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<v Speaker 1>Weird.

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<v Speaker 2>We welcome back midnight viewers to follow Malones weekly round up.

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<v Speaker 2>I'm following Malone and with me as always is the

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<v Speaker 2>rage filled former slave Ripley Gene. I know you're not

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<v Speaker 2>rage filled, although every time someone comes to the door,

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<v Speaker 2>you're not exactly calm. All right, let's get to it.

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<v Speaker 2>Everyone loves Gladiator, everyone but me. Look, I took Latin.

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<v Speaker 2>I studied the Classics with a lean towards the Roman authors.

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<v Speaker 2>For me, the Greeks were always a bit too lofty.

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<v Speaker 2>So my problems with the original Gladiator are two. One

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<v Speaker 2>is a quibble and stems from my teenage obsession with

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<v Speaker 2>historical and historically accurate events in ancient room, and we'll

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<v Speaker 2>get back to that because it comes up again in

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<v Speaker 2>the sequel. But the other is one that I can't

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<v Speaker 2>get past anymore. It's a problem I have with most

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<v Speaker 2>gritty action films. They're all predicated on the crusading widower.

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<v Speaker 2>They killed his wife, that was their first mistake. Good lord,

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<v Speaker 2>this is the only thing that can drive you. I mean,

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<v Speaker 2>it's supposed to be a quest based on love, but

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<v Speaker 2>really it's just a convenient excuse for slaking bloodlust. Let

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<v Speaker 2>me ask you a question, what in the Gladiator plot

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<v Speaker 2>would change if Maximus's family just didn't exist, as if

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<v Speaker 2>they hadn't written them at all. Maximus is a bachelor,

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<v Speaker 2>what would change in that plot? Nothing? He'd still be

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<v Speaker 2>wronged by the nation he defended. Is that not worthy

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<v Speaker 2>of vengeance? Is it not good enough? Because it's a

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<v Speaker 2>personal a vendetta. They got to kill the wife as well.

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<v Speaker 2>Two weeks ago we had Road to Perdition. There's another

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<v Speaker 2>crusading widower death wish the Punisher, Mad Max Brave Heart,

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<v Speaker 2>The Patriot Jesus Christ mil Gibson has a whole cottage

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<v Speaker 2>industry of crusading widowers. And you know what hit that

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<v Speaker 2>last film, The Patriot. I found that one to be

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<v Speaker 2>particularly distasteful, boiling down the American Revolution as a tale

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<v Speaker 2>of revenge against the English. Good God, kill Bill crusading

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<v Speaker 2>widow John Wick. I know it's a dog, but the

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<v Speaker 2>wife gave him the dog and she's dead, so that

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<v Speaker 2>dog was the wife crusading widower. Besides, he got another dog,

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<v Speaker 2>the crow. We did a whole round up about all

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<v Speaker 2>of its various crusading iterations. I know it's in no

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<v Speaker 2>way a new genre. In fact, revenge films are their

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<v Speaker 2>own subset, and they can be great. It's just that

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<v Speaker 2>it's the twenty first century now, and maybe we can

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<v Speaker 2>realize it's a disservice to the character that that's their

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<v Speaker 2>only motivation, or really it's a disservice to the spouse,

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<v Speaker 2>reducing them to nothing but a goal. But that is

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<v Speaker 2>not the overriding problem with Gladiator too.

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<v Speaker 3>I remember that day.

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<v Speaker 4>I never forgot it, but a slave could take revenge

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<v Speaker 4>against an emperor.

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<v Speaker 1>Where were you born?

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<v Speaker 3>I don't know. I never knew a mother, now a father.

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<v Speaker 1>You will be my instrument? Who are you?

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<v Speaker 2>Did you hear that crowd?

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<v Speaker 3>The greatest temple room ever built, the Colisseum, Because this

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<v Speaker 3>is what they believe in power.

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<v Speaker 5>General the cases, there are victories yet still to come.

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<v Speaker 6>JOm has so many subjects she must feed them.

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<v Speaker 5>They can eat wool. The arena turned slaves into gladiators,

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<v Speaker 5>and the gladiators into free men.

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<v Speaker 3>You have something. I knew it from the start, didn't you.

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<v Speaker 1>Low rage.

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<v Speaker 3>And rages?

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<v Speaker 5>Okay, it's about the com on hold together and when

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<v Speaker 5>it charges, break for the wall.

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<v Speaker 1>Whose head could I give you that would satisfy this fury?

