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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Danger with Granger.

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But first I do want to encourage you, if you

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are enjoying the podcast, to please follow us using your

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favorite podcast software. Today's program is brought you apart by

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the financial support of our listeners. You can support the

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show on a one time baby to support dot Great

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Detectives dot net and become one of our ongoing Patreon

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supporters for his little last two dollars per month at

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Patreon dot Great Detectives dot net. Well now, from nin

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Team fifty six on not Team fifty seven, here is

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the episode the coincidental cartoon.

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Speaker 2: Yeah, Danger with Granger? Where is the cod though?

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Speaker 3: Yeah, I'm there.

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Speaker 4: I'm gonna get off the old tug burbon time myself.

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A nice job, a sure inside some central heated office.

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Speaker 3: Yeah, I used to say that we look at here.

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Speaker 5: I am through working the tug boats.

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Speaker 2: I've got a part, So come here quick, watt there, come.

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Speaker 5: To here right there?

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Speaker 3: What girls on?

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Speaker 5: Take a look over at the fourth side. You tell

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me my god.

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Speaker 3: Nott said something.

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Speaker 2: Oh he smoke.

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Speaker 5: You see the same thing I do.

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Speaker 4: That looks like a pair of legs singing about the water.

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Oh he's too You get that burn up on the

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first side.

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Speaker 2: You regent just past the stern, going to reverse.

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Speaker 4: Right, Okay, okay, hold it, I got him set out

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here to my hand.

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Speaker 5: Okay, what.

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Speaker 2: You street? Right?

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Speaker 4: I get a lovely guy. Somebody should have told me

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I put a life for rama r a rab.

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Speaker 2: Yeah, yes, here is. You gonna put this life belt

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on him? Sow what somebody else can look at his

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his head? This guy who's murderous.

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Speaker 3: There's a Steve Grainger, private detective with a story about

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a comic strip audist to God himself involved in a

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situation which did improve so comic by him. In just

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a moment, I'll take you back to one of my

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most interesting cases. This there's stranger. I was sitting in

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my office where I radiator was getting off some of

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that heat that's so popular on wintery days. Business has

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been slower than the fifth Tavener busts in a blizzard,

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and I was thinking of locking up shop and taking

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the afternoon off when the man rushed in.

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Speaker 5: You gotta do something for me right away.

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Speaker 3: Slow down to the roughness. They're gonna find me.

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Speaker 6: When they do, I'll be choosing matter what murder as

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soon as they see the people that come looking for me,

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and I'll be choosing matter I didn't do it? To understand.

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Speaker 3: As soon as you can tell me a couple of things,

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we'll go ahead. If you can't, I'll throw yacht. You're

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making me nervous, right all right? You know that's a

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good question.

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Speaker 2: First who I am?

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Speaker 7: Then?

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Speaker 3: Second? Who was murdered?

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Speaker 2: Third?

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Speaker 3: Why is anybody gonna say you did it? Well?

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Speaker 2: My name is Keith.

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Speaker 3: Leffert number two. Please look at this new frere right there.

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And the crew of the tug about Mary J found

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the body of Calvin Leftart floating downstream in the Hudson River.

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When the body was hauled aboard, they found that a

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life belt had been tied around the ankles. Ankles, what

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kind of routine is that he found the morgue. It

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was found that Leftid had died of drowning, but suspicion

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arose when a booze bad enough to cause the fracture

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was found in his forehead. My relations the dead man

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to you, he's my brother, And when the police starts

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checking the I'll be sure I did not be left up.

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Why turn the people to the comic section? Comics they're

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under on? Okay, now what.

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Speaker 5: Look at these the comics.

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Speaker 3: I've been an eye of the pictures and got a surprise.

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In the comics the Coast Patrol had found exactly what

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the tug boat men had really found in the Hudson

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River this morning. Then I looked at the audi's name

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and got another surprise. Now, so you're the man who

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draws this straight noticed.

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Speaker 6: The identical rang which the man in the comics ship

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dance I do. The police will find out about this.

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Speaker 3: When they do that. Arrist me, did you kill your brother?

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How far in advance you draw this Coast Patrol? I

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see for five weeks ahead, and you think that somebody

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might have got hold of the Coast Patrol and killed

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your better the same day the story apperiod, What earth

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can I think? Who can take a look at your

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stuff before it's published? Thousands of people, it's.

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Speaker 6: Tending get people, newspaper employees, my servants.

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Speaker 3: And that bothers me too.

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Speaker 6: In tomorrow's issue, the leader of the gang is killed

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time abrans produces.

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Speaker 3: But the second bred man turned the press, and do

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you think that will happen to you?

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Speaker 6: I am conduced of it.

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Speaker 3: I'm not a few comic strip at it from that time.

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But Keith Leffert took the first prize. He was nervous

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as a landlord at the rent control meeting. I promise

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third friend of the matter sent him on his way

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and put the trip down at the police headquarters to

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find out what I could about the murdered man. After that,

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I called Leffort. I had a question to ask him

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and hope he would give me the right answer. Hello,

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Oh is mister, My name is Grainger. Very important that.

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Speaker 8: I speak to him, Oh, very well, one of only Please.

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Speaker 3: Granger. The police vestment of Jebel's body was putting the

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river about nine this morning. Alibi for that time? Were

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you why Jersey?

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Speaker 7: I gotta telephone eight o'clock.

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Speaker 8: It was posed to have been from Antis to do

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my feeling work.

