1
00:00:00,080 --> 00:00:02,200
Speaker 1: Hello, and good morning, babe. How are you doing today?

2
00:00:03,839 --> 00:00:04,400
Speaker 2: How's it going?

3
00:00:04,759 --> 00:00:07,839
Speaker 1: Absolutely fantastic, Very excited to talk with you, because you

4
00:00:08,000 --> 00:00:12,000
just have this way of creating amazing stories, not just

5
00:00:12,039 --> 00:00:15,160
for the young adult readers, but even me the adult.

6
00:00:15,199 --> 00:00:17,399
I mean, this book is really for everybody.

7
00:00:19,480 --> 00:00:21,160
Speaker 2: I appreciate that.

8
00:00:21,120 --> 00:00:23,120
Speaker 1: To get into that space, though, I mean, what what

9
00:00:23,160 --> 00:00:25,480
do you do with your disciplines as a writer in

10
00:00:25,600 --> 00:00:28,239
order to speak with a lot of people who just

11
00:00:28,280 --> 00:00:31,800
want that moment of escapism.

12
00:00:32,039 --> 00:00:34,280
Speaker 3: I just try to write the best one I can

13
00:00:34,679 --> 00:00:37,640
try to keep you get around having kids, kind of

14
00:00:37,719 --> 00:00:40,399
keep that kind of child like Joey and wonder about you,

15
00:00:39,799 --> 00:00:41,719
and that kind of keeps you feeling young.

16
00:00:41,759 --> 00:00:43,520
Speaker 2: When you feel you you can write, you know, kind

17
00:00:43,520 --> 00:00:45,560
of little, kind of fun stuff. So that's what I

18
00:00:45,600 --> 00:00:46,000
always think.

19
00:00:46,000 --> 00:00:49,399
Speaker 1: I can say, Well, let's talk about this book cover.

20
00:00:49,520 --> 00:00:52,159
This this is Hollywood. I mean, this book cover itself.

21
00:00:52,359 --> 00:00:54,960
I want bookstores to not just put it on the shelf.

22
00:00:55,000 --> 00:00:56,479
I want them to turn it so we can see

23
00:00:56,479 --> 00:00:59,880
the book and go, WHOA, what is this all about?

24
00:01:02,240 --> 00:01:04,359
Speaker 2: Yeah? We got really lucky with the book covers. Man.

25
00:01:04,400 --> 00:01:07,280
Speaker 3: We got two great ours, one here in the United

26
00:01:07,319 --> 00:01:08,560
States and the one internationally.

27
00:01:08,799 --> 00:01:10,840
Speaker 2: She's based out of the UK, and.

28
00:01:10,840 --> 00:01:13,239
Speaker 3: They do write that made this the most beautiful covers,

29
00:01:13,239 --> 00:01:16,120
the really eye catching and we couldn't have got more lucky.

30
00:01:16,319 --> 00:01:17,439
Speaker 2: I'm really I'm really grateful.

31
00:01:17,840 --> 00:01:20,200
Speaker 1: So when you have a character like Amari and and

32
00:01:20,239 --> 00:01:23,840
you marginalize Amari, how you know? What I love about

33
00:01:23,840 --> 00:01:26,920
this is that everybody can relate with it. It's like, oh, oh,

34
00:01:27,040 --> 00:01:28,560
this is this book could be about me?

35
00:01:31,079 --> 00:01:31,680
Speaker 2: Yeah, definitely.

36
00:01:31,760 --> 00:01:35,519
Speaker 3: I think, you know, with Tomorrow, she's constantly a situation

37
00:01:35,599 --> 00:01:38,760
where she's kind of like the other and I think

38
00:01:38,959 --> 00:01:41,239
we've all been. Everybody can watch everybody's been in a

39
00:01:41,239 --> 00:01:42,920
situation where they were like the people.

40
00:01:42,640 --> 00:01:44,200
Speaker 2: Around them, but you know, walking in a room like.

