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Speaker 1: In the morning. Then I'm getting into the dollars. Short,

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Speaker 1: I didn't wanna funnish.

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Speaker 2: She just saw me like it's naa.

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Speaker 1: She just throwing with goud.

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Speaker 3: What I say, Louis Prada, she don't need no bevy

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Speaker 3: because she ready with that water.

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Speaker 1: Wake up in the morning, then I'm getting into the dollars. Short,

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Speaker 1: didn't wanna funnish.

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Speaker 2: She just saw me like it's naa. She just throwing

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Speaker 2: with goud. What I say, Louis Potda, she don't.

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Speaker 1: Need no bevy because you ready with that water. I

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Speaker 1: be in the sky.

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Speaker 3: I feel like Louke when I walk when I can't

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Speaker 3: quit ever know that never.

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Speaker 2: Been toppen ill only security.

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Speaker 4: IM blocking it.

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Speaker 1: Beat it like I'm drinking this that straight up by

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Speaker 1: the content.

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Speaker 2: Watch him eat it to.

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Speaker 1: The boat's like a animal rapper saying sick.

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Speaker 5: While you witnessing the end of door's handed doat, I

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Speaker 5: can see my future rendous tangle pot go to drink

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Speaker 5: the street.

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Speaker 6: Like all her life.

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Speaker 2: She being in a can of port.

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Speaker 7: God, oh my life.

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Speaker 3: I know it's going hard, laying out these bars as

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Speaker 3: I exercise her jaw.

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Speaker 1: When the money called sharing it in the summer sold

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Speaker 1: they never been a fall.

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Speaker 2: Wake up bens the morning.

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Speaker 1: Then I'm getting into the dardless Sho.

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Speaker 2: Didn't want her fu me.

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Speaker 1: She just saw me like it's not.

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Speaker 2: She just thro't with God.

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Speaker 3: But I say, any louis poda, she don't need no

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Speaker 3: bebby because she ready with that water.

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Speaker 2: Wake up bens the morning.

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Speaker 1: Then I'm getting into the dardless shor.

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Speaker 2: Didn't want her fu me.

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Speaker 1: She just saw me like it's not.

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Speaker 2: She just thro't with God.

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Speaker 1: Shot.

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Speaker 2: I said, need louis poda, She.

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Speaker 1: Don't need no bebby because she ready with that water.

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Speaker 5: Wake up, sendom morning, say your prayer, Start my day.

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Speaker 4: What's for breakfast?

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Speaker 5: Oh that's CAKEO hesitate to clean my plate, knocking me.

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Speaker 5: Can you see that guy?

50
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Speaker 1: Don't make mistakes.

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Speaker 5: I'm stopping for like doctor death, ain't no bigger on

52
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Speaker 5: it in my faith. For the bone of gas. That's

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Speaker 5: that cash shorty got that water, that's that drip dripped

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Speaker 5: splasho swimming skinny dipping. Her precision is my mission. They

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Speaker 5: say life is what you make it, But that's just

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Speaker 5: the word.

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Speaker 4: Be living now, wake up in the morning.

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Speaker 1: Then I'm getting into the dardless Sho didn't want to fummy.

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Speaker 1: She just saw me like it's.

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Speaker 2: Not she just throwing with God.

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Speaker 3: What I say any louis potdat? She don't need no

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Speaker 3: bevy because she ready with that water.

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Speaker 1: Wake up in the morning. Then I'm getting into the

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Speaker 1: dardless sho didn't want to fummy. She just saw me

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Speaker 1: like it's not she just throwing with God.

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Speaker 2: What I say, need louis potda, She don't need.

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Speaker 3: No bevy because she ready with that water.

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Speaker 2: Listen up, bats on you once debble steak girl, what.

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Speaker 8: You see.

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Speaker 6: Our hund You said.

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Speaker 8: Too much, decided to go for a little ride, had had.

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Speaker 7: You're not coming back. You've seen way too much.

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Speaker 9: You're not coming back.

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Speaker 7: He said, way too much.

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Speaker 10: Mother left you when you were ten.

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Speaker 6: Father you have nebo seen him him My.

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Speaker 2: Trouble now took you away.

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Speaker 7: You have to know one on judgment to you're not

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Speaker 7: coming back.

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Speaker 11: You see you wait till much?

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Speaker 12: You not coming?

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Speaker 7: You said wait till much.

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Speaker 2: You don't come.

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Speaker 9: Merck, I want to got you s.

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Speaker 2: It's got too bad.

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Speaker 8: If it ain't you that it's the percy a muscle.

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Speaker 2: Priece.

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Speaker 9: We give merse the begainn.

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Speaker 8: That percy on my soul.

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Speaker 9: Priece we give mirth, this begainn.

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Speaker 11: That mercy on my.

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Speaker 9: Sole peace again, Max Peace, begin.

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Speaker 1: Have mercy messle.

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Speaker 9: Sce begin.

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Speaker 10: You're not coming back. You're not coming back. You're not

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Speaker 10: coming back.

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Speaker 7: I've had that song stuck in my head for a

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Speaker 7: solid week now that is not coming back. By day

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Speaker 7: to attend who were here with us last week, and

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Speaker 7: there's a very specific reason why we played that this morning,

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Speaker 7: which we'll get to in a moment. We have some

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Speaker 7: great guests who are going to we're going to introduce

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Speaker 7: shortly and to open today's show. This week's show, I

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Speaker 7: should say, we had, of course the brand new single

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Speaker 7: from Hope the Rapper. As we are in week seven

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Speaker 7: of our new Hope the Rapper world radio premiere of

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Speaker 7: these new singles from our friend Hope the Rapper, and

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Speaker 7: this one was a collaboration with Osokwabunga called Water to

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Speaker 7: open up. Matt Connorton unleashed on this Saturday morning, July

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Speaker 7: twenty seven, twenty twenty four and here on WMNH ninety

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Speaker 7: five point three FM, and I am not alone.

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Speaker 11: Jenny guests, Good morning Sunshine.

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Speaker 7: Yes, Jenny is here at the news tablet unaccounted for

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Speaker 7: good morning, good morning, and we have joining us live

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Speaker 7: in studio. And these fine people were spoken about last

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Speaker 7: week by the band because we had day to attend

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Speaker 7: here with us in the first hour, and now they

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Speaker 7: are joining us and we get to speak with them

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Speaker 7: live on the air. We have Sheila and Tony Russo

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Speaker 7: from Paper Jam Magazine.

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Speaker 4: Welcome you here.

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Speaker 7: Yes, yes, so, yes, it is uh and by the way,

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Speaker 7: so you brought us this is cool. I should hold

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Speaker 7: this up for people watching online the uh the Girls

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Speaker 7: Rock edition of Paper Jam Magazine. And for those of

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Speaker 7: you who don't know, so this is a publication, Well

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Speaker 7: tell us some tell us a bit about this.

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Speaker 6: Uh.

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Speaker 7: How long has Paper Jam existed?

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Speaker 4: We're in our third year.

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Speaker 12: Yeah, we're coming up on our third year, about two

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Speaker 12: and a half years.

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Speaker 7: Okay, okay. And of course the way we met was

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Speaker 7: through day to Attend because they were our guests in

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Speaker 7: the first hour last week. And they're on the current

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Speaker 7: the cover of the current edition.

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Speaker 12: Yes, they are our cover story for this new issue.

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Speaker 7: Yes, and they are in the chat room as well.

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Speaker 7: So in fact, I think it was Tom Sirahcuso was saying,

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Speaker 7: if I'm saying his last name correctly, out that I

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Speaker 7: have great taste in music. I assume because I played

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Speaker 7: the Day to Itchell, Well.

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Speaker 12: You made you definitely made my morning starting with that

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Speaker 12: song because I'm a.

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Speaker 7: Huge fan of dates with Oh yeah, yeah, absolutely, Yeah.

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Speaker 7: We were talking about that off air. Is it the

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Speaker 7: CD release party is on your birthday? Yeah?

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Speaker 12: Yeah, happy birthday to me. Their their new album, World

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Speaker 12: of Zen Falling Awake, is going.

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Speaker 11: To be available on August thirt Yeah.

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Speaker 12: Yeah, I'm excited.

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Speaker 4: Yeah.

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Speaker 7: We played a bunch of their tracks for the first

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Speaker 7: time on the radio when they were here last week.

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Speaker 7: And no, those guys are those guys are absolutely amazing.

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Speaker 7: I do want to say make sure we say hello

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Speaker 7: to everybody in the Facebook live chat because, like I said,

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Speaker 7: you do have some some fans in there.

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Speaker 4: Yep.

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Speaker 7: Jeff Richards from Day to Attend in the chat room

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Speaker 7: says Hi, Sheila and Tony uh and good morning. We

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Speaker 7: love paper Jam, they say. Tom Syracusa says paper Jam

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Speaker 7: in the house, let's see Oh and Anthony Nicastro from Purging.

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Speaker 12: Yeah, Perging Sand another great great band.

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Speaker 7: Yeah they were. They were our guests last week in

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Speaker 7: the second hour.

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Speaker 12: Yeah, I believe they just opened up for God smack

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Speaker 12: and flat black, right, I believe.

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Speaker 7: So, yeah, that's a that's a big show. Yeah, good,

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Speaker 7: good for them, they've been around a while. Miriam Banishad

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Speaker 7: joins us in the Facebook clas chat. She's also gonna

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Speaker 7: be joining us today. Later in the show, she says,

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Speaker 7: excellent song, I assume, referring to not coming back. Yeah, that,

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Speaker 7: like I said, that's been stuck in my head for

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Speaker 7: the past week. So I'm glad I had a good

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Speaker 7: excuse to play it again on the show this morning.

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Speaker 7: Let's see. Melanie La Liberty, one of our great friends

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Speaker 7: from the state of Vermont, joins us in the chat room.

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Speaker 7: Daniel Syracusa says, love day to attend seeing them in

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Speaker 7: drake It at the boat tonight. Oh yeah, they were

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Speaker 7: talking about that show. Oh that must be Tom's brother.

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Speaker 7: Let's see. So make sure we didn't miss anybody in here.

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Speaker 7: But yeah, so good morning everyone who's joining us? And yeah,

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Speaker 7: so so Paper Jam. So it's been around for three years,

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Speaker 7: you said two and a half two and a half years, okay,

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Speaker 7: and it's gone through a bit of a transformation, right

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Speaker 7: because now so it had been uh, strictly paper but

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Speaker 7: now it's also a digital magazine publication.

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Speaker 12: That's that's brand new as of about two weeks ago.

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Speaker 7: Okay, we decided to do a digital.

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Speaker 12: Version version because a lot of people were asking for it. Yeah,

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Speaker 12: and uh so we took some time to think about

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Speaker 12: it and to make the decision. And I'm very happy

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Speaker 12: with the response that we received when people realized they

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Speaker 12: could click the link, click and read the digital version.

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Speaker 12: But the paper copies are definitely not going away, right, No.

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Speaker 4: No, no, We'll definitely keep the papers.

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Speaker 11: That's what we're.

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Speaker 4: About, hence the name.

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Speaker 12: So now you can choose.

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Speaker 11: Now you can choose.

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Speaker 12: You can get your paper copy or you can going

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Speaker 12: forward read a digital version.

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Speaker 7: So and by the way, so I suggest people check

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Speaker 7: out paper jam magazine dot com. I'm looking at it

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Speaker 7: right now. And we were talking off air. I was

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Speaker 7: complimenting Sheila on her web design because I love the website.

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Speaker 7: It looks really good. And I'm a web design nerd

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Speaker 7: and I'm very critical of websites and I see a

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Speaker 7: lot of websites that aren't great, but this one's really good,

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Speaker 7: and like I said, it's perfect for what you're doing.

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Speaker 7: So I suggest everyone check it out now on the

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Speaker 7: website are all the back issues on the website. They

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Speaker 7: are Oh wow, okay, that must have taken a while

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Speaker 7: to that must have been a lot of work, I

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Speaker 7: would imagine to get all of that. It was a

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Speaker 7: lot of work. Yeah, absolutely, absolutely. But so the paper

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Speaker 7: version is not going away. No, Now that's what's interesting

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Speaker 7: about that. So I'm really curious about that. So when

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Speaker 7: you decided to start paper Jam, and obviously, as you said,

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Speaker 7: it's called so the name, it's called that because it's

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Speaker 7: a paper publication, did anybody did anyone try to talk

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Speaker 7: you out of it? And the reason I ask that

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Speaker 7: is because we live in an era where everything is

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Speaker 7: where everything is digital, and a lot of publications like

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Speaker 7: newspapers and a lot of magazines over the years, over

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Speaker 7: the past twenty years have been gradually going away because

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Speaker 7: they didn't find it to be a sustainable model, and

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Speaker 7: some of them went away, you know, some of those

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Speaker 7: companies have gone away completely. A lot of them now

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Speaker 7: are strictly online. So I mean, did anyone say to you, wow, what?

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Speaker 7: Because honestly, like, if I knew you before you started this,

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Speaker 7: I probably and you talk to me about it, I

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Speaker 7: probably would have been like, I don't know, I would

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Speaker 7: have been skeptical, you know what I mean, just as

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Speaker 7: a business person, you took the risk and you've obviously

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Speaker 7: made it work. This is a success and it's very

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Speaker 7: impressive by the way, and this and I was talking

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Speaker 7: too about when Day to Attend was here and I'm

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Speaker 7: I'm kind of flipping through the issue that they were

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Speaker 7: they were in and I'm like, wow, this is really

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Speaker 7: there's a lot here.

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Speaker 11: There's a lot.

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Speaker 12: It's always jam packed.

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Speaker 7: So you've you've really made this work. But did anyone

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Speaker 7: I mean, I assume you had people who are skeptical,

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Speaker 7: people who are doubters, and you had to kind of

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Speaker 7: believe it or not.

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Speaker 12: What's so interesting is maybe that worked in our favor.

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Speaker 6: Ye.