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Speaker 6: He told me the stuff was ready.

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Speaker 3: Why didn't he come to Manhattan? He's an invalid in

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that case. You've still got an arabi lepard. That's just it.

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When I go over to Jersey, the.

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Speaker 8: Man wasn't home.

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Speaker 3: When Keith Leffert gave him quip a man's telephone number.

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I hung up dire of the man and checked on

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the story of the Jersey trip. The man denied having

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car leapard and certainly they had not seen him. I

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roped out of a drug store where I'd made the

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call and moved toward the corner, intending to flag down

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a cab. But I'd changed I set the traps of foot.

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Something made me look at the ride of car was

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running for the light director of beach. I'll continue with

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this interesting story in a minute. As the car read

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towards me, I turned myself back to the shutter the sidewalks.

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My body hit the ground. I thought my foot just

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scraped the side of the car as it went past

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and disappeared. I barely escaped from a deliberate rundown. I

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stood for a while, getting my breath back, then the

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hair of the cab and went to see the nervy

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comic strabodies. He showed me into his study and I

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told him two things. One, the guy he claimed that

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called him the Jersey denied having done it. Two the

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attenth on my life.

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Speaker 6: But that's terrible. Are you sure it was you really

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tried to run down?

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Speaker 3: I was the only one crossing the street. This is

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making me move y than ever, how about a big

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I could sure use one.

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Speaker 2: I'll ring for the maid.

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Speaker 3: I watched let it move along, restlessly, thinking at this

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moving net, snapping his fingers. Then the door opened. This

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woman was no maid. She was tall, the statuesque type

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with dark red hair that flimmed my copper, not undress,

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the party type. Didn't do any harm.

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Speaker 6: I heard the darling and told myself a couple of drinks, Rover,

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this is a Steve Grainger, a private detect This is

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my right us.

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Speaker 3: How do you do what I'm a really you bring

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of a private talk? He's going to be my buddy guy.

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Speaker 6: When I thought the police did they do?

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Speaker 5: Darling?

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Speaker 3: But I want someone around all the time.

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Speaker 6: I'm afraid something might happen to you wailing to have

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them brothers up to cut your mother, and I find

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it has Oh my god, no to gang here, even on.

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Speaker 3: The the most unusual circumstantive All right, missus levers, I was

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just gonna ask your husband if he had any idea

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why if someone would want to kill his brother.

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Speaker 5: I'll get the drinks watch the being of the Scotch.

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Speaker 3: Roy Or drink Scotch pleasing on the rock.

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Speaker 5: I'll be right back, love it.

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Speaker 3: What's just about your brother?

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Speaker 8: Here?

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Speaker 3: Money? A lot of money to a man? What's a

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lot five thousand? It's a lot, tully, jehoun did you

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better owe this money?

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Speaker 6: A man named Steed.

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Speaker 3: And he runs.

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Speaker 6: I'm kind of please.

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Speaker 3: Let me see.

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Speaker 5: There's someone who's heard from the police department and he

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wants to talk to you.

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Speaker 7: Stand by me.

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Speaker 3: I've got a better idea. Talk to him. He wants

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to take it out of headquarters. Go along with no argument, Ginger.

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Then get your attorney. He can get you out of

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a rid of habeas coffice. Okay, yes, now go talk

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to him.

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Speaker 5: Who's lasting strange minute, the ginger, I thought my husband

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implied you to garden.

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Speaker 3: I have a feeling that right now your husband would

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be better off in jails. This is Is there a

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back way out of here?

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Speaker 6: Is that dog there at least out into the hall?

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Speaker 3: Thinks I'll see you later, but I'll have to say

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that later too. I slipped out the side door, made

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me way back around towards the front of the building

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and the elevators and if an officer recognized me, at

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least I wouldn't be sneaking. I had a downtown at

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Cala Hendricks's place, and all the time I had a

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feeling I was being followed, but I couldn't spop my follower.

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Speaker 5: Hi, Steve.

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Speaker 3: If very look kind of hat and do it well,

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I shouldn't die. I was nearly kissed by by a

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car which had lethal intension. Believe me, I've been sweating

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ever since. There's one way to get rome these four days,

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say O, I don't know about a fellow named Andrew.

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Steve run some kind of a joint. It's no joint.

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It's girl of Padlock Club, one of those places where

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each customer has a key.

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Speaker 5: Steed's a shop.

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Speaker 3: He's never been bred in by the police, but they

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have gambling. They do, at least the words around them. Man,

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But mister Steve has never been caught. I'm from the

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bevy of legal lights he's got around him. Probably never

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would be.

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Speaker 2: Hendrick speaking.

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Speaker 8: Yeah Ice here see you man, don't recognize the Hello Grainger?

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Speaker 3: Yeah, stay away from left. Something will happen to you,

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like being run down by another car.

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Speaker 8: How you ever?

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Speaker 3: Hello? Hello? What was that some character handing out warnings.

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Speaker 5: I don't see your cal I already seen, Steve, I

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most certainly.

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Speaker 3: I am Andrew Steed. Lived in an ultra ultra apartment

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in an ultra ultra section. I got past the dormant

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with no trouble. Ten boys higher up. I found myself

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at the Padlock Club owner's door.

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Speaker 6: Where are you already around?

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Speaker 2: This is my busy bird.

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Speaker 3: And I'm Steve Dringer. We're going to talk to Andrew

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Steed about a murder.

