WEBVTT

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<v Speaker 1>If you're a fan of everything we do here at

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<v Speaker 1>tuned In with Jim Cummings, you could support the show

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<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

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<v Speaker 1>in ad free access to the show itself, prize drawings,

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<v Speaker 1>and more. You'll feel the difference, so go ahead and

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<v Speaker 1>join the tuned In family today at patreon dot com

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<v Speaker 1>slash Jim Cummings Podcast.

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<v Speaker 2>Do it now?

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<v Speaker 1>How you doing out there? It's me Tigger, I am.

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<v Speaker 2>Doc Wayne Duck. It's me Bunkers keep bobcat All right, y'all?

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<v Speaker 1>Is it great?

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<v Speaker 2>Your favorite firefly you desire? Hold old knock Gud.

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<v Speaker 1>My name is Jim Cummings and welcome to tuned In.

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<v Speaker 3>Welcome back, everybody to another episode of Tuned In when

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<v Speaker 3>Jim Cummings. I'm producer Chris, joined as always by the

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<v Speaker 3>legend himself, mister Jim Cummings. How are you doing today, sir?

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<v Speaker 1>Back in the settle again. Welcome everyone, Welcome everyone.

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<v Speaker 3>And we're very privileged today to have an absolutely talented,

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<v Speaker 3>phenomenal just create, director, producer, actor, voiceover artist, I mean everything,

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<v Speaker 3>Alan Tude. Thank you so much for joining us today.

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<v Speaker 2>Hello, that's such a cool list.

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<v Speaker 1>Yeah, a few people know that you're a terrible failed mime.

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<v Speaker 1>See I told I knew I could get him to

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<v Speaker 1>say something. See he's still bad ass. You still can't

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<v Speaker 1>do it.

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<v Speaker 2>Every time I get in that box and how bay,

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<v Speaker 2>I start screaming because it's I have clusters.

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<v Speaker 1>Well I couldn't. I couldn't resist because you know we have.

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<v Speaker 1>But you know, I used to you know, down in

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<v Speaker 1>the French Quarter. I'm kind of almost from New Orleans,

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<v Speaker 1>and I used to think, you know, the street performers,

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<v Speaker 1>you know, they're all over and a lot of mimes. Really,

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<v Speaker 1>who doesn't love mimes well to an extent?

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<v Speaker 2>I can, I can? I can argue a good mind

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<v Speaker 2>four mimes there are, yeah, but there's the bad minds.

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<v Speaker 1>Well I thought I was going to do one and

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<v Speaker 1>I'd be Lenny, the amazing talking mimew does he do it?

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<v Speaker 2>You know?

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<v Speaker 1>And you get the you're doing the kite and go, whoa,

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<v Speaker 1>look at this it's a windy of what Look at

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<v Speaker 1>this kite.

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<v Speaker 2>That's a k A the kite that's a kite. Look

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<v Speaker 2>at me?

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<v Speaker 1>You know? And uh, and then I would starve. I

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<v Speaker 1>don't know, you know, I don't know.

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<v Speaker 2>For the originality. I think I would throw some at

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<v Speaker 2>least beads, at least I want to see your chest. Yeah,

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<v Speaker 2>if that's if that's on the old thing.

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<v Speaker 1>Yeah, yeah, so you've been to Martin Goros then, so

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<v Speaker 1>you know that I've been.

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<v Speaker 2>They started giving out beads just it like became a

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<v Speaker 2>thing just around year round, it seems like in some places.

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<v Speaker 1>Yeah, oh yeah, well all of the telephone poles and

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<v Speaker 1>wires and everything, they've all got beads hanging from them.

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<v Speaker 2>And the and the extreme drinking has heard become a

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<v Speaker 2>year a year round thing as well. It's not just

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<v Speaker 2>during this let's do it, let's do it up because

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<v Speaker 2>this is the only time we can do is. Yeah,

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<v Speaker 2>they stray down. There's money in the budget to spray

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<v Speaker 2>down Bourbon Street every night. Every night there vomit, thank god,

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<v Speaker 2>vomit all cod st that's rough.

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<v Speaker 1>Yes, great town great towns.

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<v Speaker 2>Stay away from that Bourbon Street.

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<v Speaker 1>It's got yeah on it. Yeah yeah, you know, just

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<v Speaker 1>walk down once and say you did it.

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<v Speaker 2>Then leave.

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<v Speaker 1>Yeah you know, oh look breasts okay, got it, got

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<v Speaker 1>it and see and see.

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<v Speaker 2>Yeah that was good food someplace.

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<v Speaker 1>But there is good food. There is nothing but good food.

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<v Speaker 1>I always say, if you go to New Orleans and

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<v Speaker 1>get a decent meal, you should be pissed because it

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<v Speaker 1>should have been amazing.

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<v Speaker 2>You know.

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<v Speaker 1>You want to call people up on the phone. And

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<v Speaker 1>I'm not even getting a dime from the New Orleans

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<v Speaker 1>Chamber of Commerce for this incredible ad that we're accidentally

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<v Speaker 1>doing here.

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<v Speaker 2>People love people who are from there or spend time

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<v Speaker 2>their love love that place.

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<v Speaker 3>Yeah, and you grew up not too far away over

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<v Speaker 3>in the great state of Texas.

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<v Speaker 2>Yehaw man, I grew up in Dallas, in North Texas. Yeah,

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<v Speaker 2>I don't get I don't you know the good miles

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<v Speaker 2>and miles of Texas. It's a it's an interesting place,

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<v Speaker 2>you know. It's so very Yeah, just high on its

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<v Speaker 2>own supply Texas.

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<v Speaker 1>Yeah, that's true.

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<v Speaker 2>A Texas flag above my bed as a kid, what kid?

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<v Speaker 2>What is that?

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<v Speaker 1>Yeah?

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<v Speaker 2>He's got state pride at eleven.

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<v Speaker 1>Yeah, and why not weird? Yeah, but you made it work.

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<v Speaker 1>It's apparently so well.

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<v Speaker 2>It does instill in you a drive for competition, which

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<v Speaker 2>I think is has a lot of negatives and uh

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<v Speaker 2>in our industry, and it also has some positives. If

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<v Speaker 2>because you need a really strong drive in the in

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<v Speaker 2>the business too. Oh yeah, you know, overcome all of

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<v Speaker 2>the nose and door slamming your face to finally find it.

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<v Speaker 1>Yes, yeah, yeah, Well that's true. I mean, that's that's

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<v Speaker 1>kind of like the old adage. You have to be

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<v Speaker 1>able to hear a lot of no's, but it only

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<v Speaker 1>takes that one good yes.

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<v Speaker 2>Yeah.

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<v Speaker 1>I And you found yours a while ago, so you're

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<v Speaker 1>going pretty well, right.

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<v Speaker 2>Well I did, I did. I found my first yes

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<v Speaker 2>in nineteen ninety six, I think five ninety six, for

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<v Speaker 2>doing a workshop of a play called Bunny Bunny that

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<v Speaker 2>Alan's wy Bell wrote about Gilda Radner about his relationship

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<v Speaker 2>with Gilda Radner. He was a writer the first season

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<v Speaker 2>of Saturday Night Live, and they had an almost love

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<v Speaker 2>affair and became best friends. And it was a woman

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<v Speaker 2>named Paula Kal played Gilda Radner and Bruno Kirby played

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<v Speaker 2>Alan's y Bell. Oh, and then I played everybody else. Oh.

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<v Speaker 2>He would have loved it, man. You would have had

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<v Speaker 2>a blast doing that because it was a it was

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<v Speaker 2>a character actor role. And I got my first voice

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<v Speaker 2>over job from that because I'd come.

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<v Speaker 1>On because they'd hear you're doing all these I.

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<v Speaker 2>Was a French person who came a French wat there

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<v Speaker 2>who came in, and I would say, what was your

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<v Speaker 2>extion from age? And then I turned to the audience

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<v Speaker 2>and say one year later and flip the cheeseboard over

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<v Speaker 2>and all the cheese is molded. Oh. I run off

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<v Speaker 2>stage and I turn into Gil. That's a friend, big

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<v Speaker 2>bone Judy, who was so upset because she just her

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<v Speaker 2>husband just left.

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<v Speaker 3>What they're doing?

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<v Speaker 1>Oh, that's great.

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<v Speaker 2>And then I grew off and somebody else I could

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<v Speaker 2>see her.

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<v Speaker 1>I got to see her there you disappeared for a moment.

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<v Speaker 3>Are you doing costume changes all the while?

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<v Speaker 1>Oh?

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<v Speaker 3>Man, that's fun.

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<v Speaker 2>Yeah. That was part of it was all about like

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<v Speaker 2>how did he get that? You know?

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<v Speaker 4>Yeah?

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<v Speaker 2>The first goal? Yeah, fat suits. But I was the

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<v Speaker 2>only element that was doing that. And then they continued

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<v Speaker 2>this love affair, almost love affair, and I got a

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<v Speaker 2>roll on ice age rolls, three little bitty rolls on

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<v Speaker 2>ice age.

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<v Speaker 1>Oh wow.

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<v Speaker 2>And it came from that. And it came from that.

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<v Speaker 2>But then I didn't work, you know, because I smoked

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<v Speaker 2>the cigarettes. I couldn't get any voice over work. And

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<v Speaker 2>it was like the day I quit smoking cigarettes, I

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<v Speaker 2>started getting voice over work really okay, Yeah, for nineteen

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<v Speaker 2>years to get it to work for me.

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<v Speaker 1>Kind of raggedy gave you the voice of like horse

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<v Speaker 1>or something.

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<v Speaker 2>Or once I got rid of him, my voice came out,

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<v Speaker 2>Oh like I had just I would just in my range,

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<v Speaker 2>but just shrink, shrink shrinks, and I couldn't didn't do

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<v Speaker 2>anything interesting. Yeah, that's the one vice I never bothered with.

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<v Speaker 1>And I'm glad. I'm glad for it. Yeah, yeah, you know,

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<v Speaker 1>And I credit my dad, God restless soul. It's not

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<v Speaker 1>that I was healthy or smart or anything remotely like that.

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<v Speaker 1>I just thought it stunk.

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<v Speaker 2>It does, and it does.

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<v Speaker 1>I mean, you know, because my dad, you know, he's

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<v Speaker 1>smoking what was it Lucky strikes or I think it

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<v Speaker 1>was lucky strikes, No camels, camels, And he would put

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<v Speaker 1>out the cigarette, but he wouldn't put it out all

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<v Speaker 1>the way, and it would sit there and and just

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<v Speaker 1>smoke away. And it had that little column of air

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<v Speaker 1>column of smoke that I could still see it, and

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<v Speaker 1>it looked a little blue when the sunlight went through it.

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<v Speaker 1>And then he was BALI was putting this one out,

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<v Speaker 1>he was getting another one from his shirt. Wow, And

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<v Speaker 1>I was thinking, Dad, just maybe some oxygen. I don't know,

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<v Speaker 1>but I just thought it stunk because it stunk.

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<v Speaker 2>I'll still smell the some people when I when I

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<v Speaker 2>smell it, and I can smell it, so I'm I'm

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<v Speaker 2>somebody who was able to go, you're smoking. I can

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<v Speaker 2>just look at a cracker. That's you're the one who smokes.

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<v Speaker 2>It's in your clothes. But I'll still if somebody likes

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<v Speaker 2>a cigarette, it still smells good to me. But I

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<v Speaker 2>had to smoke in in a thing. Recently, you get

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<v Speaker 2>the fake cigarettes that are made with herbs in tobacco. Oh, yes,

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<v Speaker 2>you're not addictive, but oh you couldn't wash it off

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<v Speaker 2>your hands, you couldn't get it out of your hair.

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<v Speaker 2>It was just it's just just.

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<v Speaker 3>And it's a weird taste too, isn't it. It's like

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<v Speaker 3>a weird taste. It's like the fake cigarette. Yeah, it's

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<v Speaker 3>like burning a leaf. Like, Yes, I tried one. I

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<v Speaker 3>used to work in props and I was like, I

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<v Speaker 3>have to smoke one of these, because you know, I

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<v Speaker 3>was a smoker too, and I was like, I just

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<v Speaker 3>need to see, like what this taste like. And it

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<v Speaker 3>was like the weirdest, driest like it gave me like

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<v Speaker 3>the driest throat and like, I'd just request to smoke

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<v Speaker 3>a cigarette if I was filming. You can't do that, Huh.

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<v Speaker 2>Yeah, I have. And there's a trick. There's a problem

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<v Speaker 2>with that because you have when you smoke a cigarette,

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<v Speaker 2>you product have to always know, you have to always

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<v Speaker 2>keep it sort of at the same length because of continuity,

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<v Speaker 2>and they're cutting and doing different shots and dagas that

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<v Speaker 2>you end up smoking so many cigarettes and you get

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<v Speaker 2>a huge dose of nicotine that it can double your addiction.

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<v Speaker 2>That's what happened to me. It smells like an orphanage fire,

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<v Speaker 2>the fake cigarettes, like an orphanage fire.

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<v Speaker 1>Oh yeah, No, nobody likes fire and an org.

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<v Speaker 2>Not.

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<v Speaker 1>Corella Deville didn't even like that.

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<v Speaker 2>Yeah, man, oh man.

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<v Speaker 3>I heard you say on Letter Marlton's podcast that that

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<v Speaker 3>play Bunny Bunny was kind of like reflective of your

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<v Speaker 3>entire career. You know, You've gotten to play so many

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<v Speaker 3>different characters, and you know, I wouldn't even I personally

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<v Speaker 3>wouldn't call you a character actor because when I think

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<v Speaker 3>of a character actor, I think of like over the top,

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<v Speaker 3>almost like goofiness. But like you know, but your characters

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<v Speaker 3>are so rooted, like they're so they're like different people,

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<v Speaker 3>like I don't know, researching your career and seeing everything

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<v Speaker 3>that you've done, I feel like you've had just such

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<v Speaker 3>an actor's career, you know, gotten you to experience so

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<v Speaker 3>many different roles and so many different paths and methods

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<v Speaker 3>of acting. It's really inspirational to me. And it's really

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<v Speaker 3>cool to see that because it takes a lot of

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<v Speaker 3>courage to do that as well.

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<v Speaker 2>I guess, yeah, yeah, I it's you know I now

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<v Speaker 2>I want to do like I want to learn how

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<v Speaker 2>to act. What I mean by that I want to do.

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<v Speaker 2>I'm going to do a movie in July. It's a

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<v Speaker 2>small movie that was a play and it's going to

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<v Speaker 2>be made into a film called Ideation. Uh and yeah,

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<v Speaker 2>I guess I can Ideation. It's independent movies need all

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<v Speaker 2>the love they can share. We haven't shot it yet,

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<v Speaker 2>and it's you know, uh.

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<v Speaker 1>To the theater near you right away.

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<v Speaker 2>That's about a year from now. Yeah. But he's he

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<v Speaker 2>works in corporate world. He's a consultant, one of those

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<v Speaker 2>awful people. But he's just because he's a dad and

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<v Speaker 2>he's just like this guy. I cannot wait to play

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<v Speaker 2>that role because it's I can play almost crazy, Like

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<v Speaker 2>I feel like I'm the guy where they go, who's

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<v Speaker 2>going to play this? This is like this is a

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<v Speaker 2>you know what, hey get Alan, get Alan, see if

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<v Speaker 2>he has a take on this weird robot who has

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<v Speaker 2>this thing or whatever. This is just a guy that

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<v Speaker 2>I feel like a lot of guys can play, and

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<v Speaker 2>that's going to be more of a challenge for me

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<v Speaker 2>than a robot pirate, which I really want to play.

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<v Speaker 3>Yeah, you played a robot pirate?

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<v Speaker 1>Yeah yeah, I got to mash that up there you go.

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<v Speaker 2>Yeah.

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<v Speaker 1>Well, you know, one of my favorites was your your

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<v Speaker 1>in King Candy.

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<v Speaker 2>Oh thanks you, I mean was my favorite. That was

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<v Speaker 2>like a license to steal. That was my introduction to Disney. Yeah.

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<v Speaker 1>Oh yeah, well that was a damn fine one.

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<v Speaker 3>Yeah you won an Annie for that role, did you not?

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<v Speaker 1>And any Yeah?

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<v Speaker 2>Yeah that's great.

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<v Speaker 1>Yeah those are cool as hell. I wouldn't know personally,

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<v Speaker 1>but I hear. I'm sorry, go on, go on.

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<v Speaker 2>Yeah, you don't do the movies, do you? You don't

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<v Speaker 2>do movies. You don't do you do Disney movies?

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<v Speaker 1>Oh? I did a lot of Disney movies.

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<v Speaker 2>Yeah, yeah, Okay, that's the same. Oh yeah, oh, you

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<v Speaker 2>haven't gotten Annie.

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<v Speaker 1>No, I haven't gotten any I've been up for five Emmys.

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<v Speaker 2>Uh.

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<v Speaker 1>There was a talk of putting me up for an

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<v Speaker 1>Oscar for Vanity Fair. Uh said it for Christopher Robin, Yes,

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<v Speaker 1>and uh and and Emmy's five Emmys, five Annie's. I'm

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<v Speaker 1>oh for everything, I'm oh for ten. Wow, I'm you

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<v Speaker 1>are literally hanging in there.

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<v Speaker 2>You're like the Leo DiCaprio. It's because you're so good.

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<v Speaker 2>They're like, yeah, there, you just so I mean, I'm

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<v Speaker 2>sure that's it.

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<v Speaker 1>Yeah, I think that is it.

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<v Speaker 2>You're I mean, but you know, hey the check Claiyers. Yeah,

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<v Speaker 2>I mean, well I've won, I've won one Annie, and

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<v Speaker 2>then they don't haven't been. I was, yeah, I met

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<v Speaker 2>somebody who works at the end and they're like, would

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<v Speaker 2>you ever want to come and give an award away?

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<v Speaker 2>I was like, yes, oh absolutely great. That was like

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<v Speaker 2>two years ago.

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<v Speaker 1>I think, well, I did it like five times, and

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<v Speaker 1>each time I wasn't presenting like my own award. I

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<v Speaker 1>was presenting other people awards, and I showed up five

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<v Speaker 1>times thinking, well, you know, they asked me to yes,

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<v Speaker 1>I bet I win. I'm just sure that I'm gonna win.

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<v Speaker 1>I didn't. I didn't really know. Oh, okay, next year,

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<v Speaker 1>how about this year? You want to come? Sure, I'm

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<v Speaker 1>gonna win.

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<v Speaker 2>Five times in a row. And I said.

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<v Speaker 1>Then they called me the next year. You know, I'm busy.

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<v Speaker 1>When is it? And so I'm they're bad like that.

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<v Speaker 2>I watched someone take that. I watched someone announced their

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<v Speaker 2>own an award that they were in Spike Jones. We

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<v Speaker 2>were like, what is he doing here? This is amazing.

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<v Speaker 2>I think Spike Jones he directed that puppet remember there

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<v Speaker 2>was like a puppet movie. It was weird. Their faces

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<v Speaker 2>came off, it was like it was an It was

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<v Speaker 2>an odd movie. He always does odd movies. Very cool

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<v Speaker 2>for me. I'm sure I'm getting it wrong. And people

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<v Speaker 2>were watching him this and going and you're missing it.

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<v Speaker 2>Yeah that didn't happen. But it was someone who works

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<v Speaker 2>with Spike Jones, if not Spike Jones. And he announced

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<v Speaker 2>the awards and Spike Lee, no, I get this to

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<v Speaker 2>so much. They anyway, he had to announce and me

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<v Speaker 2>and then he didn't win, and it was like wow,

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00:15:24.039 --> 00:15:25.799
<v Speaker 2>they had him up there doing like he had to

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<v Speaker 2>announced three awards and then the last one was the

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<v Speaker 2>one that he was up for and he didn't win.

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<v Speaker 2>Ooh yeah, that's rough.

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<v Speaker 1>Oh there was the one Academy award where somebody was

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<v Speaker 1>being really glib and said come up and get it.

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<v Speaker 1>Marty and the wrong I can't remember the name, but

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<v Speaker 1>there were two guys that were up for the Academy Award.

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<v Speaker 1>This is like fifteen to twenty years ago, and the

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<v Speaker 1>wrong Marty got up. Oh no, no, sorry, it's it's

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<v Speaker 1>not here. It's the other guy down.

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<v Speaker 2>Marty Feldman had to go sit.

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<v Speaker 1>Back in fact whoever it was. Yeahful everybody wants a trophy.

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<v Speaker 2>I thought about making a trophy case I have won.

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<v Speaker 2>I have this one Anny. I have one very cool

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<v Speaker 2>uh theater award that was called the Clarence Derwent Award

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<v Speaker 2>that goes to a the actor, one actor and one

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<v Speaker 2>male and one female actor in a season who have

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<v Speaker 2>their New York theater debut and they win and it

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00:16:33.799 --> 00:16:36.679
<v Speaker 2>could be in any kind of theater off Broadway, off

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00:16:36.679 --> 00:16:40.519
<v Speaker 2>off Broadway or Broadway. And I won with Alison Janny

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<v Speaker 2>that year. She's an actress. You know, I haven't heard

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<v Speaker 2>of her. She hasn't done much sinse Yeah, yeah, yeah,

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<v Speaker 2>Alison Jani won that year and it was and it

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00:16:51.759 --> 00:16:55.360
<v Speaker 2>came with a thousand dollars prize and I didn't have

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<v Speaker 2>any rent money, so oh wow, okay it paid my rent.

