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<v Speaker 1>Hello, everybody, Welcome to Rose Pricks. Oh my gosh, it's

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<v Speaker 1>the day after the big show. It's our big show.

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<v Speaker 1>It's the big show. It's the big show on everyone's

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<v Speaker 1>mind and hearts and soul. And by everyone, I mean

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<v Speaker 1>really not a lot of people. If we're looking at

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<v Speaker 1>the numbers, we're looking.

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<v Speaker 2>At the numbers of like, you know, what do they

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<v Speaker 2>call it Nielsen ratings and whatnot?

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<v Speaker 3>It's not.

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<v Speaker 2>Go on, yes, it's you know, listen, what a couple

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<v Speaker 2>of mistakes were made? Did they put it up against Survivor?

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<v Speaker 3>Yes?

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<v Speaker 2>Oh is that so stupid? That was at least for

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<v Speaker 2>a while. Yeah, I don't I think so. And also

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<v Speaker 2>it turns out that not a lot of people love

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<v Speaker 2>Joan out. She's so she's such a robot. She's such

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<v Speaker 2>a like kindergarten teacher.

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<v Speaker 3>Not that there's anything wrong with that.

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<v Speaker 2>I've done that, that's all right, But like when you're

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<v Speaker 2>watching her have relations with older men, it's troubling.

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<v Speaker 1>She's not spicy. She and you know, she calls herself

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<v Speaker 1>out on this this this would be a macro note.

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<v Speaker 1>She says about herself that she's really guarded. And listen,

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<v Speaker 1>they all say that, right, every single bachelorette has to

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<v Speaker 1>like somehow get.

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<v Speaker 3>My walls down, get my walls down. Help me.

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<v Speaker 1>I'm so I'm so guarded. They all say that, but

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<v Speaker 1>Joan really is. She's really a tough nut.

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<v Speaker 2>To I'm gonna I'm gonna be a little tougher on that.

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<v Speaker 2>I'm gonna I'm gonna we're gonna get into it because

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<v Speaker 2>I'm sleepy.

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<v Speaker 3>She's basic. She a basic. Yeah, it's not just she's guarded.

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<v Speaker 3>She's basic.

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<v Speaker 2>It doesn't mean she's not like doesn't love her kids

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<v Speaker 2>or like she sure does make her coffee every monight

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<v Speaker 2>morning in her thermos and gets it all ready for work.

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<v Speaker 2>She's basic. And I think people are having an issue.

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<v Speaker 2>They're like, Okay, but you know who's not basic? Are

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<v Speaker 2>the guys left in the house, of which there are

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<v Speaker 2>seven at this point.

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<v Speaker 3>Yeah, and they're pret some of them are basic. See

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<v Speaker 3>That's what I'm gonna say.

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<v Speaker 1>Like, I have a lot to say about this episode,

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<v Speaker 1>so I'm I'm kind of excited. I took a lot

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<v Speaker 1>of notes, but I don't think that there's anybody. I

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<v Speaker 1>realized when we got to the Rose ceremony that I

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<v Speaker 1>wasn't rooting hard for anybody. You know, I had been

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<v Speaker 1>rooting hard. My two guys had been Keith and Mark.

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<v Speaker 1>I'd been rooting for those guys.

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<v Speaker 2>I understand Mark, and I wrote this down. I'm like,

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<v Speaker 2>I will never understand Keith. I mean, I just was like,

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<v Speaker 2>if he makes it past this round, I don't I

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<v Speaker 2>think I'll have to I might have to just move

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<v Speaker 2>to Iceland. I don't know how that solves anything, but

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<v Speaker 2>it just sort of helps me get out of my

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<v Speaker 2>own space, you know, get out of my own way.

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<v Speaker 3>Like I don't see.

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<v Speaker 1>Keith so okay, you you called it. You said he

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<v Speaker 1>has kind of like a John c Riley vibe, which

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<v Speaker 1>is the issue.

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<v Speaker 3>But yes, he does look like that. Yeah, I can

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<v Speaker 3>see that.

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<v Speaker 1>But also, somebody needs to counterbalance Joan's personality. I think

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<v Speaker 1>she needs somebody who's a little more like goofy, you know.

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<v Speaker 3>But she was she was going.

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<v Speaker 1>To hold him back. I think his I think he

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<v Speaker 1>diminished himself a little bit and got nervous and like

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<v Speaker 1>was like, I think I'm too much for her, and she,

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<v Speaker 1>you know, she made these comments later in the show

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<v Speaker 1>like yeah, Keith's like the life of the party. But

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<v Speaker 1>it's like what because you don't like the life of

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<v Speaker 1>the party. You claim to like that, but you're nobody

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<v Speaker 1>would ever say, you know that, Joan, she's the life

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<v Speaker 1>of the party.

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<v Speaker 3>Oh, John and Keith, they would hide their drugs.

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<v Speaker 2>Joan is the person that immediately you flushed all your

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<v Speaker 2>cocaine own toilet. She's gonna nark on you. She's like, No,

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<v Speaker 2>She's definitely not the life of the party.

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<v Speaker 3>Keith. Here's what went down with Keith.

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<v Speaker 2>Okay, even though he wouldn't be my choice, I like

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<v Speaker 2>him for other reasons. He's fine, but I think he

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<v Speaker 2>wasn't into her, and he started to realize that as

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<v Speaker 2>time went on. He kept trying to force these conversations.

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<v Speaker 2>He felt like an idiot because they were hit, they

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<v Speaker 2>were bouncing off nothing. She's just not you know, She's

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<v Speaker 2>not going to be funny and bantry and all the things,

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<v Speaker 2>which is fine. But I think at a certain point

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<v Speaker 2>he's like, what am I fucking doing here?

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<v Speaker 3>I do We even't say it, but I think that's

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<v Speaker 3>what he felt.

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<v Speaker 1>I agree with you also, and yes, and I think

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<v Speaker 1>everybody's conversations with her are forced. And I had a

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<v Speaker 1>I did have kind of an epiphany, which is what

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<v Speaker 1>we're saying that. I'm like, she gives nothing. She's super guarded.

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<v Speaker 1>She will ask them, but she keeps she's demanding of them,

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<v Speaker 1>like they better bring it, Like I don't know, I

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<v Speaker 1>haven't really seen his whatever side. It's it's like, but

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<v Speaker 1>what are you doing besides talking about your dead husband?

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<v Speaker 3>Right? That's all she talks with me.

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<v Speaker 1>Never I've not heard well, or my mom's really sick.

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<v Speaker 1>I have a dead husband and my mom's sick, and

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<v Speaker 1>I feel really guilty about my dead husband, and I

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<v Speaker 1>don't know if I can love again. That's the only

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<v Speaker 1>that's her only refrain. There's no there's never anything about

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<v Speaker 1>her hobbies or her even her kids, Like I haven't

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<v Speaker 1>heard her and maybe that's the editing, but I don't know.

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<v Speaker 2>Well, I'll tell you one more macro note, and it

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<v Speaker 2>is a big Macro note, and that is the biggest

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<v Speaker 2>little Macro note. Inside of Pascal's tidy whities, which we

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<v Speaker 2>see right away, there's a quiet house and Pascal is

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<v Speaker 2>steaming and his tidy whities and my goodness, there's quite

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<v Speaker 2>a package.

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<v Speaker 3>I wrote an elephant trunk there and he wants you

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<v Speaker 3>to know that, because of course he does. And who

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<v Speaker 3>wouldn't like use what you've got, Pascal, and he does.

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<v Speaker 3>He sure does.

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<v Speaker 1>Now let me for me, let me ask you this

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<v Speaker 1>about Pascal's package. Is it possible that that's not the penis,

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<v Speaker 1>that it's just that his balls have dropped like New

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<v Speaker 1>Year's Eve? You know, I looked at it pretty closely.

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<v Speaker 2>I paused it, and I really did examine it, and

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<v Speaker 2>I'm gonna say it was it was mostly penis.

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<v Speaker 3>Oh.

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<v Speaker 2>I think Pascal has a large and it's probably uncut.

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<v Speaker 3>Oh.

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<v Speaker 2>I mean, you know, probably a man of a certain

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<v Speaker 2>age born in France.

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<v Speaker 3>I don't know.

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<v Speaker 2>Probably you're right, and I don't know. Maybe it was

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<v Speaker 2>super poor when he was a baby, so I seriously

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<v Speaker 2>doubt that. I think he was born in like a

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<v Speaker 2>little shack and with only just one little pair of shoes. Pasca,

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<v Speaker 2>I got through an ed piece of cod wood to

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<v Speaker 2>put the into. Y'all sou okay, Papa. Yeah, he's just

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<v Speaker 2>walking around like that.

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<v Speaker 3>He wants just to see that.

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<v Speaker 2>He wants America to comment and we honor and we

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<v Speaker 2>you know what, hats off to you, sir. It's nice

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<v Speaker 2>you put it together. You have a nice little body

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<v Speaker 2>and you're putting it all out there and I love

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<v Speaker 2>for you. I like Pascal though you know that.

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<v Speaker 3>Yeah, no, I know.

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<v Speaker 2>I like he's okay. I would choose him over Keith

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<v Speaker 2>and a heartbeat. So the guys are all kind of bummed,

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<v Speaker 2>and I was thinking. I was like, well, they started

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<v Speaker 2>her with twenty four guys instead of like thirty, and

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<v Speaker 2>I thought maybe only three were going to get a

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<v Speaker 2>hometown because I was thinking, like, what is the point

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<v Speaker 2>really of having four hometowns? Like for Joan, like, you're you,

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<v Speaker 2>you don't really have four possibilities. You probably have one possibility,

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<v Speaker 2>So why go through the motions? And I thought, well,

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<v Speaker 2>it's for an extra episode, like you know, you want

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<v Speaker 2>to stretch it out, you want to fill up an episode.

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<v Speaker 2>But I think that the producers are hard pressed to

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<v Speaker 2>like fill these episodes because it's boring.

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<v Speaker 3>It's kind of boring.

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<v Speaker 1>We're not going to be boring, but I think that

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<v Speaker 1>Joan is kind of boring, and I don't think she's

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<v Speaker 1>really into these guys.

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<v Speaker 3>So I was like, why bother with four hometowns? Just

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<v Speaker 3>pick three.

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<v Speaker 2>I agree with you on that, but it's always this way.

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<v Speaker 2>Please let me remind you, even the best seasons, you

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<v Speaker 2>always get bored by the time they're all actually in love.

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<v Speaker 2>Like the hometowns are kind of cool, but they do

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<v Speaker 2>drag on. Fantasy suites are always kind of fun, but

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<v Speaker 2>they also drag on. There's such a like and so

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<v Speaker 2>would you like to forego your rooms and take this cube?

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<v Speaker 2>I mean there's a lot of filler and all that shit.

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<v Speaker 2>I mean the only time I remember loving a fantasy suite.

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<v Speaker 2>There are a couple times, but like, you know, the

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<v Speaker 2>one with Juan Pablo, you know, like what the fuck

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<v Speaker 2>happened in there? That's interesting, but it's really rare, so

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<v Speaker 2>like we're at war. It's only really fun at the beginning.

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<v Speaker 1>Also the Rachel and Zach fantasy, which she's kind of

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<v Speaker 1>bad afterwards, like what did he say to her?

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<v Speaker 3>Yes, that was so good.

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<v Speaker 2>Yes, yes, I mean we might have that, but not

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<v Speaker 2>with these people because they're all like pleasers and Joan

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<v Speaker 2>might have a freak out.

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<v Speaker 1>Also, Joan, you heard that Joanes said there can't be

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<v Speaker 1>a bed in the fantasy suite, which she said that, yes.

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<v Speaker 2>Oh my god, yes, So then okay, so the guys

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<v Speaker 2>are like moping around, but then.

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<v Speaker 3>Jen, yeah, they're like the vibes changed, man. Yeah, because

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<v Speaker 3>so many peop there's so many people left, my brothers,

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<v Speaker 3>there's no captain Kim. I we to mention. So so last.

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<v Speaker 1>Season of The Golden Gary only had three hometowns.

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<v Speaker 3>Well you know she didn't. I don't know, all right,

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<v Speaker 3>so you know why they're doing with it.

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<v Speaker 1>Chalk is I completely changed on Chalk this episode for

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<v Speaker 1>the worst.

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<v Speaker 3>I mean, I like, I kind of liked him make something.

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<v Speaker 3>He's very possessive.

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<v Speaker 1>He's very possessive, and he's so he just seemed kind

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<v Speaker 1>of crazed. He was like, Joan gets more and more

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<v Speaker 1>attractive every day, every hour, every minute Joan. And I

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<v Speaker 1>was like, Chalk, that is because Joan is probably getting

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<v Speaker 1>like daily botox.

