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Speaker 1: Yo's april it.

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Speaker 2: Where's the sun that today's supposed to bloom flowers?

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Speaker 1: But the snow on the way.

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Speaker 3: Manchester feeling like the North full zone.

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Speaker 2: I'm out hearing boot rash of rock, cologne, snowy.

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Speaker 1: Tripping this spring gone Wiles. I saw my block life.

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Ringers say Stiles Aple.

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Speaker 4: Should be one, but ungundled instead, Come on you, she

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wasn't messing with my head.

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Speaker 1: I'll come a shovel away. I thought i'd seen the

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last flake.

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Speaker 5: Now I'm now here again, coming past.

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Speaker 1: I can't say win a chill pull and Franks playing

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out of season? What's going on up there?

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Speaker 6: Weather?

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Speaker 1: Gotten no reason? Snowy sripping? This spring gone Wiles. I

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saw my block life.

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Speaker 2: Ringers say Stiles Aple should be won, but um gundled instead,

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Come on you, she wasn't messing.

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Speaker 7: With my head.

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Speaker 2: Sun's on vacation and clouds taking charge driving hearing the snowman,

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that's a sabotage.

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Speaker 1: Those guys are hostage by a frosty spree. Mother nature, what's.

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Speaker 3: This joke you're pulling on me?

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Speaker 1: Dream of labacues now stuck with this view poppy coding

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gloves man, how doubts you.

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Speaker 2: I want to say green grass and forget the bleak slaves,

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but the sales crash and all my springtime dates.

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Speaker 8: In times of crisis, you need a law firm that

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team will assess your case and fight for the compensation

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Speaker 9: Bring your kitchen to life with Queen Citycabinetry, located at

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eighty seven Elm Street in the historic Sunbeam Wall in Manchester,

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Speaker 3: They can be reached at six oh three two two two.

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Speaker 9: To zero zero seven or on the web at Queen

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Speaker 10: Busneys Cafe is the place to put a smile on

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your face. Judy and the crew will take care of you,

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drink and be happy Dizz's Cafe.

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Speaker 11: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust groll In Computers,

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at six zero three six four five zero one.

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Speaker 1: Zero one Your tech, your way.

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Speaker 12: Trust groll In Computers.

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Speaker 13: Nice.

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Speaker 2: Seven times out of ten we listened to our music

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at Nice.

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Speaker 14: That's program Late Night to Light with DJ Mitas right

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here on w MNH Manchester.

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Speaker 5: You want to know because.

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Speaker 10: Saturdays and Sunday nights midnight to four am.

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Speaker 12: This hour on wm NH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eight sixty six eighty four to

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one forty six hundred, or on the web at CGI

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business Solutions dot com.

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Speaker 15: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP. Their sunic cards

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of Manchester is the Twins Sending through the Ether ninety

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five point three. The Hurts frequency modulation or transmissions emanate

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from the zenith of one thousand Elm Streets ensure into

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the hearts of our creative realm at one nineteen Canal Street,

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where innovation and sound colode. They're the improm moter of

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Manchester Public Television Service in the venerable City of Manchester,

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New Hampshire, USA, enrich your auditory journey with the depth

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of our license to wes'd spt your missives. Did w

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m n H ninety five three at gmail dot com

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or traverse the virtual corridors of w mnhradio dot or

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engage with our sonic vibrations by communing with us through

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the digital channel. Our radio beconds eager to enthrall you

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with its mesmerizing cadence and develop you at a symphony of

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foundless auditories.

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Speaker 3: Won dude, w m n H rip.

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Speaker 16: The novels you're listening to WM and H.

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Speaker 1: Command makes you got me?

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Speaker 16: Mm hmmm, Well it's just another story about life and

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love and pain.

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Speaker 4: You want someone to need you, and I just.

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Speaker 1: Broke the chain.

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Speaker 16: You can't to me and hurry never tried to take

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my hand.

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Speaker 1: I had no intention, since.

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Speaker 5: You never had a plan.

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Speaker 16: It could have been loved. It was a passionate fir.

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I made you come, but you never say anywhere.

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Speaker 1: It could have been loved.

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Speaker 16: If you wanted it to be.

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Speaker 3: But you don't need no.

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Speaker 16: One to blame it all the baby.

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Speaker 3: It could have been me.

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Speaker 1: I never asked about your story. If I teach, you

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never tell me.

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Speaker 16: Drowning in our sadness while your body cast or spell.

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Sometimes you just know it's not a night that brings

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you things.

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Speaker 1: I got what I came for me.

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Speaker 16: You got your leaves.

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Speaker 1: It could have been alone.

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Speaker 16: It was a passionate affair, a maid to come, but

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you never stayed anywhere.

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Speaker 3: But we could have been.

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Speaker 1: Alone if I wanted it to be.

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Speaker 16: But you don't need no one to blame it all

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the baby, it could have been me.

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Speaker 6: Who could have been on me?

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Speaker 16: Well, it just wrote down my story about life and

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loving pain. We loved it when our skin would touch,

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the hearts were wrapped in chains. I could have been

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your everything and you could have been my wife, but

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you ran away and I let you go.

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Speaker 1: In soul such as life, it could have been loved.

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Speaker 16: It was a passionate fair made you come, but you

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never stay anywhere.

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Speaker 4: We could have been loved.

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Speaker 16: If we wanted it to be. But you need someone

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to blame it on. Baby, ain't gonna be me.

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Speaker 17: I love that that is called stay anywhere, And that

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is Jesse Rutstein, who is here with us, and we're

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going to be speaking with in just a moment, and

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he's gonna play a couple songs live with US, but

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or live for us, I should say, but if you

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are listening live on Saturday, I hope you're traveling safely.

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We've got some winter weather and was very surprised to

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wake up to that. But this is Matt Connorton Unleashed

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and we are live from the studios of wm NH

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ninety five point three FM and Glorious Manchester, New Hampshire.

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Of course, also you can stream the show from anywhere

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if you go to Matt connorton dot com, slash live

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for all your live streaming options, social media links, contact infos,

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show archives.

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Speaker 18: Et cetera, et cetera.

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Speaker 17: Today is a Saturday, April twelve, two thy twenty five.

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Jenny is here of course at the news table accounted

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for and let me get that mic up there. So

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we've got Jesse Rutztina.

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Speaker 18: Is here with us. Hello Jesse.

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Speaker 3: Yeah, how's it going good?

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Speaker 18: I gotta boost this up a little bit.

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Speaker 17: We have to kind of sound check live on the air,

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but yeah, welcome to the show.

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Speaker 18: It's great to have you on.

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Speaker 17: So we met you at the grand reopening of Terminus

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Underground back in how many months it becomes a blur,

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I don't know how many.

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Speaker 3: Months ago, January, I think, yeah, it was a yeah January.

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Speaker 17: Yeah, that sounds right, yeah, yeah, and no, we were

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very impressed. I love your thank you absolutely absolutely, and

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and the songs are great. We have we played that

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studio track and we're gonna be playing another one toward

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the end of our conversation today too, which is a

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world radio premiere or something that we'll talk about later.

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So really looking forward to that and looking forward to

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hearing you play live. But that tell us about because

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we were talking off air too about a collaborator of

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yours who someone who has been on the show, although

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ironically not talking about music but talking about other subjects.

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Speaker 3: So he's on a long time ago. But Caleb, Yeah, yeah,

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Caleb die Er. He is my probably my main producer,

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co producer, because we both work on the stuff together,

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been in a few bands together over the years. I

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hooked up with Tree Street's Inc. Is the studio that

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we work out of, executive producers Dave Patterson, who makes

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all this happen for us, and me and Caleb hooked

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up years ago. We were in the Jes Sols band together,

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and then we were in a short lived band called

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Stay in the end, and you know, both of us

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are just working working on the studio together, and we

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did a bunch of tracks. The track that we're about

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We're gonna play later is actually a song that's been

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three years in the making. We recorded tracks years ago

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and it kind of gave some rebirth to it. So yeah,

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he's kind of like been my partner throughout this whole thing.

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It's definitely the EP is going to be a solo release,

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but it definitely takes a village, you know.

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Speaker 18: Right right, yeah, no doubt, no doubt.

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Speaker 17: So where do you record, like you record at his

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studio or where do you record?

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Speaker 16: So the studio is operated own and operated by Dave Patterson.

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Speaker 3: It's called Tree Streets, gotcha. It's on Vine Street in Nashua.

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And the things that Dave has done with this place,

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it's a it's a full studio and a rehearsal space

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for other bands, similar to what Terminus Underground does. It's

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kind of a place where we can get in and

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uh not break the bank to record and and put

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together some really great tracks. There's so much talent Dave

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as an engineer, Caleb as engineer, musician, you know, and

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producer as well. So the three of us have been

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working closely together for years, about four or five years now.

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Speaker 18: Yeah.

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Speaker 16: So it's full studio at the sound booth, you know everything.

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It's not much to look at on the outside, but

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when you go in anytime somebody new comes down, they're.

