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<v Speaker 1>Welcome to the Projection Booth and the Culture Cast and

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<v Speaker 1>Midnight Viewing. We're doing it all, all three of our shows.

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<v Speaker 1>I am your host, Mike White. Joining me is my

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<v Speaker 1>other host, Chris Statue.

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<v Speaker 2>Nice fuck model.

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<v Speaker 1>Also joining us is my other host father alone.

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<v Speaker 3>Beetlejuice.

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<v Speaker 1>Okay, whatever, Oh man, there were some little kids that

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<v Speaker 1>were getting freaked out at the movie theater. I saw

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<v Speaker 1>this movie yet, don't.

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<v Speaker 2>See it a third time. Amazing.

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<v Speaker 1>Why why are you worried about this somewhat sarcastic demon

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<v Speaker 1>is gonna show up and do stuff I don't know.

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<v Speaker 2>We are sweet love to you.

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<v Speaker 1>Yes, we are back thirty six years after the original.

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<v Speaker 1>We're back with Beetlejuice. Beetlejuice, and you know what that

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<v Speaker 1>third one is going to be called, And you know

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<v Speaker 1>they're probably gonna make a third one because this has

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<v Speaker 1>had a pretty good box office opening. We're back with

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<v Speaker 1>the sequel to Beetlejuice. It's not Beetlejuice Goes Hawaii or

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<v Speaker 1>some of the other Beetle Juice movies that had been

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<v Speaker 1>kicked around over the years. It's not even a feature

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<v Speaker 1>version of the cartoon. Because they had a cartoon of this.

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<v Speaker 2>It was amazing.

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<v Speaker 1>Yeah, watch it on Saturday mornings. Yeah, we are back

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<v Speaker 1>with some of the cast of the original film. We'll

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<v Speaker 1>definitely be talking about that. We have a family tragedy

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<v Speaker 1>that starts this off, and we are introduced to Well.

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<v Speaker 1>It's kind of a combination of the Wednesday Show mixed

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<v Speaker 1>with the original Beetlejuice. We will be spoiling this movie

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<v Speaker 1>as we talk about it, though, I don't think there's

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<v Speaker 1>a whole lot you can spoil with this one unless

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<v Speaker 1>you are a huge Richard Harris fan. So we'll get there.

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<v Speaker 1>Trust me. When you're all driving carpool and banging your

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<v Speaker 1>pilates instructors to fill the empty voids in your life,

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<v Speaker 1>we'll see who gets the last laugh. My mom grew

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<v Speaker 1>up here.

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<v Speaker 2>That old house ihow with the ghost house is your mom,

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<v Speaker 2>Lydia Diets. Unfortunately, she's a legend.

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<v Speaker 1>The living the dead. Can they coexist?

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<v Speaker 4>Chance?

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<v Speaker 1>Ghosts aren't real. Only global people believe that kind of crowd.

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<v Speaker 2>I can't believe I'm doing this. Beetle Juice, Beetle Juice,

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<v Speaker 2>Beetle Juice.

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<v Speaker 1>I mean to help me save my daughter, But how

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<v Speaker 1>do I know that you're gonna keep your word.

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<v Speaker 4>I swear my dead mother.

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<v Speaker 5>Kay.

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<v Speaker 4>Well you and the boys stand guard. Nobody gets through.

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<v Speaker 4>That's cool, honey, recognize that post, servicing that hip before

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<v Speaker 4>my life or after life.

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<v Speaker 2>Yes, are you doing this?

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<v Speaker 4>Beetle juice, beetle juice, beetle.

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<v Speaker 1>I'm needed upstairs about down the floor?

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<v Speaker 4>Spill your guys.

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<v Speaker 1>Who wants to go first? All right, I will.

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<v Speaker 4>See.

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<v Speaker 1>I'm willing to do the work. Good thing for my dream.

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<v Speaker 4>Really mortnamor maitarial.

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<v Speaker 1>In front of the unknown, conquering your fears. There's nothing harder.

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<v Speaker 2>All right? What the.

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<v Speaker 4>Thank you all for coming to this special occasion. But

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<v Speaker 4>right now, with like a little privacy.

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<v Speaker 1>Chris, what did you think of Beetlejuice, Beetlejuice? And did

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<v Speaker 1>you see this theatrically? And if so, what was your experience, like, sir,

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<v Speaker 1>with the original one?

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<v Speaker 2>No, no, no, no, the new one?

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<v Speaker 5>Yeah, oh yeah, I saw the new one in theaters.

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<v Speaker 5>It was Look, you know, I went to Los Angeles

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<v Speaker 5>earlier in the year and I went to Universal Studios

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<v Speaker 5>and they had as I was walking out the door,

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<v Speaker 5>they had a guy addressed up like beetlejuice.

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<v Speaker 2>You know, you'll get your picture with Beetlejuice.

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<v Speaker 5>Look, I find the original Beatle Juice probably to be

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<v Speaker 5>my favorite Tim Burton movie. I would say it's probably

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<v Speaker 5>in my top ten or fifteen movies. I think the

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<v Speaker 5>character of beatle Juice is one that I resonate with

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<v Speaker 5>a lot, as I think a lot of people do,

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<v Speaker 5>because he's kind of a piece of shit, But he's,

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<v Speaker 5>you know, a lovable piece of shit, which makes it

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<v Speaker 5>at least he was in the original. I think we'll

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<v Speaker 5>have plenty to talk about when it comes to this

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<v Speaker 5>movie and Beatle Juice. But the original I think is

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<v Speaker 5>a seminal film for me. I mean, you know, a

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<v Speaker 5>lot of the bits from the first movie are things

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<v Speaker 5>that you know, like the nice fucking model or the

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<v Speaker 5>you know, hey, come here, got some good for you?

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<v Speaker 5>Come on with the fucking zagnut bar. I mean, the

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<v Speaker 5>original is a classic for a reason. Is this movie

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<v Speaker 5>going to hold up to that in the long term?

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<v Speaker 5>Thirty five years from now, will we be talking about Beetlejuice. Beetlejuice,

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<v Speaker 5>which give them credit? The title is clever, I don't.

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<v Speaker 5>I mean, it is just based on the premise alone

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<v Speaker 5>of the what the framing device of Beetlejuice as a

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<v Speaker 5>character is the title of the movie's great I mean,

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<v Speaker 5>Beetle Juice Coastwaiian is the thing we all wanted, obviously

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<v Speaker 5>for the longest time and still do.

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<v Speaker 2>But I think if we're talking legacy sequels, which this

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<v Speaker 2>very much is, I think it's one of the better ones,

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<v Speaker 2>if not, kind of up there with a good example

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<v Speaker 2>of how you can do this if you want to

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<v Speaker 2>do this. And that's the thing with this movie for me.

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<v Speaker 2>Did we need this No? Did we need this earlier

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<v Speaker 2>than twenty twenty four, Yes, that's the problem. Did we

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<v Speaker 2>need it now?

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<v Speaker 5>No?

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<v Speaker 2>Did we need it twenty years ago? Yeah?

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<v Speaker 5>I kind of think so if we were going to

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<v Speaker 5>be doing a Beetlejuice movie thirty five fucking years later,

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<v Speaker 5>Did people just wake up that Beetlejuice.

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<v Speaker 2>Was a character that we wanted to revisit.

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<v Speaker 5>No, I just I've never understood that the issue with

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<v Speaker 5>legacy sequels that it took the industry twenty years to

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<v Speaker 5>wisen up to we have all these things people like,

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<v Speaker 5>oh my god, Like it doesn't take people going to

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<v Speaker 5>Spirit Halloween and buying Beetlejuice shit for you to realize

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<v Speaker 5>you have one of the more iconic characters that's been created,

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<v Speaker 5>at least in terms of eighties movies, And it's like

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<v Speaker 5>it took thirty five years to get to this point

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<v Speaker 5>for real. It shocks me that we're talking about a

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<v Speaker 5>Beetlejuice movie in twenty twenty four, not because I didn't

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<v Speaker 5>think this movie would have ever come out, but because

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<v Speaker 5>I didn't think it would have taken thirty five years

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<v Speaker 5>to make a movie about Beetlejuice. Again, given that there

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<v Speaker 5>was a cartoon, given that the original was so successful,

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<v Speaker 5>given that we are watching a second one thirty five

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<v Speaker 5>years later.

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<v Speaker 1>Beetlejuice has multiple porn parodies. Let's just put that out there.

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<v Speaker 1>There are multiple it's been that long. I mean, yeah,

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<v Speaker 1>Edward Penis Hands came out so quickly after the original

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<v Speaker 1>Edward Scissorhands. Yeah, okay, it makes sense to me that

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<v Speaker 1>we're not really getting a sequel for that, but maybe

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<v Speaker 1>we will. Maybe we'll get in Edward Scissorhands too, where

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<v Speaker 1>we don't explain why Johnny Depp has aged all these

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<v Speaker 1>years or something. Yeah, how about you, father Mallon, what

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<v Speaker 1>do you think about Beetlejuice?

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<v Speaker 3>Beetlejuice well, here's a fun fact, gentlemen, when this move.

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<v Speaker 3>When Beatle Juice, the original Beetlejuice came out, studios used to.

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<v Speaker 1>Do preview nights.

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<v Speaker 3>They would do it like a week before the film

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<v Speaker 3>was scheduled to come out, usually on a Thursday. They

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<v Speaker 3>would always partner it up with whatever was sort of

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<v Speaker 3>failing at the box office. In this case, Beetlejuice was

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<v Speaker 3>partnered up with Police Academy assignment to Miami Beach, and

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<v Speaker 3>so I attended this special screening of Beetlejuice with HP

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<v Speaker 3>fellow weirding Way Media mogul HP. That was the first

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<v Speaker 3>thing we ever went to the movies to see together

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<v Speaker 3>as freshmen in high school. And I loved the fucking movie,

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<v Speaker 3>obviously when I'm about the soundtrack. Was obsessed with it

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<v Speaker 3>for years and years, and was especially proud because Michael

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<v Speaker 3>McDowell lived in Medford, which was the town over from

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<v Speaker 3>my hometown, and wrote Beetlejuice because he hated his neighbors

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<v Speaker 3>and wanted to imagine a way to fucking kill them all,

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<v Speaker 3>and a bio exorcist seemed like a good idea. So

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<v Speaker 3>that movie hasn't diminished in any way for me over

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<v Speaker 3>the years, every time I want Beetlejuice, it's just as

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<v Speaker 3>good as when I first watched it. I don't have

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<v Speaker 3>any problems with that movie, like at all. So I

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<v Speaker 3>wasn't surprised that they made another one, and I'm not

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<v Speaker 3>surprised it took them as long as they did. The

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<v Speaker 3>fact is the movie was never getting made unless it

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<v Speaker 3>was Burton and Keaton. Neither was going to make the

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<v Speaker 3>movie without the other. So I mean, I am surprised

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<v Speaker 3>it took as long as it did, and I suspect

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<v Speaker 3>it went into production finally because of Jenna or Tega.

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<v Speaker 3>I think once he figured that out and had Auf

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<v Speaker 3>and Miller retool the screenplay to have this daughter character,

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<v Speaker 3>I think that's why we got a movie. Here's the thing, though,

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<v Speaker 3>I think that's unfortunate because I think that character is

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<v Speaker 3>superfluous to the movie that we got. I agree with you, Chris,

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<v Speaker 3>I think this is the best of the legacy sequels

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<v Speaker 3>that we've seen. I think there's more to recommend this

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<v Speaker 3>movie than not. I think the fan service sucks. I'm

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<v Speaker 3>sorry it's in here because I think the innovative stuff

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<v Speaker 3>that they do in here is really fun. I like

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<v Speaker 3>all the stuff we spent, all the time we spend

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<v Speaker 3>in the fucking paranormal world, all the ghostly stuff. It's

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<v Speaker 3>all great. It's so great, in fact, that I wish

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<v Speaker 3>they had just done a reverse to the first film

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<v Speaker 3>and spent the little time that we spend in the

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<v Speaker 3>human world as opposed to it should have taken place

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<v Speaker 3>entirely in the ghost world, is my point. But having

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<v Speaker 3>said that, and I do have even greater problems with it,

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<v Speaker 3>namely justin Thuru's character. I liked it overall. I mean,

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<v Speaker 3>it was a good time. It's when I saw the

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<v Speaker 3>early trailers I was really scared because it seemed like

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<v Speaker 3>whatever takes they were using of Michael Keaton, he seemed

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<v Speaker 3>really tired, and I was worried that this was just

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<v Speaker 3>going to be sad, and it's that was not the

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<v Speaker 3>case at all. There's more of him in this movie

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<v Speaker 3>than the first film, and it's welcome. I wish there

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<v Speaker 3>was more of it. That's my take on Beetlejuice Belers.

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<v Speaker 1>What about you, Mike, Well, I don't think I like it,

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<v Speaker 1>liked it as much as you did. I think I

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<v Speaker 1>liked it okay, but it just it felt kind of scattered.

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<v Speaker 1>It didn't really feel like there was a real clear

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<v Speaker 1>through line to this.

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<v Speaker 2>Yeah.

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<v Speaker 1>I'm also a huge fan of the original saw that

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<v Speaker 1>theatrically back in eighty eight, watched it a ton when

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<v Speaker 1>it was on cable in VHS, and just really enjoyed it.

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<v Speaker 1>This one, it this one almost felt more like a

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<v Speaker 1>Men in Black sequel than a Beetlejuice sequel, especially with

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<v Speaker 1>Monica Belushi character, who I mean, she gets a what

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<v Speaker 1>two lines maybe during this whole thing, and there were

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<v Speaker 1>times where I was looking at her going is that

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<v Speaker 1>Catherine Zeta Jones from Wednesday? Or is that did Tim

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<v Speaker 1>Burton finally make amends with Lisa Marie and get her back?

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<v Speaker 1>Because he certainly has a type And apparently he and

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<v Speaker 1>Monica Blucci are now dating, which okay, I guess that's

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<v Speaker 1>one of his rules, is that he has to date

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<v Speaker 1>some of the cast members. I mean, that was how

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<v Speaker 1>and why Helena Bonham Carter, who is a fucking fantastic

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<v Speaker 1>actress gets in here and I love into his world.

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<v Speaker 1>I should say I love Monica Blucci, but she has

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<v Speaker 1>nothing to do in this movie other than walk around,

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<v Speaker 1>and it just felt like there was nothing going on

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<v Speaker 1>with her, and I was like, where is she in

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<v Speaker 1>relation to the rest of these characters. I thought Catherine

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<v Speaker 1>O'Hara Delia had mellowed incrediblyity over the years, and maybe

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<v Speaker 1>that's just the way that life works. And of course

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<v Speaker 1>just the introduction of the Jeffrey Jones character and that

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<v Speaker 1>how that becomes a thing throughout the whole movie, this

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<v Speaker 1>corpse walking around without a head and with a person

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<v Speaker 1>doing a Jeffrey Jones impersonations voice coming out of it.

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<v Speaker 1>Did we even need this? I thought it was kind

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<v Speaker 1>of nice having the sharp shaped tombstone, and I thought

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<v Speaker 1>the production design of this was very good. I don't

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<v Speaker 1>know if we needed the musical act. I guess they

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<v Speaker 1>were like, well, we did Dano in the first one,

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<v Speaker 1>so we have to do MacArthur Park in this one.

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<v Speaker 1>And I love MacArthur Park, and so this one was

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<v Speaker 1>perversely enjoyable in that part, especially seeing all of the

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<v Speaker 1>people live syncing MacArthur Park. And it's such a ridiculous

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<v Speaker 1>song that I think that it fits this perfectly. But

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<v Speaker 1>I kind of missed more of that Danny Elfman score.

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<v Speaker 1>I mean, to your point, this is one of his

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<v Speaker 1>best scores, and I know he did music for this,

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<v Speaker 1>but it just wasn't as present as it could have been.

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<v Speaker 1>I mean, there were characters in here that just kind

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<v Speaker 1>of drop in and drop out, like Wollem Dafoe, and

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<v Speaker 1>I just I was like, please, guys, just give this

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<v Speaker 1>another pass or two or three at the typewriter, because

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<v Speaker 1>I think that it could have been way better.

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<v Speaker 5>But to both of your points, if you are here

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<v Speaker 5>or Beetlejuice, I think it satisfies in that regard, right.

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<v Speaker 1>Well, yeah, I mean Beetlejuice is a tough character. I mean,

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<v Speaker 1>I don't know if you guys read those sequel scripts

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<v Speaker 1>to Beetlejuice, Like there were at least two out there,

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<v Speaker 1>and I know there's probably been more. But it's a

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<v Speaker 1>tough thing because he's kind of like the shark from Jaws,

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<v Speaker 1>Like you don't want him on screen too much, and

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<v Speaker 1>it's smart to keep him away from things. Here I

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<v Speaker 1>am complaining about Monica Alucci is too far away from things.

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<v Speaker 1>But I think they give us just the right amount

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<v Speaker 1>of Beetle Juice because too much would have been way

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<v Speaker 1>you know, even more would have been way too much.

