WEBVTT

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<v Speaker 1>Old venture, adventure, intrigue, mystery, romance, stirring Humphrey, bare Guard

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<v Speaker 1>and Lauren becall together in the sultry setting of practical

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<v Speaker 1>Avana and the mysterious islands of the Caribbeans.

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<v Speaker 2>Oh, thank you.

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<v Speaker 3>Once again, the magic names of Humphrey, Bogart and Lauren becall.

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<v Speaker 2>Bring you boul venture and the tale of mystery.

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<v Speaker 4>And did be?

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<v Speaker 3>He was good?

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<v Speaker 2>Huns, good morning, sun in.

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<v Speaker 4>Your place with halby and wind in your hair?

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<v Speaker 2>How else did it? That's what I said? Good?

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<v Speaker 4>How does it look on me?

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<v Speaker 2>I'll let me consider it. Yeah, you with the wheel

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<v Speaker 2>of our boat, the son on your lips, square patch

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<v Speaker 2>on your dungareas he finished the fishing trip. Say do

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<v Speaker 2>you go buy a mini blouse with an extra pair

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<v Speaker 2>of pants.

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<v Speaker 4>Too, Relick his daddy, You made me feel like a

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<v Speaker 4>jelly was born with a silver lader in her mouth.

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<v Speaker 4>Come closer, kid, and I'll look git a thank you

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<v Speaker 4>on your brow.

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<v Speaker 2>You wanna show a gratitude, Go ass and thank mister Jeffrey.

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<v Speaker 2>He's paying for the trip.

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<v Speaker 4>I tried. I went, asked Jelin, Sorry, I said, thank

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<v Speaker 4>you for hiring us, mister Jeffrey, thank you for the

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<v Speaker 4>payment we will receive when we set you ashore with

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<v Speaker 4>your load of fish. Thank you isadad And what did

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<v Speaker 4>he say? He grunted, So I flung so so I

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<v Speaker 4>let him do his rod and reel.

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<v Speaker 2>Oh, so loness, he pays this. You won't let a

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<v Speaker 2>gun stand between him and you, I Saylor. Jeffrey came

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<v Speaker 2>to me hires the boat for a fishing trip for

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<v Speaker 2>him and a friend.

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<v Speaker 4>But the friend never showed up. That touched our prophets,

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<v Speaker 4>and as.

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<v Speaker 2>So he'll buy only one pair of pants. Let me

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<v Speaker 2>finish on. So he hires our boat. If he wants

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<v Speaker 2>to sit there and fish and lungs and splendor and

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<v Speaker 2>not talk to anyone grunt, that's his right.

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<v Speaker 1>That's hey, he's got a strike.

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<v Speaker 2>Listen to that line, sing, hey Jeffrey, you got a

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<v Speaker 2>big one of beauty.

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<v Speaker 5>Look at that sport.

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<v Speaker 2>Go oh, let him run a little more? No, now

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<v Speaker 2>really in reel in? What's them out of?

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<v Speaker 4>Kid?

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<v Speaker 2>Don't freeze up now? I said, reel in? Ah, you

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<v Speaker 2>lost him. You got a picture fish and you lost him. Jeffrey, Hey, Jeffrey,

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<v Speaker 2>what's the matter with you?

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<v Speaker 5>What?

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<v Speaker 4>And there's a line, snap slate, what's with it Jeffrey

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<v Speaker 4>an amateur. How does he let a beauty like that

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<v Speaker 4>get away from it?

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<v Speaker 2>I'll tell you how sailor he died. He's dead. That's how.

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<v Speaker 5>I wish you'd say something retail pensive in fault. I

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<v Speaker 5>am thinking about it. Oh stop here, of course, of

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<v Speaker 5>course what you wish it?

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<v Speaker 6>Amy, that diamond drinking at me the blue one, cause

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<v Speaker 6>that three characters. I don't want that one retail in

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<v Speaker 6>my wedding ring from you to me because I love

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<v Speaker 6>you and I'm just gonnaccord it. You could buy me

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<v Speaker 6>a sackful out of the small change of hearing Amy.

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<v Speaker 5>Amy to what's sure about sen York Jeffrey. I mean, listen,

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<v Speaker 5>you're from Iowa. It is no longer between you and

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<v Speaker 5>Senor Jeffreys what is used to be.

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<v Speaker 6>That's what's got in huh see, Rachel, listen to Matt

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<v Speaker 6>Jeffrey showed up in Asana a couple of days ago.

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<v Speaker 5>Oh, I'll admit it.

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<v Speaker 6>There was a flutter when he called.

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<v Speaker 4>I met him this morning for breakfast and go fishing.

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<v Speaker 6>When I saw him, laughed and myself because there was happy, happy,

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<v Speaker 6>because I knew he didn't mean.

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<v Speaker 5>Anything to me.

