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Speaker 1: On a computer on my desk monitor on the wall.

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Speaker 2: The projection is.

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Speaker 1: Making the image ten feet tall on mama's cell phone,

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scrolling my life the way, chasing.

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Speaker 3: Rims of freedom beneath the pale blue light up the screens.

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Speaker 2: What a light out.

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Speaker 4: I got a more time Media life, more time media Live.

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Speaker 3: I'm scrolling and living my life away.

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Speaker 2: I got a boll died.

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Speaker 4: Medio life, moll time medior life.

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Speaker 5: I'm scrolling and dreaming my life way and.

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Speaker 6: Used to ride horseback backwards, feel the wind in my hair, and.

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Speaker 1: Now it's wipe lighted, swipe right.

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Speaker 2: I'm barely keeping there. Starts on right.

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Speaker 7: Up then my phone, but I just can't deceive the

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digital zona screen time.

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Speaker 1: I'm feeling small lost in the glow.

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Speaker 3: Can here the only call the gutile as iron spelled,

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or country where itself digital.

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Speaker 1: Light, Bring back my digital life screen time. I'm feeling small,

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lost in the glow.

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Speaker 8: Cat here the.

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Speaker 7: World digital how wis got feet under its spelled little time, that.

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Speaker 2: Time line country Reland.

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Speaker 1: Trying to break the cellphone ceiling.

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Speaker 9: Come computer mar to protector right drag bemelike.

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Speaker 1: Gama motime, Media.

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Speaker 4: Motime, Media life motime media life at a moutime media,

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moltime media life, living in.

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Speaker 1: Dreaming the loud.

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Speaker 10: Well, welcome.

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Speaker 11: Motime rolling, my.

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Speaker 1: God Win.

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Speaker 7: Computer are the monte pas a light? But my heart's

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out there in that country light. It's a long someday

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I'll come MOLTI.

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Speaker 3: Man like till then I'm really baking multime man, got.

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Speaker 12: Lie grief sent me bread.

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Speaker 1: To motile.

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Speaker 10: Media Live, Come on.

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Speaker 4: Time, Hotime media Life.

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Speaker 1: Feeling good under the life. It's a motime me come on,

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turn it out. Gotta be got a Monoto computer.

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Speaker 2: Right right here, An I'm a lie the world up.

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Speaker 4: That to Lifetime Media Life, Motile Media Live.

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Speaker 9: Mo.

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Speaker 11: Media Life.

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Speaker 13: Come on, let's go motime media, motime media, my bomb

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blod my life and.

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Speaker 10: Way come.

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Speaker 4: Old media Live, Multime media life, multi.

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Speaker 11: Media life.

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Speaker 14: I would say that's relatable. That is multimedia life. That

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is the great Ricky Mapleton who is here with us

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and we're going to be speaking with him in just

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a moment. But welcome everybody. This is Matt Connorton Unleashed.

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We are live from the studios of wm NH ninety

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five point three FM, Inglorious Manchester, New Hampshire. Of course,

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for all your streaming options. You can go to Matt

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connorton dot com, slash live and for information about how

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to interact with the show. Unfortunately, speaking of interaction, we

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do not have a video feed this morning, so we

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are not on Facebook and YouTube and all that because

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the software is not working for whatever reason. Can't seem

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to connect. But it is a radio show first and foremost,

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and radio is theater of the mind.

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Speaker 15: So here we go.

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Speaker 14: And today is Saturday, February fifteen, twenty twenty five. And

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not only is Rickey Mapleton here with someone.

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Speaker 12: Else as well, Morning Sunshine.

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Speaker 14: Jenny is here at the news table, and uh we

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also have let me bring that Mike up. And I

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believe Ricky Mapleton, are you in the five Timers club

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now here on Matt Connorton on leash.

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Speaker 15: I believe so.

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Speaker 14: I believe so too. Yes, this is a great honor. Well,

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it's wonderful to have you back. And I love that

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song Multimedia Life, Thank you. I think we were talking

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off air about how it's it's almost like a h

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You're stairway to Evan because it's it's like four and

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a half minutes. It's a love song for you.

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Speaker 16: I was working with the musician likes to play that banjo, Yes,

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loves to play it. Uh, just a lot of fun,

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a lot of fun. That that song has not been

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released yet. Oh that's so that's a world radio premiere. No,

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that is kind of like a work in progress right now.

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But the whole idea of it is multimedia life, first

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world problems. You know.

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Speaker 15: Yeah, a lot of fun. Thanks for playing though.

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Speaker 14: Absolutely, you've got the brand new album. What's the tell everybody?

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The title? It's it's a long title.

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Speaker 16: The title is happy, Fun, Joy, Seize the day, Carpe

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diem and Carpe adm is of course Latin for season. Yes,

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the the the idea of the album came out with

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Latin terms. And you know how popular Latin terms can be,

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and how they fly off the shelves and people clamor

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to clamor clamor matt to learn Latin why they're enjoying music.

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Speaker 14: Is it not fair to say, of all the dead languages,

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Latin probably the most popular?

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Speaker 15: Absolutely? Well, yes, yes, still quite quite a language.

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Speaker 14: It is still spoken in many Catholic churches.

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Speaker 16: I'm sure still spoken today in the English. In our

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in our modern English grammar, we used Latin all the

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time with unwittingly knowing it. It is the root for

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many many for many many words. Yes, yes, route prefixes, suffixes.

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The English language an amazing thing, and Latin has is

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a major role playing.

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Speaker 14: Without Latin, there might not be English. That is why

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you're saying yes correct.

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Speaker 16: I think, well, I don't want to get into a

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whole English grammar debate with you or rock, but that's

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pretty much what in Happy Fun joys about just being happy,

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having fun, being joyful of the moment. Carpai DM sees

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the day the leadoff song of that project. The original

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project name was fifty songs a song a day for

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fifty days, recording wise, okay, which became a challenge about

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day two. Oh uh, somehow I heard the I recalled

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the term car pay DM yes and ran with that.

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And fifty days later, actually about sixty days later, we

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had fifty tracks outstanding, some good, some bad, something different,

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but all happy, Yeah, but all happy.

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Speaker 14: I think that's outstanding. I think we need that now. Yes,

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And I need to take this call. Actually, we have

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a call you always bring up. There's always the callers

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come out. They always want to speak to you when

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you're on the show.

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Speaker 15: Well, thanks for calling.

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Speaker 14: Yeah, yeah, hi will welcome to Matt Connorton Unleashed. Who's

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on the line.

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Speaker 17: Hello, this is Ad yes's from the community, Ricky Mabelton.

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Speaker 11: We are at the community.

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Speaker 17: Oh, let me just backtrack for a second, mister Connaton,

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Matt Conaton, thank.

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Speaker 11: You so much for having Ricky Mabelton on. You are

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have become the guiding light here at the community.

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Speaker 2: Well, and me and.

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Speaker 11: Gildod and the rest of the girls, we just think

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your show is a number one the knees Bees if

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you were just as as the kids would say, it's fire,

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It's fire, Matt.

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Speaker 12: Wow.

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Speaker 17: So I appreciate that I call here today is not

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only to voice our concern that pop culture show that

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has been on for almost six seasons is ending and

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you are starting a new.

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Speaker 11: Show called Happy Fun Joy.

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Speaker 17: I thought that sounds positive, Ricky, but wow, you know,

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change is difficult for us here at the community, and

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I think the rest of you listeners and viewers are

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very concerned.

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Speaker 14: Oh is that true?

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Speaker 17: Right after discussion at our biweekly meeting, we have decided

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to give your show and your music I listen, and

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mister Connorton, the Great would oblige could you please perhaps play.

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Speaker 11: The leadoff track.

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Speaker 17: But we've listened to it and we kind of get

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where you're going there, uh ricky and uh you know,

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I believe it's called uh Seized the.

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Speaker 11: Day Carpe diem. Okay, all right, thanks again.

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Speaker 14: Okay, all right, thank you for the call. I just

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appreciate it. Wow.

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Speaker 16: Her it sounds like her vocal corse of clearing up

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a little bit from uh.

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Speaker 14: She calls all the time. Yeah, I know, I'm I'm

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super fan of her. Every time you're on she calls.

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And she even called when I was on your television

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show that time she called, and I did offer her

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a hypnotherapy session because I have a strong suspicion that

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she's a smoker, not too stereotype.

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Speaker 15: Based on her voice, I believe she has given that

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bad habit.

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Speaker 14: Up well good. It's obviously too late, because you know

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when you hear your voice, But.

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Speaker 16: Do you think that voice was like did she have

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that before she started smoking? Is that just a good old,

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good old Agnes voice.

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Speaker 14: I know, I'm thinking before the cigarettes, she probably had

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a nice, smooth, silky voice. And then she wrote that.

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Speaker 16: Do you think maybe before she maybe she ruined it

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somehow other than smoking. Maybe she's maybe she was, like,

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I don't know, a cheerleader or or went to a

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lot of a lot of her kids games and high.

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Speaker 15: School and she kind of ruined it that that could be.

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Speaker 14: That could be.

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Speaker 15: But I agree with what you're saying. Yeah, sure.

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Speaker 18: And what was she saying about your television show, Yeah,

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changing Yeah, midlife pop culture show that I've that's been

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on for six or seven years, Matt, Yeah, the format

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I've been asked in the fictitious world of producers, I've

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been asked to change the name of the midlife pop

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culture show.

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Speaker 14: Okay, So they're.

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Speaker 16: Switching it over to Happy Fun, Joy Car pay dim

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sees today to get more to expand out on the

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audience potential.

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Speaker 14: So it's branding good.

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Speaker 16: So instead of just branding yeah, yeah, thank you, instead

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of just having midlife, I've called your show yes kind

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of that the audience would just pass that by.

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Speaker 14: Yes.

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Speaker 15: So now we're gonna do a little bit a.

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Speaker 16: Little bit more, same kind of concepts, same kind of fun,

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but trying to get some more viewers.

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Speaker 15: And it's gonna change up a little bit.

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Speaker 16: There will be some new formats, but I'm always excited

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to take Agnes if she would be nice enough to

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call Agnes and we appreciate your calling.

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Speaker 14: Yes, absolutely, well, let's well honor her requests. Of course,

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she requested the Carpe Dim song from the new album

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what's the full title again?

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Speaker 15: Carpe DM Seize the Day, Seize the Day?

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Speaker 14: Well, isn't it?

