WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp The

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<v Speaker 1>House Whisper on demand on the iHeart Radio app. Hey,

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<v Speaker 1>did you know that this very program is also the

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<v Speaker 1>House Whisper podcast. That's right, we have a podcast. We

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<v Speaker 1>are the podcast. Every time we are done with one

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<v Speaker 1>of our live broadcasts, it is converted into podcast forms,

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<v Speaker 1>So if you've missed any part of the show, you

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<v Speaker 1>can go back and listen again and again and again

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<v Speaker 1>anytime you want, wherever you want, however you want. The

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<v Speaker 1>podcast is there. And where is that podcast found? Everywhere?

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<v Speaker 1>I mean literally everywhere. Of course, you can listen to

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<v Speaker 1>it on the free iHeartRadio app, but if you love

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<v Speaker 1>Apple podcasts, we're there. If you love Spotify, we're there

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<v Speaker 1>wherever you listen to your favorite podcast. Just to go

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<v Speaker 1>to the search window and put in Home with Dean Sharp,

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<v Speaker 1>or you can put in Dean Sharp, or you can

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<v Speaker 1>put in the House Whisper. I guarantee you we're coming

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<v Speaker 1>up hundreds of episodes all waiting there for you that

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<v Speaker 1>you can listen to on demand anytime. It is truly

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<v Speaker 1>truly a home improvement reference library at your fingertips. And

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<v Speaker 1>if you're thinking, hey, this is all great, Dean, I

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<v Speaker 1>am inspired, I'm informed. But what I really need is

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<v Speaker 1>you and Tina standing in our house staring at the

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<v Speaker 1>problem with us. Well, you can do that too. You

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<v Speaker 1>can book an in home design consult with me and

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<v Speaker 1>the tea. Just go to house whisperer dot Design. All right,

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<v Speaker 1>we're going to return to our conversation on controlling sound. However,

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<v Speaker 1>I am going to finish Wendy's question. Wendy had a

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<v Speaker 1>specific concern about as green as possible hardwood flooring, and

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<v Speaker 1>I explain some things about hardwood flooring versus old school

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<v Speaker 1>versus engineered flooring, and I understand there is a you know,

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<v Speaker 1>have no doubt that modern engineered hardwood flooring is the

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<v Speaker 1>best hardwood flooring ever in the history of mankind. Just

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<v Speaker 1>know that, all right, the ware layers excellent, The base

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<v Speaker 1>and the structure underneath the best it's ever been. Yes,

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<v Speaker 1>way better, you old schoolers, way better as far as

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<v Speaker 1>a performing product than solid oak or maple or whatever

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<v Speaker 1>have you. Three quarter inch solid oak or maple floors. Okay, period.

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<v Speaker 1>The end, there there is no competition between the two

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<v Speaker 1>because of the way that wood interacts with moisture. The

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<v Speaker 1>end However, there is always a concern with some people

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<v Speaker 1>of the adhesives that are put together in order to

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<v Speaker 1>form the plywood layers and so on. And Wendy had

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<v Speaker 1>brought up one specific product, and I've got to say,

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<v Speaker 1>I have not used this product yet for a client

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<v Speaker 1>in a house. I know of it. I've heard things.

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<v Speaker 1>I've heard good things and I've heard not so great

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<v Speaker 1>things about the Casablanca collection by Alston Incorporated. They've come

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<v Speaker 1>up with they what they call an an innovative revolutionary

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<v Speaker 1>hardwood hybrid combination. It's a two ply engine two ply floor. Okay,

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<v Speaker 1>and here I was saying, you want nine to eleven

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<v Speaker 1>plies underneath that to wear layer. They basically have the

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<v Speaker 1>war layer and wood underneath it. How do they do

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<v Speaker 1>it well, They basically build the bottom structure of the

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<v Speaker 1>plank like a cabinet door. Essentially, there's a tongue in

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<v Speaker 1>groove rail underneath and filler wood in between. And I

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<v Speaker 1>can see how that would lend a certain amount of

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<v Speaker 1>stability to the product. However, it is difficult for me

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<v Speaker 1>understanding that structure. Two, It's difficult for me to suggest

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<v Speaker 1>that it is as stable as a multiply plywood floor.

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<v Speaker 1>Just from the pure physics of it, I don't think

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<v Speaker 1>it's true. I don't think it's as stable as a

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<v Speaker 1>multiply plywood floor. However, the advantage there being they say

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<v Speaker 1>that they use of completely formaldehyde free adhesives and zero

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<v Speaker 1>VOC materials, making it a top eco friendly green product,

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<v Speaker 1>and that I believe. I believe that's the case. However,

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<v Speaker 1>they are using a lot of solid wood underneath that,

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<v Speaker 1>So there are different ways of evaluating green. If it

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<v Speaker 1>comes down to chemicals and chemical off gassing, if that

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<v Speaker 1>is where your definition for whatever reason of green is,

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<v Speaker 1>then this would be near the top of a list.