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<v Speaker 4>Jeff Ulica.

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<v Speaker 6>That's why I left Matt Jeffrey before we went in

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<v Speaker 6>the restaurant. That's why I came run into you without

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<v Speaker 6>even changing.

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<v Speaker 2>Band. Red Melica, I'm.

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<v Speaker 7>Glad you make me thank your Shannon, Senorita Bubal. You

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<v Speaker 7>did something lechun, a beautiful thing, a clever thing. I

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<v Speaker 7>have apprehended the murderers of not Jeffrey.

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<v Speaker 4>It was murdered. The man died quietly on our boat.

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<v Speaker 4>There was no one around.

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<v Speaker 7>Only you ain't in your Shannon and inside the dead

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<v Speaker 7>man enough poison to have killed him three times over.

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<v Speaker 7>Matt Jeffrey was murdered.

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<v Speaker 2>If you say so, and you've got a murderers, I'm

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<v Speaker 2>glad for you and for Jeffrey. Who are they?

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<v Speaker 7>You and you please sign your confession. We will shake

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<v Speaker 7>hands and we will still be trained here.

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<v Speaker 2>Sign all right now for Sasel raised me a small

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<v Speaker 2>print where it says why we killed him. I left

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<v Speaker 2>these spaces blank for you tube feelings, because I also

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<v Speaker 2>could not puzzle why you want dead a man who

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<v Speaker 2>is so poor human to live in Havana, in a

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<v Speaker 2>mousehold like the last Floyer's hotel, in man who digs

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<v Speaker 2>into his statings to hire your boat for fish a

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<v Speaker 2>man who how much doll you got on your sellar?

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<v Speaker 4>Three bucks and a dime?

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<v Speaker 2>Why I let's see I've got yeah, not forty two dollars.

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<v Speaker 2>That makes forty five at a dime for a candy bar,

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<v Speaker 2>enough for bail asal for forty five paceos. You expect

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<v Speaker 2>that I has another buck. I was holding it out

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<v Speaker 2>for cab there. Come on, said, well, let's go fill

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<v Speaker 2>in the blank spaces and why we kill the man?

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<v Speaker 7>Here's twenty cent tables?

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<v Speaker 2>Back, Senor, take a.

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<v Speaker 7>Speak gun a street un named. We desire you to

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<v Speaker 7>come back.

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<v Speaker 2>To the poky come back, or we bring you back

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<v Speaker 2>on a come again rickshaw. Right, yeah, why don't you

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<v Speaker 2>pay attention to us?

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<v Speaker 8>He is tho seldom.

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<v Speaker 5>Senor that a man brings his budging bride his his

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<v Speaker 5>hotel for honeymoon, that I beside myself with friending and

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<v Speaker 5>be right, and now I can do for you.

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<v Speaker 2>What didn't you have a guest here? I'm Matt Jeffrey,

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<v Speaker 2>his desk bell. We're just about set in the middle

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<v Speaker 2>of that, all right, you asked.

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<v Speaker 4>To put the bell down. Slate, Chico, Chico, look at me.

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<v Speaker 4>You have something Chico. You're the cutest little old Chico.

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<v Speaker 4>A chill observes your eader. When I are gol tea flesh,

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<v Speaker 4>twenty three gold tees in my mouth. I have a

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<v Speaker 4>friend who has twenty five gold. See they are extension.

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<v Speaker 4>How much ten Baesel.

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<v Speaker 5>Current d for the buy touch.

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<v Speaker 2>For the gold, You'll get it. What about Matt Jeffrey.

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<v Speaker 2>This morning you walk.

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<v Speaker 5>Out into the Havannah daylight.

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<v Speaker 4>Before he read for the daylight, he made two calls

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<v Speaker 4>through the telephone in his room, through the rich boarder

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<v Speaker 4>my left out into the world of hustle and busy

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<v Speaker 4>ten Paesel Senior for the numbers he called him, so

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<v Speaker 4>that I may eat with gold.

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<v Speaker 2>Yeah, here and here's for you. I give you, says,

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<v Speaker 2>here's two nicel Sall he use that typhone on the wall.

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<v Speaker 2>Call these numbers.

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<v Speaker 9>Right, Norton Chops Norton speaking.

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<v Speaker 2>Ray Norton.

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<v Speaker 4>I'm sorry I got the wrong number. The first one

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<v Speaker 4>was Norton's Chops night right, the other one Okay, Hello, Hello,

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<v Speaker 4>this is Mary the Sunshine Girl. Your phone number has

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<v Speaker 4>been selected to receive a spiffy prize of one year's

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<v Speaker 4>free service. May I have your name and address.

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<v Speaker 8>See a webb.

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<v Speaker 6>One two one two per say a royal pay service

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<v Speaker 6>for what?

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<v Speaker 2>God?