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<v Speaker 2>That workedest. But I thought about getting making a trophy

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00:17:03.960 --> 00:17:07.519
<v Speaker 2>case in my house with like wrestling belts and bowling

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00:17:07.599 --> 00:17:09.839
<v Speaker 2>trophies and you can just go buy them.

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<v Speaker 1>Yeah, well they're at a pawn shop, brand new ones made.

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<v Speaker 2>You can even get golden glooms and things. And there's

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00:17:18.400 --> 00:17:21.759
<v Speaker 2>a little black market going on that. Wow, I can

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<v Speaker 2>hook you up.

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<v Speaker 1>We'll talk about Okay, yeah, get get an academic.

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<v Speaker 2>Award there, you go, get a doctor somewhere.

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<v Speaker 1>Well that's yeah, yeah, yes, wherever you want.

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00:17:35.200 --> 00:17:37.880
<v Speaker 2>You just buy that, put it in a case and

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<v Speaker 2>say uh huh and invite people over.

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<v Speaker 1>And just right, I did that, like like like Mike

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<v Speaker 1>Tyson when he was given an award from a Tuskegee

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<v Speaker 1>Institute or something like this. Exist Well, I never I

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00:17:51.960 --> 00:17:56.160
<v Speaker 1>never attended college but and to get a degree. But

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00:17:56.200 --> 00:17:58.759
<v Speaker 1>if I did, I would be a kind of homologist. No,

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<v Speaker 1>And I thought, yes, yes, but you know no women

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<v Speaker 1>have to Yeah, we know, Mike, we know, we get it.

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00:18:07.640 --> 00:18:14.759
<v Speaker 1>We get it. A Guyana komologist. There's a show Starbary.

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<v Speaker 2>It would be amazing. Yeah, I wouldn't Yeah, I wouldn't

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<v Speaker 2>want that.

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<v Speaker 1>No, and you're sitting there smeared by him.

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<v Speaker 2>He couldn't know.

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<v Speaker 3>That'd be a rough one.

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<v Speaker 2>Yeah, that would be rough.

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<v Speaker 3>Fun I heard that. I heard they're painful already. But

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00:18:31.599 --> 00:18:34.519
<v Speaker 3>enough about that. Yes, I couldn't believe when I was

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<v Speaker 3>looking up your credits, and it's one of my favorite

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<v Speaker 3>movies ever that you played Sonny and I Robot. First

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<v Speaker 3>of all, what a performance, great job, great job, Thank you.

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<v Speaker 3>I awesome movie. I have one really specific thing to

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<v Speaker 3>ask you, just for me personally about that movie. I heard,

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<v Speaker 3>I don't know. I was at a convention with my

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<v Speaker 3>dad like ten years ago, literally ten years ago, twenty fifteen,

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<v Speaker 3>over in London, and there was some guy who worked

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<v Speaker 3>on that show. I can't remember if he was a

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<v Speaker 3>or something, you know, one of the higher up guys,

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<v Speaker 3>and he's telling us about that long story short. He

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<v Speaker 3>said that for movies like that, because you know it's

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<v Speaker 3>set in twenty thirty five, way in the future, right,

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<v Speaker 3>that they have like a division of people who like

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<v Speaker 3>research like what specifically could be the most accurate aspects

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00:19:16.480 --> 00:19:20.119
<v Speaker 3>of our future reality to try and emulate that. And

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<v Speaker 3>as we approach twenty thirty five, I mean, look at

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<v Speaker 3>like the technology that we have. It's not that far

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<v Speaker 3>fetched from robot anymore, is it.

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<v Speaker 4>Oh?

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<v Speaker 1>God, yeah, they do find cars and everything.

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<v Speaker 3>So my question to you is do you know of

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<v Speaker 3>like a division like that that worked on that movie

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<v Speaker 3>or no? Or is that they have to do it?

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<v Speaker 2>I mean to they do that, but they they can

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<v Speaker 2>even because they're big, big movie budget people, and it

389
00:19:43.960 --> 00:19:45.759
<v Speaker 2>was especially back then with the movie industry is a

390
00:19:45.759 --> 00:19:50.359
<v Speaker 2>lot stronger. I remember Outing May designed the car for us,

391
00:19:50.759 --> 00:19:52.599
<v Speaker 2>and then that was something that we had to keep

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<v Speaker 2>under wraps and h M. Only a few people could

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00:19:55.240 --> 00:19:57.640
<v Speaker 2>look at it. And then it was a closed set

394
00:19:57.920 --> 00:19:59.599
<v Speaker 2>when they had the Audi car that they were using,

395
00:19:59.640 --> 00:20:04.240
<v Speaker 2>because it had those wheels that that are adjusted. Yeah,

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00:20:04.240 --> 00:20:07.640
<v Speaker 2>their globes so they can go sideways, forward, backwards and

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<v Speaker 2>all that. There are cars now that have those. They're

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<v Speaker 2>still they're still on the fringes, but they do. They

399
00:20:13.960 --> 00:20:16.079
<v Speaker 2>do make them. Yeah, so they're always.

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00:20:16.160 --> 00:20:17.960
<v Speaker 3>Yeah, they have the Hummer. Now the new Hummer can

401
00:20:18.000 --> 00:20:20.359
<v Speaker 3>do like the crab walk. It can't go any direction,

402
00:20:20.440 --> 00:20:23.079
<v Speaker 3>but it can go like pretty much sideways, you know,

403
00:20:23.160 --> 00:20:25.759
<v Speaker 3>not ninety degrees but maybe like seventy or sixty or

404
00:20:25.799 --> 00:20:26.480
<v Speaker 3>something like that.

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<v Speaker 2>Wow.

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00:20:27.400 --> 00:20:30.279
<v Speaker 3>Yeah, And it's cool too because motion capture was like

407
00:20:30.599 --> 00:20:32.720
<v Speaker 3>really in its infancy back then, so you were like

408
00:20:32.720 --> 00:20:34.759
<v Speaker 3>one of the first actors that really got to experience

409
00:20:34.799 --> 00:20:37.440
<v Speaker 3>that then. And then years later, you know, working on

410
00:20:37.559 --> 00:20:38.039
<v Speaker 3>Rogue one.

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<v Speaker 2>Yeah, yeah, yeah, they I want to call them the

412
00:20:45.720 --> 00:20:48.079
<v Speaker 2>Hobbit moves. Lord of the Rings first came out, and

413
00:20:48.160 --> 00:20:50.480
<v Speaker 2>so Andy Serkis was the one person who had done it,

414
00:20:50.519 --> 00:20:54.240
<v Speaker 2>and that's how everybody understood it. And I got the

415
00:20:54.359 --> 00:20:58.480
<v Speaker 2>job and I wore the spandex. It was the coolest

416
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<v Speaker 2>part about it was the first month where it was

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<v Speaker 2>just me and this guy whose name I don't remember, Steve,

418
00:21:03.759 --> 00:21:06.480
<v Speaker 2>I remember his last name. He was a theater he

419
00:21:06.519 --> 00:21:10.440
<v Speaker 2>worked in theater somehow. And they said, we're getting you

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<v Speaker 2>a choreographer to work with to figure out how you're

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<v Speaker 2>going to move. And I was like, no, I don't

422
00:21:14.200 --> 00:21:17.079
<v Speaker 2>need a choreographer. I need ach I need a movement specialist.

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<v Speaker 2>I need somebody. And I was like, this isn't going

424
00:21:20.160 --> 00:21:22.200
<v Speaker 2>to this. This is a bad idea. And I was

425
00:21:22.240 --> 00:21:24.039
<v Speaker 2>waiting at this table outside we were going to have

426
00:21:24.039 --> 00:21:27.839
<v Speaker 2>a conference about the way the robot moved. And there

427
00:21:27.920 --> 00:21:29.880
<v Speaker 2>was a guy sitting who came in. He was sitting

428
00:21:30.079 --> 00:21:33.640
<v Speaker 2>over down on the same big, long corporate table, and

429
00:21:33.640 --> 00:21:35.079
<v Speaker 2>he and I are looking at each other and I said,

430
00:21:35.319 --> 00:21:37.359
<v Speaker 2>are you the guy that I'm meeting? And he's like, yeah,

431
00:21:37.400 --> 00:21:40.160
<v Speaker 2>you're allan I'm okay, yeah, great. So we introduced ourselves

432
00:21:40.200 --> 00:21:41.839
<v Speaker 2>to one another, and I said, I got some books

433
00:21:42.319 --> 00:21:45.559
<v Speaker 2>and I put down Alexander technique, which is a way

434
00:21:45.599 --> 00:21:47.880
<v Speaker 2>that we all move. You know a lot of actors

435
00:21:47.880 --> 00:21:50.319
<v Speaker 2>and acting school. That's where I was introduced to it.

436
00:21:50.319 --> 00:21:52.559
<v Speaker 2>It's the skelet It's sort of the ergonomic way that

437
00:21:52.599 --> 00:21:54.960
<v Speaker 2>you should move with your skeleton, as like if you

438
00:21:55.079 --> 00:21:58.559
<v Speaker 2>look at little toddlers, they have perfect posture and when

439
00:21:58.559 --> 00:22:01.039
<v Speaker 2>they fall, you know, they just kind of sit. It's like,

440
00:22:01.119 --> 00:22:03.200
<v Speaker 2>that's how our bodies are supposed to move. And then

441
00:22:03.240 --> 00:22:05.559
<v Speaker 2>as we get older, we have injuries or we have

442
00:22:05.680 --> 00:22:09.160
<v Speaker 2>something about ourselves that we cover up and it changes

443
00:22:09.200 --> 00:22:10.519
<v Speaker 2>how we or we want to look cool.

444
00:22:10.720 --> 00:22:12.960
<v Speaker 1>I didn't know that that's interesting.

445
00:22:12.640 --> 00:22:14.759
<v Speaker 2>And so it was that I was like this, and

446
00:22:14.799 --> 00:22:16.880
<v Speaker 2>then I had a book on mime, had a book

447
00:22:16.920 --> 00:22:20.279
<v Speaker 2>on mime I had something else and he pulled out

448
00:22:20.279 --> 00:22:22.599
<v Speaker 2>almost the same books. I was like, oh, this is

449
00:22:22.640 --> 00:22:23.200
<v Speaker 2>gonna be great.

450
00:22:23.200 --> 00:22:23.839
<v Speaker 1>Oh, there you go.

451
00:22:24.119 --> 00:22:26.680
<v Speaker 2>So we were watching like Kabookie theater and stuff, and

452
00:22:27.000 --> 00:22:28.319
<v Speaker 2>he was the only thing I had to do the

453
00:22:28.319 --> 00:22:30.759
<v Speaker 2>first month was just I'd be taken to the gym

454
00:22:30.759 --> 00:22:33.480
<v Speaker 2>to work out where they wanted me bulky so that

455
00:22:33.519 --> 00:22:38.000
<v Speaker 2>I moved with muscle and so I got a killer shape.

456
00:22:38.119 --> 00:22:40.960
<v Speaker 2>And then I would go to the studio and he

457
00:22:41.000 --> 00:22:45.839
<v Speaker 2>and I would just do theater work. It was so great. Yeah, wow,

458
00:22:45.880 --> 00:22:47.680
<v Speaker 2>And then we made the movie. The movie was great,

459
00:22:47.680 --> 00:22:51.839
<v Speaker 2>and Will Smith was lovely, and Bridget moynihan was funny, and.

460
00:22:52.960 --> 00:22:54.839
<v Speaker 5>You used to have a crush on her. I could

461
00:22:54.880 --> 00:22:59.039
<v Speaker 5>see why. Yeah, she's very pretty. H Yeah, she's attractive.

462
00:22:59.079 --> 00:23:01.680
<v Speaker 5>She's and she's also if you at that time, I

463
00:23:01.720 --> 00:23:03.079
<v Speaker 5>don't know if she's now. She was kind of like

464
00:23:03.079 --> 00:23:04.839
<v Speaker 5>a guy.

465
00:23:05.200 --> 00:23:07.440
<v Speaker 2>She's like really easy, like she seemed like she had

466
00:23:07.480 --> 00:23:08.480
<v Speaker 2>brothers or something like.

467
00:23:08.720 --> 00:23:11.640
<v Speaker 1>Oh yeah, she was yeah, not not the standoffish.

468
00:23:11.799 --> 00:23:14.279
<v Speaker 2>Yeah, she had to because she wore this this is

469
00:23:14.559 --> 00:23:17.599
<v Speaker 2>maybe no, but this, so she'd have to wear all

470
00:23:17.640 --> 00:23:21.680
<v Speaker 2>these tight clothes, like her pants were like painted on,

471
00:23:22.240 --> 00:23:23.880
<v Speaker 2>and she had to have a mic pack, Like where

472
00:23:23.880 --> 00:23:26.119
<v Speaker 2>are they going to put the mic pack? So it

473
00:23:26.160 --> 00:23:28.519
<v Speaker 2>would have to be somewhere, and when she would get

474
00:23:28.559 --> 00:23:32.240
<v Speaker 2>done with a take, she'd nun zip these pants from behind.

475
00:23:32.759 --> 00:23:34.400
<v Speaker 2>I remember her sitting in front of me and you

476
00:23:34.440 --> 00:23:37.079
<v Speaker 2>could just see like half of her butt is hanging out,

477
00:23:37.119 --> 00:23:39.640
<v Speaker 2>like boy in a hand, I'm looking at your ass.

478
00:23:40.000 --> 00:23:44.480
<v Speaker 1>Yeah I don't like the view. Yeah, yeah, I liked.

479
00:23:44.519 --> 00:23:49.880
<v Speaker 2>She was like really like, you're welcome, like a pal.

480
00:23:50.200 --> 00:23:52.640
<v Speaker 1>Yeah yeah, yeah, like one of the guys, except with

481
00:23:52.640 --> 00:23:53.680
<v Speaker 1>the really cute.

482
00:23:53.400 --> 00:24:01.119
<v Speaker 2>But yes, exactly like my friend John cute ass anyway, Yeah,

483
00:24:01.160 --> 00:24:02.440
<v Speaker 2>e noybody knows cute ass.

484
00:24:02.319 --> 00:24:04.640
<v Speaker 1>John cute ass John. Oh my god.

485
00:24:04.799 --> 00:24:07.079
<v Speaker 2>Well it was a fun. It was a fun six

486
00:24:07.119 --> 00:24:07.920
<v Speaker 2>month experience.

487
00:24:07.960 --> 00:24:13.319
<v Speaker 1>And yeah, if you're a fan of everything we do

488
00:24:13.440 --> 00:24:16.359
<v Speaker 1>here at tuned In with Jim Cummings, you could support

489
00:24:16.400 --> 00:24:20.799
<v Speaker 1>the show on Patreon for bonus exclusive podcasts, as well

490
00:24:20.839 --> 00:24:24.200
<v Speaker 1>as early in ad free access to the show itself,

491
00:24:24.480 --> 00:24:28.200
<v Speaker 1>prize drawings, and more. You'll feel the difference, so go

492
00:24:28.240 --> 00:24:31.759
<v Speaker 1>ahead and join the tuned In family today at Patreon

493
00:24:31.880 --> 00:24:36.039
<v Speaker 1>dot com slash Jim Cummings podcast Do it Now.

494
00:24:36.960 --> 00:24:38.880
<v Speaker 2>I thought that's why they were gonna. I was auditioning

495
00:24:38.920 --> 00:24:41.519
<v Speaker 2>for Rogue one because I had done that, and when

496
00:24:41.559 --> 00:24:44.480
<v Speaker 2>I first met the director, Caret Edwards, I said he

497
00:24:44.559 --> 00:24:45.880
<v Speaker 2>was like, so we're going to have this robot. I

498
00:24:45.880 --> 00:24:48.400
<v Speaker 2>was like, Okay, here's how you gotta do it, and

499
00:24:48.720 --> 00:24:51.440
<v Speaker 2>I just was from that point. He's like, we're going

500
00:24:51.519 --> 00:24:56.279
<v Speaker 2>to do every small film eye blinks and just we're

501
00:24:56.319 --> 00:24:58.400
<v Speaker 2>going to do exactly that on the robot. We're going

502
00:24:58.440 --> 00:25:00.400
<v Speaker 2>to do this this, And I was like, just stop,

503
00:25:00.440 --> 00:25:02.759
<v Speaker 2>stop stuff up. You're not gonna do that, and don't

504
00:25:02.759 --> 00:25:05.079
<v Speaker 2>even say you're gonna do that, because you're gonna marry

505
00:25:05.079 --> 00:25:07.440
<v Speaker 2>yourself to something you can't follow through, and then whoever

506
00:25:07.440 --> 00:25:10.119
<v Speaker 2>plays this role is going to feel like you lied

507
00:25:10.160 --> 00:25:10.440
<v Speaker 2>to them.

508
00:25:10.480 --> 00:25:12.039
<v Speaker 3>So just don't even start there.

509
00:25:12.359 --> 00:25:15.119
<v Speaker 2>You're gonna get in post and you're gonna need things done.

510
00:25:16.240 --> 00:25:18.079
<v Speaker 2>My face is not the same as the face that's

511
00:25:18.119 --> 00:25:21.720
<v Speaker 2>gonna be there, and my face tells a story that

512
00:25:21.720 --> 00:25:25.079
<v Speaker 2>that face doesn't. And once you put all the elements together,

513
00:25:25.119 --> 00:25:27.119
<v Speaker 2>you might just need the head to bow a little

514
00:25:27.119 --> 00:25:29.880
<v Speaker 2>bit to tell the story. And that's fine, and this

515
00:25:30.000 --> 00:25:33.440
<v Speaker 2>is and then they then I got the role. I

516
00:25:33.440 --> 00:25:36.119
<v Speaker 2>couldn't believe it. I was very exciting and.

517
00:25:36.119 --> 00:25:39.640
<v Speaker 3>K Tuso is a lot more like robotic than Sonny, right,

518
00:25:39.799 --> 00:25:41.079
<v Speaker 3>like he has he's stiffer.

519
00:25:41.400 --> 00:25:45.279
<v Speaker 2>Yeah, that's because I was. Yeah, and he doesn't have

520
00:25:45.359 --> 00:25:48.119
<v Speaker 2>eyes like his eyes don't they blinked.

521
00:25:47.960 --> 00:25:50.279
<v Speaker 3>They're like the Iron Giant like, yeah, and.

522
00:25:50.240 --> 00:25:51.799
<v Speaker 2>They blinked at one point and then they took the

523
00:25:51.799 --> 00:25:54.759
<v Speaker 2>blinking out because because it's a prequel, it had to

524
00:25:54.799 --> 00:25:59.119
<v Speaker 2>be the same technology as it had to be so

525
00:25:59.200 --> 00:26:03.039
<v Speaker 2>C three pos screwed me. It's basically what I started

526
00:26:03.039 --> 00:26:07.799
<v Speaker 2>to see the review. And man, guy, I love what

527
00:26:07.839 --> 00:26:12.680
<v Speaker 2>it is. We have a fun rivalry. He wins, but

528
00:26:13.319 --> 00:26:18.559
<v Speaker 2>it's fun. And I was I was also on stilts,

529
00:26:18.599 --> 00:26:21.319
<v Speaker 2>so I was a little stiffer too because it was

530
00:26:21.960 --> 00:26:23.240
<v Speaker 2>I couldn't move around as easy.

531
00:26:23.480 --> 00:26:25.559
<v Speaker 3>Well, yeah, I just thought it was like a character choice.

532
00:26:25.960 --> 00:26:29.240
<v Speaker 2>Yeah, that's it. There you go said, we're gonna make

533
00:26:29.279 --> 00:26:32.359
<v Speaker 2>this one stiffer. Okay, guys, yeah, I shouldn't me some

534
00:26:32.440 --> 00:26:36.119
<v Speaker 2>stilts that forced me to walk a little bit. That's

535
00:26:36.160 --> 00:26:38.000
<v Speaker 2>awesome and I lm provided it.

536
00:26:38.319 --> 00:26:41.319
<v Speaker 1>Oh man, well you've you've had a career in front

537
00:26:41.359 --> 00:26:44.200
<v Speaker 1>of the camera, next to the camera, behind the camera,

538
00:26:44.400 --> 00:26:47.759
<v Speaker 1>in front of a microphone. I mean, do you dance

539
00:26:47.799 --> 00:26:50.119
<v Speaker 1>as well. I mean, no, I don't and I can't sing.

540
00:26:50.519 --> 00:26:58.200
<v Speaker 2>Oh I know, I see, I see. I've come into

541
00:26:58.799 --> 00:27:02.759
<v Speaker 2>voiceover like it was Kincandy. Really is when it's when

542
00:27:02.880 --> 00:27:05.519
<v Speaker 2>things are not a bad kickoff, right, because it was

543
00:27:05.920 --> 00:27:09.839
<v Speaker 2>it had the nostalgia because it was Edwin and he

544
00:27:09.960 --> 00:27:16.200
<v Speaker 2>has that great history with Disney and Ah. Then I

545
00:27:16.319 --> 00:27:20.079
<v Speaker 2>did a small role in Frozen because the same Jennifer

546
00:27:20.119 --> 00:27:22.559
<v Speaker 2>Lee was doing Frozen at the same time, in the

547
00:27:22.559 --> 00:27:25.799
<v Speaker 2>way that you know they all work on the same projects. Yeah,

548
00:27:25.839 --> 00:27:27.759
<v Speaker 2>so they were straddling a couple of projects. Say hey,

549
00:27:27.759 --> 00:27:31.119
<v Speaker 2>we're we're reviving this thing that's been on the back

550
00:27:31.119 --> 00:27:34.400
<v Speaker 2>burner for years called Frozen. Would you play this older

551
00:27:34.440 --> 00:27:36.599
<v Speaker 2>man in it? So then I did the Duke of

552
00:27:36.599 --> 00:27:39.640
<v Speaker 2>Wesselton and it was such a big hit. John Lassiter

553
00:27:39.759 --> 00:27:41.640
<v Speaker 2>was the one who said he's a good luck charm.

