1 00:00:00,720 --> 00:00:16,440 Speaker 1: W m n H ripsmos no bad and I'm dead. 2 00:00:17,679 --> 00:00:20,320 Speaker 2: Then's the tampassion boss. 3 00:00:20,719 --> 00:00:24,519 Speaker 3: No one sent me no word for wedding. 4 00:00:26,079 --> 00:00:33,880 Speaker 4: No it's not bad, no nothing. The shop man taking 5 00:00:34,200 --> 00:00:51,399 compos What the world against me? I think I have 6 00:00:51,399 --> 00:00:54,079 to say my own You don't want to send. 7 00:00:53,960 --> 00:00:59,399 Speaker 3: Me no me, Jess goes. It's getting closer. 8 00:01:01,600 --> 00:01:38,519 Speaker 4: I am when wars was so, but sure your way. 9 00:01:38,799 --> 00:01:40,879 Speaker 3: Sways sum. 10 00:01:42,599 --> 00:01:46,159 Speaker 5: We sup, but sure. 11 00:02:13,639 --> 00:02:17,719 Speaker 3: I can think that way of masters, so. 12 00:02:24,400 --> 00:02:28,039 Speaker 5: I can take the cross the escape. 13 00:02:28,719 --> 00:02:57,759 Speaker 3: I can't hear about swim When where's your man? 14 00:02:59,400 --> 00:03:32,199 Speaker 6: Where's welcome everybody? We have entered our number three new 15 00:03:32,240 --> 00:03:34,960 Mirrow trace of Matt Connorton unleashed and we are live 16 00:03:35,159 --> 00:03:37,560 from the studios of w m n H ninety five 17 00:03:37,599 --> 00:03:41,080 point three FM Glorious, Manchester, New Hampshire. Jenny is here, 18 00:03:41,120 --> 00:03:43,439 of course, at the news table, President and accounted for. 19 00:03:43,719 --> 00:03:44,840 Speaker 7: I really love that song. 20 00:03:44,919 --> 00:03:46,120 Speaker 6: I really do. I really do. 21 00:03:46,199 --> 00:03:47,759 Speaker 8: I'm excited to see you guys play live. 22 00:03:47,840 --> 00:03:49,840 Speaker 6: I really am. So We've got with us a live 23 00:03:49,919 --> 00:03:52,319 in studio. The band Temptress is here and that is 24 00:03:52,400 --> 00:03:54,919 their song that is called Wish and Temptress is going 25 00:03:54,960 --> 00:03:58,960 to be with us at Swarmyfest November fifteenth, right across 26 00:03:59,000 --> 00:03:59,759 the street at Jewel. 27 00:04:00,280 --> 00:04:02,639 Speaker 9: Welcome guys, Hey, thanks for having us. 28 00:04:03,000 --> 00:04:05,199 Speaker 6: So let's do this. Let's start here. If you could 29 00:04:05,240 --> 00:04:06,560 each tell us who you are and what you do 30 00:04:06,639 --> 00:04:07,479 in the in the band? 31 00:04:07,840 --> 00:04:08,080 Speaker 9: Got it? 32 00:04:08,199 --> 00:04:11,719 Speaker 7: I am Anthony and I do most of it. 33 00:04:12,719 --> 00:04:13,719 Speaker 6: Oh wow, look at you. 34 00:04:13,879 --> 00:04:16,439 Speaker 7: Let's let's start. We could talk about it more later. 35 00:04:16,519 --> 00:04:20,079 I play guitar live, okay, okay, all right, and you 36 00:04:20,720 --> 00:04:23,439 I'm Jake. I do vocals and I guess the rest 37 00:04:23,519 --> 00:04:24,319 of what he doesn't do. 38 00:04:24,560 --> 00:04:26,680 Speaker 6: Okay, there you go. That's a good division of labor. 39 00:04:26,720 --> 00:04:29,240 Speaker 8: And you, sir, I'm Brian, and I keep it together. 40 00:04:29,279 --> 00:04:31,240 I play the drums and temptrists. 41 00:04:30,839 --> 00:04:33,240 Speaker 6: Okay, outstanding. And is there anyone else involved or is 42 00:04:33,279 --> 00:04:33,879 it just the three of you? 43 00:04:34,800 --> 00:04:34,879 Speaker 10: Oh? 44 00:04:34,959 --> 00:04:38,160 Speaker 6: Wonderful, very cool. So I love your sound. As soon 45 00:04:38,199 --> 00:04:40,360 as I listen to these, I was like, yeah, I really, 46 00:04:40,600 --> 00:04:43,480 I really dig this a lot. You sent us a 47 00:04:43,519 --> 00:04:45,360 few songs later in the show, so people who've been 48 00:04:45,399 --> 00:04:47,439 listening all morning, if if they were listening live, they 49 00:04:47,480 --> 00:04:49,600 heard I played Carly two in the second hour because 50 00:04:49,920 --> 00:04:52,079 we had a spot to sneak something, and I was like, 51 00:04:52,120 --> 00:04:54,079 I gotta play this. This is so good, it's so catchy. 52 00:04:54,240 --> 00:04:55,600 But I love all of them. I mean, how do 53 00:04:55,639 --> 00:04:57,680 you guys describe your sound? Do you describe it as 54 00:04:57,759 --> 00:05:00,360 kind of a I mean, obviously there's an industrial vibe, 55 00:05:00,399 --> 00:05:02,920 but it's metal, but it's it. There's a mix of 56 00:05:03,000 --> 00:05:05,079 influences there, a little bit of hip hop and some 57 00:05:05,240 --> 00:05:06,839 of it. I mean, how do you guys describe it? 58 00:05:06,879 --> 00:05:08,720 Everyone always hates this question, but how do you describe 59 00:05:08,759 --> 00:05:09,160 your music? 60 00:05:09,560 --> 00:05:11,920 Speaker 7: It's a fun question that we've never really found a 61 00:05:12,120 --> 00:05:12,879 solid answer for. 62 00:05:13,160 --> 00:05:13,360 Speaker 6: Yeah. 63 00:05:14,120 --> 00:05:18,519 Speaker 7: So I write Romstein songs, okay, and then Jake takes 64 00:05:18,560 --> 00:05:20,439 them and does whatever he does with them, and that's 65 00:05:20,480 --> 00:05:24,600 what you get. Okay, that's more or less what's happening? Okay, Okay, 66 00:05:25,680 --> 00:05:26,720 would you agree with that, Jake? 67 00:05:26,759 --> 00:05:28,800 Speaker 9: I would, yeah, ok a Romstein song and making it 68 00:05:28,959 --> 00:05:29,759 less Romstein? 69 00:05:29,959 --> 00:05:34,040 Speaker 6: Yeah yeah. And then so Brian, yes, Brian, so you 70 00:05:34,560 --> 00:05:37,319 what you're are? You live on these tracks as far 71 00:05:37,360 --> 00:05:38,160 as drums or what. 72 00:05:39,079 --> 00:05:42,120 Speaker 8: Some of the tracks that we released recently. Yeah, but okay, 73 00:05:42,160 --> 00:05:44,000 the other stuff was you know, I came into the 74 00:05:44,079 --> 00:05:47,279 band a little bit later. Yeah, I was been doing 75 00:05:47,319 --> 00:05:51,519 the local scene forever. I've been in various bands okay, okay, yeah, 76 00:05:52,079 --> 00:05:53,079 and this kind of stuff. Then. 77 00:05:53,360 --> 00:05:55,959 Speaker 6: Okay, So so you're the newest member, I assume. 78 00:05:56,040 --> 00:05:56,199 Speaker 9: Yeah. 79 00:05:56,240 --> 00:05:58,079 Speaker 6: Yeah, So did the project start with with the two. 80 00:05:58,040 --> 00:06:02,839 Speaker 9: Of you or yes and no? Yeah, it's been through 81 00:06:02,879 --> 00:06:05,000 its phases. I was part of let's let's call it 82 00:06:05,040 --> 00:06:08,639 phase two, oh okay, and now we're here and we'll 83 00:06:08,639 --> 00:06:09,879 call it phase three phase three? 84 00:06:09,959 --> 00:06:11,720 Speaker 8: Yeah, all right, three point zero. 85 00:06:11,759 --> 00:06:13,519 Speaker 6: I like it. So how did it start? 86 00:06:13,639 --> 00:06:13,680 Speaker 11: So? 87 00:06:14,160 --> 00:06:16,000 Speaker 7: So, Jake and I have been together for ten years 88 00:06:16,120 --> 00:06:19,319 doing our own thing. Okay, it wasn't always Temptous oh okay, 89 00:06:20,160 --> 00:06:22,800 my the band I was imprevious to this that we 90 00:06:23,240 --> 00:06:26,680 talked about that I played with Steps ten twelve years ago. Yeah, 91 00:06:26,839 --> 00:06:29,639 the singer from that started another band and needed a 92 00:06:29,680 --> 00:06:33,199 bass player, which is what I do. Okay, so I 93 00:06:33,319 --> 00:06:37,920 joined that singer couldn't do what we were looking for. Yeah, 94 00:06:38,160 --> 00:06:41,439 so he stepped down and I immediately just called Jake. Okay, 95 00:06:41,680 --> 00:06:45,399 that was Temptress one point oh oh okay. Then that 96 00:06:45,920 --> 00:06:48,639 fizzled out and Jake and I just kept it going 97 00:06:48,800 --> 00:06:50,959 with the songs we already had, and that's where we're at. 98 00:06:51,120 --> 00:06:54,040 Speaker 6: Okay, okay, cool, So how long ago? What was that 99 00:06:54,160 --> 00:06:57,480 that it started it. It sounds like it's been around 100 00:06:57,480 --> 00:06:58,040 for a while then. 101 00:06:58,079 --> 00:07:02,759 Speaker 7: Right, twenty eight, twenty eighteen, Yeah, yeah, that sounds about right. 