WEBVTT 1 00:00:23.879 --> 00:00:28.199 Ladies and gentlemen, welcome back to my Family Think Some 2 00:00:28.280 --> 00:00:32.960 Crazy podcast. And with me today is a returning guest, 3 00:00:33.119 --> 00:00:37.159 a friend of mine, someone who I think the audience 4 00:00:37.200 --> 00:00:41.719 should already be aware of. He's doing some amazing work 5 00:00:41.799 --> 00:00:45.000 and he's coming back to the show to talk about 6 00:00:45.520 --> 00:00:49.679 a brand new project, a new film that is out 7 00:00:49.799 --> 00:00:56.759 now is titled A Clockwork Shining. Rider Lee is back 8 00:00:56.960 --> 00:00:59.320 on the show. Rider. It's a pleasure to have you 9 00:00:59.399 --> 00:01:02.439 here again. I'm really stoked to see. You've been working 10 00:01:02.479 --> 00:01:08.680 with Jay Weidner, legend in the conspiracy theory field, so. 11 00:01:08.680 --> 00:01:09.000 You have. 12 00:01:10.480 --> 00:01:13.280 A lot of cool stuff going on, and this is 13 00:01:13.680 --> 00:01:16.719 your latest project. So before we get into the exact 14 00:01:16.760 --> 00:01:21.640 details of the film, what precipitated A Clockwork Shining? Like, 15 00:01:22.560 --> 00:01:24.959 where were you when you thought, Okay, this is what 16 00:01:25.000 --> 00:01:27.920 I need to work on next, Because I've kind of 17 00:01:28.000 --> 00:01:31.200 I think I've been interviewing you at each step of 18 00:01:31.239 --> 00:01:34.359 the way. I remember we talked about UFOs. At one point, 19 00:01:34.439 --> 00:01:38.000 we talked about mk Ultra. I can't remember the last 20 00:01:38.000 --> 00:01:41.000 thing we talked about. Excuse me, but now we're talking 21 00:01:41.040 --> 00:01:48.120 about Kubrick and some other maybe stranger things. And no 22 00:01:48.319 --> 00:01:52.120 pun intended that Kubrick was trying to show us through 23 00:01:52.760 --> 00:01:57.200 several of his movies and two in particular, that folks 24 00:01:57.400 --> 00:01:59.799 can probably guess which ones they are based on the 25 00:01:59.840 --> 00:02:03.599 tip I love your film, but or your documentary. But yeah, 26 00:02:03.640 --> 00:02:07.840 what precipitated the Clockwork Shining? Because I think this is 27 00:02:07.879 --> 00:02:10.919 a really interesting trajectory you've been on. 28 00:02:12.240 --> 00:02:14.759 Thank you very much, Mark, first off for having me 29 00:02:14.800 --> 00:02:17.159 on again. I really appreciate it. And you have been 30 00:02:17.199 --> 00:02:20.000 there every step of the way through my entire evolution 31 00:02:20.319 --> 00:02:22.759 of new things. You've had me on, So I really 32 00:02:22.800 --> 00:02:25.560 appreciate that, my friend. It's an honor and a privilege 33 00:02:25.599 --> 00:02:28.680 to be back on your show again. So and I 34 00:02:28.680 --> 00:02:30.879 think you had me on for jfk X. 35 00:02:31.400 --> 00:02:34.400 Right, that's what it was. Yes, that was the last 36 00:02:34.439 --> 00:02:37.800 time you're on, I believe, unless there's something in between 37 00:02:37.840 --> 00:02:41.800 then and now. JFKX is the one I was misremembering. 38 00:02:41.919 --> 00:02:45.120 Yeah, yeah, that was the first documentary that me and 39 00:02:45.199 --> 00:02:48.960 Jay Warden put together. And originally how the soul really 40 00:02:49.000 --> 00:02:52.080 came up about was this was the first movie that 41 00:02:52.120 --> 00:02:54.240 I actually wanted to do. I wanted to do this 42 00:02:54.360 --> 00:02:59.639 movie A Clockwork Shining first, but we decided to go 43 00:02:59.680 --> 00:03:03.520 with AFKX first, and because this one was going to 44 00:03:03.599 --> 00:03:09.680 require a lot more production value and quality in it, 45 00:03:10.280 --> 00:03:13.199 so we did jfk X first. And you can also 46 00:03:13.280 --> 00:03:16.879 find that on Amazon Prime. It's on free v on 47 00:03:17.039 --> 00:03:20.960 Amazon Prime. Actually, if you just type in the Clockwork 48 00:03:21.000 --> 00:03:24.080 Shining and click a Clockwork Shining on Amazon Prime, it'll 49 00:03:24.120 --> 00:03:28.080 be the next video in under related videos. So I 50 00:03:28.120 --> 00:03:30.919 wanted to do this film originally, and I'd had Jay 51 00:03:30.919 --> 00:03:34.319 Widener on because he had done two documentaries before. Well 52 00:03:34.319 --> 00:03:37.280 he's done several films before a lot of other films. 