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<v Speaker 1>Now, doctor Watson, how about the new shell Arcolm story

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<v Speaker 1>murder in the Locked Room.

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<v Speaker 2>Well, it's well that adventure took place many many years ago.

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<v Speaker 3>If began on a gray and murky afternoon in Baker Street.

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<v Speaker 3>We just finished tea, I remember, and Holmes was busying

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<v Speaker 3>himself with some chemical experiments for some time. He sat

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<v Speaker 3>down in silence, with his long, thin back.

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<v Speaker 2>Curved over a report in which he was brewing a

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<v Speaker 2>particularly malodorous product.

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<v Speaker 3>As I glanced across at him, seated there under the

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<v Speaker 3>gas light.

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<v Speaker 2>His head was sunk upon his breast, and he looked

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<v Speaker 2>like a strange lank bird with dull a gray plumage

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<v Speaker 2>and a black top bob.

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<v Speaker 4>Suddenly he turned.

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<v Speaker 5>To me, So, Watson, you have decided not to invest

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<v Speaker 5>in South African securities. Huh?

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<v Speaker 3>Oh, not to know that, Hugh, It.

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<v Speaker 5>Isn't really difficult. I observed a groove between your left

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<v Speaker 5>forefinger and thumb. It is enough to tell me that

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<v Speaker 5>you do not intend to invest your small capital in

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<v Speaker 5>the gold.

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<v Speaker 2>You know.

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<v Speaker 5>Connection and yet the train of thought and elementary one.

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<v Speaker 5>You had chalk between your thumb and finger when you

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<v Speaker 5>return from your club. Two. You put chalk there when

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<v Speaker 5>you played billiards. Three you will never played billiards except

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<v Speaker 5>with Marston. Four you told me about a month ago

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<v Speaker 5>that Marston had an option on some South African property

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<v Speaker 5>which would expire in four weeks, and what she desired

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<v Speaker 5>you to share with him. Five Your check book is

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<v Speaker 5>lost in my draw and you have not asked for

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<v Speaker 5>the key. Number six is the logical conclusion you've decided

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<v Speaker 5>not to invest your money in the senner.

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<v Speaker 3>Third, listen book. I knew you'd say that one of

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<v Speaker 3>that is Were you expecting a client?

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<v Speaker 5>No, Watson, but I hope it is one. My practice

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<v Speaker 5>has been decided. Listenack. They say, go and see who

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<v Speaker 5>it is?

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<v Speaker 3>He or missus Hudson our show, gentlemen in uh suezzer, good,

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<v Speaker 3>good evening. I'm I'm doctor Watson.

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<v Speaker 5>How do you do? My name is Sudley Stoner.

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<v Speaker 3>Oh, come along in, mister Turner.

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<v Speaker 5>Thank you, And this must be the great Sherlock Holme.

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<v Speaker 5>My name is Holmes. The adjective is your own, mister Stoner,

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<v Speaker 5>sit downward, Joe. Thanks. I don't imagine you know anything

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<v Speaker 5>about me, mister Holmes, nothing beyond the paint that you

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<v Speaker 5>went to Eton and Oxford that you have a beautiful

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<v Speaker 5>and socially prominent wife, and that you contribute to the

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<v Speaker 5>Strand magazine with some regularity. I'm disappointed in not receiving

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<v Speaker 5>one of your famous deductive analyses, mister Holmes, but I'm

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<v Speaker 5>glad that my name is familiar to you.

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<v Speaker 2>You contribute to the Strand magazine, Sir two.

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<v Speaker 5>That's the introduced.

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<v Speaker 2>Sirh that you read some of my humble efforts.

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<v Speaker 5>Yes, indeed, doctor, very colorful stories they are. Oh don't

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<v Speaker 5>mind my saying so, mister Stoner. Your own stories, which

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<v Speaker 5>should also deal with the world of crime, seemed to

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<v Speaker 5>me to be even more sensational than Watson's, probably because

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<v Speaker 5>he has the facts to work with, whereas I have

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<v Speaker 5>to depend on my gift of imagination. But the reason

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<v Speaker 5>I've come to you tonight's, mister Holmes, has nothing to

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<v Speaker 5>do with imagination. I find myself mixed up in a

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<v Speaker 5>real life murder that is as puzzling as any problem

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<v Speaker 5>I've dealt with in fiction, the murder of mister Sunda.

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<v Speaker 5>I say, really, Delex, please, well, mister Holmes, I'll give

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<v Speaker 5>them to you as briefly and concisely as possible. I

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<v Speaker 5>just got back from Paris yesterday. My secretary went with me.

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<v Speaker 5>He did not return. The French police say he committed suicide.

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<v Speaker 5>I know that he didn't. Oh, you know that, mister Sonner.

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<v Speaker 5>The boy had everything in the world to live for,

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<v Speaker 5>no financial worries, and of very promising future ahead of him. Hmm,

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<v Speaker 5>Please this client for circumstances under which his body were found. Well, uh,

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<v Speaker 5>I'd left him alone in his room. When I came

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<v Speaker 5>to fetch him, there was no answer to my knock.

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<v Speaker 5>I tried to look through the keyhole, but the key

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<v Speaker 5>was in the lock from the inside and I could

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<v Speaker 5>see nothing. After some time at the left, I got worried.

