Speaker 1: Welcome back to part two of the And just like
Speaker 1: that recap, we're cappin. We're cappin real hard for you.
Speaker 2: We're cappin and we're grahaming about it, and then we
Speaker 2: cap some more and then we graham.
Speaker 1: Do you know what cappin means? Like, no cap? No,
Speaker 1: it doesn't lying. It means lying, So we're not actually capping.
Speaker 1: We're recapping, but no cap means no, you are illen.
Speaker 1: But i' might be ill in, sick and dope, I'd
Speaker 1: be illin. I try to.
Speaker 2: As you guys know I or some of you might know,
Speaker 2: I write for Upworthy now, and I was writing an
Speaker 2: article about gen X slaying that we need to bring back,
Speaker 2: you know, and my headline. I wrote the headline as
Speaker 2: some sick dope slaying that everyone needs to bring back
Speaker 2: unless you're ill in, right, which I thought was really cute,
Speaker 2: And then my boss just changed it to like.
Speaker 1: Wonderful ideas of bringing back geners. His was better.
Speaker 2: I understand I kind of missed the assignment because it's
Speaker 2: just not the brand. What I was trying to do
Speaker 2: is like, we're so edgy, but that's not quite We
Speaker 2: needed to like bring it down to where there's keywords
Speaker 2: that you know, Google's gonna find and stuff like I'm
Speaker 2: learning that stuff.
Speaker 1: But I really thought I could get that one in
Speaker 1: because I thought I know. But like that's why I
Speaker 1: don't know that. Well, same, I mean, you know, I
Speaker 1: don't know.
Speaker 2: But at the end of the last episode, we were
Speaker 2: talking about Carrie and Miranda's old dynamic because nobody's acting
Speaker 2: like themselves. Carrie is still being a bitch, but Miranda
Speaker 2: is so apologetic, and it's been so apologetic this time around.
Speaker 2: That was not their dynamics. So I'm going to play
Speaker 2: a quick scene. I won't finish the whole thing from
Speaker 2: my phone, so it's gonna be a little weird. But
Speaker 2: one of my favorite scenes from Sex and the City
Speaker 2: back in the day. Okay, right here we go the.
Speaker 1: Shocking and get away with a hang in their baby
Speaker 1: halter top. Do you want to go to the Hopper
Speaker 1: exhibit Saturday afternoon? Oh I can't. I have to work.
Speaker 1: I lied, I don't have to work. I'm meeting Big
Speaker 1: for lunch. I didn't think you'd approve. Wait, you're meeting Big,
Speaker 1: he called.
Speaker 3: He sounded upset, and he said I needed to talk
Speaker 3: since one just Big talk.
Speaker 1: What does that mean? What does that mean? He's upset
Speaker 1: about Natasha Leeving? You know, okay, you know what. I'm
Speaker 1: not holding your hand through this again.
Speaker 3: I'm not asking you to hold my anything. We're just
Speaker 3: having lunch.
Speaker 1: It's a huge mistake. It is not a huge mistake.
Speaker 1: It's lunch. Wake up, Carrie. How many more times are
Speaker 1: you going to go through this? He is bad for you, Jesus.
Speaker 1: Every time you get near.
Speaker 3: Him, you turn into this pathetic, needy, insecure victim. And
Speaker 3: the thing that pisses me off the most is that
Speaker 3: you're more than I willing to go right back for more.
Speaker 3: I am not going back for more. And I can't
Speaker 3: even believe. I can't believe you would say that to me.
Speaker 1: If you start up with.
Speaker 3: Big again, I am not just starting off with Big again.
Speaker 1: Well, if you do, I don't want to know anything
Speaker 1: about it. I mean to carry no calls, no crying.
Speaker 1: What are you gonna do, Miranda? You're gonna cut me
Speaker 1: out of your life like you did to Steve. What
Speaker 1: the first.
Speaker 3: Sign of any little weakness or flaw and you just
Speaker 3: write people off? Oh my god, Miranda, you are so judgmental.
Speaker 3: Oh what you can say that I'm aesthetic and needy
Speaker 3: and I can't say anything to you. You know, everybody's
Speaker 3: not as tough as you, Miranda Pete. Some of us
Speaker 3: make mistakes.
Speaker 2: Okay, So that was pretty much it. But isn't that like,
Speaker 2: that's good writing.
Speaker 1: That's how people.
Speaker 2: Talk, that's how friends talk, that's how we've talked. We've
Speaker 2: had that exact conversation. You probably will again, maybe next time.
Speaker 2: Maybe this could be a code for us when we
Speaker 2: start having that conversation. I'll just I'll just get the
Speaker 2: script out. I'll be like, I'll just read it. I'm
Speaker 2: just gonna I'm let me let the words of Michael
Speaker 2: Patrick Kinge. Perhaps you can speak better for me in
Speaker 2: this situation, and then you.
Speaker 1: Can do it. But now now Miranda is now Carrie's
Speaker 1: still the same, but Miranda, she can't say anything. It's
Speaker 1: just like yeah, because now probably because now Sarah Jessica
Speaker 1: Parker has more of a like exec producer. She already does,
Speaker 1: but now she's like in charge. So she's like, I
Speaker 1: think she'd apologize to me for that. Yeah, I'm so sorry.
Speaker 1: I'm so sorry your lord ass. So now everybody is like, hey, Sarah,
Speaker 1: I don't know if you've seen the reviews, but like,
Speaker 1: people are really not liking Chay and she's like, I
Speaker 1: don't know, I haven't read anything. I've read anything. Who's Shay?
Speaker 1: So I say just keep her and then you know,
Speaker 1: I mean, come on, it's ridiculous. Okay.
Speaker 2: So from that scene, now we go to Charlotte yelling
Speaker 2: at all her family. She's just yelling and this everyone's
Speaker 2: yelling in the scene. It's very noisy, and I don't like.
Speaker 1: That, and it's also so completely wrong for her character.
Speaker 1: Her whole thing last time. First of all, her whole
Speaker 1: thing was she was so scared to take a job
Speaker 1: because she's like, but my brand is being there for
Speaker 1: my family and being a mom absolutely comes first. Now
Speaker 1: she suddenly like, fuck all of you you ever met that?
Speaker 2: I do remember they did explain that and last not
Speaker 2: in Sexon City, but she did quit and came back
Speaker 2: because her kids were really proud of her for it,
Speaker 2: and because she was really scared to tell the kids
Speaker 2: and like, yeah, no, of course you should work. Remember
Speaker 2: there was a scene, so that does make sense. Okay,
Speaker 2: So now she's thrown herself into it. But now she's like,
Speaker 2: it's all your fault. It's all your fault because and
Speaker 2: the kids. The kids are basically like wait what right,
Speaker 2: She's like.
Speaker 1: Yeah, where's my laundry mom? Where's my food mom? By
Speaker 1: vegan dog food mom, which was it's supposed to be
Speaker 1: kind of a joke, but all it does is make
Speaker 1: it seem like she has the most entitled fucking kids
Speaker 1: on the planet.
Speaker 2: Right.
Speaker 1: Yet we are also shown this whole thing where all
Speaker 1: the moms, all these Upper east Side moms. Is it
Speaker 1: Upper East sid or West Side? I don't know where
Speaker 1: they are. I think east Side Upper east Side moms.
Speaker 1: Rich moms are like, oh my nanny does that. I
Speaker 1: don't spend any time with my kids. But now she's
Speaker 1: like what, Yeah, how come I can't just abuse you
Speaker 1: guys and just you know, neglect you guys. And they're
Speaker 1: like you can what are you talking about? And she's like,
Speaker 1: did you know you guys are holding back my career?
Speaker 1: Like it's just insane. Why is Anthony there too?
Speaker 2: I mean, listen, I know people have people over and
Speaker 2: there's like fabulous fun dinners, but it just just like,
Speaker 2: oh my god, he's there and they're having this big dinner.
Speaker 2: And then at first I thought JOSEPPI, who's her his boyfriend?
Speaker 2: I thought that was the ballet dancer unless he was
Speaker 2: also there?
Speaker 1: Oh my god. At first, yes, it took me a minute.
Speaker 1: I was like, would she already would they have skipped
Speaker 1: something where she's already like dating that guy? And then
Speaker 1: I was like, oh, it's j Seppy, right. They shouldn't
Speaker 1: have made them look so that. You can't do that
Speaker 1: to like faceblind people. That's crazy. So she's talking non,
Speaker 1: I know, this is just the show, Okay, So I
Speaker 1: get it. I get that we can't change what the
Speaker 1: story is, but I just don't. I don't both believe
Speaker 1: that Anthony's best friend because basically the whole thing is
Speaker 1: that he's supposed to be best friends with Charlotte, so
Speaker 1: they're like family, so he comes to all of her stuff,
Speaker 1: and that's possible, okay from the beginning, they right, But
Speaker 1: I don't believe that he I don't believe that Anthony
Speaker 1: would be best friends with this type of with this
Speaker 1: character with Charlotte now or Charlotte. No, with Charlotte now.
Speaker 2: I think like he's just maybe like grandfathered in, yes exactly,
Speaker 2: so they're just friends. Like I do believe their friendship,
Speaker 2: but it's just such a manic scene. And I also
Speaker 2: could do without her completely. I wish they would write
Speaker 2: her off. That's it's not the show that we're doing,
Speaker 2: so like, I don't, Yeah, I don't get that, Harry,
Speaker 2: I just don't. I didn't really understand what they were
Speaker 2: even talking about. Oh, Harry wants to go close shopping.