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<v Speaker 4>I'm slate, let's go.

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<v Speaker 2>Yes, I'm Slate, Shannon. This is Sailor the Dow and

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<v Speaker 2>he is a man named Matt Jeffrey on a fishing

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<v Speaker 2>trip this morning he died. He was poisoned.

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<v Speaker 4>Come in, this is a cozy look. What of this coffee?

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<v Speaker 2>Say?

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<v Speaker 4>We'll set you back? Honey? Don't I know you lebby?

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<v Speaker 4>But I don't remember.

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<v Speaker 6>What do you two characters want?

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<v Speaker 2>Unt Jeffrey called you a couple of hours before he died.

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<v Speaker 6>It's a twist you inside. You can call me too?

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<v Speaker 2>What about Mat?

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<v Speaker 6>Jeffrey was a night fellow, had shoulders, went good with

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<v Speaker 6>Paul corn. You got shoulders tools. Why don't you get

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<v Speaker 6>rid of the drab girls?

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<v Speaker 4>Lace? See, I'm fighting my lips. I'm being very nice.

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<v Speaker 4>I'm behaving.

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<v Speaker 2>I'm a police in on this amy. I think we

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<v Speaker 2>can save you some grief.

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<v Speaker 4>Don't go along with that.

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<v Speaker 6>Matt was a boy from Iowa. I was engaged to

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<v Speaker 6>once we rubbed cheeks. Call us dancing. He showed up

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<v Speaker 6>in Havana called.

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<v Speaker 5>Me A couple of nights ago. I saw him moon.

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<v Speaker 2>He told you this morning too.

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<v Speaker 6>He made final arrangements to.

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<v Speaker 5>The day, gretlist and a fish and tip.

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<v Speaker 2>Do you know did jab breakfast with him?

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<v Speaker 6>We were crossing an alley. A cat ran by and

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<v Speaker 6>rubbed itself against his charges. Matt kicked the cat in

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<v Speaker 6>the face. Do you think I want to send a

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<v Speaker 6>day with abe?

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<v Speaker 5>White people don't have them, They're leaving.

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<v Speaker 2>Who are you?

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<v Speaker 5>Permit my introduction? I am ricos above.

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<v Speaker 4>Young be love it by whom and so engaged.

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<v Speaker 5>You're a lucky man. You are lovely this evening. Amy

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<v Speaker 5>be too meek, he will be to me. No more crying,

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<v Speaker 5>asping trips. So I way to see your mother, No

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<v Speaker 5>more meeting of color youth like Matt Jeffrey dying.

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<v Speaker 6>You're embarrassing the sunshine.

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<v Speaker 5>You're good by you to get out.

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<v Speaker 2>Wouldn't have it any other way? Come on, sailor.

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<v Speaker 4>What now?

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<v Speaker 2>Bray and let's try another wrong numbers, Let's try norton

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<v Speaker 2>god chap.

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<v Speaker 5>And you've come all the way down to the smith

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<v Speaker 5>of Old Divannah just because a man named Matt Jeffrey

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<v Speaker 5>called me this morning.

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<v Speaker 2>Uh huh. We had another reason too. Jeffrey died on

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<v Speaker 2>our boat this morning at murder.

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<v Speaker 4>So you see Norton while we go around Havannah looking

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<v Speaker 4>in looks and clanny. You never know what you'll come up, sir,

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<v Speaker 4>and you came up with me one of the artists fokes.

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<v Speaker 5>I want to tell you about me. I found my

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<v Speaker 5>soul in Havana. Why you would be surprised for people

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<v Speaker 5>to bring their photographs to me? To paint a life like.

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<v Speaker 2>Portrait from what what Jeffrey wanted? This spect you're planted

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<v Speaker 2>from a snapshot.

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<v Speaker 4>Not a hind of his pussy cat.

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<v Speaker 5>That man's crazy about cats. He brought me a photograph

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<v Speaker 5>of Candy. I had a copy made the paint from

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<v Speaker 5>nailed him back his original.

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<v Speaker 4>Crazy about cats. Huh we heard difference live. We heard

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<v Speaker 4>he was a cat kicker.

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<v Speaker 2>No, he must have heard wrong. Say that, mister Norton

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<v Speaker 2>here says Jeffrey was mad for the cat. Mister Norton

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<v Speaker 2>wouldn't lie. What's mister Norton? Indeed I wouldn't.

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<v Speaker 4>I'll just prove it to you.

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<v Speaker 2>I'll go in the back room.

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<v Speaker 5>And bring out the portrait I did at Tabby, mister

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<v Speaker 5>Jeffrey's cat. You get weight here, all right?

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<v Speaker 4>Back mister Norton. I just can't wait to hear more

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<v Speaker 4>about your soul and the pussy cat.

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<v Speaker 5>Goodies only to a minute.

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<v Speaker 2>What happened?