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<v Speaker 1>My definition of green extends to the entire manufacturing process,

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<v Speaker 1>including how many trees and what kind of would it

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<v Speaker 1>takes to produce any particular product, and that would put

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<v Speaker 1>this kind of in the middle of that list. And

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<v Speaker 1>because there are multi layer plywoods that are also use

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<v Speaker 1>low formaldehyde or zero formaldehyde and zero VOC materials, by

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<v Speaker 1>the way, so that there it is just to keep

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<v Speaker 1>my promise to Windy about that. By the way, anybody

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<v Speaker 1>who is interested in finding those kinds of low off

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<v Speaker 1>gasing products for them, here's a website that I recommend

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<v Speaker 1>it's a great starting point. My chemical free house, My

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<v Speaker 1>chemical freehouse dot net. Go to my Chemical freehouse dot net.

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<v Speaker 1>You'll find every classification of flooring material there and you'll

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<v Speaker 1>get some input from them and some suggestions as to

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<v Speaker 1>what's out there, what's available, and what to be looking for.

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<v Speaker 1>So there you go. All right, Hopefully that satisfied that

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<v Speaker 1>question in the limited amount of time that I had.

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<v Speaker 1>Oh what are you doing? Oh? I see Keena's like,

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<v Speaker 1>all of a sudden behind me. I'm like, what do

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<v Speaker 1>you behind me for? She's watering Bob. Bob is our

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<v Speaker 1>official in Bob is the name of our in studio plant.

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<v Speaker 1>And now I can hear him drinking. He's very happy

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<v Speaker 1>that you're watering him. All right, let's get back to

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<v Speaker 1>the conversation of controlling sound in your home.

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<v Speaker 2>If you're listening to Home with Dean Sharp on demand

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<v Speaker 2>from KFI AM six forty.

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<v Speaker 1>It's not an easy thing to do. Sound gets in

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<v Speaker 1>and there's a lot of noise out there in the

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<v Speaker 1>world these days. And I'm not just talking metaphorically, I

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<v Speaker 1>mean literally, there's just a lot of noise in the world,

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<v Speaker 1>and we need to get control of it because it's

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<v Speaker 1>no longer in our ignorance. Noise is no longer just

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<v Speaker 1>a subjective thing. It is something that physically affects us

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<v Speaker 1>in negative ways. We know this now, and that's why

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<v Speaker 1>I'm helping you get control of it. Now. We've talked

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<v Speaker 1>about soundproofing. Here are a couple other insulation layers, and

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<v Speaker 1>it's all a layering game. We've talked about mineral wool.

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<v Speaker 1>We've talked about denim insulation. We've talked about open and

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<v Speaker 1>closed cell foam insulation. Open cell foam when it comes

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<v Speaker 1>to sound insulation does better than closed cell foam, and

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<v Speaker 1>the opposite is true when it comes to energy. When

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<v Speaker 1>it comes with energy. When it comes to thermal energy,

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<v Speaker 1>closed cell foam does a better job per inch of

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<v Speaker 1>thickness than open cell phone when it comes to resisting

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<v Speaker 1>heat or cooling. But the open cells, those air pockets

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<v Speaker 1>inside open cell phone does a better job with sound.

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<v Speaker 1>We talked about mass loaded vinyl. It's a great product.

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<v Speaker 1>It's expensive, but it's a great product, especially when space

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<v Speaker 1>to expand and thicken a wall is limited. But it's

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<v Speaker 1>not a miracle product, even though it's displayed that way.

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<v Speaker 1>Here are other simple changes inside the house when it

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<v Speaker 1>comes to insulating solid core doors on the inside of

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<v Speaker 1>your house. Get rid of those hollow core builder graye

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<v Speaker 1>doors that they put in and put in solid doors.

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<v Speaker 1>Solid doors have mass. Mass is an insulator. Solid core

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<v Speaker 1>doors will make rooms quieter. Dual glazed windows, it should

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<v Speaker 1>go without saying. Most of us have them, now some

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<v Speaker 1>of us don't. Still, dual glazed windows two windows with

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<v Speaker 1>a gaseous gap in between is an insulating pocket. Now,

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<v Speaker 1>it's not as good as the wall next to it.

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<v Speaker 1>It never will be. Well, I shouldn't say it never

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<v Speaker 1>will be, because you know science. But right now, even

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<v Speaker 1>the most expensive dual glaze window that you can get,

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<v Speaker 1>the most high tech one, is not equivalent in our

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<v Speaker 1>value or sound control to the solid wall next to it.

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<v Speaker 1>But they help. They help a lot. Because sound energy

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<v Speaker 1>having to move through two panes of glass with a

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<v Speaker 1>little bit of a disruptive air in between, and by

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<v Speaker 1>the way, it's not air inside, it's ar gone gas

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<v Speaker 1>in between those two clanes panes of glass, it has

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<v Speaker 1>to work harder to get through, which means by the

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<v Speaker 1>time it gets the inside, it is significantly weakened in

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<v Speaker 1>its strength. Because sound is an energy game. Just remember

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<v Speaker 1>that dual glazed windows, a double layered dry wall in

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<v Speaker 1>a house. If we're really looking to quiet a room down,

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<v Speaker 1>and we're going to set aside budget to do it,

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<v Speaker 1>then we can without having to build a separate wall

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<v Speaker 1>inside a wall, which is literally recording studio kind of moves.