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<v Speaker 5>The entire Roman armies too much. The General will do amazing.

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<v Speaker 1>I need only give it a push.

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<v Speaker 6>We'll make it out of.

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<v Speaker 5>Chance. On the mausoleum floor, bloodstains the stream belonged to Maximus.

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<v Speaker 5>Now I give it to you.

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<v Speaker 4>There from people are not free.

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<v Speaker 1>I was only now.

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<v Speaker 3>I will control and impotul.

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<v Speaker 5>Waste a generation of young men for their vanity, Break

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<v Speaker 5>them up. There is a mausoleum clung the god fuck.

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<v Speaker 2>You know how some sequels take such a left turn

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<v Speaker 2>from the original that they stand alone as their own piece,

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<v Speaker 2>like Aliens or Gremlins two. Just a total unwillingness on

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<v Speaker 2>the part of the filmmakers to repeat themselves. Well that

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<v Speaker 2>ain't Gladiator too. Oh no, this is Escape from La

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<v Speaker 2>to Gladiators Escape from New York. Not that I'm comparing

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<v Speaker 2>Escape from New York to Gladiator. There is no comparison there.

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<v Speaker 2>Whatever misgivings I have about Gladiator, it is great spectacle,

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<v Speaker 2>particularly seeing the Colosseum so well realized. It's breathtaking, and

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<v Speaker 2>there are some great performances. RUSSELLA. Rock at his most fierce,

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<v Speaker 2>you know, Russell Crow's movie star alter ego. Russ LaRock,

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<v Speaker 2>Pop sensation don't you here he is.

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<v Speaker 5>People sound crazy, but I just want to be more.

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<v Speaker 2>Well, he's fucking great as Maximus, and it had Oliver

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<v Speaker 2>red in his final performance. I'm a sucker for Oliver Reed.

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<v Speaker 2>I now know that all of those great old, hard

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<v Speaker 2>drinking English Thespians were probably more insufferable alcoholics and less

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<v Speaker 2>the bad boys breaking all the rules. But Oliver Reid

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<v Speaker 2>seemed the only one fully committed to it, and his

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<v Speaker 2>performances are just heart stopping. I love you, Oliver Reid.

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<v Speaker 2>I wouldn't want to be in a room with you.

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<v Speaker 2>I certainly don't want to see the Eagles talons.

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<v Speaker 1>You're too young.

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<v Speaker 2>I can't tell you this is a family show. Fuck,

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<v Speaker 2>yeah it is. There are some differences between Gladiator and Gladiator, too,

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<v Speaker 2>like Maximus never had to fight a bunch of cartoon primates.

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<v Speaker 2>I don't want to give a blanket statement like the

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<v Speaker 2>CGI is shit, because there are individual shots that are

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<v Speaker 2>just gorgeous, photorealistic even, but the rest of them are infuriating.

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<v Speaker 2>This movie cost two hundred and fifty million dollars. In

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<v Speaker 2>twenty twenty four, when all the giants the major studios

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<v Speaker 2>are foundering, they're going all in with this. I'm not

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<v Speaker 2>rooting against the movie, Don't get me wrong. Hollywood needs

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<v Speaker 2>every helping hand, but this two hundred and fifty million dollars.

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<v Speaker 2>Can we all admit that Ridley Scott made about five

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<v Speaker 2>good movies. They're all visual works of art, no doubt.

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<v Speaker 2>But we've got Alien Blade Runner. I'd go to the

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<v Speaker 2>mat for Legend, Thelma and Luise. Maybe Blackhawk down. That's it,

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<v Speaker 2>and he continues the trend here. Gladiator started off with

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<v Speaker 2>a battle in the forest. Well this one starts with

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<v Speaker 2>a naval battle, and instead of a Roman general as

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<v Speaker 2>our hero, he's the villain. Our hero is one of

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<v Speaker 2>the defenders of Numidia on the African coast, So we're

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<v Speaker 2>going to have an African hero this time. Nope, White

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<v Speaker 2>Savior trope is in effect. God, the tropes are piling

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<v Speaker 2>up here, just like Dances with Wolves and Avatar and

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<v Speaker 2>hell Billy Jack. When the big bad Empire comes calling,

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<v Speaker 2>they have to find one of their own defiant. Also,

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<v Speaker 2>they killed his wife, this time with arrows. Watch out Rome,

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<v Speaker 2>watch out Reed. Richard's that's right, Mando man Pedro Pascal

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<v Speaker 2>is the evil general.