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<v Speaker 4>Play? Maybe would you get.

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<v Speaker 2>Help for you? Maybe for me, not for Norton. You

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<v Speaker 2>can't wait that long. You've just been shot to death.

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<v Speaker 3>Now back to both venture our stars, Humphrey Voguards and

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<v Speaker 3>Lauren d Call and the second act of our story.

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<v Speaker 8>One of these A man did go? Cause did this?

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<v Speaker 4>And what do you know?

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<v Speaker 8>When off this nibbled and yanked online man who could

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<v Speaker 8>be birth more very last time didn't seem to be

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<v Speaker 8>because them of the day. And I will explain exactly

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<v Speaker 8>what I say. And the fellow who was played with

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<v Speaker 8>this met a pistol bullet and now he is.

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<v Speaker 4>And I'm just living for the second that LaSalle finds

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<v Speaker 4>out they were the last one to a software.

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<v Speaker 8>Unless I will find out, Miss Taylor.

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<v Speaker 4>You won't say to hear I heard that kind.

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<v Speaker 2>I won't play with it this time. This time we're

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<v Speaker 2>in a good so I can understand one thing. I

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<v Speaker 2>wouldn't feel so bad.

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<v Speaker 5>I don't sing of salmon.

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<v Speaker 2>Well, hello way girl, wed you'r hair said, I'm not

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<v Speaker 2>a for purgency.

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<v Speaker 5>I do not say my feel sad to see yourta anywhere.

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<v Speaker 5>It isn't difficulty. Your name comes first to the lips

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<v Speaker 5>of those in Havana who wish to skirt the police.

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<v Speaker 5>Those who have difficulties and cannot discuss it to authorities come.

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<v Speaker 4>To single shamming list.

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<v Speaker 2>Are a hope?

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<v Speaker 5>And are you willing to pay for the prisoner?

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<v Speaker 2>Oh, let's skip the play.

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<v Speaker 5>Rico follow When Amy came back from a vacation to

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<v Speaker 5>visit her mother and the essauray who needs and you're

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<v Speaker 5>as Saturday of Iowa. She commenced to be blackmailed.

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<v Speaker 2>No, that would sad. I don't know how exactly, but

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00:14:24.519 --> 00:14:27.159
<v Speaker 2>it would thirty and so as soon fall to her.

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<v Speaker 5>Pay me twenty thousand dollars for some information the man

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00:14:29.960 --> 00:14:32.879
<v Speaker 5>said about one hour ago. Says to meet him with

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<v Speaker 5>money at the Arribady had DUTs he the fourth Agent

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<v Speaker 5>shacks at eleven.

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<v Speaker 2>Listen to me, Rico, tell her to do it. I'll

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00:14:39.399 --> 00:14:41.159
<v Speaker 2>be there. I'll be in the doorway of that fourth

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<v Speaker 2>Agent shack. Tell her any to walk past me, keep

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<v Speaker 2>walking back and forth past me. If anyone approaches her,

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00:14:46.960 --> 00:14:49.519
<v Speaker 2>I'll know it, yes, yes, and tell her not to

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<v Speaker 2>talk to me. Above all, she's not to talk to me.

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<v Speaker 2>No one must know I'm there, got that. This is

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<v Speaker 2>what I have it exactly.

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<v Speaker 4>You Rachel gees me a mind be love?

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<v Speaker 5>But do you are coming in?

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<v Speaker 4>No formal ritel?

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00:15:21.440 --> 00:15:23.279
<v Speaker 6>The gentle chap is alite request.

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00:15:23.799 --> 00:15:29.559
<v Speaker 4>You're going to be married, remember, come in? I don't know, sham.

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<v Speaker 4>He has agreed to help you.

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<v Speaker 5>Forgive me for tet some money for don't matter. He

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00:15:35.639 --> 00:15:36.919
<v Speaker 5>said he will hold you some harm.

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<v Speaker 6>So I'm to go ahead and red noses with a

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<v Speaker 6>black man on the goot.

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<v Speaker 5>Huh, you got to got to speak to him. Do

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<v Speaker 5>you want to make no outclass? You got only to

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<v Speaker 5>walk so shallon? Well, no, you' out there?

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00:15:47.840 --> 00:15:49.919
<v Speaker 6>Hell knows l I don't know.

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00:15:50.039 --> 00:15:54.159
<v Speaker 4>I'm there, that's all. You didn't mind me anything?

287
00:15:54.679 --> 00:15:56.799
<v Speaker 5>A little pleasant, little happy?

288
00:15:56.879 --> 00:15:57.320
<v Speaker 6>You're happy?

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00:15:57.720 --> 00:15:59.320
<v Speaker 4>Why did not he came me?

290
00:15:59.399 --> 00:16:03.039
<v Speaker 6>I knowed I d as the day miss running?

