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Speaker 1: H rip the novel. You're listening to Double M and

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H World premiere. Here we go as a story on both.

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Speaker 2: About a count that we all know you couldn't touched

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by his pretty realizing the bastings body.

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Speaker 3: Shows he thinks that he's the bomber.

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Speaker 4: Every day and that he wants to be.

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Speaker 5: In his arm. Just take a little cot of his

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mask and you don't realize.

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Speaker 4: That it's full of love spress.

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Speaker 2: So he Tom Sam.

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Speaker 4: But he thinks he said everybody's then oh boy, he's.

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Speaker 5: So cool, But we all know that he's touched up.

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Speaker 4: A top ten sash.

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Speaker 5: He stop praise like three, I turn them seas from.

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Speaker 2: Same time, winning a man of surprise and you'll break

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every one home when its dead rise like glass.

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Speaker 4: It's he gonnas match.

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Speaker 5: You want to turn around and.

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Speaker 6: Shove it up and frantiis he's the work.

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Speaker 5: The Moodys back.

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Speaker 4: The man's really upsurd.

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Speaker 2: These teams of the past.

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Speaker 5: A high school captain still smoking teams.

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Speaker 7: Was here, Tom Sam man.

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Speaker 1: He thinks he's saving three bodies.

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Speaker 5: Then oh boy, he's so cool. Well we all know

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all that he's took up ooo.

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Speaker 4: The tactic it too.

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Speaker 5: He's got praise like no turn TILSI food.

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Speaker 4: One one and we know the truth one is caused bone.

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Speaker 1: There it goes poof.

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Speaker 5: When he comes out.

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Speaker 2: Way, thanks, says sand fraybody's friend.

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Speaker 5: Oh boy be so cool.

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Speaker 1: Well, we all know that he took up fool.

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Speaker 5: Jack Yassi Jo.

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Speaker 4: He's got praise like a dirt bell safer.

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Speaker 5: Like John Sandrey.

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Speaker 1: Oh that is so good. That is Braggadocio and the

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band is Trall and we've got Trall here with us

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live in studio. This is Matt Connerton and Lee th

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We are live from the studios of w m NH

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ninety five point three FM and Glorious, very rainy and

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wet Manchester, New Hampshire. If you are listening live on

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Saturday May ten, twenty twenty five, and so happy to

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have you with us. That is a world radio premiere

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of that track, by the way, that has not been

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heard on the radio prior to today, so we do

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love the world radio premieres. And we've got the members

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of Trall. All four guys are here with us live

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in studio. Welcome, gentlemen. Hello, let's do this. Let's start

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with you, sir. We'll go around the room and tell

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us who you are and what you do in the band.

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Speaker 6: I am Sean. I am the singer of Well. I

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make mouth noises. Let me get that right. I make

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mouth noises for troll. All right, welcome shot.

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Speaker 8: I'm Adam. I hit things, Adam, you hit.

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Speaker 1: Things, okay. I played guitar, justin you play guitar. Very good, seth.

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I play the big guitar, or also known as the bass,

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the bass. Yes, yes, well welcome. By the way, I

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did enjoy we were talking off here. I really like

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that bass solo there, braggadociow. That's really good. Thank you

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so much.

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Speaker 8: That every band has to have a basilo song.

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Speaker 1: Well, actually a lot of bands would disagree with that,

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but I'm all for it. I can sneak one in there.

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I'm always like absolutely absolutely man. And by the way,

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so I appreciate you guys traveling too. You know, we

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have a lot of artists on the show from various parts.

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We just talked to awaiting Abigail from Texas, of course,

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and they skyped in or what we're using in place

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of Skype now because Skype has apparently gone away. But

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usually you know, when people are joining us live in studio.

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They're usually you know, maybe within within an hour max.

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But you guys drove all the way down from Portland

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on a rainy Saturday morning. So I really appreciate that

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you're here. Yeah, absolutely pleasure. And of course our friend

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Nathan Hill, he's in the chat room. He was, he

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drove a long way too to get here. He was

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on the show recently, and so I think he's the

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one who actually connected us with you guys, who connected Jenny. Yes,

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but we've been aware of you for a long time.

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I certainly have. In fact, Jay Bellow for I'm Chasing

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the Devil, he had said something about you guys in

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the chow room I think a couple weeks ago, and

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he might be listening hyj and yeah, he said, because

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I think they did they play a show with you.

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Speaker 6: Yeah, we've pased with them, uh the summer show, yeah,

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non po Chasing the Devil's last July.

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Speaker 1: Yeah, Oh very cool.

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Speaker 6: Great, dudes, love Chasing the Devil. Would love to get

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you know, hooked up at them again because they put

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on a hell of a show.

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Speaker 1: So oh absolutely absolutely Yeah, They're incredible. And I've known

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Jay forever, uh since back in his purge d I days. Yeah,

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long time, long time, but yeah, so I've been uh,

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forgive me, my allergies have been out of control, and

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then I hope the rain washes away to the pollend,

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but it doesn't seem to work that way. So if

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I a couple of times, that's why I'm sorry. I'm

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not sick. I'm just uh, it's a it's a rough spring.

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Speaker 6: But uh.

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Speaker 1: But yeah, so I've been aware of you guys for

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a while. I've seen you live. I can't remember where

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it was. It might have been a few years ago.

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Speaker 9: Oh yeah, if you played a few years ago, we played.

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We've played a couple of places in Manchester. We've played

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a Jewel right up the street that's where it was. Okay, yeah,

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I remember.

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Speaker 6: And then last time we were down here we played

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at the Goat. We played the Blackstone Cherry. It was

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a little mini run we did for we had our

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CD release, and then we played two shows back to

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back with Blackstone Cherry once in the Goat down here,

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and then we went to Wally's in Hampton Beach to

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you know, oh very cool, finish that out.

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Speaker 1: So yeah, yeah, yeah, I remember seeing you as a jewel.

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That's that's the show I was at, and yeah, we

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were just very impressed. But you've been around for a while, right,

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Pral's been around for at least five or six years, right, Yeah.

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Speaker 9: We started in about I think June of twenty eighteen,

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so it's been next month will be seven years for trial.

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Speaker 1: So okay, yeah, same lineup or as it changed over

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the years.

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Speaker 9: It just changed a little. Sean and I have been

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in the entire time, and we've known Adam and Justin

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for for a very long time and they've been friends

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and fellow musicians, and Adam and I were in a

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band together for a long time. But just on guitar

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came in almost five years ago, and then and then

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Adam came in three years ago. So we've been the

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same lineup for three years, and I really feel like we've,

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in my opinion, kind of hit our stride with the

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line I feel like this is the lineup.

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Speaker 1: Yeah. Yeah. In terms of your live shows, does any

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of the early material survives that carried forth? Oh yeah, yeah. Yeah.

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Speaker 6: We play a lot of you know, everything that we've written.

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We pretty much play okay, kind of in a rotation

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depending on you know, where we are, who we're playing with.

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We try to cater to the set, you know who's there.

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You know, if it's heavier, we might tend to push

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ourselves a little bit in the heavier direction, but we

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play pretty much everything. I think there's two songs that

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we just kind of retired based on we we wrote

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them and we liked them, and then it's like, yeah,

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kind of grew it. It's just not it doesn't hit

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the way it hit when we wrote it.

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Speaker 1: Yeah. I'm always curious because I've been in bands where

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sometimes if there's a change in members, you know, this

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is sometimes there might be somebody in the band who's like, ah,

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that's from before, we shouldn't do that, which which I

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would always fight against because I was always like, I

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was in a band called My Life Crisis, which went

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through a lot of different permutations through through the years,

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and I was always like, well, I know these songs

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are from a from an old lineup, but still you

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know these are songs that we made. I mean, we

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made this music. It's our music.

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Speaker 8: A good song is a good song exactly worth.

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Speaker 1: It it exactly, And it's heartbreaking to have to retire

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something just because you know, like if you've got one

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guy in the band who's like, I don't want to

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play that anymore because you know, that's tied to a

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previous lineup, and it's like, oh, come on, man, I've.

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Speaker 8: Done that a few times.

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Speaker 7: And it's like if the guy who left actually wrote

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the song, like that was his baby, Yeah kind of

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understand it.

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Speaker 1: Yeah, yeah, I can kind of understand although that that

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ended up in the band. I was talking about that

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I was in that that did become a big point

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of contention. It all worked out in the end, but yeah.

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Speaker 9: Yeah, and we kind of like let the the people

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tell us what they want to hear too, because a

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lot of times we'll reach out and say, hey, what

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do you want to what do you want to see

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this weekend? And and some of our older songs people

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want want to see live. So we're you know, we

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actually close with car chard On and it's like it

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was one of the first songs we ever wrote, and

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it's literally been our closer for like.

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Speaker 6: Our entirety of the band.

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Speaker 1: Yeah really yeah, yeah.

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Speaker 6: It was the first song we recorded and put out

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and honestly, like when we got it going, it was

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just a hey, we got to have something to show

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what we're doing like we are playing shows. But car

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Chardon was the first one we recorded, and Seth sold

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like a bunch of comic books to help pay for

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it and stuff like that. Like it was funny because

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the conversation we had the songs about a shark from

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the point of view of a shark, and Seth sold

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the Batman comic book that had shark on the cover,

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and we were.

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Speaker 9: Saying about it, like Batman two fifty one. There it is,

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Batman fights a Shark. It's the one with Joker on

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the cover, with the with the actual playing card, really

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and it's an iconic cover and I ended up parting

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ways with it to get the money to to go

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record that song. Yeah, but I don't regret it. I

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don't regret it, and I'll buy it back some days.

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Speaker 1: Yeah, yeah, exactly, there you go. You can always get

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it back later.

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Speaker 6: First there we recorded, and it's been our closer ever since,

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just because we feel like it's just a fun song. Yeah,

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it always is a good time. And people when we

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first played it, I remember the faces. People were like, Okay,

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they were getting into all the stuff we'd done and

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this song came on and they weren't anticipating what would

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happen towards the end of it, and they were like,

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what just occurred was not in my purview of what

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was going on this entire set, And so it's just

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been one of those fun surprises. If you've never seen

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us and you come see us and you hear that song,

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you're like, what was that?

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Speaker 1: Yeah, Yeah, that's pretty cool. Is it being a band

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from Portland? Is it? Uh? Is it? This might be

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a strange question. I don't know. Is it hard to

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stand out there when you're first starting to build a

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following Because people say this about Boston, like, if you're

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a Boston band, there's so many Boston bands, it's hard

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to stand out, and like up here it's a little easier.

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But but Portland, for as long as I can remember,

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has always had a pretty incredible muse seem too. It

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seems like there's a lot of really good bands in Portland.

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I mean, is that is it competitive?

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Speaker 5: Like?

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Speaker 1: What's the I haven't I used to do a lot

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in Portland. I used to promote shows and stuff when

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I was more into that part of the business. But

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but but I've been kind of disengaged from Portland as

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a city for a long time, so I don't really

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know like what the vibe is there now.