41
00:01:44,159 --> 00:01:45,719
Speaker 3: Man, I'm kind of different everybody else there, you know,

42
00:01:46,200 --> 00:01:48,519
And I think that's just a little experience that everybody has.

43
00:01:48,519 --> 00:01:50,280
And so I think just kind of showing how she

44
00:01:50,319 --> 00:01:51,959
feels with that and how she goes through that and

45
00:01:52,359 --> 00:01:54,359
learns to find her voice, and they're so confident, and

46
00:01:54,359 --> 00:01:57,079
I think that's I think it's a powerful story. Definitely,

47
00:01:57,280 --> 00:01:59,560
definitely something powerful for kids to see and learn. So

48
00:01:59,719 --> 00:02:02,359
I think, uh, I think it's I think I think

49
00:02:02,359 --> 00:02:03,599
it's just great for sure.

50
00:02:03,480 --> 00:02:05,359
Speaker 1: And it's coming out at such a perfect time because

51
00:02:05,359 --> 00:02:08,120
school is back in session and so many students are

52
00:02:08,159 --> 00:02:10,759
going into new schools or they're in new classrooms, and

53
00:02:10,800 --> 00:02:13,639
they need something like an Amari for them to say

54
00:02:13,840 --> 00:02:15,800
that this is my image. I mean, I see how

55
00:02:15,800 --> 00:02:18,520
she's working through the troubles and and and growing up

56
00:02:18,520 --> 00:02:21,000
and and and you know, fighting different things. I can

57
00:02:21,039 --> 00:02:23,000
be this way as well. I mean, the release of

58
00:02:23,000 --> 00:02:24,240
this book is perfect timing.

59
00:02:26,080 --> 00:02:26,280
Speaker 2: Yeah.

60
00:02:26,280 --> 00:02:28,879
Speaker 3: Absolutely, you got kids going in to new schools, and

61
00:02:28,879 --> 00:02:31,840
you got you know, Alexit, that whole that whole age group,

62
00:02:31,919 --> 00:02:34,759
that kind of the middle grade age group, that elementary

63
00:02:34,759 --> 00:02:36,800
school and middle school is you know, they're trying to

64
00:02:36,960 --> 00:02:38,879
kind of find their foot in life, honestly, right just

65
00:02:39,000 --> 00:02:41,199
kind of step out of their parents face, little world

66
00:02:41,199 --> 00:02:43,159
they kind of created upon the little kid, and they're

67
00:02:43,159 --> 00:02:46,520
pulling their own thoughts, their own opinions, and so, you know,

68
00:02:46,719 --> 00:02:48,560
I think that's why fantasy books is so excited for

69
00:02:48,599 --> 00:02:50,719
those you know, who knows what's out there in.

70
00:02:50,680 --> 00:02:52,719
Speaker 2: The real world, and that's kind of a funny way

71
00:02:52,719 --> 00:02:55,360
to explore is reading fantasy books. That's one of the

72
00:02:55,400 --> 00:02:56,120
reasons I like them.

73
00:02:56,439 --> 00:02:58,159
Speaker 1: I wish you could be a fly on the wall

74
00:02:58,199 --> 00:03:00,520
at my essential job. When when I get to talk

75
00:03:00,560 --> 00:03:02,759
with these young adults and when I tell them that

76
00:03:02,800 --> 00:03:04,919
I'm going to share a conversation with bb Awson. You

77
00:03:04,919 --> 00:03:08,080
should see their eyes they know you. They I mean

78
00:03:08,080 --> 00:03:11,240
it's like they just they just expect great things from you.

79
00:03:11,599 --> 00:03:13,240
Do you get to see that with their eyes? Is

80
00:03:13,479 --> 00:03:14,479
as just huge?