291
00:16:03.600 --> 00:16:04.240
<v Speaker 8>What's more good?

292
00:16:04.279 --> 00:16:04.600
<v Speaker 4>I want?

293
00:16:17.559 --> 00:16:19.559
<v Speaker 6>Please say you're here?

294
00:16:19.600 --> 00:16:21.679
<v Speaker 2>Aren't you keep walking at fool?

295
00:16:21.759 --> 00:16:25.279
<v Speaker 5>Don't talk to me? Please?

296
00:16:25.399 --> 00:16:27.879
<v Speaker 2>If he's you're talking to me, he'll kill. He's already

297
00:16:27.960 --> 00:16:32.279
<v Speaker 2>killed twice. He's got the habit. Walk away. No hysterics kid,

298
00:16:32.279 --> 00:16:35.559
<v Speaker 2>it's not the time. Beat it ay walk, Okay, you're

299
00:16:35.600 --> 00:16:46.600
<v Speaker 2>going a pretty girl. You're a guy. I want to

300
00:16:46.639 --> 00:16:47.320
<v Speaker 2>talk to you. Bust it.

301
00:16:49.159 --> 00:16:50.440
<v Speaker 6>I'm coming after your bust it.

302
00:16:55.960 --> 00:17:01.440
<v Speaker 2>This lady all right, yeah, yeah, I'm all right surprised.

303
00:17:01.519 --> 00:17:05.559
<v Speaker 2>I guess Oh there's my bullets? Do after my cheek? Amy?

304
00:17:05.599 --> 00:17:07.960
<v Speaker 2>When they raise it? And why did you cry out?

305
00:17:08.000 --> 00:17:08.759
<v Speaker 2>I told you not to.

306
00:17:09.319 --> 00:17:09.960
<v Speaker 8>I'm a girl.

307
00:17:10.519 --> 00:17:12.079
<v Speaker 6>Situations like people sitting.

308
00:17:12.440 --> 00:17:14.000
<v Speaker 4>Yeah, he got away.

309
00:17:14.640 --> 00:17:17.559
<v Speaker 2>Your blackmail is a buddy of mine. Amy. He's got

310
00:17:17.680 --> 00:17:19.039
<v Speaker 2>teeth a shine in the dark.

311
00:17:29.880 --> 00:17:32.440
<v Speaker 4>So you didn't get Amy's blackmailer. That's why we're going

312
00:17:32.480 --> 00:17:35.160
<v Speaker 4>back to that man in the fleabag. Huh your version

313
00:17:35.240 --> 00:17:36.880
<v Speaker 4>of tennants for a deed not done.

314
00:17:37.319 --> 00:17:38.799
<v Speaker 2>I had a yawn that enchanted me.

315
00:17:39.359 --> 00:17:41.880
<v Speaker 4>Your mind long ago, said I learned not.

316
00:17:41.960 --> 00:17:52.880
<v Speaker 2>To live for you after me Sarah. Alright, chicco yes,

317
00:17:53.000 --> 00:17:56.160
<v Speaker 2>who please underlay go away, do not stand and go

318
00:17:56.400 --> 00:17:57.319
<v Speaker 2>on me late.

319
00:17:57.440 --> 00:17:58.640
<v Speaker 4>You can see your yawn again.

320
00:17:58.759 --> 00:18:02.079
<v Speaker 2>Chico yawns for the Yeah, I'll do that, Chico flash

321
00:18:02.160 --> 00:18:04.880
<v Speaker 2>the gold ten places. If you open your mouth wide, your.

322
00:18:04.799 --> 00:18:06.960
<v Speaker 5>Downy's my goal by counts with my bruds in you.

323
00:18:07.279 --> 00:18:09.240
<v Speaker 5>You lose at double empty speed in the jobbers.

324
00:18:09.279 --> 00:18:10.039
<v Speaker 4>What more do you want?

325
00:18:10.519 --> 00:18:13.839
<v Speaker 2>I got two of your teeth. Hut, Chico meet a blackmailer, said,

326
00:18:13.880 --> 00:18:14.759
<v Speaker 2>and I spoiled it.

327
00:18:15.000 --> 00:18:17.960
<v Speaker 5>My message allows it. Amateurs, you're not rate his game

328
00:18:18.000 --> 00:18:18.240
<v Speaker 5>with his.

329
00:18:18.359 --> 00:18:20.640
<v Speaker 2>Murder on teeth. Oh you found up on the blackmail,

330
00:18:20.680 --> 00:18:23.279
<v Speaker 2>but you got to kill two men Matt Jeffrey by poison,

331
00:18:23.440 --> 00:18:24.559
<v Speaker 2>ray notting by bullets.

332
00:18:24.759 --> 00:18:27.039
<v Speaker 4>You've had a busy day, little old check out.