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<v Speaker 1>Double layered drywall, another layer of drywall with decoupling kulk

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<v Speaker 1>in between decoupling calk. We'll talk about that in a bit,

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<v Speaker 1>but it is a specialized kind of calc in which

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<v Speaker 1>we don't screw the last layer of drywall on. We

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<v Speaker 1>glue it on with a layer of calk that itself

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<v Speaker 1>becomes a vibration dampener in between the layers of drywall,

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<v Speaker 1>and then outside thick tree cover. Thick tree canopies doesn't

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<v Speaker 1>sound proof a yard, but what it does sound Having

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<v Speaker 1>to move through all of those leaves, all around all

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<v Speaker 1>of those branches, it gets diffused and so it can

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<v Speaker 1>definitely lessen the sound. There are sound blocks that can

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<v Speaker 1>be made out of trees. Yet another argument for Dean

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<v Speaker 1>to tell you to plant trees in your yard you

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<v Speaker 1>want a quieter yard of And we'll come back to

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<v Speaker 1>trees when it comes to making the right kind of

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<v Speaker 1>sound in a yard. But if you want to quiet

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<v Speaker 1>noise tree canopies, big thing, block walls better than wood fences. Obviously,

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<v Speaker 1>the sound has a harder time getting through a block

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<v Speaker 1>wall than a wood fence. But I don't make a

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<v Speaker 1>big issue of you know, in order to quiet your

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<v Speaker 1>yard down, you need to surround it with block walls.

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<v Speaker 1>Because most of us don't have the right the allowance

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<v Speaker 1>from the from the city to actually build an eight

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<v Speaker 1>or a ten foot tall block wall around our backyard.

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<v Speaker 1>There are there are height restrictions to block walls, and

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<v Speaker 1>if you if you're zoning in your area only allows

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<v Speaker 1>you to build a six foot tall block wall. Remember

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<v Speaker 1>what I said about air, air goes right over the top,

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<v Speaker 1>and so the difference in cost of your block wall

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<v Speaker 1>to your wood fence. Believe me, you're not going to

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<v Speaker 1>notice that big of a difference in sound deadening. However,

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<v Speaker 1>just saying block walls do a better job of insulating

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<v Speaker 1>you from sound waves than wood fences. The end air

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<v Speaker 1>ceiling when it comes to your house air ceiling. As

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<v Speaker 1>I've said, sound travels on air. When air gets inside,

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<v Speaker 1>then sound comes with it. Hence that whole mass loaded

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<v Speaker 1>vinyl demonstration that I told you about where they make

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<v Speaker 1>this cube out of mass loaded vinyl and they set

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<v Speaker 1>it over a speaker and it just goes silent. Well,

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<v Speaker 1>that's the real trick there is. Yes, mass loaded vinyl

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<v Speaker 1>is a great sound insulating product, but the real trick

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<v Speaker 1>is the fact that they've cut off all the airflow

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<v Speaker 1>from that speaker chamber out into the room where you are.

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<v Speaker 1>If we were to take the mass loaded vinyl cube

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<v Speaker 1>and if I was to drill a half inch hole,

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<v Speaker 1>just one hole in it, believe me, you would hear

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<v Speaker 1>what's going on inside there. It would be quieter, but

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<v Speaker 1>it wouldn't be that silent, dramatic thing. So what does

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<v Speaker 1>that tell you? That tells you that air leakage around

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<v Speaker 1>your house. You've got bad threshold underneath your front door.

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<v Speaker 1>Can you see daylight? Can you feel a draft coming

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<v Speaker 1>through the back patio door. Those aren't just air leaks.

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<v Speaker 1>Those are sound leaks into your house because with the

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<v Speaker 1>air comes the sound. So there are weather just basic

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<v Speaker 1>weather stripping. Improve the weather stripping around your doors and windows.

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<v Speaker 1>Acoustic culk Okay, that's a thing. You can use acoustic

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<v Speaker 1>culk to caulk around leaky windows, the edges of doors,

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<v Speaker 1>what have you. Just know, the more air that comes

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<v Speaker 1>into your house, the more sound that comes into your house.

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<v Speaker 1>That's just science. Okay, So now I want to cross

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<v Speaker 1>over and top that's insulating, insulating, and air ceiling. That's

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<v Speaker 1>what we've covered so far. Now I want to talk

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<v Speaker 1>about something else I had teased at the beginning of

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<v Speaker 1>the show, which is decoupling. And know that doesn't mean

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<v Speaker 1>you breaking up with your significant other. I mean, which,

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<v Speaker 1>by the way, it might make your house quieter, but

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<v Speaker 1>that's not the kind of sound reduction I'm talking about.

