Speaker 1: And we're very much back and the award goes to
Speaker 1: the nineteen eighty six WWF slammyes here on that fucking cast.
Speaker 2: Yes, it does.
Speaker 1: About to deep dive our very first Slammy Awards here
Speaker 1: on the show, this being the very first Slammies and
Speaker 1: my god, does it start with an eighties pattern?
Speaker 3: Are you?
Speaker 2: Are you ready for this? Like MTV? I guess interstitial
Speaker 2: just bus and let me have it please right now.
Speaker 4: It's an MTV feature presentation.
Speaker 5: You have.
Speaker 6: The following presentation comes to you from the World Wrestling Federation, MTV.
Speaker 2: Good Live.
Speaker 4: Wrestling Candle of the World.
Speaker 6: It's the Slammy Wrestling Music Awards with special guests Captain
Speaker 6: Lou Alberto Ready, Glassy a jump Yard Dog, Jimmy Hart Hill,
Speaker 6: Billy jim Me, Roddy Roddy Piper, Iron Kissy, the Buddy Ventura,
Speaker 6: Nikolai from MGV, Kiss b J Martha Quinn. I know
Speaker 6: your host, Vince McMahon.
Speaker 1: I really dig that burner man and man and man.
Speaker 2: It's a it's cool to have to kind of have
Speaker 2: an instrumental version of the song.
Speaker 1: Yeah, that's like a different take. Yeah, man, that's just
Speaker 1: boom boom it's just all there.
Speaker 2: Boom boom boom boom boom boom boom.
Speaker 1: And the MTV logo has like the zebra stripes like
Speaker 1: you would see people wearing their clothing back then.
Speaker 2: Yeah, it's I mean it's the old school, you know,
Speaker 2: it's the old school MTV. What a what a I mean,
Speaker 2: what a what a weird flash in the pan?
Speaker 3: I know.
Speaker 2: MTV is like there's no there's no I mean, is
Speaker 2: it even it's not even on anymore? Is it?
Speaker 1: Is it still on Stalon is it?
Speaker 3: Yeah?
Speaker 1: They have Jersey Shore and they have like.
Speaker 2: It's all reality TV. Yeah, Catfish.
Speaker 1: I think a certain point in the day they still
Speaker 1: do play music videos, but hardly ever. It's like rerun
Speaker 1: after rerun of like ridiculousness and like a handful of
Speaker 1: TV shows, with the exception of the MTV Video Music Awards,
Speaker 1: which they still do every fall.
Speaker 2: It's wow, do they really.
Speaker 1: They still do it? It's like nothing, nothing's happening on that channel.
Speaker 1: It's it's really amazing.
Speaker 2: I mean, it is. It's wild. It's wild that it
Speaker 2: still exists. Yeah, it is, because you really wouldn't I mean,
Speaker 2: I don't know, you really wouldn't think that it has
Speaker 2: any relevance at all.
Speaker 1: And at the time, part of the front office was
Speaker 1: Doug Herzog would later go on to run Viacom when
Speaker 1: when TNA was on Spike and stuff and was kind
Speaker 1: of a player there, so getting his acclamation to the
Speaker 1: wrestling business as well. I mean it was you had
Speaker 1: to if you were in cable television, you had to
Speaker 1: know something about the wrestling business.
Speaker 3: In the eighties.
Speaker 1: So he uh hears August listed in the executive producer
Speaker 1: credits at the end of the nineteen eighty six Slamy Awards.
Speaker 1: But those those colors, boss, those MTV logo colors, you
Speaker 1: better believe their teal and turquoise. Oh yes, indeed, so
Speaker 1: right now feature presentation boom boom boom. It's amazing. So
Speaker 1: Martha Quinn, Marquard the reference there, And what I think
Speaker 1: I'll do is pass along a piece we found on
Speaker 1: Martha's Let's get acquainted with Martha Quinn, right, sure, I
Speaker 1: think that's that's highly appropriate considering the one of the.
Speaker 2: Early breakout VJs of MTV.
Speaker 1: Yes, and this is a great piece as far as
Speaker 1: introducing you to her that ran in the Miami Herald
Speaker 1: on December sixth.
Speaker 2: So fucking innocent and it's like, girl, what are you doing? Yeah?
Speaker 1: Well, the headline of this article is who's who's the
Speaker 1: cutest kid on MTV? So she was hired to be
Speaker 1: that kind of innocent person surrounded by you know, the insanity,
Speaker 1: the zaniness, the X drugs and rock and roll of
Speaker 1: the eighties. Yeah, and so let's get to know this
Speaker 1: Martha Quinn, who will play no small role in coloring
Speaker 1: in let's say, the nineteen eighty six Slammies.
Speaker 2: Indeed, there we go. I do I have a question,
Speaker 2: but I'll wait till later. Regarding Ms Quinn, the chicken
Speaker 2: McNuggets girl, that's who. Pert, that's who. I don't understand
Speaker 2: this headline. You can just ignore the headline, but I
Speaker 2: want to know what it means. Let's see, I don't
Speaker 2: understand the chicken McNuggets. Oh, the chicken McNuggets girl, that's who.
Speaker 2: I get it now because it's Pert and it's answering
Speaker 2: the question without asking it.
Speaker 1: Well, the questions above her head Oh is it?
Speaker 2: Oh, who's a cute? Oh who's the chicken? I get
Speaker 2: it all right, stupid. If anyone wants to bottle wholesomeness.
Speaker 2: Check with MTV Martha Quinn cola.
Speaker 3: Is she.
Speaker 2: Diet as well? Yes, Martha Quinn Cola would be perfect.
Speaker 2: It's the light, cheerful, friendly drink. Oh they are making
Speaker 2: fun of a cola, a light genial fuzz and that's
Speaker 2: no put down to the pop music in pop music
Speaker 2: personality who redefines the words pert and perky with every
Speaker 2: breath she takes. Martha Quinn quite simply has the has
Speaker 2: the right rock and roll stuff. When you're discussing the
Speaker 2: cutting edge video music phenomenon known officially as MTV Music Television,
Speaker 2: there's no way to ignore the mighty Quinn. She is small,
Speaker 2: just a shade or so over five feet, but in
Speaker 2: the hectic world of modern music and media overload, she
Speaker 2: walks tall. The MTV cable service is the most influential
Speaker 2: new force and popular music in the nineteen eighties, and
Speaker 2: the force is with Martha Quinn, MTV's most inidentifiable personality.
Speaker 2: Okay v Jay for quote. For all they knew about me,
Speaker 2: I could have never heard of the Rolling Stones, said
Speaker 2: Quinn twenty four, reflecting on the fortuitous fact that she
Speaker 2: was hired by MTV after a mere ten minute audition.
Speaker 3: Wow.
Speaker 2: That was back in the summer of nineteen eighty one,
Speaker 2: just before MTV was launched. But of course Martha Quinn
Speaker 2: had never heard of the Rolling Stones and folks putting together. MTV,
Speaker 2: which is owned by Mammoth Multimedia conglomerate Warner Communications, knew
Speaker 2: one thing. In a hurry, Martha Quinn could communicate. Quote.
Speaker 2: I had done a lot of television commercials, said Quinn,
Speaker 2: seated on a couch beneath a large poster of The
Speaker 2: Stones album cover for Tattoo You in an office at
Speaker 2: the MTV studios on Manhattan's West Side. Quote for clearasil
Speaker 2: and Chicken McNuggets and that thing I was the Chicken
Speaker 2: McNuggets girl, you'll go nuggets for McNuggets. Yes, but this
Speaker 2: I couldn't have inherited a better job. I told myself,
Speaker 2: Oh my god, can you believe there's this thing called MTV?
Speaker 1: Re minded of that old thing where MTV would basically
Speaker 1: like fire people once they turned thirty. Like the whole
Speaker 1: the whole idea of MTV was to constantly be psycho.
Speaker 2: Yea young people exactly. You had to be listen, listen.
Speaker 2: If you're not young, you don't know all right, only
Speaker 2: youth knows right. Still, until she actually her had her
Speaker 2: name on a contract, Quinn was certain her successful ten
Speaker 2: minute audition was a fluke quote. I was so paranoid, brother,
Speaker 2: we mean you paranoid?
Speaker 4: You?
Speaker 1: I thought that was just my thing.
Speaker 2: Why you gimmick?
Speaker 1: I'm paranoid that you're paranoid.
Speaker 2: Well, you get to push Quinn? Push right, question, push
Speaker 2: the Quinn?
Speaker 1: Oh try. I heard Martha Quinn's going to get a push?
Speaker 2: What yeh?
Speaker 1: I mean she's obviously going to be on the woman's side.
Speaker 1: But I heard she's getting a push. I don't know
Speaker 1: what who they like her?
Speaker 2: Love Sherry?
Speaker 1: What they heard you weren't coming to the Slammys. And
Speaker 1: all of a sudden, next thing, I hear Martha Quinn's
Speaker 1: getting a push?
Speaker 2: Why did well? Whoa, let's let's donald this thing back in, dude.
Speaker 2: Who's she talking to MTV? What where are they at?
Speaker 1: New York City Times Square?
Speaker 2: I work New York, dude.
Speaker 1: No, I'm not saying you don't.
Speaker 2: They work in the garden sometimes. Yet I can't work
Speaker 2: in New York. If MTV were they're working MSU, dude,
Speaker 2: and they were in the garden, they sell out who
Speaker 2: they made a vent against Andre? Brother? WHATWF? She made
Speaker 2: it again? Brother? She faced dwarf. She related to Eddie Quinn, Dude,
Speaker 2: is she quintessential?
Speaker 1: It's another headline they could have used.
Speaker 2: No, right, they could have done that with.
Speaker 1: The headline to Andre, what were you? MTV isn't doing
Speaker 1: wrestling shows?
Speaker 2: Would have either doing wrestling shows?
Speaker 1: Said they're not.
Speaker 2: Oh no, you're changing it.
Speaker 1: That's funny. MTV is not doing wrestling shows. MTV is
Speaker 1: doing wrestling shows. I said they're not. They're not. What like,
Speaker 1: don't act like it doesn't it has. It absolutely has
Speaker 1: to logically follow that you said not to the last
Speaker 1: thing you said. It could have been counted to anything.
Speaker 1: And I'm like, it's my job to clarify her. Else
Speaker 1: I'm on the.
Speaker 2: H I'll tell you I and so I'm not getting
Speaker 2: up the hooked. No one's hooking my leg?
Speaker 4: Brother?
Speaker 2: Uh?
Speaker 3: Was she?
Speaker 1: You know when I heard Terry what that the working
Speaker 1: title for? But in addition to that that the working
Speaker 1: title for j y D song you can replace cakes
Speaker 1: with trunks?