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<v Speaker 3>But wait a.

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<v Speaker 2>Minute, he's actually a pretty good guy. He's only following orders.

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<v Speaker 2>That excuse lets him off the hook for decimating sovereign nations.

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<v Speaker 2>Plus we love Pedro Pascal, he can't be bad. Once again,

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<v Speaker 2>the villain is the Emperor or emperors. Oh, spend too

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<v Speaker 2>much time in the Senate here, So big battle, dead

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<v Speaker 2>wife slavery, forced to fight in an exhibition bought by

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<v Speaker 2>a gladiator trader and political wheeler dealer fights his way

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<v Speaker 2>to fame revenge. Sound fucking familiar. A quarter century later

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<v Speaker 2>and a quarter of a billion dollars and this is

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<v Speaker 2>what we're given. This is what we've been waiting for.

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<v Speaker 2>But it has naval battles in the coliseum. Yes, I know,

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<v Speaker 2>they actually happened, and it was cool to see them

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<v Speaker 2>re enacted here for a few minutes. Then the sharks

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<v Speaker 2>showed up. The sharks someho now caught in the wild

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<v Speaker 2>and held in captivity and transported and kept in an

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<v Speaker 2>enclosure that allowed them a free range of motion, so

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<v Speaker 2>they wouldn't just drown the sharks. The main problem here

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<v Speaker 2>is the main problem with both films. We gotta bring

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<v Speaker 2>down the Emperor. None of these fictional characters ever brought

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<v Speaker 2>down the emperor over Rome. Why does it have to

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<v Speaker 2>be that again. It can't be the hero just fighting

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<v Speaker 2>for himself or some potential positive goal for others. Gotta

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<v Speaker 2>be revenge and then coincidentally his actions destroy a corrupt empire,

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<v Speaker 2>freeing all. That's how the first film ended. And now

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<v Speaker 2>it's twenty five years later and Rome is worse than before,

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<v Speaker 2>which is a problem for all legacy sequels. They obliterate

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<v Speaker 2>the accomplishments of the first film. They could address that

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<v Speaker 2>here in gladiat or two, but instead they ignore it

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<v Speaker 2>so they can have the same goddamn plot contrivances. And

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<v Speaker 2>here's the thing that taking down the whole system trope

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<v Speaker 2>is the equivalent of the big blue light in the

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<v Speaker 2>sky of all superhero movies. Yes, we have a tangible villain,

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<v Speaker 2>but we gotta close that portal. We're gonna shut down

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<v Speaker 2>that machine or we'll all be killed. This film does

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<v Speaker 2>have one advantage over the first. Denzel He's fucking great here.

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<v Speaker 2>Anytime you put him in a period piece or historical drama, comedy, whatever,

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<v Speaker 2>he's gonna elevate it. He is so fucking charming here

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<v Speaker 2>and just locked into what the movie wanted to be

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<v Speaker 2>a political pot boiler. He's way more fearsome than any

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<v Speaker 2>dude riding a cartoon rhinoceros. That happens in this movie.

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<v Speaker 2>A man rides a rhinoceros and it's a cartoon anyway.

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<v Speaker 2>This was shot digitally, so could somebody lift Denzel out

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<v Speaker 2>of gladiat Or two and insert him into the original.

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<v Speaker 2>I think it can be done, and I think it

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<v Speaker 2>will solve my problems with that movie, because you're not

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<v Speaker 2>bringing down a roam with a sword. You're doing it

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<v Speaker 2>through manipulating corruption, and Denzel's character could have facilitated that there,

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<v Speaker 2>and I totally would have bought it. Nothing's gonna snaff

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<v Speaker 2>anyone from seeing this movie, and I'm not trying to

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<v Speaker 2>stop you either. I'm saying, go see all the movies,

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<v Speaker 2>all the poly Shore putting out a new movie, go

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<v Speaker 2>see it. We gotta save cinema. Zaslab killed its wife

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<v Speaker 2>and now nothing will stop it from getting revenge. As

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<v Speaker 2>an aside, if you're of Italian descent and you have

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<v Speaker 2>tattoos and one of them is an SPQR, what's wrong

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<v Speaker 2>with you? If Ireland had been the center of civilization

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<v Speaker 2>at some point, or had a marker or a slogan

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<v Speaker 2>declaring everything theirs. Do you not think that symbol or

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<v Speaker 2>phrase would be on my body right now?

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<v Speaker 1>Anyway?