Speaker 1: Well, first, because first, what's her name? Charlotte's like, I'm
Speaker 1: just like an old mom and everybody's young. And then Harry, Okay,
Speaker 1: first of all, this would be a good time to
Speaker 1: talk about the fact that Evan Handler. We're friends with
Speaker 1: him on Facebook, per some are friends with him on Facebook,
Speaker 1: although sometimes he scolds us and then we're like, oh,
Speaker 1: but Evan Handler is so fucking cool on Facebook. He's
Speaker 1: basically just does not give a fuck. He's very political,
Speaker 1: very political, very outspoken, and he will go toe to
Speaker 1: toe with people. If they say something that he doesn't like,
Speaker 1: he'll just be like, you're an idiot, get off my page.
Speaker 1: You know we like that, But on the show, they've Okay,
Speaker 1: this is what I thought about. When you were talking
Speaker 1: about how Carrie comes across as being like eighty, I
Speaker 1: was like, so but Harry is like a hundred I know,
Speaker 1: I agree it is a little old man hunched over.
Speaker 1: He was always bald, so that's okay, but lunched over
Speaker 1: he has he's a little bird. They try to showcase
Speaker 1: he has like little bird legs. He almost talks like
Speaker 1: he's an old man. So after Charlotte goes, I'm just
Speaker 1: an old mom and everybody's young, and Harry they give
Speaker 1: him the line, Yeah, at my job, there's all these
Speaker 1: young turks and I'm SpongeBob square partner and I almost
Speaker 1: had to turn off my TV ill my remote controller cuss.
Speaker 2: As you know, later that line gets even remade to
Speaker 2: a worse thing.
Speaker 1: Yes, oh, which is I think the name of the
Speaker 1: show this episode. But we'll come back to that. Uh
Speaker 1: you know what I mean.
Speaker 2: They called it, called it Harry go lightly, which I can't.
Speaker 2: I can't believe they just did that. You're like, you
Speaker 2: never wanted to make a breakfast at Tiffany's. Well no,
Speaker 2: they did make a reference at one point, but okay,
Speaker 2: but yeah, but.
Speaker 1: He's like, but suddenly he's like, I mean, I'm just
Speaker 1: this old man who goes to my job and I
Speaker 1: ever party and then rocks like rightfully, so is like, yeah,
Speaker 1: that's who you are, Like I don't understand why, and
Speaker 1: I really, I really was like, I'm not trying to
Speaker 1: pick this apart. I was trying to like it for
Speaker 1: all the people out there that are like, well, you
Speaker 1: hate watching it, but yeah, I'm not going into it.
Speaker 1: We're not I hate watching it. We're watching it because
Speaker 1: we want it to be good. We're watching it because
Speaker 1: I loved the first like Sex and the City, like
Speaker 1: I'm in for this. There's it has. It has so
Speaker 1: much potential to speak to our generation. It has. It
Speaker 1: has the potential to make us feel like nostalgic and
Speaker 1: to go, oh my god, they get us now. They
Speaker 1: got us then and they get us now. Definitely, Why
Speaker 1: why are you insulting us with like with making Harry
Speaker 1: be a full on old man who's like, oh my
Speaker 1: back hurt. I can't I have geans? What are genes?
Speaker 2: We look like guy at six Flags that dances unless
Speaker 2: he looks like, I mean, why is this happening? So
Speaker 2: he wants to go shopping and they're like just maybe
Speaker 2: just seppy, like somebody cool, they need somebody hip. I've
Speaker 2: got it, Carrie will go shopping with him. Carrie doesn't
Speaker 2: do anything for anybody.
Speaker 1: It's also kind of a joke, like that should have
Speaker 1: just been a throwaway. I don't know what what writer's
Speaker 1: room where people are like, I have an idea, we'll
Speaker 1: make it real. Why wouldn't you just make Harry go
Speaker 1: you know what, Charlotte?
Speaker 2: We are old it's okay, or like we don't have
Speaker 2: to see the scene where he goes and buys the jeans.
Speaker 1: We don't have to go see that.
Speaker 2: We were gonna see this whole thing, and it's just
Speaker 2: such a waste every time they cut to Charlotte or
Speaker 2: anything to do with her, I'm like, I am out,
Speaker 2: I am? I mean, is it's better than mister missus
Speaker 2: fingerfuck from last Hi?
Speaker 1: Hi, Jason o'donald. You should come through the show at
Speaker 1: the Virgil company, should like mutchel, Oh, this is my girlfriend,
Speaker 1: Jack o'donald.
Speaker 2: You didn't even say that to me. You said hi
Speaker 2: to him twice. I don't like her, okay.
Speaker 1: Also, another thing I could do without, honestly is Anthony
Speaker 1: and GIUSEPPI going with Anthony barking at him, going why
Speaker 1: won't you show your dick on the sidewalk? I don't
Speaker 1: understand you could help my business. And he's like, I'm
Speaker 1: a pellet onesie right and stand on the sidewalk. I
Speaker 1: don't want to be commodified. I just read so much yelling.
Speaker 2: And then, as if that can't get worse, then we
Speaker 2: go to the cutesy music that I hate that's in
Speaker 2: every Nancy Meyers movie where they're like sneaking around doing something.
Speaker 2: So it's Seema is about to have a chat with Elliott,
Speaker 2: and the music's like, boo.
Speaker 1: We're so weird, it's so crazy. Things are about to
Speaker 1: get silly. But it's not. No, it's that kind of
Speaker 1: because Elliot. Yeah, Elliott is like, yeah, I'm retiring five.
Speaker 1: When he goes I'm ninety. Yeah, no, he's not ninety.
Speaker 1: It might be oh my god, remember what he said.
Speaker 1: He said like gay ninety is like a straight man,
Speaker 1: you know, seventy. So we're all kind of shocked that
Speaker 1: I bet he is. I bet that guy is. No.
Speaker 2: Well, whatever, let's find out. You keep going, you keep going,
Speaker 2: I'll find it.
Speaker 1: Oh you're gonna find it. Yeah, you keep talking, tell us,
Speaker 1: let's keep this show going. But then i'llh okay, you
Speaker 1: find out that actor. And then find out how old
Speaker 1: he is, because I I thought they said it kind
Speaker 1: of in a cartoony way, but then they never were like, Okay,
Speaker 1: I'm kidding. It's like, there's no way I could. I could, Okay, eighty,
Speaker 1: I'll even I'll even go with you if you say
Speaker 1: he's eighty and he's just very spry. Okay, but I'm
Speaker 1: gonna say he's seventy eight, not ninety. You keep going.
Speaker 1: So he basically says okay. So he's like, uh, it's
Speaker 1: very and again I am pronouncing this wrong, so you
Speaker 1: guys can correct me. I will come you to correct me.
Speaker 1: But it's very deuse matchina, which is not how you
Speaker 1: say it, but it means okay. So just we have
Speaker 1: to change this story. So just the gods come and
Speaker 1: like change it. And he's like, yeah, I'm retiring and
Speaker 1: I'm sold my shares to a guy named Ryan, who
Speaker 1: I guess we're supposed to know about, but I don't
Speaker 1: know who that guy is. And then, for no reason
Speaker 1: that I understand, but maybe it was set up in
Speaker 1: season one or two, I don't know. Seema's mad, so
Speaker 1: she's like, I'm mad. I was second in command and
Speaker 1: now I'm still going to be second in command just
Speaker 1: to a different guy. But for some reason that makes
Speaker 1: me so angry that I'm going to take all the
Speaker 1: sick days. And I wrote, which obviously means she's First
Speaker 1: of all, a mark of a bad show to me
Speaker 1: is when I'm already and I'm not trying to put
Speaker 1: myself down and say I'm not smart. Great, but when
Speaker 1: I'm going, oh, okay, so now Seema's going to go
Speaker 1: with Carrie, like we've done all this so that Sema
Speaker 1: can get.
Speaker 2: And that's a long way to go just to get
Speaker 2: to that, Like that's what you're say saying, I'm almost
Speaker 2: there because I'm looking through the cast list.
Speaker 1: It happens again when later in the episode and I
Speaker 1: don't want to like, I mean, I could tell you
Speaker 1: when we get there, but also when she backs up
Speaker 1: when the thing says do not back up severe tired neck. God, Yes,
Speaker 1: I was like, okay, so Seema can't go backwards in life.
Speaker 1: She needs to go forward. And then I said it
Speaker 1: out loud to John and then literally the next line
Speaker 1: is She's like, oh my gosh, Carrie, like the sign says,
Speaker 1: and I was like, are you are you? This show
Speaker 1: is made for like seven year olds.
Speaker 2: Okay, so Elliot is named his real name is John Glover,
Speaker 2: and he is Bump Bump bomb eighty, so he's not ninety,
Speaker 2: but he could be ninety, but he's eighty. So it's
Speaker 2: a little we're like kind of in between. It doesn't matter.
Speaker 2: I mean, I your point is, why why make him ninety?
Speaker 1: Just make him eighty, That's what I say. Why couldn't
Speaker 1: he retire at eighty? Why do you have to do
Speaker 1: something that's cartoony? So why does everything have to be
Speaker 1: like he's not Why do we have to watch it
Speaker 1: and go, he's but he's not ninety? But that wouldn't happen.
Speaker 1: Every scene for me is like, but that wouldn't That
Speaker 1: wouldn't happen that way.
