Speaker 1: But I'm my penis.
Speaker 2: I will I will tell you about it. Hey, I'll
tell you about what. I'll tell you about that nineteen.
Speaker 1: Oh tell me.
Speaker 2: Show follow groovy Cats the place every Saturday except for
the first Saturday of every month, and very commonly also
on the first Saturday of every month, but then also
moved it to another day because we have one day off.
Speaker 1: But we're never consistent about when it is, interestingly.
Speaker 3: Say our schedule.
Speaker 2: That nineteen is currently on session twenty two of Gilgan's Grave,
which is airing Owen up right now at this time.
According to my watch, it's now time. The time is now.
Welcome back to it, as I tell you about it.
Here it is I passed you at screen crazy cats.
Speaker 4: I love the song so because if you had like
someone narrating over it, like in a hold in a hill,
I'm very very shire vibes.
Speaker 1: I love this song because it also sounds like a
song in Bridgerton.
Speaker 2: I see I passed you a scream Carrie. Upon the
screen is a live feed of NAT nineteen playing their
twenty second session of Gilligan's Grave. This is great, you ask,
but and then I put my finger to your lips
and I say, shush, no more words, I know, and
I passed you a scone. Oh what kind of scone
the scone.
Speaker 4: You wish for?
Speaker 1: Is it the scone that made last time.
Speaker 2: Scar's gone.
Speaker 3: A scar scone?
Speaker 2: I put a second finger to your lips and say,
I said, no words, Shut it, sugar. I passed you
a second scone.
Speaker 5: It's my house as well, odd sugar, scars skirts.
Speaker 2: I recede into the darkness, leaving you with a subpar
iPad streaming your new favorite online show.
Speaker 6: I'm excited about two scones.
Speaker 7: I'm excited about the scones and this new show, But
there was an odd man.
Speaker 2: You open your fridge, scones pour out in a scone
rock slide.
Speaker 1: Oh no.
Speaker 2: You attempt to leave your house. As you do, you
find the entrances have been completely barred with scones. Look
out the window. There's no outside. It is only scone.
Speaker 1: I don't like this.
Speaker 2: You attempt to call nine one one, but you find
you instead call scone. Scone scone.
Speaker 1: I'd rather die. I want to pull a Jesus and
I'd rather die.
Speaker 4: But if that wasn't the police, then who was scone?
Speaker 2: You take your grill your rifle pledge to end it
all in this terrible scony world. But the rifle is
a scone?
Speaker 1: Okay? Can I choke to death on all these scones?
Speaker 2: Yes?
Speaker 6: Nothing, I'm dead.
Speaker 4: Along the way. Stop that.
Speaker 2: Yeah, nothing can stop the scones from doing scone things.
Welcome back to not nineteen Gilligan's Graves, Session twenty two.
Speaker 8: We hope you enjoyed that weird buck ass opening.
Speaker 2: It's us watching the we that we are going to
be for some time until we all return to scone
because convergent evolution states we will all eventually be scone
eating crabs.
Speaker 9: It's awesome.
Speaker 2: It was always scone from here.
Speaker 4: I can't wait to have kitan kitens.
Speaker 2: Oh I see, I see, I see, I see have
like armor. It is I've always pronounced that chitten like chittness.
Speaker 4: Yeah, I said that too for a long time.
Speaker 2: Is it kiten?
Speaker 4: Yeah?
Speaker 2: Can we can we verify that? Because I've been That's
like a thing I've been wrong about all What if
that's true?
Speaker 4: Wow?
Speaker 2: Hecka will you verify if it's kiten or kitten or
kitten or kitten? No kitten. A beast with a large
kitten is shew kit Kiten, k and Kiten welcome back.
It is the twenty first of December, and as a
result of it being the day that it is and
next game being on the day that it would be on,
we are not going to be live streaming next week. Instead,
we are going to be pre recording a session. So
in advance to those of you that are out there
watching live, I want you to know that you will
be able to tune in again next week next Saturday
if you wish to, and there will be a game,
but there will not be a pre stream before it,
and there will not be any audience interaction because we
will be pre recorded. I do not know if we
will be back on the fourth or the eleventh, because
technically we'll be taking it a week off on the
twenty eighth. Technically we'll announce on our discords and social
media is once we know the plan, there will either
be back on the fourth or the eleventh. But circa game,
it's time for me to find out from one of
these lovely scones what happened last Scone?
Speaker 6: Pepper think what happen last?
Speaker 10: Scone?
Speaker 3: Scone?
Speaker 1: Scone keep saying it in the accent, I like it gone.
Speaker 11: Oh Scarn, man.
Speaker 2: My session, let that breathe until it fucking stops. I'll
get closer to your.
Speaker 11: Mic fam Oh yes, yes, yes scone.
Speaker 8: Uh.
Speaker 10: I think I think we were were at It's the
day before the Convan.
Speaker 3: Carnival tomorrow.
Speaker 10: We checked out preemptively some stuff because Scarn had been
there and saw some some strange happenings, and so we
we all collected ourselves to do that.
Speaker 3: I think Lilia.
Speaker 10: Went to check in on Soon, but he did something
about that, didn't I don't.
Speaker 12: We were all going to check it on Satoon.
Speaker 1: I'm sorry, and heild some bath bomb.
Speaker 13: Were we were all gonna go check in on Satoon
but it didn't really work.
Speaker 3: Oh wait, we were trying to, like.
Speaker 12: We were trying to.
Speaker 13: Get into mug runs a little early to see what
was going on because Scarn told us that there were
some emaciated lions were suddenly the SPCA for some reason, Canaos.
Speaker 3: Are kind of.
Speaker 4: I can't believe this is Jerky's origin story.
Speaker 1: Yes, even though we know we know it's or service.
Speaker 9: Uh and uh, I think that was we did.
Speaker 10: I was around, was around, I could get gig and
I have we have we confronted Maurice yet or is
that to be to be to be?
Speaker 13: I think we also confronted the funny mage guy with
the horns.
Speaker 3: Yes we did, Yes, we did?
Speaker 1: Did ye who?
Speaker 10: I'm like, maybe he can be redeemed and then he
says anything that's unredeemable.
Speaker 1: And opened his mouth and then never mind.
Speaker 4: Yeah, is because of visiting him that the scone saga
has begun?
Speaker 3: Oh yeah, and he's yeah. We we were interacting with
the terrorist at the.
Speaker 10: Very incompetent, very incompetent, you know, but if hey incompetent, terrorist,
in confident, warlock.
Speaker 2: Incompetent, poor dead pete employed ters, I don't really.
Speaker 1: Shouldn't be as afraid of him as we are.
Speaker 2: You guys are afraid of him. I didn't get that
Vick at all.
Speaker 14: Ever.
Speaker 6: I'm a child.
Speaker 1: I'm afraid of everybody.
Speaker 2: This man needs to be put in jail or led
to a soup kitchen.
Speaker 10: Mm hmm.
Speaker 1: Very true?
Speaker 2: Is that all? Is that all that happened last time? Brandon?
That all happened last time? Pepper Pepper Pepper? That was
good pepper Pepper.
Speaker 3: I don't know, God.
Speaker 11: Takes out.
Speaker 2: Pepper Pepper, I got it, there. Oh you got it.
Speaker 15: Yeah, from the top. Sunday day before the carnival, make
a group do stuff before. First we contact Tag which
Pepper's spelled twenty five words Max. He said no, we
have to go down and find him eventually. Second, Popeye,
he's just random. He comes up to Loriri to some
the glass eye. Fifty gold later and it's got a
freaking crystal eye for one fifty nice rolls.
Speaker 4: Bunny Temple.
Speaker 15: We need to know the location of the Bunny Lash
temple that Desmond is interrogating. The guy working at the
temple tell us where the temple is. They need to
open a seal chamber to get the information. Big old
ritual for this. At the end of the day. Third,
split time, Desmond's going to do Warren stuff. We're going
to contact Cathos. We go to the overgrowth, find the Cathos.
He's camping. He's channeling to find some stuff. We fuck
that up. He will find us our ways. I'm making
scones for the party and Cathos maple scones. Fourth, we
go to the mug runs and station. We check out
the goddamn cages. They're empty. Big cage gone. We investigate
the big tent Lord's spell. Go inside of the things
spines out. It's all dark at that. Inside of that, bitch,
we see the three kges one extra Scarn makes cookies,
not cookies, Scarn makes scones.
Speaker 4: Sorry that was all of.
Speaker 1: It, hot ass, bitch, but also d M's pet. What
the fuck?
Speaker 3: I look at the taken note.
Speaker 4: Sorry.
Speaker 15: Unfortunately batism doesn't stop with that. This is what happened
in school. I'm very good at taking notes, not information.
I can put it on the paper. I'm not keeping
it in my brain, though, because my brain has low RAM.
Speaker 12: That's why I've been taking notes and going back. I
only I've already filled out like pages.
Speaker 1: And I'm on session four new pitch slogan.
Speaker 8: Can can we do recaps as a group, because I
feel like that worked out really well when we were
all participating.
Speaker 1: I feel like we got so much information.
Speaker 2: Did we all participate?
Speaker 1: I think the only one who didn't super participate was Aaron.
We all participated.
Speaker 4: Was talking to my friend Ronald.
Speaker 1: Yeah, that makes sense.
Speaker 7: All of us had input that time, Justice the most,
but all of us had input.
Speaker 4: Ojoy.
Speaker 2: That is basically correct. It is currently during the day,
you guys are right now, I believe you were. Let
me chuck, you guys, remind me where where do you recall?
Speaker 4: The last place she was was? Where it was? Was
where the bar? After after they pretended to be drunk
and I escorted them away?
Speaker 3: Oh yeah, we sure did. Leia and I are said,
I get to y'all.
Speaker 1: Were doing that right right?
Speaker 2: You guys do use the clairvoyant spell to check in
on the on the circus, all right? That puts you
guys at It is currently about eight pm on Sunday,
the twenty fifth of November. The year is seven fifty
six of the second Era of the Second Age. You guys,
I'm gonna switch us over to the screen screen switch.
I hope I changed the reactives. Let's see if I did.
I are uh, they are arranged as if they were. Okay,
I did make a mistake. Hold on, I know my mistake.
I know what I did. You know what, that's great?
You know what, I know what I did. Hold on,
This garden's up so high. It's because they're placed for
the chibis. But I did not click the chiby one.
I clicked the button to turn into the normal ones.
But you know what we're still selling those chibies. Previous
for them are up in our store shop, so go
and check those out. You can buy these chibi's in
the meantime.
Speaker 4: Look at them.
Speaker 1: There you go, now the bank, here you go.
Speaker 2: Chib it up, GiB or not chib that he's the question. Okay,
my guys, Okay, my guys. So it is getting to
the later hours of the night and you guys are
in Lowtown currently, you guys are exiting from the wend
Wolf Tavern where you all stayed in. You use clairvoyants
to scry on the uh the big top tent in
the carnival area, and you found out that there are
three very large enclosures there that seem to be set
up for a performance. It is on you, guys, what
you want to do. You are still very much in
your time. You guys are aware that at noon the
following day, that very big top tent is going to
be used for whatever's going on there. So take it.
Speaker 11: Away, take it away.
Speaker 1: So, like, what's the plan. Do you want to rescue
the animals.
Speaker 4: Or I don't know what's up with the animals. I've
just seen the animals. They're looking kind of weird.
Speaker 2: No com wedate through.
Speaker 4: I mean, at this.
Speaker 10: Point you were definitely going to need to investigate, just
fully copying the accident that he was just doing.
Speaker 9: They kind of look like what happens with kids. Pettings
use a couple of days before a birthday party.
Speaker 1: So they're just are they just sad?
Speaker 9: I mean they'reated.
Speaker 10: I mean I feel like I'm inclined to say that's
not I feel like some fishies going on. You know,
I got the I got the rustling in my bones
that something is afoot.
Speaker 9: Oh no, something funky. Is definitely a foot and it's
no one's feet.
Speaker 1: Yeah, my smeet my feet, incredible.
Speaker 2: Smell.
Speaker 3: I think this has been.
Speaker 9: I think had the past couple of days not have happened,
I probably wouldn't have been suspicious of it. I'd say
maybe one of the animals are sick or something. In
Mudgrencious consider doing something about its animals before I consider
supporting their business. But we've also been in wrapped up
in weird Zombie God overthrowing the vocal conspiracies, so I'm
sure this has something to do with.
Speaker 10: That, right, And if they're willing to experiment on people,
they're definitely willing to experiment on animals fucking monsters if anything?
Speaker 9: Are who the experimented on?
Speaker 1: First? Oh my god?
Speaker 4: I would assume.
Speaker 9: The animals cannot speak?
Speaker 3: Should be But it seems like that.
Speaker 10: All is going to be figured out by tomorrow unless
we get ahead of it tonight. Should we steal an animal?
Speaker 16: H No?
Speaker 1: Why not?
Speaker 3: That might be contagious?
Speaker 10: You know, on top of everything going on, we also
have something that's contagious that's going on.