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<v Speaker 3>And I disagree with that. Actually, please, because here's the thing. Yeah,

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<v Speaker 3>I honestly wish this had been a movie beginning to

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<v Speaker 3>end Beetlejuice and then he has to come to our

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<v Speaker 3>world to like fucking deal with his Monica Balucci problem. Look,

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<v Speaker 3>I did not in any let me deal with Michael

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<v Speaker 3>Keaton first, because I think I was worried too. And

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<v Speaker 3>everyone keeps saying that a little living goes a long way,

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<v Speaker 3>which is true, and he's in that first movie only

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<v Speaker 3>like twelve minutes. It's the perfect amount, right. But the

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<v Speaker 3>thing is, the human stuff going on in that movie

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<v Speaker 3>is so fucking compelling that having this chaotic character show

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<v Speaker 3>up every once in a while it's just the right

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<v Speaker 3>amount in this movie. I don't give a fuck about

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<v Speaker 3>Jenna or Taegis character, or her boyfriend or anything else

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<v Speaker 3>sort of swirling around here. There's a lot that I

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<v Speaker 3>really like in the movie. But it is, as you said,

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<v Speaker 3>like they needed another pass on the screenplay. If this

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<v Speaker 3>had been a even okay, putting aside my fucking fan

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<v Speaker 3>fictioning that it should have been from Beetlejuice's point of view,

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<v Speaker 3>it seems to me, and maybe I'm crazy, that this

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<v Speaker 3>at one point was going to be a love triangle

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<v Speaker 3>movie between Lydia, her boyfriend and Beatlejuice. Doesn't it seem

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<v Speaker 3>like it was constructed.

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<v Speaker 1>That way a little bit?

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<v Speaker 3>Yeah, and not the fucking stupid boob of a character

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<v Speaker 3>that fucking justin Threeaux is playing. Which, by the way,

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00:16:14.080 --> 00:16:16.279
<v Speaker 3>when you do that in a movie like this, you

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<v Speaker 3>have one of our lead characters, one of our most

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<v Speaker 3>beloved characters, fall in love with this fucking moron like

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00:16:22.360 --> 00:16:26.279
<v Speaker 3>it cheapens her. Sorry everybody, but making her in love

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<v Speaker 3>with this boob does not aid her character in any way,

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00:16:29.720 --> 00:16:33.000
<v Speaker 3>shape or form. It's really it's hurtful. But if Lydia

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<v Speaker 3>had been in love with a ghost and she's and

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00:16:35.919 --> 00:16:37.960
<v Speaker 3>this other ghost is firing for her attention, that could

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00:16:37.960 --> 00:16:41.159
<v Speaker 3>have been fucking great. It would have streamlined everything. But no,

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00:16:41.279 --> 00:16:43.120
<v Speaker 3>we have to have Jenna or Tag in it because

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<v Speaker 3>she's she's his real new muse in the movie.

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<v Speaker 1>Well, no offense to the actor that played the ex

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<v Speaker 1>husband with all the kiranhas on him, but who is he?

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<v Speaker 1>Because I was expecting somebody big to show up, I

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00:16:58.600 --> 00:17:00.519
<v Speaker 1>was like, oh, well, this guy's got to be at

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00:17:00.600 --> 00:17:04.119
<v Speaker 1>least like Pedro Pascal level or something, or you know,

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00:17:05.039 --> 00:17:08.359
<v Speaker 1>somebody who I knew, and then this guy shows up.

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00:17:08.400 --> 00:17:10.720
<v Speaker 1>I'm like, oh, okay.

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00:17:10.519 --> 00:17:13.599
<v Speaker 3>Yeah, how about Ewan McGregor or somebody Tim Burton's worked with.

303
00:17:13.799 --> 00:17:17.200
<v Speaker 3>Danny DeVito was a fucking janitor for two seconds. Give

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00:17:17.279 --> 00:17:18.119
<v Speaker 3>us some Johnny Depp.

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00:17:18.759 --> 00:17:22.039
<v Speaker 2>Yeah, I don't know what.

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<v Speaker 5>I don't know what to say, Like it's twenty twenty four.

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00:17:24.480 --> 00:17:26.319
<v Speaker 5>Give us some Johnny Depp for fuck's sake. I don't

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00:17:26.319 --> 00:17:27.440
<v Speaker 5>know they work together enough.

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00:17:28.839 --> 00:17:31.039
<v Speaker 1>They sure did, and you know, if you're worried about

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00:17:31.079 --> 00:17:34.119
<v Speaker 1>the optics, I mean, they got rid of Jeffrey Jones,

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00:17:34.240 --> 00:17:35.200
<v Speaker 1>so I don't know if.

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00:17:35.119 --> 00:17:36.759
<v Speaker 2>They sure did didn't.

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<v Speaker 3>But here's the thing. Does a claimation pedophile somehow the

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00:17:41.720 --> 00:17:45.200
<v Speaker 3>real pedophile even absolved? But does it not? Does it

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00:17:45.240 --> 00:17:46.799
<v Speaker 3>take you out of the movie, because it took me

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00:17:46.880 --> 00:17:50.400
<v Speaker 3>out of the movie. Here's the thing. I loved the

317
00:17:50.519 --> 00:17:54.400
<v Speaker 3>idea of a flashback being claimation. I thought it was great.

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00:17:54.720 --> 00:17:57.920
<v Speaker 1>Well, yeah, it really recalled Cabin Boy because it was

319
00:17:57.960 --> 00:18:01.240
<v Speaker 1>that same style of anime that was in Cabin Boy.

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<v Speaker 3>But it's just Jeffrey Jones. And I'm like, there's a

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00:18:05.240 --> 00:18:07.759
<v Speaker 3>reason he's not in this movie. Guys. They didn't write

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00:18:07.759 --> 00:18:12.160
<v Speaker 3>his character as dead for just dramatic purposes, because if

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00:18:12.200 --> 00:18:15.839
<v Speaker 3>there had been no scandal rest issured, Charles Deets would

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00:18:15.880 --> 00:18:18.599
<v Speaker 3>be in this movie.

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00:18:18.839 --> 00:18:21.440
<v Speaker 2>Yeah, still acting weird thirty five years later.

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00:18:22.640 --> 00:18:24.920
<v Speaker 1>Well, and she even gives a what's the name of

327
00:18:24.920 --> 00:18:26.880
<v Speaker 1>the guy that Robert Cooley played.

328
00:18:26.720 --> 00:18:28.279
<v Speaker 3>Oh, Maxy Priest.

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00:18:28.720 --> 00:18:31.599
<v Speaker 1>Yeah. They She even says at one point during the funeral,

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<v Speaker 1>Oh was that Maxi Priest?

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<v Speaker 2>And I was like, Oh, wasn't he dead? He?

332
00:18:36.240 --> 00:18:40.680
<v Speaker 5>Well, no, I know that, but like, also, like, isn't

333
00:18:40.680 --> 00:18:42.640
<v Speaker 5>the character in the universe dead?

334
00:18:42.759 --> 00:18:45.039
<v Speaker 2>He got shot through the roof of the house.

335
00:18:45.319 --> 00:18:46.039
<v Speaker 3>Oh that's true.

336
00:18:46.680 --> 00:18:47.480
<v Speaker 1>Yeah, that is.

337
00:18:47.960 --> 00:18:49.680
<v Speaker 3>We tend not to think of what happened to him,

338
00:18:49.680 --> 00:18:52.319
<v Speaker 3>but he's most likely dead. He was launched through a

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00:18:52.359 --> 00:18:55.240
<v Speaker 3>ceiling of a century old house. By the way, one

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00:18:55.279 --> 00:18:58.119
<v Speaker 3>of my favorite bits in the entire movie is after

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00:18:58.599 --> 00:19:01.680
<v Speaker 3>Charles's funeral that the house itself is in mourning, that

342
00:19:01.759 --> 00:19:05.279
<v Speaker 3>they've draped the entire house in black gossamer. I thought

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00:19:05.319 --> 00:19:08.759
<v Speaker 3>that was fucking hilarious. That actually made me laugh out loud. Also,

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00:19:08.839 --> 00:19:13.079
<v Speaker 3>I wish the trailer had not ruined the child choir

345
00:19:13.319 --> 00:19:17.640
<v Speaker 3>singing the Banana Boat song because it being sung at

346
00:19:17.640 --> 00:19:20.519
<v Speaker 3>his funeral. That's the other that made me laugh really

347
00:19:20.559 --> 00:19:21.200
<v Speaker 3>hard as well.

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00:19:22.119 --> 00:19:24.319
<v Speaker 1>I was glad I hadn't seen the trailer. But there

349
00:19:24.319 --> 00:19:28.000
<v Speaker 1>were several times during the movie where I was like, Oh,

350
00:19:28.079 --> 00:19:30.119
<v Speaker 1>this has got to be a trailer shot. There's one

351
00:19:30.200 --> 00:19:33.480
<v Speaker 1>where like the camera's kind of I don't want tracking

352
00:19:33.599 --> 00:19:36.559
<v Speaker 1>across faces. It might be at that funeral, and I

353
00:19:36.599 --> 00:19:38.400
<v Speaker 1>was like, oh, well, this is a trailer shot.

354
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<v Speaker 3>And then there's another.

355
00:19:39.279 --> 00:19:43.079
<v Speaker 1>One where it's the City Model and they're inside of

356
00:19:43.119 --> 00:19:46.240
<v Speaker 1>the attic and somebody comes in and goes, oh wow whatever.

357
00:19:46.240 --> 00:19:48.480
<v Speaker 1>I'm like, oh yeah, this is totally from the trailer

358
00:19:48.519 --> 00:19:54.759
<v Speaker 1>to it missed to be Yeah, some thought that he

359
00:19:55.000 --> 00:20:02.359
<v Speaker 1>was gone.

360
00:20:00.559 --> 00:20:03.759
<v Speaker 2>Beatle Juice beatles. Yeah, pretty much.

361
00:20:03.839 --> 00:20:07.839
<v Speaker 5>And we did the fucking advertising for this movie.

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00:20:08.680 --> 00:20:12.519
<v Speaker 2>This summer. Michael Keaton returns. All Right, we're good. He's

363
00:20:12.920 --> 00:20:17.400
<v Speaker 2>the He's the best part of this movie other than

364
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<v Speaker 2>the practical effects.

365
00:20:19.039 --> 00:20:21.720
<v Speaker 3>Well, the practical effects are off the charts. They're greatest.

366
00:20:22.359 --> 00:20:24.359
<v Speaker 2>That's that's that is the best part of this movie.

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<v Speaker 5>Ultimately, say what you will about Beetle Juice as a character,

368
00:20:27.160 --> 00:20:28.920
<v Speaker 5>say what you will about your My leg will vary

369
00:20:28.920 --> 00:20:31.440
<v Speaker 5>with Beetlejuice, and I agree with you, Father Malone. You

370
00:20:31.480 --> 00:20:34.440
<v Speaker 5>know look, the first movie. They it's not that they

371
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<v Speaker 5>didn't know what they had, but they knew what they

372
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<v Speaker 5>had enough to keep Beatle Juice.

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<v Speaker 2>Off the screen so that he didn't get in the way.

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<v Speaker 5>Now I agree it would have benefited them if they had,

375
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<v Speaker 5>you know, just given us more goddamn Beetle Juice and

376
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<v Speaker 5>less of everything else.

377
00:20:47.279 --> 00:20:48.799
<v Speaker 2>Because is it okay to.

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<v Speaker 5>Say I don't get I get it with Jenna Ortega,

379
00:20:51.799 --> 00:20:54.839
<v Speaker 5>but it doesn't do anything for me. Does that make sense?

380
00:20:55.119 --> 00:20:56.799
<v Speaker 5>Can I say that? Is that a thing to say

381
00:20:57.079 --> 00:21:00.480
<v Speaker 5>it doesn't do anything for me? I would rather Kiernan

382
00:21:00.559 --> 00:21:03.200
<v Speaker 5>Shipka because I think Kieranan Shipka is kind of what

383
00:21:03.359 --> 00:21:06.240
<v Speaker 5>I think Jenna Ortega for a lot of people is,

384
00:21:06.279 --> 00:21:09.359
<v Speaker 5>which is a very talented young person who got there

385
00:21:09.400 --> 00:21:12.720
<v Speaker 5>starting on a TV show that was on Netflix or

386
00:21:12.759 --> 00:21:15.799
<v Speaker 5>is ostensitibly known for it. And Kieran Shipka played Sabrina,

387
00:21:15.839 --> 00:21:18.079
<v Speaker 5>which much better show than Wednesday.

388
00:21:18.079 --> 00:21:18.839
<v Speaker 2>In a lot of ways.

389
00:21:18.839 --> 00:21:21.079
<v Speaker 5>It doesn't have Louise Guzman in it, I get it,

390
00:21:21.279 --> 00:21:24.240
<v Speaker 5>but you know, I found Sabrina to be a much

391
00:21:24.279 --> 00:21:27.599
<v Speaker 5>more interesting show that's talking about the same things, if

392
00:21:27.640 --> 00:21:29.720
<v Speaker 5>not very similar things.

393
00:21:30.400 --> 00:21:34.759
<v Speaker 3>Well, look, I fundamentally think that that character should not

394
00:21:34.839 --> 00:21:37.880
<v Speaker 3>be in the movie. So for the Goths, baby, and

395
00:21:37.920 --> 00:21:43.440
<v Speaker 3>the thing is, like, the actual prototypical Goth girl is

396
00:21:43.559 --> 00:21:46.279
<v Speaker 3>Lydia Diets. That's where it all began. The modern goth

397
00:21:46.359 --> 00:21:49.400
<v Speaker 3>starts with her. There's just no question about that, right right,

398
00:21:49.720 --> 00:21:53.720
<v Speaker 3>We've got her. We don't need another her. I would

399
00:21:53.720 --> 00:21:58.839
<v Speaker 3>have appreciated something different. I don't need a little clone

400
00:21:58.880 --> 00:22:02.279
<v Speaker 3>of Winona Rye, like the sort of brooding team.

401
00:22:03.279 --> 00:22:05.119
<v Speaker 2>No, it should have been if anything, her kids should

402
00:22:05.119 --> 00:22:06.640
<v Speaker 2>have been the complete one eighty of her.

403
00:22:06.759 --> 00:22:09.759
<v Speaker 1>Right, something should have been like Wednesday.

404
00:22:09.400 --> 00:22:13.279
<v Speaker 2>Yeah, right, Mom? Whatever? Mom? Okay Mom? Would that have

405
00:22:13.359 --> 00:22:15.480
<v Speaker 2>been a little on the nose, sure, But I think what.

406
00:22:15.480 --> 00:22:19.440
<v Speaker 5>They did was equally on the nose, if not just

407
00:22:19.799 --> 00:22:22.720
<v Speaker 5>I don't know, I don't know. I did not think

408
00:22:22.759 --> 00:22:25.400
<v Speaker 5>that her character was needed in this movie anymore than

409
00:22:25.400 --> 00:22:27.720
<v Speaker 5>you did Father Malone. And again, I'm kind of also

410
00:22:27.839 --> 00:22:31.119
<v Speaker 5>just over the Jenna Ortaga of it, Jenna Ortega of

411
00:22:31.160 --> 00:22:33.640
<v Speaker 5>it all, because she is just kind of everywhere now

412
00:22:34.119 --> 00:22:37.279
<v Speaker 5>and I have only really seen her used well in

413
00:22:37.319 --> 00:22:39.480
<v Speaker 5>a handful of things. This is not one of them.

414
00:22:39.519 --> 00:22:42.440
<v Speaker 5>She was good in Scream, She's great in Scream. Both

415
00:22:42.440 --> 00:22:44.079
<v Speaker 5>of those screen movies she's pretty good.

416
00:22:44.200 --> 00:22:46.400
<v Speaker 2>Even second one that's not as good as the first one,

417
00:22:46.400 --> 00:22:51.240
<v Speaker 2>but she's great in it. But this is not that caliber.

418
00:22:51.279 --> 00:22:53.079
<v Speaker 5>And again to your point, it's like, what's the point

419
00:22:53.119 --> 00:22:58.000
<v Speaker 5>of having just another version of Winona writer on screen

420
00:22:58.079 --> 00:23:00.880
<v Speaker 5>that now they're competing with each other. That's a good no,

421
00:23:01.200 --> 00:23:03.839
<v Speaker 5>Like it would be like putting another Beetlejuice.

422
00:23:03.240 --> 00:23:05.200
<v Speaker 2>In the movie. Do we really need to do that?

423
00:23:05.359 --> 00:23:08.160
<v Speaker 5>Do people really not realize how big of a deal

424
00:23:08.240 --> 00:23:11.039
<v Speaker 5>Lydiadets is in this universe to so many people, like

425
00:23:11.079 --> 00:23:12.279
<v Speaker 5>you said, Father Malone.

426
00:23:12.079 --> 00:23:14.519
<v Speaker 2>Like she's as big of a character as Beatlejuice.

