WEBVTT

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<v Speaker 1>An Englishman, an Irishman, and an American walk into a

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<v Speaker 1>comic shop to buy the latest issue of the Twilight

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<v Speaker 1>Zone comic by id W. Now that might sound like

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<v Speaker 1>the start of a joke, but tonight it is a

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<v Speaker 1>cold hard fact, because I'm joined by not one, but

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<v Speaker 1>two guests to discuss issue three of the new Twilight

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<v Speaker 1>Zone comics run. So, first of all, let me welcome

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<v Speaker 1>back my old friend and host I've always hold on

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<v Speaker 1>to small mister Zach Moore. Zach, welcome back.

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<v Speaker 2>Well, they're happy to be back from the comic shop.

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<v Speaker 2>At you, Tom.

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<v Speaker 1>It was a good trip, good trip, very fruitful. But

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<v Speaker 1>we were joined by a first time guest on the

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<v Speaker 1>twilight Zone Podcast, but a gentlemen who I've had many

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<v Speaker 1>chats with behind the scenes, and I'm glad to finally

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<v Speaker 1>get him on. He's the host of the All Star

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<v Speaker 1>super Fan podcast, one of the hosts of that, and

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<v Speaker 1>it is my friend Alan Beck. Alan, Welcome to the

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<v Speaker 1>Twilight Zone Podcast.

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<v Speaker 3>Hi Tom, it's such a privilege to be here. I

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<v Speaker 3>am over the moon. Thank you so much for having

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<v Speaker 3>me on.

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<v Speaker 1>So before we get into the comic tonight, let's speak

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<v Speaker 1>a bit about you and your podcast, Alan tell tell

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<v Speaker 1>us a bit about it, because it's one that I've

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<v Speaker 1>come to really quite enjoy over the past couple of years.

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<v Speaker 3>Yeah, So we myself and Rab, Rob and I have

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<v Speaker 3>the All Star super Fan podcast, which is a podcast

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<v Speaker 3>that explores the full tapestry, if you will, of the

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<v Speaker 3>Man of Steel's history and legacy. So we speak to

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<v Speaker 3>everything from the comic books to the movies, to the

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<v Speaker 3>old time serials, current TV shows, past TV shows. We

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<v Speaker 3>interview actors from the movies, directors, animators, comic book writers,

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<v Speaker 3>and we've been going there for just touching on five

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<v Speaker 3>years now and we're having an absolute blast with absolutely

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<v Speaker 3>loved run a little bit of a high. Issis at

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<v Speaker 3>the moment. I'm quite busy with work and Rob is

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<v Speaker 3>headlining a musical Believe it or Not, Wow, and he's

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<v Speaker 3>getting married shortly, so we're taking a little bit of

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<v Speaker 3>a break, but we have quite an extensive catalog there

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<v Speaker 3>and we'll be back recording pretty soon, so I'm looking

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<v Speaker 3>forward to that.

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<v Speaker 1>I can sympathize completely, you know, listening to the Twilight

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<v Speaker 1>Zone podcast. Now, how spotty my schedule is on this,

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<v Speaker 1>but you know, you've got to live your life having

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<v Speaker 1>you allegedly.

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<v Speaker 2>Yeah, I would just like to point out that all

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<v Speaker 2>my favorite episodes of the All Star super Fan podcast

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<v Speaker 2>I'm on, so make sure that you go check those

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<v Speaker 2>out first.

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<v Speaker 3>Do you have to check out our Twilight On special

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<v Speaker 3>in which Tom featured there last October? That was That

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<v Speaker 3>was That was a lot of fun. It was definitely

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<v Speaker 3>my book list for a long time to do a

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<v Speaker 3>Serling esque intro.

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<v Speaker 1>So that was great, Greg, Yeah, it was good fun.

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<v Speaker 1>Before we carry on, let's just name drop a couple

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<v Speaker 1>of names that you've had on there, because I've really

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<v Speaker 1>been impressed by the roster of Superman guests that you've

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<v Speaker 1>had on over the years. So just tell us a

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<v Speaker 1>couple of people.

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<v Speaker 4>Oh, we've had who have we had?

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<v Speaker 5>Zach?

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<v Speaker 3>We've had iliasal Kind, the producer of the original Superman movies.

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<v Speaker 3>We've had Jack O'Halleran, who played non and Superman the

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<v Speaker 3>Movie and Superman two. We've had Mark Millow who played

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<v Speaker 3>nuclear Man, Gerard Christopher and John Newton, both who played

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<v Speaker 3>super Boys in the old Superboy TV series. We've had

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<v Speaker 3>writers like Dan Jurgens, Mark Wade. We've had Marv Wolfman

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<v Speaker 3>was a great one we got on a few years

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<v Speaker 3>ago to talk about the Ruby Spears Superman. So, yeah,

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<v Speaker 3>we've we have some heavy hitters there, and it's it's

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<v Speaker 3>to be honest, it was really surreal. I appeared many

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<v Speaker 3>years ago on Zach and Night's mutual Friend Matt Truix's

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<v Speaker 3>Lois and Clark podcast, and I enjoyed the experience so

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<v Speaker 3>much that I contacted Robin said maybe we should give

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<v Speaker 3>this a shot. I was primarily a kind of a

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<v Speaker 3>fan of the movies and the TV shows. Rob had

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<v Speaker 3>had much more extensive comic book knowledge than I did,

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<v Speaker 3>and I thought that would be a great kind of

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<v Speaker 3>a balance on the show. And I had met Rob

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<v Speaker 3>previously through the convention scene and stuff, the Dublin Comic

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<v Speaker 3>con convention and that, and it was just a great

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<v Speaker 3>way to be honest, from a selfish point of view,

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<v Speaker 3>it was a great way to fill in those kind

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<v Speaker 3>of fandom blanks that I had. I was always kind

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<v Speaker 3>of a may A fair Weather Superman fan, as you said,

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<v Speaker 3>like I had read the old kind of John Byrne

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<v Speaker 3>post crisis Superman comics from the late ladies and early nineties,

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<v Speaker 3>but I had more so read a lot of the

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<v Speaker 3>Batman comics through throughout the decades, I hadn't really kept

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<v Speaker 3>up with any of the Sinkle issues or the monthly

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<v Speaker 3>releases of Superman and stuff, so I wanted to fill

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<v Speaker 3>in in those blanks. And it's just it's been. It's

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<v Speaker 3>just been fantastic. It's it really has been. It's been

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<v Speaker 3>a really fun adventure. Met great friends like Zach and

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<v Speaker 3>Matt and so many other people in the community, and

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<v Speaker 3>we do lots of crossovers with other people and stuff,

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<v Speaker 3>and the community is so supportive and it really has

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<v Speaker 3>been an absolute glass I have to say.

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<v Speaker 1>So let's pivot to the Twilight Zone because I know,

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<v Speaker 1>Zach over there you are a wash with Twilight Zone

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<v Speaker 1>in America. You know, every public holiday you got a

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<v Speaker 1>marathon going on. Yeah, it is, It's the Promised Land.

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<v Speaker 1>But alan, I know over here in England it's it's

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<v Speaker 1>very hard for people to discover the Twilight Zone by accident.

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<v Speaker 1>What's it like over there in Ireland and how did

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<v Speaker 1>you discover it?

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<v Speaker 3>Yeah, it's it's it's pretty much the same here. It's

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<v Speaker 3>pretty much the same here in Ireland. It's it's kind

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<v Speaker 3>of of a non entity really. I think most people

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<v Speaker 3>here would probably remember the eighties show more than the

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<v Speaker 3>original Rod Serling show Wow, because that was repeated for

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<v Speaker 3>years on different British channels and stuff that you could watch,

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<v Speaker 3>you know, the Horror Channel and all Sci Fi Time

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<v Speaker 3>and all that kind of stuff, and that we that

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<v Speaker 3>we'd get here if you had cable and sky and

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<v Speaker 3>that kind of thing. I actually discovered it years ago

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<v Speaker 3>as a child, back in maybe ninety five ninety six.

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<v Speaker 3>I was on holiday with my parents. We were staying

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<v Speaker 3>with some family friends in France, and I remember staying

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<v Speaker 3>up one night. They were all drinking wine and having

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<v Speaker 3>fun and having you know that the French have these

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<v Speaker 3>late night kind of meals that go on for six

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<v Speaker 3>and seven hours, and I got bored and I went

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<v Speaker 3>inside and they were showing it on the TV. And

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<v Speaker 3>I wasn't really playing attention straight away, but I to

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<v Speaker 3>this day, I guess, thirty years later, I still remember

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<v Speaker 3>the episode. And it was season three's The Hunt, the

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<v Speaker 3>one with the old man and the dog and he

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<v Speaker 3>passes away and he tried to get the dog into

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<v Speaker 3>heaven and there's a big twist at the end, and

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<v Speaker 3>I had never encountered a twist before, and I was hooked.