53 00:03:37.280 --> 00:03:40.360 He's a you know, a he's a film production like 54 00:03:40.360 --> 00:03:44.599 that's what he'd done for his whole career. And I'd 55 00:03:44.680 --> 00:03:48.120 watched his two movies, A Cubric's Odyssey one and A 56 00:03:48.199 --> 00:03:51.000 kubricks Odyssey two to bring him on my show to 57 00:03:51.159 --> 00:03:53.560 you know, have a good in depth conversation with him, 58 00:03:53.599 --> 00:03:58.240 because I like, you know, watching people's movies or reading 59 00:03:58.319 --> 00:04:00.439 their books or whatever it is before I bring them 60 00:04:00.439 --> 00:04:03.319 on so that I can ask really good questions. And 61 00:04:03.400 --> 00:04:05.800 I had him. I had him on. So I watched 62 00:04:05.840 --> 00:04:10.000 The Shining several times over and over again, and as 63 00:04:10.000 --> 00:04:12.960 I'm watching it, because Kubrick is such a genius, with 64 00:04:13.000 --> 00:04:15.800 this filmmaking. Everyone knows that everyone knows who Stanley kuber Case, 65 00:04:15.800 --> 00:04:17.279 everyone knows what The Shining is is one of the 66 00:04:17.319 --> 00:04:20.600 greatest horror films that's of all time, you know. And 67 00:04:20.680 --> 00:04:24.040 as I was watching it, I was like, what more 68 00:04:24.079 --> 00:04:28.120 can I really find in this movie that hasn't been 69 00:04:28.920 --> 00:04:32.639 seen before? Because this movie has been deconstructed in like 70 00:04:32.759 --> 00:04:36.639 such a way that it's there's so many different theories 71 00:04:36.920 --> 00:04:40.199 about The Shining and about Stanley Kubrick just in general, 72 00:04:40.279 --> 00:04:43.279 sort of exactly like the jfk assassination, which was the 73 00:04:43.319 --> 00:04:47.000 one that we tackled previously. So this was a really 74 00:04:47.079 --> 00:04:49.639 big task. And I'm sitting there and I'm watching it, 75 00:04:50.519 --> 00:04:53.439 and then I watched some videos on some other people's 76 00:04:53.439 --> 00:04:57.839 analysis of it, and I, you know, watched our Room 77 00:04:57.879 --> 00:05:00.560 two thirty seven as well. Was j wier is also 78 00:05:00.639 --> 00:05:03.399 in Room two thirty seven, which we also reference in 79 00:05:03.560 --> 00:05:09.480 this new film, a clockwork chiny and I'd seen in 80 00:05:09.519 --> 00:05:12.360 the background because whenever Dan you sees the Twins for 81 00:05:12.399 --> 00:05:15.319 the very first time, there's a poster on the wall 82 00:05:15.480 --> 00:05:18.759 on the back left hand side. This has monarch at 83 00:05:18.759 --> 00:05:21.000 the bottom of the poster. And I wasn't the first 84 00:05:21.000 --> 00:05:25.040 person to see that, I admit not the first person 85 00:05:25.079 --> 00:05:29.639 to see it, but nobody got what that poster actually 86 00:05:29.720 --> 00:05:34.319 meant correctly. And when I brought Jay on my show, 87 00:05:34.560 --> 00:05:37.399 I was like, hey, like, I know people have seen 88 00:05:37.439 --> 00:05:40.759 this several times before. There's a poster in the background 89 00:05:40.800 --> 00:05:43.519 that has Monarch at the very bottom of it looks 90 00:05:43.519 --> 00:05:46.800 like like a person on skis, and some people call 91 00:05:46.839 --> 00:05:52.160 it a minotaur and they kind of relate the It's 92 00:05:52.240 --> 00:05:54.759 one of two things with people that see that poster 93 00:05:55.000 --> 00:05:57.639 and try and interpret its meaning. One of those is 94 00:05:57.680 --> 00:05:59.839 that it's a minotaur. Another one is that it's a 95 00:06:00.279 --> 00:06:03.839 cubric like the Cubrick Stare, you know, like in a 96 00:06:03.839 --> 00:06:06.399 lot of his movies, like Full Metal Jacket, a Clockwork 97 00:06:06.480 --> 00:06:10.600 Orange and the Shining, that Cubic stare that famous thing 98 00:06:10.680 --> 00:06:13.920 like like that, you know what I mean, like the 99 00:06:15.079 --> 00:06:18.319 Jack Nicholson does during the Shining and Alex's character does 100 00:06:18.639 --> 00:06:23.240 during a Clockwork Orange. And also that it could be 101 00:06:23.319 --> 00:06:30.920 referring to Monarch Mountain in Colorado as