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Speaker 12: Paper publications went away because do you recall the era

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Speaker 12: of zines. Oh yeah, I remember seeing.

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Speaker 7: Where the whole idea, that's where the whole idea came from.

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Speaker 13: I used to live in Massachusetts and I was you know,

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Speaker 13: I played in bands my whole life, and there was

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Speaker 13: a couple of scenes like the noise and stuff like that.

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Speaker 4: It was like a big deal if your band got

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Speaker 4: in there.

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Speaker 7: Yeah.

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Speaker 13: Yeah, and it's you know, something I still have to

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Speaker 13: stack and show you know my niece's nephews. I'm like, oh, look,

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Speaker 13: I was actually in a magazine.

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Speaker 7: Oh yeah, yeah, yeah, like you could walk into any

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Speaker 7: any music venue and see stacks of different.

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Speaker 4: All the different ones. Yeah yeah, and they went away

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Speaker 4: just like you said.

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Speaker 13: And so one night she lives an English major and

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Speaker 13: I'm like, listen, this is after a gig, is like

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Speaker 13: two thirty in the morning. In the morning, I'm like,

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Speaker 13: you know, scenes used to be a big deal. It's

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Speaker 13: too bad that we have such a great music scene

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Speaker 13: and that doesn't exist anymore. Right, It's like, we should

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Speaker 13: start our own magazine. And Tony, you love English and

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Speaker 13: you love music.

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Speaker 6: You know.

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Speaker 12: Yeah, Tony gets all the credit for coming up with

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Speaker 12: the idea. So this is the true story, right Tony.

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Speaker 12: So the next day I woke up, woke up and

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Speaker 12: I had already been to Staples and it had made

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Speaker 12: a mock up.

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Speaker 4: So yeah, and it's been like six hours he already

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Speaker 4: had one.

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Speaker 12: And so what's so interesting? And so to answer your question,

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Speaker 12: did anyone try to talk us out of it or

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Speaker 12: encourage us to go a different route. No, in fact,

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Speaker 12: it caught on quickly.

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Speaker 4: Yeah, we had actually a lot of support, good and

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Speaker 4: so and.

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Speaker 12: So we tend to say that we're old school in

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Speaker 12: a lot of ways, and so we liked the idea

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Speaker 12: of bringing back zines but making it more modern. Yeah,

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Speaker 12: and so, so everyone was really encouraging right from the beginning.

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Speaker 12: So maybe the fact that paper publications went away worked

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Speaker 12: in our favorite because here they were coming back and

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Speaker 12: people were really digging it.

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Speaker 7: There there was it was like there was a void

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Speaker 7: that needed to be filled.

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Speaker 12: Yeah, no one was doing it, and and and so

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Speaker 12: it was working out great, and we didn't it's not

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Speaker 12: really like a business per se.

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Speaker 4: It's we don't make money from it, yea. And to

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Speaker 4: make money from it.

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Speaker 7: Yeah.

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Speaker 13: The idea was just to give some support and recognition

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Speaker 13: to UHW the local band.

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Speaker 4: Yeah, it really is.

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Speaker 13: All the bands that you meet and talk to and

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Speaker 13: many many more. They're all just real nice guys. So

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Speaker 13: the idea was just sort of give back a little bit.

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Speaker 13: You know, I play in bands, so I know what

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Speaker 13: it's like.

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Speaker 7: You know, do you play earlier?

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Speaker 4: Oh yeah, I'm in two bands.

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Speaker 7: Oh what what bands?

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Speaker 13: I'm in the on Peg band out of Rochester, and

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Speaker 13: I'm in a band called p S out of Altam

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Speaker 13: Oh cool.

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Speaker 7: Cool, excellent, excellent. Yeah, so this is now when it

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Speaker 7: when it started, was the first issue like this where.

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Speaker 12: No, it was very different. I brought to Coveted first

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Speaker 12: issue to.

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Speaker 7: Show you, oh yeah yeah for for those watching online,

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Speaker 7: if you're watching on Facebook.

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Speaker 11: Made it staples and.

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Speaker 12: I hand stapled it at my kitchen table and put

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Speaker 12: them around town. This was how it started. Eight pages.

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Speaker 9: Wow.

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Speaker 12: I had five hundred copies made and I hand stapled

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Speaker 12: them at my kitchen table and then I drove them

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Speaker 12: around town. And that's how it started. The Coveted first issue,

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Speaker 12: and it features our friend Wendy gagnin Poor who says,

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Speaker 12: meet the singer in three bands, But Wendy's in three bands,

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Speaker 12: so I asked her to be on our first cover

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Speaker 12: and it took off from there. So eight pages turned

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Speaker 12: into twelve, and twelve turned into sixteen. So I decided

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Speaker 12: I couldn't hand staple that many cops anymore. So I

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Speaker 12: found a local printer right in Rochester, who are fabulous,

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Speaker 12: and so the magazines are now printed by Lilac City

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Speaker 12: Printing in Rochester and they hate.

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Speaker 7: The name and and they gave us paper jam. Yeah,

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Speaker 7: a printer nightmare.

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Speaker 12: Yeah, it was it was really funny because the printer

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Speaker 12: took us back and showed us this giant machine that

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Speaker 12: they print the magazines on and they said, we we

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Speaker 12: we really hate it when we get a paper jam.

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Speaker 12: It was really funny. But anyway, so it kept expanding

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Speaker 12: and expanding, and actually it.

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Speaker 4: Started out quarterly.

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Speaker 13: It was the idea oh okay, and within I think

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Speaker 13: the second issue, if there was so much clamor that,

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Speaker 13: we were like, okay, we have to at least go

352
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Speaker 13: BI monthly. Yeah, And so we've been BI monthly ever since.

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Speaker 13: So it's just been getting bigger more and.

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Speaker 11: We love it. It's a lot of fun.

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Speaker 7: That's fantastic.

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Speaker 4: Yeah.

357
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Speaker 7: Yeah. Do you ever do you ever have moments where

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Speaker 7: you go, wow, this is uh, this is a lot

359
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Speaker 7: of work, Like I mean I assume, I mean, do

360
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Speaker 7: you have do you have help with or do you

361
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Speaker 7: do this all yourselves?

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Speaker 4: That's all Sheila. Oh that's Sheila. I'm like a musical consultant.

363
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Speaker 10: Yeah.

364
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Speaker 4: Yeah, that's and she does all the really heavy living.

365
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Speaker 12: I say, Tony, what what type of gear? Did he say?

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Speaker 2: That?

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Speaker 12: He plays that that helps me with that. So yeah,

368
00:18:40,799 --> 00:18:44,960
Speaker 12: it's all me for now. I could really use some staff. Yeah, busy,

369
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Speaker 12: but I'm not complaining. It's it's been a great thing

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Speaker 12: and we have one of the best music communities.

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Speaker 4: And it's really it's a lot of fun.

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Speaker 12: Because it's a lot of fun.

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Speaker 13: We have these bands come over the house. We had

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Speaker 13: our basement down on my band practice of the a

375
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Speaker 13: full practice space. Yeah, so they come over, we have

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Speaker 13: our interview with them. A lot of times they'll play

377
00:19:06,440 --> 00:19:09,440
Speaker 13: we you know, talk guitars and all that kind of stuff.

378
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Speaker 13: But it's just great to meet all the people. And

379
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Speaker 13: we always spend a few hours with them. Yeah, it's always.

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Speaker 4: A good time.

381
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Speaker 12: So usually Sunday's is paper jam interview day, Okay, So

382
00:19:18,799 --> 00:19:21,799
Speaker 12: Sunday we'll prepare. We finished our basement. We call it

383
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Speaker 12: the R and R Lounge, right Russo and Russo and

384
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Speaker 12: so you know, it kind of looks like a little

385
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Speaker 12: pub down there with a live jam space. So we

386
00:19:31,559 --> 00:19:34,640
Speaker 12: usually an interview, you know, the when the band arrives,

387
00:19:34,720 --> 00:19:38,079
Speaker 12: we greet them outside, we bring them in and we

388
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Speaker 12: have some food and snacks. We give them a little

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Speaker 12: tour of the guitar lounge.

390
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Speaker 7: And then I have a guitar room, okay, and then

391
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Speaker 7: we start with.

392
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Speaker 12: The interview and when we start with like a speed

393
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Speaker 12: round and we have some fun and there's usually a

394
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Speaker 12: lot of laughs.

395
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Speaker 11: Great time.

396
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Speaker 7: So what's your process for the interview? Do you record it?

397
00:19:56,160 --> 00:19:57,839
Speaker 7: Do you record audio of it and then take it?

398
00:19:57,920 --> 00:20:03,000
Speaker 12: And I actually literally type, I type while they answer. Yeah,

399
00:20:03,000 --> 00:20:03,920
Speaker 12: I do, I type.

400
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Speaker 4: Super fast fast.

401
00:20:07,079 --> 00:20:07,160
Speaker 1: Ye.

402
00:20:07,359 --> 00:20:11,519
Speaker 12: I do type their answers as they're oka bring the

403
00:20:11,640 --> 00:20:15,799
Speaker 12: questions and and then so I have not recorded any

404
00:20:16,240 --> 00:20:20,759
Speaker 12: of the interviews. However, that road we're gonna we're going

405
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Speaker 12: to start zoom interviews. On August eighteenth, we have our

406
00:20:24,359 --> 00:20:27,400
Speaker 12: first zoom interview. Because what happens is some of the

407
00:20:27,519 --> 00:20:29,839
Speaker 12: bands who want to be in paper Gam live two

408
00:20:30,240 --> 00:20:34,079
Speaker 12: or more hours away in New Hampshire. Yeah uh, and

409
00:20:34,240 --> 00:20:38,640
Speaker 12: so I don't expect everyone to travel that far. So

410
00:20:38,799 --> 00:20:42,279
Speaker 12: I decided to start zoom interviews and that comes with

411
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Speaker 12: the capability of recording. So then that's when I'll start recording.

412
00:20:45,920 --> 00:20:49,359
Speaker 7: Okay, and then when you do that, will you will

413
00:20:49,440 --> 00:20:53,480
Speaker 7: you post uh the video of that as kind of like, uh.

414
00:20:53,680 --> 00:20:56,039
Speaker 12: I hadn't thought I hadn't thought that far.

415
00:20:57,480 --> 00:20:58,839
Speaker 4: Excerpts, Yeah, excerpts.

416
00:20:58,880 --> 00:21:00,079
Speaker 12: I think that'd be a lot of fun.

417
00:21:00,000 --> 00:21:03,319
Speaker 13: Because there's always this this inevitably somebody say something, Oh,

418
00:21:03,319 --> 00:21:04,359
Speaker 13: don't put that in don't put that.

419
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Speaker 4: In there, right right.

420
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Speaker 12: Yeah, we have this running joke that everybody says, strike

421
00:21:09,000 --> 00:21:10,519
Speaker 12: that from the record, don't put that.

422
00:21:12,160 --> 00:21:14,000
Speaker 7: Yeah, because I'm you know, I'm thinking that'd be a good,

423
00:21:14,240 --> 00:21:16,400
Speaker 7: you know, a good teaser to get you know, before

424
00:21:16,440 --> 00:21:20,319
Speaker 7: the issue comes out, little little clips on YouTube, Facebook,

425
00:21:20,359 --> 00:21:20,839
Speaker 7: and yeah.

426
00:21:20,759 --> 00:21:23,440
Speaker 12: Absolutely, and so some of the bands play when they

427
00:21:23,519 --> 00:21:26,119
Speaker 12: come to their interview in our in our jam space

428
00:21:26,640 --> 00:21:27,440
Speaker 12: and some don't.

429
00:21:27,680 --> 00:21:30,000
Speaker 7: Yeah, but we love it either way.

430
00:21:30,519 --> 00:21:33,200
Speaker 12: Everyone who comes, any band who comes as welcome to

431
00:21:33,319 --> 00:21:34,200
Speaker 12: play a few songs.

432
00:21:34,359 --> 00:21:37,680
Speaker 4: Yeah. Yeah, sometimes we'll put some of that up.

433
00:21:38,200 --> 00:21:43,599
Speaker 7: Yeah yeah, yeah, Oh that's amazing. Yeah, that's that's that's fantastic. Now,

434
00:21:43,680 --> 00:21:47,440
Speaker 7: So what is the criteria in terms of artists who

435
00:21:47,480 --> 00:21:50,279
Speaker 7: are in paper Jam? Do you do you focus on

436
00:21:50,680 --> 00:21:52,920
Speaker 7: New Hampshire or is it water.

437
00:21:55,119 --> 00:21:58,000
Speaker 13: New Hampshire. We started out just trying to keep a local,

438
00:21:58,079 --> 00:22:01,160
Speaker 13: local air like Rochester Dover. Yeah, yeah, because we didn't

439
00:22:01,200 --> 00:22:03,640
Speaker 13: you know, we don't have that much money to pay

440
00:22:03,680 --> 00:22:06,440
Speaker 13: for you know, a million pages and it's a lot

441
00:22:06,480 --> 00:22:09,519
Speaker 13: of work. So we started out that way and as

442
00:22:09,559 --> 00:22:13,279
Speaker 13: it's grown, more and more people from further away are

443
00:22:13,319 --> 00:22:15,920
Speaker 13: getting into it. The whole idea though, is that there

444
00:22:16,000 --> 00:22:19,680
Speaker 13: is we support any and all music, you know what

445
00:22:19,720 --> 00:22:21,960
Speaker 13: I mean, There are no I don't care if it's

446
00:22:22,000 --> 00:22:24,640
Speaker 13: your first day playing guitar or you've been playing for years.

447
00:22:25,039 --> 00:22:27,759
Speaker 4: So all level of music it is or it doesn't matter.

448
00:22:27,680 --> 00:22:32,079
Speaker 12: And it doesn't matter if your country, pop, jazz, all levels,

449
00:22:32,680 --> 00:22:33,640
Speaker 12: it's all inclusive.

450
00:22:33,839 --> 00:22:36,400
Speaker 4: Yeah, who is just to support everybody.