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<v Speaker 1>What I'm talking about is breaking what we call bridges

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<v Speaker 1>and I'm using my air quotes here, the bridges that

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<v Speaker 1>conduct energy from one side of it to the other,

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<v Speaker 1>the bridges, and in technical sound isolation and attenuation and

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<v Speaker 1>insulation concerns, we call it decoupling, breaking the sound bridge.

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<v Speaker 1>If you remember that energy is what sound is, it's energy, okay, traveling.

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<v Speaker 1>Then energy travels through a medium, Okay, in order to

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<v Speaker 1>get from point A to point B. It travels through

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<v Speaker 1>a medium like, for instance, electricity in a wire, in

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<v Speaker 1>a copper wire, copper metal is a fantastic conductor of energy.

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<v Speaker 1>In other words, it carries energy straight on through it.

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<v Speaker 1>Rubber is a terrible conductor of energy, which is why

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<v Speaker 1>the insulation on the outside of an electrical wire is

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<v Speaker 1>a rubberized insulation, which means you can actually touch the

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<v Speaker 1>insulation when there's current running through the copper and not

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<v Speaker 1>get shocked, which means the energy doesn't travel through it. Okay,

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<v Speaker 1>you've follown me, all right. So when we come back,

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<v Speaker 1>we're going to talk about bridges, like a wire from

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<v Speaker 1>one side to another, from a switch to a light.

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<v Speaker 1>We're going to talk about things that bridge energy and

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<v Speaker 1>allow sound to get from one place to a next.

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<v Speaker 1>And there are things that we can look at, things

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<v Speaker 1>that we can do to decouple to basically break the bridge.

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<v Speaker 1>Imagine a drawbridge that goes up and all of a

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<v Speaker 1>sudden separates. Now the traffic, you know. We do that

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<v Speaker 1>so that a big ship can get under the bridge

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<v Speaker 1>right pass through, but while it's up, the traffic can't

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<v Speaker 1>go from one side to the other. We have decoupled

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<v Speaker 1>that bridge. We'll talk about that and the stuff in

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<v Speaker 1>your house that is actually bridging sound into a room

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<v Speaker 1>when we return.

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<v Speaker 2>You're listening to Home with Dean Sharp on demand from

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<v Speaker 2>KFI am six forty.

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<v Speaker 1>Talking about that very very most special place in your life,

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<v Speaker 1>your house, which I hope is slowly but surely becoming

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<v Speaker 1>your home. The difference between the two you, how much

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<v Speaker 1>of you is reflected in it, and how much of

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<v Speaker 1>you it reflects back to you. That's what makes a

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<v Speaker 1>house truly a home, the life that you live in it.

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<v Speaker 1>And we're all about it. We're all about it from

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<v Speaker 1>the philosophical meaningful side, and of course from the design

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<v Speaker 1>and the construction side. And we're talking about reducing the

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<v Speaker 1>amount of noise and noise pollution that makes its way

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<v Speaker 1>into your house. So I want to talk about decoupling.

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<v Speaker 1>This is a term, it's a technical term, and it

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<v Speaker 1>means breaking a bridge of conductivity from one form of

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<v Speaker 1>energy crossing over from one place to another. Let me

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<v Speaker 1>ask you this, just to make the illustration as simple

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<v Speaker 1>as possible. Why can you connect two tin cans together

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<v Speaker 1>with a piece of string and pull that string tight

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<v Speaker 1>and make a actual, really functioning, rudimentary telephone out of it?

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<v Speaker 1>Why does that work? It's very simple. It's because the

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<v Speaker 1>metal of the tin cans is a very conductive material.

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<v Speaker 1>It allows energy to pass through it very easily. Sound

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<v Speaker 1>is energy, and the tight string carries with it, just

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<v Speaker 1>like a guitar string or a piano string carries with

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<v Speaker 1>it a bridge of energy of that sound energy out

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<v Speaker 1>of one can through the string and to the other.

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<v Speaker 1>And how does do kids who think that this is

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<v Speaker 1>a magical thing. What's the big mistake they make? They decide, oh,

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<v Speaker 1>let's make it go around a corner. So they pull

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<v Speaker 1>the string tight around a corner. But guess what the

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<v Speaker 1>corner is doing. It's decoupling, it is getting it. It's

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<v Speaker 1>not allowing the energy to pass around the corner because

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<v Speaker 1>the string isn't that good. It's not that good, so

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<v Speaker 1>it needs that vibration, and that dampens the vibration. Right.

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<v Speaker 1>So this is the kind of stuff we're talking about

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<v Speaker 1>when we're talking about breaking bridges and you're like, where

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<v Speaker 1>are these bridges, Dean, Well, they're all around you. Actually,

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<v Speaker 1>a bridge for sound energy is actually anything that is solid,

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<v Speaker 1>even wood, Okay, Like even the string carries vibration through it.