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<v Speaker 3>And while we stayed there on vacation on holiday. I

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<v Speaker 3>watched it every single night, and my parents were like,

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<v Speaker 3>why is like this old black and white TV show?

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<v Speaker 5>What you know? Why is he so fascinated with it?

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<v Speaker 3>And I just absolutely loved it and it stuck with

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<v Speaker 3>me for years. And then years later I caught one night,

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<v Speaker 3>late at night, I caught the Twilight Zone movie and

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<v Speaker 3>that kind of look, we can all debate about how

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<v Speaker 3>good or bad the movie is. I love the book

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<v Speaker 3>ends to the film. I love that opening scene with

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<v Speaker 3>dan Aykroyd, and that stuck with me in a similar way.

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<v Speaker 3>I was like, jeez, that's that was really great, and

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<v Speaker 3>that kind of those were that was in the era

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<v Speaker 3>of eBay and stuff and Amazon back say maybe twenty ten,

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<v Speaker 3>twenty eleven, when they were really kicking off, and I

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<v Speaker 3>ordered the DVDs and then I just I watched the

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<v Speaker 3>show and I've I've stuck with it ever since. Absolutely

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<v Speaker 3>absolutely love it. I think it's one of the greatest

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<v Speaker 3>TV shows ever made. I think it's fantastic.

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<v Speaker 1>Okay, so let's pivot to the reason why we here tonight.

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<v Speaker 1>The new IDW Twilight Zone comic joining us here on

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<v Speaker 1>issue three, which is called The Relic, and Zach and

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<v Speaker 1>I were talking in the last episode about how this one, well,

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<v Speaker 1>the last issue and this issue, same artist, same writer,

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<v Speaker 1>and you know, we both kind of liked this idea

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<v Speaker 1>of someone just taking the Twilight Zone and doing their

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<v Speaker 1>thing with it. So you know, I'm quite looking forward

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<v Speaker 1>to hearing what you guys think of this one as well,

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<v Speaker 1>so if we get into it. I mentioned at the

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<v Speaker 1>end of the last episode that I wasn't sure about

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<v Speaker 1>this one from the first image that we saw of it,

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<v Speaker 1>and the first image was like a night. Now we

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<v Speaker 1>did have an American flag on them, so it's like, okay,

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<v Speaker 1>what's that about. But I think even before that, I'd

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<v Speaker 1>seen sort of promo images of nights and things, and

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<v Speaker 1>I don't know. To me, the Twilight Zone is it's American,

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<v Speaker 1>you know what I mean, And I wouldn't want it

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<v Speaker 1>to be very far from that. You know, I love Australia,

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<v Speaker 1>but I wouldn't want to see the Twilight doing in Australia,

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<v Speaker 1>you know what I mean. It's kind of American folklore

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<v Speaker 1>to me, and I don't like to see it via

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<v Speaker 1>too far from that. That said, the way this story

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<v Speaker 1>goes it sort of circles back, so it's like, oh, okay, yeah,

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<v Speaker 1>fine then so it kind of works. But I mean,

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<v Speaker 1>going into this, what were your gentlemen's YouTube gentlemen's thoughts

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<v Speaker 1>on what we're presented with for these first few pages.

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<v Speaker 2>Well, I'll just mention the intro real quick and then

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<v Speaker 2>i'll toss to you out out of that's all right.

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<v Speaker 2>I did like specifically on this issue an issue three. Uh,

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<v Speaker 2>there's the again presumably the Rod Sterling narrator giving us

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<v Speaker 2>the introduction, and then we see a little cigarette in

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<v Speaker 2>a little last tray at the bottom, like a little

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<v Speaker 2>hint of Sterling. Because we had that an issue one,

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<v Speaker 2>we didn't have it an issue too. Now it's back

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<v Speaker 2>an issue three, and I've just responded well to that,

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<v Speaker 2>so I already were off to a good start there

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<v Speaker 2>for me.

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<v Speaker 5>Yeah.

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<v Speaker 3>Absolutely, And think that's a really nice way to handle it.

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<v Speaker 3>I think it's really kind of an artistic way to

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<v Speaker 3>do it. If you can't maybe put his likely Obviously

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<v Speaker 3>we'd all like to see Rod in it, or we'd

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<v Speaker 3>like to see his his likeness and that, but if

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<v Speaker 3>that's not something that's achievable, I think this kind of

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<v Speaker 3>subtle nod to.

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<v Speaker 5>His presence in the book. Is it is just really nice.

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<v Speaker 5>I really enjoyed it. I really like that.

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<v Speaker 1>I'm looking at these first few pages now and I've

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<v Speaker 1>got to say, and I've got to say, of the

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<v Speaker 1>issues that we've done so far, I think this is

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<v Speaker 1>the best art work we've had so far. There's some

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<v Speaker 1>very kind of detailed line work here, still very stylized

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<v Speaker 1>in terms of the people it depicts. Yes, even slightly

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<v Speaker 1>reminiscent of that first issue in a way, isn't it, Zach?

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<v Speaker 2>It is? It is so I was like, oh, we

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<v Speaker 2>drifted into that territory. But I agree with you. I

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<v Speaker 2>think of the three so far, this is the best artwork.

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<v Speaker 2>And you know, we get some great like just these

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<v Speaker 2>opening pages, A hold, this whole battle going on, and

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<v Speaker 2>then and then you know, to mention the intro again,

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<v Speaker 2>it ends with because today the siege Lions pass through

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<v Speaker 2>the twilight Zone. Thank you. This is this is how

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<v Speaker 2>all these intros are done. You say, you say the

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<v Speaker 2>twilight Zone and the intros. I understand, like for a

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<v Speaker 2>dozen episodes of the geinning of the show, before they

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<v Speaker 2>figured it out, they didn't say that. It's totally fine, right,

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<v Speaker 2>but like, this is what we do now. If we

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<v Speaker 2>don't do this, then why do a twilight Zone intro

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<v Speaker 2>and out shro If you don't say the twilight Zone

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<v Speaker 2>in the name, so I will die on the hill.

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<v Speaker 3>Yeah, I think I have to say I was very

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<v Speaker 3>impressed with the artwork. I did read Blanks issue one

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<v Speaker 3>for this, and I didn't like that artwork as.

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<v Speaker 5>Much as I like this.

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<v Speaker 3>But I thought this was, like you said, very stylized.

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<v Speaker 3>The artist like he has he has a great he

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<v Speaker 3>has a great talent for depicting the crowd scenes, the

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<v Speaker 3>battle like that's that's not an easy thing to draw.

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<v Speaker 3>It's very clean, the lines, very clean, and I loved

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<v Speaker 3>the fact that they're continuing in the black and white.

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<v Speaker 3>I really thought I think that really suits this art especially.

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<v Speaker 3>I think it really works well for.

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<v Speaker 1>So as our story begins, we've got two warring factions.

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<v Speaker 1>I don't think we really know who they are or

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<v Speaker 1>why they're fighting that much, but I don't think we

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<v Speaker 1>really need to. But we we find that one of

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<v Speaker 1>the factions have captured a member of the other one,

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<v Speaker 1>and this guy says this captured one says okay, sorry,

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<v Speaker 1>So the one who has captured them, because again, not

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<v Speaker 1>one for names in these these nuds.

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<v Speaker 2>You don't know when this is or who this is

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<v Speaker 2>or anything really which which will become a reveal at

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<v Speaker 2>the end.

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<v Speaker 3>Yeah, because I was going to ask you that when

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<v Speaker 3>you when you when you first kind of opened the

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<v Speaker 3>first page, the first two pages, what you think it's

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<v Speaker 3>like medieval times even pre medieval times?

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<v Speaker 4>Maybe?

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<v Speaker 2>Yeah, it was like did the Knights go try to

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<v Speaker 2>invade China or something like, Yeah, it's some kind of

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<v Speaker 2>culture clash. You're not really sure.

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<v Speaker 4>It's kind of gang as can area in something. Yeah,

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<v Speaker 4>that kind of era.

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<v Speaker 1>Yeah, well, that that was it. That was exactly why

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<v Speaker 1>I was like, I don't know, this is an American

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<v Speaker 1>enough form, you know, because that you know, like I've

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<v Speaker 1>mentioned that many times, but that is really part of

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<v Speaker 1>the twilight zone for me, and I'm not sure it

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<v Speaker 1>really works when you take it out. But we have

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<v Speaker 1>this meeting where you know, this guy is captured from

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<v Speaker 1>one side, it's really difficult to talk about it when

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<v Speaker 1>you're saying this guy has captured this guy and he

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<v Speaker 1>says to the prisoners, so long as you have high

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<v Speaker 1>walls to do all of the fighting for you, that

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<v Speaker 1>is and the prisoner says, it isn't our walls that

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<v Speaker 1>give us strength, but what we hold within them. We

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<v Speaker 1>are the keepers of the Word. We hold the voice

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<v Speaker 1>of God. So again things are kind of ramped up

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<v Speaker 1>here a little bit.