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Speaker 1: Like, wow, this place is great.

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Speaker 3: Yeah, you know, we have and then there's a number

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of bands that you know, rent space in there and

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stuff too. It's not so much as a performance as

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as like kind of a studio, the studio side of

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local music.

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Speaker 18: Okay, okay, very cool.

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Speaker 17: And so how did your are you from Nashua?

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Speaker 3: Is I'm from Nashville?

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Speaker 18: You're from Is that?

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Speaker 17: How your your association with Eleanor and Andre from Terminus

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in New Hampshire Underground came about.

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Speaker 3: Yeah, Eleanor hit me up. I think that I forget

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exactly what happened. I think they had to cancel a

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or they just heard about me. But there was a

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show last fourth of July. It was a veterans benefit

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and they asked me if i'd like to go do it.

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Oh yeah, yeah, we met, we hit it off, and

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then they asked me to come play at Terminus and

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I've been down there a few times. Great, great place,

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you know, great, great place for local musicians and artists.

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I met, uh the person who's doing all my photography

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down there, Crafty k. She's she's I met her at

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Terminus too, and okay, you know. So it's it's and

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what we're trying to do at Tree Streets is like

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the studio side of showcasing what they're what they're doing

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in nashauas So it's really it's it's I really love

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those guys. They're really awesome.

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Speaker 18: Yeah.

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Speaker 3: Yeah, and I'll be playing down there on the seventh

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of June.

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Speaker 18: Oh excellent, Yeah, excellent. Yeah.

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Speaker 17: We So when we went to that, so, yeah, that

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was the first time Jenny and I had seen you

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and Quincy Lord, who had just been on the show.

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I think uh m'd have been on that morning, no,

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or maybe.

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Speaker 3: It was definitely it was weird because I checked you

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out right after we booked the show and Quincy had

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been on because I just I just met quin that night.

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Speaker 18: Yeah. Yeah, he's amazing, he's great.

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Speaker 17: The thing that I tell everybody about Terminus is the

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first time you walk into it, it's like it's like

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walking into another world. It's like, uh, you know, what

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I mean, it's so unique and so interesting.

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Speaker 3: Yeah, and you get there and you know, you look

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and you're like, am I in the right spot?

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Speaker 18: Yeah?

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Speaker 17: And they do a great job with the sound there too, fantastic, Yeah,

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Andre And I think Katie is that her name, the

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sound engineer who's there a lot too.

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Speaker 3: I think it's not really sure, I think it's I

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think I think it's Katie.

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Speaker 18: Yeah, they do it.

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Speaker 17: They do a great job, and they get a they

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get a great sound out of the place, no doubt,

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no doubt.

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Speaker 3: Absolutely.

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Speaker 18: Yeah.

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Speaker 17: And we need, you know, we need as many places

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like that as possible that are really into supporting local

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music and also you know, being able to have national

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acts to come through, like Jenny was able to work

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with Eleanor to book Green Jello there.

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Speaker 3: Yeah, I missed that show. Does it work in that night?

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But my buddy went to that show and brought me

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an auto graph shirt from from the bands, because you know,

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I remember those guys from when I was a kid.

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Speaker 17: Oh yeah, yeah, absolutely absolutely.

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Speaker 18: Do you play out a lot? Do you play a

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lot of live shows?

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Speaker 3: I was, I was doing a lot of shows. I've

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pretty much been laser focused in the studio right now.

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Throughout the last few years, I've been trying to put

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together a number of different projects and the you know,

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I work with different bands and and different artists, some

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amazing artists that that actually appear on the upcoming EP.

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Oh cool, Yeah, absolutely, but it at the beginning of

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this year, I decided that I had so much material

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that we've just compiled over the last couple of years,

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and I have all these new songs that I wanted

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to do. So I was like, all right, I'm going

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to try to do this ground up. I've never promoted

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myself as a solo artist before, and so I put

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I mean, there's a song that's coming out that's a duet,

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you know, and the one that we're going to play later,

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Dear Baby Jean has some amazing, amazing musicians on it,

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and yeah, so I was just like, you.

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Speaker 16: Know what, I'm going to promote it as a solo thing.

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I'm doing all the online stuff that you're supposed to do,

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which is extremely tedious. Yes, the music industry has changed

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the way that artists get themselves out there, but I

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can tell you that I never thought I'd be on

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TikTok as much as I have lately.

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Speaker 3: With this single.

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Speaker 16: Kidding, kidding, but yeah, So I am booking through the

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summer and you know.

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Speaker 3: And going forward as and I'm going to be promoting

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it as a solo thing the show. I'm doing it terminus.

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I have a couple of great players that are going

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to be playing with me, and then I'm playing a

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gig at the end of June the sorry, it's the

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summer kickoff at the Auburn Pits June twenty second. Faith

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and Band is going to be the liner. Nice and

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you know other Bit tumble Toes, Glitter Tooth and the

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Whole Loaf were also going to be playing. I'm gonna

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be opening the show and I got some great musicians

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playing that one with me too.

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Speaker 18: So it's standing here.

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Speaker 3: Yeah, yeah, that's but that's all I have for the

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live stuff coming up right now. It's gonna be laser

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focused on studio getting the EP out. That way, I

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have something to promote when I really do get out

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there and start.

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Speaker 18: Gigging exactly and when is the EP coming out?

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Speaker 3: The goal? The goal is June tenth. Okay, we're dropping

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the next single on May first and June tenth. I

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just there's some finishing touches. You know, different musicians are

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supposed to be coming in and doing a couple of

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things for the last song. So wow, I'm hoping to

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get it all done by then, but it'll be five

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songs and then after that there'll be a full length.

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And don't ask me a date on that one.

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Speaker 17: Oh okay, so you're already planning a full length.

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Speaker 16: I am planning the full length. But it's I really

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want to see that stay anywhere.

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Speaker 3: When I released it, you know, I did a ton

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of research on how to promote and what people are

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doing now to get heard, and I'm getting I'm getting

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some views and I'm getting some uh some some positivity

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coming back from it. But uh, I really like it's

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almost like I'm working through the kinks on this one

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as I prepare to really push the next five songs.

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Speaker 17: Okay, okay, no that makes sense. Yeah, uh do you

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want to play I'm down here?

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Speaker 18: You play live? I know, I know Jenny is too

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on the audience shore yeah uh.

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Speaker 17: What uh yeah, I'll let you go ahead and grab

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your guitar and then uh while Jesse's doing that. Uh,

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if you are listening live, of course, we have Jesse

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Rutstein here with us live in studio on this snowy

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Saturday morning. We were very surprised to wake up to

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uh a lot of snow on the ground and it

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was still coming down and the roads were messy and uh,

359
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just right back to winter. But uh, let's see, let

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me turn that up. But oh that sounds nice in

361
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the headphone. See that sounds nice. Yeah, that sounds really good.

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What do you what are you gonna play for us?

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Speaker 3: There's a song called Superhero Toys. I have four amazing,

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amazing children, Gia, Junior, Jackson, and Reenie. Her name is Maureen,

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but we call her Reenie.

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Speaker 18: Oh okay.

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Speaker 3: This is a song I wrote a long time ago

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when I found out I was having my second son.

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And it's a song about my my first son, and

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and like how nerve racking it is to find out

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you're having a boy, and all the thoughts that go

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through your mind. I have to raise a man. You

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got to teach him respect, you got to teach him

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to be good, and you know, and and so the

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first verse is about that, and then the rest of

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the song is about how great he is.

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Speaker 16: And then his his brother, Jackson was born how great

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of a big brother, and and wow. So it's like

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yeah and yeah, I'm really proud of all my all

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my babies.

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Speaker 18: All right, very good? And what was it called again?

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Speaker 3: It's called superhero toys.

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Speaker 18: Superhero toys? All right?

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Speaker 16: I mad loss and these tears are of joy. When

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she looked up to me and said, the swan's a boy.

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Speaker 1: Kind of funny how.

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Speaker 16: To fear and the love of a sun stop you

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to think of the things you have done, because I

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want him to be strong, but be sweet to his mother.

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Speaker 1: Abolia, brave with no fear of another.

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Speaker 16: And don't want him to love me as much as

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he can, because it's my job to.

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Speaker 1: Make him live. And so is you, my angel. But

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this one's for the boys. To the truck say, and

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the trains and the.

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Speaker 16: Superhero choice to fish in and wishing we could stay

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up farm night until mom comes. Turns out live said,

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don't worry, boys, it's all gonna be all ride. He

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gets the show. And then his sister.

400
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Speaker 1: Gets away with ball than he does.

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Speaker 16: When she looks in me that way, he said, hey, Dad,

402
00:23:30,440 --> 00:23:31,960
why can't I get wood?

403
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Speaker 3: I want?

404
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Speaker 1: I said, you know better, son, So let's have some.

405
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Speaker 16: Furs, and so it's to my Angel.

406
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Speaker 1: But this one's for the boys to.