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<v Speaker 5>A friend of mine, an inspector of the police, was

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<v Speaker 5>dining with me that night, and he suggested we should investigate.

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<v Speaker 5>We broke down the door. My secretary was dead, a

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<v Speaker 5>bullet in his heart.

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<v Speaker 3>Inside of room.

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<v Speaker 2>Luck from the inside of this to the police arrived

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<v Speaker 2>in thinking that it was suicide.

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<v Speaker 5>Mister Sonner, of course you examined the room thoroughly or

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<v Speaker 5>traces of some other method of ingris meticulously. The windows

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<v Speaker 5>were left tight, no sliding panel none. Where was the

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<v Speaker 5>revolver beside his right hand one bullet gone.

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<v Speaker 3>You said the key was in the inside of the door.

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<v Speaker 5>Yes, and that's why the police wrote it off as suicide.

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<v Speaker 5>Mister Holmes, how would you explain such a situation. I'd

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<v Speaker 5>like a few more facts before giving an opinion. You

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<v Speaker 5>say you examined the room meticulously. Was there no podity,

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<v Speaker 5>nothing out of place, nothing peculiar that room? Nothing that

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<v Speaker 5>I noticed? Perhaps a small pellet of wax. Say yes,

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<v Speaker 5>by Joe, I did find a watch pellet. It was

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<v Speaker 5>lying on the carpet near the door, and I couldn't

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<v Speaker 5>imagine what he was doing there. And there's your answer.

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<v Speaker 5>One more question, This French inspector who entered the room

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<v Speaker 5>with you, what was his personal relationship with your secretary?

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<v Speaker 5>Odd that you should ask that they'd quarreled the night

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<v Speaker 5>before about some girl at the Follybjiere. Then there you

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<v Speaker 5>have it, mister Stoneer, the murderer left the room, locked

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<v Speaker 5>the door from the side, remove the key, and plug

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<v Speaker 5>the keyhole with wax. When the room was broken into,

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<v Speaker 5>he simply slipped the key into the inside of the lock,

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<v Speaker 5>thereby dislodging the wax pellet. Obviously, from what you've told me,

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<v Speaker 5>only the inspector had that opportunity.

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<v Speaker 3>Right Carter, French police inspectrum. Murderer Holmes, what are you

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<v Speaker 3>going to feel about this?

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<v Speaker 5>Nothing else? Jef beyond wishing mister Stoner good luck with

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<v Speaker 5>the editor of a Strand magazine. I don't think I

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<v Speaker 5>follow you, mister Holmes. Oh, come now, mister Stoner. It's

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<v Speaker 5>an intellectual game and in its way quite stimulating. But

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<v Speaker 5>don't think you can hoodwink me so easily.

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<v Speaker 3>Holmes, What are you talking about, my dear Watson.

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<v Speaker 5>I read the papers carefully. What do the papers have to.

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<v Speaker 2>Do with this.

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<v Speaker 5>I've noticed the presence of you and your lovely wife

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<v Speaker 5>with so many social functions here in London in the

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<v Speaker 5>past few days that I'm afraid I can't possibly accept

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<v Speaker 5>your Paris story. This answer remains, you've come to me

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<v Speaker 5>with an imaginary problem in order to solve the difficulty

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<v Speaker 5>in one of your stories. Mister Holmes, you're even smarter

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<v Speaker 5>than I gave you.

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<v Speaker 3>Crazy This this disgraceful, sir, wasting my friend's time like this.

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<v Speaker 5>I suppose I should have followed you, But here's the

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<v Speaker 5>way it happened. I came home late last night, a

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<v Speaker 5>little under the weather. I had the most wonderful idea

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<v Speaker 5>on earth for a story. I was going to call

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<v Speaker 5>it the Locked Room. I'm convinced. I made some notes

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<v Speaker 5>from the story last night, but when I wakened this morning,

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<v Speaker 5>I couldn't find them. All I could remember was the problem,

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<v Speaker 5>But I had no idea how to solve it, and

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<v Speaker 5>so I came to you. I see, it's an excellent

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<v Speaker 5>idea for a story, though I have known similar locked

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<v Speaker 5>room problems. In fact, I don't recall that fiction has

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<v Speaker 5>exploited their possibilities as homes.

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<v Speaker 3>Why are you so calm? I think it's outrageous. Come

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<v Speaker 3>here and pick your brains for.

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<v Speaker 5>A story, my dear Watson, How else do you get

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<v Speaker 5>the material for your own masterpieces? If I would you

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<v Speaker 5>grudge it to him? I must say, of being very

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<v Speaker 5>sporting about him, mister Holmes. Oh no, mister Stoner, I'm

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<v Speaker 5>being businesslike. May I ask how much you are in

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<v Speaker 5>the habit of receiving for a story of yours in

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<v Speaker 5>the Strand magazine about twenty guineas. Why I am a

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<v Speaker 5>consulting detective, and I think think I've given you a

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<v Speaker 5>valuable opinion. My fee if you sell your story will

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<v Speaker 5>be ken Guinness. Good night to you, mister Stoner. Ah

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<v Speaker 5>there you are a remarkable deduction. Andrea, Yes, here I am.

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<v Speaker 6>I've spent all afternoons searching for those notes in the story.