102 00:07:02,920 --> 00:07:05,839 Speaker 9: Okay, I would have joined in what twenty nineteen something 103 00:07:05,920 --> 00:07:07,319 like that, Okay, okay. 104 00:07:07,720 --> 00:07:09,639 Speaker 6: And then so, Brian, how long have you been when 105 00:07:09,680 --> 00:07:10,560 did you step in? 106 00:07:10,879 --> 00:07:13,079 Speaker 8: I would say I've been with these guys now maybe 107 00:07:13,120 --> 00:07:13,480 a year. 108 00:07:13,759 --> 00:07:15,680 Speaker 6: Oh okay, yeah it was really new. Yeah. 109 00:07:15,920 --> 00:07:16,120 Speaker 8: Yeah. 110 00:07:16,360 --> 00:07:18,160 Speaker 6: Is it challenging to play this kind of music live 111 00:07:18,240 --> 00:07:20,000 because it's different, it's not. I mean, I don't know 112 00:07:20,040 --> 00:07:22,199 what other kinds of bands you've been in, but you know, 113 00:07:22,279 --> 00:07:25,959 it's it's obviously it's more sophisticated from a production standpoint 114 00:07:26,040 --> 00:07:29,439 than you know, just playing in a straightforward rock band or. 115 00:07:29,920 --> 00:07:33,759 Speaker 8: Yeah, I mean it's different than what I normally do. Yeah, 116 00:07:34,040 --> 00:07:36,839 but I'm an all around musician. I can play various 117 00:07:37,000 --> 00:07:37,839 styles of music. 118 00:07:38,079 --> 00:07:38,319 Speaker 6: Yeah. 119 00:07:38,879 --> 00:07:41,480 Speaker 8: You become better when you try something different. 120 00:07:41,720 --> 00:07:41,920 Speaker 6: Yeah. 121 00:07:42,079 --> 00:07:46,439 Speaker 8: So I mean I come from metal background and jazz blues. 122 00:07:46,920 --> 00:07:47,120 Speaker 6: Yeah. 123 00:07:47,160 --> 00:07:50,000 Speaker 8: So I'm I'm a groove orient the drummer. Yeah, so 124 00:07:50,120 --> 00:07:52,519 this band is all about the groove and yeah, I 125 00:07:52,759 --> 00:07:54,480 kind of fit right in. I enjoy playing it. 126 00:07:54,759 --> 00:07:59,240 Speaker 6: Yeah, excellent, excellent. So what's the live show, like, I mean, 127 00:07:59,680 --> 00:08:03,079 because the music that you guys do would seem to 128 00:08:03,879 --> 00:08:07,360 lend itself to some sort of theatricality maybe or maybe not. 129 00:08:07,439 --> 00:08:09,600 I don't know. I mean, do you have any do 130 00:08:09,639 --> 00:08:11,000 you just get up and play or is there is 131 00:08:11,040 --> 00:08:13,199 there something else going on on stage? I don't know. 132 00:08:13,319 --> 00:08:18,800 It's I can I can imagine. I can imagine different things. 133 00:08:18,839 --> 00:08:23,199 Speaker 7: But I mean with it's time and time and money. 134 00:08:24,079 --> 00:08:29,839 Speaker 6: Yeah these days, so true, it's expensive to be theatrical. Yeah, yeah, 135 00:08:29,879 --> 00:08:30,120 it is. 136 00:08:30,199 --> 00:08:32,799 Speaker 7: You know, I've always tried to. I like, I liked 137 00:08:32,879 --> 00:08:35,519 dressing up, like doing the paint and doing the cool stuff, 138 00:08:35,600 --> 00:08:38,120 not like kiss paint, but like, yeah, you know, I 139 00:08:38,360 --> 00:08:40,399 enjoy doing something more with it. But we haven't really 140 00:08:40,480 --> 00:08:42,960 touched that as much as I would like to. That 141 00:08:43,039 --> 00:08:44,000 I hope to in the future. 142 00:08:44,200 --> 00:08:47,000 Speaker 9: Okay, there is an aesthetic that we would like to 143 00:08:47,320 --> 00:08:50,480 achieve that we just haven't prioritizing the music itself. 144 00:08:50,759 --> 00:08:54,279 Speaker 6: Yeah, so now that makes sense. That makes sense. Has 145 00:08:54,360 --> 00:08:56,759 the sound I mean again, there's such a mix of 146 00:08:56,840 --> 00:08:58,639 influences here to begin with, but has the sound kind 147 00:08:58,639 --> 00:09:00,799 of changed and evolved over the years, Like like if 148 00:09:00,840 --> 00:09:03,679 I were to hear like Temptress one point oh, would 149 00:09:03,960 --> 00:09:05,840 that be like drastically different? 150 00:09:06,000 --> 00:09:06,480 Speaker 9: Absolutely? 151 00:09:06,919 --> 00:09:12,919 Speaker 7: Yeah, kill switch, engage, kidd okay, Yeah, to a t okay. 152 00:09:13,039 --> 00:09:15,840 But that was the guitar player at the time, oh 153 00:09:15,879 --> 00:09:18,159 okay doing the songs. So these are the songs that 154 00:09:18,279 --> 00:09:22,080 Jake and I have been doing together before Temptress this style, So. 155 00:09:22,200 --> 00:09:23,600 Speaker 6: Was it kind of always the idea to bring in 156 00:09:23,679 --> 00:09:27,879 these other elements and and yeah, okay, yeah, absolutely, yeah, No, 157 00:09:27,960 --> 00:09:30,200 I like it a lot. Uh Where where did you 158 00:09:30,279 --> 00:09:32,799 record these or maybe maybe different places? I don't know. 159 00:09:32,840 --> 00:09:34,600 Are these tracks from different periods or are they all 160 00:09:34,679 --> 00:09:35,559 kind of from the same. 161 00:09:35,879 --> 00:09:38,600 Speaker 7: Definitely different period, different periods, And all of them are 162 00:09:38,639 --> 00:09:40,799 recorded in our closets and bedrooms. 163 00:09:41,000 --> 00:09:44,320 Speaker 9: Yeah, all home studio. Nice, with the exception of Chemical 164 00:09:44,600 --> 00:09:45,360 oh okay. 165 00:09:45,600 --> 00:09:49,559 Speaker 7: Which was produced in the home studio but recorded at 166 00:09:49,559 --> 00:09:50,360 an actual studio. 167 00:09:50,519 --> 00:09:53,679 Speaker 9: Oh, that is one of the Temptress. 168 00:09:55,039 --> 00:09:55,679 Speaker 7: Two point oh. 169 00:09:56,879 --> 00:09:58,080 Speaker 9: It is the oldest of the bunch. 170 00:09:58,159 --> 00:10:00,879 Speaker 6: There, I gotcha, I got you okay. Where where was 171 00:10:00,960 --> 00:10:02,200 that one recorded? 172 00:10:02,639 --> 00:10:08,279 Speaker 9: I was recorded with Dave Gannon. I feel like at 173 00:10:08,320 --> 00:10:08,759 the name of the. 174 00:10:08,919 --> 00:10:14,120 Speaker 7: Spot, feel like that's the name I've heard, you know, 175 00:10:14,200 --> 00:10:16,039 it's island oh okay. 176 00:10:16,200 --> 00:10:17,639 Speaker 9: Okay, bandstand live? 177 00:10:17,799 --> 00:10:18,039 Speaker 5: Is that it? 178 00:10:18,200 --> 00:10:21,399 Speaker 9: Yes? And wherever that town I had to think about. 179 00:10:21,200 --> 00:10:23,399 Speaker 6: It is Is it important to to you guys to 180 00:10:23,639 --> 00:10:25,799 to kind of handle that yourselves. 181 00:10:26,440 --> 00:10:27,559 Speaker 9: More now than it ever was? 182 00:10:27,679 --> 00:10:27,840 Speaker 7: Yeah? 183 00:10:27,960 --> 00:10:29,120 Speaker 6: Yeah, why is that? 184 00:10:29,320 --> 00:10:29,360 Speaker 5: Like? 185 00:10:29,440 --> 00:10:31,559 Speaker 6: Do you just because it's it's interesting? 186 00:10:31,600 --> 00:10:31,720 Speaker 4: You know? 187 00:10:31,799 --> 00:10:33,840 Speaker 6: Some people I talked to that are the opposite. They're like, oh, no, 188 00:10:33,960 --> 00:10:36,240 I need I need input from other people, or I 189 00:10:36,320 --> 00:10:38,200 need you know, I need an engineer who can also 190 00:10:38,240 --> 00:10:40,200 be a producer and this and that. But but but 191 00:10:40,360 --> 00:10:43,600 some artists like really want to have that control. 192 00:10:43,759 --> 00:10:47,080 Speaker 7: Like I think it's just as much that we wanted 193 00:10:47,120 --> 00:10:49,759 to sound like exactly what we wanted to sound like. Yeah, 194 00:10:49,919 --> 00:10:53,159 but also there's a learning curve that is satisfying to 195 00:10:53,240 --> 00:10:55,759 see kind of changing over and over. 196 00:10:56,200 --> 00:10:58,200 Speaker 6: No, that makes sense because when you're doing it yourself, 197 00:10:58,600 --> 00:11:00,679 you learn, You learn a lot. You don't have a choice, 198 00:11:00,759 --> 00:11:01,320 right you have to. 199 00:11:01,559 --> 00:11:03,600 Speaker 9: Yeah, there's a lot of trial and error, and that's 200 00:11:03,639 --> 00:11:04,840 the best way to learn from me. 201 00:11:04,960 --> 00:11:08,840 Speaker 6: So yeah, yeah, one hundred percent. Yeah, Well we should 202 00:11:08,840 --> 00:11:11,360 play another I love these songs. I'm axious to play 203 00:11:11,360 --> 00:11:13,159 another one. But I'll let you guys pick of the 204 00:11:13,320 --> 00:11:14,879 of the ones you sent, which which one. Should we 205 00:11:14,919 --> 00:11:15,360 play next? 206 00:11:16,039 --> 00:11:17,759 Speaker 7: Jake wants to hear the radio edit for Carly. 207 00:11:18,039 --> 00:11:20,159 Speaker 6: Okay, yeah, I only have to. 208 00:11:20,320 --> 00:11:21,720 Speaker 8: Uh, I want to hear it too, because I'm not 209 00:11:21,799 --> 00:11:22,720 even sure which. 210 00:11:23,919 --> 00:11:26,320 Speaker 6: There's Yeah, this is one. This is one word in 211 00:11:26,360 --> 00:11:28,679 that I had to Uh, I had to do the old. 212 00:11:30,039 --> 00:11:30,440 Speaker 9: I'm sorry. 