427
00:23:14.519 --> 00:23:16.799
<v Speaker 5>She's the character that people probably resonate more with from

428
00:23:16.799 --> 00:23:19.799
<v Speaker 5>these movies than Beatle Juice. Let's be honest here, it's

429
00:23:19.799 --> 00:23:22.839
<v Speaker 5>the weirdos that like Beatlejuice. It's the less weirdos that

430
00:23:22.920 --> 00:23:27.039
<v Speaker 5>like Lydia Deats because she's the likable, understandable quote unquote

431
00:23:27.079 --> 00:23:29.559
<v Speaker 5>character in the first movie, and especially for people who

432
00:23:29.839 --> 00:23:32.519
<v Speaker 5>were y'all's age seeing it at the time.

433
00:23:33.799 --> 00:23:35.839
<v Speaker 1>Well, and Winona Ryder, I don't know if she's trying

434
00:23:35.880 --> 00:23:38.960
<v Speaker 1>to do an homage to that speech that was given

435
00:23:39.000 --> 00:23:41.160
<v Speaker 1>at the what was it the Grammys where she had

436
00:23:41.160 --> 00:23:44.400
<v Speaker 1>that confused look on her face, because that's what she's

437
00:23:44.480 --> 00:23:48.960
<v Speaker 1>doing every time what's the guy's name, Rory, the Justin

438
00:23:49.000 --> 00:23:52.960
<v Speaker 1>Throw character speaks, she keeps doing that, like what huh?

439
00:23:53.000 --> 00:23:56.279
<v Speaker 1>Like totally confused. I was like, is that is this?

440
00:23:56.440 --> 00:23:58.039
<v Speaker 1>Are we making a reference.

441
00:23:57.680 --> 00:23:58.319
<v Speaker 3>Now to that?

442
00:23:58.519 --> 00:24:02.519
<v Speaker 1>I guess that's why what's happening? And then I mean,

443
00:24:02.599 --> 00:24:06.000
<v Speaker 1>really to your point with Jenna Ortega, so much of

444
00:24:06.000 --> 00:24:09.240
<v Speaker 1>her story is taken up by this Jeremy character, the

445
00:24:09.359 --> 00:24:13.519
<v Speaker 1>Arthur Kanti character, who you just see all of that

446
00:24:13.680 --> 00:24:17.119
<v Speaker 1>stuff coming a mile away. As soon as they showed

447
00:24:17.160 --> 00:24:21.160
<v Speaker 1>his parents and you didn't see their faces, I'm like, oh, okay,

448
00:24:21.319 --> 00:24:25.480
<v Speaker 1>well they're probably dead or their demons or something. And

449
00:24:25.559 --> 00:24:29.000
<v Speaker 1>of course Jenna Artega cancy spirits because she is the

450
00:24:29.079 --> 00:24:32.039
<v Speaker 1>daughter of lead Lydia. Dead's okay, I guess this makes

451
00:24:32.079 --> 00:24:35.480
<v Speaker 1>sense and this is all you know. Within the first

452
00:24:35.559 --> 00:24:38.799
<v Speaker 1>few minutes of this character showing up, I'm like, oh, yeah, no,

453
00:24:38.960 --> 00:24:42.160
<v Speaker 1>I have this guy figured out, and he's going to

454
00:24:42.359 --> 00:24:44.960
<v Speaker 1>be her entree into the underworld. I think it would

455
00:24:44.960 --> 00:24:47.200
<v Speaker 1>have been better had that she had a different entree

456
00:24:47.200 --> 00:24:51.240
<v Speaker 1>into the underworld. Maybe if that tied into the Dolores story.

457
00:24:51.279 --> 00:24:55.839
<v Speaker 1>The Monica Bluci story, Balucci story. There we go something.

458
00:24:56.039 --> 00:24:58.640
<v Speaker 1>It just it didn't like I said, It just feels

459
00:24:58.680 --> 00:25:00.799
<v Speaker 1>like a whole bunch of stuff all through together, even

460
00:25:00.839 --> 00:25:03.279
<v Speaker 1>when it comes to lydia diets in her psychic program.

461
00:25:03.640 --> 00:25:05.680
<v Speaker 1>Show me more, give me a little bit more of

462
00:25:05.720 --> 00:25:09.480
<v Speaker 1>that stuff rather than I'm assuming all kinds of stuff

463
00:25:09.559 --> 00:25:11.920
<v Speaker 1>with that show. But I really would have liked to

464
00:25:11.960 --> 00:25:13.640
<v Speaker 1>have seen it, and I would have liked to have seen,

465
00:25:14.279 --> 00:25:17.799
<v Speaker 1>you know, much more of they cut us off from

466
00:25:17.920 --> 00:25:21.400
<v Speaker 1>before we find out what's going on with the little

467
00:25:21.440 --> 00:25:23.640
<v Speaker 1>dog and the family. I was like, Okay, I want

468
00:25:23.640 --> 00:25:26.160
<v Speaker 1>to see what is possessing this house, but no, we'll

469
00:25:26.160 --> 00:25:28.319
<v Speaker 1>get away from that. I'm like, this could have been

470
00:25:28.359 --> 00:25:31.599
<v Speaker 1>some high comedy in this area, but instead we have

471
00:25:31.680 --> 00:25:33.039
<v Speaker 1>to hurry up and get away from it.

472
00:25:33.440 --> 00:25:36.039
<v Speaker 2>Who would have thunk that this movie would steal from

473
00:25:36.640 --> 00:25:39.400
<v Speaker 2>the best Ghostbusters sequel ever, Ghostbusters too.

474
00:25:39.680 --> 00:25:43.160
<v Speaker 5>I mean it literally opens with hairless cats. Weird, Like

475
00:25:43.359 --> 00:25:47.000
<v Speaker 5>it's literally that, which to me is this movie dates itself.

476
00:25:47.039 --> 00:25:50.279
<v Speaker 5>These that's not a thing. This is not a thing anymore.

477
00:25:50.440 --> 00:25:53.119
<v Speaker 5>Oh they're driving an electric vehicle. Okay, so it's twenty

478
00:25:53.160 --> 00:25:57.279
<v Speaker 5>twenty four, but a lot of the sentimentality and sensibilities

479
00:25:57.319 --> 00:26:00.599
<v Speaker 5>of this movie are trapped in nineteen eight eighty five,

480
00:26:00.920 --> 00:26:03.519
<v Speaker 5>still in nineteen eighty seven, nineteen eighty nine. It feels

481
00:26:03.559 --> 00:26:05.960
<v Speaker 5>like an eighties movie more so than a lot of

482
00:26:06.039 --> 00:26:09.000
<v Speaker 5>legacy sequels do, which is fine. I'm not complaining about it,

483
00:26:09.079 --> 00:26:11.920
<v Speaker 5>but it doesn't if it's going to be made in

484
00:26:11.960 --> 00:26:14.039
<v Speaker 5>twenty twenty four, there needs to be a pass for

485
00:26:14.079 --> 00:26:16.400
<v Speaker 5>the twenty twenty four of it all or the modernity

486
00:26:16.480 --> 00:26:19.200
<v Speaker 5>of it all, and it doesn't seem to be interested

487
00:26:19.240 --> 00:26:21.119
<v Speaker 5>in doing that at all, which is fine, I get it,

488
00:26:21.160 --> 00:26:25.319
<v Speaker 5>but that this movie is set in the future and

489
00:26:25.359 --> 00:26:27.920
<v Speaker 5>they're juxtaposing it against a time and a place that

490
00:26:28.359 --> 00:26:32.599
<v Speaker 5>time doesn't seem to exist in, and it's just it's

491
00:26:32.680 --> 00:26:36.279
<v Speaker 5>so strange to me that some of the choices that

492
00:26:36.319 --> 00:26:38.279
<v Speaker 5>are made in this movie feel like straight out of

493
00:26:38.359 --> 00:26:42.240
<v Speaker 5>other eighties movies and other eighties sequels. That this movie

494
00:26:42.279 --> 00:26:44.799
<v Speaker 5>again is, in a lot of ways a comparative to

495
00:26:45.039 --> 00:26:47.400
<v Speaker 5>This movie is a comparative to Ghostbusters too. Did it

496
00:26:47.440 --> 00:26:49.200
<v Speaker 5>take a much longer time to come out, Yes, but

497
00:26:49.200 --> 00:26:52.119
<v Speaker 5>it is technically a sequel to a very successful eighties movie,

498
00:26:52.559 --> 00:26:55.000
<v Speaker 5>and it literally has a blotline from one of those

499
00:26:55.039 --> 00:26:59.079
<v Speaker 5>movies dragged out and thrown right on screen, almost identical

500
00:26:59.119 --> 00:27:00.680
<v Speaker 5>to the way that that movie opens with one of

501
00:27:00.680 --> 00:27:01.880
<v Speaker 5>its main characters.

502
00:27:02.119 --> 00:27:04.920
<v Speaker 3>I think this is a better movie than Ghostbusters too.

503
00:27:05.200 --> 00:27:08.839
<v Speaker 3>And as for Mardin it the sort of modern aspect

504
00:27:08.880 --> 00:27:11.599
<v Speaker 3>of this movie, what are you talking about? The entire

505
00:27:11.960 --> 00:27:14.400
<v Speaker 3>last third of the movie takes place as a giant

506
00:27:14.440 --> 00:27:15.680
<v Speaker 3>joke for Soul Training.

507
00:27:16.359 --> 00:27:20.960
<v Speaker 5>Oh god, yeah, man, I'm a hep cat and I

508
00:27:21.039 --> 00:27:22.400
<v Speaker 5>can dig it, can't you? Like?

509
00:27:22.799 --> 00:27:24.920
<v Speaker 1>It was wild? I was just like, how many of

510
00:27:24.960 --> 00:27:27.400
<v Speaker 1>the kids watching this are getting this at all?

511
00:27:27.480 --> 00:27:29.240
<v Speaker 2>How many Hearens though in this.

512
00:27:29.440 --> 00:27:31.759
<v Speaker 1>Theater even know who Don Cornelius is.

513
00:27:33.039 --> 00:27:36.200
<v Speaker 3>Burton obviously has a seventies fetish like The Dark Shadows

514
00:27:36.279 --> 00:27:39.759
<v Speaker 3>was also set in this ye name sort of seventies universe.

515
00:27:40.160 --> 00:27:43.359
<v Speaker 3>And here's the thing. Had this movie come out fucking

516
00:27:44.319 --> 00:27:48.799
<v Speaker 3>twenty years ago or in nineteen ninety eight or something,

517
00:27:48.960 --> 00:27:51.640
<v Speaker 3>then this would all be fantastic, Like it would be

518
00:27:52.720 --> 00:27:54.119
<v Speaker 3>like groundbreaking in a way.

519
00:27:54.200 --> 00:27:54.319
<v Speaker 2>Here.

520
00:27:54.359 --> 00:27:56.920
<v Speaker 3>It's just I mean, I loved it. I look, I

521
00:27:56.920 --> 00:27:58.920
<v Speaker 3>love a soul Train joke. I love that there was

522
00:27:58.920 --> 00:28:01.759
<v Speaker 3>a ghostly Don Cornet there. That was all great as

523
00:28:01.799 --> 00:28:04.920
<v Speaker 3>far as I can tell. But you know, everything seems

524
00:28:04.960 --> 00:28:08.839
<v Speaker 3>just a little too late to the game. You know, Mike,

525
00:28:08.880 --> 00:28:11.359
<v Speaker 3>you mentioned Monica Belu. She she doesn't really get much

526
00:28:11.359 --> 00:28:15.640
<v Speaker 3>to do here, right, I would say further, this character Dolores,

527
00:28:16.200 --> 00:28:21.000
<v Speaker 3>who is the antagonist of the piece, what we end

528
00:28:21.079 --> 00:28:25.519
<v Speaker 3>up with is once again a fucking jilted girlfriend or wife,

529
00:28:25.559 --> 00:28:28.880
<v Speaker 3>the sort of crazy ex girlfriend character, Like she's coming

530
00:28:28.920 --> 00:28:30.680
<v Speaker 3>to fucking kill because she's a nutcase.

531
00:28:31.519 --> 00:28:32.079
<v Speaker 2>Eh.

532
00:28:32.160 --> 00:28:34.480
<v Speaker 3>But then we get a flashback here, so we get

533
00:28:34.480 --> 00:28:36.759
<v Speaker 3>to see Beetlejuice before he died. We get to see

534
00:28:36.759 --> 00:28:41.079
<v Speaker 3>how Beetlejuice died, and she's a murderess. She poisons him

535
00:28:41.119 --> 00:28:43.720
<v Speaker 3>and kills him, and in turn, before he dies, he

536
00:28:43.839 --> 00:28:46.960
<v Speaker 3>kills her. And now this movie she's out for revenge

537
00:28:46.960 --> 00:28:51.559
<v Speaker 3>against him. But she killed him, correct, So that's her

538
00:28:51.599 --> 00:28:55.519
<v Speaker 3>only motivation. And you know, Mike you said about Tim

539
00:28:55.559 --> 00:28:58.160
<v Speaker 3>Burton like constantly having a type and constantly this is

540
00:28:58.240 --> 00:29:03.000
<v Speaker 3>this is Mortitia. Yeah right, it's the patchwork girl, but

541
00:29:03.160 --> 00:29:05.720
<v Speaker 3>like a more a goth version, like when she went

542
00:29:05.759 --> 00:29:09.480
<v Speaker 3>into a dry cleaners and started like picking off clothes

543
00:29:09.519 --> 00:29:12.400
<v Speaker 3>and like turning them black by touching them. All I

544
00:29:12.400 --> 00:29:14.799
<v Speaker 3>could think about is the soundes and hot topic. Oh

545
00:29:14.839 --> 00:29:17.400
<v Speaker 3>and speaking of that, I am very excited to get

546
00:29:17.440 --> 00:29:19.599
<v Speaker 3>a lot of undead hot dog on a stick girls

547
00:29:19.640 --> 00:29:22.400
<v Speaker 3>this Halloween. Very much looking forward to it. Thank you, Tim.

548
00:29:23.440 --> 00:29:27.519
<v Speaker 1>Yeah, I also like you. I find the Afterlife to

549
00:29:27.559 --> 00:29:30.799
<v Speaker 1>be the most interesting part and really would have liked

550
00:29:30.799 --> 00:29:33.400
<v Speaker 1>to have had more there. I kind of would have

551
00:29:33.480 --> 00:29:36.599
<v Speaker 1>liked to have seen more of what Danny Debrito's up

552
00:29:36.599 --> 00:29:41.799
<v Speaker 1>to as this janitor character. Yeah, it just they also

553
00:29:41.920 --> 00:29:44.799
<v Speaker 1>missed this whole idea, and this might have just moved

554
00:29:45.000 --> 00:29:47.920
<v Speaker 1>the original movie along, the whole idea of when you're

555
00:29:47.960 --> 00:29:51.640
<v Speaker 1>in the afterlife, time moves differently there, right, the whole

556
00:29:51.640 --> 00:29:54.200
<v Speaker 1>thing of oh, you've been gone for three months, it's

557
00:29:54.240 --> 00:29:56.599
<v Speaker 1>like three months. I was just there for half an hour.

558
00:29:57.680 --> 00:29:59.920
<v Speaker 1>And of course that makes it so that you know, oh,

559
00:30:00.319 --> 00:30:02.920
<v Speaker 1>what have the beats is done to the house. But

560
00:30:03.200 --> 00:30:05.440
<v Speaker 1>at the same time, it's like, come on, guys, and

561
00:30:06.079 --> 00:30:08.160
<v Speaker 1>I don't know the Yeah, the Maitlands were supposed to

562
00:30:08.200 --> 00:30:10.039
<v Speaker 1>be there for one hundred and twenty five years, but

563
00:30:10.400 --> 00:30:14.720
<v Speaker 1>we're not seeing them anymore. I guess they left, so

564
00:30:16.160 --> 00:30:19.000
<v Speaker 1>that was odd too. Again, just if you stay away

565
00:30:19.039 --> 00:30:20.599
<v Speaker 1>from the house, you don't have to worry about the

566
00:30:20.599 --> 00:30:23.240
<v Speaker 1>Maitland part of it, but we got to go back

567
00:30:23.240 --> 00:30:25.240
<v Speaker 1>to the house. We gotta do this again. We gotta

568
00:30:25.279 --> 00:30:28.079
<v Speaker 1>do that again. I'm surprised that they didn't get I know,

569
00:30:28.119 --> 00:30:30.920
<v Speaker 1>we've moved down from Tony Cox as being the little

570
00:30:30.960 --> 00:30:33.880
<v Speaker 1>person of choice for Tim Burton, but I'm surprised we

571
00:30:33.880 --> 00:30:36.799
<v Speaker 1>didn't get deep Roy coming back as like that same

572
00:30:36.839 --> 00:30:40.039
<v Speaker 1>little priest character from the first movie too, because again

573
00:30:40.119 --> 00:30:43.039
<v Speaker 1>we end with a marriage. It's like, again, we're doing this,

574
00:30:43.079 --> 00:30:44.279
<v Speaker 1>We're doing the marriage again.