407
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Speaker 16: The truck, say on the trains and the Superhero Choice

408
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to fishing and wishing we could stay up all night

409
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until Mom comes turns out. Lie said, don't worry, boys,

410
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It's all gonna be all right.

411
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Speaker 1: And I can't believe how much you have grown.

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Speaker 16: I'm proud of you, son, and I hope that you

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know there's another boy coming.

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Speaker 1: I hope that she can help me to make him

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a man. Long man loss again, Morti is a joy.

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Speaker 16: She looked up at me and said, it's another boy.

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And I know that you'll love him as much as

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you can, because it's my job to me him man.

419
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Speaker 1: It's a job to.

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Speaker 16: Make him man.

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Speaker 1: And so oh, here's to my Angel.

422
00:25:02,200 --> 00:25:05,640
Speaker 16: But this one's for the boys to the truck, say

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on the trains and the super Hero Toys to fish

424
00:25:10,319 --> 00:25:14,599
in and wishing we could stay a bond nine until

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Mom comes and turns out the live.

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Speaker 1: Let's see it. Don't worry, boys, it's all gonna be

427
00:25:24,359 --> 00:25:25,240
all right.

428
00:25:29,200 --> 00:25:40,880
Speaker 3: Oh that is beautiful. That is beautiful, Thank you, thank

429
00:25:40,880 --> 00:25:41,440
you very much.

430
00:25:42,440 --> 00:25:46,960
Speaker 17: That is Superhero Toys, performed live by Jesse Rudstein here

431
00:25:47,359 --> 00:25:51,200
in studio on this snowy Saturday morning, Matt connorton unleased.

432
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We're live from the studios of w m n H

433
00:25:54,119 --> 00:25:57,519
ninety five point three FM. And uh, let's see my

434
00:25:57,759 --> 00:25:59,960
art by KF in the chatroom, says Rocket.

435
00:26:00,119 --> 00:26:04,400
Speaker 3: See that is uh that she did all of all

436
00:26:04,440 --> 00:26:05,960
the photography for the album.

437
00:26:05,960 --> 00:26:06,720
Speaker 18: Oh that's who did them?

438
00:26:06,799 --> 00:26:12,119
Speaker 17: Okay, Yeah, she's really great, outstanding. Yeah, absolutely, very cool,

439
00:26:12,240 --> 00:26:15,599
very cool. I'm curious about, uh, like, how how did

440
00:26:15,640 --> 00:26:17,400
you learn to sing? Because you've got a certain there's

441
00:26:17,400 --> 00:26:19,319
a rottenness to your voice that I really like that

442
00:26:19,400 --> 00:26:21,880
I think, and I think it works perfectly with your material.

443
00:26:22,400 --> 00:26:24,720
Like did you ever take lessons? Are you self taught?

444
00:26:24,839 --> 00:26:29,640
Speaker 3: Or the only lessons I ever took wereun drums? The singing,

445
00:26:30,000 --> 00:26:33,319
The singing has it's been you know, I thought I

446
00:26:33,319 --> 00:26:35,240
could sing for a long time, and then I started

447
00:26:35,279 --> 00:26:37,359
recording and I was like, wow, I really need to

448
00:26:37,519 --> 00:26:41,079
work on this. Yeah, for sure, it's it's uh so.

449
00:26:41,359 --> 00:26:45,440
My my influences are everything from BB King to Michael

450
00:26:45,519 --> 00:26:50,039
Jackson to Metallica, I mean and but and the Beatles

451
00:26:50,039 --> 00:26:54,279
and everything in between. And and I had I found

452
00:26:54,279 --> 00:26:57,279
out early on that a little bit of rasp can

453
00:26:57,359 --> 00:26:59,160
hide the fact that I don't know a lot of notes.

454
00:27:01,480 --> 00:27:03,279
I used to play the blues a lot. That's how

455
00:27:03,279 --> 00:27:06,640
I really learned how to play. Me and my friends

456
00:27:06,680 --> 00:27:09,640
just in high school, and I played a lot of

457
00:27:09,640 --> 00:27:12,799
blues and then the classic rock with classic rock, which

458
00:27:12,799 --> 00:27:17,400
I guess is now oldies. But yeah, I always really

459
00:27:17,519 --> 00:27:20,880
liked the raspy kind of voice. Yeah, ken hits, you know.

460
00:27:20,960 --> 00:27:24,119
Speaker 16: I and through the years, through you know, recording and

461
00:27:24,440 --> 00:27:27,480
listening back, and I always joke like I hate my voice,

462
00:27:27,599 --> 00:27:29,680
you know, because I listened to it more than anybody

463
00:27:29,680 --> 00:27:33,319
else studio and whatnot. But yeah, I definitely, of course

464
00:27:33,359 --> 00:27:35,799
I appreciate it, and it's uh, I definitely don't want

465
00:27:35,839 --> 00:27:38,440
to say it's years of practice and lots of smoking.

466
00:27:38,119 --> 00:27:43,200
Speaker 3: But but yeah, so I I you know, it took

467
00:27:43,200 --> 00:27:45,119
me a while to kind of like be like, all right,

468
00:27:45,160 --> 00:27:48,440
this is my my thing, this is my voice.

469
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Speaker 10: You know.

470
00:27:48,759 --> 00:27:51,599
Speaker 3: I have friends and bands back in the day who

471
00:27:51,599 --> 00:27:53,440
were like, why are you always doing the raspy thing?

472
00:27:53,480 --> 00:27:56,279
Like you have a really nice, clear voice too, and

473
00:27:56,359 --> 00:27:59,680
and that does that does come through on the record,

474
00:28:00,319 --> 00:28:02,160
you know, But.

475
00:28:02,160 --> 00:28:04,559
Speaker 16: Yeah, I try to be as diverse as possible because

476
00:28:04,599 --> 00:28:05,920
my influences range.

477
00:28:06,400 --> 00:28:08,680
Speaker 3: They're just all over the road. Yeah, So you know,

478
00:28:08,720 --> 00:28:11,319
I'm trying to put you know, there's that one which

479
00:28:11,359 --> 00:28:13,440
is the sweet song, and then the one you played,

480
00:28:13,440 --> 00:28:16,480
which is kind of like the outlaw acoustic. Yeah, and

481
00:28:16,519 --> 00:28:19,079
then Dear Baby Gene is like a hard rock and

482
00:28:19,200 --> 00:28:25,039
tune with amazing guitar work done by Peter Davis and

483
00:28:26,000 --> 00:28:29,599
who's a great local musician as well. So yeah, I'm

484
00:28:29,599 --> 00:28:31,559
trying to like bring a little bit of everything. But

485
00:28:31,720 --> 00:28:34,160
the one thing that does hold it all together, I

486
00:28:34,319 --> 00:28:38,640
at least in my opinion, is the voice. Okay, you know, yeah,

487
00:28:38,680 --> 00:28:42,359
I'm trying to put HAMM and B three organs on

488
00:28:42,359 --> 00:28:44,880
one and then we have a shaker on the other one.

489
00:28:44,920 --> 00:28:48,720
It's just acoustic, you know. So it's like it's it's

490
00:28:49,279 --> 00:28:51,920
what holds it together. Is that familiar voice.

491
00:28:52,119 --> 00:28:55,039
Speaker 17: When you sing with with that rasp? Is that something

492
00:28:55,119 --> 00:28:57,480
you do consciously or does that just happen because you

493
00:28:57,519 --> 00:29:00,480
mentioned too you do also sing on some tracks with

494
00:29:00,480 --> 00:29:01,400
a cleaner voice.

495
00:29:02,480 --> 00:29:05,200
Speaker 3: Yeah, I mean I control it the best I can

496
00:29:05,599 --> 00:29:07,720
do it. I do it on purpose because I can

497
00:29:07,799 --> 00:29:11,720
hit you know, lovely notes too. Yeah, Yeah, especially when

498
00:29:11,759 --> 00:29:13,720
I'm doing the acoustic gigs, you got to kind of

499
00:29:13,759 --> 00:29:17,559
do that. But yeah, it just it just it comes

500
00:29:17,640 --> 00:29:20,640
naturally to me. And it's like a guitarist learning how

501
00:29:20,680 --> 00:29:23,440
to control his feedback, you know. Yeah, you know, sometimes

502
00:29:23,480 --> 00:29:25,680
it's cool. Sometimes it's like you just turn it down

503
00:29:26,079 --> 00:29:26,960
right right.

504
00:29:28,240 --> 00:29:28,480
Speaker 18: Now.

505
00:29:28,960 --> 00:29:31,119
Speaker 17: You mentioned so you you used to play in a band. Actually,

506
00:29:31,160 --> 00:29:32,759
you mentioned you played in a band with Caleb.