333
00:18:27.119 --> 00:18:30.359
<v Speaker 2>You are both very slappappy people, though, sure we are. Chico,

334
00:18:30.519 --> 00:18:32.640
<v Speaker 2>I'm going to slap you right down the police headquarters.

335
00:18:32.720 --> 00:18:34.359
<v Speaker 2>That way, I'll beat a couple of murders off my

336
00:18:34.440 --> 00:18:37.599
<v Speaker 2>shoulders on your thick go take your hand for my tears,

337
00:18:37.680 --> 00:18:39.799
<v Speaker 2>Dan jagged, and I would explain I do that, Chico,

338
00:18:40.519 --> 00:18:42.160
<v Speaker 2>put my hand on the stain. Here.

339
00:18:42.720 --> 00:18:45.720
<v Speaker 5>A letter came from my one room guest, Matt Jeffrey,

340
00:18:45.960 --> 00:18:49.680
<v Speaker 5>after he has diseased. I opened pictured him blackmail pictured

341
00:18:49.680 --> 00:18:51.880
<v Speaker 5>to man with brains more brains than to me.

342
00:18:52.279 --> 00:18:53.559
<v Speaker 4>So you called Andy Wedt?

343
00:18:53.680 --> 00:18:54.519
<v Speaker 8>Who else the call?

344
00:18:54.880 --> 00:18:57.039
<v Speaker 5>He has had woodagrass in the van of papers because

345
00:18:57.039 --> 00:18:59.200
<v Speaker 5>you will marry a Vanda millionaire? Who else to call?

346
00:18:59.559 --> 00:19:01.200
<v Speaker 2>Where's the in my bee shack?

347
00:19:01.319 --> 00:19:02.160
<v Speaker 5>Under the Darrow Beach.

348
00:19:02.599 --> 00:19:04.960
<v Speaker 2>The dirtiest one, the painted red and blue, the one

349
00:19:05.000 --> 00:19:07.680
<v Speaker 2>in the Shikia stops under a loose board on the floor.

350
00:19:07.920 --> 00:19:10.200
<v Speaker 2>We checked you with the police, Chico. Then we check

351
00:19:10.240 --> 00:19:12.519
<v Speaker 2>a loose board, coming, Golden Boy.

352
00:19:28.359 --> 00:19:30.759
<v Speaker 4>We sat under a loose board. Would have been easier

353
00:19:30.759 --> 00:19:33.039
<v Speaker 4>if we set under a tight board. What isn't loose

354
00:19:33.079 --> 00:19:33.400
<v Speaker 4>in here?

355
00:19:33.680 --> 00:19:36.200
<v Speaker 2>Left them upseller one by one until we climb the treasure.

356
00:19:37.079 --> 00:19:41.359
<v Speaker 2>We're having fun. Huh what'd you say? Oh?

357
00:19:41.440 --> 00:19:42.599
<v Speaker 5>I said, it's a moon light night.

358
00:19:42.720 --> 00:19:44.960
<v Speaker 4>You see it's bright night. Jolly, it's code. What do

359
00:19:45.000 --> 00:19:45.720
<v Speaker 4>you think I said?

360
00:19:45.920 --> 00:19:52.160
<v Speaker 2>It sounded more like, hey, I think I Yeah, I

361
00:19:52.240 --> 00:19:53.160
<v Speaker 2>found him selling.

362
00:19:54.480 --> 00:19:55.319
<v Speaker 4>Black flail stuff.

363
00:19:55.400 --> 00:19:55.559
<v Speaker 5>Huh.

364
00:19:55.720 --> 00:19:59.519
<v Speaker 4>Let me teak huh. Amy in a junior swim suit,

365
00:20:00.079 --> 00:20:03.279
<v Speaker 4>not chesley and pin up shots and both leaning against

366
00:20:03.279 --> 00:20:05.279
<v Speaker 4>the brand new car. That's all.

367
00:20:05.920 --> 00:20:07.960
<v Speaker 2>Take another look? Where are they? Hm?

368
00:20:08.359 --> 00:20:10.960
<v Speaker 4>The man looks like Miami. I'm bend to Miami, and

369
00:20:11.039 --> 00:20:12.279
<v Speaker 4>the mayor looks like Miami.

370
00:20:12.880 --> 00:20:13.200
<v Speaker 5>Kill me.

371
00:20:13.319 --> 00:20:14.079
<v Speaker 4>It is Miami.

372
00:20:14.480 --> 00:20:16.680
<v Speaker 2>Yeah, a cozy piece of blackmail.

373
00:20:16.960 --> 00:20:20.359
<v Speaker 4>That's blackmail to be in my plate foot snapping his gun.

