WEBVTT

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<v Speaker 1>It is very expensive to be alive right now. For

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<v Speaker 1>the majority of folks attempting to get the basics food, water,

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<v Speaker 1>and safety. There is a lot of day to day insecurity.

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<v Speaker 1>Arge is a gig economy worker struggling to make ends meet,

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<v Speaker 1>but then he finds a job with a very rich

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<v Speaker 1>man and this chance encounter leads to Good Fortune.

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<v Speaker 2>I'm Ronald Young Jr. And I'm leaving the theater. All right.

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<v Speaker 1>This is Ronald and I Am leaving the theater after

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<v Speaker 1>seeing good Fortune. Good Fortune written and directed by Azi's

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<v Speaker 1>I'm Sorry, starring Seth Rogen, AZ's I'm Sorry, Keiki Palmer,

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<v Speaker 1>Sandra O, and Keanu Reeves. And for a complete cast listing,

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<v Speaker 1>you can go to the link in our show notes.

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<v Speaker 1>It is just me today. Good Fortune is about a

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<v Speaker 1>gig economy worker who was hired to be a very

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<v Speaker 1>wealthy man's assistant. The gig economy worker played by Aziz

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<v Speaker 1>I'm Sorry, is struggling very hard with his life and

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<v Speaker 1>he is looking for some sort of relief, if you will,

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<v Speaker 1>and Keanu Reeves plays an angel whose entire realm of

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<v Speaker 1>responsibility is to stop people from texting and driving. And

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<v Speaker 1>Seth Rogan is the wealthy man that Aziz finds himself

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<v Speaker 1>working for. At some point in the movie, azaz and

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<v Speaker 1>Seth Rogan switch places and due to the influence of

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<v Speaker 1>the angel Gabriel played by Keanu Reeves, and as a result,

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<v Speaker 1>Seth Rogan is now a gig economy worker and assistant

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<v Speaker 1>to Aziz on Sorry, who is now a very wealthy man.

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<v Speaker 1>It's a comedy, which if that's not obvious from the

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<v Speaker 1>names that I said, Hi, you now know because I

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<v Speaker 1>told you. Keiki Palmer is also in the movie and

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<v Speaker 1>she plays a love interest for Aziz I'm Sorry, and

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<v Speaker 1>they both play the role very well.

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<v Speaker 2>Uh.

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<v Speaker 1>I really liked this movie. I really liked this movie.

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<v Speaker 1>I think it would be very easy for a film

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<v Speaker 1>like this which is made by folks who are all

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<v Speaker 1>very wealthy. Aziz I'm Sorry got money, Seth Rogan got money,

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<v Speaker 1>Kiki Poper got money, Sandra O got money, Keanu Reeves

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<v Speaker 1>has money. But the film is done with such care

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<v Speaker 1>and attention and accuracy about the wealth gap, because that's

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<v Speaker 1>essentially what this movie is. It is commentary on the

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<v Speaker 1>wealth gap. Essentially, what this film does that other films

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<v Speaker 1>like this, like say Trading Places, don't do is. It

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<v Speaker 1>basically plays into the idea of if you were to

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<v Speaker 1>switch places with a rich person just because you learned

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<v Speaker 1>some sort of cartoonish lesson, i e. If you are

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<v Speaker 1>Ebenezer Scrooge and you switch places with a poor person,

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<v Speaker 1>would you learn the lesson or would you just want

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<v Speaker 1>to be rich again? And essentially a large portion of

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<v Speaker 1>the movie is everyone coming to the conclusion to some points,

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<v Speaker 1>at some points in a very hilarious way, that being

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<v Speaker 1>poor and actually not even being poor, not being rich sucks. Essentially,

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<v Speaker 1>this entire setup, all of capitalism, pushes us to want

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<v Speaker 1>to be rich, to basically try to find comfort in

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<v Speaker 1>working as hard as we can to obtain as much

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<v Speaker 1>as we can. And what I found surprising was that