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Speaker 9: Yeah, i'd say it is. It is tough to stand out.

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I think it's just about kind of finding your other peers,

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your other bands that like you fit well with, yeah,

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and kind of trying to create critical mass with like

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two or three bands that like everyone will come out

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and see and the and the audience makes sense, which

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has been a rotating cast over the years because a

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lot of bands, you know, fall off and break up,

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and new bands are always popping up, so we're always

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trying to find new bands to play with that that

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are exciting to us, that we like their sound. But

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Portland in general is is tough because you got a

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lot of tourism and you kind of get this whole

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upper end rising up with all the you know, luxury

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condos and whatnot, and so you've got you've got kind

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of two Portland's. You know, you've got the sort of

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the tourists and and sort of higher priced end, and

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then you've got your your bars and clubs and you know,

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sort of the local scene end, and and there's a

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lot of clubs that don't cater to rock and metal,

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and there's a there's a few that do and those

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are always a moving target. And uh it's it's been

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tough through the pandemic, like the you know, some of

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them didn't survive, and uh so we're we're always trying

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to like take the pulse of like, okay, what's happening now,

259
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you know, where should we be playing now?

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Speaker 1: What?

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Speaker 9: What places should we be looking to play if we

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haven't yet. So it's I think it it's literally changes

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probably every six months to a year, So it's yeah,

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it's hard, like and I don't I don't think it

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used to move that quickly. Things seem to stay the

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same for every couple of years, but now things move

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so quickly. But yeah, that's interesting.

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Speaker 8: Yeah, I call it a snow globe effect. And I

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saw it. I used to. I grew up in mass

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and played in bands from Boston.

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Speaker 7: Yeah, it's like every couple of years, you just kind

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of shake up the snow globe and put it back down.

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And this guy's moved over here, and this guy's moved

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over here. This guy retired and left, and but this

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dude came out of nowhere and now he took his spot.

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Speaker 8: Yeah, so it's still the same core group of people.

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You've just kind of shaken it up a little bit.

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Speaker 1: Yeah, that makes sense. That makes sense. Are there bands

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that you're you know, because it does happen organically? Are

280
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there other bands in Portland that you play a lot

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of shows with that you've kind of sort of teamed

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up with maybe, just like I said, sometimes it just

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kind of happens, you know.

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Speaker 7: I think it's cyclical, kind of like rotation, Like he's

285
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six months and you just kind of latch on.

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Speaker 6: Yeah, and then it's like like Seth was saying, a

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lot of bands, unfortunately, they just that they retire, They

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they're done playing, and that's kind of crappy. We like,

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you know, some of the bands that we really like,

290
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they just decided it wasn't within them and they moore

291
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they didn't have the drive so they kind of just

292
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laid it to rest. And it's like, well that stinks.

293
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I really like, we really liked playing with you guys,

294
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and they're like, yeah, well we got other projects coming out,

295
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and it's like, well, let us know, we'd love to

296
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connect with you and do it again. And yeah, it's

297
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it's always a matter of if those people are coming

298
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back into the scene or if they just they did

299
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lay it to rest and they're just they're moving on.

300
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So yeah, it's hard, it's it is very competitive up there.

301
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But a big thing for us is we just want

302
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to have fun. Yeah, and if you're having fun, you're

303
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doing it right.

304
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Speaker 1: Yep.

305
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Speaker 6: If you're not having fun, you screwed up somewhere and

306
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you need to fix that.

307
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Speaker 1: Yeah, yeah, absolutely.

308
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Speaker 9: And we also play in New Hampshire quite a lot.

309
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But yeah, we've actually i'd say we probably played in

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New Hampshire half the time.

311
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Speaker 6: Probably you're a little more than half the time.

312
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Speaker 9: Yeah, we've got often enough where we could like apply

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for residency and save some money on taxes or something.

314
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Speaker 6: But right, right, the next two shows are actually in

315
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New Hampshire, yeah, are yeah, yeah.

316
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Speaker 1: Yep, yeah, so we should mention those. Yeah.

317
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Speaker 9: Yeah, let's see Friday, so less than two weeks away.

318
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Friday May twenty third, we're at the Stone Church in Newmarket, excellent,

319
00:16:04,240 --> 00:16:07,720
and then our next show after that is Sunday, June

320
00:16:07,799 --> 00:16:12,200
twenty second, we're playing Seacoast Metalfest at the Garage at

321
00:16:12,240 --> 00:16:16,039
the Governor's in in Rochester. Okay, I'm sure, so those

322
00:16:16,039 --> 00:16:18,600
are our next two Showsky and then we're actually playing

323
00:16:18,600 --> 00:16:21,679
in Manchester Way later this year. It's on the books,

324
00:16:21,679 --> 00:16:24,679
it's it's been floated out there, but not like it's

325
00:16:24,720 --> 00:16:26,759
it's public, but they're not pushing it yet.

326
00:16:26,879 --> 00:16:27,360
Speaker 1: Yeah.

327
00:16:27,440 --> 00:16:32,879
Speaker 9: It's Friday, November seventh at the Shaskiene with with Polka

328
00:16:32,919 --> 00:16:33,440
Dot Cadaver.

329
00:16:33,600 --> 00:16:36,360
Speaker 1: Oh. It'll be a cool show. Yeah. I don't know Polka,

330
00:16:37,039 --> 00:16:40,080
but that's a cool name. I'm very I'm very intrigued

331
00:16:40,240 --> 00:16:40,879
just from the name.

332
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Speaker 9: They're a crazy band. They are from kind of in

333
00:16:45,279 --> 00:16:49,559
Baltimore slash Baltimore slash Maine. They've got members kind of

334
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in both places, but they're they're kind of derived from

335
00:16:54,000 --> 00:16:57,519
the members of Dog Fashion Disco, who were a band

336
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for for.

337
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Speaker 1: From late from Baltimore. I remember them. I saw I

338
00:17:02,759 --> 00:17:06,079
saw them in Boston. Wow that yeah a long time ago.

339
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Oh my god.

340
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Speaker 9: All the same guys in both bands. They actually play

341
00:17:09,039 --> 00:17:11,359
songs from both. So yeah, OK, we're excited to do

342
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We're doing a two show run with them in November

343
00:17:13,599 --> 00:17:13,880
this year.

344
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Speaker 6: So Jason are just absolutely amazing dudes to work with

345
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and we love, you know, hanging out with them and

346
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being able to do this and last year we were

347
00:17:21,960 --> 00:17:25,759
gonna play down here, but somebody in the band caught

348
00:17:25,799 --> 00:17:28,799
the plague. Oh and we had to kill off two

349
00:17:28,839 --> 00:17:31,839
shows just because still Seth was sick and yeah, and

350
00:17:31,920 --> 00:17:35,680
it happens. And honestly, they were really nice and said, hey,

351
00:17:35,759 --> 00:17:38,079
let's do this again. You know, we don't care you

352
00:17:38,119 --> 00:17:41,200
guys got sick. You know it was actually didn't you

353
00:17:41,319 --> 00:17:42,759
go down and cover? Yeah?

354
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Speaker 8: Yeah, band played instead, Oh kick over.

355
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Speaker 6: For one of our spots. But it was It was

356
00:17:47,720 --> 00:17:49,920
really cool and they were super nice to be like, hey,

357
00:17:49,960 --> 00:17:52,039
let's do it again. We're really excited about playing with

358
00:17:52,079 --> 00:17:54,720
you guys. Yeah, we were like absolutely, because Seth and

359
00:17:54,759 --> 00:17:57,359
I have been listening to the Dog Fashion Slash Polka

360
00:17:57,359 --> 00:18:01,160
Dot for for forever twenty five years now, almost thirty years.

361
00:18:01,240 --> 00:18:02,720
However long they've been a band.

362
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Speaker 9: So talking about bands with longevity from Maine, though Adam's

363
00:18:07,079 --> 00:18:10,400
band Loki has been around for twenty five years. Wow,

364
00:18:11,119 --> 00:18:12,960
in some former fashion.

365
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Speaker 8: I've only been in it for like eighteen Yeah.

366
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Speaker 1: Oh is that all? And we were eighteen. We were

367
00:18:17,920 --> 00:18:19,799
in that band together for seven years.

368
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Speaker 3: Oh.

369
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Speaker 9: So that's where Adam and I know each other from.

370
00:18:21,599 --> 00:18:25,720
So we collectively have a decade of rhythm section jamming.

371
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Speaker 6: So so it's funny that the band Loki comes up

372
00:18:28,799 --> 00:18:32,279
because before either of these guys were involved, I was

373
00:18:32,400 --> 00:18:34,680
roommates with the drummer for a while and it was

374
00:18:34,680 --> 00:18:38,079
actually the roady for Loki for a couple of years,

375
00:18:38,119 --> 00:18:40,200
and then like I moved out with my current wife

376
00:18:40,240 --> 00:18:42,599
and you know, stopped doing roady work for them. But

377
00:18:42,640 --> 00:18:45,480
then these guys came in. And it's funny because Justin

378
00:18:45,480 --> 00:18:48,200
and I about the same time that these guys started

379
00:18:48,200 --> 00:18:50,680
with Loki. Him and I had a band together like

380
00:18:51,000 --> 00:18:54,279
forever ago, and it was interesting.

381
00:18:55,559 --> 00:18:59,240
Speaker 9: And actually, actually Adam and I met Justin because Loki

382
00:18:59,359 --> 00:19:03,839
played with one of his former bands probably.

383
00:19:03,440 --> 00:19:06,480
Speaker 1: Yeah twenty eight eight or something like that. Yeah, I'm

384
00:19:06,480 --> 00:19:14,079
gonna say eight. Yeah what we're saying. I'm feeling it anyway.

385
00:19:14,720 --> 00:19:18,799
Speaker 6: Week. Yeah, you don't look a day under fifty bunch.

386
00:19:20,359 --> 00:19:23,519
Speaker 1: Oh my goodness. Wow. Wow. By the way, So where

387
00:19:23,519 --> 00:19:25,599
does the name come from? Troll? What does that mean?