well. But I'd 102 00:06:30.959 --> 00:06:35.600 never heard of anybody relate the poster to Monarch MK 103 00:06:35.800 --> 00:06:40.319 Ultra Mind Control. So I'm explaining this all to Jay 104 00:06:40.439 --> 00:06:44.480 around two years ago now, on our show, and I'm like, hey, 105 00:06:44.480 --> 00:06:47.399 there's a poster back there says Monarch. It's you know, 106 00:06:47.480 --> 00:06:49.879 no one has ever come up with the ever talked 107 00:06:49.879 --> 00:06:54.040 about the theory that about monarch mind control. They bring 108 00:06:54.360 --> 00:06:57.079 other things into it, like I just mentioned, but they've 109 00:06:57.079 --> 00:07:00.120 never mentioned. And then I started dissecting the movie and 110 00:07:00.160 --> 00:07:03.920 all the things throughout the movie, and I was like, Jay, 111 00:07:03.959 --> 00:07:08.040 we need to make a documentary about this. I think 112 00:07:08.079 --> 00:07:12.600 that I'm the first person to really understand exactly what's 113 00:07:12.639 --> 00:07:16.120 going on within this movie. And he was like, yeah, 114 00:07:16.120 --> 00:07:18.319 we should. We definitely should. And then we ended up 115 00:07:18.319 --> 00:07:21.199 with JFKX as our first film, which I'm very happy 116 00:07:21.240 --> 00:07:22.639 that we did it that way because I got to 117 00:07:22.680 --> 00:07:28.920 cut my teeth on a documentary. And then I did 118 00:07:28.959 --> 00:07:31.240 this one, which this one is almost two hours long. 119 00:07:31.360 --> 00:07:34.800 It's a a cl accident around an hour and fifty minutes. 120 00:07:35.040 --> 00:07:39.120 So that's basically the origin, right. 121 00:07:39.199 --> 00:07:42.399 And to be clear, the film that you're talking about 122 00:07:42.600 --> 00:07:48.720 is The Shining because the Clockwork Orange film, there's really 123 00:07:48.800 --> 00:07:52.319 it's not like subtle in any way that mind control 124 00:07:52.399 --> 00:07:55.639 is going on, like that's a key plot in the film, 125 00:07:56.519 --> 00:08:02.240 but connecting the symbolism from there to the Shining, I 126 00:08:02.319 --> 00:08:07.480 think is a big step. And yeah, I mean potentially 127 00:08:07.519 --> 00:08:10.639 you're the first person to see that, you're definitely the 128 00:08:10.680 --> 00:08:14.000 first person to make a film about it. But that's 129 00:08:14.040 --> 00:08:17.199 the thing with Kubrick that I wonder, is is it 130 00:08:17.360 --> 00:08:21.680 that he saw this and has left these clues behind 131 00:08:21.839 --> 00:08:25.079 for people. I mean, it seems to be that way, 132 00:08:25.199 --> 00:08:27.839 because you know, it couldn't be that he was just 133 00:08:27.959 --> 00:08:31.360 some like lucky fool who just happened to, you know, 134 00:08:31.720 --> 00:08:35.840 spell all this out by accident. But then I also wonder, like, 135 00:08:35.919 --> 00:08:38.480 could it be that he was using symbols that are 136 00:08:38.639 --> 00:08:44.159 so general that you can apply multiple layers of meaning 137 00:08:44.200 --> 00:08:48.279 to them. That almost feels like, you know, I'm just 138 00:08:48.320 --> 00:08:50.600 trying to debunk it at that point, which I'm not, 139 00:08:51.320 --> 00:08:56.960 because the Shining, I think Room two thirty seven, they 140 00:08:57.000 --> 00:09:02.559 go into the theory that they're somehow suggestions about the 141 00:09:02.600 --> 00:09:06.200 moon landing with the Shining, right, Yeah. 142 00:09:06.000 --> 00:09:10.559 And that's Jay Widener's original proposal with his first two 143 00:09:10.600 --> 00:09:14.799 films on the topic. He proposes that the Shining is 144 00:09:15.720 --> 00:09:20.080 Kubrick's confession to faking the moon landing, which he provides 145 00:09:21.519 --> 00:09:24.320 well invcating the evidence of that and what I've been 146 00:09:24.600 --> 00:09:28.600 telling people, which I think is very plausible because two 147 00:09:28.639 --> 00:09:31.480 thousand and one A Space Odyssey was being shot during 148 00:09:31.720 --> 00:09:33.480 the time of the moon landing, during the time that 149 00:09:33.519 --> 00:09:41.159 we went to the moon, right, and it's highly possible 150 00:09:41.159 --> 00:09:45.399 that Stanley Kubrick would have been like, Hey, let's