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<v Speaker 1>The disclaimer to the fair season. Karen's out there, Oh

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<v Speaker 1>dare you? All guests on the show do not reflect

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<v Speaker 1>the opinions of the host. The purpose of the show

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<v Speaker 1>is to have interesting conversations, stretch our minds and grow

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<v Speaker 1>not what we want. If you are looking for an

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<v Speaker 1>echo chamber viewer and listener discretion, he's a grosed.

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<v Speaker 2>You talk about extreme.

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<v Speaker 3>What is happening and what is up? Hold out your

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<v Speaker 3>glass because we're about to fill it.

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<v Speaker 4>Up torches high, you know, look at it from a

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<v Speaker 4>different perspective, different perspective, different oct.

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<v Speaker 3>Hey guys, what is happening and what is up? Hold

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<v Speaker 3>out that glass because we are about to fill it up.

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<v Speaker 3>Welcome but the prometh This Lens podcast. That's the place

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<v Speaker 3>where the conversations are always enlightening. I am your host,

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<v Speaker 3>Doc Brown, and here we like to use the allegory

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<v Speaker 3>of the Prometheus lens to take a second look at everything. Hey, guys,

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<v Speaker 3>you know the routine there. If you don't know, now,

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<v Speaker 3>you're going to find out if you' knew to the channel.

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<v Speaker 3>Welcome to the Hero's Journey. Be sure to hit that

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<v Speaker 3>like button, hit that subscribe button down below. We'll have

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<v Speaker 3>our banner. With our social media all there are various outlooks.

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<v Speaker 3>Just go check those out, man, that would be much

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<v Speaker 3>much appreciated. Hey, guys, let's get to the meat of

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<v Speaker 3>the matter, of the fun stuff. This is a man

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<v Speaker 3>that I had on the show just a while back.

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<v Speaker 3>Dived into some symbolic studies and some of the esoteric

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<v Speaker 3>stuff of symbolism. And I'm loving, loving, loving the conversations

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<v Speaker 3>with this brother, so I had to bring him back.

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<v Speaker 3>So this is his return and you might not recognize him.

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<v Speaker 3>He has shaved his head, he's shaved his face off.

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<v Speaker 3>He is clean shaving and looking mighty mighty clean today.

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<v Speaker 3>So I'd like to welcome to the show man Mario

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<v Speaker 3>from Symbolic Studies. Thanks for coming back, brother.

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<v Speaker 4>Yeah, of course, thanks for having me. I really enjoyed

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<v Speaker 4>our convers station last time. So of course when you

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<v Speaker 4>invited me back, I was like, oh, yeah, this will

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<v Speaker 4>be a good time.

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<v Speaker 2>Awesome.

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<v Speaker 3>And once again, just like last time, I was doing

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<v Speaker 3>scrolling and I had to come across one of your

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<v Speaker 3>reels on something. I'm like, now, that is something that

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<v Speaker 3>I find very interesting because it's something I've heard about

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<v Speaker 3>just you know, here and there, and little tidbits, but

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<v Speaker 3>I've never actually taken a deep dive, so I was like,

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<v Speaker 3>I have to pick this man's brain on this subject.

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<v Speaker 2>Man.

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<v Speaker 3>But before we get into that, Mario, just for anybody

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<v Speaker 3>that missed our previous episode together a new listener, you know,

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<v Speaker 3>something like that. Just let everybody know a little bit

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<v Speaker 3>about yourself, you know, your content and kind of what

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<v Speaker 3>you get into.

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<v Speaker 4>Brother, Yeah, for sure. So if people are unfamiliar with

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<v Speaker 4>my work or my channel, it's called Symbolic Studies. Symbolic

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<v Speaker 4>Studies dot com is where you can find all of

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<v Speaker 4>my links. So I'm on Instagram, at TikTok and Twitter, YouTube,

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<v Speaker 4>things like that. I have a podcast as well. I

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<v Speaker 4>host that with my wife. We talk about each sign

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<v Speaker 4>during the sign itself. So we're about to release an

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<v Speaker 4>episode here on Virgo. And basically what I like to

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<v Speaker 4>do is I like to publish content around the signs

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<v Speaker 4>of astrology of the zodiac, right, and so I've been

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<v Speaker 4>doing that for a number of years now. So I

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<v Speaker 4>have a lot of reels and posts for every single sign.

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<v Speaker 4>I've done a lot of presentations about the signs as well.

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<v Speaker 4>But I also like to veer off and talk about

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<v Speaker 4>other things. And so I have presentations that I've gotten

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<v Speaker 4>into that have nothing to do with astrology but are

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<v Speaker 4>about you know, symbolism and whatnot. And so basically the

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<v Speaker 4>project kind of started because I figured, if I'm going

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<v Speaker 4>to be a good symbologist, I need to have a

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<v Speaker 4>strong foundation with astrology, and I knew there was a

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<v Speaker 4>lot to get into there. And so I've been buying

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<v Speaker 4>symbolic dictionaries and reference books for years and years and years,

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<v Speaker 4>so I have a ton of them at my disposal,

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<v Speaker 4>and I just started researching each sign during the sign

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<v Speaker 4>itself and sort of the associated symbols, right, and so,

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<v Speaker 4>as an example, just because my mind is with Virgo

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<v Speaker 4>right now, Virgo oftentimes is holding wheat, so looking into

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<v Speaker 4>wheat symbolism. Sometimes she's holding a palm branch. What does

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<v Speaker 4>the palm tree represent? As an example, you know, for

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<v Speaker 4>a lot of people, that was the tree of life, right,

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<v Speaker 4>and so she's also associated with a lot of other things.

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<v Speaker 4>But that's kind of what I like to do. I

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<v Speaker 4>like to take symbols or myths in a way, kind

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<v Speaker 4>of deconstruct them, dive into the symbolism that's incorporated within

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<v Speaker 4>those storylines or narratives. And talk about them. And basically,

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<v Speaker 4>because I've been doing this for a number of years,

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<v Speaker 4>I've picked up all sorts of little insights, you know,

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<v Speaker 4>about astrology and the zodiac and the planets and everything else.

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<v Speaker 4>And I have a different approach with astrology too, so

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<v Speaker 4>I'm not so much a natal chart astrologer. A lot

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<v Speaker 4>of people when they think of astrology, that's what they're

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<v Speaker 4>thinking about, you know, when you're born. You know the transits,

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<v Speaker 4>the different angles, you know, the houses and whatnot. That's

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<v Speaker 4>like a secondary sort of thing for me. I'm more

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<v Speaker 4>interested in kind of the universal quality of the symbolism

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<v Speaker 4>and of these different sort of myths and archetypes and

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<v Speaker 4>things like that.