388
00:19:26,400 --> 00:19:29,839
Speaker 9: So troll is something that I just you know, I

389
00:19:29,839 --> 00:19:33,759
I searched for a long time for I love one

390
00:19:33,839 --> 00:19:38,039
word band names. Yeah, you know, Rush, Tool, Primus, Clutch, Clutch,

391
00:19:38,559 --> 00:19:42,400
bands like that, And it's so hard to find a

392
00:19:42,440 --> 00:19:44,839
one word band name that just hits. It has you know,

393
00:19:45,000 --> 00:19:49,240
one syllable, and I liked troll. It also means, you know,

394
00:19:49,599 --> 00:19:52,440
like with a trolling net, you're you're you're dragging behind

395
00:19:52,440 --> 00:19:55,480
a boat. It's like, you know, like picking up the

396
00:19:55,519 --> 00:19:57,359
sea life and all that. But but it also means

397
00:19:57,400 --> 00:20:00,119
to search, to troll through something, to search through something. Yeah,

398
00:20:00,160 --> 00:20:02,240
And I thought it was cool because you know, you

399
00:20:02,240 --> 00:20:04,920
can kind of apply the meaning to search to anything,

400
00:20:04,960 --> 00:20:08,799
you know, whether you're looking for you know, just like uh,

401
00:20:08,839 --> 00:20:11,920
you know, friendship or or like, uh, you know, a

402
00:20:11,920 --> 00:20:14,720
good time, or like searching for meaning in something like,

403
00:20:14,759 --> 00:20:17,599
you can kind of apply that to just about anything.

404
00:20:17,640 --> 00:20:20,559
Speaker 1: So I thought it was a cool name. And yeah suck, Yeah, yeah, totally,

405
00:20:20,759 --> 00:20:22,319
it's funny. So I didn't know what trill meant, but

406
00:20:22,359 --> 00:20:24,880
then when you explained it, but I don't know, maybe

407
00:20:24,880 --> 00:20:27,079
in the back of my mind I did know, maybe subconsciously,

408
00:20:27,119 --> 00:20:29,279
because when when you said it had something to do

409
00:20:29,319 --> 00:20:32,440
with voting and you know, yeah, like a troller net. Yeah,

410
00:20:32,480 --> 00:20:37,599
for some reason, that was like, oh that makes sense. Yeah, no,

411
00:20:37,839 --> 00:20:40,680
very cool. And what about the logo was that you

412
00:20:40,880 --> 00:20:41,839
that was me too? Yeah?

413
00:20:41,920 --> 00:20:47,440
Speaker 6: Yeah, our stuff like art wise is Seth. Okay, this

414
00:20:47,759 --> 00:20:49,920
is a mad genius when it comes to the artwork

415
00:20:49,960 --> 00:20:54,240
and setting things up. So like the CD designs. He

416
00:20:54,599 --> 00:20:57,599
doesn't do the cover art, that's somebody. We have a

417
00:20:57,599 --> 00:20:59,599
couple of different people we've used for that, but okay,

418
00:20:59,640 --> 00:21:02,680
I mean any T shirt you see is Seth. The

419
00:21:02,720 --> 00:21:05,359
original logo of the shark with the triangle is Seth.

420
00:21:05,400 --> 00:21:07,200
I mean, Seth is a mad genius when it comes

421
00:21:07,240 --> 00:21:09,279
to art and that's kind of our blessing.

422
00:21:10,799 --> 00:21:13,079
Speaker 9: Yeah, I appreciate that and the things that I know

423
00:21:13,200 --> 00:21:16,920
I can't do. I you know, I love to find

424
00:21:16,920 --> 00:21:19,839
other artists. I'm always out there on like Instagram looking

425
00:21:19,880 --> 00:21:22,400
for other artists. I like, if there's something I'm trying

426
00:21:22,440 --> 00:21:26,000
to accomplish, I'll commission somebody else. A lot of the

427
00:21:26,000 --> 00:21:28,920
covers of our EPs were commissioned. Actually, the guy who

428
00:21:28,920 --> 00:21:32,839
did our previous one was a tool poster artist. He's done,

429
00:21:33,119 --> 00:21:36,000
He's done. The one for Cosmic Aquatic was actually done

430
00:21:36,000 --> 00:21:40,920
by a tool poster artist named George Malonas out of Greece.

431
00:21:41,200 --> 00:21:43,920
Oh wow, really cool. So and we've had people from Oliver.

432
00:21:43,960 --> 00:21:48,599
Actually our our latest EP, Tempests, the cover was paint

433
00:21:48,799 --> 00:21:51,359
was painted it's actually an oil painting that was done

434
00:21:52,519 --> 00:21:55,759
by a lady named Colleen Woodward right here in New Hampshire.

435
00:21:55,880 --> 00:21:56,359
Speaker 1: Oh wow.

436
00:21:56,680 --> 00:21:59,559
Speaker 9: Yeah, so it was actually hand painted and then I

437
00:21:59,640 --> 00:22:03,079
had it scanned and archived at a at a place

438
00:22:03,960 --> 00:22:05,839
so that we could make it into the album cover.

439
00:22:05,920 --> 00:22:08,119
Speaker 6: But oh wow, we did buy the painting too to

440
00:22:08,160 --> 00:22:12,839
support local artists too, because yeah, yeah, because because it's awesome. Yeah,

441
00:22:12,880 --> 00:22:14,359
great portrait and we love it.

442
00:22:14,440 --> 00:22:18,920
Speaker 1: Yeah, absolutely absolutely. Is that challenging when you're when you're

443
00:22:18,920 --> 00:22:22,160
talking to somebody about art artwork, like, because you've got

444
00:22:22,160 --> 00:22:24,680
to be able to communicate to them, Yeah, what you

445
00:22:24,839 --> 00:22:28,559
have in mind? I mean, is there some trial and error?

446
00:22:28,599 --> 00:22:30,359
Like if you're working with someone you've never worked before,

447
00:22:30,400 --> 00:22:33,319
like an artist you've never worked before before, but you're

448
00:22:33,319 --> 00:22:35,200
interested in having them do something. Is it is it

449
00:22:35,279 --> 00:22:39,119
challenging to get them to kind of come up with

450
00:22:39,160 --> 00:22:40,519
something that matches the vision that.

451
00:22:40,519 --> 00:22:44,119
Speaker 9: You have Sometimes? But I try to like meticulously look

452
00:22:44,160 --> 00:22:46,680
for an artist that I just love their style. Yeah,

453
00:22:46,680 --> 00:22:50,200
and I know that whatever they do, and I've always

454
00:22:50,240 --> 00:22:54,079
found you know, if you let an artist do what

455
00:22:54,119 --> 00:22:57,799
they're best at, they're gonna it's gonna be awesome. So

456
00:22:57,920 --> 00:23:00,359
like sometimes if you give And I'm the same way

457
00:23:00,400 --> 00:23:03,519
when because I help other bands with graphic design and

458
00:23:03,559 --> 00:23:07,440
flyers and sometimes album art as well. And the more

459
00:23:08,400 --> 00:23:10,720
the more you try to give them, the more you're

460
00:23:10,759 --> 00:23:13,759
kind of pigeonholing them. Yeah, And I think the less

461
00:23:13,759 --> 00:23:15,960
sometimes you can give somebody it like it lets them

462
00:23:15,960 --> 00:23:18,160
do what they do best. So I try to just

463
00:23:18,240 --> 00:23:20,599
like pick the right artists and put the trust in

464
00:23:20,640 --> 00:23:22,519
them to do the right to do the thing that

465
00:23:22,559 --> 00:23:25,640
we asked and let them. But so and so far

466
00:23:25,720 --> 00:23:28,440
it's worked out, you know. And there's been a few that,

467
00:23:28,559 --> 00:23:30,599
like I tried to have an artist do something and

468
00:23:30,640 --> 00:23:32,880
then we didn't really like the result, and we just

469
00:23:32,920 --> 00:23:35,480
won't We just won't use it. You know, Well, it'll

470
00:23:35,480 --> 00:23:37,160
be in the archives or maybe we'll use it later

471
00:23:37,200 --> 00:23:40,160
for a flyer or something less, you know, dire it

472
00:23:40,319 --> 00:23:41,960
just you know, it's not gonna be the album art,

473
00:23:41,960 --> 00:23:44,079
but it might be like a flyer later on or something.

474
00:23:44,119 --> 00:23:48,000
Speaker 1: But yeah, yeah, are you ever surprised, like hopefully pleasantly,

475
00:23:48,039 --> 00:23:50,119
But do you ever got into a situation where they

476
00:23:50,319 --> 00:23:52,160
come up with something that's totally not what you had

477
00:23:52,160 --> 00:23:54,279
in mind, but it's so good that you're like yeah,

478
00:23:54,319 --> 00:23:54,960
let's go with it.

479
00:23:55,400 --> 00:23:59,720
Speaker 9: Yeah, totally. The actually our album cover for from the

480
00:23:59,759 --> 00:24:03,880
Mark Depths. It was our second EP. I actually commissioned

481
00:24:04,079 --> 00:24:07,559
a an NFT artist because at the time, like right

482
00:24:07,640 --> 00:24:11,039
during the pandemic, that NFT movement with art was just

483
00:24:11,079 --> 00:24:13,440
going crazy. Yeah, and this guy really didn't want to

484
00:24:13,480 --> 00:24:16,880
do just regular commission work because they were making way

485
00:24:16,920 --> 00:24:19,559
more money putting it out on like Open Sea as

486
00:24:19,559 --> 00:24:22,839
an NFT and then selling it for like thousands of dollars.

487
00:24:22,880 --> 00:24:27,279
So but I found this guy. He he's from Washington State,

488
00:24:27,599 --> 00:24:31,400
and yeah, he he was just like, yeah, okay, I'll

489
00:24:31,400 --> 00:24:33,640
try this, and I gave him a bunch of ideas

490
00:24:33,640 --> 00:24:36,440
and he came up with this like monstrosity of like

491
00:24:37,240 --> 00:24:40,039
deep sea diver helmet with like all these various sea

492
00:24:40,160 --> 00:24:42,960
life like eels and fish and everything, and it's all

493
00:24:43,000 --> 00:24:46,160
like in this one crazy it's you go go out

494
00:24:46,160 --> 00:24:48,720
there and look at it. But it's a I could

495
00:24:48,759 --> 00:24:51,039
have never like given him that as a direction. He

496
00:24:51,160 --> 00:24:53,200
just was like, all right, here's here's your album cover.

497
00:24:53,240 --> 00:24:54,839
And I'm like, yeah, this is so cool. All right,

498
00:24:54,880 --> 00:24:55,680
We're running with it.

499
00:24:55,839 --> 00:25:02,680
Speaker 1: Yeah. So yeah, sometimes yeah, it's it's awesome to be surprised. Yeah, yeah, yeah, excellent.

500
00:25:03,039 --> 00:25:04,920
And then do you guys all have to you all

501
00:25:04,920 --> 00:25:06,680
have to agree on it, right, like once you've got

502
00:25:06,680 --> 00:25:09,240
the art like everyone, do you ever have a situation

503
00:25:09,279 --> 00:25:11,480
where maybe maybe one of you isn't quite feeling it?

504
00:25:11,559 --> 00:25:16,599
Speaker 6: Like yeah, we're all pretty much on the same boat

505
00:25:16,599 --> 00:25:20,640
with a lot of stuff. It's it's it's really just

506
00:25:20,720 --> 00:25:23,960
a matter of working together. And when you do it well,

507
00:25:24,319 --> 00:25:28,640
like we've done for three straight years now, it's almost

508
00:25:28,640 --> 00:25:33,359
too easy. We we write new songs quickly. When Seth

509
00:25:33,559 --> 00:25:36,240
comes up with an idea for something like art wise,

510
00:25:36,279 --> 00:25:38,640
we're like, can you make a green?