81
00:03:16,479 --> 00:03:19,719
Speaker 2: Yeah, I mean haven't haven't you had the readers? It's

82
00:03:19,759 --> 00:03:20,960
probably the best age.

83
00:03:21,120 --> 00:03:23,680
Speaker 3: Like I know, probably other type of others like disagree

84
00:03:23,759 --> 00:03:26,199
to all other vets, but I think kid I think

85
00:03:26,280 --> 00:03:27,080
kid readers.

86
00:03:26,800 --> 00:03:29,000
Speaker 2: Are pubably the VET and they're the one genuine They

87
00:03:29,039 --> 00:03:31,439
get the most excited, you know, they they said is

88
00:03:31,479 --> 00:03:35,599
amazing letters and emails and bestages and stuff. I love them.

89
00:03:35,560 --> 00:03:36,479
They're amazing.

90
00:03:37,520 --> 00:03:39,439
Speaker 1: And you're so down to earth, pebe in the way

91
00:03:39,439 --> 00:03:42,680
that you're not afraid to bring up racism, classism as

92
00:03:42,719 --> 00:03:45,479
well as prejudice. I mean you you're giving them their

93
00:03:45,520 --> 00:03:49,080
their world. But in book form.

94
00:03:49,240 --> 00:03:51,680
Speaker 3: Yeah, absolutely, I think I like we were saying, the idea

95
00:03:51,680 --> 00:03:53,800
of otherness is something we all we've all experienced, all

96
00:03:53,879 --> 00:03:54,680
we see a playout in.

97
00:03:54,680 --> 00:03:56,479
Speaker 2: Every day lives and as adults, right, you.

98
00:03:56,439 --> 00:03:59,319
Speaker 3: See it, it's like class and religion and political beliefs.

99
00:03:59,319 --> 00:04:00,800
Speaker 2: You know, there's somebody that divide us.

100
00:04:00,800 --> 00:04:03,479
Speaker 3: And so I think learning that sheet people who are

101
00:04:03,479 --> 00:04:05,759
different than us try to That's one of the big

102
00:04:05,800 --> 00:04:07,280
big lessons I hope they get from the books. The

103
00:04:07,319 --> 00:04:10,000
chreat people who are different. You know, there's still people, right,

104
00:04:10,039 --> 00:04:12,280
There's still there's still thinks about them that make them

105
00:04:12,360 --> 00:04:15,199
human and worth loving and getting to know. And so

106
00:04:15,240 --> 00:04:16,360
I hope that comes through in the book.

107
00:04:16,480 --> 00:04:20,000
Speaker 1: Yeah, well, just because Amari is even though Amari is

108
00:04:20,000 --> 00:04:23,480
the chosen One, it's not an overnight sensation chosen one.

109
00:04:23,519 --> 00:04:26,480
I mean you you allow us to experience the journey,

110
00:04:26,560 --> 00:04:29,360
the challenges and and the changes that Amari goes through.

111
00:04:31,519 --> 00:04:33,360
Speaker 3: Absolutely, I think I think that's what makes any book

112
00:04:33,439 --> 00:04:35,600
fun is seeing kind of seeing the journey right say,

113
00:04:35,639 --> 00:04:37,519
where they started when she's trying to just in your

114
00:04:37,560 --> 00:04:40,360
girls down on herself and you know that then then

115
00:04:40,839 --> 00:04:42,519
would know what she sets in the world, and see

116
00:04:42,519 --> 00:04:43,199
how she gets.

117
00:04:43,000 --> 00:04:44,360
Speaker 2: To the end of the book and the end of

118
00:04:44,360 --> 00:04:46,560
the series and she's like, you know, she found her

119
00:04:46,639 --> 00:04:49,360
voice and she found her confidence. I think that just

120
00:04:49,399 --> 00:04:50,360
makes me a great story.

121
00:04:50,360 --> 00:04:51,959
Speaker 3: And I hope I hope people hope people get to

122
00:04:52,000 --> 00:04:53,240
read that and feel that too.