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<v Speaker 4>I like the fact that the I'll call him the

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<v Speaker 4>Gingers can.

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<v Speaker 5>Character the capital.

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<v Speaker 3>This guy, he seems very jealous or very put out

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<v Speaker 3>by the fact that the opposing faction live in storm

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<v Speaker 3>buildings behind stone walls and that they're almost looked down

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<v Speaker 3>upon because they don't. But he's determined to to breach

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<v Speaker 3>those walls and find out what they have. And he

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<v Speaker 3>makes this he makes this fantastic point about you know,

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<v Speaker 3>I think he says, there's eighty tribes or eighty factions

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<v Speaker 3>across the land, and they all have their individual gods,

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<v Speaker 3>so what's one more?

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<v Speaker 5>And I really, I really thought that was great.

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<v Speaker 2>Coming off Issue Too, I was like, Oh, finally, something

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<v Speaker 2>is not completely a Star Trek episode that I've seen before.

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<v Speaker 2>We're kind of unscharted territory, Like it's even it's even

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<v Speaker 2>less fiamiliar two because Issue Too was like, hey, the

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<v Speaker 2>astronauts they go over to a place and land on

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<v Speaker 2>a planet, like we've seen that a lot. This is

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<v Speaker 2>a very wide scale thing that you haven't seen in

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<v Speaker 2>a Twilid Zone episode. And I guess getting back to

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<v Speaker 2>the point I'll make on all these when we cover them, like,

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<v Speaker 2>could this have been an episode of the original twild

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<v Speaker 2>Zone Maybe, I mean, but the only like they would

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<v Speaker 2>have to show like stock footage for some old movie.

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<v Speaker 2>And then yeah, did two guys talking at a tent?

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<v Speaker 2>You know, like they could? I think they could have

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<v Speaker 2>achieved It wouldn't have looked anything like this, right, but

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<v Speaker 2>they could have maybe done the same points they were

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<v Speaker 2>trying to make, just on a very extreme budget.

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<v Speaker 3>That was something that I was hung up on because

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<v Speaker 3>going into this, I hadn't read besides blanks, I haven't

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<v Speaker 3>read any of the old Twilight Zone comics or anything.

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<v Speaker 3>And I went look walking into this, I'm looking for

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<v Speaker 3>from a Twilight Zone comic, a comic that could be

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<v Speaker 3>a continuation of the show, or could have been an

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<v Speaker 3>episode of the show. It's like when say, Zach and

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<v Speaker 3>Mass do a hypothetical second season of Flash ninety on

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<v Speaker 3>their show, or of the Aquaman show. You know, we

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<v Speaker 3>could all write stories where John Wesley Ship meets Christopher Reeve,

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<v Speaker 3>but you know that, but can that couldn't have happened

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<v Speaker 3>in the show. But so that kind of pulled me

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<v Speaker 3>out of it initially. But then when I read it

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<v Speaker 3>a second time and I kind of stopped and I

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<v Speaker 3>kind of thought about it, and I think, if you

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<v Speaker 3>were smart, you really could almost almost stage this like

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<v Speaker 3>a play where you have the two guys in the tent,

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<v Speaker 3>you hear the fighting outside maybe, and then you switch

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<v Speaker 3>to you know, the battle is over, you have some

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<v Speaker 3>smoke and some dead guys on the ground, and you're

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<v Speaker 3>walking into the temple. I think, if you really wanted

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<v Speaker 3>to get it across, you could, And that kind of

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<v Speaker 3>saved it for me when I when when when that

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<v Speaker 3>realization came to me, I think.

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<v Speaker 2>No, same exact thought, alan, same exact thought here.

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<v Speaker 1>Okay, I did not have that sauce, but you've both

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<v Speaker 1>convinced me.

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<v Speaker 2>They did, like Civil war battles and stuff, just like

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<v Speaker 2>off screen or just again like stock footage from some

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<v Speaker 2>all the movie they could have afforded like thirty seconds

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<v Speaker 2>of it, wouldn't have it would have been green all over,

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<v Speaker 2>It wouldn't fit it all the rest of the footage.

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<v Speaker 4>But they're great at that, even even in episodes like

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<v Speaker 4>the Passerby, where you know, you have that that line

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<v Speaker 4>of soldiers coming back.

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<v Speaker 3>It feels like there's a whole army back there, when

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<v Speaker 3>really there's just another ten guys. So I think they

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<v Speaker 3>could have done this.

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<v Speaker 1>That said though, and we've we've all alluded to it

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<v Speaker 1>so far. This artist does scale beautifully. Yeah, and there's

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<v Speaker 1>a shot here. It's at the White House. Sac I

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<v Speaker 1>don't know the page number because I'm looking at it digitally.

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<v Speaker 1>He's got sort of like walls and like fortress built

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<v Speaker 1>around it, but there's a very I don't know.

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<v Speaker 2>Pillars and stuff, and I well, because because of what

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<v Speaker 2>we're about to get into, uh, it's just a it's

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<v Speaker 2>a museum, right, so this is like the you know,

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<v Speaker 2>American Museum of Natural History, Yeah, for example.

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<v Speaker 1>Okay, so it's not the White House itself. So the

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<v Speaker 1>Genghis Khan guy, thank you, Alan has is now doing

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<v Speaker 1>a full on assault of this building, this museum type building,

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<v Speaker 1>which again just really nicely rendered scenes here of the battles.

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<v Speaker 2>You think, beat the heat, he says, and you're like,

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<v Speaker 2>what does that mean?

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<v Speaker 1>So they get in and they breach the walls and

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<v Speaker 1>then all of a sudden, they are confronted by this

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<v Speaker 1>really kind of badass looking night.

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<v Speaker 2>Yeah. Yeah, he's the guy that says, yeah, excuse me,

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<v Speaker 2>yeah yeah, stay.

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<v Speaker 1>Cool this summer, and when the night turns round, he

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<v Speaker 1>has the American flag on his back. He was also

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<v Speaker 1>all thinking within you know, Genghis Khan times or whatever,

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<v Speaker 1>but there's an American flag there, So what is going

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<v Speaker 1>on here?

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<v Speaker 3>I didn't actually notice the American flag on the night

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<v Speaker 3>on the on the cover image, so this was the

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<v Speaker 3>first time that I noticed the American flag and I

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<v Speaker 3>stopped my tracks that point. I was like, where is

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<v Speaker 3>this going?

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<v Speaker 4>What?

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<v Speaker 3>What is the lesson of this episode going to be,

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<v Speaker 3>of this issue going to be? So I thought it

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<v Speaker 3>was I thought it was a cool kind of mid episode,

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<v Speaker 3>mid issue twist.

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<v Speaker 2>Well, you know, they do these covers right in their

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<v Speaker 2>styleized sometimes they could mean anything, right, and I didn't.

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<v Speaker 2>I didn't expect to see this actual guy in a

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<v Speaker 2>night cossume with an American flag cape, but that's what

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<v Speaker 2>he ended up having.

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<v Speaker 1>And then story, so they breach the walls and as

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<v Speaker 1>they go in, they follow this night in and there's

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<v Speaker 1>another bunch of knights there and they are all armed

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<v Speaker 1>with automatic weapons, and they kind of just wipe out

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<v Speaker 1>the sea of invading soldiers. But as this doing it,

387
00:19:18.799 --> 00:19:23.000
<v Speaker 1>there's saying, all of these strange lines open their souls

388
00:19:23.000 --> 00:19:26.240
<v Speaker 1>to refreshment. Let me see if you can find another one.

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<v Speaker 1>Like you mentioned there was beat the heat and stuff

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<v Speaker 1>like that.

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<v Speaker 2>My long summer has ended. My thirst is quenched, so.

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<v Speaker 4>Speaks the word of God.

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<v Speaker 5>Yeah.

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<v Speaker 1>Well, there's a bit of an odd turnaround, really, because

395
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<v Speaker 1>you have all of these Nights armed to the teeth

396
00:19:42.640 --> 00:19:47.279
<v Speaker 1>with automatic weapons, just mowing down these soldiers. But Genghis

397
00:19:47.359 --> 00:19:51.559
<v Speaker 1>Khan manages to pick up like a gun. He kills

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<v Speaker 1>the main Night with the gun, and all of a sudden,

399
00:19:55.200 --> 00:19:58.160
<v Speaker 1>the battle is won. I was that a bit of

400
00:19:58.160 --> 00:19:59.680
<v Speaker 1>a strange turnaround for you guys.