511
00:25:38,960 --> 00:25:39,319
Speaker 1: All right?

512
00:25:39,400 --> 00:25:39,640
Speaker 6: Cool?

513
00:25:39,720 --> 00:25:40,079
Speaker 1: Perfect?

514
00:25:40,160 --> 00:25:43,559
Speaker 6: There it is. I mean, lyrics are something we goof

515
00:25:43,599 --> 00:25:47,000
around with and it's it's just simple. We get together,

516
00:25:47,079 --> 00:25:50,680
we have fun. We write stuff that you know, fun

517
00:25:50,680 --> 00:25:53,519
we want to write. Yeah, fun is the key to

518
00:25:53,599 --> 00:25:56,440
getting the forward progression that we have had for the

519
00:25:56,519 --> 00:25:59,799
last three years. It's just we have fun. I mean,

520
00:26:00,440 --> 00:26:03,119
you'll see us on stage. We're goofing off, we're being stupid,

521
00:26:04,000 --> 00:26:09,119
we're having fun and we're playing the music. Yet nothing

522
00:26:10,039 --> 00:26:10,680
straight face.

523
00:26:11,720 --> 00:26:14,160
Speaker 9: You know, we're serious in terms of like practicing and

524
00:26:14,200 --> 00:26:16,599
making sure that like you know, we can we can

525
00:26:16,640 --> 00:26:19,359
play well, we can deliver well, we're on time. We're

526
00:26:19,359 --> 00:26:21,759
that band that's like, you know, we're like the considerate

527
00:26:21,839 --> 00:26:24,920
ninjas of like load in, load out, you know, like

528
00:26:25,240 --> 00:26:27,519
I want to make sure that like the night runs

529
00:26:27,599 --> 00:26:30,480
good and like we're we're professionals, but at the same time,

530
00:26:30,559 --> 00:26:32,119
when we're up there, we're gonna have a blast.

531
00:26:32,160 --> 00:26:34,839
Speaker 1: We have fun. So yeah, yeah, that's really cool. And

532
00:26:34,880 --> 00:26:37,319
when it's when it's easy like that where where you're

533
00:26:37,359 --> 00:26:40,079
all on the same page and it's no and nobody's arguing, nobody,

534
00:26:40,160 --> 00:26:41,759
you know, I mean, that's you know, hold on to

535
00:26:41,839 --> 00:26:46,200
that because that's great. Man's that's when you know you've

536
00:26:46,200 --> 00:26:48,799
really got something. When everyone's moving in the same direction

537
00:26:48,880 --> 00:26:51,559
and it's it's not hard, it's not contentious, it's just

538
00:26:52,480 --> 00:26:56,359
you know, no anxiety. That's that's fantastic. So yeah, you

539
00:26:56,359 --> 00:26:59,240
guys are definitely on the right track. Uh, speak of tracks,

540
00:26:59,240 --> 00:27:01,279
I think we should play it other one. Yeah, what

541
00:27:01,799 --> 00:27:03,759
should we plan next? And then we'll talk some more.

542
00:27:03,960 --> 00:27:09,039
Speaker 6: I always pointing at me, no ah, geez. Honestly, I

543
00:27:09,039 --> 00:27:11,240
think a really good one to play would be Majesty.

544
00:27:11,400 --> 00:27:15,079
It's one we've been really hitting off with live it's

545
00:27:15,119 --> 00:27:19,119
a fun track. That's to kind of talk about Tempest

546
00:27:19,200 --> 00:27:22,480
real quick. This whole album was a really different direction

547
00:27:22,640 --> 00:27:25,400
for us as a band. Braggadocio was a very fun

548
00:27:25,519 --> 00:27:28,839
song that we we always write fun stuff, and this

549
00:27:29,039 --> 00:27:31,759
album happened to be a little bit darker, hence the

550
00:27:31,839 --> 00:27:34,519
name Tempest, and the artworks a little bit darker in color,

551
00:27:34,599 --> 00:27:37,799
and the lyrics are all a little bit darker in style.

552
00:27:37,880 --> 00:27:41,839
But majesties about friends who aren't really friends. They're kind

553
00:27:41,839 --> 00:27:44,200
of backstabbing jerks that come back into your life and

554
00:27:44,200 --> 00:27:46,839
they're like, hey, buddy, let's be friends again. It's like

555
00:27:46,880 --> 00:27:50,200
the last time you were around, I lost my cat,

556
00:27:50,480 --> 00:27:53,839
my car got stolen, and I somehow was negative three

557
00:27:53,920 --> 00:27:56,759
hundred dollars in my bank account. Okay, let's see how

558
00:27:56,759 --> 00:27:59,720
this burns me again. So it's talking about people that

559
00:27:59,799 --> 00:28:03,759
just a shadow I lose my cat. Yeah no, no,

560
00:28:04,319 --> 00:28:04,680
no worry.

561
00:28:05,160 --> 00:28:10,720
Speaker 1: No, Well let's give the suspend if you are just

562
00:28:10,799 --> 00:28:13,519
joining us. We've got the members of trall here with

563
00:28:13,599 --> 00:28:22,440
us alive in studio, and uh, this is called Majesty.

564
00:28:29,960 --> 00:28:34,000
Speaker 4: Hello Bell, my old brands, It's good to see you.

565
00:28:34,400 --> 00:28:37,279
Speaker 5: L Yeah, it's been up long.

566
00:28:37,400 --> 00:28:38,799
Speaker 4: Lound spent you.

567
00:28:38,839 --> 00:28:44,319
Speaker 2: Broke behind with your hand a minute quite sure that

568
00:28:44,519 --> 00:28:47,880
it's off Cone Bacon to kind of.

569
00:28:50,039 --> 00:29:07,240
Speaker 5: Have you played a Fellows sunles Go Temasion by Joe.

570
00:29:11,039 --> 00:29:30,000
Speaker 3: Brays the Princess Scott bullying from the infusion of the.

571
00:29:30,039 --> 00:29:34,200
Speaker 2: Line the one is just that it with that, I

572
00:29:34,359 --> 00:29:36,200
can't fall on the mind.

573
00:29:36,519 --> 00:29:41,640
Speaker 5: The Mills inst tune is a boring verny trasing.

574
00:29:42,279 --> 00:29:44,279
Speaker 3: And now it is time to travel.

575
00:29:44,960 --> 00:30:01,319
Speaker 5: When your face down the bar, then turn.

576
00:30:00,039 --> 00:30:29,079
Speaker 4: A missing My dolls said your face this place just Mason,

577
00:30:29,240 --> 00:30:31,039
You're make make what I said?

578
00:30:41,599 --> 00:30:47,559
Speaker 5: Yeah, yeah, I want to say, y'all h.

579
00:30:51,480 --> 00:30:58,960
Speaker 2: B want the value bad decide So what.

580
00:31:06,160 --> 00:31:08,400
Speaker 5: The time has come from?

581
00:31:08,880 --> 00:31:14,799
Speaker 2: This funny come to his fee talking minds sometimes then

582
00:31:14,880 --> 00:31:18,200
a lot the first field of web stars page the

583
00:31:18,319 --> 00:31:24,000
time stories down. This tender sum is to wislve the spile,

584
00:31:24,519 --> 00:31:30,640
the groom mild. You'll find the fractions and you.

585
00:31:36,319 --> 00:31:42,920
Speaker 4: Turn confusion. I go.

586
00:31:47,160 --> 00:31:48,680
Speaker 5: Crazy, so.

587
00:32:00,039 --> 00:32:02,640
Speaker 1: Mhm, as I like to say. If that doesn't get you,

588
00:32:02,759 --> 00:32:04,720
move in check your pulse. You might be dead. I

589
00:32:04,799 --> 00:32:07,480
love that. That is majesty. The band is trall. We've

590
00:32:07,519 --> 00:32:10,680
got troll here in the studio with us, and uh yeah,

591
00:32:10,759 --> 00:32:13,680
that's another great track and uh, well done, guys, well done.

592
00:32:13,720 --> 00:32:16,440
Where do you record? By the way, everything sounds really great.

593
00:32:16,839 --> 00:32:20,240
Where do you Uh, I'm always it's all pre recorded.

594
00:32:20,279 --> 00:32:23,920
Speaker 8: It's actually not even asked all ai.

595
00:32:25,000 --> 00:32:28,440
Speaker 6: It is pretty amazing what you can do now with Tempest.

596
00:32:28,519 --> 00:32:32,440
We actually kind of piecemealed this together. We uh, we're

597
00:32:32,480 --> 00:32:38,000
big supporters of things. That's you know, that helped things.

598
00:32:38,119 --> 00:32:39,960
That's that's the whole point of what we're doing is

599
00:32:40,039 --> 00:32:42,839
just try to be positive in this dark world. And

600
00:32:43,400 --> 00:32:47,480
Adam actually was able to win from Seth one. See

601
00:32:47,599 --> 00:32:50,599
that's right, Adam used it. But we got some studio

602
00:32:50,720 --> 00:32:54,160
time at Halo Studios up in Maine. Yeah, because we

603
00:32:54,400 --> 00:32:56,880
uh the Marcathon Mark Kurto up and c hy Y

604
00:32:57,440 --> 00:33:00,799
for the benefits the Center for Grieving Children. So Seth

605
00:33:00,880 --> 00:33:03,880
won studio time for Halo bidding on that. So we

606
00:33:03,960 --> 00:33:06,680
went up and said, Adam, you have studio time, let's

607
00:33:06,680 --> 00:33:09,559
go do five songs. You've got you know, a day,

608
00:33:09,720 --> 00:33:12,880
And he did it and not even a day and

609
00:33:12,960 --> 00:33:17,400
crushed it. And with the guitars and bass. We actually

610
00:33:17,480 --> 00:33:20,480
do it in house because Uncle Justy over here owns

611
00:33:20,519 --> 00:33:23,720
the Cold Northeast Studios, so we have our own little

612
00:33:24,200 --> 00:33:27,440
situation in there where we were able to you know,

613
00:33:27,519 --> 00:33:29,720
piecemeal together the guitars and make them sound you know,

614
00:33:30,519 --> 00:33:34,079
like guitars and stuff. Yeah, kind of just does a

615
00:33:34,119 --> 00:33:36,680
great job. He's gonna downplay himself, but he does a

616
00:33:36,759 --> 00:33:38,759
fantastic job when it comes to recording that stuff.

617
00:33:39,880 --> 00:33:40,720
Speaker 8: Because you said you'd.

618
00:33:40,599 --> 00:33:46,279
Speaker 6: Buy me a hot dog later. Nice, But then that

619
00:33:46,440 --> 00:33:48,960
was all in house with guitars and then vocals. We

620
00:33:49,079 --> 00:33:53,200
actually worked with John Wyman. I believe this sounds good.