123
00:04:54,639 --> 00:04:56,439
Speaker 1: With you being a part of a trilogy like this,

124
00:04:56,600 --> 00:04:58,920
Was this something that you saw from day one? Or

125
00:04:59,079 --> 00:05:01,279
did you have to use great continuity in the way

126
00:05:01,279 --> 00:05:03,240
of saying, I've got to make this work. It's all

127
00:05:03,240 --> 00:05:05,519
got to balance out. Oh man, I've got to go

128
00:05:05,519 --> 00:05:07,319
back and read my first two books.

129
00:05:08,839 --> 00:05:11,959
Speaker 3: Well, it's funny you say that, because I'm terrible. I

130
00:05:12,000 --> 00:05:15,160
remember in details, all all.

131
00:05:15,079 --> 00:05:16,879
Speaker 2: The details, the worst memory.

132
00:05:17,160 --> 00:05:19,079
Speaker 3: So I got like a notebook with all the little

133
00:05:19,079 --> 00:05:21,439
details and stuff to keep me on track. But yeah,

134
00:05:21,639 --> 00:05:24,000
you definite have to fan out the vance otherwise you

135
00:05:24,079 --> 00:05:26,800
get stuck or get lost in the leads. Uh. And

136
00:05:27,079 --> 00:05:29,279
that's gonna be two more books now, so hopefully, you know,

137
00:05:29,279 --> 00:05:30,480
hopefully they stick with me.

138
00:05:31,519 --> 00:05:33,959
Speaker 1: I just don't know because I've I've written books, but

139
00:05:34,000 --> 00:05:36,040
I've never written, you know, like a follow up book

140
00:05:36,079 --> 00:05:38,480
or anything like that, because I'm always afraid that people

141
00:05:38,519 --> 00:05:41,199
want to know everything right now, and and and you're

142
00:05:41,240 --> 00:05:43,519
proving to other writers that you don't have to do

143
00:05:43,600 --> 00:05:44,879
everything right now.

144
00:05:47,399 --> 00:05:48,879
Speaker 2: I think the Kid is just I think the Kid

145
00:05:48,920 --> 00:05:50,720
is the cli of my art.

146
00:05:50,879 --> 00:05:52,920
Speaker 3: But just leave a couple of things unanswered, and I

147
00:05:53,079 --> 00:05:55,279
think that's what keeps a came back from took for

148
00:05:55,279 --> 00:05:57,959
a book to I didn't find that balance is tricky because,

149
00:05:58,399 --> 00:06:00,480
like you know, if you don't answer enough questions that

150
00:06:00,519 --> 00:06:02,720
get they're unsatisfied, and if you added.

151
00:06:02,519 --> 00:06:04,439
Speaker 2: Too many questions, and that the reason read the second

152
00:06:04,439 --> 00:06:06,639
book so they can find that balance is key.

153
00:06:07,199 --> 00:06:09,079
Speaker 1: Well. One of the reasons why my wife, who is

154
00:06:09,120 --> 00:06:12,600
a school teacher, loves reading about Amari is that she's

155
00:06:12,639 --> 00:06:15,240
always telling me there are easter eggs in there. I'm

156
00:06:15,240 --> 00:06:16,759
not going to tell you where they are. You've got

157
00:06:16,800 --> 00:06:19,240
to find them yourself. And and it does. It puts

158
00:06:19,240 --> 00:06:21,920
me on that page to where I'm always very interested

159
00:06:21,959 --> 00:06:24,560
on where you're taking me as that author.

160
00:06:26,639 --> 00:06:28,079
Speaker 2: Yeah, I think five.

161
00:06:28,759 --> 00:06:31,839
Speaker 3: I like having little spot little jokes, just what only

162
00:06:31,959 --> 00:06:33,800
notes will get like a tax stokes and think in

163
00:06:33,800 --> 00:06:36,160
the first book, like don't think many kids text jokes,

164
00:06:36,480 --> 00:06:37,680
but bis.

