Speaker 4: Go on busting one slate? I deserve it.
Speaker 3: Come here, osa.
Speaker 5: You going to hit me?
Speaker 3: I want to whisper to you why I kept the
Speaker 3: gold so I can try it back to dentist Gonzales
Speaker 3: for a few answers. You want to come along, let
Speaker 3: me compliment you send your signority.
Speaker 1: Where did you find my goals?
Speaker 4: You're not trying to believe this semior dentist, but it
Speaker 4: was wrapped inside a dead man's hands.
Speaker 2: What do you see?
Speaker 3: He attention when Sarah talks to him. A dead man
Speaker 3: had it a man named Marco? What's happening around here
Speaker 3: that a man named Marco takes a few shots at
Speaker 3: me and diet for Oh, you are making of these
Speaker 3: business a petty kit something that it is not? You
Speaker 3: are you play.
Speaker 4: Attention to slight too? He said, Marco? And you didn't
Speaker 4: do a.
Speaker 5: Thing I didn't see.
Speaker 1: I raised an eyebrow, whether slightly I raised the signory.
Speaker 3: Uh huh. And one more thing, my dad is friend
Speaker 3: that middlevid were my wife?
Speaker 4: Uh?
Speaker 1: You are confusing between the conversation.
Speaker 4: What was my wife to do with it? Maybe you
Speaker 4: ought to ask her. I take a little time off
Speaker 4: some scrubbing benches and.
Speaker 5: Ask her how well she knew Marco? Would you do that, slave?
Speaker 4: Yeah? I would.
Speaker 3: I crossed my arms over my chest and jet out
Speaker 3: my jaw and say now that what's going on? What
Speaker 3: is it? With you and Marco. You see he say, well, look,
Speaker 3: man's eyebrows just did it again? Excuse me?
Speaker 4: I think you gave the man something to worry about.
Speaker 3: Slave, I took a man's murder to convince you didn't it.
Speaker 3: She convinced me to do what But I was right
Speaker 3: all the time that I had a reason to be
Speaker 3: bothered about Rhoda. But there's something wrong in this house,
Speaker 3: something evil, something, Come on, say it? Yeah, yeah, he's dead,
Speaker 3: all right? What happens to.
Speaker 4: Lloa? And did everything dies that.
Speaker 3: You cut it off? That's better? Now tell me what happened.
Speaker 4: I was in my room. I heard the shutter.
Speaker 5: I can't hear was a longer.
Speaker 4: Daughter's mad?
Speaker 3: And if she killed he didn't kill him? The powder burns,
Speaker 3: the attitude of his body, the gun in his hands.
Speaker 5: She kills me. You you you killed him?
Speaker 3: Mother?
Speaker 4: When am I going to die.
Speaker 3: Your side?
Speaker 4: Thanks all the town on this.
Speaker 8: I would bet my bottom facil doctor Becausals killed himself
Speaker 8: because they could not stand anything that you bothered him
Speaker 8: with the thought of his wife and another man.
Speaker 4: Like you said, Slave, just inklinged him.
Speaker 5: The sow even suggested that murder Marker was seeing each other,
Speaker 5: it's when does the man put a bullet in his
Speaker 5: brain to something as flensy as that?
Speaker 4: Since when you.
Speaker 8: Do not understand Cuban gentleman Senorita. If someone told me
Speaker 8: that night Senora was making flutters with a cover of
Speaker 8: yellow the opposite six, I would.
Speaker 3: I lazy personal life out of this. For soal you
Speaker 3: still think doctor Gonzales was a sure sign hunter, or
Speaker 3: especially so I have suspent it on the file. Get
Speaker 3: out your race of a sow. Our file is going
Speaker 3: to be changed to murder.
Speaker 4: Two o'clock in the morning. Slate are we hanging a
Speaker 4: on the Gonzales home?
Speaker 3: It goes like this, go on to premise that melded
Speaker 3: his first husband, doctor Burke was murdered.
Speaker 4: Going any promise you want me to slate?
Speaker 3: Okay? Doctor Burke mented because Mildred wanted him out of
Speaker 3: the way so she could marry Againstzalees.
Speaker 4: So she married him.
Speaker 3: So and then as Marco also.