621
00:33:57,039 --> 00:34:00,559
He's an amazing, amazing per to work with.

622
00:34:00,759 --> 00:34:02,519
Speaker 8: He's he's a little busy right now. He's working with

623
00:34:02,640 --> 00:34:04,359
the small band called the Pretty Reckless.

624
00:34:04,599 --> 00:34:07,000
Speaker 1: Yeah, oh that Alim came up this morning on the

625
00:34:07,039 --> 00:34:08,840
show when I was talking to Waiting Abigail.

626
00:34:09,039 --> 00:34:11,719
Speaker 6: Yeah, it was funny. He was like, I've got a

627
00:34:11,800 --> 00:34:13,719
few weeks before I have to go to New York

628
00:34:13,800 --> 00:34:16,000
to record with the Pretty Reckless. And we're like, yeah,

629
00:34:16,039 --> 00:34:18,360
well we'll come in to do vocals. So yeah, I

630
00:34:18,480 --> 00:34:22,360
did five sessions and worked with him, and it was

631
00:34:22,480 --> 00:34:24,079
just amazing because he was sitting there He's like, how

632
00:34:24,119 --> 00:34:26,599
do you feel about that? And it didn't realize until

633
00:34:26,639 --> 00:34:29,199
after they'd talked about the Wyman effect with the vocals,

634
00:34:29,239 --> 00:34:32,719
and it's basically he's gonna make you realize you wanted

635
00:34:32,719 --> 00:34:34,639
to do something. But it was his idea and it

636
00:34:34,800 --> 00:34:38,400
was perfect because everything he came up with that helped

637
00:34:38,480 --> 00:34:42,079
me push past where we'd been before. It was just

638
00:34:42,440 --> 00:34:43,519
it's what needed to be there.

639
00:34:43,760 --> 00:34:45,840
Speaker 8: And Seth and I have worked with him for years.

640
00:34:46,320 --> 00:34:48,400
We did all of anytime that I was in Loki.

641
00:34:48,440 --> 00:34:50,840
Speaker 7: All the Logi records were done by oh By Wyman,

642
00:34:50,920 --> 00:34:52,679
so we already knew like his style and he just

643
00:34:52,960 --> 00:34:55,199
he has a good producer, has a way of just

644
00:34:55,320 --> 00:34:58,239
pulling that little extra out of you and he's just

645
00:34:58,360 --> 00:35:00,199
always been great with that. So we've got and the

646
00:35:00,280 --> 00:35:02,239
chance to work with them before and we're like, Sean,

647
00:35:02,360 --> 00:35:04,079
we want to get we want to give you a

648
00:35:04,159 --> 00:35:05,480
little bit, a little taste of that.

649
00:35:05,840 --> 00:35:09,480
Speaker 6: Yeah, having that opportunity was fantastic. I highly recommend if

650
00:35:09,519 --> 00:35:11,960
he has the time, people like book him to do

651
00:35:12,079 --> 00:35:14,800
your vocal anything, record anything. He's fantastic.

652
00:35:15,159 --> 00:35:17,559
Speaker 7: It's funny because he has a psychology degree and one

653
00:35:17,639 --> 00:35:20,119
day I asked him, like, how does that actually play

654
00:35:20,159 --> 00:35:20,800
out in music?

655
00:35:20,880 --> 00:35:22,440
Speaker 8: He goes more often than you think.

656
00:35:22,519 --> 00:35:24,960
Speaker 7: Oh I bet, and then I bet after Yeah, coming

657
00:35:25,000 --> 00:35:27,000
out of a session you're like, oh that's why.

658
00:35:27,280 --> 00:35:29,960
Speaker 6: Yeah, yeah, but it was it was piecemeal together and

659
00:35:30,000 --> 00:35:33,480
then we had him mix it and then Pat Keene

660
00:35:34,320 --> 00:35:36,480
mastered it for us for this new album. So it's

661
00:35:36,559 --> 00:35:38,519
most a lot of it. Actually, I think almost all

662
00:35:38,559 --> 00:35:40,280
of it has been in house, except for the last

663
00:35:40,320 --> 00:35:42,440
couple we've gone a little bit outward.

664
00:35:42,639 --> 00:35:45,480
Speaker 1: Yeah, yeah, but yeah, that alsounds I mean, you know,

665
00:35:45,559 --> 00:35:50,280
the final product sounds great, really really good. Absolutely do

666
00:35:50,360 --> 00:35:52,360
you sell you You brought us a couple of physical copies.

667
00:35:52,440 --> 00:35:55,960
You sell those at shows, and absolutely the thing that's

668
00:35:56,079 --> 00:35:57,760
I was talking to I forget who it was now.

669
00:35:57,840 --> 00:35:59,840
It's probably a conversation I've had with a lot of guests,

670
00:35:59,880 --> 00:36:01,440
but there seems to be I feel like in the

671
00:36:01,519 --> 00:36:04,360
last five or six years kind of a newfound, uh

672
00:36:04,880 --> 00:36:08,599
focus on physical media because I've been I've been interviewing

673
00:36:08,639 --> 00:36:10,599
bands on the radio for a very long time, and

674
00:36:10,679 --> 00:36:16,880
there was definitely a period where nobody was doing that,

675
00:36:17,440 --> 00:36:19,039
you know what I mean, where it was like everything

676
00:36:19,239 --> 00:36:22,920
was everything was digital, or there was even a period

677
00:36:23,000 --> 00:36:26,679
where and I'm glad this is passed, but there was

678
00:36:26,760 --> 00:36:29,880
a time when so everyone would release everything digitally, but

679
00:36:30,119 --> 00:36:32,480
they would show up. This was before I was at

680
00:36:32,599 --> 00:36:35,239
W M and H. But they would show up with

681
00:36:35,639 --> 00:36:40,039
a CD. They'd do the classic, not even in a case,

682
00:36:40,400 --> 00:36:43,519
just handy a CD with and they or not or

683
00:36:43,599 --> 00:36:46,760
sometimes not even a slips like on a finger you

684
00:36:46,840 --> 00:36:49,679
know here you go it's like, well that's such that yeah,

685
00:36:49,719 --> 00:36:53,440
exactly exactly, although we do actually so here we have

686
00:36:53,519 --> 00:36:55,280
a CD player. I think Rob as a Vido who

687
00:36:55,320 --> 00:36:56,960
has a show here called Granted State of Mind on

688
00:36:57,000 --> 00:36:59,079
Friday nights. I think he's the only one who uses it.

689
00:36:59,159 --> 00:37:00,920
But we do have one, and we even have a

690
00:37:01,000 --> 00:37:03,519
turntable here now. One of the guys who wants the

691
00:37:03,519 --> 00:37:04,880
show here brought it in and he said, you know,

692
00:37:04,920 --> 00:37:07,840
whoever wants to use it can so so that's pretty cool.

693
00:37:08,079 --> 00:37:11,320
But and vinyl too, like there seems to be a

694
00:37:11,400 --> 00:37:13,000
new focus on vinyl.

695
00:37:13,800 --> 00:37:17,239
Speaker 6: They're all about the really and so getting a little

696
00:37:17,280 --> 00:37:19,559
circumvent there like a big thing for us has always

697
00:37:19,559 --> 00:37:23,239
been physical first, then digital. Yeah, and some friends of

698
00:37:23,320 --> 00:37:27,480
ours that do a podcast actually noticed that data. Remember

699
00:37:27,719 --> 00:37:30,119
just recently did the exact same thing where they released

700
00:37:30,599 --> 00:37:33,239
all the physical stuff for their album and then said

701
00:37:33,960 --> 00:37:36,920
in a month you can have the digital. They were

702
00:37:37,000 --> 00:37:40,039
like you guys kinda kind of did that first. And

703
00:37:40,119 --> 00:37:43,320
it's like, I mean we like physical stuff. Seth and

704
00:37:43,400 --> 00:37:46,320
I are huge in the vinyl and collect Like I

705
00:37:46,400 --> 00:37:49,159
had a huge CD collection up until recently and I

706
00:37:49,280 --> 00:37:51,199
still have one. Yeah, he still has one. I mean

707
00:37:51,239 --> 00:37:54,719
you still use an iPod to hold your music, so wow.

708
00:37:54,840 --> 00:37:56,960
But the physical part has always been huge for us

709
00:37:57,039 --> 00:38:00,559
because I grew up going to CD in rec stores,

710
00:38:01,000 --> 00:38:04,039
buying as much CDs as I could, and then like

711
00:38:04,199 --> 00:38:05,760
my parents being like, where are you going to keep

712
00:38:05,800 --> 00:38:09,079
all this crap? You have like three hundred CDs in

713
00:38:09,199 --> 00:38:11,360
your bedroom and you have like two milk crates that

714
00:38:11,400 --> 00:38:13,920
are just overflowing. It's like, yeah, I don't care, I

715
00:38:14,039 --> 00:38:17,840
need CDs. Yeah, that was a big thing, was physical.

716
00:38:17,920 --> 00:38:19,960
Seth and I've always talked about we want to make

717
00:38:20,000 --> 00:38:23,559
sure we do it right by what we would want

718
00:38:23,639 --> 00:38:25,840
when we were kids, because I know as a kid

719
00:38:26,000 --> 00:38:28,440
growing up, if I got a new CD, that was

720
00:38:28,519 --> 00:38:31,840
my world. Yeah, like the month that was the greatest

721
00:38:31,880 --> 00:38:33,880
thing ever off of the enjoyment of the music was

722
00:38:33,960 --> 00:38:35,719
sitting there like opening up the CDs.

723
00:38:35,800 --> 00:38:38,719
Speaker 1: Oh yeah, the lyrics totally. Yeah.

724
00:38:38,880 --> 00:38:43,000
Speaker 9: Yeah, it's very important part for us, and also got

725
00:38:43,119 --> 00:38:46,280
to shout out Bull Moose Music because Bull Moose has

726
00:38:46,480 --> 00:38:50,320
carried all of our EPs. I know that there's one

727
00:38:50,480 --> 00:38:52,400
down here, and then there's one in Portsmith. I think

728
00:38:52,400 --> 00:38:56,599
there's one in Keen, but yeah, they there. You know,

729
00:38:56,679 --> 00:38:58,960
there's i think ten record stores and they've carried our

730
00:38:59,000 --> 00:39:01,719
stuff for the high time and it's it's been huge.

731
00:39:01,760 --> 00:39:05,000
We all grew up buying records there and yeah we

732
00:39:05,119 --> 00:39:07,599
have you know, some of us have big vinyl collections

733
00:39:07,639 --> 00:39:08,000
as well.

734
00:39:08,039 --> 00:39:10,559
Speaker 6: And okay, you have a big vinyl collection. I have

735
00:39:10,760 --> 00:39:13,719
like thirty or forty. You've got way more than me.