Speaker 2: Well, you see we can grab them trunks? Brother, who's
Speaker 2: telling them that?
Speaker 1: Well, I'm just saying that was.
Speaker 2: What he's been saying is Ben telling Jyd you's gonna
Speaker 2: grab my trunks. I grab halts trunks. Brother.
Speaker 1: I wasn't interpreting that way. I can see what.
Speaker 2: What are you interpreting, dude? I just are you an
Speaker 2: interpret Are you an interprene?
Speaker 1: No comment? No comment speak? I speak a Rainian? But
Speaker 1: are you the chek dude? No, I'm not the chikh.
Speaker 1: How do I know my name is? My name is
Speaker 1: Ed farhat Well.
Speaker 2: I wasn't talking far hot dude.
Speaker 1: I gotta go, Terry?
Speaker 3: What go?
Speaker 4: Where?
Speaker 2: Who?
Speaker 7: What?
Speaker 2: Where do you go? Hulk's favorite band, the Who guy
Speaker 2: just disappears in front of Hogan's face.
Speaker 1: Van Oh my god, this guy has such a right
Speaker 1: to be nervous, The right to be nervous.
Speaker 2: Yeah, he's right, especially with sucking Chicken McNugget Martha Quinn around.
Speaker 2: You know, it's too short fucking go right between his
Speaker 2: legs rolling the show?
Speaker 1: Was it where they were saying that MTV v J
Speaker 1: was getting a push uh, oh my god, the quintessential
Speaker 1: Martha Quinn Quinn tuplets.
Speaker 2: Uh. I thought they would change their mind to hire
Speaker 2: someone else. They didn't. And the rest, as they say,
Speaker 2: is rock and roll. Okay, this is a ridder wire
Speaker 2: piece by the way. Oh sorry, rock and roll history.
Speaker 3: Yes.
Speaker 2: MTV went on the air August first, nineteen eighty one.
Speaker 2: The rock around the clock, seven days a week cable
Speaker 2: channel was dedicated to the proposition that seeing the music
Speaker 2: is even more fun than hearing it on the radio.
Speaker 2: Skeptics abounded, and indeed MTV is still not out of
Speaker 2: the financial woods, but it is pumping its beat into
Speaker 2: fifteen million cable homes a day, and the recording industry
Speaker 2: has felt the vibrations new groups with new music. Duran,
Speaker 2: Duran mean at work, et cetera. What meant work working?
Speaker 1: What right?
Speaker 4: Who? Oh?
Speaker 2: No, man, this MTV is not a good thing.
Speaker 1: Boy, start.
Speaker 2: It's not a good deal. I'm gonna talk to Vin
Speaker 2: the vin Man brother. We gotta you know, dude, we gotta.
Speaker 1: Terry, Terry, come on, so glad to see you. Take
Speaker 1: a seat. I get your power bar bro. What let's
Speaker 1: just let's just chop it up? But what do you
Speaker 1: have for me?
Speaker 2: Who are you chopping?
Speaker 3: So coming?
Speaker 2: Wait, who's gonna give me a chop? I'm not taking chops? Brother.
Speaker 1: Thanks for making the drive in from gun Club Road.
Speaker 2: I'm just gonna tell you, dude, I'm gonna just kind
Speaker 2: of lay it out there. Brother. I want to put
Speaker 2: all my cars on the table, dude, right now, Brother,
Speaker 2: I want to say this this empty visil brother. Not
Speaker 2: a fan, dude. I'm saying bad deal, brother and brother.
Speaker 2: Because they're hiring men at work. They're they're they're creating
Speaker 2: their own roster. Brother, they are like what, I don't
Speaker 2: know about that. Hell what, let me tell you something.
Speaker 2: The dude, you have a roster of men at work. Brother,
Speaker 2: I'm head that roster, dude. I'm telling you right now,
Speaker 2: empty visial.
Speaker 3: Brother.
Speaker 2: I heard it, dude, I read it. Men at work, Brother,
Speaker 2: they have men at work, working men, brother, work at
Speaker 2: you work at me?
Speaker 1: Well, what do you sounds like a dire situation. What
Speaker 1: do you suppose I do about it? Terry?
Speaker 2: Why why you asking me?
Speaker 1: Well, I mean, you're the one that has a problem.
Speaker 1: So I wonder what Patsy brother, No, No, I'm just wondering.
Speaker 2: You've already got a Patsy, Dude, you got a Patsy Patterson.
Speaker 1: I don't really know why we're so worried that they
Speaker 1: hired Chris Canyon and Mark Starr but do tag team
Speaker 1: also known as men at work.
Speaker 2: Whether I'm talking, I'm saying, dude, they're talking about invasion, brother,
Speaker 2: I heard him talk about it. They called it. You
Speaker 2: know that little chicken McNugget lady, Dude, they call her
Speaker 2: Martha QUI invasion? Brother?
Speaker 1: Are you so worried about her?
Speaker 2: Terry?
Speaker 1: She's harmless? What do you mean a personality?
Speaker 2: Where have you been? Person No? Brother, just staking the grass.
Speaker 1: Dude, Terry. You know how much you mean to me
Speaker 1: and I wanted to allay your concerns.
Speaker 2: What do you mean mean to you? Dude? What who's meaning?
Speaker 2: I'm saying you mean a lot to me? What I'm
Speaker 2: not mean a lot to you?
Speaker 1: Dude?
Speaker 2: I respect you, brother, man.
Speaker 1: Yes, okay, I respect you to pal. What is it
Speaker 1: you suggest I do? I'd love to allay your fears?
Speaker 1: What can I do?
Speaker 2: What do you want to You want to lay with
Speaker 2: my fears? What do you want to let.
Speaker 1: Edugate your fears?
Speaker 2: I don't Why do you want to.
Speaker 1: Get tears for fears?
Speaker 3: Brother?
Speaker 2: What do you mean? Whoa?
Speaker 1: This guy has stopped dead in his tracks every twenty seconds?
Speaker 2: This guy can you imagine like living like this every day?
Speaker 2: Like like the the the the amount of exhaustion, you know,
Speaker 2: Like the problem is he can't he can't risk being exhausted. Exactly,
Speaker 2: that's the problem.
Speaker 1: Like it's that's what they're waiting for, the waiting on
Speaker 1: me exactly exhausted.
Speaker 2: His blood pressure must be through the roof on like
Speaker 2: just constantly.
Speaker 3: Uh.
Speaker 2: New groups with new music previously had trouble cracking the
Speaker 2: increasingly cracking the increasingly conservative, tight playlists of rock radio,
Speaker 2: But because of their imaginative videos, these unknown artists found
Speaker 2: generous exposure on MTV. The result people saw the videos,
Speaker 2: liked the groups, and bought the records. New stars were
Speaker 2: born without the initial benefit of heavy radio airplay. Meanwhile,
Speaker 2: the people introducing those new stars and their video music
Speaker 2: also were sprinkled with celebrity glitter. The VJs found their
Speaker 2: own fans. Quote, I've never met a Martha Quinn, Quinn said, Chucks,
Speaker 2: she must not be looking at any rate. Martha Quinn,
Speaker 2: one of the five VJs, gets around three hundred fan
Speaker 2: letters a week. She said that attention has increased in
Speaker 2: the past year. Ever since MTV was finally introduced to
Speaker 2: New York and Los Angeles by Coastal homes of the
Speaker 2: recording industry. Before Martha Quinn and MTV were big in
Speaker 2: Tulsa and Columbus, Big Deal Shrugged the Big Apple. But
Speaker 2: that's all changed. Quote, all of a sudden, People Magazine
Speaker 2: is here, and it's like MTV is a brand new thing,
Speaker 2: Quinn said. Many viewers assume the vjays actually put in
Speaker 2: a five hour shift every day introducing Elvis Costello, Bow
Speaker 2: Wow Wow and def Leopard videos live on the air.
Speaker 8: Wrong.
Speaker 2: Each VJ spends about one hour or less taping introductions
Speaker 2: in between videos chit chat. The rest of the work
Speaker 2: week includes such things as personal appearances at record stores
Speaker 2: and traveling around the country to promote MTV. Last summer,
Speaker 2: when MTV had a promotional tie in with the phenomenally
Speaker 2: successful Police Tour, Quinn was on the road doing music
Speaker 2: news reports and interviews for MTV. Quote, it was so exciting,
Speaker 2: said Quinn, with the genuine enthusiasm of a real fan.
Speaker 2: I have never been on stage introducing a band before.
Speaker 2: Needless to say, the girls squealed for Sting, the boys
Speaker 2: squealed for Martha. Quinn grew up in Austining, New York,
Speaker 2: and started college as a broadcasting major at Colgate and
Speaker 2: then switched to New York University because she wanted to
Speaker 2: be where the action was in the city. The only
Speaker 2: show with an opening for a host of the NYU
Speaker 2: student run radio station was a folk music show, just
Speaker 2: plain folk. Quinn took it. Then she talked her way
Speaker 2: onto the Friday night soul music show and called her
Speaker 2: DJ self Tiffany. Quote Tiffany was cool, Quinn said, I
Speaker 2: played at the Jacksons, the Whispers, Shalamar, earth Wind and Fire.
Speaker 2: There was even a Prince stint as Carlene host of
Speaker 2: any Western show. It was a quick, complete spoof, Quinn recalled,
Speaker 2: and all the while she helped her collegiate cash flow
Speaker 2: by getting in front of the cameras to tell people
Speaker 2: to go nuggets for McNuggets or to zap zits with
Speaker 2: clearcill quote. I've always felt comfortable, she said of her
Speaker 2: relationship with the camera. To some, Quinn might seem overly
Speaker 2: bubbly and differential to the mostly male rock stars she interviews,
Speaker 2: But the effvescent personality is no put on. There's a sharp,
Speaker 2: ambitious mind at work too. And besides, the reality of
Speaker 2: television is that the personalities both male and female are
Speaker 2: paid to be personable and friendly. Others rock the Boat,
Speaker 2: Vj's Smooth the Water sometimes run amuck. Rock star egos
Speaker 2: can be a bit abrasive and trying. I just tend
Speaker 2: to get really flustered, Quinn said, if somebody comes in
Speaker 2: their roote, it's sort of like the guest is always right.
Speaker 2: She vowed to get tougher. Her own musical taste run
Speaker 2: from steely Dan to the swingle singers. You know what
Speaker 2: I'm a saying. I'm a sucker for a good pop tune,
Speaker 2: she said. I love a good pop band. I E Stix.
Speaker 2: She said, my boyfriend is really into singers like Tom
Speaker 2: Waits and Wilson Pickett. Quinn's one absolute pop culture blind
Speaker 2: spot is the Beatles. She loves them and evangelizes in
Speaker 2: their behalf. She has done all the MTV Beatles related interviews,
Speaker 2: including one with Yoko Ono. She called emotionally my most
Speaker 2: important interview with the Beatles. It's strictly affectionate tunnel vision quote.
