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<v Speaker 7>Radio, you are now listening to True Murder, the most

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<v Speaker 7>shocking killers in true crime history and the authors that

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<v Speaker 7>have written about them. Gasey, Bundy, Dahmer, The Nightstalker DTK.

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<v Speaker 7>Every week another fascinating author talking about the most shocking

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<v Speaker 7>and infamous killers in true crime history. True Murder with

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<v Speaker 7>your host, journalist and author Dan Zufanski.

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<v Speaker 8>Good Evening. This episode of True Murder is brought to

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<v Speaker 8>Experience Squarespace at squarespace dot com and enter offer code

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<v Speaker 8>true Murder for a ten percent discount. Doctor Catherine Ramslin

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<v Speaker 8>wades through the heavy fogs surrounding the Mooor's murders, a

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<v Speaker 8>series of high profile child killings committed by Scottish sadist

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<v Speaker 8>Ian Brady and Myra Hindley. Kim Creswell turns the stomach

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<v Speaker 8>with her unbelievable account of the atrocities committed by Fred

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<v Speaker 8>and Rosemary West. Carol Ann Davis looks at one of

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<v Speaker 8>the greatest abuses of police power in English history, the

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<v Speaker 8>entrapment of Colin Stagg for the nineteen ninety two ripper

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<v Speaker 8>style murder of blonde beauty Rachel Nickel on Wimbledon Callman. Meanwhile,

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<v Speaker 8>the real killer, Robert Knapper, was already confined to broad

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<v Speaker 8>Muir Asylum for the nineteen ninety three of vis serration

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<v Speaker 8>murder of Samantha Bisit and the rape and deadly suffocation

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<v Speaker 8>of her infant daughter. To top it all off, Edgar

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<v Speaker 8>Award winning author Burl Bear makes his Serial Killer Quarterly debut,

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<v Speaker 8>lending his highly original voice to an intriguing re examination

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<v Speaker 8>of the murders ascribed to Yorkshire ripper Peter Sutcliffe and

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<v Speaker 8>the phenomena of homicidal fame. Robert J. Houshelsky, Aaron Elliott

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<v Speaker 8>and Kim Cresswell also look at three comparably notorious historical

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<v Speaker 8>London slayers in their pieces on Creepy Old John Christi,

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<v Speaker 8>Acid Bath Vampire John jor Hate, George Hay and Jack

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<v Speaker 8>the Ripper suspect and bride poisoner George Smith. The subject

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<v Speaker 8>of our this evening's episode is serial Killer Quarterly with

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<v Speaker 8>my special guests, journalist and author and publisher Lee Miller.

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<v Speaker 8>Welcome back to program, and thank you very much for

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<v Speaker 8>agreeing to this interview, Lee Miller.

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<v Speaker 9>It is always a pleasure to have a conversation, whether

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<v Speaker 9>it's on air or off air with you. Dan Sebanski,

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<v Speaker 9>Thank you well.

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<v Speaker 8>Thank you very much, Lee, Thank you for this first off.

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<v Speaker 8>Congratulations on a fantastic magazine Serial Killer Quarterly. I want

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<v Speaker 8>to ask this question, what was the genesis of Grinning

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<v Speaker 8>Man Press, publisher of this and Serial Killer Quarterly? Tell

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<v Speaker 8>us what was the genesis of this? Tell us where

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<v Speaker 8>the idea came from, why, and tell us about it.

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<v Speaker 9>Well, I suppose I had just finished writing my second book,

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<v Speaker 9>which I had published through a conventional publisher, which is

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<v Speaker 9>Dunder and Press out of Toronto, and those the books

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<v Speaker 9>through selling. Well, I wasn't seeing the kind of returns

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<v Speaker 9>on it that I really wanted to, and I was

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<v Speaker 9>this whole idea of having a profession as a writer

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<v Speaker 9>it seems kind of untenable in the modern age. I'd

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<v Speaker 9>always been brought up and told that I had, you know,

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<v Speaker 9>great ability with writing, and so I just thought, you know,

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<v Speaker 9>as a little kid, hey, you know, this is going

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<v Speaker 9>to be my future doing this. And it's not that

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<v Speaker 9>I've been unsuccessful in it. I've had two books published

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<v Speaker 9>and they're on the shelves of chapters right now. But

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<v Speaker 9>the returns that you get from it, as you probably know, Dan,

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<v Speaker 9>they're just so low. So I started to I started

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<v Speaker 9>to As I was trying to advertise my book online,

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<v Speaker 9>I was meeting up with other people who were doing

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<v Speaker 9>this self publishing and doing ebooks, and I'd always stayed

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<v Speaker 9>away from this ebook thing. To me, books were like

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<v Speaker 9>a precious thing that I wanted to hold. I was

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<v Speaker 9>I'm sick of looking at a screen. I like the

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<v Speaker 9>fibrius feel of a book in my hand, So it

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<v Speaker 9>always sort of just ignored that part of it. What

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<v Speaker 9>happened is I got involved in another project, which, for

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<v Speaker 9>reasons I won't go into it didn't pan out, where

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<v Speaker 9>I was going to be part of an ebook anthology,

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<v Speaker 9>and through that I met all these people who were

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<v Speaker 9>I found out that were doing really a lot better

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<v Speaker 9>than myself selling e books and on the topic of

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<v Speaker 9>true crime, that is. And so I started to think, well,

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<v Speaker 9>wouldn't it be cool if I could put out this,

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<v Speaker 9>you know, a magazine, because people are doing e books,

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<v Speaker 9>but I'm not seeing e magazines, and I would love

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<v Speaker 9>it if there was like a high quality detective magazine

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<v Speaker 9>type product that we could put out. Now, something was

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<v Speaker 9>a little bit more class than the sort of pulp

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<v Speaker 9>semi porn stuff that used to be printed back in

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<v Speaker 9>you know, the seventies, sixties, fifties, that kind of thing.

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<v Speaker 9>And so I just started looking into this possibility. I

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<v Speaker 9>told a friend about the idea. He actually writes for it,

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<v Speaker 9>Aaron Elliott, and he said that sounds like a terrific idea.

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<v Speaker 9>I'd be happy to finance it. And said, okay, well

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<v Speaker 9>that's falling into place. I'll just reach out to a

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<v Speaker 9>couple of friends because I'm a criminologist too, so I

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<v Speaker 9>know a few people. So I first spoke with Katherine Ramsland.

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<v Speaker 9>I said, well, what do you think about writing for this?

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<v Speaker 9>And Catherine Ramsland agreed, great, good start. I asked Michael Newton, yeah,

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<v Speaker 9>he wanted in too. Okay, this is starting to really

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<v Speaker 9>go somewhere now. And then I get Harold Scheckter and

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<v Speaker 9>Kathy Scott and Burrough Bearer, and the next thing I know,

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<v Speaker 9>I've got this completely fantastic publication and I've got like

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<v Speaker 9>the next three years planned out for it. So really

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<v Speaker 9>this was just a little idea had germinating in my

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<v Speaker 9>mind after seeing the whole e publishing thing and how

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<v Speaker 9>it was going, and I was astonished by how many

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<v Speaker 9>people wanted to participate in and the caliber of writers

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<v Speaker 9>that we got. And so when an opportunity like that

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<v Speaker 9>comes up, you don't go. You know, you take it.

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<v Speaker 8>Now, you talk about you, you were very encouraged by

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<v Speaker 8>all these people coming aboard, a very prestigious group. Indeed,

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<v Speaker 8>Ramsland and Harold Scheckter and Burl Bear, Kathy Scott, Michael

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<v Speaker 8>Newton like you mentioned, never mind all the other really

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<v Speaker 8>good authors that are that were on board on this

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<v Speaker 8>Serial Killer Quarterly as well.

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<v Speaker 9>Oh yeah, our staff authors are great too. And I

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<v Speaker 9>mean if I mentioned everyone that wrote for there's a

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<v Speaker 9>terrific writer, I'd just be like doing a grocery list.

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<v Speaker 9>But yeah, we have a regular contributing staff authors. Robert Koshowski,

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<v Speaker 9>Kim Creswell, Aaron elliott I contribute a lot, and I

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<v Speaker 9>mean even it's always consistently good. I don't think we've

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<v Speaker 9>had a weak article, and if we ever did, I

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<v Speaker 9>would have rejected it. But yeah, it's it's a terrific group,

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<v Speaker 9>very proud of what we're doing.

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<v Speaker 8>Now, that's a good segue, because I want to know

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<v Speaker 8>what your criteria is for including stories in this series,

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<v Speaker 8>because this is from all this true crime stories, from

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<v Speaker 8>all the stories involving murder and killers. You have an

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<v Speaker 8>incredible selection. So tell us what you're personal because you're

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<v Speaker 8>you and Aaron are involved in selecting this, I would

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<v Speaker 8>imagine making the final decision. Tell us what the criteria is,

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<v Speaker 8>what it is that interests you to include these stories

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<v Speaker 8>in Serial Killer Quarterly.

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<v Speaker 9>Okay, well, so the editorial stuff is that's basically all me.

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<v Speaker 9>Aaron does most of the financing and a bit of

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<v Speaker 9>the writing. What happens as I start with a theme.

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<v Speaker 9>So the themes we did last year and we did

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<v Speaker 9>five issues, we did so one per quarter plus a

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<v Speaker 9>bonus Christmas issue, and so I just came up with

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<v Speaker 9>some themes that I thought would be interesting. So Issue

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<v Speaker 9>one was twenty first Century psychos and we looked at

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<v Speaker 9>how serial murderers in the twenty first century and the

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<v Speaker 9>kind of changes that we began to note in the

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<v Speaker 9>trends in the twenty first century. Then I looked at

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<v Speaker 9>one Partners in Pain, which is basically team killers unsolved

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<v Speaker 9>in North America. That's pretty self explanatory. And then Cruel Britannia,

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<v Speaker 9>an issue on British killers, and then we did their

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<v Speaker 9>special Christmas issue was just called Body Harvest, and that

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<v Speaker 9>was about prolific American killers. So what I do is

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<v Speaker 9>I start with a theme, and then I realized that

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<v Speaker 9>I need say two to three feature lane articles. That's

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<v Speaker 9>about seven thousand words. And so what I do is

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<v Speaker 9>and and then after that usually about four smaller articles

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<v Speaker 9>thirty five hundred words. So what I do is I

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<v Speaker 9>approached sort of our stable of authors and I say, hey,

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<v Speaker 9>here's the issues that we've got coming up this year.

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<v Speaker 9>Here's some potential stories for them. You can always pick

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<v Speaker 9>your own if you know of another case, and you know,

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<v Speaker 9>gladly publish that too. But you know, here's some suggestions,

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<v Speaker 9>and people are the authors are pretty eager to swoop

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<v Speaker 9>up those cases and to write about them. So that's

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<v Speaker 9>sort of how the process works.

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<v Speaker 8>Okay, once you have that process, now as a unique

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<v Speaker 8>publishing entity, publishing company will say, somebody is publishing this

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<v Speaker 8>in this really interesting time. How does that work in

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<v Speaker 8>terms of how much assistance do you have, how much editing,

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<v Speaker 8>how much content editing, how much free rate you give

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<v Speaker 8>to these really experienced authors.

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<v Speaker 9>Well, I do the editing, and depending on the author,

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<v Speaker 9>or I mean, sometimes I get the varying qualities of articles.

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<v Speaker 9>I mean, they're always good fundamentally, but sometimes I have

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<v Speaker 9>to restructure sentences a little bit just to make them

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<v Speaker 9>more readable, or you know, sometimes this is basic editing

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<v Speaker 9>I do with all kinds of stuff. You get someone

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<v Speaker 9>that will start a sentence with the word he four

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<v Speaker 9>times in a row, and I don't care what the

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<v Speaker 9>person's credentials are at that point. That is wrong objectively

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<v Speaker 9>to me. So yeah, I'm changing it. But generally some

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<v Speaker 9>authors I have to addit more than others, but I

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<v Speaker 9>always get something that's fundamentally good from them. The process

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<v Speaker 9>moves too quickly for me to really ask for their

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<v Speaker 9>permission to change up what they've done. But then again,

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<v Speaker 9>it's always cosmetic the editing process. I don't change ideas,

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<v Speaker 9>and in fact that that's one. The one thing I'll

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<v Speaker 9>say that I'm so proud of about this magazine and

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<v Speaker 9>that I love is that it's almost like a conduit

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<v Speaker 9>for free expression. That is almost the ethos of Grinning

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<v Speaker 9>Man Breast as a company. It's like, you can tell

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<v Speaker 9>it however you want to, as long as it's good.

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<v Speaker 9>So as someone who's read the magazine, you'll will have

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<v Speaker 9>noticed the tone of say Burl Bearers article on Peter

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<v Speaker 9>Sutcliffe is much different than say Catherine Ramslin's tone in

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<v Speaker 9>the Ian Brady and Myra Hinley one. But that it's

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<v Speaker 9>the allowing of people to use their own voices to

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<v Speaker 9>look at this topic, this phenomena of serial murder from

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<v Speaker 9>just as many angles as possible. You know, I like

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<v Speaker 9>to think if it is just kind of free speech.