Speaker 3: I don't think that.
Speaker 1: But can't get pasted from an animal to a person.
Speaker 2: How do you know?
Speaker 1: Listen, you're upsetting the animals. Berry's crying in the corner.
Speaker 2: Sorry, yeah, Barry has that explains so much? Oh no,
for you wouldn't be able to tell. There's not much
to hollow out so much.
Speaker 3: Some two hundred subs and Heelberry.
Speaker 2: Two hundred or three subs and Berry will.
Speaker 1: Recover and Berry will be better.
Speaker 3: Yes, it's terminal.
Speaker 4: Mm permenal dog ardness.
Speaker 1: Let's uh, let's don't lie to people like this. It's incurable.
Speaker 2: We got we get we gotta, we gotta pack schedule today.
Let's try to linger too much on Berry.
Speaker 4: It's just fun, okay, get people stick all the time.
Speaker 1: Oh, okay, I don't know. You guys, what do you
want to do.
Speaker 10: It's depending on what if we want to take action
like now or try to ssess things out tomorrow. Mm hmm.
Speaker 9: There's also the thing of if we were to take
one of the animals, where would we put it.
Speaker 15: Yeah, I don't think there's much we can do at
this night. Everything's pretty close then from what we saw.
It's not like they have high security, but there's security.
Speaker 4: M We wanted to look around tomorrow anyways, and we
have to chuckle back over there around the exact same time.
Speaker 1: Right, So isn't it isn't it starting tomorrow?
Speaker 7: Like wouldn't it be harder to like look around tomorrow
with like everybody being there.
Speaker 4: There'd be more people, but you could also get places
right now if we go there and anyone sees us
they know we don't work there.
Speaker 1: That is Wow.
Speaker 10: Crowds are a complicated situation, Laurie, because like usually it's
like there's crowd control, there's if a fat breaks out
with a bunch of people witnesses, but also the fact
that we could be blending in into the crowds.
Speaker 8: Also, everybody like looks at a fight, so if we
needed everybody to look in like a different direction, we
could like fight and then like everybody will be looking there,
and it'd be a good distraction for somebody who wants to
just new. Yeah right, Like if Scorn just like randomly
punched me in the face, everybody's gonna look at that.
Speaker 4: If you guys broke in tonight and Lily I got banned,
it wouldn't be able to go on their day tomorrow.
Speaker 6: So yeah, you know, no, wow, first time.
Speaker 8: Yeah, damn, Lily. I would never want to do anything
to ever upset you. I hope you have a wonderful date.
Speaker 13: You didn't even do that directly at Laura, everybody.
Speaker 4: Stumbling out. He's like, no, no, I wouldn't.
Speaker 2: The entire I imagine happening in the bar, of the
entire bar, going quiet, very briefly looking over, and then
just like four seconds pass everyone goes back to doing
what they were doing. My throat, Jesus, it is so
stuffed up. I've been drinking.
Speaker 1: Good, do you need any laws?
Speaker 2: And yeah, I should be good.
Speaker 9: Okay, let me know thanks so mm hmm.
Speaker 1: But yeah, no, I'd never want to do anything to
upset you.
Speaker 10: Will make no promises at this time.
Speaker 1: We'll make sure you can go on your dude nor.
Speaker 10: Yeah, get your smooches in.
Speaker 9: Yeah, it's also like, hell, am I kidding? I'm not
gonna act that there's any other motives behind this. Yeah
all right, Jesus, Like I was gonna make up some
bullshit of like this is also to get information and
espionage and now it's.
Speaker 2: Girl.
Speaker 10: Yet I don't hear about like you get those bunny
buns bounced.
Speaker 3: Oh my god, you're not supposed to know what that means.
Speaker 8: I don't know what that means. That's why I'm confused.
What what I look at this?
Speaker 10: Anyway, we will not be tampering with nothing. We should
find like a genual game plan for tomorrow.
Speaker 1: Yeah, agreed, because I also want to go get that
load from my research.
Speaker 4: We can do tomorrow, Right, we'll straight THENT at your
place so we can get there as early as possible.
Speaker 1: OKAYO one, So we'll do that. Think of it that forehand,
what's the moon?
Speaker 9: Isn't that another person that we're kind of suspicious of
possibly also going to the miground sadness mm hmm.
Speaker 4: And when there's mm hmmm, they're being followed by the undertone.
Speaker 9: Now, but I imagine she'll be boring is anyway, specifically
from the undertow following he.
Speaker 4: I got Commander Dendron to put up at least two
people at any given time on her hopefully more line.
Speaker 10: That puts uh the scarn scanner is always in order
for there is some show.
Speaker 4: I mean, we can we can go talk with them whenever.
Speaker 9: Although not as inconspicuous. He's already interacted with her before I've.
Speaker 4: Already they won't be uh, they won't be in uniform.
He awesome. I'm not mad about it.
Speaker 3: Got them pretty much.
Speaker 9: Maybe get her off the habit of calling you sir.
Speaker 17: Look, yeah, she doesn't understand, she doesn't know you.
Speaker 1: What have you explained it to her like a sexy way?
I don't know.
Speaker 9: I don't think lady that created can just jump right
into things.
Speaker 1: He's just talking.
Speaker 8: He's just he's just gonna have that sixty scorn tone
that he's got.
Speaker 1: I don't know. He just talked to people and looks
smooth way in that in that.
Speaker 4: A good way to that easy buddy.
Speaker 14: That's not easy.
Speaker 6: You think I have a smooth tone?
Speaker 1: This was my only.
Speaker 9: Hope women are very complex and yet such good.
Speaker 14: I know you're complex. Don't lie to me, Lily.
Speaker 6: Everything I learned is contradictory.
Speaker 9: And I don't know how to do any of it.
Speaker 10: Yes, we are all very difficult.
Speaker 4: Oh you are trying to tackle things above your grade level.
Speaker 9: The simplicities of women in and of itself makes them complex.
Speaker 1: Oh my god, after the.
Speaker 3: Son you leave him?
Speaker 1: Oh my god.
Speaker 4: Okay, I think when you're older they give you classes
out at bart College.
Speaker 9: M yeah, maybe, but you have to be old enough.
Speaker 7: Okay, cool, but okay, you know what that's that's fine
because yeah, I'm really good at school, so that I can.
Speaker 10: I always found that field research was the best way
for me. But that's just mendo domo.
Speaker 4: They're not naked, kid, What what you wo? Yeah, there's
when people are naked?
Speaker 1: Does it? Have I been using it wrong? You guys?
Speaker 14: What is it you mean?
Speaker 10: Oh?
Speaker 1: God?
Speaker 4: Like I have to get innuendo before I put on
my pajamas to go to bed. What I thought it
was like an elfin word? What that, huck? I don't
need your sexy elf talk all right.
Speaker 3: In the window.
Speaker 10: Is not elf talk.
Speaker 3: That's just the word. That's the word.
Speaker 12: That means a double.
Speaker 10: Meaning, meaning do you three different languages?
Speaker 1: Oh, Sten, I trust Desmond.
Speaker 4: I'm pretty sure it has something to do with but.
Speaker 1: Oh my god, I've definitely producing it wrong.
Speaker 12: No, it's not an in your window, that's an in
your endo. That's different.
Speaker 4: Everyone gets an in your endo in the army.
Speaker 1: Okay, what's your what's an innorendo.
Speaker 9: Medical procedure.
Speaker 3: For it?
Speaker 9: Oh my god, I I like I didn't need to
know that all men in the military need in your windows.
Speaker 4: But okay, you know it's not that they like. It's
just it happens like you know, you're you're a little
too hot, you know what, Mom?
Speaker 6: Another end on me.
Speaker 1: I feel like I learned so much. Should be fun.
Speaker 18: If Bob was working this day.
Speaker 1: Anyway, we should.
Speaker 3: Yeah so so Scar so scar scan If you're moon faerous.
Speaker 1: Plan one, okay, the fair.
Speaker 3: Scar got it.
Speaker 7: Should we stick together or should we all have individual
things that we should be doing?
Speaker 19: Mm hmm.
Speaker 3: We can do our personal goals and stuff. I'm gonna
be sneaking around.
Speaker 10: I mean, I might putting on one of my disguises
and see if I can scramble up something.
Speaker 8: Okay, because doesn't go to Maurice's and try to get
the letter. So we'll probably meet you guys, look at
the thing.
Speaker 4: Yeah, I mean no one loves close tests. Anyways, Sky
be here first because he lives here, rock throw to monrongs,
and the rest of us can get here. When we
get here, keep an eye out for each other and uh,
I don't know, we'll investigate.
Speaker 1: Okay, So we're just doing like info gathering.
Speaker 4: No, I mean worst case scenario, we're killing time if
nothing goes wrong, right, that was me money the Yeah.
Once we once we kill enough time, we can go
talk to uh Fox stick over in the park and
he should have figured out where the other large temple is.
And then we also have to I have to stop
by the temple tonight and we can hopefully learn a
little bit about where the moon rabbit one is, and
then we'll have all that information and then if nothing
goes wrong tomorrow, good. Uh we can would say that, Christ.
Every every night I go to sleep, I think, man,
what if nothing goes wrong tomorrow, that's where so much.
Speaker 1: Bad that's been happening to us, Jesmond.
Speaker 4: I don't believe you. I've been doing that every night
I've lived.
Speaker 13: Here, forever.
Speaker 4: Oh my usually nothing goes wrong.
Speaker 6: Oh my god.
Speaker 1: Oh I'm gonna go with you.
Speaker 4: I'm only like one hundred years from retirement. Jesus, maybe too.
I don't want to push it.
Speaker 1: Anyway.
Speaker 9: Okay, So are we just like, are we just putting
down our death flags?
Speaker 12: Is that what we're doing?
Speaker 1: Mm hmm?
Speaker 3: Oh man, I have to save my family.
Speaker 4: You carry a flag with you.
Speaker 9: Okay, it's okay. We'll figure everything out. Everything will be
all right, and then we'll just proceed with our normal lives.
Speaker 4: Swigs one back exactly, so you get it.
Speaker 3: I mean, you've got your whole future to think of.
Speaker 4: Sure you still want to, you know, find out this
dead beat daddiers.
Speaker 1: Yeah, I got a hold ahead of me.
Speaker 8: I gotta find my dad and the prettiest girl in
all the land to swooch me.
Speaker 4: Oh like, are you talking conceptually or is there someone
specific in mind?
Speaker 1: Was conceptually?
Speaker 4: Okay?
Speaker 8: I mean you guys keep saying that I can't swooch
anybody who like isn't my age.
Speaker 1: And I don't really know anybody who is my age.
Speaker 4: So.
Speaker 9: Already giving up on my three sisters, I understand.
Speaker 1: No, I just respect you so much.
Speaker 3: I don't.
Speaker 1: I don't want to.
Speaker 3: I mean, it's not.
Speaker 10: Just a kid looking at this table, y'all are I
mean scaring your part?
Speaker 3: Else you're going to be here a long time.
Speaker 4: That's true, relatively, hold.
Speaker 3: Will live decently.
Speaker 4: I don't know.
Speaker 1: You don't know.
Speaker 4: A week or two ago, right, but not long? About
a week ago?
Speaker 1: Sorry, I'm terrible memory.
Speaker 2: What's carry's accuse?
Speaker 1: I am terry.
Speaker 16: Of the characters being played by their players is always then.
Speaker 4: Ye on the birthday right twenty.
Speaker 1: It's really young for anolf, like, oh my god.
Speaker 10: And some of y'all haven't even traveled. I mean rand
and I A lot at the travel I did wasn't
technically true, and I'm most of my travel has been magical.
But that's besides the point. There's lots of living to
be done. M hm.
Speaker 4: You gotta pack your bag, you gotta hire a coach,
or you gotta join a group of people, and then
you gotta avoid bears or something. I don't know, I've
never done it, or.
Speaker 1: The army that they make you do that? Okay, but
travel right?
Speaker 10: They say that in that case they have traveled.
Speaker 1: Oh it's wait wait war.
Speaker 3: No, I just meant, like my family and not traveling
as agree that's going.
Speaker 1: Oh BIG's your family?
Speaker 3: I don't want to go to war big how big?
Like yeah, definitely. Yeah, there's like.
Speaker 10: Fourteen kids not something holy crap.
Speaker 3: But some of those are between Mamma and like Darryl,
but you know some of the one of the dads.
Speaker 2: It's a whole did you just name a kids Sadria?
Speaker 8: Okay, okay, it's spelled really fair and see like how
Lexi says.
Speaker 2: Where's where's ye where's the apostrophe?
Speaker 14: It's like that.
Speaker 2: Yeah, it's actually like fucking it's actually.
Speaker 4: Something.
Speaker 13: Well, yeah, Gloria, I can't think of the most Cassodrian
names of all of existence.
Speaker 4: My character who is ever speaking, I feel like there's
a lot of Casandria with relatively ordinary sounding names. I'm
telling you get it on text, until you get it.
Speaker 3: On paper, yep, raw, yep.
Speaker 1: Yeah.