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<v Speaker 2>If you've got a jones for Rome, a need for

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<v Speaker 2>ancient Italian drama, you can see some pretty fucking historically

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<v Speaker 2>accurate ancient Rome in the series Rome that was back

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<v Speaker 2>on HBO and ran for two seasons, and it was

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<v Speaker 2>co created by John fucking' milius, the writer of Apocalypse

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<v Speaker 2>Now and director of Conan the Barbarian, and it is

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<v Speaker 2>peopled with an amazing cast of mostly British actors. If

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<v Speaker 2>I Claudius taught us anything, Rome makes more sense as

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<v Speaker 2>an empire with Shakespearean trained actors. That's a scientific fact. Okay,

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<v Speaker 2>we're moving on. But what if you love sort swinging

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<v Speaker 2>actioners but don't love columns. Maybe you're sick of tunics

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<v Speaker 2>and you don't have time for the dead wife trope?

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<v Speaker 1>Hit at HP, you a doll?

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<v Speaker 4>That ship k be go?

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<v Speaker 2>It's thank you HP, David Letterman phrase here, Oh my goodness, ripley,

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<v Speaker 2>this O what a hell of a pick. Maybe you

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<v Speaker 2>saw this mac in the day and forgot about it.

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<v Speaker 2>More likely you've never seen it at all. I have

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<v Speaker 2>a soft spot in my heart for this film from

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<v Speaker 2>nineteen ninety nine. This is the thirteenth Warrior.

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<v Speaker 3>I am Ala.

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<v Speaker 6>I met a beautiful woman who belonged to another man.

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<v Speaker 6>I was banished from my home and from all that

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<v Speaker 6>I knew a country far to the north.

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<v Speaker 3>No moment he comes to ask bull far for helping.

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<v Speaker 6>I'm leaking at all, but his father's kingdom is under attack.

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<v Speaker 1>She says, thirteen men, yeah, yeah, had the first time.

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<v Speaker 4>He says the thirteenth man's been known the third man's

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<v Speaker 4>boy issue.

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<v Speaker 6>I am not a warrior, you will be.

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<v Speaker 2>They are demons, deep like a life head, like God.

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<v Speaker 3>There it is said they keep the dead.

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<v Speaker 1>I saw the global.

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<v Speaker 5>My other's father always warned of it, said it.

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<v Speaker 1>Was a eight of all times.

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<v Speaker 3>Prepare yourselves.

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<v Speaker 1>Low. God was my father?

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<v Speaker 3>O where who was to my mother, my sisters and

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<v Speaker 3>my brothers.

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<v Speaker 1>You're not also bhalla.

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<v Speaker 3>When the rain they lived?

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<v Speaker 2>Remember my pretentious classical education, Well that included a heaping

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<v Speaker 2>helping of Beowulf, the epic poem. I believe that it

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<v Speaker 2>was Francis Baron Gumer's edition that I read. That was

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<v Speaker 2>his translation. It wouldn't get a proper lyrical translation until

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<v Speaker 2>nineteen ninety nine. That's when Seamus Hainey did a more

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<v Speaker 2>poetical version of it. There was a modern day sequel

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<v Speaker 2>written called Grendel. From the monster's perspective, there was that

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<v Speaker 2>god awful Robert Semchis Uncanny Valley fest Beowulf, which actually

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<v Speaker 2>had a really good script by Roger Avery and Neil Gaiman.

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<v Speaker 2>Unfortunately the film was a waxwork nightmare. So anyway, I

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<v Speaker 2>was devouring all the Beowolf I could find when I

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<v Speaker 2>happened upon a novel called Eaters of the Dead by

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<v Speaker 2>Michael Crichton. Jurassic Park Westworld er Michael Crichton. The book

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<v Speaker 2>was from nineteen seventy six and was inspired, if that's

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<v Speaker 2>the right word, by a fellow professor who had lumped

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<v Speaker 2>Beowulf into what he called the bores of literature. Determined

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<v Speaker 2>to prove that guy wrong, Crichton decided to show that

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<v Speaker 2>Beowulf was indeed exciting. So, then, being Michael Crichton, he

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<v Speaker 2>conceived of a theme park with Nordic warriors. Now I'm kidding,

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<v Speaker 2>but it would track. Actually, he took the story of

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<v Speaker 2>Ahmad Ebin Fadlan, a real person who was an ambassador

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<v Speaker 2>for the Khaliph of Baghdad and was sent north to

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<v Speaker 2>live with Vikings in like ninety seventy five AD. He

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<v Speaker 2>then combined that with the Beowulf legend and it's a

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<v Speaker 2>weird mashup that works at least for me. Like Gangbusters.