shoot 151 00:09:45.440 --> 00:09:49.720 some scenes, you know, and the actors wouldn't know that 152 00:09:49.799 --> 00:09:51.519 this was going to the footage was going to be 153 00:09:51.639 --> 00:09:54.799 used for something else. And that really gets down to 154 00:09:55.639 --> 00:09:57.360 because a lot of people are like, well, how could 155 00:09:57.399 --> 00:09:59.559 they have faked the moon landing without a lot of 156 00:09:59.559 --> 00:10:01.679 people knowing about it. Well, that's how they would have 157 00:10:01.679 --> 00:10:03.080 done it. They would have done it a part of 158 00:10:03.120 --> 00:10:06.159 a movie shoot, and two thousand and one of Space 159 00:10:06.200 --> 00:10:09.639 Odyssey was using special effects that had never been seen before. 160 00:10:09.639 --> 00:10:11.559 It's one of the first times in film history that 161 00:10:11.639 --> 00:10:16.080 front screen projection was ever used. And it's possible that 162 00:10:16.240 --> 00:10:20.840 Kubrick was like, Hey, let's do we'll shoot some extra 163 00:10:20.919 --> 00:10:23.519 scenes for two thousand and one A Space Odyssey. All 164 00:10:23.559 --> 00:10:27.039 the actors, all the production, all the people will think 165 00:10:27.399 --> 00:10:30.720 that it's for two thousand and one A Space Odyssey, 166 00:10:30.840 --> 00:10:32.480 but we won't put it in the film, and then 167 00:10:32.519 --> 00:10:37.360 that'll be the moon landing footage, not saying that that's fact, right. 168 00:10:37.480 --> 00:10:39.919 I just think that it's really interesting and it's definitely plausible. 169 00:10:40.039 --> 00:10:43.039 But as far as the mind control stuff, Kubrick had 170 00:10:43.080 --> 00:10:47.639 to have been aware of the CIA's MK Ultra programs, 171 00:10:47.720 --> 00:10:52.559 just based upon the fact that he made a clockwork orange, right. 172 00:10:52.639 --> 00:10:56.120 I mean, the entire film is basically about mind control 173 00:10:56.360 --> 00:10:59.039 and drugging Alex the main character, and having him watch 174 00:10:59.840 --> 00:11:02.879 these movies to influence his behavior. 175 00:11:03.519 --> 00:11:08.000 Well, so in a way, if The Shining has both 176 00:11:08.360 --> 00:11:14.360 layers in it, I don't see how that's necessarily impossible. Like, 177 00:11:14.759 --> 00:11:17.159 you know, Kubrick could have been talking about the moon 178 00:11:17.240 --> 00:11:20.480 landing and m Kaltre, which is why I find this 179 00:11:20.519 --> 00:11:23.440 premise really fascinating. I'm glad to get into it with you, 180 00:11:23.759 --> 00:11:25.639 but I just wanted to say off the bat for 181 00:11:25.720 --> 00:11:29.360 people who might be like, oh, they've done this already, 182 00:11:29.559 --> 00:11:32.639 go watch Room two thirty seven. Well, first of all, 183 00:11:32.720 --> 00:11:35.679 Jay Widner is a part of this film, so cut 184 00:11:35.720 --> 00:11:40.120 it out. And second of all, Kubrick, I mean again, 185 00:11:40.200 --> 00:11:42.919 I'm just applying my own mind to him. And we've 186 00:11:42.919 --> 00:11:45.000 talked about him a ton on this show, not just 187 00:11:45.120 --> 00:11:50.480 with with like this particular topic, but from other angles, 188 00:11:50.519 --> 00:11:52.759 like we had a guy on who hates Kubrick. We 189 00:11:52.840 --> 00:11:56.960 had a guy on who talked about Kubrick and his 190 00:11:57.639 --> 00:12:01.919 you know, espionage kind of maybe connections, right so, or 191 00:12:01.919 --> 00:12:05.600 at least like propaganda and that sort of thing. But 192 00:12:05.639 --> 00:12:08.039 I just I find it kind of interesting because we 193 00:12:08.159 --> 00:12:12.840 often think about mk ultra like Manchurian candidates. But in 194 00:12:12.879 --> 00:12:17.399 a way, the moon landing was like a mass mcaultra 195 00:12:17.519 --> 00:12:20.720 event because you have so many people who are being 196 00:12:20.840 --> 00:12:25.600 hypnotized into thinking this is a real event taking place 197 00:12:25.679 --> 00:12:30.120 when actually it's fabricated to some degree. Whether that means that, 198 00:12:30.639 --> 00:12:33.799 you know, the rockets only went so far, or either 199 00:12:33.799 --> 00:12:36.639 the rockets didn't even fly at all, or whatever. Right, 