507
00:29:33,200 --> 00:29:36,240
Speaker 3: I played in a couple bands with Caleb. We met,

508
00:29:36,559 --> 00:29:41,279
I believe around two thousand, two thousand and one with

509
00:29:41,359 --> 00:29:44,920
the Jess Olsen band. Jess Olsen's another amazing musician, musician

510
00:29:45,759 --> 00:29:49,680
from the area. She's Jessica's Songbird is probably how anybody

511
00:29:49,720 --> 00:29:50,240
would know her.

512
00:29:50,680 --> 00:29:53,519
Speaker 17: Oh yeah, she's really great. I think I interviewed Jess

513
00:29:53,519 --> 00:29:54,240
Olson once.

514
00:29:54,400 --> 00:29:55,200
Speaker 3: I wouldn't doubt it.

515
00:29:55,400 --> 00:29:56,279
Speaker 18: Yeah, I wouldn't.

516
00:29:56,279 --> 00:29:58,039
Speaker 17: It becomes a blurb, but I think a long time

517
00:29:58,039 --> 00:29:59,480
ago I interviewed Jess Olson.

518
00:29:59,519 --> 00:30:02,960
Speaker 3: That's very that surprises me because she's really really memorable.

519
00:30:03,480 --> 00:30:06,559
But she's Yeah, she's awesome, And the band just kind

520
00:30:06,559 --> 00:30:09,119
of went separate ways. Me and uh me and Jess

521
00:30:09,119 --> 00:30:11,960
had different ideas of what we were going to do

522
00:30:12,200 --> 00:30:14,960
with the music going forward. After being together for a

523
00:30:15,000 --> 00:30:18,799
couple of years and when when the band split.

524
00:30:19,319 --> 00:30:22,000
Speaker 16: The guys that were, you know, uh, Alec Philip Brown

525
00:30:22,079 --> 00:30:24,680
was our bass player, and Seth Seedars, who appears on

526
00:30:24,680 --> 00:30:27,240
on some tracks on the on the record as well.

527
00:30:27,839 --> 00:30:28,920
Speaker 3: Uh played drums.

528
00:30:29,000 --> 00:30:30,559
Speaker 16: And we were like, hey, you want to just keep

529
00:30:30,640 --> 00:30:32,680
jamming and doing some rock stuff.

530
00:30:33,200 --> 00:30:34,759
Speaker 3: I was like, well, are we going to find a

531
00:30:34,799 --> 00:30:36,559
new singer, you know, and they're like, why don't you

532
00:30:36,599 --> 00:30:39,359
just sing? So we did a few gigs and recorded

533
00:30:39,359 --> 00:30:44,200
some really really wonderful music as a group, and that

534
00:30:44,400 --> 00:30:48,559
was about two or three years ago, and now here

535
00:30:48,599 --> 00:30:50,359
we are where some some of those songs that I

536
00:30:50,400 --> 00:30:52,079
thought that I was just going to scrap because that

537
00:30:52,240 --> 00:30:55,799
been you know, people have schedule, different goals and whatnot.

538
00:30:56,799 --> 00:30:59,240
And when that ended, I thought, oh, well I lost

539
00:30:59,240 --> 00:31:02,400
a couple of tunes. But I ended up you know,

540
00:31:03,079 --> 00:31:06,200
going back in and putting some stuff together. And yeah,

541
00:31:06,400 --> 00:31:10,480
you know this one song called on Your Toes, which

542
00:31:10,519 --> 00:31:16,359
originally was a song about a girl and I just

543
00:31:16,440 --> 00:31:19,279
for whatever reason, I'm not gonna be playing that song anymore,

544
00:31:19,839 --> 00:31:23,599
but the drums were just so good in it. And

545
00:31:23,720 --> 00:31:25,759
on Your Toes was a song that I wrote years

546
00:31:25,799 --> 00:31:29,720
and years ago about my daughter who's an amazing dancer,

547
00:31:29,759 --> 00:31:33,440
and it's a song about her doing getting up on

548
00:31:33,480 --> 00:31:35,759
toe shoes when she was in ballet for the first time.

549
00:31:35,799 --> 00:31:38,480
And it's a really nice song. But I was like, Wow,

550
00:31:38,480 --> 00:31:40,519
those drums are gonna work really cool. So I went

551
00:31:40,559 --> 00:31:42,680
in and cut up. I told Seth. I was like,

552
00:31:42,680 --> 00:31:44,319
I'm gonna be cutting up your drum track, but I'm

553
00:31:44,319 --> 00:31:46,480
gonna be using it. Yeah, So he hasn't even heard

554
00:31:46,519 --> 00:31:48,119
his drum track yet.

555
00:31:47,440 --> 00:31:48,920
Speaker 18: Oh yeah, it's.

556
00:31:48,720 --> 00:31:50,960
Speaker 3: Cool that one. I can't wait. I'll be playing that

557
00:31:50,960 --> 00:31:53,599
one for you today. Took that one. I can't wait

558
00:31:53,640 --> 00:31:55,319
to release because that's a really cool tune.

559
00:31:55,480 --> 00:31:55,680
Speaker 18: Yeah.

560
00:31:55,680 --> 00:31:57,160
Speaker 3: I have some saxophone on it.

561
00:31:57,240 --> 00:31:57,920
Speaker 18: Oh, very cool.

562
00:31:58,000 --> 00:32:00,000
Speaker 3: Yeah, yeah, the forgotten rock and roll instrum.

563
00:32:00,440 --> 00:32:01,599
Speaker 18: Yeah.

564
00:32:01,640 --> 00:32:03,440
Speaker 3: What was it that brought you after playing in bands?

565
00:32:03,480 --> 00:32:04,960
Speaker 17: What was it that brought you to wanting to do

566
00:32:05,000 --> 00:32:07,720
a solo thing but where you're still obviously collaborating with

567
00:32:07,759 --> 00:32:08,599
a lot of musicians.

568
00:32:10,440 --> 00:32:12,640
Speaker 3: Well, Number one, I've never done it before. Yeah, it's

569
00:32:12,640 --> 00:32:17,240
always been a dream of mine. But I find that, like,

570
00:32:17,400 --> 00:32:20,920
especially in this area, it's really really tough to get

571
00:32:20,920 --> 00:32:24,839
out there and promote original music. And if I'm going

572
00:32:24,920 --> 00:32:27,599
to start a band, nine times out of ten, you're

573
00:32:27,599 --> 00:32:29,279
gonna be playing three hour cover gigs.

574
00:32:29,319 --> 00:32:31,680
Speaker 16: Not that I have anything against that, not to think

575
00:32:31,680 --> 00:32:35,079
anything's wrong with that. There are some freaking workhorses in

576
00:32:35,119 --> 00:32:37,680
this town, oh yeah, in the area who are out

577
00:32:37,720 --> 00:32:41,079
there every night killing it, bringing live music to the area.

578
00:32:41,319 --> 00:32:41,599
Speaker 18: Yep.

579
00:32:42,000 --> 00:32:46,880
Speaker 3: It's just I want to do my thing. I want

580
00:32:46,920 --> 00:32:50,400
to get on some bills that are promoting original music,

581
00:32:50,440 --> 00:32:52,799
and I realize in order to do that, I'm going

582
00:32:52,880 --> 00:32:55,359
to have to have that original music available. So I

583
00:32:55,480 --> 00:32:59,200
kind of instead of playing in bands that will be

584
00:32:59,279 --> 00:33:03,680
funded by playing three hour nights at a bar, I'm

585
00:33:03,720 --> 00:33:05,880
gonna go the other route and try to promote this

586
00:33:05,960 --> 00:33:08,839
first and then get out there and get some opening

587
00:33:08,880 --> 00:33:11,000
slots for some bigger bands and that kind of thing.

588
00:33:11,559 --> 00:33:12,480
At least that's the goal.

589
00:33:12,599 --> 00:33:14,160
Speaker 18: Yeah. No, I think that makes a lot of sense.

590
00:33:14,279 --> 00:33:16,119
Speaker 17: Yeah, yeah, Well, do you want to play that song

591
00:33:16,119 --> 00:33:17,039
you're just talking about it?

592
00:33:17,400 --> 00:33:18,160
Speaker 18: I'd love to.

593
00:33:18,160 --> 00:33:20,440
Speaker 17: Hear another one, And if you are listening live, if

594
00:33:20,440 --> 00:33:22,839
you're just joining us, Jesse Rutstein, it's here with us

595
00:33:23,240 --> 00:33:28,319
live in studio on this Saturday morning here and sounding amazing.

596
00:33:29,480 --> 00:33:31,680
Speaker 3: So that one, the last one I played was about

597
00:33:31,720 --> 00:33:35,599
my son this is about my daughter. I don't know

598
00:33:35,599 --> 00:33:37,240
if you know anything about dance, but I was a

599
00:33:37,319 --> 00:33:41,200
dance dad. And okay, when a kid gets company, it's

600
00:33:41,240 --> 00:33:42,440
like being one of the all stars.

601
00:33:42,519 --> 00:33:43,400
Speaker 18: Oh, okay, gotcha.