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<v Speaker 3>She's gone a glam squad. This is not real life.

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<v Speaker 3>And she's only sixty two. Right when I get older, well,

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<v Speaker 3>Chalk is younger too.

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<v Speaker 1>He's like right, but I feel like, yeah, when I'm

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<v Speaker 1>Jan's age, I'm gonna do what Joe. I'm gonna do

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<v Speaker 1>it Like I'm gonna have a massive Boatox fund, like

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<v Speaker 1>my Boatox fun fund. Even my dog is not going

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<v Speaker 1>to recognize me. Pepo is gonna have to bark, and

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<v Speaker 1>I'm gonna have to be like peepo, it's just me.

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<v Speaker 2>She's getting a facelift, though, I'm going to say yeah,

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<v Speaker 2>and I think it's too tight.

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<v Speaker 3>I'm just gonna say that too.

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<v Speaker 2>I don't love I think she's she was a pretty woman,

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<v Speaker 2>although if you look back at her older picture, she

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<v Speaker 2>was kind of just fun like crazy, curly haired, kind

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<v Speaker 2>of crazy looking. You know, she's she's HR. She's a

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<v Speaker 2>lady with a big thermis at HR. She wasn't like

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<v Speaker 2>a model. She I think it's you know, she's tall

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<v Speaker 2>and thin and can like wear these like crazy high

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<v Speaker 2>waisted jeans, and that's awesome for her.

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<v Speaker 1>If you open their fridge at her job, there would

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<v Speaker 1>be a lot of tupperware with a little piece of

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<v Speaker 1>masking tape that says Joan.

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<v Speaker 2>Uh huh No, it would not be masking tape. It

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<v Speaker 2>would be a label maker. She's no way would have

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<v Speaker 2>masking tape even around. It would be like a perfect

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<v Speaker 2>label maker, and it would say Joan, and then she'd

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<v Speaker 2>somehow put like an emoji smiley face on it. But

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<v Speaker 2>you know, if you touch it, she'll fucking kill you,

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<v Speaker 2>right right, Yeah.

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<v Speaker 3>No, she's had some look.

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<v Speaker 2>She's she's very pretty woman, and she there's nothing wrong

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<v Speaker 2>with her. There's nothing like that we even know about,

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<v Speaker 2>like that, we that we bump heads on. We just

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<v Speaker 2>wouldn't be friends. We wouldn't be we'd be friends with Leslie. Oh,

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<v Speaker 2>we'd be friends with Sondra, who, by the way, I

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<v Speaker 2>have an email out to you because she'd have. We've

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<v Speaker 2>exchanged personal information now and we've chatted. And this is

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<v Speaker 2>for those who don't know from last season, our friend Sondra. Yeah,

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<v Speaker 2>she's going to be on the show who loves to swear.

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<v Speaker 2>I'm so excited about that.

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<v Speaker 3>I know we freaking love her because she's going to

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<v Speaker 3>tell it like it is. I'd love to have seen

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<v Speaker 3>her as the Golden bachelorette. This maybe that can be

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<v Speaker 3>in the card.

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<v Speaker 2>If Leslie had been the bachelorette, they would have had

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<v Speaker 2>to get guys.

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<v Speaker 3>They would have had.

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<v Speaker 1>To tell the guys, the old guys, Hey, this is

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<v Speaker 1>who our bachelorette is. Because I don't want my Leslie

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<v Speaker 1>getting her feelings hurt. I want guys on the show

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<v Speaker 1>who saw the Golden Bachelor and we're like, I love her,

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<v Speaker 1>She's my type. You get her a bunch of guys.

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<v Speaker 1>You only have to find twenty four older guys who

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<v Speaker 1>are like, oh my god, she's so fun, She's so much,

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<v Speaker 1>so much energy. See's so cute. I love her like

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<v Speaker 1>insecurities and kind of baggage, like I like, like, that's

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<v Speaker 1>the kind of lady I like.

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<v Speaker 3>Right, that's sure. She has so much personality. Right, I'm

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<v Speaker 3>so oh so mad.

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<v Speaker 2>Why Maybe she didn't want to do it. That's the

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<v Speaker 2>only thing I can tell I didn't want you.

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<v Speaker 3>I don't know. I think she did. All right.

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<v Speaker 2>Wait, so Joan goes to La La Land. I love

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<v Speaker 2>that place, by the way. It's a coffee place. You

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<v Speaker 2>have one year you Yeah, but there's there's there's more

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<v Speaker 2>though before that. Oh, are you talking about Trista when

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<v Speaker 2>Trista comes out?

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<v Speaker 3>Yes?

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<v Speaker 1>Oh, but first we have to have we have to

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<v Speaker 1>This is what's going on with you. You are trying to

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<v Speaker 1>erase Keith and I'm not here for that.

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<v Speaker 3>I just wrote Keith is not feeling it. I mean,

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<v Speaker 3>isn't that enough.

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<v Speaker 1>I just loved that they replay there's no point in this,

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<v Speaker 1>but because they're trying to set it up for the

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<v Speaker 1>final rose ceremony, I mean the rose ceremony. Keith is

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<v Speaker 1>like he's really reliving his awkward one on one time

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<v Speaker 1>with Joan. They had to replay at the tell me

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<v Speaker 1>what you picture a retired day looking like.

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<v Speaker 2>And he's like, ugh, oh, I never really thought about that.

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<v Speaker 3>So now he's talking to Jordan.

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<v Speaker 1>Jordan is like, don't sleep on Jordan because he doesn't

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<v Speaker 1>get a lot of screen time. But like everybody seems

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<v Speaker 1>to always be having like expressing their insecurities to Jordan,

285
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<v Speaker 1>he might be up to something. He might be like spilling,

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00:13:40.840 --> 00:13:44.320
<v Speaker 1>but anyway, Keith is. Keith is like, yeah, man, I

287
00:13:44.360 --> 00:13:46.559
<v Speaker 1>guess like I overthought it or I just I didn't

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<v Speaker 1>feel comfortable, and I was just like, Keith needs a

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<v Speaker 1>miracle right now. He needs to save a camera man

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<v Speaker 1>from drowning in the pool, something to make him seem

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<v Speaker 1>hot to Joan, because right she's off of him.

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<v Speaker 3>She's off of.

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<v Speaker 2>Him from a long time ago. And I really, as

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<v Speaker 2>I said before, in this episode, she I think he's

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<v Speaker 2>off of her too. I don't think it matters. I

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<v Speaker 2>think it's a non starter because like, get on out

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<v Speaker 2>of here. Nothing wrong with Keith. I'm sure he's a

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00:14:12.799 --> 00:14:15.159
<v Speaker 2>nice guy, although we don't really know that much. I

299
00:14:15.159 --> 00:14:17.679
<v Speaker 2>don't really know exactly who he is. But he's nice,

300
00:14:17.720 --> 00:14:20.399
<v Speaker 2>he's nice enough. Yeah, but it's time for it. It's

301
00:14:20.399 --> 00:14:23.919
<v Speaker 2>time to stop talking about Key. I can't, I can't, Okay,

302
00:14:24.000 --> 00:14:25.840
<v Speaker 2>A Louis is there, so I mean we can talk

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00:14:25.879 --> 00:14:28.039
<v Speaker 2>about him, of course, I just can't. I can't think

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00:14:28.039 --> 00:14:31.080
<v Speaker 2>about him too much because there's too many other things. No,

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00:14:31.200 --> 00:14:32.960
<v Speaker 2>I know, I just I just want to make sure

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<v Speaker 2>you're not trying to erase him. I could never erase him.

307
00:14:37.080 --> 00:14:41.320
<v Speaker 2>Heause in my heart I want him to feel seen. Okay, Okay,

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<v Speaker 2>So John goes to La La Land and just a place. Yeah,

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00:14:45.320 --> 00:14:48.480
<v Speaker 2>it's a coffee place and it's delicious. There's one in Hollywood,

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00:14:48.519 --> 00:14:51.360
<v Speaker 2>who and there's one in Santa Monica. And I'm a

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00:14:51.399 --> 00:14:53.279
<v Speaker 2>big fan. And you guys come, I don't know if

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00:14:53.279 --> 00:14:55.799
<v Speaker 2>it's all over California, but I am such a fan

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<v Speaker 2>of this coffee place.

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<v Speaker 1>It's funny that you said Santa Monica, because I was

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00:14:59.360 --> 00:15:01.759
<v Speaker 1>I've never seen this place, but I go. I said,

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00:15:01.799 --> 00:15:03.679
<v Speaker 1>by the way, how are they just out shopping and

317
00:15:03.759 --> 00:15:06.320
<v Speaker 1>lunching in maybe Santa Monica right now?

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<v Speaker 3>Yeah?

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00:15:07.120 --> 00:15:10.840
<v Speaker 2>Yes, and they are, and it's wonderful. They're lattes. We

320
00:15:10.960 --> 00:15:12.799
<v Speaker 2>are not sponsored by them, but I have to tell

321
00:15:12.840 --> 00:15:15.440
<v Speaker 2>you this is like, this is my number one go

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00:15:15.519 --> 00:15:16.399
<v Speaker 2>to coffee place.

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<v Speaker 3>Now, do they make good elks?

324
00:15:19.159 --> 00:15:21.480
<v Speaker 2>They have, they make good everything, but everything's very bright

325
00:15:21.559 --> 00:15:24.200
<v Speaker 2>and yellow and they're always playing like French music. Inside

326
00:15:24.200 --> 00:15:27.639
<v Speaker 2>it just feels feels nicer. It feels nice, and they

327
00:15:27.679 --> 00:15:29.799
<v Speaker 2>just make a good coffee like it's just they have

328
00:15:29.840 --> 00:15:33.000
<v Speaker 2>a good pain whatever. Okay, listen. So she goes there

329
00:15:33.039 --> 00:15:35.840
<v Speaker 2>and Trista shows up just straight from her Ayahuasca trip.

330
00:15:36.679 --> 00:15:39.840
<v Speaker 2>So she just rolls on in, just straight from wherever

331
00:15:39.919 --> 00:15:42.240
<v Speaker 2>South America where she disappeared to for a long time.

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00:15:42.320 --> 00:15:46.159
<v Speaker 1>They just hault Trista out for every freaking bachelor thing

333
00:15:46.519 --> 00:15:50.759
<v Speaker 1>because she's one of the very few bachelorettes that actually

334
00:15:51.679 --> 00:15:55.279
<v Speaker 1>is still in a relationship. Right, it's successful. But remember

335
00:15:55.519 --> 00:15:58.159
<v Speaker 1>she I looked at her age. She's not much younger

336
00:15:58.200 --> 00:16:01.919
<v Speaker 1>than Joan. So she's fifty too or something. She's in

337
00:16:01.960 --> 00:16:05.720
<v Speaker 1>her fifties. Yeah, I know she's the first season.

338
00:16:05.879 --> 00:16:08.039
<v Speaker 2>Yes, but you know she comes in and they kind

339
00:16:08.080 --> 00:16:10.120
<v Speaker 2>of make it seem like, oh, she's gonna come in.

340
00:16:10.159 --> 00:16:12.120
<v Speaker 2>The youth comes in to tell let me tell you

341
00:16:12.159 --> 00:16:14.840
<v Speaker 2>everything I know from my time. Nah, they're about they're

342
00:16:14.960 --> 00:16:17.879
<v Speaker 2>they're a little far apart, but not really, but I

343
00:16:17.919 --> 00:16:19.360
<v Speaker 2>just thought it was funny if she just comes right

344
00:16:19.399 --> 00:16:22.000
<v Speaker 2>out of her ayahuasca and she's like, she's like, Joan,

345
00:16:22.080 --> 00:16:25.639
<v Speaker 2>I saw a raccoon with my shaman and they told

346
00:16:25.679 --> 00:16:27.919
<v Speaker 2>me to tell you, Joan that you need to let

347
00:16:27.960 --> 00:16:31.320
<v Speaker 2>your walls down. Joe's like, go back, what do you mean, shaman?

348
00:16:31.799 --> 00:16:33.919
<v Speaker 2>What are you talking about? Actually, Joan's too boring to

349
00:16:33.960 --> 00:16:38.679
<v Speaker 2>even ask. She'd be like, Okay, cool, thanks. Yeah.