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<v Speaker 6>I could not find any trace of them.

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<v Speaker 5>Yet I could swear I did some work when I

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<v Speaker 5>came in last night. You are sure I didn't give

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<v Speaker 5>you some dictation.

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<v Speaker 6>Quite sure, Monsieur Doner. If you will from my saying, so,

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<v Speaker 6>you were a little.

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<v Speaker 5>Yes, yes, go and Andrea say it as secondary has

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<v Speaker 5>some rights. I was drunk, that's.

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<v Speaker 6>What you mean in mil meant no offense.

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<v Speaker 5>It'd be rather a leaf if you did. You're always

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<v Speaker 5>so in fairly polite. Where's my wife? She's in the

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<v Speaker 5>library with your brother in law.

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<v Speaker 6>Messrs Seal very well.

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<v Speaker 5>I need you after dinner. Andre. I'm going to work

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<v Speaker 5>on the story tonight.

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<v Speaker 7>Yes, hello, Chad, I was beginning to worry about your

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<v Speaker 7>not being there for dinner.

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<v Speaker 5>I stopped at the club. Good evening, Chad, Hello Henry,

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<v Speaker 5>and how is our master of the violin this evening?

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<v Speaker 3>Chad?

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<v Speaker 7>Don't make fun of my brother like that, Yes.

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<v Speaker 5>Chad, go easy.

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<v Speaker 6>I can't learn the violin in two easy lessons, you know,

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<v Speaker 6>Rilett are constantly on the piano.

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<v Speaker 5>Just now, she says, I'm improving. I don't doubt that

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<v Speaker 5>you're improving. You couldn't become worse, Chad.

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<v Speaker 7>You're intolerable. Henry's our guests.

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<v Speaker 5>An unwanted guests. As far as I'm concerned, he's been

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<v Speaker 5>here two months. Why doesn't he try and get himself

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<v Speaker 5>a job instead of mooning around here all day scraping

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<v Speaker 5>away his fiddle.

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<v Speaker 1>That's the last time you've been started me, Chad.

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<v Speaker 5>I'm leaving here in the morning. I hope I can

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<v Speaker 5>count on it.

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<v Speaker 3>Oh, dare you, Chad?

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<v Speaker 5>I scare you.

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<v Speaker 7>If Henry goes in the morning, I shall go with him.

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<v Speaker 5>Oh, Violet, take it easy.

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<v Speaker 7>You've been drinking again, and you're disgusting when you drink.

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<v Speaker 7>You made an absolute fool of yourself in front of

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<v Speaker 7>Andre last night.

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<v Speaker 5>You are very protective about him. Are you sure those

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<v Speaker 5>carf ees he keeps making it? You are entirely I'm reciprocating.

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<v Speaker 7>I hate you, Chad. I'm not waiting until the morning.

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<v Speaker 7>I'm leaving to night.

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<v Speaker 5>No, wait a minute, Violet, I'm sorry. I don't know

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<v Speaker 5>what makes me do it. I get a few drinks,

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<v Speaker 5>and I just feel that I've got to hurt you.

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<v Speaker 7>Well, you certainly succeed. I used to think it was

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<v Speaker 7>the so called artistic temperament that made you this way.

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<v Speaker 7>Now I realize it's drink.

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<v Speaker 5>I'm sorry, Violet, but it's not being too easy for me.

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<v Speaker 5>Having Henry around all day gets pretty trying, particularly when

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<v Speaker 5>I'm attempting to work.

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<v Speaker 7>But he's planning to move soon. Anyway, Surely you can

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<v Speaker 7>tolerate it a little longer for our sake, Chad, can't you?

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<v Speaker 5>Of course I can, Violet. I'm sorry, Dear. I'll try

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<v Speaker 5>and be a little less poorish, and I'll watch the drinking.

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<v Speaker 7>That sounds more like the man I'm married, and i'll

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<v Speaker 7>help too. I'll try and keep Henry out of your

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<v Speaker 7>way as much as possible, Dear.

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<v Speaker 5>We can make a go of it, Violet, I know

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<v Speaker 5>we can. Well, I'm going into the study. I want

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<v Speaker 5>to jut down some notes on the new story while

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<v Speaker 5>they're still fresh in my mind.

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<v Speaker 7>All right, Dear, then it'll be in about half an hour.

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<v Speaker 5>I'll call you fine hm the Locked Room. Yes, that'll

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<v Speaker 5>be a good title. You'll be worth giving. Shlock Home's

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<v Speaker 5>ten guineas for the healthy Jayney.

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<v Speaker 6>Who is it is that your wish?

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<v Speaker 5>I'm fattered that you'll drop by the semi inspector less

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<v Speaker 5>Chard not a business visit, I gather bless you now,

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<v Speaker 5>mister Dams.

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<v Speaker 3>Will you ever whisncerna? Won't you resul?

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<v Speaker 8>Take it kindly, doctor Watson, not too much soda if

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<v Speaker 8>you don't mind. The London criminal is becoming a doll

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<v Speaker 8>dog these days, less Dard. My own practice has been

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<v Speaker 8>remarkably slow in the past few weeks. Yes, I'm saying

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<v Speaker 8>with us at Scottland Yard, mister Ahams, but of course we.