736
00:39:13,960 --> 00:39:15,760
Speaker 8: So yeah, I have a little.

737
00:39:17,119 --> 00:39:19,559
Speaker 9: Yeah, so I'm a big I'm big into the vinyl.

738
00:39:19,599 --> 00:39:23,960
But but eventually for us, it's a goal, it's a dream.

739
00:39:24,199 --> 00:39:28,000
I'd love to press something on vinyl. Yeah, even if

740
00:39:28,039 --> 00:39:32,280
it's kind of like a collected you know, piece or

741
00:39:32,519 --> 00:39:34,239
or you know, some interesting idea.

742
00:39:34,400 --> 00:39:36,679
Speaker 6: Yeah, we've we've played around with the idea for a

743
00:39:36,760 --> 00:39:39,239
while now with you know, kind of not even like

744
00:39:39,280 --> 00:39:42,840
the greatest hits, just a we've done so far four EPs,

745
00:39:42,880 --> 00:39:44,400
and it's like we could take a couple of songs

746
00:39:44,440 --> 00:39:46,719
off each of them, and we've played around with like

747
00:39:46,800 --> 00:39:49,119
calling it like the chum bucket and other things to

748
00:39:49,280 --> 00:39:52,320
just kind of make it like this is a vinyl

749
00:39:52,440 --> 00:39:56,039
because Set's pressed vinyl before with one of his previous vans. Oh,

750
00:39:56,280 --> 00:39:59,400
and I've never had that opportunity, and it's like I

751
00:39:59,440 --> 00:40:01,119
wouldn't mind my own vinyl.

752
00:40:01,320 --> 00:40:05,360
Speaker 9: Yeah, it's kind of this ultimate right of passage, I think,

753
00:40:05,480 --> 00:40:08,320
because you know, I mean, for the for the longest

754
00:40:08,480 --> 00:40:13,679
period of recorded the recorded music industry, vinyl was king,

755
00:40:14,280 --> 00:40:17,159
and then you had your CD era in the nineties

756
00:40:17,199 --> 00:40:20,400
and early two thousands. But it's just a lot of music,

757
00:40:20,760 --> 00:40:24,719
you know, was that's the format that it was created.

758
00:40:24,440 --> 00:40:27,960
Speaker 1: To be on and nothing, nothing sounds better is a

759
00:40:28,320 --> 00:40:29,519
kind of a rite of passage to it.

760
00:40:29,599 --> 00:40:32,400
Speaker 6: So we're hoping to get that soon. I say soon,

761
00:40:32,519 --> 00:40:34,519
but we're hoping to do that at some point in

762
00:40:34,639 --> 00:40:37,000
the near future, as long as Adele and Taylor Swift

763
00:40:37,079 --> 00:40:39,840
don't mess that up and buy all the vinyl in

764
00:40:39,880 --> 00:40:40,480
the world.

765
00:40:40,920 --> 00:40:41,079
Speaker 4: You know.

766
00:40:42,320 --> 00:40:45,280
Speaker 1: Years. Yeah, Yeah, it's hard to get in the schedule.

767
00:40:45,480 --> 00:40:48,880
Speaker 8: Just be Jack White sitting in a back room in Nashville, US.

768
00:40:49,159 --> 00:40:54,039
Speaker 6: Good, very cool.

769
00:40:54,119 --> 00:40:56,360
Speaker 1: And then so what's what's kind of the uh, this

770
00:40:56,480 --> 00:40:58,320
has been out for a little while, right or how

771
00:40:58,360 --> 00:41:01,280
long has this been out? Tempest? So we released that

772
00:41:01,599 --> 00:41:05,440
in October of last year, October twenty twenty four. Okay, yeah,

773
00:41:05,519 --> 00:41:07,440
it's not too too long. So do you have are

774
00:41:07,480 --> 00:41:09,079
you already planning for the next.

775
00:41:08,960 --> 00:41:12,679
Speaker 6: One or are you so we have already started? Yeah, Yeah,

776
00:41:13,159 --> 00:41:16,280
we've got some fun stuff. It's it's we always kind

777
00:41:16,320 --> 00:41:18,639
of find ourselves in these situations when we're writing that,

778
00:41:19,480 --> 00:41:22,199
you know, what, what are we listening to and what's

779
00:41:22,280 --> 00:41:27,000
kind of driving us into certain directions. And then honestly,

780
00:41:27,239 --> 00:41:29,199
we got this new song called Autumn and a Car

781
00:41:29,400 --> 00:41:32,119
that I can't wait for people to hear it. Yeah,

782
00:41:32,119 --> 00:41:34,760
it's really fun. I love the way we've written it

783
00:41:34,880 --> 00:41:37,400
and you know, put it together. We have another one

784
00:41:37,440 --> 00:41:42,000
that we're working on that's interesting. Yeah, but we're working

785
00:41:42,760 --> 00:41:45,000
our way around building it properly. And we just had

786
00:41:45,559 --> 00:41:48,679
practice past Thursday night and we did we kind of

787
00:41:49,000 --> 00:41:52,119
pieced together two songs that are in the beginning stages

788
00:41:52,159 --> 00:41:54,760
that I think they'll definitely end up on the next EP.

789
00:41:54,960 --> 00:41:55,079
Speaker 1: Year.

790
00:41:55,559 --> 00:41:57,840
Speaker 8: I think writing for us never really stops. It's just

791
00:41:57,920 --> 00:41:58,719
a perpetual thing.

792
00:41:58,760 --> 00:42:00,280
Speaker 7: And then at some point we're like, al right, we

793
00:42:00,360 --> 00:42:03,360
got enough, let's yeah, let's fine tune these five and

794
00:42:03,519 --> 00:42:06,079
stick them out. Yeah, we can be working on those

795
00:42:06,159 --> 00:42:07,920
and still end up coming up with more riffs and

796
00:42:07,960 --> 00:42:09,840
it's like, oh, well, just say that for the next record,

797
00:42:10,039 --> 00:42:10,440
right right.

798
00:42:10,719 --> 00:42:14,440
Speaker 9: So the forty p's that we have have been uh

799
00:42:15,800 --> 00:42:20,400
every year. So one was shark Pinata, twenty two was

800
00:42:20,480 --> 00:42:23,800
from the Murky Depths, twenty three was Cosmic Aquatic, and

801
00:42:23,840 --> 00:42:26,800
then twenty four was Tempest. So yeah, I don't know

802
00:42:26,840 --> 00:42:28,880
if we'll be able to do the fifth one in

803
00:42:29,239 --> 00:42:32,320
this physical year. We'll see, Okay how quickly writing it

804
00:42:32,320 --> 00:42:36,280
would make. Yeah, it might be a Christmas. It might

805
00:42:36,320 --> 00:42:38,880
be a very Christmas. Who knows, Yeah, yeah, the.

806
00:42:40,400 --> 00:42:42,360
Speaker 6: Very sharky Christmas, very sharky Christmas.

807
00:42:42,599 --> 00:42:49,320
Speaker 1: Right right, right, Well we should uh we should play

808
00:42:49,320 --> 00:42:50,800
another one. What do you guys want to play next?

809
00:42:51,400 --> 00:42:51,559
Speaker 8: Well?

810
00:42:51,559 --> 00:42:55,679
Speaker 1: Here another studio track here, so here so so yeah, yeah, yeah,

811
00:42:55,760 --> 00:42:57,920
we were talking about this one earlier. What what should

812
00:42:57,920 --> 00:42:59,360
we know about this before we hear it anything.

813
00:42:59,360 --> 00:43:00,559
Speaker 8: I always thought it was going to be like the

814
00:43:00,679 --> 00:43:02,320
radio hit. Really.

815
00:43:02,679 --> 00:43:04,360
Speaker 1: I thought it was the closest.

816
00:43:03,920 --> 00:43:06,440
Speaker 8: We've come to like a standard format.

817
00:43:06,960 --> 00:43:09,800
Speaker 6: It's pretty solidly there, It's it's yeah, a little bit

818
00:43:09,880 --> 00:43:12,000
less heavy, yeah, it's a bit less heavy.

819
00:43:12,079 --> 00:43:12,280
Speaker 2: It is.

820
00:43:12,440 --> 00:43:16,000
Speaker 6: Again, like I said before, the music for this album

821
00:43:16,920 --> 00:43:19,880
and lyrical content was a lot darker. So this one

822
00:43:20,079 --> 00:43:23,599
is about a lot of people in this world. Know this,

823
00:43:24,119 --> 00:43:27,599
somebody cheating on you with their cell phone and you know,

824
00:43:27,880 --> 00:43:30,119
you're laying in bed, you just got home from a

825
00:43:30,159 --> 00:43:32,159
fifteen hour shift and you lay down and you're like,

826
00:43:32,280 --> 00:43:34,239
why are they on their phone? It's three in the morning.

827
00:43:34,840 --> 00:43:37,320
What is going And that's you know, the whole thing

828
00:43:37,480 --> 00:43:41,599
is somebody using their cell phone to be a dirt bag,

829
00:43:41,719 --> 00:43:44,639
you know, to not be a good person. And yeah,

830
00:43:45,199 --> 00:43:46,119
it stinks.

831
00:43:46,760 --> 00:43:49,000
Speaker 1: Absolutely well, yeah this will be relatable for a lot

832
00:43:49,039 --> 00:43:51,000
of people, no doubt, no doubt. Well let's give this

833
00:43:51,079 --> 00:43:52,880
a spend. If you are just joining us, we have

834
00:43:53,000 --> 00:43:56,800
troll here with us in studio and this is called sell.

835
00:44:14,920 --> 00:44:19,000
Speaker 5: I see on your boat.

836
00:44:20,679 --> 00:44:23,079
Speaker 4: Writing up the night.

837
00:44:24,800 --> 00:44:28,440
Speaker 1: Night Smoke and the so.

838
00:44:30,519 --> 00:44:34,920
Speaker 5: So nice. I'm gonna sell you something.

839
00:44:36,719 --> 00:44:43,440
Speaker 4: I get some sody to. It's a mootus the file.

840
00:44:44,920 --> 00:44:50,519
Speaker 5: Because I lost my state, but I know this still

841
00:44:50,800 --> 00:44:52,079
going on there.

842
00:44:53,480 --> 00:44:55,320
Speaker 4: Wh when we set.

843
00:44:57,920 --> 00:45:28,000
Speaker 5: I'm missing files, I'm enjoying I got It's time that

844
00:45:28,480 --> 00:45:36,000
you live in a satured world while those words and

845
00:45:36,480 --> 00:45:38,599
deals make that's.

846
00:45:38,559 --> 00:45:41,880
Speaker 4: Tad and what you did was lost.

847
00:45:43,119 --> 00:45:46,079
Speaker 5: I'm sure your sty.

848
00:45:47,320 --> 00:45:49,239
Speaker 1: I guess I'm solidly.

849
00:45:51,519 --> 00:45:53,599
Speaker 4: There's no mos.