Speaker 2: I have a weakness in that. I tend to do
Speaker 2: that with the Beatles, she said, like with Abbey Road.
Speaker 2: I've told viewers, if you don't have this album in
Speaker 2: your collection, go out and get it right now. It's
Speaker 2: that sort of genial enthusiasm that enables Martha Quinn connect
Speaker 2: with MTV viewers, most of whom are between fourteen and
Speaker 2: thirty four. Quote. I couldn't imagine not being on MTV,
Speaker 2: Quinn said, It's like my hobby as well as my job.
Speaker 2: That's nice work if you can get it. And what's more,
Speaker 2: Quinn is her very own trivia question as in what
Speaker 2: famous personal finances call? This is Martha Quinn's stepmother, Why
Speaker 2: Newsweek Magazines Jane Bryant Quinn quote, my father says now
Speaker 2: that he doesn't know whether to say he's Jane Bryant.
Speaker 2: My father says now that he doesn't know whether to
Speaker 2: say he's Jane Bryant, Quinn's husband or Martha Quinn's dad.
Speaker 2: Martha Quinn very good.
Speaker 1: That's a great introduction to the stickholder and the face
Speaker 1: of MTV during the course of the seventeen eighty six
Speaker 1: Slammy Awards. But your host on stage for the festivities,
Speaker 1: of course, Vince McMahon himself. Indeed, and there we see
Speaker 1: the gold Slammy gorilla pressing front and center. Monsoon's there.
Speaker 1: We get a cut to the arena and there are
Speaker 1: some liveliness in the air. You can tell it's a
Speaker 1: live happening.
Speaker 2: Yeah.
Speaker 1: Absolutely, it's some planters in front of the podium and
Speaker 1: a Slammy statue all set up, and here he comes.
Speaker 1: Here comes Vince to the real American song.
Speaker 2: As a matter of fact, indeed, indeed they keep playing
Speaker 2: it like that's kind of the theme of the show.
Speaker 2: It's kind of wild, it is.
Speaker 1: I'm really into people not realizing the wrestling fans not
Speaker 1: realized he was the boss.
Speaker 2: Yes, he's just this.
Speaker 1: Guy that you were used to presenting the World Wrestling Federation.
Speaker 2: Yep.
Speaker 1: And here he is in that vein and we see
Speaker 1: the band off to the left. As we get a
Speaker 1: wide shot, we see that they have a full stage
Speaker 1: set up with a big Slamy Awards sign up there
Speaker 1: and Vince thank you and welcome for the slam As
Speaker 1: with this little smirk on his face.
Speaker 2: I know, he's such a little bitch.
Speaker 1: You know, when you think about it, it's perhaps only fitting.
Speaker 2: Huh. Here I got this one for you, talking about
Speaker 2: why the Slammys are took place in White's fitting and
Speaker 2: took place in Baltimore.
Speaker 9: You think about it, It's perhaps only fitting that the
Speaker 9: Slammys did not take place in Hollywood. Only fitting the
Speaker 9: slammis perhaps not taking place in Las Vegas or even
Speaker 9: New York City, but from right here in Baltimore, Maryland.
Speaker 4: Has good, big good.
Speaker 9: Think that it all started with this Rus album.
Speaker 1: He holds It Out or show It Yeah.
Speaker 9: This is the first time in music history in which
Speaker 9: an award show is being produced based upon the sale
Speaker 9: of one single album.
Speaker 8: They're really well right.
Speaker 9: Five Slammies which will be presented here tonight in Baltimore.
Speaker 9: Two Slammies will be presented based upon your voting casting
Speaker 9: your ballots or best single Vocal Performer on the Wrestling
Speaker 9: Album and casting your ballots for Best Personality and Land
Speaker 9: of a Thousand Dances Video. However, there were three more
Speaker 9: Slammies to be presented.
Speaker 4: These Slammies were voted upon.
Speaker 9: By the World Rustling Federation Academy of Arts and Sciences,
Speaker 9: and they include most Ignominious Producer and Best Announcer. Here
Speaker 9: to join me now to be the presenter of these
Speaker 9: most prestigious awards and one of the all time great
Speaker 9: World Wrestling Federation wrestlers, Would you please welcome go Rolla monthoon.
Speaker 1: This didn't call him an entertainer? Was that least he
Speaker 1: didn't call him an entertainer, That's true. Surprised by how
Speaker 1: enthusiastic the crowd is for this. I know, you know,
Speaker 1: you think they'll just be sitting on their hands waiting
Speaker 1: for the wrest announcers.
Speaker 4: Hard is just for one moment.
Speaker 2: This is on the videotape. This is on the Colisseum tape.
Speaker 2: Fucking stupid, fucking moment.
Speaker 1: The sight gag so lame if it's his fly is open,
Speaker 1: turnes back to the camera and corrects it.
Speaker 4: For five years, man's inside that sports circle. I never
Speaker 4: was one of us had his fly over.
Speaker 1: Still the pleasure here, all crowds cracking out, so funny,
Speaker 1: he so worth.
Speaker 2: It, I mean, nobody cares about that, Like people are
Speaker 2: calling what okay?
Speaker 1: And that's where the clip on Best of WWFOL seven
Speaker 1: on Colisseum Home Video cuts out. But it turns out
Speaker 1: they kept rolling and Grilla monsoon blurts out, still a
Speaker 1: pleasure to be here, and Vince says, all right, we
Speaker 1: have now, ladies and gentlemen. As a matter of fact,
Speaker 1: we're going to show you all the nominees for the
Speaker 1: Best personality and Lando Thousand Dances video. Here are all
Speaker 1: the nominees and they get the screen takeover and behind
Speaker 1: a drummer. No no, no, no no. It's a crowded theater somewhere.
Speaker 1: And this is the music video shoot. It shows all
Speaker 1: the wrestlers clapping on the set.
Speaker 2: I got some of this too. That's the music video.
Speaker 2: If you want to taste.
Speaker 1: All wrestlers.
Speaker 3: To heart, you move your feet.
Speaker 8: No love, no love, Yes, I can't.
Speaker 7: It's the Lapsed Wrestling podcast, the wrestling podcast that knows
Speaker 7: the boys need their candy. It's the Lapsed Fan. He's
Speaker 7: the Lapsed Fan Wrestling Podcast with Jack and Carnacio and
Speaker 7: JP Soro.
Speaker 2: I can't.
Speaker 1: It's it's like why it's have all the things to
Speaker 1: do on this wrestling album? What why this song?
Speaker 10: Like?
Speaker 2: I don't. I just don't get it. I really don't
Speaker 2: get it.
Speaker 1: I guess the original Land of Thousand Dances was by
Speaker 1: a It's a classic Art and bat song written and
Speaker 1: recorded by Chris care in nineteen sixty two.
Speaker 2: And there and there's a you know, the I don't
Speaker 2: know if it's the original version or not, but the uh,
Speaker 2: the Wilson Pickett version is certainly the most famous, the
Speaker 2: one that I know anyway, nineteen sixty six. Yeah, I've heard.
Speaker 2: I'm very familiar with that version. But it's like, why
Speaker 2: what that's That's what I just.
Speaker 1: Want to like music song. It's a it's it's weird.
Speaker 2: I and again it's a it's a great song, it's
Speaker 2: a classic. What I don't understand is what prompted them
Speaker 2: to say this, this is what we need to do.
Speaker 2: This is the music video. I just don't get it.
Speaker 1: It has like that rhythm where like one guy can
Speaker 1: pop in and say da da da da da.
Speaker 2: I mean, yeah, there is like I mean, I guess
Speaker 2: there is that. But again, I feel like there are
Speaker 2: a lot of songs that are able to and they
Speaker 2: also made up their own songs. So again I ask
Speaker 2: why right, because to me it just doesn't feel as
Speaker 2: I don't know, as it's some of them not like
Speaker 2: current popular. You know, it's a twenty year old song
Speaker 2: by this point, right exactly, maybe the copyright expired.
Speaker 1: I don't know. You got mister Fuji saying you got
Speaker 1: to know how to pony. You got Morocco singing like
Speaker 1: Bonie Maroney, who was the which was the third single,
Speaker 1: by Larry Williams, released in nineteen fifty seven and peaked
Speaker 1: at number fourteen in the Billboard Bestseller So that's a
Speaker 1: great reference there. Ye I got a girl named Bonie Maroney.
Speaker 1: She's as skinny as a stick of macaroni. That was
Speaker 1: the line from that song. And then Mona Flambee singing,
Speaker 1: and then Jimmy Hart sing you got to know how
Speaker 1: to twist, and then Greg Valentine sing and it goes
Speaker 1: like this and they cut to the missing link. Who's
Speaker 1: actually hitting this video? That's the Oh, that is the
Speaker 1: missing link, the missing link with a green paint face.
Speaker 2: Got to add him to the fucking lisk.
Speaker 1: Yeah, rest in peace, absolutely with a handful of hair,
Speaker 1: just tilting with his eyes bugging out. He certainly he
Speaker 1: doesn't contribute anything vocally, Louel Bano saying, you do the
Speaker 1: mashed potato. I don't know why they would give him
Speaker 1: that line. Breddy blast, he says, now do the alligator,
Speaker 1: and Piper goes honk as such a yo yo. That's
Speaker 1: annoying when he does that. I don't like it.
Speaker 2: Yes, it's yeah, I know way too much.
Speaker 1: He says it in the most piper way possible. Iron chic.
Speaker 1: You got to move like the chic. George Steele looking clueless,
Speaker 1: saying nothing or you don't or you don't have to move.
Speaker 1: Vince actually contributes some vocals. I said to clap your hands,
Speaker 1: come on, and then Jean backs him up. He said
Speaker 1: to clap your hands, and Jesse Ventura says, then you
Speaker 1: move your feet, and then they cut to some randos
Speaker 1: in the audience, which, as we discovered, they actually you know,
Speaker 1: distributed tickets to the Mid Hudson Civic Center and filled
Speaker 1: it with fans. That's what you're seeing here is that
Speaker 1: shoot that they did of audience members. You got Vince
Speaker 1: and Jean and Vince leaning into Jeane with wide wild
Speaker 1: eyes like you never saw back then. Like you know, Vince,
Speaker 1: we know has like tremendous facial expressions on par with
Speaker 1: a few others ever in wrestling, but he wouldn't really
Speaker 1: use them as an announcer. But in this video setting,
Speaker 1: he's like bugging his eyes out, and he's like really
Speaker 1: hamming it up in a way that it's kind of
Speaker 1: unsettling for nineteen eighty six. It is, he's you realize
Speaker 1: he's a gimmick too, you know, he's not above the
Speaker 1: fray at all. He's not Gordon solely here. This guy
Speaker 1: no thirsting for the opportunity to be one of the boys.