Speaker 2: So the big thing here is like, okay, uh oh,
Speaker 2: selling my shares and whatever. And then but guess what,
Speaker 2: I'm Ryan's sister, han is buying me out. Who if
Speaker 2: you watch you watch that stuff? Right? Million dollars listing
Speaker 2: New York. He's a big Brava guy. Ryan's big, and
Speaker 2: he has his own shows. He's kind of like a
Speaker 2: little villainy. They all are, because you know, there's cutthroat
Speaker 2: but whatever I know people that know him personally. I
Speaker 2: know someone who did business with him and it was
Speaker 2: very not good, Like he really like he had to
Speaker 2: be yelled at this guy. So he's kind of like
Speaker 2: a yeah, he kind of owns the real himself.
Speaker 1: Yes, it would be like if a restaurant got reviewed
Speaker 1: and Gordon Ramsay came in. Correct, he's play himself. Okay.
Speaker 1: Well I didn't know who that was so that it
Speaker 1: didn't so to me, I was.
Speaker 2: Just like, okay, right, he is cute, though, I have
Speaker 2: to say I've always had a very big crush on him.
Speaker 2: I said what I said, how I feel and if
Speaker 2: anyone has eyes on him. I know he's married with kids,
Speaker 2: but like you know, if that were to break up, okay,
Speaker 2: But and he's not like he's not like the and
Speaker 2: he's not a good m he's not a good actor
Speaker 2: because he's playing himself right, and he's like, oh I
Speaker 2: thought there's going to be a party or get out
Speaker 2: of here.
Speaker 1: Stop it.
Speaker 2: So now Carrie, now we have to have the scene
Speaker 2: that we just talked about.
Speaker 1: Also just just I know this is just okay, but
Speaker 1: it's like bananas on bananas when Sema walks out and
Speaker 1: is like, grabs the champagne bottle and walks out. Nobody
Speaker 1: would be Seema is the worst behaved person and not
Speaker 1: a fun badly behave but she's elitist. She's rude, like
Speaker 1: she did like she was rude to the guy that
Speaker 1: the egypt director, Guy ourf guy. She's just rude to
Speaker 1: people like on what planet would you be able to
Speaker 1: just be like fuck you Ryan, whoever you are giving
Speaker 1: your champagne and storm out? And then then one of
Speaker 1: the guys like I like her. He's like, I like
Speaker 1: Elia Joh, I like her too? What No, that's the button?
Speaker 1: That's it? Boom boom bum bum bum. Then as if
Speaker 1: we're not bump bum bumping enough, it's so adorable that
Speaker 1: Carrie's gonna take Harry shopping, She's like, and she's being
Speaker 1: a bitch too. She's like, you said this was going
Speaker 1: to be twenty minutes. You said women are because you
Speaker 1: said men are decisive, right is that supposed to be
Speaker 1: like men are like this, but women are like this.
Speaker 1: Where do you have to be? Carrie?
Speaker 2: You got you gotta put together a little thing to
Speaker 2: go on your trip. Nothing, you're not doing anything, you
Speaker 2: have nothing to.
Speaker 1: Think, nothing, and why is Carrie also, I mean, I
Speaker 1: know we already talked about this at the beginning, but
Speaker 1: so now she's so gung ho to go visit Aiden,
Speaker 1: who she could go visit at any time. She's so
Speaker 1: scared that she can't just fly there any day and
Speaker 1: go Aiden, we let's hang out. No, she can't because
Speaker 1: some arbitrary five year thing that when it's convenient for
Speaker 1: him to put her off for five years, it's great,
Speaker 1: but when it's not, he's like, Oh, I'm just gonna
Speaker 1: fly in and see you spontaneously, so you can do that.
Speaker 1: She can't. But now she suddenly, for no reason, hates
Speaker 1: her career so much that she refuses to go to
Speaker 1: San Francisco, refuses to go to self by Southwest. Why
Speaker 1: why would she possibly be like, no, I'll only go
Speaker 1: on this trip because she's insane, Because she doesn't. She's
Speaker 1: not written the way she would be. She's not who
Speaker 1: she is anymore. But I want to talk about how
Speaker 1: mean they are to harry here. So he's they're throwing
Speaker 1: them all these very low waisted type pants, which, by
Speaker 1: the way, low waisted on a short person is not
Speaker 1: a good look. I'm learning a lot more about my body.
Speaker 1: I am thinking, and we do not have them as
Speaker 1: a sponsor, but I tried to get them. Short story.
Speaker 1: Short story is a thing where you can like I
Speaker 1: want to do, want it too. It comes up in
Speaker 1: my ads all the time. No, let me tell me
Speaker 1: buy pants. They're you know, I've I've shrunk a little
Speaker 1: bit anytime I go to buy pants or like a
Speaker 1: little like jumpsuit, which is the ad that comes up
Speaker 1: in my Facebook feed all the time. It drags on
Speaker 1: the floor.
Speaker 2: You want a higher wasted everything needs to be higher weight.
Speaker 2: They have a really great way and I learned a
Speaker 2: long time ago, like how to do that. But they
Speaker 2: will find stuff for you and send it to you.
Speaker 1: How tall are you? Five to four? Yeah, you're so lucky.
Speaker 2: Okay, so yeah, I want to do that. But there
Speaker 2: was a point to that, and I don't remember. Oh yeah,
Speaker 2: don't wear if you look like a Harry, You're not
Speaker 2: gonna wear really really super tight nineties low waisted jeans.
Speaker 2: It's just a bad look. So Carrie does not give
Speaker 2: a fuck about you. She's like bad friend, putting you
Speaker 2: in the worst thing that like is not cool at all.
Speaker 1: And that's all. And it's almost like that our joke
Speaker 1: that we always make about like the bad Friends, it's like,
Speaker 1: you know what you should try Gaucho's.
Speaker 2: You know, it's like cool lots their bad I swear
Speaker 2: they're making it like a vest and a cool lot
Speaker 2: and get one of those vests that has like it's
Speaker 2: like an oatmeal in the bat you know, there's like
Speaker 2: maybe a pattern, pink pattern on it.
Speaker 1: Yeah, it's bad. And she's not here, she's so busy doing.
Speaker 1: But before that, she he does.
Speaker 2: He's like, oh, here's the adderall you wanted, because like Charlotte,
Speaker 2: that makes sense. Charlotte Weld gave it, give it to
Speaker 2: him to give it to her because she has to
Speaker 2: bring the adderall to Kathy. But then she doesn't give
Speaker 2: a fuck because she's like, okay, cool whatever. So then
Speaker 2: Seema calls and is having a problem because she's having
Speaker 2: an existential crisis, and understandably, Harry is going to think
Speaker 2: that she's talking to him because she doesn't know. He
Speaker 2: doesn't know that she's on the phone with Sema, right,
Speaker 2: so I just felt bad. He was just like okay, yeah,
Speaker 2: I'll get him, Okay, I'm coming, and she's like it's
Speaker 2: basically she's just like, shut up, Harry. Yeah, I just yeah,
Speaker 2: they've made her probably like her real personality.
Speaker 1: Yes, she forgot how to play.
Speaker 2: She forgot how to do it because it's been so long,
Speaker 2: and so she just plays it like herself, right, Okay,
Speaker 2: super selfish and weird.
Speaker 1: Okay.
Speaker 2: So then Seema's and for Virginia, she's like, I'm in,
Speaker 2: I'm doing it. Let's do it, right. I just wrote,
Speaker 2: oh God.
Speaker 1: And then the next before on the on the buying
Speaker 1: the clothes part, I said, so because Charlotte's going to
Speaker 1: go out to the club seem younger. I just wrote,
Speaker 1: this storyline is really stretching my patients. Yeah.
Speaker 2: I have that a couple of times too, where I'm like,
Speaker 2: I quit, I write notes to myself.
Speaker 1: Yeah. So Sema pulls up to carry this. I knew
Speaker 1: this was going to make you so mad.
Speaker 2: I feel because Adam like, she's kind of flirting with Adam, right, yes,
Speaker 2: and he's kind of flirting back, and I so see
Speaker 2: your boy. So so what I see your point that
Speaker 2: you says, Like the way they write Sema as though
Speaker 2: she were Samantha, Like, yes, guys did flock to Samantha.
Speaker 1: She's Kim Catrell. She was like a hot fucking model.
Speaker 2: Sama is not that, and she's older and she's reading older,
Speaker 2: she's reading like late. That's what I yes, and so like,
Speaker 2: not all these guys are going to be like madly
Speaker 2: in love with her.
Speaker 1: It's so it's unrealistic for it. It's insulting to to
Speaker 1: like women of a certain age acting like what if
Speaker 1: you guys just put yourself out there, if you tried it,
Speaker 1: maybe tried little confidence. Yes, it's so insulting that like,
Speaker 1: oh yeah, what are you guys talking about. It's not
Speaker 1: hard out there. Guys are absolutely into older women, right,
Speaker 1: oh yeah they're not. They're not, And stop trying to
Speaker 1: gaslight us into thinking that, Yeah it's us we're the problem.
Speaker 1: So just have confidence. That's what it is. Thank you,
Speaker 1: thank you for helping figure that out. Yes, it just
Speaker 1: makes it sound like I'm age shaming her, but that
Speaker 1: like you're exactly okay, that's not what it is. It's
Speaker 1: that I'm sorry, but she does look her age and that,
Speaker 1: and which is great. It's great.
