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<v Speaker 1>You are now listening to the Someone's Favorite Productions podcast network.

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<v Speaker 1>Hello and welcome back to The Disconnected live on another

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<v Speaker 1>Thursday night, And once again, like I've been trying to

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<v Speaker 1>hype up recently, we get a bunch of first time

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<v Speaker 1>guests this week on the show, Andy Nelson, who is

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<v Speaker 1>the man behind CinemaScope and True Story FM and lots

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<v Speaker 1>of other stuff we'll talk about.

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<v Speaker 2>Andy, Thanks for doing this now, Thanks for having me.

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<v Speaker 2>I'm thrilled to be here and to chat with you

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<v Speaker 2>about all of these crazy releases that we're going to

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<v Speaker 2>be seeing this popping up. So it's a busy week.

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<v Speaker 1>We have a hell of a week to cover. Let's

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<v Speaker 1>get into some stuff about you before we check in

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<v Speaker 1>with everybody. Tell everybody about CinemaScope because I think that

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<v Speaker 1>a lot of people watching the show will adore this podcast.

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<v Speaker 2>Thanks, I appreciate that. Yeah, it's a lot of fun.

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<v Speaker 2>This is one of the several film podcasts that we

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<v Speaker 2>have over at a True Story FM, and this one

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<v Speaker 2>specifically is focusing on genres, subgenres and film movements and

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<v Speaker 2>each episode looks at a specific one and I kind

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<v Speaker 2>of have very lengthy conversations with my guests about it,

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<v Speaker 2>including Ryan who is on the last episode talking about

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<v Speaker 2>found footage horror. And yeah, so it's I mean, we've

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<v Speaker 2>done osploitation, remake exploitation, We've done screwball comedy. It's just

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<v Speaker 2>kind of like all over the place as far as

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<v Speaker 2>the different types of things, and so it's a lot

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<v Speaker 2>of fun. And yeah, I'd love more people to check

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<v Speaker 2>that one out. So that's one of the podcasts that

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<v Speaker 2>we have. And then the Next Reel is a podcast

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<v Speaker 2>where we just talk about my co host and I

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<v Speaker 2>talk about a different film each week, each one kind

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<v Speaker 2>of packaged into a little series of films that we

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<v Speaker 2>are doing. And then we have another show called Movies

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<v Speaker 2>We Like, which is where we bring on somebody from

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<v Speaker 2>the industry to talk to them about one of their

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<v Speaker 2>favorite movies. So lots of good stuff.

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<v Speaker 1>Lots of stuff going on. You are a busy, busy man.

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<v Speaker 1>CinemaScope is I don't know. It's been one of the

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<v Speaker 1>more comforting shows, I will say, as I have in

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<v Speaker 1>the last couple of months been forced back into the

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<v Speaker 1>office full time unfortunately, and it has been your dulcet

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<v Speaker 1>tones keeping me company for a lot of that time.

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<v Speaker 1>Two episodes that I really want to highlight if people

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<v Speaker 1>are going to try it out tonight, and please check

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<v Speaker 1>the link of the description below, subscribe to Andy, go

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<v Speaker 1>check out the other shows. It is a really great time,

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<v Speaker 1>even Craig saying we were on movies, we like it

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<v Speaker 1>was great, great felladay yep. The two episodes, one incredible

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<v Speaker 1>episode on blaxploitation. The films covered is a really nice,

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<v Speaker 1>really nice breadth of films with blaxploitation. There's a couple

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<v Speaker 1>I don't know, like major films that people tend to

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<v Speaker 1>get hung up on. And with the episode, it was

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<v Speaker 1>I mean everything because the guest was an expert, like

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<v Speaker 1>a full on expert of this and oh yeah, incredible conversation.

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<v Speaker 1>Completely completely support that one.

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<v Speaker 2>Thank you very much. Yeah, Odie Henderson had just his

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<v Speaker 2>book is out and it's just, I mean this incredibly

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<v Speaker 2>just lots of wonderful stuff in that book and it's

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<v Speaker 2>like eight bucks for a hard bat. It's crazy how

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<v Speaker 2>affordable that book is. Absolutely check it up or check

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<v Speaker 2>it out. And yeah, and so we talked about five

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<v Speaker 2>films specifically the episode, and then I'll do a member

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<v Speaker 2>bonus section that has five additional films and that's where

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<v Speaker 2>we like, we'll do the kind of the core essential

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<v Speaker 2>films in that first section, and the last one we

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<v Speaker 2>play around a little bit. You know, if it's something

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<v Speaker 2>that's a little more obscure or kind of borders on

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<v Speaker 2>the style, you know, we'll talk about that. So it's

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<v Speaker 2>it allows for a lot of amazing conversations and that's

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<v Speaker 2>that was one of my favorites as well.

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<v Speaker 1>And speaking of more obscure, I'm sure that you're not

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<v Speaker 1>listening to the twenty five shows on our podcast network,

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<v Speaker 1>but just this week I gave you a pretty big

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<v Speaker 1>shout out on the Mondo Macabre podcast because the Remo remake.

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<v Speaker 1>This is such a hard word to say, the remake

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<v Speaker 1>exploitation episode. Man, that hit like a ton of bricks

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<v Speaker 1>a few weeks ago when I listened to it. Finally,

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<v Speaker 1>because there's so much in this genre that you can

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<v Speaker 1>dive into that I mean, I say genre loosely because

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<v Speaker 1>it's a bunch of genres under an umbrella. But remak Okay,

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<v Speaker 1>I've done say the word. These remake films are tech.

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<v Speaker 1>They're not remakes. They're more ripoffs. And the way that

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<v Speaker 1>you I don't know, like in a really playful way

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<v Speaker 1>just tour it apart and share all the details and

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<v Speaker 1>mentioned you know, Turkish spider Man and all these other

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<v Speaker 1>things for a couple hours. It was incredible, really really

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<v Speaker 1>great episode. And for people that love Monta Micabre and

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<v Speaker 1>terror visions on a couple Master videos done one. Like,

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<v Speaker 1>there's a bunch of these foreign ripoff movies that are

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<v Speaker 1>in genuine like appreciation incredible on their own. They're not like,

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<v Speaker 1>let's just laugh at all these they're really great, very

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<v Speaker 1>different movies that seem to have some plot lines or

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<v Speaker 1>characters or dialogue exactly ripped out of another movie.

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<v Speaker 2>Yeah, it's very odd. We talked about some crazy movies

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<v Speaker 2>in there, like the Bollywood Nightmare on Elm Street ripoff.

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<v Speaker 2>There's one that was like it was Italian and it

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<v Speaker 2>was like it was like Terminator but also aliens, you know,

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<v Speaker 2>like Shocking Dog. Some strange, strange blends of the films.

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<v Speaker 2>And yeah, it had a lot of fun digging into

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<v Speaker 2>that one with and my guests just yeah, knows so

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<v Speaker 2>much about it. I mean it's like studying it and

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<v Speaker 2>you know it for a sub genre or a movement

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<v Speaker 2>of films, they're not always easy to find. Luckily, he

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<v Speaker 2>had links to many of them, and he's working on

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<v Speaker 2>trying to figure out how to do deals and stuff

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<v Speaker 2>to restore some more of them, because that's the trick.

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<v Speaker 2>Like Turkish Star Wars. Good luck figuring out how to

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<v Speaker 2>get the licensing for that one, you know, so at

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<v Speaker 2>least it's on the lower quality versions on YouTube.

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<v Speaker 1>Thankfully. I got the Blu ray that was on sale

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<v Speaker 1>for like a month a couple of years ago.

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<v Speaker 2>Nice, very short lived.

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<v Speaker 1>Yeah, that thing is very expensive nowadays. Yeah. Yeah, True

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<v Speaker 1>story or true yeah, man can't speak tonight. True Story FM.

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<v Speaker 1>Tell everybody what the rest of this is, because there's

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<v Speaker 1>so much to dive into.

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<v Speaker 2>Absolutely yeah, True Story FM. So so Pete is my

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<v Speaker 2>co host over on the Next Reel and movies we like,

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<v Speaker 2>and this was he convinced me to start podcasting in

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<v Speaker 2>twenty eleven, and we started up the Next Real podcast,

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<v Speaker 2>where again we talk about a movie each week, and

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<v Speaker 2>then we and then covid hit and I had been

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<v Speaker 2>working in production and it kind of hit this point

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<v Speaker 2>where there wasn't really the work that I needed and

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<v Speaker 2>so he's just like, just podcast myth with me, and

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<v Speaker 2>let's just do podcasting. And so since covid hit. I've

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<v Speaker 2>been just doing full time podcasting and it's it's it's

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<v Speaker 2>it's really fun and so True Story FM is our network,

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<v Speaker 2>and we've got a whole bunch of entertainment related podcasts.

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<v Speaker 2>That's where all of our movie ones fall under. And

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<v Speaker 2>then we have a whole bunch with just a whole

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<v Speaker 2>bunch of other clients. We have an ADHD podcast, a

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<v Speaker 2>divorce podcast, several cybersecurity types of podcasts, you know, so

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<v Speaker 2>the we kind of cover the whole gamut different podcasting

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<v Speaker 2>that we do. But that's you know, that's been keeping

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<v Speaker 2>me busy for the last five years, which is crazy

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<v Speaker 2>to think about.

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<v Speaker 1>It's a lot of work, believe me as somebody that

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<v Speaker 1>also has a podcast network. There's a lot of stuff

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<v Speaker 1>find the scenes that you can really do to keep

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<v Speaker 1>your time just completely entrenched in it. Yeah. But yeah,

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<v Speaker 1>you know, if you're here you love movies, so that

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<v Speaker 1>they got some options there. But hell, if you're a

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<v Speaker 1>divorced person with ADHD and a computer virus, there's all

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<v Speaker 1>kinds of options for you and you.

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<v Speaker 2>Love movies too. I mean, hey, Andy, what kind of

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<v Speaker 2>movies do you love?

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<v Speaker 1>You're here tonight for the first time on a physical

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<v Speaker 1>media related show, and you don't get a ton of

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<v Speaker 1>time to talk about physical media. So what do you

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<v Speaker 1>what do you love? What are you looking to buy?

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<v Speaker 2>Well, you know, my favorite five top five films I

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<v Speaker 2>would say are Brazil, Shashank, Redemption, Charade, Lord of the Rings.

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<v Speaker 2>I don't know, I'll say Return of the King, and

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<v Speaker 2>Doctor Strangelove. That's probably would change, you know, if you

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<v Speaker 2>ask me again in ten minutes, But Brazil's been my

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<v Speaker 2>number one. You can see the poster right here for

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<v Speaker 2>Ages and Ages. So I'm all over the map.

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<v Speaker 1>Really.

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<v Speaker 2>As far as what I like, I love. I don't

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<v Speaker 2>know good movies is that is that a fair thing

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<v Speaker 2>to say? I just really love good movies. But I

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<v Speaker 2>love exploring cinema. And you know, is somebody who went

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<v Speaker 2>to film school. I just, uh, I don't know. I

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<v Speaker 2>just fell in love with just the the incredible with

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<v Speaker 2>and breadth of this medium and just how many films

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<v Speaker 2>and you know we have and just exploring into other

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<v Speaker 2>cultures and and just there's there's a lot to see.

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<v Speaker 2>There's a lot, and yeah, it's it's hard to it's

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<v Speaker 2>hard to just pin down just a few. But yeah,

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<v Speaker 2>there's a lot. As far as physical media, it's always like,

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<v Speaker 2>I don't know, I'm always you know, after upgrading to

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<v Speaker 2>four K, I'm just like, well, I'm only going to

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<v Speaker 2>buy the four K releases now. But then it's just like, oh,

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<v Speaker 2>but this is coming out now, Wow, I need that.

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<v Speaker 2>And so you know, then you know, you say, you're

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<v Speaker 2>still just buying all sorts of stuff, and I'm still like,

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<v Speaker 2>you know, I'm one of these people who has like

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<v Speaker 2>a ridiculous number of letterbox lists and all these different things,

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<v Speaker 2>like I'm trying to complete these sorts of lists and

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<v Speaker 2>and so I hit somewhere, I'm just like, this movie

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<v Speaker 2>that I want to watch for this list isn't available

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<v Speaker 2>unless I buy this DVD from from Spain. I guess

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<v Speaker 2>I'm buying a DVD from Spain. And so that's kind

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<v Speaker 2>of how how I am.

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<v Speaker 1>That's I mean, that's in my opinion, that's the right answer.

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<v Speaker 1>There's so many different genres there. It's so easy to

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<v Speaker 1>just say I want to see everything and challenge yourself.

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<v Speaker 1>And when you're doing specifically like you the shows that

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<v Speaker 1>you cover, you kind of are forced to watch everything

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<v Speaker 1>and just sort of flex that muscle all the time.

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<v Speaker 1>One of the questions I was going to ask in

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<v Speaker 1>relation to that, what's over the last I don't know,

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<v Speaker 1>because you've been doing it a long time, so it's

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<v Speaker 1>over the last six months. The film that you discovered

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<v Speaker 1>for your show that you went damn like this immediately

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<v Speaker 1>is like one of my favorites of all time. This

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<v Speaker 1>is incredible.

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<v Speaker 2>Oh man, that's a question I wish you prepped me for.

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<v Speaker 1>No, we got to hear organic conversation.

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<v Speaker 2>Come on, Andy, oh Man, let's see you know in

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<v Speaker 2>I'd say there were some when I did the Iranian

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<v Speaker 2>New Wave over on CinemaScope, there were some movies that

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<v Speaker 2>really surprised me. And I have to look it up

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<v Speaker 2>right now because I'm totally blanking on the name of it.

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<v Speaker 2>But there was this one movie that was like, it

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<v Speaker 2>was like this meta storytelling film, and I just I

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<v Speaker 2>was like, where are we going with this movie? And

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<v Speaker 2>it was it was just really exciting to see something

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<v Speaker 2>unfold the way it did, you know, And because it's

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<v Speaker 2>about a a filmmaker who's making a film about his

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<v Speaker 2>own life when he was young and he was more

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<v Speaker 2>politically engaged when he was younger, and he's altercation with

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<v Speaker 2>the police officer, and now he's casting the police officer

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<v Speaker 2>to play the police officer, and he's playing himself, and

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<v Speaker 2>it just like they're acting out this story, but they're

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<v Speaker 2>also both trying to you know, think about Actually, I

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<v Speaker 2>take it back, he didn't. He didn't cast them to

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<v Speaker 2>play themselves, but he got the guy to like advise,

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<v Speaker 2>and so the police officers like, oh no, no, this

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<v Speaker 2>guy's not handsome enough to play me, and like going

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<v Speaker 2>through all of this sort of stuff, and it's it

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<v Speaker 2>was just such a fascinating movie. And I'm going to

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<v Speaker 2>I'm looking at the list right now. It was called

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<v Speaker 2>of course now I can't remember which one. It is

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<v Speaker 2>a Moment of Innocence, I think, yeah, directed by Moosin

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<v Speaker 2>Mark Malboff, and it was I don't know, I wasn't

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<v Speaker 2>expecting something that was like I was kind of expecting

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<v Speaker 2>kind of like, you know, more dramatic, but then it

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<v Speaker 2>took this whole meta narrative with it, and I just

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<v Speaker 2>wasn't expecting this. As they were examining both he and

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<v Speaker 2>the police officer were examining their younger selves as they

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<v Speaker 2>played this whole scene out and reliving the moments that

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<v Speaker 2>they had and trying to like recontextualize like why they

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<v Speaker 2>did it that way and everything, and I don't know.

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<v Speaker 2>It was a really fascinating film and absolutely absolutely worth

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<v Speaker 2>checking out. That was just one that really surprised me.

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<v Speaker 2>That's the first one that came to mind.

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<v Speaker 1>Amazing, and now I want to see it.

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<v Speaker 2>Yeah, right. I don't know how accessible it is. I

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<v Speaker 2>can't remember where I watched this. If it was a

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<v Speaker 2>link that my guests sent to me, or if it

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<v Speaker 2>was something I found, I might have just found it

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<v Speaker 2>on YouTube. So a moment of innocence, It's definitely worth

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<v Speaker 2>checking out.

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<v Speaker 1>It's from nineteen ninety six. Sounds incredible with the show.

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<v Speaker 1>Have you found any of the episodes you've gotten like

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<v Speaker 1>a higher number of engagement with listeners because it was

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<v Speaker 1>such a you know, we'll say a like inspiring type

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<v Speaker 1>of episode, one that get really got people to pay

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<v Speaker 1>attention and respond in a certain way.

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<v Speaker 2>For you, you know, I will say it's funny. You

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<v Speaker 2>never can tell with podcasting. Sometimes you're like, it's you know,

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<v Speaker 2>it's all about horror movies. If you want to have

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<v Speaker 2>a successful movie podcast, you got to be talking about

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<v Speaker 2>horror movies. But I was looking at I'm like, the

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<v Speaker 2>Screwball Comedy podcast is like through the roof, And it

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<v Speaker 2>really surprised me because and maybe it's just the times

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<v Speaker 2>we're living in, who knows, but it just surprised me,

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<v Speaker 2>you know, pleasantly that that one was one that was

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<v Speaker 2>so well received and that people really connected with. And

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<v Speaker 2>I've had some people really excited about a number of

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<v Speaker 2>the releases that we are the number of films we discussed.

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<v Speaker 2>In fact, Midnight was Criterion just is putting that one

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<v Speaker 2>out That was one of the ones that we had discussed,

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<v Speaker 2>which was the first time. That's another one totally blew

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<v Speaker 2>my mind. I loved that movie so much. And then

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<v Speaker 2>then Criteria. I often joke that Criterion secretly is listening

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<v Speaker 2>to our shows because every once in a while, like

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<v Speaker 2>I'm like, we just talked about that like three months ago,

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<v Speaker 2>and here's Criterion putting it out there. So but anyway,

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<v Speaker 2>that yeah, so that one really kind of seemed to

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<v Speaker 2>hit a nerve, which, you know, I'm like, maybe I

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<v Speaker 2>need to talk about more comedy.

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<v Speaker 1>Well, not only that there's not a lot of people

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<v Speaker 1>talking about that type of comedy specifically, you know that

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<v Speaker 1>it's a genre that we don't really get much anymore,

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<v Speaker 1>especially the way that we were getting back then with

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<v Speaker 1>it being a staple every single year. Now it's like

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<v Speaker 1>once every seven or eight years. You might have a

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<v Speaker 1>really good one that you can kind of fit into

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<v Speaker 1>that mold. But even now, like the modern the modern

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<v Speaker 1>ones are not the same as the ones that were

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<v Speaker 1>coming out in the forties and fifties.

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<v Speaker 2>No, yeah, it's definitely a different tone comedies taken.

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<v Speaker 1>But uh yeah, everybody's saying comedy needs another renaissance, and

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<v Speaker 1>comedies are rare now. It's all about horror, absolutely because

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<v Speaker 1>the comedies you simply don't make money. Sadly, I do.

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<v Speaker 2>I do hope that naked I see the comment about

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<v Speaker 2>naked Gun. It may might not start it, but I

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<v Speaker 2>am at least hoping. I'm like, hey, if Liam Neeson,

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<v Speaker 2>if Oscar Schindler can pull that off, then I'm I'm

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<v Speaker 2>all for it.

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<v Speaker 1>I am, I'm for some reason quite hopeful about this one,

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<v Speaker 1>Like the at least the trailer. If feel like that

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<v Speaker 1>nailed the tone kind of yeah, yeah, I think. So

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<v Speaker 1>let's get into some regular stuff. What have you been

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<v Speaker 1>picking up on physical media recently, which, by the way,

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<v Speaker 1>incredible wall behind you.

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<v Speaker 2>Yeah, you know, I bought that. I'm like, oh, this

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00:16:30.559 --> 00:16:33.320
<v Speaker 2>is so much space, and then instantly is full. I'm

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<v Speaker 2>just like, you know, it's impossible to ever have enough.

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<v Speaker 2>All right, you ready for this? I've got way too

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<v Speaker 2>big of a pile that I pulled here. First of all,

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00:16:42.159 --> 00:16:45.720
<v Speaker 2>I'll just they're not really organized. They're kind of organized

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<v Speaker 2>in some capacity. Well, here's the Criterion pickups that I

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00:16:49.159 --> 00:16:51.639
<v Speaker 2>just did out their sales. So I finally got in

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<v Speaker 2>the mood for Love, which I've been anxious to get,

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<v Speaker 2>and the Grifters. This is a DVD upgrade for me

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<v Speaker 2>because nice. I mean, I love the movie, but that

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00:17:02.519 --> 00:17:05.279
<v Speaker 2>DVD is really an old one. And then I picked

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<v Speaker 2>up The Philadelphia Story, which I've always loved. But I

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00:17:08.920 --> 00:17:11.799
<v Speaker 2>went to watch it. I have the DVD still and

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<v Speaker 2>I opened it and the disc is gone, and I'm like,

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00:17:14.599 --> 00:17:16.599
<v Speaker 2>did I loan it out to somebody? I couldn't have

316
00:17:16.599 --> 00:17:18.960
<v Speaker 2>figured it out, So I'm like, hey, guess it's time

317
00:17:19.000 --> 00:17:22.640
<v Speaker 2>to buy it. All right, then, I excuse me. I

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00:17:22.680 --> 00:17:24.599
<v Speaker 2>live in the Phoenix area and recently we had our

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<v Speaker 2>our version of Comic Con, the Phoenix Fan Fusion, and

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00:17:29.839 --> 00:17:34.279
<v Speaker 2>lo and behold, Severn had a booth there, which was fantastic.

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<v Speaker 2>I guess they have a place right here in town

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<v Speaker 2>where they ship from. So I was like, I chatted

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<v Speaker 2>with the team and everything. So I picked up Opera,

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00:17:42.319 --> 00:17:45.559
<v Speaker 2>which I've been wanting to grab. I picked up the

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<v Speaker 2>documentary about Island of Doctor Merau, which I've been very

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00:17:49.039 --> 00:17:51.960
<v Speaker 2>curious to watch, Lost Souls, so I'm very excited to

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00:17:51.960 --> 00:17:56.240
<v Speaker 2>see that one, Blood on Satan's Claw, So looking forward

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00:17:56.359 --> 00:17:59.400
<v Speaker 2>to digging into that one. And then last but not least,

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<v Speaker 2>The Day of the Beast. So that's my love that movie.

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<v Speaker 2>This is This was largely a set of films that

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<v Speaker 2>I'd never seen and I'm just but I've been like

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<v Speaker 2>very curious about So yeah, I figured they're here, they're

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<v Speaker 2>giving me a discount. Why not.

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<v Speaker 1>Now, speaking of that, nice nice prelude, that next Thursday night,

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<v Speaker 1>when we're here live again, the seven Summer Sale will

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<v Speaker 1>be starting that night, So come hang out. We'll be

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00:18:24.279 --> 00:18:26.759
<v Speaker 1>chatting up and talk about all the new titles. And

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<v Speaker 1>the guest for next Thursday is someone that has had

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<v Speaker 1>a hand at a bunch of seven titles, so we're

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<v Speaker 1>gonna be talking about all kinds of stuff, Severn, So

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<v Speaker 1>come on back then, Man, you got some great discs.

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<v Speaker 1>We had somebody ask, how do you feel, Reggie says Andy,

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<v Speaker 1>do you think Criterion did Brazil justice with their four

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<v Speaker 1>K release?

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<v Speaker 2>That's frustratingly one I haven't picked up yet.

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<v Speaker 1>Oh.

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<v Speaker 2>I know, I've been very reticent to grab that one

348
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<v Speaker 2>yet I want to. I've been kind of looking at

349
00:18:56.359 --> 00:18:59.519
<v Speaker 2>all the feedback and everything, and so I really want

350
00:18:59.559 --> 00:19:06.319
<v Speaker 2>to pick it up though anyway, So so yeah, it's

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<v Speaker 2>I mean, it's such a great movie though, it's hard

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<v Speaker 2>for me to not want to just grab it.

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<v Speaker 1>So you got another comment about Midnight Criterions of Midnight

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<v Speaker 1>with Claudette Clbert and John Barrymore and everybody Else is

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00:19:18.759 --> 00:19:21.440
<v Speaker 1>a great screwball comedy beautiful Blu Ray. Yeah, supposedly that

356
00:19:21.480 --> 00:19:23.480
<v Speaker 1>one looks great. I've not seen that disc yet, but

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<v Speaker 1>I've heard it looks incredible.

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<v Speaker 2>Well, it's, i mean, such a great movie, so it's

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<v Speaker 2>an easy one to just pick up blind.

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00:19:30.400 --> 00:19:33.920
<v Speaker 1>I think a handful of pickups for me. I get

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<v Speaker 1>a couple of people that are in our discord that

362
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<v Speaker 1>I did some trades with. Actually the first one I

363
00:19:39.559 --> 00:19:42.759
<v Speaker 1>never got, Hal Hartley's Long Island Trilogy on Blu Ray

364
00:19:42.960 --> 00:19:45.079
<v Speaker 1>and mister Aaron West, who was on the show a

365
00:19:45.079 --> 00:19:47.559
<v Speaker 1>couple of weeks ago, traded me that once. Now I

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<v Speaker 1>think I only have the one that is like four

367
00:19:50.160 --> 00:19:53.559
<v Speaker 1>hundred dollars on eBay, so I hope somebody else puts

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00:19:53.559 --> 00:19:56.960
<v Speaker 1>that out eventually. And then my friend Bill we just

369
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<v Speaker 1>traded for this. I've been trying to pick up some

370
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<v Speaker 1>of the deluxe Jackie Chan four k's have been coming out.

371
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<v Speaker 1>Missed this one before it went out of print, and

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00:20:04.240 --> 00:20:06.319
<v Speaker 1>eighty eight Films kind of killing it with their Jackie

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<v Speaker 1>Chan stuff, and then forcing myself to like Jess Franco

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<v Speaker 1>as much as I can. Blue Underground coming out with

375
00:20:15.640 --> 00:20:18.640
<v Speaker 1>the Blood of Fu Manchu and Castle of Fu Manchu,

376
00:20:19.240 --> 00:20:22.720
<v Speaker 1>both on four K titles I never expected to see

377
00:20:22.759 --> 00:20:26.519
<v Speaker 1>on four K. Can watch these. I'm still waiting patiently

378
00:20:26.599 --> 00:20:30.039
<v Speaker 1>for a couple other Jess Franco announcements coming this year,

379
00:20:30.240 --> 00:20:33.440
<v Speaker 1>so can't wait for those. And then finally I got

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<v Speaker 1>two more releases here and they are thick boys, very

381
00:20:37.000 --> 00:20:40.839
<v Speaker 1>very excited about these. First is the Australian imprint release

382
00:20:41.480 --> 00:20:44.319
<v Speaker 1>of Raging Bull. This is a four K release. It's

383
00:20:44.359 --> 00:20:48.240
<v Speaker 1>got the documentary from two thousand and four as the

384
00:20:48.279 --> 00:20:52.440
<v Speaker 1>second disc on this, the four K looks incredible. There's

385
00:20:52.519 --> 00:20:55.119
<v Speaker 1>not a lot of new stuff on this disc. This

386
00:20:55.240 --> 00:20:57.880
<v Speaker 1>is mostly just if you really love this movie and

387
00:20:57.920 --> 00:21:00.400
<v Speaker 1>you want Dolby Vision. The Criterion release doesn't have a

388
00:21:00.440 --> 00:21:04.200
<v Speaker 1>Dolby Vision, so the colors might be slightly improved on this.

389
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<v Speaker 1>To my eye, it's not that noticeable of a difference,

390
00:21:08.119 --> 00:21:11.759
<v Speaker 1>but it does. It looks incredible, I mean, the photography

391
00:21:11.799 --> 00:21:15.559
<v Speaker 1>and this is like stark be unbelief, so incredible looking disc.

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00:21:16.039 --> 00:21:17.400
<v Speaker 1>And then if you're gonna pick that up, you might

393
00:21:17.400 --> 00:21:19.000
<v Speaker 1>as well go over the other Scorsese that came out

394
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<v Speaker 1>at the same time New York, New York that does

395
00:21:21.480 --> 00:21:24.440
<v Speaker 1>not have a like, really nice release in the US.

396
00:21:24.799 --> 00:21:27.480
<v Speaker 1>So we got this one. This is a three disc release.

397
00:21:27.599 --> 00:21:33.279
<v Speaker 1>It's got the documentary from uh, I don't see the

398
00:21:33.359 --> 00:21:35.759
<v Speaker 1>year on here, but this one has all kinds of

399
00:21:35.759 --> 00:21:38.720
<v Speaker 1>new stuff. Daniel Kramer, he's had his hands and a

400
00:21:38.720 --> 00:21:42.480
<v Speaker 1>bunch of the imprint stuff recently. He's got Oh, that's right,

401
00:21:42.480 --> 00:21:44.799
<v Speaker 1>it's the European theatrical cut, which is the second thing,

402
00:21:45.480 --> 00:21:48.799
<v Speaker 1>and you've got the director's cut. Yeah, this is pretty

403
00:21:48.839 --> 00:21:51.839
<v Speaker 1>much everything you could want on this release. Kind of

404
00:21:51.880 --> 00:21:54.160
<v Speaker 1>crazy that New York, New York waited this long, Like,

405
00:21:54.440 --> 00:21:57.720
<v Speaker 1>I'm still surprised we don't have some Scorsese titles on

406
00:21:57.799 --> 00:22:01.519
<v Speaker 1>Blu ray let alone, like Fancy four K releases. Yeah right,

407
00:22:01.680 --> 00:22:02.920
<v Speaker 1>twenty forty five, what are we doing?

408
00:22:03.319 --> 00:22:06.799
<v Speaker 2>Right? Yeah? I got to call one more out that

409
00:22:06.880 --> 00:22:09.799
<v Speaker 2>I didn't mention, but it's it's only because they sent

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00:22:09.839 --> 00:22:13.440
<v Speaker 2>it to me. It's the intacto disc that they that

411
00:22:13.519 --> 00:22:17.200
<v Speaker 2>they have because they were kind enough to want to

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00:22:17.279 --> 00:22:21.240
<v Speaker 2>use a clip of our podcast for very minute. So yeah,

413
00:22:21.279 --> 00:22:24.960
<v Speaker 2>so that's exciting. That was our first actual dip into

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00:22:25.400 --> 00:22:29.079
<v Speaker 2>supplemental material. So here we are with a little clip

415
00:22:29.119 --> 00:22:30.839
<v Speaker 2>of our show that they cut into a little video

416
00:22:30.960 --> 00:22:33.519
<v Speaker 2>ess That's it's kind of fun. So that's pretty cool.

417
00:22:33.559 --> 00:22:34.880
<v Speaker 1>They made a visual essay with it.

418
00:22:35.200 --> 00:22:37.759
<v Speaker 2>Yeah. Yeah, I was really glad that they they did

419
00:22:37.839 --> 00:22:40.440
<v Speaker 2>it because it played really well with the conversation.

420
00:22:40.599 --> 00:22:44.240
<v Speaker 1>So excellent. Well, I mean, the whole point of all

421
00:22:44.240 --> 00:22:45.920
<v Speaker 1>of these is the films. So what have you been

422
00:22:45.920 --> 00:22:46.680
<v Speaker 1>watching recently?

423
00:22:48.160 --> 00:22:53.759
<v Speaker 2>Oh? Well, let's see. In preparation for Jurassic Park or

424
00:22:53.880 --> 00:22:56.960
<v Speaker 2>Drastic World rebirth, my wife and I decided to do

425
00:22:57.000 --> 00:23:01.119
<v Speaker 2>a marathon and we watched the previous six films over

426
00:23:01.359 --> 00:23:03.960
<v Speaker 2>the holiday weekend, so it was like it was a

427
00:23:04.000 --> 00:23:09.519
<v Speaker 2>lot of dinosaurs and and I can't say it was

428
00:23:10.119 --> 00:23:12.519
<v Speaker 2>I mean it was fun to watch. I really have

429
00:23:12.559 --> 00:23:15.640
<v Speaker 2>a soft spot for just watching people in dinosaurs on

430
00:23:15.720 --> 00:23:19.200
<v Speaker 2>screen together, but watching them all together, I'm just like, God,

431
00:23:19.599 --> 00:23:22.680
<v Speaker 2>like every single one of these movies it's about stupid people,

432
00:23:23.000 --> 00:23:26.119
<v Speaker 2>Like they're just all really dumb people making really bad decisions,

433
00:23:27.160 --> 00:23:29.480
<v Speaker 2>as much as I enjoy them. But so we watched

434
00:23:29.480 --> 00:23:31.799
<v Speaker 2>all of those and then we did the I threw

435
00:23:31.799 --> 00:23:34.000
<v Speaker 2>it in the short films too, just because I wanted to.

436
00:23:34.039 --> 00:23:36.839
<v Speaker 2>My wife was just like, no, I'm done. And then

437
00:23:36.880 --> 00:23:41.039
<v Speaker 2>we then we took in Rebirth, which I we neither

438
00:23:41.079 --> 00:23:44.519
<v Speaker 2>of us enjoyed, but the audiencer did. They loved it,

439
00:23:44.720 --> 00:23:48.079
<v Speaker 2>applauded at the end, and we were just like, okay,

440
00:23:48.720 --> 00:23:50.559
<v Speaker 2>So it was a little bit of a disappointment, but

441
00:23:51.559 --> 00:23:53.720
<v Speaker 2>I don't know, maybe it was because I just watched,

442
00:23:54.079 --> 00:23:57.440
<v Speaker 2>you know, twelve other hours of dinosaurs. I'm just like, yeah,

443
00:23:57.640 --> 00:24:01.599
<v Speaker 2>I'm out. So so that was the big thing. And

444
00:24:01.599 --> 00:24:07.039
<v Speaker 2>then Superman I watched, which I don't know. I've seen

445
00:24:07.079 --> 00:24:11.440
<v Speaker 2>some comments how they've loved it. I didn't. I Superman

446
00:24:11.960 --> 00:24:14.440
<v Speaker 2>I've always struggled with as a superhero, Like I love

447
00:24:14.519 --> 00:24:19.480
<v Speaker 2>the idea of Superman, but I find that it's I

448
00:24:19.519 --> 00:24:22.079
<v Speaker 2>don't know, just like the idea of a super character

449
00:24:22.200 --> 00:24:24.559
<v Speaker 2>like him. It's just like, oh, there's not much he

450
00:24:24.640 --> 00:24:27.720
<v Speaker 2>can't do unless there's Krypto not around, and so I

451
00:24:27.720 --> 00:24:30.440
<v Speaker 2>don't know, I just get a little bored. I love

452
00:24:30.480 --> 00:24:33.359
<v Speaker 2>the original Christopher Reeve, I've struggled with all the other

453
00:24:33.559 --> 00:24:37.400
<v Speaker 2>solo films. I don't know. I think Channing Tatum might

454
00:24:37.440 --> 00:24:41.079
<v Speaker 2>be one of my favorite Superman this one. And you know,

455
00:24:41.160 --> 00:24:43.200
<v Speaker 2>don't get me wrong. I mean, I know that's saying

456
00:24:43.200 --> 00:24:45.000
<v Speaker 2>a lot of positive things and all of that sort

457
00:24:45.000 --> 00:24:47.920
<v Speaker 2>of stuff, and people love it, and I'm sure they should.

458
00:24:47.920 --> 00:24:50.759
<v Speaker 2>It just isn't for me, And to me, it just

459
00:24:50.759 --> 00:24:53.319
<v Speaker 2>felt like it's just another James Gun movie, Like this

460
00:24:53.400 --> 00:24:56.319
<v Speaker 2>is what James Gun makes now, it's like Guardians, the

461
00:24:56.359 --> 00:24:57.240
<v Speaker 2>Suicide Squad.

462
00:24:57.680 --> 00:24:57.799
<v Speaker 1>This.

463
00:24:57.960 --> 00:25:03.240
<v Speaker 2>They're all like it's his cookie cutter style, which you

464
00:25:03.240 --> 00:25:06.359
<v Speaker 2>know it, I mean, he delivers, I guess you know it,

465
00:25:06.519 --> 00:25:08.759
<v Speaker 2>just I didn't like it that much.

466
00:25:09.240 --> 00:25:11.039
<v Speaker 1>It seems that's kind of what he got hired to

467
00:25:11.160 --> 00:25:12.000
<v Speaker 1>deliver too.

468
00:25:11.960 --> 00:25:15.880
<v Speaker 2>Like yeah, right, yeah, I'll be I heard somebody talking

469
00:25:15.880 --> 00:25:19.279
<v Speaker 2>about it, like, I'll be curious to see where DC

470
00:25:19.519 --> 00:25:23.319
<v Speaker 2>goes after this with films where he's more of the

471
00:25:23.400 --> 00:25:27.960
<v Speaker 2>Kevin Feigey type of figure, just overseeing somebody else writing

472
00:25:27.960 --> 00:25:31.079
<v Speaker 2>and directing. You know, that's I'm more curious about that.

473
00:25:32.200 --> 00:25:34.039
<v Speaker 1>I'm very curious to see how much of his flavor

474
00:25:34.119 --> 00:25:36.759
<v Speaker 1>gets thrown into somebody else's movies and how they can

475
00:25:36.799 --> 00:25:39.119
<v Speaker 1>make that jive in a way that feels consistent.

476
00:25:39.480 --> 00:25:41.200
<v Speaker 2>Yeah, rightous.

477
00:25:41.720 --> 00:25:43.599
<v Speaker 1>I do want to shout out because you got this comment.

478
00:25:43.960 --> 00:25:46.279
<v Speaker 1>My friend Brian loves the movie in Tacto and he

479
00:25:46.319 --> 00:25:48.640
<v Speaker 1>says the visual essay on the Blu ray is very good.

480
00:25:48.880 --> 00:25:50.279
<v Speaker 2>Well, thank you, thank you.

481
00:25:52.240 --> 00:25:54.720
<v Speaker 1>He sold me on that movie and I somehow do

482
00:25:54.839 --> 00:25:56.559
<v Speaker 1>not have my copy yet. It is on the way

483
00:25:56.920 --> 00:25:59.440
<v Speaker 1>Australian shipping comes from the other side of the world

484
00:25:59.519 --> 00:26:02.519
<v Speaker 1>and takes few days, so it's all the way.

485
00:26:02.920 --> 00:26:04.319
<v Speaker 2>Yeah.

486
00:26:04.359 --> 00:26:09.160
<v Speaker 1>I also watched Superman. I think, uh I liked it

487
00:26:09.240 --> 00:26:12.160
<v Speaker 1>sounds like a bit more than you. But also I've

488
00:26:12.279 --> 00:26:16.160
<v Speaker 1>never been a DC guy. I'm more of a Marvel person,

489
00:26:16.440 --> 00:26:19.279
<v Speaker 1>and it's weird to see that shift because I've not

490
00:26:19.480 --> 00:26:23.279
<v Speaker 1>liked much Marvel over the last five years. Six years,

491
00:26:23.680 --> 00:26:26.319
<v Speaker 1>and this came out of nowhere. I think the only

492
00:26:26.359 --> 00:26:28.440
<v Speaker 1>other DC movie I've seen in the last like twelve

493
00:26:28.559 --> 00:26:31.400
<v Speaker 1>years is Gunn's Suicide Squad, and I feel like this

494
00:26:31.599 --> 00:26:36.880
<v Speaker 1>was much better than Suicide Squad. The Batman stuff was,

495
00:26:36.960 --> 00:26:38.920
<v Speaker 1>you know, Nolan's Batman is fine. I was a Batman

496
00:26:39.000 --> 00:26:41.680
<v Speaker 1>kid growing up, so I was fine with that. But like,

497
00:26:41.799 --> 00:26:44.359
<v Speaker 1>I don't think I was ever even tempted to put

498
00:26:44.400 --> 00:26:46.640
<v Speaker 1>in any of the Zack Snyder stuff. Nothing about that

499
00:26:46.839 --> 00:26:47.400
<v Speaker 1>is appealing.

500
00:26:48.720 --> 00:26:52.920
<v Speaker 2>Well, yeah, it's funny. Is like his four hour Justice League,

501
00:26:53.119 --> 00:26:56.279
<v Speaker 2>like for me, was the ultimate payoff to everything that

502
00:26:56.359 --> 00:27:00.200
<v Speaker 2>had come before. Like I love that movie, which I

503
00:27:00.240 --> 00:27:05.200
<v Speaker 2>was surprised at because I hated the JJ Abrams cut,

504
00:27:05.359 --> 00:27:08.559
<v Speaker 2>you know, and so I don't know, it just it

505
00:27:08.680 --> 00:27:10.920
<v Speaker 2>just felt like he was doing something more with it,

506
00:27:10.960 --> 00:27:14.799
<v Speaker 2>and so so yeah, but I hear you, though, I know,

507
00:27:15.119 --> 00:27:19.319
<v Speaker 2>it's definitely a different universe that he was creating over there.

508
00:27:20.119 --> 00:27:22.279
<v Speaker 1>I had kind of a really weird week of movies.

509
00:27:22.319 --> 00:27:25.519
<v Speaker 1>So other than Superman, I've been trying to catch up

510
00:27:25.599 --> 00:27:27.839
<v Speaker 1>with the twenty twenty five films that I missed in

511
00:27:27.880 --> 00:27:29.720
<v Speaker 1>the first I don't know, five months of the year

512
00:27:29.759 --> 00:27:31.319
<v Speaker 1>before I was going to the theater a lot more

513
00:27:31.400 --> 00:27:34.480
<v Speaker 1>this year, and well, the one we chose this week

514
00:27:34.559 --> 00:27:38.000
<v Speaker 1>was wolf Man, which seemed to get mostly cold responses

515
00:27:38.039 --> 00:27:40.799
<v Speaker 1>from everybody. Yeah, I didn't hate it. I thought it

516
00:27:40.839 --> 00:27:44.039
<v Speaker 1>was okay. When I say didn't hate it, I'm not

517
00:27:44.039 --> 00:27:45.640
<v Speaker 1>gonna say I loved it, But it was I thought

518
00:27:45.640 --> 00:27:47.480
<v Speaker 1>it was like better than average. I think that they

519
00:27:47.519 --> 00:27:51.519
<v Speaker 1>could have really killed the story and they only kind

520
00:27:51.519 --> 00:27:54.799
<v Speaker 1>of killed it. Maybe it's just because everybody had prepped

521
00:27:54.799 --> 00:27:57.200
<v Speaker 1>me for such a terrible movie. I was just like, oh, yeah, Like,

522
00:27:57.279 --> 00:27:59.559
<v Speaker 1>Abbott is a really good actor and he's selling this

523
00:27:59.720 --> 00:28:01.920
<v Speaker 1>very well. I thought the way that they did like

524
00:28:01.960 --> 00:28:06.319
<v Speaker 1>the werewolf perception thing where they changed his hearing and

525
00:28:06.359 --> 00:28:10.839
<v Speaker 1>her hearing was a really cool touch. The ending was

526
00:28:10.839 --> 00:28:12.799
<v Speaker 1>not great, and a lot of it could have been

527
00:28:13.279 --> 00:28:16.359
<v Speaker 1>much better. I will obviously grant that the writing is

528
00:28:16.400 --> 00:28:20.000
<v Speaker 1>pretty bad, but I don't think this was like the

529
00:28:20.440 --> 00:28:23.240
<v Speaker 1>genre killer that everybody looked at Tom Cruise's Mummy or

530
00:28:23.240 --> 00:28:25.680
<v Speaker 1>anything like that. But it was a fun time. At

531
00:28:25.759 --> 00:28:26.839
<v Speaker 1>least it was worth it.

532
00:28:27.200 --> 00:28:30.680
<v Speaker 2>Yeah. Yeah, fun was something I didn't have with that one.

533
00:28:30.720 --> 00:28:31.519
<v Speaker 1>It was very.

534
00:28:33.039 --> 00:28:36.000
<v Speaker 2>It was a slog but interesting. There were interesting elements.

535
00:28:36.000 --> 00:28:38.039
<v Speaker 2>I will give you that my.

536
00:28:38.160 --> 00:28:41.240
<v Speaker 1>Slog this week. I forced myself to go to an

537
00:28:41.279 --> 00:28:43.079
<v Speaker 1>indie movie in the theater this weekend, and that was

538
00:28:43.160 --> 00:28:47.279
<v Speaker 1>Abraham Abraham's Boys, a Dracula Story. This is a movie

539
00:28:47.279 --> 00:28:49.759
<v Speaker 1>that'll be coming to Shudder in like a month and

540
00:28:49.799 --> 00:28:51.799
<v Speaker 1>a half or two months. I believe. This is a

541
00:28:51.799 --> 00:28:54.720
<v Speaker 1>brand new movie starring Jocelyn Donahue, who I loved in

542
00:28:54.799 --> 00:28:57.079
<v Speaker 1>so many things, but most recently in The Last Open

543
00:28:57.119 --> 00:29:01.519
<v Speaker 1>Yuma County. And she is completely wasted in this movie.

544
00:29:01.799 --> 00:29:06.920
<v Speaker 1>She's like, she's a main character that is mostly just sick,

545
00:29:07.119 --> 00:29:10.759
<v Speaker 1>and not like the cinematic sick where they're, you know,

546
00:29:11.039 --> 00:29:13.319
<v Speaker 1>doing the Exorcist performance and she gets to ham it

547
00:29:13.400 --> 00:29:16.839
<v Speaker 1>up or anything. No, she's just laying there sick. This

548
00:29:16.920 --> 00:29:21.119
<v Speaker 1>movie is a very different take on a Dracula story,

549
00:29:21.160 --> 00:29:25.519
<v Speaker 1>and essentially it's we are seeing people make the trip

550
00:29:25.599 --> 00:29:29.319
<v Speaker 1>to California and now they're staying on a farm in

551
00:29:29.359 --> 00:29:33.839
<v Speaker 1>the early nineteen hundreds after leaving the whole Dracula European

552
00:29:34.000 --> 00:29:37.640
<v Speaker 1>scene and getting caught for some of that. And I

553
00:29:37.720 --> 00:29:39.799
<v Speaker 1>just did not like the story. I thought it was

554
00:29:40.200 --> 00:29:42.480
<v Speaker 1>It was well acted, but it could have been like

555
00:29:42.480 --> 00:29:45.759
<v Speaker 1>an eighteen minute short and delivered everything that you needed

556
00:29:45.799 --> 00:29:48.880
<v Speaker 1>to see, and instead it was an hour in eighteen minutes,

557
00:29:49.000 --> 00:29:50.799
<v Speaker 1>and I felt like I wasted an hour of my

558
00:29:50.839 --> 00:29:55.119
<v Speaker 1>life at the very least. But the big thing, Yeah,

559
00:29:55.160 --> 00:29:56.720
<v Speaker 1>the big thing for me this week, though, is I

560
00:29:56.759 --> 00:29:59.759
<v Speaker 1>showed my kids Dick Tracy and good lord is that

561
00:29:59.799 --> 00:30:03.960
<v Speaker 1>movie fun as hell? After watching Superman and wanting to

562
00:30:04.000 --> 00:30:08.079
<v Speaker 1>watch a different style of quote, super is not a

563
00:30:08.079 --> 00:30:12.200
<v Speaker 1>superhero movie, but a very comic inspired movie. Dick Tracy

564
00:30:12.519 --> 00:30:16.000
<v Speaker 1>fit the bill perfectly. I need a four K for

565
00:30:16.079 --> 00:30:22.319
<v Speaker 1>this pretty much immediately. Warren Batty acting is fine and

566
00:30:22.359 --> 00:30:25.440
<v Speaker 1>all that, but man, the direction in this is incredible.

567
00:30:25.839 --> 00:30:29.880
<v Speaker 1>The cast in this, I forgot how perfect the casting is.

568
00:30:30.319 --> 00:30:34.000
<v Speaker 1>But the best thing is this feels like this feels

569
00:30:34.039 --> 00:30:37.799
<v Speaker 1>like they got Dario Argento straight off of the Suspiria

570
00:30:37.880 --> 00:30:40.960
<v Speaker 1>set and said, can you please direct this? This next

571
00:30:41.160 --> 00:30:45.279
<v Speaker 1>live action season of Batman, the animated series and all

572
00:30:45.319 --> 00:30:50.599
<v Speaker 1>of the colors mixed together is so perfect. Yeah, this

573
00:30:50.680 --> 00:30:53.200
<v Speaker 1>movie is. It holds up very very well. The comedy

574
00:30:53.319 --> 00:30:57.359
<v Speaker 1>hits hard. Love this movie. How do you feel about

575
00:30:57.400 --> 00:30:57.880
<v Speaker 1>Dick Tracy?

576
00:30:58.720 --> 00:31:04.279
<v Speaker 2>I love the the production design, the style of costumes,

577
00:31:04.359 --> 00:31:07.119
<v Speaker 2>like it kind of explodes off the screen. It's it's

578
00:31:07.160 --> 00:31:12.920
<v Speaker 2>a really stunning film. I that was the era when

579
00:31:14.200 --> 00:31:17.480
<v Speaker 2>movie theaters would do things like my I went to

580
00:31:17.559 --> 00:31:20.559
<v Speaker 2>the special preview screening when it came out, and my

581
00:31:20.720 --> 00:31:23.720
<v Speaker 2>ticket was an actual shirt I had, like a special

582
00:31:23.759 --> 00:31:25.480
<v Speaker 2>Dick Tracy and it had a big ticket on the

583
00:31:25.519 --> 00:31:27.920
<v Speaker 2>front and Dick Tracy and all this stuff. I loved

584
00:31:27.920 --> 00:31:33.599
<v Speaker 2>that shirt. I had it for years. But and the

585
00:31:33.640 --> 00:31:39.079
<v Speaker 2>film I think largely works. I think that I don't know,

586
00:31:39.200 --> 00:31:43.359
<v Speaker 2>there's there's a whole meta world of Warren Baty as

587
00:31:43.440 --> 00:31:46.440
<v Speaker 2>Dick Tracy that's arisen from this whole thing that I

588
00:31:46.839 --> 00:31:49.640
<v Speaker 2>still can't wrap my head around. And I think that

589
00:31:50.119 --> 00:31:51.920
<v Speaker 2>war does either by the way, I don't know, Yeah

590
00:31:51.920 --> 00:31:57.440
<v Speaker 2>who if he's caught onto that, but he like he

591
00:31:57.720 --> 00:32:00.799
<v Speaker 2>I will say, he embodied the character like and so

592
00:32:00.920 --> 00:32:03.559
<v Speaker 2>it's clear that he had this real personal connection with

593
00:32:03.599 --> 00:32:07.279
<v Speaker 2>it and everything. There are things that work better than

594
00:32:07.359 --> 00:32:08.119
<v Speaker 2>others in it.

595
00:32:09.119 --> 00:32:09.400
<v Speaker 1>I don't know.

596
00:32:09.440 --> 00:32:10.799
<v Speaker 2>It's one of those movies that the thing that I

597
00:32:10.839 --> 00:32:13.519
<v Speaker 2>always think about is there was a character I think

598
00:32:13.559 --> 00:32:19.519
<v Speaker 2>his name is Little Face who. My impression is my

599
00:32:19.720 --> 00:32:24.319
<v Speaker 2>understanding is that the team behind the effects were always

600
00:32:24.359 --> 00:32:27.440
<v Speaker 2>disappointed with how they filmed him. Because they filmed his

601
00:32:27.680 --> 00:32:30.960
<v Speaker 2>close ups like they would film other actors close ups,

602
00:32:31.160 --> 00:32:33.480
<v Speaker 2>but you lose the effect of the entire point of

603
00:32:33.519 --> 00:32:37.240
<v Speaker 2>the actual face and it should be shot like giant head,

604
00:32:37.519 --> 00:32:39.680
<v Speaker 2>little tiny face in the middle of it, but they

605
00:32:39.720 --> 00:32:43.519
<v Speaker 2>shoot it so you're just seeing the actors like expressions,

606
00:32:43.519 --> 00:32:45.680
<v Speaker 2>and so I don't know. That's one of those things

607
00:32:45.720 --> 00:32:49.039
<v Speaker 2>that I always think about with that movie is just

608
00:32:49.079 --> 00:32:52.440
<v Speaker 2>a little a little gaff but otherwise, yeah, I think

609
00:32:52.440 --> 00:32:57.119
<v Speaker 2>the character design, everything about it's really just super cool.