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<v Speaker 1>And even though wood is not a great conductor of

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<v Speaker 1>electrical energy, you know what, you can send vibrations through it, right,

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<v Speaker 1>And if you put your ear to it, to one

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<v Speaker 1>side of a two by four and I tap on

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<v Speaker 1>the other side with a hammer, you're going to hear

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<v Speaker 1>it right come through. So how do we break the

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<v Speaker 1>bridges down? Well, one thing that we talked about early

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<v Speaker 1>on was the idea of you could build a double wall,

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<v Speaker 1>one wall out here and then another let's say two

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<v Speaker 1>by four wall right next to it, not touching though

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<v Speaker 1>they can't touch. That air gap in between the two

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<v Speaker 1>is critical. Why because the vibration traveling through the one

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<v Speaker 1>wood wall has to not have an opportunity to jump

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<v Speaker 1>to the other one as easily. That's why we need

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<v Speaker 1>the air gap in between. And you think, well, I

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<v Speaker 1>don't have room in my house Dean to build double

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<v Speaker 1>walls everywhere because the rooms get really small. Absolutely, I

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<v Speaker 1>totally agree with you. Another way, another step in reducing

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<v Speaker 1>that is you could build what we call a staggered

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<v Speaker 1>stud wall. Imagine not a double two by four wall,

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<v Speaker 1>but a single two by six wall. You use a

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<v Speaker 1>two by six bottom plate and a two by six

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<v Speaker 1>top plate, but you use two by four studs. Stagger

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<v Speaker 1>one set of studs on one side, staggered with studs

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<v Speaker 1>on the other side. The studs aren't touching. Every other

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<v Speaker 1>stud is on one side of the wall or the other.

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<v Speaker 1>And what we've done is we've created a double wall

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<v Speaker 1>using one wall plate. Mm hmmm hmm. You see what's

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<v Speaker 1>going on there, all right, But yet there are other

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<v Speaker 1>ways of just keeping your normal walls, and that is

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<v Speaker 1>the drywall. The drywall that goes on the wall could

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<v Speaker 1>be set in a way that we call sound reducing

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<v Speaker 1>by using resilient channels, which we use metal horizontal channels

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<v Speaker 1>traveling across the studs from top to bottom at regular intervals,

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<v Speaker 1>and then we mount the drywall to those channels. Now,

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<v Speaker 1>what's the secret there. Those channels have little rubber isolating

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<v Speaker 1>gaskets so that when the sound hits the drywall number one,

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<v Speaker 1>it's not directly attached to the wood stud so it

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<v Speaker 1>doesn't transfer the vibration straight through. It does transfer the

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<v Speaker 1>vibvibration into the metal channel, but the metal channel has

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<v Speaker 1>little rubber bumpers for lack of a less more technical term,

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<v Speaker 1>little rubber bumpers that dampen the vibration as it moves

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<v Speaker 1>from the channel to the studs and so on. So

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<v Speaker 1>that's another way. What if we want to do that, well,

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<v Speaker 1>we put on a layer of drywall, maybe we use

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<v Speaker 1>quiet rock drywall. What is that? Uh huh? It is

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<v Speaker 1>sound reducing drywall, same thickness as regular drywall, comes in

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<v Speaker 1>five eighths and also half inch. But what it actually

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<v Speaker 1>is is like a a half inch drywall is two

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<v Speaker 1>quarter inch thick pieces of drywall that have been sandwiched

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<v Speaker 1>together with a Visco elastic polymer in between. What is

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<v Speaker 1>it like a vinyl rubberized gasket in between two layers

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<v Speaker 1>of drywall. So sound reducing drywall decouples the vibration moving

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<v Speaker 1>through the one quarter inch and then it gets to

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<v Speaker 1>that rubberized layer, and it that rubberized layer reduces the

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<v Speaker 1>amount of vibration that gets into the other layer, and

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<v Speaker 1>therefore it is sound reducing drywall. You could put two

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<v Speaker 1>layers of that on your wall. You could put two

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<v Speaker 1>layers of sound reducing drywall with stuck together with Visco

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<v Speaker 1>elastic caulking in between the two. You could put two

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<v Speaker 1>sound reducing drywall layers with metal a resilient channel and

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<v Speaker 1>the little rubber dampening things that I was just telling

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<v Speaker 1>you about. You see, and every time we do it,

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<v Speaker 1>every time we go a little further and a little

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<v Speaker 1>further and a little further, we are bridging. We're breaking

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<v Speaker 1>bridges that conduct energy. We're breaking the bridge. We're breaking

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<v Speaker 1>the bridge. We're making it harder and harder and harder

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<v Speaker 1>for the energy wave to make it through. And if

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<v Speaker 1>we are breaking up the ability of the energy wave

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<v Speaker 1>to bridge through a material, we are reducing the amount

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<v Speaker 1>of sound sound as energy that comes to the other side,

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<v Speaker 1>and therefore we're reducing sound. There it is, you understand,

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<v Speaker 1>sound reducing windows work the exact same way. A sound

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<v Speaker 1>reducing window is not a triple glazed window per se

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<v Speaker 1>in the traditional thermal sense, but it is in one

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<v Speaker 1>sense because it's a dual glazed window, but the outside

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<v Speaker 1>glass is actually two two thinner layers of glass with

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<v Speaker 1>one of those secret viscoelastic polymers a sandwiched between the two.