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Speaker 5: Murder Calvin Lefford, I'll see your pro bruss will talk

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to you.

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Speaker 3: Are not it all close in my face? I try

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to recall a voice on the telephone accoun Hendrix's, and

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if it resemble this man's or not, I couldn't quite

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make it. Set the Bruce could give you five minutes.

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This is his bud day too. You don't know how

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grateful I am.

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Speaker 8: Come on, and he thanks a lot. O.

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Speaker 3: See you're the boss Andrew Steed in person, he says he.

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Speaker 8: Wanted to turk a bad leopard's murder granger. Why very

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simple speed.

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Speaker 3: I could have had a room with it. You put

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a finger on Calvin Leffart because he couldn't pay off

246
00:13:33,840 --> 00:13:35,080
five thousand dollars Yogi.

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Speaker 8: Killing Calvin Lefford wouldn't get me back the money.

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Speaker 3: You know that it might intimidate a few others who

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owe you money too, can't.

250
00:13:42,240 --> 00:13:45,519
Speaker 9: You think, Grainger? I don't want to be linked with

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00:13:45,559 --> 00:13:49,080
the Lefford killing. It's extremely bad for business. I didn't

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00:13:49,120 --> 00:13:51,720
have anything to do with the killing. The police know

253
00:13:51,799 --> 00:13:54,840
anything about that five thousand Calvin oldman, not from me.

254
00:13:54,919 --> 00:13:58,279
Speaker 3: They don't, but I believe they have taken Keith down

255
00:13:58,320 --> 00:14:02,039
the headquarters, crack on the questions, pretty scared.

256
00:14:02,320 --> 00:14:04,120
Speaker 8: Who else knows besides you?

257
00:14:04,200 --> 00:14:07,600
Speaker 3: And Keith delivered? I couldn't say this isn't good.

258
00:14:09,000 --> 00:14:11,559
Speaker 8: How much su will you take to keep quiet about

259
00:14:11,600 --> 00:14:12,200
my connection?

260
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Speaker 3: Not a sense? Speed? If you didn't have anything to

261
00:14:17,320 --> 00:14:22,399
do with Calvin Leffard's death, fine you did, that's another thing.

262
00:14:23,600 --> 00:14:28,000
Do you let it? Steed? I moved towards the elevators,

263
00:14:28,279 --> 00:14:30,799
sudden of that instinct told me to turn around. I

264
00:14:30,879 --> 00:14:37,879
didn't duck just in time. I hadn't got a good

265
00:14:37,879 --> 00:14:39,960
look at the gunman's position, but it could have been

266
00:14:40,000 --> 00:14:43,039
the doorway the Speed's apartment. What's going on out here?

267
00:14:43,080 --> 00:14:43,600
All right? Seed?

268
00:14:43,639 --> 00:14:45,360
Speaker 2: Hold it you buster, get out here.

269
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Speaker 4: What's the matter with you?

270
00:14:46,480 --> 00:14:48,879
Speaker 3: Let's see that gun you've got parked in your shoulder cup. Now,

271
00:14:49,000 --> 00:14:49,879
let's get that out.

272
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Speaker 8: Okay a few years.

273
00:14:56,600 --> 00:14:59,480
Speaker 3: This hasn't been fired. Here, take it back all right?

274
00:14:59,559 --> 00:14:59,879
Speaker 8: Ger?

275
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Speaker 3: Is that for? You've got a gun? Steed?

276
00:15:01,679 --> 00:15:03,159
Speaker 8: Don't be ridiculous.

277
00:15:03,480 --> 00:15:05,519
Speaker 3: What happens? Tom Junka took a pot shot at me?

278
00:15:05,679 --> 00:15:07,240
Must have disappeared down in this carri.

279
00:15:07,039 --> 00:15:11,600
Speaker 8: Door ranger to me decide a moment something I think

280
00:15:11,639 --> 00:15:12,120
you should know.

281
00:15:13,720 --> 00:15:20,919
Speaker 3: Okay, what is it? Take him upgrade, I'll take that

282
00:15:21,080 --> 00:15:22,759
trinning you before you hear this.

283
00:15:22,960 --> 00:15:27,000
Speaker 9: For Steve, I've changed my mind about you, mister. I

284
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think perhaps you'd better be put on ice for a

285
00:15:29,080 --> 00:15:29,639
little while.

286
00:15:30,039 --> 00:15:38,080
Speaker 3: Yeah yeah, I felt the impact of a gun, but

287
00:15:38,159 --> 00:15:41,399
behind my ear so nine kinds of brilliance and promptly

288
00:15:41,440 --> 00:15:44,639
dive down in the blackness. That's one of the disadvantages

289
00:15:44,679 --> 00:15:47,159
of my profession. Every hood live in town thinks of

290
00:15:47,200 --> 00:15:50,639
you as a nut to crack. In just a minute,

291
00:15:50,679 --> 00:16:01,279
I'll bring you the climax of the case. When I

292
00:16:01,360 --> 00:16:04,399
woke up after being slugged by Andrew steed sidekick, I

293
00:16:04,440 --> 00:16:06,759
had a splitting headache and fell like a bundle of laundry.

294
00:16:07,120 --> 00:16:09,200
When I looked around the clove, I found myself tied,

295
00:16:09,279 --> 00:16:11,159
hand and footed in what was some kind of an

296
00:16:11,200 --> 00:16:16,799
oversized canvas bag. I spent what must have been an

297
00:16:16,799 --> 00:16:19,120
hour or two in a vehicle that bounced along with

298
00:16:19,200 --> 00:16:21,679
gay abandon. I felt like I was living in a

299
00:16:21,799 --> 00:16:24,399
chapter out of Keith Leffert's Coast Patrol.