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<v Speaker 5>Don't grumble at bet. Now take me.

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<v Speaker 8>I've had an easy day today, just come from investigating

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<v Speaker 8>a suicide in Church Street, Kensington.

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<v Speaker 2>Need another poor devil who couldn't stand the pace of

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<v Speaker 2>our modern living husband.

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<v Speaker 8>I suppose the doctor they'd have thought this bloke and

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<v Speaker 8>everything he wanted. He was quite a successful writer. They'd

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<v Speaker 8>tell me a writer.

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<v Speaker 5>What was his name?

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<v Speaker 8>He wrote for the Strand magazine? Name was Chudley Stoner,

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<v Speaker 8>Doctor Watson. It dropped that glass, you will say, Chudleys.

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<v Speaker 5>Stoner committed suicide to night.

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<v Speaker 8>That's right, mister Elams.

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<v Speaker 5>You know him under what circumstances was he found?

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<v Speaker 8>It was a routine Caser locked the door on his

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<v Speaker 8>study from the inside and then blew his brains out.

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<v Speaker 8>The windows were locked and there were no secret panels

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<v Speaker 8>in that kind of stuff. It was suicide, all right.

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<v Speaker 5>Hm. The arm of coincidence is long, indeed, but not

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<v Speaker 5>as long as that has the body been moved, now,

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<v Speaker 5>mister Elms, I teld him to touch nothing until the

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<v Speaker 5>police photographer's got there, just to be on the sife side,

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<v Speaker 5>you understand, sir, splendid grab your coat and half watson

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<v Speaker 5>n't your hunt. But what's all the excitement, mister Elams,

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<v Speaker 5>It's just a sericide nonsense, Inspector.

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<v Speaker 8>I'll stake my whole reputation that Chudley Stoner has been

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<v Speaker 8>the victim of the murder plot, as cunning and diabolical

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<v Speaker 8>as any that I'd rather encountered.

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<v Speaker 1>In just a moment we'll find out if Sherlock Holmes

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<v Speaker 1>is correct and reducing that this is murder? Are you

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<v Speaker 1>one of the many men who find it difficult to

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<v Speaker 1>keep your hair neatly groomed in summer? Does the burning sun.

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00:12:20.240 --> 00:12:21.720
<v Speaker 8>Bake and scorch your hair?

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00:12:22.080 --> 00:12:25.440
<v Speaker 1>Making it look messy and not the least attractive, then

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00:12:25.679 --> 00:12:30.240
<v Speaker 1>try Kreml hair tonic. Just notice the amazing change in

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00:12:30.279 --> 00:12:31.360
<v Speaker 1>the appearance.

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00:12:30.919 --> 00:12:31.440
<v Speaker 5>Of your hair.

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<v Speaker 1>You see, Krembl does lots more than just keep your

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00:12:34.279 --> 00:12:38.360
<v Speaker 1>hair looking handsome. This highly specialized hair tonic gives you

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00:12:38.360 --> 00:12:41.799
<v Speaker 1>your money's words. It contains a unique combination of hair

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00:12:41.799 --> 00:12:44.720
<v Speaker 1>grooming ingredients which is found in no other hair tonic.

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00:12:45.519 --> 00:12:48.799
<v Speaker 1>Kremmel is simply great to lubricate a dry scalp. And

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<v Speaker 1>if the sun dries your hair so that it breaks

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00:12:51.240 --> 00:12:54.799
<v Speaker 1>off and falls, Kremiel helps condition the hair in that

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00:12:54.879 --> 00:12:57.360
<v Speaker 1>it leaves it feeling so much softer, more pliable when

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00:12:57.360 --> 00:13:00.840
<v Speaker 1>you comb it. At the same time, Kremill removes itchy,

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00:13:00.919 --> 00:13:04.960
<v Speaker 1>loose dandrus and leaves the scalps feeling so cool, refreshed

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<v Speaker 1>and alive. The smart men buy a bottle of Kremel

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<v Speaker 1>at any drug counter act for an application at your barbershop.

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00:13:12.679 --> 00:13:17.279
<v Speaker 1>Use Kremmel daily for better groomed hair, a more hygienic scalp.

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00:13:17.960 --> 00:13:23.799
<v Speaker 1>K R E M L Kremmel hair conic. Well doctor

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<v Speaker 1>watch and this is really one for the book. A

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00:13:25.840 --> 00:13:28.799
<v Speaker 1>mystery writer comes to Sherlock Holmes with a fictitious murder plot.

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<v Speaker 1>Holmes starves it for him. Then the man goes away

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<v Speaker 1>and gets murdered in exactly the way he described.

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<v Speaker 2>Sir Simester Bell as provocative a problem as ever re encountered.

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<v Speaker 1>I bet you hurried off to the dead man's house

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<v Speaker 1>at once, didn'teous fast?

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<v Speaker 2>There's a handsome cab could take us, Sir. As soon

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<v Speaker 2>as we arrived, we cross examined the three members of

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<v Speaker 2>the household, the dead man's wife Violet, her brother Henry Steele,

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<v Speaker 2>and Andre LaRue, the sectress. All of them tell the

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00:13:53.320 --> 00:13:56.799
<v Speaker 2>same story that they'd heard the shots and hasten to

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<v Speaker 2>the room from different parcel house.