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<v Speaker 3>Yeah, that's funny because this girl that I was talking

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<v Speaker 3>to or courting for a little while, she was kind of,

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<v Speaker 3>you know, curious about that kind of stuff. And when

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<v Speaker 3>I was we're still getting to know each other, I

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<v Speaker 3>told her my birth date and stuff. And we've been

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<v Speaker 3>talking for you know, a month or two, so she

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<v Speaker 3>kind of had a pretty good feel for me. But

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<v Speaker 3>she had mentioned that that's the first time I ever

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<v Speaker 3>heard that. She's like, I think you need to talk

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<v Speaker 3>to your mother because I was born like January the first,

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<v Speaker 3>like on New Year's She's like, you know, she said,

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<v Speaker 3>I think you were born sooner, because she asked what

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<v Speaker 3>time I was born. I was like, I think it

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<v Speaker 3>was this time, you know, And she's like, no, you're

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<v Speaker 3>too fiery if you've been born just a couple hours earlier.

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<v Speaker 3>I think she said something like something to do with

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<v Speaker 3>with aries or something like that. She said, because you're

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<v Speaker 3>too hot headed and fiery to be born at that

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<v Speaker 3>time or something like that. So that's the first time

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<v Speaker 3>I'd ever heard anything like that. So it's like, you know,

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<v Speaker 3>she was trying to forcefully push me at earlier birs

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<v Speaker 3>so it would fit her paradigm what she thought.

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<v Speaker 4>I was exactly exactly. I think a lot of people

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<v Speaker 4>take that side of things a bit too seriously, and

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<v Speaker 4>so I do have actually a lot of issues with

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<v Speaker 4>modern astrologer and a lot of modern astrology sort of

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<v Speaker 4>like perspectives and whatnot, and so I think people can

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<v Speaker 4>kind of get lost in the sauce with some of

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<v Speaker 4>that stuff, in my opinion, But I get a lot

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<v Speaker 4>of value out of decoding the symbolism of the signs,

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<v Speaker 4>and so, you know, to me, there's a whole world

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<v Speaker 4>out there. There's a whole interesting aspect to astrology that

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<v Speaker 4>has nothing to do with birthdays and whatnot, right, And

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<v Speaker 4>so actually what I found is because I focus on that,

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<v Speaker 4>a lot of astrologers love my channel because it's giving

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<v Speaker 4>them a whole new level of understanding with the signs

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<v Speaker 4>that they're so used to talking about.

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<v Speaker 3>And that's why I love your channel, dude, because I mean,

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<v Speaker 3>I'm not, you know, an astrologist. I don't get into

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<v Speaker 3>the horoscopes or anything like that. But I love how

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<v Speaker 3>you take the these symbols, you know, like Viigo and

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<v Speaker 3>right now you know what she meant, you know in

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<v Speaker 3>the ancient world, the symbolism behind her, like the wheat

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<v Speaker 3>and the palm branches in her hand. What does that mean?

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<v Speaker 3>That's what I love. I love you how you go

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<v Speaker 3>through and tear all this stuff down.

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<v Speaker 4>Beautiful, beautiful. Yeah, I appreciate it. And so one of

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<v Speaker 4>the interesting things with that is the fact that a

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<v Speaker 4>lot of these signs have a Tarot card correspondence as well.

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<v Speaker 4>And so there's some cards that basically are an emanation

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<v Speaker 4>of that sign. And so I know that I made

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<v Speaker 4>a post about the Chariot card, and there's a lot

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<v Speaker 4>of things about the Chariot Card that are very very interesting.

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<v Speaker 4>But I talked about how the Chariot Card and the

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<v Speaker 4>Chariot tear kind of has this really interesting esoteric relationship

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<v Speaker 4>with this deity called a Braxis, and that was the

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<v Speaker 4>post that kind of prompted you to message me to

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<v Speaker 4>maybe have a conversation about that. So definitely down to

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<v Speaker 4>dive into that for sure, because there's a lot of

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<v Speaker 4>interesting threats to pull up.

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<v Speaker 3>Yeah, and like I said, my you know, knowledge on

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<v Speaker 3>this character is very very surface level. I think I

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<v Speaker 3>was first introduced to this character when I spoke with

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<v Speaker 3>Heidi Love So shout out to Heidi from the Unfiltered Dries.

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<v Speaker 3>She was breaking down the occult in Mormonism and all

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<v Speaker 3>the things in the history of that that they basically

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<v Speaker 3>try to hide and suppress. And apparently Joseph Smith was

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<v Speaker 3>heavily into a Braxis and that they found drawings and

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<v Speaker 3>etchings and just all kinds of different stuff relating to

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<v Speaker 3>this guy. So that was kind of my first introduction.

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<v Speaker 3>That's all I really know. I know kind of what

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<v Speaker 3>he looks like, he's supposed to has like a rooster

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<v Speaker 3>head and like serpents for legs or something like that.

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<v Speaker 3>Is that right?

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<v Speaker 4>Yeah, yeah, exactly. Yeah, it's interesting. There's a few people

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<v Speaker 4>kind of out and pop culture that have used a

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<v Speaker 4>Broxis as inspiration or what have you.

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<v Speaker 2>Like.

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<v Speaker 4>The first one that comes to mind actually is Santana.

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<v Speaker 4>Santana has an album called a Broxis actually, and then

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<v Speaker 4>I know Young, if I'm not mistaken, he has a

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<v Speaker 4>ring that has a Braxis on it, and actually, maybe

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<v Speaker 4>we could just start there. So my understanding is a

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<v Speaker 4>lot of what we referred to as a braxis like

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<v Speaker 4>symbolism and like illustrations. A lot of those depictions of

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<v Speaker 4>a braxis came from a Braxist jewelry. Essentially, I believe

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<v Speaker 4>they used to call them a Braxis stones, and so

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<v Speaker 4>that is sort of what has survived, you know, over

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<v Speaker 4>the ages, are these tiny little gems or these tiny

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<v Speaker 4>stones that have this miniature depiction of a Braxis on it,

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<v Speaker 4>and when you look into that or when you google

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<v Speaker 4>image a Braxis, what you're going to see is a

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<v Speaker 4>rooster headed man. Basically. Oftentimes they have a shield in

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<v Speaker 4>one hand, a whip in another hand, and they're writing

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<v Speaker 4>a chariot, and he has a serpentine sort of connection,

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<v Speaker 4>so he has serpentine legs basically, and so he has

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<v Speaker 4>two legs that are basically serpents. You can actually see

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<v Speaker 4>the head of the snakes and everything right, and in

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<v Speaker 4>versions of a braxis that came later on. You know,

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<v Speaker 4>I mentioned before we started talking that there's a really

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<v Speaker 4>well known painting in Manly P. Hall's book The Secret

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<v Speaker 4>Teachings of All Ages. That book. When I first came

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<v Speaker 4>across it, it really blew my mind because there was

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<v Speaker 4>just a ton of information in there. I got a

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<v Speaker 4>lot symbolically out of that book. And he has a

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<v Speaker 4>big painting in there of a braxis and he's being

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<v Speaker 4>pulled by four horses, and there's a few other details

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<v Speaker 4>in there, like on the chariot that he's riding, there's

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<v Speaker 4>kind of what looks like a floral, like a very

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<v Speaker 4>simple flower, but it looks like it's embedded in the sun.