350
00:16:38.799 --> 00:16:41.799
<v Speaker 1>The thing that tuck to me about Trista was that

351
00:16:42.000 --> 00:16:46.279
<v Speaker 1>her thing. I feel like they pre produced her and

352
00:16:46.279 --> 00:16:47.960
<v Speaker 1>they're like, what's your thing going to be? And she's

353
00:16:47.960 --> 00:16:50.000
<v Speaker 1>going to be like they're gonna say, why don't you

354
00:16:50.039 --> 00:16:53.480
<v Speaker 1>share with Joan your regrets from your season? Well, why

355
00:16:53.480 --> 00:16:56.960
<v Speaker 1>would she have regrets? She picked the guy that was

356
00:16:57.000 --> 00:16:59.399
<v Speaker 1>in love with her and they are married and have

357
00:16:59.759 --> 00:17:03.000
<v Speaker 1>childre and they've been married like twenty years. So like

358
00:17:03.320 --> 00:17:05.599
<v Speaker 1>when she's like, yeah, I was in my head a

359
00:17:05.640 --> 00:17:07.680
<v Speaker 1>lot and I really wish I'd done some things different,

360
00:17:07.720 --> 00:17:09.759
<v Speaker 1>Like I wish i'd shared that I was falling in

361
00:17:09.799 --> 00:17:12.839
<v Speaker 1>love with Ryan. Well, because she's like, he shared that

362
00:17:12.920 --> 00:17:15.799
<v Speaker 1>with me. It's like, but you did say.

363
00:17:15.680 --> 00:17:17.200
<v Speaker 3>The rules back then too.

364
00:17:17.240 --> 00:17:20.799
<v Speaker 2>You weren't supposed to say it back right, Remember remember

365
00:17:20.839 --> 00:17:22.400
<v Speaker 2>back in the day, that was the big deal. Like

366
00:17:22.599 --> 00:17:25.359
<v Speaker 2>obviously producer said, you can't say anything, can't let anybody know.

367
00:17:25.400 --> 00:17:27.960
<v Speaker 3>Even if you know, you never know, so you can't

368
00:17:28.000 --> 00:17:28.319
<v Speaker 3>say it.

369
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<v Speaker 2>And then at one point somebody was like, fuck that,

370
00:17:30.640 --> 00:17:32.680
<v Speaker 2>I'm gonna say whatever I want, right. I think that

371
00:17:32.799 --> 00:17:38.160
<v Speaker 2>was Colton Higgins, Ben Higgins, Oh, Ben Higgins with Courtney.

372
00:17:39.240 --> 00:17:43.079
<v Speaker 1>No, that was Ben Flag. Ben Higgins was the one

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<v Speaker 1>who had jojo and.

374
00:17:44.960 --> 00:17:47.920
<v Speaker 3>Lauren right yeah, sure, and told them both he was

375
00:17:47.920 --> 00:17:51.079
<v Speaker 3>in love with them. What if while Trista and Joan

376
00:17:51.119 --> 00:17:54.839
<v Speaker 3>were having this coffee, like John the Hawk swoops in

377
00:17:55.319 --> 00:17:57.960
<v Speaker 3>and like just grabs takes one of their lattes, right,

378
00:17:58.519 --> 00:18:00.160
<v Speaker 3>like it just comes down, takes a lot to and

379
00:18:00.200 --> 00:18:02.039
<v Speaker 3>they're like, God, damn it, John.

380
00:18:02.559 --> 00:18:05.920
<v Speaker 2>But that's the only only sign that Jon's like, No,

381
00:18:06.039 --> 00:18:09.400
<v Speaker 2>that wasn't John, that was a different Hawk. That was

382
00:18:09.440 --> 00:18:12.039
<v Speaker 2>a different Hawk. I think that was John's frat fraternity

383
00:18:12.039 --> 00:18:15.519
<v Speaker 2>friend who also died young. I can't quite tell the difference,

384
00:18:15.559 --> 00:18:17.720
<v Speaker 2>but he's just was such a prankster. I can see

385
00:18:17.720 --> 00:18:20.200
<v Speaker 2>her doing that, and trist is like, you know what,

386
00:18:20.279 --> 00:18:22.079
<v Speaker 2>I get it. I saw a lot of that in

387
00:18:22.160 --> 00:18:26.480
<v Speaker 2>South America. I totally get it. These hawks just come down.

388
00:18:26.480 --> 00:18:30.559
<v Speaker 2>I'm like, that's how I sound. That's how a hawk

389
00:18:30.640 --> 00:18:32.799
<v Speaker 2>sounds to me. I wish you did a hawk sound

390
00:18:32.839 --> 00:18:36.200
<v Speaker 2>effect for that. How does a hawk?

391
00:18:39.319 --> 00:18:40.119
<v Speaker 3>Wait? Hold on?

392
00:18:40.400 --> 00:18:42.160
<v Speaker 2>You keep going, you talk, You tell us about the

393
00:18:42.240 --> 00:18:43.599
<v Speaker 2>date card while I find a hawk.

394
00:18:43.920 --> 00:18:45.240
<v Speaker 3>Okay, all right.

395
00:18:45.480 --> 00:18:48.839
<v Speaker 1>So Joan finds a way to bring John back into it.

396
00:18:48.920 --> 00:18:49.400
<v Speaker 3>Trist's.

397
00:18:49.839 --> 00:18:52.279
<v Speaker 1>Jon's like, I need to open up more, but it's

398
00:18:52.319 --> 00:18:53.839
<v Speaker 1>just hard when there's multiple guys.

399
00:18:54.240 --> 00:18:55.160
<v Speaker 3>I still love John.

400
00:18:55.599 --> 00:19:00.519
<v Speaker 1>I still love John, but maybe John John.

401
00:19:01.000 --> 00:19:05.000
<v Speaker 3>Do you hear me talking about John? Are you there? Oh?

402
00:19:06.160 --> 00:19:08.160
<v Speaker 3>That's no hold on. It's going to come when it comes,

403
00:19:08.160 --> 00:19:10.079
<v Speaker 3>So don't worry. It'll cut. You'll just be when you

404
00:19:10.200 --> 00:19:16.359
<v Speaker 3>least expect it. Okay, She's like, I still love John. She's,

405
00:19:19.160 --> 00:19:23.079
<v Speaker 3>oh my god, you John, John, stop it. I'm not

406
00:19:23.240 --> 00:19:28.440
<v Speaker 3>mad at you. You're being crazy, all right. That is terrifying.

407
00:19:29.000 --> 00:19:32.880
<v Speaker 1>So so Jones, like, I know John told me that

408
00:19:32.960 --> 00:19:35.400
<v Speaker 1>I could move on like before he died. He said

409
00:19:35.400 --> 00:19:40.839
<v Speaker 1>I could, but I still feel guilty. But it's time

410
00:19:40.880 --> 00:19:43.440
<v Speaker 1>for the date card and Keith gets the one on

411
00:19:43.440 --> 00:19:47.039
<v Speaker 1>one as we're calling it now. I was shocked that

412
00:19:47.119 --> 00:19:51.000
<v Speaker 1>Mark didn't get the one on one, but then I wrote, gosh,

413
00:19:51.039 --> 00:19:55.039
<v Speaker 1>maybe he'll get the second one on the show. So

414
00:19:55.160 --> 00:19:58.119
<v Speaker 1>someone on Facebook said that Keith looks like Harvey Weinstein,

415
00:19:58.240 --> 00:20:00.519
<v Speaker 1>and now that person can fuck off because now I

416
00:20:00.599 --> 00:20:02.079
<v Speaker 1>only see Harvey Weinstein when I.

417
00:20:02.079 --> 00:20:03.480
<v Speaker 3>Look at him. Well, let me help that person.

418
00:20:03.519 --> 00:20:06.880
<v Speaker 2>Who if you're listening, just replace Harvey Weinstein with John

419
00:20:06.920 --> 00:20:09.640
<v Speaker 2>c Riley that at least he's a very friendly, talented man.

420
00:20:10.440 --> 00:20:13.799
<v Speaker 3>Just see that. Yeah, it's not the looks of him.

421
00:20:13.880 --> 00:20:17.039
<v Speaker 2>I mean true though she as we saw you know, spoiler,

422
00:20:17.119 --> 00:20:20.160
<v Speaker 2>she definitely has a type. The last men standing are

423
00:20:20.200 --> 00:20:22.799
<v Speaker 2>exactly You could interchange them with my face blindness, and

424
00:20:22.799 --> 00:20:24.839
<v Speaker 2>I could not tell you if they weren't talking, I

425
00:20:24.839 --> 00:20:25.680
<v Speaker 2>couldn't tell you who is.

426
00:20:25.880 --> 00:20:28.680
<v Speaker 3>Yeah, yeah, she has a type and Keith isn't quite there.

427
00:20:28.759 --> 00:20:31.119
<v Speaker 2>But beyond that, they're just he's kind of goofy, and

428
00:20:31.119 --> 00:20:33.200
<v Speaker 2>he's like a kind of trips over his own legs

429
00:20:33.359 --> 00:20:35.519
<v Speaker 2>and he's a little sweaty, and he's just like, he's

430
00:20:35.519 --> 00:20:38.119
<v Speaker 2>not the dude. And I don't think he's into her,

431
00:20:38.279 --> 00:20:41.960
<v Speaker 2>as I've said, So whatever, they get a dumb helicopter.

432
00:20:42.079 --> 00:20:44.440
<v Speaker 1>Yeah, I think he's into her because she's kind of

433
00:20:44.480 --> 00:20:48.160
<v Speaker 1>cold with him. Her whole thing is like, I don't know,

434
00:20:48.640 --> 00:20:53.440
<v Speaker 1>you prove to me. I think she's you know, people

435
00:20:53.480 --> 00:20:56.079
<v Speaker 1>that constantly talk about what givers they are and how

436
00:20:56.119 --> 00:20:58.559
<v Speaker 1>like I just always take care of other people are

437
00:20:58.720 --> 00:21:03.799
<v Speaker 1>oftentimes not those people. They see themselves that way. But

438
00:21:03.880 --> 00:21:07.119
<v Speaker 1>it's possible that Joan's a little cold because she.

439
00:21:08.079 --> 00:21:10.920
<v Speaker 2>Like people say they're empaths are just they're just nuts.

440
00:21:11.759 --> 00:21:13.720
<v Speaker 2>You say it. I mean, if you are one, you

441
00:21:13.759 --> 00:21:16.559
<v Speaker 2>are one. But if you're just like I'm just at EmPATH.

442
00:21:16.960 --> 00:21:19.839
<v Speaker 3>I just feel I can't really deal with your issues

443
00:21:19.880 --> 00:21:21.680
<v Speaker 3>right now because I'm just like feeling it too hard.

444
00:21:22.400 --> 00:21:24.599
<v Speaker 3>Well that's not very nice. I just feel too much

445
00:21:25.119 --> 00:21:26.240
<v Speaker 3>of every feeling too much.

446
00:21:26.240 --> 00:21:29.119
<v Speaker 2>So yeah, therefore, like your issues, like, I can't, I

447
00:21:29.119 --> 00:21:31.240
<v Speaker 2>can't take them on because it's really I just don't

448
00:21:31.279 --> 00:21:31.519
<v Speaker 2>know where.

449
00:21:33.519 --> 00:21:38.319
<v Speaker 3>Yeah, it's just exhausts me. Just needs some more time

450
00:21:38.359 --> 00:21:42.920
<v Speaker 3>for me. Yeah, I've got to read. I can't. I okay.

451
00:21:43.000 --> 00:21:45.880
<v Speaker 2>So so they go on their dumb helicopter and then

452
00:21:45.880 --> 00:21:48.720
<v Speaker 2>they fly over the pool where the guys are looking good.

453
00:21:49.720 --> 00:21:51.680
<v Speaker 2>They're looking I like that. The guys are all like, well,

454
00:21:51.720 --> 00:21:53.200
<v Speaker 2>she's on a date. Let's get in the pool. That

455
00:21:53.319 --> 00:21:56.359
<v Speaker 2>was cute, But Chock is getting very aggressive and jealous

456
00:21:56.400 --> 00:21:59.480
<v Speaker 2>and like he doesn't like it, but you know, it

457
00:21:59.519 --> 00:22:01.400
<v Speaker 2>just means you really likes her though.

458
00:22:01.559 --> 00:22:03.880
<v Speaker 1>Right, Chalk is like, do I want her to have

459
00:22:03.920 --> 00:22:04.480
<v Speaker 1>a good time?

460
00:22:04.680 --> 00:22:04.920
<v Speaker 2>No?

461
00:22:05.680 --> 00:22:07.519
<v Speaker 3>Do I want her to send Keith home? Yes?