165
00:06:37,480 --> 00:06:38,600
Speaker 2: Will get a kick out of that. And so I

166
00:06:38,639 --> 00:06:40,480
try to speak a little something everybody in there.

167
00:06:41,240 --> 00:06:44,800
Speaker 1: So now, because there is so much excitement and adventure,

168
00:06:45,079 --> 00:06:48,240
what are you experiencing when your fingers are on that keyboard,

169
00:06:48,279 --> 00:06:51,040
Because I mean it hasn't even reached us yet, so

170
00:06:51,160 --> 00:06:52,879
you've got to be laughing. You to be on the

171
00:06:53,000 --> 00:06:54,959
edge with anxiety and stuff like that as well, when

172
00:06:55,000 --> 00:06:57,199
when you're when you're just building the story.

173
00:06:59,040 --> 00:07:01,720
Speaker 3: Yeah, definitely, I think, you know, just I try to

174
00:07:01,720 --> 00:07:03,879
write the stories for myself, for person, and foremost right

175
00:07:03,920 --> 00:07:06,279
just trying something I enjoy. I think it's humorous, I

176
00:07:06,279 --> 00:07:08,360
think it's exciting, and you just have to kind of

177
00:07:08,360 --> 00:07:11,000
hope that translates to the reader and I so far

178
00:07:11,040 --> 00:07:12,399
I've been able to do that, and I hope that

179
00:07:12,639 --> 00:07:14,439
I hope that comes across the end the story.

180
00:07:15,079 --> 00:07:17,600
Speaker 1: If that moment comes when you get that phone call

181
00:07:17,639 --> 00:07:20,480
from Hollywood, would you make this an animation or would

182
00:07:20,519 --> 00:07:22,839
you have real people acting out the part of Amari?

183
00:07:24,800 --> 00:07:27,000
Speaker 2: Well, you know, that's like the universe has has it

184
00:07:27,120 --> 00:07:29,279
rights right now, and I know they want to do

185
00:07:29,319 --> 00:07:33,079
a live action, but I'll totally open to animation. I

186
00:07:33,079 --> 00:07:35,720
think it'll be amazing and animation. So this is actually

187
00:07:35,720 --> 00:07:37,199
gonna be a big year as far as the movie planning.

188
00:07:37,240 --> 00:07:38,959
So hopefully we'll know something concrete real.

189
00:07:39,000 --> 00:07:41,439
Speaker 1: So oh, I hope so too, because you've definitely got that.

190
00:07:41,600 --> 00:07:44,639
But but but when you relinquish your story to Hollywood, though,

191
00:07:44,680 --> 00:07:46,759
I mean, do they get to change it or is

192
00:07:46,759 --> 00:07:49,000
it it has to stay one d percent yours.

193
00:07:50,720 --> 00:07:53,120
Speaker 2: Oh man, what once you said it over? It's kind

194
00:07:53,160 --> 00:07:54,600
of it's kind of there to do they want with.

195
00:07:54,680 --> 00:07:56,079
I mean, the most you can do is kind of

196
00:07:56,120 --> 00:07:57,800
like just how to find people who kind of have the.

197
00:07:57,800 --> 00:08:01,240
Speaker 3: Same fision you have or uh so yeah, once you

198
00:08:01,279 --> 00:08:03,439
once you you know, sign sign those doccuments.

199
00:08:03,480 --> 00:08:04,439
Speaker 2: It's kind of layers to do what.

200
00:08:04,360 --> 00:08:06,279
Speaker 3: They want because anyone's kind of putting the money and

201
00:08:06,279 --> 00:08:07,399
you know the bestment to it.

202
00:08:07,759 --> 00:08:10,240
Speaker 2: So it's really it's really important to buying people who

203
00:08:10,839 --> 00:08:11,240
share the.

