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<v Speaker 1>Welcome. This is Marcia for Radio I and today I

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<v Speaker 1>will be reading National Geographic History Magazine. As a reminder,

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<v Speaker 1>Radio I is a reading service intended for people who

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<v Speaker 1>are blind or have other disabilities that make it difficult

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<v Speaker 1>to read printed material. Please join me now for the

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<v Speaker 1>first article entitled Thracian Treasure Buried Gold of the Balkans

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<v Speaker 1>Across Bulgaria, Romania, Greece and Turkey. The Thracians buried caches

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<v Speaker 1>of treasure. Since the mid twentieth century, these exquisite gold

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<v Speaker 1>and silver pieces have been coming to light, revealing unexpected

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<v Speaker 1>traits of this ancient peopil. This article by Hangel Carlos

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<v Speaker 1>Perez Aguero. For the longest time, little was known about

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<v Speaker 1>the ancient Thracians, a group of highly diverse tribes of

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<v Speaker 1>Indo European origin. At the beginning of the fourth millennium

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<v Speaker 1>b c. They settled in what is today European Turkey,

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<v Speaker 1>Eastern Greece, and Bulgaria. At the art of the Middle Ages,

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<v Speaker 1>Slavic migrants joined the mix. Thracians left behind few of

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<v Speaker 1>their own written records. Most documentation comes from the ancient Greeks,

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<v Speaker 1>who primarily portrayed the Thracians as barbarians. They appear, for example,

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<v Speaker 1>several times in Homer's Iliad as allies of Troy. Later

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<v Speaker 1>in the tale, the Thracian king Rhesus makes an appearance.

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<v Speaker 1>In the fifth century b c. Write writers Herodotus, Thucydides,

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<v Speaker 1>and Xenophon described them as warriors and mercenaries in their accounts,

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<v Speaker 1>usually depicted in battle attire. The Thracians also are believed

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<v Speaker 1>to appear on Athenian made red figure ceramics. Several relatively

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<v Speaker 1>recent archaeological discoveries have greatly expanded what is known about

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<v Speaker 1>the Thracians. Their monumental city of Suthopolis was uncovered in

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<v Speaker 1>nineteen forty eight during the construction of a reservoir near

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<v Speaker 1>the town of Kazanlach in central Bulgaria. Built between three

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<v Speaker 1>two five and three one, the fortified city served as

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<v Speaker 1>the capital of the Odrysian Kingdom of Thrace and was

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<v Speaker 1>the personal residence of King Suthis. It proved the Thracians

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<v Speaker 1>did in fact establish lasting political organizations. Additional stunning fines

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<v Speaker 1>were uncovered between nineteen forty eight and nineteen eighty five.

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<v Speaker 1>These different hordes of silver and gold objects were named

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<v Speaker 1>for the areas where they were found. They date back

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<v Speaker 1>mainly to the Classical period fifth to fourth centuries b

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<v Speaker 1>C and to the beginning of the Hellenistic period third

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<v Speaker 1>century BC, although some date from both earlier and later periods.

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<v Speaker 1>One of the most recent discoveries came in two thousand four.

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<v Speaker 1>Archaeologists excavating the Svititsana burial mound in Schipka, central Bulgaria

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<v Speaker 1>uncovered a solid gold funerary mask weighing over a pound

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<v Speaker 1>and a half. They also found bronze armor, weapons, silverware,

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<v Speaker 1>and Greek sramic from the fifth century BC. Aside from

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<v Speaker 1>the immense monetary value of the objects, these discoveries provided

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<v Speaker 1>ground bak breaking insights into Thracian society. Thracians enjoyed a

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<v Speaker 1>fairly advanced culture, noted for its exquisite artisans, a rich

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<v Speaker 1>heritage of myths and beliefs, and a developed economy based

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<v Speaker 1>on crafts, agriculture, and trade. In nineteen forty nine, three

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<v Speaker 1>brothers digging for clay to make bricks at a tile

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<v Speaker 1>factory near the city of Panajerishta in northern a southern Bulgaria,

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<v Speaker 1>unearthed nine perfectly preserved solid gold containers weighing over thirteen

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<v Speaker 1>pounds in total, they had accidentally discovered what would become

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<v Speaker 1>known as the Panajerishta. Treasure. Pieces included a double handled anphra,

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<v Speaker 1>three small jugs for wine with disc shaped mouths called ulpas,

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<v Speaker 1>a shala bowl probably used to make libations for the divinities,

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<v Speaker 1>called a fiale, and four ceremonial drinking vessels shaped like

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<v Speaker 1>animal horns called rytons. Zoomorphic or mythological motifs typical of

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<v Speaker 1>the Greek figurative repertoire, including Dionysius of Paolo and Artemis,

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<v Speaker 1>decorate the pieces. There thought to have been a table

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<v Speaker 1>service for a ceremonial symposium. The vessels date from the

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<v Speaker 1>end of the fourth or beginning of the third century BC.