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<v Speaker 1>So they're doing what the dry wall that I was

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<v Speaker 1>just describing to you does. And as a result, Yeah,

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<v Speaker 1>there's a lot less sound transmission, not soundproof, just reduced

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<v Speaker 1>sound transmission. Okay, that's all the insulating and the air

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<v Speaker 1>ceiling and the decoupling. Okay, when we return, let's talk

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<v Speaker 1>about what we do with the sound that is with us.

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<v Speaker 1>Sound absorption inside a room is different than proofing of

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<v Speaker 1>the sound from getting in. What do we do with

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<v Speaker 1>those sound that's already inside a room, for a home

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<v Speaker 1>theater or for just an echoe room, how do we

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<v Speaker 1>keep it from sounding so weird and hollow and echoing

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<v Speaker 1>in here? And then let's talk about outside a little

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<v Speaker 1>bit sound masking all of that noise from town that's

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<v Speaker 1>making its way in. How can we let go of that.

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<v Speaker 1>We'll do all of that when we return, but first.

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<v Speaker 2>You're listening to Home with Dean Sharp on demand from

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<v Speaker 2>KFI AM six forty.

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<v Speaker 1>All right, let's finish up our conversation on controlling sound.

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<v Speaker 1>We've talked about all the others. If you've missed any

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<v Speaker 1>part of the show, make sure you go back and

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<v Speaker 1>listen to the podcast, which you can do again and

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<v Speaker 1>again wherever your favorite podcasts are found. Simply do a

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<v Speaker 1>search for Home with Dean Sharp, or The House Whisper

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<v Speaker 1>or any of the above. You'll find us. We're there.

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<v Speaker 1>This entire topic will be there for you just minutes

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<v Speaker 1>after we go off the air. All right, sound absorption,

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<v Speaker 1>that's what we talk about when we're acoustically treating sound

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<v Speaker 1>inside a room, not soundproofing it from what's coming in.

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<v Speaker 1>But once the sound that's in there. This studio is

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<v Speaker 1>a great example of treating the room, because when there

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<v Speaker 1>are too many reflective surfaces in a room, what happens

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<v Speaker 1>is that energy wave which comes out, let's say, out

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<v Speaker 1>of my melodious throat, so clear and resonant, it bounces

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<v Speaker 1>off the wall directly across from me, and then the

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<v Speaker 1>ceiling and then the floor, and then all of these

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<v Speaker 1>things start bouncing into each other. And if we were

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<v Speaker 1>to look at that nice, clean, arcing energy wave, suddenly

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<v Speaker 1>we would find it's been fragmented and it's overlaid, and

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<v Speaker 1>it's very fuzzy, and the sound loses its quality. So

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<v Speaker 1>sound absorption in a room is very simple in one sense.

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<v Speaker 1>It's complex in another sense. Of your building a studio

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<v Speaker 1>specifically for recording or li but a normal room, it's

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<v Speaker 1>really about soft surfaces, non reflective furnishings. And if you

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<v Speaker 1>really need something like in a home theater, then you

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<v Speaker 1>add acoustic panels, meaning something that absorbs some that diffuse.

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<v Speaker 1>But essentially we're talking about filling up a house with

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<v Speaker 1>soft surfaces and non reflective furnishings. Why because the sound

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<v Speaker 1>waves hit those, you hit the sofa, and whereas when

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<v Speaker 1>the room was empty, it hit those hard reflective walls

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<v Speaker 1>and it bounced right back it hits the sofa. Some

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00:25:36.119 --> 00:25:39.079
<v Speaker 1>of us is absorbed because the sofa is mass, and

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<v Speaker 1>some of it is diffused because the sofa is soft

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00:25:42.920 --> 00:25:46.240
<v Speaker 1>and round. And that's how it works. When it comes

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<v Speaker 1>to outside. You can't get the outside noise of the

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<v Speaker 1>town from coming into your yard, no matter how hard

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<v Speaker 1>you try. Now you can put up nice big tree

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00:25:57.200 --> 00:26:01.559
<v Speaker 1>canopies to diffuse it, but really the goal of outside

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00:26:01.720 --> 00:26:05.880
<v Speaker 1>and how I approach this with clients is masking sound masking,

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00:26:05.920 --> 00:26:09.440
<v Speaker 1>which means we take the sound of traffic and which

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00:26:09.480 --> 00:26:11.519
<v Speaker 1>is coming over the top of the house and around

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00:26:11.559 --> 00:26:14.799
<v Speaker 1>in the sides, and we put a water feature in

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00:26:14.839 --> 00:26:17.279
<v Speaker 1>the middle of the yard. The water feature. It just

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00:26:17.319 --> 00:26:21.279
<v Speaker 1>so happens that the sound of moving water are ninety

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00:26:21.279 --> 00:26:24.519
<v Speaker 1>percent of the same frequencies as the sound of traffic.