462
00:22:08.480 --> 00:22:12.000
<v Speaker 1>If Joan picks Keith, I'll support that. And by support

463
00:22:12.200 --> 00:22:14.920
<v Speaker 1>I mean I'll offer him a delicious chocolate chip cookie,

464
00:22:14.960 --> 00:22:18.599
<v Speaker 1>but there's arsenic in it and he'll die horrible death.

465
00:22:18.680 --> 00:22:21.880
<v Speaker 1>Ye have fun, guys, he's so mad.

466
00:22:22.039 --> 00:22:24.400
<v Speaker 2>Do I want Keith to go on living in this world? Yeah,

467
00:22:24.440 --> 00:22:26.160
<v Speaker 2>I guess. I mean I won't be friends with them.

468
00:22:26.519 --> 00:22:28.240
<v Speaker 2>Do I want him to be in this house anymore

469
00:22:28.240 --> 00:22:29.559
<v Speaker 2>and be competition? No?

470
00:22:31.680 --> 00:22:33.279
<v Speaker 3>You don't want to punch him in the face sometimes

471
00:22:33.319 --> 00:22:37.119
<v Speaker 3>when he's with her? Yes? Will it improve his face? Maybe? Oh, Chop,

472
00:22:37.319 --> 00:22:38.119
<v Speaker 3>that's rude.

473
00:22:38.720 --> 00:22:40.920
<v Speaker 2>That's a rude thing to say, And I will not

474
00:22:41.079 --> 00:22:42.079
<v Speaker 2>have that on my show.

475
00:22:43.319 --> 00:22:45.599
<v Speaker 3>Absolutely not, Chock, Stop at Chalk.

476
00:22:46.920 --> 00:22:49.440
<v Speaker 1>But back to to cut that out back the commenter,

477
00:22:50.119 --> 00:22:53.799
<v Speaker 1>Keith is just sitting there so stiff. He's got his

478
00:22:53.960 --> 00:22:56.359
<v Speaker 1>arms like by his side, like really tight by his side,

479
00:22:56.680 --> 00:22:59.400
<v Speaker 1>and Jone's just sitting there and I'm like, Keith, put

480
00:22:59.440 --> 00:23:02.319
<v Speaker 1>your arm around her, hold her hand, do something.

481
00:23:04.240 --> 00:23:04.720
<v Speaker 3>He won't.

482
00:23:05.559 --> 00:23:08.720
<v Speaker 1>Okay, this is the best, the best part though. So

483
00:23:08.759 --> 00:23:12.000
<v Speaker 1>they fly to Napa to go wine tasting, and then

484
00:23:12.119 --> 00:23:14.160
<v Speaker 1>as soon as they meet the couple who's going to

485
00:23:14.200 --> 00:23:17.079
<v Speaker 1>host them, it's like a couple. The lady goes into

486
00:23:17.079 --> 00:23:19.880
<v Speaker 1>shake Keith's hand, and he goes in for a hug.

487
00:23:20.319 --> 00:23:21.079
<v Speaker 3>Did you need that?

488
00:23:21.240 --> 00:23:25.759
<v Speaker 1>And the lady audibly gasps and she goes, oh, okay

489
00:23:26.440 --> 00:23:27.319
<v Speaker 1>and gives them a hug.

490
00:23:27.440 --> 00:23:30.799
<v Speaker 3>And I have been there. Has that ever happened to you?

491
00:23:31.480 --> 00:23:34.359
<v Speaker 3>On which side you go in the keys? Yes?

492
00:23:34.480 --> 00:23:36.880
<v Speaker 1>So when I okay, so when I dropped lb off,

493
00:23:36.960 --> 00:23:38.480
<v Speaker 1>did I tell you this? When I dropped her off

494
00:23:38.480 --> 00:23:40.920
<v Speaker 1>of college? So I brought her. I was moving her

495
00:23:40.920 --> 00:23:43.799
<v Speaker 1>into college, and I was meeting She's got she's living

496
00:23:43.799 --> 00:23:47.319
<v Speaker 1>in an apartment with eight there's eight of them. So

497
00:23:47.359 --> 00:23:49.839
<v Speaker 1>I'm meeting a bunch of parents and we're all kind

498
00:23:49.839 --> 00:23:52.319
<v Speaker 1>of we're all excited, but I'm like, you know, Jack

499
00:23:52.400 --> 00:23:54.559
<v Speaker 1>du I'm like jazzed. I'm like, oh my god, it's

500
00:23:54.960 --> 00:23:58.000
<v Speaker 1>college move in day, and I am a hugger. So

501
00:23:58.599 --> 00:24:02.640
<v Speaker 1>I meet the first her actual roommate in her bedroom. Right,

502
00:24:02.680 --> 00:24:05.680
<v Speaker 1>So there's four bedrooms and two in each bedroom. So

503
00:24:05.720 --> 00:24:07.720
<v Speaker 1>the girl that's in her bedroom, I meet the mom,

504
00:24:08.160 --> 00:24:10.039
<v Speaker 1>I give her a hug, and then I meet the

505
00:24:10.160 --> 00:24:12.960
<v Speaker 1>dad and I just go in from and he does

506
00:24:13.039 --> 00:24:14.960
<v Speaker 1>the thing of like he's gonna shake my hand, but

507
00:24:15.000 --> 00:24:16.799
<v Speaker 1>I went in for the hug and it was it

508
00:24:16.839 --> 00:24:19.559
<v Speaker 1>was and then it was too late because I was

509
00:24:19.640 --> 00:24:22.359
<v Speaker 1>already going in for the hug. So he did the thing.

510
00:24:22.440 --> 00:24:24.880
<v Speaker 1>He was like, oh, oh, I gave me a hug,

511
00:24:24.920 --> 00:24:28.160
<v Speaker 1>And it was so freaking awkward that I had to

512
00:24:28.279 --> 00:24:31.079
<v Speaker 1>literally say something about it because when I went to

513
00:24:31.119 --> 00:24:34.119
<v Speaker 1>meet the other dad in the bedroom next door, I

514
00:24:34.279 --> 00:24:36.920
<v Speaker 1>just shook his hand and then I made a comment

515
00:24:37.359 --> 00:24:39.680
<v Speaker 1>to the first to the dad that I hugged.

516
00:24:39.960 --> 00:24:40.839
<v Speaker 3>I was like, yeah, I didn't.

517
00:24:41.319 --> 00:24:43.160
<v Speaker 1>I didn't go and notice I didn't not go in

518
00:24:43.200 --> 00:24:45.960
<v Speaker 1>for the hug with that one go, I start making

519
00:24:46.119 --> 00:24:46.880
<v Speaker 1>more awkward.

520
00:24:46.920 --> 00:24:49.480
<v Speaker 3>He's like, oh, what is fine? Yes? Do you think

521
00:24:49.559 --> 00:24:50.160
<v Speaker 3>is impossible?

522
00:24:50.240 --> 00:24:53.680
<v Speaker 2>He was Orthodox Jewish and you hadn't taken your niva

523
00:24:54.319 --> 00:24:56.359
<v Speaker 2>or whatever the bath that you're supposed to read. Were

524
00:24:56.400 --> 00:24:58.920
<v Speaker 2>you on your period? Well, I hugged him to a sheet,

525
00:24:59.359 --> 00:25:04.519
<v Speaker 2>so you can guys if you don't know, and we

526
00:25:04.559 --> 00:25:07.559
<v Speaker 2>are Jewish. That's a thing in Orthodox Judaism. You can't

527
00:25:07.720 --> 00:25:10.880
<v Speaker 2>hug somebody else's husband if you're like a woman, you

528
00:25:10.920 --> 00:25:12.599
<v Speaker 2>cannot do that. You're not supposed to do that. And

529
00:25:12.640 --> 00:25:14.839
<v Speaker 2>so maybe you had a little bit of the period

530
00:25:14.839 --> 00:25:15.440
<v Speaker 2>blood on you.

531
00:25:15.920 --> 00:25:19.440
<v Speaker 3>It's it's possible, So it's you have it. Let's just say.

532
00:25:20.559 --> 00:25:25.839
<v Speaker 2>Yeah, So these California hippies, yeah, I didn't notice the

533
00:25:25.880 --> 00:25:27.799
<v Speaker 2>hug thing, but they were just sort of two people

534
00:25:27.799 --> 00:25:30.359
<v Speaker 2>that were just trotted out from some kind of weird thing.

535
00:25:30.759 --> 00:25:33.880
<v Speaker 1>The guy had hair past his shoulders. He definitely does

536
00:25:33.920 --> 00:25:38.839
<v Speaker 1>some tantric sex workshops foreshore at the side of this property.

537
00:25:39.000 --> 00:25:40.519
<v Speaker 1>He's like, here's a glass of wine.

538
00:25:40.599 --> 00:25:45.119
<v Speaker 2>It's a rose. It's called love garden. Yeah, it's love love,

539
00:25:45.319 --> 00:25:49.200
<v Speaker 2>but it's love. But okay, And so she's being very

540
00:25:49.359 --> 00:25:51.319
<v Speaker 2>her oh the way she was talking. She's like, I

541
00:25:51.400 --> 00:25:53.039
<v Speaker 2>like Keith, I like him. I don't know if he's

542
00:25:53.079 --> 00:25:55.279
<v Speaker 2>ready to go on this journey. Everything's just kind of

543
00:25:55.319 --> 00:25:58.160
<v Speaker 2>like this, Keith, I don't know. Maybe no, the answer

544
00:25:58.240 --> 00:26:00.680
<v Speaker 2>is no, you don't like him. We don't have to

545
00:26:00.720 --> 00:26:05.079
<v Speaker 2>do this right, you know. And then Joan always making

546
00:26:05.079 --> 00:26:05.799
<v Speaker 2>it about herself.

547
00:26:05.960 --> 00:26:08.720
<v Speaker 3>She's like, yes, how long have you guys been married?

548
00:26:08.839 --> 00:26:10.400
<v Speaker 3>They're like thirty two years.

549
00:26:10.400 --> 00:26:14.359
<v Speaker 2>She goes, oh yeah, John, John and I were married. Yeah,

550
00:26:14.400 --> 00:26:15.920
<v Speaker 2>if he'd lived, but he died.

551
00:26:16.440 --> 00:26:18.839
<v Speaker 3>Do you know that? My husband dies so mad in

552
00:26:18.920 --> 00:26:21.559
<v Speaker 3>that moment. We can't like that because that goes back

553
00:26:21.559 --> 00:26:24.039
<v Speaker 3>to what I've been saying, we both in this whole time,

554
00:26:24.119 --> 00:26:27.160
<v Speaker 3>Like every single thing she makes back about her like literally,

555
00:26:27.200 --> 00:26:29.480
<v Speaker 3>how long thirty two ers? Oh yeah, that's weird. That's

556
00:26:29.480 --> 00:26:31.880
<v Speaker 3>just a weird triggering need too. Yeah, to that bird,

557
00:26:31.880 --> 00:26:34.200
<v Speaker 3>I was to see that hawk. I was married to

558
00:26:34.200 --> 00:26:37.279
<v Speaker 3>that bird. Yep, he's flying. He's flying over our head

559
00:26:37.319 --> 00:26:39.519
<v Speaker 3>right now. He's looking out for me. My husband's still

560
00:26:39.519 --> 00:26:42.559
<v Speaker 3>looking up for me. Oh my god, when did when

561
00:26:42.559 --> 00:26:46.640
<v Speaker 3>did he pass? Uh? I don't know?

562
00:26:49.440 --> 00:26:56.160
<v Speaker 2>Okay, oh John, No, this isn't like that's not huge, John, Like, John,

563
00:26:56.480 --> 00:26:58.839
<v Speaker 2>you gotta go do your own thing. You got to

564
00:26:58.880 --> 00:27:01.839
<v Speaker 2>go take care of Joan. She's really seriously going out.

565
00:27:01.880 --> 00:27:04.519
<v Speaker 2>You cannot show up in my apartment like this. It's

566
00:27:04.559 --> 00:27:06.680
<v Speaker 2>just crazy. Yes, it's crazy.

567
00:27:06.759 --> 00:27:07.119
<v Speaker 3>Okay.

568
00:27:07.240 --> 00:27:10.640
<v Speaker 1>So, so back at the mansion, Mark is sad and

569
00:27:10.640 --> 00:27:13.000
<v Speaker 1>he's like he's reflective.

570
00:27:12.640 --> 00:27:15.240
<v Speaker 3>He's like, I lost Denise six and a half years ago.

571
00:27:15.640 --> 00:27:17.519
<v Speaker 3>I still miss her so much. Oh my god, is

572
00:27:17.559 --> 00:27:21.279
<v Speaker 3>that a butterfly? Holy fucking shit, that's unny bird. That's Denise.