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<v Speaker 1>Some experts associate them with King Suthus the Third, who

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<v Speaker 1>served who lived at that time, although the evidence is

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<v Speaker 1>not conclusive. The only inscriptions visible on the vessels mentioned

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<v Speaker 1>the Greek polis of Lampsacus, located on the southern coast

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<v Speaker 1>of the Hellespontus, now known as Dardenell's. They suggest that

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<v Speaker 1>the pieces were cast in the workshops of that city. However,

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<v Speaker 1>it seems likely that the gold itself came from the

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<v Speaker 1>substantial gold deposits on Mount Pangaeon, located in the southern

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<v Speaker 1>Thracian territory near Biegean coast Bivoro Treasure. In nineteen seventy four,

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<v Speaker 1>while plowing near the town of Bavoro Berovo in central

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<v Speaker 1>North Bulgaria near the Danube, agricultural workers unearthed another Thracian treasure.

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<v Speaker 1>This horde consisted of five silver vessels with details applied

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<v Speaker 1>in gold, three rytons, an ovoid opa and a wide bowl.

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<v Speaker 1>Restoration work brought back the Borrovo treasures. Dazzling appearance and

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<v Speaker 1>decorations of grif Greek mythological iconography were revealed. Other traits, meanwhile,

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<v Speaker 1>showed the influence of the Great Eastern Empire of Archimedid Persia,

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<v Speaker 1>into which Darius, the first King of Persia between five

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<v Speaker 1>twenty two and forty eighty six BC, had re subjugated Thrace.

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<v Speaker 1>One inscription mentions the king Cortus the First, who lived

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<v Speaker 1>in the first half of the fourth century BC and

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<v Speaker 1>ruled the ancient threeistion Odrisian state. While the treasure may

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<v Speaker 1>have been his, it could also have been a diplomatic

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<v Speaker 1>gift presented to another leader Rogozan Treasure. In the winter

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<v Speaker 1>of nineteen eighty five, a local from the village of

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<v Speaker 1>Rogozin in northwestern Bulgaria was working in his orchard when

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<v Speaker 1>he came across the first piece of another huge collection

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<v Speaker 1>of Thracian treasure. The Rogozan Treasure is the largest of

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<v Speaker 1>the Thracian hordes found so far, and is one of

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<v Speaker 1>the largest in all of European antiquity. It consists of

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<v Speaker 1>one hundred and eight phili, forty five ole pays and

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<v Speaker 1>three goblets with embrasse embossed figurative decoration, mostly silver with

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<v Speaker 1>some gold additions. In total, the pieces weigh over forty

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<v Speaker 1>four pounds. It striking that the weight of some pieces

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<v Speaker 1>corresponds exactly to both Macedonian and Persian units of measure,

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<v Speaker 1>which suggests that the pieces could have been produced with

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<v Speaker 1>the intention of using them as payments in metal. There

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<v Speaker 1>are a notable variety of styles and designed evolution in

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<v Speaker 1>this hoard, suggesting the pieces were made and collected at

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<v Speaker 1>different times. The names of Thrician kings from various periods

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<v Speaker 1>are engraved on the vessels, which suggests the treasure was

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<v Speaker 1>added to during the fifth and fourth centuries b C.

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<v Speaker 1>Experts believe the collection could be the dynastic trousseau of

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<v Speaker 1>a wealthy family, accumulated by several generations over a hundred

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<v Speaker 1>fifty years or more. For some unknown reason, the treasure

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<v Speaker 1>was buried by its owners and never recovered. It stayed

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<v Speaker 1>safely stored under ground until its discovery at the end

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<v Speaker 1>of the last century. Other hordes have been discovered, including

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<v Speaker 1>the fourth century b C. Leu Covit Treasure nineteen fifty three,

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<v Speaker 1>whose silver objects include equestrian scenes such as two horsemen

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<v Speaker 1>chasing lions, perhaps representing the glorification of royal power. The

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<v Speaker 1>let Nitze Treasure nineteen sixty three included twenty two gold

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<v Speaker 1>and silver gilt appocades that decorate horse trappings. They were

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<v Speaker 1>adorned with scenes that depict the idea of a hero,

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<v Speaker 1>shedding light on the mythological beliefs of the ancient Thracians.

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<v Speaker 1>A fascinating aspect of the Thracian treasure hoardes is that,

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<v Speaker 1>unlike most of the other discoveries found in Bulgaria, they

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<v Speaker 1>are not related to one specific archaeological site. Specialists believe

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<v Speaker 1>they were deliberately hidden by the Thracians themselves in a

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<v Speaker 1>variety of locations far removed from settled site. Experts have

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<v Speaker 1>come up with various theories as to why this might be.