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<v Speaker 8>Yes, they do have a lot of character injected into

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<v Speaker 8>the stories, and you can really see that in in

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<v Speaker 8>you know, relatively short stories, not what they're accustomed to

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<v Speaker 8>in seeing that over an entire books. So that's quite

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<v Speaker 8>interesting that their character is really predominant in these articles.

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<v Speaker 8>I wanted to also ask you, there's a lot of

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<v Speaker 8>type of murder stories and just like this program, which

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<v Speaker 8>is the most shocking killers in true crime history, what

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<v Speaker 8>is essentially the tone more so the tone of the

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<v Speaker 8>stories that you do pick.

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<v Speaker 9>Well, sorry, I'm going to need a little bit more

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<v Speaker 9>than that. When you say tone, well, what I.

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<v Speaker 8>Say may is more maybe the emphasis. Like I said,

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<v Speaker 8>what I said is that this program, ideally, I think

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<v Speaker 8>the audience actually appreciates those stories that are more shocking

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<v Speaker 8>in nature. So what I'm asking is that I maybe

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<v Speaker 8>it's a rhetorical question, I thought in that I see

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<v Speaker 8>that that is the overall Again, maybe tone is not

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<v Speaker 8>the appropriate term, but the.

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<v Speaker 9>Overall criteria sort of yeah, yeah, more so than yeah,

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<v Speaker 9>you know what, we don't really Maybe it's because they

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<v Speaker 9>come across as shocking because they're so effectively written. And

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<v Speaker 9>I believe that when you write about this topic it

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<v Speaker 9>should shock people. I believe if you write about it

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<v Speaker 9>a nesterial way, that you're essentially lying because this is

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<v Speaker 9>the I mean, these are shocking behaviors, this's this horrific stuff. So,

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<v Speaker 9>I mean, good writing is going to horrify people. But

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<v Speaker 9>there is say, in the second issue that we did

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<v Speaker 9>Partners in Pain. For some reason, I found that there

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<v Speaker 9>is a lot of a lot of these killers that

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<v Speaker 9>kill in groups tend to be sexual say this, like

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<v Speaker 9>the torture element really comes out. And when I initially

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<v Speaker 9>had the authors select the stories that they wanted to

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<v Speaker 9>do for that, I took a look at the list

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<v Speaker 9>and I went, this is too much, like it's too

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<v Speaker 9>much of the same thing. It's just torture, torture, torture, torture, torture.

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<v Speaker 9>And so I actually wrote to a couple of them,

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<v Speaker 9>and the authors are all very cool too with my

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<v Speaker 9>editorial choices, and I want to thank them all for that.

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<v Speaker 9>While I have this podium and I wrote to a

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<v Speaker 9>couple of them. I said, look, would you mind if

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<v Speaker 9>we shifted that story over to another issue, because I've

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<v Speaker 9>just got way too much torture in this one. You know,

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<v Speaker 9>Let's do something else. Let's do someone who kills in

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<v Speaker 9>an act focused way for money, to switch things up

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<v Speaker 9>a bit, and let's do a necrophilia case. And so

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<v Speaker 9>I'd say that what we try to avoid is going

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<v Speaker 9>for the same kinds of crimes. Yeah, that's that's so.

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<v Speaker 9>Even though the issue will have an overall theme such

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<v Speaker 9>as twenty first century psychos or Unsolved in North America

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<v Speaker 9>or Cruel Britannia, within those issues you will find a

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<v Speaker 9>whole myriad of different types of serial killers. Really, the

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<v Speaker 9>criteria is, you know a serial killer that fits into

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<v Speaker 9>that overall theme of the issue. Right.

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<v Speaker 8>What I introduced in the synopsis is basically a lot

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<v Speaker 8>of well the information from one of your issues, which

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<v Speaker 8>is Cruel Britannia and very much I want to go

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<v Speaker 8>through some of the titles of because really we don't

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<v Speaker 8>have much time to discuss any of these cases in

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<v Speaker 8>depth at all, and don't want to leave anything away

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<v Speaker 8>because these stories are incredible and if you think you've

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<v Speaker 8>read like I have a lot of these stories. I

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<v Speaker 8>thought I had read the definitive story on this, and

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<v Speaker 8>to my great surprise and interest, I found incredible information

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<v Speaker 8>that I hadn't read before, which is always fascinating to

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<v Speaker 8>a guy like me thinks he's read at all. So

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<v Speaker 8>tell us a little bit about cruel Britannia and what

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<v Speaker 8>you found. And before we talk about your Jack the

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<v Speaker 8>Ripper tour in London, So tell us about cruel Britannia.

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<v Speaker 8>Why you felt it was important to talk about crimes

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<v Speaker 8>in Great Britain. So tell us about that.

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<v Speaker 9>First of all, there's a personal element in that for me,

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<v Speaker 9>and that I was born in England and immigrated to Canada,

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<v Speaker 9>and so I would always my parents would always pick

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<v Speaker 9>up the British newspapers, and I would become familiar with

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<v Speaker 9>some really horrific cases that were going on over there,

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<v Speaker 9>which just didn't make headlines really or did weren't like

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<v Speaker 9>a big deal in North America. But those were sort

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<v Speaker 9>of stories that were They became part of my lexicon,

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<v Speaker 9>and so I knew there was a lot of really

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<v Speaker 9>incredible serial killer stories coming from the British Isles, and

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<v Speaker 9>I wanted to tell those so, and also there's this

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<v Speaker 9>true crime in the UK and it's just there's such

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<v Speaker 9>a market for it. It's like there's almost like murder

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<v Speaker 9>obsessed over there, even the fictional program that programs that

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00:20:40.240 --> 00:20:42.759
<v Speaker 9>come out almost and definitely have something to do with

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<v Speaker 9>homicide a lot of the time. So between those two factors,

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<v Speaker 9>I thought, yeah, let's do a British issue. Plus we

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<v Speaker 9>got to admit that title is pretty cool, right, Cruel Britannia.

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<v Speaker 9>So between all those factors I was I was like, yeah,

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<v Speaker 9>let's do up one of these, and being kind of

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<v Speaker 9>a walking serial killer encyclopedia, I just went to the

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<v Speaker 9>authors and I said, hey, look, here's all these cool cases.

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<v Speaker 9>Take your pick.

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<v Speaker 6>Yeah.

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<v Speaker 8>Well, before we start, too, I want to mention that

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<v Speaker 8>the photos that you've chosen for this magazine are fantastic,

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<v Speaker 8>and especially like I'm just a fan of black and

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<v Speaker 8>white photos. You just add to the eerinus and to

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00:21:26.799 --> 00:21:31.039
<v Speaker 8>the photos themselves, but just tell us what, again, you

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<v Speaker 8>had a different you had a different idea in the

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<v Speaker 8>kind of photos you selected, in the kind of again

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<v Speaker 8>maybe I'm misusing the word, the kind of tone of

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<v Speaker 8>those photos that you would include in your in your issues.

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<v Speaker 9>Exactly yeah, I'm glad you noticed that the ethos has

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<v Speaker 9>always been we're not making something that is visual murder porn,

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<v Speaker 9>nor would I want the writing to be like that either.

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<v Speaker 9>When you look back at those old true detective magazines,

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<v Speaker 9>they're basically women scantily clad with fearful looks on their

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<v Speaker 9>faces being pushed into a trunk by a dominant male,

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<v Speaker 9>which in itself is I don't know, I'm not really

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<v Speaker 9>big on censorship, but it's certainly I don't think it's

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<v Speaker 9>not something I think it's good, especially when children are

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<v Speaker 9>reading it. And unfortunately, as we know, there are a

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<v Speaker 9>lot of serial killers. Their first introduction to females, to

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<v Speaker 9>sexuality and scantily clad or semi nude female form or

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00:22:43.720 --> 00:22:48.599
<v Speaker 9>sexualized female was in this context through these detective magazines.

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<v Speaker 9>And the last thing I wanted to be doing with

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<v Speaker 9>this magazine is creating a whole new generation of Ted Bundy's.

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<v Speaker 9>At the same time, you don't want to make something

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<v Speaker 9>that's like an act journal, just something boring that doesn't

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<v Speaker 9>that doesn't convey the horror. So what I said to

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<v Speaker 9>the William Cook who does the covers, and to Northbound Creations,

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<v Speaker 9>who are the graphic designers. I said, I want to

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<v Speaker 9>go for a tone here which implies things more and

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<v Speaker 9>is not so much sexual as it is eerie and horrific.

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<v Speaker 9>And I think if you, if you, if your listeners

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<v Speaker 9>check out the covers around magazines, they'll probably see what

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<v Speaker 9>we've accomplished in that regard.

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<v Speaker 8>Yes, and I'm more appreciative too that the trend in

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<v Speaker 8>true crime books and all books in general are to

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<v Speaker 8>use stock images, and I think as opposed to the

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<v Speaker 8>way true crime books used to do with the victims

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<v Speaker 8>and the killer and other images on the cover, I

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<v Speaker 8>think there are some really cool true crime book covers

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<v Speaker 8>and I think this is more in in keeping with

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<v Speaker 8>really some great photographs, but keeping like you say that

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<v Speaker 8>the class and certainly not reverting to any kind of

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<v Speaker 8>anybody to label murder, porn or anything that would be

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<v Speaker 8>considered tasteless. This is I think I'm a very in

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<v Speaker 8>agreement with you. This is very classy and some really

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<v Speaker 8>profound photographs in this that are included. So now let's

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<v Speaker 8>also talk about let's talk about the actual characters that

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<v Speaker 8>are in Cruel Britannia itself and some characters I've never

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<v Speaker 8>read about. And Arion Elliott writes about George John George.

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<v Speaker 8>Now am I mispronouncing this is? Is it Hay? Or Hey?

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<v Speaker 9>I believe it's Hey. That's the way I've always said it.

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<v Speaker 8>Yeah, okay, Now what you have is I'll just read

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<v Speaker 8>what you have, and I really think it's interesting the

379
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<v Speaker 8>little captions that you have underneath these stories to introduce

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<v Speaker 8>them for somebody that's interested in these articles.

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<v Speaker 9>And so it says, I've got a little rule for that,

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<v Speaker 9>no more than twenty five words. So sometimes it sounds

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<v Speaker 9>almost like a tabloid. But that anyways, a little tidbit

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<v Speaker 9>for you. There, go ahead.

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<v Speaker 8>Sorry, Yes, it's a dapper con artist Lure's friends and

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<v Speaker 8>business associates to their deaths in his London basement warehouse,

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<v Speaker 8>rendering their bodies into goo in acid baths. And that's

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<v Speaker 8>George John George.

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<v Speaker 9>Eight.

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<v Speaker 8>Hey, so tell us you tell us a little bit

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<v Speaker 8>about John George Hay and why you included him in

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<v Speaker 8>this series.

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<v Speaker 9>John George Hay is interesting in that he's mostly known

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<v Speaker 9>for being a vampire because he claimed that he drank

395
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<v Speaker 9>the blood of his victims, and so he got a

396
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<v Speaker 9>lot of notoriety over that, and authors wrote about it

397
00:25:54.880 --> 00:25:59.759
<v Speaker 9>without ever really questioning it. The truth seems to be

398
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<v Speaker 9>more or that he realized that if he said that,

399
00:26:02.519 --> 00:26:06.920
<v Speaker 9>it would play into an insanity defense. There is no

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00:26:07.000 --> 00:26:09.680
<v Speaker 9>evidence at all that he did do it. He even

401
00:26:10.400 --> 00:26:14.680
<v Speaker 9>fabricated victims. The guy was a psychopath. I've run the

402
00:26:14.720 --> 00:26:20.160
<v Speaker 9>pcl R on a pathological liar. And essentially, John George

403
00:26:20.160 --> 00:26:24.799
<v Speaker 9>Hay was just a con man. And he had gone

404
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<v Speaker 9>to prison a few times for cons and for fraud.

405
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<v Speaker 9>And while he was doing some reading in prison, he

406
00:26:35.000 --> 00:26:41.119
<v Speaker 9>misinterpreted corpus was delicty body of that body of evidence.

407
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<v Speaker 9>He misinterpreted that to believe that if there was no body,

408
00:26:46.759 --> 00:26:50.240
<v Speaker 9>that murder charges could not be brought against him. So,

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<v Speaker 9>with this in mind and lacking the inhibitions of the

410
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<v Speaker 9>normal person due to his psychopathy nature, when Hey was

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00:27:00.279 --> 00:27:05.839
<v Speaker 9>released from jail, he began to uh lure wealthy acquaintances

412
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<v Speaker 9>into this warehouse in in London on a Gloucester road.