401
00:20:00.000 --> 00:20:03.240
<v Speaker 2>I was a little confused about exactly kind of what

402
00:20:03.640 --> 00:20:07.480
<v Speaker 2>occurred here, because because then it becomes the two guys again,

403
00:20:07.599 --> 00:20:10.359
<v Speaker 2>Genghis Khan, and then they they're gonna keep calling you that.

404
00:20:10.400 --> 00:20:12.359
<v Speaker 4>Where all the guys with the automatic weapons.

405
00:20:12.559 --> 00:20:14.640
<v Speaker 2>Yeah, like they all kind of dispersed. But you know,

406
00:20:14.680 --> 00:20:16.599
<v Speaker 2>we're on a budget here, you know, we can't afford

407
00:20:16.640 --> 00:20:18.839
<v Speaker 2>all these extras. So this is an episode of the Twilight,

408
00:20:18.960 --> 00:20:21.519
<v Speaker 2>so we got to get it back down. But it's

409
00:20:21.559 --> 00:20:23.599
<v Speaker 2>basically like I guess he went in to explore, like,

410
00:20:23.759 --> 00:20:27.319
<v Speaker 2>go ahead and explore the inner you know, rooms and

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<v Speaker 2>chambers of this fortress.

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<v Speaker 5>Yeah.

413
00:20:29.160 --> 00:20:31.319
<v Speaker 4>So he ends up with the other guy again and

414
00:20:31.359 --> 00:20:34.720
<v Speaker 4>he's transfixed. Genghis Khan is then transfixed. He wants to

415
00:20:34.759 --> 00:20:38.559
<v Speaker 4>know because you know, this this captured prisoner has been

416
00:20:38.599 --> 00:20:41.079
<v Speaker 4>alluding to the fact that they have this power, that

417
00:20:41.119 --> 00:20:43.839
<v Speaker 4>they have the word of God, and Genghis Khan acts like,

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<v Speaker 4>and I keep calling him Genghis Kan, but the Genghis

419
00:20:45.960 --> 00:20:48.400
<v Speaker 4>Khan character acts like, well, this is something he's heard

420
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<v Speaker 4>a million times. He's heard about all these false idols.

421
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<v Speaker 4>But then he actually sees this real power and he

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00:20:54.920 --> 00:20:57.880
<v Speaker 4>becomes fixated with it and he wants to know, you know,

423
00:20:58.200 --> 00:21:00.359
<v Speaker 4>teach me, teach me where this power came from, Teach

424
00:21:00.440 --> 00:21:03.240
<v Speaker 4>me how to yield his power. And I thought that

425
00:21:03.279 --> 00:21:04.680
<v Speaker 4>was really, really, really strong.

426
00:21:04.759 --> 00:21:07.039
<v Speaker 2>Yeah, and that's when they break off from the group

427
00:21:07.079 --> 00:21:08.599
<v Speaker 2>because the other guy's like, let me lead you to

428
00:21:08.680 --> 00:21:11.119
<v Speaker 2>the true power to God, and he's like, okay, so

429
00:21:11.160 --> 00:21:12.839
<v Speaker 2>he's gonna follow him. And I think that's how they

430
00:21:13.119 --> 00:21:15.759
<v Speaker 2>split off at the end. But then I got as

431
00:21:15.839 --> 00:21:17.440
<v Speaker 2>you know, Alan, I don't know how big of a

432
00:21:17.480 --> 00:21:18.640
<v Speaker 2>Planet of the Apes fan you are.

433
00:21:19.640 --> 00:21:20.640
<v Speaker 4>I'd be a die.

434
00:21:21.039 --> 00:21:23.279
<v Speaker 3>Like I've seen the original two or three movies. I

435
00:21:23.359 --> 00:21:24.319
<v Speaker 3>haven't seen every one of them.

436
00:21:24.440 --> 00:21:26.960
<v Speaker 2>Have the original two or three movies? Incredible, there's five

437
00:21:27.000 --> 00:21:27.759
<v Speaker 2>original movies.

438
00:21:27.799 --> 00:21:31.039
<v Speaker 4>I've seen the first three of the original movies.

439
00:21:31.079 --> 00:21:31.839
<v Speaker 5>I'm aware there's more.

440
00:21:31.839 --> 00:21:34.119
<v Speaker 2>Well, I mean, obviously that's the end because they blow

441
00:21:34.160 --> 00:21:35.759
<v Speaker 2>the earth and the killer about it, So there's obviously

442
00:21:35.759 --> 00:21:39.279
<v Speaker 2>nothing else after that. Okay, But but even more specific,

443
00:21:39.319 --> 00:21:42.200
<v Speaker 2>even more granular here, even more in the weeds, Tom,

444
00:21:42.519 --> 00:21:45.559
<v Speaker 2>you remember that like Tales from the Forbidden's Own book,

445
00:21:45.880 --> 00:21:47.519
<v Speaker 2>they came out a few years back with all these

446
00:21:47.599 --> 00:21:50.839
<v Speaker 2>short stories. There is a short story in there where

447
00:21:50.839 --> 00:21:53.359
<v Speaker 2>like doctor Zayas and some other people they they they

448
00:21:53.519 --> 00:21:57.759
<v Speaker 2>discover the Museum of American Natural History or something with

449
00:21:57.799 --> 00:21:59.440
<v Speaker 2>all these dinosaur bones and stuff. I was like, Oh,

450
00:21:59.440 --> 00:22:01.920
<v Speaker 2>that's really cool. And I'm not saying that saying this

451
00:22:01.960 --> 00:22:03.920
<v Speaker 2>ripped that off. I'm saying like, I really like that

452
00:22:04.079 --> 00:22:09.160
<v Speaker 2>concept of like post apocalypse just wandering into these museums

453
00:22:09.319 --> 00:22:11.680
<v Speaker 2>and they're like yeah, and the knowledge is lost and

454
00:22:11.680 --> 00:22:13.519
<v Speaker 2>they're like what even is this? You know, like I

455
00:22:13.720 --> 00:22:16.400
<v Speaker 2>find that's so interesting. Yeah, because the guy's like, what

456
00:22:16.559 --> 00:22:18.640
<v Speaker 2>is this, Like it's a dragon, you know, because it's

457
00:22:18.640 --> 00:22:20.799
<v Speaker 2>a t Rex skeleton, And I don't know that that's

458
00:22:20.839 --> 00:22:24.759
<v Speaker 2>such a cool just environment to have in the post apocalypse.

459
00:22:25.039 --> 00:22:27.400
<v Speaker 1>I couldn't remember that story, but once we got to

460
00:22:27.440 --> 00:22:31.119
<v Speaker 1>this point, I was thinking, beneath the Planets of the Apes, where.

461
00:22:31.119 --> 00:22:33.960
<v Speaker 2>It's the subway, it's the library.

462
00:22:33.160 --> 00:22:36.400
<v Speaker 1>Yeah, to kind of reveal the ends of this comic

463
00:22:36.400 --> 00:22:40.160
<v Speaker 1>book story. Basically, the guy who is captured by Genghis

464
00:22:40.240 --> 00:22:45.079
<v Speaker 1>Khan says, Okay, look, you know, we guard this place

465
00:22:45.759 --> 00:22:48.920
<v Speaker 1>and it's sort of like a museum, it's a chamber

466
00:22:49.000 --> 00:22:51.559
<v Speaker 1>of the Holy. He's using all this kind of language.

467
00:22:52.200 --> 00:22:57.960
<v Speaker 1>There's weapons there, there's tanks there, even planes, And so

468
00:22:58.079 --> 00:23:00.599
<v Speaker 1>I am getting strong beneath the Planet of the Apes

469
00:23:00.720 --> 00:23:05.000
<v Speaker 1>vibes where something that was, you know, not like we

470
00:23:05.079 --> 00:23:07.319
<v Speaker 1>all have nuclear bombs in our back guards, but we

471
00:23:07.359 --> 00:23:09.039
<v Speaker 1>all know what a clear missile is.

472
00:23:09.960 --> 00:23:13.079
<v Speaker 2>No, but no, as we get to the actual reveal,

473
00:23:13.440 --> 00:23:16.279
<v Speaker 2>one hundred percent beneath the Planet of the Apes, but

474
00:23:16.319 --> 00:23:20.359
<v Speaker 2>even like more absurd, which honestly makes it even better,

475
00:23:20.759 --> 00:23:22.880
<v Speaker 2>I think, and that's how I feel about it. But yeah,

476
00:23:22.880 --> 00:23:23.359
<v Speaker 2>take it away.