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<v Speaker 1>Some believe the vessels are ex votos offered by the

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<v Speaker 1>Thracians to gods or spirits associated with the earth or

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<v Speaker 1>the underworld. There are several examples in antiquity of this

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<v Speaker 1>being done after a ritual, perhaps a symposium. Other researchers

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<v Speaker 1>suggest the pieces were buried in an attempt to keep

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<v Speaker 1>them safe from an unknown threat from local thieves to

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<v Speaker 1>outside invaders. There are many examples from other cultures of

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<v Speaker 1>bearing valuables to protect them, perhaps the most plausible explanation

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<v Speaker 1>given the great worth of the pieces, mysterious makers. Clearly

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<v Speaker 1>skillful metallurgists crafted the Thracian treasures, the question remains, who

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<v Speaker 1>were they. The iconography of the Thracian treasures closely resembles

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<v Speaker 1>that of classical Greek art. It's likely the creators of

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<v Speaker 1>these pieces was inspired by Hellenic fireclay methods. Other influences,

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<v Speaker 1>for example, Persian, are present in the fine craftsmanship. The

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<v Speaker 1>depiction of animals is similar to that of the nomadic

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<v Speaker 1>steppe people of the Scythians and a blend of Near

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<v Speaker 1>Eastern and Egyptian features similar to those found in Phrygian

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<v Speaker 1>art from Western Anatolia is also evident. So did the

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<v Speaker 1>Thracians produce them or did someone else. There is evidence

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<v Speaker 1>that local metallurgical traditions existed in Thrace from at least

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<v Speaker 1>the Copper Age, but the style of that work is

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<v Speaker 1>different from that of the treasures. Some experts believe the

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<v Speaker 1>treasures must have been imported from Greece, Persia, or elsewhere.

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<v Speaker 1>Others argue they were locally produced, but based on foreign

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<v Speaker 1>models destined to provide the Thracian kings with prestigious goods

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<v Speaker 1>in keeping with the fashion of the time. Whatever the

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<v Speaker 1>truth is, the existence of these treasures demonstrates that Thracian

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<v Speaker 1>society was far more complex than ancient Greek sources suggest

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<v Speaker 1>mingling ancient treasures, the Thracians left behind almost no written texts,

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<v Speaker 1>and the inscriptions that have been found are impossible to read,

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<v Speaker 1>as the Thracian language has not yet been deciphered. Instead,

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<v Speaker 1>the images that decorate their hidden treasures and their grave

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<v Speaker 1>goods give the best clues to their culture. These images

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<v Speaker 1>indicate that at least from classical times, syncretism was occurring

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<v Speaker 1>between Thracian and Hellenistic traditions. For example, the physiognomy of

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<v Speaker 1>some Greek gods and heroes, such as Dionysus and Heracles,

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<v Speaker 1>is evident in the representations of some Thracian divinities. The Thracians, however,

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<v Speaker 1>were not passive recipients of Helenek Helenek culture. They exported

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<v Speaker 1>their divinities too, such as Bendis, a goddess of the hunt,

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<v Speaker 1>who was worshiped in Attica and assimilated with the Greek

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<v Speaker 1>goddess Artemis local spin on Greek traditions. The male social

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<v Speaker 1>gatherings known as symposia became popular wherever the Greeks settled.

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<v Speaker 1>The Etruscans, Iberians, Romans, and Thracians who came into contact

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<v Speaker 1>with Greek colonies tended to adopt the tableware used at symposia,

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<v Speaker 1>the large crater from mixing wine with water, the jugs

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<v Speaker 1>for serving it, and vessels for drinking it. This tableware, however,

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<v Speaker 1>often was adapted to local preferences. The crater, for example,

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<v Speaker 1>was used in some cultures as an urn in which

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<v Speaker 1>to deposit the ashes of the deceased, something unthinkable for

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<v Speaker 1>the Hellenes. Thracian Kingdom. The Thracian tribe settled in a

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<v Speaker 1>territory that stretched along the shores of the Black Sea,

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<v Speaker 1>the Sea of Marmara, and the Aegean. In the fifth

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<v Speaker 1>and fourth centuries BC, the Odrysians establish a vast kingdom

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<v Speaker 1>that lasted until the rule of Alexander the Great, while

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<v Speaker 1>numerous Greek colonies prospered on the coast. Four ninety BC,

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<v Speaker 1>after the Persians withdraw the Odrisian king terries, the first

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<v Speaker 1>unites the Thracian tribes living between the Danube River and

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<v Speaker 1>the Rhodope Mountains three twenty five to three fifteen BC. Suthis,

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<v Speaker 1>the third king of the Odrisians, builds a city called

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<v Speaker 1>Southopolis and makes it his capital, the only known Thracian capital.

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<v Speaker 1>Its ruins are now beneath a reservoir. Eight forty six.

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<v Speaker 1>After the Roman emperor Claudius and his army conquered Thrace

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<v Speaker 1>in eighty forty six, the entirety of the Athracian territory

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<v Speaker 1>becomes a new Roman province. Next jewel of teenach Tetlan

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<v Speaker 1>Templo mayor by Isabel Bueno, rising over the Aztec capital

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<v Speaker 1>was once an imposing pyramid dedicated to two gods, Plata

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<v Speaker 1>and Zakopochli. Uncovered in nineteen seventy eight, The remains of

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<v Speaker 1>Templo Mayor have revealed the shocking rituals used to appease them.