413
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<v Speaker 9>And I actually h have actually been there. It's now

414
00:27:15.440 --> 00:27:21.799
<v Speaker 9>a it's not like a Kentucky fried chicken. And he

415
00:27:21.799 --> 00:27:24.319
<v Speaker 9>would lure them down there. He would kill them quickly,

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<v Speaker 9>usually with a gun or blunt instrument, and then in

417
00:27:28.200 --> 00:27:31.279
<v Speaker 9>uh these warehouses he would put the bodies into these

418
00:27:31.319 --> 00:27:34.440
<v Speaker 9>acid baths and just leave them there, and over time

419
00:27:34.480 --> 00:27:38.440
<v Speaker 9>they would be slowly rendered into a goo. And I

420
00:27:38.519 --> 00:27:40.599
<v Speaker 9>believe I don't I'm not looking at the number in

421
00:27:40.640 --> 00:27:42.039
<v Speaker 9>front of me right now, but I believe he killed

422
00:27:42.039 --> 00:27:45.960
<v Speaker 9>about six people this way before he was caught. And

423
00:27:46.000 --> 00:27:49.039
<v Speaker 9>it was always financial. He would always trick them somehow

424
00:27:49.039 --> 00:27:53.920
<v Speaker 9>into into signing papers over to him uh and or

425
00:27:54.039 --> 00:27:56.559
<v Speaker 9>or getting access to their to their money, and so

426
00:27:56.640 --> 00:27:58.920
<v Speaker 9>he would after he killed them, he would have to

427
00:27:58.960 --> 00:28:01.039
<v Speaker 9>sustain this illusion a lot of the time that they

428
00:28:01.039 --> 00:28:04.559
<v Speaker 9>were still alive in order to keep milking money from

429
00:28:04.599 --> 00:28:07.400
<v Speaker 9>their relatives. So I'll just give you one example. In

430
00:28:07.440 --> 00:28:12.839
<v Speaker 9>one case, the first murder, it was a guy, Donald Swan.

431
00:28:12.920 --> 00:28:16.279
<v Speaker 9>He didn't want to be drafted for the Second World War,

432
00:28:16.880 --> 00:28:20.000
<v Speaker 9>so John George Hay said, okay, well, don't worry, I

433
00:28:20.000 --> 00:28:23.000
<v Speaker 9>can get you out of this. We'll put you in

434
00:28:23.119 --> 00:28:32.000
<v Speaker 9>hiding in Scotland. And then he lured him down into

435
00:28:32.079 --> 00:28:36.720
<v Speaker 9>the salary, killed him and rendered the body to go

436
00:28:36.920 --> 00:28:42.960
<v Speaker 9>in these acid baths. And then he pretends to Donald

437
00:28:43.000 --> 00:28:48.519
<v Speaker 9>Swan's parents that the son is actually still alive and

438
00:28:48.759 --> 00:28:51.519
<v Speaker 9>in hiding. And by doing this he's able to start

439
00:28:51.519 --> 00:28:54.640
<v Speaker 9>getting sums of money from them. So this was really

440
00:28:55.000 --> 00:29:01.920
<v Speaker 9>a very clever, financially motivated killer, except when he finally

441
00:29:02.599 --> 00:29:06.720
<v Speaker 9>he finally come undone, came undone, so a lot of

442
00:29:06.759 --> 00:29:11.319
<v Speaker 9>them do. He was a bit cocky about it because

443
00:29:11.359 --> 00:29:14.839
<v Speaker 9>he openly said to the authorities, he said, ah, yeah,

444
00:29:14.880 --> 00:29:17.519
<v Speaker 9>I might have killed him, but there's no body, so

445
00:29:18.000 --> 00:29:21.319
<v Speaker 9>ha ha, you can't prove it. But what he didn't

446
00:29:21.359 --> 00:29:23.920
<v Speaker 9>realize is that he had misinterpreted what a body of

447
00:29:23.920 --> 00:29:27.960
<v Speaker 9>evidence means and he was convicted and all of a sudden,

448
00:29:28.000 --> 00:29:30.319
<v Speaker 9>oh wait, I did it because I like drinking blood

449
00:29:30.359 --> 00:29:33.880
<v Speaker 9>because I'm nuts. So that's John George Hay in a

450
00:29:33.960 --> 00:29:35.319
<v Speaker 9>rather large nutshell for you.

451
00:29:37.039 --> 00:29:39.480
<v Speaker 8>Yeah, well, yeah, it's a it's a it's a case.

452
00:29:39.519 --> 00:29:41.680
<v Speaker 8>It's incredible, and they might. You know, what I find

453
00:29:41.720 --> 00:29:47.480
<v Speaker 8>fascinating is that you do Aaron does the necessary research

454
00:29:47.519 --> 00:29:50.319
<v Speaker 8>to find out that this started in prison where he

455
00:29:50.359 --> 00:29:54.240
<v Speaker 8>would get other prisoners to bring him little rodents so

456
00:29:54.319 --> 00:29:57.079
<v Speaker 8>that he can little animals so that he could experiment

457
00:29:57.160 --> 00:29:59.480
<v Speaker 8>with acid while he was in prison, So he really

458
00:29:59.599 --> 00:30:03.079
<v Speaker 8>was sparing himself for when he was eventually released. So

459
00:30:03.160 --> 00:30:07.400
<v Speaker 8>he really had a master plan to do to do

460
00:30:07.440 --> 00:30:08.240
<v Speaker 8>his evil deeds.

461
00:30:08.839 --> 00:30:13.200
<v Speaker 9>Yeah, kind of the next organized killer. Really yeah.

462
00:30:13.240 --> 00:30:17.839
<v Speaker 8>Absolutely. The next person that you feature is John Christie.

463
00:30:17.839 --> 00:30:22.359
<v Speaker 8>And you call this article Skeletons in the Alcove, And

464
00:30:22.400 --> 00:30:28.759
<v Speaker 8>this is Robert J. Hushowski sexually inadequate, hyperchondriac murders his wife,

465
00:30:28.960 --> 00:30:33.720
<v Speaker 8>neighbors and five women in his bedbug ridden Nodding Hill apartment,

466
00:30:34.160 --> 00:30:39.400
<v Speaker 8>having necrophilic sex with four of the ladder. Tell us

467
00:30:39.640 --> 00:30:42.640
<v Speaker 8>just a little bit about John Christy and the Skeltons

468
00:30:42.680 --> 00:30:43.319
<v Speaker 8>in the Alcove.

469
00:30:44.759 --> 00:30:50.279
<v Speaker 9>John Christy is a really fascinating character, and if well,

470
00:30:50.319 --> 00:30:54.720
<v Speaker 9>I would like listeners to purchase the magazine to read

471
00:30:54.720 --> 00:30:56.640
<v Speaker 9>about him. But if you want to see a great

472
00:30:56.680 --> 00:31:00.880
<v Speaker 9>movie about the case, Ten Rillington Place with Richard Attenberg

473
00:31:00.920 --> 00:31:04.119
<v Speaker 9>and John Hurt is really a terrific film about that case.

474
00:31:05.079 --> 00:31:16.079
<v Speaker 9>Christy was essentially really kind of meek, non masculine character.

475
00:31:16.119 --> 00:31:21.160
<v Speaker 9>He was born in Yorkshire and he had a domineering father.

476
00:31:21.359 --> 00:31:24.359
<v Speaker 9>Is kind of molly cuddled by his mother and sort

477
00:31:24.359 --> 00:31:29.960
<v Speaker 9>of one of I guess we'd tend to form these narratives.

478
00:31:30.000 --> 00:31:32.480
<v Speaker 9>I guess about what it is you know that key

479
00:31:32.519 --> 00:31:35.240
<v Speaker 9>moment in the life that of a serial killer that

480
00:31:35.640 --> 00:31:38.200
<v Speaker 9>sends them on the pathway to whatever it is with him.

481
00:31:38.839 --> 00:31:42.839
<v Speaker 9>It was when he was first attempted to have sex

482
00:31:42.880 --> 00:31:47.079
<v Speaker 9>with a girl as a teenager and he was unable

483
00:31:47.160 --> 00:31:51.759
<v Speaker 9>to perform, and I guess this girl rather insensitively went

484
00:31:51.799 --> 00:31:56.920
<v Speaker 9>around telling everyone about it and he and so everyone

485
00:31:56.960 --> 00:32:00.000
<v Speaker 9>would ridicule him about it. Can't get it up, Chris,

486
00:32:00.119 --> 00:32:05.000
<v Speaker 9>the reggiodic things like that, and so that's really leveled

487
00:32:05.039 --> 00:32:07.359
<v Speaker 9>his self esteem. And this is something by the way,

488
00:32:07.440 --> 00:32:10.039
<v Speaker 9>as in the side that we often see in necrophiles,

489
00:32:10.079 --> 00:32:16.960
<v Speaker 9>that they have very low self esteem. And so Christie

490
00:32:18.559 --> 00:32:22.400
<v Speaker 9>ends up in the First World War where he's exposed

491
00:32:22.400 --> 00:32:29.240
<v Speaker 9>to mustard gas and even though any kind of explosion

492
00:32:29.359 --> 00:32:32.680
<v Speaker 9>mustard gas is going to really mess you up, he's

493
00:32:32.759 --> 00:32:36.640
<v Speaker 9>also a hypochondriac. So he starts to talk in this

494
00:32:36.759 --> 00:32:41.839
<v Speaker 9>sort of whispery voice. But they determine that it's psychosomatic,

495
00:32:41.960 --> 00:32:47.960
<v Speaker 9>that the mustard gas hasn't actually affected his ability to speak,

496
00:32:49.079 --> 00:32:53.440
<v Speaker 9>that this is a psychosomatic thing that's going on. He

497
00:32:53.519 --> 00:32:58.640
<v Speaker 9>eventually marries a kind of frumpy woman named Ethel and

498
00:32:59.440 --> 00:33:01.960
<v Speaker 9>from what I guess, rather that they had virtually no

499
00:33:02.079 --> 00:33:05.079
<v Speaker 9>sex life. They have no children, and they move into

500
00:33:05.960 --> 00:33:10.880
<v Speaker 9>an area of London, which is which is poor people

501
00:33:10.920 --> 00:33:14.839
<v Speaker 9>stocked on top of each other and bed bugs, just

502
00:33:15.039 --> 00:33:18.200
<v Speaker 9>the kind of place you wouldn't want to live. And

503
00:33:20.000 --> 00:33:26.839
<v Speaker 9>it's here that I suppose over the years his tends up.

504
00:33:27.240 --> 00:33:32.880
<v Speaker 9>Sexual frustrations start to come start to bubble to the surface,

505
00:33:33.720 --> 00:33:38.359
<v Speaker 9>and while his wife is away, he he has a

506
00:33:38.519 --> 00:33:43.480
<v Speaker 9>rather interesting m Sometimes it's prostitutes that he that he

507
00:33:43.720 --> 00:33:46.240
<v Speaker 9>that he kills, he brings them back to his apartment

508
00:33:46.240 --> 00:33:49.799
<v Speaker 9>and strangles them. But other times it's women that who

509
00:33:50.200 --> 00:33:54.319
<v Speaker 9>are in need of medical help or abortions. Christie is

510
00:33:55.319 --> 00:34:00.599
<v Speaker 9>he uses this demeanor of of being a very timid

511
00:34:01.119 --> 00:34:09.199
<v Speaker 9>and almost intellectual man to convince these women that he

512
00:34:09.280 --> 00:34:12.320
<v Speaker 9>has some medical experience and that if they come back

513
00:34:12.320 --> 00:34:16.079
<v Speaker 9>to his apartment and use this device he has where

514
00:34:16.079 --> 00:34:19.440
<v Speaker 9>they can inhale vapors, that he can cure them of

515
00:34:19.639 --> 00:34:25.119
<v Speaker 9>various things, you know, ranging from lung diseases to needing

516
00:34:25.119 --> 00:34:27.880
<v Speaker 9>to have abortions. And so he pulls this trick on

517
00:34:27.960 --> 00:34:30.800
<v Speaker 9>them a number of women. The way he does is

518
00:34:30.840 --> 00:34:35.039
<v Speaker 9>he lures them back to his apartment and he hooks

519
00:34:35.119 --> 00:34:38.440
<v Speaker 9>up he puts this mask over their face which is

520
00:34:38.920 --> 00:34:42.679
<v Speaker 9>going into I think it's called Friar's balsam some sort

521
00:34:42.679 --> 00:34:46.480
<v Speaker 9>of inhalent, which is safe. But what they don't know

522
00:34:46.519 --> 00:34:49.480
<v Speaker 9>is that he's also hooked it up to the gas pipe,

523
00:34:50.079 --> 00:34:55.079
<v Speaker 9>so they go unconscious. As they're unconscious, he rapes them

524
00:34:55.599 --> 00:35:00.440
<v Speaker 9>because and this is an interesting paraphilia called somnophilia. He's