477
00:23:24.200 --> 00:23:26.759
<v Speaker 1>But it is that thing that you talked about where

478
00:23:27.920 --> 00:23:31.319
<v Speaker 1>if you take things slightly out of context, where it's

479
00:23:31.359 --> 00:23:34.079
<v Speaker 1>like you haven't grown up knowing what this thing is.

480
00:23:34.160 --> 00:23:38.000
<v Speaker 1>So there's been this break in society for whatever reason,

481
00:23:38.359 --> 00:23:41.519
<v Speaker 1>and then when you go back to it, you're like, wow,

482
00:23:41.559 --> 00:23:42.559
<v Speaker 1>what is this thing?

483
00:23:42.680 --> 00:23:42.920
<v Speaker 5>You know?

484
00:23:43.519 --> 00:23:46.960
<v Speaker 1>So they end up worshiping the bomb in planets of

485
00:23:47.000 --> 00:23:49.559
<v Speaker 1>the Apes, and these guys just come across this thing,

486
00:23:49.640 --> 00:23:54.039
<v Speaker 1>and there's power here, there's weapons here, there is what

487
00:23:54.039 --> 00:23:56.920
<v Speaker 1>should we call this a kind of I.

488
00:23:56.920 --> 00:24:00.839
<v Speaker 3>Think it's a drive through speaker.

489
00:24:00.960 --> 00:24:05.200
<v Speaker 1>Yeah, yeah, yeah, it kind of looks like that, and

490
00:24:05.759 --> 00:24:11.319
<v Speaker 1>it gives them, I suppose, a scripture of sorts this

491
00:24:11.440 --> 00:24:15.200
<v Speaker 1>speaker once the guy winds it up and says, hey, children,

492
00:24:15.200 --> 00:24:17.200
<v Speaker 1>when you're sweating and a thret and you've got to

493
00:24:17.240 --> 00:24:20.440
<v Speaker 1>beat the heat, when you're needing that sweet healing. You've

494
00:24:20.480 --> 00:24:23.440
<v Speaker 1>got to stay cool, you know, stay cool this summer,

495
00:24:23.880 --> 00:24:28.960
<v Speaker 1>live a life of refreshment. So this really inanimate thing

496
00:24:29.039 --> 00:24:32.440
<v Speaker 1>that we would just you know, not pay a mind to,

497
00:24:32.640 --> 00:24:36.119
<v Speaker 1>has become, you know, the focus of the kind of

498
00:24:36.200 --> 00:24:37.200
<v Speaker 1>religious favor.

499
00:24:37.559 --> 00:24:41.759
<v Speaker 2>It's this gigantic like like bottle, like a soft drink

500
00:24:41.799 --> 00:24:46.400
<v Speaker 2>bottle spokesperson slogan mascot, and it's you know, it's who knows,

501
00:24:46.400 --> 00:24:48.880
<v Speaker 2>it's like maybe fifty feet tall or so. There's obviously

502
00:24:48.880 --> 00:24:53.119
<v Speaker 2>some big display they had there. And yeah, it's it's

503
00:24:53.160 --> 00:24:55.400
<v Speaker 2>it's exactly the It's just like the bomb from Belneath

504
00:24:55.400 --> 00:24:58.960
<v Speaker 2>the Penalty Apes, but it's a soda pop advertisement and

505
00:24:59.200 --> 00:25:02.400
<v Speaker 2>it's so upset. I've found it kind of incredible.

506
00:25:02.279 --> 00:25:04.960
<v Speaker 4>And like that that but that that is a classic

507
00:25:05.039 --> 00:25:07.759
<v Speaker 4>Serling trope. I mean it's kind of you know, humanity's

508
00:25:07.839 --> 00:25:11.160
<v Speaker 4>tendency to kind of worship the very things that led

509
00:25:11.200 --> 00:25:13.799
<v Speaker 4>to its downfall, you know, like it's it's that kind

510
00:25:13.839 --> 00:25:16.440
<v Speaker 4>of jab at consumerism and stuff like it's it's right

511
00:25:16.440 --> 00:25:19.279
<v Speaker 4>there you speak of, you spoke to the planet of

512
00:25:19.279 --> 00:25:21.319
<v Speaker 4>the Apes. What it reminded me of was the Old

513
00:25:21.359 --> 00:25:24.319
<v Speaker 4>Man in the Cave. Yeah, this whole issue reminded me

514
00:25:24.359 --> 00:25:26.000
<v Speaker 4>of the Old Man in the Cave. I think that's

515
00:25:26.079 --> 00:25:31.279
<v Speaker 4>season five, is that where you know, like that it's

516
00:25:31.319 --> 00:25:32.799
<v Speaker 4>it's this old man turns out it's a computer.

517
00:25:32.880 --> 00:25:35.160
<v Speaker 3>It's not what they thought it was at all. But yeah,

518
00:25:35.200 --> 00:25:37.279
<v Speaker 3>I thought it really had Old Man in the Cave vibes.

519
00:25:37.400 --> 00:25:40.279
<v Speaker 3>And I appreciate it for that. That's a great episode.

520
00:25:40.599 --> 00:25:42.599
<v Speaker 2>Yeah. Well then but then they don't all go like

521
00:25:42.680 --> 00:25:45.440
<v Speaker 2>destroy the computer. I really liked that episode, and I think,

522
00:25:45.559 --> 00:25:47.640
<v Speaker 2>but the build up is like very interesting, and then

523
00:25:47.640 --> 00:25:50.039
<v Speaker 2>it's like it's a computer that's helping us, let's destroy it.

524
00:25:50.039 --> 00:25:54.640
<v Speaker 2>I'm like, wait a minute, I don't understand. Good, good

525
00:25:54.680 --> 00:25:55.440
<v Speaker 2>call there, Alan.

526
00:25:55.640 --> 00:25:58.039
<v Speaker 1>There's a lot you know, this one really kind of

527
00:25:58.079 --> 00:26:01.240
<v Speaker 1>made me think, yes, just to kind of ruin the

528
00:26:01.319 --> 00:26:05.160
<v Speaker 1>issue for anyone who hasn't ready yet, I am one

529
00:26:05.240 --> 00:26:07.920
<v Speaker 1>hundred percent saying, you know, go out and buy it

530
00:26:07.960 --> 00:26:11.039
<v Speaker 1>and read it for yourself. This is a spoiler filled review.

531
00:26:11.400 --> 00:26:13.599
<v Speaker 1>It says, in the centuries after the bomb's fall, when

532
00:26:13.680 --> 00:26:16.680
<v Speaker 1>human progress hasn't just been taken down the rung, but

533
00:26:16.720 --> 00:26:19.799
<v Speaker 1>thrown violently off the whole ladder, what treasures of our

534
00:26:19.839 --> 00:26:23.599
<v Speaker 1>age might survive for those ignorant souls that follow. Will

535
00:26:23.640 --> 00:26:25.880
<v Speaker 1>they be drawn to a piece of exquisite art to

536
00:26:25.920 --> 00:26:29.640
<v Speaker 1>fully encapsulates the cultural footprint of our time, Maybe some

537
00:26:29.720 --> 00:26:32.920
<v Speaker 1>fragments of wisdom from one of the greatest thinkers that

538
00:26:33.039 --> 00:26:36.960
<v Speaker 1>lights them a path out of squalor and darkness, Or

539
00:26:37.000 --> 00:26:41.400
<v Speaker 1>maybe something more common, a throwaway gag of consumerism dreamed

540
00:26:41.480 --> 00:26:44.519
<v Speaker 1>up in a boardroom to catch as many thirsty eyes

541
00:26:44.559 --> 00:26:50.119
<v Speaker 1>as possible, misremembered dayified and mistakenly placed on the highest

542
00:26:50.160 --> 00:26:54.839
<v Speaker 1>plint amid the ruins of mankind's greater histories. A kitchy

543
00:26:54.880 --> 00:26:58.359
<v Speaker 1>advertisement for the world that was here in the Twilight Zone.

544
00:26:58.400 --> 00:27:01.759
<v Speaker 1>And we have another really nice rendered page to end

545
00:27:01.759 --> 00:27:07.240
<v Speaker 1>that with. And I kind of I kind of love

546
00:27:07.319 --> 00:27:10.799
<v Speaker 1>this end. And because you can, you know, I'm obviously

547
00:27:10.839 --> 00:27:12.799
<v Speaker 1>going to be careful. I don't want to offend anyone.