300
00:16:25,240 --> 00:16:28,399
Speaker 8: When the vehicle stopped, all right, let's get him out

301
00:16:28,399 --> 00:16:33,320
of here, right, I felt.

302
00:16:33,039 --> 00:16:36,600
Speaker 3: Myself being lifted and carried. The door opened and shut.

303
00:16:37,360 --> 00:16:41,799
Then another one, and this man here, you know what

304
00:16:41,840 --> 00:16:45,200
to do. I do be sure and keep an eye

305
00:16:45,200 --> 00:16:45,559
on him.

306
00:16:46,240 --> 00:16:47,720
Speaker 8: He gets violent occasionally.

307
00:16:50,720 --> 00:16:53,200
Speaker 3: Then I had a door shut, and in a moment

308
00:16:53,360 --> 00:16:56,879
the canvas bag was undone. I was untied by a small,

309
00:16:57,039 --> 00:16:58,879
shifty looking character in a white coat.

310
00:16:59,360 --> 00:16:59,600
Speaker 4: There.

311
00:17:00,440 --> 00:17:04,559
Speaker 3: That's more comfortable, isn't it. If you're a doctor, mister,

312
00:17:05,920 --> 00:17:08,839
you're going to be in a jam for this caper. Now, now,

313
00:17:09,119 --> 00:17:14,920
don't get excited. The guy took off and locked the door.

314
00:17:15,200 --> 00:17:19,079
Looked around. I was in a cell, carefully petted. It

315
00:17:19,119 --> 00:17:20,920
didn't take much to figure that I was in a

316
00:17:20,960 --> 00:17:24,920
private institution, and probably as a relative or friend of

317
00:17:24,960 --> 00:17:30,319
Andrew Steves. I sat in the cell for an hour

318
00:17:30,480 --> 00:17:32,920
two three, and through a bard window I could see

319
00:17:32,920 --> 00:17:34,839
the day if hurting in a night. Then I had

320
00:17:34,839 --> 00:17:40,599
a visitor. I thought you might like some food. Thanks

321
00:17:40,599 --> 00:17:42,880
a lot, I could use it by all right, well,

322
00:17:42,920 --> 00:17:47,640
here's the tray. I'm sure you'll be satisfied portray your character.

323
00:17:52,039 --> 00:17:53,759
I looked down at the fallen man for a second.

324
00:17:54,000 --> 00:17:56,440
Then I went through him, got a set of keys,

325
00:17:57,599 --> 00:17:59,720
and moved cautiously towards what I hoped was the front

326
00:17:59,720 --> 00:18:05,640
of the This was the office where I'd made my

327
00:18:05,680 --> 00:18:11,119
first exit from the laundry bag. This was the street

328
00:18:11,279 --> 00:18:16,079
that I was free. But where was I? I jotted

329
00:18:16,079 --> 00:18:17,920
down the number of the building, an old huss that

330
00:18:17,960 --> 00:18:20,960
had been converted to a sanitarium. Our next corner. I

331
00:18:21,000 --> 00:18:22,440
got the name of the street from the sign. It

332
00:18:22,519 --> 00:18:25,680
was Cyprus. I held a passing car. The driver took

333
00:18:25,720 --> 00:18:27,839
me to the local taxi stand. I was in a

334
00:18:27,880 --> 00:18:30,720
small town or New Jersey. I told a hacket to

335
00:18:30,759 --> 00:18:38,440
take me back to Manhattan. I stood at the door

336
00:18:38,480 --> 00:18:41,720
of Keith Leffert's bat, pursing the buzzer button. I waited

337
00:18:41,759 --> 00:18:44,599
five minutes. Ten I'd been an aide of the door

338
00:18:44,599 --> 00:18:47,160
and couldn't hear a sound. I left the building for

339
00:18:47,240 --> 00:18:49,440
a telephone booth and made a court of police headquarters.

340
00:18:49,960 --> 00:18:52,319
The headquarters man told me that Leffett had been released.

341
00:18:52,519 --> 00:18:56,279
After an hour of questioning. My next stop with Stiege apartment.

342
00:18:56,400 --> 00:19:01,680
I had a newsplash for him in both hands. After

343
00:19:01,759 --> 00:19:03,880
five minutes, I gave it up and went back downstairs.

344
00:19:04,000 --> 00:19:07,160
The dorman remembered seeing Steve leave. His man said they

345
00:19:07,160 --> 00:19:09,319
had driven him away in a car. When the dorman

346
00:19:09,400 --> 00:19:11,720
described it to me, sounded like the one that had

347
00:19:11,759 --> 00:19:17,680
tried to run me down. This was the entrance to

348
00:19:17,759 --> 00:19:20,559
Steve's club. The padlock no doorknob was visible, only a

349
00:19:20,599 --> 00:19:29,799
single keyhole, to which I had no key. Yeah, what

350
00:19:29,920 --> 00:19:32,240
do you want? I want to go inside. I've got

351
00:19:32,279 --> 00:19:35,079
a message from mister Steve. Where's your key? I haven't

352
00:19:35,119 --> 00:19:37,960
got a key. Then you don't get in. Maybe that's

353
00:19:38,000 --> 00:19:41,480
the way you feel about it. Stop it. Put up

354
00:19:41,519 --> 00:19:47,079
the hands, okay, I said, nobody gets in without a key,