525
00:35:00.480 --> 00:35:04.719
<v Speaker 9>able to perform with them when they are unconscious because

526
00:35:04.880 --> 00:35:07.840
<v Speaker 9>he's not afraid of ridicule, and that goes back to

527
00:35:07.880 --> 00:35:14.840
<v Speaker 9>the regiinodic experience. And then after they are unconscious, he

528
00:35:14.880 --> 00:35:17.599
<v Speaker 9>strangles them with a rope. And now the first few

529
00:35:17.679 --> 00:35:23.119
<v Speaker 9>victims he just disposes of their bodies after that, but

530
00:35:24.480 --> 00:35:27.719
<v Speaker 9>around the late fifties, he starts to just kind of

531
00:35:28.199 --> 00:35:33.480
<v Speaker 9>he hits that part of some of the many serial

532
00:35:33.559 --> 00:35:36.719
<v Speaker 9>killer cycles where they just kind of lose control of

533
00:35:36.760 --> 00:35:39.760
<v Speaker 9>their impulses, and he kills his own wife. There's no

534
00:35:39.840 --> 00:35:41.760
<v Speaker 9>evidence of sex, but it's more just to get her

535
00:35:41.800 --> 00:35:45.840
<v Speaker 9>out of the way, and I think he hides her

536
00:35:45.920 --> 00:35:48.519
<v Speaker 9>under the floorboards, and with her out of the way,

537
00:35:48.559 --> 00:35:51.599
<v Speaker 9>he's now free to do this much more often, and

538
00:35:51.679 --> 00:35:54.920
<v Speaker 9>now he can keep the bodies too, So he starts

539
00:35:54.960 --> 00:36:00.639
<v Speaker 9>to do this with a number of prostitutes, and eventually

540
00:36:01.320 --> 00:36:06.559
<v Speaker 9>he moves out and somebody else moves into the apartment

541
00:36:07.239 --> 00:36:10.199
<v Speaker 9>and they find that there's a fake wall put up

542
00:36:10.199 --> 00:36:11.960
<v Speaker 9>and when they tear down this wall, they find the

543
00:36:12.000 --> 00:36:15.519
<v Speaker 9>bodies of about two to three women behind the wall,

544
00:36:16.199 --> 00:36:19.119
<v Speaker 9>and then the man hunts on for John Christie, who

545
00:36:19.119 --> 00:36:22.880
<v Speaker 9>goes down as one of the most notorious serial killers

546
00:36:23.199 --> 00:36:24.159
<v Speaker 9>in British history.

547
00:36:27.639 --> 00:36:31.159
<v Speaker 8>Lee, I'm we're just gonna pause for a moment to

548
00:36:31.239 --> 00:36:34.400
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<v Speaker 8>beautiful now, Lee, We we were talking about the first

589
00:39:19.039 --> 00:39:21.719
<v Speaker 8>episode or a part of me Cruel Britannia, and we

590
00:39:21.960 --> 00:39:25.800
<v Speaker 8>talked about John Christy and your article Skeletons in the

591
00:39:25.840 --> 00:39:31.840
<v Speaker 8>Alcove by Robert Jay Hasowski. Do you include this London

592
00:39:31.920 --> 00:39:35.119
<v Speaker 8>Murder travel diary and you talk about the Jack the

593
00:39:35.199 --> 00:39:39.119
<v Speaker 8>Ripper tour that you do with a man named John Chambers.

594
00:39:39.320 --> 00:39:41.079
<v Speaker 9>So yeah, John is awesome.

595
00:39:42.440 --> 00:39:45.679
<v Speaker 8>Tell us a little bit about that whole experience that

596
00:39:45.800 --> 00:39:52.599
<v Speaker 8>you document really very interestingly in Serial Killer Quarterly. Tell

597
00:39:52.679 --> 00:39:53.880
<v Speaker 8>us a little bit about that tour.

598
00:39:54.599 --> 00:39:56.800
<v Speaker 9>I love it that you found it interesting, because you know,

599
00:39:56.840 --> 00:40:00.320
<v Speaker 9>whenever you write a biographical piece, you've always got thing

600
00:40:00.360 --> 00:40:01.840
<v Speaker 9>in the back of your mind where you're going. Am

601
00:40:01.880 --> 00:40:06.760
<v Speaker 9>I just I just being narcissistic here? But so I

602
00:40:07.280 --> 00:40:11.079
<v Speaker 9>thank you for that compliment. The London Murder tour was

603
00:40:11.960 --> 00:40:15.519
<v Speaker 9>really quite interesting in that I was in the UK

604
00:40:15.639 --> 00:40:18.679
<v Speaker 9>for about two months for a number of reasons, and

605
00:40:18.920 --> 00:40:22.159
<v Speaker 9>one of those reasons was to do some research for

606
00:40:22.239 --> 00:40:26.800
<v Speaker 9>my PhD dissertation. As I said before, I'm a criminologist,

607
00:40:27.280 --> 00:40:32.480
<v Speaker 9>and I was going by train to a place called

608
00:40:32.519 --> 00:40:36.480
<v Speaker 9>Sidcup to meet with a police officer who had worked

609
00:40:36.519 --> 00:40:41.239
<v Speaker 9>on the Colin Ireland serial murders that took place in

610
00:40:41.280 --> 00:40:44.480
<v Speaker 9>London in nineteen ninety three, I believe, because that was

611
00:40:44.519 --> 00:40:47.679
<v Speaker 9>an important case for my dissertation, and I figured, you know,

612
00:40:48.320 --> 00:40:51.320
<v Speaker 9>while I'm head in that direction, I may as well

613
00:40:51.360 --> 00:40:54.360
<v Speaker 9>spend a night in London. I couldn't really afford to

614
00:40:54.400 --> 00:40:57.760
<v Speaker 9>spend more than one night, so I found this kind

615
00:40:57.760 --> 00:41:03.800
<v Speaker 9>of crappy hotel and I uh, I decided, I'm gonna

616
00:41:03.800 --> 00:41:06.960
<v Speaker 9>make this about the magazine. I'm gonna. I'm gonna. I'm

617
00:41:07.000 --> 00:41:12.039
<v Speaker 9>gonna justify this by turning it into a magazine article.

618
00:41:12.719 --> 00:41:17.280
<v Speaker 9>So I tried to hit as many of these sites

619
00:41:17.320 --> 00:41:23.679
<v Speaker 9>in London that were associated with notorious serial murders as possible.

620
00:41:24.480 --> 00:41:27.719
<v Speaker 9>So the hotel where I stayed and was very close

621
00:41:27.880 --> 00:41:31.800
<v Speaker 9>to Gloucester Road and Gloucester Road, of course, as I

622
00:41:31.840 --> 00:41:36.280
<v Speaker 9>mentioned before, is the site of the workshop where John

623
00:41:36.320 --> 00:41:39.760
<v Speaker 9>George Hay had turned these people into into go using

624
00:41:39.800 --> 00:41:42.280
<v Speaker 9>his acid bath. In fact, it's right across from the

625
00:41:42.320 --> 00:41:46.320
<v Speaker 9>tube station. It's a Kentucky Fried Chicken. So for the

626
00:41:46.320 --> 00:41:49.519
<v Speaker 9>good of the magazine, I uh, the first thing I

627
00:41:49.559 --> 00:41:53.079
<v Speaker 9>did when I got off the tube upon entering London

628
00:41:53.480 --> 00:41:57.159
<v Speaker 9>was walked right across the street and ordered some Kentucky

629
00:41:57.159 --> 00:42:02.400
<v Speaker 9>Fried Chicken and went down into the little basement there

630
00:42:02.760 --> 00:42:05.679
<v Speaker 9>and ate the KFC. And then I took a photograph

631
00:42:05.760 --> 00:42:08.039
<v Speaker 9>of the gravy so that it would make a nice

632
00:42:08.119 --> 00:42:12.679
<v Speaker 9>juxtaposition with the article that Aaron had written about some

633
00:42:12.719 --> 00:42:16.000
<v Speaker 9>sort of fleshy goose substance. And you know what, I

634
00:42:16.079 --> 00:42:19.400
<v Speaker 9>must admit, the KFC was better than I remembered. It's

635
00:42:19.440 --> 00:42:21.480
<v Speaker 9>been a while since I had eaten it.

636
00:42:24.159 --> 00:42:28.440
<v Speaker 8>There you go, Yeah, that's the big revelation of all

637
00:42:28.440 --> 00:42:31.559
<v Speaker 8>of this KFC better than you think you Yeah.

638
00:42:31.639 --> 00:42:33.800
<v Speaker 9>Yeah, I got all snooty about it, you know, but

639
00:42:34.079 --> 00:42:36.400
<v Speaker 9>I think it's one of those everything in moderation, and

640
00:42:36.599 --> 00:42:39.480
<v Speaker 9>for me it was like a ten year moderation type thing.

641
00:42:39.760 --> 00:42:42.360
<v Speaker 9>I also went with the original recipe that might have

642
00:42:42.480 --> 00:42:45.199
<v Speaker 9>had something to do with it. So that was so

643
00:42:45.400 --> 00:42:47.800
<v Speaker 9>I hit that one spot there and I mean, there's

644
00:42:47.840 --> 00:42:51.199
<v Speaker 9>no That's what I found very interesting about it. It's

645
00:42:51.280 --> 00:42:53.559
<v Speaker 9>like that series of murders takes place, and what do

646
00:42:53.639 --> 00:42:57.840
<v Speaker 9>they do with that location? They build a KFC and

647
00:42:58.079 --> 00:43:01.679
<v Speaker 9>like a petiss be over top of it, and no

648
00:43:01.719 --> 00:43:06.320
<v Speaker 9>one knows. Everyone's just walking past it. And I'm standing

649
00:43:06.360 --> 00:43:09.440
<v Speaker 9>there trying to get a decent photograph as cars keep

650
00:43:09.480 --> 00:43:11.840
<v Speaker 9>blocking my way in pedestrians and everyone's looking at me

651
00:43:11.880 --> 00:43:17.559
<v Speaker 9>like YSI photographing at KFC, And so no one really

652
00:43:17.599 --> 00:43:23.559
<v Speaker 9>knows that these infamous murders that happened here. From there,

653
00:43:23.800 --> 00:43:28.480
<v Speaker 9>I went to the hotel, put all my u got

654
00:43:28.480 --> 00:43:31.559
<v Speaker 9>all my stuff settled in the hotel, and then I

655
00:43:31.599 --> 00:43:34.280
<v Speaker 9>decided to go on this Jack the Ripper tour, which

656
00:43:34.320 --> 00:43:37.079
<v Speaker 9>is the complete opposite. So I ride the tube down

657
00:43:37.119 --> 00:43:42.199
<v Speaker 9>to East Aalgate station and I'm hanging around there and

658
00:43:42.639 --> 00:43:44.559
<v Speaker 9>I had to see this group milling around, a guy

659
00:43:44.599 --> 00:43:47.519
<v Speaker 9>with a with a top hat on, and I go,

660
00:43:47.679 --> 00:43:49.559
<v Speaker 9>this must be the Jack the Ripper Tour. I had

661
00:43:49.599 --> 00:43:51.679
<v Speaker 9>called them ahead of time, and we'd done sort of

662
00:43:51.760 --> 00:43:54.159
<v Speaker 9>a deal, like, hey, get me on the tour for free,

663
00:43:54.400 --> 00:43:57.639
<v Speaker 9>and I'm gonna I'm gonna write about it for the magazine.