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<v Speaker 1>when Asis I'm Sorry switches places with seth Rogen, the

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<v Speaker 1>movie does not let this idea off the hook. It

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<v Speaker 1>basically says, why would I want to be poor again

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<v Speaker 1>if I were rich now, especially in this society, which

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<v Speaker 1>I felt like was a very audacious position to take,

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<v Speaker 1>because it's honest. It's very honest, because there's so many

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<v Speaker 1>people that at the level that we're at now would

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<v Speaker 1>claim to say when I get rich, I will do

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<v Speaker 1>X Y and Z for my friends, for my family,

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<v Speaker 1>for poor folks, whatever. And this movie is basically putting

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<v Speaker 1>its money where its mouth is in a very significant

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<v Speaker 1>way that I just really enjoyed watching. And I think

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<v Speaker 1>at one point there's a character who I will not

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<v Speaker 1>reveal too much, but at one point there's a character

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<v Speaker 1>who is going through the process of discovering what it's

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<v Speaker 1>like to actually have to get a second job, have

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<v Speaker 1>to get a third job, figure out how to pay bills,

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<v Speaker 1>how expensive it is to be poor.

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<v Speaker 2>They get their car towed.

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<v Speaker 1>To unpaid parking tickets, and they find out that they

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<v Speaker 1>have to pay all the tickets and the impound fee

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<v Speaker 1>and the tofie and the impound fee increases every single day.

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<v Speaker 1>So it's expensive to be poor. And as they're experiencing it,

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<v Speaker 1>every time we see this character, they're just a little

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<v Speaker 1>bit more stressed out, and they they depict this in

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<v Speaker 1>ways that were funny, and the audience laughed at but

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<v Speaker 1>I found myself watching this and not laughing nearly as much,

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<v Speaker 1>not because it's not funny. It is funny, but because

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<v Speaker 1>it was hitting the nail on the head. It was

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<v Speaker 1>so accurate that it felt like I was giving humph,

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<v Speaker 1>like those types of laughs as opposed to like big

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<v Speaker 1>belly laughs. I had a couple of big belly laughs.

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<v Speaker 1>But the movie is just it rings the bell about

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<v Speaker 1>the wealth gap, just over and over again. For most

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<v Speaker 1>people that know about it, this is not going to

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<v Speaker 1>be a surprise to you, but you might find yourself

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<v Speaker 1>pleasantly amused at the way that they tell this story.

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<v Speaker 1>I think the only other way that I know how

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<v Speaker 1>to compare this is if you enjoyed The Good Place,

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<v Speaker 1>you will likely also enjoy this because this is some

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<v Speaker 1>of the same work they were doing in the Good Place.

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<v Speaker 1>How much good do I have to do to make

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<v Speaker 1>it into heaven? Even if I did everything right, if

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<v Speaker 1>I crossed every te and doted every I would that

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<v Speaker 1>be enough to make it into the Good Place? And

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<v Speaker 1>this film is the same way. It's saying you now

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<v Speaker 1>have wealth, Now what are you going to do about it?

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<v Speaker 1>It's funny because it also because the runtime is a

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<v Speaker 1>tight ninety and I mean a tight ninety even the

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<v Speaker 1>credits weren't long. This by the time I get to

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<v Speaker 1>the end, it puts me in a position where I

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<v Speaker 1>could just sit and think about what I just watched,

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<v Speaker 1>you know, like I'm not necessarily, I'm not worn out.

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<v Speaker 1>From the time that I watched the film, it has

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<v Speaker 1>a beginning, middle, and an end, and even the parts

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<v Speaker 1>that I started to wonder are they going too far

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<v Speaker 1>with this?

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<v Speaker 2>As I started to think that it.