204
00:08:11,160 --> 00:08:14,279
Speaker 3: Same visions that and honestly, I'm cool as long as

205
00:08:14,279 --> 00:08:15,720
the heart of the story is there. You know, they

206
00:08:15,759 --> 00:08:17,800
can change the details as long as the hardest there.

207
00:08:17,800 --> 00:08:20,079
Speaker 2: I think. I think it is that reason the appytude.

208
00:08:20,600 --> 00:08:22,680
Speaker 1: What is your daily writing discipline? I mean I have

209
00:08:22,720 --> 00:08:24,519
to be up at seven am every day to put

210
00:08:24,519 --> 00:08:26,519
my pen to paper. What what what is your discipline

211
00:08:26,600 --> 00:08:27,199
or writing time?

212
00:08:28,759 --> 00:08:30,519
Speaker 2: Oh definitely, I definitely have to do the first thing

213
00:08:30,519 --> 00:08:32,200
in the morning, because if I wait the afternoon, I

214
00:08:32,240 --> 00:08:34,799
started to get sleepy and just sack that it's nothing.

215
00:08:34,840 --> 00:08:38,240
I get the h if I don't do it first thing.

216
00:08:38,240 --> 00:08:41,240
In a way, it's a long day for me, I'm there.

217
00:08:42,519 --> 00:08:44,480
Speaker 1: Do you start off with the writing instrument or do

218
00:08:44,519 --> 00:08:45,480
you go right to the computer?

219
00:08:47,559 --> 00:08:49,559
Speaker 2: Oh? Well, A lot of times I'll get my couple

220
00:08:49,559 --> 00:08:50,399
of coffee first, and.

221
00:08:50,679 --> 00:08:53,000
Speaker 3: I'll kind of tell you to for maybe thirty minutes,

222
00:08:53,039 --> 00:08:54,480
and then I'll then I'll have to get off and

223
00:08:54,480 --> 00:08:55,039
start going.

224
00:08:55,320 --> 00:08:57,799
Speaker 1: Oh man, BB, that cup of coffee. I'm facing a

225
00:08:57,799 --> 00:09:00,000
big wall today because there was this brand new bread

226
00:09:00,240 --> 00:09:01,919
that was on sale. I bought it and then I

227
00:09:01,960 --> 00:09:04,759
realized this morning it says decaf. It's like, what did

228
00:09:04,799 --> 00:09:05,600
I do to myself?

229
00:09:10,480 --> 00:09:12,720
Speaker 2: Oh man, man, I can imagine.

230
00:09:14,240 --> 00:09:16,360
Speaker 1: All right, Where can people go to find out more

231
00:09:16,399 --> 00:09:19,000
about you, Bb, and especially about a Mari?

232
00:09:21,240 --> 00:09:23,879
Speaker 3: Well you get My website is BB Austin dot com.

233
00:09:23,960 --> 00:09:26,080
You can find me on on Twitter or I can

234
00:09:26,080 --> 00:09:29,679
it's called x now or Instagram at BB Underscore Austin

235
00:09:29,759 --> 00:09:31,919
and Maris and bookstores everywhere.

236
00:09:32,320 --> 00:09:33,720
Speaker 2: So yeah, just let me up.

237
00:09:34,039 --> 00:09:35,559
Speaker 1: You got to come back to the show anytime in

238
00:09:35,559 --> 00:09:37,159
the future. You know, the door is always going to

239
00:09:37,200 --> 00:09:37,679
be open for you.

240
00:09:37,759 --> 00:09:41,120
Speaker 2: BB. Oh man, I'd be happy to you. I love

241
00:09:41,159 --> 00:09:41,679
talking to you.

242
00:09:42,240 --> 00:09:43,960
Speaker 1: Will you be brilliant today? Okay?

243
00:09:44,759 --> 00:09:46,320
Speaker 2: All right, man, I appreciate you