664
00:43:57.719 --> 00:44:01.920
<v Speaker 9>And it was, in fact, was fascinating to me was

665
00:44:02.840 --> 00:44:07.079
<v Speaker 9>not only the number of people that that we're going

666
00:44:07.119 --> 00:44:11.760
<v Speaker 9>on this this tour, but the fact that the one

667
00:44:11.840 --> 00:44:15.480
<v Speaker 9>crime would be almost like invisible, where the other is

668
00:44:15.519 --> 00:44:19.360
<v Speaker 9>almost like a part of uh it's almost like a

669
00:44:19.960 --> 00:44:24.360
<v Speaker 9>tourist attraction, like the Tower of London. You know. That's

670
00:44:24.679 --> 00:44:29.880
<v Speaker 9>it's interesting, Like there's why why is is one so

671
00:44:29.960 --> 00:44:32.440
<v Speaker 9>much bigger? And I guess it's it's that that Jack

672
00:44:32.440 --> 00:44:34.920
<v Speaker 9>the Ripper name. When you think of a serial killer,

673
00:44:35.360 --> 00:44:37.800
<v Speaker 9>Jack the Ripper is sort of the number one. That's

674
00:44:37.440 --> 00:44:40.960
<v Speaker 9>the first one everyone learns about. That's the only reason

675
00:44:41.000 --> 00:44:44.400
<v Speaker 9>I can see. Uh. So I end up going on

676
00:44:44.440 --> 00:44:48.000
<v Speaker 9>this tour and it's fascinating. John Chambers, the guy doing

677
00:44:48.000 --> 00:44:51.079
<v Speaker 9>the tour, he's got a great sense of humor, a

678
00:44:51.119 --> 00:44:56.719
<v Speaker 9>real real Cockney, but he's he's a historian too, but

679
00:44:56.719 --> 00:44:59.480
<v Speaker 9>but the kind of historian that everyone wishes they had

680
00:44:59.800 --> 00:45:03.039
<v Speaker 9>as history teacher in school, where he makes it entertaining

681
00:45:03.480 --> 00:45:08.719
<v Speaker 9>and he's memorized all these facts about Victorian London, every street,

682
00:45:08.880 --> 00:45:14.280
<v Speaker 9>every pub at the time, and we're just basically doing

683
00:45:14.320 --> 00:45:16.679
<v Speaker 9>the walk from site to site of where all the

684
00:45:16.760 --> 00:45:21.440
<v Speaker 9>murders took place. And he has like a holographic projector

685
00:45:22.000 --> 00:45:26.679
<v Speaker 9>which he projects onto the onto the walls that show

686
00:45:26.760 --> 00:45:30.599
<v Speaker 9>you what it used to look like. And so that

687
00:45:31.159 --> 00:45:34.559
<v Speaker 9>that was only about ten pounds, which I don't know

688
00:45:34.639 --> 00:45:36.079
<v Speaker 9>just off the top of my head, that's maybe like

689
00:45:36.119 --> 00:45:41.159
<v Speaker 9>fourteen Canadian dollars for like a good hour long entertaining

690
00:45:41.920 --> 00:45:45.280
<v Speaker 9>in that it was in that it was as funny

691
00:45:45.280 --> 00:45:48.800
<v Speaker 9>as the topic could be and jovial. Johnny sort of

692
00:45:49.159 --> 00:45:51.519
<v Speaker 9>brought that aspect of it out, but it was also

693
00:45:51.599 --> 00:45:56.199
<v Speaker 9>incredibly informative and you get to it's one thing to

694
00:45:56.239 --> 00:46:01.159
<v Speaker 9>read about Jack the Ripper, but actually walk the distances

695
00:46:02.199 --> 00:46:06.599
<v Speaker 9>and to see like how far apart the murder sites

696
00:46:06.679 --> 00:46:12.159
<v Speaker 9>where and in relation to each other's. It's a fascinating experience.

697
00:46:12.239 --> 00:46:16.719
<v Speaker 9>So I would recommend that to anyone who goes to

698
00:46:16.880 --> 00:46:19.679
<v Speaker 9>London to go on that Jack the Ripper walking to

699
00:46:19.719 --> 00:46:22.559
<v Speaker 9>where they have. And the best thing me, with my

700
00:46:22.639 --> 00:46:25.960
<v Speaker 9>sort of insider magazine status, is that after it was

701
00:46:26.000 --> 00:46:29.039
<v Speaker 9>all done, I got to go for a pint with

702
00:46:29.159 --> 00:46:32.480
<v Speaker 9>Johnny and his friend. So we went to a public

703
00:46:32.519 --> 00:46:36.760
<v Speaker 9>called the White Stag, sorry the White Heart, where the

704
00:46:36.800 --> 00:46:40.519
<v Speaker 9>conversation that invariably turns to Jack the Ripper and serial

705
00:46:40.599 --> 00:46:44.239
<v Speaker 9>murder in general, and we're sitting in there drinking our ciders,

706
00:46:45.159 --> 00:46:49.599
<v Speaker 9>and we only had about an hour or so. They

707
00:46:49.599 --> 00:46:51.159
<v Speaker 9>had to be up in the morning to do another

708
00:46:51.480 --> 00:46:53.280
<v Speaker 9>Jack the Ripper thing, and I had to be up

709
00:46:53.320 --> 00:46:55.199
<v Speaker 9>to go see my detective and the last thing I

710
00:46:55.239 --> 00:46:59.639
<v Speaker 9>wanted to do is go with a hangover. So we

711
00:46:59.679 --> 00:47:02.639
<v Speaker 9>say separate way, We go our separate ways, say hey,

712
00:47:02.880 --> 00:47:05.360
<v Speaker 9>I'll meet up with you next time I'm in London,

713
00:47:05.400 --> 00:47:07.400
<v Speaker 9>and I certainly planned to because we had a great time.

714
00:47:08.440 --> 00:47:12.960
<v Speaker 9>And it's only later that I realize that the White

715
00:47:13.039 --> 00:47:18.440
<v Speaker 9>Hart Pub that he took me to was once owned

716
00:47:18.599 --> 00:47:21.800
<v Speaker 9>or the landlord of it was a guy by the

717
00:47:21.880 --> 00:47:27.360
<v Speaker 9>name of George Smith. And George Smith is a Jack

718
00:47:27.440 --> 00:47:31.760
<v Speaker 9>the Ripper suspect and confirmed serial killer who poisoned three

719
00:47:31.800 --> 00:47:35.119
<v Speaker 9>of his wives in the early nineteen hundreds, and Kim

720
00:47:35.199 --> 00:47:39.599
<v Speaker 9>Creswell wrote a pretty terrific article on that in the

721
00:47:39.639 --> 00:47:43.880
<v Speaker 9>same issue Cruel Britannia. So then I was trying to

722
00:47:43.920 --> 00:47:47.119
<v Speaker 9>make it to another part of London that same night,

723
00:47:47.719 --> 00:47:51.679
<v Speaker 9>and I made a very in retrospect prudent decision try

724
00:47:51.800 --> 00:47:56.199
<v Speaker 9>to try and not get another murder site in because

725
00:47:56.199 --> 00:47:59.079
<v Speaker 9>I would have really screwed up my getting up early

726
00:47:59.119 --> 00:48:03.440
<v Speaker 9>in the morning to to go interview that detective. So yeah,

727
00:48:03.440 --> 00:48:07.320
<v Speaker 9>that's it in a nutshell, much more had it written about,

728
00:48:07.360 --> 00:48:09.679
<v Speaker 9>much more, better better in the article.

729
00:48:13.239 --> 00:48:15.440
<v Speaker 8>Uh, We're just gonna go through a few of the

730
00:48:15.880 --> 00:48:19.079
<v Speaker 8>articles that are in Cruel Britannia and then maybe touch

731
00:48:19.119 --> 00:48:23.679
<v Speaker 8>on a couple that are in the other issues of Cruel.

732
00:48:24.280 --> 00:48:28.519
<v Speaker 8>Pardon me of Seria Killer Quarterly. Uh, doctor Catherine Ramslin again,

733
00:48:29.119 --> 00:48:33.480
<v Speaker 8>you know the experts expert does Ian Brady and Myra Hindley,

734
00:48:33.840 --> 00:48:37.400
<v Speaker 8>and it's called Switching on the Dark. Five Manchester children

735
00:48:37.440 --> 00:48:42.079
<v Speaker 8>and teens are raped and murdered as an existential exercise

736
00:48:42.159 --> 00:48:46.840
<v Speaker 8>by Scottish nihilist Ian Brady and his English disciple lover,

737
00:48:47.400 --> 00:48:50.000
<v Speaker 8>Myra Hindley. We won't give anything away. This is just

738
00:48:50.599 --> 00:48:55.280
<v Speaker 8>too much. As you talked about. Kim Creswell talks about

739
00:48:55.360 --> 00:49:01.000
<v Speaker 8>George Chapman Sewerin Koslowski, the Burrough poisoner, Bullish bone barber

740
00:49:01.559 --> 00:49:05.400
<v Speaker 8>and ripper suspect poisons three wives in the turn of

741
00:49:05.400 --> 00:49:10.440
<v Speaker 8>the century England. You also have which I thought, you

742
00:49:10.440 --> 00:49:13.519
<v Speaker 8>know because I just love Burl Bear is Peter Sutcliffe,

743
00:49:13.599 --> 00:49:18.000
<v Speaker 8>the Yorkshire Ripper or Yorkshire ripoff by Burl Bear, and

744
00:49:18.360 --> 00:49:22.280
<v Speaker 8>you talk about Bradford Trucker, Peter Sutcliffe, England's most notorious

745
00:49:22.320 --> 00:49:25.920
<v Speaker 8>serial killer. Is he really responsible for thirteen deaths attributed

746
00:49:25.960 --> 00:49:29.719
<v Speaker 8>to him or is he a nobody among nobodies? So

747
00:49:30.039 --> 00:49:32.000
<v Speaker 8>I won't give anything away because I think this is

748
00:49:32.119 --> 00:49:36.320
<v Speaker 8>just an example how great and interesting and unique these

749
00:49:36.400 --> 00:49:40.079
<v Speaker 8>articles really are in this magazine. But just tell us

750
00:49:40.239 --> 00:49:44.000
<v Speaker 8>a little bit for those that don't know the controversy

751
00:49:44.039 --> 00:49:48.719
<v Speaker 8>that is examined in this Peter Sutcliffe article. Yorkshire Ripper.

752
00:49:49.559 --> 00:49:56.760
<v Speaker 9>Okay, it's mostly built on the theory that I believe.

753
00:49:56.800 --> 00:50:00.679
<v Speaker 9>The man's name is Noel O'Gara, and he's from Ireland,

754
00:50:01.079 --> 00:50:05.960
<v Speaker 9>and he claims to have met a man that worked

755
00:50:05.960 --> 00:50:08.039
<v Speaker 9>for him. His name eludes me at the moment, and

756
00:50:08.119 --> 00:50:12.119
<v Speaker 9>he believed that this man was the real Yorkshire Ripper.

757
00:50:12.719 --> 00:50:16.000
<v Speaker 9>He doesn't deny that Peter Sutcliffe was also murdering women,

758
00:50:16.440 --> 00:50:19.920
<v Speaker 9>but he says that this man, William Tracy, that's his name.

759
00:50:19.960 --> 00:50:24.320
<v Speaker 9>He says that William Tracy is responsible for the bulk

760
00:50:24.400 --> 00:50:27.440
<v Speaker 9>of these murders, and he's written a book about it

761
00:50:27.480 --> 00:50:31.679
<v Speaker 9>and he has quite a dedicated following. Now there's some

762
00:50:31.719 --> 00:50:35.760
<v Speaker 9>people that even in the in the police force that

763
00:50:35.840 --> 00:50:38.480
<v Speaker 9>have come out and said, yes, he has a he

764
00:50:38.519 --> 00:50:41.840
<v Speaker 9>has a point here. This is the we always knew

765
00:50:41.880 --> 00:50:45.719
<v Speaker 9>that Peter Sutcliffe hadn't done all these killings, and you

766
00:50:45.719 --> 00:50:49.039
<v Speaker 9>know he should be reinvest reinvestigated. And then there's the other,

767
00:50:50.679 --> 00:50:53.119
<v Speaker 9>the other side of it, which is just going, well,

768
00:50:53.159 --> 00:50:56.480
<v Speaker 9>this is a conspiracy theory. A lot of it hinges

769
00:50:56.559 --> 00:51:01.360
<v Speaker 9>on the fact that the DNA found on I believe

770
00:51:01.480 --> 00:51:04.360
<v Speaker 9>one of one or more of the suspects was different

771
00:51:04.400 --> 00:51:10.320
<v Speaker 9>than Suckcliffe's reported blood type. The problem is getting information

772
00:51:10.440 --> 00:51:15.679
<v Speaker 9>on what Sutcliffe's actual blood type is like now and

773
00:51:15.719 --> 00:51:21.239
<v Speaker 9>in being able to independently verify that. So Burrow tackles

774
00:51:21.320 --> 00:51:23.519
<v Speaker 9>a lot of that. He doesn't naturally write a lot

775
00:51:23.559 --> 00:51:29.800
<v Speaker 9>about the murders themselves, And my take on it was

776
00:51:29.840 --> 00:51:33.920
<v Speaker 9>that I looked at them, I looked at o'garra's arguments,

777
00:51:33.960 --> 00:51:38.920
<v Speaker 9>and I looked at the timeline of the murders, and

778
00:51:39.000 --> 00:51:44.360
<v Speaker 9>the first murder, according to Ogira's website, would have been

779
00:51:44.400 --> 00:51:50.559
<v Speaker 9>committed by Sutcliffe, and this would have involved mutilation. That's

780
00:51:50.559 --> 00:51:52.320
<v Speaker 9>is why they call him the Yorkshire Ripper, just like

781
00:51:52.400 --> 00:51:56.159
<v Speaker 9>Jack the Ripper, Rostov Ripper, Andrea Chikatilo whatever, they're those

782
00:51:56.199 --> 00:52:02.400
<v Speaker 9>guys that like to mutilate. And so I noticed that this,

783
00:52:02.400 --> 00:52:08.480
<v Speaker 9>this first murder had involved some mutilation, and so if

784
00:52:08.519 --> 00:52:12.400
<v Speaker 9>the next one was committed by this guy William Tracy

785
00:52:12.519 --> 00:52:17.280
<v Speaker 9>and also involved mutilation, to me, it seems more like

786
00:52:17.480 --> 00:52:23.760
<v Speaker 9>Tracy was ripping off Sutcliffe. But then again I go, well,

787
00:52:24.039 --> 00:52:28.199
<v Speaker 9>how did this is considering it's only the second murder.