374
00:20:21.039 --> 00:20:22.599
<v Speaker 2>That's a right, So say lest I'm gonna trying to

375
00:20:22.680 --> 00:20:26.640
<v Speaker 2>kill us. Come on. It's so here say let this

376
00:20:26.720 --> 00:20:28.599
<v Speaker 2>back door dive into the water, and last one in

377
00:20:28.599 --> 00:20:29.400
<v Speaker 2>there is a dead duck.

378
00:20:42.079 --> 00:20:42.880
<v Speaker 4>So you'll show 'em.

379
00:20:43.000 --> 00:20:46.920
<v Speaker 5>So you like to do both, please come in? And

380
00:20:47.119 --> 00:20:48.759
<v Speaker 5>he told me what happened to your chief sing or?

381
00:20:49.160 --> 00:20:52.119
<v Speaker 5>I've got pay for biscarda each re charged by the footage.

382
00:20:53.160 --> 00:20:57.160
<v Speaker 5>I do get Amy, any dollar you'll hit the dog,

383
00:20:58.759 --> 00:20:59.960
<v Speaker 5>so you'll tell him you need to do.

384
00:21:00.880 --> 00:21:01.599
<v Speaker 4>I heard resol.

385
00:21:01.680 --> 00:21:04.200
<v Speaker 6>So you tell you for your star slate, I want.

386
00:21:04.079 --> 00:21:07.119
<v Speaker 4>To contribute to you. Touch one into that star says

387
00:21:07.279 --> 00:21:08.480
<v Speaker 4>you'll have a few of your own.

388
00:21:08.920 --> 00:21:10.279
<v Speaker 2>I just want to let you too know that I

389
00:21:10.359 --> 00:21:12.440
<v Speaker 2>got this thing wrapped up. Now take a look at this?

390
00:21:12.519 --> 00:21:13.799
<v Speaker 2>What picture of Rico? What?

391
00:21:14.079 --> 00:21:15.920
<v Speaker 4>Because when we get a picture like this, we're like

392
00:21:16.000 --> 00:21:17.000
<v Speaker 4>to swim around with U.

393
00:21:17.079 --> 00:21:19.519
<v Speaker 2>Especially when I was someone urging his onward with a rifle.

394
00:21:19.960 --> 00:21:22.960
<v Speaker 2>Go on, take a look at it, Raco tweaking, isn't

395
00:21:22.960 --> 00:21:25.640
<v Speaker 2>it Rico? Look at it?

396
00:21:25.720 --> 00:21:29.200
<v Speaker 5>Amy, I thought you were in Ioway three weeks ago.

397
00:21:29.680 --> 00:21:32.519
<v Speaker 6>I told you I was. That means I was, but

398
00:21:32.839 --> 00:21:36.559
<v Speaker 6>the speak it was taken seven years ago Miami. Matt

399
00:21:36.559 --> 00:21:38.839
<v Speaker 6>and I were onto the dating society for our college.

400
00:21:39.480 --> 00:21:40.880
<v Speaker 6>We went to Miami to the date.

401
00:21:41.279 --> 00:21:43.480
<v Speaker 2>So Wiley said, yeah, tell us about it.

402
00:21:44.079 --> 00:21:48.440
<v Speaker 5>You aren't lighting any This picture was taken recently. Seen

403
00:21:48.519 --> 00:21:52.039
<v Speaker 5>in the background this she has mother car. This could

404
00:21:52.119 --> 00:21:56.039
<v Speaker 5>not be taken seven years ago recently. When you said

405
00:21:56.079 --> 00:21:58.960
<v Speaker 5>you was with your mother, you worked with my Jeffrey,

406
00:21:59.119 --> 00:21:59.680
<v Speaker 5>so I went to.

407
00:21:59.720 --> 00:22:02.519
<v Speaker 4>My So what if I did? So you killed not

408
00:22:02.680 --> 00:22:05.119
<v Speaker 4>Jessie poisoned him? That's so what if you did?

409
00:22:05.319 --> 00:22:06.480
<v Speaker 6>I asked you to throw them out.

410
00:22:06.559 --> 00:22:09.759
<v Speaker 2>Rico Emmy poison him at breakfast. He died on our boat.

411
00:22:10.119 --> 00:22:13.480
<v Speaker 2>Matt Jeffrey. Blackmailer number one murdered Man number one.

412
00:22:13.960 --> 00:22:14.640
<v Speaker 5>He's cute.

413
00:22:14.759 --> 00:22:18.240
<v Speaker 2>Someone else, all of you crazy little artist. Ray Norton,

414
00:22:18.279 --> 00:22:19.880
<v Speaker 2>the man who got hold of one of these pictures.

415
00:22:19.960 --> 00:22:22.680
<v Speaker 2>Blackmailer number two murdered Man number two.

416
00:22:23.400 --> 00:22:27.880
<v Speaker 5>Who eighty? Who poll Amy? Because you're going with my bill.

417
00:22:28.640 --> 00:22:30.920
<v Speaker 5>You could have told me Amy crazy and.