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<v Speaker 2>Twenty years later, we got a name change in John

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<v Speaker 2>McTiernan behind the camera and it's the Thirteenth Warrior. Spanish

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<v Speaker 2>actor Antonio Banderis plays Ahmad Ebin Fadlan, with some backup

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<v Speaker 2>coming from Omar fucking Sharif in the book and the film.

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<v Speaker 2>Fudlan is taken in by a band of Vikings as

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<v Speaker 2>they are called to help King Rothgard defend his hall

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<v Speaker 2>against supernatural creatures known as the Vendol. It ends up

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<v Speaker 2>being a bit Scooby doo. Now let's see who the

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<v Speaker 2>real Vendol is. And there are some laughable moments from

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<v Speaker 2>the screenplay, but overall, this is how you do a

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<v Speaker 2>gritty action sword and blood and hacking and slashing. Man.

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<v Speaker 2>It's on die hard predator McTiernan orchestrating muddy chaos amongst

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<v Speaker 2>the Vikings with gorgeous Antonio Benderis fighting beside them. Everyone's

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<v Speaker 2>loving the Vikings these days, right, Well, you can Binge,

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<v Speaker 2>hours and hours and hours of them. We'll give this

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<v Speaker 2>film ninety minutes. It's one hundred and two minutes, but

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<v Speaker 2>if you haven't dug the first ninety you can tap out.

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<v Speaker 2>Then I won't tap out. I love this film. Oh,

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<v Speaker 2>come on, it's worth ribbing. When Antonio and Benderis announces

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<v Speaker 2>how he learned their language, where did you.

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<v Speaker 5>Learn how a language?

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<v Speaker 2>I listen, all right, thirteenth Warrior. I'm not gonna say

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<v Speaker 2>anything else about it. I want you to see it.

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<v Speaker 2>If you haven't seen it, we are moving on and

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<v Speaker 2>it's going to be a bit of a downer, but

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<v Speaker 2>it's gonna end kind of joyously, so fair a warning.

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<v Speaker 2>My late wife Jessica was a fucking marvel in everything

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<v Speaker 2>she did, just a whirlwind of creativity and productivity. For

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<v Speaker 2>her fiftieth birthday, we planned a huge surprise event for her,

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<v Speaker 2>and by we, I mean Jessica. She planned and organized

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<v Speaker 2>and executed the whole thing. I helped, but it was

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<v Speaker 2>all her, which is exactly how she wanted it. Prior

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<v Speaker 2>to the festivity, she sent up questionnaires asking all of

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<v Speaker 2>the guests their likes and dislikes so she could personalize

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<v Speaker 2>it to their taste. If your favorite dessert was peacan pie,

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<v Speaker 2>you were getting peacan pie at the end of the evening.

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<v Speaker 2>She also had questions about songs that might sum you up,

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<v Speaker 2>songs that might make appropriate entrance music. I didn't think

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<v Speaker 2>much of it. I don't think anyone else did. But

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<v Speaker 2>when everyone arrived that night, there was a step in

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<v Speaker 2>repeat that they had to walk with a photographer snapping photos,

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<v Speaker 2>and every single person had their own personal anthem playing.

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<v Speaker 2>Here was mine, that's give me the prize, the Kurgan's theme,

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<v Speaker 2>and it's Queen, and the movie is Highlander.

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<v Speaker 3>And from another time comes a man of great power.

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<v Speaker 4>Talk funny Nash where you're from, lots of different places,

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<v Speaker 4>A warrior of incredible strength.

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<v Speaker 3>You have the devil in you. We've been kinsman twenty years.

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<v Speaker 3>Connor MacLeod was my kinsman. I don't know who you are.

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<v Speaker 1>Because you were born different. Man will feel you try

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<v Speaker 1>to drive your way.

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<v Speaker 3>A man uncertain of his future. What you got?

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<v Speaker 4>Hear, Brenda, because a guy who's been creeping around since

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<v Speaker 4>only seventeen hundred and haunted by his past. I want

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<v Speaker 4>some answers.

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<v Speaker 1>You cannot die McLeod.

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<v Speaker 3>I am Connor McLeod of the Clan McLeod. I was

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<v Speaker 3>born in fifteen eighteen in the village of Glen Finnan

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<v Speaker 3>on the shores of flock Shield.