788
00:52:28.840 --> 00:52:35.119
<v Speaker 9>How did Tracy know about the mutilation and the specific

789
00:52:35.320 --> 00:52:39.000
<v Speaker 9>like the specifics of the mutilation that you know, where

790
00:52:39.039 --> 00:52:42.559
<v Speaker 9>it occurred, the manner in which it occurred in order

791
00:52:42.599 --> 00:52:48.199
<v Speaker 9>to copy Sutcliffe. And so I became skeptical. And I

792
00:52:48.239 --> 00:52:52.960
<v Speaker 9>would say, even though I haven't done anywhere near the

793
00:52:53.199 --> 00:52:56.679
<v Speaker 9>depth of research that Nolo Geret has done into it,

794
00:52:56.719 --> 00:53:01.679
<v Speaker 9>based just on that opposers I had as a criminologist,

795
00:53:02.079 --> 00:53:08.039
<v Speaker 9>I concluded that probably maybe Peter Sillcliffe hadn't done all

796
00:53:08.079 --> 00:53:10.199
<v Speaker 9>the murders, but I certainly didn't think that he was

797
00:53:10.239 --> 00:53:13.679
<v Speaker 9>copying William Tracy. Uh And and I didn't see this

798
00:53:13.800 --> 00:53:16.920
<v Speaker 9>proof that William Tracy had committed any of the murders. Now,

799
00:53:16.960 --> 00:53:20.760
<v Speaker 9>this guy William Tracy claimed to have done it and

800
00:53:20.840 --> 00:53:24.400
<v Speaker 9>bragged about it. But you know, we all know pathological liars,

801
00:53:24.400 --> 00:53:26.760
<v Speaker 9>and we all know people that do false confessions. So

802
00:53:28.960 --> 00:53:32.119
<v Speaker 9>but it is, Hey, it's still a very interesting argument

803
00:53:32.599 --> 00:53:35.159
<v Speaker 9>and it's worth looking at, and Burl does a good

804
00:53:35.239 --> 00:53:37.920
<v Speaker 9>job of it. One of the one of the things

805
00:53:37.960 --> 00:53:41.119
<v Speaker 9>with that article that was the most challenging actually was

806
00:53:41.280 --> 00:53:44.599
<v Speaker 9>is Burrell's tone is so as I think he used

807
00:53:44.599 --> 00:53:52.239
<v Speaker 9>the word irreverent to use that word sure, sure you can't, okay,

808
00:53:52.679 --> 00:53:58.039
<v Speaker 9>And yeah, and it's it's like, okay, well, we're writing

809
00:53:58.079 --> 00:54:02.480
<v Speaker 9>about we're writing murders here, and this is uh, this

810
00:54:02.599 --> 00:54:05.400
<v Speaker 9>is on Uh, this has got much more of a

811
00:54:05.400 --> 00:54:11.039
<v Speaker 9>sense of humor and a lightness about it than most

812
00:54:11.079 --> 00:54:13.599
<v Speaker 9>of the other articles that we've published. And then I

813
00:54:14.079 --> 00:54:16.960
<v Speaker 9>so I had to go back and think about what

814
00:54:17.079 --> 00:54:20.719
<v Speaker 9>really is the ethos of this brand of of you know,

815
00:54:20.840 --> 00:54:25.400
<v Speaker 9>grinny Man Press, the publisher, and and what is this

816
00:54:25.480 --> 00:54:29.119
<v Speaker 9>magazine about? And and and I came back to that

817
00:54:29.760 --> 00:54:33.559
<v Speaker 9>tenant that I had that if it is a good article,

818
00:54:34.280 --> 00:54:37.199
<v Speaker 9>I don't care in what voice it's written from or

819
00:54:37.320 --> 00:54:40.559
<v Speaker 9>what moral standpoint it's written from. I'm going to publish

820
00:54:40.559 --> 00:54:46.599
<v Speaker 9>it because I want to. I want the readers and

821
00:54:46.599 --> 00:54:49.480
<v Speaker 9>and and myself and and everyone who reads our magazine

822
00:54:50.039 --> 00:54:55.679
<v Speaker 9>to see these issues from various perspectives, and so Burl's

823
00:54:55.920 --> 00:54:59.360
<v Speaker 9>article on Sutcliffe was was from a totally different perspective,

824
00:54:59.519 --> 00:55:03.559
<v Speaker 9>and and I think the magazine becomes a lot more.

825
00:55:06.119 --> 00:55:08.400
<v Speaker 9>I think the magazine benefits from that because you're not

826
00:55:08.480 --> 00:55:11.440
<v Speaker 9>reading the same tone all the time. You know, things

827
00:55:11.440 --> 00:55:13.960
<v Speaker 9>are broken up. It's like a radio station. You don't

828
00:55:13.960 --> 00:55:16.599
<v Speaker 9>want to keep hearing songs in the key of G

829
00:55:16.800 --> 00:55:19.559
<v Speaker 9>eight times in a row, right, You want to you

830
00:55:19.880 --> 00:55:22.960
<v Speaker 9>want some variations. So I think ultimately it's a good

831
00:55:22.960 --> 00:55:26.079
<v Speaker 9>idea to do that, and so that's what we do.

832
00:55:26.639 --> 00:55:30.039
<v Speaker 9>I got a real weird one coming up written by

833
00:55:30.039 --> 00:55:34.159
<v Speaker 9>Peter Vronsky for our next issue, where I was faced

834
00:55:34.199 --> 00:55:37.280
<v Speaker 9>with a similar challenge, and I'm like, I'm going to

835
00:55:37.320 --> 00:55:37.880
<v Speaker 9>publish it.

836
00:55:40.840 --> 00:55:43.840
<v Speaker 8>Yeah, with with Burl, I don't, I don't really didn't

837
00:55:43.880 --> 00:55:48.119
<v Speaker 8>read any controversial elements of it. But what I found

838
00:55:48.199 --> 00:55:51.519
<v Speaker 8>is that very much like Burle, he likes to explore

839
00:55:51.599 --> 00:55:56.400
<v Speaker 8>the underlying issues, even if they're and history based, in

840
00:55:56.480 --> 00:56:00.320
<v Speaker 8>terms of the phenomenas that are underlying in that police

841
00:56:00.320 --> 00:56:03.360
<v Speaker 8>would like to wrap up everything nice and neat and

842
00:56:03.440 --> 00:56:08.960
<v Speaker 8>not have these loose other suspects. He also talks about

843
00:56:08.960 --> 00:56:13.519
<v Speaker 8>the phenomena, just as you mentioned the pathological lying that's

844
00:56:13.599 --> 00:56:17.599
<v Speaker 8>evident in serial killers. So how much is true and

845
00:56:17.639 --> 00:56:23.280
<v Speaker 8>how much is self aggrandization, no one quite knows. And

846
00:56:23.320 --> 00:56:26.639
<v Speaker 8>then just the phenomena of the media itself, which are

847
00:56:26.840 --> 00:56:33.360
<v Speaker 8>again have their own motivation and sometimes that is synonymous

848
00:56:33.400 --> 00:56:36.400
<v Speaker 8>with the prosecution and the police, and sometimes it isn't.

849
00:56:36.400 --> 00:56:39.239
<v Speaker 8>So he I think he explores all that and puts

850
00:56:39.400 --> 00:56:42.880
<v Speaker 8>and factors that all into the story as well. And

851
00:56:43.480 --> 00:56:47.519
<v Speaker 8>like I say, Irreverend, it's just that's Burl Bears. Nobody

852
00:56:47.559 --> 00:56:52.199
<v Speaker 8>else can have strike that balance between that sarcasm for

853
00:56:52.280 --> 00:56:54.679
<v Speaker 8>those things I think which our need to be criticized.

854
00:56:54.719 --> 00:56:59.159
<v Speaker 8>And that's why I laugh. And just really the strict

855
00:56:59.159 --> 00:57:02.039
<v Speaker 8>academia that this guy puts into it, and it seems

856
00:57:02.119 --> 00:57:04.199
<v Speaker 8>very effortless in his work.

857
00:57:05.320 --> 00:57:08.599
<v Speaker 9>Yeah, and that's why as a great writer, then we're

858
00:57:08.800 --> 00:57:10.519
<v Speaker 9>honored to have him on board. I can't wait for

859
00:57:11.039 --> 00:57:16.320
<v Speaker 9>his next article. Yeah, it's and that's terrific. I mean

860
00:57:17.280 --> 00:57:20.960
<v Speaker 9>when I write, I tend to look at things more

861
00:57:21.039 --> 00:57:25.000
<v Speaker 9>of a from how can I convey the horror of

862
00:57:25.079 --> 00:57:30.639
<v Speaker 9>the story combined with sort of like a criminological analysis

863
00:57:30.679 --> 00:57:33.519
<v Speaker 9>of it. But as you said, Burrell is really looking

864
00:57:33.559 --> 00:57:40.360
<v Speaker 9>at the aspects of media in it and and that's

865
00:57:40.480 --> 00:57:46.119
<v Speaker 9>terrific there the more we look at these from different viewpoints,

866
00:57:46.159 --> 00:57:50.079
<v Speaker 9>because it's it's about serial killers, but it doesn't need

867
00:57:50.119 --> 00:57:55.239
<v Speaker 9>to be just through one lens. You know, there's many

868
00:57:55.239 --> 00:57:59.760
<v Speaker 9>ways you could write the Peter Sutcliffe case, eight different ways,

869
00:58:00.360 --> 00:58:06.320
<v Speaker 9>you know, from a different standpoints. So yeah, and I

870
00:58:06.320 --> 00:58:09.159
<v Speaker 9>think all the all of our articles have a little

871
00:58:09.159 --> 00:58:13.519
<v Speaker 9>bit of something different to them.

872
00:58:13.639 --> 00:58:16.440
<v Speaker 8>Absolutely, and in keeping with that too, what you'd have

873
00:58:16.639 --> 00:58:19.239
<v Speaker 8>is the a lot of people know this, but this

874
00:58:19.360 --> 00:58:22.920
<v Speaker 8>is again even more information, more in depth is the

875
00:58:22.960 --> 00:58:26.519
<v Speaker 8>Fred and Rosemary West. You call this article Garden of

876
00:58:26.559 --> 00:58:28.639
<v Speaker 8>Bones by Kim Creswell.

877
00:58:29.239 --> 00:58:29.599
<v Speaker 9>Uh.

878
00:58:29.639 --> 00:58:34.119
<v Speaker 8>And another one I knew nothing about is Robert Knapper

879
00:58:34.800 --> 00:58:38.480
<v Speaker 8>and you call this article a destroyer with Carol Anne Davis.

880
00:58:38.559 --> 00:58:41.639
<v Speaker 8>And this is an aberrant police ethics leads to the

881
00:58:41.679 --> 00:58:44.480
<v Speaker 8>prosecution of an innocent man for murder while the true

882
00:58:44.519 --> 00:58:52.840
<v Speaker 8>killer of schizophrenic netro necro mutif mutiphile language. Yeah, there

883
00:58:52.880 --> 00:58:55.159
<v Speaker 8>you go, a new word for me tonight this evening.

884
00:58:57.400 --> 00:58:59.400
<v Speaker 8>Then you have just a top it all off. If

885
00:58:59.440 --> 00:59:01.159
<v Speaker 8>that isn't another if you have a preview of the

886
00:59:01.199 --> 00:59:07.119
<v Speaker 8>next issue, which is Fatal Fetishists and that and so

887
00:59:07.199 --> 00:59:09.280
<v Speaker 8>then you do a preview about Jeffrey Dahmer in an

888
00:59:09.360 --> 00:59:15.079
<v Speaker 8>article called The Tenant with with Hoshelski again penning that

889
00:59:15.320 --> 00:59:20.880
<v Speaker 8>or doing that article. So we we also have That's

890
00:59:21.039 --> 00:59:25.440
<v Speaker 8>just one of the issues. And the next one you

891
00:59:25.519 --> 00:59:30.440
<v Speaker 8>have is in the spring edition. So we really can't

892
00:59:30.480 --> 00:59:32.559
<v Speaker 8>go through all of this. But really this one's called

893
00:59:32.639 --> 00:59:35.760
<v Speaker 8>Partners in Pain, And you mentioned this before. This is

894
00:59:35.920 --> 00:59:42.400
<v Speaker 8>uh you have William Burke and William Hare Victorian serial Killers,

895
00:59:42.440 --> 00:59:46.199
<v Speaker 8>great stuff. You have Dean Coral, Elmer, Henley David Brooks,

896
00:59:46.639 --> 00:59:50.039
<v Speaker 8>The Game of Boys with doctor Catherine Ramslin again, and

897
00:59:50.079 --> 00:59:54.400
<v Speaker 8>you had John Duffy and David Melkay Unique and Evil

898
00:59:54.400 --> 00:59:57.519
<v Speaker 8>Bond with Carol Anne Davis. And you include stories on

899
00:59:57.719 --> 01:00:01.719
<v Speaker 8>Leonard Lake, Charles Ing, Paul Bernard One, Karla Hamalka, Doug

900
01:00:01.800 --> 01:00:06.840
<v Speaker 8>Clark and Carol Bundy, Helen Golay and Olga Rudis again

901
01:00:06.880 --> 01:00:11.039
<v Speaker 8>another one another one for me. So you and so

902
01:00:11.599 --> 01:00:13.800
<v Speaker 8>how many episodes? How many issues have you put out

903
01:00:13.800 --> 01:00:16.320
<v Speaker 8>so far? And tell us a little bit about the

904
01:00:16.400 --> 01:00:18.719
<v Speaker 8>latest issue.