Speaker 10: And then they're like some of our cousins come stay
by all the time, and they come to see Memmo
and Mama. But then there are the other families and like,
you know, the people that just had came a part
of my family are half siblings instead cousin be a apostrophe,
a b all.
Speaker 6: Right, I've had that's incredible.
Speaker 16: You know.
Speaker 2: I was literally thinking of what name could you do
that you could not fancy up and by landing on Bob,
Bob was.
Speaker 4: The one I landed.
Speaker 2: And then Aaron did it bitch, But I don't I
don't know, I mean kind of, but I think that's
still Bob is still doesn't It doesn't go gracefully, but
it's crazy.
Speaker 1: He's fucking great.
Speaker 10: But yeah, well we all, I mean, we've got like
a main place to go back to, but we're kind
of nomadic to extend as well.
Speaker 4: Yeah, I remember getting that DTS from uncle hmmm. Yeah.
Speaker 10: Ah, he's kind of I mean, he just got back
on our system. We didn't know where he well my
mom my mom knew what he was doing, but we
didn't know like he was out of school and like
kicking ass like he is. They didn't talk for a
long time, which is kind of crazy because we all
keep in touch with each other.
Speaker 3: For the most part.
Speaker 10: So he's kind of like new family, which is why
I was like all weird when I was like.
Speaker 3: I love you and he was like, uh.
Speaker 1: Huh.
Speaker 3: Family's family. He's done a lot to help me out, so.
Speaker 16: M hm.
Speaker 3: So yes, bigger than Lily's family by a lot.
Speaker 1: Damn.
Speaker 10: So y'all go into Yeah, I don't mind answering the question.
So y'all are going to get a letter from Maurice
and we'll touch base afterwards on that.
Speaker 1: Yeah, doesn't want us to go to the temple tonight
right where you wanted to go.
Speaker 4: Probably would be easier to go tonight there in that
ritual to open the ball whole cave bunny cave thing,
and inside the bunny cave is maybe things that will
be helpful.
Speaker 3: Oh yes, how could I forgot that?
Speaker 16: Yeah?
Speaker 1: I go with y'all.
Speaker 4: Yeah, yeah, because they said we could either come tomorrow
or tonight. So I figure I should go tonight because
it sounds like the dock it's pretty full tomorrow, and
I don't want to take any away from the low
Town area if we're going to be talking about mung rooms. Also,
I think that it'll just have fun there.
Speaker 1: I'm excited.
Speaker 3: It would be fun to see how you fit folk
get down.
Speaker 4: I figured that's not appropriate conversation.
Speaker 3: Why not like that?
Speaker 1: Holy crap, what's gonna happen?
Speaker 3: Mhmm, I meant la party, sure take it that way.
Speaker 1: I'm just going to you guys, like, what are you about?
Speaker 4: You just shouldn't be talking about partying in front of
the kid.
Speaker 1: Party? What Why can't I party?
Speaker 4: Have different kinds of parties? You've tried to party once
and you nearly I don't know, vombed everywhere.
Speaker 1: I was fine. I was like that tutorial is partying
like code for drinking.
Speaker 4: It usually goes handed part of it, part of.
Speaker 6: It, yeah, encompasses part of it.
Speaker 4: Yeah, okay, and then there's another part where you get
to keep never mind.
Speaker 1: What what No, don't explain to me what party?
Speaker 10: No?
Speaker 4: No, no, too much, you're not ready for that party. Yeah,
we should probably get back to your kid.
Speaker 1: Okay, I need you guys to give me a number
for when you think I'm going to be ready.
Speaker 6: For forty four forty you're not even forty four.
Speaker 4: Yeah, but I'm a different I'm an elf. We're different,
we auge different.
Speaker 8: The thing about that, technically, because you age different, you're
you're like me. You're like a kid version of what
you're gonna be. So we should all be keeping things
from scard. How do you know that except read it
in a book?
Speaker 1: Dude.
Speaker 4: Yeah, but I'm bigger than you.
Speaker 14: Well that's wild. What what you get to know more
because you're taller.
Speaker 3: Because I'm bigger than you.
Speaker 8: God, that's Horshiti doesn't know all this stuff and they're
smaller than me.
Speaker 1: This isn't this is not.
Speaker 4: The smaller you are, the longer you have to wait.
I only learned this stuff when I was like thirty
or something.
Speaker 1: Thirty.
Speaker 4: Yeah, you have to wait.
Speaker 3: I'm thirty to know what partying is.
Speaker 20: Yeah.
Speaker 9: Yeah, I was just gonna say we should just like
wait till they're like fifteen or something like.
Speaker 6: That's so much better enough for Thank you, Lily, y'all.
Speaker 9: I thank god guys red free when you're when you
were just a little older than him.
Speaker 10: That passage he must collect a rock from the darkest
of caves. Once he's found.
Speaker 8: All right, all the objectives, all the objectives person, all
other objectives dropped.
Speaker 14: I'm getting this rock so I can know what the
fuck's going on.
Speaker 4: Don't worry about the for now.
Speaker 14: I think we're going to bed before we're going to
the tumpoole.
Speaker 4: Well, we can get we can drop you off for
your place so we can go unless you want to come.
Speaker 6: I don't want to call.
Speaker 4: Yeah, I might need to come back because if they
fall asleep over there when I need help moving them.
Speaker 1: I'm gonna baby, I'm not gonna ball asleep at Desmond
and Pepper. I'm bigger than both of y'all. Y'all can't carry.
Speaker 3: Who's gonna have to get.
Speaker 4: Your feet because it soon's play.
Speaker 1: Yeah, I want to go. I'm a little I'm a
little bit, but I'm not gonna fall asleep. I'll be fine,
not a baby. Okay, Okay, we're.
Speaker 4: Going Moon Bunny. I know it's a bit of a
walk for you too. I'll take the time. You're welcome to. Yeah,
we can get that done tonight and then uh and
we'll work out everything else in the morning.
Speaker 2: All right, So what's the plan? Who's going where?
Speaker 3: Pepper, Bunny, Tupple.
Speaker 2: So Pepper, Desmond, and Lawrence are going to the temple?
Speaker 4: Scarn said it like they were coming as well.
Speaker 2: Scart is going there as well? Does that Lily? Are
you also going down at a convenience or I think
she'll got out.
Speaker 9: At a convenience.
Speaker 2: Yeah, okay, So you're all gonna make your way over
So one, two, three, four, it's gonna take you guys
about the better part of an hour to get there already.
You guys, head out. You head out from Low Town.
You head out from the wend Wolf Tavern, make your
way up through downtown, head your head back through Low Market.
As you do Lawrence and Desmond, you become aware that
you pass by the relative home location of Maurice. As
you go. You continue on m Nothing out of the ordinary.
I'm just reminding you that that's generally where he lives.
To make sure you do not see him as you
passed by the view of his house, because you would
because basically everything is visible in Low Market. You don't
see any lights or anything on. It seems like he's
turned in, but it's pretty late and he's he's one
of them boring responsible adults. He's a in bed by
nine kind of guy. Like six when we were walking by, Yeah,
what were you sewing?
Speaker 4: Felt?
Speaker 2: Oh, I see.
Speaker 3: Another lovely fabric.
Speaker 2: Certally is a fantasy world, because only in a fantasy
world can I express something going to bed at nine, You, guys,
continue through Low Market, head your way down to the
Temple the Moon Rabbit. You once again enter into the temple,
where there's perpetual moonlight coming from above, but at this
time of night it is effectively legitimate moonlight. You head in.
You head up the pathway leading to the temple, and
as you enter into the main area, you find moving
past the first large set of the stone double doors,
pushing them open. Heading inside into the reception area of
the temple, you find that it is empty compared to
how it usually is, with the exception of two temple
nights who appear to be guarding at the entrance to
head deeper inside the temple. And as you guys enter
and or at the end of this like thirty foot
long reception area on the other end, you just see
one of them call out, excuse me, can you state
your business?
Speaker 4: A bit were requested there, A matter of function requested
for Yeah, wee the reason you're opening the rabbit hole?
Speaker 2: Oh I see, uh? Can I ask the nature of
your visit? The entire temple is currently busy doing just that.
Speaker 4: Well. They said that they were going to be doing
that this evening and that they were going to be
trying to glean what they could, So I came to
give what assistance I could. Sooner we know, whatever we can.
Speaker 2: The better the temple night, the hired the hired help
who you take that. The only reason they're not inside
helping with whatever's going on is because they fall into
the category of not actually a member of the clergy here.
They're one of the mercenary sorts who are hired just
to guard the temple. One looks to the other, the
other a woman looks to you. The plans may have
changed somewhat, but if you'll come with me, I'd be
happy to explain to you what's happened.
Speaker 4: Okay, oh no, that makes sense to me.
Speaker 3: What would have made him change?
Speaker 2: It's easier to show.
Speaker 10: You, no.
Speaker 3: Sure.
Speaker 2: They open the doors that lead into the inner sanctum,
the same paths that you would normally follow if you're
trying to get to Linnell's office, or if you're trying
to get to where Soon stays, or what have you.
They walk you, guys, inward through some of the brief
hallways that are within the temple, and specifically they take
you to a place where you can see out the
windows to the inner garden, the place where you saw
that they were setting up to begin this ritual before,
where they were all preparing some kind of ritual in
front of a large statue of Chan Kara Gosh. You
see that, effectively, the entire clergy, which I will remind
you this is a small town. It basically is composed
of maybe a dozen people, most of them accolytes or
rank and file priests, with Linnell in the center of them,
kneeling down. They have this silver bound book that they
have open, and they appear to be chanting. You note
that up above them its open air. Up above you,
like you can see the cavetops above you. There's like
an outdoor garden ring effectively that you're looking into. And
you see that the moonlight that is pouring down from
up above is a stronger silvery light than it normally
is coming down from the top of this. As the
temple night takes you to the proximity of this, they
kind of do a shushing motion preemptively as you guys approach,
and they gesture towards the center. They didn't know the
exact nature of the ritual they were gonna have to do,
but in times when the inner inner sanctum has to
be unsealed, the entire congregation must take part in a
full night long ritual offering prayers to Chan Kara Goosh.
They can't be bothered otherwise the entirety of this is
going to have to be reset to tomorrow night. They
actually only started it several minutes ago.
Speaker 3: Oh, so this will take entire twenty four.
Speaker 2: Hours, not twenty four it will take They look generally
up towards the ceiling, toward the light. Whenever a moonlight
started to properly come through the ceiling through the moon
root above is when they started. Linnell's approximation is it's
going to take from not roughly nine to nine as
soon as the moon roof begins to change to acquiesce
to the sunlight above, the ritual should be complete, effectively
the passing of one moon. As Chan Kara Goosh watches
those who walk under the darkness of the night, so
too must they stand and must pay tribute for the
entirety of the passage of one night.
Speaker 4: Let's keep this conversation going in a different room.
Speaker 2: Then they walk you. They seem to start walking you
back toward the front reception area. I'm assuming that nobody
objects to this, which now is your chance. But assuming
nobody does, they walk you back in. They very quietly
close the internal stone doors. They seal them. There's this
very subtly as it closes. You got this place is
normally like it's not loud, but normally there are some
people hanging out out front here. There's usually some degree
of chatter murmur going on, but it is so quiet
and still in this place right now that even the
subtle closing of the door feels like it echoes out
through the entirety of the temple. Is there anything that
we can help you with while we're here?
Speaker 4: Hard to say.
Speaker 2: Okay, well, if you think of anything, then my partner
and I are the only people who are posted here
tonight to make sure nobody interferes and to help with
anybody who comes to the front. We are at your
disposal should you need us.
Speaker 3: Thank you much appreciated.
Speaker 2: This is a very big day for this temple. Well night,
I guess in a sense, this place was kind of
built more like a vault, and the clergy of chan
Kara Gosh, the Loomites, we're assigned here to make sure
that nothing ever broke into the inner sanctum. So from
what I understand, this is a bit of an evolution.
After this, the purpose of this temple might change somewhat
not as long as we keep making our weekly salaries.
I'm not really that concerned with whatever it becomes.
Speaker 10: Damn deities really lacked themselves a vault.
Speaker 7: They do.
Speaker 10: I guess it makes sense that they would have more
stuff to put in a.
Speaker 3: Vault, like cheese.
Speaker 2: The other the other temple Knights speaks up very briefly. Yeah,
it's in the travels that we've had. This is not
the only temple that we've worked that. A lot of
the older temples across Somnis Domina we've noticed, particularly across Retia,
do all seem to be built on top of things
or to hide things.
Speaker 4: That mmm.
Speaker 2: With all temples, oh love variety. We've just worked fat
under very many gods, only a few temples of the eight,
normally lesser deities. There's a certain the clergies of the
eight tend to handle their own temples, since they're usually
a bit more specific about what they need. Our kind
of jobs usually fall to bouncing between all of the
the temples of lesser deities. They tend to have less
faith and manpower to go around, and when they do
have people, they're usually not trained for combat. So we
can make a bit of a killing offering our services,
following their customs, learning their rituals. We've been here for
a couple of years now. Before us, it was some
other members of a group we work for that rotated in.