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<v Speaker 4>There's a lot of solar symbolism associated with the braxis,

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<v Speaker 4>and so that version there's a bit more detail, but

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<v Speaker 4>the earlier versions there's really really limited detail. But that's

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<v Speaker 4>basically what you're going to see is that basic image

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<v Speaker 4>of this hybrid sort of figure. And so my understanding

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<v Speaker 4>is that basically a lot of people tribute a Braxis

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<v Speaker 4>with Mithris, and the story of Mythris is pretty interesting.

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<v Speaker 4>The Mithraic mysteries. Now there is like a Persian version

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<v Speaker 4>of Mythris, and then there's sort of a Westernized version

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<v Speaker 4>of Mythrs. And admittedly the Western version is what I'm

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<v Speaker 4>more familiar with. And so for people who are unaware

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<v Speaker 4>the Mithraic mystery system, that was kind of the equivalent

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<v Speaker 4>of Freemasonry for a really long time. And so a

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<v Speaker 4>lot of soldiers Roman soldiers were into the Mithraic mysteries

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<v Speaker 4>and their main emblem is basically Mythris slaying the cosmic bull.

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<v Speaker 4>So I'm not sure if you've ever seen that before, but.

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<v Speaker 3>Mythris grabbing the bull by the horns.

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<v Speaker 4>Yeah, yeah. Oftentimes he's holding kind of like the neck

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<v Speaker 4>of the bull, or even it almost looks like he's

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<v Speaker 4>holding he's putting his fingers in the nostrils of the

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<v Speaker 4>bull to kind of lift its head, and then he's

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<v Speaker 4>stabbing the bull as well. That's it is called the

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<v Speaker 4>Taroctiny scene. And so my basic understanding of that is

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<v Speaker 4>that a lot of animals that were once revered and

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<v Speaker 4>worshiped during their respective age when that age came and went. So,

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<v Speaker 4>if we're talking about the Age of Taurus as an example,

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<v Speaker 4>the age of the bowl, the bowl or the cow

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<v Speaker 4>was revered and held sacred, and then once that age

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<v Speaker 4>left and we entered into the Age of Ares, then

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<v Speaker 4>that animal, in this case the bull, became a sacrificial

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<v Speaker 4>sort of animal, and then it became sort of this

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<v Speaker 4>thing to sacrifice, right, And so this seemingly has happened

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<v Speaker 4>time and time again. There was this going on with

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<v Speaker 4>the ram as well, that the ram was sort of

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<v Speaker 4>put up on a pedestal, revered in a certain kind

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<v Speaker 4>of light, and then at some point became sacrificial in

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<v Speaker 4>nature once the Age of Ares came and went right.

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<v Speaker 4>And so there's an interesting dynamic with mythrists and a braxis,

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<v Speaker 4>and people also associated braxis with Jehovah, and so I

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<v Speaker 4>know that that early Gnostics had this reverence for a braxis.

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<v Speaker 4>And basically there's a whole dynamic of a braxis being

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<v Speaker 4>related to the demiurge or the concept of the demiurge

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<v Speaker 4>and sort of being the lord of the material realm.

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<v Speaker 4>And so the symbolism with its name a braxis. One

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<v Speaker 4>of the things that is worth noting is that it's

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<v Speaker 4>seven letters, and so there's a lot of seven symbolism

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<v Speaker 4>associated with the braxis as well. And so this is

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<v Speaker 4>interesting because I've done a ton of research on the

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<v Speaker 4>number seven, and the number seven is such an incredible number.

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<v Speaker 4>It's really amazing, and it's still like the novelty has

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<v Speaker 4>not worn off to me, like the number seven can

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<v Speaker 4>be seen everywhere. So just the basics, right, we have

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<v Speaker 4>seven days of the week, seven colors of the rainbow. Right,

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<v Speaker 4>We've got seven chakras, most people say, and it just

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<v Speaker 4>kind of goes on and on and on from there.

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<v Speaker 4>And so what I've come across with all of my

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<v Speaker 4>symbolic research is that a lot of cultures have this

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<v Speaker 4>idea that, whether you're talking about alchemy or you're maybe

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<v Speaker 4>talking about some sort of transcendental kind of methodology. I

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<v Speaker 4>would even say, like astral travel, that the number seven

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<v Speaker 4>has played a big role in some of these sort

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<v Speaker 4>of techniques. And so, as an example with alchemy, there's

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<v Speaker 4>a whole branch of alchemy called azoth alchemy, and with

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<v Speaker 4>Azoth alchemy, you have seven steps, and so there's seven

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<v Speaker 4>processes that you have to use in order to transmute

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<v Speaker 4>something from like lead to gold. As an example, there's

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<v Speaker 4>this idea that in order to get to the other side,

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<v Speaker 4>the great beyond, you know, you know, the underworld, if

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<v Speaker 4>you want to put it that way, that it takes

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<v Speaker 4>seven there's seven different thresholds that you have to cross through.

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<v Speaker 4>Or there's seven.

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<v Speaker 3>Mythricism too, Yes, exactly do those cave initiations and there

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<v Speaker 3>was seven stages, and I've read that some people said

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<v Speaker 3>they thought that was the seven planetory spheres that they

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<v Speaker 3>knew of at that time, or something like that. You've

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<v Speaker 3>seen bigfoot hats, the ones that play it safe, hanging

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<v Speaker 3>next to the fridge magnets and park gift shop. But

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<v Speaker 3>the Soul Squatch their gear is built different. This is

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<v Speaker 3>Squatch approved gear for people who believe the legend deserves more.