451
00:22:36,920 --> 00:22:40,279
Speaker 12: We are getting contacted by bands outside of New Hampshire.

452
00:22:40,920 --> 00:22:44,240
Speaker 12: That's maybe been one of the more difficult parts is

453
00:22:44,359 --> 00:22:46,279
Speaker 12: I don't want to say no to anybody. But at

454
00:22:46,319 --> 00:22:49,279
Speaker 12: the same time, there are so many local bands that

455
00:22:49,480 --> 00:22:51,960
Speaker 12: I still are on our list. So I have a

456
00:22:52,079 --> 00:22:56,279
Speaker 12: list called bands in Line. Unfortunately there is a waiting

457
00:22:56,359 --> 00:22:59,960
Speaker 12: list and we're full through much of twenty twenty five.

458
00:23:01,319 --> 00:23:01,519
Speaker 11: Yeah.

459
00:23:01,599 --> 00:23:04,680
Speaker 12: So so the bands have been roll patient and understanding

460
00:23:04,759 --> 00:23:06,119
Speaker 12: that they have to wait in a little bit of

461
00:23:06,160 --> 00:23:06,559
Speaker 12: a line.

462
00:23:06,839 --> 00:23:07,039
Speaker 7: Yeah.

463
00:23:07,240 --> 00:23:09,599
Speaker 12: So that's a good problem to have, yeah, I think.

464
00:23:11,200 --> 00:23:14,519
Speaker 12: But but when I start hearing from bands in other states,

465
00:23:14,680 --> 00:23:18,759
Speaker 12: that's when I have to kind of think about New

466
00:23:18,799 --> 00:23:20,000
Speaker 12: Hampshire based for now.

467
00:23:20,240 --> 00:23:23,799
Speaker 7: Yeah, yeah, because that's only gonna obviously, as you you know,

468
00:23:23,920 --> 00:23:27,440
Speaker 7: as you continue to grow. Uh, that'll that will probably

469
00:23:27,519 --> 00:23:30,400
Speaker 7: continue to intensify. I would right, and especially now with

470
00:23:30,480 --> 00:23:33,400
Speaker 7: the website too, you're gonna be probably probably already are

471
00:23:33,480 --> 00:23:34,759
Speaker 7: hearing from a lot more.

472
00:23:35,160 --> 00:23:37,319
Speaker 12: Yes, it's a very busy mail box.

473
00:23:37,440 --> 00:23:37,640
Speaker 7: Yeah.

474
00:23:38,400 --> 00:23:40,599
Speaker 13: One of the things that Sheila came up with, because

475
00:23:40,640 --> 00:23:43,039
Speaker 13: we can't have all these bands from everywhere at this point,

476
00:23:44,000 --> 00:23:46,839
Speaker 13: is it if they contact us and we can't necessarily

477
00:23:46,920 --> 00:23:50,400
Speaker 13: put them in she does like a spotlight special on

478
00:23:50,480 --> 00:23:53,400
Speaker 13: the website and put something together for an advertisement something.

479
00:23:53,519 --> 00:23:58,160
Speaker 12: Yeah, I put together a little video for them, pop

480
00:23:58,200 --> 00:24:01,079
Speaker 12: it up on our Facebook page. Yeah, so that they

481
00:24:01,359 --> 00:24:03,519
Speaker 12: had a bit so that they can be have a

482
00:24:03,559 --> 00:24:06,119
Speaker 12: spotlight but not necessarily end up in the pages of

483
00:24:06,160 --> 00:24:06,759
Speaker 12: the magazine.

484
00:24:06,839 --> 00:24:07,319
Speaker 7: Oh okay.

485
00:24:07,400 --> 00:24:07,599
Speaker 2: Yeah.

486
00:24:08,000 --> 00:24:10,039
Speaker 12: That was my way of sort of like not not

487
00:24:10,200 --> 00:24:12,400
Speaker 12: saying no, yeah, no.

488
00:24:12,519 --> 00:24:16,400
Speaker 7: That's good. That's good. And tell me about getting on

489
00:24:16,480 --> 00:24:19,599
Speaker 7: the cover, like is there in terms of who gets

490
00:24:19,680 --> 00:24:22,559
Speaker 7: on the cover, Like what is the decision making process there?

491
00:24:22,680 --> 00:24:25,240
Speaker 7: And is there a criteria like like when you put

492
00:24:25,400 --> 00:24:28,039
Speaker 7: like obviously day to attend, you know, they certainly deserve

493
00:24:28,160 --> 00:24:29,720
Speaker 7: to be on the cover, And yes they do. I'm

494
00:24:29,759 --> 00:24:31,480
Speaker 7: so glad that you did that, but and I know

495
00:24:31,599 --> 00:24:33,440
Speaker 7: they are too, because they you know, they speak very

496
00:24:33,519 --> 00:24:37,440
Speaker 7: highly of Paper Jam and and what you're doing. But like,

497
00:24:37,680 --> 00:24:39,240
Speaker 7: how does that work getting on the cover?

498
00:24:40,599 --> 00:24:45,480
Speaker 12: Getting on the cover? I think people believe it's because

499
00:24:46,039 --> 00:24:49,279
Speaker 12: we personally love that band the most, or that we

500
00:24:49,400 --> 00:24:53,039
Speaker 12: think they're better, or when in fact, it has not

501
00:24:53,519 --> 00:24:54,079
Speaker 12: very little to.

502
00:24:54,119 --> 00:24:54,400
Speaker 1: Do with that.

503
00:24:54,519 --> 00:24:56,880
Speaker 12: It has something to do with that because y'all know

504
00:24:56,960 --> 00:24:59,759
Speaker 12: I love Day to Attend. They're going on the cover. Yeah,

505
00:25:01,200 --> 00:25:03,039
Speaker 12: but all of the bands that have been on the cover,

506
00:25:03,160 --> 00:25:04,640
Speaker 12: and all of the bands that have been in the

507
00:25:04,720 --> 00:25:07,319
Speaker 12: pages of Paper Gym, they're all equal to us. We

508
00:25:07,400 --> 00:25:11,680
Speaker 12: don't play favorites. Yeah, it's it actually boils down to

509
00:25:11,799 --> 00:25:17,240
Speaker 12: mostly timing. Who who reached out first and I said, oh,

510
00:25:17,279 --> 00:25:20,200
Speaker 12: I don't have anyone for my cover next month. Uh,

511
00:25:20,720 --> 00:25:24,079
Speaker 12: And it's a band that draws a big crowd, big following.

512
00:25:25,200 --> 00:25:28,079
Speaker 4: Another thing factor is if they have like a CD

513
00:25:28,440 --> 00:25:28,960
Speaker 4: just coming out.

514
00:25:29,119 --> 00:25:31,519
Speaker 12: Yeah, okay, so if you've got a CD coming out,

515
00:25:31,640 --> 00:25:33,599
Speaker 12: or if you signed a you know, we had one

516
00:25:33,640 --> 00:25:36,680
Speaker 12: band who signed a production deal and they're on our cover.

517
00:25:36,880 --> 00:25:39,039
Speaker 12: Vigil great metal band.

518
00:25:39,480 --> 00:25:42,759
Speaker 4: Oh yeah, yeah, great guy.

519
00:25:42,880 --> 00:25:45,839
Speaker 7: Yeah yeah. Craig and those guys on the show. He

520
00:25:45,880 --> 00:25:47,759
Speaker 7: hasn't been on for a very long time, but he's yeah,

521
00:25:47,759 --> 00:25:49,680
Speaker 7: he's been one.

522
00:25:50,000 --> 00:25:53,799
Speaker 12: So really it's about timing who contacts us first. If

523
00:25:53,960 --> 00:25:56,920
Speaker 12: you know, if you contact me in January, I'm not

524
00:25:57,000 --> 00:25:57,799
Speaker 12: going to make you wait.

525
00:25:58,240 --> 00:25:59,680
Speaker 11: You know you you got in first.

526
00:26:00,119 --> 00:26:03,960
Speaker 12: So it's a combination of timing, what's what's new, what's

527
00:26:04,000 --> 00:26:06,039
Speaker 12: in the news for you, what can we report on,

528
00:26:06,680 --> 00:26:11,039
Speaker 12: and also you know, who's Who's Who's a big band. Yeah,

529
00:26:11,359 --> 00:26:14,319
Speaker 12: but some of the other bands that have been in

530
00:26:14,400 --> 00:26:18,039
Speaker 12: the not on the cover are also cover worthy. And

531
00:26:18,160 --> 00:26:20,160
Speaker 12: we we had a saying where we're like, there's only

532
00:26:20,240 --> 00:26:22,000
Speaker 12: one cover and there's so many bands.

533
00:26:22,039 --> 00:26:24,200
Speaker 7: Well I'm curious, I mean, is it ever a hard decision?

534
00:26:24,240 --> 00:26:27,720
Speaker 12: It is a hard decision bands like Middleman or Standard

535
00:26:27,799 --> 00:26:32,720
Speaker 12: Tuning or you know, bands like you know, they're fantastic

536
00:26:32,839 --> 00:26:34,400
Speaker 12: and we just only have one cover.

537
00:26:34,599 --> 00:26:35,240
Speaker 7: So yeah.

538
00:26:36,160 --> 00:26:38,960
Speaker 13: Sometimes too, what we'll try and do is whether it's

539
00:26:39,000 --> 00:26:42,279
Speaker 13: the issue, if it's a different issues, before they're going

540
00:26:42,359 --> 00:26:44,799
Speaker 13: to be in it. Sometimes we'll give them the back cover.

541
00:26:45,119 --> 00:26:48,079
Speaker 13: Oh okay, so you know it's not the cover, but

542
00:26:48,160 --> 00:26:50,960
Speaker 13: it's the cover. So or if we're going to tease something,

543
00:26:51,400 --> 00:26:54,240
Speaker 13: you know, like a band coming in the next issue,

544
00:26:54,400 --> 00:26:55,920
Speaker 13: or we might put that on the back cover or

545
00:26:56,000 --> 00:26:56,480
Speaker 13: something like that.

546
00:26:57,559 --> 00:26:59,960
Speaker 12: So on the on the back cover of our Data

547
00:27:00,039 --> 00:27:04,039
Speaker 12: to Attend issue, you'll see it has a Cathedral tribute

548
00:27:04,039 --> 00:27:06,799
Speaker 12: to van Halen. Okay, so they're next on our cover.

549
00:27:07,279 --> 00:27:07,759
Speaker 7: Oh cool.

550
00:27:07,880 --> 00:27:11,119
Speaker 12: So so they're they're a great band.

551
00:27:11,319 --> 00:27:13,920
Speaker 4: Yeah, great tar player and the bass player is super cool.

552
00:27:14,799 --> 00:27:18,200
Speaker 12: They're called Cathedral Cathedral attribute to the music of Van Halen.

553
00:27:18,319 --> 00:27:23,000
Speaker 12: Fantastic okay, featuring Tyler Morris doing all that Eddie van

554
00:27:23,079 --> 00:27:25,240
Speaker 12: halenk He's fantastic.

555
00:27:25,359 --> 00:27:25,519
Speaker 11: Yeah.

556
00:27:25,799 --> 00:27:27,160
Speaker 12: Yeah, so we're looking forward to that one.

557
00:27:28,079 --> 00:27:32,160
Speaker 7: Very cool, very cool. And how many of these? So

558
00:27:32,400 --> 00:27:36,119
Speaker 7: you've got this this Girl's Rock where you know, obviously

559
00:27:36,359 --> 00:27:39,720
Speaker 7: you've got a montage of female musicians on the cover.

560
00:27:40,599 --> 00:27:43,400
Speaker 7: So it's a special edition. Have you done more than

561
00:27:43,440 --> 00:27:45,640
Speaker 7: one of these special editions where instead of you know,

562
00:27:45,759 --> 00:27:46,799
Speaker 7: just putting one artist.

563
00:27:46,599 --> 00:27:49,599
Speaker 12: Where you that's the only one so far. Yeah yeah, yeah,

564
00:27:49,680 --> 00:27:50,960
Speaker 12: that was a very popular issue.

565
00:27:51,119 --> 00:27:53,359
Speaker 7: Yeah yeah, yeah, excellent, excellent.

566
00:27:53,839 --> 00:27:57,799
Speaker 12: We'd afford actually saw the Girl's Rock issue. Yeah, we

567
00:27:57,839 --> 00:27:59,559
Speaker 12: had a friend bringing bring it to the lead a

568
00:27:59,640 --> 00:28:02,279
Speaker 12: forge and I have a picture of her looking at it.

569
00:28:02,480 --> 00:28:06,240
Speaker 12: And then we've also had Zach Wilde read paper jam

570
00:28:06,359 --> 00:28:09,000
Speaker 12: and sign it for us. Yeah, that was a fun moment.

571
00:28:09,240 --> 00:28:11,000
Speaker 7: Yeah, we were talking about that off air. He gave

572
00:28:11,079 --> 00:28:15,200
Speaker 7: you some he gave you some some meritles because you know,

573
00:28:15,240 --> 00:28:18,440
Speaker 7: because congratulations, it's been what eight months? Yeah? Thanks, less

574
00:28:18,440 --> 00:28:23,920
Speaker 7: than a year, it's still new, right, Yeah? Yeah, can

575
00:28:23,960 --> 00:28:25,359
Speaker 7: you can you tell us what he told you? Or

576
00:28:25,480 --> 00:28:27,000
Speaker 7: is that not appropriate for radio?

577
00:28:27,240 --> 00:28:27,279
Speaker 1: No?

578
00:28:27,400 --> 00:28:30,720
Speaker 12: Actually, Tony, we love the story, so I'm sure would

579
00:28:30,720 --> 00:28:32,319
Speaker 12: be happy to tell you what Zach told us.

580
00:28:32,400 --> 00:28:36,920
Speaker 13: Okay, he basically said, just use the word I'm sorry.