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Speaker 16: Happy joy carpet, Happy fun joy, Carpe you can call

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what of you like? It's just gonna pass on a

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lot of good vibes. And I thought, I think this

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one more than the other fifty songs captures musically, oh

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good times, worre some of the well, I'll just leave

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it at that. I think it's one of the better songs.

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I shouldn't say the other ones that's terrible, but I

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think this one really hits it right in the botox.

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Speaker 14: All right, very good Carpet Dim brand new from Ricky Mapleton, Open, gonna.

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Speaker 1: Break it down, gonna soop until there now.

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Speaker 2: Four doubt is what I'm gonna leave behind.

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Speaker 1: Goes right right now. It's my turn to shine.

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Speaker 2: Covey deal see.

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Speaker 19: Today, Commune today.

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Speaker 6: Coming, every every said to take I'm running out short

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the goodness sake, gar break Demon call it loud for

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the moment, make it out, drop them a deal.

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Speaker 19: See Today commun See Today, covey deal, see today, commute today,

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think around, man.

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Speaker 11: It's good scene.

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Speaker 7: Everybody okay, springing between from seeing I just till mount

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reaching up.

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Speaker 20: And touching this stop every deal see today, Commery Day,

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See Today, combery deal, see Today Comedy.

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Speaker 1: See today comic deal Day.

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Speaker 21: Come on, go out and play copy deal see today,

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commery Day, See today, coby deal, see Today.

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Speaker 19: Comedy See the day, com deal see today.

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Speaker 15: Com se man is uh is the video playing on this?

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No video recording game.

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Speaker 16: No, strictly so us dancing in the studio will not

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be seen no ither way. You're a fabulous dancer, thanks

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to gett up and shaking that thing with me on

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that song.

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Speaker 14: Well it's nice of you to say that I'm actually

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legally prohibited from dancing in public places.

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Speaker 15: Well this is this is this thank you for dancing.

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Speaker 14: That was a lot of fun. Thank you, thank you.

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That's a fun song, very very catchy. Jenny, what were

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you saying off air? Your you're commenting on.

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Speaker 12: It reminded me of Blondie?

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Speaker 14: Yes, oh, thank you?

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Speaker 15: Yeah, yeah, wow, that's a super compliment.

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Speaker 16: I appreciate that I also look fabulous in address as well.

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Oh that's blondie. It's kind of my uh really, uh yeah,

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well that's all. I'm feeling a little uncomfortable about that,

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but I do like the blondie compliment.

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Speaker 15: Yes, yes, yes, we.

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Speaker 14: Have a we have another calling. Come on, come on,

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come on, you serious you you bring out the callers. Hi,

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welcome to Matt Conridson Unleashed. Who's on the line.

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Speaker 22: Hello, this is Tom Tom Uilson, and thank you for

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taking my call, mister Connaughton. As usual, your show has

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inspired me in many different realms of the entertainment. But

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I am calling today not only to tell my thoughts

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of how fabulous you are, mister Connaton, but also my

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concern that The Midlife Pop Culture Show, a long running

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show that Ricky Mapleton host, is going to be changing

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over to Happy Fun Joy. The name, as you know,

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is probably named after myself because I am a very uplifting,

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yet conservative and concerned individual. So perhaps we could listen

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to the song happy Fun Joy Boy. Thank you for

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taking my call, mister Connaton. You are a fabulous man,

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and hopefully we can straighten a few things out of

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what's going on here with the new programming. Wow versus

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Tom Tom Muelson signing off.

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Speaker 14: Oh all right, Tom Tom Muelson, another concerned caller regarding

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your television.

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Speaker 2: Boy.

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Speaker 15: I'm having second thoughts now, Yeah, no, I like the idea.

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Speaker 14: I think you should stick with it.

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Speaker 16: But you got someone like Matt Connotson Agnes not. That's

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a small sample size. I'm thinking maybe it's a bad idea.

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I think it's a great idea. I think it's a

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great idea.

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Speaker 14: But uh well perhaps by the end of the song,

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Tom Tom Muelson, Well, also think that's a great idea.

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So we'll play this. So this is called happy fun

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Joy happy fun Joy happy fun joy happy fun Joy

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rand new from Ricky Mapleton. Check it out.

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Speaker 23: We've got it.

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Speaker 24: Single Hapy care smile, shining night like the sun of

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thus the sky moving every moment. Yeah, we're living on

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a h happy from joy happy happy happy happy fun

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joy happy happy happy happy become joy hap be happy

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happy happy, Welcome this morning you. I'm building now.

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Speaker 14: God, I'm pating my sex.

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Speaker 16: I can't seem to see.

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Speaker 24: The a style like this guy. Yeah, I'm coming at

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my blessing snow domes dressings not.

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Speaker 8: Not second bressing.

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Speaker 24: Because I'm happy, happy, happy, happy, happy, happy happy love joy.

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Speaker 16: Can't I let me talking the sky but to me, mother.

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Speaker 24: Mother, lucky slide, he's just so under now taking control

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of again happy joy.

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Speaker 10: Joy, so gallant enemy, beautiful.

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Speaker 15: Joy.

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Speaker 25: Honest, Well, how do you even sing like that? Rickey Mapleton?

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That is a very observant question.

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Speaker 14: I mean, I assume you're using more You're like, you're

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not using your You're using head voice.

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Speaker 16: Right, sounded like I it sounded like I had a

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had a you might have had a cold little halium tank.

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Speaker 14: And there's oh okay, I don't know, gotcha.

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Speaker 16: I think that's the power enjoy of the modern capabilities,

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of the recording capabilities, good or bad. Anytime I can

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change my voice, Matt, I run to it like a

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like a fly to a moth, or a moth to

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a flame.

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Speaker 14: Moth to a flame.

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Speaker 15: Oh yeah, I I.

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Speaker 16: After listening to that, I was I've been searching for

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the other version that I had of that that wasn't

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so helium voice orientated.

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Speaker 14: Oh.

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Speaker 16: Then I started arguing with myself, or maybe that is funny,

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maybe it's good, maybe it's not.

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Speaker 15: Oh my god, oh my god, I'm sorry. There you

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have it. Happy fun didn't make you feel happy?

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Speaker 14: It did, but it also disturbed me slightly, I think

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the voice because it also reminded me of the fish

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Head song. Oh you know the fish head fish Head

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eat them up? Oh okay, yeah, remind me a little

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bit of that. And that's disturbing. But but I do

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appreciate that happy and the fun and the joy.

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Speaker 16: Okay, okay, okay, all right, I'm really you know, I

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came in here super positive about happy fun joy.

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Speaker 15: Yeah, shawl movement coming in playing some happy fun joy.

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Speaker 14: Mute.

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Speaker 15: I I just right about now, I think I do

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we have any other callers?

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Speaker 14: We actually do. I apologize, but let's see. We'll see

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who's on the line here.

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Speaker 26: Thank you, thank you for taking my call. Mat Oh

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you are just to look as handsome as that Matt Conaton.

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Thank you so much for allowing Ricky Mapleton to come.

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Speaker 11: On your show.

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Speaker 26: Oh, it's a great honor for anybody to be on

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your show, and if even for that englishy on your show.

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Speaker 17: HM.

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Speaker 27: The question now is for you, Ricky Mapleton. Over the years,

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our relationship has been up and down, back and forth

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with Agnes.

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Speaker 11: I think we should just let this.

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Speaker 26: One lie and just you know, have a little respect

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for Matt Connoton and all he does for the entertainment values,

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yes that we hold so dear, Yes, so, mister Conington,

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if you could play perhaps one of your songs that

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you think Ricky Mapleton.

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Speaker 14: Has done that meets.

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Speaker 26: Up with your standards.

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Speaker 11: M d uh oh, thank you.

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Speaker 26: I've taken so much of your time. Ooh ooh, I

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think I've really gone off track, but that's what happens.

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This is englishy, thank you so much, dear.

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Speaker 14: Oh you're you're welcome English. Oh bye bye, thank you,

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thank you so much for the call English. He did

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get a little off track, but as I like to say,

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that's that's why we bought the Revolutionary Wary War. Yes, yes,

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because you know English, they just get crazy.

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Speaker 9: Now.

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Speaker 14: I love the passion I would like to play. Uh so, yeah,

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So I guess I'll choose the song that I really

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like now, this particular song that I don't think we've

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ever played this before on the show. It's called bet

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bet Bet sports betting song. And uh as, I think

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everyone knows I have a terrible sports gambling addiction, you know,

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And and uh so I I can relate to this song.

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I think we should play this.

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Speaker 15: Thank you. This is something off.

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Speaker 14: This is an end.

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Speaker 15: This is not a ricky mamble. So this is a

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silly road production.

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Speaker 16: Scream on artists, yes called scream of sports songs and

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uh fabulous and coming off the super Bowl and all that.

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Speaker 15: Yeah blah.

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Speaker 16: This goes out to people that may spend their money

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a little frivolously. Yes, yes, all right, a great choice, Matt,

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thank you.

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Speaker 14: All right, here we go.

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Speaker 11: But ball, you bet baseball, you bet hockey, you bet.

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Speaker 9: On zoom, wrestling, basketball, you bet soccer.

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Speaker 1: You bet golf.

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Speaker 11: You bet you can't even bet on frenchly.

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00:24:01,400 --> 00:24:06,960
Speaker 28: Handball, money line points spread over under teaser parley, round robin,

398
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prop bet future bet, box bet hedge, bet double trench,

399
00:24:10,759 --> 00:24:13,839
trifect up, push, bet on the.

400
00:24:14,200 --> 00:24:24,599
Speaker 9: Underdogs, paint bomb, you bet tennis, you bet boxing, you bet, you.

401
00:24:24,720 --> 00:24:27,720
Speaker 1: Can't even bet on the National Lacrosse League.

402
00:24:29,000 --> 00:24:29,920
Speaker 26: You bet.

403
00:24:32,160 --> 00:24:42,480
Speaker 1: You bet, you bet that that bets they scored the

404
00:24:42,559 --> 00:24:46,559
winning touchdown. That best, there's a flag on the field,

405
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bet that best. It doesn't count. Don't go and bet

406
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your life away.

407
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Speaker 14: What I like about that track is it ends with

408
00:25:08,119 --> 00:25:10,799
a positive, some positive advice don't go and bat your

409
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life away, but it also does before we get there,

410
00:25:14,319 --> 00:25:16,480
lists a series of options and some people I didn't

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00:25:16,480 --> 00:25:20,759
know you could bat on sumo wrestling. I mean that's exciting, league, Yeah,

412
00:25:21,000 --> 00:25:24,319
I mean that's that's crazy. You met on anything.