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00:26:24.920 --> 00:26:27.759
<v Speaker 1>And so what I've done is I've blended the two together.

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<v Speaker 1>And now I've given you a visual queue to look

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<v Speaker 1>at in the yard. You see the water running, and

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00:26:34.039 --> 00:26:36.960
<v Speaker 1>so what does it tell your brain? Everything that you're

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00:26:37.000 --> 00:26:40.759
<v Speaker 1>hearing in that frequency range is in fact the water

435
00:26:41.200 --> 00:26:44.839
<v Speaker 1>even though half of it might technically be the traffic,

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00:26:45.359 --> 00:26:48.960
<v Speaker 1>but your brain interprets it as moving water. If you

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00:26:49.000 --> 00:26:53.039
<v Speaker 1>get to see moving water. Therefore, your brain does not

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00:26:53.200 --> 00:26:58.160
<v Speaker 1>react stressfully to that sound. It reacts by destressing. Isn't

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00:26:58.200 --> 00:27:03.279
<v Speaker 1>that brilliant? That is some serious sound control magic. In

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00:27:03.319 --> 00:27:06.799
<v Speaker 1>addition to that, you add wind chimes outdoor speakers to

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00:27:06.880 --> 00:27:12.200
<v Speaker 1>control the music environment. Pastoral sounds like chickens and goats

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00:27:12.200 --> 00:27:14.559
<v Speaker 1>and horses and cows and all of this. These are

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00:27:14.640 --> 00:27:17.880
<v Speaker 1>non threatening, relaxing sounds. Remember I said at the very

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<v Speaker 1>beginning of the show soundproofing total silence not our goal anymore.

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<v Speaker 1>And this is something we've learned. I've talked about this before,

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00:27:25.680 --> 00:27:28.720
<v Speaker 1>but I will say it again. We have learned that

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<v Speaker 1>absolute silence is not the least stressful amount of sound

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00:27:35.400 --> 00:27:37.960
<v Speaker 1>in a life. In fact, there are studies that show

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00:27:38.039 --> 00:27:41.559
<v Speaker 1>that people who sit in rooms with absolute silence in

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00:27:41.599 --> 00:27:45.680
<v Speaker 1>other words, sound absorbing rooms completely soundproof people can only

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00:27:45.720 --> 00:27:47.920
<v Speaker 1>hang in there for so long before they start going

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00:27:47.960 --> 00:27:50.960
<v Speaker 1>a little bit, you know, nutty, and they got to

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00:27:50.960 --> 00:27:53.400
<v Speaker 1>get out. You get in a room that quiet, you

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00:27:53.440 --> 00:27:56.799
<v Speaker 1>start hearing the beating of your own heart, and that,

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00:27:57.559 --> 00:28:00.880
<v Speaker 1>you know, can be interesting for a while. But for

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00:28:01.039 --> 00:28:05.480
<v Speaker 1>most normal people it gets a little unnerving. So here's

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00:28:05.519 --> 00:28:10.400
<v Speaker 1>the thing. Evolutionarily speaking, we've spent the last two million

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00:28:10.480 --> 00:28:14.680
<v Speaker 1>years or so hanging outside, living in an outside environment,

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00:28:15.119 --> 00:28:19.839
<v Speaker 1>and what's really programmed into our software is the fact

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00:28:19.880 --> 00:28:21.359
<v Speaker 1>that when you wake up in the morning and you

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00:28:21.400 --> 00:28:26.359
<v Speaker 1>walk outside, bird song in the air, the sound of

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00:28:26.839 --> 00:28:31.759
<v Speaker 1>the wind moving through leaves, okay, and moving water, these

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00:28:31.759 --> 00:28:34.960
<v Speaker 1>are all signals to you that all is well in

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00:28:35.000 --> 00:28:38.480
<v Speaker 1>the world. Okay. Birds, you know, they don't give off

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00:28:38.519 --> 00:28:42.000
<v Speaker 1>their position when there's danger nearby. If there's fire nearby,

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00:28:42.119 --> 00:28:45.319
<v Speaker 1>they go quiet. If there are predators nearby, they go quiet.

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00:28:45.400 --> 00:28:50.640
<v Speaker 1>So really, you can make the evolutionary argument that silence,

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00:28:51.039 --> 00:28:54.920
<v Speaker 1>total silence is actually perceived by most human beings as

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00:28:54.960 --> 00:28:58.599
<v Speaker 1>a threat state and a stressful state. What is the

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00:28:58.640 --> 00:29:04.599
<v Speaker 1>most relaxing state open air, moving water, gentle breeze, and

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00:29:04.680 --> 00:29:07.200
<v Speaker 1>bird song. And so for those of you who are

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00:29:07.240 --> 00:29:09.839
<v Speaker 1>saying I'm frustrated because there's no way I'm gonna soundproof

473
00:29:09.920 --> 00:29:13.200
<v Speaker 1>my backyard, you don't have to plant some more trees,

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00:29:13.640 --> 00:29:16.720
<v Speaker 1>break out the bird feeder, get a little fountain going,

475
00:29:17.279 --> 00:29:21.480
<v Speaker 1>sit out there, enjoy and watch your blood pressure drop.