581
00:28:37,039 --> 00:28:39,799
Speaker 13: You ready to say I'm sorry, right, you know, like

582
00:28:40,920 --> 00:28:42,440
Speaker 13: my wife's never going to leave it, so I just

583
00:28:42,480 --> 00:28:43,119
Speaker 13: say I'm sorry.

584
00:28:43,720 --> 00:28:44,839
Speaker 12: It was really funny about it.

585
00:28:45,240 --> 00:28:45,759
Speaker 4: It was hlarious.

586
00:28:45,759 --> 00:28:47,319
Speaker 13: And then he's like, so you say you're sorry, and

587
00:28:47,359 --> 00:28:49,400
Speaker 13: then just say you want to go get some coffee,

588
00:28:50,119 --> 00:28:52,519
Speaker 13: and you know, you go and just you know that

589
00:28:52,759 --> 00:28:54,559
Speaker 13: that's whatever problem it is to roll off your back,

590
00:28:54,759 --> 00:28:55,319
Speaker 13: right right.

591
00:28:55,559 --> 00:28:57,920
Speaker 12: It's basically and he said, go go have a go

592
00:28:58,039 --> 00:28:59,359
Speaker 12: have a coffee and move on.

593
00:29:00,920 --> 00:29:01,640
Speaker 4: And he wrote that all.

594
00:29:02,039 --> 00:29:03,480
Speaker 12: He wrote it on the guitar case.

595
00:29:03,480 --> 00:29:05,400
Speaker 4: Which is funny because we've actually used the advice.

596
00:29:05,759 --> 00:29:10,000
Speaker 12: Yeah something, Yeah, you want to have a cup of

597
00:29:10,039 --> 00:29:12,039
Speaker 12: coffee and I go yes, and then we're good and

598
00:29:13,279 --> 00:29:14,799
Speaker 12: then we say thank you Zach wild.

599
00:29:14,720 --> 00:29:18,440
Speaker 7: Yes, he's a really nice guy though, that's what I've heard. Yeah, wait,

600
00:29:18,759 --> 00:29:20,960
Speaker 7: well Jenny, you met you met Zach Wilde right.

601
00:29:21,000 --> 00:29:25,599
Speaker 11: With yes, right here in Manchester. Yeah, when he was six,

602
00:29:25,920 --> 00:29:26,920
Speaker 11: His sixteenth.

603
00:29:26,519 --> 00:29:30,519
Speaker 14: Birthday present was surprise tickets to VIP tickets to the

604
00:29:30,559 --> 00:29:33,119
Speaker 14: Black Label Society concert here in Manchester.

605
00:29:33,200 --> 00:29:35,920
Speaker 11: It was awesome, awesome, he told Jesse. I was really then.

606
00:29:35,920 --> 00:29:37,559
Speaker 11: He had a really cool mom, so I was like

607
00:29:37,680 --> 00:29:38,680
Speaker 11: really excited about that.

608
00:29:38,920 --> 00:29:41,200
Speaker 7: When they were at it. Mustn't it was Silver Rizing

609
00:29:41,240 --> 00:29:44,000
Speaker 7: Center then, right was that? Yeah? Snow? Yeah?

610
00:29:44,119 --> 00:29:47,440
Speaker 14: Oh yeah, no, it wasn't snow back then, Yeah, back

611
00:29:47,519 --> 00:29:51,519
Speaker 14: then listen. But it was an amazing concert. It was

612
00:29:51,559 --> 00:29:54,759
Speaker 14: an amazing it was. It was definitely worth it, hundred percent.

613
00:29:54,839 --> 00:29:57,559
Speaker 14: And I think the money from the VIP was going

614
00:29:57,680 --> 00:29:59,720
Speaker 14: to a children's hospital or something like that.

615
00:30:01,000 --> 00:30:01,400
Speaker 11: It wasn't.

616
00:30:01,480 --> 00:30:03,799
Speaker 14: The band wasn't keeping it. It was all getting donated.

617
00:30:04,240 --> 00:30:06,920
Speaker 14: I'm not surprised by Yeah, no, it doesn't surprise me

618
00:30:06,960 --> 00:30:10,279
Speaker 14: at all either. But that made it even more sweet

619
00:30:10,359 --> 00:30:12,400
Speaker 14: to do the VIP, knowing whether one he was going

620
00:30:12,519 --> 00:30:15,079
Speaker 14: oh yeah, yeah, No, it was an incredible concert.

621
00:30:15,279 --> 00:30:18,000
Speaker 11: Definitely great memory. I still wear my T shirt.

622
00:30:19,519 --> 00:30:22,400
Speaker 7: Now. So Tony, I'm curious when when you're you know,

623
00:30:22,480 --> 00:30:24,240
Speaker 7: obviously you're in a couple of bands. I assume you're

624
00:30:24,279 --> 00:30:28,400
Speaker 7: out playing a lot of shows. Do do do people

625
00:30:28,480 --> 00:30:31,119
Speaker 7: from other bands ever try to kind of lean on you, like, hey,

626
00:30:31,160 --> 00:30:33,440
Speaker 7: get us into Paper Jam, Oh, get us on the cover.

627
00:30:33,559 --> 00:30:35,240
Speaker 13: We want to be on the cover, Like, oh yeah

628
00:30:36,079 --> 00:30:40,039
Speaker 13: all the time, and the answer is always yes, we'll

629
00:30:40,039 --> 00:30:40,519
Speaker 13: get you in there.

630
00:30:40,720 --> 00:30:40,920
Speaker 7: Yeah.

631
00:30:41,000 --> 00:30:44,039
Speaker 13: Well I don't know exactly when, but yeah, we don't

632
00:30:44,240 --> 00:30:48,119
Speaker 13: really say no to anybody. And it's just again about

633
00:30:48,160 --> 00:30:50,480
Speaker 13: our timing. That one of the coolest parts for me

634
00:30:50,640 --> 00:30:52,519
Speaker 13: about all this is that, you know, meeting all these

635
00:30:52,599 --> 00:30:55,839
Speaker 13: guys from all these different bands. You know, I'm one

636
00:30:55,880 --> 00:30:58,359
Speaker 13: of them. Yeah, And so we go out, we see them,

637
00:30:58,599 --> 00:31:00,519
Speaker 13: these bands play, We get to meet every buddy. But

638
00:31:00,599 --> 00:31:03,359
Speaker 13: then I see faces that from the other band's showing

639
00:31:03,400 --> 00:31:06,160
Speaker 13: up see me play, which is always you know, it's

640
00:31:06,279 --> 00:31:09,599
Speaker 13: it's again comes back to just an awesome community. So

641
00:31:09,759 --> 00:31:12,359
Speaker 13: but it's really cool when I see people that I've

642
00:31:12,400 --> 00:31:14,839
Speaker 13: met through Paper Jam out in the crowd.

643
00:31:15,000 --> 00:31:17,359
Speaker 4: I'm like, oh, you get to see me play now. Cool. Thanks.

644
00:31:17,519 --> 00:31:17,680
Speaker 1: You know.

645
00:31:18,759 --> 00:31:21,359
Speaker 12: You know what else is really cool is when Tony's

646
00:31:21,400 --> 00:31:23,960
Speaker 12: playing a show, or we go to a show and

647
00:31:24,039 --> 00:31:26,079
Speaker 12: we look out in the crowd and there's always a

648
00:31:26,160 --> 00:31:28,640
Speaker 12: handful of people in a paper Jam shirt or a

649
00:31:28,759 --> 00:31:32,480
Speaker 12: paper Jam hat or or they're walking around picking up

650
00:31:32,519 --> 00:31:34,640
Speaker 12: the issue because we leave them at the music venues.

651
00:31:35,079 --> 00:31:37,640
Speaker 12: Like usually when we go to see a show, we

652
00:31:37,759 --> 00:31:42,119
Speaker 12: bring copies with us. The venues are so so gracious

653
00:31:42,200 --> 00:31:44,519
Speaker 12: and cool to let us put them there, and so

654
00:31:45,480 --> 00:31:48,480
Speaker 12: we have a lot of drop sites around, but I

655
00:31:48,599 --> 00:31:50,960
Speaker 12: definitely like the music venues, and so we bring copies

656
00:31:51,039 --> 00:31:54,559
Speaker 12: and see these strangers wearing a shirt or reading the magazine,

657
00:31:54,559 --> 00:31:56,680
Speaker 12: and it's a pretty good feeling. And then the next thing,

658
00:31:56,720 --> 00:31:58,480
Speaker 12: you know, you see them at you see them again,

659
00:31:58,519 --> 00:32:00,359
Speaker 12: and I don't know, We've met so many great people

660
00:32:00,440 --> 00:32:00,720
Speaker 12: through this.

661
00:32:00,880 --> 00:32:03,880
Speaker 13: It's Oh, it's hilarious because some of the people will

662
00:32:03,920 --> 00:32:06,400
Speaker 13: send pictures. Oh I'm in Mexico at the beach and where.

663
00:32:06,240 --> 00:32:09,039
Speaker 7: They're wearing their paper Oh yeah, yeah, we have this.

664
00:32:09,599 --> 00:32:11,200
Speaker 4: We have around the world, the paper.

665
00:32:11,079 --> 00:32:13,519
Speaker 12: We have this thing whereas where is paper Jam. So

666
00:32:13,799 --> 00:32:16,079
Speaker 12: when they when they travel they send me a pic

667
00:32:16,359 --> 00:32:19,039
Speaker 12: in their shirts and tell me where they're where they're from,

668
00:32:19,119 --> 00:32:19,799
Speaker 12: somewhere in the world.

669
00:32:20,039 --> 00:32:22,000
Speaker 7: Very cool, kind of fun, very cool. How do people

670
00:32:22,039 --> 00:32:24,160
Speaker 7: get the shirts? Do they order them online or you can?

671
00:32:24,720 --> 00:32:29,119
Speaker 12: We have men's and ladies shirts and just got some

672
00:32:29,279 --> 00:32:32,599
Speaker 12: tank tops and yeah, stickers and yeah we have stickers,

673
00:32:32,720 --> 00:32:36,000
Speaker 12: key change, all kinds of merch and how many.

674
00:32:35,880 --> 00:32:39,119
Speaker 7: How many drop locations do you have? I assume that's

675
00:32:39,200 --> 00:32:40,640
Speaker 7: grown over this, It has grown.

676
00:32:40,680 --> 00:32:42,880
Speaker 12: I think we started with like, you know, six seventy

677
00:32:42,880 --> 00:32:48,319
Speaker 12: eight and now I believe there's over thirty and I think,

678
00:32:49,000 --> 00:32:50,920
Speaker 12: you know, definitely want to give a shout out to

679
00:32:51,000 --> 00:32:54,839
Speaker 12: a friend of ours named Jim. Jim Antonino. He came

680
00:32:54,920 --> 00:33:00,079
Speaker 12: into the paper Jam circle and has really been you

681
00:33:00,759 --> 00:33:05,240
Speaker 12: and super supportive and helping us get ads. So we

682
00:33:05,359 --> 00:33:09,640
Speaker 12: weren't selling ads the first year and a half too.

683
00:33:09,920 --> 00:33:12,799
Speaker 12: This is also kind of recent. Jim has been very

684
00:33:12,839 --> 00:33:17,160
Speaker 12: helpful in helping us sell ads and find new locations

685
00:33:17,200 --> 00:33:20,359
Speaker 12: to put Paper Jam magazine excellent and we appreciate him

686
00:33:20,480 --> 00:33:24,920
Speaker 12: very right. Yeah, so I was sort of sticking to

687
00:33:25,160 --> 00:33:27,720
Speaker 12: you know, it's a hobby. You know, I'm not trying

688
00:33:27,759 --> 00:33:29,640
Speaker 12: to make money. I'm just trying to, you know, help

689
00:33:29,720 --> 00:33:33,039
Speaker 12: the bands get some recognition that they deserve. And then

690
00:33:33,160 --> 00:33:35,200
Speaker 12: Jim came and said, you have a really good model

691
00:33:35,319 --> 00:33:37,720
Speaker 12: going here. Let me see where we can take this.

692
00:33:38,680 --> 00:33:41,799
Speaker 12: And so he has helped us so much. I appreciate you,

693
00:33:41,960 --> 00:33:45,720
Speaker 12: Jim very much. And so we've sold a few ads.

694
00:33:46,119 --> 00:33:48,839
Speaker 4: And we're just I have to give this a shut

695
00:33:48,880 --> 00:33:50,799
Speaker 4: out to us. Got a big hit guitars as well,

696
00:33:50,839 --> 00:33:51,599
Speaker 4: he was one of the first.

697
00:33:52,640 --> 00:33:53,920
Speaker 12: Got a big hit guitars.

698
00:33:54,400 --> 00:33:55,160
Speaker 4: Awesome guitar.

699
00:33:57,279 --> 00:34:00,599
Speaker 13: Yeah, okay, real nice stuff. He's got the whole range.

700
00:34:00,599 --> 00:34:02,559
Speaker 13: But he's got some real nice high end excellent.

701
00:34:03,000 --> 00:34:05,440
Speaker 12: So even though it's just us in one sense, it's

702
00:34:05,480 --> 00:34:08,039
Speaker 12: really not just us because we've had help along the way.

703
00:34:08,239 --> 00:34:12,119
Speaker 7: Yeah, yeah, that's outstanding. By the way, Jay Bellow, who

704
00:34:12,239 --> 00:34:15,639
Speaker 7: I'm sure you all know from Chasing the Devil. Uh,

705
00:34:15,679 --> 00:34:17,519
Speaker 7: he's in the chat room. He says, thank you all

706
00:34:17,599 --> 00:34:21,039
Speaker 7: so much for what you do for local music and musicians.

707
00:34:21,320 --> 00:34:22,719
Speaker 4: Thank you very nice.

708
00:34:22,800 --> 00:34:22,960
Speaker 14: Yeah.

709
00:34:23,039 --> 00:34:23,239
Speaker 4: Yeah.