Speaker 2: Adam's not going to be in love with Sema like
Speaker 2: she's not all that, Like it's ridiculous. Not every guy
Speaker 2: is going to be flocking and begging for like, unless
Speaker 2: she's some kind of dominatrix, which they're trying to play
Speaker 2: her off as like emotion, she's an emotional dominatrix, right,
Speaker 2: So I mean, but.
Speaker 1: Adam's not going to flirt that his nephew or whoever
Speaker 1: comes over. None of that's I just read she's the
Speaker 1: worst actress. What the fuck is this scene? Why is
Speaker 1: it happening? So Carrie comes out with one suitcase, trying
Speaker 1: to be like so also he's also I just want
Speaker 1: to say, he's kind of aiden, like in the way
Speaker 1: of he's so kind of dorky with his I had
Speaker 1: a T shirt company and my T shirt is home
Speaker 1: of Home of the Whopper, Like everybody is some kind
Speaker 1: of weird the top of sex, right. But it's also
Speaker 1: because she even goes, well you have to have confident,
Speaker 1: she's I put, she's being Sema Samantha Samantha, which is like, well,
Speaker 1: I have to have confidence, dooby, it might not be
Speaker 1: so safe to go to doomy right now. She says that,
Speaker 1: I'm like, all right, a big whopper in your pass. Weird?
Speaker 1: What just occurred to me?
Speaker 2: This is if we rewrote this in a super fun
Speaker 2: fan fiction way, although I don't know that it would
Speaker 2: be that fun. They never these girls have been friends
Speaker 2: for a really long time. These four women were going
Speaker 2: to put Samantha back in there. They have never once
Speaker 2: had a conversation about like the meaning of life, or
Speaker 2: politics or the New York scene of like let's I
Speaker 2: don't know. Maybe they went to see a play when
Speaker 2: Samantha's young boyfriend at the Smith at the time was
Speaker 2: like in a play and they were like, oh, I
Speaker 2: don't go to Brooklyn for plays. But they're never just like, hey,
Speaker 2: you know, what what do you do today?
Speaker 3: Oh?
Speaker 2: I went and saw a show. You know, there's the
Speaker 2: new there's new show on Wednesday? Half off tickets for
Speaker 2: a Broadway show.
Speaker 1: You never go see a Broadway show. You never. You
Speaker 1: don't care, Like I understand, they're trying to make it timeless.
Speaker 1: I get that. So you don't want to mention the president, Okay,
Speaker 1: I think they should, but it's season three. They were
Speaker 1: they they know what's going on politically. There's never a
Speaker 1: mention of Trump. No, no, one time in New York.
Speaker 1: I mean now, yes, I mean now, I mean now yeah,
Speaker 1: I mean I guess maybe again, they want to keep
Speaker 1: it timeless. But let's say you take politics out of it.
Speaker 1: Let's say you take that.
Speaker 2: Out of it, why why not talk more about the
Speaker 2: things like, you know, go to a rally, go to
Speaker 2: a trans rally, instead of forcing chay on us due
Speaker 2: to something. I mean, I'm not saying they have to
Speaker 2: do it all the time, but there's just never really
Speaker 2: like they never talk about like dying. Well maybe they will,
Speaker 2: but okay, that's all I'm going to say is just
Speaker 2: I think they could go a little deeper. That's all
Speaker 2: I ask.
Speaker 1: I agree.
Speaker 2: I like, like, okay, whatever, I'm gonna move on because
Speaker 2: I could. I could go on side stories the whole
Speaker 2: all the time. But like even in Girls, they have
Speaker 2: moments where one of there's one where they all hung
Speaker 2: out for a long time because that's what you do,
Speaker 2: you group up in your twenties, and one of them
Speaker 2: has a meltdown later and it's like none of us
Speaker 2: would be friends in real life.
Speaker 1: Let's call it. I don't want to be friends with
Speaker 1: you guys.
Speaker 2: Why can't that? Well I guess Samantha did that. They
Speaker 2: just can't have her here saying right, you know, but
Speaker 2: let's lean into that. You know, maybe Miranda.
Speaker 1: Could be like, well, maybe she just didn't like us anymore,
Speaker 1: you know, be her alone. Yeah. Yeah, so Sema is like,
Speaker 1: your gardener's hot, and then Carrie acts like, what that's crazy.
Speaker 1: I wouldn't notice that, right, But I have a feeling.
Speaker 1: I don't know because I have not been spoiled and
Speaker 1: you haven't even told me, but I have a feeling
Speaker 1: she may be attracted to the gardener later. But so
Speaker 1: what we need Seema? She has to play this like
Speaker 1: I had no idea. I had no idea he was hot,
Speaker 1: and he's also they're playing him stupid, like it's never
Speaker 1: been mentioned that he's a good looking guy, Like that
Speaker 1: never came up. And that's what I'm talking about, Like, right,
Speaker 1: nothing exists outside the present second of where they are
Speaker 1: in every scene.
Speaker 2: Yeah, so and then does she say, is it Sema?
Speaker 2: That's like I would never do anything with a gardener,
Speaker 2: would I? She kind of makes a weird like I'm
Speaker 2: so rich.
Speaker 1: Yeah I hate her character. I may do, but okay,
Speaker 1: so then so then you get on a plane, which
Speaker 1: Carrie doesn't like planes, but okay, we'll forget that, okay,
Speaker 1: which also doesn't look like a plane at all. No,
Speaker 1: if you've been on the in the inside of a
Speaker 1: plane anytime in the last ten years, they are cramped.
Speaker 1: Planes are not There's not a mile of aisle space
Speaker 1: right that people are just walking around. They didn't get
Speaker 1: too seats with an empty seat in between them unless
Speaker 1: they bought extra seats, which okay, maybe they bought the
Speaker 1: whole row, but there's no mention. It's just so unbelievable.
Speaker 1: Then this made me so it's just like does every
Speaker 1: scene have to be completely unbelievable. So the flight attendant
Speaker 1: comes by and she's like, ava, zava, tequila, bring me
Speaker 1: my tequila. And he's like, well, you're gonna have to
Speaker 1: wait till we're in the air because somebody's puking. Okay,
Speaker 1: why is somebody puking? So I get somebody. Yeah, you're
Speaker 1: not gonna they're not going to probably be allowed to fly.
Speaker 1: They're gonna to take their temperature. They could have COVID
Speaker 1: or whatever. Are they trying to make it seem though,
Speaker 1: like somebody's like air sick. I don't know if they're
Speaker 1: not in the they're just taxiing now, they're just throwing
Speaker 1: up and she doesn't care. Though Sema has no empathy
Speaker 1: at all.
Speaker 2: She's like, and they're like, ma'am, you need to like
Speaker 2: get out of the aisle, get your weird Louis Vuitton
Speaker 2: bag up there, and like move it.
Speaker 1: They're both just being dicks. But then also they're going
Speaker 1: to do this new storyline which or runner or whatever,
Speaker 1: which is so fucking wrong and weird, but where Seema
Speaker 1: gay men never give her what she wants? Right? What?
Speaker 1: And then like what right? What that? Ay men don't
Speaker 1: give you what you want? What are you fucking talking about?
Speaker 1: You're the most entitled, privileged, fucking weirdo character, but now
Speaker 1: it's oh, gay men are against you.
Speaker 2: Like, I h that's weird. I don't get that either.
Speaker 2: And then if we want to be extra extra in
Speaker 2: the scene, Carrie pulls the adder all out from her bra,
Speaker 2: like yes, and even Seema's like, you really didn't have
Speaker 2: to do that. You could have just put it in
Speaker 2: your carry on. You're allowed to have adderall. You can
Speaker 2: just put it in a pill bottle that's yours, right,
Speaker 2: They're not going to check. She's like, they don't have
Speaker 2: a That was a pretty good moment. She's like, they're
Speaker 2: not going to chemistry test your pills. Yes, it's in
Speaker 2: your own pill bottle. Like that was real. Okay, I
Speaker 2: guess I'll give them that. At least there was someone
Speaker 2: there to say like what.
Speaker 1: But h okay, So in that moment they injected some reality,
Speaker 1: but no other moment.
Speaker 2: But also it's not really because they would have gotten
Speaker 2: they would have padded you down when you go through
Speaker 2: airport security, they would have found the adderall in your bra. Yeah,
Speaker 2: so what idiot? You're just all idiots and I hate it. Okay,
Speaker 2: So Lisa, let's move on from that.
Speaker 1: Lisa hated this next scene even more than the last scene.
Speaker 2: If she's doing a lot of business, she's mad about
Speaker 2: her editor so big. Yeah, she's got a big bowl
Speaker 2: of mashed potatoes. Think think the drive Richard Dreyf's maybe
Speaker 2: what is it, uh close encounters when they're building the
Speaker 2: mash potato. That's what I was thinking, Like, you just
Speaker 2: build like a mashed potato mountain and find the aliens.
Speaker 1: But she doesn't do that.
Speaker 2: She's doing all this business and she's mashing them real hard.
Speaker 2: So George Washington and that is what we are going
Speaker 2: to call him because he does play that in Hamilton,
Speaker 2: and he was wonderful and if you watch the Tonys
Speaker 2: and you better have, you would have saw it. He
Speaker 2: came out and sang and it was pretty fucking great. Well,
Speaker 2: we're gonna being completely wasted. That's exactly what I wrote,
Speaker 2: that he's being wasted. We are going to bow down
Speaker 2: to every episode from here on out. He is a treasure,
Speaker 2: but his character in this is intolerable. I think he
Speaker 2: knows it too. I bet they didn't even write about that.
Speaker 2: He's like, this is ta He goes, she's being crazy.