610
00:32:57.920 --> 00:33:00.480
<v Speaker 1>It's one of those movies that every single time another

611
00:33:00.480 --> 00:33:02.640
<v Speaker 1>scene happened, I went, oh my god, they're in this

612
00:33:02.880 --> 00:33:05.319
<v Speaker 1>and it's funny because I had not seen this movie

613
00:33:05.400 --> 00:33:08.720
<v Speaker 1>and probably I don't know, eighteen years something like that,

614
00:33:09.039 --> 00:33:13.400
<v Speaker 1>and watching it again after I've started to enjoy like

615
00:33:13.559 --> 00:33:18.519
<v Speaker 1>movies in general. Oh man, if you want people from movies,

616
00:33:18.640 --> 00:33:22.920
<v Speaker 1>this has everyone you can dream And it's that blending

617
00:33:23.119 --> 00:33:26.000
<v Speaker 1>of like the old Hollywood era and the people that

618
00:33:26.039 --> 00:33:29.079
<v Speaker 1>were still alive mixing with the giant actors of that

619
00:33:29.200 --> 00:33:31.920
<v Speaker 1>day with some up and coming names that now is like,

620
00:33:32.079 --> 00:33:35.319
<v Speaker 1>oh wow, how are they also in this movie. It's incredible,

621
00:33:35.519 --> 00:33:37.279
<v Speaker 1>absolutely absolutely amazing.

622
00:33:37.359 --> 00:33:40.359
<v Speaker 2>Guest. Yeah, no, I actually check that one out. You've

623
00:33:40.400 --> 00:33:41.079
<v Speaker 2>convinced me.

624
00:33:42.440 --> 00:33:45.240
<v Speaker 1>I wasn't doing that, but I know, and then I

625
00:33:45.480 --> 00:33:47.480
<v Speaker 1>guess neither one of us said the word Madonna. Also

626
00:33:48.079 --> 00:33:52.079
<v Speaker 1>one of the main stars, which is wild to see that.

627
00:33:52.160 --> 00:33:56.039
<v Speaker 2>Was the Madonna Warren Baty era, which those of us

628
00:33:56.079 --> 00:33:58.799
<v Speaker 2>who live through it again our time forgetting.

629
00:33:59.200 --> 00:34:02.319
<v Speaker 1>But nineteen ninety that is a huge star at the time.

630
00:34:02.680 --> 00:34:04.720
<v Speaker 2>Oh yeah, And I mean I love Madon. I think

631
00:34:04.759 --> 00:34:08.400
<v Speaker 2>she's she's great and I've listened to that her soundtrack

632
00:34:08.440 --> 00:34:14.480
<v Speaker 2>of that many times. But yeah, it's it's I mean,

633
00:34:15.400 --> 00:34:17.960
<v Speaker 2>it's it's a fun film. Danny Elfman does the score.

634
00:34:18.000 --> 00:34:20.320
<v Speaker 2>I mean, it's a really it's a cool movie.

635
00:34:21.880 --> 00:34:24.119
<v Speaker 1>Before we get into announcements, I want to shout out

636
00:34:24.159 --> 00:34:26.119
<v Speaker 1>that after tonight, I have to go through all the announcements.

637
00:34:26.119 --> 00:34:29.119
<v Speaker 1>We're going to be covering Jahorror broadly, sort of in

638
00:34:29.159 --> 00:34:33.199
<v Speaker 1>a cinema scope style discussion, not like five favorites, just

639
00:34:33.519 --> 00:34:37.400
<v Speaker 1>shouting out five titles and discussing them. We are going

640
00:34:37.480 --> 00:34:39.719
<v Speaker 1>to be going over a lot of announcements tonight. But

641
00:34:39.800 --> 00:34:42.480
<v Speaker 1>before we go into that, any upcoming cinema scope that

642
00:34:42.519 --> 00:34:45.360
<v Speaker 1>you want to highlight or be able to tell us

643
00:34:45.360 --> 00:34:47.320
<v Speaker 1>about before you get started well.

644
00:34:47.599 --> 00:34:51.639
<v Speaker 2>Conveniently, I'm working on planning my Jay horror episode right now.

645
00:34:51.840 --> 00:34:53.199
<v Speaker 1>I'm sure, I know, right.

646
00:34:53.960 --> 00:34:57.000
<v Speaker 2>I've also been talking to somebody in India trying to

647
00:34:57.320 --> 00:35:00.679
<v Speaker 2>work out a plan to do something with in Indian cinema.

648
00:35:00.679 --> 00:35:03.199
<v Speaker 2>I'm not exactly sure. I'm kind of pushing for kind

649
00:35:03.199 --> 00:35:08.400
<v Speaker 2>of like the big the Masala musical types of films,

650
00:35:08.400 --> 00:35:09.760
<v Speaker 2>which I think would be a lot of fun, but

651
00:35:10.480 --> 00:35:12.199
<v Speaker 2>so I'm not exactly sure where I'm gonna land with

652
00:35:12.239 --> 00:35:14.440
<v Speaker 2>that one. We're still sorting it out. I've also been

653
00:35:14.519 --> 00:35:17.960
<v Speaker 2>chatting with someone for I think a year now trying

654
00:35:18.000 --> 00:35:21.039
<v Speaker 2>to coordinate the time to talk about heist films, which

655
00:35:21.199 --> 00:35:23.559
<v Speaker 2>I think would be a really fun episode to discuss.

656
00:35:23.679 --> 00:35:26.920
<v Speaker 2>So those are a few that are that are currently

657
00:35:27.000 --> 00:35:27.679
<v Speaker 2>in the works.

658
00:35:28.000 --> 00:35:30.960
<v Speaker 1>I can't wait. Yeah, for anybody that missed the beginning,

659
00:35:31.000 --> 00:35:36.000
<v Speaker 1>please go subscribe CinemaScope. Really incredible show well researched with nowadays,

660
00:35:36.119 --> 00:35:39.159
<v Speaker 1>I mean there's something about shows that actually put the

661
00:35:39.199 --> 00:35:42.320
<v Speaker 1>work into discussing titles that mean so much more than

662
00:35:42.360 --> 00:35:45.239
<v Speaker 1>like the Hangout podcast to me, and you could tell

663
00:35:45.639 --> 00:35:51.280
<v Speaker 1>that they are important well read podcast compared to others

664
00:35:51.280 --> 00:35:53.639
<v Speaker 1>that are like Sit on the couch and Discuss and

665
00:35:53.679 --> 00:35:55.880
<v Speaker 1>those have their place. Nothing against that's just right now,

666
00:35:56.559 --> 00:35:59.320
<v Speaker 1>very much into the let's let's deep dive and actually

667
00:35:59.360 --> 00:36:01.400
<v Speaker 1>know what we're talking about type of podcasts.

668
00:36:02.639 --> 00:36:03.840
<v Speaker 2>Well, thank you, Thank you.

669
00:36:04.440 --> 00:36:07.840
<v Speaker 1>Means the world. Let's get into some announcements. Then we're

670
00:36:07.840 --> 00:36:09.840
<v Speaker 1>starting on sort of a weird note this week because

671
00:36:09.840 --> 00:36:14.079
<v Speaker 1>the first thing is a replacement program. Radiance announced their

672
00:36:14.079 --> 00:36:17.440
<v Speaker 1>first replacement program, and this one was odd because it

673
00:36:17.440 --> 00:36:20.719
<v Speaker 1>seemed to only be affecting people that had Panasonic players

674
00:36:21.440 --> 00:36:25.239
<v Speaker 1>and people that did not have Panasonic players. It just

675
00:36:25.360 --> 00:36:27.320
<v Speaker 1>play just fine, so you may not even need a

676
00:36:27.559 --> 00:36:30.599
<v Speaker 1>replacement disc. But just so you know, Radiance sent out

677
00:36:30.639 --> 00:36:33.519
<v Speaker 1>a message saying that they have discovered what happened. Finally.

678
00:36:33.880 --> 00:36:35.760
<v Speaker 1>They wanted to announce this a couple of weeks ago,

679
00:36:35.800 --> 00:36:37.639
<v Speaker 1>but they couldn't even figure out what caused the air.

680
00:36:38.119 --> 00:36:40.239
<v Speaker 1>So there was a formatting error when the disc was

681
00:36:40.239 --> 00:36:44.039
<v Speaker 1>sent for replication, and it wasn't present in their files,

682
00:36:44.079 --> 00:36:46.679
<v Speaker 1>and it somehow got corrupted on the way to the printer.

683
00:36:47.199 --> 00:36:50.199
<v Speaker 1>So the replacement discs are now being manufactured and they're

684
00:36:50.199 --> 00:36:52.079
<v Speaker 1>gonna be sent to those that bought it straight from Radiance.

685
00:36:52.119 --> 00:36:55.159
<v Speaker 1>Anybody else you can info. You can email info at

686
00:36:55.239 --> 00:36:58.519
<v Speaker 1>Radiancefilms dot co dot uk show that you purchased the

687
00:36:58.559 --> 00:37:01.159
<v Speaker 1>disc and they will get you a disc sent to you.

688
00:37:01.239 --> 00:37:03.679
<v Speaker 1>And they did say this is good for anywhere in

689
00:37:03.679 --> 00:37:05.800
<v Speaker 1>the world. You don't have to worry if you bought

690
00:37:05.800 --> 00:37:08.039
<v Speaker 1>this in Australia or something, they will still ship it

691
00:37:08.039 --> 00:37:11.480
<v Speaker 1>to you. There are new discs still being made of

692
00:37:11.480 --> 00:37:14.400
<v Speaker 1>this title and it will have the replacement disc already

693
00:37:14.400 --> 00:37:17.519
<v Speaker 1>with it, so you don't need to worry about that.

694
00:37:17.519 --> 00:37:19.519
<v Speaker 2>That's a lot of work, but kuda's to them for

695
00:37:20.159 --> 00:37:20.880
<v Speaker 2>figuring it out.

696
00:37:21.159 --> 00:37:23.679
<v Speaker 1>It's a ton of work. Mozart saying do they not

697
00:37:23.719 --> 00:37:25.719
<v Speaker 1>test a disc at the plant, and yes they do.

698
00:37:26.840 --> 00:37:30.079
<v Speaker 1>We're going to talk about another another label at issues later,

699
00:37:30.159 --> 00:37:32.719
<v Speaker 1>but yeah. There are lots of ways to test the discs,

700
00:37:32.760 --> 00:37:35.639
<v Speaker 1>and most of the companies do in different ways. But

701
00:37:35.719 --> 00:37:38.760
<v Speaker 1>when something is so specific like this, sometimes it just

702
00:37:38.960 --> 00:37:42.800
<v Speaker 1>gets missed somehow, and it depends sometimes that the air

703
00:37:42.920 --> 00:37:46.079
<v Speaker 1>doesn't happen until fourteen minutes into the feature or only

704
00:37:46.119 --> 00:37:48.400
<v Speaker 1>on the special features. There's a lot of different ways

705
00:37:48.760 --> 00:37:50.840
<v Speaker 1>that these can go wrong without being able to be

706
00:37:50.920 --> 00:37:53.880
<v Speaker 1>caught because they're not sitting there testing after they've done QC.

707
00:37:54.119 --> 00:37:56.559
<v Speaker 1>Like some of these companies do QC more than thirty

708
00:37:56.599 --> 00:37:59.599
<v Speaker 1>times on the whole disc after they're pressed. They're not

709
00:37:59.639 --> 00:38:02.840
<v Speaker 1>testing all of the disc yet. Again, they would be

710
00:38:02.960 --> 00:38:05.800
<v Speaker 1>completely bogged down and just doing QC for the rest

711
00:38:05.800 --> 00:38:08.440
<v Speaker 1>of their lives. So thanks Radiance, this is the right

712
00:38:08.480 --> 00:38:12.400
<v Speaker 1>way to handle it. Good job. Okay. So we talked

713
00:38:12.440 --> 00:38:14.960
<v Speaker 1>about seven a little bit ago. We also talked about

714
00:38:14.960 --> 00:38:16.800
<v Speaker 1>their sale coming up next week. We're gonna be talking

715
00:38:16.840 --> 00:38:19.039
<v Speaker 1>about a handful of titles coming as part of their sale.

716
00:38:19.079 --> 00:38:21.840
<v Speaker 1>This first one is Night of the Sharks from nineteen

717
00:38:21.880 --> 00:38:23.760
<v Speaker 1>eighty eight. This is the first time it's been on

718
00:38:23.840 --> 00:38:27.679
<v Speaker 1>disc anywhere in North America, coming on Blu rays scan

719
00:38:27.840 --> 00:38:30.800
<v Speaker 1>from the only surviving thirty five millimeter print. It will

720
00:38:30.800 --> 00:38:34.079
<v Speaker 1>have the bonus soundtrack CD with it. Love that Severn

721
00:38:34.119 --> 00:38:38.159
<v Speaker 1>still does this, but this is one starring treat freakin'

722
00:38:38.199 --> 00:38:42.400
<v Speaker 1>Williams and cannot wait to get this. This is gonna

723
00:38:42.400 --> 00:38:45.239
<v Speaker 1>have a trailer on it. Not much for extras, but

724
00:38:45.679 --> 00:38:48.280
<v Speaker 1>I have heard about this movie many many times and

725
00:38:48.320 --> 00:38:50.559
<v Speaker 1>have never had a chance to see it. Night of

726
00:38:50.599 --> 00:38:54.840
<v Speaker 1>the Sharks. Are are you a shark e'xploitation person? Because

727
00:38:54.840 --> 00:38:55.840
<v Speaker 1>we're gon be talking about sharks.

728
00:38:55.920 --> 00:39:00.360
<v Speaker 2>Yeah, yeah, we are. I have never seen this, hadn't

729
00:39:00.400 --> 00:39:03.079
<v Speaker 2>heard of it, but I mean Treat Williams and the

730
00:39:03.079 --> 00:39:06.440
<v Speaker 2>fact that his character has a pet shark named Cyclops,

731
00:39:06.599 --> 00:39:09.360
<v Speaker 2>like totally won me over as soon as I saw

732
00:39:09.360 --> 00:39:11.360
<v Speaker 2>all that. I'm like to have to check this.

733
00:39:11.679 --> 00:39:14.880
<v Speaker 1>Yeah, great sounding cast in this. This looks like a

734
00:39:14.880 --> 00:39:17.039
<v Speaker 1>hell of a lot of fun. Definitely on my radar

735
00:39:17.199 --> 00:39:18.000
<v Speaker 1>for the sale.

736
00:39:18.159 --> 00:39:20.079
<v Speaker 2>I want to just call out with that one that

737
00:39:20.400 --> 00:39:23.840
<v Speaker 2>I'm a big fan of film scores and soundtracks, and

738
00:39:24.079 --> 00:39:27.280
<v Speaker 2>I love the bonus feature idea of actually throwing in

739
00:39:27.360 --> 00:39:29.480
<v Speaker 2>the soundtrack like that is one of my favorite things,

740
00:39:29.559 --> 00:39:32.400
<v Speaker 2>especially because neither of the Sharks is not the sort

741
00:39:32.400 --> 00:39:35.559
<v Speaker 2>of soundtrack that's exactly like a common item to pick

742
00:39:35.639 --> 00:39:40.119
<v Speaker 2>up anywhere. So like that's definitely for me, like something

743
00:39:40.199 --> 00:39:42.800
<v Speaker 2>that I always look at as a big selling point

744
00:39:42.800 --> 00:39:45.119
<v Speaker 2>when I'm looking at whether I decide to purchase something

745
00:39:45.199 --> 00:39:45.400
<v Speaker 2>or not.

746
00:39:46.880 --> 00:39:49.519
<v Speaker 1>I love the comment we just got can you see

747
00:39:49.519 --> 00:39:52.039
<v Speaker 1>a shark at night? I mean yeah, if it's flight.

748
00:39:53.559 --> 00:39:59.079
<v Speaker 1>Thanks Rag. Now let's see next up. Airplane to the

749
00:39:59.119 --> 00:40:02.320
<v Speaker 1>sequel coming to four K from Keena Lober on September

750
00:40:02.559 --> 00:40:06.760
<v Speaker 1>twenty third. This is a brand new HDR Dolby Vision

751
00:40:06.760 --> 00:40:10.079
<v Speaker 1>Master from a Ford K scan of the OCN. For

752
00:40:10.199 --> 00:40:13.000
<v Speaker 1>Airplane two, we got a new audio commentary on here

753
00:40:13.000 --> 00:40:16.039
<v Speaker 1>by Mike White from the Projection Booth podcast. New audio

754
00:40:16.079 --> 00:40:19.599
<v Speaker 1>commentary by Patrick Walsh as well. The Blu ray that

755
00:40:19.599 --> 00:40:22.519
<v Speaker 1>comes with this is not gonna have as many bonus

756
00:40:22.519 --> 00:40:24.320
<v Speaker 1>features as they normally throw in on the Blu Ray,

757
00:40:24.400 --> 00:40:28.199
<v Speaker 1>but it's got both those commentaries. Still. You can get

758
00:40:28.199 --> 00:40:30.920
<v Speaker 1>this on standalone Blu ray as well. How do you

759
00:40:30.960 --> 00:40:32.000
<v Speaker 1>feel about Airplane two?

760
00:40:32.280 --> 00:40:35.639
<v Speaker 2>The sequel I grew up, I mean Airplane was a

761
00:40:35.719 --> 00:40:39.119
<v Speaker 2>regular in my house. We watched that all the time.

762
00:40:39.199 --> 00:40:42.119
<v Speaker 2>I have a good half of that movie easily memorized,

763
00:40:42.320 --> 00:40:45.880
<v Speaker 2>just so many quotable lines. This is one that I

764
00:40:46.039 --> 00:40:50.199
<v Speaker 2>had fun with. William Shatner's my favorite part in it.

765
00:40:51.000 --> 00:40:55.400
<v Speaker 2>I never watched it as much as Airplane, but I

766
00:40:55.480 --> 00:40:57.199
<v Speaker 2>still found it to be pretty fun.

767
00:40:58.679 --> 00:41:00.519
<v Speaker 1>I made this argument a couple of weeks go because

768
00:41:00.559 --> 00:41:02.280
<v Speaker 1>they Keno did the classic thing of We're going to

769
00:41:02.320 --> 00:41:05.079
<v Speaker 1>announce the title and not tell you anything or the

770
00:41:05.159 --> 00:41:07.559
<v Speaker 1>date or anything, and then three months later reveal it.

771
00:41:07.880 --> 00:41:11.320
<v Speaker 1>So when I brought this up, I've said, I'm not

772
00:41:11.360 --> 00:41:13.440
<v Speaker 1>going to say that this is a better movie. However,

773
00:41:14.159 --> 00:41:16.840
<v Speaker 1>Airplane two has like all of the great stuff from

774
00:41:16.880 --> 00:41:24.639
<v Speaker 1>Airplane and more jokes. It's also really great. Yeah yeah, anyways.

775
00:41:25.119 --> 00:41:27.920
<v Speaker 1>Next up from Keno a Blu ray release of Radio

776
00:41:28.000 --> 00:41:31.599
<v Speaker 1>Land Murders, coming on September twenty third. This is one

777
00:41:31.639 --> 00:41:34.960
<v Speaker 1>with Mary Stewart, Masterson, Brian Benben. I have never seen

778
00:41:35.000 --> 00:41:37.199
<v Speaker 1>this one. I'll get a new audio commentary on here

779
00:41:37.239 --> 00:41:39.960
<v Speaker 1>by Brian Reeseman and Max every There's also a new

780
00:41:39.960 --> 00:41:42.719
<v Speaker 1>interview with Brian Benben on here. Have you seen the

781
00:41:42.800 --> 00:41:43.719
<v Speaker 1>Radio Land Murders?

782
00:41:44.199 --> 00:41:50.119
<v Speaker 2>Yeah, And this was a movie that they when it

783
00:41:50.199 --> 00:41:53.199
<v Speaker 2>came out, they were really plugging the fact that George

784
00:41:53.239 --> 00:41:55.400
<v Speaker 2>Lucas was involved. Everyone was like, what is this guy

785
00:41:55.480 --> 00:41:57.440
<v Speaker 2>doing now that Star Wars is over? This is like

786
00:41:57.519 --> 00:42:01.519
<v Speaker 2>that period where nothing was happen happening in the Star

787
00:42:01.519 --> 00:42:06.000
<v Speaker 2>Wars world. And so he was like, he wrote this.

788
00:42:06.119 --> 00:42:08.400
<v Speaker 2>You know, he's one of these people. He loves he loves,

789
00:42:08.800 --> 00:42:11.920
<v Speaker 2>you know, the fifties driving culture, and he also really

790
00:42:11.960 --> 00:42:16.440
<v Speaker 2>loves the world of old radio. And so wrote the

791
00:42:16.519 --> 00:42:19.800
<v Speaker 2>story for this and then was the EP on it.

792
00:42:19.960 --> 00:42:25.679
<v Speaker 2>And it's a zany fun movie. I mean, I've it's

793
00:42:25.719 --> 00:42:28.400
<v Speaker 2>been quite a number of years since I watched it,

794
00:42:28.800 --> 00:42:31.239
<v Speaker 2>but I remember having a lot of fun with it,

795
00:42:31.840 --> 00:42:34.920
<v Speaker 2>and you know, it's just they throw in some like

796
00:42:35.119 --> 00:42:38.559
<v Speaker 2>actual old people, like I think George Burns pops up

797
00:42:38.559 --> 00:42:41.639
<v Speaker 2>as somebody who's who's doing some radio in it and everything,

798
00:42:41.639 --> 00:42:44.280
<v Speaker 2>and I just I had a lot of fun. It's

799
00:42:44.719 --> 00:42:48.800
<v Speaker 2>definitely one that I'm just seeing the fact that they're

800
00:42:49.000 --> 00:42:52.519
<v Speaker 2>putting this out made me want to revisited it and

801
00:42:51.679 --> 00:42:53.480
<v Speaker 2>see how it holds up.

802
00:42:54.400 --> 00:42:56.000
<v Speaker 1>Perfect time for that, you get a brand new two

803
00:42:56.079 --> 00:43:01.239
<v Speaker 1>K Master coming on the disc. Speaking of brand new version, September. Second,

804
00:43:01.400 --> 00:43:04.639
<v Speaker 1>there's gonna be an Amazon exclusive of the four K

805
00:43:05.159 --> 00:43:09.199
<v Speaker 1>Superman Sealbook Library set that they did way back in

806
00:43:09.280 --> 00:43:12.400
<v Speaker 1>twenty twenty three. Over the summer, they're doing that exact

807
00:43:12.480 --> 00:43:16.239
<v Speaker 1>same set, but they're losing the fifth steal book that

808
00:43:16.280 --> 00:43:19.480
<v Speaker 1>in the first one had comic books and a certificate

809
00:43:19.519 --> 00:43:22.599
<v Speaker 1>of authenticity in like six other things. And all that

810
00:43:22.880 --> 00:43:26.039
<v Speaker 1>is great that they're putting us back out, Like I'm

811
00:43:26.039 --> 00:43:27.440
<v Speaker 1>not one of those people that if I had the

812
00:43:27.480 --> 00:43:29.800
<v Speaker 1>first one, I'm not going to complain because the value

813
00:43:29.880 --> 00:43:33.119
<v Speaker 1>might go down slightly. The big deal here, though, is

814
00:43:33.159 --> 00:43:36.519
<v Speaker 1>that they are fixing a bunch of errors that were

815
00:43:36.519 --> 00:43:38.960
<v Speaker 1>in there for the first time. So when they put

816
00:43:38.960 --> 00:43:41.840
<v Speaker 1>this out in the very first set in twenty twenty three,

817
00:43:42.199 --> 00:43:45.519
<v Speaker 1>the first movie had a six track audio set and

818
00:43:45.599 --> 00:43:48.559
<v Speaker 1>it did not have the two point zero audio and lossless.

819
00:43:48.639 --> 00:43:51.840
<v Speaker 1>They screwed up the audio track for some reason that

820
00:43:52.039 --> 00:43:54.719
<v Speaker 1>got fixed in this one. There was a Christopher Reeve

821
00:43:54.840 --> 00:43:58.280
<v Speaker 1>credit glitch that happened in that first movie, which that's

822
00:43:58.400 --> 00:44:00.639
<v Speaker 1>kind of a big deal to overlook Chris for Reef

823
00:44:01.320 --> 00:44:04.880
<v Speaker 1>that has been fixed. Superman two has an improved Adobey

824
00:44:04.920 --> 00:44:08.119
<v Speaker 1>Atmos mix that corrects the various wows that were problems

825
00:44:08.679 --> 00:44:10.719
<v Speaker 1>in the audio mix, and there were some pitch issues

826
00:44:10.760 --> 00:44:14.599
<v Speaker 1>as well. Superman two, the Richard Donner cut disc has

827
00:44:14.639 --> 00:44:17.400
<v Speaker 1>a video fix for the geometry of the iconic final

828
00:44:17.440 --> 00:44:20.239
<v Speaker 1>shot of the movie and a couple other random things

829
00:44:20.239 --> 00:44:24.719
<v Speaker 1>that was squished horizontally. Superman three the disc was fine,

830
00:44:24.760 --> 00:44:27.440
<v Speaker 1>so that one's identical, and then Superman four The Quest

831
00:44:27.440 --> 00:44:30.119
<v Speaker 1>for Piece includes an improved atmost mix as well that

832
00:44:30.239 --> 00:44:33.840
<v Speaker 1>had some various alternate and incorrect musical performances that were

833
00:44:34.199 --> 00:44:36.760
<v Speaker 1>wrong on that first release. So the hard part here,

834
00:44:37.000 --> 00:44:39.719
<v Speaker 1>if you have that first release, you have the fancy

835
00:44:39.800 --> 00:44:43.960
<v Speaker 1>limited set with all of the broken discs. So what

836
00:44:44.039 --> 00:44:46.440
<v Speaker 1>should you do. I'm not gonna say that they will

837
00:44:46.480 --> 00:44:49.000
<v Speaker 1>do this, but I will say Warner Brothers actually has

838
00:44:49.000 --> 00:44:51.239
<v Speaker 1>a decent track record for this. If you had the

839
00:44:51.280 --> 00:44:54.480
<v Speaker 1>original Rambo set of all the four ks, those were

840
00:44:54.519 --> 00:44:57.400
<v Speaker 1>littered with theirs as well, and people when they re

841
00:44:57.400 --> 00:44:59.800
<v Speaker 1>released those unfixed them. People that bought the original set

842
00:44:59.840 --> 00:45:03.239
<v Speaker 1>were able to email Warner Brothers and get fixed discs.

843
00:45:03.599 --> 00:45:06.320
<v Speaker 1>So if you got this first set, I highly suggest

844
00:45:06.400 --> 00:45:09.000
<v Speaker 1>emailing Warner Brothers. They might be able to help you

845
00:45:09.039 --> 00:45:12.000
<v Speaker 1>out because that's a lot to fix and feel slighted

846
00:45:12.000 --> 00:45:13.199
<v Speaker 1>by if you got that first one.

847
00:45:13.639 --> 00:45:17.159
<v Speaker 2>Yeah, that is a tough one. I would hope that

848
00:45:17.199 --> 00:45:20.280
<v Speaker 2>they will actually send replacements to people.

849
00:45:21.719 --> 00:45:24.079
<v Speaker 1>And yeah, I agree with Mozarready says I, if you

850
00:45:24.119 --> 00:45:25.920
<v Speaker 1>can provide proof of purchase, you should be able to

851
00:45:25.920 --> 00:45:28.760
<v Speaker 1>get the fixed discs. Which there's the hard part too,

852
00:45:28.920 --> 00:45:31.440
<v Speaker 1>is this has been a set that has sold second

853
00:45:31.440 --> 00:45:35.360
<v Speaker 1>hand a lot in the last two years. So pull

854
00:45:35.400 --> 00:45:38.800
<v Speaker 1>out those emails, see what you can do. But yeah,

855
00:45:38.920 --> 00:45:41.199
<v Speaker 1>I'm glad they're fixing this. I'm glad they're re releasing these.

856
00:45:41.320 --> 00:45:43.559
<v Speaker 1>I didn't buy the first set, but with my kid

857
00:45:43.920 --> 00:45:47.039
<v Speaker 1>loving Superman this last weekend. I almost feel kind of

858
00:45:47.079 --> 00:45:49.920
<v Speaker 1>obligated to show them all the original Superman's on four K,

859
00:45:50.480 --> 00:45:52.519
<v Speaker 1>and this is the way to do it. They also

860
00:45:52.599 --> 00:45:54.840
<v Speaker 1>have a standard set that will have all the fixes

861
00:45:54.840 --> 00:45:57.840
<v Speaker 1>eventually as well, so may need to check something out

862
00:45:58.559 --> 00:46:03.000
<v Speaker 1>there you go. September ninth, we are getting Dark Winds

863
00:46:03.280 --> 00:46:06.400
<v Speaker 1>season three from AMC. This is not a show I

864
00:46:06.440 --> 00:46:10.719
<v Speaker 1>had ever heard of before I posted this announcement. Do

865
00:46:10.760 --> 00:46:13.400
<v Speaker 1>you watch Dark Ones? It sounds like you you know, I.

866
00:46:13.360 --> 00:46:15.880
<v Speaker 2>Don't, but I've definitely heard of it. It's one that

867
00:46:16.239 --> 00:46:21.000
<v Speaker 2>George R. Martin has been behind and so I and

868
00:46:21.039 --> 00:46:24.840
<v Speaker 2>I love Zoon mcclarn and, who is the lead in it.

869
00:46:24.960 --> 00:46:28.360
<v Speaker 2>He was, you know, one of my favorite characters in

870
00:46:28.639 --> 00:46:31.760
<v Speaker 2>Doctor Sleep and he just think he's just a fantastic actor.

871
00:46:31.880 --> 00:46:35.000
<v Speaker 2>So it's one of these I have so many movies

872
00:46:35.039 --> 00:46:37.639
<v Speaker 2>that I'm trying to watch that TV is very limited

873
00:46:37.719 --> 00:46:40.639
<v Speaker 2>because it takes up so much time. But this is

874
00:46:40.719 --> 00:46:44.199
<v Speaker 2>one that I've had my eye on for quite some time,

875
00:46:44.239 --> 00:46:48.199
<v Speaker 2>and so yeah, I might have to see about checking

876
00:46:48.239 --> 00:46:49.000
<v Speaker 2>these out at some point.

877
00:46:49.880 --> 00:46:53.440
<v Speaker 1>Supposedly it's an incredible movie or show, really like really

878
00:46:53.519 --> 00:46:56.119
<v Speaker 1>high quality. Everybody that was commenting on this scene to

879
00:46:56.119 --> 00:47:00.280
<v Speaker 1>love it, so yeah, I will consider it eventually. It's

880
00:47:00.320 --> 00:47:02.960
<v Speaker 1>based on some series of books, says Colton Nice.

881
00:47:03.199 --> 00:47:05.280
<v Speaker 2>Yeah, it's the Leehorn and che series.

882
00:47:06.639 --> 00:47:08.639
<v Speaker 1>And Ronnie, who does watch a lot of TV, says

883
00:47:08.639 --> 00:47:10.840
<v Speaker 1>it's been on the watch list for a while, so

884
00:47:10.960 --> 00:47:16.119
<v Speaker 1>I get it moving right along. Here is a fun

885
00:47:16.199 --> 00:47:19.360
<v Speaker 1>one coming soon. So we don't have a date yet,

886
00:47:19.360 --> 00:47:22.360
<v Speaker 1>but we are getting a four K of Remo Williams

887
00:47:22.360 --> 00:47:25.400
<v Speaker 1>from Keno Lber. They have released this on Blu Ray already.

888
00:47:25.760 --> 00:47:28.239
<v Speaker 1>You can pretty much guarantee all the extras that were

889
00:47:28.280 --> 00:47:30.159
<v Speaker 1>on that will be on this. They might even do

890
00:47:30.199 --> 00:47:32.920
<v Speaker 1>a new commentary when this gets a date and all

891
00:47:32.960 --> 00:47:35.239
<v Speaker 1>that and stuff. How do you feel about Remo Williams.

892
00:47:35.280 --> 00:47:36.440
<v Speaker 1>I feel like this is one that you had to

893
00:47:36.480 --> 00:47:36.840
<v Speaker 1>have seen.

894
00:47:37.320 --> 00:47:39.239
<v Speaker 2>Oh. I watched this all the time when I was

895
00:47:39.280 --> 00:47:43.760
<v Speaker 2>a kid, so much fun. I actually revisited it when

896
00:47:44.119 --> 00:47:45.920
<v Speaker 2>fred ward passed away a few years ago, just to

897
00:47:46.000 --> 00:47:47.559
<v Speaker 2>kind of like check it out, because like, when I

898
00:47:47.559 --> 00:47:50.480
<v Speaker 2>think of fred Warden, that's where I go. It's either

899
00:47:50.480 --> 00:47:53.239
<v Speaker 2>that or Tremor's Tremors for me. Yeah, yeah, or Henry

900
00:47:53.239 --> 00:47:55.119
<v Speaker 2>and June, which is a little bit different, probably not

901
00:47:55.159 --> 00:47:56.880
<v Speaker 2>the one that I'm jumping to put on.

902
00:47:56.960 --> 00:47:59.960
<v Speaker 1>But Tremor's Rebote Williams and Henry and Juice.

903
00:48:01.480 --> 00:48:04.440
<v Speaker 2>But I loved Rema Williams so much as a kid.

904
00:48:04.440 --> 00:48:10.519
<v Speaker 2>I revisited it and it was It's still a lot

905
00:48:10.559 --> 00:48:14.639
<v Speaker 2>of fun. But Joel Gray's character was a little difficult

906
00:48:14.719 --> 00:48:17.199
<v Speaker 2>to watch these days. But I still had fun with

907
00:48:17.280 --> 00:48:20.000
<v Speaker 2>the movie, and I love Joel Gray. So you know,

908
00:48:20.119 --> 00:48:22.320
<v Speaker 2>it's one of those what you just kind of look past.

909
00:48:22.760 --> 00:48:26.000
<v Speaker 1>Yeah, Oh, Miami Blues. That's a good one. Adam love

910
00:48:26.079 --> 00:48:26.519
<v Speaker 1>that movie.

911
00:48:27.559 --> 00:48:27.960
<v Speaker 2>There you go.

912
00:48:29.119 --> 00:48:30.800
<v Speaker 1>Miami Blues is one of those weird ones that was

913
00:48:30.880 --> 00:48:32.320
<v Speaker 1>kind of hard to see on disc for a while,

914
00:48:32.360 --> 00:48:34.840
<v Speaker 1>and then it got like three releases in the span

915
00:48:34.920 --> 00:48:37.519
<v Speaker 1>of eighteen months. It's like, oh, now everybody has seen it.

916
00:48:37.559 --> 00:48:38.039
<v Speaker 1>This is nice.

917
00:48:38.079 --> 00:48:39.639
<v Speaker 2>Everybody's putting out suddenly.

918
00:48:39.320 --> 00:48:44.079
<v Speaker 1>Right yeah, next again not a dated release, but Keno

919
00:48:44.119 --> 00:48:46.719
<v Speaker 1>Olber putting out a four K of Runaway Train from

920
00:48:46.800 --> 00:48:49.840
<v Speaker 1>nineteen eighty five. How do you feel about Runaway Train.

921
00:48:50.599 --> 00:48:53.039
<v Speaker 2>It's a great movie, and it's I think the thing

922
00:48:53.119 --> 00:48:55.559
<v Speaker 2>to know about it is it's not it doesn't end

923
00:48:55.639 --> 00:48:57.360
<v Speaker 2>up being the movie that you think it's going to

924
00:48:57.400 --> 00:48:59.800
<v Speaker 2>be when it starts. You know, it's like run away.

925
00:49:00.159 --> 00:49:02.840
<v Speaker 2>You're watching the escape Convince escaping on a train and

926
00:49:03.119 --> 00:49:06.039
<v Speaker 2>it becomes a runaway train, and then it becomes this

927
00:49:06.199 --> 00:49:10.239
<v Speaker 2>like internal character piece as they're trying to figure themselves

928
00:49:10.280 --> 00:49:16.719
<v Speaker 2>out and stuff, and great movie. Kurosawa, Kira Kurosawa wrote

929
00:49:16.719 --> 00:49:19.840
<v Speaker 2>the screenplay, or they adapted a version of the screenplay

930
00:49:19.880 --> 00:49:24.920
<v Speaker 2>that he had written for this, and it's definitely worth

931
00:49:25.000 --> 00:49:27.800
<v Speaker 2>checking out. I recommend it quite a bit.

932
00:49:28.519 --> 00:49:31.840
<v Speaker 1>It's a good movie. I certainly like Tony Scott's take

933
00:49:31.880 --> 00:49:41.519
<v Speaker 1>on it. I'll keep going. Filmmasters putting out on August

934
00:49:41.559 --> 00:49:44.639
<v Speaker 1>twenty sixth they blu ray of Invasion USA. But not

935
00:49:44.760 --> 00:49:46.639
<v Speaker 1>the one that you probably think of immediately when you

936
00:49:46.639 --> 00:49:50.039
<v Speaker 1>hear Evasion USA. This is the nineteen fifty two double

937
00:49:50.039 --> 00:49:52.519
<v Speaker 1>feature of the Cold War era. We were getting two

938
00:49:52.559 --> 00:49:57.159
<v Speaker 1>films bonus film on this one, Rocket Attack USA. Film Masters.

939
00:49:57.280 --> 00:49:59.679
<v Speaker 1>These are always pressed discs. I got that question a

940
00:49:59.679 --> 00:50:01.719
<v Speaker 1>lot this week when I posted these announcements. Just a

941
00:50:01.760 --> 00:50:04.320
<v Speaker 1>heads up, Yes, these are press discs. It'll be a

942
00:50:04.320 --> 00:50:08.079
<v Speaker 1>great release, promise this one brand new four K restoration

943
00:50:08.119 --> 00:50:12.119
<v Speaker 1>of Invasion USA from archival Elements. New four K restoration

944
00:50:12.239 --> 00:50:15.400
<v Speaker 1>also of Rocket Attack USA. From the original sixteen millimeter

945
00:50:15.519 --> 00:50:20.320
<v Speaker 1>archival elements Crazy and then new audio commentary by Jason A.

946
00:50:20.480 --> 00:50:23.159
<v Speaker 1>Nine for Invasion USA. New essay by Toby Rohan on

947
00:50:23.199 --> 00:50:26.639
<v Speaker 1>Invasion USA. New audio commentary by c. Courtney Joyner and

948
00:50:26.679 --> 00:50:30.639
<v Speaker 1>Mark Jordan Leagan for Rocket Attack USA. New essay by

949
00:50:30.679 --> 00:50:34.239
<v Speaker 1>Don Stradley for Rocket Attack USA. And then Ballyho Motion

950
00:50:34.360 --> 00:50:37.559
<v Speaker 1>Pictures did Better Dead Than Read Hollywood versus Communism in

951
00:50:37.599 --> 00:50:40.880
<v Speaker 1>the fifties, a little documentary for this, and then a

952
00:50:40.880 --> 00:50:43.639
<v Speaker 1>new featurette with Anthony Moore, son of the star Gerald Moore,

953
00:50:44.400 --> 00:50:47.920
<v Speaker 1>the Mystery Science Theater three thousand episode with Rocket Attack USA.

954
00:50:48.480 --> 00:50:51.320
<v Speaker 1>Recut trailers of both like, there is a ton of

955
00:50:51.320 --> 00:50:54.280
<v Speaker 1>stuff on this disc. This is reagion free, so you

956
00:50:54.280 --> 00:50:55.840
<v Speaker 1>can get this anywhere in the world. You'll be able

957
00:50:55.840 --> 00:50:58.360
<v Speaker 1>to watch it. This is a crazy looking release. I've

958
00:50:58.400 --> 00:50:59.920
<v Speaker 1>not seen either of these films. Is this something that

959
00:51:00.039 --> 00:51:00.559
<v Speaker 1>you're into or.

960
00:51:00.519 --> 00:51:05.039
<v Speaker 2>I've seen I haven't either, but just interesting fact. Dano

961
00:51:05.159 --> 00:51:08.199
<v Speaker 2>Hurleyhey shows up in Invasion USA. So you've got the

962
00:51:08.800 --> 00:51:11.519
<v Speaker 2>last star Fighter RoboCop Halloween three connection to it. So

963
00:51:11.679 --> 00:51:12.079
<v Speaker 2>there you go.

964
00:51:13.159 --> 00:51:15.760
<v Speaker 1>Since Sinda kitt the podcast says Rocket Attack USA from

965
00:51:15.840 --> 00:51:18.519
<v Speaker 1>Newdy QD master Barry Mahone always happen to see Mahone

966
00:51:18.519 --> 00:51:21.039
<v Speaker 1>get the HD treatment and to get a brand new

967
00:51:21.199 --> 00:51:24.880
<v Speaker 1>four K scan of archival elements for something like Invasion USA.

968
00:51:25.519 --> 00:51:27.880
<v Speaker 1>Nobody else is really doing that besides film Masters for

969
00:51:27.920 --> 00:51:30.440
<v Speaker 1>a title like this, this is a really cool thing.

970
00:51:30.840 --> 00:51:32.400
<v Speaker 1>I will be supporting this one. This is the one

971
00:51:32.440 --> 00:51:34.239
<v Speaker 1>that I want to see more stuff like this for sure.

972
00:51:34.679 --> 00:51:38.360
<v Speaker 2>I love that they're actually releasing it as a double feature.

973
00:51:38.440 --> 00:51:40.079
<v Speaker 2>I think that's such a great idea.

974
00:51:40.760 --> 00:51:45.679
<v Speaker 1>Most of their mainline they call them special edition releases.

975
00:51:46.000 --> 00:51:49.519
<v Speaker 1>Most of them are double features. And what I appreciate

976
00:51:49.679 --> 00:51:52.559
<v Speaker 1>is for both of the features, they get supplemental features

977
00:51:52.599 --> 00:51:54.679
<v Speaker 1>to put some sort of context on it, whether it

978
00:51:54.719 --> 00:51:57.280
<v Speaker 1>be about the director or the genre or anything like that.

979
00:51:57.519 --> 00:51:59.840
<v Speaker 1>They do really great work, really great work.

980
00:52:00.039 --> 00:52:03.320
<v Speaker 2>That's awesome. What if they do or they should do

981
00:52:03.400 --> 00:52:06.559
<v Speaker 2>a reversible cover where you flip it over and it's

982
00:52:06.599 --> 00:52:09.920
<v Speaker 2>a Rocket Attack USA with your bonus. So yeah, that'd

983
00:52:09.920 --> 00:52:10.719
<v Speaker 2>be cool to see them.

984
00:52:11.519 --> 00:52:14.639
<v Speaker 1>I don't have one within reach. I forgot. I just

985
00:52:14.679 --> 00:52:16.079
<v Speaker 1>moved it and I was about to check to see

986
00:52:16.119 --> 00:52:19.599
<v Speaker 1>if they do that, and I forgot. Oh god, this

987
00:52:19.679 --> 00:52:20.719
<v Speaker 1>is such a terrible cover.

988
00:52:21.920 --> 00:52:24.119
<v Speaker 2>I forgot this was I hate this type of Yeah,

989
00:52:24.159 --> 00:52:24.760
<v Speaker 2>these covers.

990
00:52:25.800 --> 00:52:30.320
<v Speaker 1>So MGM themselves aka Amazon, putting out on July fifteenth,

991
00:52:30.400 --> 00:52:32.800
<v Speaker 1>which you'll notice is in the past. They literally announced

992
00:52:32.840 --> 00:52:36.119
<v Speaker 1>this like two days before it released. And I believe

993
00:52:36.119 --> 00:52:38.320
<v Speaker 1>this is going to be a BDR, but don't quote

994
00:52:38.360 --> 00:52:40.719
<v Speaker 1>me on that. I think it is July fifteenth. They

995
00:52:40.760 --> 00:52:43.199
<v Speaker 1>got a blu ray of Town Without Pity from nineteen

996
00:52:43.239 --> 00:52:46.880
<v Speaker 1>sixty one, and all they do is photoshop a couple

997
00:52:46.920 --> 00:52:50.079
<v Speaker 1>scenes from the film together into the most awkward looking

998
00:52:50.199 --> 00:52:54.280
<v Speaker 1>cover art. Obviously Kirk Douglas movie, this is one that

999
00:52:54.400 --> 00:52:57.639
<v Speaker 1>probably should have been treated fairly well, and this is

1000
00:52:57.679 --> 00:53:00.400
<v Speaker 1>what we got. Have you seen Ten Without Pity? No?

1001
00:53:00.519 --> 00:53:02.880
<v Speaker 2>But I know this is one of those where you know,

1002
00:53:02.920 --> 00:53:05.480
<v Speaker 2>he had worked quite a bit with Dalton Trombo when

1003
00:53:05.519 --> 00:53:07.559
<v Speaker 2>he was blacklisted, and this is one that he had

1004
00:53:07.599 --> 00:53:10.280
<v Speaker 2>Trombo come in. And I don't know how much of

1005
00:53:10.280 --> 00:53:12.119
<v Speaker 2>the screenplay he worked on, but I know that this

1006
00:53:12.199 --> 00:53:14.679
<v Speaker 2>is one that he had touched the screenplay a bit

1007
00:53:15.519 --> 00:53:16.840
<v Speaker 2>and of course didn't get credits.

1008
00:53:17.119 --> 00:53:21.039
<v Speaker 1>Right, Adam says, even AI would be embarrassed.

1009
00:53:22.320 --> 00:53:24.559
<v Speaker 2>Right, it's an awful cover.

1010
00:53:24.679 --> 00:53:28.119
<v Speaker 1>Yeah, yeah, this is this is truly Bad Next from

1011
00:53:28.199 --> 00:53:31.519
<v Speaker 1>Severn as part of their sale is Fearless Dragons from

1012
00:53:31.559 --> 00:53:33.599
<v Speaker 1>nineteen eighty. This will go on sale as part of

1013
00:53:33.639 --> 00:53:36.559
<v Speaker 1>the summer sale next Thursday night going into Friday. This

1014
00:53:36.599 --> 00:53:38.599
<v Speaker 1>is the first time on Blu Ray in North America

1015
00:53:38.679 --> 00:53:41.599
<v Speaker 1>at all, and this says from iconic seventies Hong Kong

1016
00:53:41.639 --> 00:53:44.400
<v Speaker 1>Studio gold Digg Films Limited. The Dragon Libs Again and

1017
00:53:44.480 --> 00:53:47.559
<v Speaker 1>Duel the Seven Tigers came from that same studio. Comes

1018
00:53:47.599 --> 00:53:50.079
<v Speaker 1>one of the favorite action comedies in the history of

1019
00:53:50.119 --> 00:53:52.840
<v Speaker 1>the genre. When two Wiley con men martial arts movie

1020
00:53:52.920 --> 00:53:56.800
<v Speaker 1>legends Philip Coe and Brian Lung, they are framed for

1021
00:53:56.920 --> 00:54:00.760
<v Speaker 1>hijacking a trunk full of charity funds, built joined forces

1022
00:54:00.800 --> 00:54:02.719
<v Speaker 1>to find the real bandits and a wild series of

1023
00:54:02.719 --> 00:54:06.559
<v Speaker 1>adventures that lead to an utterly fantastic final battle ranked

1024
00:54:06.599 --> 00:54:09.760
<v Speaker 1>among the most exciting two on one fight scenes ever,

1025
00:54:10.159 --> 00:54:15.320
<v Speaker 1>which with that sentence sold special features on this first

1026
00:54:15.400 --> 00:54:19.280
<v Speaker 1>off scanned in four K from the OCN. Incredible job

1027
00:54:19.320 --> 00:54:22.440
<v Speaker 1>with that Severn. That's amazing audio commentary with Frank Jing

1028
00:54:22.480 --> 00:54:25.400
<v Speaker 1>and Michael Wirth, who are great at all of these

1029
00:54:25.400 --> 00:54:28.000
<v Speaker 1>commentaries that they do. There's an interview with the director

1030
00:54:28.079 --> 00:54:31.960
<v Speaker 1>Lee Chew there is actor Philip Coe remembers Fearless Dragons

1031
00:54:31.960 --> 00:54:35.159
<v Speaker 1>and a trailer and again region free anywhere you live.

1032
00:54:35.199 --> 00:54:36.920
<v Speaker 1>You can get this and watch it on Blu ray Player.

1033
00:54:37.159 --> 00:54:38.440
<v Speaker 1>That is fantastic.

1034
00:54:39.000 --> 00:54:43.280
<v Speaker 2>I would just pick it up for purely the positions

1035
00:54:43.320 --> 00:54:46.280
<v Speaker 2>that each of the people jumping are in right in

1036
00:54:46.320 --> 00:54:49.440
<v Speaker 2>the middle of it, especially the guy on the left

1037
00:54:49.559 --> 00:54:52.440
<v Speaker 2>and the right. Like that alone sells me on this.

1038
00:54:53.519 --> 00:54:56.559
<v Speaker 1>Yeah, Shapes films are really fun. This is gonna be great.

1039
00:54:56.599 --> 00:54:59.000
<v Speaker 1>And this is not a Bruce Floitation film. I had

1040
00:54:59.159 --> 00:55:00.920
<v Speaker 1>a couple of people ask this was going to be

1041
00:55:01.320 --> 00:55:04.119
<v Speaker 1>in their next Bruce Ploitation box set because severn Is

1042
00:55:04.119 --> 00:55:06.360
<v Speaker 1>announced a second one on the way, no date or

1043
00:55:06.360 --> 00:55:07.880
<v Speaker 1>anything yet, but no, this will not be in that

1044
00:55:07.920 --> 00:55:13.679
<v Speaker 1>box because it's not Bruce Ploitation. Interesting, this was a

1045
00:55:13.679 --> 00:55:17.519
<v Speaker 1>fun thing this week. Dark Force Entertainment, who I don't

1046
00:55:17.559 --> 00:55:20.079
<v Speaker 1>talk about a lot, but this is an important movie.

1047
00:55:20.440 --> 00:55:23.480
<v Speaker 1>They are putting out the movie Mama's Dirty Girls from

1048
00:55:23.559 --> 00:55:25.599
<v Speaker 1>nineteen seventy four. This is coming as part of their

1049
00:55:25.679 --> 00:55:28.880
<v Speaker 1>Drive In collector series. This is going to be a

1050
00:55:28.960 --> 00:55:32.119
<v Speaker 1>double feature as well, so you've got this one Mama's

1051
00:55:32.159 --> 00:55:34.679
<v Speaker 1>Dirty Girls. This is directed by John Hayes, who also

1052
00:55:34.719 --> 00:55:37.719
<v Speaker 1>did Grave at the Vampire and A Garden of the Dead.

1053
00:55:38.039 --> 00:55:41.840
<v Speaker 1>The original uncut thirty five millimeter negative was found and

1054
00:55:41.880 --> 00:55:44.440
<v Speaker 1>they were able to scan this one. That is really

1055
00:55:44.519 --> 00:55:47.599
<v Speaker 1>damn cool. But then the second hit is the extremely

1056
00:55:47.719 --> 00:55:51.519
<v Speaker 1>rare nineteen seventy German erotica film How to Make Love

1057
00:55:51.639 --> 00:55:54.920
<v Speaker 1>to a Virgin, which that's pretty damn cool that they're

1058
00:55:54.920 --> 00:55:57.599
<v Speaker 1>putting this in here. The only special feature on these

1059
00:55:57.880 --> 00:56:02.559
<v Speaker 1>drive in specials from Force, they have their drive in mode,

1060
00:56:02.639 --> 00:56:05.239
<v Speaker 1>which means they will show both films back to back

1061
00:56:05.280 --> 00:56:08.239
<v Speaker 1>with a little intermission in between the two movies, which

1062
00:56:08.480 --> 00:56:11.440
<v Speaker 1>I think is a really incredible sort of gimmick to

1063
00:56:11.480 --> 00:56:13.840
<v Speaker 1>put on these. I just wish we had some sort

1064
00:56:13.840 --> 00:56:16.800
<v Speaker 1>of contextual extra because these movies deserve somebody to talk

1065
00:56:16.840 --> 00:56:17.280
<v Speaker 1>about them.

1066
00:56:18.280 --> 00:56:21.679
<v Speaker 2>Yeah, I mean, well, Gloria Graham of all people, shows

1067
00:56:21.760 --> 00:56:24.880
<v Speaker 2>up in the film, and I mean she's like been

1068
00:56:24.920 --> 00:56:27.800
<v Speaker 2>in so many amazing films, and then I'd love some

1069
00:56:27.880 --> 00:56:32.239
<v Speaker 2>context of like her career leading to this. You know,

1070
00:56:32.679 --> 00:56:35.280
<v Speaker 2>that'd be a really interesting but special feature that I'd

1071
00:56:35.320 --> 00:56:35.960
<v Speaker 2>love to check out.

1072
00:56:37.559 --> 00:56:40.599
<v Speaker 1>Gary's pointing out she has huge hands. Yeah, the perspective

1073
00:56:40.639 --> 00:56:45.840
<v Speaker 1>here is not great at all. Craig wants to know.

1074
00:56:45.880 --> 00:56:48.280
<v Speaker 1>Can they pipe in mosquitoes into your living room? Thankfully

1075
00:56:48.320 --> 00:56:49.920
<v Speaker 1>that technology does not exist yet.

1076
00:56:50.920 --> 00:56:52.280
<v Speaker 2>Uh the worst.