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Speaker 15: It's unbelievable.

414
00:25:25,920 --> 00:25:28,559
Speaker 14: Yes, yes, Oh you know what. We have another call.

415
00:25:28,680 --> 00:25:31,319
It's he is online. Hi, welcome to Matt Connorton. Unleashed

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00:25:31,480 --> 00:25:31,720
is us?

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Speaker 15: Hello, this is Karen.

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Speaker 26: And thank god that someone like Matt Connaughton had the

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rationale to try to keep Ricky Mapleton in check with

420
00:25:43,359 --> 00:25:48,799
all this ridiculous talk. Ricky Mapleton this, and Ricky Mapleton that. Well,

421
00:25:50,440 --> 00:25:52,240
what we should be focusing.

422
00:25:51,839 --> 00:25:53,559
Speaker 15: On is Matt Cononton.

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Speaker 14: I agree.

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Speaker 26: It is all Karen's know and all Ken's no that

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00:25:58,119 --> 00:26:04,240
people with firm belief in righteous thoughts should be praised. Yes,

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00:26:04,759 --> 00:26:09,279
this is why Karen always enjoys the Matt Connaughton experience

427
00:26:09,839 --> 00:26:14,039
with his wisdom not only in music life in general.

428
00:26:14,119 --> 00:26:19,319
Knowledge is not only whimsical, but is indeed worthy of praise.

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Speaker 14: Oh, thank you.

430
00:26:20,519 --> 00:26:23,559
Speaker 26: And as for you, Riki Mapleton, you go ahead and

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00:26:23,759 --> 00:26:27,119
change the name of your show to whatever you want.

432
00:26:27,480 --> 00:26:30,000
I never did like the Midlife Pop Culture Show. To

433
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be honest with you, as I told you many times,

434
00:26:33,119 --> 00:26:36,079
you don't see Matt Connerton going changing the name of

435
00:26:36,160 --> 00:26:40,400
his show every fivey once in a while. So this

436
00:26:40,599 --> 00:26:44,920
is Karen and Ken saying, have a great show, mister Connaughton.

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00:26:45,519 --> 00:26:48,359
Speaker 14: Thank you, Thank you Karen and Ken. Wow, that that

438
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is wonderful.

439
00:26:49,839 --> 00:26:51,319
Speaker 15: Maybe on your end it was wonderful.

440
00:26:51,400 --> 00:26:54,599
Speaker 14: Well, I mean, you know, I feel I feel kind

441
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of attacked.

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00:26:56,359 --> 00:27:00,640
Speaker 16: Yeah, do you feel like, uh well, I'm I'm thrilled

443
00:27:00,680 --> 00:27:03,839
that somebody is actually calling in and taking notice of Yeah,

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00:27:04,160 --> 00:27:08,160
of of myself. But Matt Connaton, This Matt connaught in

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00:27:08,240 --> 00:27:11,640
that everybody's Matt content. Matt Connaton all today.

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00:27:11,799 --> 00:27:13,119
Speaker 15: What's what? What's the story?

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00:27:13,319 --> 00:27:13,519
Speaker 19: Yeah?

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00:27:13,720 --> 00:27:16,359
Speaker 14: Yeah, I know a guy from New York look fabulous?

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00:27:16,359 --> 00:27:17,039
Feel that way?

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00:27:17,160 --> 00:27:17,319
Speaker 2: Oh?

451
00:27:17,400 --> 00:27:17,640
Speaker 14: Thank you?

452
00:27:17,799 --> 00:27:17,960
Speaker 29: Yes?

453
00:27:18,359 --> 00:27:21,519
Speaker 14: Yes. Do do you think that Karen lacked empathy?

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00:27:23,200 --> 00:27:23,440
Speaker 30: Yes?

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00:27:23,799 --> 00:27:26,160
Speaker 15: Great, see yes you're my hero.

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00:27:26,400 --> 00:27:30,799
Speaker 14: Well, perhaps we should play this track Empathetic from the

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00:27:30,880 --> 00:27:32,920
brand new what's the full title again?

458
00:27:33,000 --> 00:27:35,559
Speaker 15: Have Me Find Joy carby DMCs the Day, Choose anyone

459
00:27:35,599 --> 00:27:35,920
you want?

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Speaker 14: So long tittle?

461
00:27:36,960 --> 00:27:37,119
Speaker 17: I know.

462
00:27:37,240 --> 00:27:38,400
Speaker 14: Oh, so you don't have to say the whole thing.

463
00:27:38,440 --> 00:27:40,079
You can choose any any part of that you want to,

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00:27:40,559 --> 00:27:41,920
so I can just call it Carpe DM.

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Speaker 8: I like that.

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00:27:43,000 --> 00:27:45,079
Speaker 14: We know, all right, all right, very good brand new

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00:27:45,119 --> 00:27:48,319
from Carpe dim. This is called empathetic. This is for you, Karen,

468
00:27:48,400 --> 00:27:49,160
and thank you again.

469
00:27:56,720 --> 00:27:58,079
Speaker 15: It's so hard to be.

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Speaker 5: So empathetic when this world is so synthetic it really

471
00:28:03,839 --> 00:28:07,279
takes up part of you while I'm living.

472
00:28:07,000 --> 00:28:09,720
Speaker 1: With a curse that I just can't go through.

473
00:28:10,440 --> 00:28:14,680
Speaker 11: It's so hard to be so empathetic when this world is.

474
00:28:15,519 --> 00:28:19,680
Speaker 1: So synthetic, it really takes up part of you. But

475
00:28:19,960 --> 00:28:22,640
I'm living that we living want to live in to

476
00:28:23,039 --> 00:28:23,519
come out.

477
00:28:24,640 --> 00:28:26,240
Speaker 14: It's so hard.

478
00:28:27,359 --> 00:28:30,200
Speaker 1: To be true ampathetic.

479
00:28:30,960 --> 00:28:35,319
Speaker 5: So I think a smile on my face, serving kindness

480
00:28:35,400 --> 00:28:39,519
and a hollow holler gas maybe one day a fine

481
00:28:39,680 --> 00:28:43,279
sparn b. It's hard to be empathetic living in the

482
00:28:43,480 --> 00:28:44,079
dark hair.

483
00:28:44,680 --> 00:28:45,839
Speaker 2: It's so hard to.

484
00:28:46,000 --> 00:28:51,079
Speaker 5: Live so empathetic when this world is so pathetic. You're

485
00:28:51,200 --> 00:28:54,880
kind of gets up part of you. But I'm living

486
00:28:55,000 --> 00:28:56,200
with this curse.

487
00:28:55,920 --> 00:28:57,880
Speaker 11: And it's making me to come out.

488
00:28:58,400 --> 00:29:04,319
Speaker 5: It's so hard to be empathetics when this world so synthetic.

489
00:29:05,240 --> 00:29:09,799
So a big a spile of two zu kindness from

490
00:29:09,880 --> 00:29:12,799
a hello maybe one day.

491
00:29:13,240 --> 00:29:14,599
Speaker 1: A fun spoter.

492
00:29:14,799 --> 00:29:19,160
Speaker 5: It's had to be empathetic living in the times.

493
00:29:19,240 --> 00:29:25,200
Speaker 11: So when come on living now?

494
00:29:26,960 --> 00:29:33,720
Speaker 26: To be so empathetic when this world is so synthetic, Wow.

495
00:29:34,279 --> 00:29:37,079
Speaker 14: Very very cool, empathetic. I like that. I like that

496
00:29:37,400 --> 00:29:40,480
brand new from Ricky Mapleton in the new album Carpadium.

497
00:29:40,519 --> 00:29:41,240
I'm just gonna call it that.

498
00:29:41,559 --> 00:29:44,240
Speaker 16: I'm I'm with you on that Carpadium thing. I'm changing

499
00:29:44,279 --> 00:29:45,519
everything when I get.

500
00:29:46,279 --> 00:29:48,359
Speaker 14: Oh my goodness, well, then people will complain, just like

501
00:29:48,440 --> 00:29:50,920
with your show, people will complain and changing things.

502
00:29:51,000 --> 00:29:53,680
Speaker 15: I'm not I'm not doing this for people to complain.

503
00:29:53,839 --> 00:29:57,039
Speaker 14: People don't like change. People don't like change. They get,

504
00:29:57,079 --> 00:30:00,759
they get, they get, they get freaked out, Okay, freaked out.

505
00:30:02,000 --> 00:30:05,759
Speaker 15: I don't. I'm it's very unusual, but I'm I'm speechless.

506
00:30:05,880 --> 00:30:07,880
Speaker 14: By the way, did I hear? Was that Fred Schneider

507
00:30:07,960 --> 00:30:09,119
from the B fifty twos?

508
00:30:09,240 --> 00:30:10,000
Speaker 15: Thank you? Yes?

509
00:30:11,079 --> 00:30:11,240
Speaker 5: Of that?

510
00:30:11,759 --> 00:30:14,960
Speaker 15: Very Yiddish? What's a Yiddish Frenk Schneider?

511
00:30:15,079 --> 00:30:15,319
Speaker 9: What do you?

512
00:30:15,440 --> 00:30:16,759
Speaker 14: What was his name? Fred Schneider?

513
00:30:16,839 --> 00:30:17,559
Speaker 15: Fred Schneider's that?

514
00:30:17,880 --> 00:30:19,559
Speaker 14: I think that's his name from the B fifty two.

515
00:30:20,119 --> 00:30:23,799
Speaker 15: Boy, what a what a great what a great band?

516
00:30:24,000 --> 00:30:24,200
Speaker 14: Yes?

517
00:30:24,400 --> 00:30:27,319
Speaker 16: Oh, absolutely unbelievable and that that's kind of was the

518
00:30:27,359 --> 00:30:29,440
inspiration of that song. Oh okay, I think I saw

519
00:30:29,519 --> 00:30:32,279
him sing some song about going back to Detroit or

520
00:30:32,359 --> 00:30:34,279
something or yeah, yeah, there's.