554
00:27:41.920 --> 00:27:44.720
<v Speaker 2>I was like, yep, that's exactly right. That's why those

555
00:27:44.799 --> 00:27:50.720
<v Speaker 2>two that's worked. Yeah, no other reason but me. And

556
00:27:51.960 --> 00:27:55.599
<v Speaker 2>once they committed to that, oh then you don't want

557
00:27:55.599 --> 00:27:59.640
<v Speaker 2>to anyways, they didn't want to break off the idea.

558
00:27:59.799 --> 00:28:03.359
<v Speaker 2>And so I've had this career and then because I

559
00:28:03.359 --> 00:28:06.720
<v Speaker 2>got the green line from Disney. Then other people are like, hey,

560
00:28:06.759 --> 00:28:08.400
<v Speaker 2>you wanted to come to a voice on this show

561
00:28:08.480 --> 00:28:11.400
<v Speaker 2>and this show on the show, one thing led to another.

562
00:28:11.519 --> 00:28:14.319
<v Speaker 2>But I'm just nice. I've had to learn as I go.

563
00:28:14.920 --> 00:28:19.720
<v Speaker 2>I consider like you're real and you're truly this is

564
00:28:19.720 --> 00:28:22.559
<v Speaker 2>something you do and you're a master of it. I'm

565
00:28:22.880 --> 00:28:26.160
<v Speaker 2>I feel like I've just started to get going, get going.

566
00:28:26.160 --> 00:28:27.559
<v Speaker 2>Like I'm just like, oh, I think I know what

567
00:28:27.599 --> 00:28:31.960
<v Speaker 2>I'm doing. I think I know where where I make

568
00:28:32.000 --> 00:28:34.920
<v Speaker 2>my mistakes, where I can get caught and making a voice,

569
00:28:35.400 --> 00:28:37.759
<v Speaker 2>and that's the thing. I forget to act for a

570
00:28:37.839 --> 00:28:41.799
<v Speaker 2>second and oh yeah, like you're on your fourth round

571
00:28:41.839 --> 00:28:46.359
<v Speaker 2>of three takes and like, wait, what am I not doing?

572
00:28:46.400 --> 00:28:49.359
<v Speaker 2>This is oh I'm not acting, and let me put

573
00:28:49.400 --> 00:28:53.240
<v Speaker 2>myself in the place this character wants this. I'm asking, okay,

574
00:28:53.240 --> 00:28:56.519
<v Speaker 2>we're in this play and then let my imagination. It's

575
00:28:56.559 --> 00:28:59.240
<v Speaker 2>just a quick, you know, adjustment, and then they're like

576
00:28:59.279 --> 00:29:03.160
<v Speaker 2>that's it and then you surprisingly move on right after that.

577
00:29:03.359 --> 00:29:06.279
<v Speaker 1>Nice, but it's that you don't want to get.

578
00:29:06.720 --> 00:29:11.880
<v Speaker 2>Acting, not making funny voices, right, they're acting and reacting

579
00:29:11.960 --> 00:29:12.960
<v Speaker 2>and the whole bit.

580
00:29:13.160 --> 00:29:17.200
<v Speaker 1>Yes, you know, people forget you know that acting is

581
00:29:17.519 --> 00:29:20.839
<v Speaker 1>part half reacting yes you know so.

582
00:29:21.400 --> 00:29:24.000
<v Speaker 2>And with with voiceover. So much of it is the

583
00:29:24.000 --> 00:29:29.240
<v Speaker 2>imagination because you're here in a microphone and you're filling

584
00:29:29.279 --> 00:29:33.799
<v Speaker 2>it in for whatever you're seeing it as it'll never be.

585
00:29:34.279 --> 00:29:38.359
<v Speaker 2>But it's what creates your side of the performance and

586
00:29:38.680 --> 00:29:40.839
<v Speaker 2>side of the thing. Yeah.

587
00:29:41.200 --> 00:29:45.920
<v Speaker 1>Yeah, it helps to you know, be a little weird. Yes,

588
00:29:46.000 --> 00:29:47.359
<v Speaker 1>you know, it just does.

589
00:29:47.880 --> 00:29:50.319
<v Speaker 2>Yes, you know absolutely, you have to be able to

590
00:29:50.519 --> 00:29:54.359
<v Speaker 2>let the chains off on your imagination. Yeah, that's scary.

591
00:29:54.720 --> 00:29:58.680
<v Speaker 2>Uh first, you know, I think that's that is can

592
00:29:58.759 --> 00:30:02.200
<v Speaker 2>be scary. Can just like you're launching, you're just you're

593
00:30:02.240 --> 00:30:04.319
<v Speaker 2>following along. You're not you're not dictating to it.

594
00:30:04.759 --> 00:30:07.119
<v Speaker 1>See Charles Manson said that the same way that when

595
00:30:07.160 --> 00:30:11.759
<v Speaker 1>I let my imagination go, it's scary. And I assume

596
00:30:11.839 --> 00:30:13.240
<v Speaker 1>you have a different take on that.

597
00:30:13.599 --> 00:30:21.880
<v Speaker 2>Yes, okay, you end up saying things that maybe some

598
00:30:21.920 --> 00:30:23.720
<v Speaker 2>people don't find fun. I mean, I mean it's just

599
00:30:23.799 --> 00:30:26.359
<v Speaker 2>you just go anywhere, you can go anywhere, and it

600
00:30:26.400 --> 00:30:28.519
<v Speaker 2>opens you up to people going, you're weird. I think

601
00:30:28.559 --> 00:30:31.720
<v Speaker 2>that's the fear. Yeah, that's the scary party. That's a

602
00:30:31.720 --> 00:30:32.319
<v Speaker 2>little too well.

603
00:30:32.359 --> 00:30:34.759
<v Speaker 3>I think I think this topic is really interesting because

604
00:30:34.799 --> 00:30:37.519
<v Speaker 3>one of my friends put this, like I really agree

605
00:30:37.559 --> 00:30:39.599
<v Speaker 3>with it, and he was like, child actors are all

606
00:30:39.640 --> 00:30:42.079
<v Speaker 3>good actors because they have no ego, you know, like

607
00:30:42.160 --> 00:30:43.759
<v Speaker 3>you can tell them what to do. They'll all take

608
00:30:43.799 --> 00:30:46.599
<v Speaker 3>direction for the most part. Like you don't really find

609
00:30:46.680 --> 00:30:51.000
<v Speaker 3>bad child actors, you know, and like just to piggyback

610
00:30:51.000 --> 00:30:52.720
<v Speaker 3>on what you're saying, you know, the fear of being

611
00:30:52.759 --> 00:30:55.200
<v Speaker 3>weird and everything. I think that's something that gets put

612
00:30:55.279 --> 00:30:58.599
<v Speaker 3>on us as we get older and then we find that,

613
00:30:58.720 --> 00:31:01.440
<v Speaker 3>you know, hard to get back to. You. You hear

614
00:31:01.519 --> 00:31:04.039
<v Speaker 3>so many actors artists talking about like getting back to

615
00:31:04.079 --> 00:31:06.839
<v Speaker 3>being a child, you know, like in that playroom. That's

616
00:31:06.839 --> 00:31:08.880
<v Speaker 3>a hard place to get to when it's weird because

617
00:31:08.880 --> 00:31:12.000
<v Speaker 3>we all went through that, right, and then we developed

618
00:31:12.000 --> 00:31:13.720
<v Speaker 3>this ego and it kind of gets in the way

619
00:31:13.759 --> 00:31:16.720
<v Speaker 3>and then it's like, oh, I'm overthinking everything, and yeah,

620
00:31:16.799 --> 00:31:19.440
<v Speaker 3>have you had moments in your career or yourself, Jim

621
00:31:19.519 --> 00:31:21.319
<v Speaker 3>where you've kind of gotten in your own way?

622
00:31:21.599 --> 00:31:27.319
<v Speaker 1>Yeah, that's overthinking it is really overthinking it, you know.

623
00:31:27.640 --> 00:31:31.240
<v Speaker 1>I jokingly say instincts are the best stinks. And you know,

624
00:31:31.759 --> 00:31:34.640
<v Speaker 1>and if you if it works for you inside your head,

625
00:31:34.759 --> 00:31:38.319
<v Speaker 1>it'll probably work out out in the world, you know,

626
00:31:39.119 --> 00:31:41.480
<v Speaker 1>by and large, I think.

627
00:31:41.400 --> 00:31:44.200
<v Speaker 2>I have an example where it did not work, okay,

628
00:31:45.119 --> 00:31:48.640
<v Speaker 2>King Candy, Oh, yes, there's a point in the in

629
00:31:48.680 --> 00:31:53.799
<v Speaker 2>the film and and Disney the one. Rich Moore was

630
00:31:53.839 --> 00:31:58.359
<v Speaker 2>directing that film, and he did a lot of improv.

631
00:31:58.400 --> 00:31:59.920
<v Speaker 2>He we would sort of get the things and then

632
00:32:00.000 --> 00:32:02.720
<v Speaker 2>he would leave a lot of time for improv and

633
00:32:03.240 --> 00:32:05.880
<v Speaker 2>or I guess within the sort of little scene I

634
00:32:05.880 --> 00:32:08.920
<v Speaker 2>could just play around at a certain point. And it

635
00:32:09.000 --> 00:32:13.839
<v Speaker 2>was where record Ralph first shows up in Candy whatever

636
00:32:14.119 --> 00:32:17.359
<v Speaker 2>My Candy and plays Candy. I was gonna say, Candy push,

637
00:32:17.400 --> 00:32:20.200
<v Speaker 2>you couldn't have been that, But yeah, King Candy's wild

638
00:32:20.720 --> 00:32:24.640
<v Speaker 2>ross to race something we said in there, and he

639
00:32:24.759 --> 00:32:27.559
<v Speaker 2>comes out of this taffy and he looks like a monster.

640
00:32:28.039 --> 00:32:34.960
<v Speaker 2>And Sarah Silverman's character not vanellape Mutton fat anyway, von Sweetz.

641
00:32:35.119 --> 00:32:38.680
<v Speaker 2>She's running from him. He starts tossing all of the

642
00:32:38.799 --> 00:32:41.400
<v Speaker 2>all the fans of the spectators, He's just throwing them around,

643
00:32:41.880 --> 00:32:46.319
<v Speaker 2>and everybody's running and I said, please everybody stop, come up,

644
00:32:46.480 --> 00:32:49.240
<v Speaker 2>everybody calm down. I don't want to race. Ride on

645
00:32:49.319 --> 00:32:58.359
<v Speaker 2>my hands because it's a race and you're rioting. Never mind, Yeah,

646
00:32:58.759 --> 00:33:02.519
<v Speaker 2>did not more, God blessed us. I love the race

647
00:33:02.599 --> 00:33:06.160
<v Speaker 2>right joke. I thought Disney didn't want a race riot joke.

648
00:33:08.000 --> 00:33:13.039
<v Speaker 1>Believe are you sure this was Disney they didn't want

649
00:33:13.079 --> 00:33:15.839
<v Speaker 1>a race riot joke? I can't think of anything funnier.

650
00:33:18.319 --> 00:33:21.359
<v Speaker 2>They played it for one showing in Arizona before it

651
00:33:21.400 --> 00:33:24.599
<v Speaker 2>came out, and it got crickets. It was like the

652
00:33:24.680 --> 00:33:27.640
<v Speaker 2>Arab was sucked out of the theater when it happened.

653
00:33:27.680 --> 00:33:31.519
<v Speaker 2>So that's less less of a good idea yea, to

654
00:33:31.559 --> 00:33:33.960
<v Speaker 2>just make everyone feel afraid.

655
00:33:34.319 --> 00:33:39.079
<v Speaker 1>So how about let's do this not a lot or something.

656
00:33:39.160 --> 00:33:42.039
<v Speaker 2>Yeah, yeah, not at all. We're taking it out and

657
00:33:42.079 --> 00:33:43.960
<v Speaker 2>do the lines that are written. Please.

658
00:33:44.480 --> 00:33:48.920
<v Speaker 1>Are you a notorious a liver? Because I am. I

659
00:33:49.000 --> 00:33:49.720
<v Speaker 1>just think it's.

660
00:33:49.559 --> 00:33:52.599
<v Speaker 2>A great thing. Yeah, I can, but I always wait

661
00:33:52.640 --> 00:33:55.759
<v Speaker 2>for permission, and I think that's a miss. Sometimes it's

662
00:33:55.759 --> 00:33:56.279
<v Speaker 2>a mistake.

663
00:33:56.400 --> 00:33:58.680
<v Speaker 1>Well you know what I do, Not that I know anything,

664
00:33:58.680 --> 00:34:01.839
<v Speaker 1>but I give him as written, yes, and then because

665
00:34:01.880 --> 00:34:04.720
<v Speaker 1>you're going to do another take anyway, and then then

666
00:34:04.759 --> 00:34:05.599
<v Speaker 1>I do it as.

667
00:34:05.400 --> 00:34:10.440
<v Speaker 2>It should be. I think that's that's that way.

668
00:34:10.480 --> 00:34:11.400
<v Speaker 1>They can't complain.

669
00:34:11.679 --> 00:34:12.679
<v Speaker 2>Well you got yours.

670
00:34:12.920 --> 00:34:17.159
<v Speaker 1>Yeah, now now here's the good one. You know you know,

671
00:34:17.360 --> 00:34:18.920
<v Speaker 1>so that's that's cool.

672
00:34:19.280 --> 00:34:22.639
<v Speaker 2>Right, I'll do a little. It's you know, everybody's different,

673
00:34:22.639 --> 00:34:28.599
<v Speaker 2>every director is different. And yeah, I find that when

674
00:34:28.599 --> 00:34:32.519
<v Speaker 2>I am a given permission or feel that I can,

675
00:34:33.360 --> 00:34:37.000
<v Speaker 2>those lines that I do improv are the ones that

676
00:34:37.119 --> 00:34:39.559
<v Speaker 2>end up in the final project. That there's those are

677
00:34:39.559 --> 00:34:43.239
<v Speaker 2>their choices, you know, because up to them, they choose them,

678
00:34:43.239 --> 00:34:44.960
<v Speaker 2>and then there they tend to a lot of times

679
00:34:44.960 --> 00:34:46.599
<v Speaker 2>to be the things that I get repeated back to

680
00:34:46.639 --> 00:34:49.039
<v Speaker 2>me by fans. Uh huh. When if you're at a

681
00:34:49.119 --> 00:34:51.719
<v Speaker 2>convention and they say, could you put this on on

682
00:34:51.800 --> 00:34:53.920
<v Speaker 2>my picture? Then that feels.

683
00:34:53.719 --> 00:34:56.360
<v Speaker 3>Who do people which one of your characters? Do people

684
00:34:56.400 --> 00:34:58.840
<v Speaker 3>come up the most for a conventions? I'm curious to.

685
00:34:58.800 --> 00:35:04.559
<v Speaker 2>Know, I goes say, surprisingly, because we only made fourteen

686
00:35:04.599 --> 00:35:09.719
<v Speaker 2>episodes of fire Firefly in two thousand and three, four

687
00:35:11.159 --> 00:35:15.239
<v Speaker 2>that's still a cool show. Yeah. I did Star Wars.

688
00:35:15.280 --> 00:35:18.239
<v Speaker 2>I get you know K two s O. Hey, hey,

689
00:35:18.960 --> 00:35:22.440
<v Speaker 2>kids really like that bird? Oh yeah me too? Yeah?

690
00:35:22.599 --> 00:35:28.039
<v Speaker 1>Yeah, I mean, come on, good looking cuss too. Boy,

691
00:35:29.320 --> 00:35:31.239
<v Speaker 1>there's a good looking little guy.

692
00:35:31.679 --> 00:35:35.400
<v Speaker 2>Yeah, there's a in making. Hey hey he was a

693
00:35:35.519 --> 00:35:39.280
<v Speaker 2>cocky rooster. He was very he was protective. I get it.

694
00:35:39.320 --> 00:35:42.599
<v Speaker 2>Cockyster and what he did there, Yeah, they were they

695
00:35:42.599 --> 00:35:44.559
<v Speaker 2>made that was that was how they That was the

696
00:35:44.639 --> 00:35:46.840
<v Speaker 2>character they gave him, and it wasn't working. It wasn't working.

697
00:35:46.840 --> 00:35:49.760
<v Speaker 2>It wasn't working, and they wanted the animes really like

698
00:35:49.880 --> 00:35:52.559
<v Speaker 2>the character, wanted to save it. And they said, what

699
00:35:52.599 --> 00:35:55.119
<v Speaker 2>if he's really stupid, and they said he's There was

700
00:35:55.159 --> 00:35:59.519
<v Speaker 2>a there's like a a bar that has intelligence that

701
00:35:59.559 --> 00:36:03.039
<v Speaker 2>you can just ranked down and they cranked it all

702
00:36:03.039 --> 00:36:04.840
<v Speaker 2>the way down and his eyes got bigger. One went

703
00:36:04.880 --> 00:36:11.000
<v Speaker 2>that way, one went that way, and they and then uh,

704
00:36:11.199 --> 00:36:13.920
<v Speaker 2>I don't know if it was Lassiter, it was Lassiter

705
00:36:14.039 --> 00:36:18.039
<v Speaker 2>at that time. Yeah. They came in and said, now

706
00:36:18.079 --> 00:36:20.920
<v Speaker 2>that's a character I want to see. Mm hmm. And

707
00:36:21.039 --> 00:36:22.719
<v Speaker 2>he was saved. Mm hmmm.

708
00:36:23.079 --> 00:36:23.880
<v Speaker 3>He was saved.

709
00:36:25.239 --> 00:36:27.960
<v Speaker 2>Yeah, well that's an animator's character. Like they're they're the ones.

710
00:36:27.840 --> 00:36:30.239
<v Speaker 3>Who really what comes in an audition for a character

711
00:36:30.360 --> 00:36:33.400
<v Speaker 3>like that. What they just said, play a chicken. That

712
00:36:33.599 --> 00:36:35.679
<v Speaker 3>was giving your imagination and play a chicken.

713
00:36:35.880 --> 00:36:38.639
<v Speaker 2>Yeah, I mean that's what they were given. They gave

714
00:36:38.639 --> 00:36:42.760
<v Speaker 2>it to me because they were they had they've hemmed

715
00:36:42.760 --> 00:36:44.800
<v Speaker 2>themselves in now where they're like not a given out

716
00:36:44.800 --> 00:36:47.880
<v Speaker 2>on a roll but this is there's no I can't

717
00:36:47.880 --> 00:36:50.599
<v Speaker 2>play any of the Islander people. So they're like, what

718
00:36:50.639 --> 00:36:53.800
<v Speaker 2>who are you going to give him? What about the chicken? Yeah,

719
00:36:53.920 --> 00:36:56.599
<v Speaker 2>the chicken can be from Texas, that's true.

720
00:36:56.719 --> 00:36:57.320
<v Speaker 1>Sure, why not?

721
00:36:57.800 --> 00:37:02.360
<v Speaker 2>And so that's how I got it. Well, he's memorable.

722
00:37:02.679 --> 00:37:05.519
<v Speaker 1>Yeah, good, he's very memorable, very much.

723
00:37:05.519 --> 00:37:07.599
<v Speaker 2>So he should he should have had his own song.

724
00:37:07.960 --> 00:37:10.119
<v Speaker 2>I still believe he should. And then we did it

725
00:37:10.159 --> 00:37:14.599
<v Speaker 2>too again not a song. They don't fresh out of songs. Yeah,

726
00:37:15.000 --> 00:37:17.639
<v Speaker 2>he can just start it out, start out the song,

727
00:37:17.840 --> 00:37:22.519
<v Speaker 2>a big swell of music. Yeah, and then somebody grabs

728
00:37:22.559 --> 00:37:25.079
<v Speaker 2>him by the yeah throat and that's.

729
00:37:24.920 --> 00:37:28.360
<v Speaker 1>It and then that's yeah, two, three four, Then you're

730
00:37:28.400 --> 00:37:29.400
<v Speaker 1>then you're in. Yeah.

731
00:37:32.119 --> 00:37:36.159
<v Speaker 2>That would see they just but lost opportunity. Yeah, I

732
00:37:36.159 --> 00:37:37.119
<v Speaker 2>guess I'll have to make.

733
00:37:36.960 --> 00:37:39.519
<v Speaker 1>A three wake that's right.

734
00:37:39.639 --> 00:37:43.480
<v Speaker 2>Yeah. See they're making a live action I am not doing.

735
00:37:43.599 --> 00:37:46.039
<v Speaker 1>Oh I love it. And it's of course it's c G.

736
00:37:46.199 --> 00:37:49.360
<v Speaker 2>I I think they do have somebody.

737
00:37:48.920 --> 00:37:51.400
<v Speaker 1>Because they they actually I mean, do they have people.

738
00:37:51.679 --> 00:37:54.320
<v Speaker 1>I guess for Moana they could. They might as well

739
00:37:54.400 --> 00:37:55.440
<v Speaker 1>use an actual human.