213 00:11:30,639 --> 00:11:32,720 Speaker 6: Oh no, no, not not a problem. No, But I 214 00:11:32,799 --> 00:11:34,919 love this song of the four. This is my my 215 00:11:35,039 --> 00:11:38,080 personal favorite. I listened to it like when I was 216 00:11:38,120 --> 00:11:40,000 listening to the songs getting ready for today. I listened 217 00:11:40,000 --> 00:11:41,200 to this one like four times in a row. 218 00:11:41,320 --> 00:11:41,720 Speaker 9: I love that. 219 00:11:41,799 --> 00:11:42,360 Speaker 7: I love to hear it. 220 00:11:42,399 --> 00:11:43,519 Speaker 6: Yeah, yeah, this is really good. 221 00:11:43,679 --> 00:11:44,600 Speaker 8: All right, let me hear it. 222 00:11:45,000 --> 00:11:47,440 Speaker 6: Absolutely so. We've got time tress here with us alive 223 00:11:47,519 --> 00:11:49,679 in studio, and here it is. This is called Carly. 224 00:12:01,879 --> 00:12:19,639 Speaker 12: Sh Shorts riding. 225 00:12:20,879 --> 00:12:22,759 Speaker 5: Gave fine. 226 00:12:29,120 --> 00:12:45,919 Speaker 13: Wants right, that's fine, go right, gave sat. 227 00:12:55,080 --> 00:12:57,000 Speaker 5: The sage, get all. 228 00:13:05,879 --> 00:13:08,360 Speaker 3: They say, the flight song, keep the look song. 229 00:13:08,600 --> 00:13:10,399 Speaker 1: They say a second, I'm gonna show you where the 230 00:13:10,480 --> 00:13:11,159 snake is gone. 231 00:13:11,320 --> 00:13:13,039 Speaker 3: You see the lion strong duck on. 232 00:13:13,080 --> 00:13:16,559 Speaker 14: The side walk and they'll remember to get the suicide off. 233 00:13:16,840 --> 00:13:20,200 The night times out should take enough we drop among 234 00:13:20,279 --> 00:13:23,639 the send a message and blood you do because we 235 00:13:23,799 --> 00:13:24,840 let the kingdom come and. 236 00:13:24,960 --> 00:13:26,399 Speaker 5: The sound more the lesson. 237 00:13:26,200 --> 00:13:27,200 Speaker 3: Never be one of them. 238 00:13:28,559 --> 00:13:34,039 Speaker 5: So so. 239 00:13:48,360 --> 00:14:00,679 Speaker 3: Just sound the same. 240 00:14:00,720 --> 00:14:01,600 Speaker 15: A poem called. 241 00:14:01,519 --> 00:14:03,960 Speaker 14: Apple what a b The comma is getting on at 242 00:14:04,200 --> 00:14:07,159 difference between long and screaming with my guy and I 243 00:14:07,240 --> 00:14:08,240 cast it through the park. 244 00:14:08,639 --> 00:14:09,759 Speaker 2: That's the guy I'm putting in. 245 00:14:09,919 --> 00:14:12,159 Speaker 6: If someone slowly gone, you got stuck. 246 00:14:12,000 --> 00:14:15,399 Speaker 14: Him down, I want to call coming left along the 247 00:14:15,480 --> 00:14:17,120 fork and got nothing. 248 00:14:17,240 --> 00:14:19,399 Speaker 3: Only wanted to feel like I don't be long. I 249 00:14:19,480 --> 00:14:20,519 guess I'm just a sinner. 250 00:14:20,679 --> 00:14:21,759 Speaker 15: I'm gonta stream the bar. 251 00:14:22,960 --> 00:15:51,039 Speaker 5: So that's just the SA spot. So so. 252 00:16:13,759 --> 00:16:16,519 Speaker 6: I love it. The band is Temptress and that is 253 00:16:16,600 --> 00:16:19,679 called Carly and we've got Temptress here with us alive 254 00:16:19,919 --> 00:16:22,000 in studio. No, that is such a great track. That 255 00:16:22,120 --> 00:16:23,960 is catchy as hell. I love the hook that everything 256 00:16:24,000 --> 00:16:27,559 about that is awesome. Thanks great job, guys. We mentioned 257 00:16:27,559 --> 00:16:31,000 Sepsis earlier because of Swarmy Fest coming up November fifteenth 258 00:16:31,039 --> 00:16:34,159 at Jewel and Sepsis is in the chat room and 259 00:16:34,279 --> 00:16:38,320 says love the keyboards synth. I hope to hear this 260 00:16:38,480 --> 00:16:39,759 one at Swarmy Fest. 261 00:16:40,000 --> 00:16:40,559 Speaker 7: Oh you will. 262 00:16:42,159 --> 00:16:46,679 Speaker 6: It also says screams and the arrangement is on ohwa 263 00:16:46,759 --> 00:16:52,799 is on point. You guys rock absolutely absolutely so, So 264 00:16:52,879 --> 00:16:56,000 how did this come about? You guys working with Sepsis 265 00:16:56,120 --> 00:16:59,000 on Swarmy Fest? How did that? How did that? 266 00:17:00,080 --> 00:17:00,279 Speaker 8: Well? 267 00:17:01,320 --> 00:17:04,359 Speaker 7: I am personally friends with the guy who owns Jewel. 268 00:17:04,599 --> 00:17:06,680 Speaker 6: Oh well that helps, it does. 269 00:17:06,839 --> 00:17:09,720 Speaker 7: So I was just chatting to him and I was like, hey, 270 00:17:10,480 --> 00:17:12,519 I think Brian reached out to the guy at Loud. 271 00:17:12,680 --> 00:17:14,640 So we're working with Loud Entertainment. Oh yeah, we had 272 00:17:14,759 --> 00:17:17,079 we had Loud here last week, the first time we 273 00:17:17,200 --> 00:17:18,240 ever have. He's been great. 274 00:17:18,599 --> 00:17:18,799 Speaker 6: Yeah. 275 00:17:19,000 --> 00:17:20,920 Speaker 7: I think Brian reached out and he's like, yeah, you 276 00:17:21,000 --> 00:17:22,559 got to do this and this and this, and I 277 00:17:22,640 --> 00:17:26,160 was like, eh, you know, I'm weary about working with 278 00:17:26,279 --> 00:17:28,160 some promoters, so we tend to do it ourselves. 279 00:17:28,319 --> 00:17:29,519 Speaker 6: Yeah, so we're like, man. 280 00:17:29,599 --> 00:17:31,920 Speaker 7: So I reached out to the owner and I was like, hey, 281 00:17:32,480 --> 00:17:36,039 we're curious about Swarmy looking for bands like we were free, 282 00:17:37,480 --> 00:17:39,200 and he's like, all right, cool, so go ahead and 283 00:17:39,240 --> 00:17:40,680 reach out to him. I just talked to him. So 284 00:17:40,759 --> 00:17:42,359 I did, and he said the same thing to me 285 00:17:43,440 --> 00:17:46,680 because apparently we're just, you know, a random band. So 286 00:17:46,759 --> 00:17:48,079 I went back to him and I was like, hey, 287 00:17:48,119 --> 00:17:50,720 he told me no, and he's like, wait a minute, 288 00:17:51,240 --> 00:17:53,200 and then he called to me and he goes, you 289 00:17:53,279 --> 00:17:54,279 guys are all set please? 290 00:17:54,599 --> 00:17:55,559 Speaker 6: Oh oh okay. 291 00:17:55,799 --> 00:17:57,759 Speaker 7: It was like a big back and forth. But he's 292 00:17:57,799 --> 00:18:00,680 been very great to work with thus far, and we're 293 00:18:00,720 --> 00:18:01,359 excited about it. 294 00:18:01,559 --> 00:18:03,799 Speaker 6: Yeah, yeah, very cool. No, and I think you fit 295 00:18:03,880 --> 00:18:06,920 the lineup, you know, like really well, really well. Yeah. 296 00:18:07,039 --> 00:18:07,200 Speaker 9: Yeah. 297 00:18:07,200 --> 00:18:09,119 Speaker 7: We're really good friends with the guys in Scarecrow Hill, 298 00:18:09,319 --> 00:18:11,400 oh excellently, So we try and get with them as 299 00:18:11,519 --> 00:18:12,680 much as we can everywhere. 300 00:18:12,880 --> 00:18:14,559 Speaker 6: Yeah. We had them on a number of months ago 301 00:18:14,640 --> 00:18:17,640 and really good. And there were another band I'd never 302 00:18:17,720 --> 00:18:19,599 really listened. It's kind of been aware of them because 303 00:18:19,599 --> 00:18:20,960 they've been around a long time, but I never really 304 00:18:21,000 --> 00:18:22,440 heard them. And I listened to the music, I was like, 305 00:18:22,480 --> 00:18:24,640 oh my god, these guys are amazing. So yeah, looking 306 00:18:24,640 --> 00:18:25,319 forward to that too. 307 00:18:25,559 --> 00:18:27,680 Speaker 7: We have a couple of songs with h Tyler that 308 00:18:27,799 --> 00:18:30,839 we could couldn't send you because they don't even bother 309 00:18:30,960 --> 00:18:32,039 radio ed It would. 310 00:18:31,799 --> 00:18:32,640 Speaker 6: Have been too much, too much. 311 00:18:33,000 --> 00:18:34,880 Speaker 9: Yeah, yeah, I think I've got one with them too 312 00:18:34,880 --> 00:18:36,160 that I'm pretty sure is in the same boat. 313 00:18:36,319 --> 00:18:41,000 Speaker 6: Oh okay, gotcha, gotcha? So, now, how many songs have 314 00:18:41,039 --> 00:18:43,559 you guys recorded, like in terms of what what you've 315 00:18:43,640 --> 00:18:45,559 released because been around a little. 316 00:18:45,400 --> 00:18:47,720 Speaker 9: While, Well, I think we have a definitive answer somewhere 317 00:18:47,920 --> 00:18:50,000 around sixty seven. 318 00:18:50,799 --> 00:18:51,400 Speaker 6: More than I thought. 319 00:18:51,559 --> 00:18:55,240 Speaker 7: Wow, that's that's very low. So I think Jake and 320 00:18:55,279 --> 00:18:59,240 I had seventy ish before Temptress even exists. Oh no, 321 00:18:59,400 --> 00:19:02,880 kidding that we've pulled from to write Temptress songs. 322 00:19:03,119 --> 00:19:05,480 Speaker 9: Okay, sixty seven published my apologies. 