Speaker 2: So he tries to say to Lisa, He's like, you know,
Speaker 2: like Gray stood by you for a really long time,
Speaker 2: like let's let her go, let her fly. You're being
Speaker 2: kind of awful. And so then she's like, don't you're
Speaker 2: still mad? She just no, Now I'm mad at you.
Speaker 1: Shut Upay, but I well, I'm going to push back here.
Speaker 1: I'm going to push back at the reason why I
Speaker 1: was upset. Okay, she can't even like, she doesn't get
Speaker 1: to have any sort of Everything is about George Washington.
Speaker 1: George Washington has no tolerance for her to have any
Speaker 1: kind of feeling that's not about him, or that's true
Speaker 1: him being the comptroller. Everything feels to me, Like, he's like, wait,
Speaker 1: but that's not about me being the comptroller. You don't
Speaker 1: even need your silly little job anyway. So she doesn't
Speaker 1: even get to have a moment. She's just annoyed. She's
Speaker 1: yelling at him and going like, fuck Grace, she's a
Speaker 1: fuck bitch. I can't believe she's leaving me. But she's
Speaker 1: just like, yeah, I'm just really frustrated, like and then
Speaker 1: but so it's okay. I'm fine with him saying listen,
Speaker 1: she was with you for eight years, that whole thing.
Speaker 1: But when she keeps smashing the potatoes, he goes. He
Speaker 1: literally says, wow, you're still mad after I just told
Speaker 1: you all that stuff. Yes, and you're right, you want
Speaker 1: to be like she gets to have her feelings like
Speaker 1: you don't get to walk in and go, you know what,
Speaker 1: you shouldn't feel that way, and then she's supposed to go,
Speaker 1: you know what, You're right, Thank you for thank you
Speaker 1: for straightening me out on that. I'm going to be
Speaker 1: a better person now. I'm not mad like what the
Speaker 1: I was, just like I don't like his character, being
Speaker 1: like I'm the most important person in this relationship. I
Speaker 1: want to have sex with you, right now I don't
Speaker 1: care that you're all dressed up for the met ball.
Speaker 1: Let me let me eat you out. I am eating
Speaker 1: you out and I don't care what you say. Yes please.
Speaker 1: I know we keep coming back, but this whole but
Speaker 1: his oh my god, this this, this kind of weird
Speaker 1: out of pocket sex talk is going to come back later,
Speaker 1: but not with those two. But it's just I just
Speaker 1: don't like the fact that, like the women are sort
Speaker 1: of put in their place or their seema and they're
Speaker 1: just like, you won't hold this woman down. I'm ruthless.
Speaker 1: I don't you know what I mean. It's like, yes on, yes,
Speaker 1: we have any middle ground on these people, like we used.
Speaker 2: To like the clip that I played you at the
Speaker 2: beginning of this episode where it used to be well written.
Speaker 2: So now, speaking of which, Sema and Carrie are dressed
Speaker 2: up to have like whatever dinner at their stupid hotel,
Speaker 2: like they're going to a ball. They look like they're
Speaker 2: going to especially Sema. It's so stupid. I'm like, why
Speaker 2: are you dressed like that? Who dresses I'd be in
Speaker 2: like sweatpants?
Speaker 1: Right?
Speaker 2: I okay, So she's they're kind of defending Aiden, but
Speaker 2: not Elliott that's what I have here. They're well, she's
Speaker 2: trying to compare the two things. Is getting a little
Speaker 2: tired too, like they're two very different things. Your boss
Speaker 2: is selling your shit, the shares your company, and Aiden
Speaker 2: is this like really dumb, weird relationship you're in.
Speaker 1: I don't really understand why they kind of thread those together, right,
Speaker 1: but Seema, But then okay, so so after so yeah,
Speaker 1: basically she complains about her boss or whatever. And then
Speaker 1: and then Carrie goes, yeah, you know what, I'm Aiden's
Speaker 1: number four. Then she goes to herself, Wow, that's really sad.
Speaker 1: And instead of actually saying something helpful, like Miranda would, yeah,
Speaker 1: seems like what No, Aide's trying really hard to make
Speaker 1: this work, Carrie, Yeah, you better be.
Speaker 2: Yeah, Well, Miranda definitely would have said that. Charlotte would
Speaker 2: have said that. She'd be like, no, let's give Aiden
Speaker 2: a chance. You guys are a soul aids. It would
Speaker 2: be that bullshit.
Speaker 1: You need to be more Avadava do me. You need
Speaker 1: to be more appreciative of the fact that he lets
Speaker 1: you fly to Virginia's. Amanda would never say that.
Speaker 2: So Amanda would never she'd be like, oh, honey, you
Speaker 2: can do so much better than this, right, Granola Like
Speaker 2: she'd like, no, we don't have that.
Speaker 1: Though.
Speaker 2: Then let let's get into how gross this is. This
Speaker 2: guy who's the pr from the festival, guy Mike. He
Speaker 2: comes over, he's very extra, he's southern, and he's just
Speaker 2: I just want to almost seem like, whoever this guy was, he.
Speaker 1: Was playing himself as well.
Speaker 2: Did you get that vibe that maybe he works for
Speaker 2: this company or the restaurant, because who is that guy
Speaker 2: and why is he cast in this?
Speaker 1: Because for what I said at the beginning, that I
Speaker 1: said might get me canceled, okay, because they're just trying
Speaker 1: to put in all they're just trying to be like, look,
Speaker 1: how woke we are. Everywhere we go, there's trans people,
Speaker 1: there's flamboyant. Everybody's flamboyant and gay and trans, and you know,
Speaker 1: we're just so open on our show.
Speaker 2: I just didn't it didn't make sense that he'd be
Speaker 2: the person coming over to like welcome them from the
Speaker 2: fest to the southern restaurant.
Speaker 1: You know what I mean? And then I was like,
Speaker 1: Asiema flirting with this person. At some point I was confused,
Speaker 1: she's trying to she's she's we're just we're just setting
Speaker 1: up that gay men don't give her what she wants.
Speaker 2: Oh right, okay, So before that we go back to Miranda.
Speaker 1: Also, but also what what restaurant managers? So this is
Speaker 1: supposed to be like a nice restaurant, Yes, very nice. Yes, yes,
Speaker 1: so except for the fact that I guess they got
Speaker 1: the old menu. M hm oh that's the old menu.
Speaker 1: She's like, oh is this is this fried chicken as
Speaker 1: good as it looks Now, that's from the old menu. Yes,
Speaker 1: it's made with air fried chicken and suckatash foam. That
Speaker 1: sounds delicious. Why can't you just have that? Okay? Fine?
Speaker 1: And then and then Carrie says, carry says, now, why
Speaker 1: can't a gay man ever give you what you want?
Speaker 3: Oh?
Speaker 1: My god? Again?
Speaker 2: Yes again, So we have the guy, we have Elliott,
Speaker 2: we have the guy on the plane. First of all,
Speaker 2: they're just being rude too to keep like outing these guys.
Speaker 2: Maybe it's not yes, maybe it's just a little effeminate,
Speaker 2: right right, right, Okay, So now we're at we're at
Speaker 2: finally Miranda and yeah, which is like, okay, this the
Speaker 2: only thing that's ever played with any realism is Miranda.
Speaker 2: So they're kind of cute joys like you, I mean,
Speaker 2: you're fine here without the cocktail. She's like, I come
Speaker 2: for the mixed nuts. And they're being cute with mocktails. Honey,
Speaker 2: it's fine. That's what it would be. And it kind
Speaker 2: of sees flirting. Joy yes, just like to each other
Speaker 2: for sure.
Speaker 1: Okay, when you are on camera, you have to She's like, Okay,
Speaker 1: what am I doing wrong? Oh yeah, you have to breathe.
Speaker 1: You have to breathe, Miranda, like when you're about you know,
Speaker 1: you have to like be intentional with your breathing. And
Speaker 1: she's like, feel my heart, put your hand on my heart.
Speaker 1: It's real flirty. But then all of a sudden it's not.
Speaker 1: So I was like, okay, I like that because guess what.
Speaker 1: That's a little bit like life. Like you're at a
Speaker 1: buya somebody you're like, oh wait, I think they're really
Speaker 1: into me, like we're having a moment, and then they're not,
Speaker 1: and you're like, oh god, yeah, like I don't know
Speaker 1: what's happening.
Speaker 2: And I like the way they've set it up with
Speaker 2: Miranda that she's gotten so many of these wrong, Like
Speaker 2: I think that person's flirting but they're not. So there's
Speaker 2: a lot of them, so she has every right to
Speaker 2: be scared. Even then from the outside we can see like, no,
Speaker 2: no joy is into you. It looks this is a
Speaker 2: good one, this is the one you want to get with, right,
Speaker 2: But she's unsure because she's had so many.
Speaker 1: Right.
Speaker 2: Okay, So then now we go skip over to Charlotte
Speaker 2: out late with these idiots, and I'm just like, are they.
Speaker 1: To Harry and Harry for some reason?
Speaker 2: And I just reber, are they supposed to be drunk?
Speaker 2: Because they're not playing that very well, like she's supposed
Speaker 2: to be really drunk. But I'm like, oh my god, please.
Speaker 1: So this is where Harry has to go to the bathroom, right, Well,
Speaker 1: well Charlotte first, it's basically like Charlotte kind of wants
Speaker 1: to leave too. She's like, I'm on the verge of
Speaker 1: selling this painting, so she wants to stay. Harry's kind
Speaker 1: of tired, and Charlotte's like, we have to we have
Speaker 1: to stay because I'm so close to selling this painting.