Speaker 4: Do youohn. They check to see if there's like a
vault or anything below a temple of Lana.
Speaker 2: The temples of Lana are sometimes a special case because
they sometimes are also gambling holes.
Speaker 4: Ah, that's my punchline.
Speaker 3: I was wondering why you were chuckling.
Speaker 10: I don't study that deity stuff too hard. I know
that it's a part of the world we live in,
but so there's a lot of other.
Speaker 2: Stuff work as working as a gardigan at a temple
of Lana, there's a lot more akin to working as
a bouncer.
Speaker 4: Yeah, that's about right.
Speaker 3: God sounds like my type of God.
Speaker 2: Is there anything else that week help you all with?
Speaker 4: I mean, depends on what you guys want to do.
It's a bit it's almost two hours back to your place, Lilia,
and it's what almost ten now, right, Yeah, come around midnight.
If you head it out immediately, you could try and
stay somewhere nearby. You're walking on my place, you're at
the kids. I'm sure.
Speaker 9: I know I have to. I have to get immediately ready,
I told I told him I'd get here bright and
early to catch him mid trance.
Speaker 4: The alternative option, assuming there's room for us, as we
could stay here or at least some of us.
Speaker 3: Yeah, I mean it's either here. I was thinking of
taking up your offer a couch. There's I walking all
the way back home.
Speaker 4: There's no broad objections. I know that there's spaces for
normally people in need, but it seems like the typical
functions of the place are a bit for the count
People need a place to stay tonight, then they can
stay out here. Unfortunately, we have emptied out the interior
of the temple. I will was sure for us at
a security also in case anything might go wrong. I'll
probably take the kid back to his place so we
can get up and get to Maurice early. We can
check on you guys in the morning, certainly the rest
of you guys. Anyone sound interested in that plan or
do you want to proper bed? I mean, this isn't
exactly that height of comfort.
Speaker 3: I'm down for crashing wherever.
Speaker 1: Yep, guess it'll be fine, fall asleep.
Speaker 4: Yeah, heard scarns here how about you, Lily, Mmm, I.
Speaker 9: Might want to make my way home.
Speaker 4: I want to be ready for everything. Yeah, girls gotta
be ready for a date. Makes sense.
Speaker 1: Yeah, it makes sense to just gotta have her pall
made for her paws.
Speaker 9: Yeah, mat.
Speaker 3: And yours they're so soft. You gotta tell me what
your what your fur routine is.
Speaker 10: I can never get my fur to be half as
detangled as yours.
Speaker 9: I mean, our furs are also different. Mine is very soft,
that's true.
Speaker 1: Is yours not very chopped and fluffy?
Speaker 10: Pepper?
Speaker 16: Mm hmmm? What what?
Speaker 1: What are you like glaring at me? I'm just curious.
Speaker 3: I'm not glaring. I'm thinking.
Speaker 10: I don't know. I mean, I touch my fur all
the time, and it's like whatever, it's like the furfy.
Speaker 9: It's like for me, the soft and fluffy part of
a fox is furs in the undercoat. Okay, we had
the top coat. It's a little bit rougher because it's
supposed to beat that it's supposed to be taking a
beating from the elements. Meanwhile, we bene s oh, like
as head, do you have an undercoat?
Speaker 16: No? This is.
Speaker 1: Okay. I mean I was asking Pepper should an undercoat?
Speaker 4: Yeah?
Speaker 3: Well like under my coat.
Speaker 2: Yes, you do recall when they turned back into like
their true form. It's not like unlike Lilia who is
covered in fur. They were not covered in fur. They
had their hair. They had basically their ears and their
tail were the only real fur additions.
Speaker 16: Yeah, yeah, you can probably tell the peppers tuck their
invisible tail behind them because, as I assume, I'm probably still.
Speaker 8: Okay, so you don't have an undercoat when when you
look like this, but you can turn into.
Speaker 1: Like a like fox. Yes, you have an undercoat, and
that would be the softest part of your fur.
Speaker 10: Yes, my tail has an undercoat. That's besides the poem.
Speaker 1: I'm just learning about. For are you mad?
Speaker 16: No?
Speaker 2: Can I make a bold assumption that you guys wandered
away from the temple nights before talking about I just
want to be very clear about where you otherwise in
front of this guy being like what til Yeah dude,
for real, like you guys like leave the temple and
then that's this conversation.
Speaker 20: Yes, okay, cool, Yeah, I just want to learn cool
are you guys?
Speaker 7: You guys got to do different stuff to maintain that's awesome. Yeah, cool, Okay,
So it looks like we're all staying except for Lily.
Speaker 4: It makes sense not much farther to the market from
here than my place, or you're a little faster for
city yours. But I don't want to leave scarn here alone.
You could probably stay here, all right.
Speaker 2: So that's the plan basically, for you guys to head back,
for most of you to head back to Desmond's house,
and for Lily to scamp run back to your house,
so you guys can get.
Speaker 4: Lily back up through at least up to downtown and
then come back.
Speaker 2: Okay, all right, Yeah, we got to the lady home,
you guys do, So whether or not everybody goes with
you to escort them up there or not will ultimately
be irrelevant because spoiler tag, nothing's really going to happen
to you between here and there. Uh So you do so, Lily,
you see yourself on back to your house and the
dropping Edge. As you head back to the dropping Edge pit,
you do kind of have a moment whereas you're heading
into the cave that sections off the rural area, you
do turn around and look kind of back into the forest,
and you are now just consciously aware that there is
a addislin hecking cleric sorcerer in there doing some magic,
hiding out, being homeless. You are just cognizant of there
now being this magic man basically living across the street
from you.
Speaker 4: It was the dropping edge.
Speaker 3: Version of Mama.
Speaker 21: It's just that moment where she just like she looks back.
She's just like, hmm, walk back to her house.
Speaker 4: Yep, I put the gifts.
Speaker 2: It's not necessarily like a yeah, totally. It's not a
sense of fear or anything. You're just aware of how
close he was, and just briefly, especially given how many
hidden factors there are in the town right now with
the cult and whatnot at work, it briefly reminds you
of how something can be hidden in plain sight, how
it can be so close to home but completely obscured.
And then that thought leaves your head and you head home. Yep,
all right, as you head home, Actually, he Lilia, can
you do me a favor? YEA, so before before this,
as you head out of Lowtown, because you would have
had to pass down through it, could you call me
a perception check.
Speaker 9: A perception on lady.
Speaker 22: H your bun wee eyes, my bunny eyes, my banui eyes,
my byes, wonderful byes. There's fourteen for a nineteen altogether
at thirty nineteen.
Speaker 1: Let's go.
Speaker 9: Yeah, all right.
Speaker 2: You don't think much of it. But as you are
heading back toward the dropping edge pit, as you head
back past the the uh dump Fuss, which is the
Isthium residence, his Scarn's residence and his family, you do
notice that off beyond that, near the cave walls where
the mitigate temper is the dojo effectively where Scarn's father
trains out of Yah that irregularly late, not irregularly late,
but it seems as if it is open and active.
But you do not hear as much noise or see
as many people inside as usual. You do, however, note
that there is a figure standing roughly in the door,
quite far away from you, like you're seeing this from
like a couple hundred feet wet feet away. You're being like,
this is blurry at best. You do notice that he
seems to be outside of it, lights on inside, talking
to somebody as someone seems to have come to visit
it that has pulled him out and away. Whether or
not you take attent, pay any greater attention to that
is your call, but you just note that it seems
like he is a visitor who has removed him from
his usual activities.
Speaker 9: Like Scarn's dad Paul.
Speaker 1: Mm hmm.
Speaker 2: Do you want me to do you want to roll me.
Speaker 10: A?
Speaker 3: I hope it's not, sir.
Speaker 4: What would it be.
Speaker 10: Roll me a?
Speaker 2: You already did perception?
Speaker 5: Mm hmm.
Speaker 2: Do you have dark vision?
Speaker 1: I can give myself dark vision, yes, But would you
for this.
Speaker 23: M if if if I if Lily thought that this
is it's really late, which it is for Scarn's dad
to be doing something, let alone being pulled away.
Speaker 13: She would she'd she'd turn on the old peepers. I
mean she's about to have a rest anyway, she'll get
that spell slot back.
Speaker 2: Your bunny eyes glow with an unbunny like predatory hue
as you cast dark vision. I'd like you to roll
me another perception check Yeah, pop ups every time you
open your.
Speaker 12: Sheep there's seventeen for a twenty two.
Speaker 2: The person that they are talking to is somebody you recognize.
As you see they are talking to the still sheepish looking,
very quiet iteration of as you know her Mouontheris seems
to have visited that home and the Hattisland woman seems
to have pulled Paul talk out, not pulled literally, but
seems to have removed him, and they seem to be
having a very casual conversation outside.
Speaker 12: Are they like in the brush or any sort of thing.
Speaker 2: Nope, his place is tucked out back behind everything else.
But there's a pretty large stretch of cave between a
lot of just like cavy field between the path that
you're on in it, Like if you're on the map
right now, do you have the map open? Yeah, I
like right there. If you look at Lowtown, you're like
right there, yeah, And they're like right there, And there's
like some curvature and bumps and hills like here between
you two. But for the most part, it's a pretty
straight shot. It's just in the dark because there's no
like city lights at that area. There's no like torches
or whatnot, So by turning on your dark vision you
can basically see them. They're not hidden, they are out
in the open. If anything happened between them, you have
a feeling that people would become aware of it immediately.
And the conversation seems to be pretty basic. Whatever they're
talking about it, they've just kind of Paul Talk's got
his arms just like casually kind of crossed occasionally like
takes one out in gestures in a very simple ways.
If he's explaining something. It's a bit hard to tell
his vibe because Paul Talk is always kind of reserved
and sullen, So he currently looks reserved and sullen as
a cappy bar would, and Moon Thearis, from what you
can tell, has her general sort of devoid of most
feeling look to her.
Speaker 13: There's there's this growing thought because it's like, it's it's
late in the night, and she can be nosy in
two ways.
Speaker 3: She could approach and then.
Speaker 12: Be like, oh my god.
Speaker 9: Second, the father, Hello, it's so late in the night.
Speaker 12: Watch you both don't win. And then there's also depending
on how far.
Speaker 13: Freaking how far the distance is between where she is
and that closest little bush by the mitigant temper, It's like,
how fast can I turn invisible book it to that
bush and eavesdrop on their conversation.
Speaker 12: There are two ways I can do this.
Speaker 3: I mean, if you're invisible, do you need to book
it to the bush?
Speaker 9: I can only be invisible for a minute.
Speaker 1: Oh she excuse me? I'm gonna run.
Speaker 2: According to the map, the distance between these two points
is roughly four hundred feet. If you turned invisible, you'd
be invisible for one minute and every round, assuming you dash,
you can move about sixty feet, So you could basically
go invisible and get from here to there by dashing
pretty quickly. Plus you know we're in role play mode. Honestly,
if you want to turn invisible and then just make
me a stealth check with advantage to get across there,
I won't even the distance is not something I think
we even need to engage with right now.
Speaker 19: You can just try to do that, because there's also
the thing of if she goes invisible, and she does
that and she is just a second too late, and
it's just she's here now, Oh hi, Lilia, what are
you doing here being invisible?
Speaker 12: Seeking around?
Speaker 2: So you get the sense that if you used invisibility,
if it was the spell it lasted a full minute,
you get the sense that you could definitely get over
there and hide by the time it expires. You would
have to like pass pretty close to them, though, and
so I'd say you'd have to make a stealth check
based on sound to do that. MM hmm, is that
something you're interested in doing.
Speaker 12: It's because right now she's a suspect.
Speaker 3: You you're gonna have to use a make say, a
check no matter what.
Speaker 10: I mean.
Speaker 24: I feel like, yeah, yeah, she's gonna have to make
a check no matter what, because you know, because then
it's like it's either a stealth check or possibly a
persuasion slash deception.
Speaker 2: Okay, because you brought that up, and because that means
that Lilia would be considering this, I would like you
to make an investigation check with advantage.
Speaker 1: Okay.
Speaker 2: As you think about the fact that she is a
suspect and you've had people following her.
Speaker 12: Oh my god, that's the negative three on investigation.
Speaker 1: It's a good thing.
Speaker 2: I have an inspiration. Okay, I haven't rolled it yet,
but god I'm nervous and with advantage to do another one.
Speaker 12: Okay.
Speaker 9: Oh yeah, hold on, uh fucking okay.
Speaker 12: So that first one was a fourteen total.
Speaker 2: As you're thinking about this and the fact that she's
a suspect, one of your your just kind of twitches
as you just casually remember right someone's supposed to be
following her, and your eyes sort of drift away to
more where the main road is, and you do see
a couple of people who are like standing kind of
close to one of the back entrances to the Danta
stip as if they were intending to go in. But
as you look at them, you see these two individuals,
who appear to be wearing slightly larger cloaks than you
might expect of somebody going into a hot spring, seem
to be sort of doing nothing, miming talking to each
other within view thereabout there, And you become aware of
these two and after just a moment of looking at them,
you're like, those are the people following her? Okay, you
become immediately cognizant that there are other people watching her.