575
00:30:44.920 --> 00:30:46.799
<v Speaker 5>Well it's a legacy sequel, baby, and we got to

576
00:30:46.839 --> 00:30:49.160
<v Speaker 5>do the things again. But yeah, where's Alec Baldwin and

577
00:30:49.200 --> 00:30:51.160
<v Speaker 5>Geena Davis and all this? That's the real one of

578
00:30:51.240 --> 00:30:54.279
<v Speaker 5>the real big questions I had here, because, like you mentioned,

579
00:30:54.319 --> 00:30:58.200
<v Speaker 5>Father Alone, the first movie is ostensibly named Beetlejuice, but

580
00:30:58.240 --> 00:31:01.160
<v Speaker 5>it has him in it as much as Jaws is

581
00:31:01.160 --> 00:31:05.119
<v Speaker 5>in Jaws. His purpose is needed, but not overdone. In

582
00:31:05.160 --> 00:31:05.920
<v Speaker 5>this movie.

583
00:31:06.200 --> 00:31:08.440
<v Speaker 2>They don't even are are they even mentioned?

584
00:31:09.079 --> 00:31:11.559
<v Speaker 1>They are mentioned at one point, Okay, so it's like

585
00:31:12.559 --> 00:31:13.920
<v Speaker 1>just says they moved on.

586
00:31:14.240 --> 00:31:16.200
<v Speaker 3>I'm right, Oh, okay, okay.

587
00:31:16.200 --> 00:31:19.359
<v Speaker 5>Yes, So in a in a world where the undead

588
00:31:19.400 --> 00:31:21.400
<v Speaker 5>are the most important thing that we're talking about in

589
00:31:21.440 --> 00:31:25.160
<v Speaker 5>the afterlife is this whole thing? But they just moved on. Okay,

590
00:31:25.640 --> 00:31:28.319
<v Speaker 5>it's they got mudded from Indiana Jones and dial Destiny.

591
00:31:28.640 --> 00:31:31.240
<v Speaker 5>They Pucci themselves. They didn't make it back to their

592
00:31:31.240 --> 00:31:34.000
<v Speaker 5>home plan and they died on the way home. All right, whatever,

593
00:31:34.160 --> 00:31:37.000
<v Speaker 5>fu whatever, fine, you know. I mean Will Will Smith

594
00:31:37.000 --> 00:31:40.000
<v Speaker 5>and Independence Day Resurgence, he just died off screen. This

595
00:31:40.079 --> 00:31:42.839
<v Speaker 5>is his son man legacy sequels. I don't think we

596
00:31:42.880 --> 00:31:44.960
<v Speaker 5>should be making them if we can't get all the

597
00:31:45.000 --> 00:31:45.839
<v Speaker 5>people involved.

598
00:31:46.079 --> 00:31:46.599
<v Speaker 2>I don't know.

599
00:31:46.839 --> 00:31:49.240
<v Speaker 5>Seems kind of like a thing that we should be,

600
00:31:49.319 --> 00:31:51.960
<v Speaker 5>you know, taking under advisement if we continue to make these,

601
00:31:52.000 --> 00:31:54.799
<v Speaker 5>which at this point, are there any left to make?

602
00:31:55.880 --> 00:31:58.160
<v Speaker 5>I guess there are. I guess there are. But in

603
00:31:58.240 --> 00:32:00.880
<v Speaker 5>terms of like eighties movies, I think think they've run out.

604
00:32:01.279 --> 00:32:03.519
<v Speaker 5>I think now it's going to be nineties in two thousand.

605
00:32:03.519 --> 00:32:05.079
<v Speaker 5>Well it's got to be, because they got to start

606
00:32:05.240 --> 00:32:07.319
<v Speaker 5>all the projects.

607
00:32:08.079 --> 00:32:10.119
<v Speaker 1>Their rulers other Day Off.

608
00:32:10.440 --> 00:32:14.079
<v Speaker 2>Oh yeah, Edward Scissor Hands and spoon feet.

609
00:32:14.200 --> 00:32:17.359
<v Speaker 1>Forty seven candles. What's the when they're they are already

610
00:32:17.400 --> 00:32:20.480
<v Speaker 1>in pink Er, the next to Last star Fighter. They

611
00:32:20.480 --> 00:32:22.839
<v Speaker 1>are working at a Last Starfighter.

612
00:32:22.200 --> 00:32:24.559
<v Speaker 2>As far as I know, what about pretty er in pink?

613
00:32:24.640 --> 00:32:25.119
<v Speaker 2>Is that kid?

614
00:32:25.200 --> 00:32:25.720
<v Speaker 4>There? You go?

615
00:32:25.920 --> 00:32:28.960
<v Speaker 2>Yeah, pretty too pink?

616
00:32:30.599 --> 00:32:34.799
<v Speaker 3>Every last drop of blood from every property, and that's

617
00:32:34.839 --> 00:32:38.599
<v Speaker 3>already come before our fucking kill them destroy all the culture.

618
00:32:38.759 --> 00:32:40.079
<v Speaker 3>So we have to start new.

619
00:32:40.839 --> 00:32:43.039
<v Speaker 5>Well or we could just have it at world's end,

620
00:32:43.079 --> 00:32:45.880
<v Speaker 5>just an emp grenade set off and just destroy all

621
00:32:45.920 --> 00:32:47.880
<v Speaker 5>of this. So we have to start over and new,

622
00:32:48.279 --> 00:32:50.799
<v Speaker 5>because yeah, we've we've really worked ourselves into a shoot

623
00:32:50.799 --> 00:32:54.200
<v Speaker 5>here in the entertainment industry. Because again, I mean, I

624
00:32:54.240 --> 00:32:56.960
<v Speaker 5>mentioned the idea that it took them thirty years to realize.

625
00:32:56.599 --> 00:32:58.240
<v Speaker 2>They could do legacy sequels.

626
00:32:58.640 --> 00:33:00.720
<v Speaker 5>We didn't need to wait this long for this, like

627
00:33:00.920 --> 00:33:03.200
<v Speaker 5>you said, father moment, Like, I get what you were

628
00:33:03.240 --> 00:33:05.440
<v Speaker 5>getting at. But I know that they weren't waiting or whatever.

629
00:33:05.440 --> 00:33:06.920
<v Speaker 5>And I know that Tim Burton and the Michael Keaton of

630
00:33:06.960 --> 00:33:09.079
<v Speaker 5>it all make this a little bit different than everything else.

631
00:33:09.119 --> 00:33:11.440
<v Speaker 5>But there was going to be a time where they

632
00:33:11.480 --> 00:33:13.200
<v Speaker 5>were going to make this without Michael Keaton and Tim.

633
00:33:13.039 --> 00:33:16.279
<v Speaker 3>Burton, Well, that would have been a terrible idea.

634
00:33:16.920 --> 00:33:18.519
<v Speaker 2>Well, I mean, but.

635
00:33:18.480 --> 00:33:20.359
<v Speaker 5>Look at how many sequels got made in the eighties

636
00:33:20.400 --> 00:33:23.160
<v Speaker 5>and nineties without those primary people to begin with, yeah,

637
00:33:23.400 --> 00:33:26.079
<v Speaker 5>I think maybe this movie did benefit from waiting this long,

638
00:33:26.160 --> 00:33:29.720
<v Speaker 5>because now it's kind of put on a pedestal. I mean,

639
00:33:30.079 --> 00:33:32.559
<v Speaker 5>the spirit Halloween of it all does that, The Universal

640
00:33:32.559 --> 00:33:35.480
<v Speaker 5>Studios of it all does that. The Beetlejuice is Halloween

641
00:33:35.519 --> 00:33:38.759
<v Speaker 5>review did that at Universal Studios. There was plenty of

642
00:33:38.799 --> 00:33:41.920
<v Speaker 5>beetlejuice to be had in the last thirty five years.

643
00:33:42.160 --> 00:33:45.279
<v Speaker 5>It's just there was no more beetlejuice to be had

644
00:33:45.359 --> 00:33:47.319
<v Speaker 5>in the last thirty five years, and so we just

645
00:33:47.400 --> 00:33:49.880
<v Speaker 5>drove around the same racetrack looking at the same things. Oh,

646
00:33:49.880 --> 00:33:52.559
<v Speaker 5>Big Ben Parliament, We've seen it a million times. So

647
00:33:52.640 --> 00:33:55.319
<v Speaker 5>now they're giving us more. I'm surprised that it has

648
00:33:55.319 --> 00:33:58.160
<v Speaker 5>taken an industry who loves to give more this long

649
00:33:58.240 --> 00:34:00.680
<v Speaker 5>to give us more of something that they clearly understood,

650
00:34:00.680 --> 00:34:03.880
<v Speaker 5>for at least the last ten fifteen years, was a

651
00:34:03.960 --> 00:34:06.720
<v Speaker 5>thing that people really clearly wanted and were willing to

652
00:34:06.759 --> 00:34:09.239
<v Speaker 5>spend money on. Because I don't know where you guys

653
00:34:09.280 --> 00:34:12.360
<v Speaker 5>see the movies, but they had beatlejuice, fucking merch and

654
00:34:12.400 --> 00:34:13.960
<v Speaker 5>all sorts of shit at the movie theater. I went

655
00:34:14.000 --> 00:34:17.360
<v Speaker 5>to popcorn buckets and everything else. And by said, when

656
00:34:17.360 --> 00:34:19.000
<v Speaker 5>I say they had them. I mean they were sold out.

657
00:34:19.039 --> 00:34:22.519
<v Speaker 5>They didn't have any because everybody bought them. So I

658
00:34:22.559 --> 00:34:23.239
<v Speaker 5>don't think that this.

659
00:34:23.280 --> 00:34:24.920
<v Speaker 2>Movie's hurting either.

660
00:34:25.159 --> 00:34:28.360
<v Speaker 3>Nineteen eighty eight until now, the studio would have made

661
00:34:28.360 --> 00:34:32.480
<v Speaker 3>this movie any year. I believe that the actual holdouts

662
00:34:32.480 --> 00:34:33.239
<v Speaker 3>here are Burton and.

663
00:34:33.519 --> 00:34:36.400
<v Speaker 5>Right, which is a unique situation comparatively to a lot

664
00:34:36.440 --> 00:34:36.719
<v Speaker 5>of them.

665
00:34:37.119 --> 00:34:38.400
<v Speaker 2>Is kind of your point.

666
00:34:38.360 --> 00:34:41.039
<v Speaker 3>Yeah, But mixed into that is the fact that because

667
00:34:41.039 --> 00:34:45.039
<v Speaker 3>of this ip fucking madness, they've boxed everyone into fucking

668
00:34:45.239 --> 00:34:47.760
<v Speaker 3>corners here. You know, it's make this or don't make

669
00:34:47.800 --> 00:34:50.760
<v Speaker 3>anything at all, So it makes making a Beetlejuice sequel

670
00:34:50.760 --> 00:34:53.360
<v Speaker 3>a little more tantalizing. Maybe Tim Burton gets to make

671
00:34:53.400 --> 00:34:57.760
<v Speaker 3>some other fucking cuckoo movie after this, you know, one.

672
00:34:57.599 --> 00:34:59.599
<v Speaker 2>For me, one for you type thing.

673
00:35:00.079 --> 00:35:01.639
<v Speaker 1>I think what he's going to be doing is looking

674
00:35:01.679 --> 00:35:05.239
<v Speaker 1>for his next maybe TV property to do, or other

675
00:35:05.360 --> 00:35:09.039
<v Speaker 1>beloved film like Charlie and the Chocolate Factory or Planet

676
00:35:09.039 --> 00:35:11.039
<v Speaker 1>of the Apes. He just you know what else can

677
00:35:11.079 --> 00:35:12.440
<v Speaker 1>I ruin for people?

678
00:35:14.840 --> 00:35:16.480
<v Speaker 2>Did he ruin Planet of the Apes? Or did Planet

679
00:35:16.519 --> 00:35:17.480
<v Speaker 2>of the Apes ruin itself?

680
00:35:18.440 --> 00:35:20.440
<v Speaker 1>Planet? He ruined Planet of the Apes?

681
00:35:21.320 --> 00:35:23.679
<v Speaker 3>Shit, Conquest of the Planet of the Apes is my favorite.

682
00:35:23.719 --> 00:35:26.000
<v Speaker 3>It's like the fifth one in the series or fourth one.

683
00:35:27.199 --> 00:35:29.800
<v Speaker 1>No that yeah, Conquest is four. Battle for the Planet

684
00:35:29.800 --> 00:35:31.639
<v Speaker 1>of the Apes is five. That's what they want face

685
00:35:31.800 --> 00:35:34.519
<v Speaker 1>face off against the mole Men. And that's got John

686
00:35:34.559 --> 00:35:38.000
<v Speaker 1>Houston as the Lowgiver and Paul Williams as Virgil I

687
00:35:38.000 --> 00:35:42.519
<v Speaker 1>think his name is Yeah, kind of a waste of character, but.

688
00:35:41.920 --> 00:35:43.800
<v Speaker 2>But hey, we got some good talk show late night

689
00:35:43.880 --> 00:35:46.239
<v Speaker 2>talk show with Paul Williams. An ape an ape out

690
00:35:46.280 --> 00:35:46.639
<v Speaker 2>for sure.

691
00:35:47.639 --> 00:35:49.280
<v Speaker 1>That showed up on the tonight show.

692
00:35:49.440 --> 00:35:50.280
<v Speaker 3>That was great.

693
00:35:50.880 --> 00:35:53.239
<v Speaker 5>Yeah, and hey we got a lot of Beetlejuice doing

694
00:35:53.239 --> 00:35:55.320
<v Speaker 5>then Michael Keaton doing the exact same thing here out

695
00:35:55.400 --> 00:35:58.599
<v Speaker 5>of you know, playing Beetlejuice and advertising and all sorts

696
00:35:58.599 --> 00:36:01.000
<v Speaker 5>of stuff. It's, you know, for as much as Dead

697
00:36:01.000 --> 00:36:03.639
<v Speaker 5>Pull and Wolverine was the beginning of the summer, this

698
00:36:03.760 --> 00:36:06.559
<v Speaker 5>is like the waning days of the summer in terms

699
00:36:06.599 --> 00:36:09.480
<v Speaker 5>of the big ip. Right, You asked me what my

700
00:36:09.559 --> 00:36:12.559
<v Speaker 5>experience was like in the theaters. I went this afternoon

701
00:36:12.599 --> 00:36:14.960
<v Speaker 5>and it was fucking full. Fuck it, it was full

702
00:36:15.039 --> 00:36:19.320
<v Speaker 5>the way Alien Romulus was full. It was not surprised.

703
00:36:19.519 --> 00:36:21.679
<v Speaker 5>But when I looked at the ages of the people

704
00:36:21.760 --> 00:36:24.360
<v Speaker 5>in there. There were children in the theater for this movie,

705
00:36:24.400 --> 00:36:27.480
<v Speaker 5>and I was like, wait a second, here beetled I mean, okay,

706
00:36:27.519 --> 00:36:30.199
<v Speaker 5>it's the Halloween of it all, but not a kid's

707
00:36:30.280 --> 00:36:34.159
<v Speaker 5>movie either, not really. I feel like a kid would

708
00:36:34.159 --> 00:36:36.880
<v Speaker 5>watch this movie and be bored, because again, there's a

709
00:36:36.880 --> 00:36:39.760
<v Speaker 5>lot going on, But I don't think it's necessarily a

710
00:36:39.760 --> 00:36:42.199
<v Speaker 5>lot going on for someone who's seven or eight right

711
00:36:42.239 --> 00:36:45.880
<v Speaker 5>now in twenty twenty four, and there were those age

712
00:36:45.960 --> 00:36:47.760
<v Speaker 5>kids in the movie theater. It was where the parents

713
00:36:47.760 --> 00:36:48.840
<v Speaker 5>were there. I get it, But.

714
00:36:50.280 --> 00:36:50.639
<v Speaker 2>I don't know.

715
00:36:50.719 --> 00:36:53.800
<v Speaker 5>Beetlejuice has been such as been kitty kitty ified down

716
00:36:53.840 --> 00:36:56.400
<v Speaker 5>to like a kiddy thing now. The original Beetle Juice

717
00:36:56.440 --> 00:36:58.280
<v Speaker 5>never struck me as a kids thing. I guess I

718
00:36:58.320 --> 00:36:59.360
<v Speaker 5>get where it is now.

719
00:37:00.159 --> 00:37:04.159
<v Speaker 3>Chris, there was a cartoon, remember, I don't know.

720
00:37:04.239 --> 00:37:05.840
<v Speaker 5>I don't know how many of the people that I

721
00:37:05.920 --> 00:37:08.800
<v Speaker 5>know now are watching that cartoon with their kids, though,

722
00:37:08.880 --> 00:37:09.360
<v Speaker 5>is my point?