710
00:34:24,440 --> 00:34:26,960
Speaker 7: Jeff Richards, of course from day to attend, says Black

711
00:34:27,039 --> 00:34:31,400
Speaker 7: Label played Chantillies in Manchester once with Robert on bass,

712
00:34:31,440 --> 00:34:32,400
Speaker 7: who is in Metallica.

713
00:34:32,519 --> 00:34:34,760
Speaker 4: Now, yeah, wow, they played Wow.

714
00:34:35,119 --> 00:34:36,840
Speaker 7: I remember I remember going to a lot of shows

715
00:34:36,840 --> 00:34:39,280
Speaker 7: back in the day at Chantillies, That's for sure. That

716
00:34:39,360 --> 00:34:41,760
Speaker 7: must have been when black label society was just starting out.

717
00:34:42,440 --> 00:34:44,559
Speaker 4: Yeah, that would have been way back.

718
00:34:44,599 --> 00:34:45,519
Speaker 7: I had to be way back.

719
00:34:45,639 --> 00:34:47,760
Speaker 4: Yeah, early two thousands probably.

720
00:34:48,239 --> 00:34:49,920
Speaker 7: I still remember the first time I ever saw Zach

721
00:34:49,960 --> 00:34:51,239
Speaker 7: Wild when he was I think it was in the

722
00:34:52,039 --> 00:34:53,760
Speaker 7: Ozzie's No More Tears video.

723
00:34:54,039 --> 00:35:00,159
Speaker 4: Yeah, he looked very different then he looks. That's love

724
00:35:00,199 --> 00:35:01,480
Speaker 4: with Yeah More Tears era.

725
00:35:01,679 --> 00:35:01,840
Speaker 6: Yeah.

726
00:35:02,199 --> 00:35:05,840
Speaker 13: The Theodore of Madness tour at the Orphan okay, this one,

727
00:35:06,239 --> 00:35:08,519
Speaker 13: and it was a small location, it's actual and I

728
00:35:08,639 --> 00:35:10,000
Speaker 13: was just starting to play the guitar.

729
00:35:10,280 --> 00:35:12,639
Speaker 4: Yeah, so he just absolutely floored me. Yeah, like I

730
00:35:12,679 --> 00:35:14,440
Speaker 4: want to I want to do that. Yeah. Yeah, And

731
00:35:15,039 --> 00:35:17,000
Speaker 4: I've never looked back. I've been obsessed with the guitar

732
00:35:17,079 --> 00:35:17,480
Speaker 4: ever since.

733
00:35:17,519 --> 00:35:18,400
Speaker 7: Oh no kidding. Yeah.

734
00:35:18,599 --> 00:35:18,760
Speaker 4: Yeah.

735
00:35:19,400 --> 00:35:22,280
Speaker 7: Tom Siracusa from uh of course out dat to Attend

736
00:35:22,280 --> 00:35:26,800
Speaker 7: says paper Jam supports young musicians as well. Yes, Oh,

737
00:35:26,880 --> 00:35:29,519
Speaker 7: grim Rock is in the Facebook live chat our friend

738
00:35:29,559 --> 00:35:31,639
Speaker 7: from Pennsylvania by the way, so in the coming up

739
00:35:31,679 --> 00:35:33,880
Speaker 7: in the third hour. So uh, he sends us a

740
00:35:33,920 --> 00:35:36,000
Speaker 7: lot of cool stuff and we have not opened this

741
00:35:36,159 --> 00:35:39,280
Speaker 7: package yet, but this package here that I'm holding we're

742
00:35:39,280 --> 00:35:41,360
Speaker 7: going to oh, this is from Grim, from our friend

743
00:35:41,400 --> 00:35:43,440
Speaker 7: Grim Rock and Pa, and we're going to open that

744
00:35:43,639 --> 00:35:45,239
Speaker 7: in the Uh. I mean we know what it is,

745
00:35:45,400 --> 00:35:48,360
Speaker 7: right I do. I mean it's it's obviously I assume

746
00:35:48,360 --> 00:35:48,880
Speaker 7: it's a CD.

747
00:35:49,719 --> 00:35:51,480
Speaker 11: I know you know, you know what it is, but

748
00:35:51,719 --> 00:35:52,480
Speaker 11: I'm not telling you.

749
00:35:52,920 --> 00:35:54,760
Speaker 7: And we're going to open that up today and the

750
00:35:55,039 --> 00:35:57,079
Speaker 7: third hour live on the air. So looking forward to that.

751
00:35:57,719 --> 00:36:02,760
Speaker 7: But no, he's amazing. But uh, and he says, Hey, hey, Hope,

752
00:36:02,760 --> 00:36:04,320
Speaker 7: everyone's day rock.

753
00:36:05,199 --> 00:36:09,039
Speaker 14: I have Grim stickers along with my Data Attend stickers. Yes,

754
00:36:10,119 --> 00:36:12,199
Speaker 14: and I'm wearing a Data to Attend T shirt.

755
00:36:12,519 --> 00:36:14,360
Speaker 7: Yes, that's yes, she is.

756
00:36:15,119 --> 00:36:15,280
Speaker 11: Jen.

757
00:36:15,400 --> 00:36:19,280
Speaker 12: I really wish I brought you paper jam stickers. I'm

758
00:36:19,320 --> 00:36:20,079
Speaker 12: going to send you some.

759
00:36:20,760 --> 00:36:21,719
Speaker 11: Oh yeah, stickers.

760
00:36:21,760 --> 00:36:23,679
Speaker 7: Yeah, Jenny loves the stickers. Yeah, you can see on

761
00:36:23,880 --> 00:36:26,360
Speaker 7: if you're watching live on Facebook, you can see Jenny's.

762
00:36:26,199 --> 00:36:28,039
Speaker 14: That's just one part of my laptop. They're on the

763
00:36:28,039 --> 00:36:31,159
Speaker 14: bottom too. Yeah, they're on everything. I'm a sticker.

764
00:36:31,679 --> 00:36:33,079
Speaker 7: Jenny's got a lot of stickers.

765
00:36:33,239 --> 00:36:35,920
Speaker 14: Jesse inherited that from me too. He's he's now stickering

766
00:36:36,000 --> 00:36:38,679
Speaker 14: up his guitar case. Oh okay, on a mission.

767
00:36:38,800 --> 00:36:42,519
Speaker 12: Speaking of stickers. When the bands come for their interviews,

768
00:36:43,920 --> 00:36:47,000
Speaker 12: they bring so much merch and they're so generous, and

769
00:36:47,159 --> 00:36:50,199
Speaker 12: so we too ended up with a large pile of

770
00:36:51,199 --> 00:36:53,800
Speaker 12: band stickers, which we love. I was trying to think

771
00:36:53,880 --> 00:36:55,719
Speaker 12: what to do with them. So we went out and

772
00:36:55,760 --> 00:36:59,480
Speaker 12: we bought like this huge poster board and we made

773
00:36:59,639 --> 00:37:03,800
Speaker 12: like a all of stickers. Great, so we filled it

774
00:37:03,920 --> 00:37:06,199
Speaker 12: so I got to start a new one. But they

775
00:37:06,360 --> 00:37:10,079
Speaker 12: bring us all kinds of great, great thing CD shirts.

776
00:37:10,360 --> 00:37:11,039
Speaker 7: Yeah, and.

777
00:37:12,599 --> 00:37:13,760
Speaker 11: It's fantastic.

778
00:37:13,880 --> 00:37:15,320
Speaker 7: We used to have something like that in the old

779
00:37:15,360 --> 00:37:17,239
Speaker 7: studio because we've we've only been here when did we

780
00:37:17,559 --> 00:37:20,719
Speaker 7: move here October November of last year. But when we

781
00:37:20,800 --> 00:37:23,079
Speaker 7: were in our when W. M and H was on

782
00:37:23,280 --> 00:37:25,760
Speaker 7: our Elm Street location, we had a wall where you know,

783
00:37:25,840 --> 00:37:29,360
Speaker 7: you could put stickers sign it. But uh, but now

784
00:37:29,400 --> 00:37:31,480
Speaker 7: that we're in this nice new place, is really not

785
00:37:31,800 --> 00:37:35,000
Speaker 7: not a place for that. You know, if somebody pulled

786
00:37:35,039 --> 00:37:37,079
Speaker 7: out a sharpie and signed the wall here, I'd get fired.

787
00:37:37,639 --> 00:37:39,719
Speaker 7: But we but we had a Yeah, we had a

788
00:37:39,800 --> 00:37:41,639
Speaker 7: really cool thing where you know, you could do that,

789
00:37:41,719 --> 00:37:43,119
Speaker 7: But no, that's a great idea though.

790
00:37:43,480 --> 00:37:46,119
Speaker 13: The Rochester Opera House is cool about that. In the

791
00:37:46,239 --> 00:37:48,639
Speaker 13: back back part of the stage. Yeah, all the bands

792
00:37:48,679 --> 00:37:51,760
Speaker 13: that have played there get to sign it. Yeah right, Yeah,

793
00:37:52,039 --> 00:37:54,440
Speaker 13: And a lot of the venues will have something like that. Yes,

794
00:37:54,760 --> 00:37:56,079
Speaker 13: you know, we'll have a sticker.

795
00:37:56,360 --> 00:38:01,599
Speaker 4: You know, it's always a fight bands again, I'm gonna

796
00:38:01,599 --> 00:38:02,360
Speaker 4: put my sticker over there.

797
00:38:03,199 --> 00:38:04,920
Speaker 7: I used to see that a lot in Boston, like

798
00:38:05,000 --> 00:38:07,039
Speaker 7: when I was really active promoting live shows. I would

799
00:38:07,039 --> 00:38:08,840
Speaker 7: see that at a lot of the Boston venues, and

800
00:38:09,079 --> 00:38:10,800
Speaker 7: I'm sure a lot of them still have it where

801
00:38:10,800 --> 00:38:13,960
Speaker 7: it just you know, just covered in stickers, you know,

802
00:38:14,119 --> 00:38:17,000
Speaker 7: going back decades, you know, and you could kind of

803
00:38:17,079 --> 00:38:18,400
Speaker 7: you could kind of look at it and try to

804
00:38:18,480 --> 00:38:20,199
Speaker 7: pick out Oh wow, I remember that band, and I

805
00:38:20,239 --> 00:38:20,599
Speaker 7: remember that.

806
00:38:20,800 --> 00:38:23,079
Speaker 4: You remember Sarah Morgan's cove in Worster.

807
00:38:25,039 --> 00:38:25,760
Speaker 7: Sounds familiar.

808
00:38:25,880 --> 00:38:28,320
Speaker 13: Yeah, they're paying the fameous the Rolling Stones played there

809
00:38:28,400 --> 00:38:30,519
Speaker 13: once and the Anyways it was.

810
00:38:30,679 --> 00:38:32,880
Speaker 4: It was a cool place. It's gone now, like many

811
00:38:32,920 --> 00:38:33,719
Speaker 4: of them, unfortunately.

812
00:38:33,880 --> 00:38:34,079
Speaker 14: Yeah.

813
00:38:34,159 --> 00:38:37,039
Speaker 13: Yeah, but yeah, Middle East Ts, all those places, they

814
00:38:37,119 --> 00:38:38,840
Speaker 13: all had stuff like that.

815
00:38:39,199 --> 00:38:41,480
Speaker 7: Yeah, a lot of places come and go.

816
00:38:42,760 --> 00:38:42,880
Speaker 6: Now.

817
00:38:43,159 --> 00:38:45,440
Speaker 7: So do you ever feature anyone, or have you ever

818
00:38:45,480 --> 00:38:48,119
Speaker 7: featured anyone in the publication who's not necessarily a musician

819
00:38:48,239 --> 00:38:50,880
Speaker 7: but is doing something else, like maybe someone who owns

820
00:38:50,920 --> 00:38:51,679
Speaker 7: the venue.

821
00:38:51,719 --> 00:38:54,800
Speaker 12: Or yeah, that's a great question. We actually, in addition

822
00:38:54,920 --> 00:38:59,239
Speaker 12: to UH band interviews, we also have spotlight articles. Okay,

823
00:38:59,320 --> 00:39:02,440
Speaker 12: and there's a web site for female drummers called Drummer

824
00:39:02,480 --> 00:39:06,239
Speaker 12: Girls United. I think it has about seven thousand female

825
00:39:06,320 --> 00:39:12,679
Speaker 12: drummer members and from that site, I have interviewed separately

826
00:39:12,920 --> 00:39:17,800
Speaker 12: three female drummers, so we did spotlight on them, and

827
00:39:17,960 --> 00:39:20,679
Speaker 12: then we've also done a spotlight on a few venues

828
00:39:21,280 --> 00:39:25,559
Speaker 12: that feature live music and I love to do spotlight articles.

829
00:39:25,840 --> 00:39:28,480
Speaker 12: In the next issue, there'll be one with Scott from

830
00:39:28,559 --> 00:39:32,000
Speaker 12: Big Hit Guitars that we mentioned previously, spotlight his new

831
00:39:32,039 --> 00:39:36,639
Speaker 12: guitar shop. Because it's fantastic. It's bad for me because

832
00:39:37,559 --> 00:39:41,760
Speaker 12: we tried the magazine. We try to include band interviews,

833
00:39:41,960 --> 00:39:44,559
Speaker 12: and then we try to include some music related articles,

834
00:39:45,039 --> 00:39:51,159
Speaker 12: maybe about gear or how to promote your CD, songwriting lyrics,

835
00:39:51,239 --> 00:39:53,880
Speaker 12: that kind of thing, and then we have the spotlight articles,

836
00:39:53,920 --> 00:39:58,800
Speaker 12: which are generally shorter, and then we also add in

837
00:39:58,920 --> 00:40:02,559
Speaker 12: some jokes and some trivi in some fun stuff and

838
00:40:04,360 --> 00:40:05,559
Speaker 12: seem to like hitting.