Whether they'd be undertow people, so like, however that affects
your decision is up to you. You are just aware
that not only are they talking, but they are also
being observed from outside by people that she doesn't necessarily
know are there.
Speaker 13: Yeah, and we and we know that, like Desmond recently
just said that, yeah, we've got the undertow on her.
Speaker 4: Yep.
Speaker 13: But like considering considering past things with and this is
also because my brain has been going.
Speaker 1: Through like old stuff.
Speaker 13: Desmond also gave fucking evidence to probably a false Leona.
Speaker 12: We can't super trust the undertow, so I.
Speaker 2: Will remind you. The active theory was that that if
moon Therist is indeed the Hattislon woman that's with the cult,
you probably gave that evidence to moon Theras.
Speaker 10: Yeah.
Speaker 13: That being said, uh, I think she's going to do
her little her little invisible bunny sneaky and book it
towards the bush.
Speaker 2: All right, So use the resource to turn invisible be
a spell slot, right, because you cast in the spell,
you're not using.
Speaker 12: The buddy vanishing Vanishing hair is a straight is that one?
Speaker 2: Could you remind me of what the duration for that
one is because it may be only.
Speaker 24: Yeah, it says it's right here.
Speaker 12: It has its own little tick on it.
Speaker 1: It's just a power she has.
Speaker 2: Yeah, you turn invisible until the start of your next turn. Okay,
so shield entirely.
Speaker 13: And then it says, when you're invisible, this way, your
shielded entirely from senses based on vibrations or instinct, rendering
you invisible to blindsight and tremor sense.
Speaker 2: So the main thing with this is it doesn't give
you a minute. It just basically gives you like six seconds,
so you can do this. You can do this because
the invisibility spell last I was actually thinking if it
was the invisibility spell, that would be an hour. But
if if you use this, I'd say we're in. We're in,
not in combat right now, so let's not apply combat mechanics.
You could do it, but be given that it's only
one round, I'd say you'd have to kind of sneak
up within range, use it when you're kind of close
to use it to get past them, to hide, and
then hide. So what I would call for overall is
just a stealth check for the entire attempt.
Speaker 12: Okay, cool buddy, Okay, what's my stealth?
Speaker 9: Okay, that's a plus three.
Speaker 1: That's a desterity. Okay, let's go come up. Oh that
is an eight?
Speaker 13: Uh?
Speaker 12: Can I use this inspiration I've had in.
Speaker 1: For a while.
Speaker 2: Yeah, absolutely can't. Go ahead, roll it again.
Speaker 12: Let's try again a.
Speaker 3: Way better.
Speaker 2: Hell, you using the side of the wall as cover
as darkness, you shift and you move towards them, and
then when you feel like you get roughly within like
one hundred ish feet of around where they are, you
and forgive me for maybe over narrating what you do.
You use invisibility to dive and duck back like behind
the mitigate temper, and then move around behind it. You
come out of invisibility while you're back there, Uh, do
you want to? Like you feel like you could probably
eavesdrop on them from behind it. But if you also
want to like move over to those trees and bushes
and whatnot, you can which of those would.
Speaker 17: You like to do?
Speaker 1: Ah, it's whichever one would be the best advantage.
Speaker 13: So if she's right behind the temper and they're in
front of it, I think that might be a better
point than the bush, a little bush that's there.
Speaker 2: Okay, so you want to kind of stay around the
back of it. You wouldn't be able to see them,
but you could hear them.
Speaker 13: Yeah, right now, hearing them is the main thing. She
just freaking flops one of her ears up.
Speaker 2: Like a sonar just just like cut to a shot
of like the front of the temper. Just one ear
pops out from behind the building, swivels so that it's
pointed towards Yep. Okay, as you do, so you catch
what you imagine to. Obviously you don't catch the entire
converse because they were already talking by the time you
notice them. Yeah, you will catch chunks of this. Roll
me another investigation. Check just flat to see the extent
to which you catch it. Perception, What was your what
is your perception? Is a plus five? Will you use them?
Will then will use perception? We'll say that that seven
became a twelve. Okay, okay. You pop your ear out
as you hear them talking the long and short of
what you hear, because you feel like some bits they're
a bit quiet for because they're also to just generally
quiet people. They both tend to speak in whispered tones,
But what you catch of their conversation seems to be
that Muontheris is mostly just curious about Scarn. They're asking
about the the oddities of where Scarn might have come from.
She brings up that not only is he a goliath
who appears to help Elvin Blood, which is inherently rare
for the part of not not only the town but
the country that you're in. But she brings up that
it's strange that you don't see his parents around, which
Paul Talk assures her that they are all the family
that Scarn needs. She seems to accept that, but She
seems to be very cautiously and curiously steering back to
trying to find out like where he came from, asking
how they found Scarn. Was he adopted from the house
of uplifting? Did they just find him? Paul Talk seems
pretty forward about the information that they were basically like
left on their doorstep effectively, and they took them in.
And most of what she asks about is about the family,
how long they've lived here, their history in the pits,
what Scarn does with them, what kind of training Paul
Talk does, which Paul Talk then just talks about it's
basic general martial arts and some old study techniques like
personal study techniques that were acquired by the family by
an old friend from which is why they have like swords, saints,
scrolls and stuff. Their family goes back a little bit
to uh to uh be one of them was like
a vassal for an old warrior who came from Cahoulis,
And it is almost all just curiosity about Scarn in
the family and how she finds him fascinating. But she
finds him, she plays off the conversation as if she
finds him a little intimidating and so doesn't have the
courage to ask him about these things herself, and so
she seems to have circumvented him to talk to his
copy Hotto parentage.
Speaker 13: He opens up her little book freaking just just just
in this like little thing and just writes into across
your pages absolutely not.
Speaker 1: Violently closes her.
Speaker 13: Book along with actual notes somewhere in another.
Speaker 2: Page, just somewhere like actual note, actual note, actual note,
an unhappy smiley face that she circles several times, draws
eyebrows on it, angry eyebrows, and that is by They
talk for about ten fifteen minutes after you get there,
after which point you hear like a yell from inside
as Paul Talk seems to have begun his nightly session
where he offers people, you know, his physical training and
meditation lessons. He hears something from inside just say something
to the like, hey, we got to get this thing going,
and Paul Talk kindly sees himself out. Muntheris, thanks him
for his time, and then turns and walks back in
the direction of the southwest of Estate toward the main road.
You also see you like poke your head out at
the end after you're confident that she's gone away. A bit,
and you see that the two figures that were pretending
to talk near the dampas dip as soon as Muntherras
goes around and toward the road, they also shadow. They
just walk into the shadows and disappear back into the
main streets.
Speaker 13: I think now that she sees them skirmish off, there's
just there's just that.
Speaker 6: Oh that bitch.
Speaker 2: She just goes on her way.
Speaker 1: That just goes on her way.
Speaker 2: And then you return home. Yay, all right, you return home,
and the others of you also return back to Desmonds,
and you all cram yourself into this halflings home despite
the absurd size of one of you. Uh, do you
all turn in for the night? And if yes, when
are you aiming to wake up the next morning?
Speaker 4: I thought we're gonna say the sanctuary.
Speaker 2: Oh you're saying it the sanctuary.
Speaker 4: Okay.
Speaker 2: I thought you were heading back to their house.
Speaker 4: You guys are, since we were originally going to stay
at Lorie's to go right to Maurice's. But if this
is going on us to the sanctuary, not that I think,
but if anything could go wrong, we'd be present to help, okay,
And then yeah, then we can just go straight to
Maurice's on the way to Mungong's the next day.
Speaker 2: I presume that you all are sleeping, like resting.
Speaker 4: Yeah, I don't imagine we have anything else to do tonight.
Speaker 2: Okay, the temple would like pull out some bedrolls that
they put out in the main area. This is not
uncommon for them. The temple nights again apologize that they
can't offer the internal rooms, but it's a big day
at the temple, heck, and they we're going to push
you guys forward to let's say six or seven the
following day. The thing is, you guys know this ritual
is going to end around nine, knowing that what is
your plan of attack the following day.
Speaker 4: If we haven't till nine and we're getting up earlier,
we could go to Maurice's first, because that's only fifteen
minutes away. We wouldn't probably go to mong Rooms because
that's an hour away. And once right, mugrums, we they're
probably probably they're probably gonna be there.
Speaker 3: So yeah, yeah, yeah, yah yah, yeah, we could.
Speaker 4: We can get Laurier's letter and uh, you're probably taking
it to process whatever's in there. Anyways, Okay, I'll.
Speaker 3: Hold down the fort while y'all do that you're going.
Speaker 2: To stay at the temple. Yeah, okay. Uh So then
just to be clear about this, uh so, I know
Desmond and Lawrence are going to Maurice's at like what
give me a time, like six seven?
Speaker 4: He opens pretty early, So as soon as Lawi's awake,
I'll get him fed some degree, okay, and then we'll
we'll head over all.
Speaker 2: Right, So we're talking like like seven before we can
up seven. Yeah, I'd have him up and ready to
go by seven thirty.
Speaker 4: Okay.
Speaker 2: So we'll say, you guys get their run date, and
so you two are going there, Pepper has uh they
say they're going to stay at the temple.
Speaker 3: Uh m, Scott, I want to be there when the
door's open. Are you going with them?
Speaker 2: Are you going? You're gonna hang at the temple?
Speaker 4: Yeap?
Speaker 10: Cheasing me over Desmond and Laurie.
Speaker 3: I feel so blessed cool yep.
Speaker 2: So you guys, you guys like break off. You wake
up around seven, you guys head like back to let's
say Desmond's place to get food. Uh, you get food
and then you swing back up and you head toward
the mid Market complex. My understanding is that you intend
to go to the following threads to meet up with
and give the warrant, and he can take what you
need from Maurice there the letter that is, I would say,
nothing really prevents you from doing so. As you head
toward there, change this. As your head toward there, there
is a crisp, dry feeling in the air. You can't
quite put your finger on it. But today the air
feels still the entirety of the town as you move
through it. You're not unused to like the weird, damp
cave air, because after all, you are living like one
hundred feet underground where you are. But that said, just
today everything feels a bit tense. There's a certain static
in the air. As you head toward the mid Market
complex before most things have opened up, this remains the same.
It is quiet, a bit foreboding. Has that same sense
that you might get when you're much like many of
us who wake up maybe later in the day than
we should, when we have to be out and about
in the city and the city hasn't quite woken up yet.
The feeling of walking through a parking lot before the
employees have arrived to open the doors. If you get
my vibe.
Speaker 4: Oh near liminal, my buddy.
Speaker 1: Like the kind of people.
Speaker 2: Yeah, a very a very liminal space. Feeling a familiar place,
a familiar place made uncomfortable and foreign due to the
absence of the life that normally inhabits it. That is
the feeling that the entire town seems to carry today,
but especially at the mid Market Complex. As you make
your way through, the two of you walking through the silence,
you come to Maurice's shop following Threads. Normally it would
be open by this time, and it is not.
Speaker 1: I hate this logan.
Speaker 2: Wooing.
Speaker 1: I was, I was in the bathroom and get in
my mead. So it's just me Desmond. Yes, okay, it.
Speaker 2: Is about eight by the time you get there.
Speaker 1: Okay.
Speaker 2: Normally he opens things up really early because he wants
to catch as much of the early day business as
he possibly can. Most of the other shops that are
in what effectively amounts to Yield Sharping Sharping shopping complex
that is the mid Market Complex, most of it is
closed at the moment. There's maybe one or two places
that are open. There's more places closed than usual two
and you kind of are like, I bet they're closed
because I bet those people are taking the day off
to go to the carnival. But you know Maurice should
be working. You know he should be here, but the
following threads is closed.
Speaker 4: I'll knock on it. Make a bit of a ruckus
for a moment like this.
Speaker 2: Roll me. This is going to be a weird ask
on my part. Roll me a perception check, Desmond, as
you do so. Actually, also, Desmond, can you do me
a favor?
Speaker 4: Of course?
Speaker 2: Can you roll me? Hey? Let me let me. I'm
going to step away from my desk real quick. I'll
be right back. I need to grab a thing that's
never good.
Speaker 3: Oh God, sorry, and grab my physical my physical dice.
Speaker 1: Sorry I visited about and grab my physical deck of
many things.
Speaker 2: God not again.
Speaker 4: His true identity is Maurice the magnificent.
Speaker 7: Fucking Spencer runs down the hallway and is like Aaron
pull five cards, do it pussy like just.
Speaker 4: Of goods, both exhaustic and rare.
Speaker 2: It should be, so give me a second. I try
to arrange my game so I don't have to do
specifically what I'm doing right now. But sometimes krack and
open a book is unavoidable.
Speaker 4: Hidden within each textile is a mysterious object of magical
origin that Maurice the magnificentest placed there.