200 00:12:36.679 --> 00:12:38.840 I don't know the details. That's not what we're here 201 00:12:38.840 --> 00:12:41.720 to argue about. But I think most people can agree 202 00:12:42.240 --> 00:12:47.120 at this point the moon landing has some issues with 203 00:12:47.240 --> 00:12:51.000 its legitimacy. It's a little bit less than plausible at 204 00:12:51.000 --> 00:12:55.039 this point. And I think Kubrick, being that he was 205 00:12:55.120 --> 00:12:59.240 so close to the military and these groups who provided 206 00:12:59.360 --> 00:13:02.279 some sort of camera equipment to him at some point, 207 00:13:02.360 --> 00:13:05.240 like that's the big thing that the debunkers go for, 208 00:13:05.279 --> 00:13:07.639 as they say, oh, well he only got these lenses 209 00:13:07.720 --> 00:13:12.480 from the NASA people afterwards, but we don't need to 210 00:13:12.480 --> 00:13:16.200 get into that. I think what's most important about Kubrick 211 00:13:16.320 --> 00:13:22.519 is like what propelled him to expose this stuff, because 212 00:13:22.559 --> 00:13:27.159 he seemed kind of like a film genius, Like he 213 00:13:27.600 --> 00:13:32.440 suffered and he bled for the films that he loved, right, 214 00:13:32.559 --> 00:13:35.240 like he really in everybody around him had to work 215 00:13:35.279 --> 00:13:39.639 at that same pace of suffering too, because like he 216 00:13:39.840 --> 00:13:42.559 was a hard director to work for, is what most 217 00:13:42.559 --> 00:13:45.799 people have said. But yeah, I guess wrapping your head 218 00:13:45.840 --> 00:13:49.600 around like such a genius, like what do you make 219 00:13:49.639 --> 00:13:52.000 of Stanley Kubrick? Do you think that it really is 220 00:13:52.200 --> 00:13:57.799 like this sort of sneaky way of subtly putting these 221 00:13:58.480 --> 00:13:59.919 truths out into the culture. 222 00:14:01.960 --> 00:14:03.759 I think so too, And I think it's a testament 223 00:14:03.840 --> 00:14:07.320 to the fact that this is just now coming out 224 00:14:07.360 --> 00:14:15.240 and nobody has talked about this before, and what brings 225 00:14:15.240 --> 00:14:19.240 a whole other layer to it. And I think Qubriic 226 00:14:19.639 --> 00:14:23.159 was trying to subliminally put things in his film like 227 00:14:23.200 --> 00:14:26.000 little hints and little clues here and there as to 228 00:14:26.000 --> 00:14:29.039 what's going on. And you're right, the fact that this 229 00:14:29.120 --> 00:14:34.799 is something new in this documentary doesn't also discount the 230 00:14:34.799 --> 00:14:37.320 moon landing theory. If anything, I think it goes hand 231 00:14:37.360 --> 00:14:40.080 in hand because what we propose within the movie is 232 00:14:40.120 --> 00:14:45.679 that it's not only an experiment within Stanley Kubrick making 233 00:14:45.720 --> 00:14:48.600 this movie, because Stanley Kubrick is rewriting the entire movie 234 00:14:48.720 --> 00:14:52.120 as the movie is being filmed, no one does that. 235 00:14:52.960 --> 00:14:55.279 It's an experiment within the movie. It's also an experiment 236 00:14:55.320 --> 00:14:57.879 on the actors that are in the movie and the 237 00:14:57.879 --> 00:15:00.919 way that he treated Charlie Duvall and bas liberated her, 238 00:15:01.120 --> 00:15:03.320 yelled at her and told the casts and the crew 239 00:15:03.759 --> 00:15:07.519 not to empathize with her, not to you know, check 240 00:15:07.600 --> 00:15:09.879 up on her, not to you know, tend to her 241 00:15:10.279 --> 00:15:13.960 what she wants or what she needs. But it's also 242 00:15:14.559 --> 00:15:17.320 an experiment within it on the audience as well, So 243 00:15:17.360 --> 00:15:20.840 it's like a triple threat and that goes hand in 244 00:15:20.879 --> 00:15:24.320 hand with the moon landing footage as well. Actually, I 245 00:15:24.360 --> 00:15:29.039 have a trailer here which will really describes exactly what 246 00:15:29.360 --> 00:15:33.080 the film is about. If you would like to see it. 247 00:15:33.120 --> 00:15:35.879 Is that Okay, yeah, yeah, go for it. 248 00:15:36.039 --> 00:15:43.279 Loucinogenic drugs, hypnosis, electric shocks to the brain some of 249 00:15:43.320 --> 00:15:47.320 the methods used in secret CIA mind control experiments. 