418
00:22:30.960 --> 00:22:34.039
<v Speaker 2>The blackmail goes on hotel clerk who opened that snail?

419
00:22:34.799 --> 00:22:36.880
<v Speaker 2>He dreamed that the story Amy a good one. Told

420
00:22:36.920 --> 00:22:38.559
<v Speaker 2>it to Rico, a story that made it look like

421
00:22:38.640 --> 00:22:41.680
<v Speaker 2>the clerk murdered the other two clik I was supposed

422
00:22:41.680 --> 00:22:45.000
<v Speaker 2>to capture on the waterfront. Maybe killed tru leap.

423
00:22:45.160 --> 00:22:47.319
<v Speaker 5>I am sorry, Amy, Amy.

424
00:22:47.160 --> 00:22:47.480
<v Speaker 8>Who's on?

425
00:22:47.599 --> 00:22:48.920
<v Speaker 4>Not go get out of my way.

426
00:22:49.039 --> 00:22:50.720
<v Speaker 8>I'll kill him. Emmy, do not.

427
00:22:55.200 --> 00:22:59.119
<v Speaker 4>Hurrico, he wasn't you.

428
00:23:00.480 --> 00:23:05.839
<v Speaker 6>I wanted you got my way, Rico, Rico, you can't die.

429
00:23:06.319 --> 00:23:07.119
<v Speaker 6>You can't.

430
00:23:10.920 --> 00:23:14.599
<v Speaker 2>Right. I didn't ten number three. I was wrong.

431
00:23:15.480 --> 00:23:16.720
<v Speaker 4>I didn't think She cried.

432
00:23:17.480 --> 00:23:21.400
<v Speaker 2>Yeah, you were wrong. I go home. Sailing. I'll take

433
00:23:21.440 --> 00:23:21.960
<v Speaker 2>it from the air.

434
00:23:49.920 --> 00:23:54.279
<v Speaker 4>Isn't this wonderful face sailing along calm sea? Beautiful day?

435
00:23:54.400 --> 00:23:55.759
<v Speaker 2>Any let her head back to Alana.

436
00:23:56.480 --> 00:23:56.799
<v Speaker 5>The rain.

437
00:23:57.079 --> 00:23:57.720
<v Speaker 4>You're crazy.

438
00:23:57.920 --> 00:23:59.599
<v Speaker 5>You gotta cloud in the sky, in the.

439
00:23:59.640 --> 00:24:00.440
<v Speaker 2>Rain, head back?

440
00:24:00.799 --> 00:24:02.279
<v Speaker 4>What makes you think it's going to rain?

441
00:24:02.680 --> 00:24:05.119
<v Speaker 2>My new scar, this one on my cheek is twitches.

442
00:24:05.640 --> 00:24:07.640
<v Speaker 2>When this scar acts up, it's gonna rain.

443
00:24:08.000 --> 00:24:10.039
<v Speaker 4>How can you tell that you haven't had that scar

444
00:24:10.200 --> 00:24:10.680
<v Speaker 4>long enough?

445
00:24:10.920 --> 00:24:13.480
<v Speaker 2>Looks sailor, I got scars all over, one for snow,

446
00:24:13.599 --> 00:24:16.599
<v Speaker 2>one for hail, one's a hurricane, one for tornado, and

447
00:24:16.680 --> 00:24:18.880
<v Speaker 2>one for cloudy. This new one for rain.

448
00:24:19.480 --> 00:24:20.079
<v Speaker 4>It twitches.

449
00:24:20.200 --> 00:24:22.480
<v Speaker 2>Huh yeah, what is this.

450
00:24:22.680 --> 00:24:23.079
<v Speaker 4>Go to it?

451
00:24:24.599 --> 00:24:28.279
<v Speaker 2>Keep on doing that, Sailor. I'm getting a message. Uh

452
00:24:28.359 --> 00:24:34.880
<v Speaker 2>huh uh huh snow, rain, hail, Taylor, the bottom's gonna

453
00:24:34.960 --> 00:24:42.319
<v Speaker 2>drop out of the barometer in the night and so

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00:24:42.880 --> 00:24:46.200
<v Speaker 2>our two stars, Humphrey Ball Garden Lauren the Call have

455
00:24:46.359 --> 00:24:49.559
<v Speaker 2>brought to a close our latest Bowl venture story.

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00:24:50.200 --> 00:24:53.960
<v Speaker 7>Special music was composed and conducted by David Rose Hey.

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00:24:54.039 --> 00:24:56.200
<v Speaker 3>We invite you to listen again next week at this

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00:24:56.359 --> 00:25:00.960
<v Speaker 3>time for another exciting adventures. Sorry to I'm Gray o

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00:25:01.160 --> 00:25:07.200
<v Speaker 3>God and Lauren the Call together in OH Ventures