1077
00:56:53.639 --> 00:56:59.599
<v Speaker 1>That and like crying babies from three cars over next,

1078
00:56:59.800 --> 00:57:01.559
<v Speaker 1>this is an odd one. So I'm not gonna mention

1079
00:57:01.639 --> 00:57:03.719
<v Speaker 1>this for too long because it actually did not last.

1080
00:57:03.760 --> 00:57:08.280
<v Speaker 1>But for a long about eight minute period, Lionsgate Limited

1081
00:57:08.360 --> 00:57:11.239
<v Speaker 1>had restocked The Man who Fell to Earth four K

1082
00:57:11.360 --> 00:57:15.760
<v Speaker 1>steel book that has been going for decent money secondhand,

1083
00:57:15.800 --> 00:57:17.480
<v Speaker 1>and so it looked like there's gonna be another chance

1084
00:57:17.480 --> 00:57:19.920
<v Speaker 1>to pick this up. But it has disappeared from their

1085
00:57:19.960 --> 00:57:22.760
<v Speaker 1>website pretty much immediately after I posted this, and then

1086
00:57:22.800 --> 00:57:25.599
<v Speaker 1>everybody started crying because they couldn't go buy it. I'm sorry.

1087
00:57:26.679 --> 00:57:29.599
<v Speaker 1>What I'm getting from this is this will likely get restocked.

1088
00:57:29.960 --> 00:57:32.960
<v Speaker 1>They just probably were not able to have it available yet,

1089
00:57:33.000 --> 00:57:35.039
<v Speaker 1>so if that does happen, I will try to update.

1090
00:57:35.559 --> 00:57:37.239
<v Speaker 1>This is one of those times where if you remember

1091
00:57:37.320 --> 00:57:40.039
<v Speaker 1>the Patreon of a part of the discord, you'll get

1092
00:57:40.119 --> 00:57:44.079
<v Speaker 1>updated much quicker that way, most likely, So please come

1093
00:57:44.119 --> 00:57:45.840
<v Speaker 1>hang out if you want to. This is the kind

1094
00:57:45.840 --> 00:57:48.360
<v Speaker 1>of thing that doesn't always deserve another post, but if

1095
00:57:48.360 --> 00:57:50.719
<v Speaker 1>it does, we will absolutely be talking about it in

1096
00:57:50.760 --> 00:57:55.159
<v Speaker 1>the discord. Great movie, incredible looking steel book on this

1097
00:57:55.280 --> 00:57:57.719
<v Speaker 1>I don't always love steel books, but the way they

1098
00:57:57.760 --> 00:58:00.480
<v Speaker 1>designed the Bowie Steel Book is kind of perfect here.

1099
00:58:01.559 --> 00:58:05.159
<v Speaker 1>It's worth a watch, It's worth an own, absolutely, absolutely

1100
00:58:05.159 --> 00:58:06.840
<v Speaker 1>something to look forward to if you're after it.

1101
00:58:07.480 --> 00:58:10.559
<v Speaker 2>I'd love to pick that up if if it pops

1102
00:58:10.639 --> 00:58:12.679
<v Speaker 2>up at the right moment when I'm looking at their site.

1103
00:58:13.239 --> 00:58:15.599
<v Speaker 1>Yeah, yeah, that's the hard part. Hopefully it's back for

1104
00:58:15.639 --> 00:58:16.079
<v Speaker 1>good soon.

1105
00:58:16.440 --> 00:58:17.880
<v Speaker 2>Yeah.

1106
00:58:17.920 --> 00:58:22.119
<v Speaker 1>Man, this surprised me. This week September ninth, Universal releasing

1107
00:58:22.159 --> 00:58:26.440
<v Speaker 1>a four K of Cissy says Cissy Spasic Man my

1108
00:58:27.079 --> 00:58:30.400
<v Speaker 1>tongue Twisters tonight are bad coal miner's daughter from nineteen

1109
00:58:30.440 --> 00:58:32.000
<v Speaker 1>eighty getting a four K release. How do you feel

1110
00:58:32.000 --> 00:58:32.840
<v Speaker 1>about this one, Andy.

1111
00:58:33.360 --> 00:58:36.360
<v Speaker 2>I mean, it's a great musical biopick, like if you

1112
00:58:36.480 --> 00:58:38.800
<v Speaker 2>like those films. I mean, they do a great job

1113
00:58:38.800 --> 00:58:41.679
<v Speaker 2>with this one. I believe it's Tommy Lee Jones who

1114
00:58:41.679 --> 00:58:46.880
<v Speaker 2>plays her husband, right yeah, and it's I mean Cissy

1115
00:58:46.960 --> 00:58:51.079
<v Speaker 2>Spacek just nails the role and does it so well.

1116
00:58:52.679 --> 00:58:54.800
<v Speaker 2>I would be curious to actually revisit this one and

1117
00:58:54.840 --> 00:58:57.599
<v Speaker 2>see how it played for me after all this time.

1118
00:58:57.599 --> 00:59:01.719
<v Speaker 2>But I don't know. I'm a little well tuckered out

1119
00:59:02.000 --> 00:59:05.639
<v Speaker 2>on music biopics at the moment, so it's not urgent,

1120
00:59:05.840 --> 00:59:08.599
<v Speaker 2>but this is one that I would be more inclined

1121
00:59:08.639 --> 00:59:09.079
<v Speaker 2>to watch.

1122
00:59:10.199 --> 00:59:15.960
<v Speaker 1>I watched this a lot as a child. My grandmother

1123
00:59:16.119 --> 00:59:20.599
<v Speaker 1>and that whole side of the family was very conservative minded,

1124
00:59:20.679 --> 00:59:24.079
<v Speaker 1>at least when it came to movies. So like I

1125
00:59:24.239 --> 00:59:27.360
<v Speaker 1>grew up watching like Fried Green Tomatoes was a movie

1126
00:59:27.360 --> 00:59:29.519
<v Speaker 1>that I saw probably once a week, and this is

1127
00:59:29.519 --> 00:59:31.480
<v Speaker 1>one of those that was just in that rotation. So

1128
00:59:31.559 --> 00:59:34.039
<v Speaker 1>I've seen this countless times. But because I saw it

1129
00:59:34.079 --> 00:59:35.559
<v Speaker 1>so much, I don't think I've seen this movie in

1130
00:59:35.639 --> 00:59:40.119
<v Speaker 1>like twenty eight years, I've had no desire to watch

1131
00:59:40.119 --> 00:59:43.239
<v Speaker 1>it again. That being said, I remember really enjoying it

1132
00:59:43.280 --> 00:59:44.599
<v Speaker 1>and to own it on four K and be able

1133
00:59:44.639 --> 00:59:46.639
<v Speaker 1>to watch it again in twenty twenty five that way

1134
00:59:47.199 --> 00:59:52.920
<v Speaker 1>is kind of incredible, no kidding. And yeah, Sibners saying,

1135
00:59:53.000 --> 00:59:55.039
<v Speaker 1>got to give you Universal credit. It's definitely been longer

1136
00:59:55.360 --> 00:59:57.639
<v Speaker 1>than six months since they put out the Blu ray. Yeah,

1137
00:59:57.880 --> 01:00:02.039
<v Speaker 1>Universal is doing really well at the moment actually, But yeah,

1138
01:00:02.039 --> 01:00:04.119
<v Speaker 1>the biopic thing is is tough. It's kind of hard

1139
01:00:04.119 --> 01:00:09.519
<v Speaker 1>to watch any music biopick, especially after Dewey Cox that

1140
01:00:09.679 --> 01:00:11.400
<v Speaker 1>ruined them for me, because it's amazing.

1141
01:00:12.199 --> 01:00:15.599
<v Speaker 2>Yeah, just put that in then and and Weird back

1142
01:00:15.639 --> 01:00:18.159
<v Speaker 2>to back, and that pretty much covers the whole gamut

1143
01:00:18.199 --> 01:00:19.920
<v Speaker 2>of expectations.

1144
01:00:20.599 --> 01:00:22.400
<v Speaker 1>Uh, Weird, Did you like Weird?

1145
01:00:23.039 --> 01:00:25.599
<v Speaker 2>Uh? You know, I didn't actually watch it. I'm It's

1146
01:00:25.639 --> 01:00:27.559
<v Speaker 2>one that I'm very curious to, but every time I

1147
01:00:27.599 --> 01:00:29.480
<v Speaker 2>go to put it on, it's like there's always something

1148
01:00:29.480 --> 01:00:29.960
<v Speaker 2>else to do.

1149
01:00:30.079 --> 01:00:34.679
<v Speaker 1>But I mean to it's all right, I feel again,

1150
01:00:35.199 --> 01:00:37.280
<v Speaker 1>I hate to say it because it was another parody,

1151
01:00:37.280 --> 01:00:39.639
<v Speaker 1>but like dewey Cox even like took the wind out

1152
01:00:39.639 --> 01:00:42.800
<v Speaker 1>of the sales of Weird. If that happened earlier, it

1153
01:00:42.800 --> 01:00:44.519
<v Speaker 1>would have been like, oh, this is a masterpiece, and

1154
01:00:44.559 --> 01:00:46.880
<v Speaker 1>then dewey Cox could have won uped it. But no,

1155
01:00:46.920 --> 01:00:50.760
<v Speaker 1>dewey Cox has just kind of ruined the entire genre.

1156
01:00:50.960 --> 01:00:52.519
<v Speaker 2>Yeah, yeah, that's really funny.

1157
01:00:53.760 --> 01:00:56.559
<v Speaker 1>Uh. Next, we got some details on the How to

1158
01:00:56.679 --> 01:00:59.599
<v Speaker 1>Train Your Dragon release from this year. This is the

1159
01:00:59.719 --> 01:01:03.880
<v Speaker 1>live action remake. I'm sure most of us sort of

1160
01:01:03.960 --> 01:01:06.920
<v Speaker 1>agree about the live action remake thing. Are you somebody

1161
01:01:07.000 --> 01:01:08.719
<v Speaker 1>that's watched those are a fan of them? Or are

1162
01:01:08.760 --> 01:01:10.559
<v Speaker 1>you blatantly against them? Like most of us.

1163
01:01:10.880 --> 01:01:14.360
<v Speaker 2>I there was a period I mean, you know, we

1164
01:01:14.440 --> 01:01:17.039
<v Speaker 2>started with things like one hundred one Dalmatians and Glenn

1165
01:01:17.079 --> 01:01:21.039
<v Speaker 2>Close was amazing, and there were there were reasons where

1166
01:01:21.119 --> 01:01:24.159
<v Speaker 2>they could do something and it could play okay, yeah,

1167
01:01:24.199 --> 01:01:28.639
<v Speaker 2>and then it just hit like shot for shot sorts

1168
01:01:28.639 --> 01:01:30.519
<v Speaker 2>of remakes and I'm like, if you're gonna go live action,

1169
01:01:30.639 --> 01:01:33.679
<v Speaker 2>do like a Maleficent or Honestly, my favorite of all

1170
01:01:33.719 --> 01:01:37.800
<v Speaker 2>of them is probably Pete's Dragon, which takes that I mean,

1171
01:01:38.000 --> 01:01:40.119
<v Speaker 2>I loved it as a kid, but it's not actually

1172
01:01:40.159 --> 01:01:42.840
<v Speaker 2>that great if you visit it, but they made an

1173
01:01:42.880 --> 01:01:45.320
<v Speaker 2>amazing movie out of it, like that's how you do

1174
01:01:45.840 --> 01:01:48.039
<v Speaker 2>a live action remake of something. And it's just like

1175
01:01:48.079 --> 01:01:51.480
<v Speaker 2>these are all just like just rehashes, and I just

1176
01:01:51.760 --> 01:01:56.039
<v Speaker 2>I would love to actually just to test and see

1177
01:01:56.119 --> 01:02:00.760
<v Speaker 2>if audiences are buying into it in re like, take

1178
01:02:00.840 --> 01:02:05.760
<v Speaker 2>something that's that's a live action movie, like I don't

1179
01:02:05.760 --> 01:02:09.679
<v Speaker 2>know what's a like like I don't know, Hirs of

1180
01:02:09.719 --> 01:02:12.760
<v Speaker 2>the Caribbean and do a shot for shot animated version

1181
01:02:12.800 --> 01:02:15.800
<v Speaker 2>of that, and are they gonna make money? Sadly probably

1182
01:02:16.840 --> 01:02:20.719
<v Speaker 2>they would, yeah, yeah, for sure. So but it's just

1183
01:02:20.760 --> 01:02:22.440
<v Speaker 2>one of these things like we just don't need them,

1184
01:02:22.599 --> 01:02:25.599
<v Speaker 2>and so this is not one that I'm interested in

1185
01:02:25.679 --> 01:02:29.119
<v Speaker 2>because I love the original trilogy so much.

1186
01:02:29.960 --> 01:02:32.400
<v Speaker 1>I do too. I've got all three of the original

1187
01:02:32.440 --> 01:02:36.400
<v Speaker 1>trilogy four K steel books right over here. They're They're gorgeous.

1188
01:02:36.519 --> 01:02:40.760
<v Speaker 1>Love those. I went and saw this, took my kids amazingly.

1189
01:02:40.920 --> 01:02:44.159
<v Speaker 1>It was great. Uh, not really anything to complain about

1190
01:02:44.159 --> 01:02:46.679
<v Speaker 1>the funny part. It's just the exact same movie, Like

1191
01:02:46.760 --> 01:02:49.079
<v Speaker 1>I have no Yeah, I had no reason to go

1192
01:02:49.119 --> 01:02:52.440
<v Speaker 1>see this. It was just there. I mean there were

1193
01:02:52.480 --> 01:02:55.159
<v Speaker 1>scenes in this where I I I think I made

1194
01:02:55.159 --> 01:02:56.559
<v Speaker 1>the show a couple of weeks ago, but when I

1195
01:02:56.559 --> 01:02:59.760
<v Speaker 1>came home, I was thinking, like, did they even make

1196
01:02:59.840 --> 01:03:02.239
<v Speaker 1>the guy's hair move the exact same way as it

1197
01:03:02.280 --> 01:03:04.679
<v Speaker 1>was in the animated version, because it looked that identical.

1198
01:03:05.760 --> 01:03:08.760
<v Speaker 1>I again, this will look beautiful. It's crazy. But then

1199
01:03:08.760 --> 01:03:12.639
<v Speaker 1>there's stuff like the quote live action lion King that

1200
01:03:12.760 --> 01:03:14.639
<v Speaker 1>was literally just animated too, Like.

1201
01:03:14.559 --> 01:03:18.840
<v Speaker 2>What are we doing? I know, it's bizarre. The whole

1202
01:03:18.840 --> 01:03:22.039
<v Speaker 2>thing is just a strange way to make more money.

1203
01:03:22.679 --> 01:03:26.079
<v Speaker 1>It's weird. So this is all coming on August twelfth.

1204
01:03:26.199 --> 01:03:28.280
<v Speaker 1>There's gonna be a four K steal book, a standard

1205
01:03:28.280 --> 01:03:30.920
<v Speaker 1>four K, a Blu ray, and a DVD that you

1206
01:03:30.960 --> 01:03:34.400
<v Speaker 1>can get of How to Train Your Dragon from Universal

1207
01:03:34.960 --> 01:03:39.800
<v Speaker 1>HDR Dolby Atmos. On the four K release, there's gonna

1208
01:03:39.800 --> 01:03:43.199
<v Speaker 1>be a director's commentary on the whole film, which is

1209
01:03:43.360 --> 01:03:45.679
<v Speaker 1>kind of interesting. I kind of want to hear this,

1210
01:03:45.719 --> 01:03:47.519
<v Speaker 1>even though I do not want to purchase this disc.

1211
01:03:47.840 --> 01:03:50.519
<v Speaker 1>I want to hear what the same director is going

1212
01:03:50.559 --> 01:03:53.280
<v Speaker 1>to say about making this film live action after he

1213
01:03:53.280 --> 01:03:57.400
<v Speaker 1>did everything else. You got deleted scenes, you've got making of,

1214
01:03:57.679 --> 01:04:00.000
<v Speaker 1>you've got walking onto the set, whole bunch of features.

1215
01:04:00.400 --> 01:04:02.079
<v Speaker 1>They're kind of doing this right at least for the

1216
01:04:02.119 --> 01:04:08.719
<v Speaker 1>physical release, but I don't know, again, not necessary at all. Yeah,

1217
01:04:08.840 --> 01:04:11.320
<v Speaker 1>I love this question. Where's the live action remake a

1218
01:04:11.320 --> 01:04:13.960
<v Speaker 1>belladon of Sadness? That is a great question.

1219
01:04:15.199 --> 01:04:17.920
<v Speaker 2>Yeah, I saw somebody else throw in Sophie's choice. I'm like, yeah,

1220
01:04:17.960 --> 01:04:18.719
<v Speaker 2>let's se there you go.

1221
01:04:20.000 --> 01:04:23.119
<v Speaker 1>Yeah, that one could do well. Siba says, what's my

1222
01:04:23.239 --> 01:04:25.800
<v Speaker 1>shelving order? I have Mary Poppin's shelves. It's not that

1223
01:04:25.840 --> 01:04:27.800
<v Speaker 1>they're everywhere, it's that I have. I don't know how

1224
01:04:27.840 --> 01:04:31.079
<v Speaker 1>good this will show up. I have little acrylic display

1225
01:04:31.119 --> 01:04:33.599
<v Speaker 1>shelves for steal books, so I've got just nine of

1226
01:04:33.639 --> 01:04:36.000
<v Speaker 1>them set up right there. But it's a trilogy and

1227
01:04:36.079 --> 01:04:39.360
<v Speaker 1>these three are perfect for it, so yeah, they're right there.

1228
01:04:39.440 --> 01:04:47.960
<v Speaker 1>I'm sorry, Let's go to our next one. Speaking of animation,

1229
01:04:48.239 --> 01:04:51.719
<v Speaker 1>Kung Fu Panda two, which is probably the best one

1230
01:04:51.800 --> 01:04:54.679
<v Speaker 1>in that series, is getting a four K release from

1231
01:04:54.800 --> 01:04:58.000
<v Speaker 1>Universal on September ninth. No new extras on this, but

1232
01:04:58.679 --> 01:05:01.679
<v Speaker 1>I actually really like the century into the franchise, so

1233
01:05:01.719 --> 01:05:03.519
<v Speaker 1>I might pick this one up. I don't have Shrek

1234
01:05:03.599 --> 01:05:05.599
<v Speaker 1>yet either, which I also loved. But are you into

1235
01:05:05.599 --> 01:05:07.239
<v Speaker 1>any of these animation ones?

1236
01:05:07.480 --> 01:05:10.960
<v Speaker 2>I love them, the Kung Fu Panda ones. It's it's funny.

1237
01:05:10.960 --> 01:05:14.800
<v Speaker 2>It's the first trilogy or first series of films where

1238
01:05:15.119 --> 01:05:17.760
<v Speaker 2>like I took my kids to it, and then the

1239
01:05:17.800 --> 01:05:19.840
<v Speaker 2>fourth one came out and my son's like, oh, my

1240
01:05:19.880 --> 01:05:21.239
<v Speaker 2>friends and I are going to see it. I'm like, oh,

1241
01:05:21.280 --> 01:05:24.000
<v Speaker 2>I want to take it now, we want to go together.

1242
01:05:24.039 --> 01:05:26.639
<v Speaker 2>I'm like, oh, just like I realized, I lost my

1243
01:05:26.679 --> 01:05:28.960
<v Speaker 2>buddy to go see some of these within the theater,

1244
01:05:29.079 --> 01:05:34.400
<v Speaker 2>so I'm like, all right, have fun. Yeah, but they're

1245
01:05:34.440 --> 01:05:36.000
<v Speaker 2>great movies. I do enjoy them quite a bit.

1246
01:05:36.440 --> 01:05:38.960
<v Speaker 1>I mean, they're surprisingly good, and the casting is great,

1247
01:05:39.079 --> 01:05:41.320
<v Speaker 1>like the fact that we have jack Black and Jackie

1248
01:05:41.440 --> 01:05:44.719
<v Speaker 1>Chan as two of the main characters in these is incredible.

1249
01:05:44.880 --> 01:05:47.800
<v Speaker 2>Oh, I know, it's a fantastic group of people that

1250
01:05:47.840 --> 01:05:49.960
<v Speaker 2>they have going.

1251
01:05:49.760 --> 01:05:54.320
<v Speaker 1>To the next one another really awfully photoshopped cover. Universal

1252
01:05:54.440 --> 01:05:57.320
<v Speaker 1>releasing My Dead Friend Zoe from this Year on Blu

1253
01:05:57.440 --> 01:06:00.639
<v Speaker 1>Ray on September sixteenth. No extras on this, But the

1254
01:06:00.679 --> 01:06:03.719
<v Speaker 1>big thing that you can get is, I think that's

1255
01:06:03.719 --> 01:06:07.320
<v Speaker 1>supposed to be Morgan Freeman and this is supposed to

1256
01:06:07.360 --> 01:06:08.440
<v Speaker 1>be Ed Harris.

1257
01:06:10.039 --> 01:06:17.320
<v Speaker 2>What is Wow? Just the worst? This is so bad? Like,

1258
01:06:17.400 --> 01:06:21.199
<v Speaker 2>were were they not able to access the the movie.

1259
01:06:20.880 --> 01:06:22.559
<v Speaker 1>Poster to itself? Right?

1260
01:06:22.719 --> 01:06:26.519
<v Speaker 2>I mean, geez, it's a terrible poster. I've heard nothing

1261
01:06:26.559 --> 01:06:29.039
<v Speaker 2>but good things about the film. Really want to check

1262
01:06:29.079 --> 01:06:31.840
<v Speaker 2>it out. But yeah, this this poster is atrocious.

1263
01:06:33.000 --> 01:06:37.679
<v Speaker 1>Atrocious is almost even being too kind, which is hilarious. Yeah,

1264
01:06:37.719 --> 01:06:41.000
<v Speaker 1>Morgan Freeman, Ed Harris and Natalie Moralis, who secretly is

1265
01:06:41.239 --> 01:06:45.199
<v Speaker 1>kind of always incredible. Yeah, I definitely want to see

1266
01:06:45.239 --> 01:06:46.199
<v Speaker 1>this one. I've heard it's good.

1267
01:06:46.480 --> 01:06:48.840
<v Speaker 2>I'm actually looking at that that is the same as

1268
01:06:48.840 --> 01:06:53.800
<v Speaker 2>the theatrical release poster. It just looks like they even

1269
01:06:53.920 --> 01:06:58.000
<v Speaker 2>extra photoshopped it, like put extra shading on people's faces. Yeah.

1270
01:06:58.159 --> 01:07:05.079
<v Speaker 1>Yikes. Del's The cover looks like AI got rogue. Oh man,

1271
01:07:05.199 --> 01:07:11.199
<v Speaker 1>yeah this this posters? Yeah, Megan two point zero. Did

1272
01:07:11.199 --> 01:07:11.920
<v Speaker 1>you see this one?

1273
01:07:12.400 --> 01:07:16.840
<v Speaker 2>No? I was. I enjoyed the first movie. It was fun.

1274
01:07:17.360 --> 01:07:19.800
<v Speaker 2>It wasn't one that I wanted to return to, but

1275
01:07:20.000 --> 01:07:22.039
<v Speaker 2>I thought they did it. They made a really fun

1276
01:07:22.079 --> 01:07:25.159
<v Speaker 2>film with it. And then I saw the trailer for

1277
01:07:25.199 --> 01:07:27.199
<v Speaker 2>the second one. I'm like, wow, they took that in

1278
01:07:27.280 --> 01:07:29.440
<v Speaker 2>a direction I wasn't expecting at all, And then I

1279
01:07:29.519 --> 01:07:31.840
<v Speaker 2>just didn't hear anything good. So I just I didn't bother.

1280
01:07:33.039 --> 01:07:36.039
<v Speaker 1>Yeah. Saw the first one. I thought it was fine.

1281
01:07:36.079 --> 01:07:38.280
<v Speaker 1>I didn't love the first one like everybody else, but

1282
01:07:38.920 --> 01:07:42.239
<v Speaker 1>I thought it was fine. This one I hated. This

1283
01:07:42.400 --> 01:07:46.719
<v Speaker 1>was not great. But we got some details. September twenty third,

1284
01:07:46.840 --> 01:07:49.800
<v Speaker 1>four K steelbook and a standard four K Blue ray,

1285
01:07:49.800 --> 01:07:52.079
<v Speaker 1>plus they're doing a DVD released and a Blu ray

1286
01:07:52.079 --> 01:07:54.719
<v Speaker 1>and all that. But also they're doing a double feature

1287
01:07:54.760 --> 01:07:56.760
<v Speaker 1>four K release and a Blu Ray release if you

1288
01:07:56.760 --> 01:08:00.199
<v Speaker 1>want both movies at once. But the big thing is,

1289
01:08:00.519 --> 01:08:02.760
<v Speaker 1>when I saw the first movie, it was not in theaters.

1290
01:08:02.800 --> 01:08:04.920
<v Speaker 1>I watched it at home and I watched the unrated version,

1291
01:08:05.239 --> 01:08:07.440
<v Speaker 1>which I then saw the theatrical and I found I

1292
01:08:07.519 --> 01:08:10.119
<v Speaker 1>loved the unrated version way more than the theatrical I

1293
01:08:10.119 --> 01:08:12.960
<v Speaker 1>didn't love either one, but the unrated definitely made it better,

1294
01:08:13.440 --> 01:08:15.480
<v Speaker 1>And of course they're going all in on that as well.

1295
01:08:15.519 --> 01:08:17.640
<v Speaker 1>So the second one has an unrated version. It says

1296
01:08:17.760 --> 01:08:23.239
<v Speaker 1>upgraded with enhanced kills, deleted scenes, and more blood and carnage.

1297
01:08:23.399 --> 01:08:25.800
<v Speaker 1>You probably should have released that in theaters. It might

1298
01:08:25.800 --> 01:08:29.960
<v Speaker 1>have done better. Yeah, this one has an HGR presentation

1299
01:08:30.000 --> 01:08:32.279
<v Speaker 1>for the movie. We've got Dolby at most and then

1300
01:08:32.399 --> 01:08:36.039
<v Speaker 1>some featurettes on here. There's a scene breakdown, stuff like that.

1301
01:08:36.680 --> 01:08:42.159
<v Speaker 1>Not too shabby on the features. This one is interesting.

1302
01:08:42.359 --> 01:08:45.520
<v Speaker 1>So I was on Reddit checking out some of the

1303
01:08:45.560 --> 01:08:48.960
<v Speaker 1>physical media subreddits that they have, and there's a user

1304
01:08:49.000 --> 01:08:52.600
<v Speaker 1>who is a Tractoris twelve who posted that he made

1305
01:08:52.720 --> 01:08:55.920
<v Speaker 1>a Blu ray price tracker. You can find this at

1306
01:08:56.079 --> 01:08:59.840
<v Speaker 1>valueflick dot com, except it's v a l u flick

1307
01:09:00.119 --> 01:09:03.800
<v Speaker 1>dot Now. I am not affiliated with the site or

1308
01:09:03.800 --> 01:09:06.520
<v Speaker 1>anything like that. I just found that I thought it

1309
01:09:06.560 --> 01:09:08.159
<v Speaker 1>would be useful and so I wanted to share it

1310
01:09:08.239 --> 01:09:11.479
<v Speaker 1>with the world when I came across it, he says

1311
01:09:11.520 --> 01:09:14.319
<v Speaker 1>on the website. I built valueflick because my own steel

1312
01:09:14.319 --> 01:09:16.239
<v Speaker 1>books and limited run discs were piling up and I

1313
01:09:16.279 --> 01:09:18.119
<v Speaker 1>had no clue what they were worth from one week

1314
01:09:18.199 --> 01:09:20.920
<v Speaker 1>to the next. Spreadsheets were paying price threads were all

1315
01:09:20.920 --> 01:09:22.600
<v Speaker 1>over the place, so I wrote some code to pull

1316
01:09:22.600 --> 01:09:25.760
<v Speaker 1>in recent sales, graft the swings, and keep my shelf

1317
01:09:25.800 --> 01:09:29.319
<v Speaker 1>cataloged in one tidy spot. It's still just be tweaking

1318
01:09:29.319 --> 01:09:31.159
<v Speaker 1>the site between movie nights, but I've opened it up

1319
01:09:31.199 --> 01:09:33.600
<v Speaker 1>in case other collectors want the same quick reality check

1320
01:09:33.640 --> 01:09:36.159
<v Speaker 1>before buying, trading, or selling. If it saves you a

1321
01:09:36.159 --> 01:09:38.039
<v Speaker 1>little guest work and maybe a few bucks, I'll call

1322
01:09:38.079 --> 01:09:41.960
<v Speaker 1>that a win. So I saw this and I immediately thought, well,

1323
01:09:41.960 --> 01:09:44.920
<v Speaker 1>if I want to buy something that seems valuable to me,

1324
01:09:44.960 --> 01:09:46.920
<v Speaker 1>because I don't want to overspend, so if I see

1325
01:09:46.920 --> 01:09:49.560
<v Speaker 1>something as trending on the lower side, I don't have

1326
01:09:49.640 --> 01:09:52.319
<v Speaker 1>to go, you know, on like a Facebook group and say, hey,

1327
01:09:53.159 --> 01:09:55.640
<v Speaker 1>you're selling this for ninety dollars, I'll buy it for

1328
01:09:55.720 --> 01:09:58.720
<v Speaker 1>ninety dollars if it's only selling for like sixty bucks.

1329
01:09:58.720 --> 01:10:00.640
<v Speaker 1>And I don't want to go through eBay and parts

1330
01:10:00.680 --> 01:10:02.239
<v Speaker 1>through all these so this is pretty cool to me.

1331
01:10:04.000 --> 01:10:07.359
<v Speaker 1>What's interesting, though, is I posted this and the guy

1332
01:10:07.359 --> 01:10:11.079
<v Speaker 1>who coded the site, DMed me about four hours later

1333
01:10:11.119 --> 01:10:12.880
<v Speaker 1>and said, hey, I posted this to Reddit and not

1334
01:10:12.960 --> 01:10:16.439
<v Speaker 1>much happened, but then you posted this and the site crashed.

1335
01:10:18.239 --> 01:10:20.880
<v Speaker 1>Me posting this brought him a ton of traffic, and

1336
01:10:20.960 --> 01:10:24.319
<v Speaker 1>so he started asking what compelled me to even post

1337
01:10:24.359 --> 01:10:25.960
<v Speaker 1>about it, and if I had any ideas that he

1338
01:10:26.039 --> 01:10:28.880
<v Speaker 1>could implement. And so we've been chatting every day since

1339
01:10:28.880 --> 01:10:30.920
<v Speaker 1>I posted this, and I've given him a bunch of stuff.

1340
01:10:31.359 --> 01:10:33.479
<v Speaker 1>He's got all kinds of things he's tweaking behind the

1341
01:10:33.520 --> 01:10:35.439
<v Speaker 1>scenes on this that actually are probably going to be

1342
01:10:35.479 --> 01:10:39.399
<v Speaker 1>super useful. So if everybody is keeping an eye on this,

1343
01:10:39.399 --> 01:10:42.319
<v Speaker 1>this will be changing pretty much daily. He is working

1344
01:10:42.359 --> 01:10:45.359
<v Speaker 1>on this kind of NonStop. Sibner says, do we have

1345
01:10:45.399 --> 01:10:47.680
<v Speaker 1>to enter each and every title in there? If you

1346
01:10:47.800 --> 01:10:49.960
<v Speaker 1>mean like to search for it at the moment? Yes,

1347
01:10:50.600 --> 01:10:53.239
<v Speaker 1>but you can make a collection. So if you've got

1348
01:10:53.279 --> 01:10:56.359
<v Speaker 1>all kinds of stuff, you can scan and log in

1349
01:10:56.399 --> 01:10:59.520
<v Speaker 1>and make an account and make a collection on there,

1350
01:10:59.800 --> 01:11:01.720
<v Speaker 1>and that way you can track your stuff all in

1351
01:11:01.760 --> 01:11:04.760
<v Speaker 1>one place. We got a question that says, I wonder

1352
01:11:04.960 --> 01:11:08.319
<v Speaker 1>how accurate the tracker is. It's scraping straight from eBay

1353
01:11:08.399 --> 01:11:10.960
<v Speaker 1>sold prices, so it's there's not even a question on

1354
01:11:11.000 --> 01:11:13.239
<v Speaker 1>if it's accurate these are actually what they're selling for.

1355
01:11:14.039 --> 01:11:18.600
<v Speaker 1>The hard part is there's all kinds of older or

1356
01:11:18.640 --> 01:11:22.880
<v Speaker 1>more obscure or rare titles that there's nothing in there

1357
01:11:22.960 --> 01:11:28.319
<v Speaker 1>because there's no sales, So that part isn't entirely useful yet. However,

1358
01:11:28.640 --> 01:11:30.960
<v Speaker 1>he's got some ideas, and I gave him some ideas

1359
01:11:31.000 --> 01:11:33.800
<v Speaker 1>that I think will make it much more useful. I

1360
01:11:33.880 --> 01:11:36.520
<v Speaker 1>agree Zepam. I think it would be useful if you

1361
01:11:36.520 --> 01:11:39.119
<v Speaker 1>could import from other apps, because right now I'm not

1362
01:11:39.159 --> 01:11:42.239
<v Speaker 1>scanning eleven thousand releases to put it in there. But also,

1363
01:11:42.680 --> 01:11:45.039
<v Speaker 1>like for me, I don't I don't need to know

1364
01:11:45.079 --> 01:11:47.239
<v Speaker 1>what my collection's worth. That's not why I would use it.

1365
01:11:48.000 --> 01:11:50.239
<v Speaker 1>I guess if I was trying to sell something, I

1366
01:11:50.319 --> 01:11:52.600
<v Speaker 1>might use it as a gauge rather than searching on eBay.

1367
01:11:53.359 --> 01:11:56.399
<v Speaker 1>And yes, I believe you can search by isbn krinn.

1368
01:11:56.479 --> 01:11:59.720
<v Speaker 1>I'm not entirely sure by that. I think you can,

1369
01:11:59.800 --> 01:12:02.439
<v Speaker 1>though I know that he already since I did this,

1370
01:12:02.479 --> 01:12:05.159
<v Speaker 1>he already implemented a new feature that's not in the screenshot,

1371
01:12:05.279 --> 01:12:07.880
<v Speaker 1>where you can enter in titles yourself so that he

1372
01:12:07.960 --> 01:12:11.520
<v Speaker 1>can add those to the database so you can go

1373
01:12:11.600 --> 01:12:14.640
<v Speaker 1>check that feature out. But yeah, to me, at least,

1374
01:12:14.680 --> 01:12:16.920
<v Speaker 1>I think this seems like something that could be useful,

1375
01:12:17.439 --> 01:12:20.079
<v Speaker 1>especially if he does implement some of the things we've

1376
01:12:20.079 --> 01:12:21.439
<v Speaker 1>talked about. So keep an eye on it.

1377
01:12:22.439 --> 01:12:25.199
<v Speaker 2>I love the idea. Yeah, it's a great idea.

1378
01:12:26.560 --> 01:12:29.479
<v Speaker 1>Yeah. And again, not to sell things. I had a

1379
01:12:29.479 --> 01:12:32.079
<v Speaker 1>lot of people say you shouldn't be, you know, taking

1380
01:12:32.119 --> 01:12:35.479
<v Speaker 1>your collection, speculating and only holding things because there were something.

1381
01:12:35.560 --> 01:12:37.840
<v Speaker 1>I agree, That's not why I want it. I want

1382
01:12:37.880 --> 01:12:39.640
<v Speaker 1>it because if I want a title, like I just

1383
01:12:39.680 --> 01:12:43.159
<v Speaker 1>traded for this Jackie Chan thing. To find out if

1384
01:12:43.239 --> 01:12:45.520
<v Speaker 1>I should trade for it or go buy it, I

1385
01:12:45.560 --> 01:12:47.159
<v Speaker 1>had to go scour a bunch of sites and find

1386
01:12:47.159 --> 01:12:49.319
<v Speaker 1>out that none of them had it listed, find out

1387
01:12:49.319 --> 01:12:51.239
<v Speaker 1>what it had sold for, see about what it's worth,

1388
01:12:51.319 --> 01:12:52.760
<v Speaker 1>and if I could just do that in one place,

1389
01:12:53.159 --> 01:12:59.920
<v Speaker 1>that's perfect. Yeah, awesome. Next up Lionsgate Limited. Again, we

1390
01:13:00.000 --> 01:13:03.520
<v Speaker 1>were talking about them a moment ago. They announced a

1391
01:13:03.560 --> 01:13:06.159
<v Speaker 1>four K release of High Tension, the two thousand and

1392
01:13:06.159 --> 01:13:11.920
<v Speaker 1>three new French extremity released from Alexander Aja. This has

1393
01:13:12.000 --> 01:13:14.960
<v Speaker 1>all kinds of what they're calling lines Gate Limited extras,

1394
01:13:15.720 --> 01:13:18.319
<v Speaker 1>which are I believe are all the same that we're

1395
01:13:18.359 --> 01:13:20.319
<v Speaker 1>on the second site release of this when it got released.

1396
01:13:20.319 --> 01:13:23.279
<v Speaker 1>But this is a four K steal book. You can

1397
01:13:23.439 --> 01:13:26.279
<v Speaker 1>get this and it will be shipping on August twelfth,

1398
01:13:26.319 --> 01:13:30.039
<v Speaker 1>that is the release date. And the other things is

1399
01:13:30.079 --> 01:13:32.319
<v Speaker 1>this has a legacy bonus features on here. It's got

1400
01:13:32.319 --> 01:13:34.960
<v Speaker 1>the audio commentary with the AJA and the writer from

1401
01:13:35.119 --> 01:13:39.279
<v Speaker 1>years ago, another scene specific audio commentary. It's got some

1402
01:13:39.359 --> 01:13:41.720
<v Speaker 1>other featurettes that I don't believe these were on the

1403
01:13:41.720 --> 01:13:46.239
<v Speaker 1>second site release. So yeah, high Tension, are you a

1404
01:13:46.359 --> 01:13:47.560
<v Speaker 1>new French extremity fan?

1405
01:13:47.960 --> 01:13:50.840
<v Speaker 2>You know, it's fun film. I had a great time

1406
01:13:50.880 --> 01:13:54.640
<v Speaker 2>watching it until the twist when I found myself struggling

1407
01:13:54.640 --> 01:13:58.520
<v Speaker 2>with it quite a bit. But largely I think that

1408
01:13:59.079 --> 01:14:01.920
<v Speaker 2>AA is doing, like did some great work with it,

1409
01:14:01.960 --> 01:14:04.720
<v Speaker 2>and you could see why Hollywood pulled him in to

1410
01:14:04.760 --> 01:14:06.960
<v Speaker 2>do some other things over here.

1411
01:14:08.800 --> 01:14:12.880
<v Speaker 1>Yes, z Pam says, unfortunately the artwork is missing Morgan Freeman. Yeah,

1412
01:14:12.920 --> 01:14:17.880
<v Speaker 1>that's perfect. The big thing here a lot of people

1413
01:14:18.039 --> 01:14:21.760
<v Speaker 1>not loving the artwork or absolutely loving the artwork. This

1414
01:14:22.000 --> 01:14:28.000
<v Speaker 1>is the same artist Mexifunk that does the steal books

1415
01:14:28.039 --> 01:14:33.520
<v Speaker 1>for Screen Factory lately that are just overall mostly bad

1416
01:14:33.800 --> 01:14:37.399
<v Speaker 1>in my opinion. Sorry Mexifunk. No shade meant to you,

1417
01:14:37.520 --> 01:14:39.640
<v Speaker 1>but uh, just not my style. But it seems like

1418
01:14:39.640 --> 01:14:43.560
<v Speaker 1>they're clicking with some people. Not not for me though.

1419
01:14:46.000 --> 01:14:47.800
<v Speaker 1>The other Steel book, Oh, I guess we'll get to

1420
01:14:47.840 --> 01:14:49.920
<v Speaker 1>that one in just a minute, because Criterion I was

1421
01:14:49.960 --> 01:14:53.560
<v Speaker 1>announcing and they completely interrupted my life and stuff. Let's

1422
01:14:53.560 --> 01:14:58.439
<v Speaker 1>get into Criterion first, fire walk with Me. Got a

1423
01:14:58.680 --> 01:15:01.479
<v Speaker 1>four case steal deal book that'd be weird from Criterion

1424
01:15:01.520 --> 01:15:05.159
<v Speaker 1>fourt coming on October seventh. Tell us about your love

1425
01:15:05.199 --> 01:15:06.600
<v Speaker 1>of Twin Peaks and David Lynch.

1426
01:15:06.439 --> 01:15:10.000
<v Speaker 2>Sir, I love David Lynch. What's funny is that I

1427
01:15:10.039 --> 01:15:13.720
<v Speaker 2>only just like in the last year, finally decided I

1428
01:15:13.760 --> 01:15:16.119
<v Speaker 2>needed to do Twin Peaks, like that was my big

1429
01:15:16.159 --> 01:15:20.760
<v Speaker 2>gaping hole in my Lynch filmography. So I actually plowed

1430
01:15:20.800 --> 01:15:25.359
<v Speaker 2>through the entire nineties show, watched this movie, watched the

1431
01:15:25.399 --> 01:15:27.640
<v Speaker 2>new show, and I loved it all.

1432
01:15:27.760 --> 01:15:28.960
<v Speaker 1>This movie worked.

1433
01:15:29.000 --> 01:15:31.319
<v Speaker 2>I mean, it worked so well for me the way

1434
01:15:31.319 --> 01:15:35.439
<v Speaker 2>that it really gave us the story of Laura Palmer

1435
01:15:35.479 --> 01:15:38.439
<v Speaker 2>that we really weren't getting otherwise, and so I found

1436
01:15:38.439 --> 01:15:42.159
<v Speaker 2>it to be probably the most powerful of the entire

1437
01:15:43.000 --> 01:15:46.159
<v Speaker 2>run for me. I mean, it was surprisingly like I

1438
01:15:46.239 --> 01:15:48.479
<v Speaker 2>just wasn't expecting it to hit as emotionals.

1439
01:15:48.600 --> 01:15:54.720
<v Speaker 1>It did. Yeah, especially when absorbing Twin Peaks as a whole,

1440
01:15:55.359 --> 01:16:00.840
<v Speaker 1>this movie hits really hard. I don't know. It's Lynch,

1441
01:16:00.920 --> 01:16:03.479
<v Speaker 1>so obviously there's already something special there. But this movie

1442
01:16:04.119 --> 01:16:07.920
<v Speaker 1>is sort of, I don't know, a weird anomaly and

1443
01:16:08.000 --> 01:16:11.359
<v Speaker 1>how like how personal it feels because of how lived

1444
01:16:11.359 --> 01:16:12.840
<v Speaker 1>in some of the characters are, at least for me.

1445
01:16:13.239 --> 01:16:14.279
<v Speaker 2>Yeah, truly.

1446
01:16:15.800 --> 01:16:18.319
<v Speaker 1>Yeah. Again it's Criterion, so no new extras or anything

1447
01:16:18.399 --> 01:16:21.039
<v Speaker 1>like that, but October seventh. This will look beautiful in

1448
01:16:21.039 --> 01:16:25.640
<v Speaker 1>four K, I'm sure. Then another one that has banded

1449
01:16:25.640 --> 01:16:28.840
<v Speaker 1>looked beautiful, Eyes without a Face from nineteen sixty getting

1450
01:16:28.840 --> 01:16:32.439
<v Speaker 1>a four K released from Criterion on October fourteenth. No

1451
01:16:32.560 --> 01:16:36.319
<v Speaker 1>new extras, but you've got the four K disc and

1452
01:16:36.560 --> 01:16:39.119
<v Speaker 1>the blu ray disc. Eyes Without a Face tell me

1453
01:16:39.159 --> 01:16:40.000
<v Speaker 1>about it, Andy.

1454
01:16:40.439 --> 01:16:42.520
<v Speaker 2>This is one that I have yet to see, and

1455
01:16:42.560 --> 01:16:44.560
<v Speaker 2>I even had a friend send it to me. So

1456
01:16:44.600 --> 01:16:47.880
<v Speaker 2>I have the disc sitting right back here, and I

1457
01:16:47.960 --> 01:16:50.239
<v Speaker 2>just I keep forgetting that I have it sitting there.

1458
01:16:50.279 --> 01:16:52.560
<v Speaker 2>I absolutely need to just pull it out and check

1459
01:16:52.600 --> 01:16:54.800
<v Speaker 2>it out. So in fact, I will as soon as

1460
01:16:54.800 --> 01:16:56.520
<v Speaker 2>I've been here that I'm going to write a note

1461
01:16:56.600 --> 01:16:58.279
<v Speaker 2>that's what I'm going to finally watch.

1462
01:16:59.239 --> 01:17:01.279
<v Speaker 1>It's a great movie. Everybody should check this out. It

1463
01:17:01.399 --> 01:17:05.640
<v Speaker 1>is fantastic. October twenty First, they are releasing a blu

1464
01:17:05.800 --> 01:17:10.239
<v Speaker 1>ray of David Cronenberg's The Shrouds. Now, what's odd here

1465
01:17:10.279 --> 01:17:13.279
<v Speaker 1>is this is coming as part of their Criterion Premier's line.

1466
01:17:13.640 --> 01:17:17.600
<v Speaker 1>So this used to be the Janis Contemporaries line that

1467
01:17:17.640 --> 01:17:19.039
<v Speaker 1>they had done, and then a couple of weeks ago

1468
01:17:19.039 --> 01:17:22.159
<v Speaker 1>they announced the first Janis Premiere or Criterion Premiers, and

1469
01:17:22.199 --> 01:17:23.720
<v Speaker 1>this is now the second. So this will be the

1470
01:17:23.800 --> 01:17:27.119
<v Speaker 1>exact same thing thirty dollars MSRP. But what gets to

1471
01:17:27.159 --> 01:17:30.039
<v Speaker 1>a lot of people is this is Cronenberg. This isn't

1472
01:17:30.079 --> 01:17:32.960
<v Speaker 1>like some nobody that is an indie director doing this

1473
01:17:33.039 --> 01:17:36.159
<v Speaker 1>as their first time. This is going to have a

1474
01:17:36.479 --> 01:17:40.520
<v Speaker 1>Meet the filmmaker's featurette on here, which we get on

1475
01:17:40.600 --> 01:17:45.199
<v Speaker 1>all of the Janis Contemporaries and now Criterion Premiers. But

1476
01:17:45.319 --> 01:17:49.880
<v Speaker 1>it's Kronenberg. Most of us have heard of him before,

1477
01:17:50.159 --> 01:17:52.319
<v Speaker 1>and I'm sure that this will be the first movie

1478
01:17:52.359 --> 01:17:55.720
<v Speaker 1>for some. But it is sort of odd to give

1479
01:17:55.840 --> 01:17:58.319
<v Speaker 1>this a release like this and not a mainline release

1480
01:17:58.359 --> 01:18:02.159
<v Speaker 1>when it's Cronenberg I've said that a lot. Now. The

1481
01:18:02.199 --> 01:18:03.840
<v Speaker 1>other big complaint, I've had a lot of people ask

1482
01:18:03.880 --> 01:18:08.720
<v Speaker 1>about a four K release. I don't think they're going

1483
01:18:08.760 --> 01:18:10.880
<v Speaker 1>to choose to do four K for this line because

1484
01:18:10.880 --> 01:18:13.359
<v Speaker 1>they want to keep that MSRP at thirty bucks, and

1485
01:18:13.399 --> 01:18:16.039
<v Speaker 1>when it goes on sale for fifteen there's no way

1486
01:18:16.079 --> 01:18:18.159
<v Speaker 1>they're selling a four K disc for fifteen bucks. They

1487
01:18:18.199 --> 01:18:19.520
<v Speaker 1>will lose money. Literally.

1488
01:18:20.840 --> 01:18:23.680
<v Speaker 2>My hunt with this is like I'm trying to figure

1489
01:18:23.720 --> 01:18:27.079
<v Speaker 2>out like what their motivation is, and I'm wondering if

1490
01:18:27.119 --> 01:18:29.760
<v Speaker 2>they're just testing this one out, because i mean, the

1491
01:18:29.760 --> 01:18:32.800
<v Speaker 2>theatrical play of this was very short, and I'm wondering

1492
01:18:32.800 --> 01:18:34.439
<v Speaker 2>if they're just doing kind of a test run to

1493
01:18:34.479 --> 01:18:36.960
<v Speaker 2>see if there's a big crowd for this one, and

1494
01:18:37.000 --> 01:18:40.920
<v Speaker 2>if so, they might pull it into Criterion as a

1495
01:18:40.960 --> 01:18:42.800
<v Speaker 2>four K down the road, you know.

1496
01:18:43.439 --> 01:18:45.560
<v Speaker 1>Would be an interesting choice, especially if they filled it

1497
01:18:45.600 --> 01:18:47.920
<v Speaker 1>with extras. I've still not seen The Shrouds. I was

1498
01:18:47.960 --> 01:18:50.000
<v Speaker 1>supposed to see it at the film festival here in

1499
01:18:50.079 --> 01:18:52.560
<v Speaker 1>Kansas City called Panicfest and ended up not being able

1500
01:18:52.560 --> 01:18:55.640
<v Speaker 1>to drive up that night. But I am worried I

1501
01:18:55.640 --> 01:18:57.720
<v Speaker 1>am going to hate this, but I'm very curious to

1502
01:18:57.800 --> 01:19:02.880
<v Speaker 1>check it out. Yeah, I did not like the most

1503
01:19:02.880 --> 01:19:07.560
<v Speaker 1>recent one before this, so we shall see interesting speaking

1504
01:19:07.560 --> 01:19:10.880
<v Speaker 1>to Cronenberg History of Violence coming on four K and

1505
01:19:10.920 --> 01:19:14.359
<v Speaker 1>Blu ray from Criterion on October twenty First, now, we've

1506
01:19:14.359 --> 01:19:17.960
<v Speaker 1>talked about some art tonight that people have liked and disliked.

1507
01:19:18.520 --> 01:19:21.720
<v Speaker 1>This by far has been the most divisive art of

1508
01:19:21.760 --> 01:19:25.399
<v Speaker 1>the week. I have never seen so many hateful comments

1509
01:19:25.439 --> 01:19:26.960
<v Speaker 1>about a piece of art. How do you feel about it?

1510
01:19:29.199 --> 01:19:31.640
<v Speaker 2>I would say it's definitely art. It's not just like

1511
01:19:31.680 --> 01:19:34.159
<v Speaker 2>a photo from the film, like they're doing something really

1512
01:19:34.199 --> 01:19:38.720
<v Speaker 2>interesting and creative with it. And to that end, knowing

1513
01:19:38.760 --> 01:19:42.079
<v Speaker 2>the film, I actually think that there's something interesting that

1514
01:19:42.239 --> 01:19:44.720
<v Speaker 2>they have going on with it. I wouldn't say I

1515
01:19:44.760 --> 01:19:47.640
<v Speaker 2>hate it. I wouldn't say it's my favorite piece of art,

1516
01:19:47.960 --> 01:19:50.399
<v Speaker 2>like cover design that they've come up with, but I

1517
01:19:50.479 --> 01:19:53.079
<v Speaker 2>do think that it's for a Cronenberg film. It actually

1518
01:19:53.520 --> 01:19:54.520
<v Speaker 2>it's kind of interesting.

1519
01:19:56.039 --> 01:19:59.079
<v Speaker 1>I again, I'm going to say almost the exact same

1520
01:19:59.119 --> 01:20:01.239
<v Speaker 1>thing the mozart ist here. I don't know why I

1521
01:20:01.359 --> 01:20:05.079
<v Speaker 1>like this, but I think this is great to me.

1522
01:20:05.319 --> 01:20:10.640
<v Speaker 1>I mean, this person and shrouded with this red very different,

1523
01:20:10.840 --> 01:20:15.520
<v Speaker 1>like very evocative color up against this very idyllic background

1524
01:20:16.279 --> 01:20:19.079
<v Speaker 1>is the movie that is History of Violence, Like, I

1525
01:20:19.119 --> 01:20:24.039
<v Speaker 1>feel it fits perfectly. I don't hate anything about this.

1526
01:20:24.119 --> 01:20:26.640
<v Speaker 1>I mean the clouds are almost Simpsons like, like there's

1527
01:20:26.680 --> 01:20:31.359
<v Speaker 1>almost this borderline like Norman Rockefeller or Norman Rockwell type

1528
01:20:31.359 --> 01:20:34.880
<v Speaker 1>of filling, like to the overall Americana of it all.