323 00:19:05,519 --> 00:19:08,160 Speaker 6: Oh yeah, yeah, that's that's a lot though. Now that's 324 00:19:08,160 --> 00:19:09,119 an impressive But is. 325 00:19:09,119 --> 00:19:12,559 Speaker 7: That your list with your swear songs removed or with 326 00:19:12,880 --> 00:19:13,680 o that was before? 327 00:19:13,880 --> 00:19:14,720 Speaker 9: Okay, that's all of them? 328 00:19:14,880 --> 00:19:17,200 Speaker 7: Yeah, I'd say probably close to one hundred realistically. 329 00:19:17,599 --> 00:19:20,480 Speaker 6: Yeah. Oh that's amazing. By the way, Sepsis in the 330 00:19:20,519 --> 00:19:23,160 chat room says, Scarecrow Hill, under the Horizon and Pulsifier 331 00:19:23,279 --> 00:19:25,960 are all nominated for Rock Metal Act of the Year. 332 00:19:26,240 --> 00:19:28,640 They are the New England Music Awards and they're all 333 00:19:28,839 --> 00:19:33,119 playing Swarmy Fest. Yeah, we love Under the Horizon and 334 00:19:33,480 --> 00:19:36,200 of course, uh Pulsifier we had them on a few 335 00:19:36,240 --> 00:19:36,839 weeks ago too. 336 00:19:37,119 --> 00:19:37,319 Speaker 5: Yeah. 337 00:19:37,839 --> 00:19:41,640 Speaker 6: Now, this is so much incredible talent around here. Sepsis 338 00:19:41,680 --> 00:19:44,920 also says we're so glad that we scored with Temptress. 339 00:19:45,200 --> 00:19:49,440 You guys are great, absolutely, Oh, you guys are a 340 00:19:49,480 --> 00:19:49,839 great fit. 341 00:19:49,960 --> 00:19:53,200 Speaker 7: Sorry, it's it's been a hot minute. I believe we 342 00:19:53,359 --> 00:19:56,519 played with them at some point, but it's been a 343 00:19:56,599 --> 00:19:58,440 long time. So this is going to be a really 344 00:19:58,519 --> 00:20:02,000 fun time Okay, yeah with everybody? Yeah, absolutely right for this. 345 00:20:03,079 --> 00:20:04,039 So where does the name come from? 346 00:20:04,119 --> 00:20:04,519 Speaker 6: Temptres? 347 00:20:04,720 --> 00:20:04,759 Speaker 5: Like? 348 00:20:04,839 --> 00:20:04,880 Speaker 16: What? 349 00:20:05,079 --> 00:20:05,240 Speaker 6: Why? 350 00:20:05,400 --> 00:20:05,559 Speaker 9: Why? 351 00:20:05,680 --> 00:20:05,720 Speaker 10: That? 352 00:20:07,480 --> 00:20:07,519 Speaker 12: So? 353 00:20:08,319 --> 00:20:11,279 Speaker 7: The uh, the story goes, we were five dudes and 354 00:20:11,400 --> 00:20:14,559 we thought it'd be really funny because people would assume 355 00:20:14,640 --> 00:20:16,160 there's at least one hot girl in the band, but 356 00:20:16,240 --> 00:20:16,480 there's not. 357 00:20:17,279 --> 00:20:19,640 Speaker 6: I'll be completely honest with you. When when when I 358 00:20:19,680 --> 00:20:21,119 first saw the name, that's what I assumed. 359 00:20:21,480 --> 00:20:25,400 Speaker 7: Yeah, perfect, that's that's the story. Plus, we really wanted 360 00:20:25,480 --> 00:20:30,200 like one solid word, like a power word, right, not 361 00:20:30,440 --> 00:20:33,480 like six you know, like the Jimmy Hendrix project, which 362 00:20:33,519 --> 00:20:35,000 is fine, but like we we didn't want that, you 363 00:20:35,039 --> 00:20:36,880 know what I mean, like one word. And then we 364 00:20:36,960 --> 00:20:37,680 thought that was funny. 365 00:20:37,799 --> 00:20:41,160 Speaker 6: Yeah, yeah, that's cool. Oh so I meant to ask 366 00:20:41,240 --> 00:20:43,079 you this coming out of the track, and then I forgot. 367 00:20:43,640 --> 00:20:46,079 So what is Carly about? What are those lyrics about? 368 00:20:46,119 --> 00:20:48,079 Because I think you guys were talking about it when 369 00:20:48,160 --> 00:20:49,920 I had to run out of the room for a second. 370 00:20:49,960 --> 00:20:52,119 But what what is the cause? I couldn't figure it out. 371 00:20:52,319 --> 00:20:56,000 Speaker 9: It's based on Karl Morgenthau from the Captain America series. 372 00:20:56,119 --> 00:21:01,680 Oh okay, and just choosing to what she did. Yeah, yeah, okay, 373 00:21:01,759 --> 00:21:03,279 pretty pretty nerdy song through and through. 374 00:21:03,400 --> 00:21:05,799 Speaker 6: No, that's cool, though, that's cool. How do you decide 375 00:21:05,839 --> 00:21:08,839 what to write about? I mean, I would imagine it's uh. 376 00:21:10,000 --> 00:21:13,519 Speaker 9: Half of it comes from the tracks that that Anthony 377 00:21:13,559 --> 00:21:15,480 works on senys to me, yeah, and then the other 378 00:21:15,519 --> 00:21:17,839 half comes from personal experience what I'm going through at 379 00:21:17,839 --> 00:21:19,359 the time. I don't feeling that day. 380 00:21:19,519 --> 00:21:19,720 Speaker 6: Yep. 381 00:21:20,079 --> 00:21:22,440 Speaker 9: It could be random, it could be methodical. Sure, it 382 00:21:22,559 --> 00:21:23,319 depends on the song. 383 00:21:23,559 --> 00:21:26,640 Speaker 6: Sure, sure, excellent. Well, do you guys want to play another? 384 00:21:27,279 --> 00:21:29,480 I'll let you pick again because we got a couple more. 385 00:21:30,440 --> 00:21:32,599 We'll save one for the end of our conversation, of course. 386 00:21:32,680 --> 00:21:35,160 But you guys want to pick another studio track? 387 00:21:35,279 --> 00:21:37,319 Speaker 9: Yeah, I think we'll go with five six five The 388 00:21:37,359 --> 00:21:37,960 five six five. 389 00:21:38,000 --> 00:21:39,440 Speaker 7: That one's heavy, five six five. 390 00:21:39,839 --> 00:21:42,799 Speaker 6: This one presented an interesting dilemma because I had to 391 00:21:42,880 --> 00:21:47,000 play it. This is a this file type is now 392 00:21:47,000 --> 00:21:49,920 I'm getting nerdy? What what file type is this? It 393 00:21:50,039 --> 00:21:52,839 does play, it will play, But what is it telling? 394 00:21:52,920 --> 00:21:54,359 Speaker 7: It came through like a wave? 395 00:21:54,480 --> 00:21:55,839 Speaker 9: Yeah, yeah, it's not. 396 00:21:56,279 --> 00:21:59,400 Speaker 6: It's weird. It came through. The other tracks all came 397 00:21:59,440 --> 00:22:01,559 through his wave. This one for some reason. It actually 398 00:22:01,599 --> 00:22:04,720 says five file on it and it's and it's not. 399 00:22:05,119 --> 00:22:07,880 It doesn't have I can even I can even turn 400 00:22:07,960 --> 00:22:10,680 this and show you. That's how it looks on my monitor. 401 00:22:11,119 --> 00:22:13,079 Speaker 9: I think it took one of the periods from the 402 00:22:13,160 --> 00:22:15,079 song title. It might have used it as the extension. 403 00:22:15,240 --> 00:22:17,920 It must that makes sense, that wave at the end. 404 00:22:17,960 --> 00:22:18,720 It would probably work. 405 00:22:18,799 --> 00:22:20,799 Speaker 6: Oh okay, Well the good news is I can play 406 00:22:20,839 --> 00:22:23,400 it on here, okay, because it just looks really weird, 407 00:22:23,519 --> 00:22:26,440 but it will it will actually play, so but that 408 00:22:26,680 --> 00:22:29,119 that makes sense. That okay. Yeah, well now we know 409 00:22:29,160 --> 00:22:31,200 we learned something, all right, So we're gonna hit this 410 00:22:31,279 --> 00:22:34,200 track next. This is five six five and the band 411 00:22:34,480 --> 00:22:36,200 is temptous. Oh what does that mean? By the way, 412 00:22:36,240 --> 00:22:38,119 what's the meaning of the We should talk about the 413 00:22:38,119 --> 00:22:39,440 song before I play it? What does that mean? 414 00:22:40,119 --> 00:22:47,599 Speaker 9: Yeah, it's I have no idea being in between normal, 415 00:22:48,160 --> 00:22:54,200 it's being in limbo on the spot. I'm struggling to 416 00:22:54,240 --> 00:22:57,039 find the explanation. But it's a a take on six 417 00:22:57,119 --> 00:23:02,200 sixty six. Oh, but not to the full extent of 418 00:23:02,319 --> 00:23:03,079 what it represents. 419 00:23:03,319 --> 00:23:08,839 Speaker 6: Oh, I gotcha, Okay, okay, between yes, No, that makes sense. 420 00:23:09,079 --> 00:23:12,079 I like that. Sorry, I'm stalling. I'm trying to remember 421 00:23:12,119 --> 00:23:14,000 how I played it and I figured it out. Oh, 422 00:23:14,039 --> 00:23:16,160 here we go. Here it comes five six five. The 423 00:23:16,240 --> 00:24:23,359 band is Temptress's. 424 00:23:53,519 --> 00:24:09,920 Speaker 3: Ways. Well we like so lost. It's been something. 