573
00:27:21.440 --> 00:27:25.160
<v Speaker 1>Well, yeah, we haven't gotten to him saying that because

574
00:27:25.160 --> 00:27:28.160
<v Speaker 1>he's talking about the butterfly thing. Oh right, about how

575
00:27:28.240 --> 00:27:32.039
<v Speaker 1>Kelsey saw a butterfly and said that that's what she

576
00:27:32.160 --> 00:27:35.319
<v Speaker 1>thinks is her mom. He sees a hummingbird. I don't

577
00:27:35.359 --> 00:27:37.960
<v Speaker 1>know why he and Kelsey can't be on the same page. Yes,

578
00:27:38.000 --> 00:27:40.599
<v Speaker 1>so do ghosts jump species? I guess they can.

579
00:27:41.240 --> 00:27:41.599
<v Speaker 3>Remember.

580
00:27:41.720 --> 00:27:45.640
<v Speaker 2>Okay, remember an Atari adventure? Did you ever play Atari Adventure?

581
00:27:45.839 --> 00:27:49.039
<v Speaker 3>No? Okay, Well, there's like this little square. This will

582
00:27:49.039 --> 00:27:49.559
<v Speaker 3>be worth it.

583
00:27:50.599 --> 00:27:52.440
<v Speaker 2>There's like a little square and you're the square and

584
00:27:52.480 --> 00:27:54.119
<v Speaker 2>you have to go get the golden goblet out of

585
00:27:54.160 --> 00:27:54.839
<v Speaker 2>one of the castles.

586
00:27:54.880 --> 00:27:56.960
<v Speaker 3>And there's lots of mazes and people know what I'm

587
00:27:57.000 --> 00:27:57.480
<v Speaker 3>talking about.

588
00:27:57.759 --> 00:27:59.920
<v Speaker 2>But there's also a bat and sometimes that bat will

589
00:28:00.160 --> 00:28:01.880
<v Speaker 2>pick you up, and you don't want to be picked

590
00:28:01.920 --> 00:28:03.440
<v Speaker 2>up by the back because I'll just carry you to

591
00:28:03.480 --> 00:28:05.200
<v Speaker 2>a castle you don't want to be in, and you're like,

592
00:28:05.240 --> 00:28:06.519
<v Speaker 2>oh my god, now have to get all the way

593
00:28:06.559 --> 00:28:07.000
<v Speaker 2>back down.

594
00:28:07.759 --> 00:28:10.400
<v Speaker 3>It's really a whole thing. And I guess my point

595
00:28:10.480 --> 00:28:11.480
<v Speaker 3>is I was gonna say that.

596
00:28:11.440 --> 00:28:14.440
<v Speaker 2>I think that the bat can shape shape shift, Now

597
00:28:14.440 --> 00:28:17.119
<v Speaker 2>that I'm saying it out loud, he cannot. So you

598
00:28:17.160 --> 00:28:21.079
<v Speaker 2>know what, turns out that story was unnecessary for what

599
00:28:21.079 --> 00:28:23.759
<v Speaker 2>we're talking about here. But should the bat have been

600
00:28:23.799 --> 00:28:26.160
<v Speaker 2>able to shape shift, it would have applied.

601
00:28:26.319 --> 00:28:26.839
<v Speaker 3>Mm hmmm.

602
00:28:27.160 --> 00:28:29.079
<v Speaker 2>It might have been able to though he could go

603
00:28:29.160 --> 00:28:30.960
<v Speaker 2>through walls. That's interesting.

604
00:28:32.039 --> 00:28:32.200
<v Speaker 3>Wow.

605
00:28:32.720 --> 00:28:36.759
<v Speaker 1>So maybe Denise does take the form of a butterfly

606
00:28:37.200 --> 00:28:40.960
<v Speaker 1>for Kelsey and take the form of a hummingbird for Mark.

607
00:28:41.079 --> 00:28:44.359
<v Speaker 3>But guess what, I doubt it. Yeah, it seems confusing. Again.

608
00:28:44.440 --> 00:28:47.839
<v Speaker 3>You don't know which is which is that hummingbird? Is

609
00:28:47.839 --> 00:28:51.000
<v Speaker 3>that my dad? Is that Mussolini? Is that Denise?

610
00:28:51.799 --> 00:28:54.599
<v Speaker 2>It can't tell you. So we don't know, right, and

611
00:28:54.640 --> 00:28:57.839
<v Speaker 2>it's crazy. So they're setting Mark up to leave. I

612
00:28:57.920 --> 00:29:00.559
<v Speaker 2>knew I called it last week. I called is that

613
00:29:00.599 --> 00:29:02.039
<v Speaker 2>he's not gonna make it and he will be the

614
00:29:02.039 --> 00:29:03.039
<v Speaker 2>next Golden Bachelor.

615
00:29:03.079 --> 00:29:05.400
<v Speaker 3>Oh yeah, that's what I believe. This is the whole thing.

616
00:29:05.559 --> 00:29:06.640
<v Speaker 3>So he goes to.

617
00:29:06.640 --> 00:29:11.200
<v Speaker 1>Pascal and he's crying and he's like, I don't know

618
00:29:11.200 --> 00:29:14.400
<v Speaker 1>if I'm doing the right thing right. No, Denise used

619
00:29:14.400 --> 00:29:17.079
<v Speaker 1>to hold out her hand for hummingbirds and they come

620
00:29:17.119 --> 00:29:19.880
<v Speaker 1>to her hand. She wanted me to find love. And

621
00:29:19.920 --> 00:29:22.759
<v Speaker 1>I was out there walking and this hummingbird came up

622
00:29:23.759 --> 00:29:26.440
<v Speaker 1>and it was like she was saying.

623
00:29:26.160 --> 00:29:29.240
<v Speaker 3>This is right, this is right. Yeah, yeah, the.

624
00:29:29.359 --> 00:29:32.519
<v Speaker 1>Three but maybe Denise was saying, this is not right.

625
00:29:32.759 --> 00:29:35.599
<v Speaker 3>Isn't that? Pols like you're in danger. You're in danger.

626
00:29:35.720 --> 00:29:36.000
<v Speaker 1>Girl.

627
00:29:36.400 --> 00:29:40.799
<v Speaker 3>Niece is like Pascal is. He's killed seventeen people, never

628
00:29:40.880 --> 00:29:43.359
<v Speaker 3>found the people, and he was a main suspect to

629
00:29:43.480 --> 00:29:45.799
<v Speaker 3>the fact that the Bachelor producers did not catch that

630
00:29:46.599 --> 00:29:47.200
<v Speaker 3>literally was.

631
00:29:47.200 --> 00:29:49.799
<v Speaker 2>In jail for like four years, but they couldn't find

632
00:29:49.920 --> 00:29:53.200
<v Speaker 2>enough proof because he's like really good at that the best.

633
00:29:53.440 --> 00:29:55.319
<v Speaker 3>Yeah, you have to have a shoe and you're on

634
00:29:55.359 --> 00:29:57.359
<v Speaker 3>the heavy shoe that's with a red sole, and then

635
00:29:57.400 --> 00:29:59.880
<v Speaker 3>they don't see the blood. Oh my god, did we

636
00:30:00.039 --> 00:30:01.759
<v Speaker 3>all have another freaking crime on this show?

637
00:30:01.880 --> 00:30:05.960
<v Speaker 1>Every time we are constantly solving crimes. But I was like,

638
00:30:06.079 --> 00:30:09.519
<v Speaker 1>you know what, Mark, you don't need to cheapen yourself

639
00:30:09.559 --> 00:30:12.200
<v Speaker 1>by going on this show. You've been on the show,

640
00:30:12.240 --> 00:30:16.000
<v Speaker 1>you're beloved. Go on the apps or let people slide

641
00:30:16.000 --> 00:30:16.759
<v Speaker 1>in your dms.

642
00:30:16.960 --> 00:30:19.640
<v Speaker 3>You are in season I'll do it right now. I'll

643
00:30:19.640 --> 00:30:20.359
<v Speaker 3>do it right now.

644
00:30:20.519 --> 00:30:24.880
<v Speaker 1>He is going to find and he is going to

645
00:30:24.920 --> 00:30:26.640
<v Speaker 1>be the Golden Bachelor.

646
00:30:26.759 --> 00:30:29.039
<v Speaker 2>That's what I'm saying. We called that from like week two.

647
00:30:29.640 --> 00:30:33.240
<v Speaker 2>What's Mark's last name? Do we have any idea? But

648
00:30:33.400 --> 00:30:35.440
<v Speaker 2>I am going to slide into his DMS right now.

649
00:30:35.519 --> 00:30:37.400
<v Speaker 3>I don't know. If you're right back, you can find out.

650
00:30:37.920 --> 00:30:43.119
<v Speaker 1>Just put put in Kelsey jo and insturreel.

651
00:30:43.240 --> 00:30:44.960
<v Speaker 2>I don't need that. That's not my fault, that's just

652
00:30:45.000 --> 00:30:47.880
<v Speaker 2>his Instagram. So on the back on the date, Joan

653
00:30:48.039 --> 00:30:51.480
<v Speaker 2>is pressuring Keith. She's just like, wait, I have one

654
00:30:51.519 --> 00:30:54.880
<v Speaker 2>more thing to say about the hummingbird really quick, just

655
00:30:54.880 --> 00:30:57.319
<v Speaker 2>because so he's talking to Pascal about it, you know,

656
00:30:57.559 --> 00:31:00.240
<v Speaker 2>and they're all everybody's getting teary eyed and emotional there.

657
00:31:00.240 --> 00:31:02.720
<v Speaker 2>They've become good friends. And I thought it'd be funny

658
00:31:02.720 --> 00:31:06.480
<v Speaker 2>if Pascal's like humming but I would like, ahamma and amma.

659
00:31:07.039 --> 00:31:10.519
<v Speaker 2>He thinks hummingbirds are blow jobs. That's just a little joke.

660
00:31:10.559 --> 00:31:12.920
<v Speaker 3>I wanted to get in there. I like it. That's

661
00:31:12.960 --> 00:31:13.799
<v Speaker 3>all we needed to do.

662
00:31:13.880 --> 00:31:16.960
<v Speaker 2>Wait and he took it as a sign, uh yeah,

663
00:31:16.960 --> 00:31:19.440
<v Speaker 2>you took Oh that's right. The record scratch of him

664
00:31:19.440 --> 00:31:20.960
<v Speaker 2>to be thinking he's going to go home, but he

665
00:31:21.000 --> 00:31:23.720
<v Speaker 2>took it a sign that the hummingbirds like you should bang,

666
00:31:23.839 --> 00:31:27.079
<v Speaker 2>Joan go banger, and he's like, I don't know why

667
00:31:27.079 --> 00:31:30.160
<v Speaker 2>it's talking like Denise never used to talk like that. Okay,

668
00:31:30.440 --> 00:31:33.960
<v Speaker 2>she's changed. He gets real Denise in the afterworld.

669
00:31:34.079 --> 00:31:36.680
<v Speaker 1>He's like, you know what, maybe you're not the person

670
00:31:36.720 --> 00:31:42.160
<v Speaker 1>I thought you were, right, So yeah, on the date,

671
00:31:42.400 --> 00:31:45.279
<v Speaker 1>Joan is like, I know there's more. I know there's

672
00:31:45.319 --> 00:31:48.079
<v Speaker 1>more to you, Like you're not just this big, stupid,

673
00:31:48.279 --> 00:31:51.480
<v Speaker 1>dumb gold Yeah. I just want you, but you're gonna

674
00:31:51.519 --> 00:31:54.039
<v Speaker 1>have to show it to me. And so Keith is

675
00:31:54.119 --> 00:32:00.839
<v Speaker 1>just like, yeah, like you know, once you're twice, I

676
00:32:00.880 --> 00:32:04.160
<v Speaker 1>guess I've been hurt. So I guess opening up about

677
00:32:04.200 --> 00:32:07.079
<v Speaker 1>my dreams is kind of scary. Girl dad, girl dad,

678
00:32:07.480 --> 00:32:10.240
<v Speaker 1>because like what if I have hopes and dreams but

679
00:32:10.279 --> 00:32:12.680
<v Speaker 1>they don't come true and then it like hurts my

680
00:32:12.799 --> 00:32:13.920
<v Speaker 1>heart And Joe.