1529
01:20:35.239 --> 01:20:39.600
<v Speaker 1>I really like this new four K digital restoration supervised

1530
01:20:39.640 --> 01:20:43.800
<v Speaker 1>by the DP and approved by Cronenberg. You had a

1531
01:20:43.800 --> 01:20:47.720
<v Speaker 1>five point once around DTSHD Master audio soundtrack. You do

1532
01:20:47.800 --> 01:20:50.159
<v Speaker 1>have Dolby Vision HDR, so this is gonna look pretty

1533
01:20:50.199 --> 01:20:52.840
<v Speaker 1>damn good. We got an audio commentary with Cronaberg on

1534
01:20:52.880 --> 01:20:55.600
<v Speaker 1>this new interview of the screenwriter Josh Olson, conducted by

1535
01:20:55.600 --> 01:20:59.600
<v Speaker 1>Tom Bernardo, excerpts from Cronelberg and Vigo Mortensen in conversation

1536
01:20:59.600 --> 01:21:03.199
<v Speaker 1>with the twenty fourteen Tiff Festival, a documentary on the

1537
01:21:03.199 --> 01:21:06.239
<v Speaker 1>making of the movie, a bunch of older archival featurettes,

1538
01:21:06.319 --> 01:21:09.640
<v Speaker 1>and then an essay by Nathan Lee. Excited to pick

1539
01:21:09.680 --> 01:21:11.600
<v Speaker 1>this one up. This was definitely gonna be in October

1540
01:21:11.760 --> 01:21:14.560
<v Speaker 1>or depending on the sale the flashhill for the site,

1541
01:21:14.600 --> 01:21:21.279
<v Speaker 1>either October or Barnes and Noble pickup in November for sure. Yeah, yeah,

1542
01:21:21.520 --> 01:21:28.399
<v Speaker 1>lots of comments on the art, Let's let those lie next.

1543
01:21:28.720 --> 01:21:31.439
<v Speaker 1>The most exciting thing from Criteria for me this month

1544
01:21:31.800 --> 01:21:34.640
<v Speaker 1>October twenty First, a four K and blu ray release

1545
01:21:35.039 --> 01:21:39.199
<v Speaker 1>of Ken Russell's Altered States. Have you seen Altered States? Sir?

1546
01:21:39.439 --> 01:21:43.840
<v Speaker 2>Oh? Yes, in the theater too on thirty five back

1547
01:21:43.840 --> 01:21:46.079
<v Speaker 2>in the day, not on its initial release, but it

1548
01:21:46.119 --> 01:21:48.960
<v Speaker 2>came through campus and when I was in college. And

1549
01:21:50.199 --> 01:21:53.119
<v Speaker 2>it is a just a whack of do trip of

1550
01:21:53.159 --> 01:21:55.800
<v Speaker 2>a film. But I mean, Patty Chayevsky is such a

1551
01:21:55.840 --> 01:22:01.880
<v Speaker 2>fantastic screenwriter, and just the Ken Russell craziness of it

1552
01:22:01.920 --> 01:22:06.239
<v Speaker 2>all that we have going on here. It is a

1553
01:22:06.279 --> 01:22:10.640
<v Speaker 2>really crazy, trippy film, absolutely worth checking out. And if

1554
01:22:10.680 --> 01:22:12.520
<v Speaker 2>you can see this one in a theater, I mean,

1555
01:22:12.560 --> 01:22:14.359
<v Speaker 2>it really plays well on the big screen.

1556
01:22:15.000 --> 01:22:16.640
<v Speaker 1>I've never seen this in a theater and I'm so

1557
01:22:16.720 --> 01:22:20.239
<v Speaker 1>jealous right now. I adore this movie. I've seen this

1558
01:22:20.319 --> 01:22:25.319
<v Speaker 1>movie probably at least five or eight times, fairly recently

1559
01:22:25.359 --> 01:22:28.680
<v Speaker 1>watched it again to talk about on another show, and man,

1560
01:22:29.560 --> 01:22:31.960
<v Speaker 1>this movie still hits hard. There's a lot of really

1561
01:22:32.039 --> 01:22:35.199
<v Speaker 1>relevant discussion in it. I really appreciate the way that

1562
01:22:35.319 --> 01:22:42.439
<v Speaker 1>Russell does the like the tightrope balancing act of making

1563
01:22:42.479 --> 01:22:46.119
<v Speaker 1>a very smart movie without condescending to the audience like

1564
01:22:46.159 --> 01:22:48.520
<v Speaker 1>we get in a lot of modern filmmaking. He just

1565
01:22:48.560 --> 01:22:50.439
<v Speaker 1>sort of assumes that you're going to meet him halfway.

1566
01:22:50.960 --> 01:22:53.119
<v Speaker 1>And what's great is that sort of relevant to the

1567
01:22:53.159 --> 01:22:56.079
<v Speaker 1>storyline as well. Like William Hurt absolutely does that to

1568
01:22:56.119 --> 01:23:00.279
<v Speaker 1>every single person, sometimes to his detriment. But it a

1569
01:23:00.800 --> 01:23:05.239
<v Speaker 1>beautifully made movie. I'm certainly you know, the final couple

1570
01:23:05.840 --> 01:23:10.520
<v Speaker 1>climactic moments I have never looked great. I'm sort of

1571
01:23:10.520 --> 01:23:13.279
<v Speaker 1>worried how that's gonna look in for K. But this

1572
01:23:13.319 --> 01:23:16.199
<v Speaker 1>movie will absolutely shine in every way. I mean, there

1573
01:23:16.239 --> 01:23:18.199
<v Speaker 1>are scenes in this that are extra dark that will

1574
01:23:18.199 --> 01:23:22.760
<v Speaker 1>look beautiful in four K. Just very very excited about this.

1575
01:23:23.760 --> 01:23:28.000
<v Speaker 1>I will say I don't see anything on this that

1576
01:23:28.000 --> 01:23:31.439
<v Speaker 1>tells me that there's a hint here, but this being

1577
01:23:31.600 --> 01:23:35.279
<v Speaker 1>a Warner movie directed by Ken Russell, I can't help

1578
01:23:35.319 --> 01:23:38.119
<v Speaker 1>but feel like we're getting actually closer to a release

1579
01:23:38.159 --> 01:23:40.720
<v Speaker 1>of The Devils. I'm not gonna conjure that necessarily, but

1580
01:23:41.319 --> 01:23:45.520
<v Speaker 1>I feel like that might actually be a realistic possibility soon.

1581
01:23:45.520 --> 01:23:49.520
<v Speaker 2>Who knows this is what there is there shint Ken

1582
01:23:49.600 --> 01:23:53.840
<v Speaker 2>Russell film that they've put out at least Yeah, Jackie.

1583
01:23:53.920 --> 01:23:58.600
<v Speaker 2>I can't remember if there's more, but yeah, and I

1584
01:23:58.640 --> 01:24:01.960
<v Speaker 2>will just say this one. The cover art is spectacular.

1585
01:24:02.720 --> 01:24:05.680
<v Speaker 1>Yeah, by far the best of the week. Like, this

1586
01:24:05.880 --> 01:24:10.079
<v Speaker 1>is absolutely astonishing cover art and even compared to the

1587
01:24:10.119 --> 01:24:12.159
<v Speaker 1>one that I like that we just talked about, this

1588
01:24:12.439 --> 01:24:17.760
<v Speaker 1>is mind blowing. I really hope that this artist, who

1589
01:24:17.880 --> 01:24:21.000
<v Speaker 1>is I will shout him out Richie Beckett, gets a

1590
01:24:21.039 --> 01:24:26.560
<v Speaker 1>lot more work because it is beautiful. I love the

1591
01:24:26.760 --> 01:24:30.119
<v Speaker 1>the DM I just got from Craig about the art specifically.

1592
01:24:31.199 --> 01:24:34.600
<v Speaker 2>It is Criterion, second is women in Love and then this.

1593
01:24:35.159 --> 01:24:37.119
<v Speaker 1>I was loading that in another time, so thank you.

1594
01:24:38.159 --> 01:24:40.319
<v Speaker 1>We had Dolby Vision on this, so yeah, to look great.

1595
01:24:40.800 --> 01:24:43.640
<v Speaker 1>New audio commentary with the one and only Sam Degan,

1596
01:24:43.760 --> 01:24:46.680
<v Speaker 1>which is incredible. I'm so stoked that she was able

1597
01:24:46.720 --> 01:24:48.840
<v Speaker 1>to speak on this one. That's gonna be amazing. Archival

1598
01:24:48.840 --> 01:24:51.760
<v Speaker 1>interviews with Ken Russell and William Hurt, new interview with

1599
01:24:51.760 --> 01:24:54.399
<v Speaker 1>the special effects designer Brand Farren, and then an essay

1600
01:24:54.439 --> 01:24:57.159
<v Speaker 1>by Jessica King. Yeah, this is a must for me.

1601
01:24:57.439 --> 01:25:00.880
<v Speaker 1>I may even pre order this one, watch it literally

1602
01:25:00.920 --> 01:25:04.399
<v Speaker 1>just as soon as possible. I think this is a masterpiece.

1603
01:25:06.720 --> 01:25:10.319
<v Speaker 1>This is an odd one now, so October twenty eighth,

1604
01:25:10.359 --> 01:25:14.680
<v Speaker 1>we're getting a four K Blu ray dual format release

1605
01:25:14.920 --> 01:25:19.920
<v Speaker 1>of Germo del Toro's Nightmare Alley. However, it is quite

1606
01:25:19.920 --> 01:25:23.119
<v Speaker 1>different because this is the black and white version of

1607
01:25:23.199 --> 01:25:27.319
<v Speaker 1>the film, So this is Nightmare Alley Vision in darkness

1608
01:25:27.439 --> 01:25:30.680
<v Speaker 1>and light, a new black and white extended director's cut

1609
01:25:31.119 --> 01:25:35.159
<v Speaker 1>supervised by del Toro. Of course, this one is going

1610
01:25:35.199 --> 01:25:37.239
<v Speaker 1>to have a four K digital master of the theatrical

1611
01:25:37.359 --> 01:25:40.319
<v Speaker 1>version of the film with it with Dolby atmost two

1612
01:25:40.479 --> 01:25:42.680
<v Speaker 1>four K discs, so you've got Dolby Vision on both

1613
01:25:42.680 --> 01:25:45.159
<v Speaker 1>two Blu rays, with the films and special features. New

1614
01:25:45.199 --> 01:25:48.800
<v Speaker 1>audio commentary by del Toro on the extended director's cut,

1615
01:25:48.840 --> 01:25:52.439
<v Speaker 1>new documentary on the film's performances, visual language, costume and

1616
01:25:52.479 --> 01:25:56.079
<v Speaker 1>production design and score, new conversation between del Toro and

1617
01:25:56.119 --> 01:25:59.279
<v Speaker 1>the producer Bradley Cooper, new conversation between del Toro and

1618
01:25:59.319 --> 01:26:02.199
<v Speaker 1>the Coast Green writer Kim Morgan, and then an essay

1619
01:26:02.199 --> 01:26:06.319
<v Speaker 1>by crime fiction and true crime expert Sarah Wineman. This

1620
01:26:06.399 --> 01:26:09.760
<v Speaker 1>is a really cool release. I also really enjoyed the

1621
01:26:09.760 --> 01:26:12.600
<v Speaker 1>cover art on this one. I sadly have still not

1622
01:26:12.720 --> 01:26:15.880
<v Speaker 1>seen del Toro's Nightmare Alley at all. How do you

1623
01:26:15.880 --> 01:26:16.960
<v Speaker 1>feel about this release.

1624
01:26:16.720 --> 01:26:21.600
<v Speaker 2>Sir, I am very excited. I they released the I mean,

1625
01:26:21.600 --> 01:26:24.640
<v Speaker 2>it wasn't the extended cut of it, but they released

1626
01:26:24.680 --> 01:26:29.199
<v Speaker 2>the black and white version of it theatrically around the

1627
01:26:29.239 --> 01:26:31.520
<v Speaker 2>time that the film came out, and I went and

1628
01:26:31.520 --> 01:26:34.520
<v Speaker 2>saw that in the theater and I loved it.

1629
01:26:34.520 --> 01:26:37.000
<v Speaker 1>It just was it worked.

1630
01:26:37.119 --> 01:26:40.840
<v Speaker 2>It played so well in black and white for this story.

1631
01:26:40.920 --> 01:26:44.560
<v Speaker 2>So I'm very excited for what they're doing here. I'm

1632
01:26:44.600 --> 01:26:48.560
<v Speaker 2>curious because it's got the the theatrical cut, but does

1633
01:26:48.600 --> 01:26:50.680
<v Speaker 2>it say if it's if it's color or are they

1634
01:26:50.680 --> 01:26:53.880
<v Speaker 2>only releasing the Is this disc only black and white

1635
01:26:53.920 --> 01:26:54.600
<v Speaker 2>versions of it?

1636
01:26:54.880 --> 01:26:59.279
<v Speaker 1>They don't really specify here. I'm not entirely sure. I

1637
01:26:59.279 --> 01:27:01.119
<v Speaker 1>know that they've got the theatrical version, but that could

1638
01:27:01.119 --> 01:27:02.960
<v Speaker 1>also just be black and white too, I'm not sure.

1639
01:27:03.680 --> 01:27:07.359
<v Speaker 2>Interesting, Well, it's a great one. I'm always fascinated when

1640
01:27:07.399 --> 01:27:13.840
<v Speaker 2>filmmakers take their film and whether they intentionally wanted to

1641
01:27:14.199 --> 01:27:18.199
<v Speaker 2>or not, like release it in black and white, and

1642
01:27:18.239 --> 01:27:20.720
<v Speaker 2>then they actually get the chance to actually do so.

1643
01:27:20.800 --> 01:27:24.319
<v Speaker 2>I'm always excited about about that, and so because I

1644
01:27:24.359 --> 01:27:26.760
<v Speaker 2>think that it can play in such a different way,

1645
01:27:26.800 --> 01:27:28.520
<v Speaker 2>and this was a film that worked really well in

1646
01:27:28.560 --> 01:27:30.479
<v Speaker 2>both ways.

1647
01:27:31.359 --> 01:27:33.119
<v Speaker 1>Ben is saying it will be color. That's what the

1648
01:27:33.439 --> 01:27:36.439
<v Speaker 1>theatrical cut was. Guys, well, I think.

1649
01:27:36.319 --> 01:27:38.520
<v Speaker 2>That theatrical cut was. Yeah. I was released black and

1650
01:27:38.560 --> 01:27:39.600
<v Speaker 2>white as well.

1651
01:27:39.479 --> 01:27:41.760
<v Speaker 1>As well at the same time, so it could kind

1652
01:27:41.760 --> 01:27:43.960
<v Speaker 1>of go either way. And the hard part with this,

1653
01:27:44.159 --> 01:27:48.600
<v Speaker 1>I think this was Universal that he made this through.

1654
01:27:48.760 --> 01:27:53.319
<v Speaker 1>I think Universal has a four K out already of

1655
01:27:53.359 --> 01:27:56.479
<v Speaker 1>the original version. Whoever the studio was, I think it's Universal.

1656
01:27:58.279 --> 01:28:01.920
<v Speaker 1>It is possible that they're they theoretically could make a

1657
01:28:01.960 --> 01:28:04.800
<v Speaker 1>contract with Criteria that says you can't release it in color.

1658
01:28:05.000 --> 01:28:08.720
<v Speaker 1>I'm not saying that they did, but yeah, I'm not sure,

1659
01:28:09.079 --> 01:28:12.439
<v Speaker 1>not sure. Interesting it was played in black and white

1660
01:28:12.479 --> 01:28:15.039
<v Speaker 1>literally at the same time when the original came out,

1661
01:28:15.319 --> 01:28:18.079
<v Speaker 1>because he if I remember, he'd at least New York

1662
01:28:18.239 --> 01:28:21.520
<v Speaker 1>and LA he played the black and white version like

1663
01:28:21.600 --> 01:28:24.640
<v Speaker 1>for the Oscar stuff, right when the original release was.

1664
01:28:24.840 --> 01:28:27.319
<v Speaker 2>They were I mean it it was maybe like it

1665
01:28:27.359 --> 01:28:29.720
<v Speaker 2>came out like a few weeks later or something. It

1666
01:28:29.760 --> 01:28:32.520
<v Speaker 2>was at a period where you know, people were not

1667
01:28:32.560 --> 01:28:34.079
<v Speaker 2>wanting to go back to the movie theaters and so

1668
01:28:34.119 --> 01:28:35.800
<v Speaker 2>they're coming up with ways, what can we do, and

1669
01:28:36.079 --> 01:28:38.159
<v Speaker 2>this was something that they said, Oh, now you can

1670
01:28:38.199 --> 01:28:39.680
<v Speaker 2>watch this the black and white version.

1671
01:28:39.760 --> 01:28:44.520
<v Speaker 1>So I wonder which, as I tried to vampire, how

1672
01:28:44.520 --> 01:28:46.880
<v Speaker 1>do you how do you feel about Del Toro as

1673
01:28:46.920 --> 01:28:52.720
<v Speaker 1>a whole? I, you know, I love how incredibly creative

1674
01:28:53.079 --> 01:28:56.119
<v Speaker 1>he is and the worlds that he creates.

1675
01:28:56.640 --> 01:29:00.479
<v Speaker 2>I often find that I love his creativity more than

1676
01:29:00.520 --> 01:29:04.640
<v Speaker 2>his output where I land down but night. Morally, it

1677
01:29:04.720 --> 01:29:09.800
<v Speaker 2>actually may be my favorite film of his films, wow,

1678
01:29:09.800 --> 01:29:11.520
<v Speaker 2>which I don't know if that speaks to kind of

1679
01:29:11.560 --> 01:29:13.800
<v Speaker 2>like what I generally think of the other films. I

1680
01:29:13.840 --> 01:29:17.479
<v Speaker 2>think they're interesting, like incredibly creative, but I just have

1681
01:29:17.600 --> 01:29:21.199
<v Speaker 2>never I have just never quite loved them, you know.

1682
01:29:22.439 --> 01:29:26.800
<v Speaker 1>So on their website for this release, they have screenshots

1683
01:29:26.840 --> 01:29:28.920
<v Speaker 1>in color as well as black and white, so I

1684
01:29:28.960 --> 01:29:31.279
<v Speaker 1>have a feeling that it would be in color. To me,

1685
01:29:31.880 --> 01:29:34.600
<v Speaker 1>it would be kind of weird false advertising if they

1686
01:29:34.800 --> 01:29:37.399
<v Speaker 1>included the color ones and did not have the color

1687
01:29:37.479 --> 01:29:41.760
<v Speaker 1>version on there. Right. Yeah, Oh, look at that. Aaron

1688
01:29:41.880 --> 01:29:43.720
<v Speaker 1>just went and did the exact same thing. The Criteria

1689
01:29:43.760 --> 01:29:45.720
<v Speaker 1>website has color still swamp taking that as color of

1690
01:29:45.800 --> 01:29:49.960
<v Speaker 1>black and white. Oh, that was almost perfect. You had

1691
01:29:49.960 --> 01:29:52.479
<v Speaker 1>to have been typing that like as I started speaking.

1692
01:29:52.600 --> 01:29:55.960
<v Speaker 1>That was perfect. Del Toro as a whole. Did I

1693
01:29:56.000 --> 01:29:56.319
<v Speaker 1>say that?

1694
01:29:57.000 --> 01:29:58.640
<v Speaker 2>Well, how do you think of Del Toro as a whole?

1695
01:29:58.720 --> 01:30:02.039
<v Speaker 1>Like, oh, look at the cover, Look at the right,

1696
01:30:04.159 --> 01:30:09.000
<v Speaker 1>that's the whole I'm talking about. Not never mind. Okay, So,

1697
01:30:09.079 --> 01:30:10.479
<v Speaker 1>like I said, we had a couple of these mixed

1698
01:30:10.560 --> 01:30:13.520
<v Speaker 1>up lines. Gate Limited. The second steel book that they

1699
01:30:13.560 --> 01:30:16.800
<v Speaker 1>announced coming out on August twelfth is this is It

1700
01:30:16.920 --> 01:30:20.039
<v Speaker 1>follows from twenty fourteen. This is a tenth anniversary four

1701
01:30:20.119 --> 01:30:22.800
<v Speaker 1>K edition with Dolby Vision HDR, first time on four

1702
01:30:22.840 --> 01:30:25.840
<v Speaker 1>K in the US. The big thing is this is

1703
01:30:26.680 --> 01:30:29.960
<v Speaker 1>the second Site four K master and all of the

1704
01:30:30.000 --> 01:30:33.039
<v Speaker 1>extras on here we're on the second site release except

1705
01:30:33.159 --> 01:30:36.399
<v Speaker 1>for the legacy special features that they're including here. We're

1706
01:30:36.439 --> 01:30:39.479
<v Speaker 1>not able to be licensed to Second Site, So there

1707
01:30:39.760 --> 01:30:42.720
<v Speaker 1>is stuff on this that is not on the second

1708
01:30:42.720 --> 01:30:45.600
<v Speaker 1>site disc and second site. If you've got the limited edition,

1709
01:30:45.840 --> 01:30:48.479
<v Speaker 1>you've got the booklet, I guess. But literally, it's the

1710
01:30:48.560 --> 01:30:52.279
<v Speaker 1>exact same restoration, it's the exact same on disc, supplemental

1711
01:30:52.319 --> 01:30:55.279
<v Speaker 1>features and more so, this is a pretty compelling release

1712
01:30:55.359 --> 01:30:57.279
<v Speaker 1>if you are into steel books and you don't have

1713
01:30:57.319 --> 01:31:00.720
<v Speaker 1>that deluxe release, and it's to me, like this is

1714
01:31:00.760 --> 01:31:03.520
<v Speaker 1>a pretty steal book. I like the cover, I like

1715
01:31:03.600 --> 01:31:06.239
<v Speaker 1>that the inside is kind of gruesome. For this movie,

1716
01:31:07.119 --> 01:31:08.720
<v Speaker 1>good movie. Have you seen it?

1717
01:31:08.760 --> 01:31:12.960
<v Speaker 2>Follows? I have? And actually it fits well into like

1718
01:31:13.000 --> 01:31:16.079
<v Speaker 2>our upcoming Jay Horror conversation because it very much feels

1719
01:31:16.159 --> 01:31:19.439
<v Speaker 2>like something like with this never ending curse that you

1720
01:31:19.520 --> 01:31:23.720
<v Speaker 2>just can't get rid of, right, And so yeah, it's

1721
01:31:23.760 --> 01:31:26.520
<v Speaker 2>a movie that plays. I think it plays really well.

1722
01:31:26.720 --> 01:31:31.279
<v Speaker 2>I'm close to compelled to pick this one up. Nice.

1723
01:31:31.560 --> 01:31:34.560
<v Speaker 1>It's a beautiful movie. Very curious to see how this

1724
01:31:34.640 --> 01:31:39.720
<v Speaker 1>whole sequel thing comes out that they're working on right now,

1725
01:31:39.760 --> 01:31:44.520
<v Speaker 1>so we shall see. And then there was a Criterion

1726
01:31:44.560 --> 01:31:47.000
<v Speaker 1>title that I had posted all the announcements, and I

1727
01:31:47.039 --> 01:31:50.079
<v Speaker 1>guess I got there before Criterion had finished loading them all.

1728
01:31:51.119 --> 01:31:52.920
<v Speaker 1>So I didn't see this one at first, but then

1729
01:31:52.960 --> 01:31:54.880
<v Speaker 1>somebody said that they were intrigued by this one. I went,

1730
01:31:55.000 --> 01:31:59.159
<v Speaker 1>what is Deep Crimson? Criterion also releasing on October twenty eighth,

1731
01:31:59.399 --> 01:32:02.600
<v Speaker 1>a four of Deep Crimson. They're also releasing this on

1732
01:32:02.680 --> 01:32:05.760
<v Speaker 1>Blu Ray. This is from nineteen ninety six and it

1733
01:32:05.800 --> 01:32:08.800
<v Speaker 1>says one of the peaks of subversive Mexican director Arturo

1734
01:32:08.880 --> 01:32:14.119
<v Speaker 1>Ripstein's Cinema out Cinema of outsiders. This deliriously perverse portrait

1735
01:32:14.199 --> 01:32:17.119
<v Speaker 1>of obsessive love dares audiences to see the humanity and

1736
01:32:17.159 --> 01:32:20.520
<v Speaker 1>the most sordid of anti heroes. A lonely hearts advertisement

1737
01:32:20.600 --> 01:32:24.079
<v Speaker 1>leads lusty nurse Coral to Nicholas, a con man with

1738
01:32:24.079 --> 01:32:27.079
<v Speaker 1>whom she forges an increasingly intense, twisted bond as they

1739
01:32:27.079 --> 01:32:31.760
<v Speaker 1>crisscross nineteen forties Mexico, robbing and murdering the women he seduces.

1740
01:32:32.560 --> 01:32:35.600
<v Speaker 1>This sounds kind of incredible. I'm very curious to check

1741
01:32:35.600 --> 01:32:39.039
<v Speaker 1>this out. Love the color on this one. The cover

1742
01:32:39.159 --> 01:32:41.720
<v Speaker 1>art looks great. New four K digital restoration of the

1743
01:32:41.720 --> 01:32:44.600
<v Speaker 1>director's cut, supervised and approved by the director. You got

1744
01:32:44.600 --> 01:32:46.840
<v Speaker 1>a four K disc of the movie and a Blu

1745
01:32:46.920 --> 01:32:49.319
<v Speaker 1>ray with the movie in special features new interviews with

1746
01:32:49.359 --> 01:32:52.399
<v Speaker 1>a director and screenwriter. There's a panel discussion from the

1747
01:32:52.439 --> 01:32:55.760
<v Speaker 1>Academy of Motion Picture Arts and Sciences featuring the director

1748
01:32:56.159 --> 01:33:00.640
<v Speaker 1>and a couple others, hosted by Christina Venegas film scholar

1749
01:33:00.680 --> 01:33:03.520
<v Speaker 1>Hayden Guessed and uh yeah, Owen Owen Smith kind of

1750
01:33:03.560 --> 01:33:06.119
<v Speaker 1>killed the cover art on this. I think, deep Crimson.

1751
01:33:06.239 --> 01:33:07.760
<v Speaker 1>Have you seen or heard of this one?

1752
01:33:08.600 --> 01:33:12.159
<v Speaker 2>I hadn't, but I mean everything about it sounds so

1753
01:33:12.439 --> 01:33:15.960
<v Speaker 2>up my alley. It's just it sounds like such a compelling, interesting,

1754
01:33:17.720 --> 01:33:21.520
<v Speaker 2>dark story, you know, and so I haven't even heard

1755
01:33:21.520 --> 01:33:23.159
<v Speaker 2>of the director. So it's it's one of these that

1756
01:33:23.159 --> 01:33:25.439
<v Speaker 2>I'm just I feel like I just need to start

1757
01:33:25.479 --> 01:33:28.399
<v Speaker 2>with this s director or start right here. Yeah, but yeah,

1758
01:33:28.680 --> 01:33:29.560
<v Speaker 2>I'm very curious.

1759
01:33:31.520 --> 01:33:34.560
<v Speaker 1>Lots and lots of good comments, So yeah, I agree,

1760
01:33:34.640 --> 01:33:36.760
<v Speaker 1>this sounds incredible. I definitely need to check this one out.

1761
01:33:37.520 --> 01:33:40.520
<v Speaker 2>The story sounds a little bit the Honeymoon Killers esque.

1762
01:33:40.640 --> 01:33:43.479
<v Speaker 1>Yes, yeah, yes, kind I just talked about that one

1763
01:33:43.520 --> 01:33:46.279
<v Speaker 1>with someone else and look Krinn just it's just commented,

1764
01:33:46.439 --> 01:33:52.039
<v Speaker 1>oh yeah, oh perfect timing. Uh okay.

1765
01:33:52.279 --> 01:33:53.079
<v Speaker 3>So uh.

1766
01:33:53.560 --> 01:33:56.119
<v Speaker 1>Culture Shock releasing a company that we have not talked

1767
01:33:56.119 --> 01:33:58.800
<v Speaker 1>about very much over the last two and a half years.

1768
01:33:59.199 --> 01:34:01.680
<v Speaker 1>There's still a lot and they just put out a

1769
01:34:01.800 --> 01:34:04.399
<v Speaker 1>re release of the movie Thrust that they had released

1770
01:34:04.439 --> 01:34:08.640
<v Speaker 1>when they were a Vinegar Syndrome OCN partner label. Except

1771
01:34:08.720 --> 01:34:10.680
<v Speaker 1>it's kind of a re release and kind of not.

1772
01:34:11.239 --> 01:34:14.600
<v Speaker 1>This is Thrust the Punk cut, so this is a

1773
01:34:14.640 --> 01:34:16.920
<v Speaker 1>completely different cut of the movie. It's also got new

1774
01:34:16.920 --> 01:34:20.920
<v Speaker 1>bonus features and essentially the director was not happy with

1775
01:34:20.960 --> 01:34:22.800
<v Speaker 1>the previous release and wanted to do a bunch of

1776
01:34:22.840 --> 01:34:25.359
<v Speaker 1>different stuff, and so here it is now. It can

1777
01:34:25.359 --> 01:34:28.000
<v Speaker 1>still be in print. They've got this available. You can

1778
01:34:28.000 --> 01:34:29.960
<v Speaker 1>pre order this from the tearr Vision website or the

1779
01:34:30.000 --> 01:34:34.159
<v Speaker 1>Gray Face website. Lots of good stuff attached to this one.

1780
01:34:35.159 --> 01:34:37.000
<v Speaker 1>I think that people are gonna be happy if you

1781
01:34:37.279 --> 01:34:41.399
<v Speaker 1>liked the first release. This is not just a re

1782
01:34:41.399 --> 01:34:44.039
<v Speaker 1>release the exact same thing. I think that you're gonna

1783
01:34:44.039 --> 01:34:46.840
<v Speaker 1>be stoked that you're getting something different. At least. Re

1784
01:34:46.840 --> 01:34:51.720
<v Speaker 1>releases are not great usually, but considering the difference, I'm

1785
01:34:51.720 --> 01:34:52.359
<v Speaker 1>okay with this.

1786
01:34:53.039 --> 01:34:55.720
<v Speaker 2>Yeah, sounds interesting. I've never heard of this one, but

1787
01:34:55.760 --> 01:34:56.960
<v Speaker 2>it sounds really interesting.

1788
01:34:58.720 --> 01:35:01.000
<v Speaker 1>Yeah, that's probably true of a lot culture shock title.

1789
01:35:01.119 --> 01:35:06.439
<v Speaker 1>Sadly going to our next one. This is so far

1790
01:35:06.520 --> 01:35:10.439
<v Speaker 1>one of the more enticing Severn titles for me. They

1791
01:35:10.439 --> 01:35:14.399
<v Speaker 1>are releasing on Blu ray Ferret Vampire from nineteen eighty two,

1792
01:35:14.800 --> 01:35:18.439
<v Speaker 1>and this is going to be a really nice looking

1793
01:35:18.479 --> 01:35:21.239
<v Speaker 1>sideloading release. You've got the booklet with us and everything.

1794
01:35:21.600 --> 01:35:25.880
<v Speaker 1>This is the first time on home video in America ever.

1795
01:35:26.920 --> 01:35:29.920
<v Speaker 1>This is from jajh Hers, the award winning writer director

1796
01:35:29.920 --> 01:35:33.439
<v Speaker 1>of Morgiana, The Ninth Heart and The Cremator. Cremator is amazing,

1797
01:35:33.479 --> 01:35:36.640
<v Speaker 1>by the way and subversive genius of the Czech new

1798
01:35:36.680 --> 01:35:41.520
<v Speaker 1>wave comes the disturbing Shocker driven by cultural provocation, political paranoia,

1799
01:35:41.560 --> 01:35:44.760
<v Speaker 1>and a supercharge take on the vampire mythos now on

1800
01:35:44.840 --> 01:35:47.079
<v Speaker 1>disc for the first time ever in America, and it

1801
01:35:47.119 --> 01:35:50.359
<v Speaker 1>says when Ferrett Motors introduces a new high performance sports car,

1802
01:35:50.520 --> 01:35:54.079
<v Speaker 1>a trauma doctor investigates a bizarre theory that the vehicle

1803
01:35:54.199 --> 01:35:58.359
<v Speaker 1>is a biological machine fueled by human blood. That just

1804
01:35:58.399 --> 01:36:01.960
<v Speaker 1>sounds incredible. This is going to have a commentary by

1805
01:36:01.960 --> 01:36:04.920
<v Speaker 1>Michael Brook who does great on check films. There's an

1806
01:36:05.000 --> 01:36:09.279
<v Speaker 1>archival commentary with Lars Dryer Winklman that was revised and

1807
01:36:09.560 --> 01:36:13.880
<v Speaker 1>re recorded in English. Actually, there is a person undergoing

1808
01:36:13.880 --> 01:36:16.720
<v Speaker 1>a strange sequence of events actress that is in this

1809
01:36:16.840 --> 01:36:21.119
<v Speaker 1>remembers the film. There's a piece with a screenwriter Legend

1810
01:36:21.159 --> 01:36:23.399
<v Speaker 1>of the Blood Car visual essay by Steven Brumer, who

1811
01:36:23.399 --> 01:36:27.239
<v Speaker 1>does a lot of experimental filmmaking under his label up

1812
01:36:27.239 --> 01:36:28.880
<v Speaker 1>in Canada, so that's cool to get him on here.

1813
01:36:29.319 --> 01:36:32.720
<v Speaker 1>From archival interviews and a look at the prototype that

1814
01:36:32.800 --> 01:36:35.640
<v Speaker 1>was used for the ferret in this movie. There's also

1815
01:36:35.680 --> 01:36:38.760
<v Speaker 1>a nineteen ninety two Check TV movie based on Vampire

1816
01:36:39.159 --> 01:36:43.000
<v Speaker 1>Limited author Joseph and Nibaba's nineteen sixty six short story

1817
01:36:43.039 --> 01:36:46.439
<v Speaker 1>More Dare that's really damn cool. And then there's a

1818
01:36:46.479 --> 01:36:48.760
<v Speaker 1>booklet with the original short story that was in this

1819
01:36:49.399 --> 01:36:52.039
<v Speaker 1>and then a new introduction by Check science fiction historian

1820
01:36:52.079 --> 01:36:55.319
<v Speaker 1>Ivan Adamovic. Yeah, this to me seems like a must.

1821
01:36:55.359 --> 01:36:56.319
<v Speaker 1>This looks incredible.

1822
01:36:56.760 --> 01:36:59.359
<v Speaker 2>It sounds I've never heard of it, but it sounds

1823
01:36:59.560 --> 01:37:02.680
<v Speaker 2>just total crazy and definitely something that I would love

1824
01:37:02.720 --> 01:37:07.520
<v Speaker 2>to pick up. So just a vampire car thing like

1825
01:37:07.600 --> 01:37:11.079
<v Speaker 2>I don't even know. Yeah, you know, but like you

1826
01:37:11.119 --> 01:37:12.720
<v Speaker 2>don't see that every day, right.

1827
01:37:12.880 --> 01:37:17.680
<v Speaker 1>No, I mean this sounds like Christine on steroids. I guess. Yeah,

1828
01:37:18.039 --> 01:37:20.880
<v Speaker 1>this sounds incredible. Yeah, and the art looks very good.

1829
01:37:20.920 --> 01:37:22.439
<v Speaker 1>A lot of people commenting on the art. Yeah, the

1830
01:37:22.800 --> 01:37:27.479
<v Speaker 1>art for this looks very fun. All right, I guess

1831
01:37:27.479 --> 01:37:30.079
<v Speaker 1>we'll talk about this for a second. Michael Madson passed

1832
01:37:30.079 --> 01:37:32.439
<v Speaker 1>away recently, coming as a shock to everybody in the

1833
01:37:32.439 --> 01:37:34.279
<v Speaker 1>discord that has made that too a running joke, which

1834
01:37:34.279 --> 01:37:37.479
<v Speaker 1>is hilarious. By the way, I got asked to contribute

1835
01:37:37.479 --> 01:37:41.239
<v Speaker 1>a small piece in memoriam to a cinepunk's right up

1836
01:37:41.279 --> 01:37:43.920
<v Speaker 1>that we did. There's like fifteen people that wrote on

1837
01:37:44.279 --> 01:37:49.680
<v Speaker 1>Michael Madson, all covering different films, very very fun pieces

1838
01:37:49.720 --> 01:37:52.000
<v Speaker 1>to read through and just kind of revisit everything that

1839
01:37:52.039 --> 01:37:54.039
<v Speaker 1>Madson has touched over the years. A lot of great names.

1840
01:37:54.560 --> 01:37:57.560
<v Speaker 1>Billy Ray Bruton is the one that kind of brought

1841
01:37:57.560 --> 01:38:01.119
<v Speaker 1>everybody together for this. You got Winter Mitchell, who is incredible,

1842
01:38:01.199 --> 01:38:05.960
<v Speaker 1>bj Colangelo who's amazing, Austin Proctor, all kinds of people,

1843
01:38:06.039 --> 01:38:10.920
<v Speaker 1>Jason Schahan, Jason Kleeberg, Michael Weyers. Yeah, lots of great names.

1844
01:38:10.960 --> 01:38:13.680
<v Speaker 1>Go check out over on Sinepunk's It's a fun ride Up.

1845
01:38:14.119 --> 01:38:15.680
<v Speaker 2>What film were you talking about?

1846
01:38:16.199 --> 01:38:18.520
<v Speaker 1>The one that I used the picture for Sin City

1847
01:38:19.520 --> 01:38:21.640
<v Speaker 1>when I first heard that he passed, Like one of

1848
01:38:21.640 --> 01:38:23.600
<v Speaker 1>the scenes that I first thought of was that doc

1849
01:38:23.640 --> 01:38:26.279
<v Speaker 1>scene and him and Willis going back and forth in

1850
01:38:26.279 --> 01:38:29.039
<v Speaker 1>front of the little girl in this movie is just man,

1851
01:38:29.479 --> 01:38:31.920
<v Speaker 1>it's so so rough to watch in that moment. I

1852
01:38:31.960 --> 01:38:38.039
<v Speaker 1>love this movie and God, this movie is beautiful. Next up,

1853
01:38:38.159 --> 01:38:41.039
<v Speaker 1>the film that kind of frustrated some people. This week,

1854
01:38:41.920 --> 01:38:44.079
<v Speaker 1>we are getting on September twenty third, a Blu Ray

1855
01:38:44.119 --> 01:38:46.520
<v Speaker 1>release of the Best Little Whorehouse in Texas from nineteen

1856
01:38:46.560 --> 01:38:49.079
<v Speaker 1>eighty two. Starring, of course, Burt Reynolds and Dolly Parton.

1857
01:38:49.840 --> 01:38:53.159
<v Speaker 1>Frustrating because this already has a Blu ray, but they

1858
01:38:53.199 --> 01:38:57.159
<v Speaker 1>were not able to get a OCN scan. I think

1859
01:38:57.239 --> 01:38:59.760
<v Speaker 1>the only thing that exists for this anymore is an

1860
01:39:00.039 --> 01:39:03.439
<v Speaker 1>a positive. So this got a two K scan of

1861
01:39:03.680 --> 01:39:06.960
<v Speaker 1>that thirty five millimeter interpositive that is a brand new master,

1862
01:39:07.079 --> 01:39:09.800
<v Speaker 1>so it will look better than the old blue ray probably.

1863
01:39:10.560 --> 01:39:12.479
<v Speaker 1>There's also a new audio commentary on this by Paul

1864
01:39:12.479 --> 01:39:16.239
<v Speaker 1>Anthony Nelson and Perry Cummings, another new audio commentary by

1865
01:39:16.359 --> 01:39:19.720
<v Speaker 1>Brian Reisman and Max every and then some archival extras.

1866
01:39:19.800 --> 01:39:22.680
<v Speaker 1>But yeah, this is one that I would say, like,

1867
01:39:23.079 --> 01:39:25.199
<v Speaker 1>don't wait on a four K because they're probably never

1868
01:39:25.239 --> 01:39:27.600
<v Speaker 1>going to get a at least not a not an

1869
01:39:27.640 --> 01:39:29.279
<v Speaker 1>actual four K release on this one.

1870
01:39:29.520 --> 01:39:32.439
<v Speaker 2>Yeah, it's a fun film for sure. I mean, we

1871
01:39:32.479 --> 01:39:34.960
<v Speaker 2>did a Colin Higgins series over on the next reel

1872
01:39:35.279 --> 01:39:40.800
<v Speaker 2>looking at is sadly very short filmography, and this was

1873
01:39:40.880 --> 01:39:43.239
<v Speaker 2>It was a very lively fun film to end on,

1874
01:39:43.560 --> 01:39:46.640
<v Speaker 2>and I as I mean as much fun as Burt

1875
01:39:46.680 --> 01:39:50.359
<v Speaker 2>Reynolds and Dolly Partner are in them as Charles Derning,

1876
01:39:50.399 --> 01:39:53.880
<v Speaker 2>who totally totally stole the show for me. It is very,

1877
01:39:53.960 --> 01:39:56.800
<v Speaker 2>very funny, So if you haven't seen, it's definitely worth

1878
01:39:56.840 --> 01:39:57.279
<v Speaker 2>checking out.

1879
01:39:57.760 --> 01:40:01.760
<v Speaker 1>Yeah, this movie's a blast. There is a I guess spoiler,

1880
01:40:01.800 --> 01:40:04.439
<v Speaker 1>but there's a piece being written for a issue of

1881
01:40:04.439 --> 01:40:07.439
<v Speaker 1>the magazine coming up on Burt Reynolds, and I've been

1882
01:40:07.479 --> 01:40:10.359
<v Speaker 1>wanting to watch like ten of his movies back to back,

1883
01:40:10.439 --> 01:40:15.279
<v Speaker 1>so this might be a good time to get started. Imprint,

1884
01:40:15.560 --> 01:40:18.000
<v Speaker 1>Oh my gosh, so Imprint had all kinds of stuff

1885
01:40:18.000 --> 01:40:20.760
<v Speaker 1>that we get to talk about. We've got Tales of

1886
01:40:20.800 --> 01:40:24.439
<v Speaker 1>Adventure just pouring out of every poor It seems like

1887
01:40:24.920 --> 01:40:26.680
<v Speaker 1>these are all coming out on Blu Ray on September

1888
01:40:26.680 --> 01:40:30.720
<v Speaker 1>twenty fourth, and we're getting three different Tales of Adventure

1889
01:40:30.760 --> 01:40:34.880
<v Speaker 1>box sets. This first one collection number seven, already number seven.

1890
01:40:35.600 --> 01:40:38.720
<v Speaker 1>This has The Thief of Baghdad from nineteen twenty four,

1891
01:40:38.760 --> 01:40:40.680
<v Speaker 1>and if that wasn't enough, you get The Thief of

1892
01:40:40.720 --> 01:40:43.760
<v Speaker 1>Baghdad from nineteen forty. I still not had your full

1893
01:40:43.960 --> 01:40:47.800
<v Speaker 1>the Thief of Baghdad from nineteen sixty one. So all

1894
01:40:47.840 --> 01:40:50.680
<v Speaker 1>of these are takes on the one thousand and one

1895
01:40:50.760 --> 01:40:54.600
<v Speaker 1>Night's Story. Of course, you get a bunch of extras

1896
01:40:54.640 --> 01:40:57.359
<v Speaker 1>on this. You got new visual essays by Martin Terrio,

1897
01:40:57.479 --> 01:41:02.359
<v Speaker 1>some commentaries. All of them have extras on here, including

1898
01:41:02.680 --> 01:41:05.319
<v Speaker 1>Let's see the nineteen forty version as a new commentary

1899
01:41:05.359 --> 01:41:09.000
<v Speaker 1>by Josh Nielsen, This says, new visual essay by David Huckvale.

1900
01:41:09.000 --> 01:41:12.000
<v Speaker 1>This is a lie. Huckfiel didn't do anything for this release.

1901
01:41:12.039 --> 01:41:15.760
<v Speaker 1>That's actually Philip Jeffries who did a piece on this one,

1902
01:41:15.840 --> 01:41:18.000
<v Speaker 1>and it's supposed to be great. So I'm excited to

1903
01:41:18.039 --> 01:41:20.880
<v Speaker 1>see that one. And then the newest film from nineteen

1904
01:41:20.920 --> 01:41:23.640
<v Speaker 1>sixty one is new commentary by Adrian Smith, new visual

1905
01:41:23.720 --> 01:41:28.319
<v Speaker 1>essay by FELIPA. Barry. Yeah, are you into the adventure

1906
01:41:28.359 --> 01:41:30.159
<v Speaker 1>style films that Imprint has done?

1907
01:41:30.399 --> 01:41:33.199
<v Speaker 2>You know, I always checking them out when they release them.

1908
01:41:33.239 --> 01:41:36.920
<v Speaker 2>I haven't picked any of them up yet, you know.

1909
01:41:37.520 --> 01:41:40.239
<v Speaker 2>It's one of those things that they're intriguing to me,

1910
01:41:40.319 --> 01:41:44.000
<v Speaker 2>but I haven't quite wanted to push the button just yet.

1911
01:41:44.039 --> 01:41:48.279
<v Speaker 2>But yeah, but every one of them has I found intriguing.

1912
01:41:48.720 --> 01:41:51.159
<v Speaker 2>Probably be happy with any of them.

1913
01:41:52.319 --> 01:41:54.920
<v Speaker 1>Yeah. The hard part is they are quite expensive. So,

1914
01:41:54.960 --> 01:41:56.640
<v Speaker 1>as Chris says over on Facebook, if you want to

1915
01:41:56.680 --> 01:41:59.399
<v Speaker 1>own all of these, it's only about two thousand dollars, right,

1916
01:42:00.960 --> 01:42:03.520
<v Speaker 1>and a couple of them I think like the first

1917
01:42:03.920 --> 01:42:07.479
<v Speaker 1>four maybe are out of print already and go for

1918
01:42:07.600 --> 01:42:12.840
<v Speaker 1>some change, So good luck with that. The next one

1919
01:42:13.039 --> 01:42:15.079
<v Speaker 1>is much larger than the one we just talked about.

1920
01:42:15.079 --> 01:42:18.600
<v Speaker 1>Tells of Adventure Collection eight just spans from nineteen sixteen

1921
01:42:18.800 --> 01:42:22.399
<v Speaker 1>to nineteen seventy one. This has so much in it,

1922
01:42:23.239 --> 01:42:26.439
<v Speaker 1>twenty thousand Leagues under the Sea from nineteen sixteen, Master

1923
01:42:26.560 --> 01:42:29.079
<v Speaker 1>the World from nineteen sixty one, Valley of the Dragons

1924
01:42:29.079 --> 01:42:31.039
<v Speaker 1>from nineteen sixty one that's the first time ever on

1925
01:42:31.079 --> 01:42:34.000
<v Speaker 1>blu ray in the World War, Gods of the Deep

1926
01:42:34.039 --> 01:42:36.880
<v Speaker 1>from nineteen sixty five, Rocket to the Moon from nineteen

1927
01:42:36.920 --> 01:42:39.640
<v Speaker 1>sixty seven, and then The Light at the Edge of

1928
01:42:39.680 --> 01:42:42.159
<v Speaker 1>the World from seventy one. Just like the last one,

1929
01:42:42.279 --> 01:42:45.000
<v Speaker 1>limited to only fifteen hundred copies for the hard box.

1930
01:42:45.439 --> 01:42:48.119
<v Speaker 1>They'll likely do a standard release when this sells out.

1931
01:42:48.159 --> 01:42:49.359
<v Speaker 1>I think they have for the other ones that have

1932
01:42:49.399 --> 01:42:51.119
<v Speaker 1>sold out. But if you want, like if these are

1933
01:42:51.159 --> 01:42:53.960
<v Speaker 1>your jam and you absolutely want them, you may want

1934
01:42:54.000 --> 01:42:55.600
<v Speaker 1>to take a look at the you sooner than later,

1935
01:42:55.640 --> 01:42:59.199
<v Speaker 1>because some people really like these movies, and this one's

1936
01:42:59.239 --> 01:43:01.600
<v Speaker 1>got a film that people have wanted for quite some time.

1937
01:43:02.439 --> 01:43:04.439
<v Speaker 1>We've got new extras on a bunch of these, another

1938
01:43:04.479 --> 01:43:08.399
<v Speaker 1>new Philip Jefferies visual essay on Master the World, new

1939
01:43:08.439 --> 01:43:11.119
<v Speaker 1>visual essay by Andy Marshall Roberts on Visit Price on

1940
01:43:11.199 --> 01:43:14.119
<v Speaker 1>that disc as well. War Gods of the Deep gets

1941
01:43:14.159 --> 01:43:17.000
<v Speaker 1>a new commentary by Jonathan Rigby and Kevin Lyons. There's

1942
01:43:17.039 --> 01:43:20.520
<v Speaker 1>some archival extras, more new commentaries, including one with Kim

1943
01:43:20.600 --> 01:43:24.039
<v Speaker 1>Newman and Stephen Jones, and then they poured it over

1944
01:43:24.079 --> 01:43:25.560
<v Speaker 1>the Light at the End of the World extras that

1945
01:43:25.600 --> 01:43:29.800
<v Speaker 1>were on the previous release of this supplemental features, Andy,

1946
01:43:29.359 --> 01:43:31.439
<v Speaker 1>what type of features do you prefer?

1947
01:43:32.560 --> 01:43:35.439
<v Speaker 2>You know, I love commentary, that's usually kind of the

1948
01:43:35.479 --> 01:43:38.479
<v Speaker 2>first one that I look at. I already talked about

1949
01:43:38.520 --> 01:43:43.119
<v Speaker 2>my love of soundtracks when they include those, But I

1950
01:43:43.159 --> 01:43:47.840
<v Speaker 2>really enjoy strong visual essays or like just interesting visual essays.

1951
01:43:47.840 --> 01:43:51.760
<v Speaker 2>You know, I think they're great, and I mean any

1952
01:43:51.880 --> 01:43:54.840
<v Speaker 2>just like critical thought that goes along with it, like there.

1953
01:43:55.239 --> 01:43:57.640
<v Speaker 2>You know a lot of them have some fantastic write

1954
01:43:57.680 --> 01:44:00.920
<v Speaker 2>ups that come with with discs. You know, I'm a

1955
01:44:00.920 --> 01:44:04.119
<v Speaker 2>big fan of any of that sort of stuff. There

1956
01:44:04.319 --> 01:44:07.680
<v Speaker 2>was a day where I would like watch all of

1957
01:44:07.720 --> 01:44:10.279
<v Speaker 2>the trailers when they would include trailers, or flip through

1958
01:44:10.279 --> 01:44:12.600
<v Speaker 2>all the different posters, and you know, sometimes I'll still

1959
01:44:12.640 --> 01:44:15.399
<v Speaker 2>take a glance at some of that, but I've I

1960
01:44:15.439 --> 01:44:18.560
<v Speaker 2>don't know, I feel like I hit my limit with those,

1961
01:44:18.600 --> 01:44:21.279
<v Speaker 2>and now I'm just looking for like the interesting conversations

1962
01:44:21.319 --> 01:44:22.439
<v Speaker 2>about things.

1963
01:44:23.000 --> 01:44:26.600
<v Speaker 1>Yeah. Yeah, I'm kind of the same way. Commentaries are

1964
01:44:26.640 --> 01:44:30.439
<v Speaker 1>difficult nowadays. I really just love a really well researched

1965
01:44:30.479 --> 01:44:35.399
<v Speaker 1>visual essay. I think, yeah, well that's a lot of adventure,

1966
01:44:35.560 --> 01:44:39.199
<v Speaker 1>but that's still not enough. We've got collection number nine here,

1967
01:44:39.239 --> 01:44:41.720
<v Speaker 1>which I think is the one that most people are

1968
01:44:42.039 --> 01:44:44.159
<v Speaker 1>by far the most excited about. I have a feeling

1969
01:44:44.159 --> 01:44:47.319
<v Speaker 1>this one's going to sell pretty quickly for them. Once again,

1970
01:44:47.479 --> 01:44:50.960
<v Speaker 1>limited only fifteen hundred, so pay attention to that. This

1971
01:44:51.359 --> 01:44:53.720
<v Speaker 1>is covering from nineteen seventy four to seventy eight, so

1972
01:44:53.840 --> 01:44:56.800
<v Speaker 1>nice tight time span here. But we get the land

1973
01:44:56.800 --> 01:44:59.520
<v Speaker 1>that time forgot at the Earth's core, the people that

1974
01:44:59.520 --> 01:45:01.560
<v Speaker 1>time forgot, and then the big one for so many

1975
01:45:01.600 --> 01:45:05.279
<v Speaker 1>people for the first time on Blu ray anywhere in

1976
01:45:05.319 --> 01:45:09.159
<v Speaker 1>the world, Warlords of Atlantis from nineteen seventy eight. So

1977
01:45:10.079 --> 01:45:12.279
<v Speaker 1>I saw quite a few people saying they were going

1978
01:45:12.359 --> 01:45:14.319
<v Speaker 1>to buy this simply to get that last film on

1979
01:45:14.359 --> 01:45:17.640
<v Speaker 1>Blu Ray finally, which more power to you. That's that's

1980
01:45:17.680 --> 01:45:21.279
<v Speaker 1>some dedication again. Lots of new extras. We got new

1981
01:45:21.279 --> 01:45:23.880
<v Speaker 1>commentary by Kim Newman and Stephen Jones, new interviews with

1982
01:45:23.920 --> 01:45:27.239
<v Speaker 1>the director Kevin Connor, who directed this in nineteen seventy four.