602
00:33:43,400 --> 00:33:48,240
Speaker 3: She became a company dancer. And this is about the

603
00:33:48,240 --> 00:33:49,839
first time I saw it, because it takes a couple

604
00:33:49,880 --> 00:33:51,759
of years to get up on those toe shoes. And

605
00:33:51,839 --> 00:33:54,160
you know when you picture a ballerina like like a

606
00:33:54,279 --> 00:33:57,680
music box or something, and they're on that toe, that's

607
00:33:57,680 --> 00:34:00,400
what that's what the song's about. Okay, time I actually

608
00:34:00,440 --> 00:34:01,240
saw her do it.

609
00:34:01,279 --> 00:34:13,079
Speaker 18: Okay, very cool, You're sorry, No worries.

610
00:34:26,000 --> 00:34:30,840
Speaker 1: Besides, they can't be real with the light up when

611
00:34:30,840 --> 00:34:41,239
they look at me. The yard would be ideal.

612
00:34:42,840 --> 00:34:43,599
Speaker 3: To walk and.

613
00:34:43,840 --> 00:34:52,760
Speaker 5: Touching the trees. Every touch tree saw.

614
00:34:52,440 --> 00:34:58,000
Speaker 16: You dancing on your toe. I knew what they man

615
00:34:58,159 --> 00:35:03,119
when they said it's to watch them grow. When you

616
00:35:03,239 --> 00:35:08,239
first dance with me, I had old jeans and capture clothes.

617
00:35:15,159 --> 00:35:31,599
Speaker 5: She said, I love you, Mom.

618
00:35:31,599 --> 00:35:36,599
Speaker 1: Now I can't believe she's really a lucky man. I

619
00:35:36,599 --> 00:35:37,320
can never be.

620
00:35:42,920 --> 00:35:43,400
Speaker 3: I see a.

621
00:35:43,519 --> 00:35:44,800
Speaker 5: Woman, not a girl.

622
00:35:44,840 --> 00:35:45,880
Speaker 3: And I can't.

623
00:35:45,679 --> 00:35:49,639
Speaker 16: Remember the time of sigh from the day you came

624
00:35:49,679 --> 00:35:51,800
into my life.

625
00:35:52,920 --> 00:35:56,480
Speaker 1: That had been so Friday.

626
00:35:58,079 --> 00:36:03,239
Speaker 16: When I saw you dancing on your tools, I knew

627
00:36:03,440 --> 00:36:05,199
what they man when they.

628
00:36:05,079 --> 00:36:10,519
Speaker 1: Said it's a watch them grow. When you first dance

629
00:36:10,679 --> 00:36:14,280
with me, I had to hold your hands, you catch

630
00:36:14,280 --> 00:36:15,239
your clumb.

631
00:36:21,960 --> 00:36:23,400
Speaker 10: She said. I love.

632
00:36:28,719 --> 00:36:39,679
Speaker 13: She said, I love you more. When I saw you're

633
00:36:39,800 --> 00:36:45,119
dancing and on your soul, I knew what very man

634
00:36:45,239 --> 00:36:53,800
when they said it's hot loo man, saw you're dancing.

635
00:36:54,559 --> 00:36:59,039
Are you telling me so what they now when they

636
00:36:59,159 --> 00:36:59,960
said it's.

637
00:37:03,280 --> 00:37:17,280
Speaker 1: To watch him, to watch you grow, to watch him?

638
00:37:33,239 --> 00:37:37,280
Speaker 3: Very nice, very nice, Thank you so much.

639
00:37:37,639 --> 00:37:41,039
Speaker 17: Absolutely, Jesse Rutsteene is here with us live in studio

640
00:37:41,920 --> 00:37:43,440
on this Saturday morning.

641
00:37:43,599 --> 00:37:45,039
Speaker 18: And by the way, uh.

642
00:37:45,039 --> 00:37:50,000
Speaker 17: So Philippe is in the chat room, says loving it, Jesse.

643
00:37:50,880 --> 00:37:54,599
And also Rob Dion, who does a show here called

644
00:37:54,760 --> 00:37:57,360
through the stage door, was inquiring about your last name

645
00:37:57,400 --> 00:38:00,480
and his rut scene, so he's obviously a fan.

646
00:38:00,800 --> 00:38:03,119
Speaker 3: All right, that's r T S T E.

647
00:38:03,239 --> 00:38:06,840
Speaker 17: I N yes, yes, and uh let's see also I

648
00:38:06,920 --> 00:38:10,119
see uh Marian Banish, of course, our good friend and

649
00:38:10,159 --> 00:38:11,760
a big supporter of the show and all the shows

650
00:38:11,760 --> 00:38:14,159
here at w M and HS in there also, and

651
00:38:14,599 --> 00:38:20,199
we have somebody listening from Uganda. Hello, welcome. So that's

652
00:38:20,239 --> 00:38:22,599
good news, absolutely absolutely, yeah.

653
00:38:22,719 --> 00:38:24,679
Speaker 18: Yeah.

654
00:38:24,960 --> 00:38:27,639
Speaker 17: So the so the EP well went into the decision

655
00:38:27,880 --> 00:38:29,920
to do an EP because I you were saying, so

656
00:38:29,960 --> 00:38:33,079
the EP will come out June is what you're shooting for,

657
00:38:33,559 --> 00:38:35,239
but then you've but then you've also got an album

658
00:38:35,280 --> 00:38:35,920
in mind.

659
00:38:36,719 --> 00:38:42,360
Speaker 3: Pretty much time and you know, the studios utilized by

660
00:38:42,519 --> 00:38:44,880
by a number of people. My day is Sunday, so

661
00:38:44,960 --> 00:38:47,760
I'm down all day Sunday, and I you know, I

662
00:38:48,159 --> 00:38:50,719
spend time and I record some other people too. I

663
00:38:50,800 --> 00:38:52,079
teach lessons out of there.

664
00:38:53,079 --> 00:38:53,559
Speaker 18: Oh wow.

665
00:38:53,719 --> 00:38:54,159
Speaker 1: Oh yeah.

666
00:38:54,239 --> 00:38:54,480
Speaker 18: Yeah.

667
00:38:54,559 --> 00:38:57,039
Speaker 3: I mean I only have one student and one potential

668
00:38:57,079 --> 00:38:58,159
at the time coming up.

669
00:38:58,199 --> 00:39:00,519
Speaker 16: But I love, you know, I work. I work right

670
00:39:00,559 --> 00:39:02,440
with kids. Yeah yeah, I got a bunch of them.

671
00:39:02,639 --> 00:39:08,840
Speaker 3: Yeah, so you know, and I really I love I

672
00:39:08,880 --> 00:39:13,719
love watching the young the younger generation get into to

673
00:39:13,880 --> 00:39:16,880
rock and roll, which I actually think is really happening

674
00:39:16,960 --> 00:39:20,599
right now. Ye seeing so many kids and it's funny,

675
00:39:20,639 --> 00:39:22,559
like my daughter's gonna kill me for telling this story,

676
00:39:22,599 --> 00:39:24,280
but she wears a deaf leopard shirt and I'm like,

677
00:39:24,400 --> 00:39:27,199
name one song and she's like, it's a cool shirt, dad,

678
00:39:27,280 --> 00:39:29,519
And I'm advertising the band, all right, it's all about

679
00:39:29,519 --> 00:39:33,679
the marketing, right right, All right, cool, Okay, she's so,

680
00:39:33,760 --> 00:39:36,000
she's twenty, she's twenty one. Her name is Giovanna. She

681
00:39:36,079 --> 00:39:38,639
actually she's involved too because she's helping me with the

682
00:39:38,679 --> 00:39:41,840
marketing because I excellent, I did not know how to

683
00:39:41,920 --> 00:39:44,480
use Instagram or TikTok. She had to like come over

684
00:39:44,559 --> 00:39:45,039
and show me.

685
00:39:45,280 --> 00:39:48,199
Speaker 17: Yeah you know, yeah, Oh that's really cool. It's cool

686
00:39:48,199 --> 00:39:52,039
that she's helping you with that. Oh yeah, yeah, absolutely, yeah.

687
00:39:52,079 --> 00:39:54,280
I was curious because there's there's so many different ways

688
00:39:54,320 --> 00:39:55,679
to release music now.

689
00:39:56,480 --> 00:40:00,280
Speaker 3: Yes, and and so I'm going to distro kid out

690
00:40:01,159 --> 00:40:05,400
Stay Anywhere is available on all streaming platforms, uh and

691
00:40:05,400 --> 00:40:07,719
and all of this will be But as far as

692
00:40:07,880 --> 00:40:09,920
your original question, why did I decide to do the

693
00:40:10,320 --> 00:40:14,400
it's I wanted to do a single or two and

694
00:40:14,440 --> 00:40:17,280
then drop four and and try to get you know,

695
00:40:17,320 --> 00:40:21,679
I really want. I missed going out and grabbing an

696
00:40:21,760 --> 00:40:25,280
album and going home and listening to it back to back.