681
00:32:13.759 --> 00:32:16.799
<v Speaker 2>Goes I think he's trying to say. He's trying to say, like,

682
00:32:16.839 --> 00:32:18.839
<v Speaker 2>don't hurt me, don't break my heart. I don't want

683
00:32:18.839 --> 00:32:20.519
<v Speaker 2>to get too into this if you're not into it,

684
00:32:20.720 --> 00:32:22.799
<v Speaker 2>That's what he's saying right right awkwardly.

685
00:32:23.440 --> 00:32:26.359
<v Speaker 1>So she So then he tries, he really tries this angle.

686
00:32:26.440 --> 00:32:30.319
<v Speaker 1>He's like, you know, it's like with my marriage. The

687
00:32:30.359 --> 00:32:33.920
<v Speaker 1>only help for addiction is the person's own internal like

688
00:32:33.960 --> 00:32:35.960
<v Speaker 1>they have to want to get better, you know. So

689
00:32:36.039 --> 00:32:38.240
<v Speaker 1>I had to take my kids away from that lady

690
00:32:38.559 --> 00:32:40.160
<v Speaker 1>and now we haven't talked to her in like ten

691
00:32:40.240 --> 00:32:41.039
<v Speaker 1>or twelve years.

692
00:32:41.359 --> 00:32:43.839
<v Speaker 2>He fucking says that, And I got real, you know

693
00:32:43.920 --> 00:32:46.079
<v Speaker 2>I feel about that, So, like, what are you? I

694
00:32:46.079 --> 00:32:48.319
<v Speaker 2>don't know what she's like, but I whatever she is,

695
00:32:48.359 --> 00:32:51.480
<v Speaker 2>if she's that bad of an addict or terrible person,

696
00:32:51.559 --> 00:32:54.799
<v Speaker 2>whatever's going on, don't make it worse for her for

697
00:32:54.880 --> 00:32:59.079
<v Speaker 2>the kids by exposing that. People in their lives know

698
00:32:59.119 --> 00:33:02.720
<v Speaker 2>who he's talking about. So that's so shitty. Yeah, that's

699
00:33:02.759 --> 00:33:05.599
<v Speaker 2>so shitty. And it's probably not that black and white

700
00:33:05.759 --> 00:33:08.240
<v Speaker 2>and whatever. They left, But like, so the kids haven't

701
00:33:08.240 --> 00:33:11.039
<v Speaker 2>talked to her, you're not encouraging. I would have liked

702
00:33:11.039 --> 00:33:13.240
<v Speaker 2>to hear Keith say like, I do encourage them to

703
00:33:13.319 --> 00:33:17.039
<v Speaker 2>find you know, forgiveness and repair the relationship.

704
00:33:17.039 --> 00:33:19.480
<v Speaker 3>No, he did't say anything like that up.

705
00:33:20.240 --> 00:33:22.720
<v Speaker 2>Nope, that's seriously fucked up. And then to put that

706
00:33:22.759 --> 00:33:25.240
<v Speaker 2>on national TV. I already didn't really like Keith, and

707
00:33:25.240 --> 00:33:26.640
<v Speaker 2>now I really don't like Keith.

708
00:33:27.559 --> 00:33:30.319
<v Speaker 1>Yeah, but but Keith has had to learn to hide

709
00:33:30.319 --> 00:33:34.720
<v Speaker 1>his emotions. Cecily and Jones like, I so get that

710
00:33:35.319 --> 00:33:37.960
<v Speaker 1>I have to hide my emotions too. Neither of you

711
00:33:38.039 --> 00:33:39.640
<v Speaker 1>people should be on our TV screen.

712
00:33:39.680 --> 00:33:41.839
<v Speaker 2>Then no, no, and then he goes in for like

713
00:33:41.839 --> 00:33:44.079
<v Speaker 2>a little peck kiss. He's like, finally kind of kisses

714
00:33:44.119 --> 00:33:46.079
<v Speaker 2>and she's like, I taste like wine. You taste like wine?

715
00:33:46.680 --> 00:33:50.119
<v Speaker 2>Oh yeah, she was so she she was grossed out. Yeah,

716
00:33:50.240 --> 00:33:56.000
<v Speaker 2>she was pressed away aggressively a certain lady. She's aggressively,

717
00:33:56.839 --> 00:34:00.799
<v Speaker 2>I mean, but she'll make out with Chalk. Who oh yeah.

718
00:34:00.880 --> 00:34:03.720
<v Speaker 1>So back at the mansion, Chalk is still babbling about

719
00:34:03.759 --> 00:34:05.160
<v Speaker 1>how like, you know, I mean, I've had a lot

720
00:34:05.160 --> 00:34:06.640
<v Speaker 1>of time with her, like I get it, but like

721
00:34:06.680 --> 00:34:08.320
<v Speaker 1>I could have more time with her, like I don't.

722
00:34:08.639 --> 00:34:10.239
<v Speaker 1>I'd like to be on another one O one date

723
00:34:10.280 --> 00:34:14.519
<v Speaker 1>with her. But Mark gets the final one oh one

724
00:34:15.199 --> 00:34:19.760
<v Speaker 1>mm hmmm, yes, exciting. She's saved the best for last,

725
00:34:21.079 --> 00:34:22.960
<v Speaker 1>Save the best for last.

726
00:34:23.079 --> 00:34:26.159
<v Speaker 2>I found Mark's I found Mark, slide into his DM

727
00:34:26.239 --> 00:34:28.599
<v Speaker 2>tell me what to say? Yes, I can message him

728
00:34:28.639 --> 00:34:37.559
<v Speaker 2>right now. M Hey, there. Hey there, Santa Claus, Hey there, Daddy, Hey, daddy, Zaddie,

729
00:34:39.320 --> 00:34:43.360
<v Speaker 2>just write zam zaddie. I feel like he would not

730
00:34:43.480 --> 00:34:45.000
<v Speaker 2>right back to that. If I'm honest, I think you

731
00:34:45.079 --> 00:34:47.960
<v Speaker 2>get one shot. He'd show it to Kelsey. You'd be like,

732
00:34:48.000 --> 00:34:50.320
<v Speaker 2>what does this mean? And she'd be like, oh, Dad,

733
00:34:51.199 --> 00:34:54.800
<v Speaker 2>she likes you. Yeah, I'm not. I'm not gonna write time.

734
00:34:54.840 --> 00:34:56.760
<v Speaker 2>I've changed my mind. Although we did post something about

735
00:34:56.760 --> 00:34:59.559
<v Speaker 2>bluebellt ice cream. I am a fan of that. Oh

736
00:34:59.559 --> 00:35:02.440
<v Speaker 2>my god, you really should say something. What am I

737
00:35:02.480 --> 00:35:04.159
<v Speaker 2>gonna say? What am I going to say? Hey, you

738
00:35:04.199 --> 00:35:06.800
<v Speaker 2>weren't my number one, I'm not attracted to you. But

739
00:35:06.840 --> 00:35:09.079
<v Speaker 2>Stephanie is. But she's married. I mean, what are we

740
00:35:09.119 --> 00:35:09.679
<v Speaker 2>going to do with that?

741
00:35:09.760 --> 00:35:09.960
<v Speaker 3>Say?

742
00:35:10.039 --> 00:35:16.039
<v Speaker 1>Hey, I do a bachelor podcast and my podcast partner

743
00:35:16.079 --> 00:35:16.920
<v Speaker 1>is obsessed with you.

744
00:35:17.119 --> 00:35:20.519
<v Speaker 3>Thinks she look like Michael McDonald. I don't think that

745
00:35:20.559 --> 00:35:22.119
<v Speaker 3>he would take that as a compliment. I think he

746
00:35:22.199 --> 00:35:27.880
<v Speaker 3>looks like a young hot Captain Keim. That's what I think.

747
00:35:27.960 --> 00:35:31.599
<v Speaker 3>We h the mansion men, the mighty crazy Mention men.

748
00:35:33.079 --> 00:35:34.480
<v Speaker 3>I have to find that again.

749
00:35:35.119 --> 00:35:38.199
<v Speaker 2>Okay, I'll find it. It's too far back in my Yeah,

750
00:35:38.639 --> 00:35:39.159
<v Speaker 2>we'll find it.

751
00:35:39.440 --> 00:35:40.599
<v Speaker 3>So Pascal.

752
00:35:40.719 --> 00:35:42.800
<v Speaker 2>Oh, Mark, get's the one on one and Pascal is

753
00:35:42.840 --> 00:35:45.199
<v Speaker 2>so excited for him. I thought Pascal was going to

754
00:35:45.239 --> 00:35:47.599
<v Speaker 2>make out with him. What is Mada.

755
00:35:48.199 --> 00:35:52.159
<v Speaker 1>It's the cutest thing these guys. I am so with

756
00:35:52.239 --> 00:35:55.119
<v Speaker 1>you on how supportive they are with each other. The

757
00:35:55.239 --> 00:35:59.039
<v Speaker 1>problem is they're on some kind of like healing adventure

758
00:35:59.719 --> 00:36:01.840
<v Speaker 1>on the lives. It's not really about Joan. None of

759
00:36:01.880 --> 00:36:04.199
<v Speaker 1>this is about Joan. This is this is so much

760
00:36:04.320 --> 00:36:08.840
<v Speaker 1>about like their This is like group therapy for the guys.

761
00:36:09.119 --> 00:36:12.480
<v Speaker 1>And I can understand and later this is going to

762
00:36:12.559 --> 00:36:15.480
<v Speaker 1>come back. But you can see why Joan would be like,

763
00:36:15.639 --> 00:36:17.920
<v Speaker 1>none of this is really about me, Like I'm not

764
00:36:18.079 --> 00:36:21.559
<v Speaker 1>here this is. This is about you guys bonding with

765
00:36:21.599 --> 00:36:23.840
<v Speaker 1>each other, and that's nice, but that's not what I'm

766
00:36:23.920 --> 00:36:24.360
<v Speaker 1>here for.

767
00:36:24.639 --> 00:36:26.599
<v Speaker 2>But she never said that didn't happen in her case

768
00:36:26.599 --> 00:36:28.639
<v Speaker 2>because I think she knew who she wanted right away.

769
00:36:29.000 --> 00:36:31.199
<v Speaker 2>I mean, it's obviously I have called this for a

770
00:36:31.199 --> 00:36:34.079
<v Speaker 2>while that it's chalk. I think it could be, could

771
00:36:34.159 --> 00:36:38.119
<v Speaker 2>be Guy, I could be it could actually are right,

772
00:36:38.119 --> 00:36:40.000
<v Speaker 2>it could be Jordan. We were sleeping a little bit

773
00:36:40.039 --> 00:36:40.400
<v Speaker 2>on Jordan.

774
00:36:40.559 --> 00:36:43.320
<v Speaker 1>Well, when we get there later in the show where

775
00:36:43.840 --> 00:36:46.079
<v Speaker 1>we can take we can analyze a little bit the

776
00:36:46.440 --> 00:36:46.960
<v Speaker 1>coming up.

777
00:36:48.119 --> 00:36:58.039
<v Speaker 3>But first, well her is with me at that point, everybody,

778
00:36:58.320 --> 00:36:59.079
<v Speaker 3>we are.

779
00:37:01.559 --> 00:37:06.920
<v Speaker 2>From us to you good night. I mean, it's so beautiful.

780
00:37:07.679 --> 00:37:11.719
<v Speaker 2>It's so beautiful. Oh, it's kind of it's so funny.

781
00:37:11.760 --> 00:37:14.760
<v Speaker 2>I was looking up to. This is a different version.

782
00:37:16.199 --> 00:37:22.960
<v Speaker 2>This when he's writing it, it's.

783
00:37:24.880 --> 00:37:27.039
<v Speaker 3>You get a little peek behind the curtain. You just

784
00:37:27.079 --> 00:37:28.199
<v Speaker 3>see the magic happening.

785
00:37:31.519 --> 00:37:37.199
<v Speaker 1>It's the we are the Mansion Men sessions.

786
00:37:38.800 --> 00:37:50.280
<v Speaker 2>It's almost done, Princeville, her Heart.

787
00:37:55.000 --> 00:37:59.360
<v Speaker 3>This is a long version. Is this when they're all

788
00:37:59.519 --> 00:38:10.159
<v Speaker 3>rolling their eyes? No, it's like unseen footage friendships. I

789
00:38:10.239 --> 00:38:13.000
<v Speaker 3>picture it with like a pencil behind his ears. He does,

790
00:38:13.079 --> 00:38:14.000
<v Speaker 3>he's writing.

791
00:38:16.039 --> 00:38:26.280
<v Speaker 4>Almost done, all right?

792
00:38:33.440 --> 00:38:33.760
<v Speaker 3>All right?