1983
01:45:27.319 --> 01:45:33.000
<v Speaker 1>That's pretty freaking special. More new commentaries and interviews. There's

1984
01:45:33.600 --> 01:45:36.000
<v Speaker 1>just a lot like the if this is your type

1985
01:45:36.000 --> 01:45:38.800
<v Speaker 1>of film, Imprint is giving you a lot of value

1986
01:45:38.800 --> 01:45:39.840
<v Speaker 1>with these movies, for sure.

1987
01:45:40.079 --> 01:45:41.439
<v Speaker 2>And The Land of the Time for God is the

1988
01:45:41.439 --> 01:45:43.520
<v Speaker 2>only one of any of these three sets that I've

1989
01:45:43.560 --> 01:45:50.119
<v Speaker 2>actually seen, and it's a fun movie. It's it's kind

1990
01:45:50.159 --> 01:45:52.600
<v Speaker 2>of crazy, but it's definitely one that I would like

1991
01:45:52.680 --> 01:45:54.840
<v Speaker 2>that that is the one that would peak my curiosity

1992
01:45:55.039 --> 01:45:55.920
<v Speaker 2>to pick this setup.

1993
01:45:57.199 --> 01:45:59.439
<v Speaker 1>Yeah, and I mean, you know we were talking about

1994
01:45:59.479 --> 01:46:01.680
<v Speaker 1>bad art earlier. I just want to shout out how

1995
01:46:01.720 --> 01:46:05.119
<v Speaker 1>great these old school poster art always were. Like for

1996
01:46:05.479 --> 01:46:07.399
<v Speaker 1>some of these movies, the poster is the best part

1997
01:46:07.439 --> 01:46:08.239
<v Speaker 1>of the film.

1998
01:46:08.039 --> 01:46:10.640
<v Speaker 2>Sure, even if half the stuff on the poster doesn't

1999
01:46:10.680 --> 01:46:14.000
<v Speaker 2>actually happen in the film almost never.

2000
01:46:15.800 --> 01:46:18.119
<v Speaker 1>But I also love too that Imprint is kind of

2001
01:46:18.199 --> 01:46:21.239
<v Speaker 1>embracing that craziness on the actual box art too. These

2002
01:46:21.640 --> 01:46:27.239
<v Speaker 1>are great looking sets. Yeah, yeah, more Imprint. We've talked

2003
01:46:27.239 --> 01:46:30.039
<v Speaker 1>about this before Bewitched. They're putting out two seasons at

2004
01:46:30.039 --> 01:46:33.680
<v Speaker 1>a time because they're really restoring these properly. They're going

2005
01:46:33.680 --> 01:46:35.680
<v Speaker 1>above and beyond to do it right. And so on

2006
01:46:35.720 --> 01:46:38.560
<v Speaker 1>September twenty fourth, they're doing the fourth set of these.

2007
01:46:38.680 --> 01:46:42.119
<v Speaker 1>We got season seven and eight covers nineteen seventy to

2008
01:46:42.199 --> 01:46:44.560
<v Speaker 1>nineteen seventy two. This is an eight disc set. You

2009
01:46:44.600 --> 01:46:47.479
<v Speaker 1>also have one hundred and twenty six page hardcover book

2010
01:46:47.560 --> 01:46:50.800
<v Speaker 1>for all of you hardcore Bewitched fans, which there are

2011
01:46:50.800 --> 01:46:54.720
<v Speaker 1>still a lot of people. This has some new extras

2012
01:46:54.760 --> 01:47:00.760
<v Speaker 1>on here. There is fifty four different episodes by Sony

2013
01:47:00.840 --> 01:47:04.479
<v Speaker 1>and they're gonna look incredible. I mean, yeah, Imprint does

2014
01:47:04.520 --> 01:47:07.439
<v Speaker 1>really great with TV work. I'm just glad to see

2015
01:47:07.439 --> 01:47:11.600
<v Speaker 1>a boutique putting time and energy into TV, which does

2016
01:47:11.640 --> 01:47:12.680
<v Speaker 1>not happen all that often.

2017
01:47:13.359 --> 01:47:15.880
<v Speaker 2>And Bewitched, I mean it was a staple, you know,

2018
01:47:15.960 --> 01:47:19.000
<v Speaker 2>growing up. Yeah, I mean I couldn't tell you how

2019
01:47:19.000 --> 01:47:21.479
<v Speaker 2>many episodes I've seen and didn't see from all the

2020
01:47:21.479 --> 01:47:23.439
<v Speaker 2>reruns that I watched as a kid, but I mean

2021
01:47:23.720 --> 01:47:25.279
<v Speaker 2>I watched a lot of Bewitched.

2022
01:47:26.880 --> 01:47:29.600
<v Speaker 1>Yeah, I feel like Bewitched and I Dream of Jeanie

2023
01:47:29.680 --> 01:47:32.840
<v Speaker 1>and I Love Lucy, and probably one other show we're

2024
01:47:32.840 --> 01:47:35.199
<v Speaker 1>on every single day when I got home from school

2025
01:47:35.279 --> 01:47:39.680
<v Speaker 1>for I don't know, twenty four years straight, something like that.

2026
01:47:39.800 --> 01:47:41.359
<v Speaker 2>Happy Days was in there.

2027
01:47:42.720 --> 01:47:45.119
<v Speaker 1>Revival House says, Hey, Ryan and Andy follow you on Twitter,

2028
01:47:45.159 --> 01:47:46.680
<v Speaker 1>just fanned you on YouTube. You guys are great.

2029
01:47:47.000 --> 01:47:49.039
<v Speaker 2>Oh look at that. Thanks.

2030
01:47:50.439 --> 01:47:56.000
<v Speaker 1>Oh a lot of pressure, I know. We'll try to

2031
01:47:56.039 --> 01:48:00.960
<v Speaker 1>keep doing. Okay Next from imprint, Yeah, we're still on

2032
01:48:01.039 --> 01:48:04.439
<v Speaker 1>imprint Space nineteen ninety nine, which they have done as

2033
01:48:04.520 --> 01:48:08.039
<v Speaker 1>the big box set release previously. This is now coming

2034
01:48:08.039 --> 01:48:10.960
<v Speaker 1>on September twenty fourth for a Blu ray of Super

2035
01:48:11.079 --> 01:48:14.079
<v Speaker 1>Space Theater from nineteen seventy five to eighty two. This

2036
01:48:14.119 --> 01:48:16.279
<v Speaker 1>is where they took some of the episodes and re

2037
01:48:16.560 --> 01:48:20.000
<v Speaker 1>edited them into essentially TV films. And so we've got

2038
01:48:20.279 --> 01:48:24.199
<v Speaker 1>Destination Moon Base Alpha from seventy eight, Alien Attack from

2039
01:48:24.199 --> 01:48:27.119
<v Speaker 1>seventy nine, Journey through the Black Sun from eighty two,

2040
01:48:27.600 --> 01:48:31.079
<v Speaker 1>Cosmic Princess from eighty two, and then Spatzio nineteen ninety nine.

2041
01:48:31.079 --> 01:48:33.560
<v Speaker 1>From nineteen seventy five, you had a five discs set,

2042
01:48:33.640 --> 01:48:36.720
<v Speaker 1>a hundred page hardcover book with the comprehensive guide to

2043
01:48:36.800 --> 01:48:40.920
<v Speaker 1>every movie housed in a limited edition hard box. If

2044
01:48:40.960 --> 01:48:45.079
<v Speaker 1>you love Space nineteen ninety nine, there's extras on these.

2045
01:48:45.159 --> 01:48:48.800
<v Speaker 1>They are going all out to make these incredible. I

2046
01:48:48.840 --> 01:48:50.800
<v Speaker 1>don't even know what to say, Like, there's just so

2047
01:48:50.960 --> 01:48:52.039
<v Speaker 1>much stuff.

2048
01:48:51.920 --> 01:48:55.159
<v Speaker 2>That is incredible. It's just truly mind boggling the amount

2049
01:48:55.159 --> 01:48:57.640
<v Speaker 2>of work that they put into cranking these out.

2050
01:48:59.159 --> 01:49:02.800
<v Speaker 1>Yeah, yeah, it's a lot. Craig is pointing out those

2051
01:49:03.720 --> 01:49:06.840
<v Speaker 1>Imprint Adventure collections aren't that pricey. Seventy eight USD for

2052
01:49:06.920 --> 01:49:11.079
<v Speaker 1>four films seems pretty fair. That is for one of them.

2053
01:49:11.199 --> 01:49:13.399
<v Speaker 1>One of them is fifty eight because it's only three films,

2054
01:49:13.560 --> 01:49:15.880
<v Speaker 1>and then the one that's six films is one seventeen,

2055
01:49:16.399 --> 01:49:18.840
<v Speaker 1>and honestly, I don't think any of them are crazy

2056
01:49:18.880 --> 01:49:21.199
<v Speaker 1>over priced. The hard part is if you only want one,

2057
01:49:21.920 --> 01:49:24.840
<v Speaker 1>you got to pay for Australia to wherever you are shipping,

2058
01:49:25.039 --> 01:49:28.399
<v Speaker 1>which suddenly seventy eight is now ninety eight, and that's

2059
01:49:28.399 --> 01:49:30.680
<v Speaker 1>where it starts to get a little crazy. However, if

2060
01:49:30.720 --> 01:49:32.399
<v Speaker 1>you're buying a whole bunch of stuff from Imprint and

2061
01:49:32.399 --> 01:49:34.560
<v Speaker 1>you're getting free shipping, oh it's worth it. Pile it on,

2062
01:49:35.319 --> 01:49:39.439
<v Speaker 1>get like five or six releases, and suddenly you're getting

2063
01:49:39.680 --> 01:49:41.760
<v Speaker 1>an absolute steal because you're not paying for shipping, and

2064
01:49:41.760 --> 01:49:43.960
<v Speaker 1>it's going practically the entire world.

2065
01:49:44.199 --> 01:49:44.399
<v Speaker 2>Right.

2066
01:49:46.640 --> 01:49:49.199
<v Speaker 1>Okay, that's finally all of Imprint and we go from

2067
01:49:49.239 --> 01:49:54.520
<v Speaker 1>that super niche action adventure stuff to Batman the Dark

2068
01:49:54.600 --> 01:49:55.399
<v Speaker 1>Knight Trilogy.

2069
01:49:56.199 --> 01:49:56.439
<v Speaker 2>Nice.

2070
01:49:57.319 --> 01:50:01.800
<v Speaker 1>So on this fall we are getting a library steel

2071
01:50:01.800 --> 01:50:05.239
<v Speaker 1>book re release of the Dark Knight Trilogy, which clearly

2072
01:50:05.279 --> 01:50:08.560
<v Speaker 1>everybody wants another release of these on four K. These

2073
01:50:08.600 --> 01:50:11.119
<v Speaker 1>are all the exact same discs. There is nothing brand

2074
01:50:11.159 --> 01:50:13.439
<v Speaker 1>new in these. This is just if you are a

2075
01:50:14.039 --> 01:50:17.800
<v Speaker 1>Nolan superfan Batman superfan and you really want these bright

2076
01:50:17.960 --> 01:50:22.039
<v Speaker 1>white steel books for these very dark movies, this is

2077
01:50:22.119 --> 01:50:25.560
<v Speaker 1>the way to do it. The US release of this

2078
01:50:25.600 --> 01:50:29.159
<v Speaker 1>will be an Amazon exclusive. Over in the UK, this

2079
01:50:29.239 --> 01:50:31.479
<v Speaker 1>is available on Zombie, will be a few other places.

2080
01:50:31.920 --> 01:50:35.119
<v Speaker 1>No idea about Canadian release or anything like that, but

2081
01:50:35.199 --> 01:50:37.840
<v Speaker 1>this is going to be pretty widely available. If you

2082
01:50:37.920 --> 01:50:39.880
<v Speaker 1>really want this, you'll be able to get a copy.

2083
01:50:39.920 --> 01:50:40.399
<v Speaker 2>I promise.

2084
01:50:41.720 --> 01:50:45.600
<v Speaker 1>Nice set. Speaking of a nice set, this is one

2085
01:50:45.640 --> 01:50:48.039
<v Speaker 1>that I think of many many people are very excited

2086
01:50:48.079 --> 01:50:51.840
<v Speaker 1>about this week August fifth, which keep in mind that's

2087
01:50:51.880 --> 01:50:55.279
<v Speaker 1>only in like three weeks. This is very soon. We

2088
01:50:55.359 --> 01:50:58.399
<v Speaker 1>are getting a four K steel book of Master and

2089
01:50:58.479 --> 01:51:02.039
<v Speaker 1>Commander the Far Side of the World. This is a

2090
01:51:02.079 --> 01:51:04.880
<v Speaker 1>big deal because this is a Fox title which has

2091
01:51:04.920 --> 01:51:08.079
<v Speaker 1>been locked away in the Disney vault since they purchased them,

2092
01:51:08.279 --> 01:51:13.239
<v Speaker 1>and we are now getting a four K UHD release

2093
01:51:13.279 --> 01:51:17.079
<v Speaker 1>of this movie. Unfortunately, the big story here is that

2094
01:51:17.119 --> 01:51:20.800
<v Speaker 1>it is not going to be including the wonderful DVD

2095
01:51:21.880 --> 01:51:24.159
<v Speaker 1>special features that we got on that big two disc

2096
01:51:24.279 --> 01:51:28.600
<v Speaker 1>release that a lot of collectors still have. Unfortunately, I

2097
01:51:28.720 --> 01:51:30.279
<v Speaker 1>do not have it anymore, and I need to get

2098
01:51:30.319 --> 01:51:33.239
<v Speaker 1>a second hand copy because this is not going to

2099
01:51:33.319 --> 01:51:36.600
<v Speaker 1>include all those bonus features, like there's a documentary and everything.

2100
01:51:37.399 --> 01:51:39.600
<v Speaker 1>So this thing is coming. It's going to have a

2101
01:51:40.079 --> 01:51:42.760
<v Speaker 1>wonderful looking steel book. I actually think this is a

2102
01:51:42.800 --> 01:51:46.119
<v Speaker 1>really classy release. The UK is getting this exact same

2103
01:51:46.119 --> 01:51:48.800
<v Speaker 1>steel book and a standard four K release, so if

2104
01:51:48.800 --> 01:51:50.720
<v Speaker 1>you don't want to steal book, you're gonna have to

2105
01:51:50.720 --> 01:51:52.960
<v Speaker 1>pick up the UK one. It is very much like

2106
01:51:53.039 --> 01:51:57.119
<v Speaker 1>Kingdom of Heaven. For some reason, you are if you

2107
01:51:57.159 --> 01:51:59.319
<v Speaker 1>love this movie, this is going to look amazing. It's

2108
01:51:59.359 --> 01:52:05.039
<v Speaker 1>gonna have Dolby Vision, it looks impressive. You've got immersive audio,

2109
01:52:05.159 --> 01:52:07.279
<v Speaker 1>like everything about this is going to be a stellar

2110
01:52:07.319 --> 01:52:08.239
<v Speaker 1>release guaranteed.

2111
01:52:08.960 --> 01:52:12.079
<v Speaker 2>Yeah, this is such an amazing film. I am very

2112
01:52:12.079 --> 01:52:15.239
<v Speaker 2>excited about this one, and I do have that two

2113
01:52:15.239 --> 01:52:19.119
<v Speaker 2>disc box set that you are talking about, but I'm

2114
01:52:19.159 --> 01:52:21.000
<v Speaker 2>still tempted to pick this one up just because it

2115
01:52:21.039 --> 01:52:23.640
<v Speaker 2>would be so beautiful, such a great film.

2116
01:52:24.880 --> 01:52:27.000
<v Speaker 1>Z Pam says that Dark Knight Trilogy set is on

2117
01:52:27.039 --> 01:52:30.720
<v Speaker 1>Amazon Canada. Nice, so Canada, we'll get a release. Orbit

2118
01:52:30.880 --> 01:52:34.560
<v Speaker 1>is not taking pre orders for Sony and Disney Steel books.

2119
01:52:34.600 --> 01:52:36.600
<v Speaker 1>It's a bummer, but I get it. They want to

2120
01:52:36.600 --> 01:52:38.720
<v Speaker 1>make sure they can fulfill and that's the hard part

2121
01:52:38.720 --> 01:52:42.439
<v Speaker 1>with these I don't understand what's going on necessarily, but

2122
01:52:42.880 --> 01:52:45.920
<v Speaker 1>Mark has had trouble like taking pre orders for titles

2123
01:52:45.960 --> 01:52:48.720
<v Speaker 1>and then simply not getting them in stock, and that

2124
01:52:48.840 --> 01:52:52.319
<v Speaker 1>causes giant problems on the back end. I mean refunding people.

2125
01:52:52.359 --> 01:52:55.359
<v Speaker 1>You're paying credit card processing fees and you can't charge

2126
01:52:55.359 --> 01:52:59.640
<v Speaker 1>that to the customer. There's a lot there. But this one,

2127
01:52:59.640 --> 01:53:01.000
<v Speaker 1>I gotta I gotta find a way to get a

2128
01:53:01.000 --> 01:53:06.079
<v Speaker 1>copy of it. Absolutely. Okay, So we talked about another

2129
01:53:06.600 --> 01:53:10.199
<v Speaker 1>replacement program. Let's talk about the issues that have played

2130
01:53:10.319 --> 01:53:13.000
<v Speaker 1>terror Vision over the last couple weeks. So this is

2131
01:53:13.079 --> 01:53:15.640
<v Speaker 1>kind of Crazy. One of their titles, the one that

2132
01:53:15.640 --> 01:53:17.119
<v Speaker 1>you can see on the screen right now, Suddenly in

2133
01:53:17.159 --> 01:53:20.520
<v Speaker 1>the Dark. This was announced in January and this title

2134
01:53:20.600 --> 01:53:25.600
<v Speaker 1>has essentially been cursed for us. This has caused so

2135
01:53:25.680 --> 01:53:28.399
<v Speaker 1>many problems to just completely spiral. So let's go through it.

2136
01:53:29.079 --> 01:53:31.920
<v Speaker 1>The first thing, The Devil's Sword. This is a movie

2137
01:53:31.920 --> 01:53:33.640
<v Speaker 1>that I produced a bunch of the special features for.

2138
01:53:33.880 --> 01:53:35.960
<v Speaker 1>I've been excited to get this in hand for so long,

2139
01:53:36.520 --> 01:53:39.520
<v Speaker 1>and as it looks like a bunch of the discs

2140
01:53:39.600 --> 01:53:42.239
<v Speaker 1>are not playing. Now here's where it gets crazy. Because

2141
01:53:42.239 --> 01:53:45.239
<v Speaker 1>we talked earlier about them checking the discs. What's hard

2142
01:53:45.520 --> 01:53:49.039
<v Speaker 1>is about forty percent of these discs were working when

2143
01:53:49.039 --> 01:53:51.319
<v Speaker 1>they got to the warehouse. TerrorVision put in a few

2144
01:53:51.319 --> 01:53:54.119
<v Speaker 1>of them and they worked just fine, so they started

2145
01:53:54.119 --> 01:53:57.000
<v Speaker 1>shipping them out. But then when people were getting them,

2146
01:53:57.119 --> 01:53:59.000
<v Speaker 1>a bunch of people were messaging and saying, hey, this

2147
01:53:59.600 --> 01:54:02.600
<v Speaker 1>disc is pointing out that it is not a completed disc.

2148
01:54:03.039 --> 01:54:06.359
<v Speaker 1>So something happened in the actual manufacturing process because the

2149
01:54:06.359 --> 01:54:09.560
<v Speaker 1>files were exactly what they needed to be. And the

2150
01:54:09.600 --> 01:54:11.640
<v Speaker 1>replicator is definitely gonna have to be the one to

2151
01:54:11.640 --> 01:54:13.319
<v Speaker 1>cover this because they're the ones that screwed it up.

2152
01:54:13.359 --> 01:54:16.520
<v Speaker 1>So no need to email TerrorVision. The only discs that

2153
01:54:16.560 --> 01:54:19.439
<v Speaker 1>went out were for people that had purchased directly, so

2154
01:54:19.479 --> 01:54:21.239
<v Speaker 1>you're just gonna get a brand new disc and you

2155
01:54:21.239 --> 01:54:23.319
<v Speaker 1>don't have to ask for it. So if your disc works,

2156
01:54:23.720 --> 01:54:25.119
<v Speaker 1>you get to give on to a friend because you're

2157
01:54:25.119 --> 01:54:26.920
<v Speaker 1>gonna have a second disc. Just just give it away.

2158
01:54:26.960 --> 01:54:30.600
<v Speaker 1>It's a great movie. Then the second title, The Children

2159
01:54:30.640 --> 01:54:32.520
<v Speaker 1>of Violent Rome, another movie that I did some special

2160
01:54:32.560 --> 01:54:35.039
<v Speaker 1>features for. My friend Sam Cohen, who's in the discord,

2161
01:54:35.479 --> 01:54:38.279
<v Speaker 1>got him to write a piece on this one. The

2162
01:54:38.359 --> 01:54:40.640
<v Speaker 1>disc is fine on this, but all of the slipcovers

2163
01:54:40.680 --> 01:54:45.279
<v Speaker 1>came in completely mingled, not anything to do with TerrorVision,

2164
01:54:45.319 --> 01:54:49.600
<v Speaker 1>the shipping partner. They all just came in completely thrashed.

2165
01:54:49.680 --> 01:54:51.800
<v Speaker 1>So these are getting reprinted and as soon as they

2166
01:54:51.880 --> 01:54:54.039
<v Speaker 1>get there they will be sent with a fresh batch

2167
01:54:54.159 --> 01:54:57.399
<v Speaker 1>to everybody. If you got one, you got one of

2168
01:54:57.479 --> 01:55:00.600
<v Speaker 1>like the very small number of titles that were in

2169
01:55:00.640 --> 01:55:04.479
<v Speaker 1>this that were not damaged. So congratulations, you're the exception,

2170
01:55:04.600 --> 01:55:09.079
<v Speaker 1>certainly not the rule. Now the big one, Suddenly in

2171
01:55:09.079 --> 01:55:13.840
<v Speaker 1>the Dark has been just completely ruined and ruined and

2172
01:55:13.960 --> 01:55:17.319
<v Speaker 1>ruined time and time again. This was weird because in

2173
01:55:17.479 --> 01:55:19.600
<v Speaker 1>QC something got caught and we went to fix it,

2174
01:55:19.640 --> 01:55:23.359
<v Speaker 1>and then that fix screwed up the entire digital master

2175
01:55:23.479 --> 01:55:25.239
<v Speaker 1>for some reason, and so we had to go in

2176
01:55:25.279 --> 01:55:29.279
<v Speaker 1>and fix that again after that. And now the curse

2177
01:55:29.439 --> 01:55:32.359
<v Speaker 1>is coming because the disc is finally fixed and the

2178
01:55:32.680 --> 01:55:36.760
<v Speaker 1>discs have arrived at the warehouse, but unfortunately, all of

2179
01:55:36.800 --> 01:55:40.319
<v Speaker 1>the packaging was shipped to Florida instead of Georgia, where

2180
01:55:40.319 --> 01:55:43.880
<v Speaker 1>they were supposed to be, so Terror Vision had to

2181
01:55:43.920 --> 01:55:48.479
<v Speaker 1>go with a trailer, rent a truck and trailer drive

2182
01:55:48.600 --> 01:55:52.640
<v Speaker 1>to Florida, and then package them themselves after they were

2183
01:55:52.680 --> 01:55:55.479
<v Speaker 1>sent to two different places. So this is going to

2184
01:55:55.479 --> 01:55:58.359
<v Speaker 1>be happening over the next few days. They planned to

2185
01:55:58.359 --> 01:56:00.640
<v Speaker 1>have all of these fixed and shipped out to people.

2186
01:56:01.000 --> 01:56:03.359
<v Speaker 1>Over the next week. You will finally be getting Suddenly

2187
01:56:03.399 --> 01:56:05.359
<v Speaker 1>in the Dark. I did a bunch of stuff for

2188
01:56:05.399 --> 01:56:08.000
<v Speaker 1>this disc, so I've been patiently waiting because this movie

2189
01:56:08.039 --> 01:56:10.520
<v Speaker 1>is gorgeous. Have you ever seen Suddenly in the Dark.

2190
01:56:11.119 --> 01:56:13.600
<v Speaker 2>I haven't, but I've just was reading about it while

2191
01:56:13.600 --> 01:56:16.560
<v Speaker 2>you're talking, and it sounds like a crazy, crazy movie.

2192
01:56:17.079 --> 01:56:19.600
<v Speaker 1>It is amazing, like this movie is sort of an

2193
01:56:19.680 --> 01:56:22.119
<v Speaker 1>underseen masterpiece. I really hope people check this out because

2194
01:56:22.279 --> 01:56:25.239
<v Speaker 1>it's incredible. But I'm just glad that it will finally

2195
01:56:25.279 --> 01:56:28.000
<v Speaker 1>be out there. The other big thing is we are

2196
01:56:28.039 --> 01:56:31.039
<v Speaker 1>waiting for updates on Arbor Day an Invader, and then

2197
01:56:31.359 --> 01:56:34.000
<v Speaker 1>hopefully nothing else happens to those, and then there's gonna

2198
01:56:34.000 --> 01:56:36.119
<v Speaker 1>be some more updates on Sledgehammer and Gator Bait one

2199
01:56:36.159 --> 01:56:38.279
<v Speaker 1>and two, and as soon as they know more, they

2200
01:56:38.319 --> 01:56:40.079
<v Speaker 1>will be announcing those and I will do my best

2201
01:56:40.119 --> 01:56:46.000
<v Speaker 1>to cover them. All that to say, like, manufacturing so

2202
01:56:46.119 --> 01:56:51.399
<v Speaker 1>many titles is hard. It's very difficult to be patient sometimes,

2203
01:56:51.479 --> 01:56:53.479
<v Speaker 1>especially like Suddenly in the Dark has been plagued with

2204
01:56:53.520 --> 01:56:56.479
<v Speaker 1>issues for almost six months. Now. I get that that's

2205
01:56:56.479 --> 01:56:59.840
<v Speaker 1>a long time. Try to have some sympathy for people

2206
01:57:00.079 --> 01:57:02.000
<v Speaker 1>in these companies that they are working to make sure

2207
01:57:02.000 --> 01:57:04.000
<v Speaker 1>that it comes perfect. They don't want there to be errors.

2208
01:57:04.399 --> 01:57:07.960
<v Speaker 1>That costs them money too, I mean they're losing you know, customers,

2209
01:57:08.000 --> 01:57:10.640
<v Speaker 1>losing faith in them. They just want everybody to have

2210
01:57:10.640 --> 01:57:14.520
<v Speaker 1>the best experience. They love these movies too, So yeah,

2211
01:57:14.600 --> 01:57:15.680
<v Speaker 1>it's it's hard.

2212
01:57:16.079 --> 01:57:19.479
<v Speaker 2>Yeah, it's it really is an interesting element of the

2213
01:57:19.520 --> 01:57:21.720
<v Speaker 2>business that you don't think about, is like all all

2214
01:57:21.760 --> 01:57:25.600
<v Speaker 2>the business behind just getting the movie to you. Yeah, right,

2215
01:57:25.720 --> 01:57:29.159
<v Speaker 2>and how many countries that you're dealing with for all

2216
01:57:29.199 --> 01:57:33.079
<v Speaker 2>the different pieces to come together, especially these days with

2217
01:57:33.800 --> 01:57:35.319
<v Speaker 2>all the extra craziness happening.

2218
01:57:35.520 --> 01:57:41.880
<v Speaker 1>Yeah, I mean countries, companies, shipping problems that can happen.

2219
01:57:42.319 --> 01:57:48.039
<v Speaker 1>It is wild, right, Speaking of wild, let's go to

2220
01:57:48.119 --> 01:57:49.840
<v Speaker 1>our next one. This is one of the most sodd

2221
01:57:49.880 --> 01:57:51.960
<v Speaker 1>after titles for the last couple of years because Keino

2222
01:57:52.000 --> 01:57:55.479
<v Speaker 1>announced in October of twenty twenty three that they were

2223
01:57:55.520 --> 01:57:59.640
<v Speaker 1>releasing the four Ilsa movies on four K, and we

2224
01:57:59.680 --> 01:58:03.399
<v Speaker 1>finally have details on the very first one September thirtieth.

2225
01:58:03.439 --> 01:58:06.399
<v Speaker 1>We are getting a four K release of Ilsa she

2226
01:58:06.600 --> 01:58:09.520
<v Speaker 1>Wolf of the SS from nineteen seventy five. This is

2227
01:58:09.600 --> 01:58:12.760
<v Speaker 1>number thirty seven in the Keno Coult line. This has

2228
01:58:12.760 --> 01:58:16.960
<v Speaker 1>a brand new HDR Dolby vision Master. There's an audio

2229
01:58:17.000 --> 01:58:20.239
<v Speaker 1>commentary by the actress Diane Thorne, the director, Don Edmunds,

2230
01:58:20.319 --> 01:58:23.720
<v Speaker 1>producer David F. Friedman, moderated by Martin Lewis. That's an

2231
01:58:23.800 --> 01:58:27.920
<v Speaker 1>archival commentary. There's a new commentary by Kat Ellinger and

2232
01:58:28.279 --> 01:58:31.800
<v Speaker 1>Eugenie Melodic. There's an interview with Dot Edmunds that Elijah

2233
01:58:31.880 --> 01:58:35.159
<v Speaker 1>Drinner was able to do I believe earlier this year.

2234
01:58:35.560 --> 01:58:37.520
<v Speaker 1>And then a trailer. Now, a lot of people was

2235
01:58:37.560 --> 01:58:39.319
<v Speaker 1>thinking that these were going to be a box sets.

2236
01:58:39.359 --> 01:58:41.840
<v Speaker 1>Now we are still going to get a box set.

2237
01:58:42.159 --> 01:58:45.760
<v Speaker 1>Keno has said that in the various forums that they've

2238
01:58:45.760 --> 01:58:49.159
<v Speaker 1>been talking about this and commenting the hard part is

2239
01:58:49.199 --> 01:58:51.039
<v Speaker 1>we have no idea when they're not going to do

2240
01:58:51.079 --> 01:58:54.600
<v Speaker 1>a box set until all four of the standalone releases

2241
01:58:54.640 --> 01:58:56.680
<v Speaker 1>have been released and people have bought all those up,

2242
01:58:57.039 --> 01:58:59.399
<v Speaker 1>and then they will put them all together in a

2243
01:58:59.439 --> 01:59:02.640
<v Speaker 1>box set. So make sure if you're wanting all four

2244
01:59:02.680 --> 01:59:04.399
<v Speaker 1>of them and you want to save some bucks, it

2245
01:59:04.399 --> 01:59:06.720
<v Speaker 1>will likely be at least slightly cheaper. The hard part,

2246
01:59:07.279 --> 01:59:11.920
<v Speaker 1>you've already waited almost two years for this is to

2247
01:59:11.960 --> 01:59:15.039
<v Speaker 1>come to fruition. You could be waiting another I don't

2248
01:59:15.079 --> 01:59:17.920
<v Speaker 1>know year, year and a half before that buck sits,

2249
01:59:17.960 --> 01:59:20.680
<v Speaker 1>So I'd be saying, how much do you want them?

2250
01:59:20.960 --> 01:59:23.560
<v Speaker 2>Yeah?

2251
01:59:23.760 --> 01:59:27.640
<v Speaker 1>Nazi sploitation. Have you ever checked out many Nazi exploitation films?

2252
01:59:27.880 --> 01:59:28.039
<v Speaker 1>You know?

2253
01:59:28.119 --> 01:59:31.920
<v Speaker 2>I haven't, But this one's been on my radar, largely

2254
01:59:31.960 --> 01:59:36.520
<v Speaker 2>because we're doing a series later this year. We're for

2255
01:59:36.680 --> 01:59:39.520
<v Speaker 2>the next reel we're doing. We're jumping back like we're

2256
01:59:40.079 --> 01:59:42.399
<v Speaker 2>we did a twenty twenty five film talking about Ballerina

2257
01:59:42.399 --> 01:59:45.920
<v Speaker 2>that we're doing two thousand, nineteen seventy five, nineteen fifty,

2258
01:59:46.000 --> 01:59:49.039
<v Speaker 2>nineteen twenty five, so we're doing nice whole series and

2259
01:59:49.119 --> 01:59:52.720
<v Speaker 2>for seventy five we're doing like pioneering visions in global cinema.

2260
01:59:53.119 --> 01:59:56.199
<v Speaker 2>And I was really intempted to include this on the list,

2261
01:59:57.119 --> 01:59:59.119
<v Speaker 2>but at the very least, what I'm wanting to do

2262
01:59:59.239 --> 02:00:01.880
<v Speaker 2>is like throw this out out as a potential member

2263
02:00:01.920 --> 02:00:04.000
<v Speaker 2>bonus episode, see if the members vote on it. But

2264
02:00:05.079 --> 02:00:06.800
<v Speaker 2>I'm very curious about this one. For sure.

2265
02:00:08.560 --> 02:00:11.560
<v Speaker 1>Corna is pointing out Gestapo's Last Orgy is amazing, and

2266
02:00:11.600 --> 02:00:14.279
<v Speaker 1>then Adam says, The Beast and Heat rocks. No, not really,

2267
02:00:15.319 --> 02:00:20.760
<v Speaker 1>that's true. The movie is bad. However, I believe where

2268
02:00:20.800 --> 02:00:24.800
<v Speaker 1>is it is that the one that's got the documentary

2269
02:00:24.800 --> 02:00:29.199
<v Speaker 1>on it? So the Beaston Heat, Yes, So this release

2270
02:00:29.279 --> 02:00:31.399
<v Speaker 1>from Severn of the Beast and Heat is the one

2271
02:00:31.399 --> 02:00:34.520
<v Speaker 1>that has it's called Fascism on a Thread, The Strange

2272
02:00:34.520 --> 02:00:38.279
<v Speaker 1>Story of Nazi Exploitation cinema new feature length documentary. You

2273
02:00:38.279 --> 02:00:40.399
<v Speaker 1>should own this disc for that documentary.

2274
02:00:40.399 --> 02:00:41.239
<v Speaker 2>I really should.

2275
02:00:41.920 --> 02:00:46.760
<v Speaker 1>The movie is not great, but I probably shouldn't say

2276
02:00:46.800 --> 02:00:48.640
<v Speaker 1>that the week before a seven sale. But by the

2277
02:00:48.720 --> 02:00:53.039
<v Speaker 1>disc just not for that reason. Don't even watch the movie,

2278
02:00:54.039 --> 02:00:57.840
<v Speaker 1>watch the documentary. Speaking of Severn, they are putting out

2279
02:00:57.840 --> 02:01:02.079
<v Speaker 1>a four K release of Brian to Palma's Sisters inspired

2280
02:01:02.439 --> 02:01:04.840
<v Speaker 1>remake from two thousand and six. That was mean. I

2281
02:01:04.840 --> 02:01:09.720
<v Speaker 1>should not have said it like that. Sisters, directed by

2282
02:01:09.760 --> 02:01:14.600
<v Speaker 1>Douglas Buck and starring Chlobe Sevenier. I've never heard much

2283
02:01:14.720 --> 02:01:16.560
<v Speaker 1>great about this movie. I've never seen this one. Have

2284
02:01:16.560 --> 02:01:17.199
<v Speaker 1>you seen this one?

2285
02:01:17.600 --> 02:01:22.720
<v Speaker 2>I haven't seen this one. Yeah, I would be curious

2286
02:01:22.760 --> 02:01:25.359
<v Speaker 2>to It would be an interesting side by side comparison.

2287
02:01:25.439 --> 02:01:28.439
<v Speaker 2>Like sometimes with these sorts of remakes, I find it

2288
02:01:28.880 --> 02:01:30.720
<v Speaker 2>like that's kind of an interesting way to do it,

2289
02:01:30.840 --> 02:01:32.600
<v Speaker 2>just to really see what they try to figure out

2290
02:01:32.600 --> 02:01:33.920
<v Speaker 2>what they were going for, you know.

2291
02:01:34.560 --> 02:01:39.279
<v Speaker 1>Yeah, I mean supposedly this is like pretty shot for

2292
02:01:39.359 --> 02:01:41.640
<v Speaker 1>shot for a lot of it, at least until the ending,

2293
02:01:41.680 --> 02:01:47.640
<v Speaker 1>which is an interesting choice to like have have the

2294
02:01:47.800 --> 02:01:51.319
<v Speaker 1>gumption to say I'm going to remake it to Palma

2295
02:01:51.319 --> 02:01:53.560
<v Speaker 1>movie shot for shot because I could do that.

2296
02:01:53.760 --> 02:01:56.960
<v Speaker 2>Is that's a choice that it really is? It really is.

2297
02:01:57.079 --> 02:01:59.720
<v Speaker 1>Yeah. So this is gonna have an audio commentary with

2298
02:01:59.800 --> 02:02:03.640
<v Speaker 1>Dre and with David Gregory of Severn. There's an archival

2299
02:02:03.680 --> 02:02:06.159
<v Speaker 1>documentary on here as well. This will have a soundtrack CD,

2300
02:02:06.439 --> 02:02:08.760
<v Speaker 1>just like we talked about with the other Severn stuff.

2301
02:02:09.079 --> 02:02:13.039
<v Speaker 1>There's some archival extras on the Blu Ray release, including

2302
02:02:13.560 --> 02:02:16.279
<v Speaker 1>Glass Eye Pictures Presents Tales from Beyond the Pale Hidden

2303
02:02:16.319 --> 02:02:19.239
<v Speaker 1>Records by Douglas Buck with Kevin Klein and Tony Todd.

2304
02:02:19.800 --> 02:02:23.319
<v Speaker 1>I'm not sure what that is, but I kind of

2305
02:02:23.319 --> 02:02:29.119
<v Speaker 1>want to check that out. Uh, interesting, it sounds very interesting. Yeah,

2306
02:02:29.159 --> 02:02:32.119
<v Speaker 1>this is this is one that I'm more curious in

2307
02:02:32.199 --> 02:02:33.720
<v Speaker 1>the features than the film. I think.

2308
02:02:35.119 --> 02:02:38.079
<v Speaker 2>Yeah, yeah, again, it would be interesting to kind of

2309
02:02:38.119 --> 02:02:40.640
<v Speaker 2>just look at and see what they were intending to

2310
02:02:40.760 --> 02:02:41.279
<v Speaker 2>do with it.

2311
02:02:41.359 --> 02:02:45.279
<v Speaker 1>But yeah, I love the comments here. Gary says, yeah,

2312
02:02:45.279 --> 02:02:47.600
<v Speaker 1>that worked out well for the Psycho remake, and then

2313
02:02:47.960 --> 02:02:50.199
<v Speaker 1>Sibners says, like someone trying to remake a Hitchcock film

2314
02:02:50.239 --> 02:02:51.840
<v Speaker 1>shot for shot, But who would ever do that?

2315
02:02:52.159 --> 02:02:55.439
<v Speaker 2>You know? I this is my what I always say

2316
02:02:55.439 --> 02:02:57.920
<v Speaker 2>with that is like if I were gust fans at

2317
02:02:58.000 --> 02:03:00.359
<v Speaker 2>and a studio offered me the chance to do that,

2318
02:03:00.840 --> 02:03:03.319
<v Speaker 2>Hell yeah, like the things that you could learn as

2319
02:03:03.359 --> 02:03:08.279
<v Speaker 2>a filmmaker of actually crafting like a Hitchcock film shot

2320
02:03:08.279 --> 02:03:11.119
<v Speaker 2>for shot, Like I feel like he probably learned so

2321
02:03:11.319 --> 02:03:14.039
<v Speaker 2>much in the process of just how to cut a film,

2322
02:03:14.119 --> 02:03:17.279
<v Speaker 2>construct it everything. I mean, it's just like invaluable and

2323
02:03:17.319 --> 02:03:19.920
<v Speaker 2>you're getting paid to do it, like I would absolutely

2324
02:03:20.000 --> 02:03:24.199
<v Speaker 2>do it. But yeah, it's then you have the result

2325
02:03:24.279 --> 02:03:25.640
<v Speaker 2>and you have to live.

2326
02:03:25.439 --> 02:03:32.319
<v Speaker 1>With that, I suppose, the ramifications of remaking a master's work. Hoobolly.

2327
02:03:34.359 --> 02:03:36.680
<v Speaker 1>Next one, man, I'm very curious about this one because

2328
02:03:36.680 --> 02:03:39.079
<v Speaker 1>I have never seen this movie, and I'm sure many

2329
02:03:39.079 --> 02:03:41.600
<v Speaker 1>of you in the chat have very curious because I

2330
02:03:41.760 --> 02:03:44.680
<v Speaker 1>seem to really like Kevin Coster's at least around this era.

2331
02:03:44.800 --> 02:03:46.640
<v Speaker 1>I know that he's kind of an asshole right now,

2332
02:03:47.119 --> 02:03:49.680
<v Speaker 1>but uh, October seventh, we're getting a four K steel

2333
02:03:49.680 --> 02:03:53.319
<v Speaker 1>book from Sony of Silverado from nineteen eighty five. Now,

2334
02:03:53.880 --> 02:03:56.720
<v Speaker 1>this coming from Sony, I guarantee this is going to

2335
02:03:56.760 --> 02:03:59.359
<v Speaker 1>look amazing. Of course, it's a steel book only release,

2336
02:03:59.399 --> 02:04:01.359
<v Speaker 1>which sucks. I'm not standing up for that at all.

2337
02:04:02.039 --> 02:04:05.119
<v Speaker 1>But how do you feel about Silvato? Have you seen this?

2338
02:04:05.560 --> 02:04:10.399
<v Speaker 2>It's a very fun movie. I think my initial reaction

2339
02:04:10.560 --> 02:04:13.800
<v Speaker 2>to it was confusion because I didn't think a Western

2340
02:04:13.920 --> 02:04:16.920
<v Speaker 2>should be funny, and I think like it, Like I

2341
02:04:17.000 --> 02:04:19.520
<v Speaker 2>struggled with that initially, and then I got over myself

2342
02:04:19.560 --> 02:04:22.560
<v Speaker 2>and it's just it's a very very fun movie. And

2343
02:04:22.800 --> 02:04:25.520
<v Speaker 2>I mean the cast is great with Kevin Klein and

2344
02:04:25.800 --> 02:04:29.199
<v Speaker 2>John Cleese is in it, and it's just it's kind

2345
02:04:29.239 --> 02:04:32.960
<v Speaker 2>of a great time. It's a very easy fun movie

2346
02:04:33.000 --> 02:04:33.640
<v Speaker 2>to watch.

2347
02:04:34.039 --> 02:04:37.319
<v Speaker 1>It sounds like, especially with that cast. I yeah, it

2348
02:04:37.439 --> 02:04:40.359
<v Speaker 1>certainly is one that I'm probably gonna give a watch too.

2349
02:04:41.119 --> 02:04:43.039
<v Speaker 1>I love that Adam has me pegged and says Ryan

2350
02:04:43.039 --> 02:04:47.279
<v Speaker 1>doesn't watch westerns. I do. That's not many, but yeah,

2351
02:04:47.279 --> 02:04:50.439
<v Speaker 1>you're right at him. I'm sorry, it's no fan Dango.

2352
02:04:50.520 --> 02:04:52.760
<v Speaker 1>I still have not watched Fan Dango. Damn it. I

2353
02:04:52.800 --> 02:04:55.680
<v Speaker 1>need to. And then Silverad is a fun film and

2354
02:04:55.720 --> 02:04:58.359
<v Speaker 1>great soundtrack, thanks Dah.

2355
02:04:58.560 --> 02:04:59.239
<v Speaker 2>Great soundtrack.

2356
02:04:59.279 --> 02:05:03.399
<v Speaker 1>Absolutely all right, going to our next one. This is

2357
02:05:03.399 --> 02:05:07.720
<v Speaker 1>an incredible movie. We've got August twenty sixth from Warner Archive,

2358
02:05:07.760 --> 02:05:10.720
<v Speaker 1>a four K of Get Carter. Now. The hard part

2359
02:05:10.800 --> 02:05:14.560
<v Speaker 1>here is BFI released this on four K twenty twenty

2360
02:05:14.680 --> 02:05:18.159
<v Speaker 1>two or twenty twenty three. This is literally the exact

2361
02:05:18.199 --> 02:05:20.600
<v Speaker 1>same release, So if you've got the BFI, you certainly

2362
02:05:20.600 --> 02:05:23.239
<v Speaker 1>don't need this. This is literally the same restoration they're

2363
02:05:23.359 --> 02:05:26.720
<v Speaker 1>using the BFI. They even reference it. I believe this

2364
02:05:26.800 --> 02:05:29.239
<v Speaker 1>has all of the exact same extras. If anything, the

2365
02:05:29.279 --> 02:05:32.479
<v Speaker 1>BFI might even have one extra one, but they're pulling

2366
02:05:32.520 --> 02:05:35.560
<v Speaker 1>over like some of the talks that happened over at

2367
02:05:35.600 --> 02:05:38.359
<v Speaker 1>the BFI. So not a lot that you're going to

2368
02:05:38.439 --> 02:05:42.520
<v Speaker 1>be missing either way. But this movie is a masterpiece.

2369
02:05:42.560 --> 02:05:43.600
<v Speaker 1>How do you feel about Get Carter?

2370
02:05:44.000 --> 02:05:47.039
<v Speaker 2>Yeah, I absolutely love it. It's a great film. I

2371
02:05:47.079 --> 02:05:50.199
<v Speaker 2>haven't seen the remake. It was not a remake that

2372
02:05:50.239 --> 02:05:52.840
<v Speaker 2>I was itching to see, but I haven't heard terrible

2373
02:05:52.840 --> 02:05:54.960
<v Speaker 2>things about it, so maybe it's it's worth a check.

2374
02:05:55.520 --> 02:05:58.920
<v Speaker 2>But and you know, I mean, I have such an

2375
02:05:58.920 --> 02:06:03.159
<v Speaker 2>easy time watching Michael Caine, you know, in pretty much anything,

2376
02:06:03.199 --> 02:06:05.960
<v Speaker 2>even when he's doing even when he's doing his Jaws

2377
02:06:06.000 --> 02:06:10.800
<v Speaker 2>the revenge is you know, but this, you know, I

2378
02:06:10.920 --> 02:06:13.039
<v Speaker 2>just an a Michael Caine thing. I'd love to see

2379
02:06:13.079 --> 02:06:15.439
<v Speaker 2>them do a four K of Gambit, which is, you know,

2380
02:06:15.439 --> 02:06:18.720
<v Speaker 2>one of my favorites in this era of Michael Kine.

2381
02:06:18.760 --> 02:06:21.239
<v Speaker 2>But I mean, yeah, Carter is absolutely a fun one.

2382
02:06:21.680 --> 02:06:25.359
<v Speaker 1>I think did not I think Keino released it on

2383
02:06:25.439 --> 02:06:26.720
<v Speaker 1>Blu ray on Blue.

2384
02:06:26.800 --> 02:06:28.600
<v Speaker 2>Yeah, they have the Blue at that came out like

2385
02:06:28.640 --> 02:06:29.279
<v Speaker 2>three years ago.

2386
02:06:29.640 --> 02:06:32.359
<v Speaker 1>Yeah, not too too long. Ago. Yeah, twenty twenty two,

2387
02:06:32.560 --> 02:06:35.920
<v Speaker 1>So I mean it's Keno. I wouldn't have put it

2388
02:06:35.920 --> 02:06:36.760
<v Speaker 1>passed him to put.

2389
02:06:36.600 --> 02:06:38.720
<v Speaker 2>That on four K, I know, fingers crossed.

2390
02:06:40.199 --> 02:06:42.359
<v Speaker 1>So that's the beginning of where archive. This is their

2391
02:06:42.479 --> 02:06:46.840
<v Speaker 1>third four K release. Just keep in mind it's the

2392
02:06:46.880 --> 02:06:50.560
<v Speaker 1>first one was announced like last November I think it was,

2393
02:06:50.720 --> 02:06:55.039
<v Speaker 1>and so in eight months they've announced three. They've already

2394
02:06:55.039 --> 02:06:57.279
<v Speaker 1>said they're not going to be doing a lot of

2395
02:06:57.279 --> 02:07:01.039
<v Speaker 1>four k's, so probably three or for a year is

2396
02:07:01.199 --> 02:07:03.479
<v Speaker 1>probably about the pace that we're gonna get from more Archive.

2397
02:07:03.880 --> 02:07:07.279
<v Speaker 1>That being said, they do incredible work on their restorations

2398
02:07:07.439 --> 02:07:10.439
<v Speaker 1>and the bf I did great with this, so being

2399
02:07:10.479 --> 02:07:12.840
<v Speaker 1>able to see them put that amount of work into

2400
02:07:12.840 --> 02:07:15.199
<v Speaker 1>a four K, if we're only getting three or four

2401
02:07:15.199 --> 02:07:18.680
<v Speaker 1>at least, they're going to be incredibly high quality. Absolutely,

2402
02:07:19.520 --> 02:07:22.399
<v Speaker 1>And now some more from this slate from them, we

2403
02:07:22.479 --> 02:07:25.359
<v Speaker 1>get that Midnight Kiss from nineteen forty nine, another one

2404
02:07:25.359 --> 02:07:28.840
<v Speaker 1>that I've not seen Technicolor musical. Have you seen that

2405
02:07:28.920 --> 02:07:29.800
<v Speaker 1>Midnight Kiss?

2406
02:07:30.000 --> 02:07:32.359
<v Speaker 2>I have not seen this one. I'm trying to look

2407
02:07:32.359 --> 02:07:34.079
<v Speaker 2>at it and see if I've even heard of this one.

2408
02:07:34.119 --> 02:07:37.279
<v Speaker 2>It's kind of like a yeah, it's just one of

2409
02:07:37.279 --> 02:07:40.960
<v Speaker 2>these ones that completely escaped me. But it looks interesting.

2410
02:07:41.319 --> 02:07:44.079
<v Speaker 2>And this just going back to like posters and art.

2411
02:07:44.159 --> 02:07:45.840
<v Speaker 2>I love when they do you just use old art

2412
02:07:45.840 --> 02:07:47.039
<v Speaker 2>post art like this. It's great.

2413
02:07:47.159 --> 02:07:49.159
<v Speaker 1>Yeah, yeah, it's.

2414
02:07:49.079 --> 02:07:52.319
<v Speaker 2>Arael, director is very big in the Elvis films.

2415
02:07:52.760 --> 02:07:57.359
<v Speaker 1>M interesting. So this four K scan of the original

2416
02:07:57.479 --> 02:08:01.520
<v Speaker 1>nitrate Technicolor Negatives which just chef's kiss. This is gonna

2417
02:08:01.520 --> 02:08:05.720
<v Speaker 1>look beautiful, guaranteed color film and then special features. Wise,

2418
02:08:05.760 --> 02:08:08.039
<v Speaker 1>they got a deleted musical out take called one Love

2419
02:08:08.079 --> 02:08:10.960
<v Speaker 1>of Mine, which that's really cool that we're getting this

2420
02:08:11.000 --> 02:08:14.039
<v Speaker 1>so many years later. There's a classic MGM cartoon on

2421
02:08:14.079 --> 02:08:17.399
<v Speaker 1>here called Heavenly Puss, and one called signor Drupe, and

2422
02:08:17.399 --> 02:08:19.359
<v Speaker 1>then you got the trailer. I'm glad that they threw

2423
02:08:19.399 --> 02:08:22.199
<v Speaker 1>some extras on here. That's a big deal because at

2424
02:08:22.319 --> 02:08:24.960
<v Speaker 1>least one or two of these do not have any extras.

2425
02:08:25.399 --> 02:08:28.600
<v Speaker 1>Next up is a movie called Seven Women from nineteen

2426
02:08:28.640 --> 02:08:32.560
<v Speaker 1>sixty six, which is directed by a little known director

2427
02:08:32.640 --> 02:08:36.119
<v Speaker 1>you may have heard of called John Ford. This is

2428
02:08:36.159 --> 02:08:39.199
<v Speaker 1>I believe his last film and a movie that people

2429
02:08:39.199 --> 02:08:41.000
<v Speaker 1>have been dying to see on Blu Ray for quite

2430
02:08:41.000 --> 02:08:45.279
<v Speaker 1>some time. Four K scan of the OCN, another color

2431
02:08:45.319 --> 02:08:47.960
<v Speaker 1>movie special features on this. We've got an MGM cartoon

2432
02:08:48.000 --> 02:08:50.000
<v Speaker 1>that won, an oscar called the Dot in the Line,

2433
02:08:50.000 --> 02:08:53.159
<v Speaker 1>and a trailer john Ford. How do you feel about

2434
02:08:53.199 --> 02:08:53.720
<v Speaker 1>john Ford?