740
00:37:55.960 --> 00:37:58.880
<v Speaker 2>I don't know. They can't. They don't have to, I

741
00:37:58.880 --> 00:38:00.480
<v Speaker 2>hope it's not. I think it is going to be

742
00:38:00.480 --> 00:38:03.239
<v Speaker 2>an animated bird, but it is a it is a

743
00:38:03.239 --> 00:38:05.880
<v Speaker 2>female who's doing it. I do all of Disney animation.

744
00:38:06.800 --> 00:38:12.360
<v Speaker 2>This is a Disney live action. I don't cross that line,

745
00:38:13.320 --> 00:38:16.360
<v Speaker 2>except I did once, But to play a.

746
00:38:16.320 --> 00:38:18.400
<v Speaker 1>Bird, I don't either, but not by choice.

747
00:38:19.119 --> 00:38:20.800
<v Speaker 2>They do. They like to compartmentalize.

748
00:38:20.880 --> 00:38:25.000
<v Speaker 1>Yeah, oh yeah, yeah, but it's a good compartment I'm

749
00:38:25.119 --> 00:38:25.719
<v Speaker 1>enjoying it.

750
00:38:26.159 --> 00:38:28.719
<v Speaker 2>I mean it's a neat yeah, a neat thing.

751
00:38:28.840 --> 00:38:29.960
<v Speaker 1>No complaints over here.

752
00:38:30.119 --> 00:38:31.360
<v Speaker 2>Yeah.

753
00:38:31.440 --> 00:38:33.639
<v Speaker 3>Yeah, And you're still doing your live action thing with

754
00:38:33.719 --> 00:38:35.639
<v Speaker 3>Resident Alien. New season coming out.

755
00:38:35.559 --> 00:38:40.199
<v Speaker 2>Yeah, yeah, it's coming out soon. This and June m Yeah,

756
00:38:40.280 --> 00:38:43.760
<v Speaker 2>season four. We've done four seasons in six and a

757
00:38:43.800 --> 00:38:48.280
<v Speaker 2>half seven years because it's been it happened like during COVID.

758
00:38:48.679 --> 00:38:52.320
<v Speaker 1>COVID happened with the strike, and so it's everything goes

759
00:38:52.360 --> 00:38:52.760
<v Speaker 1>messed up.

760
00:38:52.840 --> 00:38:55.679
<v Speaker 2>Yeah, kicked around, kicked down the road, I should.

761
00:38:55.480 --> 00:38:58.199
<v Speaker 1>Say, yeah, yeah, between COVID and the strike.

762
00:38:58.320 --> 00:39:03.159
<v Speaker 2>Yeah, and then the cratering also of broadcast television has

763
00:39:03.199 --> 00:39:09.519
<v Speaker 2>been also our companion. Yeah, but Netflix started showing it and.

764
00:39:10.960 --> 00:39:14.119
<v Speaker 3>Yeah, so it seems like a fun show. It seems

765
00:39:14.159 --> 00:39:14.760
<v Speaker 3>like a good time.

766
00:39:15.920 --> 00:39:19.280
<v Speaker 2>It is I think a show that I will be

767
00:39:19.400 --> 00:39:21.639
<v Speaker 2>looking back on, like, I cannot believe we got away.

768
00:39:21.719 --> 00:39:24.360
<v Speaker 2>I could. I could because he's an alien. He can

769
00:39:24.400 --> 00:39:30.400
<v Speaker 2>do anything. We were doing this thing where I don't think.

770
00:39:31.880 --> 00:39:32.079
<v Speaker 3>There.

771
00:39:32.119 --> 00:39:37.599
<v Speaker 2>We were doing a thing this season where so there

772
00:39:37.639 --> 00:39:43.199
<v Speaker 2>was another character. There's another character, and she's exhibiting signs

773
00:39:43.239 --> 00:39:48.400
<v Speaker 2>of possible she's been taken over by an alien and

774
00:39:48.440 --> 00:39:52.519
<v Speaker 2>I hate that. Yeah, you know it does happen again. Yeah, right,

775
00:39:53.239 --> 00:39:56.119
<v Speaker 2>always when you least expect it. And I say, wait

776
00:39:56.159 --> 00:39:59.119
<v Speaker 2>a second, are you are you an alien? Hold on?

777
00:39:59.719 --> 00:40:03.880
<v Speaker 2>And uh? In the script, I said, are you an alien? No,

778
00:40:03.960 --> 00:40:06.519
<v Speaker 2>I can tell you're not. There's some quick thing where

779
00:40:06.519 --> 00:40:10.360
<v Speaker 2>I decided she wasn't. And I said, this is seems

780
00:40:10.480 --> 00:40:13.760
<v Speaker 2>very fast. What if I just can I just check her?

781
00:40:14.159 --> 00:40:15.639
<v Speaker 2>Let me just can I just check you real quick?

782
00:40:15.880 --> 00:40:17.280
<v Speaker 2>And so I was like, are you only?

783
00:40:17.519 --> 00:40:18.000
<v Speaker 1>And hold on?

784
00:40:18.039 --> 00:40:19.519
<v Speaker 2>And I stuck my finger up her nose and I

785
00:40:19.559 --> 00:40:27.400
<v Speaker 2>looked in her eye. Oh, and then I sound no, no, oh,

786
00:40:27.440 --> 00:40:32.239
<v Speaker 2>that's residual. That's residual, pulled on her ears. Oh you're fine. Oh,

787
00:40:32.320 --> 00:40:36.800
<v Speaker 2>like I could do it. That's uh, there's a lot

788
00:40:36.880 --> 00:40:39.599
<v Speaker 2>of freedom there, Yeah, that's for sure. It kind of crossed.

789
00:40:39.679 --> 00:40:43.760
<v Speaker 1>She was probably tickled pink too. She oh yeah, thanks

790
00:40:43.840 --> 00:40:45.079
<v Speaker 1>more nostril more not.

791
00:40:45.880 --> 00:40:48.719
<v Speaker 2>As an actor, there's definitely a lot to play with there. Yes,

792
00:40:49.079 --> 00:40:52.639
<v Speaker 2>as a scene partner, your scene partner comes and sticks

793
00:40:52.679 --> 00:40:53.360
<v Speaker 2>his finger up your.

794
00:40:53.360 --> 00:40:57.360
<v Speaker 1>Notes, what and give up show biz?

795
00:40:59.519 --> 00:41:02.920
<v Speaker 2>Yeah, so it is, it is a lot of it is.

796
00:41:03.239 --> 00:41:04.599
<v Speaker 1>That's why you get the big bucks.

797
00:41:04.679 --> 00:41:07.000
<v Speaker 2>Yeah, the big yep, those big you.

798
00:41:07.000 --> 00:41:10.079
<v Speaker 1>Take those leaps of faith, Yes, and that would that

799
00:41:10.119 --> 00:41:12.039
<v Speaker 1>would be one they they get.

800
00:41:12.400 --> 00:41:16.119
<v Speaker 2>I was like the hundred. The creator says, he like,

801
00:41:16.199 --> 00:41:20.480
<v Speaker 2>tells this story the creator that sounds so weird. The

802
00:41:20.559 --> 00:41:24.559
<v Speaker 2>creator of the show in the beginning, Yeah, there was

803
00:41:24.639 --> 00:41:28.880
<v Speaker 2>Christopher Shearon and he wrote this show Resident Alien, and

804
00:41:28.920 --> 00:41:32.679
<v Speaker 2>they had auditioned one hundred and forty four people to

805
00:41:32.679 --> 00:41:34.760
<v Speaker 2>play the role whoa and I was one hundred and

806
00:41:34.760 --> 00:41:36.519
<v Speaker 2>forty five, And they're like, and then Alan walked in

807
00:41:36.559 --> 00:41:38.320
<v Speaker 2>and we said that's it. We don't know what we're

808
00:41:38.360 --> 00:41:40.400
<v Speaker 2>looking for until Alan walked in and we said that's it.

809
00:41:40.559 --> 00:41:43.480
<v Speaker 2>What he's doing is what it is. And as an

810
00:41:43.519 --> 00:41:46.199
<v Speaker 2>actor my thought was, the hell was I one hundred

811
00:41:46.199 --> 00:41:48.920
<v Speaker 2>and forty five? What the hell? Man? I feel like

812
00:41:48.960 --> 00:41:51.159
<v Speaker 2>this is pretty much obvious. I should have been like,

813
00:41:51.559 --> 00:41:53.280
<v Speaker 2>yeah in the first fifty.

814
00:41:53.119 --> 00:41:57.199
<v Speaker 1>Come, I wasn't. Yeah, we could have done this right

815
00:41:57.239 --> 00:41:57.719
<v Speaker 1>out of the game.

816
00:41:57.800 --> 00:42:02.360
<v Speaker 2>Could have been done already, Man, this could have And yeah,

817
00:42:02.719 --> 00:42:06.920
<v Speaker 2>I think I think the casting director I had upset

818
00:42:06.960 --> 00:42:11.079
<v Speaker 2>her years before with one of my bold choices you

819
00:42:11.119 --> 00:42:15.679
<v Speaker 2>were praising earlier. She had asked me not to do

820
00:42:15.920 --> 00:42:19.400
<v Speaker 2>a bold choice. Oh, and I thought, but it's not

821
00:42:19.400 --> 00:42:20.519
<v Speaker 2>funny unless it's bold.

822
00:42:20.679 --> 00:42:21.079
<v Speaker 3>Yeah.

823
00:42:21.119 --> 00:42:24.679
<v Speaker 2>And so I did a very bold choice and which

824
00:42:24.719 --> 00:42:32.360
<v Speaker 2>required which required me to jump stealthily backwards into a wall.

825
00:42:32.880 --> 00:42:34.400
<v Speaker 1>Oh. Sure, very stealthy.

826
00:42:34.800 --> 00:42:37.119
<v Speaker 2>There are two people in the room. There's the cash

827
00:42:37.199 --> 00:42:39.559
<v Speaker 2>director of the director. She was mortified. The director was

828
00:42:39.599 --> 00:42:43.159
<v Speaker 2>like what is he doing? But the person running the

829
00:42:43.159 --> 00:42:48.039
<v Speaker 2>camera and the reader both went and they were trying

830
00:42:48.039 --> 00:42:52.679
<v Speaker 2>to not laugh, which is my favorite laugh. Oh that's

831
00:42:52.719 --> 00:42:57.000
<v Speaker 2>good because they're they're using every muscle to stop laughing,

832
00:42:57.000 --> 00:42:59.719
<v Speaker 2>but they still are making noise. Yeah. I felt like

833
00:42:59.760 --> 00:43:02.320
<v Speaker 2>I had succeeded. That's right, But she stopped calling Your

834
00:43:02.320 --> 00:43:05.639
<v Speaker 2>work was done, Your work and my work was done.

835
00:43:05.840 --> 00:43:09.199
<v Speaker 1>Yeah, but unfortunately done done, done done.

836
00:43:09.360 --> 00:43:13.079
<v Speaker 2>Yeah, and I became one hundred and forty five called

837
00:43:13.119 --> 00:43:17.639
<v Speaker 2>in But it worked out. Yeah, I did and you're

838
00:43:17.639 --> 00:43:19.000
<v Speaker 2>here now and I'm here now.

839
00:43:19.159 --> 00:43:24.360
<v Speaker 1>So see now that talk about your success, there's there's

840
00:43:24.400 --> 00:43:25.679
<v Speaker 1>a path right there for you.

841
00:43:26.199 --> 00:43:29.360
<v Speaker 2>Well, I think I could have done better throughout this

842
00:43:29.519 --> 00:43:33.360
<v Speaker 2>career that I like, I don't know, you just this,

843
00:43:33.559 --> 00:43:36.599
<v Speaker 2>you get you can read a script and go, I

844
00:43:36.639 --> 00:43:40.519
<v Speaker 2>know what they want, especially if you sit in a

845
00:43:40.920 --> 00:43:43.360
<v Speaker 2>before when we went to waiting rooms and you could

846
00:43:43.360 --> 00:43:45.559
<v Speaker 2>look around, you're like, oh, I'm not the right I'm

847
00:43:45.599 --> 00:43:49.480
<v Speaker 2>not the type. I'm doing a totally different take. Well,

848
00:43:49.639 --> 00:43:53.039
<v Speaker 2>leaning into that, Yeah, I'm just gonna do my thing,

849
00:43:54.079 --> 00:43:56.679
<v Speaker 2>and you hope for it. I hope that it turns out.

850
00:43:56.679 --> 00:43:58.440
<v Speaker 2>It's it's turned out enough in my career that I've

851
00:43:58.480 --> 00:44:03.519
<v Speaker 2>been able to survive. Yeah, well yeah, apparently. So.

852
00:44:04.199 --> 00:44:07.079
<v Speaker 1>I used to like going to casting facilities where they'd

853
00:44:07.119 --> 00:44:11.159
<v Speaker 1>be casting for voiceover and on camera, and you'd walk

854
00:44:11.159 --> 00:44:13.039
<v Speaker 1>in to be like three or four guys dressed like

855
00:44:13.079 --> 00:44:16.280
<v Speaker 1>me or shorts and T shirts and sandals. Then a

856
00:44:16.280 --> 00:44:19.599
<v Speaker 1>bunch of guys who looked like they're you know, third

857
00:44:19.639 --> 00:44:24.840
<v Speaker 1>year of law school and pissed, and you know, yeah,

858
00:44:24.920 --> 00:44:28.320
<v Speaker 1>no there, I know there are no glasses in these lenses,

859
00:44:28.360 --> 00:44:32.000
<v Speaker 1>in these glasses, but I look more intelligent. Yes, see,

860
00:44:32.039 --> 00:44:33.840
<v Speaker 1>I'm a lawyer now, no I'm not.

861
00:44:34.880 --> 00:44:35.119
<v Speaker 3>Yep.

862
00:44:35.519 --> 00:44:39.880
<v Speaker 2>So while your waiter that night, yes, yeah, what I was? Yeah?

863
00:44:40.199 --> 00:44:43.360
<v Speaker 1>Did you have a Did you have that period where

864
00:44:43.360 --> 00:44:46.320
<v Speaker 1>you you know, you you had the acting bug, you

865
00:44:46.360 --> 00:44:49.199
<v Speaker 1>had a job or two, and then you didn't have

866
00:44:49.480 --> 00:44:51.559
<v Speaker 1>you still had the acting bug, but without the job

867
00:44:51.639 --> 00:44:53.079
<v Speaker 1>or two, so you had.

868
00:44:52.920 --> 00:44:57.639
<v Speaker 2>To get a job. Yeah, And I I had a

869
00:44:57.840 --> 00:45:01.000
<v Speaker 2>I waited tables. I started in Texas, and I went

870
00:45:01.000 --> 00:45:04.000
<v Speaker 2>to an acting school for two years, and this little

871
00:45:04.039 --> 00:45:06.599
<v Speaker 2>school that doesn't exist anymore in East Texas, which was

872
00:45:06.800 --> 00:45:12.000
<v Speaker 2>had a terrible acting teacher, but the technical part of

873
00:45:12.000 --> 00:45:16.679
<v Speaker 2>the theater I really enjoyed. And drinking beer was fun,

874
00:45:17.559 --> 00:45:19.840
<v Speaker 2>and so I did that a lot. I've heard of that.

875
00:45:20.440 --> 00:45:22.280
<v Speaker 2>So I grew up a little bit, and I learned

876
00:45:22.280 --> 00:45:25.119
<v Speaker 2>a lot about how theater works and how to put

877
00:45:25.119 --> 00:45:28.840
<v Speaker 2>on a show. And then I went to Dallas, back

878
00:45:28.840 --> 00:45:31.400
<v Speaker 2>where I was from, and I did like.

879
00:45:31.360 --> 00:45:33.719
<v Speaker 1>A couple of little plays and.

880
00:45:33.679 --> 00:45:35.760
<v Speaker 2>I was in an improv troop, which taught me a lot.

881
00:45:36.559 --> 00:45:41.880
<v Speaker 1>Big theater presence in Dallas, yes, yes, there's a the

882
00:45:41.960 --> 00:45:43.920
<v Speaker 1>Dallas Theater Center is the big theater.

883
00:45:44.559 --> 00:45:47.280
<v Speaker 2>And I noticed all the big actors that they had

884
00:45:47.360 --> 00:45:49.599
<v Speaker 2>coming to play. The large roles were from New York

885
00:45:49.719 --> 00:45:54.320
<v Speaker 2>City or Los Angeles, California. But you could be big

886
00:45:54.360 --> 00:45:57.679
<v Speaker 2>in Dallas and you'd really have to make it big

887
00:45:57.719 --> 00:46:01.000
<v Speaker 2>to really get one of those roles. Yeah, so yeah,

888
00:46:01.360 --> 00:46:03.599
<v Speaker 2>I thought I need to go to all Right. I

889
00:46:03.639 --> 00:46:07.000
<v Speaker 2>got a roll. I got a role in a play

890
00:46:07.000 --> 00:46:09.199
<v Speaker 2>that was written by these two Yale God bless them.

891
00:46:09.239 --> 00:46:10.679
<v Speaker 2>I don't know what they're doing, these two women. It

892
00:46:10.800 --> 00:46:13.119
<v Speaker 2>was written by them and they was being co directed

893
00:46:13.159 --> 00:46:16.360
<v Speaker 2>by them. And I got a roll and they said,

894
00:46:16.400 --> 00:46:18.679
<v Speaker 2>here's a monologue you're going to do. It was like

895
00:46:18.719 --> 00:46:22.960
<v Speaker 2>little vignettes. It was about age. It was to help.

896
00:46:23.440 --> 00:46:24.760
<v Speaker 2>I don't know if we were making money, we were

897
00:46:24.840 --> 00:46:26.519
<v Speaker 2>raising money for aise, but it was that was the

898
00:46:26.559 --> 00:46:30.360
<v Speaker 2>main through line of all the different scenes within the play.

899
00:46:31.360 --> 00:46:35.360
<v Speaker 2>And mine, mine was a page of rap. Well it

900
00:46:35.440 --> 00:46:39.119
<v Speaker 2>was a they're like rap it like you're a rapper,

901
00:46:39.599 --> 00:46:43.039
<v Speaker 2>and it was very profand I was like, she likes

902
00:46:43.119 --> 00:46:47.000
<v Speaker 2>my bleep, I give her my beep. We do the bleep.

903
00:46:47.320 --> 00:46:50.320
<v Speaker 2>I want to sleep, And it was they have me

904
00:46:50.440 --> 00:46:53.559
<v Speaker 2>wrapping it. And I don't know if you've noticed very

905
00:46:53.599 --> 00:46:57.280
<v Speaker 2>wide and I know eminem is very good and he

906
00:46:57.360 --> 00:47:01.960
<v Speaker 2>is also very white. But uh, I don't have that talent. Yeah,

907
00:47:02.360 --> 00:47:03.239
<v Speaker 2>I don't have Well.

908
00:47:03.119 --> 00:47:08.679
<v Speaker 1>He doesn't either, so it's kidding. I am wherever you are.

909
00:47:09.559 --> 00:47:13.159
<v Speaker 1>Come on, Emmy, come on. If you're a fan of

910
00:47:13.280 --> 00:47:16.320
<v Speaker 1>everything we do here at tuned In with Jim Cummings,

911
00:47:16.559 --> 00:47:20.840
<v Speaker 1>you could support the show on Patreon for bonus exclusive podcasts,

912
00:47:21.239 --> 00:47:24.400
<v Speaker 1>as well as early in ad free access to the

913
00:47:24.440 --> 00:47:28.519
<v Speaker 1>show itself, prize drawings, and more. You'll feel the difference,

914
00:47:28.760 --> 00:47:31.519
<v Speaker 1>so go ahead and join the tuned In family today

915
00:47:31.880 --> 00:47:36.960
<v Speaker 1>at patreon dot com slash Jim Cummings podcast Do It Now.

916
00:47:38.079 --> 00:47:40.320
<v Speaker 2>So I got done with the rehearsal and they said

917
00:47:40.360 --> 00:47:43.559
<v Speaker 2>that was amazing. You were so good. And I went

918
00:47:43.599 --> 00:47:46.280
<v Speaker 2>home and I said, I need to go back to

919
00:47:46.320 --> 00:47:50.280
<v Speaker 2>school because that was terrible. And I can't I can't

920
00:47:51.000 --> 00:47:58.320
<v Speaker 2>say exactly why. I can't articulate the specifics of the awfulness. Okay.

921
00:47:58.440 --> 00:48:02.920
<v Speaker 2>I asked somebody in my improv troupe, Hey, what's a

922
00:48:02.960 --> 00:48:06.840
<v Speaker 2>good theater school and they said Juilliard's good. I said, okay,

923
00:48:06.880 --> 00:48:08.760
<v Speaker 2>where's that? And I found out it was in New

924
00:48:08.840 --> 00:48:12.079
<v Speaker 2>York and I auditioned and got in. So I'd done

925
00:48:12.159 --> 00:48:15.440
<v Speaker 2>two years of trying to make it in Dallas.

926
00:48:15.480 --> 00:48:16.840
<v Speaker 1>Yeah, I was going to ask you about that.