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<v Speaker 4>They said that they through the keyhole while it was blocked,

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<v Speaker 4>and then the two men broke down the door.

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<v Speaker 1>Just the same story as in the dead Man's fictional problem,

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<v Speaker 1>wasn't it what happened next?

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<v Speaker 5>Doctor White?

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00:14:09.200 --> 00:14:12.000
<v Speaker 4>Well, before we talked to the three suspects any further,

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00:14:12.559 --> 00:14:15.919
<v Speaker 4>Holmes inspected the star that I walked into the dead

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00:14:15.960 --> 00:14:19.399
<v Speaker 4>man's study to examine the body. I can almost hear

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00:14:19.480 --> 00:14:20.440
<v Speaker 4>Holmes now.

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00:14:21.360 --> 00:14:25.080
<v Speaker 5>He said, hmm, it's not hard to find a motive.

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00:14:25.759 --> 00:14:28.720
<v Speaker 5>A beautiful wife of worthless brother who'd been told to

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<v Speaker 5>get out an attractive and attentive young French secretary who

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00:14:32.320 --> 00:14:35.639
<v Speaker 5>hated the dead man's cruelty. BlimE me and I called

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00:14:35.679 --> 00:14:38.360
<v Speaker 5>it just a routine serious eye You will notice that

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00:14:38.399 --> 00:14:41.519
<v Speaker 5>no wax pellet is in evidence this time. I'd say

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00:14:41.559 --> 00:14:44.559
<v Speaker 5>that the answer is obvious. The dead man did write

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00:14:44.559 --> 00:14:47.279
<v Speaker 5>some notes on his story. Last night, the killer found

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00:14:47.279 --> 00:14:49.120
<v Speaker 5>them and realized that he had been presented with a

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00:14:49.120 --> 00:14:52.200
<v Speaker 5>perfect murder method, never expecting that the dead man would

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00:14:52.200 --> 00:14:52.919
<v Speaker 5>divulge his method.

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<v Speaker 8>To me, mister Owns, why are you examining the keyhole

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00:14:56.360 --> 00:14:56.879
<v Speaker 8>of the door.

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00:14:57.519 --> 00:15:00.559
<v Speaker 5>I was looking for a pellet of wax, inspector. It's missing.

320
00:15:01.120 --> 00:15:03.279
<v Speaker 5>Obviously the murderer had read about that in the dead

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00:15:03.320 --> 00:15:06.799
<v Speaker 5>man's notes and was clever enough to remove it. But

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<v Speaker 5>let's examine the corpse. H interesting, most interesting. Wow, I'm

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00:15:14.960 --> 00:15:18.360
<v Speaker 5>surely you can see for yourself, Watson. The bloodstains clearly

324
00:15:18.360 --> 00:15:21.360
<v Speaker 5>indicate that the man fell here some five or six

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00:15:21.399 --> 00:15:24.360
<v Speaker 5>feet from the desk, and yet, with a dying burst

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<v Speaker 5>of energy, he crawled towards the desk and clutched it.

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<v Speaker 5>Undoubted that he was trying to give us a dying message.

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00:15:29.919 --> 00:15:33.039
<v Speaker 8>But out can elding on to a desk, give him message,

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00:15:33.080 --> 00:15:36.000
<v Speaker 8>mister Earmes. And why should a dying man try to

330
00:15:36.039 --> 00:15:36.879
<v Speaker 8>do that anyway?

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00:15:37.360 --> 00:15:40.000
<v Speaker 5>Remember that the dead man was a writer and a

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00:15:40.080 --> 00:15:43.720
<v Speaker 5>student of student of criminology. In his last few moments

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00:15:43.720 --> 00:15:46.480
<v Speaker 5>of consciousness, he probably realized I'd be on the track

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00:15:46.480 --> 00:15:47.159
<v Speaker 5>of his murderer.

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00:15:47.639 --> 00:15:51.639
<v Speaker 2>Yes, more than one true homes with his body, as

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00:15:51.639 --> 00:15:53.480
<v Speaker 2>he felt the last time he upset that bowl of

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00:15:53.559 --> 00:15:56.399
<v Speaker 2>varlet and his wife's name is Volet.

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<v Speaker 5>Coincidence, I think, Watson. The flowers were not over inadvertently

339
00:16:00.720 --> 00:16:03.320
<v Speaker 5>as he fell, But the move to the desk was

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00:16:03.320 --> 00:16:05.200
<v Speaker 5>a deliberate and desperate effort.

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00:16:05.399 --> 00:16:09.200
<v Speaker 8>Wow, if you talk about that, look here, gentlemen, lying

342
00:16:09.320 --> 00:16:12.240
<v Speaker 8>by his right arm. Look that was knocked off.

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00:16:12.120 --> 00:16:12.759
<v Speaker 5>The desk too.

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00:16:13.080 --> 00:16:15.000
<v Speaker 3>The seal was a monogram on its right.

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00:16:15.120 --> 00:16:18.639
<v Speaker 8>Doctor and seal is the name of the dead man's

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00:16:18.679 --> 00:16:19.200
<v Speaker 8>brother in.