2435
02:08:54.279 --> 02:08:57.520
<v Speaker 2>I mean, fantastic filmmaker. I think that he does some

2436
02:08:57.520 --> 02:09:01.199
<v Speaker 2>really interesting things. I think I I struggle with some

2437
02:09:01.279 --> 02:09:03.880
<v Speaker 2>of them, just more because of just like I'm less

2438
02:09:03.880 --> 02:09:08.119
<v Speaker 2>interested in some of the content. But I enjoy how

2439
02:09:08.159 --> 02:09:12.680
<v Speaker 2>he puts his films together. I'm wondering, like, is a

2440
02:09:14.359 --> 02:09:18.560
<v Speaker 2>is this his version of Seven Samurai? I mean, I'm

2441
02:09:18.560 --> 02:09:21.479
<v Speaker 2>reading this synopsis here and Bancroft stars in this moving

2442
02:09:21.560 --> 02:09:24.079
<v Speaker 2>drama set in nineteen thirty five about a remote Chinese

2443
02:09:24.159 --> 02:09:28.520
<v Speaker 2>mission run by American women that's overtaken by warring bandits.

2444
02:09:29.239 --> 02:09:31.560
<v Speaker 2>I just like, do the seven women stand up?

2445
02:09:31.640 --> 02:09:31.800
<v Speaker 1>Or do?

2446
02:09:32.039 --> 02:09:32.439
<v Speaker 2>Or do they?

2447
02:09:32.800 --> 02:09:33.159
<v Speaker 1>I don't know.

2448
02:09:33.199 --> 02:09:34.960
<v Speaker 2>It piques my curiosity.

2449
02:09:34.520 --> 02:09:38.279
<v Speaker 1>Now that is possible. I don't know anything about it.

2450
02:09:40.079 --> 02:09:42.640
<v Speaker 1>Let's keep going. But yeah, john Ford, obviously this is

2451
02:09:42.640 --> 02:09:44.920
<v Speaker 1>a big deal. I had a lot of people exploded

2452
02:09:44.960 --> 02:09:48.680
<v Speaker 1>when this got announced. Quite happy with it. Nineteen forty

2453
02:09:48.760 --> 02:09:51.479
<v Speaker 1>nine's Intruder in the Dust is the next one. By

2454
02:09:51.479 --> 02:09:53.000
<v Speaker 1>the way, I don't knowe that I said the date.

2455
02:09:53.039 --> 02:09:55.920
<v Speaker 1>I apologize all These are coming on August twenty sixth

2456
02:09:55.960 --> 02:10:00.239
<v Speaker 1>from Order Archive. Intruder in the Dust has a four

2457
02:10:00.319 --> 02:10:05.119
<v Speaker 1>K scan of best preservation elements and for special features

2458
02:10:05.119 --> 02:10:07.560
<v Speaker 1>on this one, you got MGM shorts Playlands of Michigan

2459
02:10:07.680 --> 02:10:11.359
<v Speaker 1>and Counterfeit Cat. Not a lot I know about this one,

2460
02:10:11.399 --> 02:10:15.920
<v Speaker 1>but I know that I've seen this poster many many times.

2461
02:10:16.079 --> 02:10:19.399
<v Speaker 1>I'm glad they're including this. It's a Clarence Brown film.

2462
02:10:19.439 --> 02:10:21.119
<v Speaker 1>I don't know anything about this though. Do you know

2463
02:10:21.159 --> 02:10:22.039
<v Speaker 1>anything about this one?

2464
02:10:22.760 --> 02:10:26.359
<v Speaker 2>No, I'm just looking at it. Sounds like an interesting one,

2465
02:10:26.520 --> 02:10:30.760
<v Speaker 2>so this might be one worth checking out too, Warner.

2466
02:10:30.439 --> 02:10:33.359
<v Speaker 1>Okay, pretty much only only puts out the stuff that

2467
02:10:33.359 --> 02:10:36.720
<v Speaker 1>they can make sound interesting. At least, I will say true.

2468
02:10:37.439 --> 02:10:39.840
<v Speaker 1>The other one that I'm excited about this one this

2469
02:10:39.920 --> 02:10:43.279
<v Speaker 1>drop is nineteen forty three's The Hard Way with Ida

2470
02:10:43.479 --> 02:10:48.159
<v Speaker 1>Freakin' Loopino. This is a powerful film featuring an unforgettable

2471
02:10:48.159 --> 02:10:50.640
<v Speaker 1>performance by leading lady Ida Lupino. The Hard Way is

2472
02:10:50.680 --> 02:10:53.319
<v Speaker 1>a gripping drama that in certain ways is a precursor

2473
02:10:53.399 --> 02:10:56.039
<v Speaker 1>the same story dynamics to be found years later and

2474
02:10:56.079 --> 02:11:00.600
<v Speaker 1>the remarkable musical play Gypsy Lupino takes on stage, so

2475
02:11:00.680 --> 02:11:03.439
<v Speaker 1>to speak, as Helen Chernin a strong willed woman who

2476
02:11:03.479 --> 02:11:06.079
<v Speaker 1>wants to get herself and her talented kids sister Katie

2477
02:11:06.079 --> 02:11:09.079
<v Speaker 1>out of their Jerkwater hometown. And if that means using

2478
02:11:09.119 --> 02:11:11.479
<v Speaker 1>people and throwing them away, that's what Helen will do.

2479
02:11:12.119 --> 02:11:14.119
<v Speaker 1>It's got a four K scan of the original nitrate

2480
02:11:14.199 --> 02:11:20.840
<v Speaker 1>negative as well, and as far as extras, you get nothing. Yeah,

2481
02:11:21.319 --> 02:11:23.319
<v Speaker 1>I mean anything would have been nice to see on

2482
02:11:23.359 --> 02:11:24.840
<v Speaker 1>the disc. There's a lot of people that would love

2483
02:11:24.880 --> 02:11:29.439
<v Speaker 1>to work with Warner Archive for freaking free, yeah, the

2484
02:11:29.479 --> 02:11:32.880
<v Speaker 1>hard way. Ida Lupino, any Ide Lupino love for you?

2485
02:11:33.399 --> 02:11:36.720
<v Speaker 2>Yeah, I mean, you know, she's a great, great performer,

2486
02:11:36.880 --> 02:11:40.600
<v Speaker 2>and I just think that she's I've seen too little

2487
02:11:40.640 --> 02:11:42.399
<v Speaker 2>of I think is probably what I should say. But

2488
02:11:42.439 --> 02:11:46.199
<v Speaker 2>I've enjoyed seeing her in stuff and it would be

2489
02:11:48.439 --> 02:11:51.920
<v Speaker 2>the sounds interesting. So I am I'm very curious now

2490
02:11:51.920 --> 02:11:52.760
<v Speaker 2>to check this one out.

2491
02:11:53.920 --> 02:11:56.359
<v Speaker 1>Yep. And if that was somehow not enough from Warner

2492
02:11:56.479 --> 02:11:59.800
<v Speaker 1>Archive for you, what is possibly the biggest release for

2493
02:11:59.840 --> 02:12:03.359
<v Speaker 1>them this month, especially in terms of running time. We

2494
02:12:03.399 --> 02:12:08.279
<v Speaker 1>are also getting The Huckleberry Hound Show, the complete original series.

2495
02:12:08.319 --> 02:12:13.960
<v Speaker 1>This is an eleven disc collection running two thousand, one

2496
02:12:14.079 --> 02:12:20.319
<v Speaker 1>hundred and seventy five minutes. This is wild. This also

2497
02:12:20.359 --> 02:12:25.560
<v Speaker 1>has black and white commercials interspersed in all the color cartoons.

2498
02:12:25.760 --> 02:12:28.640
<v Speaker 1>There's some special features we got. These are all ported

2499
02:12:28.680 --> 02:12:31.520
<v Speaker 1>over from the DVD we got Huckleberry Quotes, the remix

2500
02:12:31.720 --> 02:12:35.960
<v Speaker 1>music video celebrating memorable Hound quotes Huckleberry Hound a linguistic

2501
02:12:36.119 --> 02:12:41.840
<v Speaker 1>linguistic masterpiece, hound speak as humorously interpreted by a linguistics professor. Which,

2502
02:12:42.119 --> 02:12:45.119
<v Speaker 1>oh my gosh, the legendary sound of Das Butler, an

2503
02:12:45.119 --> 02:12:47.840
<v Speaker 1>affectionate remembrance the brilliant voice artists who lent his sounds

2504
02:12:47.840 --> 02:12:52.880
<v Speaker 1>to voice Huck and Yogi, among many other beloved characters. Yeah.

2505
02:12:53.000 --> 02:12:57.000
<v Speaker 1>This for me, to get all sixty eight episodes of

2506
02:12:57.000 --> 02:13:00.640
<v Speaker 1>The Huckleberry Hound Show in one collection on Blue is

2507
02:13:01.000 --> 02:13:04.720
<v Speaker 1>kind of amazing. Brand new HD masters from the original

2508
02:13:04.720 --> 02:13:08.800
<v Speaker 1>camera negatives for all of these is huge. And for

2509
02:13:08.880 --> 02:13:11.760
<v Speaker 1>somebody that loves animation, I cannot wait to own this.

2510
02:13:12.720 --> 02:13:16.760
<v Speaker 2>And I loved Huckleberry Hound as a kid like that,

2511
02:13:16.800 --> 02:13:20.640
<v Speaker 2>these cartoons and Droopy Dog and just like all of

2512
02:13:20.680 --> 02:13:24.720
<v Speaker 2>these sorts of characters were so fun, and so this

2513
02:13:24.920 --> 02:13:27.479
<v Speaker 2>is pretty exciting. This is an exciting one to see.

2514
02:13:28.039 --> 02:13:30.000
<v Speaker 1>Another one that made a lot of people comment and

2515
02:13:30.279 --> 02:13:33.720
<v Speaker 1>get very excited about. But again, eleven discs. This is

2516
02:13:33.760 --> 02:13:36.880
<v Speaker 1>gonna be a little more expensive than the Warner Archive

2517
02:13:36.960 --> 02:13:40.039
<v Speaker 1>stuff usually is, but it's sixty eight episodes, all brand

2518
02:13:40.079 --> 02:13:43.880
<v Speaker 1>new remastering. I don't normally say this, but like, this

2519
02:13:43.920 --> 02:13:46.560
<v Speaker 1>is one that I'm going to support simply to support

2520
02:13:46.680 --> 02:13:48.680
<v Speaker 1>because I want them to keep doing stuff like this.

2521
02:13:49.239 --> 02:13:52.079
<v Speaker 2>Yeah. Absolutely, that is it.

2522
02:13:52.079 --> 02:13:55.000
<v Speaker 1>For Warner Archive. And we go from Huckleberry Hound to

2523
02:13:55.079 --> 02:13:58.560
<v Speaker 1>Freakin' Martyrs from two thousand and eight. Quite a shift,

2524
02:13:59.560 --> 02:14:03.119
<v Speaker 1>a little bit of a shift. October twenty seventh, Eureka

2525
02:14:03.159 --> 02:14:07.680
<v Speaker 1>in the UK is releasing the new French extremity masterpiece

2526
02:14:07.840 --> 02:14:11.439
<v Speaker 1>from two thousand and eight, Martyrs. This is going to

2527
02:14:11.479 --> 02:14:16.680
<v Speaker 1>get a limited edition hardbound release that is limited to

2528
02:14:16.920 --> 02:14:20.159
<v Speaker 1>four thousand copies. This will have a four K and

2529
02:14:20.319 --> 02:14:23.079
<v Speaker 1>a Blu ray disc. This is the uncut version of

2530
02:14:23.119 --> 02:14:26.079
<v Speaker 1>the film. It says new artwork which I think is great,

2531
02:14:26.119 --> 02:14:28.720
<v Speaker 1>although I guess the front cover is slightly spoiler ish,

2532
02:14:28.760 --> 02:14:33.039
<v Speaker 1>which is a little tough. This has a hundred page

2533
02:14:33.079 --> 02:14:36.199
<v Speaker 1>hard case or sorry, one hundred page book featuring new

2534
02:14:36.239 --> 02:14:40.920
<v Speaker 1>cover art and everything. Lots of new writing, new extras

2535
02:14:40.960 --> 02:14:43.880
<v Speaker 1>on here, new commentary with Nia Edwards Bay, co director

2536
02:14:44.000 --> 02:14:48.119
<v Speaker 1>of Arbitoire Home Horror Film Festival. New interview with one

2537
02:14:48.119 --> 02:14:50.399
<v Speaker 1>of the actors, New interview with New French extremity expert

2538
02:14:50.479 --> 02:14:53.840
<v Speaker 1>Alice Halett, bran new visual essay on Martyrs and Body

2539
02:14:53.880 --> 02:14:56.920
<v Speaker 1>Horror by Xavier al Dona Rees. Then a bunch of

2540
02:14:57.000 --> 02:15:01.720
<v Speaker 1>archival extras. This is the this is amazing. How do

2541
02:15:01.760 --> 02:15:03.800
<v Speaker 1>you feel about Martyrs? Have you? Have you taken the

2542
02:15:03.840 --> 02:15:05.199
<v Speaker 1>time to sit down and watch Martyrs?

2543
02:15:05.399 --> 02:15:07.960
<v Speaker 2>I have not seen this one, but it's been on

2544
02:15:08.000 --> 02:15:10.119
<v Speaker 2>my list forever. You know, I saw it, I don't know,

2545
02:15:10.199 --> 02:15:11.920
<v Speaker 2>ages ago on one of those like, you know, best

2546
02:15:11.920 --> 02:15:14.119
<v Speaker 2>horror films to check out of the decade or whatever,

2547
02:15:14.159 --> 02:15:16.239
<v Speaker 2>and so it's been on a list for me. It's

2548
02:15:16.279 --> 02:15:18.199
<v Speaker 2>it's sitting in my watch list. I absolutely need to

2549
02:15:18.279 --> 02:15:22.600
<v Speaker 2>check it out. And you know, the new French extremity

2550
02:15:22.640 --> 02:15:27.800
<v Speaker 2>is such an interesting kind of a subgenre that I

2551
02:15:27.840 --> 02:15:30.279
<v Speaker 2>would love to explore also or on CinemaScope.

2552
02:15:30.319 --> 02:15:30.680
<v Speaker 1>I just.

2553
02:15:32.520 --> 02:15:35.279
<v Speaker 2>Again haven't gotten around to it. But this one, this

2554
02:15:35.319 --> 02:15:37.479
<v Speaker 2>one really fascinates me. I might pick it up just

2555
02:15:37.720 --> 02:15:39.800
<v Speaker 2>to give myself the reason to finally watch it.

2556
02:15:40.159 --> 02:15:42.319
<v Speaker 1>I was about to say that would be a pretty

2557
02:15:42.359 --> 02:15:45.199
<v Speaker 1>incredible CinemaScope episode because you can cover most of the

2558
02:15:45.279 --> 02:15:48.680
<v Speaker 1>genre with your bonus episode and with the regular episode total.

2559
02:15:48.840 --> 02:15:53.600
<v Speaker 1>So yeah, we might have to talk after the big

2560
02:15:53.640 --> 02:15:57.439
<v Speaker 1>thing with Eureka. As Gary is pointing out, Eureka has

2561
02:15:57.640 --> 02:16:01.319
<v Speaker 1>free international shipping with no minimum. So if you are

2562
02:16:01.359 --> 02:16:04.000
<v Speaker 1>ever after a Eureka title and you don't want to

2563
02:16:04.039 --> 02:16:06.399
<v Speaker 1>go like to Orbit DVD because you got to get

2564
02:16:06.399 --> 02:16:10.039
<v Speaker 1>three titles for free shipping, Eureka ships anywhere in the world,

2565
02:16:10.239 --> 02:16:13.199
<v Speaker 1>even if you buy a single disc for zero dollars

2566
02:16:13.239 --> 02:16:16.000
<v Speaker 1>and they don't charge you tax I don't know how

2567
02:16:16.199 --> 02:16:20.960
<v Speaker 1>they have a deal with the Devil, but I mean, well,

2568
02:16:21.000 --> 02:16:23.840
<v Speaker 1>I not support that. I mean that's pretty great.

2569
02:16:23.760 --> 02:16:27.520
<v Speaker 2>No kidding, how do they That's wild.

2570
02:16:27.920 --> 02:16:29.640
<v Speaker 1>I don't know how, but they do it. And the

2571
02:16:29.720 --> 02:16:31.880
<v Speaker 1>crazy thing is that if you like pre order five

2572
02:16:31.920 --> 02:16:34.200
<v Speaker 1>titles and they come out at different times, they ship

2573
02:16:34.239 --> 02:16:37.559
<v Speaker 1>you each one as they're available, so you never pay

2574
02:16:37.600 --> 02:16:39.399
<v Speaker 1>for shipping. You have five ship It's maybe.

2575
02:16:39.559 --> 02:16:41.200
<v Speaker 2>I don't know how they do that. That's wild.

2576
02:16:42.000 --> 02:16:44.000
<v Speaker 1>So Martyrs, I know that a lot of people have

2577
02:16:44.040 --> 02:16:47.000
<v Speaker 1>never seen this. Based on reputation alone, I will say

2578
02:16:47.120 --> 02:16:49.239
<v Speaker 1>this is a very bloody movie. It is a very

2579
02:16:49.239 --> 02:16:54.200
<v Speaker 1>gory movie. However, this movie is a deep movie. It

2580
02:16:54.280 --> 02:16:56.600
<v Speaker 1>is definitely one that I think is important for people

2581
02:16:56.639 --> 02:17:00.360
<v Speaker 1>to see. I adore this movie. I think that is

2582
02:17:01.079 --> 02:17:03.879
<v Speaker 1>a tough watch, but one that most people should if

2583
02:17:03.959 --> 02:17:06.440
<v Speaker 1>you think you might be able to handle it. I

2584
02:17:06.479 --> 02:17:09.079
<v Speaker 1>love that Stan says I must have this, but I

2585
02:17:09.079 --> 02:17:12.479
<v Speaker 1>will never watch it. Once is enough and I get that,

2586
02:17:13.559 --> 02:17:16.360
<v Speaker 1>But like I could watch Martyrs probably once or twice

2587
02:17:16.600 --> 02:17:19.680
<v Speaker 1>every couple of years at least. Yeah, I need this

2588
02:17:19.760 --> 02:17:25.680
<v Speaker 1>on four K. This is gonna beautiful. The Shark Hunter

2589
02:17:26.000 --> 02:17:29.000
<v Speaker 1>is the next title coming from Severn as part of

2590
02:17:29.040 --> 02:17:32.280
<v Speaker 1>their sale. The Shark Hunter is from nineteen seventy nine,

2591
02:17:32.399 --> 02:17:35.840
<v Speaker 1>will also have the soundtrack CD, as they're doing on

2592
02:17:35.920 --> 02:17:38.639
<v Speaker 1>many of these releases special features. For this, we got

2593
02:17:38.639 --> 02:17:42.159
<v Speaker 1>a reunion between Enzog Castelari and the actor Franco Nero,

2594
02:17:42.319 --> 02:17:44.719
<v Speaker 1>some big names in this one. We got an interview

2595
02:17:44.719 --> 02:17:47.440
<v Speaker 1>with the producer Enzo Doria. There's a trailer and then

2596
02:17:47.479 --> 02:17:50.760
<v Speaker 1>the soundtrack CD. And this is so cool that they

2597
02:17:50.760 --> 02:17:53.879
<v Speaker 1>have now done three different shark movies as part of

2598
02:17:54.000 --> 02:17:56.399
<v Speaker 1>just this one sales slate. And we'll talk about that

2599
02:17:56.479 --> 02:17:59.799
<v Speaker 1>more in just a minute. But yeah, Shark Hunter, I'm

2600
02:17:59.799 --> 02:18:02.479
<v Speaker 1>sure that this is probably not one that has passed

2601
02:18:02.520 --> 02:18:03.319
<v Speaker 1>your radar.

2602
02:18:04.280 --> 02:18:06.879
<v Speaker 2>I mean, look at that look at that art right there,

2603
02:18:06.959 --> 02:18:09.000
<v Speaker 2>like it just it makes me want to push play

2604
02:18:09.040 --> 02:18:14.159
<v Speaker 2>on it. It's just like these movies like they've tapped

2605
02:18:14.159 --> 02:18:20.639
<v Speaker 2>into something with this crazy just the the weird and

2606
02:18:21.600 --> 02:18:24.319
<v Speaker 2>over the top nature of these Italian films, and so

2607
02:18:24.879 --> 02:18:26.879
<v Speaker 2>this is one that I really want to see.

2608
02:18:27.399 --> 02:18:31.799
<v Speaker 1>Yeah, the Italian shark exploitation genre that they are hitting

2609
02:18:31.920 --> 02:18:35.680
<v Speaker 1>hard right now has to be very, very fun. And

2610
02:18:35.719 --> 02:18:38.360
<v Speaker 1>for those that don't know, NZG. Castelari is also the

2611
02:18:38.360 --> 02:18:41.959
<v Speaker 1>director of The Last Shark, which is like the infamous

2612
02:18:42.040 --> 02:18:45.120
<v Speaker 1>Essential Jaws ripoff that is getting a Blu Ray from

2613
02:18:45.159 --> 02:18:48.959
<v Speaker 1>Treasured Films in the next month, I think. Actually, so

2614
02:18:49.159 --> 02:18:52.000
<v Speaker 1>lots of shark stuff right now if you're super into it.

2615
02:18:53.159 --> 02:18:56.520
<v Speaker 1>Next up, Quino Lober on September thirtieth is putting out

2616
02:18:56.559 --> 02:19:00.879
<v Speaker 1>a four K and a Blu ray set and single

2617
02:19:00.920 --> 02:19:05.000
<v Speaker 1>releases of The Airport for film collections, So you can

2618
02:19:05.040 --> 02:19:07.799
<v Speaker 1>buy each individual movie if you only like the first

2619
02:19:07.879 --> 02:19:10.920
<v Speaker 1>one or the Concord or whatever, or you can buy

2620
02:19:11.120 --> 02:19:13.719
<v Speaker 1>all four at once in a set. The set will

2621
02:19:13.760 --> 02:19:17.879
<v Speaker 1>have this sleeve style packaging, which I kind of hate.

2622
02:19:18.319 --> 02:19:20.879
<v Speaker 1>Instead of cases, and it will also have a booklet,

2623
02:19:21.520 --> 02:19:24.959
<v Speaker 1>or you can buy the standalone single releases with the

2624
02:19:25.040 --> 02:19:31.479
<v Speaker 1>slip covers. Really good looking release overall that they're putting

2625
02:19:31.559 --> 02:19:34.200
<v Speaker 1>us out. I'm glad they're doing it. But the films,

2626
02:19:34.879 --> 02:19:37.799
<v Speaker 1>this is a big deal. We've got Airport, We've got

2627
02:19:37.840 --> 02:19:41.399
<v Speaker 1>Airport nineteen seventy five, Airport seventy seven, and then the

2628
02:19:41.520 --> 02:19:45.600
<v Speaker 1>Concord Airport seventy nine disaster movies from the seventies. How

2629
02:19:45.639 --> 02:19:46.600
<v Speaker 1>do you feel about Oh.

2630
02:19:47.319 --> 02:19:51.799
<v Speaker 2>They are fun. It is definitely its own whole subgenre

2631
02:19:52.319 --> 02:19:54.680
<v Speaker 2>that popped up at that period of time. I have

2632
02:19:54.719 --> 02:19:57.879
<v Speaker 2>a lot of fun with these movies. These were movies

2633
02:19:57.920 --> 02:20:00.760
<v Speaker 2>that I watched a lot on TV when they would

2634
02:20:00.760 --> 02:20:03.319
<v Speaker 2>play Like my grandma and I would watch all of

2635
02:20:03.360 --> 02:20:07.399
<v Speaker 2>these and there are so many characters that you get

2636
02:20:07.440 --> 02:20:10.319
<v Speaker 2>to know in these films that I lose track of,

2637
02:20:10.360 --> 02:20:13.200
<v Speaker 2>like which ones were in which movie that I watched.

2638
02:20:13.239 --> 02:20:15.399
<v Speaker 2>But regardless, I just I have a lot of fun

2639
02:20:15.479 --> 02:20:19.840
<v Speaker 2>with them. That being said, I haven't seen I watched Airport,

2640
02:20:19.879 --> 02:20:21.399
<v Speaker 2>I don't know, probably the last ten years or so,

2641
02:20:21.440 --> 02:20:23.520
<v Speaker 2>but I haven't seen the other three. I'd be curious

2642
02:20:23.559 --> 02:20:26.719
<v Speaker 2>to see how they how they hold up today.

2643
02:20:26.760 --> 02:20:29.920
<v Speaker 1>You know, Delt's pointing out that in one of these,

2644
02:20:29.959 --> 02:20:32.239
<v Speaker 1>George Kennedy flies a concord upside down.

2645
02:20:35.200 --> 02:20:36.440
<v Speaker 2>George George Kennedy.

2646
02:20:36.600 --> 02:20:39.239
<v Speaker 1>Speaking of George Kennedy, the names that show up in

2647
02:20:39.280 --> 02:20:43.760
<v Speaker 1>these movies, so Bert Lancaster, Dean Martin, Charlton Heston, Jack Libin,

2648
02:20:43.799 --> 02:20:46.680
<v Speaker 1>Elaine de Laud, James Stewart, Christopher Lee, Robert Wagner, and

2649
02:20:46.760 --> 02:20:49.840
<v Speaker 1>of course George Kennedy. There is so much in here.

2650
02:20:50.360 --> 02:20:52.079
<v Speaker 1>One of the things I really want to point out, though,

2651
02:20:52.200 --> 02:20:55.799
<v Speaker 1>is their restoration information. So the very first one, which

2652
02:20:55.959 --> 02:20:58.719
<v Speaker 1>arguably is the most important here because it kind of

2653
02:20:58.760 --> 02:21:01.200
<v Speaker 1>started the whole thing, led to airplane. Like all of

2654
02:21:01.200 --> 02:21:04.840
<v Speaker 1>this stuff, this is a brand new HDR Dolby Vision Master.

2655
02:21:05.319 --> 02:21:07.799
<v Speaker 1>Now here's where it gets interesting. From a four K

2656
02:21:07.879 --> 02:21:13.079
<v Speaker 1>scan of the thirty five millimeter interpositive reduction element, which

2657
02:21:14.079 --> 02:21:16.600
<v Speaker 1>all that to say, this is not going to be

2658
02:21:16.680 --> 02:21:19.200
<v Speaker 1>a great looking four K. We lost a lot of

2659
02:21:19.200 --> 02:21:22.280
<v Speaker 1>fidelity from the OCN getting to this point. This is

2660
02:21:22.440 --> 02:21:25.479
<v Speaker 1>not great source material, and I have a feeling that

2661
02:21:25.520 --> 02:21:27.559
<v Speaker 1>they really just needed to put all four of them

2662
02:21:27.600 --> 02:21:31.639
<v Speaker 1>on four K to make the set work, because really

2663
02:21:31.719 --> 02:21:35.120
<v Speaker 1>this probably shouldn't have had a four K with that

2664
02:21:35.200 --> 02:21:38.479
<v Speaker 1>element being the best that they got, they probably should

2665
02:21:38.479 --> 02:21:40.600
<v Speaker 1>have only done the blu ray for that one. The

2666
02:21:40.680 --> 02:21:43.360
<v Speaker 1>other three sequels though four K scans of the OCN,

2667
02:21:43.399 --> 02:21:47.040
<v Speaker 1>so those are all going to look pretty great, guaranteed this.

2668
02:21:47.559 --> 02:21:50.000
<v Speaker 1>We got new commentaries on all four movies from people

2669
02:21:50.079 --> 02:21:53.799
<v Speaker 1>like Julie Krugo, c Courtney Joiner. We've got Steve Mitchell,

2670
02:21:53.879 --> 02:21:59.040
<v Speaker 1>Nathaniel Thompson, Peter Hancoff, Julie Kergo again, lots of good

2671
02:21:59.040 --> 02:22:04.680
<v Speaker 1>stuff here. Craig says reduction element Was it shot in

2672
02:22:04.719 --> 02:22:07.840
<v Speaker 1>seventy No, I believe it was shot in sixty five?

2673
02:22:10.360 --> 02:22:15.000
<v Speaker 1>Which yeah, again not great here, not great.

2674
02:22:15.040 --> 02:22:18.479
<v Speaker 2>It looks like yeah, actually, look on Wikipedia says seventy

2675
02:22:18.520 --> 02:22:20.879
<v Speaker 2>milimeters aoh.

2676
02:22:22.399 --> 02:22:29.600
<v Speaker 1>Huh, maybe I was wrong, all right, seventy milimeters reduction

2677
02:22:29.680 --> 02:22:34.000
<v Speaker 1>element for a four K. Yeah, I'm very curious to

2678
02:22:34.040 --> 02:22:37.959
<v Speaker 1>see how that one looks. I want these because I

2679
02:22:38.000 --> 02:22:41.360
<v Speaker 1>love seventy disaster movies. But now I don't know if

2680
02:22:41.399 --> 02:22:43.239
<v Speaker 1>I should just maybe swing for the blue for the

2681
02:22:43.280 --> 02:22:47.399
<v Speaker 1>first one. So we'll see. Yeah, I'll wait on reviews.

2682
02:22:47.440 --> 02:22:47.799
<v Speaker 1>That's free.

2683
02:22:47.840 --> 02:22:48.200
<v Speaker 2>There you go.

2684
02:22:48.360 --> 02:22:55.120
<v Speaker 1>Yeah, this looks really good. Actually. August nineteenth, Well, go USA,

2685
02:22:55.200 --> 02:22:59.719
<v Speaker 1>is releasing Invincible Swordsman from this year. This sas fabled

2686
02:22:59.719 --> 02:23:02.280
<v Speaker 1>swords been ling Hu Chong was ready to retire his

2687
02:23:02.319 --> 02:23:04.879
<v Speaker 1>sword when a chance encounter with the dangerous cult leader

2688
02:23:05.239 --> 02:23:08.760
<v Speaker 1>forced him back into the action. As the evil Invincible

2689
02:23:08.879 --> 02:23:11.879
<v Speaker 1>East threatens the peaceful realm of Xiang, who with her

2690
02:23:12.079 --> 02:23:15.520
<v Speaker 1>demon cult, Chong picks up his weapon and defends the

2691
02:23:15.559 --> 02:23:18.000
<v Speaker 1>land with the ragtag crew of misfit warriors and this

2692
02:23:18.040 --> 02:23:22.200
<v Speaker 1>mystical Wusha throwback starring Tim Hoying as chong Jiang Yuki

2693
02:23:22.239 --> 02:23:25.639
<v Speaker 1>as Invincible East and featuring a guest appearance from the

2694
02:23:25.680 --> 02:23:29.399
<v Speaker 1>One and Only Samo Hung in twenty twenty five. Wow, yeah,

2695
02:23:29.399 --> 02:23:33.360
<v Speaker 1>this looks great. Watch the trailer. It looks really fun. Yeah,

2696
02:23:33.680 --> 02:23:36.760
<v Speaker 1>I'm very curious about this. Oh there you go. Gary

2697
02:23:36.799 --> 02:23:38.959
<v Speaker 1>found the answer. It was shot in sixty five, but

2698
02:23:39.079 --> 02:23:42.000
<v Speaker 1>it was made for seventy millimeters. Prints. There you go,

2699
02:23:42.920 --> 02:23:45.920
<v Speaker 1>and see. I wonder like, does the sixty five millimeter

2700
02:23:46.040 --> 02:23:49.520
<v Speaker 1>exist still on airport because you could have scanned that.

2701
02:23:51.000 --> 02:23:56.000
<v Speaker 2>Yeah, I mean it's I mean, it's an Academy Award

2702
02:23:56.079 --> 02:24:00.319
<v Speaker 2>nominated movie, and so you'd think that they would put

2703
02:24:00.360 --> 02:24:03.159
<v Speaker 2>some money behind it. But yeah, I don't know. I

2704
02:24:03.159 --> 02:24:07.200
<v Speaker 2>mean it could just be it's it doesn't look pretty.

2705
02:24:07.319 --> 02:24:12.360
<v Speaker 2>I don't know, all right, So Invincible Swordman this looks great.

2706
02:24:12.399 --> 02:24:16.200
<v Speaker 2>Watch the trailer. It looks looks really really fun. Actually, yeah,

2707
02:24:16.479 --> 02:24:17.200
<v Speaker 2>it sounds great.

2708
02:24:18.239 --> 02:24:20.239
<v Speaker 1>We only got a couple left. The next one is

2709
02:24:20.319 --> 02:24:22.680
<v Speaker 1>The Night of Death from nineteen eighty. This is coming

2710
02:24:22.719 --> 02:24:24.879
<v Speaker 1>on September eighth on Blu Ray in the UK from

2711
02:24:25.000 --> 02:24:28.479
<v Speaker 1>Nucleus Films. This is part of their European Cult Cinema collection.

2712
02:24:29.120 --> 02:24:32.559
<v Speaker 1>This one sounds super interesting. I've not seen that this

2713
02:24:32.680 --> 02:24:35.000
<v Speaker 1>got a different Blu Ray, so very curious about this

2714
02:24:35.360 --> 02:24:39.079
<v Speaker 1>new transfer in one dot sixty six ratio from the

2715
02:24:39.120 --> 02:24:42.760
<v Speaker 1>original camera negative. They're very specific about that. This is

2716
02:24:42.840 --> 02:24:45.719
<v Speaker 1>the uncensored version with the new audio commentary with Jonathan

2717
02:24:45.799 --> 02:24:48.959
<v Speaker 1>Rigby and Kevin Lyons. There's some archival extras on here,

2718
02:24:49.120 --> 02:24:52.520
<v Speaker 1>and Nucleus has been stepping up and doing a couple

2719
02:24:52.959 --> 02:24:55.799
<v Speaker 1>random releases. This seemed to be pretty good. So I

2720
02:24:55.879 --> 02:24:56.680
<v Speaker 1>like the poster on this.

2721
02:24:57.840 --> 02:25:01.639
<v Speaker 2>Yeah, the poster, it's a really nice poster, kind of

2722
02:25:01.639 --> 02:25:03.760
<v Speaker 2>with the river of blood coming down from the house everything.

2723
02:25:03.840 --> 02:25:07.120
<v Speaker 2>It looks really interesting. I haven't heard of this one,

2724
02:25:07.559 --> 02:25:10.319
<v Speaker 2>and I mean, but it's one of those that like

2725
02:25:10.399 --> 02:25:13.600
<v Speaker 2>the poster that just cover alone would make me curious

2726
02:25:13.600 --> 02:25:14.120
<v Speaker 2>to pick up.

2727
02:25:14.239 --> 02:25:16.959
<v Speaker 1>Yeah, looks like a very nostalgic poster for sure. Yeah.

2728
02:25:17.000 --> 02:25:17.559
<v Speaker 2>Absolutely.

2729
02:25:19.159 --> 02:25:22.440
<v Speaker 1>Arcane League of Legend Season two is getting a release

2730
02:25:22.479 --> 02:25:25.639
<v Speaker 1>from Shout Studios. This is getting a four K steal book,

2731
02:25:25.799 --> 02:25:28.920
<v Speaker 1>a Blu Rays steal book, and then a standard Blu ray,

2732
02:25:28.959 --> 02:25:31.520
<v Speaker 1>all in the US coming on October twenty first. You

2733
02:25:31.559 --> 02:25:34.239
<v Speaker 1>can pre order those. Now, I know nothing about this,

2734
02:25:35.120 --> 02:25:37.159
<v Speaker 1>but I know that a lot of people seem to

2735
02:25:37.200 --> 02:25:40.000
<v Speaker 1>love the show. So Arcane League of Legends.

2736
02:25:40.200 --> 02:25:41.959
<v Speaker 2>Yeah, it's a show I've heard good things about, but

2737
02:25:42.000 --> 02:25:43.399
<v Speaker 2>I haven't checked it out.

2738
02:25:44.159 --> 02:25:46.600
<v Speaker 1>Okay, So the shark exploitation stuff. After all of this,

2739
02:25:46.639 --> 02:25:48.719
<v Speaker 1>Seven came out and said, listen, we're putting out three

2740
02:25:48.719 --> 02:25:52.120
<v Speaker 1>shark movies that are all Italian shark exploitation films. Of

2741
02:25:52.239 --> 02:25:53.719
<v Speaker 1>course we're going to put it in a box. So

2742
02:25:53.719 --> 02:25:58.639
<v Speaker 1>they're releasing Feeding Frenzy, the Italian Shark Exploitation Collection box

2743
02:25:59.600 --> 02:26:02.280
<v Speaker 1>there saying that since you already know that this is

2744
02:26:02.319 --> 02:26:05.399
<v Speaker 1>going to include the three titles, we can now reveal

2745
02:26:05.399 --> 02:26:09.159
<v Speaker 1>that this trilogy of teeth to tail fin the Lights

2746
02:26:09.280 --> 02:26:13.399
<v Speaker 1>belongs to a shiver we call Feeding Frenzy, our exclusive

2747
02:26:13.520 --> 02:26:17.040
<v Speaker 1>Rigid slipcase with a new killer illustration by Rondo Awards

2748
02:26:17.120 --> 02:26:20.719
<v Speaker 1>Artist of the Year Mark Spears Houses. All three titles

2749
02:26:20.799 --> 02:26:24.360
<v Speaker 1>will be available separately or in various bundles during the sale.

2750
02:26:24.600 --> 02:26:26.600
<v Speaker 1>You're gonna need a bigger shelf.

2751
02:26:29.040 --> 02:26:32.280
<v Speaker 2>I just love the art is right there, its own

2752
02:26:32.319 --> 02:26:37.120
<v Speaker 2>little ripoff of Jaws. Plays very well, yeah, very well.

2753
02:26:37.360 --> 02:26:40.079
<v Speaker 1>This looks good. I love shark movies. I'm probably gonna

2754
02:26:40.120 --> 02:26:43.600
<v Speaker 1>need these eventually. Sadly, I don't know. I need the box.

2755
02:26:45.920 --> 02:26:48.479
<v Speaker 1>They're probably not great, but I need them.

2756
02:26:48.639 --> 02:26:52.440
<v Speaker 2>But they'll be fun. It will be That's more important, of.

2757
02:26:52.399 --> 02:26:55.879
<v Speaker 1>Course it is. We got a couple kind of low

2758
02:26:55.959 --> 02:26:58.719
<v Speaker 1>key movies from Keynote. We got September ninth getting a

2759
02:26:58.719 --> 02:27:01.000
<v Speaker 1>blu ray of Deer Ruth from nineteen forty seven with

2760
02:27:01.040 --> 02:27:04.639
<v Speaker 1>William Holden and Joan Caulfield. This has an audio commentary

2761
02:27:04.680 --> 02:27:07.239
<v Speaker 1>by far and Smith's name. Not a movie that I've

2762
02:27:07.319 --> 02:27:09.959
<v Speaker 1>ever heard of before today. Have you heard or seen

2763
02:27:10.079 --> 02:27:10.639
<v Speaker 1>this one?

2764
02:27:11.280 --> 02:27:15.559
<v Speaker 2>No? But I want to say this is one that Yeah,

2765
02:27:15.600 --> 02:27:17.719
<v Speaker 2>I think it falls into kind of that period of

2766
02:27:17.760 --> 02:27:21.440
<v Speaker 2>like the war, like you know, positive support for the

2767
02:27:21.479 --> 02:27:23.799
<v Speaker 2>war type of films that were coming out. At the time.

2768
02:27:26.159 --> 02:27:28.719
<v Speaker 1>Yeah, quite a few. There was a lot of those movies.

2769
02:27:28.760 --> 02:27:29.239
<v Speaker 2>There were a lot.

2770
02:27:29.319 --> 02:27:33.399
<v Speaker 1>Yeah. The next one from them is Father Brown Detective

2771
02:27:33.479 --> 02:27:36.360
<v Speaker 1>from nineteen thirty four, coming on Blu ray from Keino

2772
02:27:36.559 --> 02:27:41.280
<v Speaker 1>on September sixteenth, This one with Walter Connolly and Paul Lucas.

2773
02:27:41.920 --> 02:27:44.520
<v Speaker 1>This has an audio commentary with Jason A. Nine And

2774
02:27:44.959 --> 02:27:48.280
<v Speaker 1>another thirties detective movie coming out that I have not seen.

2775
02:27:48.920 --> 02:27:51.319
<v Speaker 2>Yeah, I've This is one that I feel like I've

2776
02:27:51.360 --> 02:27:56.159
<v Speaker 2>heard the title, but I think that's it, So I'm

2777
02:27:56.200 --> 02:27:59.399
<v Speaker 2>curious to get a sensus to what it's about.

2778
02:28:00.120 --> 02:28:05.840
<v Speaker 1>Yeah, solid, solid sounding film at least, Yeah, that is it,

2779
02:28:06.239 --> 02:28:10.440
<v Speaker 1>which there's a lot. I can't believe we've heard that much.

2780
02:28:10.520 --> 02:28:16.040
<v Speaker 1>This week busy week, and next week for releases, not

2781
02:28:16.120 --> 02:28:18.200
<v Speaker 1>just announcements, but next week for releases is gonna be

2782
02:28:18.200 --> 02:28:21.559
<v Speaker 1>a big one too. Reminder that tomorrow the Hans Zimmer

2783
02:28:21.639 --> 02:28:24.159
<v Speaker 1>Live in Prague four K comes out. I've got that

2784
02:28:24.200 --> 02:28:26.319
<v Speaker 1>one on the way and cannot wait. It got delayed.

2785
02:28:27.000 --> 02:28:30.280
<v Speaker 1>But then next Tuesday, tons of stuff. So we've got

2786
02:28:30.280 --> 02:28:33.399
<v Speaker 1>the Cobra four K from Arrow, the Stuff four K

2787
02:28:33.479 --> 02:28:36.399
<v Speaker 1>from Arrow as well, Small Soldiers four K Steel Book

2788
02:28:36.440 --> 02:28:37.799
<v Speaker 1>is finally gonna be shipping in a lot of people

2789
02:28:37.799 --> 02:28:40.280
<v Speaker 1>were excited about that one. You can count on Me

2790
02:28:40.360 --> 02:28:43.799
<v Speaker 1>four K and Carnal Knowledge four kble from Criterion, Danger,

2791
02:28:43.879 --> 02:28:48.399
<v Speaker 1>Diabolic four K from Keno, Matta Gascar four K from

2792
02:28:48.399 --> 02:28:51.840
<v Speaker 1>the Studio, Brand New Final Destination, Bloodlines four K, Blu

2793
02:28:51.920 --> 02:28:53.840
<v Speaker 1>Ray and Steel Book and all that fancy stuff that

2794
02:28:54.000 --> 02:28:57.840
<v Speaker 1>is getting released next week. Night Writer the Complete Series

2795
02:28:57.959 --> 02:29:00.760
<v Speaker 1>on four K coming out next week, be which the

2796
02:29:00.799 --> 02:29:03.280
<v Speaker 1>complete series is finally getting released here in the US.

2797
02:29:03.920 --> 02:29:07.079
<v Speaker 1>We've got the Serenity Serenity four K Steel book dropping

2798
02:29:07.159 --> 02:29:10.079
<v Speaker 1>that had that controversial art that people did not seem

2799
02:29:10.120 --> 02:29:13.280
<v Speaker 1>to love, The Beast to Die from Radiance, Silent Screen

2800
02:29:13.319 --> 02:29:17.680
<v Speaker 1>four K from Darkforce and Keno together the night Watch

2801
02:29:17.719 --> 02:29:21.639
<v Speaker 1>Collection from Arrow, Little Buddha four K from Keno, Rosa

2802
02:29:21.719 --> 02:29:26.440
<v Speaker 1>La Rose, Philipublique from Radiance as well Strangers with Candy,

2803
02:29:26.520 --> 02:29:29.000
<v Speaker 1>the film from two thousand and six, Blu Ray from Shout,

2804
02:29:29.360 --> 02:29:31.559
<v Speaker 1>Fight or Flight coming out next week as well from

2805
02:29:31.559 --> 02:29:35.520
<v Speaker 1>the Studio. All We Imagine is Light from Criterion, Detonation,

2806
02:29:35.719 --> 02:29:40.440
<v Speaker 1>Violent Writers from eighty eight Films, Ash from Shutter, Sarah

2807
02:29:40.479 --> 02:29:45.280
<v Speaker 1>Ban for Dead Lovers four K from Indicator, The Last

2808
02:29:45.360 --> 02:29:48.200
<v Speaker 1>Voyage of the Demeter. Four K Steel Book is coming

2809
02:29:48.200 --> 02:29:51.200
<v Speaker 1>out as an Amazon exclusive from Shout The Tattoo Dragon

2810
02:29:51.280 --> 02:29:55.200
<v Speaker 1>from eighty eight Films. I believe mister Peters Pets and

2811
02:29:55.360 --> 02:29:58.959
<v Speaker 1>everybody loves it. Noody Cuti Triple Feature is coming from

2812
02:29:59.040 --> 02:30:04.280
<v Speaker 1>Keno next week. Original Sin Northern Lights, Solo Leveling Season,

2813
02:30:04.840 --> 02:30:08.079
<v Speaker 1>Walking with Dinosaurs from the BBC. A bunch of anime

2814
02:30:08.159 --> 02:30:12.399
<v Speaker 1>stuff man Lots next week. Are there any of these

2815
02:30:12.399 --> 02:30:13.959
<v Speaker 1>that are on your list there? Andy?

2816
02:30:14.680 --> 02:30:17.719
<v Speaker 2>You know, the night Watch collection is one. I'm really

2817
02:30:17.760 --> 02:30:23.239
<v Speaker 2>curious about picking that one up. And you know, we

2818
02:30:23.239 --> 02:30:27.680
<v Speaker 2>were talking about the you know, kind of the Kung

2819
02:30:27.719 --> 02:30:31.399
<v Speaker 2>Fu Panda. The Madagascar films are also ones that the

2820
02:30:31.479 --> 02:30:33.920
<v Speaker 2>kids and I had a lot of fun with and

2821
02:30:34.000 --> 02:30:37.479
<v Speaker 2>so it's entirely possible that one will end up getting

2822
02:30:37.479 --> 02:30:42.600
<v Speaker 2>picked up. And Danger Diabolic is a wackado film. I

2823
02:30:42.600 --> 02:30:47.040
<v Speaker 2>would have fun rewatching that one for sure. It is beautiful.

2824
02:30:47.639 --> 02:30:50.159
<v Speaker 1>I love that. As I was reading this, I got

2825
02:30:50.159 --> 02:30:55.719
<v Speaker 1>a shipping notification for my Hans Zimmer Live and Progress. Yeah.

2826
02:30:55.879 --> 02:30:58.680
<v Speaker 1>Cant cannot wait next week. Lots of stuff coming out.

2827
02:30:58.719 --> 02:31:01.479
<v Speaker 1>I still have not got Cobra or the stuff in

2828
02:31:01.520 --> 02:31:03.559
<v Speaker 1>four K that is on the way to me as

2829
02:31:03.559 --> 02:31:05.680
<v Speaker 1>well from Brother Belile and the stuff is one of

2830
02:31:05.680 --> 02:31:08.440
<v Speaker 1>my favorites, so I'm very eager to see that. Look

2831
02:31:08.479 --> 02:31:12.959
<v Speaker 1>at that right there, Look at that. Yeah, beautiful looking release.

2832
02:31:12.959 --> 02:31:14.639
<v Speaker 1>I can't believe they got the work print. Like this

2833
02:31:14.680 --> 02:31:16.799
<v Speaker 1>is a pretty big week for them.

2834
02:31:17.000 --> 02:31:18.040
<v Speaker 2>Yeah, fantastic.

2835
02:31:19.159 --> 02:31:22.639
<v Speaker 1>Well we covered all the releases. That's huge. Thanks for

2836
02:31:22.680 --> 02:31:23.360
<v Speaker 1>going through all that.

2837
02:31:23.799 --> 02:31:26.399
<v Speaker 2>Yeah, no, I mean a lot of really interesting movies

2838
02:31:26.399 --> 02:31:28.399
<v Speaker 2>that will be fun to pick up and revisit.

2839
02:31:29.360 --> 02:31:32.200
<v Speaker 1>Update from Deaf Crocodile. Reprints of our sold out visitors

2840
02:31:32.200 --> 02:31:34.680
<v Speaker 1>from the Arkana Galaxy, Bubble Bath, and The Assassin of

2841
02:31:34.680 --> 02:31:36.159
<v Speaker 1>This Are are all coming by the end of the month.

2842
02:31:36.200 --> 02:31:40.520
<v Speaker 1>Each will have limited slipcover editions available from Diabolic DVD.

2843
02:31:41.719 --> 02:31:46.479
<v Speaker 1>Really really cool there. Let's get in to jayhor So,

2844
02:31:46.959 --> 02:31:49.719
<v Speaker 1>jayhor what was your first foray into Jayhorr.

2845
02:31:50.360 --> 02:31:54.479
<v Speaker 2>It was probably around the time that they started remaking

2846
02:31:54.520 --> 02:32:00.000
<v Speaker 2>them with The Ring, the American remake that garver bin'sk

2847
02:32:00.079 --> 02:32:04.559
<v Speaker 2>you did in two, and then The Grudge in four,

2848
02:32:05.600 --> 02:32:09.479
<v Speaker 2>and that pushed me to go back and see the

2849
02:32:09.520 --> 02:32:13.120
<v Speaker 2>originals and and and I had a buddy at the

2850
02:32:13.120 --> 02:32:14.959
<v Speaker 2>time who was like, oh, well, then you also got

2851
02:32:14.959 --> 02:32:17.559
<v Speaker 2>to check out like these ones and so like Suicide

2852
02:32:17.559 --> 02:32:19.760
<v Speaker 2>Club and like all of these different movies, and so

2853
02:32:20.159 --> 02:32:21.760
<v Speaker 2>it just kind of pushed me to start watching a

2854
02:32:21.799 --> 02:32:24.200
<v Speaker 2>lot of these things. And I don't know, I just

2855
02:32:24.600 --> 02:32:30.520
<v Speaker 2>there's it's it's a different feel for what you're getting

2856
02:32:30.600 --> 02:32:32.680
<v Speaker 2>from typical horror movies and stuff, you know, And so

2857
02:32:33.040 --> 02:32:36.440
<v Speaker 2>I don't know, I just I really enjoy the tone

2858
02:32:36.600 --> 02:32:41.719
<v Speaker 2>of the way that they're exploring different elements of their society,

2859
02:32:41.799 --> 02:32:45.200
<v Speaker 2>and I find that to be such an exciting piece

2860
02:32:45.319 --> 02:32:46.399
<v Speaker 2>of all of it.

2861
02:32:47.680 --> 02:32:50.559
<v Speaker 1>What are for anybody that's not ever really given a

2862
02:32:50.600 --> 02:32:54.079
<v Speaker 1>deep dive, how how do you define? Because obviously there's

2863
02:32:54.079 --> 02:32:56.520
<v Speaker 1>all kinds of different genres, but like, what are some

2864
02:32:56.520 --> 02:32:59.479
<v Speaker 1>some landmark traits of jahorr that you find interesting?

2865
02:33:00.280 --> 02:33:04.159
<v Speaker 2>Landmark traits of jay horror is there's a lot like

2866
02:33:04.479 --> 02:33:07.000
<v Speaker 2>you're not getting as much gore necessarily that you would

2867
02:33:07.000 --> 02:33:10.959
<v Speaker 2>get in like Western horror. There's a lot more psychological

2868
02:33:11.200 --> 02:33:15.440
<v Speaker 2>and a lot more trauma. I know. It's so funny

2869
02:33:15.520 --> 02:33:19.680
<v Speaker 2>because you know these these dumb terms, like you know,

2870
02:33:19.799 --> 02:33:22.840
<v Speaker 2>like elevated horror or things like that, that it's just like,

2871
02:33:23.120 --> 02:33:26.319
<v Speaker 2>really it's just it's horror, and like that's kind of

2872
02:33:26.360 --> 02:33:28.600
<v Speaker 2>where you were going with this sort of stuff first,

2873
02:33:29.799 --> 02:33:34.719
<v Speaker 2>but also I love when they start exploring technology and

2874
02:33:34.760 --> 02:33:38.799
<v Speaker 2>our relationships with with that, you know, and I think

2875
02:33:38.840 --> 02:33:43.040
<v Speaker 2>that there the Japanese culture looks into some of those

2876
02:33:43.040 --> 02:33:47.920
<v Speaker 2>in such interesting ways, whether it's like videotapes or the

2877
02:33:48.000 --> 02:33:52.280
<v Speaker 2>Internet or whatever, and just how it how it kind

2878
02:33:52.319 --> 02:33:56.399
<v Speaker 2>of explores that in the horror scape, which so often

2879
02:33:56.440 --> 02:34:03.000
<v Speaker 2>when they get remade in America just don't capture the essence.