Speaker 1: A glimpse of what's to come for sure. So yeah,
Speaker 1: you got the nan on an a chorus, you got
Speaker 1: Jimmy Hart saying come on, everybody, let's sing together, and
Speaker 1: then you get a glimpse of meat Loaf on the drums.
Speaker 1: Is referenced earlier. This is the years between meat Loaves
Speaker 1: Bat out of Hell and Bat out of Hell Too,
Speaker 1: where he lent a hand.
Speaker 2: To the pro I'm gonna say, I guess such a
Speaker 2: weird thing because I mean, it's it's it's so odd
Speaker 2: because there's a you know, significant amount of time between
Speaker 2: his albums.
Speaker 1: Yes, you know a Meatloaf fan. Ah, sure, I like
Speaker 1: it with ketchup ketchup.
Speaker 2: Yeah, I do like you know, especially if they if
Speaker 2: it's done with some Worcester sauce and they get that
Speaker 2: kind of mixed in there. It's a great that's a
Speaker 2: great meat Loaf.
Speaker 1: I heard meat Loaf got Vince's attention when he heard
Speaker 1: that meat Loaf would do anything for love, because he
Speaker 1: passed the word on to that Patterson.
Speaker 2: What do you, what do you what do you suggest
Speaker 2: you say anything? What kind of what kind of interest
Speaker 2: do you have? Are you a what are you a facilitator?
Speaker 2: Do you do you facilitate? And in the potential of
Speaker 2: desirable loving.
Speaker 1: And there's a word salad in there from Vince too
Speaker 1: when he first step to the podium. You hear that,
Speaker 1: you hear it? When he does that, he perhaps he
Speaker 1: says for no reason, he just says, perhaps in the
Speaker 1: middle of certain sentences, perhaps.
Speaker 2: That notwithstanding, there is a desirability in a way that
Speaker 2: we have yet to uh properly foretell.
Speaker 1: Right after we get that glimpse of meatloaf, we get
Speaker 1: cheeks in one more time, and there's Johnny Valiant and
Speaker 1: the others. No, Jimmy Valliant, right, Jimmy, No, Johnny Valliant,
Speaker 1: Johnny Elliant, You Jimmy Hart saying, come on, Bobby, tell
Speaker 1: him what to do. And there's Heenen right in the
Speaker 1: music videos, and you got to know how to jerk?
Speaker 1: And then hill Billy Jim saying, you gotta watch me work.
Speaker 1: I'm thinking, yeah, you have to pay me. Valliant, you
Speaker 1: gotta know how to tangle. Nikolai just makes a noise.
Speaker 2: It's just so annoying.
Speaker 1: Ay d says, I said, do the wat suey, which
Speaker 1: was an energetic dance popular in the sixties, from what
Speaker 1: I understand, And you see Dave Wolf, you see George Wells.
Speaker 1: If you want to talk about the deepest cut as
Speaker 1: far as w w A wrestlers in the In the
Speaker 1: Land of a Thousand Dances music video. The fact that
Speaker 1: George Wells is in there somewhere is a fucking bug out,
Speaker 1: he says, like me and sister Lucy, and then they
Speaker 1: get the US Express clapping away. Paula Hoorndoor to a
Speaker 1: nordf in a memorable part of the video because he
Speaker 1: has no shirt on, kisses his biceps as he rocks
Speaker 1: left to right with his shirt off to the beat
Speaker 1: of the music. That you get George Steele hugging Dave Wolf,
Speaker 1: who's in the music video and leaning against him like
Speaker 1: he's going to hump him for some reason. And you
Speaker 1: got Hakku and Beefcake in there. Randy Savage is even
Speaker 1: in the background of this music video.
Speaker 2: He's there.
Speaker 1: Vince says, you got to knock him down and rock em.
Speaker 1: Piper says, I want to take your face and sock him,
Speaker 1: and then King Kong Bundy says, I'm gonna smash him
Speaker 1: with my avalanche. Cheek says I'm sick and tired about
Speaker 1: the Americans rock and roll music, so he gives the
Speaker 1: original he goes only four minutes. Yeah, they're very proud
Speaker 1: of it.
Speaker 2: It's awful, like how do you fucking how do you
Speaker 2: how do you rational? What are we doing here? What
Speaker 2: are we doing?
Speaker 1: I mean, it's just it's like this pure exercise in
Speaker 1: camp for camp's sake, I.
Speaker 2: Mean it is. It is extremely masturbatory. Right, It's as
Speaker 2: masturbatory as you can get.
Speaker 1: The last thing the wrestling business needs is licensed to
Speaker 1: be masturbatory, because they'll write, they'll take it so much
Speaker 1: further than anybody wants them to.
Speaker 2: They're they're the last community that needs to jerk.
Speaker 1: Off, absolutely correct, And it's so stupid how they cut
Speaker 1: to people in the audience like they're really jamming out
Speaker 1: and feeling the song, you know, yeah, like this is
Speaker 1: a fucking you know, New Year's even times Square or something.
Speaker 2: Right.
Speaker 1: Then they got Orton on there who says I'm want
Speaker 1: to pound on your wimpy little body. You got a
Speaker 1: Morocco in there, who says I'm gonna beat you till
Speaker 1: you're begging for mercy. Adonis is in there saying I'm
Speaker 1: gonna slice you like a French fried potato, which, again
Speaker 1: no idea why he would have ended up with that line,
Speaker 1: I mean, and tourist saying I'm gonna crush and then
Speaker 1: I'll see it later. Anvil's in there for a minute.
Speaker 2: Yep.
Speaker 1: You get Brett bouncing with his shoulders in the background
Speaker 1: with his sunglasses on. What a goofball? Oh, Bret Hart,
Speaker 1: He's like a where's Waldo in this music video?
Speaker 2: He really is. He just goes to show you, like
Speaker 2: how like where he really stood at the time, they
Speaker 2: had no idea what they fucking had with him.
Speaker 1: Zanvil says, you're breaking my heart, baby. How would you
Speaker 1: like an anvil to come down on your head? Aha?
Speaker 1: There's Uncle Elmer saying I don't talk too good, but
Speaker 1: my pig talk a whole lot better. I don't know
Speaker 1: what he means by his pig, and I don't think
Speaker 1: I want to find out.
Speaker 2: Yeah, I'm good. Yep, don't know that one.
Speaker 1: Then Piper kind of cuts it off and says, okay, okay,
Speaker 1: that's enough. Everybody out on the floor. This is hot
Speaker 1: rod talking. The guy says his pig talk better. Are
Speaker 1: you ribbing me? He says, stop the music, stop the rock.
Speaker 2: And roll, he says, Ribbon he does. He says.
Speaker 1: Ribbon says, you can take those goonies. Stick the goonies
Speaker 1: in your nose. I don't care what you want to
Speaker 1: do with them. Yeah, that's funny.
Speaker 3: Is they done?
Speaker 1: The the City Lobby video goes video. You and that
Speaker 1: goofy Dillinger, Derringer, whatever his name, You're all driving me nuts.
Speaker 1: And then it breaks out in a brawl. The Land
Speaker 1: of the Housing Dancers breaks out of the brawl ye
Speaker 1: as Paul Orndorf gets thrown a drum so and tosses
Speaker 1: him a drum and he wraps it around Roddy Piper's
Speaker 1: head and they start rushing the camera. Both sides start
Speaker 1: rumbling and they're screaming stop the wrestling, stop at what's
Speaker 1: wrong with you? And you can hear Patterson's voice saying,
Speaker 1: I'm gonna try all to a radio station, auto television station.
Speaker 1: I don't know why all the station. Piper's name is
Speaker 1: in there. And then they start showing the curtains in
Speaker 1: the building back in Baltimore, and the cameras kind of
Speaker 1: tilted as Jesus's ladies and gentlemen, I apologize, and suddenly
Speaker 1: he's on the floor with his legs into a black
Speaker 1: curtain and.
Speaker 2: Yeah, he's getting I mean, he's about to get pulled
Speaker 2: under and rate.
Speaker 1: So they're pretending that the brawl in the Land of
Speaker 1: a thousand video eleven thousand dances video is actually happening
Speaker 1: backstage at the SLAMI Awards in Baltimore, and that Gene
Speaker 1: Okerlan is being pulled out of the fray from behind
Speaker 1: a curtain in front of the people. It's just as
Speaker 1: if we needed one more to laya leyah layer of
Speaker 1: meta to this whole thing. And now it's like the
Speaker 1: video is a fake of a fake of a fake
Speaker 1: of a fake, and now we're actually pretending that that's
Speaker 1: happening in real time on a live television broadcast and
Speaker 1: not on memorys.
Speaker 2: Yeah.
Speaker 1: Right, And we get a quick look to the crowd
Speaker 1: where there's plenty of fans in the Hogan Trucker hats
Speaker 1: that were all the rage back then and such, and
Speaker 1: Vince says, all right, may I have the envelope please?
Speaker 1: So I guess we had to watch the video before
Speaker 1: he gives I mean, I mean they had to kill time.
Speaker 1: I mean, am I in the Twilight's out here? I'm
Speaker 1: watching this thing and I'm like, it's bizarre. What are
Speaker 1: they going for? Like, it's just don't understand that. I mean,
Speaker 1: because the thing is, they don't really have nominees. They
Speaker 1: don't really have, you know, like they have to kill
Speaker 1: time with something, so might as well fucking show their
Speaker 1: video on free television or paid cable television. So the
Speaker 1: winner for Best Personality in the Land of a Thousand
Speaker 1: Dances video.
Speaker 9: The winner for Best Personality in Lant of a Thousand Dances,
Speaker 9: Roddy Roddy Piper.
Speaker 1: That's a reaction right there.
Speaker 2: Yeah, yeah, what he did say? Fuck right, I think
Speaker 2: he did. I think you said it too.
Speaker 1: And it's on the Colisseum video too.
Speaker 2: Yeah.
Speaker 3: I ran in. I ran in.
Speaker 1: He's got a big broom in his hand.
Speaker 4: I a fuck a piper.
Speaker 11: Wait a second, this is my trophy. I ran into
Speaker 11: Tina Turner in the hallway. I come out here to
Speaker 11: get a trophy, and you give me something that buff
Speaker 11: like cats. You see, this is typical of MTV music
Speaker 11: to vomit Phi. Oh no, they're gonna come up here
Speaker 11: and they give me a Tommy. Can't you afeard a
Speaker 11: nice trophy?
Speaker 3: Is that the problem?
Speaker 12: Can't you recognize that I am the kne now up
Speaker 12: rock and Roll. I want to say one thing at
Speaker 12: this time. I want to make it very clear. I
Speaker 12: do play Sun City Brother. I ask for your trophy.