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<v Speaker 1>And I am.

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<v Speaker 6>Immort, a hero who is about to face his greatest challenge.

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<v Speaker 3>You will always be weaker than I.

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<v Speaker 1>What can you tell me about a seven but lunatic

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<v Speaker 1>hacking away with a broadsword at one o'clock in the morning,

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<v Speaker 1>New York City in nineteen eighty five.

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<v Speaker 6>Not much, for he is not alone.

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<v Speaker 1>In the end, it can be only one.

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<v Speaker 3>Highlander. There can be only one.

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<v Speaker 5>We are where the princess are? You never survival to

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<v Speaker 5>be the rule.

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<v Speaker 2>We're gonna talk a lot about the Kuragan here, but

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<v Speaker 2>first we gotta talk about Connor McLoud of Clan macloud

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<v Speaker 2>from the fifteen hundreds in the Highlands of Scotland. Highlands

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<v Speaker 2>of Scotland. Thus he's a Highlander. It's funny because the

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<v Speaker 2>word just kind of means immortal now, like they're all Highlanders.

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<v Speaker 2>I guess the every vampire can be called a Dracula.

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<v Speaker 2>Rule is in effect here. Before we go further, this

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<v Speaker 2>is time sensitive. Stop what you're doing and go to

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<v Speaker 2>the Wikipedia page for Highlander and read the synopsis. Someone

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00:21:46.599 --> 00:21:50.160
<v Speaker 2>has a vivid and hilarious imagination and the gatekeepers haven't

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<v Speaker 2>caught it yet. But that's not gonna last, so get

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00:21:51.960 --> 00:21:54.880
<v Speaker 2>over there and read it immediately. And no, it wasn't me,

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<v Speaker 2>or was it? Anyway you know the story. Connor is

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<v Speaker 2>an immortal, one of many that dot the globe. They

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<v Speaker 2>all feel a pull toward one another, and the more

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<v Speaker 2>ruthless among them are lopping off their heads and absorbing

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<v Speaker 2>their life forces, growing stronger. Connor, the Scottish Highlander, is

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<v Speaker 2>played by Christoph Lambert, a French actor who was born

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<v Speaker 2>in New York and raised in Switzerland. His character is

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<v Speaker 2>aided by Juan Sanchez via Lobos Ramirez, who is actually

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<v Speaker 2>Egyptian and played by Scottish actor Sean Connery. We just

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<v Speaker 2>had Antonio banderis playing Iranian, so we're going to give

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<v Speaker 2>the nineteen eighty six casting people a pass here. Plus

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<v Speaker 2>it's Christopher Lambert and Sean Connery. They're both great. Lambert's

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<v Speaker 2>weirdo amalgamation of accents somehow actually works for an immortal

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<v Speaker 2>who's lived dozens of lives and dozens of locales around

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<v Speaker 2>the globe. It's kind of like that language, Edward James

351
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<v Speaker 2>almost comes up with for Gaff and Blade Runner one

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<v Speaker 2>of only five good Ridley Scott movies. So they have

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<v Speaker 2>to stop the Kurgan. He's the villain, and what a

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<v Speaker 2>fucking villain. You heard the song and you know the actor,

355
00:22:55.480 --> 00:22:59.160
<v Speaker 2>the fucking amazing Clancy Brown. Has he ever been bad?

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<v Speaker 1>No?

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<v Speaker 2>Has any film he's been in become instantly elevated?

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<v Speaker 1>Fuck?

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<v Speaker 2>Yes, you loved him in Starship Troopers, you love him

360
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<v Speaker 2>in Shawshank and he's a dick in that. He's the

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<v Speaker 2>best Lex luthor ever. Sorry, Michael Rosenbaum. He was Surder,

362
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<v Speaker 2>the god who destroyed Asgard and Thor Ragnarok. The man

363
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<v Speaker 2>is mister Crabs on SpongeBob SquarePants. He was a major

364
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<v Speaker 2>member of the Hong Kong Cavaliers, that's Buckeru Banzai's group

365
00:23:24.640 --> 00:23:27.400
<v Speaker 2>of crusading rock and rollers. He was Lyndon Johnson on

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<v Speaker 2>The Crown, and most recently and fucking amazingly, he was

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<v Speaker 2>Salvator Falcone on that Penguin television series. Here as the Kurgan,

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<v Speaker 2>he absolutely terrifies while simultaneously giving us one of the