905
01:00:19.039 --> 01:00:24.119
<v Speaker 9>Okay, so I've put out five issues so far, uh

906
01:00:24.159 --> 01:00:28.400
<v Speaker 9>and uh so all those all those cases we we

907
01:00:28.400 --> 01:00:31.519
<v Speaker 9>we lifted in the British cases. I mean that's just

908
01:00:31.559 --> 01:00:36.719
<v Speaker 9>one issue. So this is you know, literally the hundreds

909
01:00:36.719 --> 01:00:41.840
<v Speaker 9>of pages of reading. So I think that what we

910
01:00:42.000 --> 01:00:45.239
<v Speaker 9>charge for this for this e magazine is a really

911
01:00:45.280 --> 01:00:48.159
<v Speaker 9>good deal. And I really encourage your listeners to go

912
01:00:48.199 --> 01:00:51.199
<v Speaker 9>to our website Serialcular quarterly dot com and check it out.

913
01:00:51.199 --> 01:00:53.400
<v Speaker 9>You can subscribe. I mean, we'll send it to your

914
01:00:53.679 --> 01:00:58.599
<v Speaker 9>your email as there as they come out. Uh so,

915
01:00:58.880 --> 01:01:03.639
<v Speaker 9>what what we got coming next? Okay, Well, Fatal Fetishists

916
01:01:03.920 --> 01:01:07.800
<v Speaker 9>because Peter Vronsky got so passionately into his article on

917
01:01:07.920 --> 01:01:11.280
<v Speaker 9>Richard Cottingham, which was supposed to be seven thousand words,

918
01:01:11.440 --> 01:01:16.480
<v Speaker 9>he ended up giving me twelve thousand. Normally I'd say, whoa,

919
01:01:16.760 --> 01:01:19.480
<v Speaker 9>this is you know too much, This has got to go.

920
01:01:20.079 --> 01:01:24.079
<v Speaker 9>But it was an amazing article, and I decided I've

921
01:01:24.119 --> 01:01:27.440
<v Speaker 9>got to keep it. At the same time, that was

922
01:01:27.480 --> 01:01:33.679
<v Speaker 9>going to bloat the magazine to just a huge size

923
01:01:33.719 --> 01:01:36.679
<v Speaker 9>and be rough on the graphic designers, rough on me

924
01:01:36.719 --> 01:01:40.960
<v Speaker 9>as an editor, and we'd just be giving out way

925
01:01:41.000 --> 01:01:44.400
<v Speaker 9>too much content compared to our other magazines. So Fatal

926
01:01:44.440 --> 01:01:48.199
<v Speaker 9>Fetishists ended up getting split in two as a result

927
01:01:48.239 --> 01:01:51.199
<v Speaker 9>of that. So our next two issues are Fatal Fetishist

928
01:01:51.239 --> 01:01:54.880
<v Speaker 9>one and Fatal Fetishist two, and the theme of both

929
01:01:54.920 --> 01:02:01.239
<v Speaker 9>of these issues are individuals serial killers that have specific

930
01:02:01.320 --> 01:02:06.320
<v Speaker 9>paraphilias and or fetishes, and so each case represents a

931
01:02:06.360 --> 01:02:09.039
<v Speaker 9>different one. For instance, I did an article on just

932
01:02:09.239 --> 01:02:15.920
<v Speaker 9>a simple pedophile serial killer named Ronald Jebson. We've got

933
01:02:16.039 --> 01:02:21.719
<v Speaker 9>one on Dayton Leroy Rogers who's a foot fetishist. And

934
01:02:21.920 --> 01:02:27.079
<v Speaker 9>we've got we've got ones on Stephen Griffiths, a cannibal,

935
01:02:27.719 --> 01:02:32.840
<v Speaker 9>Richard Cottingham, that was Peter's Oracle, a sexual sadist. So

936
01:02:33.239 --> 01:02:35.280
<v Speaker 9>that's what we've got coming up. We're going to start

937
01:02:35.320 --> 01:02:40.840
<v Speaker 9>exploring different fetishes and paraphilias in the next two issues.

938
01:02:44.840 --> 01:02:49.000
<v Speaker 8>And what was the summer edition? What was the what

939
01:02:49.079 --> 01:02:51.639
<v Speaker 8>were some of the articles in the summer edition?

940
01:02:53.639 --> 01:02:56.719
<v Speaker 9>Oh, the summer edition, I believe that was our Unsolved

941
01:02:56.760 --> 01:03:00.400
<v Speaker 9>in North America and that was that was one where

942
01:03:00.440 --> 01:03:03.519
<v Speaker 9>we had the honor of having Harold Scheckter writ for us.

943
01:03:03.840 --> 01:03:08.519
<v Speaker 9>He did the eighteen eighty five onsolved murders of servant

944
01:03:08.559 --> 01:03:13.920
<v Speaker 9>girls in Austin, Texas, did a terrific job on it,

945
01:03:14.960 --> 01:03:17.800
<v Speaker 9>and the cool thing about that is I had my

946
01:03:18.239 --> 01:03:21.679
<v Speaker 9>friend and colleague Kenneth Mains, who works for the American

947
01:03:21.880 --> 01:03:27.280
<v Speaker 9>in asalk I having drawn a blank on the acronym

948
01:03:27.320 --> 01:03:31.400
<v Speaker 9>right now, sorry again, but we had him come in

949
01:03:31.400 --> 01:03:33.679
<v Speaker 9>and he looked at that case and he looked at

950
01:03:34.760 --> 01:03:40.079
<v Speaker 9>the Mad Butcher of Kingsbury run the article written by

951
01:03:40.159 --> 01:03:43.559
<v Speaker 9>Michael Newton, and we included a sub article in there

952
01:03:43.599 --> 01:03:46.320
<v Speaker 9>by Ken where he did criminal profiles on both of

953
01:03:46.360 --> 01:03:49.719
<v Speaker 9>those cases based on the articles. So that was pretty cool.

954
01:03:50.760 --> 01:03:53.159
<v Speaker 9>I wrote a lot of content for that one, and

955
01:03:53.559 --> 01:03:56.559
<v Speaker 9>I did one on the Zodiac Killer, which is almost

956
01:03:56.599 --> 01:03:59.679
<v Speaker 9>impossible to the seven thousand words just because the letters

957
01:03:59.679 --> 01:04:03.840
<v Speaker 9>are so alone. So I kind of let the primary

958
01:04:03.880 --> 01:04:08.199
<v Speaker 9>source materials tell themselves. The letters tell us a lot

959
01:04:08.239 --> 01:04:11.079
<v Speaker 9>about that. And then in one instance, I actually pumped

960
01:04:11.079 --> 01:04:14.880
<v Speaker 9>myself into the head of the Zodiac and wrote from

961
01:04:14.920 --> 01:04:18.320
<v Speaker 9>his point of view during one of the murders. So,

962
01:04:18.920 --> 01:04:22.079
<v Speaker 9>going back to that whole idea of writing from different perspectives,

963
01:04:22.119 --> 01:04:25.199
<v Speaker 9>I wanted to really play with that in that particular

964
01:04:25.320 --> 01:04:29.719
<v Speaker 9>article and to show who I thought he was in

965
01:04:29.760 --> 01:04:35.000
<v Speaker 9>that moment during that murder. I also wrote an article

966
01:04:35.039 --> 01:04:37.880
<v Speaker 9>for that one on a series of child murders in

967
01:04:37.920 --> 01:04:43.360
<v Speaker 9>Montreal that remain unsolved, and that was actually that was

968
01:04:43.360 --> 01:04:46.840
<v Speaker 9>actually an article I couldn't fit into my book Cold

969
01:04:46.880 --> 01:04:49.440
<v Speaker 9>North Killers. I had to take it out, and so

970
01:04:49.480 --> 01:04:51.360
<v Speaker 9>I just had it waiting in the wings, and I

971
01:04:51.400 --> 01:04:54.360
<v Speaker 9>put it in there. And that's a really fascinating case.

972
01:04:54.400 --> 01:04:57.000
<v Speaker 9>I mean, if you're a Canadian, you definitely want to

973
01:04:57.039 --> 01:05:00.679
<v Speaker 9>look at that one, because recently there's been an announcement

974
01:05:01.239 --> 01:05:04.079
<v Speaker 9>that originally I think that they believe there was about

975
01:05:04.559 --> 01:05:07.599
<v Speaker 9>four or five victims, and now they're looking at the

976
01:05:07.639 --> 01:05:11.159
<v Speaker 9>possibility that there may be as many as nine involved

977
01:05:11.199 --> 01:05:16.719
<v Speaker 9>in that case. Kim Creswell wrote about the Long Island

978
01:05:16.800 --> 01:05:20.199
<v Speaker 9>serial killer. I would say that's probably in the twenty

979
01:05:20.199 --> 01:05:25.760
<v Speaker 9>first century, that's like the unsolved serial murder case. Would

980
01:05:25.800 --> 01:05:27.880
<v Speaker 9>you agree with me there, Dan, that's the one that

981
01:05:28.000 --> 01:05:32.920
<v Speaker 9>sort of everyone remembers and knows and in the twenty

982
01:05:32.960 --> 01:05:34.719
<v Speaker 9>first century that they styled and figured out.

983
01:05:36.039 --> 01:05:39.119
<v Speaker 8>I would say that's the one that's peaking people's interest.

984
01:05:39.679 --> 01:05:43.000
<v Speaker 8>I think what's interesting is that even though serial killer

985
01:05:43.119 --> 01:05:47.760
<v Speaker 8>stories dominate the bookshelves and in fiction dominate movies, they're

986
01:05:47.840 --> 01:05:51.960
<v Speaker 8>almost a plot in almost everything. But I would think

987
01:05:52.000 --> 01:05:55.599
<v Speaker 8>that just some of the developments, and some of the killers,

988
01:05:55.599 --> 01:05:58.840
<v Speaker 8>the one off kind of killers, and the more the

989
01:05:59.119 --> 01:06:02.639
<v Speaker 8>trend towards the three killers and the you know, the

990
01:06:02.679 --> 01:06:06.000
<v Speaker 8>people that kill their entire family is just I think

991
01:06:06.800 --> 01:06:09.760
<v Speaker 8>I think that there's less I don't know if there's interest,

992
01:06:09.840 --> 01:06:15.199
<v Speaker 8>but there's less attention on serial killers just at this moment,

993
01:06:16.079 --> 01:06:18.559
<v Speaker 8>uh and when. But we're going back and finding out

994
01:06:19.639 --> 01:06:24.039
<v Speaker 8>in history about these notorious serial killers that time seems

995
01:06:24.039 --> 01:06:27.760
<v Speaker 8>to have almost forgot. And then thanks to incredible magazines

996
01:06:27.800 --> 01:06:32.440
<v Speaker 8>like yours, you're bringing these stories back to life. And

997
01:06:32.679 --> 01:06:35.880
<v Speaker 8>these pay you know stories today pale in comparison to

998
01:06:35.920 --> 01:06:39.559
<v Speaker 8>some of these you know, incredible true crime stories in history.

999
01:06:40.639 --> 01:06:43.719
<v Speaker 9>Yeah, and thank you for that. And and as I said,

1000
01:06:43.760 --> 01:06:46.119
<v Speaker 9>we haven't always we're not trying to do the same

1001
01:06:46.159 --> 01:06:47.920
<v Speaker 9>old thing where like, hey, do you want to read

1002
01:06:47.960 --> 01:06:52.320
<v Speaker 9>about you know, John Wayne Gacy again, Like we'll get

1003
01:06:52.320 --> 01:06:54.239
<v Speaker 9>around to them. But you know, it's not like that

1004
01:06:54.280 --> 01:06:57.079
<v Speaker 9>we've made the magazine a priority where we're going to

1005
01:06:57.119 --> 01:07:01.199
<v Speaker 9>take those cases that you already know everything about and

1006
01:07:01.360 --> 01:07:04.760
<v Speaker 9>just respycle them. We scatter a few of those in there,

1007
01:07:04.840 --> 01:07:10.320
<v Speaker 9>and you know, that's just the part of good editing

1008
01:07:10.760 --> 01:07:13.639
<v Speaker 9>in my opinion. But you know.