Speaker 8: That's that's what I.
Speaker 6: Was gonna do with it anyway.
Speaker 1: All right, lot going on there? Oh my god, he
Speaker 1: recaps it's on the Best of WWA volume seven. But
Speaker 1: he gets the slam it breaks in his hand. That
Speaker 1: probably was supposed to happen. But what also happens is
Speaker 1: the fucking podium that he put slams the trophy down
Speaker 1: on collapses like one of those Kfae rings had announced
Speaker 1: tables and there's a big man and I. But the
Speaker 1: reaction of vinceent Gorilla. I don't think that table was
Speaker 1: supposed to collapse. Yeah, and you kind of get like
Speaker 1: a halting tone from Piper like he's trying to figure
Speaker 1: out what to do on the fly, and he recovers nicely.
Speaker 1: The broom. I don't know why he said it was
Speaker 1: teena Turner. I sure hope it's not, because it was
Speaker 1: just a brown thing with big bristles that looked like
Speaker 1: her hair or something. I don't know what, if anybody
Speaker 1: can help why a broom would have had anything to
Speaker 1: do with Tina Turner in nineteen eighty six. I couldn't
Speaker 1: find it what Piper was going for there. He usually
Speaker 1: like rip from the headlines, you know, something that was
Speaker 1: in USA today or something, and he thinks he's clever
Speaker 1: by referencing it. And the sun City referenced you know
Speaker 1: what that one was. We touched on it. I don't
Speaker 1: really do to apartheid in South African sun City. There
Speaker 1: were some artists that were boycotting performing in sun City,
Speaker 1: and Roddy Piper wants us all to know that he
Speaker 1: does play sun City. So you tell me why he
Speaker 1: would insist on volunteering that he he was very I mean,
Speaker 1: I I just say because he's he's a dick. He
Speaker 1: ran to the racism third rail in the mister T stuff.
Speaker 1: I mean, we've heard some jaw dropping things that he
Speaker 1: said and the run up to that match, right, and
Speaker 1: that's how I made money, you know, I mean the
Speaker 1: things he said, like about the Guerreros when he first
Speaker 1: got started for Micha LaBelle and the La Olympic Auditorium
Speaker 1: and some of the things he said over the years.
Speaker 4: Wild.
Speaker 1: So there's Piper on the Slammies given the award for
Speaker 1: what is it, best Personality.
Speaker 2: In the Land of a South, Like, you know, what
Speaker 2: I don't understand is why they can't say this award
Speaker 2: is best personality in the Land of a Thousand Dances
Speaker 2: video in the Video of a Land of a thout,
Speaker 2: Like why do they have to say in Land of
Speaker 2: a Thousand Dances video?
Speaker 1: Like it sounds so idiotic, sounds like broken English. Right, Well,
Speaker 1: we do come full circle though, because the WWFMTV Alliance
Speaker 1: started with Rowdy Roddy Piper railing against rock and roll
Speaker 1: and all it was doing to the youth and all
Speaker 1: it was doing to everybody and trying to stop it
Speaker 1: and snuff out Cindy Lauper. And now two years later,
Speaker 1: on the final WWFMTV broadcast, Rowdy Roddy Piper, none other
Speaker 1: than Rowdy Roddy Piper declares himself the new King of
Speaker 1: rock and roll.
Speaker 2: Yeah, he's the and he wins the first award and
Speaker 2: there he goes tremendous yep.
Speaker 1: And then you see Vinceco Martha are you there? And
Speaker 1: he's pitching to Martha Quinn. These pitches backstage are so clumsy,
Speaker 1: can I can?
Speaker 2: I I gotta ask, do we know?
Speaker 4: Was she in on it?
Speaker 3: Like?
Speaker 1: Did she did they fucking did they smarten her up?
Speaker 1: Or did they favor I mean, I don't have that that.
Speaker 1: There is a dearth of people from the actual MTV
Speaker 1: side of this whole equation who have reflected on the slammings.
Speaker 1: You know, you'll find people like that except read from
Speaker 1: sexualizes and headlocks talking about the wa of MTV relationship
Speaker 1: and the big live events like the MSG events. But
Speaker 1: no one has anything to say about this. This was
Speaker 1: kind of an like a half.
Speaker 2: Hour I'm fascinated and I actually, you know what, I
Speaker 2: actually even tried to see if she was on cameo.
Speaker 2: I was gonna ask her she is, She's she's still
Speaker 2: doing stuff, but she's not on cameo. I was kind
Speaker 2: of bummede because I was gonna I was gonna gonna
Speaker 2: gonna fucking find out, because I was I'm just fascinated
Speaker 2: if they you know, especially not this segment per se,
Speaker 2: but the one coming up with George Steele is the
Speaker 2: one that I'm like, did like she seems legitimately startled, Yes, yes,
Speaker 2: you know, she seems uncomfortable, and so I'm just wondering
Speaker 2: if she knew that George Steele was a normal human
Speaker 2: being in real life, and wasn't somebody who ate whatever
Speaker 2: was in front of.
Speaker 1: It, right, including potentially her if she made a wrong
Speaker 1: right exactly. I mean, she's certainly the size of a
Speaker 1: fucking chicken man, especially to him, and what does he
Speaker 1: have in common with her? He's also wearing a sweater
Speaker 1: the form of fucking very true, care very true, Yes, indeed.
Speaker 1: Then Bobby and Bundy step into the frame. This is
Speaker 1: Martha Quentin backstage. She says, Bobby, the brain heenan at
Speaker 1: a snail's pace. You can tell she's trying to remember
Speaker 1: what this guy's name is, no idea.
Speaker 3: Who he is.
Speaker 1: And King, this is like the last thing she wants
Speaker 1: to be doing. She goes and King and he blurts
Speaker 1: out Kong Bundy.
Speaker 2: Yeah, He's like's no fucking patience for her to get
Speaker 2: that shit out of her mouth.
Speaker 1: And this is where he says he voted for King
Speaker 1: Kong Bundy ten thousand times himself and have there's some
Speaker 1: kind of conspiracy going on, and I know who's behind it,
Speaker 1: the likes of Hull Cogan and these other people who
Speaker 1: were jealous. We want one thing, and what is that
Speaker 1: I want? You, Hogan, King Kong Bundy blurts out, Now
Speaker 1: what I thought he was gonna say. I thought he
Speaker 1: was gonna say he wants something else, like I don't know,
Speaker 1: sixteen number sevens from Wendy see at least a cheeseburger, Hogan,
Speaker 1: that's what we want, yep. And Martha says, Vince, before
Speaker 1: things get out of control back here, I think we
Speaker 1: got to get better. Get back to you, Thank you
Speaker 1: very much. At any event, he definitely says, in any
Speaker 1: event right here, at any event.
Speaker 2: Says things have momentarily gone in a different direction as
Speaker 2: you can see, perhaps as you can see now it's
Speaker 2: standing and perhaps you can't. It's now my pleasure that
Speaker 2: matter to introduce you to one of the individuals who's
Speaker 2: been nominated for Best Vocal Single Performer on the Wrestling
Speaker 2: album Would you please welcome the gentleman singing Twody Fruit
Speaker 2: mean Gene Okerland, and here for your listening pleasure is
Speaker 2: Toots Fruit.
Speaker 1: And he comes jogging out there doing the Larry's Abisco
Speaker 1: finger wag, like you know, the bio out of the audience.
Speaker 2: He's such an idiot, He's such a red cumber. Let's
Speaker 2: go Gene.
Speaker 1: Oh the knees are going on, Jean, what that cigarette out?
Speaker 3: I don't know what.
Speaker 1: Dream takes off his blazer and starts bathing it.
Speaker 3: Around like a hill boy.
Speaker 13: Wow crazy to the East, to the west, dya.
Speaker 1: Te a guitar around. He pretends to struggle on.
Speaker 14: To Baby's Crazy Crazy Crazy to the east.
Speaker 1: Side the web, and then he jumps he fucking CrowdSurf,
Speaker 1: tries to CrowdSurf. It looks like he just slides right
Speaker 1: off the stage. You can see his feet in the air. Yeah,
Speaker 1: I mean, yeah, I mean I don't like I said,
Speaker 1: this is like, this is this this this the eighties
Speaker 1: built on a foundation of cocaine. All right, That's what
Speaker 1: this explanation you can come up with. It really is, Like,
Speaker 1: I mean, there's no reason for him to be fucking CrowdSurf.
Speaker 1: People rushing on stage trying to get the band off
Speaker 1: the stage. It's like a mad rush, And like, I'm
Speaker 1: surprised he didn't not know He finally pops his head up,
Speaker 1: but you can tell they're like waiting that he was
Speaker 1: supposed to be perhaps more visible than he was for
Speaker 1: a second there they cut to kind of like a
Speaker 1: clumsy high shot, and then they show the crowd, and
Speaker 1: then there's Gene and Vince even says GENI all right
Speaker 1: down there. Jane raises his arms saying I'm okay and
Speaker 1: makes his way along the stage to exit. And that's
Speaker 1: Tooty Frudy. That's why Gene Okerlind is associated with the
Speaker 1: song right there and the wrestling album Gene Okerland. I
Speaker 1: have to say, those feet were moving. I'll give Gene credit.
Speaker 1: He went out there. Yeah, he performed there. There's no
Speaker 1: doubt about it.
Speaker 4: He did.
Speaker 2: He did something, and uh, you know he deserves some
Speaker 2: kind of you know, he put He put it all
Speaker 2: out there, There's no question about it.
Speaker 1: Can we do a TLF Academy of Arts and Sciences shirt?
Speaker 2: Please? Absolutely?
Speaker 1: Our second Award is voted upon by the w F
Speaker 1: Academy of Arts and Sciences. Here we go, I got
Speaker 1: this fucking Academy of Arts and sign idiot.
Speaker 9: Our Award is an award voted upon by the World
Speaker 9: Rustling Confederation Ademy of Arts and Sciences and includes the
Speaker 9: nominees for Best Producer. I might have Best producer in
Speaker 9: this instance is the producer who had the most the
Speaker 9: greatest amount of difficulty dealing with the talent, but yet
Speaker 9: able to overcome those difficulties.
Speaker 4: The nominees are Mona Flambay for.
Speaker 9: Captain Lewis Albano's History of Music, Rick Behringer for Roddie
Speaker 9: Piper's For Everybody, and Joel Dorns for Nikolai Volkov's Kama.
Speaker 4: And the winner is Mona Flambay Captain Lou's History of Music.
Speaker 4: Roger let you.
Speaker 5: Well, I want to thank all the people out there,
Speaker 5: and I want to thank the World Russelling Federation. I
Speaker 5: want to thank David Wolf, and thank God for Mona
Speaker 5: being the best producer around today.