Speaker 2: I grabbed the wrong book.
Speaker 4: Clues unaware of civilians, so he may distribute them around
in those close mysteriously go missing from time to time.
Speaker 10: What of Logan's actual books does he have physically all
of them?
Speaker 16: Fuck?
Speaker 4: Right?
Speaker 16: Shit?
Speaker 4: So it's like the Lord of the Rings compendium.
Speaker 3: What physical book could he be grabbing?
Speaker 4: In one second? Let me get the callic through the
keeper's tome.
Speaker 2: Yeah, totally umm oh no, trying to find something. Sorry,
I'm sorry.
Speaker 4: I apologize because I can keep talking about this weird
magical smuggling ring that Maurice is set up. But you
see what's happened with the exception. He's Maurice the Magnificent,
prey of goods both exotic and rare. He stitches magical.
I need you his textiles.
Speaker 1: I need you.
Speaker 2: To make a wisdom saving threat into the.
Speaker 4: Tower setting guide. Oh no, you're referencing your own book arts.
That's a check. Sorry, that should be continue?
Speaker 2: What what should is it the same?
Speaker 4: Yeah?
Speaker 2: Okay, okay, mm hmm hmmm.
Speaker 3: What terrible things shall I do to you?
Speaker 1: Sofraid?
Speaker 4: H and craft village.
Speaker 2: Your noises, Okay, that's all I needed to know.
Speaker 4: As you.
Speaker 2: Knock on this door, Nope, did the thing I didn't
mean to. Gotta no, don't worry about I just.
Speaker 4: Gotta quiet open. I'm gonna quietly do something now I
closed again. There we go.
Speaker 2: As you knock on this door, the sound of knocking
as you do seems to grow and echo in your mind,
and Lawrence don't react to it immediately, but you notice
that as he knocks, Desmond's eyes sort of widened a
little bit, as if he's zoning out. But as he knocks,
you see him keep knocking without seemingly meaning to it.
He just keeps going, knocking, over and over. Just knock
just for the Admitute or so, and Desmond for you.
As you do so, the sound of your own knock
in your mind seems to slowly morph into the echoing
sounds of footfalls running through caves, and you just hear
a distant, echoing voice yelling out, it's the only way
we're going home, please, And that reverberates and echoes around
you until the sound of knocking returns. You come back
to where you are. You feel grounded again, but a
little lightheaded, and as you've knocked with slightly increasing strength
as you do, you find the door was not locked,
and your knock causes it to slightly open with a creak.
Speaker 1: Doesn't man?
Speaker 4: Yeah, but what just happened? I don't know what you're
talking about? Yeah? No, I just don't know for a second.
There it's hard.
Speaker 1: Okay, doors opening.
Speaker 4: Undertoece. Oh god, well.
Speaker 17: This isn't.
Speaker 4: This isn't breaking and entering. This is just stress passing, Maurice.
Speaker 1: Okay.
Speaker 4: As the door.
Speaker 2: As the door cut tree slowly open, you find that
the usual light candles and such that are lit inside
to keep it bright, as well as the exterior window
that would allow light in from outside, all seem to
be unlit and closed. Except on the front table on
the counter, the much shorter than usual counter on account
of the person who works here, there is a single
candle lit, and beside it there is a single letter
folded with a wax seal, as had been described to you,
broken that is sitting very clearly placed and illumined.
Speaker 4: Needed h.
Speaker 17: M hm.
Speaker 4: Uh, Maice, keep a hand on my gun. But I'm
gonna walk in. Interesting. I wouldn't think he would remember.
I maybe the letter serve as a reminder they couldn't forget.
Speaker 16: Look where is he?
Speaker 1: What's going on?
Speaker 4: We check just behind the counter and make sure nothing's happened.
Speaker 2: It doesn't seem to be It doesn't seem to be
anything out of place beyond the Maurice does not seem
to be here, and it doesn't.
Speaker 4: Want to see anybody right now, doesn't know.
Speaker 1: This isn't like him.
Speaker 4: I mean, when you learn someone you've worked with for
how many years, longer than you've been alive.
Speaker 7: I assume probably my My mom's kind of always worked
for him, like as long as I could remember.
Speaker 4: You'll lose a friend like that, and it's not going
to be easy. Might be taking the day off you
catch the.
Speaker 2: Fervorous work of a news store being built just down
the way in the complex.
Speaker 1: Yep, fucking christ.
Speaker 4: Feel bad for their neighbors.
Speaker 1: M m yeah, maybe that's why you took off. I
just didn't want to deal with the noise.
Speaker 2: Now this is yours kid, all right, I'm going to
put a letter into your inventory. Uh, Carrie, as usual,
I don't have anybody to heck in Jesus fucks, I
don't have anybody to you know, heck in spell check
my personal documents, so please ignore any spelling mistakes.
Speaker 1: I will will, I will only ask if I'm like,
what is that meant to be? Logan?
Speaker 2: There is a three paragraph letter, fairly eloquently written. As
you look at it, as you fold the letter back
in on itself to kind of reconstruct the wax seal
that was on it as described, it appears to be
the seal of the Lion's Council, and Laurie, you've done
research into the land Away enough that you saw this
in a book and you recognize it is a seal
that can be broadly used by the main families who
are associated with the Lion's Council, with the that being
the Runecros, the valor Bilts, the heck In, the tyrus Monts,
all the ones that have members sitting on the Lion's Council.
They will typically use this seal to denote that it
is business associated with the government, as opposed to their
own family seal. However, as much as that does seem
to add some credence to the fact that there is
clearly a connection to the land Away, it's generic use
does not point you to a particular family Okay, the
letter is in your inventory. It is letter from Mayve.
Speaker 1: I haven't opened me Cary, but Laurie would take the letter.
Speaker 8: And just kind of like hold on to it, maybe
like hecking stowed away, kind of hide it just in
case anyone saw the seal.
Speaker 1: Okay, I'm not I'm not gonna read it just now.
I want I want us to get some more safe
and then and then and then we can then we
can read it. Okay, I want to keep looking for Maurice.
Speaker 8: I want to make sure he's okay, saying it doesn't
obviously you might have done.
Speaker 4: This because he wants to be alone. Kid, you sure, yeah,
I'm worried. All right, you don't live here, right, This
is a just part of the actual mid Market complex, right.
Speaker 2: Logan, that's correct. Yeah, he lives like you see where
the main central market complex is. He basically lives like
two houses down, like the one that's like directly north
of mid Market complex. And next time you ask me
where he lives, I guarantee you I'm going to tell
you it's a different house. But right now I'm telling you, yeah,
he's basically a stone's throwaway from the Valorie residence.
Speaker 4: Let's see if there's anything around that might be marginally
comforting that we could bring him.
Speaker 25: Yeah, do I know anything that he likes, like his
like babit snack or something, or like what you would
have for breakfast, Like you have a particular kind of coffee.
Speaker 1: That he likes.
Speaker 2: He does, He does like his bean water, Okay, and
he is a man who enjoys the nourishing snack that
is a handful of nuts, handful.
Speaker 4: Of nuts, and recommendation. I'm gonna find him some bean
water and a handful of nuts.
Speaker 1: Fuck yeah, bitch.
Speaker 4: I, assuming there's any food places opened in the middle.
Speaker 2: You could get some nuts. You know, some cashews? Did
you know the cashews come from a fruit? You get
some cashus. I just made myself sad. I'm not gonna
elaborate on why, but I just bummed myself out. But
he can you guys get some cashews?
Speaker 16: Are you?
Speaker 2: Is the plan to swing by Maurice's place?
Speaker 4: Yeah, trap it off?
Speaker 1: Yeah?
Speaker 2: Okay, as you had to around.
Speaker 4: A little bit to the side and let Laurie knock.
Speaker 7: Yeah, I was gonna say, like we would also probably
look around. I can loose threads a little bit more
to see something else. Sorry, I can and just see
if there's anything else weird.
Speaker 2: It does not seem roll me, So Laurence specifically roll
the investigation.
Speaker 4: Yeah, no better. It just looks like a bunch of
clothes to me.
Speaker 1: Man find.
Speaker 4: Because you'd to put in and out of this place.
Speaker 1: What's a foe?
Speaker 2: You notice that there are some things missing, like there's
you've been in this place enough that you kind of
have a mental memory of where like certain things are. Ah,
but kind of in the same way that you'd have
trouble remembering, Like you do know there's a painting on
the wall, but you don't if it went missing, you
wouldn't maybe remember what the painting was. You're like, some
stuff is gone. You're not quite sure what. Like you
see some empty hangars that you're like, normally there's some
clothes on those, but like behind, like back in like
a private area, You're like, there's usually stuff there. Maurice
keeps some things here and they appear to be gone.
But you did get a four, so you cannot put
your brain on exactly what they are.
Speaker 1: Some of the stuff's gone, Like stuff that Maurice kind
of kept here, it's gone.
Speaker 4: I have some theories, but we won't know for sure
untially see them. Ah yeah, I'm gonna blow out the
candle as we leave. Okay, the candle, does it look
like it's been burning for a good while?
Speaker 2: Roll me, man, what the fuck would you use for that?
Roll me? Just a general intelligence check?
Speaker 4: All right, seventeen.
Speaker 2: It looks like it maybe has been burning. Just given
the amount of wax that's dripped down the sides of it,
you figure it maybe has been burning from somewhere between
like a half hour to an hour.
Speaker 4: Okay, so he was here recently or so.
Speaker 2: Kind of tracks because you're like that would if he
came in here, set things up, and then took off.
You're like that kind of tracks with when he normally
would show up to open his shop.
Speaker 4: Yeah, we had to leave it open. I mean, this
low market isn't exactly a hive of scum and villainy
but dangerous stuff. Yeah, blow that out.
Speaker 2: We'll leave, and we do a seene transition. He blows
out the candle and everything goes black, and then before
we pick up in front of Maurice's house back at
the Temple.
Speaker 5: At about eight.
Speaker 2: Around the same time, the doors softly open and you
see exiting from inside the temple, turning and then closing
the doors back very like as quietly as humanly possible,
for the fact that they are large stone doors. You
see so stepping out and leaving, trying to be very quiet,
And if he hadn't made noise opening that door, he
would have been silent. He does not make sound when
he moves as he does this and closes it. The
two temple knights, who are both alert but their eyes
are like a little bit half closed you seem like
perk up as soon as they hear the pop of
the door, like as soon closes it. Wearing his usual attire.
He doesn't seem to have dressed really much differently. He's
got his blackened purple beads that are wrapped around most
of his clothing, got his usual attire on. He seems
to be carrying weapons, the two blades, the long one
that he carries a long silver blade, and the other
one that has a wrapped up handle, And he turns
towards you, guys. It seems to not have noticed you
when exiting, but he sees you Scarn and pepper and
just very briefly good morning. He puts his finger up
to his lips. They're still concentrating there. Ah morning, They're
in the latter most parts of their ritual.
Speaker 3: Almost open. We were getting close to tom.
Speaker 2: It should only be another hour or so.
Speaker 10: I think another hour, Yes, all right.
Speaker 2: I was going to wait inside, but then I remembered
that Lilya wanted to come here to meet with me,
And since they seem to have started doing this, I
didn't want Lilia to have to come all the way
into the temple. So i've she's Is she with you
or is she at her home?
Speaker 10: Nah, she's she's getting all gustied up for.
Speaker 2: Y'all's advance, getting ready for your day. Well, maybe I will.
I'll go to meet her at her place.
Speaker 4: Then, Hey, that could be kind of cool for you. Eh,
surprises a man. I like this guy's raise.
Speaker 10: I like it.
Speaker 15: Surprise her at her own home. Hey, I mean, give
her like a little bit of time. Don't be too
afraid of chilling out, talk with the family and stuff.
Their hospitality is off the charts. Yeah, so yeah, give
her some time to get ready, and then, yeah, that'd
be pretty cool for you.
Speaker 2: I'll make sure that I give her all the space
she needs to prepare for today.
Speaker 4: Absolutely. Mm sh.
Speaker 2: Okay, this one's not very there's stone balls, but sound
carries and these things can be very delicate.
Speaker 3: My voice just tends to carry. I can't help myself.
Speaker 2: Is there any particular reason why you two are sleeping
at the temple tonight?
Speaker 4: Yeah? I was wondering why that.
Speaker 2: Oh yeah, we're waiting, we're waiting for Was it all
Was it all of you that convinced them to open
up the inner chamber? Yeah, basically fascinating.
Speaker 10: We're we're working on them latch key temples. I know
what you mean now, I know what you mean when
you looked at me and you said that, I don't sorry,
been a while.
Speaker 6: Since we talked it, has.
Speaker 2: You can remember me saying that to you?
Speaker 4: Then?
Speaker 10: Yes, yes, yes, that's another thing I wanted to talk
to you about.
Speaker 3: She's just like bouncing foot to foot.
Speaker 2: Perhaps perhaps then I should have a private talk at
some point. I'm afraid that if we talk about matters
in front of your friends too deeply, it may compromise
your timeline.
Speaker 3: Yes, I agree, Yes, Well.