723
00:37:09.480 --> 00:37:11.039
<v Speaker 3>All of them, what are you talking about?

724
00:37:11.320 --> 00:37:13.239
<v Speaker 2>I don't know that for a fact, is my point.

725
00:37:13.320 --> 00:37:15.039
<v Speaker 2>If you know that, it's perfectly fine.

726
00:37:15.079 --> 00:37:17.119
<v Speaker 5>But when I talk to my friends about Beetlejuice, I've

727
00:37:17.119 --> 00:37:19.559
<v Speaker 5>never heard them mention the cartoon they just mentioned watching

728
00:37:19.639 --> 00:37:22.400
<v Speaker 5>the original movie with their kids, and the original movie

729
00:37:22.440 --> 00:37:25.000
<v Speaker 5>is again for me, didn't strike me as a kid's movie,

730
00:37:25.000 --> 00:37:27.280
<v Speaker 5>but maybe it is, and I just don't realize it.

731
00:37:27.840 --> 00:37:31.559
<v Speaker 3>Just knowing the level of feuror of Beatles Juice fans,

732
00:37:32.519 --> 00:37:35.440
<v Speaker 3>just looking at their output on social media, you know

733
00:37:35.559 --> 00:37:38.800
<v Speaker 3>they're watching that cartoon with their kids. They're as much

734
00:37:39.239 --> 00:37:41.320
<v Speaker 3>Beatles Juice as they can with their children.

735
00:37:41.719 --> 00:37:43.599
<v Speaker 2>Should we call? How many of the kids watching this

736
00:37:43.639 --> 00:37:45.360
<v Speaker 2>movie in the past weekend were named Lydia?

737
00:37:45.440 --> 00:37:47.679
<v Speaker 3>You think a good lot of them?

738
00:37:48.039 --> 00:37:50.639
<v Speaker 2>None named Beetlejuice, though, I bet hopefully not.

739
00:37:51.840 --> 00:37:57.320
<v Speaker 5>Yeah, it's fine, right, I don't.

740
00:37:57.800 --> 00:37:59.280
<v Speaker 2>Are we the point now where it's just like, yeah,

741
00:37:59.400 --> 00:38:00.519
<v Speaker 2>it finally came out.

742
00:38:00.639 --> 00:38:03.280
<v Speaker 5>Okay, it's gonna take a while for anybody to really

743
00:38:03.960 --> 00:38:05.320
<v Speaker 5>not get a wrangle on the movie.

744
00:38:05.360 --> 00:38:07.159
<v Speaker 2>But it's been out for forty eight hours.

745
00:38:07.679 --> 00:38:10.400
<v Speaker 5>I will be curious if this movie genuinely stands that

746
00:38:10.480 --> 00:38:12.840
<v Speaker 5>test of time the way the original has. I don't

747
00:38:12.840 --> 00:38:14.719
<v Speaker 5>want to say it won't because that's to throw it

748
00:38:14.719 --> 00:38:18.199
<v Speaker 5>out immediately, but does this have the staying power of

749
00:38:18.199 --> 00:38:19.320
<v Speaker 5>the original Beetlejuice.

750
00:38:20.840 --> 00:38:24.159
<v Speaker 3>I'm interested to watch it again, honestly, Like I liked

751
00:38:24.159 --> 00:38:27.480
<v Speaker 3>it that much. It sounds like I'm really down in

752
00:38:27.480 --> 00:38:29.559
<v Speaker 3>this movie. I'm not. I had a really good time

753
00:38:29.599 --> 00:38:33.400
<v Speaker 3>watching it. It's just that you're stacking it against one

754
00:38:33.440 --> 00:38:36.119
<v Speaker 3>of the perfect films of the nineteen eighties.

755
00:38:36.440 --> 00:38:38.159
<v Speaker 2>Right, Well, you have to. I mean, that's the fucking

756
00:38:38.400 --> 00:38:38.960
<v Speaker 2>the way it is.

757
00:38:39.480 --> 00:38:41.800
<v Speaker 3>You know, I really liked that prequel to the Thing,

758
00:38:41.880 --> 00:38:45.119
<v Speaker 3>but it's nowhere near the league of the original film.

759
00:38:45.239 --> 00:38:47.760
<v Speaker 5>Yeah, it's actually I was thinking about that yesterday. I

760
00:38:47.800 --> 00:38:49.239
<v Speaker 5>was watching some YouTube videos, but I was like, I

761
00:38:49.280 --> 00:38:50.159
<v Speaker 5>should re watch that movie.

762
00:38:50.159 --> 00:38:51.119
<v Speaker 2>It's not half bad.

763
00:38:51.360 --> 00:38:53.239
<v Speaker 3>Oh I like that movie a lot, But is it

764
00:38:53.280 --> 00:38:54.280
<v Speaker 3>in the same caliber?

765
00:38:54.480 --> 00:38:55.320
<v Speaker 2>No, we're dear.

766
00:38:55.639 --> 00:38:58.039
<v Speaker 5>Well, that becomes the question, right, is our expectation that

767
00:38:58.039 --> 00:39:00.119
<v Speaker 5>it should be in the same caliber or should do

768
00:39:00.159 --> 00:39:00.960
<v Speaker 5>something different?

769
00:39:01.440 --> 00:39:03.000
<v Speaker 2>Or what's the expectation.

770
00:39:02.920 --> 00:39:05.840
<v Speaker 3>Thirty five years later? I want it to be perfect.

771
00:39:06.199 --> 00:39:09.239
<v Speaker 3>That's the thing. If this were ten years later, all

772
00:39:09.239 --> 00:39:10.719
<v Speaker 3>the fonts with it, I'd be like, God, they did

773
00:39:10.719 --> 00:39:13.159
<v Speaker 3>a really fucking good job considering you know.

774
00:39:14.039 --> 00:39:15.960
<v Speaker 5>Well, it's the alien three of it. All right, we

775
00:39:16.039 --> 00:39:19.079
<v Speaker 5>have fifteen months to make this movie. Why are you rushing?

776
00:39:19.719 --> 00:39:23.239
<v Speaker 5>Why not wait? Let David Fincher make the movie, make

777
00:39:23.239 --> 00:39:25.519
<v Speaker 5>a movie here, don't rush, and yet here we are

778
00:39:25.679 --> 00:39:28.719
<v Speaker 5>thirty five years later and we're now getting There have

779
00:39:28.719 --> 00:39:30.920
<v Speaker 5>been how many sequels to Alien since? There have been

780
00:39:31.000 --> 00:39:34.760
<v Speaker 5>one sequel to Beatlejuice, all of them, literally all of them.

781
00:39:35.199 --> 00:39:37.800
<v Speaker 5>Think about that for just two fucking seconds. It took

782
00:39:37.840 --> 00:39:39.480
<v Speaker 5>this long to get a second beealder just movie. And

783
00:39:39.519 --> 00:39:42.920
<v Speaker 5>we've had all of the Alien movies since essentially well

784
00:39:43.000 --> 00:39:48.159
<v Speaker 5>other than Alien two, other than Alien two. Literally that's it, yah,

785
00:39:48.159 --> 00:39:50.960
<v Speaker 5>which everybody would agree, or the first two best ones

786
00:39:51.239 --> 00:39:53.800
<v Speaker 5>that barely get you know, ragged on. Everything else beyond

787
00:39:53.800 --> 00:39:56.280
<v Speaker 5>that is where your mileage is going to vary. But yeah,

788
00:39:56.360 --> 00:39:58.239
<v Speaker 5>I mean, it took that long to get anything else

789
00:39:58.280 --> 00:40:00.280
<v Speaker 5>for this, and it's wow. I would put this up

790
00:40:00.280 --> 00:40:02.079
<v Speaker 5>against all of those as better sequels.

791
00:40:02.079 --> 00:40:02.760
<v Speaker 2>For the most part.

792
00:40:03.599 --> 00:40:05.760
<v Speaker 1>I can't believe you guys have talked this long without

793
00:40:05.840 --> 00:40:10.880
<v Speaker 1>discussing Bob and Oh wow, Ken and James or whoever.

794
00:40:10.920 --> 00:40:13.840
<v Speaker 2>These other guys are rich characters, so good.

795
00:40:14.000 --> 00:40:19.159
<v Speaker 1>I guess that Headshrinker was very angry at Century twenty

796
00:40:19.159 --> 00:40:22.719
<v Speaker 1>one representatives and strength all these guys heads that I'll

797
00:40:22.760 --> 00:40:27.039
<v Speaker 1>have the same yellow jackets. What so Beetlejuice is working

798
00:40:27.280 --> 00:40:31.639
<v Speaker 1>in hell now? And he has office workers that I

799
00:40:31.639 --> 00:40:33.880
<v Speaker 1>thought that was an interesting twist. I don't know how

800
00:40:33.920 --> 00:40:38.280
<v Speaker 1>successful it was. I guess Monica Blue she's pretty stupid

801
00:40:38.400 --> 00:40:42.480
<v Speaker 1>since she thinks that Bob in the Beetlejuice costume is Beetlejuice,

802
00:40:42.519 --> 00:40:45.679
<v Speaker 1>I guess. But yeah, that was a choice too. That's

803
00:40:45.679 --> 00:40:48.119
<v Speaker 1>one of those where I'm just like, Okay, we could

804
00:40:48.159 --> 00:40:51.079
<v Speaker 1>have done something more with this, And we even end

805
00:40:51.079 --> 00:40:53.599
<v Speaker 1>the film with all of the guys except for Bob

806
00:40:54.000 --> 00:40:56.800
<v Speaker 1>out in the real world. I was really expecting a

807
00:40:56.880 --> 00:41:00.800
<v Speaker 1>mid credit teaser or some sort of Joe sequence with

808
00:41:01.000 --> 00:41:03.079
<v Speaker 1>what these guys are up to. I thought that would

809
00:41:03.079 --> 00:41:05.599
<v Speaker 1>have actually worked out kind of well.

810
00:41:06.000 --> 00:41:08.800
<v Speaker 2>Yeah, I Beetlejuice three baby, that's oh okay.

811
00:41:09.039 --> 00:41:11.719
<v Speaker 3>Well yeah, if that had happened like halfway through the

812
00:41:11.760 --> 00:41:13.679
<v Speaker 3>movie where they just started running a mock in the

813
00:41:13.679 --> 00:41:16.440
<v Speaker 3>real world, that could have been really, really good. As

814
00:41:16.440 --> 00:41:18.719
<v Speaker 3>it is now, it just feels like fan service. You

815
00:41:18.880 --> 00:41:21.719
<v Speaker 3>like that fucking headshrinking guy, Right, well, here's a lot

816
00:41:21.760 --> 00:41:23.559
<v Speaker 3>of them. I don't need a lot of them.

817
00:41:23.599 --> 00:41:28.559
<v Speaker 1>And apparently right well, and apparently Beadlejuice got his head unstrung,

818
00:41:28.840 --> 00:41:31.440
<v Speaker 1>because that's how we last see him in the movie.

819
00:41:32.039 --> 00:41:34.519
<v Speaker 3>I guess that's how you're promoted in that particular department.

820
00:41:34.559 --> 00:41:36.239
<v Speaker 3>I liked that. I liked that it was sort of

821
00:41:36.239 --> 00:41:39.440
<v Speaker 3>like a complaint department where everyone who was answering the

822
00:41:39.480 --> 00:41:41.159
<v Speaker 3>phones had their mouths soon and shut. I thought that

823
00:41:41.199 --> 00:41:44.079
<v Speaker 3>was a nice metaphor in there. And you know, I

824
00:41:44.119 --> 00:41:47.079
<v Speaker 3>again everything in the Afterlife, Like we haven't even mentioned

825
00:41:47.119 --> 00:41:49.280
<v Speaker 3>that Willem Dafoe was a character in this movie. Is

826
00:41:49.320 --> 00:41:53.079
<v Speaker 3>this like eighties action star who is often the you know,

827
00:41:53.239 --> 00:41:57.119
<v Speaker 3>he's investigating the Monica Ballucci character, like he's really going

828
00:41:57.159 --> 00:41:59.719
<v Speaker 3>for it. Like Willem Dafoe has never been more excited

829
00:41:59.760 --> 00:42:02.800
<v Speaker 3>to be in a movie than than this. You just

830
00:42:03.599 --> 00:42:05.199
<v Speaker 3>I really liked his character here.

831
00:42:07.000 --> 00:42:09.800
<v Speaker 1>The thing I liked the most about his character was

832
00:42:09.840 --> 00:42:12.119
<v Speaker 1>his assistant, who would show up and hand them the

833
00:42:12.159 --> 00:42:14.559
<v Speaker 1>cup of coffee. And I noticed he crushed it at

834
00:42:14.599 --> 00:42:17.280
<v Speaker 1>one point, threw it against the wall, and there's this

835
00:42:17.320 --> 00:42:20.440
<v Speaker 1>whole basket of empty coffee cups that have been crushed,

836
00:42:20.679 --> 00:42:22.039
<v Speaker 1>and I was kind of hoping that would be a

837
00:42:22.079 --> 00:42:24.880
<v Speaker 1>thing that he has to crush the cup. But at

838
00:42:25.000 --> 00:42:27.079
<v Speaker 1>least she's there, and at least there are times where

839
00:42:27.079 --> 00:42:29.599
<v Speaker 1>she just shows up out of nowhere and hands them

840
00:42:29.639 --> 00:42:32.639
<v Speaker 1>a cup of coffee, and I really like that. I

841
00:42:32.679 --> 00:42:36.280
<v Speaker 1>also really liked the use of the piano Dinagio score

842
00:42:36.400 --> 00:42:40.840
<v Speaker 1>at the end when it's almost like Wednesday, when it's

843
00:42:40.920 --> 00:42:44.360
<v Speaker 1>Asterid's dream sequence, And as soon as that music starts up,

844
00:42:44.360 --> 00:42:47.440
<v Speaker 1>I'm just like, Okay, so we're doing a carry montage. Now,

845
00:42:47.440 --> 00:42:50.920
<v Speaker 1>we're going to do our Carrie homage. We're gonna have

846
00:42:51.079 --> 00:42:54.920
<v Speaker 1>something horrible happen. But then it ends up being the

847
00:42:55.239 --> 00:42:57.440
<v Speaker 1>end of the fly and I'm just like, oh, this

848
00:42:57.519 --> 00:43:01.119
<v Speaker 1>is another Geena Davis performance. I'd much other see than

849
00:43:02.000 --> 00:43:06.400
<v Speaker 1>having the baby from Train Spotting show up and crawl

850
00:43:06.400 --> 00:43:10.320
<v Speaker 1>across the ceiling. I'm like, oh, okay, great, Beetlejuice Baby.

851
00:43:10.360 --> 00:43:12.559
<v Speaker 2>How have we talked about it? Forty five minutes without

852
00:43:12.599 --> 00:43:14.000
<v Speaker 2>talking about Beetlejuice Baby.

853
00:43:14.079 --> 00:43:16.440
<v Speaker 1>I know we're gonna get Beetlejuice Baby all over hot

854
00:43:16.480 --> 00:43:18.719
<v Speaker 1>topic this year, and that's gonna be the new thing.

855
00:43:18.800 --> 00:43:21.119
<v Speaker 1>It's going to crawl and its head will spin around

856
00:43:21.199 --> 00:43:24.360
<v Speaker 1>and it'll make little noises. Maybe if you pull the string,

857
00:43:24.519 --> 00:43:26.519
<v Speaker 1>it'll be like, you know, I'm the glost with the

858
00:43:26.519 --> 00:43:28.960
<v Speaker 1>most babe or something like that will come out over it.

859
00:43:29.079 --> 00:43:30.639
<v Speaker 5>Do you know what, I realized the thing we haven't

860
00:43:30.639 --> 00:43:33.079
<v Speaker 5>mentioned that is probably the bigger inroad to Beetlejuice, Father

861
00:43:33.159 --> 00:43:36.000
<v Speaker 5>Malone than even the animated cartoon has been for people.

862
00:43:36.000 --> 00:43:41.320
<v Speaker 2>At this point. There was a musical, a Tony Award

863
00:43:41.400 --> 00:43:42.679
<v Speaker 2>winning musical.

864
00:43:42.280 --> 00:43:44.360
<v Speaker 5>That the three of us all forgot about, and now

865
00:43:45.000 --> 00:43:47.400
<v Speaker 5>we collectively have egg on our faces because that is

866
00:43:47.400 --> 00:43:51.239
<v Speaker 5>why Beetlejuice is so popular now is because of it.

867
00:43:51.559 --> 00:43:52.119
<v Speaker 2>Disagrees.

868
00:43:52.639 --> 00:43:54.559
<v Speaker 3>I disagree fundamentally with you.

869
00:43:54.639 --> 00:43:57.639
<v Speaker 2>I think it is a well regarded musical just because

870
00:43:57.639 --> 00:44:00.239
<v Speaker 2>we don't like it does it, But the popularity of

871
00:44:00.280 --> 00:44:03.719
<v Speaker 2>it makes it easier to stomach something like this. I don't. Hey,

872
00:44:03.719 --> 00:44:04.760
<v Speaker 2>I'm not agreeing with it.