355
00:19:48,160 --> 00:19:54,519
so blow. I moved away from the Padlock Club, getting

356
00:19:54,559 --> 00:19:57,119
the man's eyes on me. I stopped at an alley

357
00:19:57,799 --> 00:19:59,960
that lay a hunch and moved down towards where BLACKSMI

358
00:20:00,160 --> 00:20:05,119
shut off the street lights. There was a car parked here,

359
00:20:06,160 --> 00:20:10,200
car that looked familiar. I reached inside and I was

360
00:20:10,240 --> 00:20:13,759
in the glove compartment. The registration slip showed the car's

361
00:20:13,799 --> 00:20:17,440
owner as Andrew Speed. This was the car that tried

362
00:20:17,480 --> 00:20:19,960
to run me down, and let's go for the night.

363
00:20:20,160 --> 00:20:23,880
Went back to my apartment, planning unpleasant things for Speed

364
00:20:24,000 --> 00:20:27,640
the next day. Then I phoned Keith Leffert with no results.

365
00:20:31,599 --> 00:20:33,720
At nine the following morning, I reached outside the door.

366
00:20:33,759 --> 00:20:36,480
I picked up the newspaper and sold the headlines Keith

367
00:20:36,599 --> 00:20:39,880
Leffert was dead. I got into my clothes and did

368
00:20:40,000 --> 00:20:42,839
to my pile. Cal Hendricks and I had need of

369
00:20:42,920 --> 00:20:46,400
the newspaper. Man, Well, excuse is that now, Carl, take

370
00:20:46,440 --> 00:20:50,039
a look at this baddy is Keith Leffert, popular comic

371
00:20:50,079 --> 00:20:53,880
strip artists was found in his apartment last night at midnight.

372
00:20:54,480 --> 00:20:58,680
Police say that Leffert committed suicide. He has one note

373
00:20:58,759 --> 00:21:00,880
to his wife that come to were not developed. I

374
00:21:01,039 --> 00:21:01,920
turned up the comics section.

375
00:21:02,160 --> 00:21:02,599
Speaker 6: Have a look.

376
00:21:05,680 --> 00:21:08,480
Speaker 3: He mess upcoming strip. The gangster kills himself because of

377
00:21:08,519 --> 00:21:10,279
his brother's death a day earlier. And I've said it

378
00:21:10,319 --> 00:21:12,640
looks like the long arm of coincidence, doesn't it? It

379
00:21:12,799 --> 00:21:15,519
sure does? And or maybe Keith Leffert killed his brother.

380
00:21:16,160 --> 00:21:18,000
He had no adibi for the fiend of his brother's death.

381
00:21:18,319 --> 00:21:22,519
Maybe he lived out his own story. Maybe maybe not. Carol,

382
00:21:22,559 --> 00:21:24,519
I'm going out of the morgue. You have the whole story.

383
00:21:25,200 --> 00:21:34,400
Maybe maybe not. It's correct, maybe it is, Okay, what's

384
00:21:34,440 --> 00:21:36,920
the dope? Obviously missus leftot telephoned.

385
00:21:36,920 --> 00:21:39,839
Speaker 5: Does she was at the opera in her husband killed himself?

386
00:21:40,319 --> 00:21:40,480
Speaker 3: Oh?

387
00:21:41,119 --> 00:21:43,519
Speaker 5: That hurt was lying on the backboard in the living room,

388
00:21:44,319 --> 00:21:46,799
fully dressed, even to an overcoat and pair of drugs.

389
00:21:47,640 --> 00:21:50,240
Speaker 3: And what about that note? Gotta tell me what it says.

390
00:21:51,000 --> 00:21:55,880
Speaker 5: It was written on his typewriters. Don't make fast gasses, stranger,

391
00:21:56,519 --> 00:21:59,039
he signed a note. The signature looks genuine.

392
00:21:59,160 --> 00:21:59,359
Speaker 4: Go on.

393
00:22:00,319 --> 00:22:02,400
Speaker 5: It just said something to the effect that he was

394
00:22:02,480 --> 00:22:05,680
responsible for his brother's death, that he could prefer to

395
00:22:05,720 --> 00:22:09,519
give him any more money. Oh, I think he's just

396
00:22:09,720 --> 00:22:12,440
with moodon why cala Hendrix.

397
00:22:12,160 --> 00:22:18,960
Speaker 3: Says, maybe maybe not. I left police headquarters and went

398
00:22:19,039 --> 00:22:22,079
back uptown. My client was dead for the rider, was

399
00:22:22,119 --> 00:22:24,079
no more reason for me to work on the case.

400
00:22:24,279 --> 00:22:26,519
Then I noticed the man following me. It was Andrew

401
00:22:26,599 --> 00:22:30,160
Steed's man seven, the one who'd helped me get into

402
00:22:30,240 --> 00:22:36,839
the sanitarium. I stopped off at a convenience store phone

403
00:22:36,920 --> 00:22:39,799
cal Hendrix to tell him where I was going. Then

404
00:22:39,920 --> 00:22:42,240
I became as obvious as a strip tease artist in

405
00:22:42,279 --> 00:22:45,319
the night court. I wound up at Andrew Steed's floor.

406
00:22:47,200 --> 00:22:48,799
This man wasted no time.