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<v Speaker 3>It's rugged, meaningful, and created by two outdoor obsessed believers

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<v Speaker 3>who wanted to honor the myth without watering it down.

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<v Speaker 3>Their Pathfinder hat. It's not just headwear. It's a quiet signal,

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<v Speaker 3>something that says, yeah, I believe. Check out the soul

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<v Speaker 3>squatch dot Com step into the story and join the

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<v Speaker 3>ones who never stopped believing.

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<v Speaker 4>Yeah, that's another thing. Seven traditional plan that's absolutely huge,

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<v Speaker 4>and that relates to the seven days of the week, right,

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<v Speaker 4>So every single day of the week has a correspondence

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<v Speaker 4>with a different traditional planet. And so oftentimes, like with

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<v Speaker 4>this idea of seven phases or seven thresholds, to get

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<v Speaker 4>from this domain to the next domain, the more etheric

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<v Speaker 4>sort of plane, if you want to put it that way,

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<v Speaker 4>that you have to cross through these spheres, and that

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<v Speaker 4>each threshold, each sort of step, has this relationship with

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<v Speaker 4>one of the traditional seven planets. So the number seven

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<v Speaker 4>is super fascinating. Also just to say, I think I

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<v Speaker 4>have a pretty good hunch on where we literally get

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<v Speaker 4>the shape of the number seven from, and it I

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<v Speaker 4>believe comes from Ursa Major, which is the big Dipper,

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<v Speaker 4>and so Ursa Major has seven stars and Ursa Minor

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<v Speaker 4>also has seven stars. In fact, Ursa Major, when you're

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<v Speaker 4>looking at the seven stars, the last star of the

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<v Speaker 4>vessel portion of the dipper actually points directly to the

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<v Speaker 4>North star. And so these stars were of supreme importance

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<v Speaker 4>way back when. And my personal opinion, I don't remember

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<v Speaker 4>if we talked about this last time. But I believe

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<v Speaker 4>that the fixed stars, so these would be all of

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<v Speaker 4>the stars excluding the wandering stars, which would be the planets,

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<v Speaker 4>that all of the fixed stars, that that kind of

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<v Speaker 4>composed the first sort of skyclock that people were really

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<v Speaker 4>following closely. And so they were a lot of people

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<v Speaker 4>were focusing on Ursa major and Ersamine or so the

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<v Speaker 4>Great Bear and the little Bear going around the pole

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<v Speaker 4>star circumambulating the Pole star going counterclockwise, and so they've

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<v Speaker 4>even been referred to as these seven original stars of Enlightenment.

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<v Speaker 4>And so the number seven fits in there perfectly. And

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<v Speaker 4>there's a lot of other there's a lot of cultures

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<v Speaker 4>that have used symbols to represent Ursa Major that look

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<v Speaker 4>very close to the number seven as well. And so

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<v Speaker 4>in ancient Egypt, as an example, I had this tool

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<v Speaker 4>called the ads tool, and it actually was a woodworking tool.

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<v Speaker 4>It looks exactly like the number seven, and they would

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<v Speaker 4>use this tool for ritualistic purposes, and they openly acknowledge

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<v Speaker 4>that it actually was a reference to Ursa major. And

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<v Speaker 4>so there's several other tools that they had that basically

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<v Speaker 4>embodied the same sort of concepts and the reason why

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00:18:23.000 --> 00:18:27.599
<v Speaker 4>this is important actually is because multiple cultures have had

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<v Speaker 4>this idea that upon death, your soul of sense to

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<v Speaker 4>the north and that the northern sky is actually the

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<v Speaker 4>stairway to heaven basically, and so I've read this multiple

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00:18:39.759 --> 00:18:42.279
<v Speaker 4>times now, I've read multiple books about all of this.

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<v Speaker 4>To me, it makes all the sense in the world.

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<v Speaker 4>And the reason why this is the case as well

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<v Speaker 4>is because in the northern hemisphere Ursa Major and Ursa

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<v Speaker 4>Minor they don't dip below the horizon, and so they're

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<v Speaker 4>circumpolar constellations, and so people have referred to them as

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<v Speaker 4>undying stars or imperishable stars because they don't go away

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<v Speaker 4>at night. They are always there at night. You can

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<v Speaker 4>see them around the polestar. This is in contrast to

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<v Speaker 4>the signs of the zodiac. The signs of the zodiac

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<v Speaker 4>they dip below the horizon line, so there's whole parts

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<v Speaker 4>of the year where you're not going to see some

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<v Speaker 4>constellations if you're in the northern hemisphere. That's not the

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<v Speaker 4>case with these constellations specifically. And so the North star

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<v Speaker 4>also represents the center of the wheel of Heaven, and

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<v Speaker 4>so it's the still point in the middle of this

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<v Speaker 4>great wheel. And there's a lot of powerful symbolism that

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<v Speaker 4>associates with the center of the wheel, the center of

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<v Speaker 4>the wheel being the tranquil part of the wheel, the

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<v Speaker 4>balanced part of the wheel, the transcendental part of the wheel.

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<v Speaker 4>The external part of the wheel is generally symbolically related

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<v Speaker 4>more so to division, multiplicity, things outside of self. It's

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<v Speaker 4>the least balanced part of the wheel because it's always moving,

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<v Speaker 4>it's always turning. In fact, the external part of the

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<v Speaker 4>wheel has also been viewed in like traditional terms as

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<v Speaker 4>being very dense and kind of more so related to Earth,

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<v Speaker 4>and that the center of the wheel is more of

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<v Speaker 4>a divine sort of portion of the wheel, right, And

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<v Speaker 4>so there's a lot of really positive symbolism, transcendental symbolism

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<v Speaker 4>that gets associated with the center of the wheel.

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<v Speaker 3>And so we have seen like a portal, you know,

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<v Speaker 3>exhausting of how you got that pole, star and a

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<v Speaker 3>center and everything rotating around it like a spiral circle.

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<v Speaker 3>So it's kind of like a could have been seen

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<v Speaker 3>as a portal and one thing I never and I

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<v Speaker 3>love talking to people getting different perspectives. We mentioned it

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<v Speaker 3>last time, that Hamlet's meal, and you know, there was

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<v Speaker 3>three people that worked together and wrote that. So I'm

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<v Speaker 3>not sure which one had brought this up, but they

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00:20:46.240 --> 00:20:50.079
<v Speaker 3>were saying, and guys, brace yourself, you know. Disclaimer, I'm

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<v Speaker 3>not saying that these stories are not true. But these

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<v Speaker 3>stories can still be true but have correlations in the heavens.