Speaker 4: We got it all together, maybe all right, thank you
Speaker 4: very much.
Speaker 1: He here, Vince called him what capper capper Captain Lluelbano
Speaker 1: capper capper?
Speaker 2: Yeah, that's great. You well, you want to listen to Yes?
Speaker 1: Please? Please, I'm so happy.
Speaker 2: Yes, you want to listen to Martha Poor.
Speaker 1: Oh no, no, first though, we got.
Speaker 2: It, we got to do.
Speaker 1: We gotta let you know what Captain of the lou
Speaker 1: Albano's history of music was Oh, it all started back
Speaker 1: before the beginning of time, when the windy wind blew
Speaker 1: through the trees and banged against the rocks, creating a beat.
Speaker 2: Wait, what is this?
Speaker 1: Is the lyrics of the song history music that he
Speaker 1: won for.
Speaker 2: Oh hold on, let me if we're going to do it,
Speaker 2: let me do it right here.
Speaker 1: Natives, Indians and visitors would long for that sound. Well,
Speaker 1: the next line is until one day George Lattatowe BOP's
Speaker 1: Bop squeaks Albano.
Speaker 2: Oh my god.
Speaker 1: He basically puts his family in the hit in the
Speaker 1: center of the history of the idea of music on
Speaker 1: on planet Earth.
Speaker 2: Of course, I mean that's.
Speaker 1: What Bob squeaks. No boss queps, It's another one of
Speaker 1: those names he would pull out of his ass. I
Speaker 1: don't think people are ready for this, Boss. I don't
Speaker 1: know if we should do this to them, but if
Speaker 1: it wins a Slammy, it's good enough for t LF
Speaker 1: if you ask me.
Speaker 2: Yep, I don't have the song.
Speaker 1: Okay, good, thank god.
Speaker 2: No, I don't have it. I didn't I thought we
Speaker 2: were moving ahead to the Poor Martha Quinn I don't
Speaker 2: have that off.
Speaker 1: On one day, George Lattatowe boss squeeps Aalbano wait, oh
Speaker 1: well yeah, picked up a big stick and hit a
Speaker 1: dirt pocket. Got it, George, what sounds so moved, Lenny?
Speaker 1: He says, yes, he says all this. He's explaining the
Speaker 1: history of music starting in a cave. Basically, the sound
Speaker 1: so moved Lenny toe that he called that sound a
Speaker 1: beat a drum. Do you hear me, my, George, a
Speaker 1: drum and it sounds like this music to my ears.
Speaker 1: And the natives were chanting, toya toya mingo solo, toya
Speaker 1: toya mingo solo, which means turned down, turned down, me
Speaker 1: wants solo. And the neighbors were complaining because of the noise.
Speaker 1: So right from the beginning, rock had a bad name.
Speaker 1: The neighbors complained, they moved, the new neighbors complained. It
Speaker 1: was almost like being on tour, George, till finally they
Speaker 1: moved to the beach, and that was the first beach band,
Speaker 1: led by the great Captain lou Cahuna Albano. So I
Speaker 1: started everything, George, see upcoming rock shows, get tickets for
Speaker 1: your favorite artists. No, that's actually an advertisement. Some ha
Speaker 1: some say that I'm not wrapped too tight. Captain Lou,
Speaker 1: Captain Lou, Captain Lou. But what I'm on the scene,
Speaker 1: Everything's all right. It's bad, yes, And at the end
Speaker 1: they have a dialogue. I'm impressed the history of rock
Speaker 1: and roll with Captain LOUI Albano, What about you? Evins, Well,
Speaker 1: that man can sing as well as heat, He says, what,
Speaker 1: no man can sing as well as heat. I'll tell
Speaker 1: you what didn't sound to me like he was strumming
Speaker 1: the rubber bands. It sounded like he was chewing on him.
Speaker 1: I'll tell you I was impressed. Give me a break, Jesse,
Speaker 1: give you a break. Who could produce something like that?
Speaker 1: Wait a minute, I believe I've got it on here paper.
Speaker 1: Vince McMahon, Who is this mona flombay, mona flom buoyant
Speaker 1: produce that? No, But speaking of flamboyant, that takes us
Speaker 1: to our next artist. I mean, are you not are
Speaker 1: you not drawn in? Are you not intrigued? I just
Speaker 1: don't know what is going on, do you know, Karama?
Speaker 2: I don't know. And that's the ram to afforced ours.
Speaker 3: Good.
Speaker 1: That's really good.
Speaker 2: That was the that's I'll tell you what. That's something
Speaker 2: Nikolay Volkov is not.
Speaker 1: Doing, not anytime soon. That was his his nomination for
Speaker 1: that song, The Winner of course, Mona flambey hardly any
Speaker 1: noise and she comes out in a black wig and
Speaker 1: a white cape on and some scream when they see
Speaker 1: it's actually, uh Cindy Lop.
Speaker 2: The people like, don't understand what was the did we did?
Speaker 2: We we never figured out what the fuck this?
Speaker 3: I mean?
Speaker 1: Dave Wolf said she just thought it would be fun
Speaker 1: to have an alter ego. Uh, there were speculation.
Speaker 2: Can I can I tell you something? It's never fun,
Speaker 2: all right, It's never fun. It's annoying, you.
Speaker 1: Know, it's you know, it's no, it's annoying to realize
Speaker 1: that like she well, she had affection for louel Bano,
Speaker 1: and it's like she disliked wrestling. She's just doing this
Speaker 1: because Dave Wolf was a wrestling fan.
Speaker 2: Exactly, that's right, exactly, That's what we need, That's what
Speaker 2: we need to understand this. This is a joke to her. Okay,
Speaker 2: it's a joke like fucking like when Garth Brooks was
Speaker 2: had his little fucking alter egoing. Fucking just knock it off.
Speaker 2: Just knock it off, all right.
Speaker 1: Well, I want to thank all the people out there,
Speaker 1: the World Wresting Federation, David Wolf, and thanks Tomona being
Speaker 1: the best producer we got all together here, baby, just
Speaker 1: the worst.
Speaker 2: She's laughing the worst laughing. She's because it's a fucking joke.
Speaker 1: I'm here with George the animal steal.
Speaker 2: Here we go. You ready for this poor woman to
Speaker 2: get amused? Yeah, thank e, Vince.
Speaker 15: I am backstage in at any moment we are excused.
Speaker 15: I'm here with George the Animals.
Speaker 3: George.
Speaker 5: He's confusing you with Elizabeth the manager of the manager
Speaker 5: of Macho Man. Easy, George, it's not Elizabeth, It's not Elizabeth, George.
Speaker 4: This man is. He is controllable.
Speaker 2: I've got him under control.
Speaker 5: He's just infatuated with you, by your beauty. He just
Speaker 5: wants to express himself. He means no harm, so get
Speaker 5: it straight. He's a fine, uprising gentleman.
Speaker 2: He's very good.
Speaker 15: I think we better go back to you.
Speaker 1: Yeah, she's in distress, uprising gentleman, and he meant upstanding.
Speaker 4: Yeah.
Speaker 1: But when you when part of your gimmick as you start,
Speaker 1: you know, mispronouncing words off the top of your head,
Speaker 1: trying to sound like some genius. That's what happens, right,
Speaker 1: I guess I got confused in his medulla.
Speaker 2: Oblambada.
Speaker 1: If only Rodney east Gavin were there. Remember when the
Speaker 1: Colsium video when Gorilla grillsm He's like, who is this
Speaker 1: rod And he goes into a whole explanation of Rodney.
Speaker 2: Yeah, yeah, he does a whole fucking just stop doctor.
Speaker 2: I'll give him. I will give him credit for being
Speaker 2: able to.
Speaker 1: Just fly with it. Yeah, go, he goes, he does,
Speaker 1: all right.
Speaker 2: He just fucking doesn't smirk.
Speaker 1: He just launches into a straight and he's a baby
Speaker 1: face manager by the time that tape comes out, So
Speaker 1: he's not right. He's playing it really straight and calm,
Speaker 1: like you heard there, trying to, you know, explain George
Speaker 1: and the animal steel and warm and fuzzy terms. Such
Speaker 1: a departure from when Steele is facing Bruno and he's
Speaker 1: pointing in the camera and telling you George steels to
Speaker 1: eat Bruno's.
Speaker 2: Head, right, eat him, eat him, eat him?
Speaker 1: All right? Back to you events she's not happy, No,
Speaker 1: she's not.
Speaker 2: She shouldn't be.
Speaker 1: We're about ready to be treated by another performance. Also
Speaker 1: nominated for Best Vocal Performance on the wrestling album Eat
Speaker 1: Your Heart Out. Rick Springfield is the tune, the singer,
Speaker 1: the mouth of the South. Jimmy Hart, Now he comes
Speaker 1: to a course of booze and his Leopard blazer.
Speaker 2: Got this fucking so let me know when you're ready
Speaker 2: to go.
Speaker 1: That's the Slammies. It's your favorite manager of all time. No, Jimmy.
Speaker 4: Man.
Speaker 1: Yeah, you have to to gets to a rock and
Speaker 1: roll show to see your work and class.
Speaker 4: Here row.
Speaker 1: Oh did you heart out? Richmond Field? You're out of King's.
Speaker 8: It stands.
Speaker 6: He now had.
Speaker 1: The idea is the band is collapsing.
Speaker 2: Oh cos.
Speaker 1: Awesome, you two I do. He quits.
Speaker 7: He's the lapsed fan wrestling podcast, the wrestling podcast that
Speaker 7: knows the boys need their candy. It's the lapsed fan.
Speaker 7: He's an lapsed fan wrestling podcast with Jack and Corn
Speaker 7: and JP Soro.
Speaker 2: He quits, and I wish I could quit. I know, seriously,
Speaker 2: I would be happy to never ever have experienced that.
Speaker 1: In my li The idea for the segment was that
Speaker 1: the band falls apart, and Jimmy Hart's supposed to get frustrated.
Speaker 1: That's fine, but it sounds like they had fallen apart
Speaker 1: from the beginning, right, it sounded like they sucked. I
Speaker 1: mean those backup vocals there that you heard, it's awful,
Speaker 1: it's awful. Is this supposed to be entertaining? Is this
Speaker 1: supposed to be a natural extension of well.
Speaker 2: What we do here? And the thing is I just
Speaker 2: you know, I don't understand how Jimmy Hart had a
Speaker 2: legitimate music. I really never have understood it. It just
Speaker 2: does not make sense to me. It does not compute.
Speaker 2: I don't think he's that good. I've never thought he
Speaker 2: was that good. I never thought he was deserving of
Speaker 2: a legitimate career. See those the most illegitimate person.