Speaker 19: I'm sorry.
Speaker 10: Like I'm like on Tampa ground, I grab peppers like
a falling button on this thingy.
Speaker 2: The goddess of the d sky is being lulled to
sleep as we speak. Who wouldn't want to wake her
up again? Or whatever it is this ritual is supposed
to represent, right right, I know, I.
Speaker 3: Know, I just I just get it's hard to keep volume.
Speaker 10: Down when you get all excited about stuff.
Speaker 2: Yes, I too sometimes have problems keeping my voice quiet.
Speaker 4: Don't don't you don't start making neither of us do we.
Speaker 16: Not?
Speaker 3: Just can be beautiful and perfect all the damn time.
Speaker 4: I don't know what you're talking about.
Speaker 2: Trust me, I am not beautiful and perfect all the time.
Speaker 17: You are.
Speaker 4: Don't deny it.
Speaker 10: Please give us some Please give us some moments, because
every time it's like when in the case.
Speaker 3: And I'm not.
Speaker 2: I tell you both what, Normally I would be down
to stay and talk for however long you wanted, but you.
Speaker 4: Got to get to I do need to go and
shake brother.
Speaker 1: Holy ship.
Speaker 2: That was wild. It took me a second and I
was like, what is that noise turning into? It was like,
this is a wheeze?
Speaker 12: You're like that one one.
Speaker 10: Pepper looks in fear as this handshake goes down and
that noise exits.
Speaker 1: Scorns now yeh.
Speaker 2: I uh, yes, I'm very excited. Hopefully we'll spump into
you all at mung Rung's madness today.
Speaker 3: Mm hmmm, I heard y'all.
Speaker 10: Are going to be trying to sniff out some subsketti,
so maybe we can meet you bat Susketti stands.
Speaker 2: You see his face like brightened up, like the closest
thing to a smile that's been on this man's face
and the entire time you've seen him. Yes, I would
love that.
Speaker 3: Don't do that.
Speaker 1: Don't beautiful at me, save it, save it ruthless.
Speaker 2: It goes back to being stoic. I'm sorry. I won't
do that again.
Speaker 4: Don't let no, don't worry about it.
Speaker 3: You'll be fine that I can now, I can handle him.
Speaker 2: Oh, I will see the two of you later.
Speaker 4: Try to.
Speaker 2: True as silently as he entered glydes Away, one footfall
after another.
Speaker 11: Oh, disgust, Lilia, Lilia, they're on mute.
Speaker 3: They probably aren't here.
Speaker 4: I am.
Speaker 13: On my phone while I was set while I was
using the bathroom, setting up the BRITA filter.
Speaker 2: So acking, uh, what's your morning looking like? It's like
seven eight?
Speaker 4: Uh?
Speaker 2: What what are you doing?
Speaker 16: Uh?
Speaker 13: She is she she's getting ready and being more of
a Disney princess than usual, you know how like after
Ariel meets the prince in fucking the Little Mermaid, but
suddenly she's like humming and getting things in and she's like, morning, daddy.
Speaker 3: La, that's so funny.
Speaker 13: Get it's just being more of a Disney princess than usual,
and they're like, what's wrong? Probably catching the attention of
her parents and her and like her brother if he's
still there.
Speaker 1: If he hasn't gone back to work.
Speaker 13: She's being a disney princess getting herself gussied up.
Speaker 2: Alrighty roughly, how long do you think your routine today
is going to take for you to get ready?
Speaker 3: How early is it again?
Speaker 2: I'd say it's like eight ish at the moment. But
if you tell me you wake up earlier because you
want to, then then you do tell you No.
Speaker 13: I'm going to say she she thought eight was early enough,
and she's she's like, okay, I I wait, actually wait,
because it takes about two hours against the temple.
Speaker 2: Right, yes, you would not be aware that you don't
need to go all the way to the temple now.
Speaker 13: But with that assumption, yes, yeah, so she if we
factor in that she needs. She would have given herself
two hours to get to the temple. The latest she
probably would have gotten is like seven, because she'd be like,
and then I'll get to the temple around nine, and
You'll probably still be in a trance because he doesn't.
It's dark as fuck in that room.
Speaker 1: So what is morning?
Speaker 13: Yeah, so she she'd probably still she'd definitely still be
in her house, taking extra time, being like, Mama, should
I wear the little Geechy dress, the little Geechee dress,
or the little.
Speaker 1: Gechy dress, maybe the little Gucci dress? Fucking spice girl.
Speaker 10: Yeah, absolute, I'm glad that we all are all the
safe way with links.
Speaker 1: Yes, beautiful, beautiful.
Speaker 14: Please said it before it.
Speaker 1: I've made the joke many times in the past.
Speaker 10: No one.
Speaker 8: In the horrible that's shocked that Parnell didn't fucking get that.
He fucking loves Spice World.
Speaker 3: We'll all wear a little Gucci dress.
Speaker 2: Fuck yeah, alrighty, So you take let's say, like an
hour hour and a half ish to get ready, so
like by around eight thirty whatnot, you're heading out As
you leave your home around eight thirty, eight thirty nine,
and you prepare to head down to the temple. As
you leave the dropping edge pit and you head to
the large a gate like opening that exits from like
the rural area where you are, you see standing like
a final boss, waiting to be approached by an oncoming party,
just standing conspicuously in the middle of the road. Uh
right of hair. You see somethin standing as though waiting.
Cave wind blows their hair somewhat dramatically.
Speaker 3: Where is it coming from?
Speaker 2: A cross draft of the caves.
Speaker 6: There's landing the caves for him?
Speaker 3: Make it makes sense.
Speaker 1: He's magic.
Speaker 3: Stuff is madness.
Speaker 12: It's just that this is just that out the door,
and it's just like just sees them all the way
from the path.
Speaker 4: I think the wind is refusing. Wait until you try
and figure out where there's cherry blossoms are coming from.
Speaker 2: The background. Disappears cherry blossoms from fucking screaming, right, I've been.
Speaker 4: Waiting. Oh my god, Goldie runs back inside.
Speaker 15: Oh girl, the laugh of scarn from fifteen miles away.
Speaker 6: Oh god, what did I do?
Speaker 9: You didn't anything, know anything? Fine, you didn't need anything.
I thought my fault. I was late.
Speaker 2: No, I haven't been waiting long. I like got here
only several minutes ago. Oh, but then I thought I
shouldn't bother you if you're getting ready, So I decided.
Speaker 4: To wait all the way out here.
Speaker 2: Great, I he was going too, but them like, look
back in the direction of your house.
Speaker 9: So early though still.
Speaker 2: Yes, I wanted to make sure that you didn't come
all the way to the temple.
Speaker 4: And miss me. I, uh, they're currently in temple.
Speaker 2: I decided to give them privacy while they finished their ritual.
Oh yeah, I was going to wait there, but I
came back and I went to meditating. And then when
I noticed that there wasn't as much activity in the temple,
inquired about what they were doing. And then when I
realized the sensitivity of what they were doing, I saw
myself out.
Speaker 9: Oh is that that ful?
Speaker 3: You really don't want to.
Speaker 6: See mom and pop?
Speaker 2: Perhaps later.
Speaker 9: It's still so early. I don't think anything has started yet.
Speaker 2: They have attractions that are open before the actual show
goes on. When I passed through the earlier, I think
that I would.
Speaker 9: Then let's go lead the way it starts pushing them me, yep,
you lead the way.
Speaker 2: They begin moving with a following in that way that
people do when they're in front, but you can tell
that they are being led by somebody behind them. They
do keep moving, but they are like constantly checking their
direction and their speed, and their distance from you is
like constantly like shortening and then getting a bit longer
than shortening, then getting a bit longer as they begin
to head toward the center of the town. And you
do detect as you move that there is a certain
lightness to them that is not normally there. Oh yeah,
they seem a little bit more grounded a smidge and
more cheerful than they normally are.
Speaker 8: Hee.
Speaker 9: Yeah, she just keeps, just keeps playfully pushing on. They
come out one forever of the other. Where are you
taking me away? Too?
Speaker 2: I uh, well, I see mung Rong's madness is not
going to be going until about noon, and I want
to see that. I'd like to see what they bring in.
But before then, the main thing that I want to
do is I wanted to get that for delicacy that
I heard about a long time ago, Sesketti, which I
understand is here. But on my way out of the temple,
I did promise the others i'd get it with them,
So maybe we.
Speaker 4: Should put that off.
Speaker 9: So yeah, we can get it together. We can we
can do like a what would they have there currently
at the moment, you know, because we are going a
little bit early than normal, so you gotta give up.
Speaker 10: You got to give them some time to get it
ready and watch them make it fresh.
Speaker 2: Indeed, I think that they have what was it? There's
a performance that they put on there. We could go
to that. Also. I believe that they have some exotic
animals that are putting on rides. Like you get in
a wagon and then the wagon moves and you're in
the wagon and then you get off the wagon and
you pay them. Yeah, do you want to go on
a wagon?
Speaker 9: Of course, we're gonna do as much as we can do,
and we're gonna have a lot of fun because you're
out for once in your gods damn life, you're gonna
experience it. Yeah, okay, can hold your breath too hard.
Speaker 2: As you had. Toward the carnival grounds, you see that
there are some kids upright and early who are out
in the pits playing. You see another set of not
related to Scarn's family, but used like another set of
copy Hotto children who appear to be playing hide and seek,
and as you move there, You do see that Ston
seems to slow down very briefly. As you, guys, become
more surrounded by cheer. You hear the distant sound of
the carnival happening. There's some music that's ringing out from
a couple different performances. You hear crowds. But as you
pass these cappy hotto kids who appear to be on
the edges of the paths of the caves playing hide
and seek with each other and chasing each other around,
soon seems to take notice of them, and again seems
to lighten and smile a bit, and then starts walking
more confidently, like actually keeping pace and like leading you over,
Like they reach back and they do take your hand
by the wrist kind of awkwardly, but they do like
pull you forward with them, and you hear them just
mutter themselves very quietly. Sometimes things like this are okay.
Speaker 9: Sometimes are you doubting yourself?
Speaker 16: No, I just.
Speaker 2: I remember the last time I enjoyed.
Speaker 9: Myself probably a long time enough, when the sounds of it.
Speaker 2: Yeah, it was a very very long time ago.
Speaker 9: Well, what kind of sorts of things did you let
yourself enjoy yourself with?
Speaker 4: Uh?
Speaker 2: Well, I indulged in a lot of extravagant things. I
had a family who, well, not a family exactly. It's
hard to explain. I had a lot of people who
used to make it their mission to make me happy
all the time. I used to be a I guess
you would see it as kind of like an in
these lands. You might have said that I was like
the duke or the king of a particular place, but
not really just a name.
Speaker 9: In your mouth.
Speaker 4: I did so.
Speaker 2: People tried to impress me, and they came to play
with me. And people were afraid of my opinion a
lot of the time, so they pretended to want to
spend time with me. But sometimes I really liked it,
even though at the time I didn't fully realize what
was going on. I liked it when people would play
very simple games with me. I got my way all
the time, so anytime I was had to do anything
challenging with anybody, it was nice.
Speaker 19: Hmm.
Speaker 9: You don't really give off the air of an absolute spoiled.
Speaker 2: Brat, though, Well that was a very long time ago,
and it's not the case anymore. I left all that behind,
or rather maybe I should say it was all taken.
Speaker 9: Oh something something happened to your your found family.
Speaker 2: Yeah, they weren't good people, and they got what happens
to bad people. Uh oh oh oh oh, they all do.
Speaker 6: Oh oh oh.
Speaker 9: I'm I'm sorry.
Speaker 2: It's okay.
Speaker 10: Uh.
Speaker 9: I mean, in the time they were with you, though
they couldn't have been that bad.
Speaker 2: In the time that they were with me, they were
at their very worst. It's not them that I'm remembering.
I would have visitors that would come to see us
every once in a while, and sometimes they would stay
and sometimes they would.
Speaker 4: Go away.
Speaker 2: But when they came to stay, they would usually these
different sets of people that would come to visit me
would try to get on my good side. And the
last time I was with a group of them, I was,
let's say, just a kid. I remember playing hide and
seek with them. That was the very last time I
had fun, the very last time before I realized the
life that I was living at the time. I'm sorry,
I am no, I'm saying depressing things, but I'm saying
them because I'm remembering a very good time.
Speaker 9: That no, not, it's fine, it's fine, and so it's fine.
I want to learn more about you. I'm I'm sorry
if I'm bringing up some of the bad memories and
the fact.
Speaker 3: That these people are going.
Speaker 2: I've long I've made my peace with.
Speaker 17: All of this.
Speaker 9: Oh, I mean still doesn't mean it's the easiest to
talk about or that.
Speaker 2: Yeah, do you remember I told you that I'm trying
to that I have a job to do, and that
I'm trying to do some good for some people who
helped me. Yeah, those people who played hide and seek
with me, mostly because they were afraid of me at
the time. They're the people that I'm trying to do
some good to help.
Speaker 9: Oh but yep, are they here?