407
00:22:49,319 --> 00:22:52,640
Speaker 5: Hard Kerry Grainger, So you got out, I did. You

408
00:22:52,799 --> 00:22:56,599
were a chump to come back here inside.

409
00:22:57,160 --> 00:23:04,200
Speaker 3: I've been working for this. Thanks for opening the door.

410
00:23:06,920 --> 00:23:09,039
I dragged the unconscious Hudle him inside and went to

411
00:23:09,119 --> 00:23:12,480
work stretching the apartment. I found something interesting. The whole

412
00:23:12,519 --> 00:23:15,440
page is the Coast Patrol comics, the page that showed

413
00:23:15,519 --> 00:23:18,559
how both times had been committed. I examined keith left

414
00:23:18,680 --> 00:23:20,440
signature and got a hunch that the office had not

415
00:23:20,559 --> 00:23:23,920
committed suicide. I called the newspaper syndicate that handled Leapt

416
00:23:24,000 --> 00:23:27,519
stuff and asked the question. I got an interesting answer.

417
00:23:28,920 --> 00:23:35,160
Now I needed to bluff my way through. This was

418
00:23:35,200 --> 00:23:36,079
the Lepid apartment.

419
00:23:38,200 --> 00:23:39,799
Speaker 5: You're a little locist to grange.

420
00:23:40,559 --> 00:23:43,920
Speaker 3: My husband is Bud, I know, just let me move

421
00:23:44,000 --> 00:23:45,720
in such a hurry, missus Levitt, I want to ask

422
00:23:45,759 --> 00:23:49,880
you a question. But did Chiefs always make two copies

423
00:23:49,960 --> 00:23:54,359
of his advanced comic strip sometimes? Did he make two

424
00:23:54,440 --> 00:23:58,160
copies of the sheet that showed both deaths? I'm rock

425
00:23:58,519 --> 00:24:01,640
because the newspaper syndicate said that they'd received only one.

426
00:24:02,559 --> 00:24:03,359
Speaker 2: Is that unusual?

427
00:24:03,559 --> 00:24:03,680
Speaker 7: Yes?

428
00:24:03,759 --> 00:24:06,279
Speaker 3: Because I found a duplicate of that particular sheet and

429
00:24:06,359 --> 00:24:10,920
Andrews Steed's apartment got anything to say? This is left

430
00:24:13,359 --> 00:24:16,480
said that you also a fine out his both strip

431
00:24:16,559 --> 00:24:18,559
work and kind of thing drawing. I don't know what

432
00:24:18,680 --> 00:24:21,359
you're talking about. You signed that death note, missus Levitt.

433
00:24:21,480 --> 00:24:24,400
You made that duplicates of the sheet of comics. I

434
00:24:24,480 --> 00:24:26,319
think perhaps you will be on a suspicion of murder.

435
00:24:27,119 --> 00:24:27,920
Speaker 6: I was a dropper.

436
00:24:28,119 --> 00:24:29,200
Speaker 5: I couldn't have shot him.

437
00:24:29,400 --> 00:24:32,599
Speaker 3: Perhaps not, but you know that Steed came up here

438
00:24:32,720 --> 00:24:37,000
shot your husband. Plan of the suicide not your Yeah, I've.

439
00:24:36,880 --> 00:24:39,359
Speaker 6: Got money now, he said, quite a book.

440
00:24:39,559 --> 00:24:42,079
Speaker 3: You'll give it to me if I keep my mouth shut.

441
00:24:42,200 --> 00:24:47,759
Speaker 8: I'll tell you the whole story implicating me Roses hold

442
00:24:47,799 --> 00:24:49,559
it Steed, not's this time ranger.

443
00:24:56,599 --> 00:24:59,039
Speaker 3: Well, friends, that's the story. I'll be back to wrap

444
00:24:59,160 --> 00:25:09,240
up the case. And Semonide. I took Andrew Steed through

445
00:25:09,240 --> 00:25:11,559
the shoulder, after which I called homicide and gave them

446
00:25:11,559 --> 00:25:14,000
the news. A police car called it the Leffard apartment,

447
00:25:14,079 --> 00:25:16,000
took us all down at police headquarters, where the rest

448
00:25:16,039 --> 00:25:18,200
of the story was filled in. Later I answered a

449
00:25:18,279 --> 00:25:20,960
query or two from cal Hendrick oh can On Steve,

450
00:25:21,039 --> 00:25:24,759
Let's hear it the old story call. Missus Leffett was

451
00:25:24,799 --> 00:25:27,680
the real gambler at Andrew Steed's spot. She was afraid

452
00:25:27,720 --> 00:25:30,400
to ask her husband for the money, so she persuaded

453
00:25:30,440 --> 00:25:33,319
the younger brother, Calvin, that were doing it. More nice woman.

454
00:25:33,839 --> 00:25:35,759
Then when the kid brother got tough and said he

455
00:25:35,880 --> 00:25:37,640
was going to tell Keith the truth, Missus Leffert get

456
00:25:37,680 --> 00:25:40,079
scared and told Steve how did he get involved? Steed

457
00:25:40,160 --> 00:25:42,920
wasn't worried about the money, but in love with Missus Leffett.