850
00:45:55,559 --> 00:46:01,119
Speaker 5: The sun of my life. You don't know this time

851
00:46:01,400 --> 00:46:13,199
going on? Oh wait, wait second, I'm miles of no

852
00:46:13,360 --> 00:46:14,599
way that.

853
00:46:16,119 --> 00:46:16,800
Speaker 8: I got that.

854
00:46:53,719 --> 00:47:00,079
Speaker 5: I'm gonna say, your son, but I guess I'm sadly say.

855
00:47:02,679 --> 00:47:13,199
Speaker 1: More, but I know the step up the.

856
00:47:20,239 --> 00:47:20,719
Speaker 4: Miles.

857
00:47:20,760 --> 00:47:24,639
Speaker 5: So enjoying.

858
00:47:27,840 --> 00:47:30,239
Speaker 4: What I know this going over.

859
00:47:36,559 --> 00:47:38,320
Speaker 5: A mile, so.

860
00:47:40,960 --> 00:47:54,840
Speaker 1: Ben, that is called Jaws. The band is Troll and

861
00:47:55,320 --> 00:47:57,559
that is really really good. I can see I can

862
00:47:57,599 --> 00:47:59,400
see where you guys would think, you know, this might

863
00:47:59,440 --> 00:48:01,880
be a radio hit, because that's yeah, it's catchy as hell,

864
00:48:02,400 --> 00:48:05,400
really good, thanky and relatable you know, lyrics as we

865
00:48:05,480 --> 00:48:06,320
were talking about before.

866
00:48:06,480 --> 00:48:09,239
Speaker 8: So it's all that good nineties music we grew up

867
00:48:09,280 --> 00:48:09,599
listening to.

868
00:48:09,760 --> 00:48:13,199
Speaker 1: Oh yeah, no doubt, no doubt, absolutely absolutely. So what's

869
00:48:14,079 --> 00:48:16,519
what's what's next for you guys? Like, what's kind of

870
00:48:16,559 --> 00:48:19,480
the short term or the long term lunch future?

871
00:48:21,119 --> 00:48:21,239
Speaker 8: Right?

872
00:48:21,320 --> 00:48:26,519
Speaker 6: He owes you a hot dog? Yes, well long longer term.

873
00:48:27,679 --> 00:48:31,440
I mean, we're just gonna keep grinding away at what

874
00:48:31,559 --> 00:48:35,880
we're doing. We're having fun writing music together we're doing

875
00:48:36,079 --> 00:48:39,079
just what we want to do. It's weird to say

876
00:48:39,159 --> 00:48:41,239
that as a band because we've all been in bands

877
00:48:41,280 --> 00:48:44,079
where it's like, okay, just just keep working, just work,

878
00:48:44,119 --> 00:48:48,000
and it's like this isn't work anymore. It's it's fun. Yeah,

879
00:48:48,280 --> 00:48:51,480
we go to practice, we hang out for a bit,

880
00:48:51,599 --> 00:48:55,320
you know, talk about crap, and then we write these

881
00:48:55,400 --> 00:48:58,519
great songs that we have fun writing and recording. And

882
00:48:59,079 --> 00:49:01,880
I think, I mean, we've got a really good slew

883
00:49:01,920 --> 00:49:02,760
of shows this year.

884
00:49:05,960 --> 00:49:06,360
Speaker 1: Definitely.

885
00:49:06,480 --> 00:49:08,840
Speaker 9: Yeah, I think it's shaping up to be probably our

886
00:49:09,440 --> 00:49:14,480
our busiest year ever in terms of shows. You know,

887
00:49:14,599 --> 00:49:17,880
we we were just getting going before the pandemic. You know,

888
00:49:17,920 --> 00:49:20,599
we had like one solid year to really play and

889
00:49:20,679 --> 00:49:22,639
then from then, you know, it was kind of a

890
00:49:22,719 --> 00:49:28,199
gradual slow climb back to normal, you know, playing shows.

891
00:49:28,280 --> 00:49:30,480
But this year is shaping up to you know, we're

892
00:49:30,519 --> 00:49:32,599
just we're taking on a good amount of shows and

893
00:49:33,320 --> 00:49:37,119
and not necessarily because we've done we've had the honor

894
00:49:37,159 --> 00:49:39,840
of doing some bigger stuff. We've you know, open for

895
00:49:39,960 --> 00:49:43,719
some cool national acts and things. But this year it's

896
00:49:43,800 --> 00:49:45,960
really been a lot about our own shows, you know,

897
00:49:46,679 --> 00:49:50,199
building our own shows and figuring out kind of our

898
00:49:50,320 --> 00:49:54,000
way to be sustainable, no matter if we're playing at

899
00:49:54,039 --> 00:49:56,960
a big room or a small room with a killer

900
00:49:57,079 --> 00:50:00,920
PA sounds some more like barely any sounds some you know,

901
00:50:01,079 --> 00:50:03,559
just learning how to be you know, work together as

902
00:50:03,599 --> 00:50:05,239
a team and be super sustainable.

903
00:50:05,320 --> 00:50:08,400
Speaker 6: And not only that, just just focus on having fun.

904
00:50:08,800 --> 00:50:10,920
That's the big thing. Every show we've played this year,

905
00:50:12,159 --> 00:50:15,599
it's just the main priority. Like, yes, there's four people here,

906
00:50:16,039 --> 00:50:18,199
just have fun. Yeah, just have fun because guess what

907
00:50:18,960 --> 00:50:21,199
four people or four thousand people. If you put on

908
00:50:21,239 --> 00:50:24,760
the same show and have fun, everyone will know it

909
00:50:24,880 --> 00:50:29,159
and feel it. And we've had shows in recent memory

910
00:50:29,199 --> 00:50:31,039
that we're like, yeah, there is four people here, so

911
00:50:31,119 --> 00:50:33,719
this is a really fancy practice. But we're just gonna

912
00:50:33,719 --> 00:50:36,320
still have fun with it because if I'm not putting

913
00:50:36,400 --> 00:50:39,559
my all on the stage, I know people will notice it, right,

914
00:50:39,679 --> 00:50:42,719
And Adam will definitely feed off of my energy, and

915
00:50:42,800 --> 00:50:44,760
I feed off of his and justin I mean, we

916
00:50:44,840 --> 00:50:46,800
all feed off of each other. When the songs start

917
00:50:46,880 --> 00:50:49,599
going and our sample pad hits and we hear like

918
00:50:49,800 --> 00:50:54,039
the intros we use and all the sound effects, yeah,

919
00:50:54,119 --> 00:50:57,239
we have this grow and we can like look at

920
00:50:57,239 --> 00:51:00,280
each other and it's just like this almost like like a.

921
00:51:02,119 --> 00:51:02,360
Speaker 7: Like a.

922
00:51:03,920 --> 00:51:07,079
Speaker 6: A crap eating grin where you're just like, we're gonna

923
00:51:07,159 --> 00:51:09,480
have fun. Yeah, and it's just you look at each

924
00:51:09,519 --> 00:51:12,440
other and then it's like there it goes yea and again.

925
00:51:13,079 --> 00:51:16,880
Having fun it relaxes you when you're on stage. I've been.

926
00:51:17,480 --> 00:51:19,480
I know, we've had shows where we've traveled like two

927
00:51:19,599 --> 00:51:22,480
hours to get there. Yeah, it's stressful. You're driving for

928
00:51:22,639 --> 00:51:24,800
two hours and you don't know if anything's gonna show.

929
00:51:24,880 --> 00:51:26,119
And then all of a sudden you look out there

930
00:51:26,119 --> 00:51:29,239
and you're like, wow, there's a lot of people here. Yep, Oh,

931
00:51:29,320 --> 00:51:31,599
there's our sound effect. It's rolling And I look back

932
00:51:31,639 --> 00:51:33,679
at Adham and he's just smiling, and then I look

933
00:51:33,719 --> 00:51:35,880
at Seth and he's got the same smile on. And

934
00:51:36,079 --> 00:51:38,679
Justin just looks at me like don't fall on my stuff,

935
00:51:39,960 --> 00:51:42,800
like don't touch me. Yeah, and then we get going

936
00:51:42,880 --> 00:51:46,760
and it's it's fun. We have fun. That's it.

937
00:51:47,000 --> 00:51:49,559
Speaker 1: Yeah, I can say no, that's that's great. That's the key.

938
00:51:49,719 --> 00:51:52,960
That's the key. Right. What should people know about where

939
00:51:53,000 --> 00:51:54,800
to find you guys online? And where's the best place

940
00:51:54,880 --> 00:51:55,039
to go?

941
00:51:55,800 --> 00:51:59,519
Speaker 9: So best place to go trillband dot com. It's got

942
00:51:59,679 --> 00:52:01,679
every thing, all of our links to all of our

943
00:52:01,719 --> 00:52:02,360
social media.

944
00:52:03,360 --> 00:52:05,679
Speaker 1: It's a good website. By the way. I'm a web

945
00:52:05,760 --> 00:52:07,880
design nerd. I pay a lot of it. I'm like

946
00:52:08,519 --> 00:52:10,800
like like the guy from Rock, except I critique websites.

947
00:52:11,159 --> 00:52:15,280
But no, but it's a good site because I say

948
00:52:15,320 --> 00:52:17,039
that because there's a lot of a lot of musicians,

949
00:52:17,079 --> 00:52:19,400
as I'm sure you guys know, have terrible websites and

950
00:52:19,480 --> 00:52:20,719
it's like, oh my god, what are you doing.

951
00:52:22,559 --> 00:52:24,599
Speaker 9: Yeah, so yeah, that's the best hub to go. We're

952
00:52:24,639 --> 00:52:27,360
also on all the all the sites out there, you know,

953
00:52:27,440 --> 00:52:29,719
everything from like the Spotify and your Apple Music and

954
00:52:29,800 --> 00:52:32,960
your band camp and but and then you know, we're

955
00:52:33,000 --> 00:52:35,320
out there brick and mortar record stores as well, all

956
00:52:35,599 --> 00:52:36,239
those outlets.

957
00:52:36,719 --> 00:52:39,199
Speaker 6: So yeah, come bind us on all the social medias.

958
00:52:39,239 --> 00:52:39,840
Speaker 1: Yeah, find us.

959
00:52:40,079 --> 00:52:42,280
Speaker 6: Yeah, we love hanging you know, we love talking with people.

960
00:52:42,599 --> 00:52:47,039
We make friends like Nate Dog shout out, shout at

961
00:52:47,079 --> 00:52:50,199
Nate Dog. But we love you know, we love interacting

962
00:52:50,280 --> 00:52:53,360
with people and and just hit us up. We love

963
00:52:53,440 --> 00:52:55,320
talking to people. If you find our music and you

964
00:52:55,400 --> 00:52:57,480
dig it, let us know. We love to hear it

965
00:52:57,599 --> 00:53:01,360
because it makes us feel like we did right by going. Hey,

966
00:53:01,440 --> 00:53:03,840
this was fun to write, and then yeah, somebody's like

967
00:53:03,920 --> 00:53:06,440
that song really cool. It's like, Okay, we didn't we

968
00:53:06,519 --> 00:53:07,679
didn't miss this one, right.