Speaker 1: So Harry, who at this point really is acting like
Speaker 1: he's one hundred one hundred years old, is like, uh,
Speaker 1: I don't know if I'm going to stay out later,
Speaker 1: I'm going to have to use the little boy's room.
Speaker 1: Oh my god, Oh my god. Okay, this this is
Speaker 1: one of the worst scenes of any show that I've
Speaker 1: seen in a really long time. Okay, you tell us
Speaker 1: you okay, Okay. So Harry goes to the bathroom and
Speaker 1: he can't get his jeans off quick enough. So I guess,
Speaker 1: all of a sudden, is he incontinent? Like they do
Speaker 1: not explain this. Is he having kid Does he have
Speaker 1: a kidney infection? All of a sudden, he goes from
Speaker 1: zero to like, let me hit the little boys room.
Speaker 1: He can't get his buttons unbuttoned because oh my gosh,
Speaker 1: they're too modern. These jeans are stiff and modern and
Speaker 1: I can't unsnap them. So he peezes his pants.
Speaker 2: Yeah, and he like beat him hard, like he was
Speaker 2: like huh, like I less it all out, like like
Speaker 2: you would think a little bit would get on You're like, okay,
Speaker 2: I'm gonna stop that. I'm gonna use like, you know,
Speaker 2: my muscles and I'm not gonna have that appen.
Speaker 1: I'll get you know, I'll clean it up. Nope.
Speaker 2: He just yeah, he just like enjoys it almost. It's
Speaker 2: just like, ooh, finally when you get the pee out.
Speaker 2: So he goes back out to her and he's like,
Speaker 2: now he uses the thing again where he says he's
Speaker 2: sponge Bob.
Speaker 1: He's like, oh my god, I just he goes, I
Speaker 1: just peed my pants. I turned from and he says
Speaker 1: it like this, this is the way he's delivering it. Okay,
Speaker 1: I'm sorry, Evan Handler, but you can have some say
Speaker 1: on how you deliver your lines. And he's like, I
Speaker 1: turned from SpongeBob SquarePants to SpongeBob wetpants. My god again
Speaker 1: or soaked pants? Oh no, no, that's the party goes
Speaker 1: SpongeBob wetpants. And then Charlotte goes, oh my gosh, let's
Speaker 1: get you home, which is normal, of course, and he goes, no,
Speaker 1: absolutely not. You got to sell that painting. And then
Speaker 1: and then he's like, but before you'd go, let's get
Speaker 1: a picture for the gram my God with his pants,
Speaker 1: and he goes, you can't see it in these pants, right,
Speaker 1: he is soiled, And I want to stress again, he
Speaker 1: didn't just pee his pants a little bit, which is
Speaker 1: something by the way, that happens to people as they
Speaker 1: get a little older and will probably happen to us
Speaker 1: like pretty soon.
Speaker 2: Sometimes you pee your pants a little bit, it's like sucks.
Speaker 2: It's just to laugh really.
Speaker 1: Hard, not being happened, get your pants off, and then
Speaker 1: you just decide to pee the whole way, like depends. Yeah,
Speaker 1: he just left the pants.
Speaker 2: Okay, I can't get them off, so I'm just gonna
Speaker 2: pee it all out. I'm just gonna go ahead. Then
Speaker 2: I'm going to obviously smell really bad that no one's
Speaker 2: gonna notice.
Speaker 1: And I want to.
Speaker 2: Take time to take a picture with Graham because I'm
Speaker 2: just like a picture positive.
Speaker 1: Yeah, He's like, you know what, these jeans are so
Speaker 1: dark you can't tell they're soaked. My god, oh my god.
Speaker 2: So off he goes, thank god, Hey, this episode only
Speaker 2: gets worse from me, now I know.
Speaker 1: So this is where I this it the whole series.
Speaker 1: Jumped the shark at the wet pants. But then yeah,
Speaker 1: uh cars at the hotel room. Yeah, and she calls, well,
Speaker 1: she calls Aiden and I don't know what I wrote,
Speaker 1: but I just wrote they're all so wrong. He's like
Speaker 1: to check you up. He goes, do you want me
Speaker 1: to pick you up? And she's like no, no, no,
Speaker 1: I'm just going to drive and he says, okay, well,
Speaker 1: I mean I only live twenty minutes away from there,
Speaker 1: so it's really not a big deal. So then Sema
Speaker 1: and Carrie got have some like fried chicken and they're
Speaker 1: laying on the bed, which I read on Reddit was like,
Speaker 1: first of all, they're doing product integration. For sure. I
Speaker 1: guess there was a scene gave it away for the
Speaker 1: chicken to be faced me out and then like little
Speaker 1: little like arrows and go, mmmm this Kentucky fried chicken,
Speaker 1: which they don't even call it that, and you're looking good. Yeah,
Speaker 1: so in like straight to camera, Yes, there was a scene.
Speaker 1: There was an old chicken scene where he wanted to
Speaker 1: stay in bed and eat fried chicken and she wanted
Speaker 1: to go out and party.
Speaker 2: Yes, there's been a couple of chicken scenes, because there
Speaker 2: was one when she was dating the comic book guy
Speaker 2: and they took chicken and threw it off the roof
Speaker 2: and probably could kill someone from that from like it
Speaker 2: like eighteenth floor. They were throwing they were got really
Speaker 2: high and they were throwing chicken.
Speaker 1: But yees. So I wanted to discuss this scene because.
Speaker 2: Basically fiddle me d because someone says that fiddle me
Speaker 2: d I don't know says that, but I think it's Carrie.
Speaker 1: Well, okay, so she Seema are talking and Seema's like, Harry,
Speaker 1: do you think I should really start my own business?
Speaker 1: I mean, is it too late to start over? Whoa
Speaker 1: double meaning start? Is it too late to start over?
Speaker 1: And Carrie says, well, you don't get what you don't
Speaker 1: ask for, and then you know, I don't know something else,
Speaker 1: and then then she's like, you know Aiden didn't ask
Speaker 1: me to stay right, And then Seema's like, do you
Speaker 1: think you were so busy being easy breezy that he
Speaker 1: didn't know you wanted to stay? Like maybe that is
Speaker 1: the worst advice that anybody's ever given. Ever. If Aiden
Speaker 1: actually liked her and was into her first of all,
Speaker 1: he wouldn't have said we can't see each other for
Speaker 1: five fucking years at what it's like a screaming headline
Speaker 1: that he's not into it right off five years? Why
Speaker 1: would Sema? Why wouldn't the character of Sema be like,
Speaker 1: who's supposed to be a strong woman who won't even
Speaker 1: tolerate her her boyfriend flying in from Egypt to see her.
Speaker 1: He's not into her enough? Why would she possibly give
Speaker 1: Carrie the you know what, maybe you're just not being
Speaker 1: obvious enough that you like him. Yeah.
Speaker 2: No, it's very bad advice. It's just terrible. And oh
Speaker 2: and they have a very the vibe of like eating
Speaker 2: the chicken. Now we got the real chicken, not the
Speaker 2: nice one. They're like, they're just not like other girls.
Speaker 2: They'll just eat chicken and like talk about guys and
Speaker 2: they'll just like get messy and somebody else's bed right right.
Speaker 1: So then she changes her mind.
Speaker 2: I just wrote, Sema changes her mind about the whatever firm,
Speaker 2: And I just wrote I don't care.
Speaker 1: I don't care what she does.
Speaker 2: I don't care if she joins up with the other firm,
Speaker 2: she starts her own whatever they're calling it.
Speaker 1: I don't give a fuck. I don't care.
Speaker 2: So, but we know that that's hanging out there. So
Speaker 2: then Carrie is this when Carrie talks to Aiden again.
Speaker 1: No, this is where Charlotte's at the bar. Oh yeah,
Speaker 1: and the Megan Statler want to be comes running over
Speaker 1: and she's like, oh my god, I am in love
Speaker 1: with Roy or Douche or Dutch or something. I don't
Speaker 1: care his name. I just touched his dick felt it
Speaker 1: through his pants and I almost came, oh my god,
Speaker 1: so gros fuck. I was something like gross no oh,
Speaker 1: And she's like, he's so sexy and it's not just
Speaker 1: the sex, it's not just feeling as hard prick through
Speaker 1: his jeans.
Speaker 2: She's like, tell me what to do because you're old,
Speaker 2: and so Charlotte's like, well, one thing is maybe like
Speaker 2: don't touch his dick through his jeans. Yeah, you know,
Speaker 2: like maybe that was pretty good advice, like maybe just
Speaker 2: talk to him or whatever.
Speaker 1: And she's like, you're so smart. Oh my god, you're
Speaker 1: so right. I'm gonna die. I will die. I will
Speaker 1: dive it out. Fuck him right now, make me fuck him.
Speaker 1: It's like, well, you need to go to a sex
Speaker 1: addiction meeting. Yes, it ain't so awful, not good. Well
Speaker 1: we kind of find out why because so then Charlotte,
Speaker 1: then the guy Roy Dutch or Dutch Water or whatever,
Speaker 1: is like, uh, She's like, I really want to talk
Speaker 1: to you about this painting. And he's like, Okay, come
Speaker 1: over here and talk to me. Like in the corner,
Speaker 1: everybody's doing co like just out in the open. Is
Speaker 1: this still a thing in New York? I guess yeah,
Speaker 1: probably sure in the risk. Yeah, maybe they're just all
Speaker 1: just but it's so over the top people don't even
Speaker 1: I'm sorry, but back in the freaking eighties when I
Speaker 1: was doing some coke a late eighties, they didn't do
Speaker 1: it like then either. Nobody was like it was like
Speaker 1: the seventies is like what they're trying. It's like because
Speaker 1: the writers seem like too old. Oh we'll get this.