250 00:15:47.360 --> 00:15:49.799 There are many theories as to what the shining is 251 00:15:50.000 --> 00:15:53.039 really about, from the faking of the moon landing to 252 00:15:53.320 --> 00:15:55.600 Native American genocide and the Holocaust. 253 00:15:55.639 --> 00:15:58.679 Now, if he did fake the Apollogon landing, he probably 254 00:15:58.720 --> 00:16:03.879 has really deep connections into the intelligence world. Why are 255 00:16:03.919 --> 00:16:07.759 there these gigantic continuity ats in this movie? 256 00:16:08.039 --> 00:16:11.960 The occulted meeting has to be comprehensible. It's just hidden, 257 00:16:12.320 --> 00:16:16.279 usually in a very systematic way, so that it could 258 00:16:16.279 --> 00:16:19.240 be understood by someone coming along later on. Who knows 259 00:16:19.000 --> 00:16:20.759 what the real meaning is supposed to be. 260 00:16:21.120 --> 00:16:25.480 We believe that there's something even more sinister lurking beneath 261 00:16:25.519 --> 00:16:28.039 the surface of this masterful film. 262 00:16:28.159 --> 00:16:32.799 So Lookout Mountain Hotel look a lot like the Overlook Hotel. 263 00:16:33.320 --> 00:16:37.600 You realize there's no such thing as a coincidences like that. 264 00:16:37.679 --> 00:16:41.080 As Lookout Mountain studios ran by the Air Force and 265 00:16:41.240 --> 00:16:44.360 told the story of nuclear weapons testing by the United 266 00:16:44.399 --> 00:16:45.480 States of. 267 00:16:45.799 --> 00:16:49.320 The Army Navan Air Force. The Air Force was known 268 00:16:49.399 --> 00:16:52.480 to be the most excited, the most turned on by 269 00:16:52.600 --> 00:16:54.559 mk ultran its prospects. 270 00:16:54.600 --> 00:17:00.799 Reportedly that we more films might Lookout Mounting at all 271 00:17:00.919 --> 00:17:03.320 the other film studios in Hollywood. 272 00:17:03.879 --> 00:17:06.640 We really don't know what these famous film directors were 273 00:17:06.680 --> 00:17:10.119 being recruited for what project or whatever was it? The 274 00:17:10.160 --> 00:17:13.319 Moon Landing. 275 00:17:14.359 --> 00:17:18.480 The CIA's MK Ultra programs were admitted to the public 276 00:17:18.599 --> 00:17:23.759 in nineteen seventy, five, years before the release of The Shining. 277 00:17:24.039 --> 00:17:28.359 These experiments were done without the informed consent of the patients. 278 00:17:28.680 --> 00:17:31.759 Look at some UFO cases and the things that are 279 00:17:31.799 --> 00:17:33.599 reporting tells me that. 280 00:17:34.519 --> 00:17:37.119 MK Ultra is likely being applied. 281 00:17:37.519 --> 00:17:40.640 My MK ultra mind control experience, I was taken to 282 00:17:40.759 --> 00:17:48.160 various military, NASA, and DARPA installations for sophisticated mind control programming. 283 00:17:51.400 --> 00:17:58.480 Woke Disney, Marilyn Monroe, James Stewart, Carrie Groan, Ronald Reagan. 284 00:17:59.160 --> 00:18:01.079 Nobody really knows what they were doing up. 285 00:18:00.960 --> 00:18:04.079 There, as well as high ranking military and Department of 286 00:18:04.119 --> 00:18:05.039 Defense personnel. 287 00:18:05.240 --> 00:18:08.039 But people don't realize is that many of the people 288 00:18:08.039 --> 00:18:11.480 that worked with Kubrick also worked with Kennedy. This is 289 00:18:11.519 --> 00:18:15.240 actually the smoking gun proving that Kubrick was working with 290 00:18:15.279 --> 00:18:15.880 the government. 291 00:18:16.559 --> 00:18:20.240 These were all CIA sponsored experiments. 292 00:18:20.359 --> 00:18:23.440 I said, I'm not gonna hurt you, I'm just gonna 293 00:18:23.480 --> 00:18:24.640 bash your brains. 294 00:18:25.599 --> 00:18:31.599 I'm putting little symbolic cryptic clues and Easter eggs pertaining 295 00:18:31.680 --> 00:18:33.200 to the fact that they're still doing it. 296 00:18:33.599 --> 00:18:38.160 These clues include a hidden swastika in the background of 297 00:18:38.519 --> 00:18:39.160 his old room. 298 00:18:39.759 --> 00:18:42.319 What was the set up? What it was being told? 299 00:18:42.799 --> 00:18:46.680 And realized that it was a lie all along? 