Speaker 4: Made also mighty do you know why black man huh?
Speaker 3: Marco was collecting these as Marco was bleating NodD because
Speaker 3: he knew she killed Rhoder's father. Oh and look I
Speaker 3: saw we were getting too close.
Speaker 4: He shot at us.
Speaker 3: Yeah, and I'll tell her some more. I figure after
Speaker 3: a while murdered, ran out of money. M that's at well,
Speaker 3: so what's happened to us? She tried to find Marco
Speaker 3: would gold a couple of hundred bucks worth. She looked
Speaker 3: at Ventis Gonzales. Marco smeared at it. Meldred killed him.
Speaker 3: Gonzalez suspected she killed him too a promise.
Speaker 7: Huh.
Speaker 3: So what was Walder doing with Marco? Marko was seeing
Speaker 3: her mother Rod wanted to find out why she found
Speaker 3: him dead m and got blamed for the murder.
Speaker 5: Why doesn't Rder let her go at that?
Speaker 3: Because maybe one 'em by somebody would believe brought her.
Speaker 3: But Meldred killed doctor Burke I had.
Speaker 5: To break the news to his slave. But it's a
Speaker 5: lousy theory. Not the brick bride of LEUKEYA the South
Speaker 5: told us what's out sea?
Speaker 3: Sat a look the light that went on and Gonzale's
Speaker 3: office come on, Yeah, here's this French window and you
Speaker 3: see through the kittens? Do I get in there? Yeah? Yeah,
Speaker 3: of course she's doing.
Speaker 4: She must go off her workers night.
Speaker 3: What did she do on that X ray machine? X?
Speaker 4: Well? All the rose Let's.
Speaker 3: Say there was the least man. How to poison somebody
Speaker 3: without leaving a trace. If I was done contender, this
Speaker 3: X ranging will cause lookemia. What Yeah, you're watching them out,
Speaker 3: they're being committed. I still don't get him X rays,
Speaker 3: So go through eight feet of concrete road. Is sleeping
Speaker 3: on the other side of that wall in the same
Speaker 3: room or father slept? Watch off with the flying glass ellery.
Speaker 3: Oh what's the means to get making it one side?
Speaker 4: Honey?
Speaker 1: I get away from my machine and cream here.
Speaker 3: Ah, it looks better lying on the floor like that.
Speaker 4: What that machine caught side?
Speaker 3: Machine was killing?
Speaker 4: Oh you're both crazy. Kill him?
Speaker 3: What you say some pimise, I said, I doctor Burke
Speaker 3: died of looking all right? And this is what did
Speaker 3: he do him? And this is what's doing at the roder?
Speaker 5: What color you killed?
Speaker 4: Gunjallas with a gun? There whel a.
Speaker 5: Wrap of mood.
Speaker 4: I'll kill you, I'll kill you.
Speaker 5: I will get you right that you can da luda
Speaker 5: kills him?
Speaker 4: Kill him?
Speaker 6: Tell them what what they already know that you murdered
Speaker 6: my father and my stepfather.
Speaker 4: Mock on me.
Speaker 3: Tell them that the order sailor call a child and
Speaker 3: go home. I'll meet you there. Oh joy, Joy, Joy,
Speaker 3: you're doing it again, Saylor, What.
Speaker 4: Can bring me back to the Isle of Pines for?
Speaker 4: You know, there's nothing else to do here but sniff.
Speaker 5: I'm not sniffing, And then you're not having any fun.
Speaker 3: We come to one of the most beautiful islands in
Speaker 3: the Caribbean and you stay fun is sniffing pine needles? Oh, sailor,
Speaker 3: you need therapy. You need to bring some Yeah, come here.
Speaker 4: Like that lost therpy.
Speaker 5: Please all right, more sarapy doctor. I'll be a raising
Speaker 5: idiot in no time at all.
Speaker 2: And so our two stars, Humpayball Guard and Lauren Bacall
Speaker 2: have brought to a close our latest old venture story.
Speaker 1: Special music was composed and conducted by David Rose. May
Speaker 1: we invite you to listen again next week at this
Speaker 1: time or another exciting adventure. Sorry, I'm stable. Guards and
Speaker 1: Lauren the Call together in O Venture