839
00:40:05,440 --> 00:40:08,599
Speaker 7: Yeah, yeah, it's a good time. Do you have do

840
00:40:08,679 --> 00:40:11,000
Speaker 7: you have a number of is? Like is there a

841
00:40:11,119 --> 00:40:13,599
Speaker 7: number of artists that you try to have in every

842
00:40:13,800 --> 00:40:15,639
Speaker 7: Is there like a minimum threshold of artists that you

843
00:40:15,719 --> 00:40:16,639
Speaker 7: try to have in each issue?

844
00:40:16,760 --> 00:40:19,199
Speaker 12: Yes, started with two per issue, and it went and

845
00:40:19,320 --> 00:40:21,239
Speaker 12: it went to three, and now in this day to

846
00:40:21,320 --> 00:40:24,679
Speaker 12: attend issue there's four bands. Yeah, but we did four

847
00:40:25,440 --> 00:40:29,280
Speaker 12: full interviews. Yeah, And when it comes to the interviews,

848
00:40:29,719 --> 00:40:32,960
Speaker 12: we try to find an angle. When the band arrives

849
00:40:33,000 --> 00:40:35,679
Speaker 12: and we get situated, I let them know, like, as

850
00:40:35,800 --> 00:40:38,480
Speaker 12: we talk through this interview, I need to find an

851
00:40:38,519 --> 00:40:41,400
Speaker 12: angle for your band, because otherwise it's all going to

852
00:40:41,519 --> 00:40:44,519
Speaker 12: sound the same, right, So I often ask tell me

853
00:40:44,559 --> 00:40:47,880
Speaker 12: about your background, what's your experience, how'd you learn to

854
00:40:47,920 --> 00:40:51,880
Speaker 12: play music? Or I'll say, uh, what venues have you played?

855
00:40:52,119 --> 00:40:56,800
Speaker 12: Or who influenced you? All of those questions are often

856
00:40:57,199 --> 00:40:59,280
Speaker 12: the same for every band, but it would all start

857
00:40:59,320 --> 00:41:01,719
Speaker 12: to sound like if we didn't find an angle, right,

858
00:41:01,840 --> 00:41:04,719
Speaker 12: And luckily there always seems to be one, which is

859
00:41:05,320 --> 00:41:07,599
Speaker 12: some band is you know, one band's coming out with

860
00:41:07,679 --> 00:41:10,360
Speaker 12: a new album, or one band is brand new on

861
00:41:10,440 --> 00:41:12,719
Speaker 12: the scene and they're trying to make a name for themselves.

862
00:41:12,760 --> 00:41:16,840
Speaker 12: That's their angle. The new band on the scene, or

863
00:41:17,639 --> 00:41:22,039
Speaker 12: there's a band that's, you know, all females, or there's

864
00:41:22,079 --> 00:41:25,039
Speaker 12: a band that's made up of teenagers, like a band

865
00:41:25,119 --> 00:41:30,119
Speaker 12: we featured in the Day to Attend issue. Tom Syracuse'

866
00:41:30,239 --> 00:41:33,679
Speaker 12: daughter Hannah Rose is fifteen and she's a fabulous drummer

867
00:41:34,119 --> 00:41:37,480
Speaker 12: and she's in bands, and so we featured her in

868
00:41:37,599 --> 00:41:41,159
Speaker 12: there as well. So we try to find the angle

869
00:41:41,280 --> 00:41:44,119
Speaker 12: so it all doesn't sound the same. Hopefully it's working.

870
00:41:44,840 --> 00:41:49,079
Speaker 7: Do you have prior experience interviewing or working in PR

871
00:41:50,079 --> 00:41:52,880
Speaker 7: because what you just said, not everyone knows that. And

872
00:41:53,239 --> 00:41:55,480
Speaker 7: it's evidence that not everyone knows that because you'll see

873
00:41:55,480 --> 00:41:57,639
Speaker 7: a lot of people who do interviews who do They

874
00:41:57,840 --> 00:42:00,239
Speaker 7: just ask the same old questions, where you from?

875
00:42:00,559 --> 00:42:01,199
Speaker 11: Where are you from?

876
00:42:01,320 --> 00:42:02,800
Speaker 7: What kind of music do you play?

877
00:42:03,440 --> 00:42:03,599
Speaker 6: You know?

878
00:42:04,039 --> 00:42:06,079
Speaker 7: So so to know that, I mean, is that just

879
00:42:06,159 --> 00:42:08,599
Speaker 7: something you knew instinctively or do you have prior experience.

880
00:42:08,639 --> 00:42:12,559
Speaker 12: I don't have prior experience in interviewing or or anything

881
00:42:12,639 --> 00:42:15,639
Speaker 12: like that. But but I've always been a writer, okay,

882
00:42:15,760 --> 00:42:18,760
Speaker 12: and so I I have a book of short stories

883
00:42:18,800 --> 00:42:21,639
Speaker 12: of written novels. Like I I've always been a writer.

884
00:42:23,199 --> 00:42:26,280
Speaker 12: So I think from that I learned some.

885
00:42:26,400 --> 00:42:29,079
Speaker 7: Of that some of you know, yeah, because it was obvious,

886
00:42:29,159 --> 00:42:31,639
Speaker 7: like looking like looking at the day to Attend article,

887
00:42:31,719 --> 00:42:34,119
Speaker 7: it was like, okay, you you know how to interview,

888
00:42:34,559 --> 00:42:36,480
Speaker 7: because not everyone does, a lot of people try and

889
00:42:36,519 --> 00:42:37,480
Speaker 7: they don't really know how to do it.

890
00:42:37,599 --> 00:42:38,239
Speaker 4: Does a great job.

891
00:42:38,360 --> 00:42:40,239
Speaker 13: Yeah, yeah, I'm just sort of like the comedic value,

892
00:42:40,320 --> 00:42:43,519
Speaker 13: you know, comedic value to the whole thing right right.

893
00:42:44,400 --> 00:42:50,320
Speaker 12: Now, another part of another thing put out the snacks.

894
00:42:51,320 --> 00:42:52,239
Speaker 7: Oh, somebody asked you.

895
00:42:54,039 --> 00:42:56,679
Speaker 6: So. So.

896
00:42:56,960 --> 00:42:59,719
Speaker 12: Another thing that's interesting about the articles is that some

897
00:42:59,840 --> 00:43:02,920
Speaker 12: of them are written in a question and answer format,

898
00:43:03,400 --> 00:43:07,679
Speaker 12: and other articles are written, you know, just straight out

899
00:43:07,880 --> 00:43:12,840
Speaker 12: like about the band versus questioning answer and so someone

900
00:43:12,920 --> 00:43:15,320
Speaker 12: asked me one time, like, how do you decide, you know,

901
00:43:15,440 --> 00:43:17,920
Speaker 12: and I just said, it depends on the feel of

902
00:43:18,880 --> 00:43:22,400
Speaker 12: the band, what we're going to talk about. Some bands

903
00:43:22,480 --> 00:43:25,320
Speaker 12: feel more like a question and answer type interview. I

904
00:43:25,400 --> 00:43:28,320
Speaker 12: can't really say why. It just it's a feeling and

905
00:43:28,559 --> 00:43:30,800
Speaker 12: it depends on the angle we want to talk about.

906
00:43:30,920 --> 00:43:33,679
Speaker 12: So and then I love to get the poll quotes.

907
00:43:33,719 --> 00:43:37,760
Speaker 12: I call them the poll quotes are inevitably, someone during

908
00:43:37,800 --> 00:43:41,320
Speaker 12: the interview will say something profound or interesting that stands

909
00:43:41,360 --> 00:43:44,079
Speaker 12: out to me, and I'll make a little note like

910
00:43:44,199 --> 00:43:46,320
Speaker 12: this would make a great poll quote, and then as

911
00:43:46,400 --> 00:43:48,719
Speaker 12: you flip through the pages of paper Jam, you'll see

912
00:43:48,920 --> 00:43:51,320
Speaker 12: a lot of that, like you'll see a band member's

913
00:43:51,360 --> 00:43:53,719
Speaker 12: photo and then usually like a great quote that they

914
00:43:53,760 --> 00:43:57,280
Speaker 12: gave us. And so I'm kind of fortunate because the

915
00:43:57,400 --> 00:43:59,519
Speaker 12: bands make it easy for us. They have so much

916
00:43:59,599 --> 00:44:01,639
Speaker 12: to say and they're great.

917
00:44:02,159 --> 00:44:05,079
Speaker 7: Is there anyone who's really surprised you? I mean, I'm

918
00:44:05,079 --> 00:44:08,719
Speaker 7: sure there are, Like who you interviewed them and they

919
00:44:08,880 --> 00:44:11,960
Speaker 7: wound up being way more interesting than you expected, Like

920
00:44:12,079 --> 00:44:16,199
Speaker 7: they just had a backstory that really maybe when in

921
00:44:16,280 --> 00:44:17,320
Speaker 7: a direction you weren't expecting.

922
00:44:17,360 --> 00:44:20,360
Speaker 13: All the time, almost every time, really some sort of

923
00:44:20,400 --> 00:44:23,880
Speaker 13: surprise that you, like, even Day two attend those guys

924
00:44:24,960 --> 00:44:27,280
Speaker 13: again wickednized guys, but they all pulled.

925
00:44:27,039 --> 00:44:30,559
Speaker 4: Together from all these different situations they were in over

926
00:44:30,599 --> 00:44:31,519
Speaker 4: a long period of time.

927
00:44:31,800 --> 00:44:34,760
Speaker 13: Yeah, and you know, it's just but almost every band

928
00:44:35,320 --> 00:44:38,000
Speaker 13: gives us some sort of we didn't expect that, which

929
00:44:38,039 --> 00:44:40,559
Speaker 13: is really cool. Yeah, and you find out somebody was like, oh,

930
00:44:40,760 --> 00:44:43,079
Speaker 13: I was an opera singer. I didn't didn't see that

931
00:44:43,159 --> 00:44:46,159
Speaker 13: one coming right right right, you know, and stuff like that.

932
00:44:46,360 --> 00:44:49,159
Speaker 13: So it's always it's always an interesting time and.

933
00:44:49,239 --> 00:44:51,000
Speaker 7: Isn't that one of them? Like I feel like for

934
00:44:51,119 --> 00:44:53,519
Speaker 7: me as as someone who interviews people, that's like one

935
00:44:53,559 --> 00:44:57,039
Speaker 7: of the best things I love when somebody says something

936
00:44:57,079 --> 00:44:59,320
Speaker 7: to me I completely wasn't expecting, or they reveal something

937
00:44:59,320 --> 00:45:01,719
Speaker 7: about that just like, wow, I didn't see that coming.

938
00:45:02,119 --> 00:45:04,719
Speaker 7: That just makes it so much more rewarding, you.

939
00:45:04,760 --> 00:45:05,199
Speaker 4: Know what I mean.

940
00:45:05,559 --> 00:45:07,480
Speaker 12: I'll have to say that one of the questions I

941
00:45:07,599 --> 00:45:09,480
Speaker 12: like to ask is do you have any hobbies or

942
00:45:09,559 --> 00:45:12,920
Speaker 12: interests outside of music? Because they're all here to talk

943
00:45:12,960 --> 00:45:15,679
Speaker 12: about their instruments and their music and experience. But sometimes

944
00:45:15,719 --> 00:45:18,079
Speaker 12: I'm just curious to know what do you like to

945
00:45:18,199 --> 00:45:21,159
Speaker 12: do when you're not doing music? And that's where it

946
00:45:21,239 --> 00:45:23,880
Speaker 12: really gets interesting because you find out that, you know,

947
00:45:25,079 --> 00:45:30,679
Speaker 12: some people are a professional chef or some people mm A, yeah, yeah,

948
00:45:30,760 --> 00:45:33,199
Speaker 12: and so and so it's been really interesting to hear

949
00:45:33,280 --> 00:45:36,199
Speaker 12: what they like to do outside of music. Yeah, really

950
00:45:36,239 --> 00:45:40,360
Speaker 12: get to know and that that surprises me. Sometimes. We

951
00:45:40,480 --> 00:45:43,280
Speaker 12: had one we had one band member who told me

952
00:45:43,360 --> 00:45:46,440
Speaker 12: he's made over five hundred or eight hundred I forget,

953
00:45:46,519 --> 00:45:49,280
Speaker 12: a very high number of skydive jumps.

954
00:45:49,679 --> 00:45:49,960
Speaker 7: Kidding.

955
00:45:51,400 --> 00:45:56,400
Speaker 12: That was that was Scott I think from from Stiletto Yeah.

956
00:45:56,760 --> 00:45:58,199
Speaker 7: Well, you know what I think is smart too about

957
00:45:58,199 --> 00:46:01,480
Speaker 7: your approaches. It kind of I think it probably uh

958
00:46:01,960 --> 00:46:05,159
Speaker 7: snaps them out of because I I mean, I can

959
00:46:05,239 --> 00:46:06,880
Speaker 7: kind of tell, and I'm sure you can too, when

960
00:46:06,960 --> 00:46:09,000
Speaker 7: someone comes into an interview and they're sort of they

961
00:46:09,079 --> 00:46:11,639
Speaker 7: have an expectation of what they're going to be asked,

962
00:46:11,719 --> 00:46:14,280
Speaker 7: and they've kind of already done the interview in their

963
00:46:14,360 --> 00:46:18,760
Speaker 7: own mind, you know, So it's not you know some musicians.

964
00:46:18,840 --> 00:46:21,480
Speaker 7: I mean, I know from my experience, sometimes I'll interview

965
00:46:21,519 --> 00:46:25,280
Speaker 7: someone and they seem really spontaneous and like they're fully engaged,

966
00:46:25,599 --> 00:46:27,960
Speaker 7: and some people, you know, you can kind of tell where,

967
00:46:28,360 --> 00:46:30,760
Speaker 7: like I said, they've already done the interview in their brain. Yeah,

968
00:46:30,800 --> 00:46:32,800
Speaker 7: they're just kind of giving you the answers to the

969
00:46:32,920 --> 00:46:35,400
Speaker 7: questions that they're already expecting to hear. So if you

970
00:46:35,440 --> 00:46:37,960
Speaker 7: can pull them out of their shell by asking them

971
00:46:38,000 --> 00:46:41,159
Speaker 7: something sort of outside of that, yeah, that's a great technique.