521
00:30:34,119 --> 00:30:36,759
Speaker 14: Some weird song that I've never heard before. I'm like, Wow,

522
00:30:36,839 --> 00:30:40,559
what a unbelievable I don't know when I think of fred,

523
00:30:40,599 --> 00:30:42,160
I just hear in my mind hurry up and bring

524
00:30:42,240 --> 00:30:45,880
your juke box money. But uh, oh my god, we

525
00:30:45,960 --> 00:30:48,480
have another call. This is unbelievable. Hi, welcome to Matt

526
00:30:48,519 --> 00:30:49,680
Connorton Unleashed. Who is us?

527
00:30:50,319 --> 00:30:50,480
Speaker 17: Hey?

528
00:30:50,720 --> 00:30:54,519
Speaker 11: Thanks for taking my gout. Oh this is we willing Man.

529
00:30:55,160 --> 00:30:59,880
Speaker 17: When I heard that Matt COmON he's gonna have Reingmabled

530
00:31:00,200 --> 00:31:02,279
on his show, I wear.

531
00:31:07,440 --> 00:31:10,480
Speaker 11: I just couldn't believe it. And here we are. You

532
00:31:10,599 --> 00:31:13,200
are so nice to blet we Willy on the air.

533
00:31:14,079 --> 00:31:17,839
It's not fair. You gotta despair. You know what to

534
00:31:18,119 --> 00:31:20,799
wear when you're chilling with Wee Winny.

535
00:31:20,960 --> 00:31:27,119
Speaker 17: Yeah, Mitter Conneton, Ricky Mableton. I just want to say

536
00:31:28,359 --> 00:31:33,440
congratulations for enlightening so many people over the years that

537
00:31:33,599 --> 00:31:37,000
you've done. You'd gotta have fun, you know what I'm saying.

538
00:31:37,079 --> 00:31:41,559
You keep things light, your keyp things tight, Okay, thank you.

539
00:31:41,880 --> 00:31:50,440
Could you play a song from the Ricky Mapleton Galaxy astartic?

540
00:31:50,880 --> 00:31:54,319
Maybe maybe it's something that you taught me a long

541
00:31:54,400 --> 00:31:57,200
time ago, mister Mapleton, when I was down and out,

542
00:31:58,000 --> 00:31:58,759
you told me.

543
00:32:00,319 --> 00:32:06,200
Speaker 11: Hm coming on him to let the buyer beware. Yeah,

544
00:32:06,519 --> 00:32:07,480
words to live by.

545
00:32:07,720 --> 00:32:13,319
Speaker 14: Oh okay, thank you, Willie. Oh, Willie's gott He's another

546
00:32:13,319 --> 00:32:16,559
one who might benefit from my from hypnotherapy to quit smoking.

547
00:32:16,720 --> 00:32:21,640
Speaker 15: I believe Willi's wow, he's had quite a life. Yeah.

548
00:32:21,680 --> 00:32:25,079
Speaker 16: I first met Willy five six, seven years ago, one

549
00:32:25,119 --> 00:32:26,240
of our original callers.

550
00:32:26,480 --> 00:32:28,119
Speaker 15: Yes, and he's going.

551
00:32:28,039 --> 00:32:29,640
Speaker 14: Through some rough time, but I feel he's been a

552
00:32:29,759 --> 00:32:30,359
little bit of a.

553
00:32:32,400 --> 00:32:34,559
Speaker 16: It's gold a work in progress, and I'm he's going

554
00:32:34,640 --> 00:32:36,680
we Willy Now, Who's he's whacked out?

555
00:32:36,720 --> 00:32:37,519
Speaker 15: Willie wasted?

556
00:32:37,559 --> 00:32:37,839
Speaker 12: Willy?

557
00:32:38,119 --> 00:32:40,960
Speaker 15: Huh boy boy. I'm glad he's doing good.

558
00:32:41,000 --> 00:32:43,480
Speaker 14: He's been through a progression of Willie's in.

559
00:32:45,759 --> 00:32:47,680
Speaker 15: But I think in life we all go through progression.

560
00:32:48,119 --> 00:32:50,440
Speaker 16: Sure, sure, and fair to say that your music has

561
00:32:50,480 --> 00:32:55,440
helped him along the I'm I'm I'm I hope I'm

562
00:32:55,519 --> 00:32:56,480
inspiring some people.

563
00:32:56,640 --> 00:32:58,039
Speaker 15: Yes, yes, I really am.

564
00:32:58,279 --> 00:33:00,559
Speaker 14: Well, let's uh, let's play this so again. This is

565
00:33:00,559 --> 00:33:04,200
from the new album My Carpadium. This is a caveat cavat.

566
00:33:04,599 --> 00:33:05,839
Speaker 15: More Latin coming into play.

567
00:33:05,880 --> 00:33:10,799
Speaker 14: See with the Latin. I'm so nervous about cave caveat Emptur.

568
00:33:11,000 --> 00:33:14,519
That's also on money, you know it is. Yes, there's

569
00:33:14,559 --> 00:33:16,039
a lot of weird things on money though.

570
00:33:16,200 --> 00:33:17,119
Speaker 15: That's a whole show.

571
00:33:17,599 --> 00:33:20,720
Speaker 14: Yes, yes, all right, let's give this a spin. This

572
00:33:20,880 --> 00:33:21,440
is for Willy.

573
00:33:29,079 --> 00:33:32,880
Speaker 2: Yeah, yeah, yeah, yeah, yeah, we go.

574
00:33:33,160 --> 00:33:36,880
Speaker 1: The world's got wolves wearing sheepskin.

575
00:33:37,160 --> 00:33:41,000
Speaker 7: Glenns to right, don't feel like you're in From the

576
00:33:41,119 --> 00:33:45,200
corner shop to the corporate clarence, all.

577
00:33:45,160 --> 00:33:46,119
Speaker 2: The same game.

578
00:33:46,319 --> 00:33:49,880
Speaker 31: It's buyer beware, coveyatam.

579
00:33:51,160 --> 00:33:57,519
Speaker 1: That's the buyer, beware, coveat him.

580
00:33:58,759 --> 00:34:00,640
Speaker 2: That the buyer where.

581
00:34:04,079 --> 00:34:07,039
Speaker 1: Gobby yat him to the Laura the street.

582
00:34:07,960 --> 00:34:09,199
Speaker 2: Gotta watch your stamp.

583
00:34:09,360 --> 00:34:12,960
Speaker 1: You're gotta watch your feet. When it's too good to

584
00:34:13,199 --> 00:34:17,239
be real. It's cuear gobby on em door.

585
00:34:17,920 --> 00:34:23,559
Speaker 2: Let the buyer beware, Let the buyer beware.

586
00:34:25,639 --> 00:34:29,480
Speaker 6: Got me out him door, smooth talkers with your sick disguise.

587
00:34:30,960 --> 00:34:34,039
God's gold on the surface, but it's all a bunch

588
00:34:34,119 --> 00:34:38,800
of lies. They pitch the pitch, promise the best show

589
00:34:38,920 --> 00:34:41,880
your world and leave you in a mess.

590
00:34:42,000 --> 00:34:44,159
Speaker 1: Its gobby yat em door.

591
00:34:44,880 --> 00:34:46,039
Speaker 2: Let the buyer.

592
00:34:45,880 --> 00:34:54,280
Speaker 3: Beware, Let the buyer beware, Let the buyer beware.

593
00:34:56,199 --> 00:34:58,039
Speaker 1: Let's the buyer beware.

594
00:34:58,320 --> 00:34:59,320
Speaker 2: Let the buyer be.

595
00:35:00,119 --> 00:35:03,599
Speaker 1: Let's buyer beware. Got out of star.

596
00:35:03,960 --> 00:35:07,000
Speaker 2: Let's buy a m d.

597
00:35:07,639 --> 00:35:14,199
Speaker 1: Let the buy a bali yat m jo. Let's buyer beware.

598
00:35:15,400 --> 00:35:19,440
Speaker 14: Javeat emptor let the buyer beware. That's good advice, Ricky Mapleton.

599
00:35:19,159 --> 00:35:22,119
Speaker 16: You really gotta be careful in the economic days that

600
00:35:22,239 --> 00:35:25,880
we're having. Yes, yes, of course, choose wisely.

601
00:35:25,599 --> 00:35:26,000
Speaker 15: My friend.

602
00:35:26,199 --> 00:35:28,639
Speaker 14: Yes, yes, very very good.

603
00:35:29,760 --> 00:35:33,280
Speaker 16: That song kind of made me realize that, boy, I'm

604
00:35:33,400 --> 00:35:39,079
lucky that I work with some pretty talented friends because

605
00:35:39,119 --> 00:35:40,920
that one was all me.

606
00:35:41,440 --> 00:35:43,760
Speaker 15: Oh okay, as you can tell, when.

607
00:35:43,639 --> 00:35:47,440
Speaker 16: It's all me doing the bass and music and the lyrics,

608
00:35:47,960 --> 00:35:51,960
I find it not as musically inept. Is that a

609
00:35:52,000 --> 00:35:55,199
good way of saying it? More basic? Not much key

610
00:35:55,320 --> 00:35:59,840
changes going on. Okay, but maybe that's all you as

611
00:35:59,880 --> 00:36:03,480
a as a professional person in greatness that you are

612
00:36:03,679 --> 00:36:08,159
the thank you. Do you notice different kind of musical

613
00:36:10,039 --> 00:36:14,639
involvement some one songs to another because it's all to me.

614
00:36:14,760 --> 00:36:15,320
Speaker 14: I listened to that.

615
00:36:15,440 --> 00:36:18,039
Speaker 16: I'm kind of like, oh that sounds very raw, very yeah,

616
00:36:18,480 --> 00:36:21,079
but not as not as multi layered.

617
00:36:21,320 --> 00:36:24,039
Speaker 14: Sure sure, well yes, I mean but maybe again I'm

618
00:36:24,079 --> 00:36:26,519
thinking too much into it. Well, I mean, you know,

619
00:36:26,559 --> 00:36:28,360
if it sounds good, it sounds good. I do think that.

620
00:36:28,599 --> 00:36:28,719
Speaker 16: Uh.

621
00:36:29,159 --> 00:36:32,280
Speaker 14: You know, obviously some of these songs you've collaborated with others.

622
00:36:32,400 --> 00:36:35,320
But do you still collaborate with someone who shall not

623
00:36:35,440 --> 00:36:35,880
be named?

624
00:36:36,039 --> 00:36:36,159
Speaker 32: Is that?

625
00:36:36,400 --> 00:36:39,639
Speaker 16: Is that still a so I I collaborate with DJ

626
00:36:39,880 --> 00:36:42,719
Cole DJ A big big shout out to him. Okay,

627
00:36:43,039 --> 00:36:46,000
I collaborate with a gentleman called a doctor H.