458
00:25:43,519 --> 00:25:46,200
They got together and plotted both killings, using the comic

459
00:25:46,279 --> 00:25:48,400
strip to make it look like Keith Leffert and murdered

460
00:25:48,400 --> 00:25:51,400
his brother and then killed himself. Following the action of

461
00:25:51,480 --> 00:25:53,880
his own story. What about the run dine and the

462
00:25:53,960 --> 00:25:56,920
shot in the hall? Steve's man to the rundown. Steed

463
00:25:57,039 --> 00:26:02,039
himself fired the shot and search him so didn't find

464
00:26:02,079 --> 00:26:04,680
that out. Well, sure, I've had to chase around her

465
00:26:04,720 --> 00:26:10,720
and let's see you see you said it? Hey man,

466
00:26:10,960 --> 00:26:13,480
I just realized that this is one time when I

467
00:26:13,559 --> 00:26:17,640
don't get a fee. My client's dead, there's no one

468
00:26:17,680 --> 00:26:18,240
to collect from.

469
00:26:19,359 --> 00:26:20,039
Speaker 7: How do you like that?

470
00:26:21,400 --> 00:26:28,559
Speaker 3: What work in nomazooma? Steve Granger? Again, you just heard

471
00:26:28,599 --> 00:26:31,400
one of the most interesting cases in my files. I'll

472
00:26:31,440 --> 00:26:34,079
have another one for you, so be around next time.

473
00:26:42,480 --> 00:26:46,039
Speaker 1: Welcome back. A tough lesson for Granger. Hate to say it,

474
00:26:46,240 --> 00:26:50,359
but the smart radio private eze charge retainers. It prevents

475
00:26:50,440 --> 00:26:54,000
being left high and dry like Granger was here. He

476
00:26:54,119 --> 00:26:57,200
doesn't even get expenses, and with a cab ride from

477
00:26:57,279 --> 00:27:01,279
New Jersey that would be a big deal. Heavies actions

478
00:27:01,559 --> 00:27:05,599
in this story don't make a lot of sense, or

479
00:27:05,720 --> 00:27:08,960
were at least inconsistent. He tried to get rid of

480
00:27:09,079 --> 00:27:12,920
Granger in the car, but then only decided when he

481
00:27:13,039 --> 00:27:15,799
had him in his clutches to put him in the sanitarium,

482
00:27:16,240 --> 00:27:20,000
which kind of seems a weird whist to take when

483
00:27:20,039 --> 00:27:23,279
you're already committing murder and we're ready to kill the

484
00:27:23,359 --> 00:27:27,440
guy previously. It's a type of mood that doesn't make

485
00:27:27,480 --> 00:27:30,920
a whole lot of sense if you were behind the killing. Still,

486
00:27:31,119 --> 00:27:35,000
despite some of the logic in this one, it was

487
00:27:35,119 --> 00:27:40,079
still an enjoyable episode. You have to love the chandleresque

488
00:27:40,240 --> 00:27:45,279
twist of throwing the detective into a padded room and

489
00:27:45,400 --> 00:27:48,480
the detective having to get out of it. Listener comments

490
00:27:48,519 --> 00:27:52,240
and feedback now and we start on Spotify were mechanics.

491
00:27:52,400 --> 00:27:59,279
Sixty six wrote of the episode, the Amorris amnesiac a

492
00:27:59,480 --> 00:28:03,880
good one, and then a comment interesting one from more

493
00:28:04,079 --> 00:28:07,440
Gerald LUs Tremaine. I would be willing to bet it's

494
00:28:07,680 --> 00:28:11,240
a coincidence, but the commercial that played before the episode

495
00:28:11,440 --> 00:28:16,480
was for Granger, the equipment company. Maybe instead of Granger

496
00:28:17,440 --> 00:28:20,799
for the one who get who gets it done, they

497
00:28:20,839 --> 00:28:25,400
could change it to Granger not dangerous at all, unlike

498
00:28:25,519 --> 00:28:29,799
the cartoons in the episode. That was actually coincidental, But

499
00:28:29,960 --> 00:28:33,920
it's a very amusing coincidence. Those ads, of course, are

500
00:28:34,480 --> 00:28:39,480
candled by our host spreaker. But I doubt that Granger

501
00:28:39,920 --> 00:28:45,079
is targeting podcasts that feature the name Granger in them,

502
00:28:45,160 --> 00:28:51,000
but who knows. Over on YouTube, Ron Sir comments regarded

503
00:28:51,680 --> 00:28:55,519
the episode. Obviously the script was written by an Aussie.

504
00:28:55,720 --> 00:28:59,960
The supporting cast accidents are really coming through and we're

505
00:29:00,240 --> 00:29:03,480
Yank would have said okay, our character said very well,

506
00:29:04,240 --> 00:29:08,759
and there was garage. Again. It would not surprise me

507
00:29:09,160 --> 00:29:13,640
if in Australian had written the scripts, though I don't

508
00:29:13,759 --> 00:29:17,599
have any certain information on who wrote it. Then we

509
00:29:17,680 --> 00:29:22,240
have a comment from Joe regarding the episode for eight

510
00:29:22,359 --> 00:29:26,559
one six, The Rainy Not Murder. Thanks, I haven't heard

511
00:29:26,759 --> 00:29:31,759
Danger with Granger in a long time. Well, thanks so much, Joe,

512
00:29:32,240 --> 00:29:35,440
and it's great that other folks have heard of it

513
00:29:35,640 --> 00:29:38,279
because to so many of this is a brand new series.