793
00:38:33.960 --> 00:38:36.440
<v Speaker 2>That was now that was behind the scenes, never before,

794
00:38:36.679 --> 00:38:39.119
<v Speaker 2>you know, cut for time, as they'd say on SNL

795
00:38:39.960 --> 00:38:41.519
<v Speaker 2>for a lot of times, because they're like, yeah, we

796
00:38:41.559 --> 00:38:45.079
<v Speaker 2>would need another full hour actually, and ABC's not given

797
00:38:45.119 --> 00:38:45.480
<v Speaker 2>it to us.

798
00:38:45.519 --> 00:38:48.440
<v Speaker 3>I miss him so much. But they are very sweet

799
00:38:48.480 --> 00:38:50.760
<v Speaker 3>to each other. And now they're going to go to

800
00:38:50.920 --> 00:38:54.360
<v Speaker 3>Lucky Strike. Is that what's happening. That's their big group date.

801
00:38:54.639 --> 00:38:55.559
<v Speaker 3>I don't know where that is.

802
00:38:56.920 --> 00:39:00.280
<v Speaker 2>Oh, there's one in Hollywood. But I think they're all over. Oh,

803
00:39:00.280 --> 00:39:02.440
<v Speaker 2>it's probably one in Santa Monica. I think this one

804
00:39:02.480 --> 00:39:03.239
<v Speaker 2>seemed like it was.

805
00:39:03.239 --> 00:39:05.960
<v Speaker 1>Kind of far away because I don't think they're shutting

806
00:39:06.000 --> 00:39:07.840
<v Speaker 1>down the one in Hollywood for this.

807
00:39:09.679 --> 00:39:10.159
<v Speaker 3>I don't know.

808
00:39:10.760 --> 00:39:14.440
<v Speaker 2>Yeah, it did sort of seem like maybe mar Vista, Yes,

809
00:39:14.519 --> 00:39:16.400
<v Speaker 2>like some read it, yeah, like it's in a weird

810
00:39:16.400 --> 00:39:17.360
<v Speaker 2>strip mall or whatever.

811
00:39:17.679 --> 00:39:18.880
<v Speaker 3>And I just was like I just read.

812
00:39:18.920 --> 00:39:21.159
<v Speaker 2>I am exhausted just looking at her, because she's always

813
00:39:21.159 --> 00:39:23.159
<v Speaker 2>just like, Okay, yeah, we're bowling, get you bawling shoes?

814
00:39:23.199 --> 00:39:25.800
<v Speaker 3>Yep, that shirts, Yeah, it's me Jim.

815
00:39:27.199 --> 00:39:31.400
<v Speaker 1>Also, Joan wears such skinny jeans and I'm like, we

816
00:39:31.559 --> 00:39:34.199
<v Speaker 1>get it, Joan, you weigh like four pounds like some

817
00:39:35.119 --> 00:39:38.239
<v Speaker 1>and all the guys are wearing really tight jeans or

818
00:39:38.280 --> 00:39:38.880
<v Speaker 1>tight pants.

819
00:39:38.880 --> 00:39:41.800
<v Speaker 3>Did you notice that I didn't bother me. She's gotten

820
00:39:43.239 --> 00:39:45.719
<v Speaker 3>I mean, I don't know that. I don't care about.

821
00:39:45.880 --> 00:39:48.039
<v Speaker 1>I just feel like she's narrowed it down to all

822
00:39:48.079 --> 00:39:51.360
<v Speaker 1>guys with like good bodies and she's got a great body.

823
00:39:51.400 --> 00:39:53.360
<v Speaker 1>And I was like, this is not real life. This

824
00:39:53.480 --> 00:39:56.679
<v Speaker 1>is not real people in their sixties. These are guys

825
00:39:56.719 --> 00:39:59.679
<v Speaker 1>who are obsessed with working out. We know that Pascal

826
00:39:59.800 --> 00:40:02.480
<v Speaker 1>goes to the gym six times a week, right, and

827
00:40:02.519 --> 00:40:05.440
<v Speaker 1>it's to me, it's like, well, so she likes that Jordan.

828
00:40:05.920 --> 00:40:09.239
<v Speaker 1>We all know Jordan and his biceps. All these guys

829
00:40:09.239 --> 00:40:12.719
<v Speaker 1>were like tight clothes. I'm sorry, but like regular people

830
00:40:13.000 --> 00:40:15.199
<v Speaker 1>in their late sixties, like a lot of them are

831
00:40:15.440 --> 00:40:17.280
<v Speaker 1>are not holding up as well.

832
00:40:18.320 --> 00:40:20.480
<v Speaker 3>Yeah, but it's tough. I mean, in real life, you're

833
00:40:20.480 --> 00:40:21.880
<v Speaker 3>gonna choose who you're attracted to.

834
00:40:22.159 --> 00:40:24.280
<v Speaker 2>You're gonna like choose, You're gonna put it all together

835
00:40:24.320 --> 00:40:26.960
<v Speaker 2>and want the right guy. But you're not gonna you're

836
00:40:26.960 --> 00:40:29.320
<v Speaker 2>gonna you've got twenty four guys to choose from. You're

837
00:40:29.360 --> 00:40:31.000
<v Speaker 2>gonna choose the ones you want to have sex with.

838
00:40:32.079 --> 00:40:36.519
<v Speaker 2>It's only fair. Yeah, you know, just human nature, i'd say.

839
00:40:36.679 --> 00:40:39.039
<v Speaker 2>But she's very like pointing everything out. She's like, there's beer,

840
00:40:39.079 --> 00:40:41.400
<v Speaker 2>there's food, let's do it, Okay, let's go. Pascal is

841
00:40:41.480 --> 00:40:44.440
<v Speaker 2>not having this. He's sort of annoyed. He has to

842
00:40:44.440 --> 00:40:47.719
<v Speaker 2>put on for the first time. I have no.

843
00:40:49.719 --> 00:40:54.719
<v Speaker 1>Yeah, Joe, we do not have bowling in France, but

844
00:40:55.000 --> 00:40:56.159
<v Speaker 1>you I will do this.

845
00:40:57.440 --> 00:41:00.760
<v Speaker 3>You think these fingers in these holes? I this.

846
00:41:02.280 --> 00:41:06.119
<v Speaker 2>Okay, of Hascal, we get it. You've done things. Meanwhile,

847
00:41:06.360 --> 00:41:07.599
<v Speaker 2>pegged people.

848
00:41:07.599 --> 00:41:10.960
<v Speaker 1>Chalk, puts on reading glasses, but just for the bowling part.

849
00:41:11.079 --> 00:41:14.440
<v Speaker 1>Like I under I understand putting on your readers for

850
00:41:14.599 --> 00:41:15.119
<v Speaker 1>to look at.

851
00:41:15.000 --> 00:41:16.800
<v Speaker 3>The menu or to be like, what kind of beer

852
00:41:16.800 --> 00:41:18.719
<v Speaker 3>do you have on tap? With the score is yeah,

853
00:41:18.800 --> 00:41:19.800
<v Speaker 3>why are you putting on.

854
00:41:19.760 --> 00:41:24.400
<v Speaker 1>Your glasses for the actual rolling the ball? Do you

855
00:41:24.440 --> 00:41:26.840
<v Speaker 1>know what I'm saying? Because either you wear glasses for

856
00:41:26.920 --> 00:41:29.960
<v Speaker 1>distance or you don't. So if he wears glasses, then

857
00:41:30.000 --> 00:41:32.119
<v Speaker 1>he would be wearing his glasses all the time and

858
00:41:32.159 --> 00:41:34.400
<v Speaker 1>then taking them off to look at the menu. But

859
00:41:34.480 --> 00:41:39.360
<v Speaker 1>it's the opposite. He's like, he's he's but it's so weird.

860
00:41:40.320 --> 00:41:42.239
<v Speaker 1>I didn't notice that, but I did. I did notice.

861
00:41:42.280 --> 00:41:45.519
<v Speaker 2>He's being obnoxious because he's really like owning her. He's

862
00:41:45.559 --> 00:41:48.159
<v Speaker 2>marked his territory. He's got his hands and when even

863
00:41:48.199 --> 00:41:51.159
<v Speaker 2>when they're all having conversations at the little bowling space,

864
00:41:51.679 --> 00:41:54.239
<v Speaker 2>he's got his hands all. I mean, I mean he's

865
00:41:54.320 --> 00:41:56.599
<v Speaker 2>kind of smart to do it. I mean, I don't

866
00:41:56.639 --> 00:41:58.760
<v Speaker 2>see why not. At this point, he feels like he's

867
00:41:58.800 --> 00:42:01.519
<v Speaker 2>dating her, he probably really likes her, and he's like, now,

868
00:42:01.559 --> 00:42:02.559
<v Speaker 2>what's side of the bed you sleep on?

869
00:42:02.639 --> 00:42:05.400
<v Speaker 1>He's going in for us if it's commercials. He puts

870
00:42:05.400 --> 00:42:07.920
<v Speaker 1>his arm around her and eat he's pulling her in

871
00:42:08.320 --> 00:42:10.599
<v Speaker 1>so that it's like they're sitting in a little cocoon,

872
00:42:10.639 --> 00:42:13.000
<v Speaker 1>and he goes, can I take you home right now?

873
00:42:13.960 --> 00:42:17.559
<v Speaker 3>And she would like, way, guy, we would like that

874
00:42:17.840 --> 00:42:20.440
<v Speaker 3>if we liked that guy, if we were on the show,

875
00:42:20.559 --> 00:42:22.760
<v Speaker 3>you wouldn't really be interested in that many people at

876
00:42:22.800 --> 00:42:23.280
<v Speaker 3>this point.

877
00:42:23.480 --> 00:42:25.639
<v Speaker 2>You'd have to do it for the thing, but you'd

878
00:42:25.639 --> 00:42:27.760
<v Speaker 2>love the guy that was like, Cam, we just fuck off, Like, No,

879
00:42:27.960 --> 00:42:29.400
<v Speaker 2>I wouldn't like that at all.

880
00:42:29.480 --> 00:42:30.920
<v Speaker 1>I would think that I would That would make me

881
00:42:31.000 --> 00:42:35.400
<v Speaker 1>so uncomfortable, And it's making her uncomfortable. She feels uncomfortable

882
00:42:35.639 --> 00:42:37.719
<v Speaker 1>that he's doing that in front of all the other guys.

883
00:42:37.760 --> 00:42:40.719
<v Speaker 1>She kind of pushes herself away from him, and then

884
00:42:40.760 --> 00:42:44.320
<v Speaker 1>he doesn't read that sap that sign. He's like, yeah,

885
00:42:44.400 --> 00:42:46.280
<v Speaker 1>what side of the bed do you like? And then

886
00:42:46.320 --> 00:42:48.119
<v Speaker 1>I was like, well, she's actually giving him.

887
00:42:48.159 --> 00:42:51.239
<v Speaker 3>She's like, well she goes into kindergarten in the bed,

888
00:42:51.239 --> 00:42:52.119
<v Speaker 3>I'm on the right side.

889
00:42:52.199 --> 00:42:54.920
<v Speaker 1>Yeah, yeah, are we in the doorway?

890
00:42:55.280 --> 00:42:58.280
<v Speaker 3>Are we are you on the bed looking at the TV?

891
00:42:58.519 --> 00:43:00.800
<v Speaker 1>Because in that case I would be the right my

892
00:43:01.000 --> 00:43:03.320
<v Speaker 1>right but if I'm looking, if I'm in the doorway

893
00:43:03.400 --> 00:43:05.880
<v Speaker 1>looking at the bed, then that I would be on the.

894
00:43:06.400 --> 00:43:08.039
<v Speaker 3>She's like, I also have a sex wing.

895
00:43:08.079 --> 00:43:09.639
<v Speaker 2>So if you're in the sex wing, it depends on

896
00:43:09.679 --> 00:43:11.320
<v Speaker 2>the aerial view that you have, because I'd be on

897
00:43:11.360 --> 00:43:13.239
<v Speaker 2>the left of the sex wing that hangs over my bed.