628
00:36:46,519 --> 00:36:47,159
Speaker 14: Doctor H.

629
00:36:47,679 --> 00:36:53,119
Speaker 16: Fantastic almost so smart, he's in mensa almost Wow, he's fantastic,

630
00:36:53,320 --> 00:36:57,320
fantastics yeah, doctor H. And just anybody in my life

631
00:36:57,360 --> 00:37:01,199
that inspires me and lets me be creative. Uh, you

632
00:37:01,280 --> 00:37:02,840
gotta have it in your life. You know that you're

633
00:37:02,920 --> 00:37:05,559
making cars out in your garage, you're making music in

634
00:37:05,639 --> 00:37:07,679
your basement or whatever you do?

635
00:37:08,960 --> 00:37:09,239
Speaker 32: Do it?

636
00:37:09,760 --> 00:37:13,599
Speaker 15: Yeah, time short my friends? Yes, yes, yes, yeah, So

637
00:37:14,079 --> 00:37:18,039
that's kind of like the mantra of cave no cop

638
00:37:18,199 --> 00:37:18,880
dim car.

639
00:37:19,480 --> 00:37:19,639
Speaker 12: Yes.

640
00:37:19,760 --> 00:37:20,880
Speaker 15: Do you know any other latins?

641
00:37:21,360 --> 00:37:25,000
Speaker 14: Uh, let's see, I'm trying to think a lot of them.

642
00:37:25,599 --> 00:37:29,880
Speaker 16: Yeah, there's so many that I've gone blank that I've

643
00:37:29,920 --> 00:37:35,039
gone blank myself. Yeah, me too, me too, copy dium

644
00:37:36,760 --> 00:37:37,800
on amn a pia.

645
00:37:39,760 --> 00:37:41,199
Speaker 14: I've heard I've heard that word, but.

646
00:37:42,880 --> 00:37:43,840
Speaker 15: Am a pia is?

647
00:37:44,199 --> 00:37:45,039
Speaker 12: That's not Latin.

648
00:37:45,679 --> 00:37:48,960
Speaker 14: No, it sounds like something. It sounds like something you

649
00:37:49,519 --> 00:37:51,480
order it olive garden or something.

650
00:37:51,599 --> 00:37:53,519
Speaker 12: It's not not a pizza.

651
00:37:54,000 --> 00:37:58,960
Speaker 16: Aa is the word meaning like when you watch like Batman,

652
00:37:59,159 --> 00:38:02,880
A word that makes it like pa wam Oh right

653
00:38:03,000 --> 00:38:06,800
right right, I know, Well maybe it's not Latin, but

654
00:38:06,840 --> 00:38:07,719
it's a pretty cool word.

655
00:38:07,920 --> 00:38:08,039
Speaker 32: Right.

656
00:38:08,519 --> 00:38:10,960
Speaker 15: Yeah. That's a song on the I didn't send that over.

657
00:38:11,119 --> 00:38:14,639
That's a song on Seize the Day?

658
00:38:14,760 --> 00:38:15,480
Speaker 14: Oh is it? Yeah?

659
00:38:15,519 --> 00:38:15,679
Speaker 15: Yeah?

660
00:38:15,880 --> 00:38:19,199
Speaker 14: Yeah, yeah, what about Yeah, now you've got you've got

661
00:38:19,239 --> 00:38:21,000
some others here that you did send. But these are

662
00:38:21,639 --> 00:38:23,840
so these are not finished that like we opened what

663
00:38:23,960 --> 00:38:25,480
are we opened with Multimedia life?

664
00:38:25,559 --> 00:38:28,800
Speaker 15: Multi Media life done with doctor h on that fabulous banjo.

665
00:38:29,840 --> 00:38:32,960
Speaker 14: Yeah. I really liked uh, you know, I listened to

666
00:38:33,000 --> 00:38:36,400
all of them. I really liked First World Problems. Oh yeah,

667
00:38:36,760 --> 00:38:38,880
we should we play that. That'd be awesome. Yeah, that's

668
00:38:38,960 --> 00:38:43,239
this is These are work in progress again, gonna be

669
00:38:43,320 --> 00:38:47,920
off of a project called First World Problems. Oh Okay,

670
00:38:48,159 --> 00:38:52,000
so it's like we're getting a sneak peek. Yeah yeah,

671
00:38:52,079 --> 00:38:54,320
let's give this suspend because thank you. I really like

672
00:38:54,400 --> 00:38:58,039
this one. This is first world problems. Ricky Mapleton.

673
00:39:05,360 --> 00:39:06,039
Speaker 2: Woke up late.

674
00:39:06,599 --> 00:39:10,760
Speaker 1: Can't find my shoes. I'm stuck in the zone. Man,

675
00:39:10,880 --> 00:39:14,800
I'm feeling blue. My shoes are vanished, the wear in sight.

676
00:39:15,280 --> 00:39:16,760
I guess I'll go barefoot.

677
00:39:16,840 --> 00:39:18,360
Speaker 11: Mother rest up that night.

678
00:39:18,440 --> 00:39:24,000
Speaker 3: I got first one problems, first one problems, first world problems,

679
00:39:24,320 --> 00:39:26,079
first world problems.

680
00:39:26,559 --> 00:39:33,000
Speaker 31: Can't find my damit cod can't find my cell phone chargers,

681
00:39:34,920 --> 00:39:41,920
first world problems, first world problems. Wife, I swow, I'm

682
00:39:42,000 --> 00:39:46,639
losing my streak, streaming buffering, it's running so weak.

683
00:39:47,079 --> 00:39:50,079
Speaker 2: My coffee shoe comb, the line, shoe.

684
00:39:49,880 --> 00:39:52,039
Speaker 15: Lawn, everything froll minor.

685
00:39:52,119 --> 00:39:53,639
Speaker 1: But it's so so wrong.

686
00:39:53,760 --> 00:40:04,840
Speaker 8: I got first world problems, first world problem, first world problems,

687
00:40:06,480 --> 00:40:14,199
first world problems, first world problems, first.

688
00:40:13,960 --> 00:40:17,239
Speaker 3: World problems versus the world problems.

689
00:40:17,280 --> 00:40:21,159
Speaker 15: They bring me down. Lost my Davin card. Now I'm talking.

690
00:40:21,280 --> 00:40:25,280
Speaker 2: There's time. It's looking at you. What can I do?

691
00:40:25,480 --> 00:40:27,400
I got Champagne.

692
00:40:26,920 --> 00:40:29,000
Speaker 1: Troubles, but they're still it's so true.

693
00:40:29,079 --> 00:40:29,679
Speaker 12: I add.

694
00:40:31,280 --> 00:40:36,440
Speaker 3: Modern problems, first world problems.

695
00:40:37,159 --> 00:40:40,559
Speaker 1: Can't find my shoes, I can find my phone. By

696
00:40:40,679 --> 00:40:44,039
at the end of the day, I'll never be alone.

697
00:40:44,199 --> 00:40:45,519
Speaker 2: Here's looking at youth.

698
00:40:45,800 --> 00:40:47,199
Speaker 15: It's all gonna be fine.

699
00:40:47,679 --> 00:40:50,920
Speaker 1: Versus one problems, just time of the times.

700
00:40:52,400 --> 00:41:01,000
Speaker 3: First world problems, this wild problem, come on, verse problems,

701
00:41:02,960 --> 00:41:08,159
First world problems, first world problems.

702
00:41:08,840 --> 00:41:13,639
Speaker 1: With my insta car, the line at.

703
00:41:13,599 --> 00:41:18,760
Speaker 23: The banks too long, can't get serious, it's way too expensive.

704
00:41:19,480 --> 00:41:25,519
Got me First world problems, first world problem.

705
00:41:25,760 --> 00:41:36,639
Speaker 33: Come can't find my jem, can't find my phone, can't

706
00:41:36,679 --> 00:41:37,840
find my charge.

707
00:41:37,880 --> 00:41:41,400
Speaker 1: Of these troubles, they won't leave me alone.

708
00:41:43,719 --> 00:41:45,559
Speaker 15: First world problems.

709
00:41:47,719 --> 00:41:55,400
Speaker 3: First world problems. Got me some first world problems.

710
00:41:55,519 --> 00:41:58,679
Speaker 14: First world problems. Ricky Mapleton, Yeah, that's all. That's a

711
00:41:58,800 --> 00:42:00,880
long song for you, three minutes long.

712
00:42:01,039 --> 00:42:01,159
Speaker 26: Ish.

713
00:42:01,320 --> 00:42:04,119
Speaker 15: Wow, it's great though, Green grass and high ties forever.

714
00:42:04,599 --> 00:42:07,639
Speaker 16: Did you say, yeah, yes, if you get that reference,

715
00:42:07,679 --> 00:42:10,360
that's an old job boy, Yeah, yeah, Matt.

716
00:42:10,480 --> 00:42:12,159
Speaker 15: What is what's your.

717
00:42:13,559 --> 00:42:16,760
Speaker 16: First world problem of the week? What can you can

718
00:42:16,800 --> 00:42:18,599
you help me? You're gonna write a song right here

719
00:42:18,679 --> 00:42:21,719
with me, right now. Ive, what is your first war

720
00:42:21,880 --> 00:42:27,679
problem that you are having besides the video not working

721
00:42:27,800 --> 00:42:30,159
to it? Well, that's that's a big one, Okay. That

722
00:42:30,559 --> 00:42:32,920
frustrates me. Yeah, okay, so do you wanna do you

723
00:42:32,960 --> 00:42:33,920
want to do a rap to that?

724
00:42:35,320 --> 00:42:38,039
Speaker 14: Let's see? Do you want me to freestyle something?

725
00:42:38,239 --> 00:42:39,239
Speaker 15: How is your freestyling?

726
00:42:39,639 --> 00:42:39,840
Speaker 19: Ah?

727
00:42:40,960 --> 00:42:42,920
Speaker 15: I love it. I loved being terrible at it, but

728
00:42:43,000 --> 00:42:45,480
I love it. Yeah. Do you have any drums that

729
00:42:45,639 --> 00:42:47,719
you could pop up on here? Any beats?

730
00:42:47,760 --> 00:42:50,159
Speaker 14: I don't know, uh that that might be possible.

731
00:42:50,239 --> 00:42:53,440
Speaker 15: Yeah, I wow, See I thought about this. Maybe I

732
00:42:53,440 --> 00:42:56,440
should change you a beat track to play. See.