514
00:29:38,440 --> 00:29:41,720
And then Betsy left as simple I enjoyed this. Thank

515
00:29:41,799 --> 00:29:44,880
you well, Thank you so much, Betsy. And now it's

516
00:29:45,039 --> 00:29:48,400
time to thank our Patreon supporter of the day, and

517
00:29:48,480 --> 00:29:51,880
I want to go ahead and thank Joanna, Patreon supporter

518
00:29:52,039 --> 00:29:55,720
since June of twenty twenty two, currently supporting the podcast

519
00:29:55,799 --> 00:29:59,039
at the Shawmus level of four dollars or more per month.

520
00:29:59,279 --> 00:30:01,759
Thanks so much your support, Joanna, And that will do

521
00:30:01,839 --> 00:30:05,799
it for today. If you're enjoying the podcast, please follow

522
00:30:05,920 --> 00:30:10,480
us using your favorite podcast software. And if you're enjoying

523
00:30:10,519 --> 00:30:13,599
the podcast on YouTube, be sure to lock the video

524
00:30:13,720 --> 00:30:17,200
subscriber the channel and mark the notification bell. All those

525
00:30:17,319 --> 00:30:20,839
great things that help YouTube channels to grow. We'll be

526
00:30:21,000 --> 00:30:24,279
back next Monday with another episode of Danger with Granger.

527
00:30:24,400 --> 00:30:26,759
But join us back here tomorrow as we get into

528
00:30:27,079 --> 00:30:29,599
the big story where.

529
00:30:30,279 --> 00:30:32,720
Speaker 7: This is exactly upsession and so am I.

530
00:30:33,079 --> 00:30:38,359
Speaker 10: Miss Graham, Please realize I'm only doing my job. Yes, Missy,

531
00:30:38,519 --> 00:30:41,039
it's my job to ask questions, to find out everything

532
00:30:41,079 --> 00:30:42,279
I can about your roommate.

533
00:30:42,359 --> 00:30:47,000
Speaker 4: Si more, you don't have to, He's just doing a jo.

534
00:30:49,200 --> 00:30:53,599
Speaker 7: Why won't you just go away because I'm a reporter,

535
00:30:54,440 --> 00:30:57,000
and believe me, I don't enjoy trubbling you at a

536
00:30:57,079 --> 00:30:59,559
time like this anymore than you like being troubled.

537
00:31:00,000 --> 00:31:02,000
Speaker 10: Don't think mister Fosco would do anything wrong.

538
00:31:02,200 --> 00:31:04,319
Speaker 7: I want, Miss Graham. It's a little information. When your

539
00:31:04,440 --> 00:31:05,559
roommate a picture, if.

540
00:31:05,440 --> 00:31:07,480
Speaker 10: You have one, anything you can tell me about her folk.

541
00:31:07,559 --> 00:31:10,039
Speaker 7: You won't get anything out of me, Miss even you

542
00:31:10,160 --> 00:31:12,359
make me say something I don't like to say.

543
00:31:12,519 --> 00:31:14,359
Speaker 6: Mister Fosco, she doesn't mean anything.

544
00:31:14,440 --> 00:31:15,680
Speaker 7: She's just terribly upset.

545
00:31:15,720 --> 00:31:16,519
Speaker 2: We're both of us that.

546
00:31:16,880 --> 00:31:17,960
Speaker 10: Please, maybe if.

547
00:31:17,880 --> 00:31:20,000
Speaker 7: You come back to law. There's no tomorrow in the

548
00:31:20,039 --> 00:31:23,000
newspaper business, Miss Graham and Miss Eaton, I have this

549
00:31:23,200 --> 00:31:23,559
to say.

550
00:31:24,880 --> 00:31:26,319
Speaker 10: I can't go back to my office.

551
00:31:26,480 --> 00:31:30,559
Speaker 7: I don't want to. I can't go back and write

552
00:31:30,640 --> 00:31:33,480
that you were too upset to talk about your friends

553
00:31:33,720 --> 00:31:35,160
if you'd only come back later.

554
00:31:35,599 --> 00:31:39,039
Speaker 10: Or I can write you refuse to reveal anything about her.

555
00:31:39,119 --> 00:31:42,720
Speaker 7: They both mean the same thing, but they sound awfully different.

556
00:31:42,880 --> 00:31:43,920
Speaker 10: You wouldn't do a thing like that.

557
00:31:44,119 --> 00:31:46,720
Speaker 7: Believe me. I'm not digging for dirt in a girl's tragedy.

558
00:31:46,759 --> 00:31:48,480
Speaker 10: I'm trying to find a line to a murder.

559
00:31:49,319 --> 00:31:52,680
Speaker 7: If you'll only tell me one plessing, that's just one thing.

560
00:31:52,920 --> 00:31:54,400
Speaker 10: I think this is a love murder.

561
00:31:54,440 --> 00:31:56,039
Speaker 6: And if you'll just tell me the name.

562
00:31:55,920 --> 00:31:57,960
Speaker 7: The names of the men she went out with, it

563
00:31:58,240 --> 00:31:59,519
wasn't that kind of a girl.

564
00:32:00,039 --> 00:32:02,440
Speaker 1: You'll be with us then In the meantime, send your

565
00:32:02,519 --> 00:32:06,519
comments to Box thirteen at Great Detectives dot Now, follow

566
00:32:06,599 --> 00:32:11,680
us on Twitter, Radio Detectives, and check us out on Instagram, Instagram,

567
00:32:11,880 --> 00:32:15,720
dot com, slash Great Detectives from Boise, Idaho. This is

568
00:32:15,799 --> 00:32:17,799
your host, Adam graham Son and off