2880
02:34:03.440 --> 02:34:08.120
<v Speaker 1>They lose their nuance quite a bit, sadly. And there's

2881
02:34:08.120 --> 02:34:10.520
<v Speaker 1>been some good ones obviously, Like one of the ones

2882
02:34:10.600 --> 02:34:12.799
<v Speaker 1>that is most likely going to get brought up tonight

2883
02:34:12.840 --> 02:34:15.680
<v Speaker 1>is Ringu, and I really enjoy the remake for that,

2884
02:34:15.760 --> 02:34:20.479
<v Speaker 1>but it's it's still a very different feeling remake. But

2885
02:34:20.600 --> 02:34:22.600
<v Speaker 1>I think they both definitely have their merits.

2886
02:34:23.280 --> 02:34:26.840
<v Speaker 2>Yeah, yeah, that in the Grudge, I think both actually

2887
02:34:26.840 --> 02:34:30.079
<v Speaker 2>we're pretty strong, and then you start getting like one

2888
02:34:30.079 --> 02:34:33.520
<v Speaker 2>missed call and and things that just it's like they're

2889
02:34:33.559 --> 02:34:35.959
<v Speaker 2>not hitting the same exactly.

2890
02:34:37.360 --> 02:34:39.200
<v Speaker 1>One of the other big things that you see a

2891
02:34:39.239 --> 02:34:42.479
<v Speaker 1>lot in jahorr is this focus on the supernatural and

2892
02:34:42.520 --> 02:34:48.280
<v Speaker 1>a very specific style of way, like the Jay horror

2893
02:34:48.920 --> 02:34:52.440
<v Speaker 1>depiction of a ghost is a very common thing that

2894
02:34:52.520 --> 02:34:57.920
<v Speaker 1>has become troped overall, and it is something that is

2895
02:34:57.959 --> 02:34:59.440
<v Speaker 1>probably going to come up in at least a couple

2896
02:34:59.440 --> 02:35:04.680
<v Speaker 1>of these that were talking about tonight. That is a

2897
02:35:04.719 --> 02:35:07.360
<v Speaker 1>pretty good primer on this. It is kind of an

2898
02:35:07.399 --> 02:35:10.000
<v Speaker 1>odd thing to discuss. I guess in a way it

2899
02:35:10.000 --> 02:35:13.479
<v Speaker 1>should bring up the idea of jay horror k horror

2900
02:35:13.479 --> 02:35:16.159
<v Speaker 1>as a genre in itself, because in all reality, it's

2901
02:35:16.200 --> 02:35:18.760
<v Speaker 1>just horror from a country, and really all we're talking

2902
02:35:18.760 --> 02:35:22.399
<v Speaker 1>about is Japanese horror films. So there is a lot

2903
02:35:22.639 --> 02:35:25.879
<v Speaker 1>that you could break this down into, like different eras

2904
02:35:25.959 --> 02:35:28.760
<v Speaker 1>or movements within jay horror, but really there's kind of

2905
02:35:28.799 --> 02:35:33.200
<v Speaker 1>a defining time frame where jay horror exploded, and I've

2906
02:35:33.200 --> 02:35:35.120
<v Speaker 1>certainly got some from that on my list and I'm

2907
02:35:35.120 --> 02:35:37.719
<v Speaker 1>going to talk about But I tried to go a

2908
02:35:37.760 --> 02:35:40.879
<v Speaker 1>little wider too, just to capture some some different eras

2909
02:35:40.959 --> 02:35:44.120
<v Speaker 1>and a lot a lot of my picks are going

2910
02:35:44.200 --> 02:35:47.399
<v Speaker 1>to feel very obvious, but I don't think they get

2911
02:35:47.440 --> 02:35:51.799
<v Speaker 1>talked about in the idea of jayhor itself, and more

2912
02:35:51.840 --> 02:35:55.079
<v Speaker 1>so just like the pantheon of horror as a wider topic,

2913
02:35:55.399 --> 02:35:58.159
<v Speaker 1>and so very curious to see how those feel in

2914
02:35:58.239 --> 02:35:59.799
<v Speaker 1>discussion in these tonight so.

2915
02:36:00.040 --> 02:36:02.239
<v Speaker 2>Well, And it's interesting because you, like, as I was

2916
02:36:02.280 --> 02:36:05.079
<v Speaker 2>talking with one of my guests for our upcoming episode

2917
02:36:05.079 --> 02:36:07.280
<v Speaker 2>about it, I was asking that too. I'm like, well,

2918
02:36:07.319 --> 02:36:10.000
<v Speaker 2>I mean, should we include things like, you know, cron

2919
02:36:10.040 --> 02:36:12.079
<v Speaker 2>echo or quite on in it? And they're like, well,

2920
02:36:12.120 --> 02:36:15.600
<v Speaker 2>that's not really Jay horror. It's like Japanese horror. And

2921
02:36:16.120 --> 02:36:18.159
<v Speaker 2>so it's like, so I'm really curious to like have

2922
02:36:18.200 --> 02:36:21.639
<v Speaker 2>that conversation with them to like narrow down the specifics.

2923
02:36:21.680 --> 02:36:23.479
<v Speaker 2>But for them, like the way that they define it

2924
02:36:23.520 --> 02:36:27.360
<v Speaker 2>is like jay horror is a specific subgenre within Japanese

2925
02:36:27.360 --> 02:36:30.959
<v Speaker 2>horror that really kind of rose in the nineties, and

2926
02:36:31.280 --> 02:36:34.280
<v Speaker 2>so you started really seeing a lot of the different

2927
02:36:35.479 --> 02:36:39.040
<v Speaker 2>specific ways that they were taking the direction of horror

2928
02:36:39.040 --> 02:36:41.879
<v Speaker 2>films at the time. So I'm very curious to learn

2929
02:36:41.959 --> 02:36:44.079
<v Speaker 2>more from them about all of that.

2930
02:36:45.000 --> 02:36:48.040
<v Speaker 1>Well, let's hear what is the first jay horror film

2931
02:36:48.079 --> 02:36:49.000
<v Speaker 1>that you want to bring up tonight?

2932
02:36:49.360 --> 02:36:51.440
<v Speaker 2>The first one that I want to bring up is

2933
02:36:52.280 --> 02:36:55.040
<v Speaker 2>it's a I hadn't even heard of this before. It

2934
02:36:55.079 --> 02:36:57.879
<v Speaker 2>was in that Great Jay Horror box set that came

2935
02:36:57.920 --> 02:37:03.280
<v Speaker 2>out oh years ago, Norroy the Curse and directed by

2936
02:37:03.479 --> 02:37:09.840
<v Speaker 2>Koji Shiaishi, and it is told as a I mean

2937
02:37:10.239 --> 02:37:13.520
<v Speaker 2>fitting for you know, talking about this with you, because

2938
02:37:13.879 --> 02:37:16.639
<v Speaker 2>you know, we just discussed found footage horror. It very

2939
02:37:16.719 --> 02:37:19.159
<v Speaker 2>much fits into that kind of found footage vibe. It's

2940
02:37:19.239 --> 02:37:24.079
<v Speaker 2>like a pseudo documentary as we're following this paranormal investigator

2941
02:37:24.559 --> 02:37:34.239
<v Speaker 2>who is exploring this, this world of this this this

2942
02:37:34.360 --> 02:37:39.280
<v Speaker 2>curse that's happening where this this house had burned well,

2943
02:37:39.600 --> 02:37:43.479
<v Speaker 2>his house had burned down, and so it's actually other

2944
02:37:43.559 --> 02:37:46.760
<v Speaker 2>filmmakers who are now following him. It gets kind of

2945
02:37:46.760 --> 02:37:50.159
<v Speaker 2>that that meta found footage nature of it because he

2946
02:37:50.280 --> 02:37:54.079
<v Speaker 2>ended up getting he started, he finished this project, and

2947
02:37:54.079 --> 02:37:55.479
<v Speaker 2>then ends up dead, and so now you have these

2948
02:37:55.520 --> 02:37:59.120
<v Speaker 2>other filmmakers who are exploring his story as he goes

2949
02:37:59.159 --> 02:38:03.239
<v Speaker 2>through this process and he's investigating this this woman and

2950
02:38:03.280 --> 02:38:08.360
<v Speaker 2>her son and that that like dead birds are showing

2951
02:38:08.440 --> 02:38:11.639
<v Speaker 2>up around them, and it's like this they're annoying their

2952
02:38:11.639 --> 02:38:14.799
<v Speaker 2>neighbors because the neighbors keep hearing all these crying babies

2953
02:38:14.799 --> 02:38:16.399
<v Speaker 2>and they're like, what is going on? And so he's

2954
02:38:16.399 --> 02:38:18.159
<v Speaker 2>like trying to talk to this woman and she's just

2955
02:38:18.200 --> 02:38:20.639
<v Speaker 2>so nasty and he never can talk to her, and

2956
02:38:21.000 --> 02:38:23.920
<v Speaker 2>he keeps just kind of like following this investigation and

2957
02:38:24.559 --> 02:38:28.799
<v Speaker 2>eventually kind of leading to kind of a better understanding

2958
02:38:28.799 --> 02:38:31.479
<v Speaker 2>of what's actually going on with this curse. But what

2959
02:38:31.639 --> 02:38:34.319
<v Speaker 2>is so interesting about the way that the film is

2960
02:38:34.360 --> 02:38:38.079
<v Speaker 2>constructed is like it literally feels like you're watching a

2961
02:38:38.159 --> 02:38:44.559
<v Speaker 2>TV episode exploring how this this like this person following

2962
02:38:44.600 --> 02:38:47.559
<v Speaker 2>this curse trying to figure it out. Like we cut

2963
02:38:47.600 --> 02:38:50.639
<v Speaker 2>to news clippings and they're like reading through the newspapers,

2964
02:38:50.680 --> 02:38:52.799
<v Speaker 2>and we cut to other TV shows, like we cut

2965
02:38:52.799 --> 02:38:55.799
<v Speaker 2>to this completely unrelated show that happened to have this

2966
02:38:55.879 --> 02:38:59.360
<v Speaker 2>psychic come on, and you know, like this appears with

2967
02:38:59.399 --> 02:39:02.000
<v Speaker 2>the psychic who then attacks this woman, and both of

2968
02:39:02.000 --> 02:39:05.920
<v Speaker 2>those characters end up becoming very important later. It's it

2969
02:39:06.000 --> 02:39:09.600
<v Speaker 2>is a wild film, and it's probably my favorite of

2970
02:39:09.600 --> 02:39:12.280
<v Speaker 2>that whole box set. It's a really interesting one. It

2971
02:39:12.319 --> 02:39:14.440
<v Speaker 2>gets better every time I watch it, So that's where

2972
02:39:14.440 --> 02:39:19.760
<v Speaker 2>I wanted to start that box set.

2973
02:39:20.319 --> 02:39:23.000
<v Speaker 1>It's it's a good box set. I think Neroy for

2974
02:39:23.079 --> 02:39:25.079
<v Speaker 1>me is the best film in the box set. Yeah,

2975
02:39:25.479 --> 02:39:29.559
<v Speaker 1>it is quite enjoyable. This this is a really good

2976
02:39:30.079 --> 02:39:31.639
<v Speaker 1>If you're not gonna start with one of like the

2977
02:39:31.719 --> 02:39:34.879
<v Speaker 1>giant names like Juwan or Ringu, I think Neroy is

2978
02:39:34.920 --> 02:39:37.079
<v Speaker 1>actually one of the better starting points to get into

2979
02:39:37.159 --> 02:39:41.000
<v Speaker 1>Jay Horror, because it's a very good bridge film, because

2980
02:39:41.040 --> 02:39:45.200
<v Speaker 1>it feels it feels a bit Western in some of

2981
02:39:45.200 --> 02:39:46.799
<v Speaker 1>the ways that it's shot and some of the ways

2982
02:39:46.799 --> 02:39:50.319
<v Speaker 1>that you can like ingest this movie, but definitely has

2983
02:39:50.440 --> 02:39:53.840
<v Speaker 1>has roots in Jay Horror that are very very important here. Yeah,

2984
02:39:53.879 --> 02:39:56.079
<v Speaker 1>I love this movie. I think that this is a

2985
02:39:56.200 --> 02:39:59.479
<v Speaker 1>very very great choice to bring up here. That box

2986
02:39:59.479 --> 02:40:01.799
<v Speaker 1>set from Air is big. I hope they keep doing more,

2987
02:40:01.920 --> 02:40:06.479
<v Speaker 1>somebody does. I had heard from some people I know

2988
02:40:06.520 --> 02:40:08.719
<v Speaker 1>that you know, we've been seeing a ton of Hong

2989
02:40:08.799 --> 02:40:12.319
<v Speaker 1>Kong releases over the last four years now that have

2990
02:40:12.440 --> 02:40:15.120
<v Speaker 1>just been inundated by every label out there, which is great.

2991
02:40:15.159 --> 02:40:18.559
<v Speaker 1>I'm glad they're getting releases. Nothing against them, but by

2992
02:40:19.000 --> 02:40:21.799
<v Speaker 1>you know, eventually, when you're releasing that many, it's gonna

2993
02:40:21.799 --> 02:40:24.360
<v Speaker 1>be hard to keep that glut of titles coming. We're

2994
02:40:24.360 --> 02:40:26.120
<v Speaker 1>not gonna have elements for all of them or rights

2995
02:40:26.159 --> 02:40:28.440
<v Speaker 1>for some of them. So from what I'm hearing is

2996
02:40:28.479 --> 02:40:32.040
<v Speaker 1>that we might start seeing a little slight shift to

2997
02:40:32.159 --> 02:40:35.520
<v Speaker 1>the Japanese area. And if this is an indication for

2998
02:40:35.719 --> 02:40:38.040
<v Speaker 1>Arrow that, hey, we feel confident in putting out a

2999
02:40:38.040 --> 02:40:40.319
<v Speaker 1>box set like this. I hope people supported it in

3000
02:40:40.319 --> 02:40:42.559
<v Speaker 1>a way that we get more because there's a lot

3001
02:40:42.559 --> 02:40:45.399
<v Speaker 1>of really great jay horror that has never been you know,

3002
02:40:45.520 --> 02:40:48.479
<v Speaker 1>like outside of Netflix in the US, there's some that

3003
02:40:48.559 --> 02:40:51.319
<v Speaker 1>have gotten some like digital release for a year and

3004
02:40:51.360 --> 02:40:55.079
<v Speaker 1>then never seen again illegally at least, and it would

3005
02:40:55.079 --> 02:40:56.639
<v Speaker 1>be really great to see many of those come to

3006
02:40:56.680 --> 02:40:58.760
<v Speaker 1>disc And this is one that people had wanted for

3007
02:40:58.799 --> 02:41:01.280
<v Speaker 1>a long time. So I'm glad I got a respectful release.

3008
02:41:01.479 --> 02:41:05.959
<v Speaker 1>It is a great title, definitely, Okay. So I was

3009
02:41:05.959 --> 02:41:08.639
<v Speaker 1>trying to determine what order to go through here because

3010
02:41:08.719 --> 02:41:12.440
<v Speaker 1>chronological is just kind of I wanted to make it fun,

3011
02:41:13.079 --> 02:41:15.760
<v Speaker 1>but I just happened to still go with the oldest

3012
02:41:15.760 --> 02:41:18.399
<v Speaker 1>one first, because this is one that I feel like

3013
02:41:19.200 --> 02:41:20.959
<v Speaker 1>is kind of the granddaddy for me in so many

3014
02:41:21.000 --> 02:41:25.159
<v Speaker 1>different ways, because it's so surreal and supernatural and weird

3015
02:41:25.360 --> 02:41:28.319
<v Speaker 1>in so many different ways. But I wasn't going to

3016
02:41:28.360 --> 02:41:31.280
<v Speaker 1>be able to talk about jay Or without bringing up

3017
02:41:31.319 --> 02:41:36.879
<v Speaker 1>nineteen seventy seven's House Nobody he was wondering is one

3018
02:41:36.959 --> 02:41:39.600
<v Speaker 1>of those people. And obviously right now I'm working on

3019
02:41:39.879 --> 02:41:46.280
<v Speaker 1>like four Obiyasha titles for cult epics, and he is

3020
02:41:46.559 --> 02:41:50.319
<v Speaker 1>so stylized and carries so much of that over through

3021
02:41:50.360 --> 02:41:53.840
<v Speaker 1>films like School in the Crosshairs, which has very specific,

3022
02:41:54.360 --> 02:41:56.879
<v Speaker 1>very House related imagery, because he learned how to do

3023
02:41:56.920 --> 02:41:58.719
<v Speaker 1>it with how some people loved it, and then he

3024
02:41:58.799 --> 02:42:04.000
<v Speaker 1>carried that over. That House is just special if somehow

3025
02:42:04.000 --> 02:42:07.520
<v Speaker 1>you have never seen House. It has a beautiful criterion release,

3026
02:42:08.040 --> 02:42:11.280
<v Speaker 1>but this is essentially about somebody that is trying to

3027
02:42:11.319 --> 02:42:15.920
<v Speaker 1>find a connection to her mother that passed away, and

3028
02:42:15.959 --> 02:42:19.040
<v Speaker 1>she takes a trip to the countryside to visit her relatives.

3029
02:42:19.079 --> 02:42:22.399
<v Speaker 1>I think it's an aunt and uncle or just aunt whatever,

3030
02:42:22.440 --> 02:42:24.399
<v Speaker 1>but she she brings a bunch of her friends, and

3031
02:42:24.959 --> 02:42:28.799
<v Speaker 1>through this journey there's a bunch of weird stuff that happens.

3032
02:42:29.719 --> 02:42:32.799
<v Speaker 1>It weird is putting it lightly, but you're gonna see

3033
02:42:32.799 --> 02:42:35.959
<v Speaker 1>imagery that you've never seen in any other movie. There

3034
02:42:36.000 --> 02:42:40.559
<v Speaker 1>are like floating cat heads, there are weird, surreal things

3035
02:42:40.559 --> 02:42:43.120
<v Speaker 1>that just make you feel And it's not even like

3036
02:42:43.239 --> 02:42:47.559
<v Speaker 1>that's scary of a movie. It's just it's it's deranged

3037
02:42:47.760 --> 02:42:51.879
<v Speaker 1>in a weird way, and it's it's a weird foundational

3038
02:42:52.159 --> 02:42:57.680
<v Speaker 1>like introduction to just this frenetic style that is wild,

3039
02:42:57.840 --> 02:43:00.440
<v Speaker 1>and Obiyashi, like I said, carries that over to so

3040
02:43:00.440 --> 02:43:02.600
<v Speaker 1>many of his other movies, So I not only is

3041
02:43:02.639 --> 02:43:06.280
<v Speaker 1>it a fun weird gateway into like starting Jahorr to

3042
02:43:06.399 --> 02:43:09.600
<v Speaker 1>get into his filmography, this is such a great one

3043
02:43:09.639 --> 02:43:11.920
<v Speaker 1>to inspire you because it's probably the most accessible of

3044
02:43:11.920 --> 02:43:15.559
<v Speaker 1>those as in terms of the weird ones. But he

3045
02:43:16.239 --> 02:43:19.319
<v Speaker 1>does have some very like normal films after that still,

3046
02:43:19.360 --> 02:43:21.719
<v Speaker 1>so there's still a little lot to see. But Obyashi

3047
02:43:21.879 --> 02:43:25.559
<v Speaker 1>is just great with I don't know, leaning into like

3048
02:43:25.719 --> 02:43:29.840
<v Speaker 1>the the medium of making this movie and making you

3049
02:43:29.920 --> 02:43:33.840
<v Speaker 1>feel things based on seeing the absurd. These are not

3050
02:43:33.959 --> 02:43:36.879
<v Speaker 1>things that are realistic in any way. It's just a

3051
02:43:36.920 --> 02:43:39.360
<v Speaker 1>matter of this is just a wild movie and I

3052
02:43:39.360 --> 02:43:42.120
<v Speaker 1>don't know why, but I like it. You should watch

3053
02:43:42.159 --> 02:43:44.399
<v Speaker 1>House from nineteen seventy seven if you haven't.

3054
02:43:44.879 --> 02:43:48.559
<v Speaker 2>It is crazy. That's like my words. My fish like

3055
02:43:48.840 --> 02:43:52.600
<v Speaker 2>was a crazy ass movie. It is bonkers, off the wall,

3056
02:43:52.719 --> 02:43:57.799
<v Speaker 2>but it's it's very alive and it's full of this

3057
02:43:58.000 --> 02:44:01.479
<v Speaker 2>manic energy. So it's it's definitely one to check out,

3058
02:44:01.559 --> 02:44:04.360
<v Speaker 2>but be prepared for that type of movie when you

3059
02:44:04.399 --> 02:44:08.319
<v Speaker 2>step into it, because yeah, some people are like, I can't,

3060
02:44:08.479 --> 02:44:09.840
<v Speaker 2>I can't with this, it's too much.

3061
02:44:10.079 --> 02:44:11.959
<v Speaker 1>Yeah, if you're wanting like a calm ghost story.

3062
02:44:12.040 --> 02:44:17.319
<v Speaker 2>This is not it looks like a like almost like

3063
02:44:17.399 --> 02:44:18.840
<v Speaker 2>a comic strip the way.

3064
02:44:18.879 --> 02:44:22.079
<v Speaker 1>Yeah, absolutely, what is the next one for you?

3065
02:44:22.920 --> 02:44:26.040
<v Speaker 2>I'm jumping to twenty thirteen with a film directed by

3066
02:44:26.040 --> 02:44:31.639
<v Speaker 2>Maria Sato called By Location, which is you know, it's

3067
02:44:31.639 --> 02:44:34.920
<v Speaker 2>an interesting you can probably call it Jahore. You could

3068
02:44:34.920 --> 02:44:38.040
<v Speaker 2>probably also call it like I don't know, like psychological

3069
02:44:38.120 --> 02:44:40.959
<v Speaker 2>sci fi sort of movie. Like there's different ways you

3070
02:44:40.959 --> 02:44:44.639
<v Speaker 2>could look at this. But it's a story about doppelgangers,

3071
02:44:44.959 --> 02:44:49.479
<v Speaker 2>is really what it is. And you have our protagonist

3072
02:44:49.680 --> 02:44:53.200
<v Speaker 2>who wants to be a painter, and she ends up

3073
02:44:53.280 --> 02:44:58.479
<v Speaker 2>falling in love and with a man who comes to

3074
02:44:58.520 --> 02:45:01.200
<v Speaker 2>her door when she moves into or moves into the building,

3075
02:45:01.200 --> 02:45:05.079
<v Speaker 2>and so they fall in love, and then she's like torn,

3076
02:45:05.239 --> 02:45:07.600
<v Speaker 2>like do I pursue my life as a painter or

3077
02:45:07.600 --> 02:45:11.959
<v Speaker 2>do I just pursue my family life? And in this

3078
02:45:12.040 --> 02:45:16.280
<v Speaker 2>particular world, there are a few people where it happens

3079
02:45:16.280 --> 02:45:19.719
<v Speaker 2>where when you have that moment in your life where

3080
02:45:19.719 --> 02:45:24.760
<v Speaker 2>you feel pulled in two different directions, you actually there's

3081
02:45:24.760 --> 02:45:28.840
<v Speaker 2>a doppelganger version of you that gets created and they

3082
02:45:28.879 --> 02:45:31.799
<v Speaker 2>don't live for very long. When they appear, it's like

3083
02:45:31.879 --> 02:45:34.079
<v Speaker 2>I can it's very specific like twenty three minutes and

3084
02:45:34.120 --> 02:45:37.799
<v Speaker 2>fifty eight seconds or something, and they have to appear

3085
02:45:37.840 --> 02:45:40.639
<v Speaker 2>within a certain range of you. But that makes it

3086
02:45:40.680 --> 02:45:43.879
<v Speaker 2>really interesting because suddenly and they have like all the

3087
02:45:43.920 --> 02:45:47.000
<v Speaker 2>same feelings that you do and everything. So if you're doppelganger,

3088
02:45:47.799 --> 02:45:51.000
<v Speaker 2>if you're in love your husband and your doppelganger appears

3089
02:45:51.079 --> 02:45:54.559
<v Speaker 2>and sees your husband, then you're the doppelganger is going

3090
02:45:54.600 --> 02:45:57.120
<v Speaker 2>to want to be with him. And you end up

3091
02:45:57.639 --> 02:45:59.719
<v Speaker 2>if there are two versions of you that have like

3092
02:45:59.760 --> 02:46:03.280
<v Speaker 2>the memories and the same desires and everything, which which

3093
02:46:03.319 --> 02:46:07.200
<v Speaker 2>one are you? Then you know? And the film really

3094
02:46:07.280 --> 02:46:10.360
<v Speaker 2>kind of starts pursuing that to a point where as

3095
02:46:10.479 --> 02:46:14.440
<v Speaker 2>you go you don't even realize that I actually probably

3096
02:46:14.440 --> 02:46:18.040
<v Speaker 2>shouldn't even spoil it. I'll just say it's fascinating the

3097
02:46:18.079 --> 02:46:23.360
<v Speaker 2>way that Asato chooses to tell the film, because you

3098
02:46:23.479 --> 02:46:26.040
<v Speaker 2>really start you can't tell if you should be rooting

3099
02:46:26.120 --> 02:46:31.600
<v Speaker 2>for the person or their doppelganger, And there ends up

3100
02:46:31.639 --> 02:46:34.959
<v Speaker 2>being like this whole like there's a club of people

3101
02:46:34.959 --> 02:46:37.719
<v Speaker 2>who get together who are suffering from having their doppelgangers,

3102
02:46:37.959 --> 02:46:39.840
<v Speaker 2>and they're getting together to try talking about it. This

3103
02:46:39.920 --> 02:46:43.479
<v Speaker 2>cop has a dappelganger who isn't like has pulled into

3104
02:46:43.600 --> 02:46:46.479
<v Speaker 2>all of his incredibly violent reactions that he can't do

3105
02:46:46.600 --> 02:46:48.120
<v Speaker 2>when he's on the job because he has to be

3106
02:46:48.520 --> 02:46:51.479
<v Speaker 2>calm and collected, and so he split because he needs

3107
02:46:51.520 --> 02:46:54.799
<v Speaker 2>an outlet for that violence, and his violent doppelganger starts

3108
02:46:54.879 --> 02:47:00.680
<v Speaker 2>doing some terrible, terrible things. I just watched the I'm

3109
02:47:00.680 --> 02:47:03.559
<v Speaker 2>not talking about it on my upcoming show, but I

3110
02:47:03.600 --> 02:47:05.959
<v Speaker 2>hadn't heard of it, and it was like instantly, just

3111
02:47:06.000 --> 02:47:09.040
<v Speaker 2>like a favorite discovery of mine. So I absolutely check.

3112
02:47:09.360 --> 02:47:10.639
<v Speaker 2>I recommend checking this one out.

3113
02:47:10.680 --> 02:47:13.639
<v Speaker 1>By location, how do you see this one?

3114
02:47:14.200 --> 02:47:15.639
<v Speaker 2>It's on to be right now.

3115
02:47:17.680 --> 02:47:20.239
<v Speaker 1>Shit, I have to watch this movie now. You said

3116
02:47:20.239 --> 02:47:23.120
<v Speaker 1>the magic word. I adore doppelganger movies and I've never

3117
02:47:23.159 --> 02:47:26.879
<v Speaker 1>seen this one, and that sounds kind of incredible.

3118
02:47:26.920 --> 02:47:28.280
<v Speaker 2>I think you'd love this one.

3119
02:47:28.959 --> 02:47:33.920
<v Speaker 1>By location on to be great. I have to watch it.

3120
02:47:35.600 --> 02:47:35.959
<v Speaker 2>Next.

3121
02:47:36.920 --> 02:47:38.959
<v Speaker 1>One of the first things that sprung to mind when

3122
02:47:39.120 --> 02:47:41.520
<v Speaker 1>we decided to talk about jay horror is I knew

3123
02:47:41.520 --> 02:47:45.319
<v Speaker 1>that I had to talk about I think this was

3124
02:47:45.440 --> 02:47:48.920
<v Speaker 1>the first jay horror movie that I ever saw, and

3125
02:47:49.280 --> 02:47:55.200
<v Speaker 1>that is Kenji Fukusaku's Battle Royale from two thousand. This

3126
02:47:55.280 --> 02:47:58.200
<v Speaker 1>movie is one that most of you have probably seen.

3127
02:47:58.239 --> 02:48:02.879
<v Speaker 1>It's been sort of a beat to death like Texas

3128
02:48:02.920 --> 02:48:05.440
<v Speaker 1>Chainsaw Masker. Over the last ten or fifteen years with

3129
02:48:05.479 --> 02:48:08.879
<v Speaker 1>a bunch of different fancy releases. Arrow has got all

3130
02:48:08.879 --> 02:48:10.959
<v Speaker 1>the blood out of this Stone many many times for

3131
02:48:11.040 --> 02:48:15.399
<v Speaker 1>sure with their releases, but this movie is still I

3132
02:48:15.440 --> 02:48:20.479
<v Speaker 1>don't know, like under disgust since it's so prolific now,

3133
02:48:20.719 --> 02:48:22.600
<v Speaker 1>I feel like everybody just sort of sees it as

3134
02:48:22.639 --> 02:48:26.440
<v Speaker 1>a given, even though this movie is kind of a masterpiece.

3135
02:48:26.520 --> 02:48:30.000
<v Speaker 1>I mean, you take a classroom full of ninth graders,

3136
02:48:30.239 --> 02:48:33.040
<v Speaker 1>you drug them, put them on an island, and then

3137
02:48:33.120 --> 02:48:40.120
<v Speaker 1>say go kill each other. And this movie is so

3138
02:48:41.120 --> 02:48:45.159
<v Speaker 1>unafraid to hold back at anything. I mean, you have

3139
02:48:45.440 --> 02:48:49.399
<v Speaker 1>everybody that is willing to take just the craziest of weapons,

3140
02:48:49.440 --> 02:48:51.280
<v Speaker 1>put them in a hand of a young teenager and

3141
02:48:51.319 --> 02:48:54.040
<v Speaker 1>say go kill your best friend. And they do, and

3142
02:48:54.079 --> 02:48:56.879
<v Speaker 1>they show most of it like this is everybody choked

3143
02:48:56.879 --> 02:49:00.000
<v Speaker 1>around that this was the inspiration for the Hunger Game,

3144
02:49:00.120 --> 02:49:02.680
<v Speaker 1>and undoubtedly this definitely played a big part in that

3145
02:49:02.760 --> 02:49:06.040
<v Speaker 1>for sure, But it is so much better than the

3146
02:49:06.040 --> 02:49:08.440
<v Speaker 1>the at least the first Hunger Games, because you don't

3147
02:49:08.920 --> 02:49:11.079
<v Speaker 1>Hunger Games is so tame compared to this movie, But

3148
02:49:11.159 --> 02:49:15.959
<v Speaker 1>I mean the way that you go through the psychological

3149
02:49:16.040 --> 02:49:19.479
<v Speaker 1>torture of if you don't follow the rules in this

3150
02:49:19.639 --> 02:49:22.840
<v Speaker 1>quote game that we're playing will kill you and we

3151
02:49:22.840 --> 02:49:26.360
<v Speaker 1>don't care. And they prove that like twelve minutes into

3152
02:49:26.360 --> 02:49:28.319
<v Speaker 1>the movie, and so the rest of the movie, there's

3153
02:49:28.399 --> 02:49:32.959
<v Speaker 1>just this underlying boiling tension that is waiting to spill

3154
02:49:33.000 --> 02:49:34.799
<v Speaker 1>over on the edge of your pot as you're watching

3155
02:49:34.799 --> 02:49:38.719
<v Speaker 1>this movie. And so with every movement that you like,

3156
02:49:38.879 --> 02:49:41.079
<v Speaker 1>this kid's about to go around the corner, I'm empathizing

3157
02:49:41.120 --> 02:49:43.959
<v Speaker 1>with him, is somebody about to shoot him? It is

3158
02:49:44.120 --> 02:49:47.719
<v Speaker 1>because of that this it's like uncut gems for me

3159
02:49:48.040 --> 02:49:49.920
<v Speaker 1>when I watch this movie every time, my heart rate

3160
02:49:50.159 --> 02:49:53.600
<v Speaker 1>is a NonStop for this entire movie, because there's everything

3161
02:49:54.239 --> 02:49:58.120
<v Speaker 1>that everything is the enemy. Nothing in this movie is

3162
02:49:58.159 --> 02:50:01.479
<v Speaker 1>something that you can trust, and you find that out

3163
02:50:01.520 --> 02:50:04.360
<v Speaker 1>many times. There's so many betrayals in this film. There's

3164
02:50:04.360 --> 02:50:09.399
<v Speaker 1>so many things that you just see this incredible display

3165
02:50:09.440 --> 02:50:12.879
<v Speaker 1>of like wonderful acting, really great twists in the story

3166
02:50:12.920 --> 02:50:15.799
<v Speaker 1>that aren't treated as twists, just like, oh my gosh,

3167
02:50:15.840 --> 02:50:18.360
<v Speaker 1>that was crazy that they chose to do this. And

3168
02:50:18.399 --> 02:50:21.760
<v Speaker 1>then of course, throughout this entire movie, you're you're watching

3169
02:50:21.799 --> 02:50:24.719
<v Speaker 1>some of these kids just do the worst things, all

3170
02:50:24.799 --> 02:50:28.559
<v Speaker 1>forgetting that beat. Takeshi is one of the main stars

3171
02:50:28.559 --> 02:50:30.520
<v Speaker 1>of this movie, and you've watched them in some of

3172
02:50:30.600 --> 02:50:33.959
<v Speaker 1>the best movies of all time. I like bat Royal

3173
02:50:34.200 --> 02:50:37.680
<v Speaker 1>is not respected enough, even though again it's kind of

3174
02:50:37.719 --> 02:50:40.360
<v Speaker 1>like ubiquitous for people because it's just always there.

3175
02:50:41.360 --> 02:50:44.120
<v Speaker 2>Yeah, it's an interesting point. It really does feel like,

3176
02:50:44.479 --> 02:50:49.440
<v Speaker 2>because of the violent nature of it, that people view

3177
02:50:49.479 --> 02:50:51.920
<v Speaker 2>it as, oh, it's too much of kind of a

3178
02:50:52.040 --> 02:50:55.799
<v Speaker 2>it's a cult film, or it's like, you know, it's

3179
02:50:55.799 --> 02:51:00.360
<v Speaker 2>a dark foreign version of Hunger Games. Know if they

3180
02:51:00.360 --> 02:51:03.760
<v Speaker 2>don't know which one came first, and you you just

3181
02:51:03.879 --> 02:51:06.879
<v Speaker 2>get this sense that they just they just dismiss it

3182
02:51:06.920 --> 02:51:10.440
<v Speaker 2>too easily without realizing where it came from and everything.

3183
02:51:10.479 --> 02:51:13.879
<v Speaker 2>It's it's a powerful, solid film and just these the

3184
02:51:13.920 --> 02:51:17.479
<v Speaker 2>way that these kids, you know, have to take on

3185
02:51:17.639 --> 02:51:23.040
<v Speaker 2>this this role, for the method, the reason for the

3186
02:51:23.040 --> 02:51:26.200
<v Speaker 2>whole thing, and it's it's it's dark. It's like a

3187
02:51:26.319 --> 02:51:31.000
<v Speaker 2>frightening glimpse of some sort of like a you know, terrible,

3188
02:51:31.600 --> 02:51:39.479
<v Speaker 2>terrible dystopian future, and it plays in a really incredible way. So, yeah,

3189
02:51:39.559 --> 02:51:42.639
<v Speaker 2>great movie. I haven't seen the follow up, but I

3190
02:51:42.639 --> 02:51:44.639
<v Speaker 2>I feel like I need to But yeah, it's a

3191
02:51:44.680 --> 02:51:45.200
<v Speaker 2>good one.

3192
02:51:45.399 --> 02:51:47.360
<v Speaker 1>It's it's worth the watch once. The follow up is

3193
02:51:47.600 --> 02:51:51.399
<v Speaker 1>it doesn't hold even as well a mostly burned down

3194
02:51:51.479 --> 02:51:55.399
<v Speaker 1>candle to the first movie. It is quite disappointing after

3195
02:51:55.440 --> 02:51:57.799
<v Speaker 1>watching that. It was definitely just let's try to make

3196
02:51:57.840 --> 02:51:58.280
<v Speaker 1>some money.

3197
02:51:58.520 --> 02:51:59.879
<v Speaker 2>Yeah, that's too bad.

3198
02:52:00.399 --> 02:52:04.040
<v Speaker 1>It happens, especially with horror. I mean that's a common thing. Sadly.

3199
02:52:05.760 --> 02:52:08.920
<v Speaker 1>All right, your third choice, my third one.

3200
02:52:09.079 --> 02:52:11.159
<v Speaker 2>This was one that I, again I had never heard of,

3201
02:52:11.760 --> 02:52:12.959
<v Speaker 2>and I'm going to be talking about this one on

3202
02:52:12.959 --> 02:52:15.399
<v Speaker 2>the show. The guests recommended this one because it's an

3203
02:52:15.399 --> 02:52:20.639
<v Speaker 2>interesting starting place. It's called Psychic Vision Jagonray. It is

3204
02:52:20.719 --> 02:52:24.399
<v Speaker 2>a it's a short film. It's only I think forty

3205
02:52:24.479 --> 02:52:29.319
<v Speaker 2>nine minutes long. It's like very very short, but it's

3206
02:52:29.959 --> 02:52:33.280
<v Speaker 2>it's fascinating because it's been made in nineteen ninety nineteen

3207
02:52:33.399 --> 02:52:38.040
<v Speaker 2>eighty eight by terryoshi Ishi, and it's a we're following

3208
02:52:38.040 --> 02:52:43.360
<v Speaker 2>a reporter who is doing a story about a new

3209
02:52:43.399 --> 02:52:48.799
<v Speaker 2>pop singer, and so in most of the construction of

3210
02:52:48.840 --> 02:52:51.760
<v Speaker 2>the film, you're really looking at a movie that's a

3211
02:52:51.840 --> 02:52:56.799
<v Speaker 2>documentary of a very specific time in Japanese kind of

3212
02:52:57.280 --> 02:53:01.680
<v Speaker 2>eighties of their just the way that these producers and

3213
02:53:01.760 --> 02:53:06.520
<v Speaker 2>studios create their pop singers. And so that's kind of

3214
02:53:06.559 --> 02:53:09.920
<v Speaker 2>like what we're feeling because we're following as as this

3215
02:53:10.040 --> 02:53:12.319
<v Speaker 2>singer is prepping this new song and it's all about

3216
02:53:12.319 --> 02:53:16.000
<v Speaker 2>this new song that she's going to sing called Lovecraft.

3217
02:53:17.000 --> 02:53:19.559
<v Speaker 2>But the mystery here is like she's going to sing

3218
02:53:19.600 --> 02:53:23.200
<v Speaker 2>the song. The producer was sent this the lyrics for

3219
02:53:23.280 --> 02:53:26.360
<v Speaker 2>this song, but it has no idea who wrote it,

3220
02:53:26.799 --> 02:53:30.079
<v Speaker 2>and that's kind of the crux of this. And then

3221
02:53:30.319 --> 02:53:33.120
<v Speaker 2>the composer writes the music and we start we get

3222
02:53:33.120 --> 02:53:35.319
<v Speaker 2>to the point where we're actually filming the music video,

3223
02:53:35.799 --> 02:53:42.159
<v Speaker 2>and then just crazy stuff starts happening, and it's is

3224
02:53:42.200 --> 02:53:46.920
<v Speaker 2>a quick film forty nine minutes, absolutely something worth checking out,

3225
02:53:47.399 --> 02:53:49.559
<v Speaker 2>just I mean, mainly because it does such an interesting

3226
02:53:49.600 --> 02:53:54.200
<v Speaker 2>glimpse into that pop singer culture in Japan and then

3227
02:53:54.639 --> 02:53:57.120
<v Speaker 2>shifts the whole thing over with kind of a jay

3228
02:53:57.239 --> 02:53:59.719
<v Speaker 2>horror ghost and everything.

3229
02:54:00.799 --> 02:54:04.040
<v Speaker 1>This sounds great and would probably make a pretty fun

3230
02:54:04.120 --> 02:54:06.559
<v Speaker 1>pairing with one that I wasn't gonna mention tonight, but

3231
02:54:07.200 --> 02:54:08.920
<v Speaker 1>it would be great to see this with Perfect Blue.

3232
02:54:09.000 --> 02:54:12.079
<v Speaker 2>It sounds like, hey, there, you go yeah, yeah, this

3233
02:54:12.120 --> 02:54:15.079
<v Speaker 2>is one. I don't know if anyone's ever released it,

3234
02:54:15.120 --> 02:54:17.120
<v Speaker 2>but you can watch the whole thing on YouTube.

3235
02:54:17.760 --> 02:54:22.719
<v Speaker 1>Nice and short film. I mean it's minutes. Yeah, this

3236
02:54:22.799 --> 02:54:26.360
<v Speaker 1>is just happenstance. But I'm gonna choose another semi short

3237
02:54:26.360 --> 02:54:29.479
<v Speaker 1>film that came out just the next year, one that

3238
02:54:29.879 --> 02:54:33.600
<v Speaker 1>is fundamental for me with Jay Horror, because i mean,

3239
02:54:33.639 --> 02:54:36.639
<v Speaker 1>first of all, this filmmaker is one of the best

3240
02:54:36.680 --> 02:54:40.200
<v Speaker 1>of all time, But nineteen eighty nine's Tetsuo the Iron

3241
02:54:40.200 --> 02:54:43.079
<v Speaker 1>Man I felt like needed to be discussed tonight. Now,

3242
02:54:43.680 --> 02:54:45.760
<v Speaker 1>this is a movie that is kind of hard to

3243
02:54:46.000 --> 02:54:48.479
<v Speaker 1>discuss because it's just one that you sort of have

3244
02:54:48.559 --> 02:54:54.159
<v Speaker 1>to experience. Tetsuo the Iron Man is a industrial body

3245
02:54:54.200 --> 02:54:58.719
<v Speaker 1>horror movie about a man that gets cursed that starts

3246
02:54:59.600 --> 02:55:03.280
<v Speaker 1>putting metal all throughout his body and living a completely

3247
02:55:04.479 --> 02:55:08.040
<v Speaker 1>just transformed life as the film goes on, all leading

3248
02:55:08.079 --> 02:55:12.079
<v Speaker 1>to just a weird ending at the end that again

3249
02:55:12.120 --> 02:55:14.680
<v Speaker 1>you just sort of have to be there to live

3250
02:55:14.840 --> 02:55:18.719
<v Speaker 1>through the moment of this man turning into Tetsuo the

3251
02:55:18.760 --> 02:55:23.239
<v Speaker 1>Iron Man. It is a beautifully shot film. It once

3252
02:55:23.280 --> 02:55:27.680
<v Speaker 1>again feels very frenetic as you're watching it, because like,

3253
02:55:27.840 --> 02:55:31.719
<v Speaker 1>what the hell is happening while you're seeing this random

3254
02:55:31.760 --> 02:55:39.000
<v Speaker 1>imagery being here by Shinyasukamoto's just beautiful cinematography, and the

3255
02:55:39.319 --> 02:55:42.120
<v Speaker 1>way that they choose to tell the story is like

3256
02:55:42.399 --> 02:55:44.600
<v Speaker 1>quiet in a way, but at the same time, like,

3257
02:55:45.280 --> 02:55:49.959
<v Speaker 1>I don't know, the it feels so and it's obviously

3258
02:55:50.000 --> 02:55:53.159
<v Speaker 1>a little a little stereotypical to say it's a body

3259
02:55:53.159 --> 02:55:56.200
<v Speaker 1>horror movie, so it feels Chronamburgian, But there's something about

3260
02:55:56.200 --> 02:55:59.760
<v Speaker 1>this that is much more Chronambergian than other body horror

3261
02:55:59.799 --> 02:56:02.319
<v Speaker 1>movie because it just feels so lived in by the

3262
02:56:02.360 --> 02:56:04.200
<v Speaker 1>time you get to the film the end of the movie,

3263
02:56:05.000 --> 02:56:06.959
<v Speaker 1>like it reminds me the feeling of the fly, like

3264
02:56:07.200 --> 02:56:11.200
<v Speaker 1>you've been there for the entire transformation, You've lived through.

3265
02:56:11.719 --> 02:56:14.079
<v Speaker 1>This guy was just normal human to he is a

3266
02:56:14.120 --> 02:56:17.920
<v Speaker 1>completely different thing by the very end. And Tetsuo is

3267
02:56:18.120 --> 02:56:22.079
<v Speaker 1>one of those movies that will stick with you. You

3268
02:56:22.280 --> 02:56:26.520
<v Speaker 1>at the end will feel like quite frustrated because you

3269
02:56:26.600 --> 02:56:30.879
<v Speaker 1>have seen so much change and felt sort of invaded,

3270
02:56:31.159 --> 02:56:33.760
<v Speaker 1>just like our main character is in this movie. It

3271
02:56:33.840 --> 02:56:35.559
<v Speaker 1>is one that will stick with you for a while.

3272
02:56:35.719 --> 02:56:39.440
<v Speaker 1>Tetsuo is again a little hard to explain, but one

3273
02:56:39.440 --> 02:56:41.559
<v Speaker 1>of those that pretty much everybody should probably watch at

3274
02:56:41.639 --> 02:56:46.280
<v Speaker 1>least once. Sukamoto brilliant, brilliant director. I know that we've

3275
02:56:46.280 --> 02:56:48.399
<v Speaker 1>said Arrow a lot tonight, but the Arrow box set

3276
02:56:48.440 --> 02:56:51.639
<v Speaker 1>that they did of his stuff is kind of a

3277
02:56:51.680 --> 02:56:55.600
<v Speaker 1>masterclass in his filmmaking. Some really great extras in there.

3278
02:56:55.920 --> 02:57:00.719
<v Speaker 1>I think that his films are very specifically Suko and

3279
02:57:01.360 --> 02:57:04.680
<v Speaker 1>worthy of his own discussion on its own, for sure.

3280
02:57:06.040 --> 02:57:09.479
<v Speaker 2>It's my experience was it was a very difficult film

3281
02:57:09.520 --> 02:57:12.760
<v Speaker 2>to watch because it's like, it's like sixteen millimeters black

3282
02:57:12.799 --> 02:57:15.799
<v Speaker 2>and white, so it's very like you think of things

3283
02:57:15.840 --> 02:57:19.840
<v Speaker 2>like Eraserhead or pie Like. It's very stark. It's a

3284
02:57:19.920 --> 02:57:24.639
<v Speaker 2>relentless pace. There's this pounding industrial score with it, and

3285
02:57:25.600 --> 02:57:28.239
<v Speaker 2>I like, I was like, this is never going to end.

3286
02:57:28.360 --> 02:57:34.280
<v Speaker 2>But it became one that was less about understanding what

3287
02:57:34.399 --> 02:57:36.440
<v Speaker 2>was going on in the story and more just like

3288
02:57:36.479 --> 02:57:38.959
<v Speaker 2>the experience of it, you know, like that's kind of

3289
02:57:39.600 --> 02:57:42.879
<v Speaker 2>where I went with this one, and like it it

3290
02:57:44.959 --> 02:57:48.280
<v Speaker 2>I when I was a kid, I'll this is the

3291
02:57:48.319 --> 02:57:50.360
<v Speaker 2>story that's going on. I didn't mean to go into

3292
02:57:50.639 --> 02:57:52.840
<v Speaker 2>this story, but when I was a kid, I would

3293
02:57:52.879 --> 02:57:55.559
<v Speaker 2>have every time I had a high fever, I would

3294
02:57:55.600 --> 02:57:58.959
<v Speaker 2>have what I have since dubbed my steel wool nightmares,

3295
02:57:59.440 --> 02:58:02.760
<v Speaker 2>where like literally I was just like whatever dream I

3296
02:58:02.840 --> 02:58:05.879
<v Speaker 2>was in, all of a sudden, it's like steel wool

3297
02:58:05.959 --> 02:58:09.159
<v Speaker 2>coming in, just like eating everything around me, and I

3298
02:58:09.200 --> 02:58:11.959
<v Speaker 2>would just run and the steel wool was just kind

3299
02:58:11.959 --> 02:58:14.680
<v Speaker 2>of like keep crunching down on everything around me until

3300
02:58:14.719 --> 02:58:16.639
<v Speaker 2>it finally like I was narrowed down to like a

3301
02:58:16.680 --> 02:58:18.079
<v Speaker 2>corner of a room or something, and then it would

3302
02:58:18.079 --> 02:58:20.360
<v Speaker 2>eat me and I'd wake up. Every time I was sick,

3303
02:58:20.399 --> 02:58:24.399
<v Speaker 2>I had that nightmare, and this movie made it feel

3304
02:58:24.479 --> 02:58:28.799
<v Speaker 2>like I was reliving those nightmares like it was, So

3305
02:58:28.840 --> 02:58:31.879
<v Speaker 2>it was a little extra challenging for me. But it's absolutely,

3306
02:58:32.440 --> 02:58:34.760
<v Speaker 2>like I mean, to be able to kind of create

3307
02:58:34.840 --> 02:58:38.280
<v Speaker 2>that visceral experience for me, I think it's pretty impressive.

3308
02:58:39.200 --> 02:58:44.680
<v Speaker 1>Yeah, and Vispian says here, supermotive filmography is nearly flawless.

3309
02:58:45.000 --> 02:58:48.000
<v Speaker 1>I would agree. Again, I think this one is sort

3310
02:58:48.000 --> 02:58:53.000
<v Speaker 1>of difficult because of the very nature of the way

3311
02:58:53.000 --> 02:58:55.920
<v Speaker 1>that this is made. But I think it's an important

3312
02:58:55.920 --> 02:58:58.040
<v Speaker 1>way to step into and it's it's obviously it's his

3313
02:58:58.079 --> 02:59:01.159
<v Speaker 1>most well known film, and it's one that yeah, you

3314
02:59:01.159 --> 02:59:03.000
<v Speaker 1>should you should see. It's kind of crazy.

3315
02:59:03.319 --> 02:59:06.079
<v Speaker 2>Yeah, it's definitely you really have to see it. It's

3316
02:59:06.479 --> 02:59:07.319
<v Speaker 2>just a tough one.

3317
02:59:07.760 --> 02:59:11.959
<v Speaker 1>Yeah, all right, your fourth film.

3318
02:59:11.319 --> 02:59:13.840
<v Speaker 2>I was debating, like it, do I want to go?

3319
02:59:13.959 --> 02:59:15.719
<v Speaker 2>Do I want to include any that are a little

3320
02:59:15.719 --> 02:59:17.559
<v Speaker 2>more well known? I mean, I guess I include Noroy,

3321
02:59:17.600 --> 02:59:21.319
<v Speaker 2>But the other one I want to include is just

3322
02:59:21.680 --> 02:59:25.639
<v Speaker 2>it's I think equally important in a different way. This

3323
02:59:25.680 --> 02:59:33.079
<v Speaker 2>is Kyoshi Kurosawa's Pulse from two thousand, which is we

3324
02:59:33.159 --> 02:59:37.000
<v Speaker 2>talked about kind of like that technological look into into films,

3325
02:59:37.040 --> 02:59:39.959
<v Speaker 2>and that's definitely where this film is going. You have this.