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<v Speaker 1>For centuries, archaeologists searched in vain for Templo Mayor, which

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<v Speaker 1>they knew existed somewhere beneath modern day Mexico City, once

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<v Speaker 1>rising some one hundred sixty feet above the Aztec or Mexica,

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<v Speaker 1>as the Aztec referred to themselves, ceremonial center of Tinachtetlan,

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<v Speaker 1>the ancient campel of the Aztec Empire. The pyramid served

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<v Speaker 1>as the religious focal point and some say the center

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<v Speaker 1>of the Aztec universe. But then Hernan Cortes, head of

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<v Speaker 1>a joint force of Spanish troops and hundreds of thousands

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<v Speaker 1>of indigenous allies, conquered the city in fifteen twenty one,

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<v Speaker 1>badly damaging the pyramid. Over time, it gradually disappeared. Maps

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<v Speaker 1>and chronicles indicated that Templo Mayor lay beneath Mexico city

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<v Speaker 1>Metropolitan Cathedral. Once in a while, when work was carried

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<v Speaker 1>out in the city's subsoil, objects related to Templo Mayor

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<v Speaker 1>would appear. In seventeen ninety, a large statue of the

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<v Speaker 1>goddess Kotli Kue and a twenty four ton monolith called

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<v Speaker 1>the Sunstone or Aztec Calendar were found. In nineteen fourteen,

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<v Speaker 1>an archaeologists unearthed more remains that he linked to Templo Mayor.

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<v Speaker 1>A breakthrough came in nineteen seventy eight when, in the

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<v Speaker 1>course of some underground cabling work, electricity company workers made

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<v Speaker 1>the chance discovery of an eleven foot wide monolith depicting

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<v Speaker 1>Coyote bloch Siqui. In Aztec mythology, she is the goddess

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<v Speaker 1>of the Moon and sister of Huitzakopochli, the sun, to

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<v Speaker 1>whom the Templo Mayor was dedicated. Shockingly, the goddess was

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<v Speaker 1>portrayed as decapitated and dismembered. Archaeologists were riveted by the

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<v Speaker 1>fine and wadded to know more. An excavation team, overseen

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<v Speaker 1>by archaeologists Eduardo Matos Motezuma, was immediately launched. What emerged

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<v Speaker 1>from these diggings was the Templo Mayor, huge temple pyramid

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<v Speaker 1>that had served as the sacred center of the Aztec Empire,

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<v Speaker 1>writes archaeologist Michael E. Smith in the Aztecs. Over the

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<v Speaker 1>past forty five years. The team's painstaking work has brought

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<v Speaker 1>to light some of the most breathtaking Aztec artifacts ever found,

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<v Speaker 1>and with them came startling insights into major aspects of

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<v Speaker 1>Aztec religion, life, and society. The original Templa Mayor was

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<v Speaker 1>a simple thatched shrine built during the reign of its

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<v Speaker 1>coolto fourteen twenty seven to fourteen forty. Subsequent leaders ordered

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<v Speaker 1>its enlargement to commemorate their military victories or sometimes as

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<v Speaker 1>the result of flooding or other environmental problems. Excavations have

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<v Speaker 1>confirmed at least seven expansions. It may be surprising that

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<v Speaker 1>they preferred to enlarge the old temple instead of building

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<v Speaker 1>a new one, but there is a reason that has

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<v Speaker 1>to do with the special significance of the site itself.

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<v Speaker 1>According to myth, the god Huitzelapochili led the Aztec or

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<v Speaker 1>Mexico on their march from the mythical homeland of Atslan

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<v Speaker 1>to Lake Texcoco. There he showed the priests a small

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<v Speaker 1>island where an eagle was perched on a nopal cactus

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<v Speaker 1>called Tenochtli in Nahuatl, the language of the Mexico. The

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00:16:17.840 --> 00:16:19.840
<v Speaker 1>land was little more than a swamp, but these hardy

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<v Speaker 1>new inhabitants, almost totally uncultured, yet possessing an indomitable will.

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<v Speaker 1>According to renowned scholar Miguel Leon Portilla, founded tinach Lican

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<v Speaker 1>and built there the embryo of the Templo Mayor. It

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00:16:34.600 --> 00:16:37.159
<v Speaker 1>took the labor of thousands of people over many years

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<v Speaker 1>to construct this magnificent temple. The workers included not only

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00:16:41.080 --> 00:16:44.639
<v Speaker 1>the city's inhabitants, but also laborers from other towns that

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00:16:44.720 --> 00:16:48.039
<v Speaker 1>were dominated by the Aztec. These subjects were forced to

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00:16:48.080 --> 00:16:50.799
<v Speaker 1>work on government projects as part of their tribute to

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00:16:50.840 --> 00:16:54.759
<v Speaker 1>the empire. The Aztec also required them to provide building materials.