300 00:18:46.920 --> 00:18:50.160 But right there in the narrative in the dialogue, they're 301 00:18:50.200 --> 00:18:53.880 telling you that this was a very real program coming 302 00:18:53.920 --> 00:19:07.400 out of those nice folks in the CIO. 303 00:19:12.160 --> 00:19:22.039 Here's Johnny. 304 00:19:20.319 --> 00:19:20.559 Great. 305 00:19:20.880 --> 00:19:24.720 So that was the trailer for Clockwork Shining on Amazon Prime, 306 00:19:24.759 --> 00:19:28.480 and that gives you a really good rundown of exactly 307 00:19:28.599 --> 00:19:31.799 what the movie is about. And that's the reason that 308 00:19:31.880 --> 00:19:35.880 I put it together that way, and it touches on 309 00:19:35.920 --> 00:19:39.079 a lot of different topics. This just isn't a movie 310 00:19:39.319 --> 00:19:43.359 about Stanley Kubrick in the Shining or A Clockwork Orange. 311 00:19:43.400 --> 00:19:49.279 This is a movie about the music industry, the film industry, MK, ultra, 312 00:19:50.160 --> 00:19:53.039 military and government programs. 313 00:19:53.359 --> 00:19:59.480 Right now, what about Qubrick's background would lead us or 314 00:19:59.640 --> 00:20:03.119 would like show where he learned a lot of this stuff? 315 00:20:03.200 --> 00:20:03.359 Right? 316 00:20:03.400 --> 00:20:08.160 Because A Clockwork Orange when that was released, it was 317 00:20:08.240 --> 00:20:11.799 based on a book. And I believe the author of 318 00:20:11.839 --> 00:20:15.799 that book's name is Anthony Burgess or something like that. 319 00:20:16.319 --> 00:20:23.519 And this gentleman was writing the book because he had 320 00:20:23.720 --> 00:20:27.240 some sort of political gain. I think he was an 321 00:20:27.279 --> 00:20:32.160 English author and they were trying to expose the American 322 00:20:32.279 --> 00:20:37.799 programs because there was maybe some sort of adversarial relationship 323 00:20:37.880 --> 00:20:41.960 between MI sixter and the CIA for whatever reason. That 324 00:20:42.079 --> 00:20:45.319 sounds about right. That's the best of my knowledge. So 325 00:20:45.960 --> 00:20:48.680 Kubrick must have been reading this kind of stuff. But 326 00:20:48.720 --> 00:20:51.960 were there any like I don't know, places that he 327 00:20:52.039 --> 00:20:56.119 was enrolled in school, et cetera, military, etc. That where 328 00:20:56.160 --> 00:20:59.799 he would have gotten any insider information about any of 329 00:20:59.839 --> 00:21:00.400 this stuff. 330 00:21:02.720 --> 00:21:06.079 Well, I really don't know if you actually need to 331 00:21:08.440 --> 00:21:11.839 have insider information to know about it. Like I know 332 00:21:11.920 --> 00:21:14.519 a lot about the MK Ultra programs and no insider 333 00:21:14.599 --> 00:21:17.359 has ever told me anything about it. But as far 334 00:21:17.400 --> 00:21:24.599 as a military background that we do provide some information 335 00:21:24.759 --> 00:21:29.400 in there that Kubrick was being sought after for an 336 00:21:29.480 --> 00:21:34.440 unknown project, him and four other film directors, and he 337 00:21:35.720 --> 00:21:39.279 was looked at as the most promising of these other 338 00:21:39.480 --> 00:21:45.279 fore film directors. So there is evidence that Qubrick had 339 00:21:46.160 --> 00:21:51.079 involvement with the military, in with the government. And we 340 00:21:51.160 --> 00:21:56.160 also know during the filming of two thousand and one 341 00:21:56.200 --> 00:21:59.920 A Space Odyssey, there were in the in the credit 342 00:22:00.000 --> 00:22:04.480 it's the original credits for that movie. Quebreak credits all 343 00:22:04.519 --> 00:22:09.480 of the big military agency. He credits the Air Force, 344 00:22:09.599 --> 00:22:14.519 air Force Intelligence, basically all of the major intelligence communities 345 00:22:15.000 --> 00:22:18.440 for contributing to the making of that film, and later 346 00:22:18.480 --> 00:22:22.359 on they were removed. So it stands to good reason 347 00:22:22.440 --> 00:22:26.400 that he did indeed have some connections to the military 348 00:22:26.480 --> 00:22:29.000 and with Doctor Strangelove as well. We have a clip 349 00:22:29.039 --> 00:22:33.599 of Cubrick's production designer talking about Doctor Strangelove and how 350 00:22:33.720 --> 00:22:41.319 Cubreic and his production designer basically recreated the inside of 351 00:22:42.480 --> 00:22:46.920 a B fifty two and