733
00:42:56,440 --> 00:42:59,599
Speaker 14: I think if I if I try to freestyle, I'll

734
00:43:00,559 --> 00:43:01,960
you got it. I'll be Uh.

735
00:43:02,920 --> 00:43:05,280
Speaker 16: So your first world problem is your video is not

736
00:43:05,440 --> 00:43:08,320
working in the studio. That is the first world problem.

737
00:43:08,599 --> 00:43:10,239
Speaker 14: I I can tell you that.

738
00:43:10,480 --> 00:43:10,599
Speaker 19: Uh.

739
00:43:10,800 --> 00:43:12,639
Speaker 14: You know, I do have an alter ego, but he's

740
00:43:12,679 --> 00:43:17,840
long retired. M sizzle really yeah, M sizzle wow? Really

741
00:43:20,400 --> 00:43:22,679
nasty beef with hammer Yeah.

742
00:43:23,119 --> 00:43:27,360
Speaker 16: Mc stovetop is my rap name. Oh yeah, and there's

743
00:43:27,360 --> 00:43:30,159
a song on there called cross Contamination. You want to

744
00:43:30,199 --> 00:43:33,159
play that? Okay, that's a great segue.

745
00:43:33,239 --> 00:43:33,400
Speaker 15: Yeah.

746
00:43:33,480 --> 00:43:36,880
Speaker 16: Mc stovetop has not put out any music yet. Oh

747
00:43:37,039 --> 00:43:39,280
but he's all about cooking you see.

748
00:43:39,400 --> 00:43:39,880
Speaker 14: Oh really?

749
00:43:40,119 --> 00:43:42,599
Speaker 15: Yes, didn't we go down a cooking phase for a

750
00:43:42,679 --> 00:43:47,000
couple of times? With the area. Didn't we do did we?

751
00:43:47,960 --> 00:43:48,079
Speaker 14: Oh?

752
00:43:48,199 --> 00:43:53,039
Speaker 16: Recipe song? Yes, his recipe song?

753
00:43:53,159 --> 00:43:55,400
Speaker 14: Did we do that here? Did we play those here?

754
00:43:56,559 --> 00:43:56,719
Speaker 15: Oh?

755
00:43:56,800 --> 00:43:57,000
Speaker 14: Really?

756
00:43:57,159 --> 00:43:57,239
Speaker 16: Oh?

757
00:43:57,320 --> 00:44:00,320
Speaker 14: Maybe we did? Okay? So, uh, you want to you want?

758
00:44:00,400 --> 00:44:01,880
You want to play? Cross contamination?

759
00:44:02,119 --> 00:44:03,000
Speaker 15: Cross contamination?

760
00:44:03,360 --> 00:44:06,639
Speaker 16: Is this is serious? Now, this is getting We have

761
00:44:06,760 --> 00:44:10,239
to be serious. It's a serious problem. Taking over a

762
00:44:10,320 --> 00:44:12,800
serious problem. It's been forever a cross contamination in the

763
00:44:12,920 --> 00:44:17,360
food service industries and food handling in particular. Yes, no,

764
00:44:17,519 --> 00:44:25,360
I'm gonna get serious. MC stovetop cross contamination. Five second rule?

765
00:44:26,239 --> 00:44:26,559
Speaker 15: Boss?

766
00:44:26,960 --> 00:44:27,239
Speaker 14: Really?

767
00:44:27,800 --> 00:44:28,119
Speaker 15: Boss?

768
00:44:28,280 --> 00:44:30,559
Speaker 14: Oh that's not good. It's not good news.

769
00:44:30,679 --> 00:44:33,119
Speaker 16: Well, there's a lot of variables when it comes to

770
00:44:34,239 --> 00:44:36,960
the five second rule. The texture of the floor, the

771
00:44:37,079 --> 00:44:40,599
density of the floor, okay, the heat of the food

772
00:44:40,719 --> 00:44:43,840
falling on the floor, density of that okay.

773
00:44:44,000 --> 00:44:47,000
Speaker 15: So five second may be okay, may not be okay, okay,

774
00:44:47,400 --> 00:44:48,599
but not good no matter.

775
00:44:48,840 --> 00:44:50,920
Speaker 14: So better to err on the side of caution and

776
00:44:51,119 --> 00:44:51,880
not eat that.

777
00:44:52,199 --> 00:44:56,119
Speaker 16: Uh if you've dropped like a fifty dollars Porterhouse steak

778
00:44:56,199 --> 00:44:59,159
on the floor for five seconds on this carpet in here.

779
00:44:59,239 --> 00:45:01,199
Speaker 15: Yeah, oh that's a tough call.

780
00:45:01,320 --> 00:45:03,480
Speaker 14: Can you just kinda wipe it off and h then

781
00:45:03,519 --> 00:45:04,800
shout out, well, what do you do?

782
00:45:05,480 --> 00:45:07,880
Speaker 16: The correct internal temperature for steak is one hundred and

783
00:45:07,960 --> 00:45:12,519
fifty five degrees uh huh internal, but that boyzee. This

784
00:45:12,800 --> 00:45:15,840
this is play cross contamination. We'll discuss all right, yeah,

785
00:45:16,119 --> 00:45:18,079
all right, wow, wow, this is this is we've taken

786
00:45:18,119 --> 00:45:19,480
a turn empty stove top.

787
00:45:19,800 --> 00:45:23,000
Speaker 14: Yes, okay, all right, cross contamination here it is.

788
00:45:23,960 --> 00:45:28,440
Speaker 34: Don't touch this and don't touch that. Don't touch it again.

789
00:45:28,760 --> 00:45:35,440
That's cross contamination. Don't touch this, then touch that, don't

790
00:45:35,480 --> 00:45:42,000
touch it again. That's cross contamination. Cross cross cross cross contamination,

791
00:45:42,679 --> 00:45:45,840
cross cross cross cross contamination.

792
00:45:47,039 --> 00:45:47,760
Speaker 11: Don't touch it.

793
00:45:49,960 --> 00:45:54,599
Speaker 34: This is where the chicken stays away from the vegetables.

794
00:45:54,719 --> 00:46:01,800
Cross cross cross cross condamination, cross cross cross cross contamination

795
00:46:02,840 --> 00:46:06,960
to things that don't belong to get up cubes from

796
00:46:07,000 --> 00:46:09,559
the chicken and the carrot.

797
00:46:10,559 --> 00:46:14,119
Speaker 1: Keep them separate, separated.

798
00:46:14,360 --> 00:46:17,159
Speaker 15: You will not get cross contamination.

799
00:46:17,800 --> 00:46:25,360
Speaker 34: Cross cross gross cross gross contamination, cross frock comination, cross

800
00:46:25,519 --> 00:46:33,039
cross cross, fross condamnation, cross cross cross cross contamination, cross

801
00:46:33,199 --> 00:46:39,599
cross cross fross condamn cross cross cross cross condamination.

802
00:46:41,000 --> 00:46:44,280
Speaker 15: Now that's a nice quick right to it. I like

803
00:46:44,360 --> 00:46:47,719
those songs. Yeah, the more you know the five second

804
00:46:47,880 --> 00:46:51,519
rule cross contamination Yeah, there we go.

805
00:46:52,079 --> 00:46:54,599
Speaker 16: That's gonna be I think that's gonna be a project, Matt. Okay,

806
00:46:55,199 --> 00:46:57,639
the Food Handler's Guide to Success.

807
00:46:57,960 --> 00:47:05,440
Speaker 14: Yeah, that's that's good. That's good. See, got a good idea.

808
00:47:05,599 --> 00:47:09,119
Speaker 16: This is amazing that I come here in your greatness, right,

809
00:47:09,280 --> 00:47:13,440
thank you? Yes, and inspiration comes yes to us.

810
00:47:13,920 --> 00:47:19,440
Speaker 14: Yes, as you bask. Uh, the inspiration comes ask yes,

811
00:47:19,719 --> 00:47:21,880
and you can bask for more than five seconds and

812
00:47:22,000 --> 00:47:23,960
it's fine depending. Wow.

813
00:47:24,039 --> 00:47:25,039
Speaker 15: There's a lot of variables.

814
00:47:25,079 --> 00:47:29,400
Speaker 16: Like I said, yes, the whole uh, the whole cross

815
00:47:29,440 --> 00:47:33,800
contamination thing is is running runs rampant.

816
00:47:34,000 --> 00:47:36,519
Speaker 14: Now if I so, like say, I spill a delicious

817
00:47:36,599 --> 00:47:38,599
beverage on the floor, You're not gonna lick it off

818
00:47:38,639 --> 00:47:40,519
the floor? Well, but what if I do it within

819
00:47:40,639 --> 00:47:42,599
five seconds? I get down, I lap it up like

820
00:47:42,679 --> 00:47:46,760
a cat and like super quick. No wow, and oh no,

821
00:47:47,039 --> 00:47:48,679
So that that would be an example of a bad

822
00:47:49,280 --> 00:47:52,199
no five second rule in that case, no liquid on

823
00:47:52,239 --> 00:47:52,599
a floor.

824
00:47:52,679 --> 00:47:57,840
Speaker 16: No, okay, what's a lollipop falling on a floor? Brought

825
00:47:57,960 --> 00:48:00,880
up and rinsed off? But this is going down a

826
00:48:00,960 --> 00:48:03,719
rabbit hole. Yeah, yeah, let's go. Let's go back to

827
00:48:03,800 --> 00:48:07,719
carpe DM something positive. Did you find the beat. Oh,

828
00:48:07,920 --> 00:48:13,159
I have a find a beat. I found something. Oh

829
00:48:14,760 --> 00:48:19,280
oh boy, Oh this sounds like it's got a medicine.

830
00:48:23,599 --> 00:48:28,199
You ready, Matt. I'm on the Matt Connaton Show. Things

831
00:48:28,239 --> 00:48:31,679
are going good, don't you know? I'm shrelling with the bro.

832
00:48:32,239 --> 00:48:32,639
Speaker 8: You know that.

833
00:48:32,800 --> 00:48:35,599
Speaker 16: I go, I only got five more minutes and I

834
00:48:35,719 --> 00:48:39,559
gonna get kicked off the show. Yo, yo, Matt Goat,

835
00:48:43,199 --> 00:48:44,679
I think I got Matt song.

836
00:48:44,760 --> 00:48:45,960
Speaker 15: It's really not a song.