697
00:40:25,719 --> 00:40:29,000
And I could either sit here and act like an

698
00:40:29,000 --> 00:40:32,519
old man and say back in my day, or I

699
00:40:32,559 --> 00:40:36,039
could do what they're doing today because I'm not going

700
00:40:36,119 --> 00:40:38,679
to get anywhere marketing to people my age or just

701
00:40:38,719 --> 00:40:41,599
like my Facebook friends, you know. So so I think

702
00:40:41,840 --> 00:40:44,280
I've been, like I said, I was doing some research

703
00:40:44,360 --> 00:40:48,880
and you know, private research and whatever, and it looks

704
00:40:48,920 --> 00:40:51,599
like people are getting really successful this way. So I

705
00:40:51,639 --> 00:40:53,320
figured why not throw my you know, I got some

706
00:40:53,400 --> 00:40:55,840
good songs here? Why not my name and the hat?

707
00:40:56,079 --> 00:40:59,599
Speaker 17: Yeah, no, it makes sense, it makes sense. The time

708
00:40:59,639 --> 00:41:01,960
goes quickly. Do you want to play one more? I'm

709
00:41:02,000 --> 00:41:03,480
dying to hear another live one. I want to make

710
00:41:03,480 --> 00:41:05,760
sure that's going and then and then after that we'll

711
00:41:05,760 --> 00:41:08,880
talk about the new the new single, Insure and whatnot.

712
00:41:08,920 --> 00:41:12,280
But Jesse Rutstein is here with us live in studio,

713
00:41:12,440 --> 00:41:16,400
and uh love loving these so much, so awesome.

714
00:41:16,400 --> 00:41:17,559
Speaker 18: What are you? What are you gonna play for us?

715
00:41:17,679 --> 00:41:21,199
Speaker 3: This one's actually called Picture of Our Hands, song I

716
00:41:21,239 --> 00:41:25,559
wrote last year, which turned into a duet on the epy.

717
00:41:26,119 --> 00:41:30,000
It's a male female and I brought my my wonderful

718
00:41:30,000 --> 00:41:34,239
friend Alex Cecia into the studio. She's just an amazing,

719
00:41:34,360 --> 00:41:37,400
amazing singer. She plays around here. Alex six strings is

720
00:41:37,679 --> 00:41:41,880
what she goes by, and we originally brought her in

721
00:41:41,960 --> 00:41:44,639
to do the backup vocals because there's a lot of

722
00:41:44,679 --> 00:41:48,760
harmonies on this one and after her coming in and

723
00:41:48,800 --> 00:41:52,880
absolutely nailing the part, I thought to myself, I was like, hey,

724
00:41:52,880 --> 00:41:54,760
you want to try singing the second verse because the

725
00:41:54,760 --> 00:41:58,519
song is about a breakup, and so with the female

726
00:41:58,599 --> 00:42:00,719
vocal on the second verse, it kind of sounds like

727
00:42:01,239 --> 00:42:05,920
a breakup within the song. So it's it's definitely cool

728
00:42:06,039 --> 00:42:09,119
and her vocal makes the tune. So I'm gonna play

729
00:42:09,159 --> 00:42:12,199
it now because I can't wait to get this song

730
00:42:12,239 --> 00:42:14,360
out there. But this one's gonna be released with the

731
00:42:14,400 --> 00:42:17,400
rest of them, and it's gonna I'm telling you it's

732
00:42:17,480 --> 00:42:19,920
it's probably gonna be the treat, you know, because because

733
00:42:20,320 --> 00:42:23,239
it's got the other vocal on there and she's absolutely amazing,

734
00:42:23,239 --> 00:42:25,920
and I can't wait to release it. Our picture of

735
00:42:25,960 --> 00:42:26,840
our hands.

736
00:42:38,440 --> 00:42:42,079
Speaker 16: Moving up and down the stairs, wishing that you were

737
00:42:42,199 --> 00:42:43,159
there now.

738
00:42:46,039 --> 00:42:50,639
Speaker 1: Nowhere. I hope you don't feel this pain. I never

739
00:42:50,679 --> 00:42:51,599
felt this way.

740
00:42:51,800 --> 00:42:58,599
Speaker 16: Well this piece, and Yola, I'm going and see now

741
00:42:58,840 --> 00:43:06,679
you you got me going in see and now I'm gone.

742
00:43:08,000 --> 00:43:12,239
And sometimes they say and never get what you want,

743
00:43:12,519 --> 00:43:19,360
But I've got to keep bound rolling. And sometimes they

744
00:43:19,480 --> 00:43:22,719
say it's hard away and you're on your own, But

745
00:43:22,880 --> 00:43:25,039
I've got to keep.

746
00:43:24,719 --> 00:43:26,639
Speaker 5: Bond rolling.

747
00:43:28,480 --> 00:43:32,039
Speaker 1: Higher keep bud rolling.

748
00:43:37,440 --> 00:43:40,119
Speaker 16: I always knew you told my lies, saw that you

749
00:43:40,440 --> 00:43:43,800
love in your eyes, that you have for me. That's

750
00:43:43,920 --> 00:43:48,840
why I'm so surprised. But I'll take it where it leans.

751
00:43:49,079 --> 00:43:53,519
No money and no plan. Stop crying and toss the

752
00:43:53,679 --> 00:44:01,719
picture of my higher I really love the picture of

753
00:44:02,000 --> 00:44:03,199
our hands.

754
00:44:04,400 --> 00:44:05,440
Speaker 1: And now I'm gone.

755
00:44:06,719 --> 00:44:10,880
Speaker 16: And sometimes they say you never get what you want,

756
00:44:11,119 --> 00:44:14,480
but I've got to keep bound rolling.

757
00:44:16,639 --> 00:44:19,320
Speaker 1: And sometimes they say it's hot.

758
00:44:19,079 --> 00:44:22,239
Speaker 16: A win, you're on your own, but I've got to

759
00:44:22,559 --> 00:44:27,760
keep bondaling.

760
00:44:26,679 --> 00:44:27,199
Speaker 4: While ye.

761
00:44:28,920 --> 00:44:45,960
Speaker 16: Worry all this reflection. I have to myself so many

762
00:44:46,199 --> 00:44:51,559
reasons for you to run away.

763
00:44:52,480 --> 00:44:53,559
Speaker 3: And now I'm gone.

764
00:44:54,800 --> 00:44:58,960
Speaker 16: And sometimes they say you never get what you want,

765
00:44:59,280 --> 00:45:00,440
but I've got to.

766
00:45:00,760 --> 00:45:02,519
Speaker 1: Keep bound ruleing.

767
00:45:04,679 --> 00:45:07,920
Speaker 16: And sometimes they say it's hard to win and you're

768
00:45:08,000 --> 00:45:09,280
on your own, but.

769
00:45:09,360 --> 00:45:12,519
Speaker 1: I've got to keep bond And.

770
00:45:12,320 --> 00:45:13,159
Speaker 3: Now I'm gone.

771
00:45:14,480 --> 00:45:18,800
Speaker 16: And sometimes they say, never get what you want, but

772
00:45:19,119 --> 00:45:22,079
I've got to keep bound rule.

773
00:45:23,760 --> 00:45:27,800
Speaker 1: In June. Know when I'm gone, go and killed, I

774
00:45:28,000 --> 00:45:31,960
won't rude. I've got to keep bond ruleing.

775
00:45:43,320 --> 00:45:43,639
Speaker 18: Nice.

776
00:45:44,159 --> 00:45:45,159
Speaker 3: I love it. I love it.

777
00:45:46,280 --> 00:45:52,639
Speaker 17: Jesse Rutstein here with us alive in studio. So, Jesse,

778
00:45:52,719 --> 00:45:55,239
do you have anything like when's your when's your next gig?

779
00:45:55,239 --> 00:45:56,239
We should make sure people know.

780
00:45:56,199 --> 00:45:59,360
Speaker 3: About Terminus on June seventh, will be the next one,

781
00:45:59,559 --> 00:46:03,679
June say, and then the summer kickoff is June twenty second.

782
00:46:03,840 --> 00:46:06,320
That is, it's going to be at the Auburn Pits.

783
00:46:07,199 --> 00:46:10,000
It's a daytime through the nighttime thing. I'll be opening

784
00:46:10,039 --> 00:46:13,400
the show at one Faith fans closing up and again

785
00:46:13,480 --> 00:46:17,039
the Tumble Tooads, Glitter Tooth and the Whole Loaf We're

786
00:46:17,039 --> 00:46:19,079
going to be down there too. It's going to be

787
00:46:19,119 --> 00:46:22,400
a really fun time, you know, getting the summer kicked off.

788
00:46:23,599 --> 00:46:26,360
It's a Sunday gig, so and that it's a really

789
00:46:26,360 --> 00:46:30,440
great venue, the Auburn Pits, So you know, we're hoping

790
00:46:30,480 --> 00:46:32,519
to get a bunch of people down there, and it's

791
00:46:32,519 --> 00:46:34,480
gonna be that One's gonna be really fun. It'll be

792
00:46:34,559 --> 00:46:38,360
the first time that I actually have a full like

793
00:46:38,480 --> 00:46:41,360
the Terminus gig. I'll be doing a trio. Caleb's probably

794
00:46:41,360 --> 00:46:42,119
gonna be with me on.