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<v Speaker 2>most delicious villains ever. Speaking of Rome, if you ever

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<v Speaker 2>read the novelization, you'll know that the Kurgan was a

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<v Speaker 2>happy participant of the sacking of Rome while he was

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<v Speaker 2>running around with the Visigoths and the Vandals. I won't

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<v Speaker 2>to be a cowboy, different vandals, but in the same ballpark,

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<v Speaker 2>because the modern Kurgh, the nineteen eighty six version chooses

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<v Speaker 2>a total punk rock persona complete with safety pins through

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<v Speaker 2>the scar in his neck, and it is amazing, though

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<v Speaker 2>not the original intention of the character. As originally written,

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<v Speaker 2>the Kurgan would be a total dandy bowler hat bespoke suit.

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<v Speaker 2>That would have been interesting, particularly on Clancy Brown. Not

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<v Speaker 2>that I don't fucking love what we got. Quick side note.

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<v Speaker 2>Back in nineteen ninety four, I was at a convention

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<v Speaker 2>at the Shrine in Los Angeles and I actually bumped

383
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<v Speaker 2>into Clancy Brown. It took me a second to recognize it.

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<v Speaker 2>I mean, he was very polite because he was actually

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<v Speaker 2>the one that bumped into me. But I was honestly crestfawn,

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<v Speaker 2>not because it wasn't a thrill to meet him.

387
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<v Speaker 3>It was.

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<v Speaker 2>I actually cherished the memory. But it turns out he

389
00:24:41.720 --> 00:24:43.599
<v Speaker 2>and I are the exact same height, and he was

390
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<v Speaker 2>a giant in my mind. Further, I actually think I

391
00:24:46.759 --> 00:24:48.960
<v Speaker 2>had a weight advantage at that time in my life,

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<v Speaker 2>so I came away thinking I could take the Kurgan.

393
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<v Speaker 2>The prize is rightfully mine. Gregory Whyden, former Firefighter, writes

394
00:24:57.279 --> 00:25:01.240
<v Speaker 2>Highlander as his thesis screenplay in film. The original is

395
00:25:01.279 --> 00:25:04.119
<v Speaker 2>way more arranging and got way more mythology, and it

396
00:25:04.279 --> 00:25:06.839
<v Speaker 2>connor fathers many children over the years, and there's a

397
00:25:06.920 --> 00:25:10.839
<v Speaker 2>whole bunch of unneeded detours. But it's a thesis script.

398
00:25:10.960 --> 00:25:13.240
<v Speaker 2>It gets snapped up and handed over to Larry Ferguson

399
00:25:13.240 --> 00:25:15.839
<v Speaker 2>and Peter Bellwood, who pare it down and admittedly give

400
00:25:15.920 --> 00:25:18.039
<v Speaker 2>us the masterpiece we have now, although there are only

401
00:25:18.200 --> 00:25:21.000
<v Speaker 2>one small part of it. Having read both drafts, let's

402
00:25:21.000 --> 00:25:23.400
<v Speaker 2>say Billwood and Ferguson had a hell of a blueprint

403
00:25:23.440 --> 00:25:26.000
<v Speaker 2>to work from, because left to their own devices, they

404
00:25:26.000 --> 00:25:29.680
<v Speaker 2>made Highlander two, although Larry Ferguson, his credit, would pen

405
00:25:29.759 --> 00:25:33.799
<v Speaker 2>the fucking horrible remake of Rollerball and Alien three and

406
00:25:34.039 --> 00:25:36.960
<v Speaker 2>Beyond the Law. That's that biker movie with Michael Madson

407
00:25:37.000 --> 00:25:39.279
<v Speaker 2>and Charlie Sheen, which is one of the few films

408
00:25:39.319 --> 00:25:44.559
<v Speaker 2>I feel totally comfortable watching. Ironically, by comparison, Gregory Wyden

409
00:25:44.599 --> 00:25:48.559
<v Speaker 2>wrote Backdraft and the Prophecy Russell. Okay, he's behind the

410
00:25:48.559 --> 00:25:51.440
<v Speaker 2>camera here. He was a video music maker extraordinaire, and

411
00:25:51.480 --> 00:25:54.400
<v Speaker 2>it's fully on display. Critics at the time complained that

412
00:25:54.440 --> 00:25:59.640
<v Speaker 2>it was style over substance. Fuck you, it's style and substance.