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00:16:19.200 --> 00:16:24.559
<v Speaker 5>Law, Enry Seal. Interesting, But I refuse to believe that

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00:16:24.639 --> 00:16:27.519
<v Speaker 5>a dying man could deliberately knock over such a comprehensive

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00:16:27.639 --> 00:16:29.919
<v Speaker 5>number of the incriminating objects as he died.

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00:16:29.960 --> 00:16:32.440
<v Speaker 3>And who do you suppose did do at Hermes at

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00:16:32.480 --> 00:16:33.360
<v Speaker 3>this stage of the case.

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00:16:33.399 --> 00:16:37.200
<v Speaker 5>I shall suppose nothing, Watson. We have the three obvious

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00:16:37.240 --> 00:16:55.559
<v Speaker 5>suspects waiting for us, Let's question them. Mister Ahmas wants

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00:16:55.600 --> 00:16:59.559
<v Speaker 5>to ask you some questions, no, inspector. I only wish

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<v Speaker 5>to ask the one question you, missus Stoneilan, How did

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00:17:03.919 --> 00:17:05.880
<v Speaker 5>you occupy your time while you were waiting for the

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<v Speaker 5>police to arrive.

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00:17:07.039 --> 00:17:09.920
<v Speaker 7>I was so nervous that to try to calm myself,

359
00:17:09.960 --> 00:17:10.799
<v Speaker 7>I did some knitting.

360
00:17:11.119 --> 00:17:13.039
<v Speaker 4>I do quite a lot of meetings for the course guide.

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00:17:13.079 --> 00:17:16.759
<v Speaker 5>Man, you nervous, I see, And you, mister sal what

362
00:17:16.839 --> 00:17:18.720
<v Speaker 5>were your movements before the police arrived?

363
00:17:19.039 --> 00:17:22.200
<v Speaker 3>I sat in the library, mister Holmes, thank Soliturn.

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<v Speaker 5>And you Andre.

365
00:17:23.839 --> 00:17:26.279
<v Speaker 6>I went to my own and worked on my account books.

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00:17:26.440 --> 00:17:28.799
<v Speaker 6>I realized that my job here was finished, and I

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<v Speaker 6>thought I would get my books.

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00:17:29.920 --> 00:17:35.960
<v Speaker 5>Another I see that's aweso. Now thank you. On the third, Yes,

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00:17:36.039 --> 00:17:38.079
<v Speaker 5>mister Dow, I'd like you to get me those three

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00:17:38.119 --> 00:17:41.440
<v Speaker 5>objects spoken of, the knitting of the cards and the

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00:17:41.480 --> 00:17:42.240
<v Speaker 5>account books.

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00:17:42.519 --> 00:17:45.599
<v Speaker 8>Right you are, mister answer, I.

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<v Speaker 3>Don't see that you've found out much were home?

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00:17:48.200 --> 00:17:50.920
<v Speaker 5>Don't you want some I'd have thought my line of

375
00:17:50.960 --> 00:17:52.599
<v Speaker 5>reasoning was obvious.

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00:17:52.920 --> 00:17:55.599
<v Speaker 2>What are you doing leaving that keyhole?

377
00:17:56.400 --> 00:17:58.759
<v Speaker 3>Who said that this time the pellative works had been

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00:17:58.799 --> 00:17:59.640
<v Speaker 3>removed through.

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00:18:00.759 --> 00:18:03.039
<v Speaker 5>But even though the pellet's been removed, I'm quite sure

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00:18:03.039 --> 00:18:06.799
<v Speaker 5>there'll be traces of wax inside the keyhole, and there

381
00:18:06.799 --> 00:18:10.599
<v Speaker 5>are blended. I shall remove this lock and take it

382
00:18:10.599 --> 00:18:13.640
<v Speaker 5>back to Baker Street. The merger, undoubtedless, still had some

383
00:18:13.680 --> 00:18:16.559
<v Speaker 5>traces of wax on his fingers. A closer examination of

384
00:18:16.559 --> 00:18:19.839
<v Speaker 5>the fragments of wax inside this keyhole, and an equally

385
00:18:19.839 --> 00:18:22.400
<v Speaker 5>close examination of the knitting of the cards and the

386
00:18:22.400 --> 00:18:25.160
<v Speaker 5>account books should be able to give us the solution

387
00:18:25.279 --> 00:18:25.920
<v Speaker 5>to this case.

388
00:18:37.839 --> 00:18:41.599
<v Speaker 2>Welhelmes, you've been pouring over the microscope for Nelliana.

389
00:18:42.200 --> 00:18:43.119
<v Speaker 3>Have you got the answer?

390
00:18:43.839 --> 00:18:45.240
<v Speaker 5>Nearly but not quite?

391
00:18:45.400 --> 00:18:48.119
<v Speaker 2>That You've examined all three of the objects. Surely it

392
00:18:48.160 --> 00:18:50.599
<v Speaker 2>is just a question of finding which one of them

393
00:18:50.640 --> 00:18:52.000
<v Speaker 2>shows traces of wax.

394
00:18:52.200 --> 00:18:54.599
<v Speaker 5>Oh no, old Chap, Huh. It's not as easy as that.

395
00:18:55.519 --> 00:18:58.799
<v Speaker 5>Oddly enough, the knitting, the pack of cards, and the

396
00:18:58.920 --> 00:19:01.000
<v Speaker 5>compbooks all show traces of wax.