548
00:27:12.839 --> 00:27:14.960
<v Speaker 1>If you want to talk, if you want to take

549
00:27:15.000 --> 00:27:18.599
<v Speaker 1>it as religion, a comment on that, it's there, if

550
00:27:18.599 --> 00:27:21.319
<v Speaker 1>you want to have that in a much broader sense,

551
00:27:21.400 --> 00:27:24.799
<v Speaker 1>you can. You can pretty much put anything on it

552
00:27:24.839 --> 00:27:28.839
<v Speaker 1>in terms of how humans have a kind of need

553
00:27:29.200 --> 00:27:34.400
<v Speaker 1>and a history of latching on to someone or something

554
00:27:34.599 --> 00:27:39.200
<v Speaker 1>or some ideology or or wherever it might be. It's like,

555
00:27:39.839 --> 00:27:43.200
<v Speaker 1>you know, we we can't exist without that that figure

556
00:27:43.759 --> 00:27:47.839
<v Speaker 1>to to kind of worship or follow. And in this case,

557
00:27:47.880 --> 00:27:52.079
<v Speaker 1>it's a it's a giant soda bottle with a speaker

558
00:27:52.119 --> 00:27:54.960
<v Speaker 1>on it. And I think that's what makes a great

559
00:27:55.039 --> 00:27:59.079
<v Speaker 1>Twilight Zone end. And where maybe it's not about one thing,

560
00:27:59.119 --> 00:28:01.400
<v Speaker 1>maybe it's a so all of these things you can

561
00:28:01.480 --> 00:28:04.240
<v Speaker 1>really kind of sit down and think about what it's

562
00:28:04.279 --> 00:28:07.400
<v Speaker 1>about for you. So this one really wicked for me

563
00:28:07.440 --> 00:28:09.200
<v Speaker 1>in that regards what about you guys?

564
00:28:09.640 --> 00:28:11.640
<v Speaker 2>I totally agree. And you know, I was calling back

565
00:28:11.680 --> 00:28:14.880
<v Speaker 2>to the Jordan Peele Twilight Zone, uh in our conversations here,

566
00:28:14.920 --> 00:28:17.400
<v Speaker 2>and I think and I and we like that show, right,

567
00:28:17.720 --> 00:28:21.160
<v Speaker 2>I think, But sometimes like the the subtext became text.

568
00:28:21.200 --> 00:28:23.000
<v Speaker 2>I believe you used that exact phrase, and I think

569
00:28:23.039 --> 00:28:24.839
<v Speaker 2>at that point, like, oh, you got a lot. This

570
00:28:24.920 --> 00:28:27.880
<v Speaker 2>is exactly about this. I'm like, okay, yeah, I got it. Like,

571
00:28:28.119 --> 00:28:31.519
<v Speaker 2>but but but these more kind of universal like it

572
00:28:31.559 --> 00:28:34.720
<v Speaker 2>creates conversation, makes you think like different aspects of life,

573
00:28:34.720 --> 00:28:36.720
<v Speaker 2>like what does this apply to? Like what are you

574
00:28:36.759 --> 00:28:38.920
<v Speaker 2>doing in your own life? Like it's it's it's very

575
00:28:38.960 --> 00:28:41.640
<v Speaker 2>interesting and kind of all encompassing, and it sits with

576
00:28:41.680 --> 00:28:44.240
<v Speaker 2>you because you're like, yeah, like I could see us

577
00:28:44.240 --> 00:28:47.200
<v Speaker 2>doing this like in a thousand years from now. Uh,

578
00:28:47.359 --> 00:28:49.880
<v Speaker 2>but there's no context for anything. And and you find

579
00:28:49.920 --> 00:28:52.440
<v Speaker 2>this this giant sculpture of a thing that talks, you know.

580
00:28:52.519 --> 00:28:54.960
<v Speaker 2>I mean that's the fact that like it's able to

581
00:28:55.720 --> 00:28:59.000
<v Speaker 2>you know, it doesn't interact, but it has words that it's.

582
00:28:59.000 --> 00:29:02.720
<v Speaker 2>It's words that it says that the people internalize and

583
00:29:02.720 --> 00:29:06.079
<v Speaker 2>then recite their cite them themselves. Like, that's so interesting.

584
00:29:06.119 --> 00:29:09.799
<v Speaker 2>That is that is this weird inappropriate blurring of technology

585
00:29:09.839 --> 00:29:11.880
<v Speaker 2>and history and ignorance. It's just so fat I don't know,

586
00:29:12.480 --> 00:29:15.599
<v Speaker 2>and I love that it's something as absurd again as

587
00:29:15.640 --> 00:29:19.640
<v Speaker 2>I've said already as this soda pop advertisement. You know,

588
00:29:19.799 --> 00:29:24.200
<v Speaker 2>it's just the absurdity just makes it more, you know,

589
00:29:24.359 --> 00:29:26.519
<v Speaker 2>I don't know, it's just hit you harder when it's

590
00:29:26.519 --> 00:29:30.880
<v Speaker 2>something like, wow, that is ridiculous. But hey, you know,

591
00:29:30.920 --> 00:29:32.519
<v Speaker 2>when you look at it from that perspective, some other

592
00:29:32.559 --> 00:29:33.720
<v Speaker 2>things might seem ridiculous too.

593
00:29:34.000 --> 00:29:34.960
<v Speaker 5>Yeah, yeah, I agree.

594
00:29:35.039 --> 00:29:39.000
<v Speaker 3>It's it's a real Serling esque reminder that the real

595
00:29:39.039 --> 00:29:41.880
<v Speaker 3>monsters maybe aren't in the shadows there. You know, ow

596
00:29:42.000 --> 00:29:44.960
<v Speaker 3>need to turn absolute garbage into things.

597
00:29:44.640 --> 00:29:49.240
<v Speaker 4>To be deified and worship, you know, yeah.

598
00:29:49.039 --> 00:29:51.359
<v Speaker 3>Like it's it's and I love the way it wrap

599
00:29:51.400 --> 00:29:53.000
<v Speaker 3>around because we didn't really speak to it too much

600
00:29:53.039 --> 00:29:55.680
<v Speaker 3>at the start, where the narrator is speaking to the pot.

601
00:29:56.599 --> 00:29:58.440
<v Speaker 3>You know, you can have this, you have this priceless

602
00:29:58.480 --> 00:30:01.640
<v Speaker 3>pot in a museum that's that's cherished by so many

603
00:30:02.720 --> 00:30:05.160
<v Speaker 3>and you know, but we don't know that pot story.

604
00:30:05.160 --> 00:30:06.839
<v Speaker 3>It might have been one of fifty pots that were

605
00:30:06.839 --> 00:30:10.720
<v Speaker 3>made that week by a very low end sculptor who

606
00:30:10.799 --> 00:30:12.720
<v Speaker 3>forgot about it the following day, and it meant nothing

607
00:30:12.720 --> 00:30:16.200
<v Speaker 3>to anybody. And now now it's priceless. And like you

608
00:30:16.200 --> 00:30:19.160
<v Speaker 3>said earlier on Zact like that, that is fascinating. You know,

609
00:30:19.279 --> 00:30:19.960
<v Speaker 3>that is fascinating.

610
00:30:20.000 --> 00:30:20.759
<v Speaker 4>And who am I?

611
00:30:21.000 --> 00:30:22.880
<v Speaker 3>Who am I to I'm sitting in a room surrounded

612
00:30:22.920 --> 00:30:25.160
<v Speaker 3>with Superman and Batman memorabilia. Who am I to comment

613
00:30:25.200 --> 00:30:26.799
<v Speaker 3>about worshiping things I don't know.

614
00:30:27.240 --> 00:30:31.960
<v Speaker 2>Worship this Superman figures, figure of great power importance in

615
00:30:32.000 --> 00:30:33.279
<v Speaker 2>the twenty first century.

616
00:30:33.920 --> 00:30:36.559
<v Speaker 4>But it is a fascinating question. You know, two thousand

617
00:30:36.640 --> 00:30:39.880
<v Speaker 4>years from now, when we're all long gone, what will

618
00:30:40.200 --> 00:30:42.279
<v Speaker 4>you know what will be discovered buried in the ground

619
00:30:42.319 --> 00:30:46.119
<v Speaker 4>that will become some day fied object. It's a fascinating question.

620
00:30:46.920 --> 00:30:49.960
<v Speaker 4>And it's only from our perspective where we see it,

621
00:30:50.079 --> 00:30:52.039
<v Speaker 4>where we see it and view it as being silly

622
00:30:52.319 --> 00:30:56.039
<v Speaker 4>because we know what that thing is. Yeah, but it's yeah,

623
00:30:56.119 --> 00:30:58.240
<v Speaker 4>it's I really enjoyed this, guys.

624
00:30:58.400 --> 00:30:59.759
<v Speaker 5>I thought it was I thought it was really good.

625
00:31:00.000 --> 00:31:01.480
<v Speaker 1>I'll tell you what they're going to find in two

626
00:31:01.480 --> 00:31:04.599
<v Speaker 1>thousand years, Alan, I'm going to be burying recordings of

627
00:31:04.799 --> 00:31:07.559
<v Speaker 1>the Twilight Zone podcast and they'll dig it up and

628
00:31:07.559 --> 00:31:09.559
<v Speaker 1>they'll be like, what's he talking about? And I'm like,

629
00:31:09.880 --> 00:31:12.160
<v Speaker 1>we don't know, but it's amazing.