972
00:46:41,199 --> 00:46:43,519
Speaker 12: We start with the speed round. We just throw out

973
00:46:43,679 --> 00:46:45,960
Speaker 12: questions and really just to break the ice, we say

974
00:46:46,039 --> 00:46:51,559
Speaker 12: like meganex or Metallica, cats are dogs, you know, Bendor Gibson,

975
00:46:51,960 --> 00:46:54,960
Speaker 12: and and then and then mountains or lakes, you know,

976
00:46:55,039 --> 00:46:59,760
Speaker 12: and you know, and then once we get.

977
00:46:59,679 --> 00:46:59,960
Speaker 13: Through the.

978
00:47:02,039 --> 00:47:03,119
Speaker 4: Tattoos are piercings.

979
00:47:03,760 --> 00:47:06,760
Speaker 7: You know, Jeff from day to attend says in the chat,

980
00:47:06,800 --> 00:47:09,280
Speaker 7: it's amazing how Sheila compiles all that info into the

981
00:47:09,360 --> 00:47:10,239
Speaker 7: amazing articles.

982
00:47:10,760 --> 00:47:11,440
Speaker 11: Thank you, Jeff.

983
00:47:11,880 --> 00:47:13,920
Speaker 7: How long does that take? I mean, it probably varies

984
00:47:13,960 --> 00:47:16,159
Speaker 7: wildly from one to the next, but I mean.

985
00:47:16,199 --> 00:47:19,039
Speaker 12: It takes a long time. Yeah, it's pretty much a

986
00:47:19,079 --> 00:47:21,320
Speaker 12: full time job outside of my regular full time.

987
00:47:21,800 --> 00:47:25,039
Speaker 13: Yeah, the second month, because we have two months, just

988
00:47:25,119 --> 00:47:27,280
Speaker 13: two months to do it. Yeah, and so trying to

989
00:47:27,320 --> 00:47:29,679
Speaker 13: get all the interviews in inevitably a lot of the

990
00:47:29,719 --> 00:47:32,440
Speaker 13: interviews happened in the second month. So the last two

991
00:47:32,679 --> 00:47:35,519
Speaker 13: three weeks of that month, it's like it was like, yeah,

992
00:47:36,400 --> 00:47:38,519
Speaker 13: work on it, and she's always the computer and you know,

993
00:47:39,159 --> 00:47:41,639
Speaker 13: just busting a cute little bum there to uh to

994
00:47:41,719 --> 00:47:42,280
Speaker 13: finish it up.

995
00:47:42,880 --> 00:47:45,760
Speaker 7: Does it come out the same day of the month.

996
00:47:47,000 --> 00:47:49,519
Speaker 12: It comes out at the beginning of you know, it's

997
00:47:49,599 --> 00:47:52,119
Speaker 12: bi monthly, so it'll come out early in the in

998
00:47:52,239 --> 00:47:55,440
Speaker 12: the new month, Okay, but it's not always the same day. Yeah,

999
00:47:55,800 --> 00:47:57,920
Speaker 12: you know, I don't think the printers open on the weekend,

1000
00:47:58,039 --> 00:47:59,840
Speaker 12: so sometimes we have to wait till Monday.

1001
00:48:00,159 --> 00:48:02,159
Speaker 13: Yeah, and then of course driving it around and we

1002
00:48:02,360 --> 00:48:04,480
Speaker 13: both have day job, so yeah, you know, just trying

1003
00:48:04,519 --> 00:48:07,159
Speaker 13: to find the time to go distribute it and so forth.

1004
00:48:07,239 --> 00:48:10,000
Speaker 4: So usually within a few days beginning of the month. Yeah.

1005
00:48:10,239 --> 00:48:12,679
Speaker 12: Another thing that we do that people may not realize

1006
00:48:13,239 --> 00:48:18,480
Speaker 12: is that once the issue's done, so to speak, I always,

1007
00:48:19,400 --> 00:48:22,480
Speaker 12: I always do proofs from the printer. So I go

1008
00:48:22,559 --> 00:48:24,719
Speaker 12: pick up a black and white and a color proof

1009
00:48:25,719 --> 00:48:27,679
Speaker 12: and I go over it page by page to make

1010
00:48:27,719 --> 00:48:30,840
Speaker 12: sure that the colors translate well. Yeah, and it looks

1011
00:48:30,880 --> 00:48:32,719
Speaker 12: good in black and white, looks good in color. Make

1012
00:48:32,800 --> 00:48:34,320
Speaker 12: sure there's no spelling mistakes.

1013
00:48:34,559 --> 00:48:34,760
Speaker 2: Yeah.

1014
00:48:35,280 --> 00:48:40,159
Speaker 12: And as a grammar nazi, I really have made typos before,

1015
00:48:40,400 --> 00:48:42,639
Speaker 12: and I didn't sleep for a week because I just

1016
00:48:42,840 --> 00:48:44,719
Speaker 12: don't want to make typos in my magazine.

1017
00:48:44,760 --> 00:48:45,360
Speaker 11: But it happens.

1018
00:48:45,360 --> 00:48:47,320
Speaker 12: We're all human. Yeah, But I try to go through

1019
00:48:47,400 --> 00:48:50,320
Speaker 12: it and check the colors and the layout and make

1020
00:48:50,360 --> 00:48:52,440
Speaker 12: sure it's all looking good. And before we hit what

1021
00:48:52,559 --> 00:48:54,559
Speaker 12: I call the go button. But once I look at

1022
00:48:54,559 --> 00:48:56,760
Speaker 12: the proofs, then we hit the go button, and then

1023
00:48:57,239 --> 00:48:58,840
Speaker 12: and then the printer does their thing.

1024
00:48:59,039 --> 00:49:01,079
Speaker 7: Yeah, I know what you mean, Grammar. I'm the same way, right,

1025
00:49:01,119 --> 00:49:02,480
Speaker 7: You're the same way. Yeah.

1026
00:49:02,599 --> 00:49:04,880
Speaker 12: Yeah, I think I did one issue where I said

1027
00:49:04,920 --> 00:49:08,760
Speaker 12: something about metal mayhem and I misspelled mayhem and I

1028
00:49:09,079 --> 00:49:10,920
Speaker 12: didn't catch it, and it still bothers.

1029
00:49:10,639 --> 00:49:12,559
Speaker 7: Me because I would be I would be the same

1030
00:49:12,559 --> 00:49:15,280
Speaker 7: way in that situation. Like I I even I'm I mean,

1031
00:49:15,320 --> 00:49:18,199
Speaker 7: I'm I'm at the point where I'm horrified if I

1032
00:49:18,320 --> 00:49:20,880
Speaker 7: see something I posted on social media and I realized

1033
00:49:20,880 --> 00:49:23,239
Speaker 7: i'mspelled something. Yeah, but I'll go back and corrected, And

1034
00:49:23,320 --> 00:49:25,920
Speaker 7: most people wouldn't bother because it's just social media. But yeah,

1035
00:49:27,239 --> 00:49:32,719
Speaker 7: are you Yeah? Yeah, yeah, very cool. Oh we should

1036
00:49:32,760 --> 00:49:37,159
Speaker 7: mention too, so if you're is it everyone who's in

1037
00:49:37,280 --> 00:49:39,039
Speaker 7: the magazine gets a color.

1038
00:49:38,920 --> 00:49:39,679
Speaker 4: Copy or yeah?

1039
00:49:39,840 --> 00:49:42,280
Speaker 12: Okay, yeah, ever is we we print in black and

1040
00:49:42,400 --> 00:49:45,840
Speaker 12: white for our paper copies all over the community, but

1041
00:49:45,960 --> 00:49:49,480
Speaker 12: we always print full color copies for everyone who gets

1042
00:49:49,760 --> 00:49:50,880
Speaker 12: in the in the magazine.

1043
00:49:50,920 --> 00:49:54,960
Speaker 4: Okay, so everybody and everybody, everybody.

1044
00:49:54,400 --> 00:49:55,880
Speaker 12: Each member gets a color copy.

1045
00:49:56,039 --> 00:49:59,719
Speaker 7: Oh, very cool, that's really cool. Yeah. Yeah. Tom Russo,

1046
00:49:59,760 --> 00:50:01,719
Speaker 7: who was also here with us last week, a very

1047
00:50:01,800 --> 00:50:04,880
Speaker 7: talented musician. He says, I'd love to get in your publication.

1048
00:50:05,280 --> 00:50:08,639
Speaker 7: This sounds great, do you know, Tom, I don't sing

1049
00:50:08,719 --> 00:50:10,400
Speaker 7: a songwriter really I know the name.

1050
00:50:10,559 --> 00:50:11,480
Speaker 4: Yeah, yeah, I know the name.

1051
00:50:11,559 --> 00:50:13,559
Speaker 7: Yeah, he's he's uh, he's amazing.

1052
00:50:14,440 --> 00:50:15,760
Speaker 4: We can get you in there. Just go ahead and

1053
00:50:15,800 --> 00:50:17,559
Speaker 4: get you in. Yeah, contact us.

1054
00:50:18,159 --> 00:50:20,719
Speaker 7: What's the best way for Should they contact you through

1055
00:50:20,760 --> 00:50:21,920
Speaker 7: the website or on social media?

1056
00:50:22,000 --> 00:50:25,880
Speaker 12: What's the best way is our email box? It's uh,

1057
00:50:26,119 --> 00:50:31,320
Speaker 12: it's paper Jam, Underscore mag m a g at yahoo

1058
00:50:31,360 --> 00:50:34,119
Speaker 12: dot com. So paper Jam Underscore mag y at yahoo

1059
00:50:34,119 --> 00:50:37,000
Speaker 12: dot com. Okay, and just tell tell us a little

1060
00:50:37,000 --> 00:50:39,440
Speaker 12: bit about who you are and your band, and you know,

1061
00:50:39,480 --> 00:50:41,000
Speaker 12: it doesn't have to be just a band to be

1062
00:50:41,039 --> 00:50:44,199
Speaker 12: solo musicians. Yeah, yeah, we'll do that too. So if

1063
00:50:44,239 --> 00:50:46,159
Speaker 12: you'd like to be in paper Jam, just send us

1064
00:50:46,199 --> 00:50:48,039
Speaker 12: an email and tell us a little bit about yourself.

1065
00:50:48,280 --> 00:50:50,639
Speaker 12: A lot of times people will send links so we

1066
00:50:50,719 --> 00:50:53,920
Speaker 12: can listen to their music and we can go from there.

1067
00:50:54,159 --> 00:50:54,360
Speaker 4: Yeah.

1068
00:50:54,639 --> 00:50:56,760
Speaker 12: Again, there is a bit of a waiting line. Yeah,

1069
00:50:56,880 --> 00:50:58,840
Speaker 12: so if you don't if you don't mind waiting a

1070
00:50:58,880 --> 00:50:59,800
Speaker 12: little bit, but we can.

1071
00:50:59,719 --> 00:51:00,320
Speaker 11: Make it happened.

1072
00:51:00,400 --> 00:51:00,599
Speaker 1: Yeah.

1073
00:51:00,639 --> 00:51:02,800
Speaker 4: It's amazing how patient a lot of these bands are.

1074
00:51:02,960 --> 00:51:03,960
Speaker 7: Sure sure is there?

1075
00:51:04,239 --> 00:51:04,400
Speaker 4: You know?

1076
00:51:04,920 --> 00:51:06,320
Speaker 13: Or some of them will be like I do want

1077
00:51:06,320 --> 00:51:08,239
Speaker 13: to be on the cover, and we're like, well, it's

1078
00:51:08,239 --> 00:51:11,480
Speaker 13: going to be like eight months yeah before that's okay, yeah,

1079
00:51:11,519 --> 00:51:13,440
Speaker 13: oh wait, yeah, you know, and they do and it's

1080
00:51:13,480 --> 00:51:14,119
Speaker 13: you know, it's great.

1081
00:51:14,280 --> 00:51:16,679
Speaker 4: It's every really is supportive of it.

1082
00:51:16,760 --> 00:51:19,400
Speaker 12: And it's a nice mix too, because we have cover bands,

1083
00:51:19,840 --> 00:51:22,920
Speaker 12: we have original bands, and then we have tribute bands.

1084
00:51:23,199 --> 00:51:26,320
Speaker 12: So we've done all three and and so it's a.

1085
00:51:26,360 --> 00:51:27,079
Speaker 11: Nice mix there.

1086
00:51:27,400 --> 00:51:30,400
Speaker 7: Yeah, outstanding, bless you, I think, did Jesus see it?

1087
00:51:30,719 --> 00:51:30,920
Speaker 11: Yeah?

1088
00:51:32,360 --> 00:51:34,559
Speaker 7: Our allergies have been well I have allergies. I don't

1089
00:51:34,559 --> 00:51:35,280
Speaker 7: know what your issues.

1090
00:51:35,320 --> 00:51:36,039
Speaker 11: I'm allergic to you.

1091
00:51:36,360 --> 00:51:37,599
Speaker 7: Yes, that must be what it is.

1092
00:51:37,840 --> 00:51:38,199
Speaker 4: That must be.

1093
00:51:39,039 --> 00:51:40,840
Speaker 7: Oh and before we run out of time. The time

1094
00:51:40,920 --> 00:51:42,760
Speaker 7: goes so quickly, it's already approaching the top of the hour.

1095
00:51:42,840 --> 00:51:44,800
Speaker 7: But what what do you have or do you know yet?

1096
00:51:44,920 --> 00:51:48,599
Speaker 7: What's what's in store for the next issue? Obviously Day

1097
00:51:48,639 --> 00:51:49,880
Speaker 7: to Attend is on the cover, on.