425 00:24:14,640 --> 00:24:19,960 Speaker 15: By sax fine on my gott Jester, I'm not. They 426 00:24:20,039 --> 00:24:21,920 tell their why my sex fine? 427 00:24:22,000 --> 00:24:23,079 Speaker 5: Oh my gott die? 428 00:24:25,960 --> 00:24:32,680 Speaker 15: I call it sex ye got Jeter, I know, tell 429 00:24:32,720 --> 00:24:34,400 their wi my sax fine. 430 00:24:34,480 --> 00:24:39,920 Speaker 5: I'm going, I'm gott die. 431 00:24:52,559 --> 00:24:59,799 Speaker 3: It's been so long, spent journey and it's been so long. 432 00:25:00,160 --> 00:25:11,319 There were the same discuss the stiffs, the. 433 00:25:15,400 --> 00:25:22,519 Speaker 15: Wind by sax ye on my bottle Jack sard all 434 00:25:22,599 --> 00:25:28,799 their Wi Fi sax sine on the cottic, I call 435 00:25:28,920 --> 00:25:31,480 it sax sie on my dot. 436 00:25:32,920 --> 00:25:36,039 Speaker 3: Jackuar no, tell their wi by. 437 00:25:36,039 --> 00:26:13,319 Speaker 15: Sax line on cotton dotting. 438 00:26:02,759 --> 00:26:07,000 Speaker 5: The shy. 439 00:26:08,440 --> 00:26:17,799 Speaker 15: Like gold got that? 440 00:26:20,039 --> 00:26:27,799 Speaker 3: Why have gods? 441 00:26:29,000 --> 00:26:37,400 Speaker 5: The cry? Why stack sign on my calling count. 442 00:26:38,400 --> 00:26:39,839 Speaker 3: Tier I go? 443 00:26:40,119 --> 00:26:43,319 Speaker 15: They tell their wife by stacks fine, I'm calling you John, 444 00:26:46,160 --> 00:26:53,480 I'm not calling Don sax signer. They tell their wife 445 00:26:53,559 --> 00:26:56,039 Lie Sacks, fine, uncle going John. 446 00:26:58,799 --> 00:27:16,000 Speaker 6: M five six five the band is Temptress, and Temptress 447 00:27:16,079 --> 00:27:19,400 is here with us, alive in studio and Jake, is 448 00:27:19,440 --> 00:27:22,440 it hard to sing that way without hurting. 449 00:27:22,279 --> 00:27:24,759 Speaker 9: Your voice or I mean that's why we cater the 450 00:27:24,839 --> 00:27:28,319 sets how we do, Yeah, to play to my strengths. Yeah, 451 00:27:28,440 --> 00:27:31,359 so it isn't if it's you know, timed, right, I mean, 452 00:27:31,400 --> 00:27:33,319 if I'm gonna do that at the end of the set, 453 00:27:33,519 --> 00:27:36,400 maybe it's yeah, a little different, but yeah. 454 00:27:36,240 --> 00:27:38,839 Speaker 6: I'm always impressed with singers who can do that, you know. 455 00:27:39,039 --> 00:27:42,440 Speaker 9: Yeah, I try not to completely blow it out right right. 456 00:27:43,519 --> 00:27:46,839 Speaker 6: Yeah, absolutely absolutely if you are just joining us. We 457 00:27:46,880 --> 00:27:48,599 do have Temptress here with us in studio and they 458 00:27:48,640 --> 00:27:52,039 are going to be performing at Swarmyfest coming up November 459 00:27:52,279 --> 00:27:56,559 fifteenth at Jewel right here in Manchester and Matt Connorton 460 00:27:56,680 --> 00:27:59,400 Unleashed is one of the official sponsors of the show 461 00:28:00,079 --> 00:28:02,119 once again. Is this our third or fourth year in 462 00:28:02,160 --> 00:28:07,559 a row? Fourth? Yes? Yeah, the time goes fast, but yeah, 463 00:28:07,640 --> 00:28:09,920 so really looking forward to seeing you guys live. 464 00:28:11,039 --> 00:28:11,799 Speaker 3: Do you play out a lot? 465 00:28:11,920 --> 00:28:13,240 Speaker 6: Like what's the show schedule? 466 00:28:13,359 --> 00:28:13,400 Speaker 2: Like? 467 00:28:13,480 --> 00:28:16,960 Speaker 6: Currently are you playing out a lot of shows or we. 468 00:28:17,359 --> 00:28:21,079 Speaker 7: All had kids, well, Jake and I had kids during COVID. Yeah, 469 00:28:21,400 --> 00:28:23,880 that kind of shudder down a little bit. Yeah, just 470 00:28:24,079 --> 00:28:25,920 harder because I gotta find places for other people to 471 00:28:26,000 --> 00:28:29,640 live for the night. Yeah, so not as often as 472 00:28:29,799 --> 00:28:31,720 we want. Now this is probably on the second show 473 00:28:31,759 --> 00:28:32,119 of the year. 474 00:28:32,319 --> 00:28:35,000 Speaker 9: Oh no kidding, Oh wow, We've got a lot going 475 00:28:35,039 --> 00:28:37,200 on in the background. But it's it makes it easy 476 00:28:37,279 --> 00:28:39,839 when we do have home studios. We can do that 477 00:28:39,920 --> 00:28:42,000 and still feel productive even if we're not playing out 478 00:28:42,200 --> 00:28:42,920 as much as we want. 479 00:28:43,079 --> 00:28:46,359 Speaker 6: Yeah, absolutely, absolutely. I assume in previous bands, you guys 480 00:28:46,440 --> 00:28:50,440 probably all played more right, Yeah, but yeah, you know, yeah, 481 00:28:50,480 --> 00:28:51,960 life gets in the way of that, that's for sure. 482 00:28:52,039 --> 00:28:54,480 Plus it's you know, it's expensive now to you know, 483 00:28:54,799 --> 00:28:56,160 like a lot of a lot of bands don't even 484 00:28:56,200 --> 00:28:59,720 want a tour anymore because it's it's become cosper amitive 485 00:28:59,759 --> 00:29:03,640 to do so. But no, but we're really looking forward 486 00:29:03,640 --> 00:29:05,640 to seeing you guys live. Have you made any I 487 00:29:05,720 --> 00:29:07,599 didn't have a chance to look. Have you made any 488 00:29:07,680 --> 00:29:08,359 music videos for. 489 00:29:08,359 --> 00:29:10,240 Speaker 9: Any of these or anything? I wish has one? Yeah, 490 00:29:10,400 --> 00:29:13,519 wish does, Okay, chemical does. No, Chemical does as well. 491 00:29:13,640 --> 00:29:15,319 Ye might be the only two out of. 492 00:29:15,279 --> 00:29:17,519 Speaker 7: The video for Chemicals like a like a real video. 493 00:29:17,839 --> 00:29:20,160 Oh yeah, the Wish ones like a like a AI 494 00:29:20,519 --> 00:29:21,160 lyric video. 495 00:29:21,240 --> 00:29:24,200 Speaker 6: Oh o kidding, okay, but we we do have a couple. Okay, 496 00:29:24,279 --> 00:29:26,839 but the one for Chemical is a full, fully produced video. 497 00:29:26,960 --> 00:29:27,119 Speaker 8: Yep. 498 00:29:27,240 --> 00:29:27,640 Speaker 6: Oh cool. 499 00:29:27,799 --> 00:29:30,400 Speaker 9: Wish is not a lyric video. It's my creation of lyrics, 500 00:29:31,799 --> 00:29:32,440 very clear. 501 00:29:33,279 --> 00:29:40,240 Speaker 6: Whatever whatever burn. So, so Chemical is when did that 502 00:29:40,319 --> 00:29:41,480 come out? The video for that? 503 00:29:42,440 --> 00:29:44,319 Speaker 9: It was much later than the song itself. 504 00:29:44,359 --> 00:29:44,960 Speaker 6: Oh really? Yeah? 505 00:29:45,079 --> 00:29:47,920 Speaker 7: Yeah, I mean it was during COVID because your brother 506 00:29:48,000 --> 00:29:49,200 yelled at us going to your house. 507 00:29:49,400 --> 00:29:53,079 Speaker 6: Ah, so did you guys, you guys producer yourselves. 508 00:29:53,440 --> 00:29:54,200 Speaker 9: Yeah, film the video. 509 00:29:54,599 --> 00:29:56,960 Speaker 7: We had two videos. Oh what else do we have? 510 00:29:57,119 --> 00:29:59,200 Speaker 9: We have the live one from Manchester? 511 00:29:59,480 --> 00:30:03,400 Speaker 7: Oh that no, No, the in the store that's part 512 00:30:03,440 --> 00:30:03,880 of Chemical. 513 00:30:04,000 --> 00:30:05,160 Speaker 9: Yeah, there's two different videos. 514 00:30:05,440 --> 00:30:07,359 Speaker 7: Well this is like a live version and like the 515 00:30:07,400 --> 00:30:11,839 actual version. So our friend Amy, who's one of the 516 00:30:12,160 --> 00:30:16,799 Scarecrow Hill group people who does photos, she's amazing. Hire her. 517 00:30:17,559 --> 00:30:19,599 She filmed half of it. We filmed half of it, 518 00:30:19,680 --> 00:30:22,079 and then we kind of collaborate on putting it together. 519 00:30:22,279 --> 00:30:25,920 Speaker 6: Oh okay, gotcha, gotcha? And then so what's kind of 520 00:30:25,960 --> 00:30:29,079 the well, actually the songs that we're hearing, so are 521 00:30:29,160 --> 00:30:31,720 they part of an album or are they a part 522 00:30:31,720 --> 00:30:33,839 of an EP? Or have you just released singles. 523 00:30:33,559 --> 00:30:37,119 Speaker 9: Or they're all part of different albums? 524 00:30:37,240 --> 00:30:39,200 Speaker 7: Okay, yeah, that was on purpose. 525 00:30:39,480 --> 00:30:42,000 Speaker 9: Okay, that was the kind of showcase a little bit 526 00:30:42,039 --> 00:30:42,759 from each But have. 527 00:30:42,799 --> 00:30:45,400 Speaker 6: You guys released because there's so many different ways to 528 00:30:45,480 --> 00:30:47,119 release music now, you know, you can do an album, 529 00:30:47,160 --> 00:30:49,079 you can do an EP, you can do you know 530 00:30:49,160 --> 00:30:51,000 some of the guests we have now they just release 531 00:30:51,079 --> 00:30:52,799 a series of singles or a series of singles that 532 00:30:52,839 --> 00:30:55,640 eventually coalesce into an album or an EP. Like, what's 533 00:30:55,720 --> 00:30:57,480 kind of been the strategy with you guys? So because 534 00:30:57,519 --> 00:30:59,160 you said these are all from different albums, So do 535 00:30:59,240 --> 00:31:02,319 you do consistently do albums or do you have any 536 00:31:02,359 --> 00:31:03,160 that are just singles? 