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00:29:22.480 --> 00:29:25.880
<v Speaker 1>Sound masking not soundproofing when it comes to the backyard.

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<v Speaker 1>All right, I am literally right at the edge of

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00:29:28.960 --> 00:29:33.359
<v Speaker 1>our time today it has breezed by, as it always does.

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<v Speaker 1>I appreciate you so much for being with me. I

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00:29:36.160 --> 00:29:39.599
<v Speaker 1>hope that this lesson on sound control for your home

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00:29:39.799 --> 00:29:42.759
<v Speaker 1>is of great benefit to you. Don't forget. We are

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00:29:42.759 --> 00:29:47.519
<v Speaker 1>doing special coverage of the situation in Iran and the

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00:29:47.880 --> 00:29:52.599
<v Speaker 1>protests downtown starting in just a couple of minutes, and

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00:29:52.640 --> 00:29:56.160
<v Speaker 1>we will be doing that throughout the afternoon. So if

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00:29:56.200 --> 00:29:59.359
<v Speaker 1>you need to be updated on that, go nowhere. I'm

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<v Speaker 1>going to leave you with this quick thought today. One

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<v Speaker 1>of the most interesting parts of being perceived as an

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00:30:03.920 --> 00:30:07.799
<v Speaker 1>expert or an authority on some subject is the influence

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00:30:07.839 --> 00:30:11.480
<v Speaker 1>to give other people permission. I'm often told by our

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00:30:11.559 --> 00:30:14.240
<v Speaker 1>design clients and our listeners how important it was for

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00:30:14.319 --> 00:30:18.119
<v Speaker 1>them that I gave them permission for something, permission to

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00:30:18.160 --> 00:30:20.519
<v Speaker 1>design your home to your life, or permission to be

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00:30:20.559 --> 00:30:24.000
<v Speaker 1>bold or be brave or unique or be an individual.

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<v Speaker 1>And I know how important that is in my own life.

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00:30:26.359 --> 00:30:29.119
<v Speaker 1>I live with somebody who every day gives me permission

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00:30:29.160 --> 00:30:33.640
<v Speaker 1>to be fully, unapologetically me. Thank you, Tina, and also

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00:30:33.759 --> 00:30:37.680
<v Speaker 1>I'm sorry for that the very fact that I'm taking

498
00:30:37.799 --> 00:30:39.839
<v Speaker 1>valuable radio time at the end of the show to

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00:30:39.880 --> 00:30:43.680
<v Speaker 1>share personal thoughts and feelings is because years ago, my

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00:30:43.799 --> 00:30:47.480
<v Speaker 1>brilliant program director and radio mentor gave me permission to

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00:30:47.480 --> 00:30:49.880
<v Speaker 1>be one hundred percent me when I am spending time

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00:30:49.920 --> 00:30:54.240
<v Speaker 1>with you. So getting permission from those that we love

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00:30:54.480 --> 00:30:57.400
<v Speaker 1>or respect, or love and respect it can be life changing.

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<v Speaker 1>And I'm certainly not in charge of you or your home.

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00:31:00.799 --> 00:31:03.640
<v Speaker 1>But if you're listening for permission, then let me give

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00:31:03.680 --> 00:31:08.920
<v Speaker 1>it to you here. It is pursue your passion, discover

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00:31:09.000 --> 00:31:14.440
<v Speaker 1>your joy, live your life on your terms. You do you,

508
00:31:14.960 --> 00:31:18.599
<v Speaker 1>and then get out there and get busy building yourself

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<v Speaker 1>a beautiful life. Guys, have a great, great rest of

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00:31:23.079 --> 00:31:26.039
<v Speaker 1>your weekend and a great week lying ahead. I will

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00:31:26.079 --> 00:31:31.559
<v Speaker 1>wave to you this week from the Eastern Sierras, and

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00:31:32.119 --> 00:31:35.599
<v Speaker 1>we will see you right back here next weekend. This

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<v Speaker 1>has been Home with Dean Sharp the House Whisper. Tune

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00:31:39.240 --> 00:31:42.240
<v Speaker 1>into the live broadcast on KFI Am six forty every

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00:31:42.279 --> 00:31:45.480
<v Speaker 1>Saturday morning from six to eight Pacific time, and every

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00:31:45.519 --> 00:31:49.319
<v Speaker 1>Sunday morning from nine to noon Pacific time, or anytime

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00:31:49.440 --> 00:31:51.960
<v Speaker 1>on demand on the iHeart Radio app.