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<v Speaker 3>That's my opinion. But like in the Bible where it

383
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<v Speaker 3>talks about these sons of God, you know, rebelled and

384
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<v Speaker 3>we're thrown into the abyss and stuff like that, one

385
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<v Speaker 3>of the writers was saying that how the Bible refers

386
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<v Speaker 3>to angelic beings and stuff as stars, you know, and

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<v Speaker 3>that possibly that some of these stars, like you talked

388
00:21:19.319 --> 00:21:23.599
<v Speaker 3>about the horizon, how they dip below the horizon, so

389
00:21:23.680 --> 00:21:26.519
<v Speaker 3>they're going into the abyss, that the waters and you know,

390
00:21:26.640 --> 00:21:29.680
<v Speaker 3>death in prison for so long, and they were saying

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00:21:29.680 --> 00:21:35.960
<v Speaker 3>that maybe some of these stars were in the sky

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00:21:36.039 --> 00:21:38.680
<v Speaker 3>and part of that wheel that everybody could see at

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00:21:38.680 --> 00:21:40.079
<v Speaker 3>one point, and then there was some kind of great

394
00:21:40.160 --> 00:21:44.279
<v Speaker 3>cataclysm that may be caused the shift, and now those

395
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<v Speaker 3>stars are no longer seen, they're in the abyss.

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<v Speaker 2>You know.

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<v Speaker 3>I thought that was pretty interesting.

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<v Speaker 4>Yeah, yeah, yeah, no, definitely absolutely it is. So, you know,

399
00:21:53.640 --> 00:21:56.279
<v Speaker 4>one thing to consider with the Pole Star and its

400
00:21:56.319 --> 00:21:59.640
<v Speaker 4>power and significance is people saying that the polestar has

401
00:21:59.680 --> 00:22:02.839
<v Speaker 4>shifted and that we've had different pole stars. And so

402
00:22:02.880 --> 00:22:05.319
<v Speaker 4>if this is the case, then really the pole Star

403
00:22:05.440 --> 00:22:07.680
<v Speaker 4>is more of a title, and that it's a title

404
00:22:07.720 --> 00:22:10.519
<v Speaker 4>of the star that's closest to this central point of pivot,

405
00:22:10.680 --> 00:22:13.240
<v Speaker 4>you know, in the heavens. And so if people want

406
00:22:13.279 --> 00:22:15.519
<v Speaker 4>to do more research on this. By the way, this

407
00:22:15.640 --> 00:22:18.599
<v Speaker 4>all relates to symbolism, and this gets to a braxis

408
00:22:18.680 --> 00:22:22.200
<v Speaker 4>as well. This all gets to symbolism related to the

409
00:22:22.240 --> 00:22:26.920
<v Speaker 4>world axis or the axis MUNDI. Notice that a braxis

410
00:22:27.359 --> 00:22:30.680
<v Speaker 4>has axis right there in it, right, and so when

411
00:22:30.680 --> 00:22:33.000
<v Speaker 4>we're talking about the axis, we're talking about a poll,

412
00:22:33.160 --> 00:22:37.119
<v Speaker 4>a symbolic pole. And so this idea basically is that

413
00:22:37.200 --> 00:22:41.519
<v Speaker 4>there's an innate relationship with the North Pole and the

414
00:22:41.559 --> 00:22:45.400
<v Speaker 4>North Star, which is the Pole Star, and so that

415
00:22:45.480 --> 00:22:48.880
<v Speaker 4>there's a symbolic axis or bridge or pole that extends

416
00:22:48.960 --> 00:22:52.319
<v Speaker 4>from the North Pole through the Pole Star. And so

417
00:22:52.640 --> 00:22:56.000
<v Speaker 4>my personal opinion, you know, I like to think of

418
00:22:56.000 --> 00:23:00.279
<v Speaker 4>the chakra system actually in this regard. So my personal

419
00:23:00.319 --> 00:23:02.799
<v Speaker 4>opinion is that there are realms above and below and

420
00:23:02.880 --> 00:23:06.599
<v Speaker 4>symbolically they're all connected through their center, and that that's

421
00:23:06.680 --> 00:23:09.440
<v Speaker 4>kind of a secret, is that the center is what

422
00:23:09.480 --> 00:23:12.480
<v Speaker 4>connects everything together. You know, I'm of the opinion that

423
00:23:12.559 --> 00:23:15.559
<v Speaker 4>everything is expressed from the center returns back to the

424
00:23:15.599 --> 00:23:19.279
<v Speaker 4>same center. And so these different realms above and below

425
00:23:19.599 --> 00:23:22.480
<v Speaker 4>have been imagined like spheres or I would even say

426
00:23:22.480 --> 00:23:25.680
<v Speaker 4>the wheel once again is applicable. And so what does

427
00:23:25.759 --> 00:23:29.519
<v Speaker 4>chakra mean? Chakra means disc or means wheel. And if

428
00:23:29.519 --> 00:23:32.359
<v Speaker 4>there's seven chakras stacked on top of each other, they're

429
00:23:32.400 --> 00:23:35.440
<v Speaker 4>all connected through what through this central pole that basically

430
00:23:35.920 --> 00:23:39.319
<v Speaker 4>is your spine, right, And so the symbolism still applies

431
00:23:39.599 --> 00:23:42.599
<v Speaker 4>is that they're all connected through their center, that these

432
00:23:42.640 --> 00:23:47.480
<v Speaker 4>different layers, energetic layers, actually have this bridge that connects

433
00:23:47.480 --> 00:23:51.319
<v Speaker 4>all of them together, right, And so a braxis has

434
00:23:51.440 --> 00:23:54.079
<v Speaker 4>axis right there. And what do you know, we're talking

435
00:23:54.119 --> 00:23:57.599
<v Speaker 4>about the chariot. We're talking about a charioteer basically, right,

436
00:23:57.640 --> 00:24:00.440
<v Speaker 4>He's always seen on a chariot. And so to me,

437
00:24:00.839 --> 00:24:03.599
<v Speaker 4>what's so fascinating about all of this is that if

438
00:24:03.640 --> 00:24:07.039
<v Speaker 4>there's a card that relates to the wheel, there's actually

439
00:24:07.119 --> 00:24:09.559
<v Speaker 4>two of them that relate very strongly to the wheel.