537 00:31:03,279 --> 00:31:07,000 Speaker 9: Or Wish was one of those singles leading up to 538 00:31:07,039 --> 00:31:10,079 the album? Oh okay, I know that's pretty popular right now, 539 00:31:10,240 --> 00:31:12,599 is multiple singles leading up to an album. Yeah, which 540 00:31:13,000 --> 00:31:15,079 does sound like a good idea, But I think wishes, 541 00:31:15,960 --> 00:31:20,440 we have three Wish hex and I don't know with 542 00:31:20,640 --> 00:31:21,519 Arms Wide Open. 543 00:31:21,519 --> 00:31:23,960 Speaker 6: Oh okay, that are full length albums or though those 544 00:31:24,000 --> 00:31:26,880 are the single? Oh, those are the singles? Okay, gotcha? 545 00:31:27,000 --> 00:31:29,680 Speaker 7: Yeah, we we pay the same amount. This is getting 546 00:31:29,680 --> 00:31:31,440 into the business side. We pay the same amount to 547 00:31:31,519 --> 00:31:34,480 release a single as an album. Yeah, so I try 548 00:31:34,559 --> 00:31:38,519 not to do that because if I released thirteen songs, 549 00:31:38,559 --> 00:31:40,480 I pay the same amount to put it on Spotify 550 00:31:40,680 --> 00:31:43,440 as one, right, right, so it doesn't make as much sense. 551 00:31:43,720 --> 00:31:45,880 Speaker 6: Yeah, I gotcha, that's true. I hadn't thought of it 552 00:31:46,000 --> 00:31:48,240 that way, and thought of it that way. Yeah, there's 553 00:31:48,279 --> 00:31:51,039 so many ways to do it now. But is it 554 00:31:51,400 --> 00:31:53,839 what when you when you guys do an album, is 555 00:31:53,920 --> 00:31:57,039 there a theme to the album? Do you try to 556 00:31:57,160 --> 00:31:59,599 do you try to make it a consistent theme because 557 00:31:59,599 --> 00:32:02,279 the summer that's important. And to some it's like, well, no, 558 00:32:02,400 --> 00:32:03,920 it's a collection of songs, what's the matter? 559 00:32:04,039 --> 00:32:05,359 Speaker 7: But only for the last. 560 00:32:05,200 --> 00:32:08,240 Speaker 9: Two really yeah yeah, I mean there's there's a loose 561 00:32:08,559 --> 00:32:11,359 running theme to each I guess, but the last two 562 00:32:11,400 --> 00:32:13,319 have been specifically themed. 563 00:32:13,559 --> 00:32:17,000 Speaker 6: Oh okay, which is new for me? Really Yeah. 564 00:32:17,119 --> 00:32:19,160 Speaker 8: I haven't a band that right, so based on a 565 00:32:19,240 --> 00:32:21,200 team it's it's pretty cool. It's a good concept. 566 00:32:21,400 --> 00:32:23,359 Speaker 6: Yeah, yeah, absolutely, It's just. 567 00:32:23,440 --> 00:32:26,200 Speaker 7: It's easier for me. I'm I found it easy. So 568 00:32:26,839 --> 00:32:31,480 the Time Travelers Continuum the album that we released, that's it. 569 00:32:31,599 --> 00:32:32,319 Speaker 6: That's the newest one. 570 00:32:33,039 --> 00:32:35,599 Speaker 7: No oh, that's that's the one before the newest one. 571 00:32:35,720 --> 00:32:37,599 Okay okay, but that that was like, that was the 572 00:32:37,640 --> 00:32:39,920 first one we did when I had like an idea 573 00:32:40,359 --> 00:32:42,519 of what I wanted them all to do and to 574 00:32:42,680 --> 00:32:45,559 be yeah ahead of time okay. And I found it 575 00:32:45,680 --> 00:32:48,000 nice and that that was a like thirteen songs okay, 576 00:32:48,119 --> 00:32:49,440 and we just kept adding to it. It was like 577 00:32:49,680 --> 00:32:51,240 it was eight, and it was nine, then it was eleven, 578 00:32:51,240 --> 00:32:51,880 and then it was thirteen. 579 00:32:51,920 --> 00:32:53,240 Speaker 9: I was like, all right, this is it. I mean, 580 00:32:53,279 --> 00:32:55,279 there was a nostalgic element there that kind of kept 581 00:32:55,319 --> 00:32:56,359 pushing us for more though. 582 00:32:56,359 --> 00:32:57,920 Speaker 7: There was and that was the first time I'd ever 583 00:32:58,000 --> 00:33:00,720 use an eight string And honestly, I love album front 584 00:33:00,759 --> 00:33:01,039 to back. 585 00:33:01,200 --> 00:33:03,279 Speaker 6: Oh wow, so good. Oh that's cool. 586 00:33:03,599 --> 00:33:07,920 Speaker 9: What was the theme h legend of yes? 587 00:33:08,039 --> 00:33:08,759 Speaker 6: Okay? Okay? 588 00:33:08,920 --> 00:33:09,079 Speaker 9: Yes? 589 00:33:09,599 --> 00:33:11,960 Speaker 6: And then what so what's the newest album? 590 00:33:12,640 --> 00:33:16,079 Speaker 7: The newest album is Mother Mother okay a six song EP. 591 00:33:16,519 --> 00:33:17,920 Speaker 6: Oh that's an ep okay, gotcha? 592 00:33:18,039 --> 00:33:21,279 Speaker 7: And what's the theme of that resident evil village? 593 00:33:21,440 --> 00:33:26,079 Speaker 6: Okay okay? Cool? Yeah, you guys are in a so 594 00:33:26,279 --> 00:33:30,000 no one would like unless you're does anyone well, let 595 00:33:30,039 --> 00:33:32,640 me ask the question this way, does anyone ever figure out, like, 596 00:33:32,759 --> 00:33:36,480 does anyone ever say to you, hey, I listened to 597 00:33:36,640 --> 00:33:39,279 this EP or I listened to this album and then 598 00:33:39,319 --> 00:33:41,359 they start talking to you like they like they got it, 599 00:33:41,559 --> 00:33:43,640 like they they understood the theme. 600 00:33:44,200 --> 00:33:46,079 Speaker 9: I like, there's been a couple but has it? 601 00:33:46,200 --> 00:33:47,000 Speaker 6: Has it happened? Yeah? 602 00:33:47,720 --> 00:33:49,240 Speaker 7: Not as much as i'd hope. 603 00:33:49,480 --> 00:33:51,720 Speaker 6: I mean, it's cool if it has. I'm super curious 604 00:33:51,720 --> 00:33:53,160 if anyone's ever come up with you and said, yeah, 605 00:33:53,200 --> 00:33:56,160 I like that, I like that legend of Zelda. 606 00:33:56,599 --> 00:34:01,319 Speaker 7: You know, if somebody really looked at it and listened, yeah, 607 00:34:01,359 --> 00:34:03,559 that was a fan of the game, they would know. Yeah, 608 00:34:03,720 --> 00:34:06,599 like I did that on purpose. We separated it just 609 00:34:06,799 --> 00:34:09,760 enough that I wasn't we weren't calling the songs exactly 610 00:34:09,800 --> 00:34:10,159 what it was. 611 00:34:10,440 --> 00:34:10,639 Speaker 2: Yeah. 612 00:34:10,719 --> 00:34:12,440 Speaker 7: So like if you didn't know, you're like, oh, here's 613 00:34:12,440 --> 00:34:14,920 a zolda, right, But if you looked at it and 614 00:34:15,000 --> 00:34:16,920 you were a fan and you listened, you would figure 615 00:34:16,960 --> 00:34:17,199 it out. 616 00:34:17,280 --> 00:34:19,920 Speaker 6: That's pretty cool though, Yeah, So that must be. So 617 00:34:20,159 --> 00:34:23,079 if somebody does actually approach you and say, you know, 618 00:34:23,199 --> 00:34:25,400 I identifies that they at least have some idea. That 619 00:34:25,480 --> 00:34:28,400 must be pretty gratifying, right, because it's like, Wow, they 620 00:34:28,519 --> 00:34:32,159 really paid attention and and you know that's validating. 621 00:34:32,159 --> 00:34:34,199 Speaker 9: It really is. And I mean the writing was coming 622 00:34:34,239 --> 00:34:37,519 from a nostalgic perspective of playing through that game, yeah, 623 00:34:37,559 --> 00:34:38,880 and like kind of where my head was at as 624 00:34:38,880 --> 00:34:41,880 a child. Yeah, and so that made it fun. So yeah, 625 00:34:41,920 --> 00:34:42,960 I added a whole another element. 626 00:34:43,280 --> 00:34:46,400 Speaker 6: And Zelda's kind of multi generational too, so yeah, so 627 00:34:46,519 --> 00:34:48,800 that has a broad appeal. That's really cool. And then 628 00:34:48,840 --> 00:34:50,760 so what's kind of the future trajectory, like do you 629 00:34:50,840 --> 00:34:54,480 guys have because your musical output already for is pretty 630 00:34:54,679 --> 00:34:57,239 broad for a relatively short period of times. I assume 631 00:34:57,239 --> 00:34:59,119 you're always writing, right, Oh. 632 00:34:59,079 --> 00:35:03,760 Speaker 7: Yeah, we already have eleven songs ready for new no kidding, yeah, 633 00:35:03,920 --> 00:35:04,400 no kidding. 634 00:35:05,360 --> 00:35:08,119 Speaker 9: More than that, yeah, more. 635 00:35:08,039 --> 00:35:09,639 Speaker 6: Than have you started recording those yet? 636 00:35:09,719 --> 00:35:13,320 Speaker 9: Or oh yeah, we're sitting on a lot Okay. 637 00:35:13,199 --> 00:35:15,559 Speaker 6: Okay, excellent, And Brian, you're gonna be on on these 638 00:35:16,679 --> 00:35:17,599 very cool, very cool? 639 00:35:18,280 --> 00:35:18,440 Speaker 5: Yeah. 640 00:35:18,519 --> 00:35:18,719 Speaker 11: Yeah. 641 00:35:19,880 --> 00:35:23,119 Speaker 6: Does that change the sound with a live drummer, like, like, 642 00:35:23,360 --> 00:35:26,440 is it or does it change your how you guys 643 00:35:26,599 --> 00:35:27,119 write these? 