795
00:46:42,079 --> 00:46:45,199
Speaker 16: That one took, but this will be the first time

796
00:46:45,239 --> 00:46:46,800
I'm going to be able to actually perform it all

797
00:46:46,840 --> 00:46:47,599
with all the parts.

798
00:46:47,679 --> 00:46:51,320
Speaker 18: Oh, outstandy, outstanding.

799
00:46:50,920 --> 00:46:53,039
Speaker 17: And where's the best place for people to go online

800
00:46:53,079 --> 00:46:53,840
to keep up with everything.

801
00:46:54,280 --> 00:46:57,400
Speaker 3: If your Facebook, you go to face Jesse Rudstein Music.

802
00:46:57,800 --> 00:47:01,440
If you love Instagram, go to Jesse Redstein Music. Three,

803
00:47:02,360 --> 00:47:06,000
and then on TikTok it's just Jesse Rudstein. Okay, And

804
00:47:06,079 --> 00:47:09,559
then I'm embarrassed to admit, but I'm still getting the

805
00:47:09,559 --> 00:47:11,360
website rolling. I'm not going to do one of those

806
00:47:11,360 --> 00:47:14,400
plastic things. I'm yeah, I got somebody actually working on it.

807
00:47:14,440 --> 00:47:16,440
That's gonna really make a nice one.

808
00:47:16,480 --> 00:47:19,400
Speaker 17: Oh good, good, absolutely, yeah, No, that's that's very important.

809
00:47:19,400 --> 00:47:20,079
That's very important.

810
00:47:20,159 --> 00:47:21,960
Speaker 3: Like I said, starting from the ground up. This is

811
00:47:22,000 --> 00:47:25,320
actually the first radio interview I've done promoting this thing.

812
00:47:25,400 --> 00:47:27,920
Speaker 17: So I'm like, oh, okay, yeah, excellent. Well, we're very

813
00:47:27,920 --> 00:47:30,679
happy that you're here, and glad you played live for

814
00:47:30,760 --> 00:47:34,400
us too. That sounds everything sounds really good. And in

815
00:47:34,440 --> 00:47:37,440
a moment, we're gonna get to well, let's let's talk

816
00:47:37,440 --> 00:47:39,199
about it. So we're gonna do the World Radio you know,

817
00:47:39,239 --> 00:47:42,800
we love the World Radio premieres on the on the show,

818
00:47:42,840 --> 00:47:46,440
and we're gonna play this track. Now, what is tell

819
00:47:46,519 --> 00:47:48,119
us about this? About this song?

820
00:47:48,440 --> 00:47:56,280
Speaker 3: This song? So, twenty twenty four was a.

821
00:47:53,679 --> 00:47:57,599
Speaker 16: It was a really like weird year for me, okay,

822
00:47:57,679 --> 00:48:02,639
like crazy crazy year. And this song was something things

823
00:48:02,639 --> 00:48:05,280
that have happened prior that led up to it. This

824
00:48:05,400 --> 00:48:08,360
was actually written about three years ago when I was

825
00:48:08,400 --> 00:48:09,639
at a place where I was.

826
00:48:09,719 --> 00:48:11,880
Speaker 3: You know, it's an angry song. I was very angry

827
00:48:11,960 --> 00:48:16,280
about the situation that I was in. And it doesn't

828
00:48:16,320 --> 00:48:19,119
it doesn't even necessarily reflect it. It's my art, like

829
00:48:19,159 --> 00:48:21,559
that's how I was feeling at the time. Like things

830
00:48:21,639 --> 00:48:23,920
have changed since then and things have gotten a lot better.

831
00:48:24,000 --> 00:48:26,039
So it's like one of those one of those things,

832
00:48:26,079 --> 00:48:28,079
like a painter paints of painting. You can't change it

833
00:48:28,079 --> 00:48:30,800
in two years when things get better. But this song

834
00:48:30,920 --> 00:48:35,440
has just it. Instead of like acting on my emotions,

835
00:48:35,440 --> 00:48:38,079
I try to let them out through my music, you know.

836
00:48:38,280 --> 00:48:43,400
And this became It started off as just the weirdest

837
00:48:43,599 --> 00:48:46,840
with the weirdest lyrics, and then I've I've changed a

838
00:48:46,880 --> 00:48:49,159
lot of the lyrics. It came from a conversation. I

839
00:48:49,199 --> 00:48:50,920
was a bartender for a while, and it came from

840
00:48:50,920 --> 00:48:54,639
a conversation that I was having with another guy that

841
00:48:54,760 --> 00:48:56,559
was going at the bar that was going through a

842
00:48:56,559 --> 00:49:03,840
similar situation. And so Caleb decided that he really wanted

843
00:49:03,840 --> 00:49:07,199
to throw a keyboard part on this, and we have

844
00:49:07,239 --> 00:49:11,840
the hymn and B three and the keyboard part makes

845
00:49:11,880 --> 00:49:15,320
the whole song. Okay, really does up until this past year.

846
00:49:16,800 --> 00:49:20,840
So he basically put this tune together with me and

847
00:49:21,039 --> 00:49:25,119
the outro had this really, really great keyboard solo on it.

848
00:49:26,119 --> 00:49:29,400
And when I started to revisit it this year, he

849
00:49:29,480 --> 00:49:31,400
said to me, He's like, I don't know if the

850
00:49:31,480 --> 00:49:33,039
keyboard solo is right. And I'm like, what are you

851
00:49:33,079 --> 00:49:35,920
talking about? Keyboard solo is awesome. He's like, he's like, no, man,

852
00:49:35,960 --> 00:49:38,280
the keyboard runs the beginning of the song. He's like,

853
00:49:38,320 --> 00:49:40,639
it should be guitar, you know. So I did a

854
00:49:40,679 --> 00:49:44,199
guitar solo at the end, and I'm an okay guitar player.

855
00:49:44,239 --> 00:49:46,000
I like the way I play lead guitar, but it

856
00:49:46,159 --> 00:49:49,599
just wasn't cutting it for this tune. So I brought

857
00:49:49,639 --> 00:49:55,400
in Peter Davis is his name him, and actually he's

858
00:49:55,440 --> 00:49:58,519
in a band with Connor Coburn from No More Blue Tomorrows,

859
00:49:58,599 --> 00:50:02,079
and they're an excellent band. Connor is all over thep

860
00:50:02,280 --> 00:50:06,239
as well, helping me with engineering and vocal mixing and

861
00:50:06,639 --> 00:50:11,480
you name it. But Peter we briefly played together. I've

862
00:50:11,480 --> 00:50:13,519
only played together with him a few times, and I

863
00:50:13,559 --> 00:50:14,719
was like, Hey, you want to come down and do

864
00:50:14,800 --> 00:50:18,199
this track. It's really cool tune I think. I think

865
00:50:18,199 --> 00:50:21,599
it's right up his guitar style. Like this guy isn't

866
00:50:21,639 --> 00:50:23,639
just one of the best guitarists I've ever played with,

867
00:50:23,679 --> 00:50:26,519
He's one of the best guitarists I've ever heard. That's

868
00:50:26,599 --> 00:50:29,599
how good this guy is. And so he came down

869
00:50:29,639 --> 00:50:31,760
to the studio and I was just I didn't know

870
00:50:31,800 --> 00:50:34,880
what to expect. And we sat down for a couple

871
00:50:34,920 --> 00:50:38,119
hours and collectively put together this solo. I was like,

872
00:50:38,559 --> 00:50:40,159
this is what I hear, but I can't do it,

873
00:50:40,239 --> 00:50:41,760
so can you do that? And he would be like,

874
00:50:41,800 --> 00:50:43,480
all right, well, I'll just do it ten times better

875
00:50:43,519 --> 00:50:47,679
than what you And it was really great working with him,

876
00:50:47,920 --> 00:50:52,159
and he's absolutely a feature on this track. I couldn't

877
00:50:52,440 --> 00:50:55,119
the song wouldn't be what it is without this guitar solo.

878
00:50:56,519 --> 00:50:58,960
But it's just, you know, it's a tune that I

879
00:50:59,000 --> 00:51:01,760
wrote when I was very happy about what was going

880
00:51:01,800 --> 00:51:05,800
on in my life and everything has gotten better since,

881
00:51:05,840 --> 00:51:08,920
but the song, you know, is there and I want it.

882
00:51:08,960 --> 00:51:12,400
I just think it's a great tune. It's hard rocking.

883
00:51:12,480 --> 00:51:14,320
You know, if anybody who's listening in their car right

884
00:51:14,360 --> 00:51:16,440
now turn it up, yeah, because this is one of

885
00:51:16,440 --> 00:51:17,840
those ones that you want to crank.