898
00:43:13.280 --> 00:43:15.559
<v Speaker 1>Is that okay, chuck, okay? Oh, I can't even imagine

899
00:43:15.559 --> 00:43:17.599
<v Speaker 1>her having any kind of sex wing. That would be

900
00:43:17.719 --> 00:43:20.280
<v Speaker 1>him who has it. That's who has it. The ones

901
00:43:20.360 --> 00:43:21.960
<v Speaker 1>you don't think those are the ones who have the

902
00:43:21.960 --> 00:43:28.320
<v Speaker 1>sex wings. Guys are getting upset, and Jordan especially, Yes,

903
00:43:28.360 --> 00:43:30.280
<v Speaker 1>but oh was it Jordan, which was the one that

904
00:43:30.400 --> 00:43:32.719
<v Speaker 1>was like fucking chalk is doing like a full court

905
00:43:32.760 --> 00:43:34.920
<v Speaker 1>press on Joan, like we get it, you're into her,

906
00:43:35.199 --> 00:43:37.800
<v Speaker 1>take it easy, No, Jordan. Jordan was the one who's

907
00:43:37.800 --> 00:43:41.199
<v Speaker 1>like pumped the brakes, dude, mm hmm. Yeah, they're not

908
00:43:42.159 --> 00:43:47.039
<v Speaker 1>super happy about this and going to push back. I

909
00:43:47.079 --> 00:43:49.159
<v Speaker 1>don't agree with you that she did. She was curled

910
00:43:49.199 --> 00:43:51.079
<v Speaker 1>up in his arms, she was down for it. She

911
00:43:51.239 --> 00:43:52.960
<v Speaker 1>was not doing much to make him go okay, well,

912
00:43:53.000 --> 00:43:55.679
<v Speaker 1>I do have to talk to everybody. She didn't really

913
00:43:55.679 --> 00:43:57.760
<v Speaker 1>do that. She was just she was just talking to him.

914
00:43:58.039 --> 00:44:00.840
<v Speaker 1>Whatever he wanted, she got, she did it well. This

915
00:44:00.920 --> 00:44:05.119
<v Speaker 1>is the episode where the guys are finally getting pissed

916
00:44:05.639 --> 00:44:08.639
<v Speaker 1>at another guy. We're getting we're having a little villain

917
00:44:09.079 --> 00:44:14.039
<v Speaker 1>our villain moment because even Jonathan, who usually is pretty

918
00:44:14.119 --> 00:44:17.599
<v Speaker 1>nice and pretty chill about stuff, is like Chalk and

919
00:44:17.719 --> 00:44:20.840
<v Speaker 1>Joan are like they're together, they seem like a couple.

920
00:44:21.840 --> 00:44:25.400
<v Speaker 1>And then guy is like speaking for the group. He's like,

921
00:44:25.400 --> 00:44:29.840
<v Speaker 1>look right, look, I gave Charles a lot of advice

922
00:44:29.880 --> 00:44:33.440
<v Speaker 1>about his wife. He's like, I diagnosed, like what happened

923
00:44:34.000 --> 00:44:36.440
<v Speaker 1>why his wife had some blood in her mouth? Like

924
00:44:36.760 --> 00:44:40.159
<v Speaker 1>this is this is who I am. So I'll speak

925
00:44:40.199 --> 00:44:43.480
<v Speaker 1>for you guys. Do you guys mind? Is everybody mind?

926
00:44:43.480 --> 00:44:45.239
<v Speaker 1>If I I'm going to represent you.

927
00:44:45.960 --> 00:44:51.599
<v Speaker 2>So he's like, Chalk, hey, Chock to give her some

928
00:44:51.760 --> 00:44:54.519
<v Speaker 2>time with the other guys, and Chuk just doesn't.

929
00:44:54.719 --> 00:44:55.320
<v Speaker 3>He doesn't care.

930
00:44:55.360 --> 00:44:57.079
<v Speaker 2>He does not pay. He's like, uh huh, it's like

931
00:44:57.119 --> 00:44:59.440
<v Speaker 2>a gnat on his on his arm. He does not care.

932
00:44:59.599 --> 00:45:01.960
<v Speaker 1>No, And then he even says to camera he's like,

933
00:45:02.679 --> 00:45:06.320
<v Speaker 1>I'm so into Joan. Oh can't be away for her

934
00:45:06.320 --> 00:45:11.360
<v Speaker 1>for it, And I don't fucking care. I'm gonna be honor.

935
00:45:11.440 --> 00:45:13.320
<v Speaker 1>I'm gonna be honor like white on Rice.

936
00:45:13.400 --> 00:45:14.199
<v Speaker 3>I don't care.

937
00:45:14.559 --> 00:45:17.360
<v Speaker 2>I don't care what the other guys do. That's their problem.

938
00:45:17.480 --> 00:45:21.360
<v Speaker 2>I'm worried about me and don't right right, So so

939
00:45:21.400 --> 00:45:24.400
<v Speaker 2>then so then Jonathan, this move on. Would this be

940
00:45:24.440 --> 00:45:27.079
<v Speaker 2>a good place to do our shouts?

941
00:45:27.599 --> 00:45:30.639
<v Speaker 3>Yes, actually, you guys, just so you know again, because

942
00:45:30.760 --> 00:45:33.079
<v Speaker 3>they're giving us so much, we're going to give you

943
00:45:33.159 --> 00:45:33.559
<v Speaker 3>so much.

944
00:45:33.800 --> 00:45:36.159
<v Speaker 2>So this is our part one for ending our part

945
00:45:36.159 --> 00:45:37.920
<v Speaker 2>one and do not forget. Part two is going to

946
00:45:37.960 --> 00:45:39.400
<v Speaker 2>be put up at the same time. So just go

947
00:45:39.440 --> 00:45:43.239
<v Speaker 2>find it right now. Yeah, whatever you want. We don't

948
00:45:43.239 --> 00:45:45.199
<v Speaker 2>have to do it right now. Whatever you want, I

949
00:45:45.239 --> 00:45:47.519
<v Speaker 2>think you should, they're gonna be at the same time.

950
00:45:47.840 --> 00:45:49.760
<v Speaker 3>Yeah, I think it's good to do it right now.

951
00:45:49.800 --> 00:45:52.280
<v Speaker 3>But like if you've got work to do, like we understand,

952
00:45:53.440 --> 00:45:55.239
<v Speaker 3>I'm just not trying to boss you. I just don't

953
00:45:55.239 --> 00:45:56.599
<v Speaker 3>want to boss them like you know.

954
00:45:57.559 --> 00:46:00.480
<v Speaker 2>Like a chalk like chalk like chalk would chuck would

955
00:46:00.480 --> 00:46:02.199
<v Speaker 2>be like you're mine, we're together.

956
00:46:03.400 --> 00:46:04.239
<v Speaker 3>But before we.

957
00:46:04.159 --> 00:46:06.920
<v Speaker 1>Go, let us say hello to some special people. We

958
00:46:06.960 --> 00:46:11.840
<v Speaker 1>have a new one. Yes, Happy Calman, Welcome Kathy Calman.

959
00:46:11.960 --> 00:46:15.360
<v Speaker 1>You are now a mansion man. Thank you for joining

960
00:46:16.280 --> 00:46:20.280
<v Speaker 1>our friends Don Lee, Sarah Baker, Jenny Harden, and Jane McMurray.

961
00:46:20.280 --> 00:46:21.320
<v Speaker 3>Thank you for being here.

962
00:46:21.400 --> 00:46:42.039
<v Speaker 5>And Adams see welcome Bomb.

963
00:46:42.360 --> 00:46:44.400
<v Speaker 2>We love you so much. Thank you for being here.

964
00:46:44.440 --> 00:46:46.719
<v Speaker 2>At this level, that's where you get shouts. But if

965
00:46:46.719 --> 00:46:48.840
<v Speaker 2>you want to go to the five dollars level, you'll

966
00:46:48.840 --> 00:46:51.159
<v Speaker 2>just get everything. You just get all the bonuses, you know,

967
00:46:51.320 --> 00:46:55.440
<v Speaker 2>like hundreds of them. I'd say, yep, so many bonuses.

968
00:46:55.679 --> 00:46:59.280
<v Speaker 2>Boneye the Boneye. And also let's just have a shout

969
00:46:59.280 --> 00:47:03.280
<v Speaker 2>out for Ashan Vajpay. He's hot, he's got a new baby,

970
00:47:03.599 --> 00:47:06.519
<v Speaker 2>and he wants to tell you all about Rotary dot org.

971
00:47:06.599 --> 00:47:08.960
<v Speaker 3>The Rotary Club. It's not just for like, it's not

972
00:47:09.039 --> 00:47:11.559
<v Speaker 3>just for mansion men. It's for everybody.

973
00:47:11.599 --> 00:47:15.360
<v Speaker 2>It's for it mostly for mansion men. I mean no,

974
00:47:15.480 --> 00:47:18.280
<v Speaker 2>it's for it's for everyone. It's to bring communities together.

975
00:47:18.320 --> 00:47:20.280
<v Speaker 2>It's not like what it used to be. Brings local

976
00:47:20.280 --> 00:47:23.000
<v Speaker 2>communities together and how ways that you can give back

977
00:47:23.039 --> 00:47:23.840
<v Speaker 2>to your community.

978
00:47:23.880 --> 00:47:26.280
<v Speaker 3>I think it's awesome Rotary dot Org. Yeah.

979
00:47:26.320 --> 00:47:30.880
<v Speaker 1>Also, our friend Laura Stewart has something called Aspire Counseling

980
00:47:30.880 --> 00:47:36.159
<v Speaker 1>of Denver and the website is Denver brainspotting dot com.

981
00:47:36.599 --> 00:47:39.800
<v Speaker 1>And it's a practice it's for They specialize in trauma

982
00:47:39.800 --> 00:47:42.599
<v Speaker 1>work and they do this thing called remote brain mapping,

983
00:47:42.639 --> 00:47:45.639
<v Speaker 1>and they give you a headset and you get neurofeedback

984
00:47:45.920 --> 00:47:48.199
<v Speaker 1>and coaching services. And you don't have to live there.

985
00:47:48.239 --> 00:47:49.960
<v Speaker 1>You don't have to be in Colorado. You can be

986
00:47:50.079 --> 00:47:54.079
<v Speaker 1>anywhere in the US. So go to Denver brainspotting dot com. Also,

987
00:47:55.159 --> 00:47:58.239
<v Speaker 1>I'll tell you about Adam Lerner. He's a car broker.

988
00:47:58.719 --> 00:48:01.199
<v Speaker 1>He takes all the pain out of getting a new car.

989
00:48:01.320 --> 00:48:05.360
<v Speaker 1>It's such a hassle to go test drive cars, try

990
00:48:05.400 --> 00:48:07.280
<v Speaker 1>to make a deal in a dealership, try to make

991
00:48:07.280 --> 00:48:10.440
<v Speaker 1>a deal online. He will cut all that out and

992
00:48:10.440 --> 00:48:12.840
<v Speaker 1>get you the best, lowest price that you can find.

993
00:48:13.559 --> 00:48:15.920
<v Speaker 1>And if you can find a low price, he'll find

994
00:48:15.960 --> 00:48:19.079
<v Speaker 1>you a lower price and he'll take care of the financing,

995
00:48:19.119 --> 00:48:20.800
<v Speaker 1>all the stuff. He's a car broker. So go to

996
00:48:20.840 --> 00:48:22.920
<v Speaker 1>Adams gootacar dot com.

997
00:48:24.079 --> 00:48:26.519
<v Speaker 2>And lastly, our friend Jamie val At spit by your

998
00:48:26.559 --> 00:48:28.840
<v Speaker 2>social If you want to elevate your business, even if

999
00:48:28.880 --> 00:48:31.679
<v Speaker 2>it's just an individual business or your medium small to

1000
00:48:31.719 --> 00:48:35.000
<v Speaker 2>medium size, you want to get it like social media hits.

1001
00:48:35.039 --> 00:48:37.880
<v Speaker 2>Get your TikTok and Instagram's reels done and find out

1002
00:48:37.880 --> 00:48:42.119
<v Speaker 2>how to get an audience. Spit by your social completely

1003
00:48:42.440 --> 00:48:44.239
<v Speaker 2>knows exactly how to hook you up. I mean they've

1004
00:48:44.280 --> 00:48:47.039
<v Speaker 2>been doing this for a really long time. They know

1005
00:48:47.119 --> 00:48:50.119
<v Speaker 2>their shit, and they've helped a lot of people elevate

1006
00:48:50.199 --> 00:48:52.840
<v Speaker 2>their business. So go to spitfiresocial dot com.

1007
00:48:52.960 --> 00:48:56.000
<v Speaker 1>Yeah all right, everybody, we will see you in a

1008
00:48:56.000 --> 00:48:57.239
<v Speaker 1>few minutes for part two.

1009
00:48:58.360 --> 00:49:00.880
<v Speaker 2>Yes, please join. There's gonna be a little surprise. A

1010
00:49:00.880 --> 00:49:02.199
<v Speaker 2>little surprise is going to show up.

1011
00:49:02.800 --> 00:49:07.360
<v Speaker 3>Bye bye,