873
00:44:04.880 --> 00:44:07.480
<v Speaker 5>I'm not giving it a pass, but I think it's

874
00:44:07.559 --> 00:44:09.800
<v Speaker 5>kind of weird how it reverse eats its own tail.

875
00:44:09.880 --> 00:44:11.920
<v Speaker 5>It's we're gonna make a movie that gets made into

876
00:44:12.000 --> 00:44:14.599
<v Speaker 5>a TV show that gets made into a musical, and

877
00:44:14.639 --> 00:44:16.840
<v Speaker 5>now all those things are popular enough to go, hey,

878
00:44:17.079 --> 00:44:19.639
<v Speaker 5>let's start eating in reverse and get back to another movie,

879
00:44:19.840 --> 00:44:21.519
<v Speaker 5>because that's where we are. I wouldn't be surprised that

880
00:44:21.599 --> 00:44:24.559
<v Speaker 5>there's another Beetle Juice animated thing that comes out after

881
00:44:24.599 --> 00:44:27.199
<v Speaker 5>this on Netflix or something would you guys at this point, like,

882
00:44:27.519 --> 00:44:29.559
<v Speaker 5>we don't know how much money this movie is gonna

883
00:44:29.599 --> 00:44:32.440
<v Speaker 5>ultimately end up making and how successful it's going to be.

884
00:44:32.480 --> 00:44:34.360
<v Speaker 5>On the other side of this, I know Tim Burton

885
00:44:34.400 --> 00:44:36.360
<v Speaker 5>has joked that it took thirty five yeers to make

886
00:44:36.440 --> 00:44:38.599
<v Speaker 5>Beetlejuice too, and it's going to take another one hundred

887
00:44:38.599 --> 00:44:39.239
<v Speaker 5>to make the next one.

888
00:44:39.480 --> 00:44:43.440
<v Speaker 2>Lies, fucking lies. Don't lie to us. Don't lie.

889
00:44:43.639 --> 00:44:45.400
<v Speaker 5>If this movie makes a ton of money, you're gonna

890
00:44:45.400 --> 00:44:47.719
<v Speaker 5>do the next one immediately, because why wouldn't you At

891
00:44:47.719 --> 00:44:50.360
<v Speaker 5>this point, I'm not saying this movie set up a sequel,

892
00:44:50.599 --> 00:44:54.280
<v Speaker 5>but it didn't leave it completely closed off at the end.

893
00:44:54.320 --> 00:44:56.800
<v Speaker 5>If anything, the ending of the movie is a little strange.

894
00:44:57.400 --> 00:44:59.480
<v Speaker 5>It ends on kind of a weird note with Beetlejuice

895
00:44:59.480 --> 00:45:02.079
<v Speaker 5>in Lydia, which which could be explored further down the road.

896
00:45:02.119 --> 00:45:04.840
<v Speaker 3>Frankly, a couple of things. I saw an interview with

897
00:45:04.880 --> 00:45:07.920
<v Speaker 3>Winona Ryder who said, for all the years it took

898
00:45:08.280 --> 00:45:11.039
<v Speaker 3>that she had been talking with Tim Burton, you know, whatever,

899
00:45:11.039 --> 00:45:13.960
<v Speaker 3>they would mention that this possibility of a sequel, she

900
00:45:14.000 --> 00:45:17.679
<v Speaker 3>would always say that in her mind, Lydia should end

901
00:45:17.760 --> 00:45:21.960
<v Speaker 3>up with Beetlejuice, and I completely agree with her. And

902
00:45:22.000 --> 00:45:24.239
<v Speaker 3>when he woke up next to her in that dream,

903
00:45:24.280 --> 00:45:25.920
<v Speaker 3>I went, oh, my god, are they doing it? But

904
00:45:25.960 --> 00:45:28.360
<v Speaker 3>they actually, that's great. And then she wakes up again

905
00:45:28.400 --> 00:45:30.880
<v Speaker 3>and like, oh no, it's another horrible dream, and I'm like, oh,

906
00:45:30.920 --> 00:45:34.199
<v Speaker 3>but that could have been interesting. That's something okay. And

907
00:45:34.239 --> 00:45:37.039
<v Speaker 3>now I would also like to fundamentally disagree with you, sir.

908
00:45:37.639 --> 00:45:41.559
<v Speaker 3>Like a couple of years ago, my wife and I

909
00:45:41.639 --> 00:45:44.000
<v Speaker 3>turned the front of our place into the Dante's inferner

910
00:45:44.079 --> 00:45:46.119
<v Speaker 3>Room from the original Beetle Juice had nothing to do

911
00:45:46.159 --> 00:45:48.440
<v Speaker 3>with that fucking musical. Ten years ago, I worked at

912
00:45:48.440 --> 00:45:50.360
<v Speaker 3>a haunted house, a year round haunted house, and we

913
00:45:50.360 --> 00:45:53.599
<v Speaker 3>did weddings there. You have no fucking idea how many

914
00:45:53.599 --> 00:45:56.679
<v Speaker 3>Beetlejuice weddings I was witnessed to there. That was in

915
00:45:56.840 --> 00:45:59.920
<v Speaker 3>twenty twelve. That musical is a flash in the panball.

916
00:46:00.440 --> 00:46:02.440
<v Speaker 3>It is an addendum to be able to just It

917
00:46:02.519 --> 00:46:06.280
<v Speaker 3>is a product of its continued popularity amongst the people

918
00:46:06.480 --> 00:46:08.599
<v Speaker 3>it is. It is influencing zero.

919
00:46:10.400 --> 00:46:12.039
<v Speaker 5>I mean, I get where you're coming from, and we

920
00:46:12.079 --> 00:46:13.519
<v Speaker 5>are at log your heads on this, but I think

921
00:46:13.519 --> 00:46:15.440
<v Speaker 5>at the end of the day, to both of our points,

922
00:46:15.559 --> 00:46:18.360
<v Speaker 5>Beetlejuice is still in the public conscience one way or another,

923
00:46:19.000 --> 00:46:22.199
<v Speaker 5>regardless of what it is from, because people having Beetlejuice

924
00:46:22.239 --> 00:46:25.679
<v Speaker 5>weddings or again, the amount of stuff at Spirit that

925
00:46:25.760 --> 00:46:29.079
<v Speaker 5>is Beetlejuice is more than I think anything else at

926
00:46:29.119 --> 00:46:32.280
<v Speaker 5>Spirit in terms of branded merchandising for a singular movie.

927
00:46:33.679 --> 00:46:36.800
<v Speaker 5>Are other horror things, but they're not getting as much

928
00:46:36.840 --> 00:46:38.719
<v Speaker 5>stuff as Beetle Juice does. And I think it's I

929
00:46:38.760 --> 00:46:41.400
<v Speaker 5>think it's kind of like almost the de facto Halloween

930
00:46:41.480 --> 00:46:43.119
<v Speaker 5>movie too in a lot of ways, Like it's part

931
00:46:43.159 --> 00:46:46.079
<v Speaker 5>of that conversation in the like what is the you know,

932
00:46:46.079 --> 00:46:47.760
<v Speaker 5>I mean, we're going to talk about all kinds of

933
00:46:47.800 --> 00:46:50.440
<v Speaker 5>those movies this year in October, but I think this

934
00:46:50.559 --> 00:46:52.880
<v Speaker 5>is one of the ones, if not like the one

935
00:46:53.000 --> 00:46:55.199
<v Speaker 5>clearly they're not. I mean, I guess the other thing

936
00:46:55.239 --> 00:46:57.960
<v Speaker 5>is hocus Pocus. Really, that's the other thing that they

937
00:46:57.960 --> 00:47:00.960
<v Speaker 5>have a lot of merchandise for. But that's kind of

938
00:47:00.960 --> 00:47:02.639
<v Speaker 5>one A and one B of the same coin in

939
00:47:02.679 --> 00:47:03.559
<v Speaker 5>a lot of ways.

940
00:47:04.000 --> 00:47:07.119
<v Speaker 1>I imagine if I ran over to hot topic right now,

941
00:47:07.239 --> 00:47:09.159
<v Speaker 1>if I can find one that I would find more

942
00:47:09.280 --> 00:47:12.760
<v Speaker 1>Nightmare before Christmas stuff than I would beetlejuice stuff.

943
00:47:12.800 --> 00:47:15.280
<v Speaker 5>No, you would find more beetle juice than Night Member

944
00:47:15.239 --> 00:47:17.519
<v Speaker 5>Before Christmas. Night Before Christmas is kind of past a

945
00:47:17.679 --> 00:47:20.920
<v Speaker 5>now for people my age, it was Night Before Christmas.

946
00:47:20.960 --> 00:47:24.480
<v Speaker 5>But now for younger people, I think Jenna Ortega is

947
00:47:24.519 --> 00:47:27.280
<v Speaker 5>that inroad to Beetlejuice for them, that like Nightmare and

948
00:47:27.280 --> 00:47:30.440
<v Speaker 5>ELM's Nightmer Before Christmas, does not have because it's a

949
00:47:30.519 --> 00:47:33.480
<v Speaker 5>it's you know, characters, you know, being voiced by people

950
00:47:33.480 --> 00:47:36.599
<v Speaker 5>as opposed to oh look it's Wednesday Adams again, like.

951
00:47:38.400 --> 00:47:40.079
<v Speaker 2>Doing that thing and this is now.

952
00:47:40.840 --> 00:47:46.800
<v Speaker 3>They were actually chill as the who I think they

953
00:47:46.800 --> 00:47:50.199
<v Speaker 3>were actually children who grew up on Night Christmas. So

954
00:47:50.239 --> 00:47:52.639
<v Speaker 3>now it's beneath them, you know, they're looking for the

955
00:47:52.679 --> 00:47:55.559
<v Speaker 3>next right labor and this is it.

956
00:47:57.079 --> 00:47:58.840
<v Speaker 1>I will agree with you father. I'm alone as far

957
00:47:58.880 --> 00:48:00.880
<v Speaker 1>as the musical because I think there's a reason I

958
00:48:00.920 --> 00:48:03.039
<v Speaker 1>didn't remember it is because it was a flash in

959
00:48:03.079 --> 00:48:07.719
<v Speaker 1>the pan. It wasn't like hair Spray, where Hairspray the

960
00:48:07.800 --> 00:48:11.480
<v Speaker 1>musical was popular enough that they actually made the movie

961
00:48:11.599 --> 00:48:13.880
<v Speaker 1>of the musical of Hairspray. I don't think we're going

962
00:48:13.920 --> 00:48:16.519
<v Speaker 1>to get the movie of the musical of Beetle Juice.

963
00:48:16.840 --> 00:48:18.119
<v Speaker 1>I think it's kind of up there with some of

964
00:48:18.159 --> 00:48:22.280
<v Speaker 1>those other weird Like Carrie was a musical, we don't

965
00:48:22.280 --> 00:48:24.760
<v Speaker 1>really talk about that. And I don't think that Furry

966
00:48:24.960 --> 00:48:27.639
<v Speaker 1>brought about Carrie to the rage or any of the

967
00:48:27.679 --> 00:48:31.679
<v Speaker 1>other remakes or subsequent carries that are out there.

968
00:48:31.760 --> 00:48:35.159
<v Speaker 2>Because the musical was not nominated for Tony Awards.

969
00:48:34.840 --> 00:48:38.280
<v Speaker 3>Is my cares what are you talking about.

970
00:48:37.800 --> 00:48:41.599
<v Speaker 5>I don't care, is my point. But the industry cared

971
00:48:41.719 --> 00:48:44.480
<v Speaker 5>enough to nominate it, is my point. I am not

972
00:48:44.519 --> 00:48:47.039
<v Speaker 5>sitting here talking about the quality of Beetlejuice the musical.

973
00:48:47.079 --> 00:48:50.559
<v Speaker 5>I've listened to it. It's fine, it doesn't need any

974
00:48:50.760 --> 00:48:52.599
<v Speaker 5>of our help. But I think the different thing is

975
00:48:52.639 --> 00:48:55.079
<v Speaker 5>just like it opened up an avenue for Beetlejuice to

976
00:48:55.079 --> 00:48:57.000
<v Speaker 5>be popular with a whole group of people. I'm not

977
00:48:57.039 --> 00:48:59.280
<v Speaker 5>sure they even gave a shit about Beatle Juice.

978
00:48:59.320 --> 00:49:03.519
<v Speaker 1>Frankly, well, let's just remember that the lea female character

979
00:49:03.639 --> 00:49:06.079
<v Speaker 1>from the episode of Tales from the Dark Side The

980
00:49:06.119 --> 00:49:10.559
<v Speaker 1>Trouble of Mary Jane, was nominated as Best Newcomer for

981
00:49:10.719 --> 00:49:13.119
<v Speaker 1>nineteen eighty seven based on that performance that she gave.

982
00:49:13.400 --> 00:49:15.000
<v Speaker 2>I see nothing wrong with that episode.

983
00:49:16.000 --> 00:49:18.039
<v Speaker 5>I see nothing wrong with that, but the fact that

984
00:49:18.079 --> 00:49:20.159
<v Speaker 5>you're the fact that you're trying to gotcha moment me

985
00:49:20.239 --> 00:49:21.639
<v Speaker 5>right now is just beyond the.

986
00:49:21.639 --> 00:49:27.079
<v Speaker 1>Pant I don't think not trying to gotcha And I

987
00:49:27.119 --> 00:49:28.960
<v Speaker 1>know you love that episode.

988
00:49:28.800 --> 00:49:32.400
<v Speaker 3>So I do, But you needn't because the fact is

989
00:49:32.679 --> 00:49:36.360
<v Speaker 3>it doesn't really matter that the statement that it's influential

990
00:49:36.400 --> 00:49:42.039
<v Speaker 3>at all is false. That's all. That's all.

991
00:49:42.119 --> 00:49:43.760
<v Speaker 2>That's sick your opinion, man.

992
00:49:44.159 --> 00:49:45.719
<v Speaker 3>Okay, Well, according.

993
00:49:45.280 --> 00:49:50.280
<v Speaker 1>To Middlejuice Broadway dot Com, it's a screamingly funny musical.

994
00:49:50.440 --> 00:49:53.119
<v Speaker 1>It is hilario dropping the funhouse.

995
00:49:53.960 --> 00:49:55.760
<v Speaker 2>I heard that it's the best thing you could get

996
00:49:55.840 --> 00:49:58.199
<v Speaker 2>jerked off to in Denver in twenty twenty three.

997
00:49:58.360 --> 00:50:03.719
<v Speaker 1>Holy shit, that's oh, I that's right. That it's the

998
00:50:03.760 --> 00:50:06.079
<v Speaker 1>only time I had ever heard of Beetlejuice.

999
00:50:06.079 --> 00:50:09.800
<v Speaker 2>That's right, that's the news story. Holy shit, it sure

1000
00:50:09.960 --> 00:50:12.880
<v Speaker 2>was for a lot of people. It also was there's

1001
00:50:12.920 --> 00:50:15.119
<v Speaker 2>a Beetle Juice musical and it's good enough for someone

1002
00:50:15.159 --> 00:50:16.239
<v Speaker 2>to get stroked to.

1003
00:50:16.639 --> 00:50:21.039
<v Speaker 1>So you're saying that we have of this legacy sequel.

1004
00:50:21.679 --> 00:50:24.599
<v Speaker 1>We need to thank Lauren Robert for.

1005
00:50:24.519 --> 00:50:25.480
<v Speaker 2>This, I hope.

1006
00:50:25.480 --> 00:50:25.599
<v Speaker 1>So.

1007
00:50:26.239 --> 00:50:28.239
<v Speaker 2>Wow, there's a lot of black and white all over.

1008
00:50:28.280 --> 00:50:31.360
<v Speaker 3>I'll accept that right on that I.

1009
00:50:31.320 --> 00:50:33.880
<v Speaker 2>Can get bine all right, or in front of or

1010
00:50:33.880 --> 00:50:35.360
<v Speaker 2>however you want to interpret it.

1011
00:50:35.360 --> 00:50:39.320
<v Speaker 1>It looks like Beetle Juice the Musical is on tour. Unfortunately,

1012
00:50:39.320 --> 00:50:42.679
<v Speaker 1>they're going nowhere near Michigan, but they are going to

1013
00:50:42.719 --> 00:50:45.880
<v Speaker 1>be in El Paso in November December, Chris, if you

1014
00:50:45.920 --> 00:50:48.400
<v Speaker 1>want to head down to that in Texas, because I'm

1015
00:50:48.480 --> 00:50:51.679
<v Speaker 1>sure Texas is very close where we're at. Actually, they're

1016
00:50:51.719 --> 00:50:55.920
<v Speaker 1>going to be in Toledo in February, so I'll have

1017
00:50:55.960 --> 00:50:56.199
<v Speaker 1>you know.