397
00:19:01.039 --> 00:19:04.480
<v Speaker 3>Great Scott, But that means that all those people were

398
00:19:04.480 --> 00:19:07.880
<v Speaker 3>involved in the murder. It's this concerted plan between.

399
00:19:07.559 --> 00:19:09.559
<v Speaker 5>The three of them, I think not wats them?

400
00:19:09.640 --> 00:19:10.000
<v Speaker 3>Huh?

401
00:19:10.359 --> 00:19:12.880
<v Speaker 5>And in five more minutes I'm sure I can prove

402
00:19:12.920 --> 00:19:14.599
<v Speaker 5>to you who the murderer.

403
00:19:14.200 --> 00:19:33.640
<v Speaker 6>Is, Violet? Violet, why are you sitting alone here in

404
00:19:33.680 --> 00:19:34.279
<v Speaker 6>the library?

405
00:19:34.519 --> 00:19:34.640
<v Speaker 3>Oh?

406
00:19:34.720 --> 00:19:38.680
<v Speaker 7>Hello, And I'm so upset. They think the Chad was murdered.

407
00:19:38.960 --> 00:19:40.599
<v Speaker 7>Inspector still questioning Henry.

408
00:19:40.880 --> 00:19:42.160
<v Speaker 1>I've believed they think he did it.

409
00:19:42.319 --> 00:19:43.160
<v Speaker 5>Oh it's awful.

410
00:19:44.359 --> 00:19:47.279
<v Speaker 6>Don't worry, darling. Everything is going to be all right.

411
00:19:48.759 --> 00:19:50.920
<v Speaker 5>The chad body hardly cold, but.

412
00:19:51.000 --> 00:19:54.319
<v Speaker 6>Surely now that he is dead. You always made me

413
00:19:54.359 --> 00:19:56.839
<v Speaker 6>believe that if he were dead we could be together. Done.

414
00:19:57.119 --> 00:20:00.519
<v Speaker 7>I was insane. I thought he was neglecting me, but

415
00:20:00.599 --> 00:20:04.359
<v Speaker 7>perhaps there was some other woman. Just before he died,

416
00:20:04.839 --> 00:20:07.200
<v Speaker 7>we had a talk. I knew it was going to

417
00:20:07.200 --> 00:20:08.160
<v Speaker 7>be all right again.

418
00:20:08.559 --> 00:20:11.519
<v Speaker 6>But me, you mean you were making a fool of me.

419
00:20:11.880 --> 00:20:13.599
<v Speaker 7>I was making a fool of myself.

420
00:20:13.680 --> 00:20:15.480
<v Speaker 5>And please forget it.

421
00:20:15.960 --> 00:20:20.279
<v Speaker 6>Forget it, No, Michael, blooded english woman. I am not

422
00:20:20.359 --> 00:20:23.160
<v Speaker 6>some stupid boy you can play with. You cannot throw

423
00:20:23.200 --> 00:20:26.480
<v Speaker 6>me aside. I have risked my life for your happiness

424
00:20:26.599 --> 00:20:32.720
<v Speaker 6>risk and you murdered Chud. Of course that I hated him,

425
00:20:33.200 --> 00:20:35.599
<v Speaker 6>and I hated the way he made you unhappy. And

426
00:20:35.680 --> 00:20:37.440
<v Speaker 6>the fool gave me the perfect way to do it

427
00:20:37.480 --> 00:20:41.160
<v Speaker 6>by telling me about his filthy Sorry, I'm then forgetting that.

428
00:20:41.119 --> 00:20:43.039
<v Speaker 3>He had done so you could get away from me.

429
00:20:43.160 --> 00:20:45.000
<v Speaker 6>I'm turning you over to the police. Oh you are

430
00:20:45.480 --> 00:20:47.640
<v Speaker 6>you are going to join Chad since you love him

431
00:20:47.680 --> 00:20:48.039
<v Speaker 6>so much.

432
00:20:51.720 --> 00:20:53.799
<v Speaker 5>My shooting Watson's you got him in the risk.

433
00:20:57.160 --> 00:20:59.200
<v Speaker 7>Thank Heaven, you were both behind those chats.

434
00:20:59.480 --> 00:21:01.400
<v Speaker 5>I'm sorry that we had to wait until the last

435
00:21:01.440 --> 00:21:04.319
<v Speaker 5>minute to disclose our presence, but it's just as well

436
00:21:04.359 --> 00:21:06.119
<v Speaker 5>to have witnesses to a murder confession.

437
00:21:06.680 --> 00:21:10.599
<v Speaker 6>What you have to say for yourself nothing, Send for

438
00:21:10.640 --> 00:21:13.000
<v Speaker 6>your policeman and have been taken.

439
00:21:12.759 --> 00:21:16.759
<v Speaker 5>To prison with pleasure, Watson ask inspect let's try to

440
00:21:16.759 --> 00:21:19.039
<v Speaker 5>step in here. Will you tell him we have a

441
00:21:19.079 --> 00:21:39.200
<v Speaker 5>customer for him, a customer for the gallows. Oh nice, but.

442
00:21:39.279 --> 00:21:42.440
<v Speaker 2>We've got to get back to Bakers, stated in exhausting

443
00:21:42.480 --> 00:21:43.160
<v Speaker 2>Evening's work.