Speaker 2: No, they don't. You see them? Sort of they begin
saying something and then they looked at the ground, then
to themselves. Then uh, roll me a D one hundred
and a perception check.
Speaker 1: Oh okay, percepts first.
Speaker 2: The D one hundred is to see if they slip
up and say something. Oh okay, that roll me the
D one hundred. They mutter something as if confused at themselves,
and the only part of what they mutter you on'll
hear about half of it. But the half you hear is,
oh no, they they haven't met me.
Speaker 4: Huh, well, not yet.
Speaker 9: They haven't met you yet, like they're going to meet
you or you've met them before. Well, I've met them,
but they haven't met you.
Speaker 2: I found the wagon. Any points and as he points,
you see an immediately very familiar site, well not very familiar,
but a relatively familiar site.
Speaker 4: You see.
Speaker 2: A giant kappy bara that you immediately recognize as being
the one that you had helped when you were coming
back from the cage last time, has been affixed to
a large wagon and has a tiny goblin on top
of it that appears to be directing it, has saddled it,
and it appears to be the animal that is pulling
the wagon.
Speaker 4: That is huge.
Speaker 9: Oh yeah, that's uh. Did we name it when we
saved it?
Speaker 4: You saved it?
Speaker 2: Yeah, it was.
Speaker 9: It was in one of the caverns in the pits,
and it was all tied up and thorns and stuff,
and it was looking like it was having a hard time.
I could have sworn someone named it something, But now
I'm just thinking bagel, Bagel, Bagel, it's bagel. Put a
pin on what you just said.
Speaker 2: Do you want to go on the wagon, of course,
but that pin is there. I want to go on
the wagon.
Speaker 9: It's go on the wagon.
Speaker 12: She's gonna take her hand out of his and grab
his hand properly.
Speaker 13: By the way, that's how you do that, and then
and then drags him along to the cart.
Speaker 2: And then they wagon ride.
Speaker 12: So he now Fluffy.
Speaker 4: Scarn weeze is making me giggle.
Speaker 9: I'm gonna kill you.
Speaker 8: Oh my god, Loulia, you're gonna have him.
Speaker 1: Lily You're gonna have it.
Speaker 2: You had you together before. Now, Oh are you just
now figuring it out?
Speaker 12: I'm gonna assume I can't be scroll in the our
own little chat.
Speaker 2: Now because I think I think it's best that this
is something you don't know, yeah, because it lets you
stay with where Lilya is. And I think that's trying.
Speaker 1: I'm trying to say where Lilia is.
Speaker 13: And I know that sometimes, like like you guys are
posting in the chat and I'm like, well, I'm.
Speaker 1: Going to keep it all the way up.
Speaker 12: At my lunch bath bombing seal quick it was.
Speaker 3: All I was like, oh, what's going on? And then
he said something.
Speaker 5: I was like, is that, don't worry, Let's quickly flip
back to Maurice and to Lawrence.
Speaker 2: I like that at this point, I have enough soundtracks
that I basically can have a theme song for each group.
Let's go not Maurice, Sorry, Lawrence and Deslon.
Speaker 1: Now you said Maurice, Lawrence.
Speaker 2: We cut to you guys outside the home of Maurice.
Speaker 1: But you're right Lord, Thanks Rad call me. Knock on
the door, knock, knock.
Speaker 2: As you knocked, as a general noment of your approach,
you see that the house, uh, the windows, all of
the shutters appear to all be closed, and there seems
to be no light inside. From what you can see
as you knock, there is no answer.
Speaker 1: Can we does?
Speaker 16: Man?
Speaker 1: Can we do that thing where we're like it's the
underdroe and then.
Speaker 4: We just like go in Nope?
Speaker 10: Why on? No?
Speaker 4: One seems to be in danger right now?
Speaker 1: Oh what if I'm worried that he's too hurt or dead?
Speaker 4: You can be worried, but unless you have a reason
to believe that, then you would still.
Speaker 1: Raise low is glory? Where's please open up and worried
about you?
Speaker 4: Nope?
Speaker 2: Nothing, Oh I don't think he's there.
Speaker 1: It doesn't mean what do we do?
Speaker 4: I don't know. Read your letter to get see if
you read it here, So I'm going to overhear you.
Speaker 1: Reading it, but maybe I was gonna read it like
out luck do you so you know.
Speaker 16: What's going on?
Speaker 4: Would you do it at my place or somewhere else? Okay,
the market's not exactly bustling today. Fair gestures at the nobody.
Speaker 1: M hm, No, we can't be too cautious. I'm excited
and I want to read it.
Speaker 4: You might have left a note on it for you.
Maybe it seems like they wanted you defined it a
bit of a specific placement.
Speaker 2: Yeah.
Speaker 7: Yeah, I'm dying to open it, but I'm also really
scared to open it, so I'm probably just kind of.
Speaker 1: Trying to do it a little.
Speaker 4: Yeah. Your place is just over here there.
Speaker 1: Okay, we go to last place.
Speaker 14: You do so, Okay, I'll go in, like lock the
door and be like looking around and doing that.
Speaker 8: Nobody can see us, kind of fucking thing, close the curtains,
squinting eyes. I'm suspicious as fuck, It's what I'm saying.
Speaker 1: Okay, Okay, okay, okay, I can do this. I can
do this, and I like to sit down table like
stare at this.
Speaker 2: Letter that's had a sitting bo.
Speaker 1: Okay, Okay, I open it. Okay, Maurice, I'm sorry to
put this on you.
Speaker 8: If I haven't returned by the time you open this,
Lawrence will need someone to care for him. There's a
lot about myself and Laurie that I've never told anyone
in the Pits. The truth of his parentage would serve
as a point of disgrace if it was brought to light,
and Laurie wouldn't be able to live an honest life.
Our bloodline goes back to the Knights of the land.
Speaker 1: Away very directly. But my story is not one of.
Speaker 8: Honor or righteousness. I did something shameful, and my life
here is my penance for taking advantage when I.
Speaker 1: Should have left well enough alone.
Speaker 8: A man came to me recently, a man named Ethicus.
He described my own history in great detail and threatened
us to complicate my life here. He's offered to ignore
what he knows if I help him dive deeper, deeper
than I've heard of anyone diving before, and find something
called Agony's throat. I'm not the only one he's taking.
I'm going to comply, but also decide if this man
should meet his end in the Pits by my hand.
I need to know why he has such a keen
interest in me and my family. When I moved here,
I hit everything that would serve as proof for Lawrence
in a place no one.
Speaker 1: Would find it.
Speaker 8: It's hidden where we met, and is the answer to
the first question you ever asked me, the one I told.
Speaker 1: You I could never answer if I don't come back,
find it and make sure Laurence alone learns the truth
of who he is.
Speaker 8: Our family crest is among what is hidden. It's enough
to prove his heritage.
Speaker 1: That's a really So the answer to whom my dad
is is hidden where my mom and Laurice met, and
the answer is the first question he ever asked her.
I need to find him.
Speaker 4: It sounds like you might be looking for it.
Speaker 1: Why would he go without me? The letter says, Lawrence
alone learns the truth of who he is.
Speaker 4: They have to get it and bring it to you,
don't they.
Speaker 1: Yeah, I guess, mm hmm. Ethicus and Agony's throat.
Speaker 4: I've been there.
Speaker 1: You've been to Agony's throat.
Speaker 4: So of you pretty sure.
Speaker 1: It's about names, since this is a lot of information.
Speaker 4: Although I don't think we went as steep as they did.
Speaker 1: Yeah, threatened my mom and she went to keep me safe.
She died because of me, doesn't it It's not true?
Speaker 4: Kid?
Speaker 1: How is that not true?
Speaker 4: They died for you, not because of you.
Speaker 1: It doesn't make it better.
Speaker 4: Oh, I didn't say it did. It's different, and I
think that context will matter to you later in life.
Not your fault. Pardon you remember that?
Speaker 1: Right now? It feels like my fault.
Speaker 4: Oh, it's I think it's his fault. I am quite
curious as to your mother's life. Yeah, I'm just like
quite the complicated woman.
Speaker 1: That their story is shameful. They don't understand. How would
I not be able to live an honest life if
I knew.
Speaker 4: Who I was, I couldn't tell you.
Speaker 1: Doesn't mean he killed my mom and me.
Speaker 4: Directly or indirectly. It seems like it's fault either way.
I think I hadn't intervened, your mom would be fine.
That's just true.
Speaker 1: I'm gonna kill him.
Speaker 4: You and scarm both sounds like, m.
Speaker 1: M, I'm gonna need a little bit.
Speaker 4: Do you want me to go check on the others.
Speaker 1: I'm just gonna go. I'm gonna lay down, give.
Speaker 4: Him a little hug, mm hmm, ruffless hair, m hm,
A check on the temple and Uh. Once we're done there,
I'll come pick you up and we'll go U We'll
go see muggrunks. Okay, get some rescin.
Speaker 1: Okay, why doesn't it.
Speaker 4: To you later, Laurie. I feel like Maurice might be
more inclined to come visit you if I'm not around.
I wasn't exactly kind, but he knows why.
Speaker 1: He's not really the type to hold a grudge. He's
too nice.
Speaker 4: Can still feel bad, just.
Speaker 1: Like, stumble over to my bed and lay down.
Speaker 4: Yep, I'll leave Lauria at their house. Nod back to
the temple.
Speaker 9: All right, I'm gonna cry.
Speaker 2: We discussed that we'd be having because we're going to
be pre recording another game later, we're going to be
having a shorter game today. So with that, with that moment,
I think that's where i'd like to end the first
half of our stuff today.
Speaker 4: Slowly closes as it clicks, it cuts too.
Speaker 2: Black, so so so, so so so here, So this
is gonna go. I'm gonna roll credits. Credits are rolling,
here they go. I'm gonna roll credits. We're gonna stop
recording here in a minute. We're gonna rate everyone off
to someone else. And then we're gonna go into private
We're gonna take some time to recharge, and then we're
gonna privately record another game that we'll go up next week.
Speaker 7: When you know we're doing it, like right after this,
like goddamn, when you know it's already happened.
Speaker 1: Oh ship.
Speaker 3: Yeah, you guys are all VOD watchers.
Speaker 2: If you wanna, if you want to get any if
you want to get any subs or anything in that
would normally go to next week, get him in. Now
you have like a minute.
Speaker 3: I agree.
Speaker 10: Finally, how did everyone else know about this?
Speaker 6: I know what's going on.
Speaker 1: Don't worry.
Speaker 12: I'm gonna assume this is a vestage related.
Speaker 4: Thing about that ship.
Speaker 2: It's true.
Speaker 4: I'm just sitting over here ready to murder a dude. Hell,
we haven't gotten into a murderer, so I'm just waiting on.
Speaker 2: The murder prep murder dude.
Speaker 8: Yeah, I'm so excited for each member of the party
to get a brand new fucking like just pile of
info that makes us all want to kill ethics like baby.
Speaker 9: Yep, oh my god, it's gone. I got the take.
Speaker 3: Parris went to go see your dad?
Speaker 9: Why to be a weird doctor?
Speaker 1: Now damn.
Speaker 9: He was like, hey, come from what was he doing?
Where did you find him? How long have you had him?
How long has he been here?
Speaker 4: What do you do?
Speaker 3: How long have you had him?
Speaker 2: Yeah?
Speaker 4: We breed? Is he?
Speaker 16: Yeah?
Speaker 1: What kind is he from?
Speaker 10: What is.
Speaker 2: The difference between people being like what kind of what
kind of dog do you have? And people be like, oh,
he's a German Shepherd Husky mix. I got him tested.
He has this much border Callie in him as well,
and he's like he's relatively pure despite that. And then
it's like, what kind of cat you have? Orange?
Speaker 1: Orange?
Speaker 4: What kind of cat you got? That one?
Speaker 1: Got?
Speaker 15: I got cat Bob, no dead ass. I had to
take the cat to the vet one time, and like,
I'm not I'm not his dad. I don't know his life.
So I take him to the vet and I was
just like, all right, I gotta do this because you
started not peeing. No, So yeah, I was like, all right,
it's time to take it to the goddamn vet. Your
dad's at work, and they're like, what kind of breed
is this?
Speaker 4: And I'm like, cat.
Speaker 2: Said, I can't tell by looking at it.
Speaker 4: How the hell am I supposed to know?
Speaker 6: But you don't look at this thing.
Speaker 4: You have it in your hands. I don't know what
the fuck this thing is. I brought it here. It
came from the garbage.
Speaker 1: That dude, How is it even supposed to know that ship.
There's like the fucking cat distribution system. They just come
out of.
Speaker 2: Nowhere to find cat. You know, they just spawn.
Speaker 1: They don't come with like a fucking card.
Speaker 2: They spawn with randomly generated EV's alright, heck in all right, everybody.
That is where we're going to end for now. So
we're gonna stop the recording. Join us next week, you tube,
because for us, it's going to be now mine and
happy holidays, Holidays.
Speaker 10: I love that.
Speaker 3: I appreciate it.