644 00:35:27,239 --> 00:35:29,960 Speaker 9: Are it changes the feel? 645 00:35:30,239 --> 00:35:30,480 Speaker 6: Yeah? 646 00:35:30,519 --> 00:35:33,159 Speaker 7: You can sure it can because he can interpret. So 647 00:35:33,920 --> 00:35:36,519 when I say I do I do everything, I don't 648 00:35:36,519 --> 00:35:40,280 actually do it. I make the songs start to finish. 649 00:35:40,519 --> 00:35:43,199 The guitar is the bass, the keyboards, what I'm thinking 650 00:35:43,280 --> 00:35:45,760 for drums, and I have to put them in there. 651 00:35:46,000 --> 00:35:48,599 For Jake because it doesn't sound like a song. He 652 00:35:48,599 --> 00:35:51,559 has trouble like where it starts, where it ends, So 653 00:35:52,400 --> 00:35:56,639 I put them. I put them in there, and. 654 00:35:57,280 --> 00:35:59,440 Speaker 6: For some of these can tell you guys have known 655 00:35:59,440 --> 00:36:00,400 each other a lot time. 656 00:36:01,159 --> 00:36:03,000 Speaker 7: He just called me stupid, but they'll call me stupid. 657 00:36:08,800 --> 00:36:11,440 Some of these whole albums are just Jake and I. 658 00:36:11,800 --> 00:36:15,480 There's no live drums at all. Yeah, and that's just 659 00:36:15,559 --> 00:36:17,599 what I thought went there. So what I like about 660 00:36:17,639 --> 00:36:19,920 having a live drummer and Brian's cool for it is 661 00:36:20,239 --> 00:36:22,039 I have them there, but I'll bounce him one with 662 00:36:22,199 --> 00:36:25,280 no drums and let him cook. Yeah, but we have 663 00:36:25,440 --> 00:36:29,000 the one aside. Yeah, so we know what's supposed to 664 00:36:29,039 --> 00:36:30,719 be happening, and then we can let him do it 665 00:36:30,800 --> 00:36:34,199 and have the conversation. And sometimes he feels a section 666 00:36:34,320 --> 00:36:36,519 completely different than I do, which is great. Yeah, but 667 00:36:36,639 --> 00:36:39,280 we have that extra level of conversation piece of what 668 00:36:39,360 --> 00:36:39,719 we're doing. 669 00:36:40,000 --> 00:36:42,519 Speaker 9: Yeah, it's almost nice to have that cookie cutter drum 670 00:36:42,599 --> 00:36:45,440 build and then do what I want with it, and 671 00:36:45,559 --> 00:36:47,840 then hear his take and be able to adjust what 672 00:36:47,880 --> 00:36:49,679 I've done to cater today more. 673 00:36:49,880 --> 00:36:52,360 Speaker 6: Yeah, that makes sense. But it's also a little bit 674 00:36:52,360 --> 00:36:55,159 of an unconventional approach. You know, you don't usually hear 675 00:36:55,320 --> 00:36:58,679 you know, usually it's you know, the drums are already 676 00:36:58,679 --> 00:37:01,400 there when you're or a scratch track of a demo. 677 00:37:01,559 --> 00:37:05,159 But but but it's interesting that you're writing lyrics influence 678 00:37:05,440 --> 00:37:07,519 somewhat by what he's doing. That's interesting. 679 00:37:07,760 --> 00:37:11,000 Speaker 9: Yeah, yeah, definitely one of the many interesting approaches I take. 680 00:37:11,199 --> 00:37:14,480 Speaker 6: Yeah, yeah, no, that's cool. And then so Anthony, how 681 00:37:14,519 --> 00:37:16,800 many like what was your first instrument? Because you obviously 682 00:37:16,840 --> 00:37:17,800 you play a lot of stuff. 683 00:37:18,199 --> 00:37:20,039 Speaker 7: Yeah, I'm a I'm a bass player. 684 00:37:20,280 --> 00:37:22,320 Speaker 6: Okay, is that your first instrument? 685 00:37:22,480 --> 00:37:22,679 Speaker 9: Yeah? 686 00:37:22,760 --> 00:37:26,039 Speaker 7: Oh interesting, Yeah, I taught myself playing a lot of 687 00:37:26,320 --> 00:37:29,039 chili peppers in high school. My mom was at work 688 00:37:29,079 --> 00:37:31,920 really loud because nobody cared. So that's where it all started. 689 00:37:32,039 --> 00:37:32,719 Speaker 9: Yeah, oh wow. 690 00:37:32,920 --> 00:37:35,920 Speaker 6: Yeah. And then what was what was your next from there? 691 00:37:36,199 --> 00:37:37,639 Speaker 7: So you started on bass and then you think I 692 00:37:37,760 --> 00:37:40,280 got a keyboard, like one of those couple hundred dollars 693 00:37:40,280 --> 00:37:42,760 ones with all the different noises. Ye, yep, I've always 694 00:37:42,760 --> 00:37:45,039 been into Romstein, so that was like I had to 695 00:37:45,079 --> 00:37:47,920 go there next. Yeah, and keyboard stuff. Yeah, and then 696 00:37:47,960 --> 00:37:49,559 I got a guitar because you can complete bass, you 697 00:37:49,559 --> 00:37:50,400 can kind of play guitar. 698 00:37:50,599 --> 00:37:50,800 Speaker 8: Yeah. 699 00:37:50,920 --> 00:37:52,519 Speaker 7: So a lot of this sounds like Romstein because like 700 00:37:52,599 --> 00:37:57,159 I'm not I'm not a Damien shout out. I'm not 701 00:37:57,280 --> 00:38:01,280 like a guitar virtuoso. Yeah, I'm playing power chords and sure, 702 00:38:01,480 --> 00:38:03,320 but like, if you can do one, you can do 703 00:38:03,360 --> 00:38:05,400 the other. And that's kind of where I'm at with it. 704 00:38:05,679 --> 00:38:09,239 Speaker 6: Yeah. Yeah, interesting, you make it work, I do. Yeah. 705 00:38:09,719 --> 00:38:13,159 So so every all all that is you and then 706 00:38:13,320 --> 00:38:15,199 all the vocal and then Jake, are you the only 707 00:38:15,440 --> 00:38:16,360 like are all the vocals you? 708 00:38:16,519 --> 00:38:16,719 Speaker 5: Or do you? 709 00:38:16,840 --> 00:38:18,119 Speaker 6: Does anyone else sing back up? 710 00:38:18,239 --> 00:38:19,440 Speaker 9: Or maybe that's all you? 711 00:38:19,639 --> 00:38:21,039 Speaker 6: Okay, excellent, excellent. 712 00:38:21,039 --> 00:38:22,599 Speaker 7: I'd like to do it, but I'm not as good 713 00:38:22,639 --> 00:38:23,400 as I should be. 714 00:38:23,639 --> 00:38:26,320 Speaker 9: Okay, I mean you can stay toned up. It's okay. 715 00:38:27,719 --> 00:38:29,280 Speaker 7: It's one of those deals. That's fine. 716 00:38:30,119 --> 00:38:30,840 Speaker 8: Oh my goodness. 717 00:38:31,679 --> 00:38:34,199 Speaker 6: So the so the eleven songs, like, have you started 718 00:38:34,280 --> 00:38:34,960 recording them yet? 719 00:38:35,159 --> 00:38:40,559 Speaker 7: Or where where we do it ourselves? I generally there's 720 00:38:40,599 --> 00:38:44,039 only two versions, Like, we make a demo which is 721 00:38:44,119 --> 00:38:47,039 honestly radio quality, yeah, and then I do a mastered 722 00:38:47,119 --> 00:38:50,679 version with everyone's final takes and mixes and levels, and. 723 00:38:50,880 --> 00:38:53,440 Speaker 6: So you do you do the mastering too. Wow, you 724 00:38:53,519 --> 00:38:55,559 guys really do do it all. Wow. 725 00:38:55,679 --> 00:38:57,880 Speaker 7: I hate paying people for stuff I can do myself. 726 00:38:58,159 --> 00:38:58,400 Speaker 3: Yeah. 727 00:38:58,519 --> 00:38:59,960 Speaker 7: That's in every facet of my life. 728 00:39:00,079 --> 00:39:00,599 Speaker 6: Yep, yep. 729 00:39:01,079 --> 00:39:02,920 Speaker 9: And if it's uh, you know, something that we can 730 00:39:02,960 --> 00:39:05,159 put under our belt used down the road, it makes 731 00:39:05,199 --> 00:39:06,880 it that much more valuable to do it ourselves and 732 00:39:06,960 --> 00:39:09,159 learn that one hundred Yeah. I mean it's a time 733 00:39:09,239 --> 00:39:11,239 sink for sure, but it's worth it at the end 734 00:39:11,239 --> 00:39:11,519 of the day. 735 00:39:11,639 --> 00:39:14,760 Speaker 6: Yeah, absolutely, one hundred percent. No, that's great, that's great. 736 00:39:15,679 --> 00:39:18,239 And then you you probably don't know right at this point, 737 00:39:18,440 --> 00:39:20,599 like any kind of an eta on when the next album. 738 00:39:21,920 --> 00:39:27,360 Speaker 9: I mean it's I'll say I've got vocals on three okay, 739 00:39:27,639 --> 00:39:29,239 so yeah. 740 00:39:29,559 --> 00:39:34,199 Speaker 7: And uh, chemical we wrote entirely in one day. Yeah, 741 00:39:34,360 --> 00:39:36,119 so that's not saying it's not going to be done 742 00:39:36,159 --> 00:39:36,559 next week. 743 00:39:37,559 --> 00:39:39,599 Speaker 9: Yeah, I mean it really the mood could hit me 744 00:39:39,639 --> 00:39:41,960 and I could, you know, go in and knock out 745 00:39:41,960 --> 00:39:42,880 three more songs today. 746 00:39:43,000 --> 00:39:44,559 Speaker 6: Yeah, yeah, yeah, Yeah. 747 00:39:44,360 --> 00:39:48,239 Speaker 8: I've worked on a couple of the songs already drum wise, okay, 748 00:39:48,400 --> 00:39:51,159 And I'm always switching up my ideas every time I 749 00:39:51,239 --> 00:39:52,920 go back and listen to a drummer's track. 