1009
01:07:13.760 --> 01:07:13.920
<v Speaker 2>Yeah.

1010
01:07:15.199 --> 01:07:16.679
<v Speaker 9>I like to think that we bring a lot of

1011
01:07:16.679 --> 01:07:19.920
<v Speaker 9>cases that people have never heard of into the forefront

1012
01:07:20.119 --> 01:07:21.800
<v Speaker 9>and it's like, hey, you take a look at this. Yeah,

1013
01:07:21.800 --> 01:07:23.639
<v Speaker 9>you didn't hear about them, but isn't this just as

1014
01:07:23.679 --> 01:07:26.360
<v Speaker 9>interesting really? I mean, if you're in this not for

1015
01:07:26.440 --> 01:07:31.320
<v Speaker 9>this additionalism, but because you really want to understand the

1016
01:07:31.360 --> 01:07:37.880
<v Speaker 9>mind of a murderer, victimology, criminology, if you want to

1017
01:07:38.039 --> 01:07:40.920
<v Speaker 9>find out about all the different permutations of this type

1018
01:07:40.960 --> 01:07:43.239
<v Speaker 9>of predator, maybe you should learn about some of the

1019
01:07:43.280 --> 01:07:49.719
<v Speaker 9>ones that haven't made international headlines. And so we're going

1020
01:07:49.800 --> 01:07:52.320
<v Speaker 9>to continue to do that with the magazine, although this

1021
01:07:52.440 --> 01:07:54.599
<v Speaker 9>year we are going to put in some of the

1022
01:07:54.599 --> 01:07:57.480
<v Speaker 9>more well known names. I felt like the year one

1023
01:07:57.559 --> 01:07:59.760
<v Speaker 9>was a bit of a tease, and now we've got

1024
01:07:59.800 --> 01:08:02.400
<v Speaker 9>to we've got to pay off a bit, almost like

1025
01:08:02.440 --> 01:08:04.880
<v Speaker 9>a story arc. But then we're still going to put

1026
01:08:04.880 --> 01:08:06.760
<v Speaker 9>in those fringe cases too.

1027
01:08:08.920 --> 01:08:12.320
<v Speaker 8>What I think is incredible is that the of course

1028
01:08:12.360 --> 01:08:15.000
<v Speaker 8>the stories that I had never read before, and being

1029
01:08:15.039 --> 01:08:17.600
<v Speaker 8>a guy that's pretty well read in this genre and

1030
01:08:17.640 --> 01:08:20.359
<v Speaker 8>still so that's to me, that's fascinating, and I think

1031
01:08:20.600 --> 01:08:23.279
<v Speaker 8>the audience is going to find that the reader is

1032
01:08:23.319 --> 01:08:26.000
<v Speaker 8>going to find the same thing. Wow, these are stories

1033
01:08:26.039 --> 01:08:29.119
<v Speaker 8>that I didn't know anything about and now I'm reading

1034
01:08:29.159 --> 01:08:34.760
<v Speaker 8>them and they're fascinating, incredibly shocking and yet in depth

1035
01:08:35.039 --> 01:08:37.920
<v Speaker 8>stories but just very very concise. It's amazing how much

1036
01:08:38.159 --> 01:08:43.520
<v Speaker 8>information these incredible authors pack into a short space, you know, basically.

1037
01:08:43.960 --> 01:08:46.319
<v Speaker 8>But I think that when you do do the cases

1038
01:08:46.399 --> 01:08:50.840
<v Speaker 8>like Rosemary Fred and Rosemary West, the author is adding

1039
01:08:50.920 --> 01:08:55.880
<v Speaker 8>something that is unique, either the perspective, the discussion, or

1040
01:08:55.920 --> 01:09:00.039
<v Speaker 8>something unique a unique aspect of the crime itself that

1041
01:09:00.119 --> 01:09:03.800
<v Speaker 8>is now explored in this magazine. So this is incredibly

1042
01:09:03.920 --> 01:09:08.800
<v Speaker 8>unique in terms of everything that you're reading is either surprising, shocking,

1043
01:09:09.359 --> 01:09:14.399
<v Speaker 8>or a brand new revelation for somebody, even as you know,

1044
01:09:14.560 --> 01:09:17.960
<v Speaker 8>I thought as experiences myself. So this is just a

1045
01:09:18.000 --> 01:09:21.159
<v Speaker 8>fantastic discovery for me, and I hope I'm sure the

1046
01:09:21.199 --> 01:09:26.039
<v Speaker 8>audience when they discover this will think the same. Lee.

1047
01:09:26.159 --> 01:09:28.000
<v Speaker 8>I want to thank you very much for this interview,

1048
01:09:28.000 --> 01:09:32.359
<v Speaker 8>and again let us know where people can contact you

1049
01:09:32.520 --> 01:09:35.880
<v Speaker 8>and tell us about your website again and if people

1050
01:09:35.920 --> 01:09:38.239
<v Speaker 8>want to contact you through Facebook or Twitter or whatever,

1051
01:09:38.319 --> 01:09:39.560
<v Speaker 8>let us know how they can do that.

1052
01:09:40.039 --> 01:09:43.840
<v Speaker 9>Great. Thank you so much. So you can subscribe to

1053
01:09:43.880 --> 01:09:48.199
<v Speaker 9>the magazine or buy single issues in PDF format at

1054
01:09:48.560 --> 01:09:54.279
<v Speaker 9>www dot serial Killer Quarterly dot com and we've got

1055
01:09:54.279 --> 01:09:56.239
<v Speaker 9>all our back issues on there. If you want to

1056
01:09:56.239 --> 01:10:01.760
<v Speaker 9>get an ebook form, it's available on Amazon, Barnes and Noble,

1057
01:10:03.000 --> 01:10:08.439
<v Speaker 9>D two D most of those online book retailers. Now

1058
01:10:08.439 --> 01:10:11.039
<v Speaker 9>there's a contest that we're doing that I really have

1059
01:10:11.119 --> 01:10:13.319
<v Speaker 9>got to get across. And you can find this on

1060
01:10:13.319 --> 01:10:17.239
<v Speaker 9>our Facebook page. Just search for serial Killer Quarterly. Essentially,

1061
01:10:17.880 --> 01:10:20.159
<v Speaker 9>when you get to the serial Killer Quarterly page, the

1062
01:10:20.239 --> 01:10:22.560
<v Speaker 9>contest is pinned on the top, and this is what

1063
01:10:22.600 --> 01:10:28.039
<v Speaker 9>it is. This is a tremendous deal. So if you win,

1064
01:10:28.319 --> 01:10:32.920
<v Speaker 9>if you enter this contest and win, you will win. Okay,

1065
01:10:32.960 --> 01:10:36.399
<v Speaker 9>ready for this. You're going to get signed copies of

1066
01:10:36.520 --> 01:10:40.159
<v Speaker 9>body Count by a Burl Bearer, assigned copy of my

1067
01:10:40.239 --> 01:10:46.119
<v Speaker 9>book Rampage, assigned copy of Doctors Who Kills, Sadistic Killers

1068
01:10:46.159 --> 01:10:51.760
<v Speaker 9>and Youthful Prey by Carol Anne Davis, Assigned hardcover copy

1069
01:10:51.880 --> 01:10:57.399
<v Speaker 9>of Harold Checkter's novel on HH Holmes. You're going to

1070
01:10:57.479 --> 01:11:03.239
<v Speaker 9>get assigned copy of karenco see is fiction novel Kidnapped

1071
01:11:03.239 --> 01:11:06.640
<v Speaker 9>by the Cartel. You're going to get a grinny Man

1072
01:11:06.640 --> 01:11:11.640
<v Speaker 9>Press T shirt, and you're going to get a copy

1073
01:11:11.760 --> 01:11:18.039
<v Speaker 9>of Kevin M. Sullivan's new ebook on Richard Chase. So

1074
01:11:18.159 --> 01:11:20.760
<v Speaker 9>this is definitely a contest that you want to enter.

1075
01:11:23.279 --> 01:11:27.600
<v Speaker 8>Yeah, absolutely, thank you very much for mentioning that. I'm

1076
01:11:27.680 --> 01:11:31.079
<v Speaker 8>drooling already. I want to enter this thing myself. So yeah,

1077
01:11:31.319 --> 01:11:31.720
<v Speaker 8>it's great.

1078
01:11:32.399 --> 01:11:34.760
<v Speaker 9>So yeah, all you have to do to get to

1079
01:11:34.800 --> 01:11:38.680
<v Speaker 9>that is go to the Serial Killer quarterly page on

1080
01:11:39.119 --> 01:11:41.640
<v Speaker 9>Facebook and you'll see the post pinned on there. It'll

1081
01:11:41.640 --> 01:11:44.359
<v Speaker 9>tell you what you need to do to enter this contest,

1082
01:11:44.920 --> 01:11:48.520
<v Speaker 9>and if you win, that's one hell of a prize

1083
01:11:48.560 --> 01:11:50.199
<v Speaker 9>package in my opinion.

1084
01:11:51.560 --> 01:11:55.159
<v Speaker 8>Right, I want to ask just maybe one last question,

1085
01:11:58.439 --> 01:12:02.399
<v Speaker 8>why do you think that all these authors have lined

1086
01:12:02.479 --> 01:12:06.840
<v Speaker 8>up to be a part of this excellent magazine, this

1087
01:12:06.960 --> 01:12:08.640
<v Speaker 8>online magazine.

1088
01:12:08.840 --> 01:12:10.479
<v Speaker 9>Because they like it as much as you do.

1089
01:12:14.079 --> 01:12:14.479
<v Speaker 4>What I was.

1090
01:12:15.920 --> 01:12:19.079
<v Speaker 8>What I was alluding to, is that based on the

1091
01:12:19.720 --> 01:12:23.159
<v Speaker 8>work that you have done, you know, you're a meticulous researcher,

1092
01:12:24.039 --> 01:12:28.279
<v Speaker 8>very exhaustive in your research, and you are the author

1093
01:12:28.319 --> 01:12:30.640
<v Speaker 8>of Cold North Killers and Rampage. We're going to have

1094
01:12:30.720 --> 01:12:34.359
<v Speaker 8>you back real soon to talk about Rampage. Because I

1095
01:12:34.399 --> 01:12:36.199
<v Speaker 8>couldn't help myself. I have to dig in and start

1096
01:12:36.239 --> 01:12:40.439
<v Speaker 8>reading and some incredible stories, and it's what's really interesting,

1097
01:12:40.800 --> 01:12:44.239
<v Speaker 8>and so I think it's very flattering, is that a

1098
01:12:44.279 --> 01:12:49.720
<v Speaker 8>Canadian in America attracting all these basically American well, I

1099
01:12:49.720 --> 01:12:53.520
<v Speaker 8>mean there are some Canadians, but basically the elite of

1100
01:12:54.479 --> 01:12:59.239
<v Speaker 8>American true crime is on board with your Serial Killer Quarterly.

1101
01:12:59.520 --> 01:13:01.880
<v Speaker 8>And it must be based on the respect that they

1102
01:13:01.920 --> 01:13:05.000
<v Speaker 8>have for you as a criminologist and author and now

1103
01:13:05.000 --> 01:13:05.760
<v Speaker 8>as a publisher.

1104
01:13:05.800 --> 01:13:06.960
<v Speaker 7>So I want to.

1105
01:13:06.960 --> 01:13:09.439
<v Speaker 8>Applaud you for this and thank thank you very much

1106
01:13:09.479 --> 01:13:12.399
<v Speaker 8>for coming on and talking about this, and I want

1107
01:13:12.439 --> 01:13:15.479
<v Speaker 8>to congratulate you on Serial Killer Quarterly. And I want

1108
01:13:15.479 --> 01:13:18.159
<v Speaker 8>you to thank you very much and have a great evening.

1109
01:13:18.840 --> 01:13:22.479
<v Speaker 9>Hey, thanks so much, Dan, And uh yeah, let's let's

1110
01:13:22.479 --> 01:13:25.000
<v Speaker 9>do a rampage one. Eh.

1111
01:13:25.000 --> 01:13:27.479
<v Speaker 8>Absolutely, we'll talk to you in the near future.

1112
01:13:27.600 --> 01:13:28.039
<v Speaker 7>Thank you.

1113
01:13:28.079 --> 01:13:29.600
<v Speaker 9>Okay, have a good night, my friend.

1114
01:13:29.680 --> 01:13:30.000
<v Speaker 8>Good night.

1115
01:13:30.760 --> 01:13:31.119
<v Speaker 7>Good night,