927
00:48:16.840 --> 00:48:20.280
<v Speaker 2>That's yeah, good as it gets. It was great for

928
00:48:20.400 --> 00:48:24.119
<v Speaker 2>voiceover because it taught me. They took my jewelliard. There

929
00:48:24.159 --> 00:48:27.360
<v Speaker 2>were more voice classes than acting classes. Oh, which in

930
00:48:27.519 --> 00:48:30.440
<v Speaker 2>your time, I wouldn't have counted the hours and went,

931
00:48:31.119 --> 00:48:33.960
<v Speaker 2>wait a minute, there's not enough acting here getting short,

932
00:48:34.039 --> 00:48:36.599
<v Speaker 2>I'm doing more voice classes, and I'm annoyed by it

933
00:48:37.119 --> 00:48:38.840
<v Speaker 2>because it's a shape. They want to teach you to

934
00:48:38.880 --> 00:48:44.159
<v Speaker 2>do classical theater, and so you do everything like Patrick Stewart. Yes,

935
00:48:45.079 --> 00:48:47.079
<v Speaker 2>the guest directors going to go why does everybody have

936
00:48:47.079 --> 00:48:50.280
<v Speaker 2>an English accent? Like this isn't an English accent, this

937
00:48:50.480 --> 00:48:53.360
<v Speaker 2>is mid Atlantic speech. And it's just weird that.

938
00:48:54.440 --> 00:48:56.960
<v Speaker 1>Nineteen forties Tarzan you speak?

939
00:48:57.159 --> 00:48:59.320
<v Speaker 2>Yeah, but dozan? Where are you going?

940
00:49:00.159 --> 00:49:01.519
<v Speaker 1>You know where's she from?

941
00:49:01.719 --> 00:49:05.239
<v Speaker 2>She's as an African? I am going over here? Yes,

942
00:49:08.239 --> 00:49:11.480
<v Speaker 2>what are you doing here? He was a child, he

943
00:49:11.519 --> 00:49:13.320
<v Speaker 2>was lost. There's a whole story to it. But it

944
00:49:13.840 --> 00:49:16.760
<v Speaker 2>was weird that he was the king at the jungle.

945
00:49:17.920 --> 00:49:20.119
<v Speaker 1>Oh yeah, that's true. Yeah, I always thought.

946
00:49:20.039 --> 00:49:26.000
<v Speaker 2>Think seems strange in retrospect. Yes, but yeah, they taught

947
00:49:26.039 --> 00:49:29.400
<v Speaker 2>me a lot about like they took away my Texas accent,

948
00:49:29.960 --> 00:49:31.960
<v Speaker 2>which I had at the time. It was probably just

949
00:49:32.000 --> 00:49:33.239
<v Speaker 2>a little bit like that.

950
00:49:34.440 --> 00:49:37.960
<v Speaker 1>Yeah, and yeah, because you're just you're straight away. I

951
00:49:37.960 --> 00:49:38.960
<v Speaker 1>mean there's no accent.

952
00:49:39.880 --> 00:49:40.079
<v Speaker 2>You know.

953
00:49:40.159 --> 00:49:41.159
<v Speaker 1>That's when I get on the.

954
00:49:41.119 --> 00:49:44.119
<v Speaker 2>Phone with my parents or anybody from Texas, it's you.

955
00:49:44.039 --> 00:49:47.719
<v Speaker 1>Know, oh yeah, yeah, I'm sure of that now. In

956
00:49:47.840 --> 00:49:51.599
<v Speaker 1>the West Texas town of El Paso, I was born, Uh.

957
00:49:53.280 --> 00:49:58.880
<v Speaker 2>Wow, el Paso, right. I spent a very memorable year

958
00:49:58.920 --> 00:50:01.079
<v Speaker 2>there through my roots are.

959
00:50:01.119 --> 00:50:03.320
<v Speaker 1>I did too, but it was just over a weekend.

960
00:50:03.559 --> 00:50:05.880
<v Speaker 1>Oh really, yeah, but it felt like a year.

961
00:50:06.199 --> 00:50:07.800
<v Speaker 2>What did you go to a con there?

962
00:50:08.679 --> 00:50:10.960
<v Speaker 1>I think so. I think that was me.

963
00:50:11.039 --> 00:50:12.719
<v Speaker 2>I wonder if we were. I was at a con

964
00:50:13.159 --> 00:50:17.719
<v Speaker 2>in here. Somebody tried to kill the Green Power Ranger.

965
00:50:18.559 --> 00:50:22.840
<v Speaker 2>Somebody was tweeting about it. I'm coming down there to

966
00:50:22.920 --> 00:50:25.719
<v Speaker 2>kill the Power Ranger and I got guns and I'm

967
00:50:25.719 --> 00:50:27.960
<v Speaker 2>going to do it. And then it kind of came

968
00:50:27.960 --> 00:50:29.400
<v Speaker 2>around like the guests they're.

969
00:50:29.159 --> 00:50:31.360
<v Speaker 1>Like, did y'all hear that? There's somebody?

970
00:50:31.440 --> 00:50:35.840
<v Speaker 2>And he got in and because he was not very smart,

971
00:50:35.880 --> 00:50:37.800
<v Speaker 2>and I guess was it was a cry for help

972
00:50:37.800 --> 00:50:40.119
<v Speaker 2>because he was giving his location at all times. Uh,

973
00:50:40.239 --> 00:50:45.800
<v Speaker 2>huh uh yeah almost and he had several weapons on him. Whoa,

974
00:50:46.079 --> 00:50:49.280
<v Speaker 2>that was scary. Dang that was my last experience with

975
00:50:49.280 --> 00:50:49.800
<v Speaker 2>al Paso.

976
00:50:50.599 --> 00:50:55.000
<v Speaker 1>Hmm. Well, Kinky Friedman had a song oh really yeah

977
00:50:55.400 --> 00:50:59.800
<v Speaker 1>called the Asshole from al Paso and I thought, well,

978
00:51:00.679 --> 00:51:05.920
<v Speaker 1>here we go. Yeah it was about him, Yeah, it

979
00:51:05.960 --> 00:51:06.880
<v Speaker 1>could have been about him.

980
00:51:06.920 --> 00:51:07.119
<v Speaker 2>Yeah.

981
00:51:07.559 --> 00:51:12.079
<v Speaker 1>And I like Kinky Friedman because his guitar was fashioned.

982
00:51:12.239 --> 00:51:16.840
<v Speaker 1>He adapted it the guitar neck onto a toilet seat.

983
00:51:17.880 --> 00:51:18.400
<v Speaker 2>Wow.

984
00:51:18.679 --> 00:51:24.639
<v Speaker 1>So it was just well no, just just the seat,

985
00:51:25.280 --> 00:51:32.199
<v Speaker 1>not not the basin the pot, but the ring, the ring, Yes,

986
00:51:32.639 --> 00:51:36.199
<v Speaker 1>like from the Men's are here here this This had

987
00:51:36.199 --> 00:51:40.079
<v Speaker 1>make a great guitar. Now let's get one from best Buy.

988
00:51:40.360 --> 00:51:43.320
<v Speaker 1>Well these are used, you know, you don't want to

989
00:51:43.760 --> 00:51:47.800
<v Speaker 1>come on kicking? Come on? Yeah, how'd we get on that?

990
00:51:47.920 --> 00:51:48.760
<v Speaker 1>Right to the toilet?

991
00:51:49.039 --> 00:51:52.079
<v Speaker 2>What kind of music do you listen to? More or less?

992
00:51:52.079 --> 00:51:55.320
<v Speaker 1>And I like Afro Cuban jazz. I like R and

993
00:51:55.360 --> 00:51:58.320
<v Speaker 1>B really really like R and B. Yeah, a lot

994
00:51:58.360 --> 00:52:02.000
<v Speaker 1>of jazz stuff like that, not a hell of a

995
00:52:02.000 --> 00:52:05.880
<v Speaker 1>lot of classical, not too much pop music anymore. Pop

996
00:52:05.960 --> 00:52:08.360
<v Speaker 1>music is I don't even know what's going on out

997
00:52:08.360 --> 00:52:09.079
<v Speaker 1>there now.

998
00:52:09.760 --> 00:52:12.440
<v Speaker 2>Switch, that's all I know, and people with names that

999
00:52:12.480 --> 00:52:15.440
<v Speaker 2>I don't know. One names, a lot of one namers.

1000
00:52:15.480 --> 00:52:18.360
<v Speaker 2>There weren't a ton of one namers. I was coming

1001
00:52:18.440 --> 00:52:23.800
<v Speaker 2>up staying Madonna, Yeah, Madonna, Prince Prince and then formerly

1002
00:52:23.800 --> 00:52:25.239
<v Speaker 2>known as Prince, but he's Prince.

1003
00:52:25.519 --> 00:52:26.280
<v Speaker 1>Yeah, he's Prince.

1004
00:52:26.800 --> 00:52:29.320
<v Speaker 2>There was just a few really big, heavy hitters that

1005
00:52:29.400 --> 00:52:33.199
<v Speaker 2>got one name, and now most everybody just has one name.

1006
00:52:34.360 --> 00:52:35.320
<v Speaker 2>That's a well.

1007
00:52:35.360 --> 00:52:38.639
<v Speaker 1>I remember Paul, John, George and Ringo. They had a

1008
00:52:38.719 --> 00:52:43.480
<v Speaker 1>name so there, Yeah that was Peter paula married.

1009
00:52:43.559 --> 00:52:45.960
<v Speaker 2>I guess they were one name, that's true. They each

1010
00:52:46.000 --> 00:52:47.119
<v Speaker 2>shot one name.

1011
00:52:47.480 --> 00:52:48.039
<v Speaker 1>That's true.

1012
00:52:48.199 --> 00:52:51.800
<v Speaker 2>To do their folk.

1013
00:52:51.320 --> 00:52:53.360
<v Speaker 1>Chad and Jeremy, Peter and Gordon.

1014
00:52:54.719 --> 00:52:58.920
<v Speaker 2>They don't count all Simon and Garfunkle, they did last names.

1015
00:53:02.159 --> 00:53:04.280
<v Speaker 2>I'm a big Paul Simon fan, me too.

1016
00:53:05.559 --> 00:53:10.440
<v Speaker 1>Turn Overdrive, dude, where did this go?

1017
00:53:10.559 --> 00:53:13.119
<v Speaker 2>Downhill? Boy?

1018
00:53:13.719 --> 00:53:16.880
<v Speaker 1>He's talking about Overdrive? He's old.

1019
00:53:17.119 --> 00:53:24.239
<v Speaker 2>Have you done any uh music for Disney? See? Yeah,

1020
00:53:24.280 --> 00:53:25.840
<v Speaker 2>I did well. I guess I did one, but it

1021
00:53:25.880 --> 00:53:27.519
<v Speaker 2>wasn't very I wasn't good. Yeah.

1022
00:53:27.559 --> 00:53:29.880
<v Speaker 1>Well, I was saying a bunch of songs. Yeah, you know,

1023
00:53:30.039 --> 00:53:30.760
<v Speaker 1>so that was fun.

1024
00:53:30.880 --> 00:53:34.800
<v Speaker 2>I grew up with those books. I remember I had

1025
00:53:34.880 --> 00:53:37.039
<v Speaker 2>a Mary Poppin's book and you can listen to it

1026
00:53:37.079 --> 00:53:40.000
<v Speaker 2>and then oh yeah, yeah, and you turn a page

1027
00:53:40.119 --> 00:53:44.599
<v Speaker 2>or I forgot about those like sing along type of

1028
00:53:45.400 --> 00:53:47.679
<v Speaker 2>enjoy enjoy the movie again just through.

1029
00:53:47.760 --> 00:53:50.400
<v Speaker 1>Yeah, you've done one or two of those. I think

1030
00:53:50.440 --> 00:53:50.800
<v Speaker 1>over the.

1031
00:53:50.800 --> 00:53:53.400
<v Speaker 2>Years I wanted to do and I pitched it to

1032
00:53:53.480 --> 00:53:57.239
<v Speaker 2>John Lassiter when he was there, that King Candy should

1033
00:53:57.280 --> 00:54:00.840
<v Speaker 2>do old songs like I used to have.

1034
00:54:00.760 --> 00:54:04.440
<v Speaker 1>A Jerry Lewis Uh Buffalo gals, catch you come out tonight?

1035
00:54:04.519 --> 00:54:07.360
<v Speaker 2>That would be great. Buffalo girls. Can't you come out tonight?

1036
00:54:07.440 --> 00:54:09.880
<v Speaker 2>Please come out to night? Oh my god, come out

1037
00:54:09.920 --> 00:54:16.079
<v Speaker 2>to like all of you. And he was like what, Like,

1038
00:54:16.159 --> 00:54:18.679
<v Speaker 2>I'm sorry, what are you saying? Yeah, I'm telling you

1039
00:54:18.760 --> 00:54:20.360
<v Speaker 2>we just got to do a recording. We'll do an

1040
00:54:20.440 --> 00:54:25.400
<v Speaker 2>audio release for some some old vaudeville songs. And he

1041
00:54:25.440 --> 00:54:27.360
<v Speaker 2>ignored me. And then I caught him again at a

1042
00:54:27.400 --> 00:54:29.360
<v Speaker 2>party and I was like, hey, you really, I want

1043
00:54:29.360 --> 00:54:31.760
<v Speaker 2>to I want to make another shot at this, just

1044
00:54:32.239 --> 00:54:34.320
<v Speaker 2>we should do an audio thing and he said no.

1045
00:54:35.360 --> 00:54:37.719
<v Speaker 2>So I don't think he bothered to say no. He

1046
00:54:37.800 --> 00:54:40.519
<v Speaker 2>just looked at me, like you're so strange.

1047
00:54:40.719 --> 00:54:43.079
<v Speaker 1>Yeah, he just looked at me, can you freshen this

1048
00:54:43.159 --> 00:54:43.559
<v Speaker 1>up for me?

1049
00:54:43.679 --> 00:54:46.280
<v Speaker 2>Yeah? Yeah, God, you're still here.

1050
00:54:47.480 --> 00:54:48.760
<v Speaker 3>He was always very generous to me.

1051
00:54:48.840 --> 00:54:53.039
<v Speaker 2>He was very I credit him with yeah, yeah, yeah,

1052
00:54:53.079 --> 00:54:54.280
<v Speaker 2>really well.

1053
00:54:54.320 --> 00:54:56.760
<v Speaker 1>He was so much pres brilliant guy. And he had

1054
00:54:56.760 --> 00:55:01.159
<v Speaker 1>a lot and he had a lot of Hawaiian shirts. Yes, yes,

1055
00:55:01.480 --> 00:55:03.599
<v Speaker 1>I remember. I used to have a few of them

1056
00:55:03.639 --> 00:55:06.559
<v Speaker 1>and we ran into each other a few times and

1057
00:55:07.000 --> 00:55:12.199
<v Speaker 1>I like your shirt. I cares all right, and that

1058
00:55:12.320 --> 00:55:15.599
<v Speaker 1>was exciting. They said, no, you have to go now,

1059
00:55:16.639 --> 00:55:17.159
<v Speaker 1>so I did.

1060
00:55:17.719 --> 00:55:20.880
<v Speaker 2>He was a man. Well he's working a sky dance now, yeah,

1061
00:55:21.000 --> 00:55:21.559
<v Speaker 2>sky dance.

1062
00:55:22.280 --> 00:55:24.559
<v Speaker 1>I think he's doing fine. Oh yeah, I don't think

1063
00:55:24.599 --> 00:55:25.440
<v Speaker 1>we're worried about him.

1064
00:55:25.519 --> 00:55:26.599
<v Speaker 2>No, I'm not worried about him.

1065
00:55:27.280 --> 00:55:29.239
<v Speaker 3>Would you like to play a game? We have a

1066
00:55:29.280 --> 00:55:33.239
<v Speaker 3>little game on this shot, a voice swap game. Oh no,

1067
00:55:33.360 --> 00:55:34.039
<v Speaker 3>it's going to be.

1068
00:55:34.000 --> 00:55:34.400
<v Speaker 2>Bad at this.

1069
00:55:34.519 --> 00:55:35.599
<v Speaker 3>No, you'll be from Fantasy.

1070
00:55:35.800 --> 00:55:38.559
<v Speaker 2>Can I Can I tell you a story? Oh no,

1071
00:55:39.079 --> 00:55:40.920
<v Speaker 2>I don't know if you're going to like this story.

1072
00:55:40.920 --> 00:55:44.920
<v Speaker 2>But I always wondered if you knew this, and I

1073
00:55:45.199 --> 00:55:48.360
<v Speaker 2>wondered if you I'm glad I'm here. I thought you

1074
00:55:48.440 --> 00:55:51.679
<v Speaker 2>might anyway. When they did Christopher Robin, when you did

1075
00:55:51.760 --> 00:55:55.320
<v Speaker 2>Christopher Robb. There was a point where they said you

1076
00:55:55.320 --> 00:55:57.800
<v Speaker 2>did Winnie the Pooh oh, yeah, yeah, yeah, and you

1077
00:55:57.840 --> 00:56:02.400
<v Speaker 2>did Tigger yes, ultimately ultimately, ultimately yeah. We both both

1078
00:56:02.440 --> 00:56:06.400
<v Speaker 2>knew that word was coming. Or one of the people

1079
00:56:06.440 --> 00:56:09.000
<v Speaker 2>that they offered it to because they wanted you just

1080
00:56:09.000 --> 00:56:11.519
<v Speaker 2>to do Winnie the Pooh was me.

1081
00:56:12.559 --> 00:56:13.960
<v Speaker 1>Really, I didn't know that one ye.

1082
00:56:14.280 --> 00:56:17.760
<v Speaker 2>Me And I said, I think Jim Cummings does this roll,

1083
00:56:17.800 --> 00:56:20.079
<v Speaker 2>and they said no, we would let we're going to

1084
00:56:20.239 --> 00:56:23.760
<v Speaker 2>We're going to someone else. I called Nolan North and

1085
00:56:23.760 --> 00:56:25.880
<v Speaker 2>I said, what the hell is this and he said,

1086
00:56:25.920 --> 00:56:28.800
<v Speaker 2>I guess it's what they're doing. I don't know why

1087
00:56:28.840 --> 00:56:31.400
<v Speaker 2>Jim isn't doing it, but if they've asked you an audition,

1088
00:56:32.079 --> 00:56:34.440
<v Speaker 2>I said no. They offered me the role. He said

1089
00:56:34.480 --> 00:56:36.760
<v Speaker 2>you should take it, and I said I can't do it,

1090
00:56:37.039 --> 00:56:41.960
<v Speaker 2>and I worked, yeah, yeah, I'm throwing Nolan under the

1091
00:56:41.960 --> 00:56:44.400
<v Speaker 2>busting the son of a bitch.

1092
00:56:45.119 --> 00:56:45.239
<v Speaker 1>Uh.

1093
00:56:45.719 --> 00:56:49.880
<v Speaker 2>And I would do it. I would try it. And

1094
00:56:49.920 --> 00:56:51.840
<v Speaker 2>it was one of those voices. I'm like, it's right here,

1095
00:56:53.159 --> 00:56:55.360
<v Speaker 2>right where my voice needs to shift over. I don't

1096
00:56:55.400 --> 00:56:57.320
<v Speaker 2>have any access to I don't have a space there.

1097
00:56:57.360 --> 00:56:59.800
<v Speaker 2>I can't I can't. I can't do it, and so

1098
00:56:59.840 --> 00:57:01.239
<v Speaker 2>I wrote him an I letter and said, thank you

1099
00:57:01.280 --> 00:57:06.480
<v Speaker 2>so much. I love this role. Sever since I was

1100
00:57:06.480 --> 00:57:08.559
<v Speaker 2>a kid, he was my favorite role and he was

1101
00:57:08.679 --> 00:57:12.480
<v Speaker 2>the one I identified with and you know, with your

1102
00:57:12.559 --> 00:57:15.400
<v Speaker 2>work and how I just through the years, he has

1103
00:57:15.599 --> 00:57:18.280
<v Speaker 2>maintained a special spot in my heart. And because of that,

1104
00:57:18.400 --> 00:57:21.599
<v Speaker 2>I can't do it. I would never be able to

1105
00:57:21.639 --> 00:57:25.599
<v Speaker 2>do it. Justice and I thank you. And I was

1106
00:57:25.760 --> 00:57:29.320
<v Speaker 2>so genuine and loving about the role. They said, well,

1107
00:57:29.320 --> 00:57:30.159
<v Speaker 2>now you have to do it.

1108
00:57:31.880 --> 00:57:34.840
<v Speaker 1>No no, no, no, no, no, you guys, you don't understand.

1109
00:57:34.920 --> 00:57:36.760
<v Speaker 2>I can't do it. And they said you have to

1110
00:57:36.800 --> 00:57:38.679
<v Speaker 2>come in now improve to us. You can't do it.

1111
00:57:39.000 --> 00:57:41.360
<v Speaker 2>So it took about five minutes and they went, oh, yeah,

1112
00:57:41.400 --> 00:57:48.119
<v Speaker 2>you can't. Oh jeez, oh thanks. I had to show

1113
00:57:48.199 --> 00:57:50.960
<v Speaker 2>up to fail. I was like, here's where I'm let

1114
00:57:51.039 --> 00:57:53.760
<v Speaker 2>me show you it's going. I'm getting closer. I'm getting closer,

1115
00:57:53.800 --> 00:57:56.239
<v Speaker 2>and then you know where it's supposed to be. I

1116
00:57:56.280 --> 00:57:58.400
<v Speaker 2>can't get there. It's right here, and I'm like pointing

1117
00:57:58.440 --> 00:58:01.760
<v Speaker 2>in my mouth it's here. I can't do it. I

1118
00:58:01.760 --> 00:58:07.480
<v Speaker 2>can't do it, Jesus. So they glad you finally did it. Yeah,

1119
00:58:07.800 --> 00:58:11.440
<v Speaker 2>it's that's that's that producery ideas. Those are those producer ideas.