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<v Speaker 1>Refusal to collaborate could trigger a war, with the resulting

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<v Speaker 1>taking and sacrificing of Templo Mayor of Tinatchilkan thus became

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<v Speaker 1>a demonstration of the power of the Aztec rulers over

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00:17:08.880 --> 00:17:12.960
<v Speaker 1>the surrounding peoples. No doubt, the site was magnificent. Templo

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<v Speaker 1>Mayor hue te Kali in Nahuatl stood in the eastern

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00:17:18.240 --> 00:17:22.519
<v Speaker 1>part of the ceremonial center of tinach Likan. There were

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00:17:22.559 --> 00:17:27.519
<v Speaker 1>seventy eight buildings in this area, including temples, priestly residences, altars,

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00:17:27.559 --> 00:17:32.119
<v Speaker 1>a ballgame court, and sam Panthis racks on which human

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00:17:32.160 --> 00:17:37.000
<v Speaker 1>skulls were displayed. At its peak, Templo Mayor's final iteration

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00:17:37.680 --> 00:17:41.279
<v Speaker 1>was a truncated pyramid resting on a four tiered platform.

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<v Speaker 1>Twin staircases access to smaller temples atop the pyramid, each

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<v Speaker 1>dedicated to the city's main gods, Tlacloch and Huizepoltli. The

258
00:17:51.559 --> 00:17:55.519
<v Speaker 1>Koyakhotskuima monolith was found at the base of the stairs

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00:17:55.920 --> 00:18:00.759
<v Speaker 1>leading to the latter temple. Templo Mayor was built symbolically

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00:18:00.799 --> 00:18:06.200
<v Speaker 1>represent Quatapec, the sacred mountain where the sun god Huitzilopochepli

261
00:18:06.519 --> 00:18:09.160
<v Speaker 1>was born. The Aztec considered it to be the center

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00:18:09.200 --> 00:18:14.079
<v Speaker 1>of the world, from which the four axes that mark

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00:18:14.119 --> 00:18:17.160
<v Speaker 1>the courses of the universe embarked. The Templo Mayor was

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00:18:17.200 --> 00:18:20.720
<v Speaker 1>thus the point of intersection through which cosmic energy flowed,

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00:18:21.119 --> 00:18:24.880
<v Speaker 1>enabling communication between gods and men. The sacred mountain is

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<v Speaker 1>as important as the Cross in Christianity, says harbored historian

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00:18:29.200 --> 00:18:34.359
<v Speaker 1>of religions David Carrasco. Its pyramidal structure represented the three

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00:18:34.440 --> 00:18:37.839
<v Speaker 1>levels of the Aztec world view. The square platform on

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00:18:37.880 --> 00:18:40.880
<v Speaker 1>which the temple stood was the horizontal plane, where all

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00:18:40.960 --> 00:18:45.119
<v Speaker 1>living beings existed, while the pyramid represented the celestial level

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<v Speaker 1>and below it was the underworld. Templo Mayora was a

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00:18:48.519 --> 00:18:52.319
<v Speaker 1>tangible display of life and death, beginning and end. Even

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00:18:52.359 --> 00:18:56.200
<v Speaker 1>the two temples that crowned it reflected this symbolism. Plalak,

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00:18:56.599 --> 00:19:01.799
<v Speaker 1>as an aquatic divinity, represented life and substance for agricultural

275
00:19:01.839 --> 00:19:05.839
<v Speaker 1>people such as the Aztec, while Hitzlo Pochali was the

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00:19:05.839 --> 00:19:09.640
<v Speaker 1>god of war and death, sunset and sunrise. The temple

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00:19:09.720 --> 00:19:15.640
<v Speaker 1>also commemorated the victory of Huitzlopochli over his innumerable brothers, who,

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<v Speaker 1>according to the myth, had conspired against him and paid

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00:19:18.880 --> 00:19:24.039
<v Speaker 1>for it with their lives. His sister Coatsoiqui, also rebelled,

280
00:19:24.079 --> 00:19:27.759
<v Speaker 1>and whitz Lapochali killed her by throwing her from the

281
00:19:27.759 --> 00:19:32.599
<v Speaker 1>summit of Mount Koatapec. A monolith representing the goddess's death

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00:19:32.720 --> 00:19:35.039
<v Speaker 1>was placed at the foot of the staircase leading to

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00:19:35.119 --> 00:19:40.359
<v Speaker 1>Templo Mayor. As the most important temple, Templo Mayor hosted

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<v Speaker 1>the main ceremonies of Aztec society, from the coronations of

285
00:19:43.880 --> 00:19:47.799
<v Speaker 1>new monarchs to varied rituals relating to agriculture, reign, and

286
00:19:47.839 --> 00:19:51.480
<v Speaker 1>the proper functioning of the heavenly bodies. The ceremonies were

287
00:19:51.519 --> 00:19:55.039
<v Speaker 1>spread throughout the ritual calendar according to the importance of

288
00:19:55.079 --> 00:19:58.559
<v Speaker 1>the divinity in the Aztec pantheon. Many of the human

289
00:19:58.640 --> 00:20:03.160
<v Speaker 1>sacrifices took place as parts of these monthly celebrations. Smith

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00:20:03.240 --> 00:20:07.559
<v Speaker 1>writes each year, hundreds or perhaps thousands of victims had

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00:20:07.599 --> 00:20:10.640
<v Speaker 1>their chests cut open and their still beating hearts ripped

292
00:20:10.640 --> 00:20:14.799
<v Speaker 1>out by knife wielding priests as throngs of spectators looked on.