3326
02:59:41.000 --> 02:59:44.159
<v Speaker 2>It's really a story about the Internet and how everyone

3327
02:59:44.200 --> 02:59:47.159
<v Speaker 2>can connect instantly, but it's kind of also created like

3328
02:59:47.200 --> 02:59:51.600
<v Speaker 2>this mass, big of loneliness around and that's really been

3329
02:59:51.639 --> 02:59:54.879
<v Speaker 2>growing especially. I mean, this film was really precient because

3330
02:59:54.879 --> 02:59:58.079
<v Speaker 2>it's only gotten progressively worse with all the different social

3331
02:59:58.159 --> 03:00:01.920
<v Speaker 2>media tools and everything. To mention pandemics and everything else

3332
03:00:01.959 --> 03:00:06.559
<v Speaker 2>that we've been living through. This film made in two

3333
03:00:06.600 --> 03:00:09.319
<v Speaker 2>thousand and one, so the Internet wasn't even around for

3334
03:00:09.479 --> 03:00:12.799
<v Speaker 2>a decade by the time he made this, And it's

3335
03:00:13.000 --> 03:00:18.600
<v Speaker 2>it's a story following some just like some people who

3336
03:00:18.600 --> 03:00:21.959
<v Speaker 2>are like kind of starting to like lose people that

3337
03:00:22.000 --> 03:00:24.600
<v Speaker 2>they like, they're they're just not showing up for work

3338
03:00:24.719 --> 03:00:27.280
<v Speaker 2>or something, and like they go over to their house

3339
03:00:27.319 --> 03:00:30.479
<v Speaker 2>to figure out like what's going on, and and they're there,

3340
03:00:30.520 --> 03:00:33.399
<v Speaker 2>but they're kind of not there, and it's it's very

3341
03:00:33.440 --> 03:00:35.360
<v Speaker 2>I mean, it's very slow paced. If you know Kyosha

3342
03:00:35.680 --> 03:00:40.159
<v Speaker 2>Kyoshi Krosawa's films, definitely kind of that slow paced, very

3343
03:00:40.239 --> 03:00:43.680
<v Speaker 2>kind of like mood horror, and that's what you get here,

3344
03:00:43.799 --> 03:00:48.200
<v Speaker 2>as like you walk into your talking to somebody and

3345
03:00:48.239 --> 03:00:50.680
<v Speaker 2>then you they kind of go into the other room

3346
03:00:50.760 --> 03:00:53.719
<v Speaker 2>and and you follow along after a few minutes and

3347
03:00:53.760 --> 03:00:58.680
<v Speaker 2>find that they've hung themselves. Since it's like wow, okay, uh.

3348
03:00:59.079 --> 03:01:03.079
<v Speaker 2>It just and it keeps going from there as people

3349
03:01:03.079 --> 03:01:07.000
<v Speaker 2>are kind of getting more affected by this and it's

3350
03:01:07.200 --> 03:01:11.319
<v Speaker 2>growing also, which is the other thing. It's a fascinating film,

3351
03:01:11.520 --> 03:01:14.920
<v Speaker 2>and it was I don't let's say I saw Cure.

3352
03:01:14.920 --> 03:01:16.799
<v Speaker 2>I was trying to remember my first my introduction to

3353
03:01:16.840 --> 03:01:20.079
<v Speaker 2>CHROs how I think was Cure and then this, But

3354
03:01:21.319 --> 03:01:23.639
<v Speaker 2>both of them I think are just such top notch films.

3355
03:01:23.680 --> 03:01:28.159
<v Speaker 2>But Pulse is it's haunting. This is what I would like,

3356
03:01:28.200 --> 03:01:31.760
<v Speaker 2>an absolutely haunting film in the way that it tackles

3357
03:01:31.840 --> 03:01:34.040
<v Speaker 2>like technological loneliness.

3358
03:01:34.799 --> 03:01:37.360
<v Speaker 1>So I must admit I've been dying to see Pulse

3359
03:01:37.399 --> 03:01:41.360
<v Speaker 1>for quite some time. I have stayed away primarily because

3360
03:01:41.479 --> 03:01:45.840
<v Speaker 1>I did not like Cure. Oh interesting, I don't know why.

3361
03:01:46.000 --> 03:01:51.440
<v Speaker 1>I'm probably wrong, I understand. I mean, obviously everybody loves

3362
03:01:51.479 --> 03:01:54.479
<v Speaker 1>Cure and worships it for some reason, it just didn't

3363
03:01:54.559 --> 03:01:58.479
<v Speaker 1>land with me, and so Pulse sounds way more my

3364
03:01:58.600 --> 03:02:01.639
<v Speaker 1>style of film, even though Cure should have been my

3365
03:02:01.680 --> 03:02:05.079
<v Speaker 1>style too. That's why I'm worried. But I really think

3366
03:02:05.120 --> 03:02:08.200
<v Speaker 1>I will like this one. But yet not liking Cure

3367
03:02:08.280 --> 03:02:10.760
<v Speaker 1>has sort of pushed me away, So I will be

3368
03:02:10.760 --> 03:02:13.440
<v Speaker 1>watching this one soon. Well, I mean he's got that

3369
03:02:13.600 --> 03:02:17.559
<v Speaker 1>new film Cloud. Yeah, that maybe you start with that

3370
03:02:17.639 --> 03:02:19.840
<v Speaker 1>one and then you kind of work your way back

3371
03:02:19.879 --> 03:02:24.600
<v Speaker 1>to Pulse. Appreciate the comment from Stan This says, yes,

3372
03:02:24.680 --> 03:02:27.920
<v Speaker 1>I am wrong, thanks to Chime.

3373
03:02:28.360 --> 03:02:30.920
<v Speaker 2>Actually, Chime is another interesting one that you could check out.

3374
03:02:30.920 --> 03:02:32.920
<v Speaker 2>That's again, it's only forty five minutes, and I think

3375
03:02:32.920 --> 03:02:35.639
<v Speaker 2>that one. I think I watched it on YouTube. It's

3376
03:02:35.760 --> 03:02:39.000
<v Speaker 2>also I don't know. If you don't like Cure, I

3377
03:02:39.040 --> 03:02:41.360
<v Speaker 2>wonder where you'd stand with it. But if you're looking

3378
03:02:41.399 --> 03:02:44.639
<v Speaker 2>for something shorter at least, that might be another thing

3379
03:02:44.680 --> 03:02:47.200
<v Speaker 2>to like test the waters with before you jump into Pulse,

3380
03:02:47.200 --> 03:02:50.000
<v Speaker 2>which is a good two hours.

3381
03:02:50.600 --> 03:02:53.239
<v Speaker 1>So, as I mentioned, I was trying to go from

3382
03:02:53.440 --> 03:02:57.000
<v Speaker 1>like four or five different to eras isn't really the

3383
03:02:57.079 --> 03:02:59.440
<v Speaker 1>right word, but like groupings of films, and I felt

3384
03:02:59.479 --> 03:03:01.719
<v Speaker 1>like I needed to have one that was much more modern.

3385
03:03:01.760 --> 03:03:04.159
<v Speaker 1>But also this one sticks out like a sore thumb

3386
03:03:04.200 --> 03:03:06.600
<v Speaker 1>amidst the rest of what I'm talking about tonight, and

3387
03:03:06.680 --> 03:03:11.120
<v Speaker 1>it's because it's so damn charming. I had to bring

3388
03:03:11.239 --> 03:03:13.280
<v Speaker 1>up this movie, and I feel terrible because it's gonna

3389
03:03:13.280 --> 03:03:14.879
<v Speaker 1>be another one that I can't talk about most of

3390
03:03:14.879 --> 03:03:17.200
<v Speaker 1>the movie, but I'm gonna do my best here. Twenty

3391
03:03:17.280 --> 03:03:22.440
<v Speaker 1>seventeen's One Cut of the Dead. This movie is a

3392
03:03:22.440 --> 03:03:26.360
<v Speaker 1>masterpiece in my opinion. This is a movie that if

3393
03:03:26.399 --> 03:03:29.200
<v Speaker 1>you are ever somebody that's ever played around with the

3394
03:03:29.239 --> 03:03:33.639
<v Speaker 1>video camera at home, or had the dream of making

3395
03:03:33.680 --> 03:03:38.000
<v Speaker 1>short films with your friends, or watched movies and immediately said,

3396
03:03:38.040 --> 03:03:39.399
<v Speaker 1>I want to be able to make a story like

3397
03:03:39.440 --> 03:03:41.840
<v Speaker 1>that one day. One Cut of the Dead, I feel like,

3398
03:03:41.959 --> 03:03:45.040
<v Speaker 1>is one of the most consistent modern movies that when

3399
03:03:45.040 --> 03:03:47.159
<v Speaker 1>I watch it with other people, we walk away going,

3400
03:03:47.639 --> 03:03:49.520
<v Speaker 1>do you want to go make a movie? Right this moment,

3401
03:03:49.639 --> 03:03:53.120
<v Speaker 1>because my god, I'm super charged. One Cut of the

3402
03:03:53.159 --> 03:03:57.000
<v Speaker 1>Dead is a zombie movie about a bunch of individuals

3403
03:03:57.000 --> 03:04:00.719
<v Speaker 1>being attacked in this abandoned warehouse. You see them fighting

3404
03:04:00.719 --> 03:04:05.600
<v Speaker 1>off the zombies and trying to escape. And it's a

3405
03:04:05.639 --> 03:04:08.079
<v Speaker 1>film that is still feature length, it's not like an

3406
03:04:08.079 --> 03:04:10.719
<v Speaker 1>extra short film. But it flies by because of the

3407
03:04:10.760 --> 03:04:15.719
<v Speaker 1>way they tell this story. And you are completely turned

3408
03:04:15.799 --> 03:04:18.559
<v Speaker 1>on your head part way through this film to find

3409
03:04:18.559 --> 03:04:20.399
<v Speaker 1>out that the movie that you thought you were watching

3410
03:04:20.879 --> 03:04:23.440
<v Speaker 1>is not the movie you were watching at all. For

3411
03:04:23.440 --> 03:04:25.120
<v Speaker 1>those that have never seen One Cut of the Dead,

3412
03:04:25.159 --> 03:04:27.879
<v Speaker 1>that is a frustrating way to explain this. But please

3413
03:04:27.959 --> 03:04:30.399
<v Speaker 1>do not go watch a trailer. Do not find out

3414
03:04:30.440 --> 03:04:33.239
<v Speaker 1>from anybody else what this movie is about or what

3415
03:04:33.280 --> 03:04:36.399
<v Speaker 1>they thought of it. Don't read letterbox reviews first. Go

3416
03:04:36.440 --> 03:04:41.600
<v Speaker 1>watch this movie and know nothing about it. Truly a masterpiece. Now,

3417
03:04:41.879 --> 03:04:45.600
<v Speaker 1>this movie was carted out by Third Window Films a

3418
03:04:45.639 --> 03:04:49.000
<v Speaker 1>handful of years ago, and they're a company over the UK,

3419
03:04:49.159 --> 03:04:52.319
<v Speaker 1>and they took it worldwide. They made this movie explode,

3420
03:04:52.360 --> 03:04:56.959
<v Speaker 1>And so around twenty nineteen, like early twenty nineteen or

3421
03:04:57.040 --> 03:05:00.760
<v Speaker 1>late twenty eighteen, this finally left mainland Japan and we

3422
03:05:00.879 --> 03:05:04.239
<v Speaker 1>get over here, and everybody finally saw it, and it

3423
03:05:04.280 --> 03:05:06.559
<v Speaker 1>has been everywhere since then. It had a really nice

3424
03:05:06.600 --> 03:05:09.120
<v Speaker 1>run on shutter. There's been foreign remakes of this movie

3425
03:05:09.159 --> 03:05:12.000
<v Speaker 1>because it's such a brilliant way to make a film.

3426
03:05:12.280 --> 03:05:14.079
<v Speaker 1>Please go see One Cut of the Dead if you

3427
03:05:14.079 --> 03:05:16.920
<v Speaker 1>have not seen it. It is not like a quote

3428
03:05:17.040 --> 03:05:19.079
<v Speaker 1>zombie movie. You're not going to get the same sort

3429
03:05:19.120 --> 03:05:21.120
<v Speaker 1>of feeling like you would just hearing that this is

3430
03:05:21.159 --> 03:05:25.120
<v Speaker 1>a movie about zombies. This is one of the most

3431
03:05:25.959 --> 03:05:32.319
<v Speaker 1>cinematically grounded films of inspirational like just making a fucking

3432
03:05:32.399 --> 03:05:36.440
<v Speaker 1>movie already type of feeling because it's such a simplistic

3433
03:05:36.479 --> 03:05:39.159
<v Speaker 1>way to make a movie, and god, dang, is it

3434
03:05:39.360 --> 03:05:42.479
<v Speaker 1>just exciting One Cut of the Dead. Please tell me

3435
03:05:42.520 --> 03:05:43.520
<v Speaker 1>you've seen this and you love this.

3436
03:05:43.799 --> 03:05:47.000
<v Speaker 2>I love this movie so much. It was such a

3437
03:05:47.040 --> 03:05:49.799
<v Speaker 2>fun I'm not put this on mychael, but it's something

3438
03:05:49.799 --> 03:05:51.440
<v Speaker 2>that I've been I've had on my list forever, and

3439
03:05:51.440 --> 03:05:53.399
<v Speaker 2>so I'm just like trying to watch even more and

3440
03:05:53.440 --> 03:05:58.159
<v Speaker 2>just kind of get and like I knew very little

3441
03:05:58.159 --> 03:05:59.879
<v Speaker 2>about it other than just kind of like a curse

3442
03:06:00.319 --> 03:06:03.159
<v Speaker 2>like tagline sort of thing, and so I had a

3443
03:06:03.239 --> 03:06:04.719
<v Speaker 2>sense as to what was going to happen. But the

3444
03:06:04.760 --> 03:06:08.079
<v Speaker 2>way that they played it was just so effective. I

3445
03:06:08.079 --> 03:06:12.040
<v Speaker 2>mean I definitely say, just like Ryan said, go in

3446
03:06:13.079 --> 03:06:16.639
<v Speaker 2>not knowing anything about it. Just that's the best way

3447
03:06:16.680 --> 03:06:18.920
<v Speaker 2>to just go in and enjoy it. Is such a

3448
03:06:18.920 --> 03:06:19.479
<v Speaker 2>fun movie.

3449
03:06:20.000 --> 03:06:23.319
<v Speaker 1>Yeah, it's so unique. That's the other thing. Like I

3450
03:06:23.799 --> 03:06:27.959
<v Speaker 1>have never seen anything remotely that gave me the feeling

3451
03:06:28.000 --> 03:06:28.760
<v Speaker 1>that this movie did.

3452
03:06:29.920 --> 03:06:32.680
<v Speaker 2>It's pure fun. I mean, I completely agree with you,

3453
03:06:32.719 --> 03:06:35.200
<v Speaker 2>like you feel invigorated by the time it ends.

3454
03:06:35.280 --> 03:06:39.200
<v Speaker 1>Yeah, all right, your final movie, sir? What is number five?

3455
03:06:39.840 --> 03:06:43.959
<v Speaker 2>Final movie? This is one that I unfortunately it's probably

3456
03:06:43.959 --> 03:06:47.280
<v Speaker 2>hard to track down, but it's a really interesting film

3457
03:06:47.479 --> 03:06:53.079
<v Speaker 2>called The Inerasable from twenty fifteen, directed by Yoshihiro Nakamura,

3458
03:06:53.319 --> 03:06:59.319
<v Speaker 2>and it's a the story of a novelist who rights

3459
03:07:00.399 --> 03:07:04.200
<v Speaker 2>It's an interesting premise, like a novelist who writes novels

3460
03:07:04.680 --> 03:07:10.000
<v Speaker 2>based on like true ghost stories that people send into her,

3461
03:07:10.360 --> 03:07:12.440
<v Speaker 2>and then she takes those and adapts them and kind

3462
03:07:12.479 --> 03:07:15.200
<v Speaker 2>of creates a whole novel about it. So she gets

3463
03:07:15.200 --> 03:07:20.879
<v Speaker 2>a letter from a student about these these sounds from

3464
03:07:19.959 --> 03:07:25.559
<v Speaker 2>her roommate or from her room in her apartment, and

3465
03:07:25.600 --> 03:07:30.120
<v Speaker 2>they start investigating and talk and it becomes like this

3466
03:07:30.239 --> 03:07:33.920
<v Speaker 2>investigative reporter sort of thing with this author and this

3467
03:07:34.079 --> 03:07:37.200
<v Speaker 2>student as they then go around trying to figure out

3468
03:07:37.399 --> 03:07:42.440
<v Speaker 2>what is going on, and it plays like it's almost

3469
03:07:42.520 --> 03:07:45.239
<v Speaker 2>like this detective story is really what it ends up

3470
03:07:45.280 --> 03:07:51.719
<v Speaker 2>feeling like, because it's these two women who are who

3471
03:07:51.840 --> 03:07:57.840
<v Speaker 2>end up basically tapping into a particular property, or not

3472
03:07:57.879 --> 03:08:00.559
<v Speaker 2>even property, but just the land that even the property

3473
03:08:00.600 --> 03:08:02.760
<v Speaker 2>is on and everything else that had been built upon it.

3474
03:08:03.719 --> 03:08:07.639
<v Speaker 2>And they keep doing research and they find this terrible

3475
03:08:07.680 --> 03:08:10.239
<v Speaker 2>thing had happened, and they think that's the story, but

3476
03:08:10.360 --> 03:08:14.479
<v Speaker 2>there's there's a thread that makes them go, there's something

3477
03:08:14.559 --> 03:08:18.280
<v Speaker 2>else here. Let's talk to this person and they're like, oh, well,

3478
03:08:18.319 --> 03:08:21.200
<v Speaker 2>there's also this whole other thing that had happened before that,

3479
03:08:22.120 --> 03:08:25.120
<v Speaker 2>and you start seeing it's it's kind of like if

3480
03:08:25.159 --> 03:08:28.520
<v Speaker 2>you're familiar with the Grudge or jew on that franchise,

3481
03:08:28.639 --> 03:08:31.040
<v Speaker 2>Like it's this haunted place and it just kind of

3482
03:08:31.079 --> 03:08:34.799
<v Speaker 2>like keeps attacking anybody who happens to come by. It's

3483
03:08:34.840 --> 03:08:37.680
<v Speaker 2>similar to that in the in the kind of the style,

3484
03:08:37.799 --> 03:08:42.719
<v Speaker 2>because there are all these different hauntings and somehow they

3485
03:08:42.799 --> 03:08:45.440
<v Speaker 2>all end up kind of becoming related to each other.

3486
03:08:45.840 --> 03:08:47.559
<v Speaker 2>And you start seeing why and so they go back

3487
03:08:47.600 --> 03:08:49.559
<v Speaker 2>like I think over a century by the time you

3488
03:08:49.600 --> 03:08:53.200
<v Speaker 2>get to the final stories and you start seeing and

3489
03:08:53.479 --> 03:08:56.200
<v Speaker 2>then and also the sense that it's gone even before that.

3490
03:08:56.479 --> 03:08:58.680
<v Speaker 2>But you get this sense that and this is something

3491
03:08:58.879 --> 03:09:01.639
<v Speaker 2>I find that these Jay horror stories is the sense

3492
03:09:01.680 --> 03:09:05.520
<v Speaker 2>that something doesn't just go away, right. You can't just

3493
03:09:05.559 --> 03:09:08.319
<v Speaker 2>solve it, like in an American horror film where you're

3494
03:09:08.360 --> 03:09:11.479
<v Speaker 2>just like, oh, I found this piece of jewelry that

3495
03:09:11.680 --> 03:09:14.600
<v Speaker 2>proved that this person was incriminating. This is the incriminating

3496
03:09:14.600 --> 03:09:16.440
<v Speaker 2>of evidence. We need to prove that this person killed

3497
03:09:16.440 --> 03:09:18.719
<v Speaker 2>that person, and now the ghost is free. Like that

3498
03:09:18.879 --> 03:09:21.200
<v Speaker 2>just doesn't happen. It's like, yeah, the ghost is still there,

3499
03:09:21.559 --> 03:09:24.040
<v Speaker 2>and now they're pissed and all these other things are

3500
03:09:24.040 --> 03:09:27.040
<v Speaker 2>going to happen. This is one of those. It's definitely

3501
03:09:27.079 --> 03:09:31.399
<v Speaker 2>deliberately paced, I will say, and that you can kind

3502
03:09:31.440 --> 03:09:35.239
<v Speaker 2>of feel that in the tone, but it had this

3503
03:09:35.399 --> 03:09:37.920
<v Speaker 2>sense of dread that it carried along with it that

3504
03:09:38.239 --> 03:09:41.200
<v Speaker 2>it worked well for me. The inerasable.

3505
03:09:42.040 --> 03:09:44.959
<v Speaker 1>I have never heard of this one. I feel like

3506
03:09:45.000 --> 03:09:47.440
<v Speaker 1>this is not a title that gets out there very often,

3507
03:09:47.520 --> 03:09:49.040
<v Speaker 1>so there no good Oh.

3508
03:09:49.000 --> 03:09:52.840
<v Speaker 2>It's very few people. I mean only on letterbox seven

3509
03:09:52.920 --> 03:09:56.600
<v Speaker 2>hundred and ninety four people have watched it, so's if

3510
03:09:56.639 --> 03:09:58.600
<v Speaker 2>you can find a copy of it, it's it's worth

3511
03:09:58.639 --> 03:10:01.879
<v Speaker 2>checking out. Or if anyone who distributes is looking at

3512
03:10:01.879 --> 03:10:03.079
<v Speaker 2>picking it up. Who's listening?

3513
03:10:05.280 --> 03:10:08.719
<v Speaker 1>Wow, yeah, this this sounds really good as well. Geez,

3514
03:10:09.159 --> 03:10:14.079
<v Speaker 1>some great recommendations tonight. I I love Jay Horror. There's

3515
03:10:14.120 --> 03:10:17.159
<v Speaker 1>so much in her. Again, I was trying not to

3516
03:10:17.159 --> 03:10:20.840
<v Speaker 1>pick the biggest titles, but there's one that we've talked

3517
03:10:20.840 --> 03:10:25.120
<v Speaker 1>about sort of all of the like sub genres of

3518
03:10:25.239 --> 03:10:30.000
<v Speaker 1>Jay horror that have gone the eclectic route, the industrial route.

3519
03:10:30.680 --> 03:10:32.399
<v Speaker 1>There's a couple that I'm trying to choose from. As

3520
03:10:32.399 --> 03:10:35.440
<v Speaker 1>my last I surprisingly had eight on my list. I

3521
03:10:35.479 --> 03:10:37.159
<v Speaker 1>was just like, hey, if he says one I have,

3522
03:10:37.399 --> 03:10:41.799
<v Speaker 1>I guess. But I'm for some reason finding myself drawn

3523
03:10:41.840 --> 03:10:45.159
<v Speaker 1>to one of the more extreme titles. And so this

3524
03:10:45.280 --> 03:10:47.399
<v Speaker 1>is one that again probably many of you have seen,

3525
03:10:47.479 --> 03:10:49.840
<v Speaker 1>but I feel like it still does not get enough

3526
03:10:49.840 --> 03:10:52.760
<v Speaker 1>attention because it has a reputation. So I got to

3527
03:10:52.799 --> 03:10:59.680
<v Speaker 1>talk about nineteen ninety nine's audition Takashi mik This was

3528
03:10:59.760 --> 03:11:04.120
<v Speaker 1>really by arro In I think twenty nineteen, and I

3529
03:11:04.159 --> 03:11:06.440
<v Speaker 1>would not be surprised at all if this was released

3530
03:11:06.479 --> 03:11:09.120
<v Speaker 1>in four K at the end of this month. This

3531
03:11:09.200 --> 03:11:13.200
<v Speaker 1>is one of those movies that deserves more recognition. It's incredible.

3532
03:11:13.239 --> 03:11:16.719
<v Speaker 1>But so this is a kind of a very tough

3533
03:11:16.760 --> 03:11:19.559
<v Speaker 1>movie to watch. Our main character, I think his name

3534
03:11:19.639 --> 03:11:23.639
<v Speaker 1>is Schigaru or Shagiru. He works at a film studio

3535
03:11:23.879 --> 03:11:28.120
<v Speaker 1>and he is widowed. He lost his wife handful of

3536
03:11:28.159 --> 03:11:31.719
<v Speaker 1>years prior and wants to replace her finally, and so

3537
03:11:32.600 --> 03:11:35.479
<v Speaker 1>understanding that he works at the studio, he says, let's

3538
03:11:35.520 --> 03:11:39.280
<v Speaker 1>hold some auditions, and so they bring all these women in.

3539
03:11:39.399 --> 03:11:43.760
<v Speaker 1>They hold these auditions, and they find one that he

3540
03:11:43.879 --> 03:11:47.159
<v Speaker 1>thinks is great, and of course it's a jay horror movie,

3541
03:11:47.200 --> 03:11:50.280
<v Speaker 1>so she's not as she seems. And this character is

3542
03:11:50.319 --> 03:11:55.959
<v Speaker 1>a Sami and this movie goes from This movie goes

3543
03:11:56.000 --> 03:11:58.719
<v Speaker 1>from zero to like one hundred and fifty and breaks

3544
03:11:58.760 --> 03:12:01.799
<v Speaker 1>the scale because they're some crazy things that happen in

3545
03:12:01.840 --> 03:12:07.840
<v Speaker 1>this movie. There's some very effective, like pretty extreme gore shots.

3546
03:12:08.280 --> 03:12:11.760
<v Speaker 1>There's a really great scare in this movie that I

3547
03:12:12.319 --> 03:12:14.799
<v Speaker 1>don't know it's again, this is a really popular movie.

3548
03:12:14.799 --> 03:12:16.559
<v Speaker 1>So I'm sorry if I'm spoiling this for you, but

3549
03:12:16.639 --> 03:12:19.239
<v Speaker 1>it will still be effective if you haven't seen it.

3550
03:12:20.079 --> 03:12:23.520
<v Speaker 1>There's a scene where you see this person Asami, like

3551
03:12:23.600 --> 03:12:26.360
<v Speaker 1>preparing some things, and in the background you see like

3552
03:12:26.440 --> 03:12:29.639
<v Speaker 1>some stuff behind her, and then eventually you realize that's

3553
03:12:29.639 --> 03:12:33.639
<v Speaker 1>a garbage bag on the ground that eventually moves, and

3554
03:12:33.680 --> 03:12:37.399
<v Speaker 1>it's not even it's not the forefront of this scene.

3555
03:12:37.520 --> 03:12:40.840
<v Speaker 1>It is captured because Takashi Mike is directed like one

3556
03:12:40.920 --> 03:12:43.079
<v Speaker 1>hundred and ninety four movies, so he's kind of good

3557
03:12:43.120 --> 03:12:46.440
<v Speaker 1>at it. At this point. He's got this framed in

3558
03:12:46.479 --> 03:12:49.239
<v Speaker 1>a way where she is like your sole focus and

3559
03:12:49.280 --> 03:12:51.559
<v Speaker 1>you finally realize that this is like just some garbage

3560
03:12:51.559 --> 03:12:55.000
<v Speaker 1>behind her. But when that moves, it is such an unsettling,

3561
03:12:55.959 --> 03:13:00.120
<v Speaker 1>under your skin, creepy moment that I will live with

3562
03:13:00.200 --> 03:13:04.280
<v Speaker 1>that moment and that feeling for the rest of my life. Yeah,

3563
03:13:04.520 --> 03:13:07.159
<v Speaker 1>there's a couple of very famous scenes, like with piano

3564
03:13:07.200 --> 03:13:10.319
<v Speaker 1>wire in this movie, and uh, some stuff that will

3565
03:13:10.440 --> 03:13:17.200
<v Speaker 1>as acupuncture needles are pretty intimidating. Yeah, this movie is very,

3566
03:13:17.280 --> 03:13:21.200
<v Speaker 1>very effective, and it's it's actual horror here, which I

3567
03:13:21.280 --> 03:13:23.799
<v Speaker 1>understand a couple of mine I've leaned away from that

3568
03:13:23.879 --> 03:13:26.399
<v Speaker 1>from the industrial side. And then one cut of the dead,

3569
03:13:26.440 --> 03:13:28.319
<v Speaker 1>So yeah, I had to really lean in. This is

3570
03:13:28.360 --> 03:13:31.799
<v Speaker 1>one that people are like genuinely terrified of. This is

3571
03:13:33.000 --> 03:13:36.159
<v Speaker 1>a very effective Takashi Mike film, probably one of his

3572
03:13:36.280 --> 03:13:40.559
<v Speaker 1>most most seen obviously, but one that does not discuss

3573
03:13:40.719 --> 03:13:44.399
<v Speaker 1>in the uh in the pantheon of jayhor as a whole.

3574
03:13:44.520 --> 03:13:46.799
<v Speaker 1>It doesn't seem to get its due because it's not

3575
03:13:47.840 --> 03:13:51.360
<v Speaker 1>like quote unquote stereotypical like your Juwons and your Ringus.

3576
03:13:51.559 --> 03:13:55.120
<v Speaker 1>And it is a really really well made movie and

3577
03:13:55.159 --> 03:13:57.840
<v Speaker 1>also came out in ninety nine, it was never going

3578
03:13:57.879 --> 03:14:00.000
<v Speaker 1>to be able to stand out when it's literally discuss

3579
03:14:00.239 --> 03:14:01.920
<v Speaker 1>is one of the best years of film ever and

3580
03:14:01.959 --> 03:14:04.879
<v Speaker 1>it's most people are watching one hundred and seventy eight

3581
03:14:04.920 --> 03:14:09.159
<v Speaker 1>other masterpieces that year. It is so great, and if

3582
03:14:09.200 --> 03:14:11.360
<v Speaker 1>you can get through some of the extreme stuff, it

3583
03:14:11.959 --> 03:14:16.920
<v Speaker 1>is competing with your Irreversibles and your other films like

3584
03:14:16.959 --> 03:14:22.559
<v Speaker 1>that that are disgusting and terrifying and crazy that absolutely

3585
03:14:22.600 --> 03:14:25.399
<v Speaker 1>your masterpiece is just like Martyrs, like we talked about earlier,

3586
03:14:25.479 --> 03:14:30.959
<v Speaker 1>It's deeply philosophical, deeply psychological. It's a damaging movie. It

3587
03:14:31.040 --> 03:14:34.120
<v Speaker 1>is a movie that you will probably think about for

3588
03:14:34.159 --> 03:14:36.639
<v Speaker 1>two or three days after watching. At the very least,

3589
03:14:37.079 --> 03:14:38.559
<v Speaker 1>tell me how you feel about Audition.

3590
03:14:38.959 --> 03:14:43.159
<v Speaker 2>What's so fascinating about the film is that it doesn't

3591
03:14:43.200 --> 03:14:46.959
<v Speaker 2>set itself up as what it ends up being, right,

3592
03:14:47.200 --> 03:14:50.239
<v Speaker 2>and like you start the film like, this is why

3593
03:14:50.239 --> 03:14:51.959
<v Speaker 2>I think it works so well, and this is why,

3594
03:14:52.079 --> 03:14:57.479
<v Speaker 2>honestly the bulk of the art that goes along with

3595
03:14:57.520 --> 03:14:59.520
<v Speaker 2>it really kind of pisses me off because it kind

3596
03:14:59.559 --> 03:15:03.159
<v Speaker 2>of you give so much of it away and you

3597
03:15:03.399 --> 03:15:06.799
<v Speaker 2>don't need to do that. It sets up a film

3598
03:15:06.840 --> 03:15:09.280
<v Speaker 2>that feels like it starts kind of as a drama

3599
03:15:09.440 --> 03:15:11.120
<v Speaker 2>and then it shifts. Okay, I think we're going to

3600
03:15:11.120 --> 03:15:14.000
<v Speaker 2>go into kind of erotic thriller territory as we get

3601
03:15:14.000 --> 03:15:17.440
<v Speaker 2>to that point where they're at the resort and he

3602
03:15:17.520 --> 03:15:20.840
<v Speaker 2>wakes up and she's gone right, and it's like it

3603
03:15:21.600 --> 03:15:23.559
<v Speaker 2>so you feel like, Okay, now we're going to get

3604
03:15:23.600 --> 03:15:29.920
<v Speaker 2>into like the the basic instinct erotic thriller thing that

3605
03:15:30.159 --> 03:15:31.479
<v Speaker 2>where the rest of the story is going to go.

3606
03:15:32.399 --> 03:15:34.399
<v Speaker 2>And it doesn't. And I think that was such an

3607
03:15:34.440 --> 03:15:39.120
<v Speaker 2>interesting way to kind of like shift the story into

3608
03:15:39.159 --> 03:15:43.520
<v Speaker 2>such a dark, dark way. But because I mean the

3609
03:15:43.520 --> 03:15:45.559
<v Speaker 2>whole first half of the film we're looking at like

3610
03:15:46.159 --> 03:15:51.399
<v Speaker 2>the destruction, like how destructive may be in relationships and

3611
03:15:51.440 --> 03:15:54.120
<v Speaker 2>the power that they wheeled over women, right, Like that's

3612
03:15:54.239 --> 03:15:57.520
<v Speaker 2>really what so much is going on in the story,

3613
03:15:57.600 --> 03:16:00.760
<v Speaker 2>and it's disgusting how these men like set up let's

3614
03:16:00.760 --> 03:16:02.920
<v Speaker 2>do an audition and find you a new wife. I

3615
03:16:02.959 --> 03:16:05.120
<v Speaker 2>get's like a horror viley. These people are the worst.

3616
03:16:05.120 --> 03:16:10.799
<v Speaker 2>You kind of like want what happens to happen later. Yeah,

3617
03:16:11.079 --> 03:16:14.239
<v Speaker 2>but then it gets into like everything else and I

3618
03:16:14.239 --> 03:16:17.600
<v Speaker 2>don't know, it's just like it's kind of the result

3619
03:16:17.760 --> 03:16:20.559
<v Speaker 2>of the way that they behave and I don't know,

3620
03:16:20.600 --> 03:16:23.360
<v Speaker 2>I found it to be a really effective build for me,

3621
03:16:23.479 --> 03:16:27.440
<v Speaker 2>and man, it's it is a film that I will

3622
03:16:27.440 --> 03:16:33.840
<v Speaker 2>not forget, particularly her lovely lilting voice. Yeah, which is deeper, deeper, deeper, deeper, deeper.

3623
03:16:33.879 --> 03:16:37.200
<v Speaker 2>It's like, man, oh.

3624
03:16:36.959 --> 03:16:40.000
<v Speaker 1>I need to rewatch Audition. It's been some time. This

3625
03:16:40.040 --> 03:16:43.040
<v Speaker 1>movie sticks with you, like I understand. You know, people

3626
03:16:43.079 --> 03:16:45.159
<v Speaker 1>are earlier were saying that only watch Martyrs once. This

3627
03:16:45.239 --> 03:16:48.399
<v Speaker 1>is one of those movies for a lot of people. God,

3628
03:16:48.520 --> 03:16:52.120
<v Speaker 1>I love this movie and I think, if I don't know,

3629
03:16:52.360 --> 03:16:55.200
<v Speaker 1>there's something about k horror that has always been just

3630
03:16:55.239 --> 03:16:56.920
<v Speaker 1>top of the list for me. But if not, like

3631
03:16:57.040 --> 03:16:59.600
<v Speaker 1>this movie would be competing up there because it is

3632
03:16:59.680 --> 03:17:01.239
<v Speaker 1>so great. I love this movie.

3633
03:17:01.479 --> 03:17:03.280
<v Speaker 2>Yeah, it's an easy one.

3634
03:17:04.040 --> 03:17:06.760
<v Speaker 1>What are some other ones that you considered talking about tonight.

3635
03:17:07.200 --> 03:17:11.120
<v Speaker 2>Well, Suicide Club was one that was on my list

3636
03:17:11.120 --> 03:17:13.600
<v Speaker 2>of things to talk about. I mean, and you mentioned

3637
03:17:13.639 --> 03:17:15.840
<v Speaker 2>like we were trying to avoid all the big ones

3638
03:17:15.879 --> 03:17:19.440
<v Speaker 2>like all the jew on the Curse and and Ringu

3639
03:17:19.600 --> 03:17:25.239
<v Speaker 2>and all of those, but I had in the in

3640
03:17:25.280 --> 03:17:29.680
<v Speaker 2>the realm of Shimizu's films. I wanted to watch the

3641
03:17:29.680 --> 03:17:32.280
<v Speaker 2>whole trilogy before we had our conversation, but he he

3642
03:17:32.360 --> 03:17:39.440
<v Speaker 2>did a trilogy more recently that's based on like urban legends,

3643
03:17:39.559 --> 03:17:42.719
<v Speaker 2>and they're all urban legends around particular locations. And the

3644
03:17:42.719 --> 03:17:44.799
<v Speaker 2>first one's called Howling Village. That's the only one I

3645
03:17:44.840 --> 03:17:48.000
<v Speaker 2>managed to watch. But it wasn't as good as I

3646
03:17:48.040 --> 03:17:52.159
<v Speaker 2>was hoping it was, but it was still really fascinating. So,

3647
03:17:52.239 --> 03:17:55.680
<v Speaker 2>I mean, that's like an interesting trilogy of Shimizu films

3648
03:17:55.680 --> 03:17:57.719
<v Speaker 2>that you can check out. It's like the Curse. I

3649
03:17:57.719 --> 03:18:00.360
<v Speaker 2>don't can remember. It's like the Cursed Village trilogy something

3650
03:18:00.360 --> 03:18:04.399
<v Speaker 2>like that, But Howling Village was an interesting one I

3651
03:18:04.559 --> 03:18:11.120
<v Speaker 2>was debating about. There's another another Maria Sato film called

3652
03:18:11.239 --> 03:18:16.639
<v Speaker 2>Under Your Bed, which is a dark film about. It's

3653
03:18:16.639 --> 03:18:19.959
<v Speaker 2>a weird film because it's about it's a really it's

3654
03:18:19.959 --> 03:18:22.559
<v Speaker 2>about abuse and a woman who's stuck in a very

3655
03:18:22.680 --> 03:18:26.600
<v Speaker 2>very physically abusive, mental abusive relationship and a man who

3656
03:18:28.840 --> 03:18:32.520
<v Speaker 2>loves her from the outside and realizes what's happening. But

3657
03:18:32.639 --> 03:18:36.120
<v Speaker 2>it's in the weirdest way possible because he's stalking her

3658
03:18:36.159 --> 03:18:38.680
<v Speaker 2>and his cameras in her house and everything, but he

3659
03:18:38.719 --> 03:18:41.520
<v Speaker 2>loves her. It's a weird one. It's a very weird one,

3660
03:18:41.639 --> 03:18:44.079
<v Speaker 2>but it's an interesting one for sure. So I don't know,

3661
03:18:44.239 --> 03:18:47.120
<v Speaker 2>there's there's a wide variety of things to choose from.

3662
03:18:47.280 --> 03:18:50.239
<v Speaker 1>What about You the only two that we haven't mentioned

3663
03:18:50.280 --> 03:18:52.719
<v Speaker 1>at all. I had a couple of those ones as well.

3664
03:18:53.680 --> 03:18:58.559
<v Speaker 1>The movie Versus, which is not really a horror movie,

3665
03:18:58.559 --> 03:19:02.520
<v Speaker 1>but it definitely has scenes that are very rooted in horror.

3666
03:19:02.680 --> 03:19:06.399
<v Speaker 1>It's a weird kind of amalgamation film. It's from two thousand,

3667
03:19:06.520 --> 03:19:10.360
<v Speaker 1>directed by ryu Hey Kidamura, and the story behind how

3668
03:19:10.360 --> 03:19:12.840
<v Speaker 1>they had to make this movie will explain to you

3669
03:19:12.920 --> 03:19:15.000
<v Speaker 1>why the movie ends up the way it does, because

3670
03:19:15.360 --> 03:19:18.639
<v Speaker 1>essentially they would film some and then they had to

3671
03:19:18.719 --> 03:19:22.440
<v Speaker 1>go like earn money to film the next day, and

3672
03:19:22.520 --> 03:19:24.680
<v Speaker 1>sometimes they didn't and so they had to go do

3673
03:19:24.719 --> 03:19:27.520
<v Speaker 1>things for like three months and then finally get stuff

3674
03:19:27.520 --> 03:19:29.920
<v Speaker 1>together to be able to film those next couple of scenes.

3675
03:19:30.079 --> 03:19:32.159
<v Speaker 1>There was one time they were filming on the mountain

3676
03:19:32.440 --> 03:19:34.680
<v Speaker 1>and essentially got kicked out of that area and had

3677
03:19:34.680 --> 03:19:37.440
<v Speaker 1>to go find a similar looking place on another mountain

3678
03:19:37.799 --> 03:19:40.719
<v Speaker 1>to keep filming, And it ends up being like this

3679
03:19:40.840 --> 03:19:44.719
<v Speaker 1>weird mashup of like five different genres. There's like some

3680
03:19:44.760 --> 03:19:48.760
<v Speaker 1>martial arts aspects, there's some action epic type of scenes

3681
03:19:49.719 --> 03:19:53.319
<v Speaker 1>I really really enjoy versus it's pretty damn great. But

3682
03:19:53.399 --> 03:19:55.559
<v Speaker 1>the main one that I feel awful about not being

3683
03:19:55.600 --> 03:19:57.559
<v Speaker 1>able to include, and it's because it's got some of

3684
03:19:57.559 --> 03:20:00.559
<v Speaker 1>the best names in all of horror history, not just horror,

3685
03:20:00.600 --> 03:20:05.159
<v Speaker 1>but just Japanese cinema, and it's not one that has

3686
03:20:05.200 --> 03:20:07.280
<v Speaker 1>a really great HD release. So I'm gonna do my

3687
03:20:07.319 --> 03:20:09.280
<v Speaker 1>best to try to speak this into the ether now.

3688
03:20:09.879 --> 03:20:15.520
<v Speaker 1>Two thousand and four's Three Extremes anthology horror with some

3689
03:20:15.559 --> 03:20:17.440
<v Speaker 1>of the best names. Like I said, ever, fruit Chants,

3690
03:20:17.520 --> 03:20:22.479
<v Speaker 1>Kashi Mike, and Park Chan freakin' Wook. You've got dumplings

3691
03:20:22.520 --> 03:20:25.559
<v Speaker 1>in this, You've got cut, and you've got box. Three

3692
03:20:25.600 --> 03:20:30.719
<v Speaker 1>different stories that are piled together in a really unsettling

3693
03:20:32.200 --> 03:20:36.639
<v Speaker 1>anthology that will mess you up for it. Yeah, unsettling

3694
03:20:36.760 --> 03:20:38.520
<v Speaker 1>is probably not even strong enough.

3695
03:20:39.159 --> 03:20:42.680
<v Speaker 2>There's one story in particular that I had people walk

3696
03:20:42.760 --> 03:20:44.879
<v Speaker 2>out of the theater when I was when I saw

3697
03:20:44.920 --> 03:20:45.280
<v Speaker 2>that one.

3698
03:20:45.360 --> 03:20:52.079
<v Speaker 1>Yeah, yeah, this is again it's because it's shorts. Like,

3699
03:20:52.120 --> 03:20:53.959
<v Speaker 1>I don't really want to spoil any of them, but

3700
03:20:54.000 --> 03:20:58.559
<v Speaker 1>I would say anthology anthology horror is classically very hit

3701
03:20:58.680 --> 03:21:01.280
<v Speaker 1>or miss. Like most the time, if you're a fan

3702
03:21:01.319 --> 03:21:04.000
<v Speaker 1>of Western anthologies, you'll get a new one and you

3703
03:21:04.079 --> 03:21:06.319
<v Speaker 1>be like, man, there's seven stories. I hope two of

3704
03:21:06.319 --> 03:21:11.479
<v Speaker 1>them are at least enjoyable. Three extremes is all gas,

3705
03:21:11.559 --> 03:21:14.959
<v Speaker 1>no breaks this whole. I really like all three of these.

3706
03:21:15.040 --> 03:21:18.040
<v Speaker 1>I think they're made. I mean they're three incredible directors,

3707
03:21:18.079 --> 03:21:21.280
<v Speaker 1>so that they're made with like this panache that feels great.

3708
03:21:21.520 --> 03:21:25.360
<v Speaker 1>And it's just it's a hard anthology to watch because

3709
03:21:25.399 --> 03:21:29.559
<v Speaker 1>it's not not easy stories, but it's one that everybody

3710
03:21:29.600 --> 03:21:33.360
<v Speaker 1>should see. We do have a question, Sip says, where

3711
03:21:33.440 --> 03:21:35.040
<v Speaker 1>do you know where you can get an English version

3712
03:21:35.120 --> 03:21:36.040
<v Speaker 1>of Under Your Bed?

3713
03:21:36.479 --> 03:21:40.799
<v Speaker 2>That's a very frustrating one because it's on Plex. But

3714
03:21:40.920 --> 03:21:43.319
<v Speaker 2>the Plex version that's on there when you hit play

3715
03:21:43.440 --> 03:21:47.360
<v Speaker 2>is actually the Korean remake, so it's not it's not

3716
03:21:47.440 --> 03:21:51.079
<v Speaker 2>the Japanese one, even though it is. I don't know

3717
03:21:51.360 --> 03:21:53.520
<v Speaker 2>if there is an easy way. There's a I think

3718
03:21:53.520 --> 03:21:55.600
<v Speaker 2>there's a version of it on YouTube that has no

3719
03:21:55.959 --> 03:21:59.879
<v Speaker 2>subtitles at all. I happen to have a copy that

3720
03:21:59.879 --> 03:22:04.159
<v Speaker 2>I can't share, unfortunately, from my guest who sent it

3721
03:22:04.159 --> 03:22:08.280
<v Speaker 2>to me. So but I know, I take that back.

3722
03:22:08.280 --> 03:22:10.520
<v Speaker 2>Hold on, I think it was a different film that

3723
03:22:10.600 --> 03:22:12.520
<v Speaker 2>I can't share, but this one, I think is actually

3724
03:22:12.559 --> 03:22:16.479
<v Speaker 2>on daily Motion, which.

3725
03:22:16.440 --> 03:22:18.520
<v Speaker 1>That one great streaming service daily Books.

3726
03:22:18.600 --> 03:22:23.079
<v Speaker 2>You know what, if they carry it though it's you know,

3727
03:22:23.200 --> 03:22:27.360
<v Speaker 2>it can work. So yeah, I can. For some reason,

3728
03:22:27.360 --> 03:22:29.520
<v Speaker 2>I can't join the chat because it's not liking my

3729
03:22:29.639 --> 03:22:33.680
<v Speaker 2>YouTube account for some reason, so I will private chat

3730
03:22:33.719 --> 03:22:35.239
<v Speaker 2>it to you and then you can post it. But

3731
03:22:35.280 --> 03:22:38.200
<v Speaker 2>this is the daily Motion link, which as far as

3732
03:22:38.239 --> 03:22:41.719
<v Speaker 2>I know, is not something that's that I can't share.

3733
03:22:41.840 --> 03:22:44.719
<v Speaker 1>So all right, if anybody wants to watch this movie,

3734
03:22:44.920 --> 03:22:47.000
<v Speaker 1>there is the link to daily Motion the chat. I

3735
03:22:47.040 --> 03:22:49.959
<v Speaker 1>am saving the link on my end because I mean

3736
03:22:49.959 --> 03:22:53.799
<v Speaker 1>it sounds great, man, this conversation. I do not get

3737
03:22:53.799 --> 03:22:55.280
<v Speaker 1>to talk about Jay Horror enough, So I think you

3738
03:22:55.319 --> 03:22:58.159
<v Speaker 1>picked a really great topic. Thanks for doing this, Andy.

3739
03:22:58.200 --> 03:22:59.879
<v Speaker 1>I know that you're not live shows, and coming on

3740
03:23:00.120 --> 03:23:01.680
<v Speaker 1>for three and a half hours is a big ask.

3741
03:23:02.799 --> 03:23:05.840
<v Speaker 2>Well, considering my show runs three hours. It's not too bad.

3742
03:23:05.920 --> 03:23:08.120
<v Speaker 2>It's not too bad. But no, it's a blast. I

3743
03:23:08.120 --> 03:23:10.719
<v Speaker 2>mean geez, like all of the We've covered a wide

3744
03:23:10.959 --> 03:23:14.559
<v Speaker 2>array of things tonight and it's been a lot of fun.

3745
03:23:15.760 --> 03:23:19.200
<v Speaker 1>I hope people enjoyed this. Let me know. I want

3746
03:23:19.200 --> 03:23:21.079
<v Speaker 1>Andy back. Let me know that if you enjoyed it,

3747
03:23:21.280 --> 03:23:23.079
<v Speaker 1>of course, I'm going to ask Andy to come back hopefully.

3748
03:23:23.120 --> 03:23:25.799
<v Speaker 1>Says yes, Well, we'll I have to think of something

3749
03:23:25.879 --> 03:23:27.239
<v Speaker 1>specific like this again.

3750
03:23:27.399 --> 03:23:30.760
<v Speaker 2>This was a damn good time. Absolutely, thank you.

3751
03:23:31.360 --> 03:23:36.520
<v Speaker 1>CinemaScope links for all that. True Motion F.

3752
03:23:37.879 --> 03:23:39.840
<v Speaker 2>Three and a half hours, folks, three and a half hours.

3753
03:23:39.680 --> 03:23:42.520
<v Speaker 1>True Story FM not True Motion. I was reading Daily

3754
03:23:42.600 --> 03:23:45.239
<v Speaker 1>Motion at the same time. A True Story FM link

3755
03:23:45.319 --> 03:23:47.840
<v Speaker 1>in the description below. Please go subscribe to that thing

3756
03:23:47.879 --> 03:23:51.399
<v Speaker 1>that I can't say out loud properly. Lots of great episode.

3757
03:23:51.440 --> 03:23:54.079
<v Speaker 1>CinemaScope is my favorite, but you've got other shows that

3758
03:23:54.120 --> 03:23:55.799
<v Speaker 1>you can find that you're involved in and that you

3759
03:23:55.840 --> 03:24:00.000
<v Speaker 1>help produce. Great stuff. Andy, fantastic you've been incredible guests.

3760
03:24:00.079 --> 03:24:01.959
<v Speaker 2>Thank you, thank you so much for inviting me. I

3761
03:24:01.959 --> 03:24:02.719
<v Speaker 2>really had a blast.

3762
03:24:03.239 --> 03:24:05.520
<v Speaker 1>Well Andy wants to go to bed, I'm sure, so

3763
03:24:05.559 --> 03:24:07.680
<v Speaker 1>thanks everybody for hanging out. It's been a long show.

3764
03:24:08.239 --> 03:24:10.719
<v Speaker 1>Next Thursday, like I said, Severn sales, so we're gonna

3765
03:24:10.719 --> 03:24:13.600
<v Speaker 1>be up checking out the sale, talking about titles, giving

3766
03:24:13.639 --> 03:24:17.639
<v Speaker 1>recommendations our guest next week. The list we're going through

3767
03:24:17.799 --> 03:24:20.639
<v Speaker 1>is just recommendations for the Severn sale because he and

3768
03:24:20.639 --> 03:24:22.719
<v Speaker 1>I have been with Severn for a long time, so

3769
03:24:22.760 --> 03:24:27.040
<v Speaker 1>we got a lot to talk about. Yeah, thanks Andy,

3770
03:24:27.159 --> 03:24:27.760
<v Speaker 1>you're amazing.

3771
03:24:29.040 --> 03:24:31.319
<v Speaker 2>Likewise, buddy, we'll see all next Thursday.

3772
03:24:31.399 --> 03:24:33.879
<v Speaker 1>Have a good one, Stay safe and until next time,

3773
03:24:34.120 --> 03:24:38.239
<v Speaker 1>be safe. Thank you for watching The Disconnected. On the

3774
03:24:38.239 --> 03:24:40.600
<v Speaker 1>way out, make sure that you are subscribed to the channel,

3775
03:24:40.799 --> 03:24:42.959
<v Speaker 1>that you've liked the video, and that you've copied the

3776
03:24:42.959 --> 03:24:44.559
<v Speaker 1>link to be able to share with someone else that

3777
03:24:44.600 --> 03:24:45.399
<v Speaker 1>may appreciate this.

3778
03:24:48.719 --> 03:25:17.559
<v Speaker 3>Tell me, do you love movies?

3779
03:25:18.000 --> 03:25:19.159
<v Speaker 2>So do I.

3780
03:25:19.239 --> 03:25:22.840
<v Speaker 4>What's up, y'all. It's KB and I love movies, inviting

3781
03:25:22.879 --> 03:25:26.760
<v Speaker 4>you to listen to the Conversation, a film podcast where

3782
03:25:26.840 --> 03:25:32.079
<v Speaker 4>passion meets perspective and opinion from the old school to

3783
03:25:32.120 --> 03:25:34.559
<v Speaker 4>the new. I invite a guest on to discuss the

3784
03:25:34.600 --> 03:25:38.879
<v Speaker 4>movies that thrill us, challenge us, break our hearts, or

3785
03:25:39.040 --> 03:25:43.120
<v Speaker 4>even blow our minds. There's always new episodes dropping wherever

3786
03:25:43.159 --> 03:25:47.200
<v Speaker 4>you get your podcasts, so join the conversation. We don't

3787
03:25:47.239 --> 03:25:51.040
<v Speaker 4>just watch movies, we love talking about them too. The

3788
03:25:51.159 --> 03:25:54.639
<v Speaker 4>Conversation with KB Loves Movies a part of Someone's Favorite

3789
03:25:54.639 --> 03:25:56.559
<v Speaker 4>Productions podcast Network.

3790
03:26:03.680 --> 03:26:06.520
<v Speaker 2>Thank you for listening. To hear more shows from the

3791
03:26:06.559 --> 03:26:10.360
<v Speaker 2>Someone's Favorite Productions podcast Network. Please select the link in

3792
03:26:10.399 --> 03:26:10.959
<v Speaker 2>the description