the military was really frightened 352 00:22:46.960 --> 00:22:49.720 by that because they thought that someone had leaked Cubic 353 00:22:49.799 --> 00:22:52.440 the information on the B fifty two and what the 354 00:22:52.440 --> 00:22:57.839 inside of the cockpit actually looks like. And they actually 355 00:22:57.920 --> 00:23:02.079 visited Cubriic on the set of that movie, and we 356 00:23:02.200 --> 00:23:05.839 have Cubric's production designer talking about that and how Kubrick 357 00:23:05.920 --> 00:23:09.119 told him, you need to get together where you got 358 00:23:09.160 --> 00:23:11.119 all this information to build the inside of this B 359 00:23:11.279 --> 00:23:14.480 fifty two, or we're going to be investigated by the FBI. 360 00:23:18.640 --> 00:23:23.839 And did the production designer have a legitimate reason for 361 00:23:24.000 --> 00:23:26.799 knowing that? Was it just kis Mitt and he had 362 00:23:26.960 --> 00:23:29.720 happened to just have like some sort of remote viewing 363 00:23:29.759 --> 00:23:31.440 ability to just guess it. 364 00:23:32.920 --> 00:23:37.039 He could have, I think everybody's psychic. But the explanation 365 00:23:37.240 --> 00:23:41.319 was is that he it took the cutouts from a 366 00:23:41.359 --> 00:23:44.000 bunch of different magazines and they then he would look 367 00:23:44.039 --> 00:23:48.039 at models of it, like tiny miniature models, and then 368 00:23:48.079 --> 00:23:51.799 he put kind of piece together what he thought that 369 00:23:51.880 --> 00:23:54.720 the inside of the B fifty two would look like, 370 00:23:54.920 --> 00:23:59.519 and he got it spot on basically. So much of 371 00:23:59.519 --> 00:24:03.759 that a scale the military to the point they were like, well, 372 00:24:03.759 --> 00:24:06.799 we might need to investigate Stanley Kubrick. 373 00:24:07.119 --> 00:24:10.920 Yeah, we might need to set our propaganda cameras up 374 00:24:10.920 --> 00:24:14.480 a little farther away from the planes. Because that's the 375 00:24:14.559 --> 00:24:18.359 other thing about the film industry is like it's completely 376 00:24:18.440 --> 00:24:21.799 military from the beginning, because the whole idea was they 377 00:24:21.839 --> 00:24:25.480 wanted to show the public who the boss was and 378 00:24:25.519 --> 00:24:29.160 get everybody enrolled in the draft and make everyone excited 379 00:24:29.200 --> 00:24:33.039 about fighting whatever war was on the horizon. Right, it's 380 00:24:33.079 --> 00:24:37.519 a total propaganda piece from the get go. We now 381 00:24:37.599 --> 00:24:39.559 we think of it for like what do you call it? 382 00:24:39.599 --> 00:24:44.119 The vaudeville type stars and whatnot that made their way 383 00:24:44.160 --> 00:24:47.240 into Hollywood, but a lot of those people were gangsters 384 00:24:47.319 --> 00:24:51.759 and criminals and underground types to begin with, right, So 385 00:24:51.960 --> 00:24:57.000 it's like unsurprising that you'd have these themes within the 386 00:24:57.039 --> 00:25:01.119 film industry and then also this close connection to UH 387 00:25:01.920 --> 00:25:05.119 to directors like Kubrick, but he just seems kind of 388 00:25:05.200 --> 00:25:09.200 even with his prowess as a director, he seems kind 389 00:25:09.200 --> 00:25:13.559 of like a like an outsider. And I mean it's 390 00:25:13.640 --> 00:25:17.400 hard to hard to even call him an outsider when 391 00:25:17.440 --> 00:25:21.240 Hollywood regards him as like the best director of all time, 392 00:25:21.359 --> 00:25:25.119 Like his films have more awards than I think any 393 00:25:25.119 --> 00:25:28.119 other director or something like that, Like he's been given 394 00:25:28.160 --> 00:25:31.000 a ton of awards praise. 395 00:25:30.880 --> 00:25:33.119 But not until after his death. I think he only 396 00:25:33.200 --> 00:25:36.839 won one Academy Award and it was not for directing. 397 00:25:37.519 --> 00:25:41.240 Interesting, Yeah, he's that issue. 398 00:25:41.160 --> 00:25:44.519 I really like about Cubrick is not even it's not 399 00:25:44.559 --> 00:25:46.359 even so much the way that his films are shot, 400 00:25:46.400 --> 00:25:50.240 which his films are shot are really beautifully, but Kubrick 401 00:25:50.359 --> 00:25:54.119