Speaker 2: We'll we'll take a one hundred dollars bill and we'll
Speaker 2: just like tube it up.
Speaker 1: No, you like stick it on your teeth or whatever. Yes, yes, okay,
Speaker 1: So the Dutch guy is like trying to talk to Charlotte,
Speaker 1: and Charlotte goes, hey, I've got some juicy gossip.
Speaker 2: For it out of nowhere. She says, Okay, I'm gonna
Speaker 2: be the guy. And then you bet you be Charlotte
Speaker 2: because this made no sense either. Okay, so, hey, I
Speaker 2: know somebody who has a crush on you.
Speaker 1: They do h okay, like she works at the gallery.
Speaker 2: Okay, she works at the gallery, and you're standing really
Speaker 2: close to me. I'm gonna go ahead and kiss you.
Speaker 1: I mean, we're all fucked up, right ew disguising stop
Speaker 1: it right now. What are you doing? I am married
Speaker 1: with children. No, it's talking about the other girl, heavy,
Speaker 1: the heavy set girl that you And he's like, yeah,
Speaker 1: that's really even my thing. And I don't even know
Speaker 1: her name. And she's like, well her name is something
Speaker 1: that we can't remember, Meliah or Leila, Leila. Yeah.
Speaker 2: Yeah, and he's like okay whatever. He's like, okay, well
Speaker 2: she seems nice and everything. We're having fun. He wasn't rude,
Speaker 2: but he's like, yeah, that's not really my thing. He'd
Speaker 2: love to.
Speaker 1: But I gotta say I got to say here. So
Speaker 1: this show is going so hard and like we are
Speaker 1: so gender inclusive. We see just there's tons of like
Speaker 1: I said, trans people, gender all sorts of gender bending.
Speaker 1: But now we're going to fat chain. Yeah, Like now
Speaker 1: we're going to go like, oh no, she's a fat girl.
Speaker 1: She's not attractive enough for a guy, for a guy,
Speaker 1: and we're gonna make that a story, right like it was.
Speaker 1: I was so put off by that. Why wouldn't you
Speaker 1: use that moment? Why would you make that a thing?
Speaker 1: Why not about her? Like you? Yeah, exactly exactly so,
Speaker 1: and we're going to make it that this guy is
Speaker 1: so superficial that he doesn't like heavier women, but he
Speaker 1: likes but he likes women who are in their late fifties. Like,
Speaker 1: I'm sorry, I don't buy it. I don't buy what
Speaker 1: they're doing here. I don't like it. You'll buy it, okay,
Speaker 1: all right, So back at Charlotte to lease that.
Speaker 2: We have to go back to Lisa for Charlotte leaves,
Speaker 2: and it's still daylight, and so we're supposed to be like, oh,
Speaker 2: She's like, oh god, it's like six in the morning
Speaker 2: and I was here all night.
Speaker 1: I'm just wild. I can't really do that. Of course not.
Speaker 2: You shouldn't, right, There's no reason for you to go
Speaker 2: to some like after after party with like a bunch
Speaker 2: of coke to sell.
Speaker 1: You could sell it at your like sell it at
Speaker 1: the gallery girl, right. And it's not because your family
Speaker 1: is holding you back, Charlotte, it's because grown ups don't
Speaker 1: fucking do.
Speaker 2: That, right, right, Well I would, but okay, and I'm
Speaker 2: so bored with this thing too, Like it's they're drawing
Speaker 2: this out, grace up, right.
Speaker 1: Do you apologize? She we so apologized. She's like, you know,
Speaker 1: I get it. Here's a muffin. Yeah, But then the
Speaker 1: editor has to do this whole thing. You know what
Speaker 1: you're You're amazing. You're a strong woman, You're powerful. No
Speaker 1: you're amazing, No you're amazing. No you're more amazing. No,
Speaker 1: you're the most amazing. So stupid, it's waste of our time.
Speaker 1: So that was like a whole scene.
Speaker 2: Then we moved back to Sema and Carrie and they're
Speaker 2: at a car place and I just got annoyed by
Speaker 2: this because it's supposed to be it's Virginia now, so
Speaker 2: it's so laid back. So even the car rental person
Speaker 2: is just like, all right, sweetie, what can we do
Speaker 2: you for? Then she gets her she's like trying to
Speaker 2: rent a car and her driver's license that kind of
Speaker 2: made me laugh expired in twenty seventeen. Because they have
Speaker 2: make jokes that carry they just don't drive in New York,
Speaker 2: so it is kind of funny. She's like, I guess
Speaker 2: I just always use my passport because she's so she's
Speaker 2: so hollygo lightly she always just used her passport because
Speaker 2: she's just all over the place, like jetting here, jetting there.
Speaker 1: What evs. Yeah, but she would have noticed when you fly.
Speaker 1: She would have noticed when she went to fly to
Speaker 1: her driver's license.
Speaker 2: She said, that's why she doesn't notice, because she uses
Speaker 2: her passport because she's always flying so fancy like overseas.
Speaker 1: I guess. So that was just really stupid. And then
Speaker 1: uh so Sima's gonna drive, yeah, which there's no real
Speaker 1: reason for that either.
Speaker 2: No, oh well there is because of what she's gonna do.
Speaker 2: That's going to bring us back to never going back, right,
Speaker 2: But why couldn't Carrie have done that? What difference would
Speaker 2: it happen? Such a good point, none of it. It's
Speaker 2: such little weird details of dot. And then for one
Speaker 2: second we go back to Anthony. It looks all bombed
Speaker 2: because no one's buying his dic do. And then all
Speaker 2: of a sudden, Jozepi walks up and he's wearing the
Speaker 2: hot thing and he's.
Speaker 1: Like, oh I love you, which is also so odd.
Speaker 2: Yes, and then all the ladies, one that he'd offered
Speaker 2: bread to was like no, thank you. And then he
Speaker 2: comes up and she's like, I'll take his package. And
Speaker 2: then and then this other dude is like me too.
Speaker 2: So it's like the gals and the Gaze, they all
Speaker 2: want the dicto from Gi Seppi.
Speaker 1: I mean, it's so just for you're right. We talked
Speaker 1: about this in the last season too, where I was like,
Speaker 1: they're trying to make women just all be size queens.
Speaker 1: Like all the women are just like, oh my god,
Speaker 1: I must have the biggest dick. Oh Like that's all
Speaker 1: women talk about is how big a dick is, and
Speaker 1: we do not care. We do not care at all.
Speaker 2: Okay, Okay, now we're back in the dumb So Ryan
Speaker 2: Sirhan is calling, and so she has to look good
Speaker 2: for that call. Remember, she's like making you're getting a FaceTime.
Speaker 2: So Carrie is like, I'll get out. Why wouldn't you
Speaker 2: just stay in the car. You could just say it.
Speaker 2: You don't have to get out.
Speaker 1: You're so right not to talk about that. You can't
Speaker 1: be in the Exactly, she's gonna ask her big question
Speaker 1: like can I be partner?
Speaker 2: Can you put my name on the thing that's a
Speaker 2: big She makes her face look good.
Speaker 1: Whatever. Then we go back. So that's one second. Then
Speaker 1: the editing is so bad no, because first okay, so
Speaker 1: then right after that she says she finishes the call,
Speaker 1: and then she's like, yeah, you know what, there's worse
Speaker 1: things than being the number number two to the number
Speaker 1: one guy. Right, So now she's going she's going to
Speaker 1: be back. She's going to work for him. Yes for
Speaker 1: one when they drive for a second, yes, So then
Speaker 1: they go to drive out and she drives the wrong
Speaker 1: way over it. They pulled in to the do not
Speaker 1: back up, severe tire damage. But now she does go
Speaker 1: back out that same way. The tires go flat, and
Speaker 1: then Carrie's like, what are you doing? And then they
Speaker 1: show the sign and that's when I was like, okay,
Speaker 1: so now Seema is going to go well, we can't
Speaker 1: go backwards. We can only go forward. Although Harry is
Speaker 1: not going to get that lesson, No, nobody cares. Then none,
Speaker 1: hold on, none of us are going to get it
Speaker 1: because none of us can. Before that happen, it doesn't matter.
Speaker 1: So really it didn't change anything. Am I here? Now
Speaker 1: you're back one. I don't know why.
Speaker 2: There's one split second where Charlotte is so hung over
Speaker 2: and she's talking to this random woman that comes up.
Speaker 1: Don't forget that.
Speaker 2: This woman comes up and she's like, honey, oh my god,
Speaker 2: you have a tail and all me too. Anyway, I
Speaker 2: want to buy this nine trillion dollar painting. Like, first off,
Speaker 2: who is this woman? Why are they having this conversation now?
Speaker 2: And then she's then she says like, do you.
Speaker 1: Want to go? Maybe we can go talk like adults.
Speaker 2: I just didn't know that they go back and forth
Speaker 2: between this, but I was just like, who is this
Speaker 2: and who fucking cares?