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<v Speaker 2>You're gonna tell the tale of sword fighting immortals in

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<v Speaker 2>modern day New York. I want a crazy crane shot

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<v Speaker 2>across Madison Square Garden as the fabulous Freebirds battle the

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<v Speaker 2>High Flyers and the Tonga Kid while Queen soundtrack blairs.

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<v Speaker 2>That's right, the Queen soundtrack. It is fucking killer. There

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<v Speaker 2>are some band composed soundtracks out there that are just perfect.

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<v Speaker 2>Harold and Maud the Graduate Queen again for Flash. How

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<v Speaker 2>about that Toto score for Dune. Anyway, this is all

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<v Speaker 2>original stuff from Queen, each member of the band contributing

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<v Speaker 2>a tune set against a moment of the film that

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<v Speaker 2>resonated with them. So not only do we get Princes

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<v Speaker 2>of the Universe to open the flick and give me

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<v Speaker 2>the prize, but the amazing who Wants to Live Forever

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<v Speaker 2>by Brian May that was featured pretty prominently in that

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<v Speaker 2>fucking awful Freddy Mercury biopic, but best of all, in

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<v Speaker 2>a song I come to over and over and over

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<v Speaker 2>again because if you've never known, because if you've ever

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<v Speaker 2>known true love like I did, particularly the night of

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<v Speaker 2>the party that I mentioned. One Year of Love by

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<v Speaker 2>bassist John Deacon is lovely and lush and oh so true,

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<v Speaker 2>just like.

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<v Speaker 5>Jess Yeas battle Time one sentiment is like the shootings

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<v Speaker 5>time not.

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<v Speaker 1>Brue on.

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<v Speaker 2>What I know. I said we'd end happily, but here

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<v Speaker 2>we are. It is happy. These are great movies. Well,

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00:27:39.799 --> 00:27:42.319
<v Speaker 2>it's a great movie and a pretty good movie and

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00:27:42.400 --> 00:27:45.200
<v Speaker 2>a terrible movie. That's what we've covered this week, and

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<v Speaker 2>that is gonna wrap us up for the week. Folks.

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<v Speaker 2>I want to thank you for joining us. Make sure

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<v Speaker 2>you tune in this Thursday. Maybe it'll be Friday. It's

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<v Speaker 2>my show. I'll release them whenever I God damn one.

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<v Speaker 2>That'll be the next Anthologies attack. Antonio Lapour is back

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00:27:58.240 --> 00:28:02.680
<v Speaker 2>and we're gonna be talking the Allison, Alexander Rockwell, Robert Rodriguez,

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<v Speaker 2>Quentin Tarantino comedy. Is it a comedy? Is it funny?

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<v Speaker 2>Tune in to find out we're talking four rooms. It's

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<v Speaker 2>actually going to be a pretty stupendous occasion that will

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<v Speaker 2>be midnight viewings one hundredth episode. HP, composer of our

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<v Speaker 2>rips Picks theme, is our band leader, and you can

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00:28:19.079 --> 00:28:21.160
<v Speaker 2>hear all of his work over at band camp and

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00:28:21.279 --> 00:28:24.160
<v Speaker 2>check out his show Night Mister Walters, a taxi podcast.

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<v Speaker 2>There are links in the description. Also there you'll find

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<v Speaker 2>a link to our Patreon channel Patreon dot com slash

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<v Speaker 2>Father Malone. Subscribe and you'll get episodes early and commercial free.

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<v Speaker 2>And speaking of HP, he and I are starting up

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<v Speaker 2>a Patreon exclusive show which we'll talk about in a

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<v Speaker 2>later episode. For the lovely Miss Ripley Gene. I'm Father Malone,

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00:28:43.920 --> 00:28:46.720
<v Speaker 2>and we'll leave you with a little bit from Highlander. Well,

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<v Speaker 2>by the way, Connor McLeod does not count as a

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<v Speaker 2>crusading widower his wife dies of old age. It's way

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<v Speaker 2>more tragic.

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<v Speaker 3>What do you want your head and the prize? I

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<v Speaker 3>be Halloween, ladies. Nothing's no sense of humor, I said.

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<v Speaker 5>Many man really alive last not Lets be a fret

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<v Speaker 5>my lot of it. I'm I'm telling you the long

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<v Speaker 5>Okay they want, I got no time. Give it a rise, sons,

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<v Speaker 5>giving the rise the whe thing they want. Day time,

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<v Speaker 5>getting the rise

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<v Speaker 3>There you wi