1120
00:58:11.519 --> 00:58:14.280
<v Speaker 1>Yeah, it was a weird one. We went in and saw.

1121
00:58:15.280 --> 00:58:18.679
<v Speaker 1>I took my one daughter into uh for some reason.

1122
00:58:18.960 --> 00:58:22.199
<v Speaker 1>We were both free, but they said, would you like

1123
00:58:22.239 --> 00:58:25.119
<v Speaker 1>to come in and see the shove? It's about seventy

1124
00:58:26.400 --> 00:58:30.360
<v Speaker 1>and so we go and and I won't be bringing

1125
00:58:30.440 --> 00:58:33.920
<v Speaker 1>up the fellow's name who was doing Tigger. Yeah, great guy,

1126
00:58:34.280 --> 00:58:38.480
<v Speaker 1>great actor, great guy, but he wasn't Tigger.

1127
00:58:38.760 --> 00:58:40.920
<v Speaker 2>No, And did he try to do.

1128
00:58:42.400 --> 00:58:48.599
<v Speaker 1>He came, It came across oddly enough. It had a

1129
00:58:48.679 --> 00:58:54.440
<v Speaker 1>Rodney danger Field quality. Hey Tigger, all right, I forget

1130
00:58:54.480 --> 00:58:58.880
<v Speaker 1>about it, okay.

1131
00:58:57.840 --> 00:58:59.079
<v Speaker 2>You know. And it was and.

1132
00:59:00.599 --> 00:59:03.920
<v Speaker 1>You know, and my daughter and I know that's so hard.

1133
00:59:03.960 --> 00:59:06.719
<v Speaker 2>That's different. Wish you didn't have to see that. That's

1134
00:59:06.760 --> 00:59:10.400
<v Speaker 2>gotta hurt, yeah, and break your heart. Well it was.

1135
00:59:10.519 --> 00:59:13.719
<v Speaker 1>It was funky because it was just she and I

1136
00:59:14.360 --> 00:59:17.519
<v Speaker 1>and then the producers and director sitting like eight feet

1137
00:59:17.559 --> 00:59:20.480
<v Speaker 1>behind us in the room. But the size, you know,

1138
00:59:20.679 --> 00:59:24.559
<v Speaker 1>they're sitting there, we're here, here's the screen, and and

1139
00:59:24.800 --> 00:59:28.000
<v Speaker 1>and we're going, you know, and I thinking they can't

1140
00:59:28.039 --> 00:59:32.320
<v Speaker 1>tell they can't see my face right from behind. And

1141
00:59:32.360 --> 00:59:34.800
<v Speaker 1>it was just it was it made you mad enough

1142
00:59:34.800 --> 00:59:37.039
<v Speaker 1>to smack your grandma. Yeah, it was.

1143
00:59:37.159 --> 00:59:37.519
<v Speaker 2>It was that.

1144
00:59:37.920 --> 00:59:40.800
<v Speaker 1>And sure enough, on the way home, the phone rings

1145
00:59:40.920 --> 00:59:44.760
<v Speaker 1>and jam it's mouth Foster. How are you very good?

1146
00:59:44.800 --> 00:59:49.639
<v Speaker 1>He goes, I'm sorry. I wasn't there, but I know

1147
00:59:49.719 --> 00:59:52.159
<v Speaker 1>that you saw the movie and what did you think?

1148
00:59:52.199 --> 00:59:56.800
<v Speaker 1>And I would I think it's gonna be great. And

1149
00:59:58.599 --> 01:00:03.960
<v Speaker 1>uh and he said, well, I was thinking we could

1150
01:00:04.079 --> 01:00:10.880
<v Speaker 1>talk about Tika. Yeah, and I go, let's do that,

1151
01:00:11.079 --> 01:00:14.440
<v Speaker 1>shall we. So the good news is that I that

1152
01:00:14.599 --> 01:00:17.519
<v Speaker 1>I got to do it. The bad news is they

1153
01:00:17.519 --> 01:00:20.119
<v Speaker 1>had already filmed it, and you can tell by the

1154
01:00:20.119 --> 01:00:22.320
<v Speaker 1>way it was so I was stuck with the rhythm.

1155
01:00:23.079 --> 01:00:25.920
<v Speaker 1>I was stuck with the rhythm of it, and it

1156
01:00:26.039 --> 01:00:30.280
<v Speaker 1>was really hard. And some of them we fixed, some

1157
01:00:30.360 --> 01:00:32.440
<v Speaker 1>of them we were able to fix, and others we

1158
01:00:32.440 --> 01:00:34.800
<v Speaker 1>were able to fudge, and it came out great.

1159
01:00:35.199 --> 01:00:37.239
<v Speaker 2>I thought it was just fine. I'm so glad they

1160
01:00:37.239 --> 01:00:39.239
<v Speaker 2>came down finally. Oh yeah, me.

1161
01:00:39.239 --> 01:00:41.400
<v Speaker 1>Too, me too.

1162
01:00:42.000 --> 01:00:42.679
<v Speaker 2>Oh my gosh.

1163
01:00:42.920 --> 01:00:43.880
<v Speaker 1>Yeah, that was a tough one.

1164
01:00:43.920 --> 01:00:45.760
<v Speaker 2>It makes me feel it makes my stomach turn.

1165
01:00:45.920 --> 01:00:48.960
<v Speaker 1>Yeah, but I don't think I've ever told that before

1166
01:00:49.079 --> 01:00:49.840
<v Speaker 1>on the podcast.

1167
01:00:49.960 --> 01:00:52.960
<v Speaker 2>Yeah, yeah, it's that's that's the Hollywood.

1168
01:00:52.519 --> 01:00:55.639
<v Speaker 1>You know, Yeah, that's the way. That's the way of

1169
01:00:55.679 --> 01:00:56.119
<v Speaker 1>the world.

1170
01:00:56.599 --> 01:01:00.559
<v Speaker 2>You know, you mentioned, uh, I robot, so a lot

1171
01:01:00.599 --> 01:01:02.599
<v Speaker 2>of people didn't know I did Sonny the Robot and

1172
01:01:02.719 --> 01:01:06.840
<v Speaker 2>I Robot. And there's a reason I did that because

1173
01:01:07.480 --> 01:01:10.480
<v Speaker 2>they were doing test audiences with the with the movie,

1174
01:01:11.039 --> 01:01:14.400
<v Speaker 2>and they score the characters in this kind of test

1175
01:01:14.400 --> 01:01:18.840
<v Speaker 2>audience and I've got word back, Alan, You're testing higher

1176
01:01:19.280 --> 01:01:21.039
<v Speaker 2>than oh Will Smith.

1177
01:01:21.679 --> 01:01:23.719
<v Speaker 3>Nice, it's about the slappiest.

1178
01:01:24.280 --> 01:01:27.440
<v Speaker 2>And then I was gone. I was done. There was

1179
01:01:27.480 --> 01:01:31.559
<v Speaker 2>no publicity and my name was not mentioned. They wanted

1180
01:01:31.559 --> 01:01:38.800
<v Speaker 2>to get yeah, and I was like, wait, how do

1181
01:01:38.920 --> 01:01:41.760
<v Speaker 2>they nobody's gonna know that I And they're like mm hmmm,

1182
01:01:42.599 --> 01:01:44.920
<v Speaker 2>hmmm uh and sad.

1183
01:01:44.960 --> 01:01:46.400
<v Speaker 3>That was such a good performance too.

1184
01:01:47.119 --> 01:01:51.079
<v Speaker 2>It was Yeah, I put a lot into it because yeah,

1185
01:01:51.159 --> 01:01:52.599
<v Speaker 2>because he had to move like a robot, so I

1186
01:01:52.639 --> 01:01:54.840
<v Speaker 2>had to move. It was very I you know, it

1187
01:01:54.920 --> 01:01:58.599
<v Speaker 2>was whatever it was at the time, I was very upset.

1188
01:01:59.280 --> 01:02:01.039
<v Speaker 2>It took me that that was something I had.

1189
01:02:00.920 --> 01:02:03.639
<v Speaker 3>To I mean that that freaking interview scene with you

1190
01:02:03.719 --> 01:02:06.360
<v Speaker 3>and Will Smith. I mean there's that's like that like

1191
01:02:06.440 --> 01:02:08.679
<v Speaker 3>hits you in like multiple times. You know, it's like

1192
01:02:08.719 --> 01:02:12.119
<v Speaker 3>an emotional scene and it's like giving humanity to a robot,

1193
01:02:12.280 --> 01:02:14.639
<v Speaker 3>you know. And I think that scenes like very important

1194
01:02:14.719 --> 01:02:17.239
<v Speaker 3>for the whole movie. It's because that's when we as

1195
01:02:17.239 --> 01:02:20.159
<v Speaker 3>an audience really feel connected, you know, especially when it's like,

1196
01:02:20.679 --> 01:02:23.280
<v Speaker 3>you know, can you paint the mona Lisa? You know?

1197
01:02:23.400 --> 01:02:25.639
<v Speaker 3>Can you build a chair with your own hands? And

1198
01:02:25.960 --> 01:02:29.119
<v Speaker 3>can you It's like still true to this day, you know.

1199
01:02:29.119 --> 01:02:31.400
<v Speaker 3>I guess rebrought up again, you know with AI. I

1200
01:02:31.440 --> 01:02:33.159
<v Speaker 3>saw that like a meme of it, you know, and

1201
01:02:33.199 --> 01:02:36.079
<v Speaker 3>it was like, can you create you know that? What

1202
01:02:36.199 --> 01:02:38.199
<v Speaker 3>was that? You know the meme I'm talking about with

1203
01:02:38.239 --> 01:02:41.559
<v Speaker 3>the white lady and she's like screaming, you know, and

1204
01:02:41.719 --> 01:02:44.920
<v Speaker 3>usually has the reaction with the cat. You know what

1205
01:02:44.920 --> 01:02:48.039
<v Speaker 3>I'm talking about. You'd know if you saw it anyway.

1206
01:02:48.400 --> 01:02:52.159
<v Speaker 3>But yeah, it's funny how that movie stayed relevant for

1207
01:02:52.199 --> 01:02:54.159
<v Speaker 3>such a long time, especially now with all these AI

1208
01:02:54.280 --> 01:02:56.440
<v Speaker 3>conversations and everything like that. You know, it's kind of

1209
01:02:56.480 --> 01:02:57.639
<v Speaker 3>just getting rehashed again.

1210
01:02:57.840 --> 01:03:00.280
<v Speaker 2>It's a tricky thing, you know, like the voice over

1211
01:03:00.440 --> 01:03:05.039
<v Speaker 2>and the animation. I'm being I'm being and I don't

1212
01:03:05.760 --> 01:03:10.079
<v Speaker 2>anticipate even being nominated. But so when you we were

1213
01:03:10.079 --> 01:03:13.599
<v Speaker 2>talking about awards, earlier. When you get nominated for to

1214
01:03:14.119 --> 01:03:17.480
<v Speaker 2>get nominated for, let's say, an Emmy, the production has

1215
01:03:17.519 --> 01:03:23.119
<v Speaker 2>to put you forward for nomination. You're talking so uh

1216
01:03:23.440 --> 01:03:27.000
<v Speaker 2>and or where K two s O is? And they said,

1217
01:03:27.000 --> 01:03:29.960
<v Speaker 2>do you mind if we put you up for voiceover

1218
01:03:30.000 --> 01:03:33.199
<v Speaker 2>for an Emmy? And I was like, no, go for it.

1219
01:03:33.199 --> 01:03:37.639
<v Speaker 2>That sounds great. I'll take an emotion captured it. Mm hmm.

1220
01:03:37.880 --> 01:03:42.599
<v Speaker 2>It's cheating kind of not to call youself.

1221
01:03:43.000 --> 01:03:47.719
<v Speaker 1>What do you mean because amated?

1222
01:03:48.519 --> 01:03:51.320
<v Speaker 2>Is that what you It is animated because they erased

1223
01:03:51.320 --> 01:03:54.199
<v Speaker 2>me and they animated. But I was in the room,

1224
01:03:55.119 --> 01:03:59.840
<v Speaker 2>I'm at the wheel, I'm with the actor back and forth.

1225
01:04:00.119 --> 01:04:06.400
<v Speaker 2>I my voice is completely attached to the world that

1226
01:04:06.519 --> 01:04:09.079
<v Speaker 2>everyone is seeing. I guess in that way, you could

1227
01:04:09.079 --> 01:04:11.760
<v Speaker 2>also say it's a hindrance because my imagination gives me

1228
01:04:11.800 --> 01:04:17.800
<v Speaker 2>a lot that never be They can't budget every realized. Yeah,

1229
01:04:17.840 --> 01:04:23.239
<v Speaker 2>my imagination has a much larger budget than But it

1230
01:04:23.360 --> 01:04:24.000
<v Speaker 2>is interesting.

1231
01:04:24.119 --> 01:04:27.679
<v Speaker 1>Not everyone could say that, by the way, or should.

1232
01:04:28.920 --> 01:04:33.079
<v Speaker 2>You know, Yeah, well the way the world is now

1233
01:04:33.239 --> 01:04:38.079
<v Speaker 2>anyway the business, but that, yeah, voiceover is a it's

1234
01:04:38.119 --> 01:04:41.320
<v Speaker 2>a it's a tricky thing in motion capture. I know

1235
01:04:41.320 --> 01:04:43.920
<v Speaker 2>that Andy serkis believes that he had a whole campaign

1236
01:04:43.920 --> 01:04:46.239
<v Speaker 2>that he believed that he should have been up, he

1237
01:04:46.840 --> 01:04:49.880
<v Speaker 2>could have been considered for an Oscar for performance in

1238
01:04:49.960 --> 01:04:51.519
<v Speaker 2>the movies.

1239
01:04:52.679 --> 01:04:57.119
<v Speaker 1>Yeah, I'm especially. I mean you look at him, and

1240
01:04:57.159 --> 01:04:57.639
<v Speaker 1>you look.

1241
01:04:58.079 --> 01:05:06.599
<v Speaker 2>Jesus, I'm Andy's I've you know, Andy's the godfather of it.

1242
01:05:06.639 --> 01:05:10.880
<v Speaker 2>But I disagree, and I've had arguments with with the

1243
01:05:11.039 --> 01:05:13.360
<v Speaker 2>FX guys, like I shouldn't be put up for anything.

1244
01:05:14.199 --> 01:05:16.559
<v Speaker 2>I was got Actually I robot. They let me talk

1245
01:05:16.599 --> 01:05:22.039
<v Speaker 2>to the the foreign press, so the Golden Globes people.

1246
01:05:22.559 --> 01:05:25.079
<v Speaker 2>They did bring me to that, but it was just

1247
01:05:25.119 --> 01:05:27.119
<v Speaker 2>like a conversation. And it's like all these people that

1248
01:05:27.840 --> 01:05:31.920
<v Speaker 2>are older with a lot of jewelry and clothing that

1249
01:05:31.960 --> 01:05:34.920
<v Speaker 2>looks like it could be also used for couches, like

1250
01:05:35.119 --> 01:05:42.199
<v Speaker 2>very heavy knits and weaves, hats and and they're all European.

1251
01:05:42.960 --> 01:05:48.199
<v Speaker 2>And they said, do you think if you were nominated

1252
01:05:48.320 --> 01:05:52.039
<v Speaker 2>for Oscar, you should be for this role of Sonny?

1253
01:05:52.559 --> 01:05:57.000
<v Speaker 2>And I said no, And that was the wrong answer. Yeah,

1254
01:05:57.239 --> 01:06:00.960
<v Speaker 2>they said, well, you know, I said no because they

1255
01:06:01.079 --> 01:06:04.079
<v Speaker 2>changed they changed my performance here and there. I've noticed it.

1256
01:06:04.400 --> 01:06:08.119
<v Speaker 2>I've seen I said, here's how it should be done. Yes,

1257
01:06:08.280 --> 01:06:10.840
<v Speaker 2>I'll say yes, but you should watch it with me

1258
01:06:11.199 --> 01:06:13.760
<v Speaker 2>in my little green suit. And if you see my

1259
01:06:13.840 --> 01:06:15.840
<v Speaker 2>performance in a little green suit and you like that,

1260
01:06:16.199 --> 01:06:17.800
<v Speaker 2>then that's the that's what you should give me the

1261
01:06:17.840 --> 01:06:20.000
<v Speaker 2>award for because I've seen it with me in the

1262
01:06:20.000 --> 01:06:23.039
<v Speaker 2>green suit, and it's different from the robot. It's more

1263
01:06:23.880 --> 01:06:28.440
<v Speaker 2>because you can't it's interesting, especially you couldn't animate. There

1264
01:06:28.440 --> 01:06:30.559
<v Speaker 2>were like moments where he was saying, I'm going to die?

1265
01:06:31.199 --> 01:06:34.039
<v Speaker 2>Will I dream?

1266
01:06:34.360 --> 01:06:35.719
<v Speaker 1>Will it be over?

1267
01:06:36.199 --> 01:06:40.280
<v Speaker 2>And it was confusion and hope and love and fear

1268
01:06:40.880 --> 01:06:44.519
<v Speaker 2>and as humans were, we give off all these little

1269
01:06:44.599 --> 01:06:50.079
<v Speaker 2>minute things like monkeys. Yeah, and you see yeah, micro

1270
01:06:50.119 --> 01:06:53.559
<v Speaker 2>expressions and our faces flush and things that then we

1271
01:06:53.880 --> 01:06:57.960
<v Speaker 2>perceive as other humans that you can't animate. You can't

1272
01:06:58.039 --> 01:07:00.880
<v Speaker 2>put that into the lassy face that I was anyway.

1273
01:07:01.760 --> 01:07:03.519
<v Speaker 1>Yeah, No, that's true. That's true.

1274
01:07:04.079 --> 01:07:04.239
<v Speaker 2>Us.

1275
01:07:05.400 --> 01:07:07.920
<v Speaker 1>If you're a fan of everything we do here at

1276
01:07:07.920 --> 01:07:10.760
<v Speaker 1>tuned In with Jim Cummings, you could support the show

1277
01:07:10.800 --> 01:07:15.480
<v Speaker 1>on Patreon for bonus exclusive podcasts, as well as early

1278
01:07:15.519 --> 01:07:19.559
<v Speaker 1>in ad free access to the show itself, prize drawings,

1279
01:07:19.599 --> 01:07:22.679
<v Speaker 1>and more. You'll feel the difference, so go ahead and

1280
01:07:22.760 --> 01:07:26.639
<v Speaker 1>join the tuned In family today at Patreon dot com.

1281
01:07:26.679 --> 01:07:30.079
<v Speaker 1>Slash Jim Cummings podcast, Do It Now.

1282
01:07:30.960 --> 01:07:32.559
<v Speaker 3>Well, it was a great collaborative effort.

1283
01:07:33.760 --> 01:07:34.400
<v Speaker 1>I loved.

1284
01:07:35.000 --> 01:07:37.639
<v Speaker 2>I loved getting to live in Vancouver for six months.

1285
01:07:37.920 --> 01:07:39.079
<v Speaker 3>Yeah, good old Vancouver.

1286
01:07:39.159 --> 01:07:42.280
<v Speaker 2>That's our favorite place. Really, yeah, I lived there. That's

1287
01:07:42.280 --> 01:07:44.199
<v Speaker 2>where we do is an alien.

1288
01:07:44.159 --> 01:07:47.559
<v Speaker 3>Oh you'd film it up there? Yeah there now VFS

1289
01:07:47.639 --> 01:07:53.519
<v Speaker 3>at VFS oh Bridge. Were it like someplace you're in Delta?

1290
01:07:54.159 --> 01:07:57.639
<v Speaker 3>You're filming in Delta way down south? Yes, yeah, yeah,

1291
01:07:57.960 --> 01:07:59.639
<v Speaker 3>that's where they shoot a lot.

1292
01:07:59.280 --> 01:08:02.039
<v Speaker 2>I enjoy it. We had a good time.

1293
01:08:02.039 --> 01:08:04.039
<v Speaker 3>Sorry, I guess me excited. I love the film industry

1294
01:08:04.079 --> 01:08:04.360
<v Speaker 3>up there.

1295
01:08:04.400 --> 01:08:07.519
<v Speaker 2>It's also a tight it's very cool. We live there

1296
01:08:07.559 --> 01:08:09.519
<v Speaker 2>six months out of the year. Now the show I

1297
01:08:09.559 --> 01:08:14.599
<v Speaker 2>think possibly maybe finishing here and we have a place

1298
01:08:14.679 --> 01:08:16.439
<v Speaker 2>up there, and it's like, well, what do we do.

1299
01:08:16.560 --> 01:08:19.359
<v Speaker 2>We have to we're not leaving, so we're going to

1300
01:08:19.399 --> 01:08:21.439
<v Speaker 2>be going in a couple of weeks. Because we did

1301
01:08:21.479 --> 01:08:23.880
<v Speaker 2>the winter, we have earned the summer.

1302
01:08:23.960 --> 01:08:26.359
<v Speaker 3>Oh yeah, really, that's what I always say. Vancouver is

1303
01:08:26.399 --> 01:08:29.399
<v Speaker 3>such a great place in the summer. Yeah, the winter

1304
01:08:29.560 --> 01:08:31.600
<v Speaker 3>is not so fun and it doesn't really snow, but

1305
01:08:31.680 --> 01:08:32.600
<v Speaker 3>it's just not fun.