1098
00:51:49,880 --> 00:51:51,719
Speaker 12: The cover of this one yet but for next time

1099
00:51:51,800 --> 00:51:58,000
Speaker 12: we have Cathedral Okay, the van Halen Tribute amazing van

1100
00:51:58,079 --> 00:52:01,679
Speaker 12: Halen ban Yeah, amazing, But it's our friend Kirk bartholomewn

1101
00:52:01,760 --> 00:52:06,840
Speaker 12: awesome Kirk and Tyler Morris. We're looking at a band

1102
00:52:06,920 --> 00:52:11,280
Speaker 12: called down by ten, a band called dumpster Fire, I.

1103
00:52:11,280 --> 00:52:13,840
Speaker 7: Think, yeah, yeah, yeah.

1104
00:52:13,800 --> 00:52:18,880
Speaker 12: Do you love that? And we're looking at Scott at

1105
00:52:18,920 --> 00:52:24,239
Speaker 12: Big Hit Guitars for a nice spotlight article and lots.

1106
00:52:24,000 --> 00:52:27,079
Speaker 7: More excellent excellent, And who else is in the current

1107
00:52:27,159 --> 00:52:29,679
Speaker 7: one too? For obviously day to Aten is on the cover.

1108
00:52:29,719 --> 00:52:31,000
Speaker 7: Who else do you have in the current issue?

1109
00:52:32,000 --> 00:52:36,960
Speaker 12: We have Standard Tuning, great cover band, and Sea Rock

1110
00:52:38,159 --> 00:52:41,960
Speaker 12: and Tainted Hearts. So Sea Rock is a band, a

1111
00:52:42,039 --> 00:52:45,199
Speaker 12: local cover band that came and they gave us a

1112
00:52:45,320 --> 00:52:48,559
Speaker 12: very memorable interview because they were hilarious and made us

1113
00:52:48,639 --> 00:52:49,559
Speaker 12: laugh for a two hours.

1114
00:52:49,840 --> 00:52:50,639
Speaker 11: That was a lot of fun.

1115
00:52:50,960 --> 00:52:55,199
Speaker 12: They just great. And Tainted Hearts is the young teen

1116
00:52:55,360 --> 00:52:59,360
Speaker 12: band that they range in age from from fifteen to seventeen.

1117
00:52:59,440 --> 00:53:02,159
Speaker 12: And that's who's in the current I.

1118
00:53:02,199 --> 00:53:04,519
Speaker 7: Think their name has come up on the show recently.

1119
00:53:04,559 --> 00:53:05,280
Speaker 7: I don't remember why.

1120
00:53:05,320 --> 00:53:08,360
Speaker 12: But Painted Hearts is Tom syracusea of Day to Attend.

1121
00:53:08,400 --> 00:53:12,840
Speaker 12: That's his daughter, Okay.

1122
00:53:11,159 --> 00:53:13,599
Speaker 7: Okay, that's why. Yeah, so Tom must have mentioned that.

1123
00:53:13,880 --> 00:53:17,760
Speaker 12: Yeah, so we were just for Tom.

1124
00:53:17,920 --> 00:53:19,159
Speaker 4: Guns and Roses are awesome.

1125
00:53:19,320 --> 00:53:24,440
Speaker 7: Yeah, there you go, don't we all do? Who does

1126
00:53:24,639 --> 00:53:26,280
Speaker 7: I mean or everybody? I mean, they're one of those

1127
00:53:26,320 --> 00:53:28,559
Speaker 7: bands I mean, who doesn't I mean everybody either loves

1128
00:53:28,599 --> 00:53:29,599
Speaker 7: them or at least likes them.

1129
00:53:29,719 --> 00:53:29,920
Speaker 2: Yeah.

1130
00:53:30,079 --> 00:53:32,079
Speaker 7: You very rarely hear anyone say I don't like Guns

1131
00:53:32,119 --> 00:53:32,559
Speaker 7: and Roses.

1132
00:53:32,719 --> 00:53:34,400
Speaker 4: No, I don't know if that's ever happened.

1133
00:53:34,519 --> 00:53:36,800
Speaker 7: Yeah, yeah, I mean, I'm sure there's somebody somewhere, but

1134
00:53:37,039 --> 00:53:40,119
Speaker 7: it's it's unusual. Like my my favorite band is Kiss,

1135
00:53:40,800 --> 00:53:42,840
Speaker 7: but there are a lot of Kiss haters, Like there

1136
00:53:42,880 --> 00:53:44,159
Speaker 7: are a lot of people who will tell you they

1137
00:53:44,199 --> 00:53:46,719
Speaker 7: don't like Kiss. But uh, no, guns and Roses. I

1138
00:53:46,719 --> 00:53:48,960
Speaker 7: don't know anyone who Jenny Guns and Roses.

1139
00:53:49,440 --> 00:53:51,280
Speaker 11: Not particularly you.

1140
00:53:52,159 --> 00:53:57,880
Speaker 7: You don't particularly like them. Yeah, see we found somebody. Yeah,

1141
00:53:58,239 --> 00:53:59,440
Speaker 7: you don't hate them, though, do you?

1142
00:53:59,639 --> 00:54:01,079
Speaker 11: I don't hate any musician.

1143
00:54:01,239 --> 00:54:03,239
Speaker 7: Okay, do you dislike them?

1144
00:54:03,719 --> 00:54:06,079
Speaker 11: I'm not particularly fond of their music.

1145
00:54:06,280 --> 00:54:10,639
Speaker 12: No, Well, then I.

1146
00:54:10,679 --> 00:54:12,239
Speaker 4: Guess I can't say that next time.

1147
00:54:13,480 --> 00:54:14,000
Speaker 7: I guess not.

1148
00:54:15,039 --> 00:54:18,599
Speaker 11: You didn't ask me until now. Do you ever hear

1149
00:54:18,719 --> 00:54:19,320
Speaker 11: me play them?

1150
00:54:19,840 --> 00:54:20,199
Speaker 7: Actually?

1151
00:54:20,320 --> 00:54:20,360
Speaker 6: No?

1152
00:54:20,840 --> 00:54:23,199
Speaker 11: Never in all our years, like a decade.

1153
00:54:23,360 --> 00:54:27,920
Speaker 7: Never? Oh, Tattoo Babbel, But I don't know how to

1154
00:54:27,920 --> 00:54:30,559
Speaker 7: pronounce the last name is in the chat uh and

1155
00:54:30,760 --> 00:54:35,800
Speaker 7: says uh tattoo in the house and uh, I have

1156
00:54:36,639 --> 00:54:38,760
Speaker 7: definitely heard. But you got to have old g and

1157
00:54:38,880 --> 00:54:41,559
Speaker 7: r oh, that's true. Yeah, people do people do? Uh

1158
00:54:42,400 --> 00:54:45,880
Speaker 7: yeah yeah yeah, kind of like metallic yeah yeah. Oh

1159
00:54:45,920 --> 00:54:48,440
Speaker 7: and Jeff Richard says, I kiss rules, Matt you Rock,

1160
00:54:48,559 --> 00:54:54,119
Speaker 7: thank you. Oh it's baby, tattoo baby is how you

1161
00:54:54,159 --> 00:54:56,639
Speaker 7: pronounce that? Apparently? Okay? Oh I see? Oh I thought

1162
00:54:56,679 --> 00:54:59,079
Speaker 7: that was it's two eyes not I l okay? Is

1163
00:54:59,159 --> 00:54:59,880
Speaker 7: that someone you guys know?

1164
00:55:01,039 --> 00:55:01,800
Speaker 12: I don't recognize?

1165
00:55:02,280 --> 00:55:07,079
Speaker 7: Okay, well, welcome to the show. Tattoo. Oh it's someone

1166
00:55:07,199 --> 00:55:10,679
Speaker 7: Grimrock notes, I see, okay, gotcha. Grim Rock was asking

1167
00:55:10,719 --> 00:55:12,800
Speaker 7: if you're just Yeah. Grimrock is in Pennsylvania, so he

1168
00:55:12,920 --> 00:55:16,559
Speaker 7: obviously isn't someone you would necessarily want for Paper Jam,

1169
00:55:16,679 --> 00:55:17,239
Speaker 7: but we.

1170
00:55:17,239 --> 00:55:18,159
Speaker 4: Could spotlight it though.

1171
00:55:18,400 --> 00:55:20,119
Speaker 7: Oh there you go. Yeah yeah yeah, so get in

1172
00:55:20,199 --> 00:55:22,840
Speaker 7: touch on Grimrock. Yeah yeah, he's grim Rock is amazing.

1173
00:55:23,480 --> 00:55:27,760
Speaker 7: Oh okay, tattoo Baby is Grimrock's cover model? Gotcha?

1174
00:55:27,920 --> 00:55:28,239
Speaker 4: Gotcha?

1175
00:55:28,360 --> 00:55:32,280
Speaker 7: Okay, yeah, we are out of time. Remind us again,

1176
00:55:32,360 --> 00:55:35,000
Speaker 7: where should people go online? The website and anything else

1177
00:55:35,000 --> 00:55:36,320
Speaker 7: people should know about paper Jam.

1178
00:55:36,599 --> 00:55:40,920
Speaker 12: Well, the website is paper Jam Magazine dot com. So

1179
00:55:41,000 --> 00:55:43,800
Speaker 12: if you want to look at some back issues, I'll

1180
00:55:43,800 --> 00:55:46,159
Speaker 12: send it to you mail order. I think it's only

1181
00:55:46,360 --> 00:55:49,760
Speaker 12: four bucks. Yeah, to order a back issue. Okay, and

1182
00:55:50,519 --> 00:55:55,280
Speaker 12: the email is paper Jam Underscore mag at Yahoo dot com.

1183
00:55:55,519 --> 00:55:57,760
Speaker 4: Okay, And of course we're on Facebook as well.

1184
00:55:57,639 --> 00:56:01,039
Speaker 12: And we're on Facebook as paper Jam the music mag

1185
00:56:01,199 --> 00:56:02,400
Speaker 12: for local bands and fans.

1186
00:56:02,719 --> 00:56:06,760
Speaker 7: Okay, Okay, outstanding, Sheila and Tony, thank you both so much.

1187
00:56:06,920 --> 00:56:07,960
Speaker 12: Thank you so much for having me.

1188
00:56:08,360 --> 00:56:09,880
Speaker 7: This has been wonderful. We'll have to do it again

1189
00:56:09,880 --> 00:56:13,159
Speaker 7: in the future. I love what you're doing, very very cool.

1190
00:56:13,239 --> 00:56:16,000
Speaker 7: And we'll actually end this segment. Of course. If you're

1191
00:56:16,039 --> 00:56:18,840
Speaker 7: listening live on Saturday morning, stick around. We got plenty

1192
00:56:18,880 --> 00:56:21,280
Speaker 7: more show coming for you. But we'll end our segment

1193
00:56:22,039 --> 00:56:24,840
Speaker 7: with Ghosts Inside, another great track from Day to a

1194
00:56:25,800 --> 00:56:28,840
Speaker 7: Song and of course Day to Attend on the cover

1195
00:56:28,960 --> 00:56:32,119
Speaker 7: of the current issue of paper Jam magazine. And this

1196
00:56:32,280 --> 00:56:50,280
Speaker 7: is another great track. This is called ghost Inside. To

1197
00:56:50,480 --> 00:56:52,599
Speaker 7: the eaves of the Blue Sky.

1198
00:56:54,719 --> 00:57:02,079
Speaker 9: It's in the clashes down on you.

1199
00:57:02,400 --> 00:57:06,480
Speaker 6: You may believe that nothing you can do, because your

1200
00:57:06,679 --> 00:57:09,039
Speaker 6: arms into the sky comes.

1201
00:57:15,280 --> 00:57:18,599
Speaker 2: If it's true, you'll know the warm thing that I

1202
00:57:18,880 --> 00:57:20,480
Speaker 2: was always there for you.

1203
00:57:21,440 --> 00:57:25,559
Speaker 6: Memories start to practice and got Marrich just keeps on

1204
00:57:25,880 --> 00:57:30,719
Speaker 6: calm and back them. Misconn turns too sweet and then

1205
00:57:30,920 --> 00:57:32,280
Speaker 6: and knocks you up.

1206
00:57:32,440 --> 00:57:36,840
Speaker 2: Dorfy, it's your ghost inside. It can run with and how,

1207
00:57:37,000 --> 00:57:51,679
Speaker 2: but you cannot escarce lost in those I can from way.

1208
00:57:55,320 --> 00:58:03,519
Speaker 6: It's the Colston side of temper. I still can't find mine.

1209
00:58:08,000 --> 00:58:15,920
Speaker 6: I'm blind didn't come right, used to go still side out,

1210
00:58:16,079 --> 00:58:16,960
Speaker 6: canting and.

1211
00:58:46,880 --> 00:58:52,760
Speaker 2: Said come out, come out, come out, come out and

1212
00:58:52,960 --> 00:59:02,719
Speaker 2: say say if it's true you knows the one thing

1213
00:59:03,000 --> 00:59:03,559
Speaker 2: now was.

1214
00:59:03,679 --> 00:59:08,280
Speaker 6: Always there for you, memories, the two practice and not

1215
00:59:08,639 --> 00:59:11,320
Speaker 6: Marrich's kids on coming back.

1216
00:59:12,239 --> 00:59:12,920
Speaker 12: Then, I'm this.

1217
00:59:13,199 --> 00:59:17,679
Speaker 2: Can turn too sweet and many knocks you up. Door beat,

1218
00:59:18,280 --> 00:59:21,360
Speaker 2: here's your ghost inside. You can run, you can have,

1219
00:59:21,639 --> 00:59:36,280
Speaker 2: but you cannot stay lost in No, I can't find way.

1220
00:59:39,920 --> 00:59:43,519
Speaker 6: Here's the ghost in side of Campero.

1221
00:59:46,400 --> 00:59:48,639
Speaker 9: I still can't find the way.

1222
00:59:52,639 --> 00:59:59,280
Speaker 2: A blinded father man, here's the ghost