886
00:51:18,119 --> 00:51:19,000
Speaker 18: Yeah.

887
00:51:19,039 --> 00:51:21,039
Speaker 3: And I'm just very very happy with it.

888
00:51:21,280 --> 00:51:24,079
Speaker 18: Okay, okay, very cool. So we're gonna play that in

889
00:51:24,199 --> 00:51:24,760
just a moment.

890
00:51:24,880 --> 00:51:26,920
Speaker 17: And uh, I do want to remind people too, if

891
00:51:26,920 --> 00:51:28,519
you missed any part of today's show, it will be

892
00:51:28,599 --> 00:51:31,679
up in just a little bit at Wmnhradio dot org

893
00:51:31,719 --> 00:51:35,000
and at my website Matt Connerton dot com. And Jenny,

894
00:51:35,000 --> 00:51:36,760
you want to mention your website because you're always doing

895
00:51:36,800 --> 00:51:37,760
a lot of great stuff.

896
00:51:37,800 --> 00:51:39,960
Speaker 3: You can come check me out at Gencoffee dot com.

897
00:51:40,039 --> 00:51:42,679
Speaker 5: J E N N c O f f UI dot com.

898
00:51:42,760 --> 00:51:44,880
Speaker 17: Absolutely, and thank you to everyone who joined us today,

899
00:51:44,920 --> 00:51:47,119
Katie Dobbins who called in, and of course I echo

900
00:51:47,199 --> 00:51:50,599
Ray who joined us in studio. And we are going

901
00:51:50,639 --> 00:51:53,280
to close out today's show with this. This is the

902
00:51:53,360 --> 00:51:57,559
world Radio Premiere. This is brand new from Jesse Rutstein,

903
00:51:57,679 --> 00:51:59,239
and this is called here.

904
00:51:59,360 --> 00:52:03,039
Speaker 18: Baby, Gene, you are listening to do Waluminate.

905
00:52:04,599 --> 00:52:05,599
Speaker 3: World Premiere.

906
00:52:29,280 --> 00:52:35,840
Speaker 4: Sorry, baby, when your mama doesn't care her way and

907
00:52:36,039 --> 00:52:42,519
your daddy has to pay, you're just jealous over sellsspone.

908
00:52:42,559 --> 00:52:47,480
Admit she pushed herself out of this off while she

909
00:52:47,599 --> 00:52:50,639
lives to herself and everybody else.

910
00:52:50,639 --> 00:52:52,880
Speaker 1: To keep you aparty.

911
00:53:08,079 --> 00:53:12,920
Speaker 16: You know he's sorry that he missed your last birthday.

912
00:53:14,079 --> 00:53:17,400
You know your mama told you he wanted it that way,

913
00:53:19,559 --> 00:53:22,880
telling you and a friends that he's the bad man.

914
00:53:22,760 --> 00:53:24,440
Speaker 1: Because he broke her.

915
00:53:26,039 --> 00:53:28,719
Speaker 16: But he'll see you would cant would put the shoe

916
00:53:28,760 --> 00:53:31,119
in then and get a brand new star.

917
00:53:31,760 --> 00:53:34,360
Speaker 6: Tam baby Gee.

918
00:53:34,840 --> 00:53:46,480
Speaker 4: I hold this letter five well, because if your mama

919
00:53:47,280 --> 00:53:55,559
is right about God, well, she's going street.

920
00:53:57,360 --> 00:54:11,239
Speaker 6: Team baby Gee.

921
00:54:13,039 --> 00:54:15,559
Speaker 1: Sorry mama, for things don't always.

922
00:54:15,199 --> 00:54:22,599
Speaker 4: Go away, and that's when you lose your fck in mind.

923
00:54:24,199 --> 00:54:27,920
Speaker 16: She'll make up your stories to your little tantrum.

924
00:54:28,000 --> 00:54:29,559
Speaker 1: It's all the same.

925
00:54:31,880 --> 00:54:38,039
Speaker 4: Your baby's gonna find out a good time. Dear baby Gee,

926
00:54:39,880 --> 00:54:51,400
hold this letter why you well, and if your mama

927
00:54:52,159 --> 00:55:00,400
is right about God, well she's going straight to hell.

928
00:55:02,239 --> 00:55:10,320
Speaker 6: Tam baby Gee, Tam baby Gee.

929
00:55:17,440 --> 00:55:19,440
Speaker 4: I hope you'll ride a balcone.

930
00:55:24,039 --> 00:55:25,800
Speaker 16: Hope you're right loveco.

931
00:55:30,480 --> 00:55:32,559
Speaker 5: Hope you don't route of bouc.

932
00:55:36,920 --> 00:55:43,159
Speaker 1: I hope you'll run about, stop going strikes and round.

933
00:56:25,039 --> 00:56:27,000
Speaker 5: Till baby Jane.

934
00:56:40,760 --> 00:56:43,239
Speaker 7: Huste just like a bad you free for this is

935
00:56:43,280 --> 00:56:46,880
a nice working up electricity through airways route.

936
00:56:47,039 --> 00:56:50,519
Speaker 3: We call it the storm. A rebel sat dumb, A legend.

937
00:56:50,320 --> 00:56:54,039
Speaker 1: Is born from the sat cross passion so true. I

938
00:56:54,280 --> 00:56:56,800
used to fire up from me and for you look

939
00:56:56,880 --> 00:56:57,960
change for silence.

940
00:56:57,639 --> 00:57:00,559
Speaker 13: The way to contained spiral could cut.

941
00:57:00,440 --> 00:57:01,320
Speaker 5: Straight in the leaf.

942
00:57:04,559 --> 00:57:07,840
Speaker 1: It's just spinning songs, oping through the sky, trying.

943
00:57:07,599 --> 00:57:10,000
Speaker 14: To tell you a lot of feeling flying and I

944
00:57:10,199 --> 00:57:12,960
can't still at least breaking a wall si you.

945
00:57:13,119 --> 00:57:15,280
Speaker 1: And then standings all for real.

946
00:57:18,880 --> 00:57:19,360
Speaker 18: To little.

947
00:57:20,159 --> 00:57:23,840
Speaker 1: Through the long nights, if blight days, you stand up fighting.

948
00:57:25,679 --> 00:57:26,000
Speaker 14: Truth.

949
00:57:26,079 --> 00:57:28,559
Speaker 5: The light shopper den the blade by.

950
00:57:30,679 --> 00:57:36,840
Speaker 1: It was surlember, just a voice soun of bread. Even

951
00:57:36,880 --> 00:57:42,840
the years, whatever word between lay from the standing rise

952
00:57:42,920 --> 00:57:43,639
of pas shape.

953
00:57:43,679 --> 00:57:47,639
Speaker 5: It's so true, it's so true. And at least the.

954
00:57:47,719 --> 00:57:53,079
Speaker 14: Fire your filt on made a feel, no shase, no silence,

955
00:57:53,559 --> 00:57:58,920
no way to truck cuts in scary, scary your kid

956
00:57:59,039 --> 00:58:00,840
truts through the rain.

957
00:58:04,199 --> 00:58:07,440
Speaker 1: Through it all from the stat of clay and passion,

958
00:58:07,559 --> 00:58:10,119
so true. Unleash the fire You'll cook for me and

959
00:58:10,199 --> 00:58:12,840
for you. No change, no sound is the way it.

960
00:58:12,880 --> 00:58:16,599
Speaker 14: Contains spirit and broken cut straight through the ray, he

961
00:58:17,079 --> 00:58:20,880
sping strong, tailing through the sky, telling the tilt of feeling,

962
00:58:21,039 --> 00:58:24,000
flying that, trying to sell at least springing all the

963
00:58:24,079 --> 00:58:26,039
walls so you and then nay.

964
00:58:26,000 --> 00:58:27,360
Speaker 1: Standings all through it all.

965
00:58:37,519 --> 00:58:42,719
Speaker 7: Two long nights by Jason said, not fighting for so

966
00:58:43,079 --> 00:58:45,960
turning the tile, allow of feed it and fly in

967
00:58:48,039 --> 00:58:50,159
Matt Charlton, I'm least.

968
00:58:50,039 --> 00:58:51,079
Speaker 3: Breaking on the walls.

969
00:58:51,199 --> 00:58:53,159
Speaker 14: So when you are they standing so.

970
00:58:53,119 --> 00:58:54,119
Speaker 1: Off through you all.

971
00:58:55,880 --> 00:59:01,880
Speaker 13: From the static rise of passion, so true, so true, at.

972
00:59:01,800 --> 00:59:07,719
Speaker 14: Leastify your filth on me off you no sase, no silence,

973
00:59:08,239 --> 00:59:13,559
no way truck can say staring staring a rock and

974
00:59:13,679 --> 00:59:15,599
trucks freaking delay.

975
00:59:17,239 --> 00:59:24,679
Speaker 1: Good thriddle the middle, thrill

976
00:59:28,239 --> 00:59:30,039
Speaker 3: The little, the little,