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<v Speaker 1>The most solemn events were reserved for the most important god,

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00:20:18.799 --> 00:20:22.640
<v Speaker 1>whiz Lapochli. In these days, people were executed on a

295
00:20:22.720 --> 00:20:26.839
<v Speaker 1>stone in front of hit La Postle's temple. Their hearts

296
00:20:26.839 --> 00:20:30.319
<v Speaker 1>were then placed on a beautiful polychrome chap mul, a

297
00:20:30.400 --> 00:20:33.680
<v Speaker 1>reclining figure sculpted in stone in front of the temple

298
00:20:33.839 --> 00:20:38.359
<v Speaker 1>of Tlalac. The Aztec believed human sacrifices were necessary in

299
00:20:38.400 --> 00:20:43.000
<v Speaker 1>their religious rituals to placate the Sun God. Through these sacrifices,

300
00:20:43.039 --> 00:20:46.480
<v Speaker 1>they repeated the deaths of the gods who sacrificed themselves

301
00:20:46.519 --> 00:20:50.039
<v Speaker 1>in the sacred hearth of Teo Ti Hua Khan, so

302
00:20:50.079 --> 00:20:53.000
<v Speaker 1>that men could live, feeding the movement of the sun

303
00:20:53.079 --> 00:20:57.000
<v Speaker 1>with their blood. They believed the sacred deaths ensured the

304
00:20:57.039 --> 00:21:00.839
<v Speaker 1>continuity of life on earth, while reminding those who opposed

305
00:21:00.839 --> 00:21:03.559
<v Speaker 1>the Aztec that they could die and the bloody altar

306
00:21:03.680 --> 00:21:08.119
<v Speaker 1>of the Templo mayor. Most victims were enemy warriors captured

307
00:21:08.119 --> 00:21:13.079
<v Speaker 1>in battle. Smith writes the captor sponsored the sacrivice, thereby

308
00:21:13.279 --> 00:21:17.319
<v Speaker 1>gaining prestige. One of the most eagerly awaited Aztec festivals

309
00:21:17.680 --> 00:21:23.279
<v Speaker 1>was Pantkotsarlitsi, the Raising of Banners, which was celebrated in December,

310
00:21:23.359 --> 00:21:26.519
<v Speaker 1>close to the winter solstice. As dawn broke, a runner

311
00:21:26.599 --> 00:21:30.680
<v Speaker 1>carrying an image of hutz Lapocheli made of baked dough

312
00:21:30.960 --> 00:21:33.519
<v Speaker 1>sprinted down from the top of the temple and ran away,

313
00:21:33.880 --> 00:21:37.039
<v Speaker 1>pursued by the crowd. He first took the god to

314
00:21:37.079 --> 00:21:41.200
<v Speaker 1>the ballgame court, where four victims were sacrificed to him

315
00:21:41.599 --> 00:21:44.440
<v Speaker 1>and he received their hearts as an offering. The runner

316
00:21:44.839 --> 00:21:48.440
<v Speaker 1>then continued the frantic chase through some riverside towns, followed

317
00:21:48.440 --> 00:21:50.920
<v Speaker 1>by the faithful, who struggled to catch up with him.

318
00:21:51.240 --> 00:21:53.160
<v Speaker 1>The reason he ran had to do with the fact

319
00:21:53.559 --> 00:21:57.480
<v Speaker 1>that huitz Lapocheli was never defeated. The entire route was

320
00:21:57.519 --> 00:22:01.720
<v Speaker 1>adorned with large triumphal arches of roses, fron Japani and flags.

321
00:22:02.039 --> 00:22:05.200
<v Speaker 1>At each arch, musicians played drums in cunk shells to

322
00:22:05.240 --> 00:22:08.759
<v Speaker 1>announce the passing of the procession. When the idol returned

323
00:22:08.759 --> 00:22:13.440
<v Speaker 1>to Tinochlik Khan along the Itza Parapa road, all the

324
00:22:13.480 --> 00:22:16.720
<v Speaker 1>temple's dignitaries went out to welcome it with music and dances.

325
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<v Speaker 1>Before going up the temple steps, the image was shown

326
00:22:20.240 --> 00:22:23.039
<v Speaker 1>to those kept next to the skull fence who were

327
00:22:23.079 --> 00:22:25.799
<v Speaker 1>waiting their turn to be sacrificed. At the foot of

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00:22:25.839 --> 00:22:28.720
<v Speaker 1>the temples steps, the idol's image was placed on a

329
00:22:28.759 --> 00:22:32.160
<v Speaker 1>platform and hoisted reverently to the top with thick ropes.

330
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<v Speaker 1>Four priests held down the feet and hands of those

331
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<v Speaker 1>who were to die, another held their throat, and the

332
00:22:37.799 --> 00:22:41.799
<v Speaker 1>sixth opened their chest and extracted their heart. The priest's

333
00:22:41.799 --> 00:22:44.480
<v Speaker 1>bodies were painted black and their hair was tied, with

334
00:22:44.599 --> 00:22:47.240
<v Speaker 1>leather bands around their heads and little paper rings on

335
00:22:47.279 --> 00:22:50.440
<v Speaker 1>their foreheads. After the ceremony, the image of the god

336
00:22:50.559 --> 00:22:53.400
<v Speaker 1>was blessed and divided among the attendees to be eaten.