1018
00:50:56.280 --> 00:50:58.599
<v Speaker 5>I already have my tickets to the other movie based

1019
00:50:58.679 --> 00:51:01.599
<v Speaker 5>musical that's coming through link in this year, Back to

1020
00:51:01.639 --> 00:51:05.480
<v Speaker 5>the Future of the Musical, another thing that literally I'm

1021
00:51:05.639 --> 00:51:07.800
<v Speaker 5>going to see it. Of course, not what in God's

1022
00:51:07.880 --> 00:51:09.880
<v Speaker 5>name is wrong with you, but the fact that I

1023
00:51:09.920 --> 00:51:11.960
<v Speaker 5>had to the fact that every time I drive home

1024
00:51:12.000 --> 00:51:14.880
<v Speaker 5>from Omaha, I see a billboard saying check out Back

1025
00:51:14.920 --> 00:51:16.360
<v Speaker 5>to the Future the Musical this summer.

1026
00:51:16.400 --> 00:51:19.840
<v Speaker 2>It's like, oh, I'm good, I'm real good.

1027
00:51:20.360 --> 00:51:22.079
<v Speaker 5>And I felt the same way about Beatle Juice. Like

1028
00:51:22.119 --> 00:51:24.559
<v Speaker 5>the opening song for Beatle Juice the Musical is pretty catchy,

1029
00:51:24.599 --> 00:51:29.760
<v Speaker 5>but beyond that, like these movie musical things are a

1030
00:51:29.880 --> 00:51:33.119
<v Speaker 5>dime a dozen. They really there's American Psycho the musical

1031
00:51:33.519 --> 00:51:36.239
<v Speaker 5>And it wasn't an opera, it was a musical musical.

1032
00:51:36.320 --> 00:51:38.880
<v Speaker 5>We stop, please get help.

1033
00:51:39.119 --> 00:51:42.639
<v Speaker 2>Like Michael Jordan's said, I see from chim an A

1034
00:51:43.000 --> 00:51:46.159
<v Speaker 2>if it's the best one, that's the best one. I

1035
00:51:46.320 --> 00:51:48.480
<v Speaker 2>love you, Doctor Zaias. That's the best one.

1036
00:51:50.920 --> 00:51:53.599
<v Speaker 1>We have the whole arc. I mean, he hates all

1037
00:51:53.599 --> 00:51:56.639
<v Speaker 1>the chimpanzees, but then by the end he loves doctor Sayas.

1038
00:51:56.719 --> 00:52:00.880
<v Speaker 2>That's true. I love it. Yes, of the fish, great

1039
00:52:00.880 --> 00:52:04.119
<v Speaker 2>episode of that show, A fish named Selmer as a

1040
00:52:04.159 --> 00:52:04.880
<v Speaker 2>fish nat that's right.

1041
00:52:04.960 --> 00:52:12.679
<v Speaker 1>Yeah, holy shit. Tickets for this musical in Toledo two

1042
00:52:13.039 --> 00:52:16.760
<v Speaker 1>hundred and ninety five dollars a person.

1043
00:52:17.000 --> 00:52:20.119
<v Speaker 2>I wasn't kidding, Go fuck yourself.

1044
00:52:20.440 --> 00:52:21.920
<v Speaker 1>That's insane.

1045
00:52:22.639 --> 00:52:25.039
<v Speaker 2>Down it's US.

1046
00:52:28.679 --> 00:52:31.119
<v Speaker 1>Five hundred and eighty five. This is fuck.

1047
00:52:31.199 --> 00:52:34.199
<v Speaker 2>You can bet Beatlejuice in the musical for six hundred dollars.

1048
00:52:34.639 --> 00:52:37.480
<v Speaker 1>I want to spend one thousand dollars for two people

1049
00:52:37.480 --> 00:52:38.199
<v Speaker 1>that go see a.

1050
00:52:38.239 --> 00:52:41.679
<v Speaker 5>Musical about a movie that you can watch undoubtedly on

1051
00:52:41.719 --> 00:52:42.840
<v Speaker 5>a streaming platform.

1052
00:52:43.440 --> 00:52:46.880
<v Speaker 1>God, this is crazy. Who are these people that buy

1053
00:52:46.920 --> 00:52:47.719
<v Speaker 1>these seats?

1054
00:52:48.000 --> 00:52:52.679
<v Speaker 5>Well, it's those are Hamilton prices for Beetlejuice musical quality.

1055
00:52:52.719 --> 00:52:57.199
<v Speaker 1>This is yeah, this is Toledo, man, this is fucking it.

1056
00:52:57.239 --> 00:53:00.679
<v Speaker 2>Hit us with one might come on? What holy totally?

1057
00:53:01.199 --> 00:53:03.440
<v Speaker 2>Oh sorry God.

1058
00:53:03.960 --> 00:53:06.039
<v Speaker 5>I guess that is the ultimate question though with something

1059
00:53:06.079 --> 00:53:08.320
<v Speaker 5>like this, because we have seen legacy sequels take a

1060
00:53:08.320 --> 00:53:10.440
<v Speaker 5>while to come out, and then another movie has come

1061
00:53:10.480 --> 00:53:14.599
<v Speaker 5>out pretty quickly afterwards. We talked about a Ghostbusters sequel

1062
00:53:15.119 --> 00:53:16.960
<v Speaker 5>not being a thing for a long time, and now

1063
00:53:17.000 --> 00:53:20.960
<v Speaker 5>there have been two in the last decade. Do y'all

1064
00:53:21.000 --> 00:53:23.400
<v Speaker 5>think that there will be a third Beetlejuice movie?

1065
00:53:23.679 --> 00:53:23.840
<v Speaker 1>Oh?

1066
00:53:23.880 --> 00:53:24.280
<v Speaker 3>Yeah, two?

1067
00:53:24.440 --> 00:53:27.840
<v Speaker 1>I thought three? Are we forgetting the all female one?

1068
00:53:28.440 --> 00:53:32.840
<v Speaker 5>Talking about canonical one, I'm talking about the one that

1069
00:53:32.880 --> 00:53:34.880
<v Speaker 5>people want to acknowledge. Look, I know that there are

1070
00:53:34.880 --> 00:53:37.119
<v Speaker 5>some people that like that twenty sixteen Ghostbusters movie.

1071
00:53:37.280 --> 00:53:40.519
<v Speaker 2>Have at it. I was not talking about that movie, correct.

1072
00:53:41.760 --> 00:53:44.639
<v Speaker 3>I think that it's there's one hundred percent guarantee we're

1073
00:53:44.639 --> 00:53:47.719
<v Speaker 3>going to get a Beatle Juice Beetle Juice Beetlejuice, And

1074
00:53:48.119 --> 00:53:51.039
<v Speaker 3>if instead Tim Burton wants to give us a television

1075
00:53:51.119 --> 00:53:54.440
<v Speaker 3>series set in the paranormal world, I'm comfortable with that.

1076
00:53:56.719 --> 00:54:00.880
<v Speaker 1>Yeah, I really I know that Sylvia's Sydney has been

1077
00:54:01.280 --> 00:54:03.440
<v Speaker 1>gone for a long time, but I really would have

1078
00:54:03.599 --> 00:54:07.360
<v Speaker 1>liked to have had homage to let you know your caseworker. Yeah,

1079
00:54:07.400 --> 00:54:10.159
<v Speaker 1>it was kind of sad for me to not get her. Yeah,

1080
00:54:10.199 --> 00:54:12.880
<v Speaker 1>I just have I'm damning this movie with faint praise,

1081
00:54:13.119 --> 00:54:15.280
<v Speaker 1>and I do be damning. Yeah. It was all right,

1082
00:54:15.440 --> 00:54:18.320
<v Speaker 1>but it just I'm not gonna be watching this like

1083
00:54:18.360 --> 00:54:20.440
<v Speaker 1>I watched the first one. I went back and rewatched

1084
00:54:20.440 --> 00:54:23.800
<v Speaker 1>the first one just earlier this week, and I still

1085
00:54:23.800 --> 00:54:27.360
<v Speaker 1>love it, absolutely love it. I still you know, that

1086
00:54:27.559 --> 00:54:31.760
<v Speaker 1>joy at the end with the other Harry Balafonte song

1087
00:54:32.280 --> 00:54:35.880
<v Speaker 1>is so fun and with Lydia up there floating in

1088
00:54:35.920 --> 00:54:38.079
<v Speaker 1>the air and all the football players showing up on

1089
00:54:38.159 --> 00:54:40.519
<v Speaker 1>the steps. Everything is so joyous in that movie. And

1090
00:54:40.559 --> 00:54:43.880
<v Speaker 1>I just didn't get the joy in this one, or

1091
00:54:44.719 --> 00:54:47.039
<v Speaker 1>even the frights. I mean even when Beatle just shows

1092
00:54:47.079 --> 00:54:49.840
<v Speaker 1>up as that giant snake and tries to scare everybody away.

1093
00:54:49.880 --> 00:54:52.119
<v Speaker 1>I thought that was really effective, and I didn't get

1094
00:54:52.480 --> 00:54:54.719
<v Speaker 1>any of that with this. Is it because I'm so

1095
00:54:54.800 --> 00:54:58.239
<v Speaker 1>many years older? Maybe, but I just again I felt

1096
00:54:58.239 --> 00:54:59.840
<v Speaker 1>like it was kind of just thrown together.

1097
00:55:00.440 --> 00:55:02.719
<v Speaker 5>Well, does this movie even attempt to do what that

1098
00:55:02.760 --> 00:55:05.920
<v Speaker 5>first movie does in terms of any horror beats, not really.

1099
00:55:06.000 --> 00:55:08.920
<v Speaker 5>That is a pretty pretty successful horror beat in that

1100
00:55:08.960 --> 00:55:12.639
<v Speaker 5>first movie. The thing with Beetlejuice becoming the handrail on

1101
00:55:12.679 --> 00:55:16.480
<v Speaker 5>the stairwell on the snake, that scene is pretty you know,

1102
00:55:16.800 --> 00:55:18.760
<v Speaker 5>I remember that scene scaring me as a kid, like

1103
00:55:18.800 --> 00:55:21.280
<v Speaker 5>straight up, because I saw Beetlejuice the first one as

1104
00:55:21.280 --> 00:55:23.760
<v Speaker 5>a kid, and I remember that scene scaring me as

1105
00:55:23.800 --> 00:55:26.119
<v Speaker 5>a kid. I don't think there's anything in this that

1106
00:55:26.360 --> 00:55:29.000
<v Speaker 5>comes close, because again, I think to your point, Mike,

1107
00:55:29.719 --> 00:55:32.159
<v Speaker 5>you put it very aptly, and I think it the

1108
00:55:32.239 --> 00:55:34.119
<v Speaker 5>more I've sat here and I've had it on in

1109
00:55:34.159 --> 00:55:36.199
<v Speaker 5>the background and I've just been thinking about it, Like

1110
00:55:36.360 --> 00:55:38.800
<v Speaker 5>the Men in Black of it all is really shocking.

1111
00:55:39.400 --> 00:55:42.599
<v Speaker 5>And again I guess it's the whole bureauification of the

1112
00:55:42.719 --> 00:55:46.119
<v Speaker 5>undead experience that you know, kind of translates the one

1113
00:55:46.119 --> 00:55:49.639
<v Speaker 5>to one to the bureauification of the alien experience right

1114
00:55:49.679 --> 00:55:52.000
<v Speaker 5>with Men in Black. But I would spend more time

1115
00:55:52.000 --> 00:55:54.599
<v Speaker 5>in this world without Beetlejuice, just like I would spend

1116
00:55:54.639 --> 00:55:57.039
<v Speaker 5>more time in the world of Men in Black without

1117
00:55:57.079 --> 00:56:01.519
<v Speaker 5>Will Smith and Tommy Lee Jones. You know that the

1118
00:56:01.559 --> 00:56:04.119
<v Speaker 5>world that they've created is almost more interesting than the character.

1119
00:56:04.119 --> 00:56:07.199
<v Speaker 5>I get that the Beatlejuice character is the center of

1120
00:56:07.239 --> 00:56:09.800
<v Speaker 5>all of this, but he doesn't have to be. If

1121
00:56:09.960 --> 00:56:12.280
<v Speaker 5>the next thing that they do, they could do something

1122
00:56:12.280 --> 00:56:15.320
<v Speaker 5>else in this world if Tim Burton wanted someone else to, because,

1123
00:56:15.360 --> 00:56:18.159
<v Speaker 5>like you said, bottom alone, tim Burton kind of controls

1124
00:56:18.159 --> 00:56:20.400
<v Speaker 5>the keys to the kingdom on this because this is

1125
00:56:20.480 --> 00:56:23.000
<v Speaker 5>like so many things for him, his baby clearly, So

1126
00:56:23.280 --> 00:56:23.840
<v Speaker 5>there you go.

1127
00:56:25.119 --> 00:56:30.679
<v Speaker 1>Yeah, well, don't please don't invoke sticking to the other

1128
00:56:30.960 --> 00:56:33.960
<v Speaker 1>side of it, because it just so reminds me of like,

1129
00:56:34.000 --> 00:56:38.159
<v Speaker 1>I don't know, ripd or something. Ah, And maybe that's

1130
00:56:38.199 --> 00:56:41.079
<v Speaker 1>where the Wulm Defox character was throw me the wrong way.

1131
00:56:41.280 --> 00:56:44.599
<v Speaker 1>Just that he was Wolf Jackson and you barely see

1132
00:56:44.639 --> 00:56:47.599
<v Speaker 1>the poster behind him. I'm just like, I really would

1133
00:56:47.599 --> 00:56:49.480
<v Speaker 1>have liked to have known more of Wolf Jackson and

1134
00:56:49.559 --> 00:56:51.840
<v Speaker 1>his movies and all these things, just that he's a

1135
00:56:51.840 --> 00:56:56.440
<v Speaker 1>pompous asshole. Maybe cast somebody younger in that role, because

1136
00:56:56.480 --> 00:56:58.719
<v Speaker 1>I think that would have been kind of cool to

1137
00:56:58.800 --> 00:57:01.239
<v Speaker 1>be like, oh, he's the hip detective type of thing.

1138
00:57:01.360 --> 00:57:03.599
<v Speaker 1>But I mean, seeing will own the Foes I was great,

1139
00:57:03.599 --> 00:57:06.639
<v Speaker 1>and seeing has Green exposed was pretty darn cool as well.

1140
00:57:06.719 --> 00:57:11.280
<v Speaker 1>But Yeah, It just that there are so many bad

1141
00:57:11.320 --> 00:57:13.159
<v Speaker 1>ways that could have gone with this, and I'm glad

1142
00:57:13.239 --> 00:57:15.639
<v Speaker 1>they didn't go as fully bad, even though they had

1143
00:57:15.639 --> 00:57:19.920
<v Speaker 1>to cop out and use the sandworm to destroy the

1144
00:57:19.960 --> 00:57:22.360
<v Speaker 1>bad guy at the end of this, which I'm just like, Okay,

1145
00:57:22.400 --> 00:57:24.679
<v Speaker 1>we just saw that. We just saw that in the

1146
00:57:24.719 --> 00:57:26.880
<v Speaker 1>first movie back in nineteen eighty eight.

1147
00:57:27.000 --> 00:57:30.039
<v Speaker 2>Come on, we need a bit of fans service.

1148
00:57:30.199 --> 00:57:32.400
<v Speaker 5>I mean, it's just a lot of fan there's we

1149
00:57:32.440 --> 00:57:34.480
<v Speaker 5>didn't really talk about the fan service a whole lot,

1150
00:57:34.639 --> 00:57:37.679
<v Speaker 5>Father Malone, you alluded to it being not great.

1151
00:57:37.679 --> 00:57:41.119
<v Speaker 2>A fan service in this movie is fucking bad.

1152
00:57:41.440 --> 00:57:42.480
<v Speaker 3>It's intolerable.

1153
00:57:43.159 --> 00:57:45.960
<v Speaker 2>Well, and what the question becomes when is fan service not?

1154
00:57:46.159 --> 00:57:48.000
<v Speaker 5>For the most part, I think the times it's not

1155
00:57:48.119 --> 00:57:50.800
<v Speaker 5>are the ones we're impressed by more than when they are,

1156
00:57:50.840 --> 00:57:53.599
<v Speaker 5>Because I mean, is this more or less intolerable than

1157
00:57:53.639 --> 00:57:57.039
<v Speaker 5>Ghostbusters Afterlife, which I found to be just as intolerable

1158
00:57:57.079 --> 00:57:58.320
<v Speaker 5>in terms of its fan service?

1159
00:57:58.480 --> 00:58:00.880
<v Speaker 2>Is this, for y'all is intolerable because I found it

1160
00:58:00.880 --> 00:58:01.079
<v Speaker 2>to be.