440
00:24:09.640 --> 00:24:12.599
<v Speaker 4>In the major arcana in the tarot. One of them

441
00:24:12.599 --> 00:24:15.160
<v Speaker 4>would be the wheel of fortune, and generally you see

442
00:24:15.160 --> 00:24:18.680
<v Speaker 4>this wheel, and the most potent part of the wheel,

443
00:24:18.759 --> 00:24:22.279
<v Speaker 4>once again, the most important part is the axle itself,

444
00:24:22.359 --> 00:24:25.960
<v Speaker 4>is that center point of pivot. In my opinion, the

445
00:24:26.000 --> 00:24:29.359
<v Speaker 4>second card that relates to wheel symbolism very very strongly

446
00:24:29.559 --> 00:24:33.279
<v Speaker 4>is the chariot card. And this is the seventh card

447
00:24:33.599 --> 00:24:36.240
<v Speaker 4>of the major arcana. So here we're dealing with the

448
00:24:36.319 --> 00:24:39.319
<v Speaker 4>number seven again, and we're talking about a Braxis having

449
00:24:39.319 --> 00:24:43.279
<v Speaker 4>seven letters having this relationship with the number seven. What

450
00:24:43.480 --> 00:24:46.000
<v Speaker 4>a lot of people have said is that a Braxis

451
00:24:46.039 --> 00:24:48.519
<v Speaker 4>relates to this concept of what's referred to as the

452
00:24:48.559 --> 00:24:52.279
<v Speaker 4>seventh ray, and that the seventh ray is kind of

453
00:24:52.279 --> 00:24:58.039
<v Speaker 4>this invisible ray, and it actually relates strongly to rainbow symbolism.

454
00:24:58.759 --> 00:25:00.880
<v Speaker 4>And so I said earlier that the seven colors of

455
00:25:00.920 --> 00:25:04.880
<v Speaker 4>the rainbow, what I've read from authors that I really

456
00:25:04.960 --> 00:25:10.880
<v Speaker 4>respect and admire is that's actually the esoteric view, is

457
00:25:10.880 --> 00:25:14.240
<v Speaker 4>that the rainbow actually only has six colors, that if

458
00:25:14.240 --> 00:25:17.839
<v Speaker 4>you actually count the amount of colors in the rainbow spectrum,

459
00:25:17.839 --> 00:25:20.920
<v Speaker 4>you're going to see six distinct colors, but that the

460
00:25:21.160 --> 00:25:26.160
<v Speaker 4>seventh color is actually an invisible color basically, so it

461
00:25:26.240 --> 00:25:30.119
<v Speaker 4>kind of represents this seventh ray. And so the seventh

462
00:25:31.559 --> 00:25:35.240
<v Speaker 4>you know, thing of any system is oftentimes viewed as

463
00:25:35.279 --> 00:25:39.240
<v Speaker 4>sort of the transcendental kind of number. So as an example,

464
00:25:40.000 --> 00:25:44.160
<v Speaker 4>it's like a completion exactly, right. So another symbol that

465
00:25:44.200 --> 00:25:47.359
<v Speaker 4>relates to this would be the cube actually, and so

466
00:25:47.480 --> 00:25:51.079
<v Speaker 4>the cube has six sides. The cube basically, in so

467
00:25:51.160 --> 00:25:55.200
<v Speaker 4>many ways represents the sixth dimensions of space, or the

468
00:25:55.240 --> 00:26:00.000
<v Speaker 4>six directions of space. Excuse me. So you have forward, backward, left, right,

469
00:26:00.039 --> 00:26:02.519
<v Speaker 4>and then you have up and down. Now all of

470
00:26:02.559 --> 00:26:06.640
<v Speaker 4>these directions emanate from a central point, and so that

471
00:26:06.839 --> 00:26:10.240
<v Speaker 4>central point would actually be the seventh point. So the

472
00:26:10.319 --> 00:26:14.160
<v Speaker 4>cube itself has a symbolic relationship with the number seven

473
00:26:14.200 --> 00:26:18.200
<v Speaker 4>because of that. And so this seventh ray actually has

474
00:26:18.279 --> 00:26:22.640
<v Speaker 4>this really interesting relationship I've read with this world axis,

475
00:26:22.720 --> 00:26:26.559
<v Speaker 4>with this symbolic bridge that connects these different realms, because

476
00:26:26.599 --> 00:26:30.400
<v Speaker 4>it represents the symbolic center of that system. And then

477
00:26:30.440 --> 00:26:33.759
<v Speaker 4>even the rainbow itself represents what it represents a bridge,

478
00:26:33.839 --> 00:26:36.480
<v Speaker 4>you know, in many ways, right, And so everyone with

479
00:26:36.599 --> 00:26:39.440
<v Speaker 4>rainbow symbolism, they always consider what's at the end of

480
00:26:39.440 --> 00:26:42.599
<v Speaker 4>the rainbow, right somewhere over the rainbow or the pot

481
00:26:42.640 --> 00:26:44.759
<v Speaker 4>of gold at the end of the rainbow. You know,

482
00:26:44.799 --> 00:26:48.559
<v Speaker 4>in Norse mythology we have the concept of the rainbow bridge, right,

483
00:26:49.400 --> 00:26:52.680
<v Speaker 4>and so once again we're dealing with the number seven

484
00:26:52.960 --> 00:26:57.279
<v Speaker 4>with the chariot card. And so it's interesting that some

485
00:26:57.799 --> 00:27:03.519
<v Speaker 4>depictions of a braxis he's being pulled by four horses. Well,

486
00:27:03.720 --> 00:27:06.880
<v Speaker 4>some depictions of the chariot card show the exact same thing,

487
00:27:07.160 --> 00:27:10.200
<v Speaker 4>that he's being pulled by four horses. And so this

488
00:27:10.359 --> 00:27:13.440
<v Speaker 4>is interesting as well because one of the things to

489
00:27:13.480 --> 00:27:17.240
<v Speaker 4>consider is that these four horses actually represent the four elements,

490
00:27:17.960 --> 00:27:22.119
<v Speaker 4>and so you have air, water, fire, and earth. So

491
00:27:22.240 --> 00:27:25.480
<v Speaker 4>what that means is is that a braxis or the

492
00:27:25.599 --> 00:27:30.000
<v Speaker 4>charioteer symbolically actually represents the fifth element, which would be

493
00:27:30.039 --> 00:27:34.000
<v Speaker 4>spirit or ether. And so this is actually an old,

494
00:27:34.160 --> 00:27:38.000
<v Speaker 4>old old sort of concept or sort of framework. And

495
00:27:38.039 --> 00:27:40.400
<v Speaker 4>so you're actually going to see this in China as well,

496
00:27:41.160 --> 00:27:44.599
<v Speaker 4>where an emperor is being pulled by four horses, and