630
00:31:13.359 --> 00:31:15.240
<v Speaker 4>We have we have we have the DVDs, but no

631
00:31:15.319 --> 00:31:16.319
<v Speaker 4>player to play them on.

632
00:31:17.759 --> 00:31:18.599
<v Speaker 2>Sacred texts.

633
00:31:19.440 --> 00:31:22.839
<v Speaker 1>Yeah. So I think this has been the best one

634
00:31:22.920 --> 00:31:26.559
<v Speaker 1>so far personally. I know you haven't read the second

635
00:31:26.559 --> 00:31:29.319
<v Speaker 1>one yet, Alan, but I think I would probably rank

636
00:31:30.000 --> 00:31:33.680
<v Speaker 1>this one first, then blanks and then.

637
00:31:34.519 --> 00:31:36.440
<v Speaker 2>A big app and then the second one.

638
00:31:37.079 --> 00:31:39.119
<v Speaker 1>Yeah, right, I mean got to be sad.

639
00:31:39.160 --> 00:31:42.079
<v Speaker 2>I suppose No, I agree. I think once like I

640
00:31:42.160 --> 00:31:44.000
<v Speaker 2>kind of like wrapped my head around like the artwork again,

641
00:31:44.039 --> 00:31:46.640
<v Speaker 2>because it was it was it was, you know, drifting

642
00:31:46.680 --> 00:31:49.480
<v Speaker 2>towards the the kind of same artwork as the first issue,

643
00:31:49.480 --> 00:31:52.119
<v Speaker 2>like you mentioned that Alan earlier. Yeah, and uh and

644
00:31:52.119 --> 00:31:54.240
<v Speaker 2>The'm like, okay, okay, could this be an episode? Yeah?

645
00:31:54.279 --> 00:31:55.960
<v Speaker 2>Then we kind of like justified it. You know, I'm

646
00:31:55.960 --> 00:31:58.400
<v Speaker 2>glad we will, Mitch you Tom that this could have

647
00:31:58.400 --> 00:32:00.599
<v Speaker 2>been an episode of They if they shoot it just

648
00:32:00.640 --> 00:32:02.480
<v Speaker 2>the right way and take it just the right approach

649
00:32:02.480 --> 00:32:05.480
<v Speaker 2>to it and I think ultimately into the wrapper of

650
00:32:05.599 --> 00:32:08.759
<v Speaker 2>the setup and payoff of like, because sometimes these intros

651
00:32:08.799 --> 00:32:10.519
<v Speaker 2>can be lazy and it's like, oh, oh, we gotta

652
00:32:10.920 --> 00:32:13.319
<v Speaker 2>I guess we gotta say like an intro because that's

653
00:32:13.319 --> 00:32:14.799
<v Speaker 2>what they did on the Twilight Zone, right, Okay, here

654
00:32:14.799 --> 00:32:18.119
<v Speaker 2>it is you know issue too, I was very critical of,

655
00:32:18.119 --> 00:32:19.960
<v Speaker 2>like those don't connect at all. This is like a

656
00:32:19.960 --> 00:32:22.359
<v Speaker 2>perfect like the wrapping back around Alan. You were talking

657
00:32:22.359 --> 00:32:25.200
<v Speaker 2>about the pot, like one man's trash as another man's,

658
00:32:25.240 --> 00:32:28.960
<v Speaker 2>you know, deity apparently. Yeah, and those are just interesting concepts.

659
00:32:28.960 --> 00:32:31.680
<v Speaker 2>And I really enjoyed this one, and it had, you know,

660
00:32:31.720 --> 00:32:33.440
<v Speaker 2>it had something to say. And I think the key

661
00:32:33.599 --> 00:32:35.519
<v Speaker 2>is is with all this stuff, right, these are these

662
00:32:35.519 --> 00:32:38.119
<v Speaker 2>are parables, right, They're they're anecdotes. So I had I

663
00:32:38.119 --> 00:32:40.119
<v Speaker 2>don't know exactly what it was saying. It probably doesn't

664
00:32:40.119 --> 00:32:42.400
<v Speaker 2>even have an exact message per se, but it had

665
00:32:42.440 --> 00:32:44.640
<v Speaker 2>something to say and then you yourself kind of find

666
00:32:44.640 --> 00:32:47.400
<v Speaker 2>the meaning in that, and I think that's a good storytelling.

667
00:32:47.559 --> 00:32:49.640
<v Speaker 3>Even though I thought this was good, I did, like

668
00:32:49.680 --> 00:32:51.440
<v Speaker 3>I said, it did remind me of the old man

669
00:32:51.480 --> 00:32:53.880
<v Speaker 3>in the Cave. And I'm kind of hoping that what

670
00:32:54.240 --> 00:32:56.160
<v Speaker 3>is it? Is it a six issue run five, six

671
00:32:56.240 --> 00:32:59.200
<v Speaker 3>issue run five, so it's only two left. I'm hoping

672
00:32:59.279 --> 00:33:01.200
<v Speaker 3>that as the issues progress that we see kind of

673
00:33:01.839 --> 00:33:03.519
<v Speaker 3>you know, I just want them to kind of replay

674
00:33:03.559 --> 00:33:05.119
<v Speaker 3>the hits. I'd like to see something a little bit,

675
00:33:05.400 --> 00:33:06.799
<v Speaker 3>a little bit further out there and stuff.

676
00:33:06.799 --> 00:33:08.680
<v Speaker 2>But you don't like a story on an airplane. All.

677
00:33:09.599 --> 00:33:16.200
<v Speaker 3>Yeah, but yeah, it's I have to say I enjoyed Blanks,

678
00:33:16.200 --> 00:33:18.160
<v Speaker 3>but I thought this was This was definitely the best

679
00:33:18.200 --> 00:33:19.599
<v Speaker 3>of the two anyway that I've read so far.

680
00:33:19.759 --> 00:33:23.880
<v Speaker 1>And despite my initial reservations, this isn't America. What are

681
00:33:23.920 --> 00:33:26.759
<v Speaker 1>they doing? It all comes around if they can tell

682
00:33:26.759 --> 00:33:30.759
<v Speaker 1>a story on such a different canvas but it's still

683
00:33:30.920 --> 00:33:31.519
<v Speaker 1>in America.

684
00:33:31.559 --> 00:33:34.319
<v Speaker 3>Well, it's it's it's very strange because I think I

685
00:33:34.359 --> 00:33:36.359
<v Speaker 3>think that what the Twilight Zone really needs, you know,

686
00:33:36.359 --> 00:33:38.440
<v Speaker 3>forget about Jordan Peel and stuff, forget about the eight show,

687
00:33:38.440 --> 00:33:40.880
<v Speaker 3>forget about the Tales and show Forrest Whitaker. What it

688
00:33:40.960 --> 00:33:45.319
<v Speaker 3>needs is like the CSI treatment. You need Twilight Twilight Zone, UK.

689
00:33:46.559 --> 00:33:53.039
<v Speaker 4>Twilight z on London, Twilights and Texas special Victims the

690
00:33:53.079 --> 00:33:53.880
<v Speaker 4>Twilight Zone.

691
00:33:55.200 --> 00:33:57.559
<v Speaker 2>Do it just have fun? Run with the concept right

692
00:33:57.599 --> 00:34:00.000
<v Speaker 2>Because of the more of this stuffy. I think that's,

693
00:34:00.119 --> 00:34:02.359
<v Speaker 2>you know, to get into the deeper discussion about or

694
00:34:02.400 --> 00:34:04.519
<v Speaker 2>wider discussion about the Twilight Zone. I think part of

695
00:34:04.559 --> 00:34:06.839
<v Speaker 2>why everybody is Tom knows more than anyone. People are

696
00:34:06.880 --> 00:34:09.639
<v Speaker 2>so precious, so precious about the Twilight Zone, what it

697
00:34:09.679 --> 00:34:11.440
<v Speaker 2>is and when it isn't. It's like, you know, if

698
00:34:11.440 --> 00:34:13.920
<v Speaker 2>they just made a whole lot of it, you'd probably

699
00:34:13.960 --> 00:34:16.880
<v Speaker 2>like accept maybe more than you than you would otherwise

700
00:34:16.920 --> 00:34:18.119
<v Speaker 2>I don't or maybe not.

701
00:34:18.280 --> 00:34:20.079
<v Speaker 4>It's not really working for Star Treks ex.

702
00:34:19.960 --> 00:34:20.119
<v Speaker 5>So I.

703
00:34:25.360 --> 00:34:27.800
<v Speaker 2>Am one of those people when it comes to Star Treks.