1306
01:08:32.640 --> 01:08:35.159
<v Speaker 2>It's dark and cold and rainy and the days are

1307
01:08:35.279 --> 01:08:38.960
<v Speaker 2>very short. Yeah, that's the thing. They when you wake up,

1308
01:08:39.319 --> 01:08:41.720
<v Speaker 2>especially if you're on a set and you go to

1309
01:08:41.880 --> 01:08:44.960
<v Speaker 2>work in the dark and then gets dark again around.

1310
01:08:45.079 --> 01:08:48.680
<v Speaker 3>Isn't that the most depressing feeling wake up in sound

1311
01:08:48.720 --> 01:08:52.000
<v Speaker 3>stage the whole day pitch black artificial lights, you know,

1312
01:08:52.079 --> 01:08:54.000
<v Speaker 3>like this, there's no windows in here, but yeah, and

1313
01:08:54.000 --> 01:08:57.119
<v Speaker 3>then you go outside and it's like, oh, it's dark

1314
01:08:57.199 --> 01:09:00.159
<v Speaker 3>again with like they have the orange street light. It

1315
01:09:00.199 --> 01:09:01.640
<v Speaker 3>feels so old fashioned up there.

1316
01:09:01.680 --> 01:09:05.319
<v Speaker 2>It's like one of those little uh yeah, those little

1317
01:09:05.359 --> 01:09:10.760
<v Speaker 2>lights a little like vitamin D Vitamin D lights.

1318
01:09:10.840 --> 01:09:12.640
<v Speaker 1>Yeah, oh right, right, right right.

1319
01:09:12.600 --> 01:09:15.119
<v Speaker 2>Keep it, buy the coffee maker in the morning, turn

1320
01:09:15.159 --> 01:09:16.279
<v Speaker 2>on the coffee turn on your light.

1321
01:09:16.399 --> 01:09:19.239
<v Speaker 3>They have vitamin D pills at Crafty. Yeah, they have

1322
01:09:19.359 --> 01:09:22.399
<v Speaker 3>vitamin D pills at Crafty because everybody is like, oh,

1323
01:09:22.439 --> 01:09:23.159
<v Speaker 3>we need sun.

1324
01:09:23.840 --> 01:09:24.760
<v Speaker 2>Oh geez.

1325
01:09:24.840 --> 01:09:28.800
<v Speaker 3>It does its interesting, But it's like I swear, it's

1326
01:09:28.840 --> 01:09:31.439
<v Speaker 3>there's no better place in the summer. It's like smells

1327
01:09:31.439 --> 01:09:33.960
<v Speaker 3>like pine and you can see for miles so clear,

1328
01:09:34.000 --> 01:09:36.399
<v Speaker 3>and it is a beautiful place being. Have you been

1329
01:09:36.439 --> 01:09:38.079
<v Speaker 3>on like a boat out on the water there.

1330
01:09:38.199 --> 01:09:39.680
<v Speaker 2>Yeah, you can rent a boat and just give them

1331
01:09:39.680 --> 01:09:42.560
<v Speaker 2>your driver's license. Yeah yeah, take it out. It's okay,

1332
01:09:42.600 --> 01:09:47.600
<v Speaker 2>bring it back. You know you can drive it right, Yeah, yeah, sure, okay, sure,

1333
01:09:47.720 --> 01:09:49.000
<v Speaker 2>that's that's the agreement.

1334
01:09:49.239 --> 01:09:50.000
<v Speaker 1>I'm a pilot.

1335
01:09:50.960 --> 01:09:54.840
<v Speaker 2>I have a wow. Yeah, it's really cool.

1336
01:09:55.279 --> 01:09:56.039
<v Speaker 1>I want to go now.

1337
01:09:56.239 --> 01:09:59.079
<v Speaker 2>Yeah it is. It is beautiful. Go go everyone.

1338
01:09:59.159 --> 01:10:01.000
<v Speaker 1>I think I've been there couple of times, but yeah,

1339
01:10:01.199 --> 01:10:04.000
<v Speaker 1>for sure I've been there with you. Yeah we yeah,

1340
01:10:04.279 --> 01:10:05.000
<v Speaker 1>stuff like that.

1341
01:10:05.079 --> 01:10:08.079
<v Speaker 2>Canadians aren't coming here anymore, but you can go there

1342
01:10:08.680 --> 01:10:12.880
<v Speaker 2>and see another way to live, another way, a little

1343
01:10:12.880 --> 01:10:18.560
<v Speaker 2>more brotherly love. That's right. Although it was explained to me, uh,

1344
01:10:18.920 --> 01:10:20.760
<v Speaker 2>you know, Canadians are very nice and people think of

1345
01:10:20.840 --> 01:10:23.520
<v Speaker 2>them as like, you know, sorry and sorry sorry. But

1346
01:10:23.600 --> 01:10:26.279
<v Speaker 2>if you bump into a Canadian and you don't say sorry,

1347
01:10:27.000 --> 01:10:31.039
<v Speaker 2>then they'll say, excuse me, I'm sorry, but you bumped

1348
01:10:31.039 --> 01:10:32.720
<v Speaker 2>into me and you didn't say I'm sorry. All right,

1349
01:10:33.079 --> 01:10:37.199
<v Speaker 2>everything going, okay? Everything, don't mess with the Canadian.

1350
01:10:37.479 --> 01:10:42.119
<v Speaker 1>Oh yeah, have some bacon.

1351
01:10:44.039 --> 01:10:46.720
<v Speaker 2>Put some bacon on that.

1352
01:10:46.920 --> 01:10:48.079
<v Speaker 1>Yeah, that's right, that's right.

1353
01:10:48.319 --> 01:10:50.880
<v Speaker 3>Another classic character of yours that we haven't mentioned is

1354
01:10:50.880 --> 01:10:55.279
<v Speaker 3>Steve the Pirate from from Dodgeball. Beloved character and that's

1355
01:10:55.399 --> 01:10:57.680
<v Speaker 3>I just want to say that was another one, like

1356
01:10:57.720 --> 01:11:00.319
<v Speaker 3>I said at the top of the show about you, like,

1357
01:11:00.359 --> 01:11:02.800
<v Speaker 3>in my mind, not really being a character actor, because

1358
01:11:02.840 --> 01:11:06.000
<v Speaker 3>even though that is such a character, like there's like

1359
01:11:06.079 --> 01:11:08.039
<v Speaker 3>a literal twist at the end of the movie and

1360
01:11:08.079 --> 01:11:11.039
<v Speaker 3>it's just you being you know, like a normal person

1361
01:11:11.239 --> 01:11:13.039
<v Speaker 3>and not Stee And I don't think that works at

1362
01:11:13.039 --> 01:11:16.760
<v Speaker 3>all if you're not one hundred percent that character and believable,

1363
01:11:16.880 --> 01:11:18.800
<v Speaker 3>you know, like it was oh yeah, yeah, such a

1364
01:11:18.800 --> 01:11:21.039
<v Speaker 3>great portrayal of that. I think that beat in the

1365
01:11:21.079 --> 01:11:24.159
<v Speaker 3>movie doesn't even hit unless you hit that entire character.

1366
01:11:24.520 --> 01:11:25.920
<v Speaker 3>So I just wanted to say, you get a great

1367
01:11:25.960 --> 01:11:27.119
<v Speaker 3>job and it's very memorable.

1368
01:11:27.399 --> 01:11:29.680
<v Speaker 2>Thank you. I got that. I got that role because

1369
01:11:29.720 --> 01:11:35.239
<v Speaker 2>of my my ego. I read it. I read the

1370
01:11:35.279 --> 01:11:38.960
<v Speaker 2>script and I said, this is funny. If you get

1371
01:11:39.000 --> 01:11:41.720
<v Speaker 2>rid of this pirate character, this thing is going to

1372
01:11:41.760 --> 01:11:45.239
<v Speaker 2>be an hi t hit. I tell you. And my

1373
01:11:45.239 --> 01:11:48.079
<v Speaker 2>agent was like, I'm sorry, you didn't really listen when

1374
01:11:48.119 --> 01:11:50.680
<v Speaker 2>I told you before you need to focus on the

1375
01:11:50.720 --> 01:11:53.399
<v Speaker 2>pirate character. I was like, I don't know, I don't

1376
01:11:53.439 --> 01:11:55.640
<v Speaker 2>know if, I don't know, if it works, I don't know.

1377
01:11:56.079 --> 01:12:01.199
<v Speaker 2>And I went to the audition and uh uh, there

1378
01:12:01.199 --> 01:12:03.520
<v Speaker 2>were all these actors who were very good in the

1379
01:12:03.560 --> 01:12:06.000
<v Speaker 2>waiting room who were going in for the pirate. And

1380
01:12:06.079 --> 01:12:08.760
<v Speaker 2>I was like, well, if they know something that I don't,

1381
01:12:08.760 --> 01:12:11.000
<v Speaker 2>I better actually try for this thing, because these these

1382
01:12:11.000 --> 01:12:17.000
<v Speaker 2>guys are really good. Oh man, think of the names.

1383
01:12:17.199 --> 01:12:18.640
<v Speaker 2>I can't think of their names. It was a lot

1384
01:12:18.640 --> 01:12:23.680
<v Speaker 2>of good people. And so Pitty you were you were

1385
01:12:23.680 --> 01:12:27.680
<v Speaker 2>there too. George Clooney was George Clooney was there if

1386
01:12:27.680 --> 01:12:30.439
<v Speaker 2>Marlon Branda was still alive and he was there, Yes,

1387
01:12:30.560 --> 01:12:33.520
<v Speaker 2>he was the one. I he almost got it.

1388
01:12:33.760 --> 01:12:37.319
<v Speaker 1>Yeah. I went to Butchino I at.

1389
01:12:37.239 --> 01:12:39.720
<v Speaker 2>First, and when he turned it down and then I

1390
01:12:39.880 --> 01:12:40.239
<v Speaker 2>got it.

1391
01:12:40.359 --> 01:12:43.520
<v Speaker 1>That's what that I knew. I knew there was a connection.

1392
01:12:44.640 --> 01:12:49.880
<v Speaker 2>Yeah, this guy, he looks a little like a pirate.

1393
01:12:49.920 --> 01:12:53.000
<v Speaker 2>He looks like he's be at see without some screen.

1394
01:12:55.319 --> 01:12:58.319
<v Speaker 1>That's exactly right. A long time, yes, and drank a

1395
01:12:58.359 --> 01:12:59.199
<v Speaker 1>lot of salt.

1396
01:12:58.960 --> 01:13:04.680
<v Speaker 2>Water and oh, a lot of rum. Fifteen men on

1397
01:13:04.800 --> 01:13:08.359
<v Speaker 2>a didn't match chest, so I saw I had I

1398
01:13:08.399 --> 01:13:10.039
<v Speaker 2>auditioned for it, and then it was improv that got

1399
01:13:10.119 --> 01:13:13.279
<v Speaker 2>me the role because there was an improv audition. The

1400
01:13:13.319 --> 01:13:16.640
<v Speaker 2>callback was an improv audition. Oh and uh it was

1401
01:13:16.680 --> 01:13:19.479
<v Speaker 2>with Vince Vaughan and he was very nice, and but

1402
01:13:19.520 --> 01:13:21.600
<v Speaker 2>the characters had to say yarn gar in the right spot,

1403
01:13:22.000 --> 01:13:23.399
<v Speaker 2>and like, how are we gonna make money? I remember,

1404
01:13:23.399 --> 01:13:24.920
<v Speaker 2>how were we gonna make money to save the gym?

1405
01:13:25.319 --> 01:13:29.159
<v Speaker 2>And I said that we would catch whales for oil,

1406
01:13:30.000 --> 01:13:33.920
<v Speaker 2>sell the oil. Yeah, I think that got the job.

1407
01:13:35.359 --> 01:13:40.399
<v Speaker 1>Well yeah, well oil beef. Okay, never there's an old

1408
01:13:40.479 --> 01:13:42.039
<v Speaker 1>joke about pirates and.

1409
01:13:42.439 --> 01:13:44.439
<v Speaker 2>Well oil be uh hooked?

1410
01:13:45.079 --> 01:13:50.199
<v Speaker 1>Yes, okay, don't try that one at home.

1411
01:13:50.279 --> 01:13:52.600
<v Speaker 2>Kids. Oh my god?

1412
01:13:53.000 --> 01:13:55.720
<v Speaker 1>So what what is what is your Do you have

1413
01:13:55.760 --> 01:13:58.399
<v Speaker 1>a schedule we should know about? I think I should. Yes,

1414
01:13:58.600 --> 01:13:59.359
<v Speaker 1>things are coming out.

1415
01:13:59.359 --> 01:14:01.119
<v Speaker 2>I don't need to, oh, like what I'm doing in

1416
01:14:01.119 --> 01:14:01.960
<v Speaker 2>my career.

1417
01:14:02.359 --> 01:14:05.880
<v Speaker 1>Anything that or conventions whatever you have.

1418
01:14:06.079 --> 01:14:09.800
<v Speaker 2>No, I mean I'm resident Alien is coming out and

1419
01:14:09.840 --> 01:14:12.239
<v Speaker 2>that's going to be you know. I got to direct

1420
01:14:12.279 --> 01:14:15.000
<v Speaker 2>a couple of episodes. No way, Yeah, directed the first two.

1421
01:14:15.159 --> 01:14:20.000
<v Speaker 1>Is that typical? Well I'm acting now, but I really

1422
01:14:20.039 --> 01:14:20.920
<v Speaker 1>wanted to be erect.

1423
01:14:21.680 --> 01:14:26.159
<v Speaker 2>I was given the opportunity and it seemed like I

1424
01:14:26.199 --> 01:14:30.319
<v Speaker 2>should do it because when else am I going to

1425
01:14:30.359 --> 01:14:33.840
<v Speaker 2>get the opportunity to just direct with because you can? Yeah,

1426
01:14:34.000 --> 01:14:35.920
<v Speaker 2>and I had done it before on this little thing.

1427
01:14:35.920 --> 01:14:38.960
<v Speaker 2>That I did with Nolan North, actually called con Man

1428
01:14:39.000 --> 01:14:43.199
<v Speaker 2>about Conventions. We raised a ton of money from fans

1429
01:14:43.880 --> 01:14:49.239
<v Speaker 2>and made this little film about the cons not a film,

1430
01:14:49.399 --> 01:14:53.439
<v Speaker 2>a little It was like a limited series subject, short

1431
01:14:53.439 --> 01:14:57.760
<v Speaker 2>subject thing, and I had so much fun writing that

1432
01:14:58.159 --> 01:15:01.159
<v Speaker 2>and directing it. I directed it mainly because I was

1433
01:15:01.199 --> 01:15:03.760
<v Speaker 2>too afraid to ask directors and.

1434
01:15:04.239 --> 01:15:07.279
<v Speaker 1>Well, did you did you go to conventions?

1435
01:15:07.319 --> 01:15:09.760
<v Speaker 2>And yeah, I've been, because I've been to so many.

1436
01:15:10.079 --> 01:15:13.359
<v Speaker 2>Oh we didn't film, We didn't film at any conventions.

1437
01:15:13.359 --> 01:15:17.560
<v Speaker 2>We made some. But Nolan North was the second best

1438
01:15:18.039 --> 01:15:23.520
<v Speaker 2>motion capture artist I met. I met Nolan doing a

1439
01:15:23.640 --> 01:15:25.840
<v Speaker 2>video game because I got to offer to do motion

1440
01:15:25.920 --> 01:15:29.319
<v Speaker 2>capture for a video game and I was like, that's

1441
01:15:29.359 --> 01:15:31.159
<v Speaker 2>going to be great for comment I would just take

1442
01:15:31.239 --> 01:15:34.399
<v Speaker 2>jobs for whatever I could write comment about. And met

1443
01:15:34.399 --> 01:15:36.279
<v Speaker 2>Nolan and I was like, I had been thinking this

1444
01:15:36.319 --> 01:15:39.479
<v Speaker 2>other actor in England for this character to play the

1445
01:15:39.479 --> 01:15:43.119
<v Speaker 2>second best motion capture artist. But Nolan North was doing

1446
01:15:43.159 --> 01:15:46.399
<v Speaker 2>the character and he called him Jerry Lansing and he

1447
01:15:46.520 --> 01:15:50.800
<v Speaker 2>got everybody's name wrong and so changed his name to

1448
01:15:50.880 --> 01:15:54.000
<v Speaker 2>Jerry Lancing and hired him to do it. And he

1449
01:15:54.119 --> 01:15:58.199
<v Speaker 2>hates Sandy Serkis. That's the defining quality. He hates Sandy

1450
01:15:58.279 --> 01:16:00.600
<v Speaker 2>Cirkis because he's the best. So he's like, probably does

1451
01:16:00.600 --> 01:16:05.279
<v Speaker 2>his monkeys. Oh god, Smiegel was a gibbon and.

1452
01:16:07.239 --> 01:16:11.199
<v Speaker 1>Oh my god, yeah he was.

1453
01:16:11.640 --> 01:16:13.720
<v Speaker 2>He was the greatest. But so I directed that and

1454
01:16:13.840 --> 01:16:17.680
<v Speaker 2>I hadn't directed since, and uh, I don't think it's

1455
01:16:17.760 --> 01:16:20.479
<v Speaker 2>a really good idea to direct yourself because you can't.

1456
01:16:21.319 --> 01:16:23.000
<v Speaker 1>But I did it, will do it.

1457
01:16:23.680 --> 01:16:26.880
<v Speaker 2>Yeah, yeah, that would be weird. I had my wife.

1458
01:16:27.119 --> 01:16:31.239
<v Speaker 2>My wife was there and she's a choreographer, and choreographers

1459
01:16:31.479 --> 01:16:35.920
<v Speaker 2>have a director's eye, and so she would direct me. Yeah.

1460
01:16:36.239 --> 01:16:37.920
<v Speaker 1>I was gonna say it couldn't hurt to have someone

1461
01:16:37.920 --> 01:16:40.960
<v Speaker 1>there who is used to telling you you suck, yes.

1462
01:16:40.760 --> 01:16:45.039
<v Speaker 2>Exactly, and knows, yeah, knows what I want. She knows.

1463
01:16:45.159 --> 01:16:46.600
<v Speaker 2>She knows what I like and what I don't like.

1464
01:16:46.640 --> 01:16:51.399
<v Speaker 2>I think more or less, and yeah, God bless her.

1465
01:16:52.079 --> 01:16:56.560
<v Speaker 2>She's also a martyr about shots. Like I cared about

1466
01:16:56.560 --> 01:16:58.439
<v Speaker 2>the comedy. When it came to the comedy, I had

1467
01:16:58.520 --> 01:17:01.000
<v Speaker 2>lots of ideas like how it needed be done it no, no, no,

1468
01:17:01.039 --> 01:17:04.800
<v Speaker 2>that isn't funny, but this is funny. I was happy

1469
01:17:04.840 --> 01:17:06.920
<v Speaker 2>that I had those ideas. She would be like, we

1470
01:17:07.039 --> 01:17:10.279
<v Speaker 2>need a crane for this shot. We do. Oh good,

1471
01:17:10.399 --> 01:17:13.199
<v Speaker 2>let's talk about that. So all of the pre production

1472
01:17:13.359 --> 01:17:20.119
<v Speaker 2>she was very instrumental. That's awesome, nice cool, And that's

1473
01:17:20.159 --> 01:17:23.199
<v Speaker 2>con Man' oh no, that was that's resonating. But con

1474
01:17:23.199 --> 01:17:26.960
<v Speaker 2>Man was the other one. Yeah, comment, don't watch it,

1475
01:17:27.039 --> 01:17:30.239
<v Speaker 2>don't watch it. It didn't age well, it doesn't. It

1476
01:17:30.239 --> 01:17:32.399
<v Speaker 2>doesn't work today. You know that I was a first

1477
01:17:32.399 --> 01:17:34.800
<v Speaker 2>time writer, and you know, everybody likes to do some

1478
01:17:35.000 --> 01:17:38.239
<v Speaker 2>edgy mm hmm, and it's it turns out you have

1479
01:17:38.279 --> 01:17:40.319
<v Speaker 2>to be really good at edgy to pull it off.

1480
01:17:40.960 --> 01:17:42.840
<v Speaker 2>And some of the stuff, even though my heart was

1481
01:17:42.880 --> 01:17:45.119
<v Speaker 2>in the right place, Like, I did a thing about

1482
01:17:45.199 --> 01:17:47.920
<v Speaker 2>voiceover artists because I had I had been asked early

1483
01:17:47.960 --> 01:17:53.239
<v Speaker 2>in my voiceover career to do I played a Korean character.

1484
01:17:53.840 --> 01:17:58.159
<v Speaker 2>I played a black character. I played a Hispanic character.

1485
01:17:58.640 --> 01:18:03.000
<v Speaker 2>I played a super gay, like over the top you

1486
01:18:03.039 --> 01:18:08.880
<v Speaker 2>know gay character that I found. I'm like doing it, Like,

1487
01:18:08.960 --> 01:18:11.479
<v Speaker 2>isn't this offensive? This is offensive? I mean, if you're gay,

1488
01:18:11.479 --> 01:18:11.880
<v Speaker 2>this would be.

1489
01:18:13.279 --> 01:18:13.600
<v Speaker 1>Yeah.