497
00:27:44.680 --> 00:27:49.400
<v Speaker 4>that in their system they openly acknowledge. I've read that

498
00:27:49.519 --> 00:27:53.839
<v Speaker 4>these four horses do represent the four elements. Sometimes they're

499
00:27:53.880 --> 00:27:56.200
<v Speaker 4>referred to as the four ethers as well. But it's

500
00:27:56.240 --> 00:28:00.519
<v Speaker 4>the same sort of idea, and that the charioteer himself

501
00:28:00.599 --> 00:28:04.000
<v Speaker 4>or the emperor himself represents the fifth element. And so

502
00:28:04.039 --> 00:28:07.160
<v Speaker 4>when we're talking about the elements, the whole thing is

503
00:28:07.200 --> 00:28:10.039
<v Speaker 4>that the four main elements that most people talk about

504
00:28:10.079 --> 00:28:13.079
<v Speaker 4>all the time came from the fifth element. So we

505
00:28:13.119 --> 00:28:16.039
<v Speaker 4>refer to it as the fifth element, but in actuality,

506
00:28:16.079 --> 00:28:19.559
<v Speaker 4>it's the primordial first element that all of the elements

507
00:28:19.680 --> 00:28:21.599
<v Speaker 4>came from. Yeah yeah, yeah, yeah.

508
00:28:21.480 --> 00:28:24.960
<v Speaker 3>Exactly, patient zero for sure, for sure, exactly.

509
00:28:25.680 --> 00:28:30.279
<v Speaker 4>And so this is also replicated in most versions of

510
00:28:30.279 --> 00:28:32.720
<v Speaker 4>the chariot card. So I don't know if you've ever noticed,

511
00:28:32.759 --> 00:28:34.960
<v Speaker 4>or how much time you've ever looked at the cards, right,

512
00:28:35.039 --> 00:28:39.759
<v Speaker 4>but the charioteer, he's in this enclosed space, you know,

513
00:28:39.799 --> 00:28:43.160
<v Speaker 4>that is the chariot like body basically, right. So he's

514
00:28:43.200 --> 00:28:46.960
<v Speaker 4>in a vehicle, and the tradition is to show him

515
00:28:47.039 --> 00:28:50.519
<v Speaker 4>in between four posts, and so there's two behind him

516
00:28:50.519 --> 00:28:52.559
<v Speaker 4>and two in front of him, and so these four

517
00:28:52.640 --> 00:28:55.920
<v Speaker 4>posts hold up basically the canopy that is over the

518
00:28:56.000 --> 00:29:00.440
<v Speaker 4>chariot itself, and so these four posts can easily be

519
00:29:00.519 --> 00:29:03.359
<v Speaker 4>viewed as the four elements as well. And he's the

520
00:29:03.400 --> 00:29:07.799
<v Speaker 4>center post, so he's basically that fifth point or represents

521
00:29:07.839 --> 00:29:14.279
<v Speaker 4>the fifth element. You can also star exactly. That's it, man, Yeah, yeah,

522
00:29:15.000 --> 00:29:18.359
<v Speaker 4>So like in the right Way version, they make that

523
00:29:18.559 --> 00:29:22.799
<v Speaker 4>very clear that in the right Way version, the canopy

524
00:29:22.839 --> 00:29:26.200
<v Speaker 4>that's over his head is a blue canopy that's littered

525
00:29:26.200 --> 00:29:29.279
<v Speaker 4>with stars, that has speckles of stars all over it,

526
00:29:29.720 --> 00:29:32.720
<v Speaker 4>and so clearly they're alluding to the firmament, the night sky.

527
00:29:33.480 --> 00:29:35.880
<v Speaker 4>And then in that version of the card, he actually

528
00:29:35.920 --> 00:29:39.759
<v Speaker 4>has a star on top of his crown because symbolically

529
00:29:39.839 --> 00:29:43.759
<v Speaker 4>he does represent the Pole Star. And so this is

530
00:29:43.799 --> 00:29:47.839
<v Speaker 4>my understanding, is that a lot of ancient kings and

531
00:29:47.880 --> 00:29:51.920
<v Speaker 4>emperors and lords actually had a reverence for the Pole Star,

532
00:29:52.759 --> 00:29:56.160
<v Speaker 4>and they believe that they wanted to embody the exact

533
00:29:56.400 --> 00:29:59.680
<v Speaker 4>same sort of symbolic dynamic that the polestar sort of

534
00:29:59.680 --> 00:30:02.920
<v Speaker 4>exu dudes this calm in the middle of a storm,

535
00:30:03.079 --> 00:30:07.799
<v Speaker 4>you know, in a way right, basically this tranquil, transcendental,

536
00:30:08.279 --> 00:30:13.000
<v Speaker 4>immutable poll that basically gives you orientation. And that's a

537
00:30:13.079 --> 00:30:16.119
<v Speaker 4>huge aspect of pollstar north star symbolism is that it

538
00:30:16.160 --> 00:30:19.720
<v Speaker 4>gives you orientation. And so where do all compasses point?

539
00:30:20.079 --> 00:30:23.799
<v Speaker 4>They point north right, and so it was really important

540
00:30:23.839 --> 00:30:26.960
<v Speaker 4>to know where the north star was way back when

541
00:30:27.319 --> 00:30:30.400
<v Speaker 4>if you at least knew where the pollstar was, you

542
00:30:30.480 --> 00:30:33.400
<v Speaker 4>knew generally where you were going. And if you were

543
00:30:33.519 --> 00:30:37.640
<v Speaker 4>using another constellation to determine where you were going, it

544
00:30:37.759 --> 00:30:40.680
<v Speaker 4>only works in relation to the polestar. You need to

545
00:30:40.680 --> 00:30:44.640
<v Speaker 4>know where that constellation is. That in relation to the polestar, basically, right,

546
00:30:45.279 --> 00:30:48.759
<v Speaker 4>And so there are a number of old texts all

547
00:30:48.799 --> 00:30:53.359
<v Speaker 4>over the world. I'm really I've been shocked that basically

548
00:30:53.440 --> 00:30:57.359
<v Speaker 4>have this idea of the polestar having this like regal

549
00:30:58.279 --> 00:31:02.799
<v Speaker 4>royal king life, like God likes sort of presence basically.

550
00:31:03.599 --> 00:31:07.480
<v Speaker 4>And so this also relates to the idea that a

551
00:31:07.480 --> 00:31:11.480
<v Speaker 4>lot of cultures, the king or emperor lord, they believe

552
00:31:11.559 --> 00:31:14.400
<v Speaker 4>that they should rule from their center, from the center

553
00:31:14.440 --> 00:31:18.480
<v Speaker 4>of self, which basically is how you commune with the heavens,

554
00:31:18.480 --> 00:31:20.559
<v Speaker 4>in my opinion, or how you commune with the divine.