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<v Speaker 1>Switches and that is just it's so that was satisfying

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<v Speaker 1>to me. That was very, very satisfying to me. I

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<v Speaker 1>don't want to talk too much about this without talking

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<v Speaker 1>about disease. I'm sorry. He had an incident that came

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<v Speaker 1>up when he was accused of let's say, improper treatment

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<v Speaker 1>during a date. He did not behave so well during

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<v Speaker 1>a date, and it was kind of lumped up along

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<v Speaker 1>with every other me too story that happened at the time,

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<v Speaker 1>and of course, pawing closer examination, everyone agreed that this

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<v Speaker 1>wasn't exactly me too as much as it was disease.

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<v Speaker 2>Please do better when you go on dates.

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<v Speaker 1>Please read the room we were on a date, that

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<v Speaker 1>type of thing, y'all can read about that story. As

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<v Speaker 1>a result, there was a lot of projects that Disease

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<v Speaker 1>had that kind of went up and smoke. And I

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<v Speaker 1>was a person that I'd seen A Z's live few times.

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<v Speaker 1>I watched all his stand ups, I enjoyed everything that

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<v Speaker 1>he was on television wise, parks and recreation, and I

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<v Speaker 1>remember and then of course Master of None, which was

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<v Speaker 1>an excellent show on Netflix.

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<v Speaker 2>And after all.

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<v Speaker 1>Of this happened with him, he kind of receded from

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<v Speaker 1>the public eye and took some time. And I saw

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<v Speaker 1>his stand up when he came back into the public eye,

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<v Speaker 1>and I remember he basically was talking about what the

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<v Speaker 1>situation was like for him. He apologizes, and he's kind

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<v Speaker 1>of apologized a lot about everything that had happened, and

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<v Speaker 1>I was really interested to see him get back to work,

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<v Speaker 1>get back to the thing that he does well, because

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<v Speaker 1>he does good work. Master of None is a very

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<v Speaker 1>contemplative series that really impacted me. I really didn't care

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<v Speaker 1>for the Lena Wafe season, but before that, the seasons

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<v Speaker 1>that were focused on in the disease, I really enjoyed.

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<v Speaker 1>And I guess I'm saying that to say for this

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<v Speaker 1>to be the piece of work that is kind of

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<v Speaker 1>his signature work since those days, it's a good piece

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<v Speaker 1>for him to come back with. And he's still as

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<v Speaker 1>sharp as I remember him being. He's still funny. He

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<v Speaker 1>acts in it, obviously, and he directed it did a

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<v Speaker 1>great job. There's a lot of great shots in this film.

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<v Speaker 1>It's written well. Yeah, I just I really enjoyed it.

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<v Speaker 1>And I think again, because the runtime is so short

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<v Speaker 1>at ninety minutes, it's really hard pressed for me to

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<v Speaker 1>find someone that I wanted to show this movie to

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<v Speaker 1>and not easily have them walk away saying, oh, yeah,

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<v Speaker 1>that was good. At the bare minimum, I think they're saying,

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<v Speaker 1>oh that was cute. That was cute. So yeah, I mean,

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<v Speaker 1>I guess the question is now that I like it

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<v Speaker 1>as much as I like Sinners, which I gave five

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<v Speaker 1>stars to, And man, that's actually a tough question because

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<v Speaker 1>I really enjoyed Sinners, but I also really enjoyed this.

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<v Speaker 1>I really enjoyed this. With all of that being said,

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<v Speaker 1>I'm gonna give this film four point five stars. I'm

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<v Speaker 1>gonna give it four point five stars. I think I

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<v Speaker 1>like Cinners just a little bit more. And I do

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<v Speaker 1>think when they get to the ending of good Fortune,

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<v Speaker 1>there was a direction I wish they had taken and

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<v Speaker 1>they didn't. I think that it ends in probably the

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<v Speaker 1>most peaceable way, but not necessarily in a way that

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<v Speaker 1>would have been the most satisfying to me. And I

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<v Speaker 1>think there was an avenue for this movie to end

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<v Speaker 1>in a more satisfying way, but they didn't quite take

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<v Speaker 1>that route. So that's the only thing I'll knock point

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<v Speaker 1>five stars off for. Other than that, I enjoyed this film.