Speaker 1: I ever heard. Yeah, he is, It's true. That's a
Speaker 1: testament why he's lasted so long in the wrestling breeze
Speaker 1: and looks exactly the same as he did forty years ago. Right,
Speaker 1: it's just when he says the way he harmonizes, all
Speaker 1: the girls will think I'm so cool. However he did that. No, No,
Speaker 1: they won't get your heart out, Rick Springfield, because she's
Speaker 1: my girl and she always will be the only girl
Speaker 1: for me.
Speaker 2: I just don't like.
Speaker 1: Rick Springfield. Ain't paying any attention to this.
Speaker 2: Exactly. That's the thing, Like nobody cares. Jimmy Sorr.
Speaker 1: He's losing his mind on stage because these girls aren't
Speaker 1: in key and the musicians aren't in key, and he's
Speaker 1: grabbing guys guitars and having a fit basically, and you
Speaker 1: could hear that he says, this band is horrible. This
Speaker 1: is the worst band I've ever heard in my life.
Speaker 1: You ruined my whole career. You're horrible. And then he
Speaker 1: lays on the floor and has a hissy fit like
Speaker 1: a two year old because he's kicking and screaming and
Speaker 1: you know, just thrashing about saying, you know, you're trying
Speaker 1: to ruin my singing career. Right now, I'll never come
Speaker 1: back to Baltimore kicking and screaming.
Speaker 2: And I'm sure nobody cares. I'm sure that's fine.
Speaker 1: It's a very welcome news.
Speaker 2: Everyone's fine with that.
Speaker 1: As events is trying to get him to walk off
Speaker 1: the stage for let's says, I think we've seen the
Speaker 1: last of the Mouth of the South. I hope that
Speaker 1: gets a pop. I wish now my distinct pleasure.
Speaker 3: I have.
Speaker 1: This was the nominees for the Best Commentator.
Speaker 2: Oh yeah, hold on a second, here which which one
Speaker 2: is this?
Speaker 4: Oh?
Speaker 2: I even have the uh, that's uh. I even have
Speaker 2: that last of the Jimmy Hart here here's that.
Speaker 4: Thank God, maybe you receive the last of the Mouth
Speaker 4: of the South.
Speaker 10: I hope.
Speaker 4: There's a job.
Speaker 16: It's not my distinctive pleasure to introduced to you the
Speaker 16: nominees for the the Best Commentator from the Wrestling Elbow
Speaker 16: the Land of a Thousand Dances. The nominees are.
Speaker 4: Mean Gene Okerland, I mean okay, Jesse the Body Ventura.
Speaker 2: And here's Boah big Boa.
Speaker 8: Set up and last lease Vince McMahon.
Speaker 2: It's a big boo.
Speaker 1: Yeah.
Speaker 4: Three lovely looking gentlemen.
Speaker 1: And Ta tickles Vince in the face with his Boa.
Speaker 1: His feathered poet.
Speaker 4: And our winner is Our Winner is a fashion conscious fan.
Speaker 16: Known for his distinct of good looks and matter articulate
Speaker 16: in his species.
Speaker 10: And his comments on wrestling delighted many fans. And although
Speaker 10: short on hair, he is always long on wits. And
Speaker 10: our Winner is me and Jeane Hogland, what what.
Speaker 14: You're the one that spots hoping it spot. You're the
Speaker 14: one that cut me.
Speaker 4: Down on broad time lifting. This little freak could.
Speaker 10: Not win nothing.
Speaker 1: I don't know who to think your bod get.
Speaker 4: A part of it. Remember, Satta Bredda, I thank you
Speaker 4: Baltimore and the world. You're the greatest.
Speaker 3: Let's hear it for Bay.
Speaker 1: Yep, you know, let's not here for me and j
Speaker 1: I guess he successfully lobbied that man on the street
Speaker 1: thing earlier that afternoon. I walk it down.
Speaker 2: I guess he did. I guess the guy was a professional,
Speaker 2: not really.
Speaker 1: Said it took him two and a half hours to
Speaker 1: find someone who voted for him on the streets.
Speaker 4: Uh.
Speaker 1: Martha Quinn is now with a very unhappy Jesse Ventura.
Speaker 2: Yeah, I have that one. I have that one as well.
Speaker 2: Poor Mark, he's the only girl for me.
Speaker 15: Yeah, in tign back here, the very unhappy Jesse. The
Speaker 15: body vent Sure, Jesse, the crowd was calling out your name,
Speaker 15: and you thought you were gonna win.
Speaker 8: What happened?
Speaker 2: That's right, you heard it, the crowd chatting Jesse. Jesse.
Speaker 4: We heard it.
Speaker 2: But I'll tell you what Prince warned me of this.
Speaker 14: He said, anybody from Minnesota always gets a raw deal
Speaker 14: from these East Coast people.
Speaker 2: Which includes m TV, which includes the.
Speaker 14: World Wrestling Federation executive.
Speaker 2: Whoever they are I'm the winner.
Speaker 17: The people know it.
Speaker 2: I'm the man who tells it like it is, Martha,
Speaker 2: and I'm the winner.
Speaker 10: Listen to him.
Speaker 2: Chad Jesse out there.
Speaker 4: H Vinci, he's left.
Speaker 15: I think the best thing that we can do is.
Speaker 3: Go to a commercial break.
Speaker 11: I'm Martha Quinnon.
Speaker 15: You're watching the Slammy Awards live on MTV.
Speaker 1: Martha Quinn is all of us in that moment.
Speaker 2: I mean, she really is that poor one.
Speaker 1: He's the one I can sort of sympathize with the
Speaker 1: most on this whole thing. You're watching the Slamy Awards
Speaker 1: on MTV. Yeah, they're acting crazy again. What a surprise.
Speaker 2: It's a bunch of idiots. Russell Mania two.
Speaker 1: The world is coming to Did I get those prom
Speaker 1: I think I got those promos?
Speaker 4: Right?
Speaker 2: I think I did? Yes, I did? I did? I did?
Speaker 2: I did? I did? These are great all these are.
Speaker 4: Great WrestleMania too. But the world is coming to.
Speaker 9: Sports entertainment spectacular of all time now, even greater WRESMA too.
Speaker 1: That's awesome now, even greater wrestle Do you never do
Speaker 1: that they never use like, you know, sort of like
Speaker 1: third party voiceover people like that.
Speaker 3: Yeah?
Speaker 1: Agree, it's like a real legit, like you would hear
Speaker 1: that voice and like a like a coupla movie trailer
Speaker 1: or something. It's just coming soon from the directory. It's
Speaker 1: really good. Back to the I'm a big fan. Back
Speaker 1: to the Civic Center. Now with the real American music
Speaker 1: playing vinces, we have yet another individual to perform for
Speaker 1: hist here tonight. He's also a nominee for the Best
Speaker 1: Single Vocal Performer on the Wrestling album, And here's singing,
Speaker 1: don't go messing with a country boy. He'll Billy Jim.
Speaker 2: Yeah, I got there.
Speaker 1: He comes in his overall No, I don't have, I
Speaker 1: don't have, I did not record He'll well. We've heard vidio.
Speaker 1: We've heard it four hundred thousand times as fans. When
Speaker 1: I was a little boy, baby, I cut my teeth
Speaker 1: on a big old tree. Mama film a bottle from
Speaker 1: a moonshine steell. My first meal with the bassie killed.
Speaker 1: The bassie killed, the bassie killed. My first meal was
Speaker 1: the bassie killed?
Speaker 2: What the fuck?
Speaker 3: Why? Well?
Speaker 1: I grew when I grew him. By the time I
Speaker 1: was ten, I was six feet tall, and men among men,
Speaker 1: men lem my work and loved my play. What What's up, boss.
Speaker 1: I hate the fool that get by way, get by way.
Speaker 1: I hate the fool they get my way.
Speaker 2: Don't go.
Speaker 1: You know the deal, And Gorilla on soon even gets
Speaker 1: in there and does a bit of a line dance
Speaker 1: with hill Billy Jim during the course of this thing.
Speaker 1: That's a sight to see. More limb, Yeah, more limber
Speaker 1: than I expected from Gorilla. And we see Mona Flambey
Speaker 1: in the background on guitar, and of course he'll Billy
Speaker 1: Jim does his trademark cartwheel at the end, and Vince
Speaker 1: McMahon says, our next slammy to be presented in a
Speaker 1: most unusual category.
Speaker 2: Thanks.
Speaker 1: This one voted again upon by the W W F
Speaker 1: Academy of Art and Sciences. This is most ignominious and
Speaker 1: there's only one nominee. And this makes a sarcastic self
Speaker 1: satisfied face.
Speaker 2: Here's I mean, I got that whole fucking thing again. Yes,
Speaker 2: this is also on the best of last one.
Speaker 9: Idiotic thing and I'm almost unusual category. This category again
Speaker 9: one voted upon body W. W. YES Academy of Arts
Speaker 9: and Sciences, and this one the category of most ignominious.
Speaker 4: There was only one nominee.
Speaker 3: Huh.
Speaker 2: Gorilla.
Speaker 9: Yeah, and the winner is Nikolai Volka.
Speaker 2: What do you want to lose?
Speaker 8: Speculation was the.
Speaker 6: Man? And thank you or the Americans people more for
Speaker 6: me forneven one singer.
Speaker 9: You realize, of course, this award is not for the
Speaker 9: best singer on the album. You realize that it's it's
Speaker 9: an award presented.
Speaker 4: To the most ignominious.
Speaker 10: Oh, that man.
Speaker 9: Is probably best to find his degrading, humiliating indepicable.
Speaker 3: Why you're just.
Speaker 14: Telling me.
Speaker 4: I shall be a second place?
Speaker 5: Oh yeah, make I should be tyed up for the
Speaker 5: first place.
Speaker 4: It should have nothing.
Speaker 3: Why so stupid?
Speaker 1: It's so funick, I swear to god, this is his
Speaker 1: whole experiment is starting to really hit the fucking skids.
Speaker 2: I don't understand the whole.
Speaker 1: Like, you know, we're all in on the joke, and
Speaker 1: it's you know, it's funny just by being what it is.
Speaker 1: It's like, no, it's not. You have to have actual
Speaker 1: material funds, come out there and just make noises, guttural
Speaker 1: noises and expected to be something that someone would want
Speaker 1: to watch on television. A bunch of back to you, Martha,
Speaker 1: And there she is with with with Blassie, who was
Speaker 1: of course.
Speaker 2: Oh yeah, I got poor poor fucking Martha with Blassie.
Speaker 4: Russian.
Speaker 2: Oh wait, no, I don't have the whole thing. I
Speaker 2: got them. I got them when they come in. Yeah,
Speaker 2: I don't know what Blassi is.