Speaker 1: I literally didn't even write it down. Yeah, because again
Speaker 1: just like I don't care about these. It'll come back
Speaker 1: in a second. So Carrie, that happens. Oh yeah, no, no,
Speaker 1: actually I have it. I said, Yeah, she's the new
Speaker 1: mom one of her mom friends. Yeah, okay, I just
Speaker 1: wrote Charlotte sells a painting. Moving on.
Speaker 2: Okay, so now Aaron pulls up, Aaron Aidan pulls up
Speaker 2: and is Now I'm going to say something that's going
Speaker 2: to go against everything we've said for like ten years.
Speaker 2: I do find Aidan attractive in this scene.
Speaker 1: He looks cute in the truck, and we give him
Speaker 1: that he looked good when he showed up, because like,
Speaker 1: if I were Carrie and like maybe he hasn't met
Speaker 1: Sema or something, I'd be kind of proud of him, like, yeah,
Speaker 1: that's my birfriend's kind of hot. He's not, he's kind
Speaker 1: of hot, all right, all right, I'll let it. I'll
Speaker 1: let it go. I mean he does nothing. I don't
Speaker 1: find him hot at all and his personality. Hey Carrie, here,
Speaker 1: I am in your truck. Come on, happen Carrie. It
Speaker 1: is a little lady. Come on, lady lady. Hey, and
Speaker 1: you know what does a special lady want to stay overnight? Yeah,
Speaker 1: have dinner and then it's breakfast. And she's like, oh
Speaker 1: my god, ain'tan asked me to stay? Like he wants
Speaker 1: me to stay?
Speaker 2: You call himself a hillbilly uber or did I make
Speaker 2: that up? Somebody called it a hillbilly uber he pulled up.
Speaker 2: I think he said it. Then they make out for
Speaker 2: a second in front of Sema, which was so weird.
Speaker 2: And then yeah, they have the conversation.
Speaker 1: It's like, yeah, like maybe you could have dinner and
Speaker 1: then I don't know, maybe breakfast. And Carrie's like, see,
Speaker 1: she he wants me to stay. And seem was like,
Speaker 1: well cool, are you guys gonna give me a ride
Speaker 1: to the airport.
Speaker 2: Or do I have to like walk back. At one
Speaker 2: point I really thought they were just gonna leave Sema there.
Speaker 2: Carrie does not give a fuck. She used her to
Speaker 2: be like a friend to help her do all these things.
Speaker 2: But then as soon as Aidan got there, she didn't
Speaker 2: care about Sema. She had no further questions about how
Speaker 2: she's going to start her own real estate firm, right right, right,
Speaker 2: so dumb, yes, okay, So she's like, can you guys
Speaker 2: give me a ride to the airport and like yeah, yeah, okay.
Speaker 1: Then this is the worst scene in the entire episode.
Speaker 1: This is insane. There's so many competing for that. They're like,
Speaker 1: so Carrie's like, uh, oh, where's our luggage?
Speaker 2: And seems like, oh no, we left it in the
Speaker 2: rental car, which I guess had been you know, taken.
Speaker 2: You know, I guess that had been towed, right, But
Speaker 2: they don't show them going to get it. They just
Speaker 2: the next scene is just Aiden dropping her off somewhere,
Speaker 2: which I didn't even hear the house, Yeah, but like
Speaker 2: his guesthouse, the shed or something because he didn't.
Speaker 1: He's like, oh, I haven't told the fam yet, and
Speaker 1: why it's kind of weird. I want to bring him
Speaker 1: on you So are you cool to just stay here
Speaker 1: because he had she had to stay in like a
Speaker 1: private area, yes, on the lot, But I also want
Speaker 1: to find out, like what happened to their luggage, because
Speaker 1: why even we would never have remembered that the luggage
Speaker 1: was not in suitcase, right, why bring it up? Then
Speaker 1: you didn't deal with it, right, although we had to
Speaker 1: deal with the fact that Harry needed to go get
Speaker 1: clothes to go to the club and go to the
Speaker 1: whole fucking store and like, hey, none of this makes sense.
Speaker 1: I know it's bad. It's bad writing, but a whole
Speaker 1: scene where he's just like, yeah, Carrie, I didn't tell
Speaker 1: the boys you were coming. And we have a tradition
Speaker 1: every night we lay in bed and then I I
Speaker 1: rub one out because that's the only way I can
Speaker 1: because not in any way that's like sexual. Though it's like, well,
Speaker 1: I mean the right after I finished, when I'm in
Speaker 1: the afterglow of Rebin went out of coming, like I
Speaker 1: say to why it like, hey, you want to lay
Speaker 1: out ours for the next days. So we hadn't laid
Speaker 1: you out yet, Carrie, little baby, little little lady, so
Speaker 1: maybe could you just like hole up here, little lady,
Speaker 1: maybe do some riding. It's so weird, Oh good, honey.
Speaker 1: And she's like, oh yeah, no, totally, I totally understand,
Speaker 1: Like you know, I mean, we weren't even supposed to
Speaker 1: have any contact for five years, so I guess any
Speaker 1: little bit of like, oh I can stay hidden away
Speaker 1: in your guest, I wrote, I think she's in the stables.
Speaker 1: That's what I wrote down. She's like, he just drops
Speaker 1: her in the stables and then she immediately starts writing
Speaker 1: her eighteen hundreds novel. Yeah, like wait first, but first
Speaker 1: she's like, oh, yeah, I almost forgot the adderall that
Speaker 1: I brought you. Yeah, cat, if you called me on
Speaker 1: the phone under the number under the number label pathy
Speaker 1: Aiden's ex wife, Oh I did, guess. I didn't mention
Speaker 1: that she called me and asked me to score her
Speaker 1: some adderall.
Speaker 2: Just yeah, she said in that scene we forgot in
Speaker 2: the scene that she said like, Aiden's kind of weird
Speaker 2: about this. That was a conversation I think that they
Speaker 2: have in the scene where it's like he doesn't really
Speaker 2: like maybe I'm sorry. This might be a spoiler. They
Speaker 2: might say it later. But Aiden's not into the pills man,
Speaker 2: Like good hard work is gonna fix wyat, you know,
Speaker 2: like maybe dig in a ditch and near the river,
Speaker 2: something's going to give him, Like what it's a paint
Speaker 2: and old paint old mister Withers fence. He's like, are
Speaker 2: you sure not to give like a Huckleberry finn because
Speaker 2: they're getting like real Mark Twain here, you.
Speaker 1: Know what, no pills from my kids. Uh huh. They're
Speaker 1: going to live off the land and that's how they're
Speaker 1: going to learn to be men.
Speaker 2: But meanwhile, Kathy's like, yeah, I'm not that really like
Speaker 2: that into it, so could you please like get the
Speaker 2: adderall on the sly? But then she doesn't do it
Speaker 2: on the sly. She just straight up is like, here's
Speaker 2: the adderall Kathy wanted, and he kind of looks at
Speaker 2: it if you notice, like, yeah I did, huh huh, thanks,
Speaker 2: I don't know about that, Okay, weird.
Speaker 1: Yeah, so why wouldn't Kathy have been like, hey, by
Speaker 1: the way, if you want to like fuck my ex husband,
Speaker 1: like who we might not. I don't think we're actually divorced,
Speaker 1: Like be cool about the adderall? Yeah? I think she did.
Speaker 1: I think she said it in call, but she makes
Speaker 1: she didn't and she says it later. Sorry, that is
Speaker 1: a spoiler forget mine. Well, some people get so mad
Speaker 1: they don't spoil and say it gets good. Remember I
Speaker 1: got in trouble for saying it got good. It's not good,
Speaker 1: so don't worry about it. Take that back, but you
Speaker 1: are gonna you are going to find out. So then
Speaker 1: that was the thing. It was like, okay, so she's
Speaker 1: dropped off at the stables, right, and basically it's like,
Speaker 1: so the woman, the one, it's eighteen hunds. The woman
Speaker 1: is getting her bearings or whatever. Yeah, mostly intact. What's
Speaker 1: her name? What is the tell me her name? This woman?
Speaker 2: The woman, the woman is so bad. Okay, guys, listen, that's.
Speaker 1: Our very long thing. We really did that. We really
Speaker 1: did the thing.
Speaker 2: Now, look next next week, we'll make it. You know,
Speaker 2: today there's a lot going on.
Speaker 1: Whatever.
Speaker 2: Next week, we're gonna make it really funny. We're gonna
Speaker 2: we're gonna bring in some guests. Now will that guest
Speaker 2: Will one of them be Harry himself?
Speaker 1: I don't know.
Speaker 2: Maybe we could get him in to do some voices.
Speaker 2: You know, probably probably not, but I think we can.
Speaker 1: Yeah, we'll work on it.
Speaker 2: I have an idea how to get them all right,
Speaker 2: you guys, thank you for listening to these recaps.
Speaker 1: We also have the Valley up. We also have Hollywood
Speaker 1: Cringe coming every week from now on. And if you're
Speaker 1: obviously you're listening on Rose Pricks. So check out our
Speaker 1: board afs.
Speaker 2: Because I hated the last one we did, that's why
Speaker 2: we named it, like they can all be gems. I
Speaker 2: went back and listened to it and it's really pretty good.
Speaker 2: Even our worst board ay fs are probably like our
Speaker 2: best shit. Yeah, so listening about over there too. We're
Speaker 2: not like this show. No, we get a little real times,
Speaker 2: but real talk, real talk, and we're funny and real
Speaker 2: stories about our lives. And I think you already know that.
Speaker 2: But if you don't, you already know.
Speaker 1: All right, Thanks everybody, Thank you,