337
00:22:54.359 --> 00:22:57.240
<v Speaker 1>Another important dastek festival was the one dedicated to the

338
00:22:57.279 --> 00:23:01.640
<v Speaker 1>goddess Toucci, part of Quat s Licou, Mother of the

339
00:23:01.640 --> 00:23:04.319
<v Speaker 1>Gods and Heart of the Earth, which was celebrated in

340
00:23:04.359 --> 00:23:08.319
<v Speaker 1>the temple of Mayor on September sixteenth. In this ceremony,

341
00:23:08.319 --> 00:23:10.440
<v Speaker 1>a woman of forty to forty five years of age

342
00:23:10.519 --> 00:23:13.359
<v Speaker 1>was offered to the goddess. They first purified her and

343
00:23:13.559 --> 00:23:16.640
<v Speaker 1>washed her and named her after the divinity. Before dawn

344
00:23:16.680 --> 00:23:19.640
<v Speaker 1>on the feast day, the sanctified woman was taken outside

345
00:23:19.680 --> 00:23:23.519
<v Speaker 1>and a man carried her on his back face up

346
00:23:23.799 --> 00:23:26.640
<v Speaker 1>to the top of the temple. There a priest held

347
00:23:26.640 --> 00:23:29.000
<v Speaker 1>her by the hair and slit her throat, bathing the

348
00:23:29.000 --> 00:23:32.079
<v Speaker 1>one who held her in blood. As soon as she

349
00:23:32.160 --> 00:23:34.960
<v Speaker 1>was dead, she was skinned from her thighs to her elbows,

350
00:23:34.960 --> 00:23:37.359
<v Speaker 1>and the skin was used to dress the man who

351
00:23:37.359 --> 00:23:40.720
<v Speaker 1>had carried her up, who again represented the Goddess. He

352
00:23:40.799 --> 00:23:43.319
<v Speaker 1>then watched a performance of a battle between young men

353
00:23:43.400 --> 00:23:47.240
<v Speaker 1>dressed for war, in which many were badly wounded. Once

354
00:23:47.279 --> 00:23:49.640
<v Speaker 1>the combat was over, the sacrifices in hotter of the

355
00:23:49.640 --> 00:23:53.240
<v Speaker 1>Goddess continued. For this purpose, Wooden steps were built at

356
00:23:53.279 --> 00:23:56.440
<v Speaker 1>the top of the temple, which the two priest executioners

357
00:23:56.480 --> 00:23:59.039
<v Speaker 1>climbed up. The man covered with the skin of the

358
00:23:59.039 --> 00:24:02.240
<v Speaker 1>first victim would be forced up, held in case he resisted,

359
00:24:02.240 --> 00:24:05.039
<v Speaker 1>and then pushed down the stairs. His throat was then

360
00:24:05.079 --> 00:24:07.440
<v Speaker 1>slit and his blood was collected in a bowl in

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00:24:07.480 --> 00:24:10.920
<v Speaker 1>the same way they sacrificed all the victims dedicated to

362
00:24:11.000 --> 00:24:14.599
<v Speaker 1>this goddess. The blood of the sacrificial victims was placed

363
00:24:14.599 --> 00:24:18.400
<v Speaker 1>in a basin, wrapped in multi colored feathers, and set

364
00:24:18.440 --> 00:24:22.599
<v Speaker 1>before the Mother of the gods. On November eighth, fifteen nineteen,

365
00:24:22.640 --> 00:24:26.920
<v Speaker 1>the Spanish conqueror Hernan Cortes and his men set foot

366
00:24:27.000 --> 00:24:31.319
<v Speaker 1>and tinach litiplan for the first time. Astonished by the

367
00:24:31.359 --> 00:24:35.920
<v Speaker 1>city's finally planned grandeur, they spared no praise in describing it,

368
00:24:36.319 --> 00:24:39.000
<v Speaker 1>but it's the imposing Templo Mayor that caught their eye.

369
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<v Speaker 1>Cortes himself noted in his second letter of Relation that

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<v Speaker 1>in spite of the large number of number of temples

371
00:24:45.799 --> 00:24:48.519
<v Speaker 1>in the city, there is one, the main one, whose

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00:24:48.559 --> 00:24:52.480
<v Speaker 1>greatness and features no human tongue can describe. During the

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00:24:52.519 --> 00:24:57.400
<v Speaker 1>subsequent siege of Tenatlican, Templo Mayora was badly damaged by

374
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<v Speaker 1>the cannon the Spanish used to subdue the se After

375
00:25:01.000 --> 00:25:03.279
<v Speaker 1>the fall of the Aztec capital, the building was not

376
00:25:03.359 --> 00:25:07.200
<v Speaker 1>immediately demolished. Sources confirm it was still standing as late