837
00:48:46,280 --> 00:48:49,039
Speaker 16: Here we go again, Matt, lay it down, brother goat.

838
00:48:49,760 --> 00:48:51,960
Speaker 14: I think I need uh, I think I need my

839
00:48:52,119 --> 00:48:53,000
energy right to do this.

840
00:48:54,599 --> 00:48:58,800
Speaker 16: I'm on the Mad Connotent Show, and.

841
00:49:00,519 --> 00:49:02,079
Speaker 15: Connotin show.

842
00:49:03,360 --> 00:49:05,480
Speaker 14: Em says not much of what you're gonna do.

843
00:49:06,079 --> 00:49:10,360
Speaker 16: MA doesn't go how a free stop. He's got the choice,

844
00:49:10,639 --> 00:49:13,320
he's got the joy. He brings it all down, you

845
00:49:13,519 --> 00:49:14,559
know the score.

846
00:49:16,679 --> 00:49:18,599
Speaker 14: Yeah, you're not really rhyming pretty much?

847
00:49:18,840 --> 00:49:21,519
Speaker 15: Does it really matter if I'm rhyming on not? It's

848
00:49:21,760 --> 00:49:22,960
just that I'm looking good.

849
00:49:23,079 --> 00:49:27,960
Speaker 14: That's tough, lot, Lot, Oh, now that's there, you go, Lot.

850
00:49:28,840 --> 00:49:31,079
Speaker 15: I like that you're putting me on the spot.

851
00:49:31,199 --> 00:49:31,400
Speaker 1: Matt.

852
00:49:31,559 --> 00:49:35,679
Speaker 15: That's okay, it don't matter. I'm ready to play. I'm

853
00:49:35,840 --> 00:49:39,480
ninety five free w m nh. Here we go. Matt

854
00:49:39,599 --> 00:49:41,159
Connatin for gonnas say you.

855
00:49:42,679 --> 00:49:47,639
Speaker 14: Not bad, not bad, not bad, You're not Kendrick Lamar,

856
00:49:48,079 --> 00:49:48,679
not bad.

857
00:49:49,880 --> 00:49:53,920
Speaker 16: Kendrick Lamart the worst super Bowl of all time? Bring

858
00:49:54,119 --> 00:49:57,840
back stick, play some blue collar man. Then people will

859
00:49:57,920 --> 00:49:59,960
go yeah, yeah, yeah, that's the player.

860
00:50:00,920 --> 00:50:02,159
Speaker 12: Oh old man.

861
00:50:02,519 --> 00:50:03,119
Speaker 2: Why do you know?

862
00:50:03,920 --> 00:50:06,119
Speaker 11: That was a great super Bowl show?

863
00:50:06,280 --> 00:50:09,719
Speaker 15: I couldn't believe what I was seeing. Kendrick Lamar. I

864
00:50:09,960 --> 00:50:13,039
think he shook it a little too far. Why can't

865
00:50:13,079 --> 00:50:13,320
we go.

866
00:50:13,400 --> 00:50:16,199
Speaker 16: Back to some rock and rolling goes down the way

867
00:50:16,360 --> 00:50:18,079
that the Patriots told us.

868
00:50:19,519 --> 00:50:20,079
Speaker 15: YouTube?

869
00:50:20,840 --> 00:50:24,960
Speaker 14: I thought she had another verse, but go on, you

870
00:50:25,039 --> 00:50:25,519
got nothing?

871
00:50:26,960 --> 00:50:27,320
Speaker 31: All right?

872
00:50:27,480 --> 00:50:30,760
Speaker 14: Very good, very good. Wow, that was quite a surprise.

873
00:50:30,880 --> 00:50:32,760
You should you should do a hip hop album?

874
00:50:33,880 --> 00:50:38,760
Speaker 15: Why old people like Yiddish people like myself?

875
00:50:39,079 --> 00:50:39,519
Speaker 14: Well I do.

876
00:50:40,199 --> 00:50:41,360
Speaker 15: I am influenced by it.

877
00:50:41,559 --> 00:50:45,280
Speaker 16: Absolutely, yeah, absolutely, as much as I hate to admit it, it's.

878
00:50:45,599 --> 00:50:47,000
Speaker 14: Well I hate to admit it. I mean, you know,

879
00:50:47,320 --> 00:50:48,079
but it's there.

880
00:50:48,519 --> 00:50:53,920
Speaker 15: It's it's let's not get start, it's it's Music's music.

881
00:50:54,039 --> 00:50:54,639
Do what you love?

882
00:50:54,800 --> 00:50:55,000
Speaker 14: Yeah?

883
00:50:55,119 --> 00:50:58,280
Speaker 16: Absolutely no in comedy, but it's like everything goes back

884
00:50:58,280 --> 00:51:02,880
to Monty Python, George Carlin, Cheech and Shong Yep, that's

885
00:51:03,000 --> 00:51:04,280
my that's the Big Three.

886
00:51:05,360 --> 00:51:08,039
Speaker 15: Henny Youngman, got any more to throw.

887
00:51:07,960 --> 00:51:09,960
Speaker 14: Any young man? Wow, you're really going back.

888
00:51:10,880 --> 00:51:16,039
Speaker 16: Rodney Dangerfield, Sam Kenniston. But Monty Python to me, yeah

889
00:51:16,400 --> 00:51:20,039
is uh, I don't know why we're going off for

890
00:51:20,039 --> 00:51:20,320
the money.

891
00:51:20,400 --> 00:51:22,840
Speaker 14: Well, the thing about money Python is it's it's uh

892
00:51:23,920 --> 00:51:26,360
kind of timeless in the sense that people of any age,

893
00:51:26,400 --> 00:51:29,360
any generation will get into Python, whereas I would not

894
00:51:29,480 --> 00:51:33,880
say that about, for example, Henny Youngman. I'm guessing people

895
00:51:34,039 --> 00:51:37,480
even a day younger than myself don't even know who

896
00:51:37,480 --> 00:51:40,960
any young man is, you know what I mean? That's okay,

897
00:51:41,159 --> 00:51:43,079
And I think I think Rodney danger feeling like a

898
00:51:43,079 --> 00:51:44,400
lot of people don't know who sticks is.

899
00:51:44,920 --> 00:51:45,119
Speaker 12: Yeah.

900
00:51:45,239 --> 00:51:48,000
Speaker 14: Yeah, but so you want to see us six at

901
00:51:48,039 --> 00:51:48,599
the Super Bowl?

902
00:51:49,800 --> 00:51:52,159
Speaker 16: If they played blue yeah, thank you? Yeah yeah, if

903
00:51:52,159 --> 00:51:55,880
they played like blue collar man, yeah right now, if

904
00:51:55,920 --> 00:51:58,400
that would bring the house down there Kendrick jumping around

905
00:51:58,519 --> 00:51:59,480
like an idiot, Come on.

906
00:51:59,679 --> 00:52:00,559
Speaker 14: I thought it was great.

907
00:52:00,760 --> 00:52:02,360
Speaker 15: Really thought it was what planet were you on?

908
00:52:02,679 --> 00:52:05,320
Speaker 16: You were watching We Want to we want to Nacho

909
00:52:05,440 --> 00:52:08,199
Overload or something that was awesome.

910
00:52:08,400 --> 00:52:08,639
Speaker 14: Yeah.

911
00:52:08,840 --> 00:52:11,480
Speaker 12: I loved the dance sequences, and I think during the

912
00:52:11,519 --> 00:52:13,079
whole what they were doing. One of the things I

913
00:52:13,159 --> 00:52:15,840
said to that was, I'm I'm loving this. It's not

914
00:52:15,920 --> 00:52:17,639
a bunch of scantily cloud women.

915
00:52:17,599 --> 00:52:21,039
Speaker 16: I was looking for. Maybe I'm a purist. I didn't

916
00:52:21,039 --> 00:52:24,440
see a drummer, a guitar player, a bass player.

917
00:52:24,559 --> 00:52:24,760
Speaker 26: Yeah.

918
00:52:24,880 --> 00:52:28,559
Speaker 16: Yeah, so we just have to suspend disbelief that that

919
00:52:28,760 --> 00:52:32,400
music is coming off of just stop, don't be so.

920
00:52:33,199 --> 00:52:36,239
Speaker 12: I've seen somebody play a viola through looping.

921
00:52:37,760 --> 00:52:38,199
Speaker 15: Excuse me.

922
00:52:38,320 --> 00:52:40,000
Speaker 12: Music comes in all forms.

923
00:52:40,079 --> 00:52:40,480
Speaker 14: It does.

924
00:52:40,599 --> 00:52:42,679
Speaker 16: And speaking of it, I saw Ace free the other

925
00:52:42,840 --> 00:52:47,800
night up in Portland. People there, what a train wreck

926
00:52:48,679 --> 00:52:49,119
it was?

927
00:52:49,320 --> 00:52:51,760
Speaker 14: Yeah, well that actually what it was an experience.

928
00:52:51,800 --> 00:52:53,280
Speaker 15: He didn't come on till midnight.

929
00:52:53,639 --> 00:52:55,679
Speaker 14: Yeah, that's one of the reasons why I won't bother

930
00:52:55,800 --> 00:52:55,920
to go.

931
00:52:56,119 --> 00:52:57,440
Speaker 15: Didn't come on till midnight.

932
00:52:57,519 --> 00:52:58,719
Speaker 14: But how was they to attend?

933
00:52:59,079 --> 00:52:59,719
Speaker 15: Fantastic?

934
00:52:59,800 --> 00:53:00,960
Speaker 14: Yeah, there you go.

935
00:53:01,199 --> 00:53:05,679
Speaker 15: One of my friends got got us in for free.

936
00:53:05,880 --> 00:53:08,639
Speaker 14: Oh okay, yeah and wow, yeah day to attend?

937
00:53:08,719 --> 00:53:09,559
Speaker 15: Really good, really good?

938
00:53:09,599 --> 00:53:10,199
Speaker 14: Yeah they did.

939
00:53:10,280 --> 00:53:13,440
Speaker 16: They did a cover of Seasons of weather yep uh

940
00:53:13,639 --> 00:53:17,199
and just their whole stick if you would.

941
00:53:17,320 --> 00:53:18,679
Speaker 15: Their sounds was fantastic.

942
00:53:18,800 --> 00:53:20,880
Speaker 14: Yeah, oh they're amazing. Yeah, I don't know if you

943
00:53:20,920 --> 00:53:23,840
were listening that day. They came here first and went

944
00:53:23,880 --> 00:53:25,880
there and uh, yeah, I love day to attend.