555
00:31:21.240 --> 00:31:23.880
<v Speaker 4>Know thyself and you'll know the universe. It goes back

556
00:31:23.880 --> 00:31:26.240
<v Speaker 4>to that, and there's a reason why so many people

557
00:31:26.319 --> 00:31:29.160
<v Speaker 4>have basically said that the kingdom of heaven is within,

558
00:31:29.839 --> 00:31:31.839
<v Speaker 4>you know, go to the still point within all these

559
00:31:31.839 --> 00:31:35.200
<v Speaker 4>different types of things, right, that they wanted to rule

560
00:31:35.240 --> 00:31:37.720
<v Speaker 4>from the center, and so a lot of times. This

561
00:31:37.880 --> 00:31:40.799
<v Speaker 4>was even literally from the center of their empire or

562
00:31:40.799 --> 00:31:47.640
<v Speaker 4>from the center of their kingdom.

563
00:31:47.799 --> 00:31:50.599
<v Speaker 2>Hi everybody, I'm Chris vic I'm the founder Squatch Survival Gear,

564
00:31:50.599 --> 00:31:52.240
<v Speaker 2>and today I'm here to talk to you about some

565
00:31:52.319 --> 00:31:55.039
<v Speaker 2>of our most popular packs. In twenty seventeen, I founded

566
00:31:55.079 --> 00:31:57.799
<v Speaker 2>Squatched Survival Gear because I was tired of seeing low quality,

567
00:31:57.880 --> 00:32:02.119
<v Speaker 2>mass pece packs flooding the America market. I decided I'd

568
00:32:02.119 --> 00:32:04.319
<v Speaker 2>make a pack that was one hundred percent designed and

569
00:32:04.359 --> 00:32:07.200
<v Speaker 2>manufactured in the United States. And today I'm here to

570
00:32:07.240 --> 00:32:09.200
<v Speaker 2>talk to you about some of our most popular packs.

571
00:32:09.720 --> 00:32:13.119
<v Speaker 2>This is the Knighthowler. It was designed for EBC and travelers.

572
00:32:13.200 --> 00:32:15.079
<v Speaker 2>As you can see, it's small. It's roughly ten by

573
00:32:15.240 --> 00:32:18.960
<v Speaker 2>twelve inches. Design for everyday carry to pass through pad

574
00:32:19.119 --> 00:32:20.680
<v Speaker 2>and low as you've put it on your luggage when

575
00:32:20.720 --> 00:32:25.759
<v Speaker 2>you travel. This is the rugar Root, very civilianized, lots

576
00:32:25.799 --> 00:32:29.039
<v Speaker 2>of attachment points. This is a twenty five liter pack.

577
00:32:29.079 --> 00:32:31.279
<v Speaker 2>We designed it for a little lighter load. You need

578
00:32:31.319 --> 00:32:35.240
<v Speaker 2>more than the night Howler should try this. This is

579
00:32:35.279 --> 00:32:38.400
<v Speaker 2>the Mothman, very similar to the Rugaroo, roughly the same size,

580
00:32:38.400 --> 00:32:41.000
<v Speaker 2>but it's designed for carrying a much heavier load. A

581
00:32:41.079 --> 00:32:43.720
<v Speaker 2>removable waste belt will help you carry that extra load.

582
00:32:44.079 --> 00:32:46.839
<v Speaker 2>Boss Scott, your retaining strap if you're going to take

583
00:32:46.880 --> 00:32:50.440
<v Speaker 2>that on a on a travel trip. This is the

584
00:32:50.519 --> 00:32:53.119
<v Speaker 2>cockamor this would be your first seventy two hour pack.

585
00:32:53.160 --> 00:32:54.440
<v Speaker 2>As we used to say in the Army.

586
00:32:55.440 --> 00:32:56.119
<v Speaker 4>It comes with an.

587
00:32:56.079 --> 00:33:00.559
<v Speaker 2>Internal frame, totally adjustable, strats, heavily padded. You can carry

588
00:33:00.559 --> 00:33:04.000
<v Speaker 2>heavy loads, carry lots of you. This is the Rocket.

589
00:33:04.200 --> 00:33:08.440
<v Speaker 2>It's a forty five meter pack, same internal frame, same

590
00:33:08.480 --> 00:33:11.799
<v Speaker 2>great padded straps that you like, with a few extra features.

591
00:33:14.640 --> 00:33:17.960
<v Speaker 2>If you're wondering what's with all the crazy names, well

592
00:33:17.960 --> 00:33:20.759
<v Speaker 2>that's because finding one hundred percent American maid is as

593
00:33:20.799 --> 00:33:23.440
<v Speaker 2>hard as finding bigfoot in the woods. When you're ready

594
00:33:23.440 --> 00:33:26.640
<v Speaker 2>to carry our packs, contact us at squatchdboble gear dot

595
00:33:26.640 --> 00:33:28.720
<v Speaker 2>com or any of our social medias.

596
00:33:31.640 --> 00:33:34.079
<v Speaker 3>Hey, guys and guys, I hope you enjoyed that here.

597
00:33:34.400 --> 00:33:36.640
<v Speaker 3>I got to stop you because only the cool kids

598
00:33:36.880 --> 00:33:39.960
<v Speaker 3>can go from here. How dad you? This is an

599
00:33:39.960 --> 00:33:43.799
<v Speaker 3>all access pass exclusive and if you are not a member,

600
00:33:44.000 --> 00:33:46.240
<v Speaker 3>hey man, it's easy. I got links down in description.

601
00:33:46.640 --> 00:33:49.240
<v Speaker 3>Head on over to the website from Meet This thingspodcast

602
00:33:49.279 --> 00:33:52.480
<v Speaker 3>dot com and sign up for the All accesspass and

603
00:33:52.599 --> 00:33:55.319
<v Speaker 3>join a group of like minded people like yourself that

604
00:33:55.400 --> 00:33:57.039
<v Speaker 3>have started this hero's journey.

605
00:33:57.559 --> 00:34:00.240
<v Speaker 2>It's like people only do things because they get eight,

606
00:34:01.160 --> 00:34:02.759
<v Speaker 2>and that's just really sad.

607
00:34:03.519 --> 00:34:04.599
<v Speaker 3>To which is high, guys.

608
00:34:06.519 --> 00:34:25.599
<v Speaker 4>Mmm