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<v Speaker 1>I'd watch this if it were a series.

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<v Speaker 2>It's not. It's a movie. It's only ninety minutes.

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<v Speaker 1>So yeah, four point five of five stars and with

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<v Speaker 1>that leaving the theater is a production of Oh It's

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<v Speaker 1>Big Round Studios. I mixed this episode Today's Tuesday. I

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<v Speaker 1>went to a press screening. I had to be here

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<v Speaker 1>by I like to get here around like six point

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<v Speaker 1>thirty six forty five. Movie starts at seven, and I

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<v Speaker 1>got here probably at six forty five, and I sat

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<v Speaker 1>in one of the only empty seats, only empty good

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<v Speaker 1>seats in the theater, next to this guy who was

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<v Speaker 1>kind of making a lot of mouth noises and smelt

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<v Speaker 1>a little strong, if you will. And I guess I

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<v Speaker 1>would have made it sooner, but this theater in rush

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<v Speaker 1>hour is about fifty minutes to an.

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<v Speaker 2>Hour from my home.

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<v Speaker 1>As a result, I could have waited til the weekend,

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<v Speaker 1>but I would have had to pay for those tickets.

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<v Speaker 1>This was a press screening, so this was the screening

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<v Speaker 1>that I needed to go to. That is the type

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<v Speaker 1>of calculus that goes into every decision that I make

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<v Speaker 1>when it comes to leaving the theater. It's not easy.

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<v Speaker 1>It's a labor of love, but it is labor. If

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<v Speaker 1>that means something to you, you should become a patron.

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<v Speaker 1>You can go to patreon dot com slash leave in

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<v Speaker 1>the Theater. When you join Patreon, you get access to

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<v Speaker 1>early releases of each week's podcast episode. You'll get them

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<v Speaker 1>on Sunday, what everyone else gets them on Monday. Or

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<v Speaker 1>this past week which was a holiday, everyone got it

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<v Speaker 1>on Tuesday, and Patreon members still got it on Sunday,

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<v Speaker 1>So that's two days earlier than everyone else. And that'll

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<v Speaker 1>happen every time I edit. As soon as I'm done

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<v Speaker 1>editing the episode, the first thing I do is post

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<v Speaker 1>it to Patreon and it's commercial free there. There's no

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<v Speaker 1>ads on there. You get access to I don't like that.

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<v Speaker 1>I'm gonna post a new episode this week. You get

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<v Speaker 1>access to On the Couch, which is a video podcast.

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<v Speaker 1>Now the next episode I will be doing as the

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<v Speaker 1>Running Man with Arnold Schwarzenegger in order to get ready

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<v Speaker 1>for the new Running Man with Glenn Powell, and you

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<v Speaker 1>get dissatisfaction of knowing that you're helping Leaving the Theater

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<v Speaker 1>continue to exist. It has been a joy finding out

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<v Speaker 1>ways to give more to patron members, so I appreciate y'all.

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<v Speaker 1>I just need y'all to recognize that this is a

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<v Speaker 1>labor of love. But it is labor if that means

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<v Speaker 1>something to you. Go to patreon dot com slash Leave

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<v Speaker 1>in the Theater or go to the link in our

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<v Speaker 1>show notes. Show art from Heather Wilder. Theme music by

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<v Speaker 1>the mysterious Breakmaster Cylinder. For more information about good Fortune,

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<v Speaker 1>check out our show notes. You can follow me on Instagram,

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<v Speaker 1>Blue Sky, TikTok, threads, or Letterbox at ODS Big Round

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<v Speaker 1>That's at O h I T S b I g

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<v Speaker 1>R O N. You can find out more about this

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<v Speaker 1>show on other ODIs Big Round Studio shows by following

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<v Speaker 1>us on Instagram at ODS Big Round Studios.

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<v Speaker 2>Leaving the Theater will be back soon. Thanks for listening.