945
00:53:26,039 --> 00:53:29,760
Speaker 15: Yeah. Amazing for a Manchester local band to opening up for.

946
00:53:31,320 --> 00:53:31,480
Speaker 7: Yeah.

947
00:53:31,679 --> 00:53:31,880
Speaker 14: Yeah.

948
00:53:31,960 --> 00:53:34,320
Speaker 16: So they they did their forty five minutes nice and tight,

949
00:53:34,440 --> 00:53:35,960
the band before them, nice and tight.

950
00:53:36,280 --> 00:53:37,760
Speaker 15: Then we had a beautiful two.

951
00:53:37,800 --> 00:53:41,960
Speaker 16: Hour in between time waiting for a waiting for Ace

952
00:53:42,360 --> 00:53:44,159
to bless us with his presence.

953
00:53:44,400 --> 00:53:44,639
Speaker 19: Yeah.

954
00:53:45,159 --> 00:53:46,199
Speaker 15: Yeah, it was rough.

955
00:53:46,360 --> 00:53:48,320
Speaker 16: I had to go sit down. Yeah, and there was

956
00:53:48,360 --> 00:53:50,639
no there was no seas where I was. Oh really, Uh,

957
00:53:50,920 --> 00:53:54,039
what's the place called Avon or no, it's uh.

958
00:53:55,800 --> 00:53:56,119
Speaker 32: What is it?

959
00:53:56,360 --> 00:53:58,920
Speaker 14: It's a newer place, I guess the new older place.

960
00:53:59,119 --> 00:54:01,760
What it's called now? I forget what it's called. Anyway,

961
00:54:01,920 --> 00:54:03,320
we are at the top of the hour. We gotta go.

962
00:54:03,679 --> 00:54:06,760
I'm thinking we'll play one we haven't played yet, break

963
00:54:06,800 --> 00:54:07,639
out the debit.

964
00:54:07,440 --> 00:54:10,599
Speaker 16: Card, Oh something else gonna be off the first.

965
00:54:10,519 --> 00:54:12,960
Speaker 14: Or problem and and and highly relatable to people.

966
00:54:13,039 --> 00:54:16,159
Speaker 16: But I would like to thank you for supporting staff,

967
00:54:17,320 --> 00:54:20,159
all my friends, the few that I have, but everyone

968
00:54:20,199 --> 00:54:22,119
who called, everyone who called.

969
00:54:21,880 --> 00:54:25,960
Speaker 15: The people in my life just amazing. Yes, good time

970
00:54:26,000 --> 00:54:26,519
to be alive.

971
00:54:27,000 --> 00:54:29,480
Speaker 16: Absolutely well, Yeah, I think you gotta it's it's just

972
00:54:29,639 --> 00:54:33,719
really hard to be positive today, you know it is.

973
00:54:33,920 --> 00:54:34,599
Speaker 14: You gotta.

974
00:54:35,880 --> 00:54:38,679
Speaker 15: Carpey deal. Yes, yes, carpe Dem seize the day.

975
00:54:38,920 --> 00:54:42,400
Speaker 14: Absolutely, I agree. And you want to plug your television

976
00:54:42,480 --> 00:54:44,000
program too and remind people about the.

977
00:54:44,119 --> 00:54:46,840
Speaker 16: Oh we're gonna we are doing the first recording of

978
00:54:46,920 --> 00:54:49,599
Happy Fun Joy, which maybe I could maybe get Matt

979
00:54:49,639 --> 00:54:50,480
connittant to come on.

980
00:54:50,719 --> 00:54:51,719
Speaker 14: Oh, that would be wonderful.

981
00:54:52,000 --> 00:54:54,960
Speaker 16: It is going to be done in I think two

982
00:54:55,079 --> 00:54:58,760
weeks or a week where I'm getting things together to

983
00:54:59,039 --> 00:55:01,920
uh get the premiere episode done. There half an hour okay,

984
00:55:02,760 --> 00:55:04,800
recorded right here in the same fabulous studio.

985
00:55:05,039 --> 00:55:08,239
Speaker 14: Yeah. Well two doors downs Hall, Yeah, two doors down

986
00:55:08,599 --> 00:55:09,599
very good, very good.

987
00:55:09,960 --> 00:55:12,840
Speaker 16: Midlight pop culture show is still up on YouTube. Yes, yes,

988
00:55:13,039 --> 00:55:16,119
Ricky Mapleton stuff still up on YouTube. Yep, all your

989
00:55:16,199 --> 00:55:17,000
digital platform.

990
00:55:17,400 --> 00:55:20,679
Speaker 14: Excellent, excellent. Well, we will close out the segment with

991
00:55:20,800 --> 00:55:21,800
Breakout the Debit card.

992
00:55:21,880 --> 00:55:24,199
Speaker 15: I appreciate my fans to thee that I.

993
00:55:24,280 --> 00:55:29,280
Speaker 14: Have absolutely And if you're listening live on Saturday, of

994
00:55:29,320 --> 00:55:31,199
course we have kat Ivy coming up in the second

995
00:55:31,239 --> 00:55:34,199
hour and the third hour the twos will be joining us.

996
00:55:34,440 --> 00:55:36,280
But here it is to close out this hour. Ran

997
00:55:36,360 --> 00:55:39,000
new from the album carpet Dum. This is Ricky Mapleton

998
00:55:39,079 --> 00:55:41,199
and this is called break Oh no, this is from

999
00:55:41,199 --> 00:55:43,760
an upcoming album. This is a sneak peak. I apologize,

1000
00:55:44,000 --> 00:55:46,519
but but check out the new album carpet. But this

1001
00:55:46,719 --> 00:55:49,320
is uh, this is for a future release. But we're

1002
00:55:49,360 --> 00:55:51,320
getting a sneak peak here. This is called breakout the

1003
00:55:51,360 --> 00:55:54,039
debit card. Ricky Mapleton, what.

1004
00:55:54,199 --> 00:56:03,639
Speaker 2: Are the happy money? Gave us off? Quite a thrill.

1005
00:56:03,760 --> 00:56:05,599
Speaker 1: Now we just breakout to.

1006
00:56:05,800 --> 00:56:09,239
Speaker 2: Debit card, tapt big god, we.

1007
00:56:09,440 --> 00:56:11,559
Speaker 1: Just break out the tevit cords.

1008
00:56:12,480 --> 00:56:17,480
Speaker 31: Want to drink fall win draw check ish quater that happened.

1009
00:56:17,079 --> 00:56:21,920
Speaker 1: To the smooth the twenty dollar bill water.

1010
00:56:21,760 --> 00:56:25,320
Speaker 2: That happened to the roll over dollar.

1011
00:56:25,840 --> 00:56:30,519
Speaker 30: Now it breakout the debit card, test bit cod.

1012
00:56:31,840 --> 00:56:35,719
Speaker 1: We break out the Devin gods, jest bit cod.

1013
00:56:35,880 --> 00:56:41,599
Speaker 2: We try check ash, we try check a Tevin CODs,

1014
00:56:43,320 --> 00:56:44,039
we sun.

1015
00:56:44,000 --> 00:56:47,639
Speaker 1: Even right checks now we don't so far.

1016
00:56:48,760 --> 00:56:54,559
Speaker 30: Break out the Tevin cars, breakout our Davin cards, break

1017
00:56:54,639 --> 00:56:58,719
it out, break it out, break it out ten a cod,

1018
00:56:59,360 --> 00:57:05,559
break it out, breaget out, breaket out, breaget out.

1019
00:57:10,760 --> 00:57:12,960
Speaker 35: In times of crisis, you need a law firm that

1020
00:57:13,079 --> 00:57:16,119
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1021
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1022
00:57:20,000 --> 00:57:23,119
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1023
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1024
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1025
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1026
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1027
00:57:37,679 --> 00:57:40,519
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1028
00:57:40,679 --> 00:57:45,559
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1029
00:57:45,679 --> 00:57:49,800
Speaker 29: Bring your kitchen to life with Queen City Cabinetry, located

1030
00:57:49,880 --> 00:57:53,320
at eighty seven Elm Street in the historic Sunbeam Mall

1031
00:57:53,519 --> 00:57:57,239
in Manchester, open Monday through Friday nine am to five

1032
00:57:57,360 --> 00:58:01,559
thirty pm, in Saturdays ten am to two pm. They

1033
00:58:01,639 --> 00:58:04,800
can be reached at six oh three two two two

1034
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to zero zero seven or on the web at Queen

1035
00:58:08,519 --> 00:58:11,519
citycabinat Tree NH dot com.

1036
00:58:11,920 --> 00:58:15,960
Speaker 36: Come see the possibilities. Queen City Cabinet Tree, another crowd

1037
00:58:16,000 --> 00:58:20,119
sponsor of w MNH Disneys Cafe, is the place to

1038
00:58:20,239 --> 00:58:22,480
put a smile on your face. Judy and the crew

1039
00:58:22,639 --> 00:58:26,000
will take care of you, bring your appetite and treat your.

1040
00:58:25,920 --> 00:58:30,480
Speaker 37: Taste buds right. Business cafe is always a winning choice. Breakfast,

1041
00:58:30,679 --> 00:58:35,039
lunch or supper Dizzney's Cafe at eight sixty Elm Street

1042
00:58:35,119 --> 00:58:38,960
in downtown Manchester. Dine in, takeout or make a reservation

1043
00:58:39,280 --> 00:58:43,840
call six oh three, six oh six two five three two, Eat,

1044
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drink and be happy Dizze's Cafe.

1045
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Speaker 32: When it comes to keeping WMNH on the air and

1046
00:58:50,239 --> 00:58:54,000
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1047
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1048
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1049
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1050
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1051
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1052
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1053
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1054
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Speaker 4: Seven times out of ten.

1055
00:59:29,360 --> 00:59:31,679
Speaker 35: We listened to our music at night.

1056
00:59:33,639 --> 00:59:36,800
Speaker 32: That's gon titled books program.

1057
00:59:36,679 --> 00:59:39,079
Speaker 36: Late Night to Light with DJ Midas right here on

1058
00:59:39,320 --> 00:59:40,719
WMNH Manchester.

1059
00:59:40,960 --> 00:59:42,199
Speaker 1: You want to know why because

1060
00:59:44,199 --> 00:59:46,599
Speaker 11: Saturdays and Sunday nights midnight to four am