377
00:25:07.240 --> 00:25:10.240
<v Speaker 1>as fifteen twenty four. With the passage of time, all

378
00:25:10.279 --> 00:25:14.559
<v Speaker 1>traces of the ancient Aztec place of worship disappeared. Workers

379
00:25:14.599 --> 00:25:19.160
<v Speaker 1>of the new Mexico City used materials from pre existing buildings,

380
00:25:19.440 --> 00:25:21.720
<v Speaker 1>so little by little, the stones from temples and other

381
00:25:21.759 --> 00:25:26.440
<v Speaker 1>buildings in the ancient Aztec ceremonial center, including Templo Mayor,

382
00:25:26.519 --> 00:25:29.880
<v Speaker 1>were taken and used to build sixty eight churches within

383
00:25:29.920 --> 00:25:35.440
<v Speaker 1>the former boundaries of Tenochtitlan and talat Loco. They were

384
00:25:35.480 --> 00:25:38.680
<v Speaker 1>also used in the countless houses and structures erected in

385
00:25:38.759 --> 00:25:43.759
<v Speaker 1>the city center. Since nineteen seventy eight, archeological excavations of

386
00:25:43.799 --> 00:25:46.519
<v Speaker 1>the ancient temple have revealed more and more of the

387
00:25:46.519 --> 00:25:50.240
<v Speaker 1>grandeur that was Templo Mayor. They've found palace rooms built

388
00:25:50.279 --> 00:25:53.079
<v Speaker 1>in baths, the House of the Eagles, the meeting place

389
00:25:53.119 --> 00:25:56.799
<v Speaker 1>of the military elite, a school for priests, and sculptures

390
00:25:56.839 --> 00:26:00.319
<v Speaker 1>of snakes and serpents. As excavation work continued, use a

391
00:26:00.319 --> 00:26:04.039
<v Speaker 1>big mystery remains. Historical records state that the remains of

392
00:26:04.079 --> 00:26:07.400
<v Speaker 1>three Aztec kings were cremated and their ashes buried at

393
00:26:07.400 --> 00:26:10.680
<v Speaker 1>the foot of Templo Mayor, and yet no emperor's remains

394
00:26:10.680 --> 00:26:16.400
<v Speaker 1>have been found. Chief archaeologists Leonardo Lopez Luchhan believes their

395
00:26:16.440 --> 00:26:21.480
<v Speaker 1>discoveries will point to Ahwitsotl's burial place. We are persuaded

396
00:26:21.519 --> 00:26:23.759
<v Speaker 1>that sooner or later will find his tomb, he says.

397
00:26:23.960 --> 00:26:27.000
<v Speaker 1>We're digging deeper and deeper. If and when they do

398
00:26:27.039 --> 00:26:29.640
<v Speaker 1>succeed in finding the tomb, it will be the culmination

399
00:26:29.720 --> 00:26:32.079
<v Speaker 1>of decades of work that have shed light on one

400
00:26:32.079 --> 00:26:37.200
<v Speaker 1>of the world's most legendary and misunderstood empires divine offerings.

401
00:26:37.240 --> 00:26:39.839
<v Speaker 1>In two thousand and six, a huge monolith dedicated to

402
00:26:39.880 --> 00:26:43.720
<v Speaker 1>the earth goddess Tlatzla Kutli was discovered in front of

403
00:26:43.759 --> 00:26:47.759
<v Speaker 1>Templo Mayor. Underneath was a shaft with numerous offerings inside,

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<v Speaker 1>perhaps because the whale was seen as a gateway to

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<v Speaker 1>the Earth's center, Some believe it may even be a tomb,

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<v Speaker 1>although conclusive evidence has not yet been found. The layers

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<v Speaker 1>of Templa Mayor Temple Mayora was expanded to its largest

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<v Speaker 1>around fifteen hundred, when the Aztec Empire was at its height.

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<v Speaker 1>Rulers would sometimes renovate the sacred complex to commemorate victories.

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<v Speaker 1>Work also was carried out because of floods and the

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<v Speaker 1>instability of the ground beneath the foundation. Ever since temple

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<v Speaker 1>Mayor's identification in nineteen seventy eight, archaeologists have thrilled at

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<v Speaker 1>peeling back successive layers to find the earliest phases at

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<v Speaker 1>its heart. The Pyramid of Tenochtylclon was almost constantly under

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<v Speaker 1>renovation from its initial construction in the fourteenth century to

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<v Speaker 1>its destruction in the sixteenth century. Early expansions were begun

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<v Speaker 1>under the first three rulers of Tenatlacan, the Aztec ruse

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<v Speaker 1>to become the region's dominant power under its cotal, who

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<v Speaker 1>greatly enlarged the structure during his reign. His successor, Montezuma

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<v Speaker 1>fourteen forty to fourteen sixty nine, continued expanding the temple.

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<v Speaker 1>This concludes readings from National Geograph Bok History Magazine for today.

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<v Speaker 1>Your reader has been marshall. Thank you for listening, Keep

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<v Speaker 1>on listening, and you have a great day.