Speaker 1: No, he just says, you know, the Americans, you know,
Speaker 1: it's uh that they're idiots. They voted for this and
Speaker 1: the Academy of Art and Science. You expect something like
Speaker 1: that from pencil neck geeks instead, not the Academy. They
Speaker 1: don't know which side is up, he says Nikolai Volkoff,
Speaker 1: And there and Chic are the two classiest men in
Speaker 1: the world beside classy Freddy Blassi. Nikolai Volkoff says, remember
Speaker 1: Russian number one? I ran number one USA. Forget it?
Speaker 2: And uh is that what he says? I thought he
Speaker 2: said fucker Russian like it to me?
Speaker 1: Just e I want to go in rotation. Can you
Speaker 1: play that again?
Speaker 3: Please?
Speaker 4: Yes?
Speaker 2: I can say fuck it? You say fuck it?
Speaker 1: Oh man, good thing that are at MTV in that USA.
Speaker 1: I'm a rights yea.
Speaker 2: Thank you for your extended opportunity.
Speaker 1: Oh well, we have another performance for you, don't don't
Speaker 1: we This one one of the nominees for the best
Speaker 1: overall vocal performance on the wrestling album and here to
Speaker 1: sing grab them cakes, Vicky Sue the Junkyard Dog.
Speaker 2: Yeah, I got this one. I got some We're grabbing
Speaker 2: them cakes.
Speaker 1: That dog and his leather pants with no shirt.
Speaker 2: Can I tell you something? You know he comes out
Speaker 2: with those fights because the quality of the video is
Speaker 2: so bad and he's wearing skin tight brown leather pants.
Speaker 2: I thought he was wearing no pets like that's I
Speaker 2: honestly thought that he's that dog. I was like, he's
Speaker 2: that dog after all? There you go, oh oh story
Speaker 2: feeling boom.
Speaker 1: Yeah, left sick of course.
Speaker 17: Yeah.
Speaker 3: Yeah, he doesn't.
Speaker 1: Just table original round, he comes miss turned the beat around?
Speaker 4: What energy.
Speaker 2: Nicky sim.
Speaker 8: Okay, no he crick damn cashus.
Speaker 3: Anything now.
Speaker 4: Dog it shot und in the co din you move
Speaker 4: to the right.
Speaker 8: Squeeze who you your money?
Speaker 4: I did you let your man?
Speaker 1: I think you try them all.
Speaker 2: Your thing?
Speaker 4: I just shine you get us up, stick up the
Speaker 4: shot damn case he.
Speaker 1: Damn that's caltous.
Speaker 4: He ain't ever did h a whttle bit like a
Speaker 4: wolf man again.
Speaker 10: Doll Man three hundred and ten pounds by.
Speaker 1: Three hundred ten pounds Animal ball plamn.
Speaker 3: Did you right?
Speaker 4: H you got you got, you got it, which is about.
Speaker 2: As hard as a bottle as you know what.
Speaker 17: Brother, the tight.
Speaker 7: Jo It's the laps Fall Wrestling Podcast, the wrestling podcast
Speaker 7: that knows the boys need their candy. It's the Lapsed Fan.
Speaker 7: He's the Lapsed Fan Wrestling podcast with Jack and Carnassio
Speaker 7: and JP Sorrow.
Speaker 1: Unbelievable this to you, brought this brought to you by
Speaker 1: the World Wrestling Federation. By the ways they close it
Speaker 1: out and instant thank you, j y D and Vicky Sue.
Speaker 2: Fucking the way he speaks is just so thank you
Speaker 2: and Vicky Su all.
Speaker 1: Right, gentlemen, just not ready to see we have seen
Speaker 1: a lot of nominees for the Best Single Vocal Performance.
Speaker 1: But right now, by way of videotape, hold on right now.
Speaker 2: I mean he he words salads himself.
Speaker 1: I do like when Vince crashes out, like oh like
Speaker 1: he just his his algorithm malfunctions and he exactly.
Speaker 3: What it is.
Speaker 2: The the you know, the the the uh kind of
Speaker 2: the output is going faster than the algorithm, you know,
Speaker 2: so it's like it's grabbing ship.
Speaker 1: He forgets, he forgets what he's trying to say mid sentence, Yeah, Hey, a.
Speaker 9: Moment, ladies and gentlemen, we're just about ready to see.
Speaker 2: In a moment, ladies and gentlemen, we're just about ready
Speaker 2: to see. Okay, we have seen. We have seen. We
Speaker 2: are just about ready to see. We have seen. In
Speaker 2: just a moment, ladies and gentlemen, we are about to see.
Speaker 3: We have just seen.
Speaker 1: He leaves these sentences hanging out there in the air.
Speaker 2: You know, it's like, what was that?
Speaker 3: What was that? What was that?
Speaker 1: Like you watched them float away? We're live pass a
Speaker 1: lot of the.
Speaker 9: Nominees for Best Single Vocal Performer on the Wrestling Album.
Speaker 4: But right now, by way of video tape.
Speaker 9: We're gonna take a look at all of the nominees
Speaker 9: and then we're gonna have the very special magic moment
Speaker 9: here now, by way of video tape, all of the
Speaker 9: nominees for Best Single Vocal Performer on the Wrestling.
Speaker 17: Album Him, Jimmy Hard, Captain Lou.
Speaker 1: Why do you pipe show promos? And T N T
Speaker 1: and Rotted Many Savage and pipe it spin?
Speaker 2: Who's gee.
Speaker 1: A way a videotape?
Speaker 4: Indeed?
Speaker 9: Hal And now I don't know, but we have been
Speaker 9: a wading havel please.
Speaker 1: Corla Hunting this part of many things, including pizza roles,
Speaker 1: the fudge rounds.
Speaker 2: You saw I saw some photolcakes.
Speaker 1: Hop that too. Is that where the white powder is from?
Speaker 4: Yeah? And the winter Rose, the jug Yard doll.
Speaker 1: They show people on their feet. Out comes Jyd with
Speaker 1: Vicky Sue. Look he goes for the trophy. Jyd goes
Speaker 1: for a hot dog.
Speaker 4: Yes.
Speaker 2: I like to thank all the people here in Ballamore
Speaker 2: and throughout the world.
Speaker 4: And first of all, Man.
Speaker 5: Great Braise put a man above and I couldn't do
Speaker 5: it alone outside of my beautiful lady parting the bigger shoot.
Speaker 15: Make you want to thank my mother for having me
Speaker 15: and my grandmother for having her.
Speaker 1: And I love you.
Speaker 3: Man Pizza.
Speaker 7: The Lapsed Fan Wrestling Podcast, The wrestling podcast that knows
Speaker 7: the boys need their candy. It's the Lapsed Fan. He's
Speaker 7: The Lapsed Fan Wrestling Podcast with Jack and Carnasio and
Speaker 7: j Pi Soro.
Speaker 2: It just ends with like the fucking phoniest vincepect Man?
Speaker 1: Is there a better way to end it? I think, now,
Speaker 1: what the fuck just happened? You know, like, what the
Speaker 1: fuck just happened? Arthur Q is with Jimmy Hart b
Speaker 1: backstage with me.
Speaker 15: Now is Jimmy Hart Jimmy, I guess Rick Springfield does
Speaker 15: not have to eat his heart out anymore.
Speaker 4: I was ripped off, and.
Speaker 2: I guess Rick Springfield doesn't have to eat his heart
Speaker 2: out anymore. Martha, Martha, I I I'm with you the
Speaker 2: whole fucking time, and then you just you just trying
Speaker 2: by trying.
Speaker 6: I was robbed your dog.
Speaker 4: There's no doubt about it.
Speaker 14: He paid the stupid bantle there to play out a heat.
Speaker 5: There's no doubt that song should have been called Grabbed
Speaker 5: Them Herors, not grabbed Them Cakes, because every time he
Speaker 5: sings for people get music poisoning.
Speaker 4: That's horrible. I wanted.
Speaker 2: I'm sorry what music poison? Music poisoning.
Speaker 6: Got ripped off.
Speaker 4: I got robbed.
Speaker 1: I don't want to thank anybody for it. I don't
Speaker 1: think nobody. I promise you right now, I am sick
Speaker 1: of trying, of being.
Speaker 5: Robbed and ripped off.
Speaker 6: He got no carriage like that.
Speaker 1: Bos off of a handful of.
Speaker 15: This has not been an easy night.
Speaker 4: It really has not.
Speaker 2: I can't see for myself, has not has not.
Speaker 1: And j Y D drags Jimmy Hart kicking and screaming
Speaker 1: out back onto the stage and puts him on the
Speaker 1: floor and puts his knee on his back and rips
Speaker 1: his pants off, as Vince says.
Speaker 2: We hope no, it's such a fucking mess.
Speaker 1: As Vince says, we hope you enjoyed the slammings from Baltimore.
Speaker 1: So long as they sign off and Jimmy and is
Speaker 1: underwear leaps and scurries away as they play Real American
Speaker 1: once again. So Jimmy Hart is underwear as Real American plays.
Speaker 1: That's how this one's gonna end.
Speaker 2: Yep, yep, I mean, I guess that's as much Hogan
Speaker 2: as you can get for something like that. You get
Speaker 2: at least you got Jimmy Hart out there, and.
Speaker 3: You know.
Speaker 2: His a little weasel.
Speaker 1: Executive producer Vince McMahon, Producer Nelson sweg Lar, director Kirwin
Speaker 1: Sylphie's or event coordinator as George Scott, the booker are
Speaker 1: unit manager Bobby Dean assistant director.
Speaker 2: Ah, well, we can't call you booker, so I'll tell
Speaker 2: you what, mom. How about event coordinator? You coordinate the
Speaker 2: tell all right, that's what you do. You coordinate the
Speaker 2: events that people see.
Speaker 1: Your assistant director Kevin Dunn, who definitely thought that he
Speaker 1: was on his way to a real career in real
Speaker 1: stage directing.
Speaker 2: By believe, I imagine that this is probably the beginning
Speaker 2: of the end of his like of his belief that
Speaker 2: he had a career outside of yes.
Speaker 1: That he could take the things he was learning producing
Speaker 1: wrestling television and apply them to anything else ever in
Speaker 1: the rest of his life.
Speaker 2: Listen, listen all I'm gonna say, Kevin, just grow a
Speaker 2: massive attachment to that last name, because you're done.
Speaker 1: For Titan Sports Basil Levito and Steve Taylor for MTV Networks,
Speaker 1: Doug Herzog, Deborah Leebling, Ken Miller, and Martha Quinn. This
Speaker 1: has been a Titan Sport production copyright nineteen eighty six,
Speaker 1: and this has been the lapsed fan's treatment of the
Speaker 1: first ever ww F Slammy Awards. Boss, I think the
Speaker 1: award for Best Podcast on the Slamms eighty six can
Speaker 1: go to only one winner.
Speaker 2: I agree.
Speaker 1: We'll see you next time.