704
00:34:29.280 --> 00:34:32.280
<v Speaker 1>Okay, so this has been a lot of fun. I'm

705
00:34:32.280 --> 00:34:33.880
<v Speaker 1>so glad we could do this, and I'm so glad

706
00:34:33.920 --> 00:34:37.760
<v Speaker 1>we had an issue that we all agreed on. So gentlemen,

707
00:34:38.079 --> 00:34:40.239
<v Speaker 1>I would love to have you back for issue four

708
00:34:40.280 --> 00:34:42.280
<v Speaker 1>and five if we can figure that out.

709
00:34:42.320 --> 00:34:44.400
<v Speaker 5>Oh absolutely, that'd be fantastic. Thank you so much.

710
00:34:44.480 --> 00:34:46.719
<v Speaker 1>Be great, so Alan, thank you for joining us. And

711
00:34:46.760 --> 00:34:48.320
<v Speaker 1>where can we find your podcast again?

712
00:34:48.400 --> 00:34:51.239
<v Speaker 3>Yeah, we're we're available All Stars super Fan podcast. It's

713
00:34:51.280 --> 00:34:55.320
<v Speaker 3>available on all good podcasting platforms and we're also on

714
00:34:55.440 --> 00:34:58.719
<v Speaker 3>Instagram at all Stars super Fan. On Facebook, we're in

715
00:34:58.760 --> 00:35:01.800
<v Speaker 3>the inside All Stars Super Fun Facebook group. It's great,

716
00:35:01.800 --> 00:35:03.599
<v Speaker 3>a little community. There have bout two hundred people there

717
00:35:03.599 --> 00:35:05.280
<v Speaker 3>where we chat about, you know, all the kind of

718
00:35:05.360 --> 00:35:08.360
<v Speaker 3>latest news and topics in relation to Superman and the

719
00:35:08.360 --> 00:35:10.280
<v Speaker 3>Man of Steel and comic books in general and stuff.

720
00:35:10.639 --> 00:35:13.440
<v Speaker 3>But yeah, we're available on all good podcasting platforms and

721
00:35:13.679 --> 00:35:15.360
<v Speaker 3>we'll have some new episodes coming down in the next one.

722
00:35:15.519 --> 00:35:17.079
<v Speaker 1>Great stuff, Zach, what about you?

723
00:35:17.000 --> 00:35:17.400
<v Speaker 5>You mine?

724
00:35:17.760 --> 00:35:21.519
<v Speaker 2>Well? Always one Smallville. We finished our episode by episode coverage,

725
00:35:21.519 --> 00:35:24.280
<v Speaker 2>but we're curling in a project I'm calling Smallville the

726
00:35:24.320 --> 00:35:27.719
<v Speaker 2>Ultimate Season. We're going through every episode number of every

727
00:35:27.719 --> 00:35:30.719
<v Speaker 2>season and determining the ultimate season of Smallville. We talk

728
00:35:30.760 --> 00:35:33.239
<v Speaker 2>about all the episode ones across the ten seasons, all

729
00:35:33.280 --> 00:35:35.800
<v Speaker 2>the episode twos across the ten seasons, et cetera, et cetera.

730
00:35:36.000 --> 00:35:37.320
<v Speaker 2>It's a fun way to kind of look back at

731
00:35:37.360 --> 00:35:38.760
<v Speaker 2>the show. We have a lot of voices you've heard

732
00:35:38.760 --> 00:35:41.199
<v Speaker 2>before and new voices and panels and having a good

733
00:35:41.199 --> 00:35:45.159
<v Speaker 2>time just determining the ultimate season of Smallville. If you

734
00:35:45.159 --> 00:35:47.400
<v Speaker 2>were gonna watch, you know, twenty two episodes, these are

735
00:35:47.440 --> 00:35:48.960
<v Speaker 2>the twenty two to watch, so stay tune of that.

736
00:35:49.400 --> 00:35:51.079
<v Speaker 2>And yeah, I just got to say it's been great.

737
00:35:51.239 --> 00:35:54.440
<v Speaker 2>Oh always Mallville with one s on social media. Everybody

738
00:35:54.639 --> 00:35:57.079
<v Speaker 2>and no Tom, thanks for having me back on the

739
00:35:57.079 --> 00:35:58.920
<v Speaker 2>talking more comics, and so great to talk to Alan

740
00:35:59.000 --> 00:36:01.119
<v Speaker 2>on here as well. We're big fans of your show

741
00:36:01.119 --> 00:36:02.800
<v Speaker 2>and how I've been We've been on each other's show.

742
00:36:02.800 --> 00:36:04.440
<v Speaker 2>I've been on all of you guys shows separately and

743
00:36:04.480 --> 00:36:07.079
<v Speaker 2>together now It's it's really fun. And to Allen's point

744
00:36:07.079 --> 00:36:09.880
<v Speaker 2>earlier about the community of these podcasters, like to me,

745
00:36:09.960 --> 00:36:11.440
<v Speaker 2>that's part of the fun of it. To us, you know,

746
00:36:11.480 --> 00:36:13.719
<v Speaker 2>we listen to our other shows and our own shows

747
00:36:13.920 --> 00:36:16.159
<v Speaker 2>and they were able to cross over and sometimes our

748
00:36:16.199 --> 00:36:18.639
<v Speaker 2>fandoms you know, have this Vinn diagram and for us

749
00:36:18.639 --> 00:36:20.760
<v Speaker 2>three year you know, we love the Twilight Zone. So

750
00:36:20.840 --> 00:36:22.599
<v Speaker 2>really fun to talk to both of you guys about

751
00:36:22.599 --> 00:36:23.119
<v Speaker 2>this together.

752
00:36:23.639 --> 00:36:25.760
<v Speaker 3>And I just want to say before I finish up,

753
00:36:26.400 --> 00:36:28.599
<v Speaker 3>thanks to Zach, because it wasn't for Zach, I wouldn't

754
00:36:28.599 --> 00:36:30.519
<v Speaker 3>have found the Twilight on podcast. It was Zach who

755
00:36:30.559 --> 00:36:33.239
<v Speaker 3>recommended it to me about five years ago, and I

756
00:36:33.320 --> 00:36:36.000
<v Speaker 3>listened to like fifteen years worth in about three weeks.

757
00:36:36.079 --> 00:36:38.800
<v Speaker 3>So thank you very much, Zach, and I wouldn't.

758
00:36:38.440 --> 00:36:41.559
<v Speaker 2>Be absolutely I love bringing people together. I'm Jesse Eisenberg's

759
00:36:41.599 --> 00:36:42.960
<v Speaker 2>lex luthor Allen you know this, so.

760
00:36:44.360 --> 00:36:44.840
<v Speaker 5>There you go.

761
00:36:45.480 --> 00:36:48.440
<v Speaker 1>Well, gentlemen, it's been a pleasure, and we will country

762
00:36:48.519 --> 00:36:50.840
<v Speaker 1>that on in the next two episodes, where we look

763
00:36:50.840 --> 00:36:54.719
<v Speaker 1>at issues four and five off the IDW comic Now

764
00:36:54.760 --> 00:36:57.400
<v Speaker 1>people are thinking, Tom when you're getting back to the

765
00:36:57.440 --> 00:37:02.400
<v Speaker 1>Twilight Zone Podcast proper about the episode, and it's common, folks,

766
00:37:02.400 --> 00:37:05.119
<v Speaker 1>it's coming. It's been a busy time. I'm currently working

767
00:37:05.159 --> 00:37:07.920
<v Speaker 1>on the audio book of the Twilight Rounds, which is

768
00:37:08.000 --> 00:37:12.920
<v Speaker 1>Christopher Benedict's walk about Rod Saling and his boxing stories

769
00:37:12.960 --> 00:37:18.119
<v Speaker 1>and his boxing experience, and I'm really enjoying that process,

770
00:37:18.239 --> 00:37:21.400
<v Speaker 1>and once that is finished, we will get back to

771
00:37:21.440 --> 00:37:23.920
<v Speaker 1>the Twilight Zone proper, so that won't be too long

772
00:37:24.480 --> 00:37:27.320
<v Speaker 1>in the future. But in the meantime, I think these

773
00:37:27.320 --> 00:37:30.400
<v Speaker 1>comic book issues are a nicer little way of just

774
00:37:30.480 --> 00:37:32.840
<v Speaker 1>keeping things ticking over and seeing what else is going

775
00:37:32.880 --> 00:37:35.960
<v Speaker 1>on in Twilight Zone media. So we will catch you

776
00:37:36.000 --> 00:37:39.079
<v Speaker 1>next time here on the Twilight Zone Podcast. By for

777
00:37:39.159 --> 00:37:53.039
<v Speaker 1>Now