444
00:21:43.759 --> 00:21:50.079
<v Speaker 5>Yes, what I sworded case shabby patchwork of discontent and hatred.

445
00:21:51.440 --> 00:21:54.359
<v Speaker 5>Oh well, we've been instrumental in sending yet another felon

446
00:21:54.400 --> 00:21:55.559
<v Speaker 5>to his rightful destiny.

447
00:21:56.039 --> 00:21:57.720
<v Speaker 4>Mus one or two points.

448
00:21:57.759 --> 00:21:58.960
<v Speaker 3>I don't quite understand.

449
00:21:59.240 --> 00:22:01.160
<v Speaker 5>I can't believe it. What are they?

450
00:22:01.440 --> 00:22:04.880
<v Speaker 2>You said that all three objects you examined contained traces

451
00:22:04.880 --> 00:22:05.359
<v Speaker 2>of wax.

452
00:22:05.599 --> 00:22:08.759
<v Speaker 5>They did, And at last that confused me. But there

453
00:22:08.759 --> 00:22:12.720
<v Speaker 5>are various qualities of wax. For instance, Missus Stoner was

454
00:22:12.799 --> 00:22:15.519
<v Speaker 5>knitting with a certain waxed wool that is used specifically

455
00:22:15.599 --> 00:22:19.559
<v Speaker 5>knitting for seafaring man. It gives the garments a weatherproof finish.

456
00:22:19.720 --> 00:22:22.039
<v Speaker 5>Never heard of it? Possibly not that it's a fact.

457
00:22:22.720 --> 00:22:25.720
<v Speaker 5>And as you know, I specialized in such odd pieces

458
00:22:25.720 --> 00:22:26.279
<v Speaker 5>of information.

459
00:22:26.359 --> 00:22:28.519
<v Speaker 2>What about the traces of wax on the cards that

460
00:22:28.640 --> 00:22:30.880
<v Speaker 2>Henry Steal used when he was playing solitaire?

461
00:22:31.119 --> 00:22:34.440
<v Speaker 5>Again, I was misled until I remembered that Missus Toner

462
00:22:34.480 --> 00:22:36.480
<v Speaker 5>told us that her brother had been playing the violin

463
00:22:36.519 --> 00:22:40.000
<v Speaker 5>a short while before her husband's death. Oh, he's using

464
00:22:40.079 --> 00:22:45.279
<v Speaker 5>ragin precisely. Logically, it had to be the secretary. But

465
00:22:45.319 --> 00:22:47.640
<v Speaker 5>the proof came when I made the final analysis of

466
00:22:47.640 --> 00:22:51.480
<v Speaker 5>the three specimens of wax that on the account books,

467
00:22:51.640 --> 00:22:54.279
<v Speaker 5>was the only one that exactly matched the traces of

468
00:22:54.279 --> 00:22:55.960
<v Speaker 5>wax I found in the keyhole.

469
00:22:57.640 --> 00:22:58.519
<v Speaker 3>The stupid home.

470
00:22:58.759 --> 00:23:00.839
<v Speaker 5>Hmm, something else bothering you?

471
00:23:01.960 --> 00:23:04.559
<v Speaker 2>At one point you said that the dying man tried

472
00:23:04.559 --> 00:23:08.079
<v Speaker 2>to indicate his murder by casting a desk as he died.

473
00:23:08.519 --> 00:23:10.640
<v Speaker 5>Yes, I'm sure he was trying to give us a

474
00:23:10.720 --> 00:23:11.440
<v Speaker 5>dying message.

475
00:23:11.480 --> 00:23:13.720
<v Speaker 3>And I was fooled by the violets and the seal.

476
00:23:13.640 --> 00:23:17.000
<v Speaker 5>And that was a freakish coincidence. But the effort in

477
00:23:17.079 --> 00:23:20.960
<v Speaker 5>crawling to the desk was not. That was the true message.

478
00:23:20.599 --> 00:23:21.519
<v Speaker 2>I don't sir.

479
00:23:21.920 --> 00:23:25.559
<v Speaker 5>Oh, come now, Watson. The secretary was a Frenchman. The

480
00:23:25.599 --> 00:23:31.039
<v Speaker 5>French word for desk and for secretary is the same secretaire.

481
00:23:31.440 --> 00:23:34.039
<v Speaker 5>I see it now, Oh ready, Watson.

482
00:23:34.559 --> 00:23:37.000
<v Speaker 3>You know, Holmes, you'll never get your fear of this case.

483
00:23:37.480 --> 00:23:39.519
<v Speaker 5>Indeed, why tone is dead.

484
00:23:40.079 --> 00:23:42.240
<v Speaker 3>You never sell that story to the Strand magazine.

485
00:23:42.240 --> 00:23:46.559
<v Speaker 5>Now, true, Watson, but I've no doubt that you will.

486
00:23:47.119 --> 00:23:49.319
<v Speaker 5>But though perhaps it will be a slightly different version

487
00:23:49.400 --> 00:23:52.759
<v Speaker 5>of it, and you'll probably call it something very melodramatic,

488
00:23:53.279 --> 00:24:02.519
<v Speaker 5>and perhaps a murder in the locked room.