969
00:53:07,639 --> 00:53:15,280
Speaker 1: Right, yeah, yeah, exactly exactly. Like, well, listen, I want

970
00:53:15,320 --> 00:53:16,639
to thank all four of you for coming in. This

971
00:53:16,679 --> 00:53:19,920
has been great, Sean Adam Seth justin. Thank you all,

972
00:53:20,119 --> 00:53:22,239
thank you for having me, thank you, thank you so much. Absolutely,

973
00:53:22,360 --> 00:53:24,400
thank you for for coming all this way too. That's uh,

974
00:53:24,719 --> 00:53:25,800
you know, it's a little bit of a haul in

975
00:53:25,840 --> 00:53:27,920
the rain, so I really appreciate you guys. And we

976
00:53:27,960 --> 00:53:30,199
will of course close out the segment with let's see

977
00:53:30,199 --> 00:53:31,840
what what can we ow? So s that's the one

978
00:53:31,880 --> 00:53:32,840
we have not played yet?

979
00:53:33,039 --> 00:53:33,519
Speaker 6: Mm hmmm.

980
00:53:34,079 --> 00:53:35,880
Speaker 1: And what should we know about this one anything?

981
00:53:36,000 --> 00:53:38,159
Speaker 6: Here's the deep one, here's the Here's well, this is

982
00:53:38,199 --> 00:53:40,079
the second deep one. I'll say on the album. The

983
00:53:40,719 --> 00:53:42,679
one track that I think you mentioned you might play

984
00:53:42,760 --> 00:53:46,440
later is called Nova. That one's for loss. If you've

985
00:53:46,440 --> 00:53:50,239
ever lost anyone, family, friend, pet It's it's not meant

986
00:53:50,280 --> 00:53:53,800
to be happy. I we'll save that for the next

987
00:53:53,840 --> 00:53:55,320
time we come down here to talk with you, Matt.

988
00:53:56,079 --> 00:53:59,199
But so os is it's written from a very dark

989
00:53:59,239 --> 00:54:01,440
place in my own and it Honestly, the one thing

990
00:54:01,480 --> 00:54:04,360
I will say about this song is if you need help,

991
00:54:05,960 --> 00:54:12,159
ask for help. Yes, whether it's mental, financial, religious, it

992
00:54:12,239 --> 00:54:15,000
doesn't matter. There are people in this world who will

993
00:54:15,079 --> 00:54:17,039
talk to you, who will listen to you, who will

994
00:54:17,159 --> 00:54:19,679
help you. And if you don't ask for help, what

995
00:54:19,800 --> 00:54:22,760
are you doing. You're messing yourself up. You're not getting

996
00:54:23,039 --> 00:54:26,000
the the energy that you need in your life to

997
00:54:26,199 --> 00:54:29,880
be a good person, to go further and maybe change

998
00:54:29,920 --> 00:54:33,239
somebody else's life. Yes, I know from writing the lyrics

999
00:54:33,280 --> 00:54:37,880
to this song, I was in a very bad place

1000
00:54:38,360 --> 00:54:40,280
and honestly it was I don't remember who it was

1001
00:54:40,360 --> 00:54:42,159
in the band, but somebody sent me a message and

1002
00:54:42,239 --> 00:54:45,239
it just changed. It flipped the switch and it was

1003
00:54:46,079 --> 00:54:46,880
to get you a hot there.

1004
00:54:46,760 --> 00:54:47,440
Speaker 8: It is lot.

1005
00:54:47,480 --> 00:54:51,960
Speaker 6: It was a hot dog talk, but it changed perspective

1006
00:54:52,039 --> 00:54:55,960
and gave me a new focus to keep my head

1007
00:54:56,079 --> 00:54:59,000
above ground. And honestly, if it weren't for these guys,

1008
00:54:59,119 --> 00:55:01,280
these are my best friends. For warrant. For these guys,

1009
00:55:01,280 --> 00:55:04,239
I wouldn't be here. And this song is my way

1010
00:55:04,280 --> 00:55:07,360
of saying, if you need help, please please, for the

1011
00:55:07,440 --> 00:55:10,159
love of whoever you pray to, it doesn't matter ask.

1012
00:55:11,320 --> 00:55:13,880
There are priests they're a psychologists. There's your best friend,

1013
00:55:13,920 --> 00:55:16,159
there's your mother, your father, your brother, your sister, your dog,

1014
00:55:16,280 --> 00:55:19,400
your cat, your bartender, your bartender, your bearded dragon, or

1015
00:55:19,880 --> 00:55:23,519
the urn that's on your mantle that is your great grandmother. Yeah,

1016
00:55:23,880 --> 00:55:28,280
talk to somebody because getting that help can change your

1017
00:55:28,559 --> 00:55:31,920
entire world, and you may end up doing something that

1018
00:55:32,039 --> 00:55:34,559
changes somebody else's world that keeps them here. And that

1019
00:55:34,719 --> 00:55:37,880
person who knows, they could cure cancer, they could be

1020
00:55:38,039 --> 00:55:41,280
the next president, they could be who knows. But if

1021
00:55:41,320 --> 00:55:44,840
you don't ask for help, you're just shooting yourself in

1022
00:55:44,920 --> 00:55:48,400
the foot and it's not okay. So talking is huge,

1023
00:55:48,519 --> 00:55:52,159
and mental health is a big thing that is still

1024
00:55:52,639 --> 00:55:54,159
stigmatized negatively.

1025
00:55:54,400 --> 00:55:54,960
Speaker 1: Absolutely.

1026
00:55:55,079 --> 00:55:58,199
Speaker 6: So if you have even here, I'll say it right now,

1027
00:55:58,559 --> 00:56:00,760
if you want to talk to us, will listen, get

1028
00:56:00,840 --> 00:56:03,559
us up on all our social media's, send us an email,

1029
00:56:04,079 --> 00:56:04,800
We'll talk with you.

1030
00:56:05,039 --> 00:56:05,280
Speaker 8: We have.

1031
00:56:06,199 --> 00:56:07,800
Speaker 9: We've done it a lot too. You know, people have

1032
00:56:07,880 --> 00:56:12,199
reached out and it's something that like I'm proud of that. Like,

1033
00:56:12,480 --> 00:56:14,960
you know, since this song has come out, I've had

1034
00:56:14,960 --> 00:56:16,320
a lot of people kind of reach out to us.

1035
00:56:16,519 --> 00:56:16,760
Speaker 1: Wow.

1036
00:56:16,920 --> 00:56:19,159
Speaker 6: And some good friends of ours reached out.

1037
00:56:19,320 --> 00:56:19,519
Speaker 1: Wow.

1038
00:56:19,800 --> 00:56:21,880
Speaker 9: I absolutely I love that aspect of it, like, please

1039
00:56:21,960 --> 00:56:23,800
reach out to us. We'd love to talk, you know,

1040
00:56:23,960 --> 00:56:25,719
with you about anything. It doesn't have to be about

1041
00:56:25,960 --> 00:56:28,119
deep stuff. It could just be like talk about our

1042
00:56:28,159 --> 00:56:29,280
favorite music order, had some.

1043
00:56:29,440 --> 00:56:31,920
Speaker 6: Terrible day, my car broke down, Like, yeah, we'll talk

1044
00:56:31,920 --> 00:56:34,079
about you. Yeah, come to a show and talk to us,

1045
00:56:34,119 --> 00:56:36,000
because that's even better. Because then if you need a

1046
00:56:36,119 --> 00:56:39,960
hug because you're feeling depressed enough that you might try

1047
00:56:40,039 --> 00:56:42,679
to do something, I'll hug the crap out of you.

1048
00:56:43,000 --> 00:56:45,440
I'll stand there all night and drink pepsi and hug you.

1049
00:56:45,760 --> 00:56:46,519
Speaker 8: I'm hugged bunny.

1050
00:56:46,639 --> 00:56:50,440
Speaker 6: Yeah, right there. It's we want people to be here

1051
00:56:50,519 --> 00:56:54,119
because not only are you here, but you can make

1052
00:56:54,159 --> 00:56:57,559
a difference in this world, whether it's positive negative it

1053
00:56:57,880 --> 00:57:00,880
you might change the whole perspective of something. He's life. Yeah,

1054
00:57:01,199 --> 00:57:03,519
if you just take one second to send a text message,

1055
00:57:03,840 --> 00:57:07,840
a phone call, an email, drive twenty minutes to your

1056
00:57:07,880 --> 00:57:10,559
grandmother's house and see how she's doing, sit down with her.

1057
00:57:12,159 --> 00:57:14,159
What are you doing. You're making somebody's day better and

1058
00:57:14,280 --> 00:57:17,000
it could be your day. So ask for help. That's

1059
00:57:17,039 --> 00:57:17,519
what I'm saying.

1060
00:57:17,559 --> 00:57:20,760
Speaker 1: No, very very well said. I love it. I absolutely

1061
00:57:20,840 --> 00:57:24,119
love it awesome. Well now I'm especially excited to play this,

1062
00:57:24,480 --> 00:57:27,199
so guys, thank you again. And if you are listening

1063
00:57:27,320 --> 00:57:30,239
live on Saturday, We've got Mike Frasier coming up next.

1064
00:57:30,320 --> 00:57:32,440
But we will close out this segment with this. This

1065
00:57:32,639 --> 00:57:36,119
is SOS. The band is Trall and thank you so much, guys,

1066
00:57:36,280 --> 00:57:37,119
thank you, thank you.

1067
00:58:23,079 --> 00:58:24,199
Speaker 6: I'm just saying.

1068
00:58:29,239 --> 00:58:33,400
Speaker 5: Trying to class roun the road.

1069
00:58:37,880 --> 00:58:41,079
Speaker 1: Only see upsas my friend.

1070
00:58:44,039 --> 00:58:47,159
Speaker 5: Call guys.

1071
00:58:47,440 --> 00:59:02,760
Speaker 4: I said, I I so why.

1072
00:59:08,559 --> 00:59:09,800
Speaker 2: How me and m.

1073
00:59:12,199 --> 00:59:13,559
Speaker 3: Hown and solid?

1074
00:59:15,960 --> 00:59:17,280
Speaker 4: How me in solid?

1075
00:59:22,159 --> 00:59:25,920
Speaker 6: All these TV fans inside and.

1076
00:59:28,400 --> 00:59:32,280
Speaker 5: Voice is coming my mind.

1077
00:59:36,960 --> 00:59:39,920
Speaker 1: That's a bust of way.

1078
00:59:43,119 --> 00:59:45,880
Speaker 5: Boye and thin bout

1079
00:59:52,840 --> 00:59:52,880
Speaker 2: What