750 00:39:53,159 --> 00:39:53,400 Speaker 6: Yeah. 751 00:39:53,599 --> 00:39:56,079 Speaker 8: Yeah, but based on what you said earlier, we go 752 00:39:56,280 --> 00:39:59,679 on what his idea is, and then I'll build off 753 00:39:59,719 --> 00:39:59,880 of that. 754 00:40:00,239 --> 00:40:03,280 Speaker 6: Okay. Yeah, So probably some sometime in twenty six, I 755 00:40:03,320 --> 00:40:06,840 would assume the new one, probably early twenty five, early 756 00:40:06,920 --> 00:40:07,360 twenty six. 757 00:40:07,440 --> 00:40:09,559 Speaker 7: Yeah, we're doing the show in November. We have our 758 00:40:09,599 --> 00:40:12,280 own show in December. Oh, we're doing that jewel as well. 759 00:40:12,480 --> 00:40:13,320 Speaker 6: Oh, tell us about that. 760 00:40:14,039 --> 00:40:15,320 Speaker 7: So we're gonna do the back room. I wanted to 761 00:40:15,360 --> 00:40:18,880 do more of like a I don't know. I keep 762 00:40:18,960 --> 00:40:22,079 having the show in my head. Is h People didn't 763 00:40:22,079 --> 00:40:23,400 know it was nine Inch Nails, but I think it 764 00:40:23,440 --> 00:40:25,800 was like six or seven where they just sent like 765 00:40:26,440 --> 00:40:28,960 flyers to certain people. Yeah, and no one knew what 766 00:40:29,039 --> 00:40:30,559 it was, and a bunch of people showed up in 767 00:40:30,599 --> 00:40:33,000 a really wild warehouse in the middle of Manhattan somewhere. 768 00:40:33,119 --> 00:40:34,000 Speaker 6: I remember hearing about this. 769 00:40:34,159 --> 00:40:37,960 Speaker 7: Yeah, that's people are gonna know. But like right like 770 00:40:38,079 --> 00:40:40,400 someone comes out and starts berating everybody in the crowd. 771 00:40:40,559 --> 00:40:41,599 You don't even know why you're here. 772 00:40:41,679 --> 00:40:42,199 Speaker 6: Why are you here? 773 00:40:42,320 --> 00:40:45,719 Speaker 7: We could we could be robbing murdering you And then 774 00:40:45,880 --> 00:40:49,800 uh nine Nails starts playing. Yeah, so like I want that, 775 00:40:49,960 --> 00:40:54,760 like industrial tiny loud club vibes were shooting for that. 776 00:40:54,840 --> 00:40:56,719 So it's right now, it's us in Scarecrow. I'm trying 777 00:40:56,760 --> 00:40:58,800 to find a couple other bands. Okay, okay, that's the 778 00:40:59,000 --> 00:40:59,920 twelfth of December. 779 00:41:00,079 --> 00:41:01,639 Speaker 6: Okay, I love the concept. 780 00:41:01,760 --> 00:41:04,119 Speaker 7: Yeah, so we're we're doing those so I'm probably thinking 781 00:41:04,159 --> 00:41:05,000 early twenty six. 782 00:41:05,000 --> 00:41:09,440 Speaker 6: Okay, okay, extremely cool. Well, the time goes quickly. I 783 00:41:09,519 --> 00:41:10,719 want to make sure we have time to get the 784 00:41:11,000 --> 00:41:12,800 get the last track, and because Chemical is one we 785 00:41:12,840 --> 00:41:15,800 didn't play yet, right right, right, So before we start 786 00:41:15,840 --> 00:41:18,079 to wind up, though, I want to make sure so 787 00:41:18,199 --> 00:41:20,920 everybody knows exactly. Well, first of all, we want to 788 00:41:20,920 --> 00:41:25,000 remind people about November fifteenth swarm me Fest. Where should 789 00:41:25,000 --> 00:41:28,039 people go online to find out, well, to keep up 790 00:41:28,079 --> 00:41:29,719 with everything that you guys are doing, not just swarm 791 00:41:29,760 --> 00:41:31,599 me Fest, but if they just want to get your 792 00:41:31,719 --> 00:41:34,760 music and follow your follow everything that you do. 793 00:41:35,239 --> 00:41:37,679 Speaker 7: It's on every streaming platform available. 794 00:41:37,880 --> 00:41:39,119 Speaker 6: Okay, that's easy. 795 00:41:39,559 --> 00:41:41,679 Speaker 9: Social media handle Temptress Official. 796 00:41:41,920 --> 00:41:44,920 Speaker 7: Temptress Official Okay, Facebook, Instagram, porn Hub. We're all over 797 00:41:44,960 --> 00:41:46,039 the place Pornhub. 798 00:41:46,079 --> 00:41:48,360 Speaker 9: All right, well I'm not going to go there, but okay, 799 00:41:49,800 --> 00:41:50,480 he's not kidding. 800 00:41:52,239 --> 00:41:52,960 Speaker 6: I did not know that. 801 00:41:55,440 --> 00:41:58,880 Speaker 7: I want the music everywhere possible people can find it. 802 00:41:59,119 --> 00:42:03,199 Speaker 6: Yeah, yeah, outstanding. All right, Well, we're gonna close out 803 00:42:03,639 --> 00:42:05,519 with Chemical in just some moments. So what should we 804 00:42:05,599 --> 00:42:06,719 know about this before we hear it? 805 00:42:07,679 --> 00:42:09,760 Speaker 9: It's about toxic relationships. 806 00:42:09,320 --> 00:42:12,719 Speaker 6: Okay, Okay. I remember listening to the lyrics and kind 807 00:42:12,719 --> 00:42:14,920 of thinking it's it's sort of relatable, like it's something 808 00:42:15,000 --> 00:42:17,719 that probably everybody can can relate to at some point 809 00:42:17,840 --> 00:42:18,199 or another. 810 00:42:18,360 --> 00:42:20,119 Speaker 9: Yeah, I'm going further, but it's I mean, at the 811 00:42:20,199 --> 00:42:23,719 end of the day, that's right, right, A good explanation, right, 812 00:42:23,920 --> 00:42:24,320 very good. 813 00:42:24,599 --> 00:42:27,360 Speaker 6: So we're going to close out with this track with 814 00:42:27,440 --> 00:42:30,039 these guys check this out, and then after that, Jenny 815 00:42:30,039 --> 00:42:31,480 and I are going to come back and wrap up. 816 00:42:31,840 --> 00:42:34,079 Got a couple of things to tell you about. But guys, 817 00:42:34,119 --> 00:42:35,920 thank you again so much. It's wonderful to meet all 818 00:42:35,920 --> 00:42:37,599 three of you, and I love your sound and we'll 819 00:42:37,639 --> 00:42:39,440 definitely do this in the future and really looking forward 820 00:42:39,440 --> 00:42:41,559 to seeing you on November fifteenth. Thank you, that's gonna 821 00:42:41,559 --> 00:42:45,119 be amazing. Absolutely, but check this out. This is Temptress 822 00:42:45,199 --> 00:42:46,639 and the track is chemical. 823 00:42:48,519 --> 00:43:01,280 Speaker 3: Come cam, come, it's chimming. Come it's chemmic. Come no man, 824 00:43:02,039 --> 00:43:02,920 say you can go? 825 00:43:04,239 --> 00:43:11,519 Speaker 17: Quin the SAgs a most small and weak can back. 826 00:43:13,679 --> 00:43:20,880 Speaker 10: That's nowhere at all from my friend coming clear that 827 00:43:21,280 --> 00:43:24,519 this will be the honey. 828 00:43:27,800 --> 00:43:33,480 Speaker 3: And bodies do in time. Jesus's good. 829 00:43:37,960 --> 00:43:41,920 Speaker 16: A meaning miney morn, maybe murder, Get to lie him 830 00:43:41,960 --> 00:43:44,159 by the free, get to lie him by the poor. 831 00:43:44,320 --> 00:43:46,880 Speaker 9: If they hollen, don't let go, if they hard, don't 832 00:43:46,920 --> 00:43:47,199 let go? 833 00:43:47,320 --> 00:43:50,000 Speaker 3: All he goes, Why oh you. 834 00:43:51,960 --> 00:44:08,840 Speaker 18: It's comic? S this bolga, it's Kevin. It's Kevin. 835 00:44:11,039 --> 00:44:11,719 Speaker 2: Month old. 836 00:44:16,199 --> 00:44:21,239 Speaker 3: You brought a man and take and roll over Quin. 837 00:44:22,599 --> 00:44:28,280 Speaker 17: The SAgs almost small and wait can bat. 838 00:44:30,199 --> 00:44:31,320 Speaker 3: Let's go man at all? 839 00:44:31,519 --> 00:44:34,239 Speaker 5: From my friend. 840 00:44:36,079 --> 00:44:40,679 Speaker 10: Coming clear on that this will be the honey. 841 00:44:41,679 --> 00:44:44,119 Speaker 15: To let us oil. 842 00:44:46,320 --> 00:44:58,280 Speaker 16: To a meaning ninety morning ny murder, Get a lie 843 00:44:58,320 --> 00:45:00,679 about the third, get a lie of by the boy. 844 00:45:00,800 --> 00:45:03,400 Speaker 3: If we hoke, don't let go, if the hop don't 845 00:45:03,480 --> 00:45:14,280 let go, how goes? Why oh you? It's coming comes. 846 00:45:14,800 --> 00:45:28,400 Speaker 11: This bull, it's killing Colet's call it gos al. 847 00:45:34,079 --> 00:45:35,960 Speaker 5: Ll time. 848 00:45:58,960 --> 00:46:03,639 Speaker 3: Where let's come and go. 849 00:46:05,199 --> 00:46:11,519 Speaker 5: No, Sam, this bull gangle. 850 00:46:15,400 --> 00:46:22,400 Speaker 2: Let's come it dry, Let's call it come. That's all 851 00:46:22,559 --> 00:46:23,880 the wino. 852 00:46:28,159 --> 00:46:29,599 Speaker 18: It's coming from. 853 00:46:31,360 --> 00:46:31,960 Speaker 2: Its sna 854 00:46:34,960 --> 00:46:35,280 Speaker 5: Back