1161
00:58:01.639 --> 00:58:04.480
<v Speaker 3>It's more intolerable in this movie for me because I

1162
00:58:04.519 --> 00:58:07.239
<v Speaker 3>was really enjoying every other as not every other aspect,

1163
00:58:07.239 --> 00:58:09.719
<v Speaker 3>but a lot of this movie I enjoyed so or

1164
00:58:10.039 --> 00:58:12.760
<v Speaker 3>more than the Ghostbusters movie. Like, I like this movie.

1165
00:58:12.800 --> 00:58:16.039
<v Speaker 3>I'm gonna watch this movie again. You know so same.

1166
00:58:16.679 --> 00:58:16.920
<v Speaker 1>Yeah.

1167
00:58:17.320 --> 00:58:19.840
<v Speaker 2>Well, at least the fan service didn't factor into the

1168
00:58:19.840 --> 00:58:24.039
<v Speaker 2>overall conclusion of the movie entirely because having that Harold

1169
00:58:24.119 --> 00:58:26.239
<v Speaker 2>Ramus ghost thing show up at the end of that

1170
00:58:26.280 --> 00:58:28.840
<v Speaker 2>movie will never be a will never be a choice

1171
00:58:28.840 --> 00:58:31.360
<v Speaker 2>that I understand why they made, other than to just

1172
00:58:31.440 --> 00:58:35.679
<v Speaker 2>fan service your movie. Dave's X raymis style. Okay, thank

1173
00:58:35.719 --> 00:58:36.960
<v Speaker 2>god this movie didn't do that.

1174
00:58:37.159 --> 00:58:39.639
<v Speaker 5>They didn't have Jeffrey Jones show up as the headless

1175
00:58:39.639 --> 00:58:43.039
<v Speaker 5>corpse to do something. But the Sandworm is a close second.

1176
00:58:43.119 --> 00:58:43.760
<v Speaker 2>It really is.

1177
00:58:45.159 --> 00:58:48.280
<v Speaker 1>When you watch this again, please tell me if anything

1178
00:58:48.360 --> 00:58:51.920
<v Speaker 1>ever becomes of that. I guess he's Portuguese, the Tigre.

1179
00:58:52.119 --> 00:58:54.880
<v Speaker 1>I believe it's the character name. He gets hit in

1180
00:58:54.920 --> 00:58:57.239
<v Speaker 1>the head, he dies, he's got the big nod on

1181
00:58:57.280 --> 00:58:58.840
<v Speaker 1>his head. We see him a few times in the

1182
00:58:58.880 --> 00:59:02.360
<v Speaker 1>end world, and then he just disappears, and I'm like, again,

1183
00:59:02.719 --> 00:59:05.079
<v Speaker 1>kind of like the headshrink guys, I'm like, where are

1184
00:59:05.119 --> 00:59:07.039
<v Speaker 1>these guys? I was hoping for more of him. I

1185
00:59:07.079 --> 00:59:09.039
<v Speaker 1>thought he might actually play a part in this, but

1186
00:59:09.159 --> 00:59:12.320
<v Speaker 1>instead by having him in here several times. It draws

1187
00:59:12.360 --> 00:59:14.440
<v Speaker 1>attention to him, and I don't think we're supposed to

1188
00:59:14.440 --> 00:59:15.880
<v Speaker 1>be paying that much attention to him.

1189
00:59:16.400 --> 00:59:17.920
<v Speaker 3>No, I was going to ask you guys as well,

1190
00:59:17.960 --> 00:59:19.880
<v Speaker 3>if you saw him show up again, like maybe he

1191
00:59:19.960 --> 00:59:22.039
<v Speaker 3>was on the soul train at the very end, because

1192
00:59:22.199 --> 00:59:23.800
<v Speaker 3>it did seem like they were setting him up for

1193
00:59:23.840 --> 00:59:27.280
<v Speaker 3>a more important character than he was, because he's featured

1194
00:59:27.360 --> 00:59:29.880
<v Speaker 3>a few times, Like I thought he was going to

1195
00:59:29.920 --> 00:59:32.719
<v Speaker 3>be some sort of bumbling character throughout he keeps coming

1196
00:59:32.760 --> 00:59:36.400
<v Speaker 3>up against the bureaucracy of the afterlife. But nope, if

1197
00:59:36.400 --> 00:59:38.440
<v Speaker 3>he's just going to be the way we get to

1198
00:59:38.519 --> 00:59:40.320
<v Speaker 3>the after life, which I thought was clever because he

1199
00:59:40.360 --> 00:59:42.559
<v Speaker 3>falls into an open manhole clever and dies and then

1200
00:59:42.559 --> 00:59:45.800
<v Speaker 3>suddenly we're in the fucking cuckoo all the angles and

1201
00:59:45.880 --> 00:59:49.440
<v Speaker 3>checkerboards world. But then, like, why go back to him

1202
00:59:49.519 --> 00:59:51.719
<v Speaker 3>at all? If he figures into it, not a lot.

1203
00:59:51.719 --> 00:59:54.000
<v Speaker 3>I wonder if he's if stuff was cut out, you know,

1204
00:59:54.079 --> 00:59:54.519
<v Speaker 3>for time.

1205
00:59:55.920 --> 00:59:59.000
<v Speaker 5>I've got to assume that that's what it is, because well

1206
00:59:59.199 --> 01:00:01.159
<v Speaker 5>and again I think it's either cut out for Timer again,

1207
01:00:01.280 --> 01:00:04.280
<v Speaker 5>a ever changing script that has spent thirty five years

1208
01:00:04.320 --> 01:00:05.599
<v Speaker 5>being written, and you know.

1209
01:00:06.000 --> 01:00:06.920
<v Speaker 2>Who knows how much of it.

1210
01:00:06.920 --> 01:00:08.480
<v Speaker 5>They were like, well, we'll just leave that in and

1211
01:00:08.519 --> 01:00:10.760
<v Speaker 5>you can be wandering around in the background versus you

1212
01:00:10.760 --> 01:00:13.800
<v Speaker 5>know again, well we've got a whole sandworm segment where

1213
01:00:13.800 --> 01:00:15.920
<v Speaker 5>they're on the where they're on Jupiter, and here are

1214
01:00:15.960 --> 01:00:16.800
<v Speaker 5>the sandworms.

1215
01:00:16.840 --> 01:00:20.639
<v Speaker 2>That's okay, we've seen this before. Is this doing cgi

1216
01:00:20.800 --> 01:00:23.280
<v Speaker 2>sandworms doesn't help anything here? I'm sorry.

1217
01:00:23.559 --> 01:00:23.840
<v Speaker 3>Yeah.

1218
01:00:24.039 --> 01:00:26.280
<v Speaker 1>When she gets there and she says, I must conquer

1219
01:00:26.280 --> 01:00:28.559
<v Speaker 1>the worm, I must conquer shi Halued, I was like,

1220
01:00:28.559 --> 01:00:31.119
<v Speaker 1>well that's a little hot. Doesn't that talk about walk

1221
01:00:31.159 --> 01:00:31.880
<v Speaker 1>without rhythm?

1222
01:00:31.960 --> 01:00:36.840
<v Speaker 2>Walk without rhythm? Sorry, this is the leson al Gayeb father.

1223
01:00:36.960 --> 01:00:39.320
<v Speaker 3>Yes, sorry, no, no, no, that's fine. You know, and

1224
01:00:39.400 --> 01:00:42.800
<v Speaker 3>to your point earlier, like that, you know, both Lydia

1225
01:00:42.960 --> 01:00:46.719
<v Speaker 3>and Astrid end up on Mars at a certain point

1226
01:00:46.719 --> 01:00:48.280
<v Speaker 3>with the sandworm, and then they come back and no

1227
01:00:48.440 --> 01:00:52.000
<v Speaker 3>time has changed at all, and like even a moment

1228
01:00:52.199 --> 01:00:55.360
<v Speaker 3>in that world gave you like a few hours of difference.

1229
01:00:55.400 --> 01:00:57.599
<v Speaker 3>So you know, where was that all about? And what

1230
01:00:57.639 --> 01:01:00.599
<v Speaker 3>I was saying was, I'm very curious to read the

1231
01:01:00.679 --> 01:01:04.360
<v Speaker 3>Seth Graham Smith version of this script, like the script

1232
01:01:04.400 --> 01:01:07.239
<v Speaker 3>that they almost made, that they kept almost making, and

1233
01:01:07.280 --> 01:01:10.239
<v Speaker 3>then Goff and Miller came in and rewrote it for.

1234
01:01:10.199 --> 01:01:14.719
<v Speaker 1>This was that Beatlejuice in Love?

1235
01:01:16.519 --> 01:01:19.159
<v Speaker 3>Well, look, Seth Graham Smith is still a credited writer

1236
01:01:19.280 --> 01:01:21.840
<v Speaker 3>on this movie. So, like I said, I'm curious where

1237
01:01:21.880 --> 01:01:25.960
<v Speaker 3>his o, what his draft was like before they rewrote it,

1238
01:01:26.000 --> 01:01:28.639
<v Speaker 3>because obviously there's enough of his left in it that

1239
01:01:28.639 --> 01:01:29.480
<v Speaker 3>they give him a credit.

1240
01:01:31.840 --> 01:01:33.800
<v Speaker 1>And here I was thinking when I saw Goff's name

1241
01:01:33.840 --> 01:01:35.679
<v Speaker 1>show up, I was just like, oh, he must be

1242
01:01:35.880 --> 01:01:38.519
<v Speaker 1>related to Michael Goff who was Alfred in those two

1243
01:01:38.599 --> 01:01:42.119
<v Speaker 1>Batman films. But no, he's not. This guy was born

1244
01:01:42.159 --> 01:01:42.800
<v Speaker 1>in Baltimore.

1245
01:01:43.159 --> 01:01:45.159
<v Speaker 3>Yeah, I know. These are the guys who did Wednesday

1246
01:01:45.360 --> 01:01:50.719
<v Speaker 3>and Smallville and the fucking one of those those Jackie

1247
01:01:50.840 --> 01:01:54.840
<v Speaker 3>Chan movies with the Old West Shower No, no, no, the

1248
01:01:54.840 --> 01:01:56.079
<v Speaker 3>Old West ones with Owen Wills.

1249
01:01:56.119 --> 01:01:57.599
<v Speaker 2>So Shanghai Noon and Shanghai Knight.

1250
01:01:57.840 --> 01:01:58.960
<v Speaker 3>Yeah, they wrote those.

1251
01:02:00.920 --> 01:02:06.199
<v Speaker 2>Great films. Caf by Cinema Classics.

1252
01:02:04.519 --> 01:02:07.920
<v Speaker 3>Hand them Beetlejews.

1253
01:02:08.800 --> 01:02:11.280
<v Speaker 2>Yes, give Beetlejuice to these people, please.

1254
01:02:12.480 --> 01:02:12.960
<v Speaker 3>Yeah.

1255
01:02:13.039 --> 01:02:15.159
<v Speaker 2>Well, you know they could have given it to Freeberg

1256
01:02:15.199 --> 01:02:16.519
<v Speaker 2>and Seltzer, and they did.

1257
01:02:17.320 --> 01:02:18.320
<v Speaker 1>Yeah, thank you for that.

1258
01:02:22.639 --> 01:02:28.400
<v Speaker 5>Anything else I'm going to talk about with Beetlejuice, Beetlejuice.

1259
01:02:28.679 --> 01:02:30.480
<v Speaker 1>Well, I want to think my co host Chris and

1260
01:02:30.559 --> 01:02:32.760
<v Speaker 1>Father Alone for joining me on this episode as we

1261
01:02:32.760 --> 01:02:36.840
<v Speaker 1>talk about beetle juice beetle Juice. But before we head out, Chris,

1262
01:02:36.920 --> 01:02:38.519
<v Speaker 1>what are you working on these days? Sir?

1263
01:02:39.039 --> 01:02:40.519
<v Speaker 5>Well, all the things that I work on can be

1264
01:02:40.519 --> 01:02:42.719
<v Speaker 5>found over a culturecast dot com where this month we're

1265
01:02:42.840 --> 01:02:45.360
<v Speaker 5>talking all about films that fatherm Alone picked for a

1266
01:02:45.360 --> 01:02:48.400
<v Speaker 5>little little foray into things that I had not gotten

1267
01:02:48.400 --> 01:02:50.679
<v Speaker 5>a chance to watch up until this point in my life,

1268
01:02:50.760 --> 01:02:53.400
<v Speaker 5>which is a list of things that if you join

1269
01:02:53.480 --> 01:02:55.199
<v Speaker 5>us in September you'll get to hear all about it.

1270
01:02:55.320 --> 01:02:59.599
<v Speaker 5>Some Batman Returns, Little Untouchables, a whole lot more coming

1271
01:02:59.639 --> 01:03:02.519
<v Speaker 5>your way over weirdingwaymedia dot com.

1272
01:03:02.519 --> 01:03:05.199
<v Speaker 2>What about you, botherom alone.

1273
01:03:06.119 --> 01:03:10.039
<v Speaker 3>Excuse me, you can I'm over at weirdingwaymedia dot com too.

1274
01:03:10.119 --> 01:03:13.440
<v Speaker 3>You can hear my show Midnight Viewing that's on twice

1275
01:03:13.480 --> 01:03:16.800
<v Speaker 3>a week Mondays. It is a weekly round up show

1276
01:03:16.840 --> 01:03:19.679
<v Speaker 3>of sort of streaming and current things. And on Friday

1277
01:03:19.679 --> 01:03:23.440
<v Speaker 3>the show alternates between the Horror Anthology podcast where we're

1278
01:03:23.440 --> 01:03:25.440
<v Speaker 3>taking a look at talents from the dark Side. That's

1279
01:03:25.440 --> 01:03:28.039
<v Speaker 3>the show I do with these two gentlemen, and the

1280
01:03:28.159 --> 01:03:31.280
<v Speaker 3>alternate show is Attack, which is a show we do

1281
01:03:31.360 --> 01:03:34.320
<v Speaker 3>about anthologies of every kind of genre. I do that

1282
01:03:34.360 --> 01:03:36.519
<v Speaker 3>with Antonio Lapourt. You can check us out over there,

1283
01:03:36.800 --> 01:03:38.840
<v Speaker 3>and if you want to support us, go to patreon

1284
01:03:38.880 --> 01:03:41.360
<v Speaker 3>dot com slash Father Them Alone.

1285
01:03:43.440 --> 01:03:45.639
<v Speaker 2>By You Mike, where can people find all yours stuff.

1286
01:03:46.559 --> 01:03:48.679
<v Speaker 1>As for me, everything that I do is also over

1287
01:03:48.719 --> 01:03:52.239
<v Speaker 1>at Weirdingwaymedia dot com except for a little thing that

1288
01:03:52.440 --> 01:03:55.320
<v Speaker 1>Chris and I am Richard Adam do and we will

1289
01:03:55.320 --> 01:03:58.559
<v Speaker 1>be joined by our good friend Father I'm Alone as

1290
01:03:58.679 --> 01:04:01.079
<v Speaker 1>well as we talk about to the movie, I think

1291
01:04:01.119 --> 01:04:03.480
<v Speaker 1>that's is that two from now? Or is that the

1292
01:04:03.519 --> 01:04:06.519
<v Speaker 1>next one? Because we just did Diamonds Are Forever, We're

1293
01:04:06.559 --> 01:04:12.639
<v Speaker 1>about to do our first Roger Moore? Is that okay? Wow?

1294
01:04:12.679 --> 01:04:12.960
<v Speaker 1>All right?

1295
01:04:13.000 --> 01:04:14.800
<v Speaker 2>Well I'm excited for Young in Your Heart was an

1296
01:04:14.800 --> 01:04:15.360
<v Speaker 2>open book.

1297
01:04:15.719 --> 01:04:18.519
<v Speaker 1>Yeah. Well, come on over there to patreon dot com

1298
01:04:18.519 --> 01:04:21.880
<v Speaker 1>slash Projection Booth and papreon dot com slash Culture Cast,

1299
01:04:21.920 --> 01:04:24.920
<v Speaker 1>where you can hear us talk all about ranking on bond.

1300
01:04:25.559 --> 01:04:28.440
<v Speaker 1>You can also join our community over there at our

1301
01:04:28.480 --> 01:04:31.360
<v Speaker 1>patreons get all the good stuff. You can also join

1302
01:04:31.400 --> 01:04:35.320
<v Speaker 1>Father Malone's Patreon, where he also draps episodes early and

1303
01:04:35.840 --> 01:04:39.119
<v Speaker 1>probably commercial free or a lot freer than what spreaker

1304
01:04:39.199 --> 01:04:41.840
<v Speaker 1>is doing to us right now. So yeah, come on

1305
01:04:41.920 --> 01:04:44.920
<v Speaker 1>over there and check us out. Please rate and review

1306
01:04:44.960 --> 01:04:47.599
<v Speaker 1>the shows, all of these shows wherever you get them,

1307
01:04:47.760 --> 01:04:49.079
<v Speaker 1>We would greatly appreciate it.

1308
01:05:05.280 --> 01:05:18.280
<v Speaker 3>Range lead

1309
01:05:19.960 --> 01:05:23.000
<v Speaker 1>In the name to the