1490
01:18:13.880 --> 01:18:18.439
<v Speaker 2>So the character the voice of Repster, which I think

1491
01:18:18.560 --> 01:18:21.399
<v Speaker 2>is probably one of the best ones. I end up

1492
01:18:21.439 --> 01:18:24.439
<v Speaker 2>going to a panel as a voiceover actor. I had

1493
01:18:24.520 --> 01:18:30.680
<v Speaker 2>done work on something called I Forget, but I played

1494
01:18:30.800 --> 01:18:35.239
<v Speaker 2>only minority characters and I end up on a panel

1495
01:18:35.680 --> 01:18:43.640
<v Speaker 2>that's about Uh, it's all about inclusiveness and inclusive inclusiveness,

1496
01:18:43.680 --> 01:18:46.920
<v Speaker 2>so that that where people get to actually do their

1497
01:18:46.960 --> 01:18:48.880
<v Speaker 2>own you know, they aren't they aren't being asked to

1498
01:18:48.920 --> 01:18:53.399
<v Speaker 2>do caricatures. They're doing you know, true inspirational roles. They're

1499
01:18:53.399 --> 01:18:55.560
<v Speaker 2>playing kings and things like that. Black artists are playing

1500
01:18:55.600 --> 01:18:59.399
<v Speaker 2>kings and stuff. And I'm I'm there playing Rigmarole, who

1501
01:18:59.880 --> 01:19:09.560
<v Speaker 2>was an awful pimprimaroo. Yeah, he talked, oh ship and

1502
01:19:09.600 --> 01:19:11.800
<v Speaker 2>it was a character I had done on an MTV.

1503
01:19:12.239 --> 01:19:13.680
<v Speaker 1>Is it hard out there for a pimp?

1504
01:19:13.960 --> 01:19:15.279
<v Speaker 2>Well, for Rigmarole it was.

1505
01:19:15.359 --> 01:19:17.359
<v Speaker 1>But that's what I hear. It's hard out here for

1506
01:19:17.399 --> 01:19:18.479
<v Speaker 1>a pimp. That's what I've heard.

1507
01:19:18.680 --> 01:19:22.239
<v Speaker 2>Yeah, so I but don't don't. So Like my heart

1508
01:19:22.279 --> 01:19:25.359
<v Speaker 2>was in the right place because I was pointing out, hey,

1509
01:19:25.359 --> 01:19:28.960
<v Speaker 2>this is bad that people are representing you know, that

1510
01:19:29.039 --> 01:19:32.000
<v Speaker 2>we're doing these caricatures, and I was doing it in

1511
01:19:32.039 --> 01:19:34.960
<v Speaker 2>a way, but it also to do it, you have

1512
01:19:35.039 --> 01:19:36.800
<v Speaker 2>to then do all those characters and some people might

1513
01:19:36.800 --> 01:19:40.560
<v Speaker 2>find them offensive. I did a character about it doesn't matter.

1514
01:19:40.560 --> 01:19:43.159
<v Speaker 2>Like as far as gender and gay or straight, it

1515
01:19:43.159 --> 01:19:46.159
<v Speaker 2>doesn't matter what you are. Love is the most important part.

1516
01:19:46.359 --> 01:19:50.399
<v Speaker 2>But to do that, I had somebody who was pretending

1517
01:19:50.439 --> 01:19:55.000
<v Speaker 2>to be trans to get laid. That's not a good idea.

1518
01:19:54.720 --> 01:19:59.159
<v Speaker 1>Pretending to be trans to get laid.

1519
01:19:59.039 --> 01:20:02.760
<v Speaker 2>By Leslie Jordan, who was also playing a straight guy

1520
01:20:02.760 --> 01:20:05.319
<v Speaker 2>who was pretended to be gay. Because it brings in

1521
01:20:05.399 --> 01:20:11.119
<v Speaker 2>the cougars, because they they because they they they lie

1522
01:20:11.159 --> 01:20:15.239
<v Speaker 2>to themselves. He says, like cougars, they lie to themselves.

1523
01:20:15.239 --> 01:20:17.640
<v Speaker 2>They say that homosexuality is a choice, and they know

1524
01:20:17.720 --> 01:20:21.359
<v Speaker 2>it's a deep, dark lie, and so they've got this

1525
01:20:22.479 --> 01:20:27.119
<v Speaker 2>hollow in their heart. And and you know what, I

1526
01:20:27.159 --> 01:20:32.000
<v Speaker 2>fill up that hole with my big old dick. Tell

1527
01:20:32.079 --> 01:20:35.920
<v Speaker 2>them you're right. Homosexuality is a choice, and I now

1528
01:20:36.119 --> 01:20:39.279
<v Speaker 2>choose you. And they give themselves over to me one

1529
01:20:39.359 --> 01:20:42.279
<v Speaker 2>hundred percent because it backs up their warped worldview. I

1530
01:20:42.399 --> 01:20:44.880
<v Speaker 2>saved their lives. They let me do butt stuff whatever

1531
01:20:44.920 --> 01:20:51.279
<v Speaker 2>I want. But don't watch it. But don't watch it,

1532
01:20:51.319 --> 01:20:51.960
<v Speaker 2>I'm telling you.

1533
01:20:51.960 --> 01:20:52.159
<v Speaker 4>God.

1534
01:20:53.720 --> 01:20:57.800
<v Speaker 2>So I was trying to tell this story, trying to

1535
01:20:57.800 --> 01:21:00.880
<v Speaker 2>tell the story with Edgy anyway, what I'm saying is

1536
01:21:00.920 --> 01:21:03.439
<v Speaker 2>it was a good time. Nolan North is fantastic in it.

1537
01:21:05.199 --> 01:21:09.319
<v Speaker 2>The voice of episode is is my favorite.

1538
01:21:09.880 --> 01:21:14.800
<v Speaker 1>Yeah, oh that's amazing. We probably won't be making any

1539
01:21:14.800 --> 01:21:17.199
<v Speaker 1>more of them, no no sequels.

1540
01:21:17.359 --> 01:21:19.720
<v Speaker 2>Maybe maybe one day I could make them for YouTube,

1541
01:21:19.760 --> 01:21:24.079
<v Speaker 2>since YouTube's the most stream service out there of all

1542
01:21:24.119 --> 01:21:25.319
<v Speaker 2>the streaming services. Yeah.

1543
01:21:25.640 --> 01:21:28.359
<v Speaker 1>Do you have a big presence on social media?

1544
01:21:28.760 --> 01:21:31.880
<v Speaker 2>I can't. I can't. I don't know how to work it. Yeah,

1545
01:21:31.920 --> 01:21:33.319
<v Speaker 2>and I haven't had anybody teach me.

1546
01:21:33.479 --> 01:21:35.880
<v Speaker 3>Yeah, it takes the team. Takes a team.

1547
01:21:36.359 --> 01:21:39.199
<v Speaker 2>Yeah, and evidently if you know it, it's easy. I

1548
01:21:39.279 --> 01:21:41.920
<v Speaker 2>just don't. You got to let people into your life

1549
01:21:41.920 --> 01:21:44.319
<v Speaker 2>a lot, and yeah, I never know.

1550
01:21:44.479 --> 01:21:49.119
<v Speaker 1>Yeah, how much like our buddy Nathan, you know, some

1551
01:21:49.199 --> 01:21:52.800
<v Speaker 1>people just have it to a science. Yeah really, and

1552
01:21:52.880 --> 01:21:54.239
<v Speaker 1>I'm not one of them.

1553
01:21:54.520 --> 01:21:58.399
<v Speaker 4>Yeah, but yeah, I could go on and do songs,

1554
01:21:58.800 --> 01:22:03.039
<v Speaker 4>vaudeville songs as King Candy and that could I could

1555
01:22:03.039 --> 01:22:06.119
<v Speaker 4>probably get some clicks from that.

1556
01:22:07.199 --> 01:22:10.000
<v Speaker 2>But the whole idea of content just pisses me off.

1557
01:22:10.479 --> 01:22:13.680
<v Speaker 2>I'm somebody who does not like that word. Contents is

1558
01:22:13.720 --> 01:22:15.079
<v Speaker 2>like the only other time you hear is like the

1559
01:22:15.119 --> 01:22:19.880
<v Speaker 2>contents like on detective shows, like what are the contents

1560
01:22:19.880 --> 01:22:24.359
<v Speaker 2>of his stomach? Well, his last meal was it's not art,

1561
01:22:24.479 --> 01:22:26.279
<v Speaker 2>it's art, it's stories.

1562
01:22:26.359 --> 01:22:32.000
<v Speaker 1>It's I'm that yeah, yeah, yeah, I'm a story guy.

1563
01:22:32.199 --> 01:22:35.279
<v Speaker 2>That's what it's about. Art. Art saves the world.

1564
01:22:35.720 --> 01:22:40.520
<v Speaker 1>Well, that's I think somewhere woven into the fabric of Disney.

1565
01:22:40.720 --> 01:22:43.880
<v Speaker 2>Is that thread that you just it all?

1566
01:22:43.960 --> 01:22:48.199
<v Speaker 1>You know, it all started out with the mouse and

1567
01:22:48.199 --> 01:22:51.319
<v Speaker 1>and I think that was his number one thing he

1568
01:22:51.359 --> 01:22:54.560
<v Speaker 1>said first. You know, it could be outer space, it

1569
01:22:54.560 --> 01:22:58.000
<v Speaker 1>could be Cowboys, it could be you know, ancient rome

1570
01:22:58.520 --> 01:23:01.920
<v Speaker 1>it's the story, the story, the story, and that then

1571
01:23:02.159 --> 01:23:06.359
<v Speaker 1>from there, you know, the rest is actually kind of details.

1572
01:23:06.840 --> 01:23:10.000
<v Speaker 1>You know, Romeo and Juliet was a story. You know,

1573
01:23:10.079 --> 01:23:13.800
<v Speaker 1>look at Shakespeare he was apparently good at it. Yeah,

1574
01:23:13.840 --> 01:23:15.800
<v Speaker 1>he was able to pull off a few stories.

1575
01:23:16.000 --> 01:23:16.479
<v Speaker 2>Yeah.

1576
01:23:16.960 --> 01:23:20.319
<v Speaker 1>And isn't there a trope out there that said there

1577
01:23:20.319 --> 01:23:21.720
<v Speaker 1>are only seven stories?

1578
01:23:22.039 --> 01:23:26.159
<v Speaker 2>Yeah, there's a bit seven or twelve. Ye, it's different

1579
01:23:26.159 --> 01:23:30.880
<v Speaker 2>on that, but it's a hero goes on a journey. Yeah,

1580
01:23:30.920 --> 01:23:32.600
<v Speaker 2>that kind you know that they boil it down to

1581
01:23:32.600 --> 01:23:34.479
<v Speaker 2>the most basic. Yeah.

1582
01:23:34.560 --> 01:23:37.079
<v Speaker 1>If you're a fan of everything we do here at

1583
01:23:37.119 --> 01:23:39.960
<v Speaker 1>tuned In with Jim Cummings, you could support the show

1584
01:23:40.000 --> 01:23:44.680
<v Speaker 1>on Patreon for bonus exclusive podcasts as well as early

1585
01:23:44.720 --> 01:23:48.720
<v Speaker 1>in ad, free access to the show itself, prize drawings,

1586
01:23:48.760 --> 01:23:51.880
<v Speaker 1>and more. You'll feel the difference, So go ahead and

1587
01:23:51.960 --> 01:23:55.840
<v Speaker 1>join the tuned in family today at Patreon dot com,

1588
01:23:55.840 --> 01:23:58.119
<v Speaker 1>slash Jim Cummings Podcast.

1589
01:23:58.560 --> 01:23:59.239
<v Speaker 2>Do it now?

1590
01:24:00.239 --> 01:24:00.520
<v Speaker 1>All right?

1591
01:24:00.560 --> 01:24:03.039
<v Speaker 3>Well, why don't you describe the voice swap game?

1592
01:24:03.520 --> 01:24:07.960
<v Speaker 2>Ah? I need to urinate okay, and I don't want

1593
01:24:07.960 --> 01:24:09.000
<v Speaker 2>to do it in my pants again?

1594
01:24:09.359 --> 01:24:10.359
<v Speaker 1>Okay, just again?

1595
01:24:10.600 --> 01:24:14.079
<v Speaker 2>So much clean up? Yeah? Yeah, I wore my pan pants,

1596
01:24:14.079 --> 01:24:14.840
<v Speaker 2>but I.

1597
01:24:14.800 --> 01:24:17.359
<v Speaker 1>Shall Okay, let's shall we dive in and get this

1598
01:24:17.439 --> 01:24:17.760
<v Speaker 1>over with.

1599
01:24:18.000 --> 01:24:19.159
<v Speaker 3>Let's gotta go body.

1600
01:24:19.319 --> 01:24:22.359
<v Speaker 2>Oh yeah, okay, let me see. Okay, am I going

1601
01:24:22.439 --> 01:24:23.560
<v Speaker 2>to try to do one of your voices?

1602
01:24:23.640 --> 01:24:24.359
<v Speaker 1>Is not gonna work?

1603
01:24:24.479 --> 01:24:26.520
<v Speaker 2>Well, that's okay. Can you explain it.

1604
01:24:27.079 --> 01:24:30.079
<v Speaker 1>I'll give you, give you a phrase of dark wing

1605
01:24:30.159 --> 01:24:33.119
<v Speaker 1>Ducks say, for instance, and then you say the same

1606
01:24:33.159 --> 01:24:35.680
<v Speaker 1>phrase back in one of your characters.

1607
01:24:35.399 --> 01:24:36.079
<v Speaker 2>Okay.

1608
01:24:36.319 --> 01:24:38.720
<v Speaker 1>Then you give me one in your character voice and

1609
01:24:38.800 --> 01:24:39.640
<v Speaker 1>I'll sing it back.

1610
01:24:41.680 --> 01:24:42.800
<v Speaker 2>I'm not a voice, okay, go on.

1611
01:24:43.159 --> 01:24:47.720
<v Speaker 1>Okay, how about how about King Louis from Jungle Book?

1612
01:24:48.680 --> 01:24:50.319
<v Speaker 2>And are you doing King Louis?

1613
01:24:50.800 --> 01:24:52.920
<v Speaker 1>Yeah, but not in Jungle Book the original?

1614
01:24:53.000 --> 01:24:56.520
<v Speaker 2>But I know since since then, you're Yeah, you're Louis Prima.

1615
01:24:56.800 --> 01:25:01.479
<v Speaker 1>Yes, yes I am. And uh and so I think

1616
01:25:01.520 --> 01:25:05.319
<v Speaker 1>I'll steal a little bit from the song. Well, I'm

1617
01:25:05.359 --> 01:25:08.840
<v Speaker 1>the King of the Swingers. Woa the Jungle v I P.

1618
01:25:10.119 --> 01:25:12.399
<v Speaker 1>That's it, I'm the King of the Swingers. Woa the

1619
01:25:12.479 --> 01:25:18.239
<v Speaker 1>Jungle v I P. In your character, King Candy, I'm

1620
01:25:18.279 --> 01:25:18.640
<v Speaker 1>the king.

1621
01:25:18.720 --> 01:25:24.119
<v Speaker 2>If this swings, ho the jungle vi I P. Yeah,

1622
01:25:24.680 --> 01:25:26.520
<v Speaker 2>he had too many hopes. That was good. That's what

1623
01:25:26.560 --> 01:25:27.159
<v Speaker 2>the king says.

1624
01:25:27.199 --> 01:25:30.840
<v Speaker 1>No such thing as too many hopes, that's what. But seriously,

1625
01:25:30.960 --> 01:25:32.439
<v Speaker 1>all right now, so now I'll.

1626
01:25:32.279 --> 01:25:38.279
<v Speaker 2>Do a character and uh, okay, oh all right, I'm

1627
01:25:38.880 --> 01:25:44.920
<v Speaker 2>this is the Duke of Westleton from Frozen. I dance

1628
01:25:45.119 --> 01:25:47.359
<v Speaker 2>like a chicken with the face of a monkey.

1629
01:25:47.600 --> 01:25:51.960
<v Speaker 1>I fly. I dance like a chicken with the face

1630
01:25:52.039 --> 01:25:52.800
<v Speaker 1>of a monkey.

1631
01:25:53.479 --> 01:25:54.279
<v Speaker 2>I fly.

1632
01:25:57.199 --> 01:25:58.760
<v Speaker 1>Would break drag Tigger into that?

1633
01:26:00.279 --> 01:26:00.800
<v Speaker 2>All right?

1634
01:26:01.039 --> 01:26:03.439
<v Speaker 3>How about how about two fellow pirates? How about Don

1635
01:26:03.520 --> 01:26:05.640
<v Speaker 3>Carnage and oh Steve the Pirate.

1636
01:26:05.920 --> 01:26:10.960
<v Speaker 1>All right, that's true, Okay, Don corne You know something,

1637
01:26:11.199 --> 01:26:16.800
<v Speaker 1>if I wasn't already me, I would envy you because

1638
01:26:16.800 --> 01:26:17.720
<v Speaker 1>you get to meet me.

1639
01:26:23.600 --> 01:26:27.439
<v Speaker 2>If I wasn't already me, I would not be you.

1640
01:26:27.600 --> 01:26:30.319
<v Speaker 1>I would envy you. I would envy you because you

1641
01:26:30.359 --> 01:26:31.079
<v Speaker 1>get to meet me.

1642
01:26:32.520 --> 01:26:34.720
<v Speaker 2>Oh my gosh, Steve the Pirate is the longest line

1643
01:26:34.720 --> 01:26:35.319
<v Speaker 2>he's ever had.

1644
01:26:35.680 --> 01:26:38.199
<v Speaker 1>Yeah, if he were not.

1645
01:26:38.359 --> 01:26:44.079
<v Speaker 2>You, no, if I were not me, I would envy

1646
01:26:44.159 --> 01:26:50.680
<v Speaker 2>you because you get to meet me. I guess that's

1647
01:26:50.720 --> 01:26:51.560
<v Speaker 2>pretty good.

1648
01:26:51.720 --> 01:26:53.760
<v Speaker 1>That's pretty severely bodacious.

1649
01:26:55.319 --> 01:27:06.399
<v Speaker 2>Okay, uh, oil boy must have many others. Hey hey, yeah, okay,

1650
01:27:06.399 --> 01:27:10.119
<v Speaker 2>here's hey hey falling off the boat Okay, into the

1651
01:27:10.159 --> 01:27:19.399
<v Speaker 2>water and then he comes up. Yeah, how do you

1652
01:27:19.439 --> 01:27:20.520
<v Speaker 2>do that in anybody else?

1653
01:27:20.640 --> 01:27:24.600
<v Speaker 1>And anybody else? I don't know, how about maybe Taz?

1654
01:27:24.720 --> 01:27:30.960
<v Speaker 3>I was gonna say, Taz doesn't really speak.

1655
01:27:37.439 --> 01:27:40.279
<v Speaker 1>It was just it was weird. It was like we

1656
01:27:40.279 --> 01:27:40.920
<v Speaker 1>were in the room.

1657
01:27:42.880 --> 01:27:43.560
<v Speaker 2>It makes sense.

1658
01:27:44.159 --> 01:27:45.279
<v Speaker 1>Thanks for being here, buddy.

1659
01:27:45.880 --> 01:27:48.359
<v Speaker 2>Thank you so much, Thank you, thank you, thank you.

1660
01:27:48.399 --> 01:27:51.520
<v Speaker 1>It's beautiful. Did we ask if there's anything upcoming?

1661
01:27:51.520 --> 01:27:52.000
<v Speaker 2>We should? Ye?

1662
01:27:52.119 --> 01:27:52.920
<v Speaker 3>Yeah, just uh.

1663
01:27:54.399 --> 01:27:57.520
<v Speaker 2>There you go, and yeah that's it, be there, be there.

1664
01:27:57.600 --> 01:27:59.000
<v Speaker 2>You're gonna chill some after that.

1665
01:28:00.439 --> 01:28:03.199
<v Speaker 3>Yeah, all right, well, thanks you very much.

1666
01:28:03.560 --> 01:28:06.600
<v Speaker 2>Wow, thank you absolutely thank you.

1667
01:28:06.920 --> 01:28:08.720
<v Speaker 3>Thank you guys all for watching. I hope you enjoyed

1668
01:28:08.760 --> 01:28:11.159
<v Speaker 3>that episode. This was another episode of Tuned In with

1669
01:28:11.239 --> 01:28:14.600
<v Speaker 3>Jim Cummings. I'm producer Chris Jim Cummings. Alan Tudic, thank

1670
01:28:14.640 --> 01:28:16.800
<v Speaker 3>you so much for being here today. Really appreciate it.

1671
01:28:17.000 --> 01:28:18.800
<v Speaker 3>If you guys like this content, be sure to like

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01:28:18.840 --> 01:28:21.279
<v Speaker 3>and subscribe. Really helps us out, helps you out find

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01:28:21.279 --> 01:28:24.640
<v Speaker 3>more videos like this. You can find bonus content on Patreon.

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01:28:24.800 --> 01:28:28.760
<v Speaker 3>You can find merchandise on Shopify. Jim Cummings closet, all

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01:28:28.760 --> 01:28:30.600
<v Speaker 3>that good stuff. We will see you in the next one.

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01:28:30.640 --> 01:28:33.399
<v Speaker 3>Thanks again, Alan for joining us. I'm producer Chris Jim Cummings.

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01:28:33.520 --> 01:28:34.640
<v Speaker 3>We will see you in the next one.

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<v Speaker 2>Cheers the end.

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01:28:36.439 --> 01:28:37.600
<v Speaker 1>Why just that easy?

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01:28:37.760 --> 01:28:39.159
<v Speaker 2>I'm gonna run and pee.

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01:28:39.319 --> 01:28:42.159
<v Speaker 1>Yes play, I'll wait out here. It is made for

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<v Speaker 1>p
