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Speaker 1: And now mystery thither.

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Speaker 2: Spear's great drama, Come in, Welcome, I'm e. G.

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Speaker 3: Marshall.

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Speaker 4: To be or not to be? That is not the

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question in the tale we're about to unfold. But there

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will be parallels to Shakespeare's Great Drama, which even the

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people involved recognize. Murder most foul, a spirit doomed to

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walk the earth, a murderer.

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Speaker 3: Who Well, Douglas, wake up.

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Speaker 5: You're here.

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Speaker 4: We are concerned with the Cardwell family, Douglas the young man,

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Edmund his father, and Gertrude his mother.

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Speaker 1: Douglas, Douglas, are you awake, Douglas, wake up?

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Speaker 3: Douglas, wake up? Would you please wake up? For what's

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the Oh?

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Speaker 5: What is it?

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Speaker 3: Mother? Is something wrong? You'll have to get up later.

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Speaker 1: Well, call doctor Peterson. Of course he'll be here in

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a few minutes.

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Speaker 6: He's he's arranging for the ambulance and.

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Speaker 3: All that ambulance. But are you sick or something? Mother?

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Speaker 1: I'm perfectly all right. It's her father, Pop.

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Speaker 3: What's wrong with him?

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Speaker 7: I've told your father, I've told him over and over

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again that if he kept on with this kind of

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life he's been leading, he'd has to pay the price

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sooner or later. Well, now he's paid for it. What

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do you mean, Douglas, your father is dead.

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Speaker 4: Our mystery drama That Hamlet Was a Good Boy was

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written as especially for the out of Field and Farrington

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and stars Will McKenzie and Jennifer Harmon. A boy has

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lost his father, well, not a boy really, Douglas Cardwell

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is a young man out of college and already experimenting

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with adult life and its potentialities. But when a boy

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or a man at no matter what.

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Speaker 5: Age, loses his father.

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Speaker 4: This loss, the funeral is over, marking the death as

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utterly final, and Douglas and his mother are returning to

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the home, now tenanted by two instead of three people,

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at least in the natural course of things, tenanted only

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by two.

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Speaker 8: Drapes backglass and opened some windows. I I never could

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understand why a house has to be darkened.

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Speaker 3: And all that hot ar the drapes. Oh, for heaven's sake,

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you've got to stop this mooning about.

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Speaker 8: Your father's been dead for three days now and I

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haven't heard a half dozen words out of you.

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Speaker 3: I was very fond of my father. I miss him.

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I'm sorry if you think I'm overdoing it, but I

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miss him.

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Speaker 1: Please open the drapes.

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Speaker 3: My father was a good man.

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Speaker 1: I'd better set you straight about your father.

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Speaker 3: I'm already straight about him. I don't need to be set.

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Speaker 8: He always showed you his best side. I know he'd

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never let you see the side of a maya to

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live with.

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Speaker 3: I've always known what was going on.

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Speaker 1: Oh have you indeed? Did you know that your father

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was a drunkard?

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Speaker 5: Oh?

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Speaker 3: Come on, mother, He took a drink now and then.

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But my father was a good man.

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Speaker 1: Your father was a ne'er do well.

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Speaker 3: We live in the finest house in Branbury, the very finest.

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Speaker 6: Right ahs, which her father inherited from his father.

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Speaker 3: He owned the glass which employs almost half the people

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in this town.

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Speaker 8: Right managed, mismanaged would be more accurate.

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Speaker 1: Do you know that?

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Speaker 3: But how can you call him a ne'er do well?

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Speaker 8: I'll tell you how he could have been a millionaire

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several times over, just by scribbling his name at the

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bottom of an agreement.

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Speaker 3: He could have.

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Speaker 1: But would he do it?

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Speaker 3: No? No, not your father.

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Speaker 6: He knew I wanted him to, and that's why he wouldn't.

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Speaker 3: You're talking about his refusal to sell the glass works, aren't.

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Speaker 8: You Amalgamated Glass offered him three million, three million dollars

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and five percent of their stock. What kind of a

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business man turns down an offer like that.

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Speaker 3: They wanted to close the Branberry Glass plant. You know

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that half the people in this town would have been

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thrown out of work.

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Speaker 8: Well, thank goodness, my brother will have better.

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Speaker 3: Sense, Uncle Stanley. What's he got to do with.

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Speaker 8: Your uncle Stanley will be taking over the management of

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Bramburry Glass.

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Speaker 3: Now, Douglas, uncle Stanley will, yes, character is my father

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planned to put me in charge when he retired. He

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didn't know, of course he was going to die.

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Speaker 1: Your father left his entire estate for me, that includes

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the factory, you know, and.

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Speaker 3: You intend to make Uncle Stanley the manager.

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Speaker 1: Will dog this.

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Speaker 8: I I don't want to hurt you, but well, I'm

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sorry to say that I see some of your father's

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unfortunate characteristics in you.

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Speaker 1: You've just said, You've just.

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Speaker 6: Finished saying that your father was right not to sell

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the plant.

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Speaker 3: Would have turned Branbury into a ghost town.

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Speaker 8: Well, he called Brambury's near enough a ghost town in

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any case, And the people who live in it are

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not children. Let them take care of themselves. They're not

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our responsibility.

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Speaker 3: My father felt they were his.

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Speaker 8: You see what I mean, You're just like him, Thank you,

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a dreamer. Oh and his choice up friends, good heavens,

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the people he called friends.

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Speaker 3: There were several hundred people outside the church today, just

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standing there. They couldn't get inside because there wasn't room,

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but they wanted to pay their respects. I don't think

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so badly, Douglas.

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Speaker 8: While we're on the subject of friends and the choosing

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of them. Where was that girlfriend of yours today? That

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little lump and that little blonde.

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Speaker 3: What's her name, Phyllis Downs? You know her name?

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Speaker 1: I didn't see at the funeral today.

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Speaker 3: He was outside with the others. I expect she knew

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you'd only snub her if she tried to come inside.

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Speaker 9: Yes, I was there, Doug, outside and you know, I

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was sort of glad I was out there instead of

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in the church.

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Speaker 3: I was risitting right there watching the people.

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Speaker 10: They loved your father. You could see it in their.

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Speaker 3: Faces, you know, a crazy thing. I had this strange

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feeling all day, well ever since he died, actually, but

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especially today. That pop was there. I just you know,

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he might as well have been sitting right there in

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the pew beside me? Is that completely nutty?

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Speaker 10: Who are we to say so?

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Speaker 3: I never really believed in stuff like that.

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Speaker 10: Well, I don't think there's any way to.

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Speaker 3: Believe or say she's going to make all such.

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Speaker 10: Things flatly, Doug. The fact is we.

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Speaker 3: Don't know that's true.

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Speaker 10: You really miss him, don't you, Doug?

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Speaker 3: I can't except for you. The world has come to

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an end.

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Speaker 10: Well, at least there will always be me.

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Speaker 3: Think the lord. They're going to sell the glass works.

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I think what mother says. She's going to make Uncle

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Stanley the manager now that Pop's gone.

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Speaker 10: Uncle Stanley? But can she do that?

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Speaker 3: She says, my father left his entire estate to her.

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Wouldn't well do everything sure of herself?

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Speaker 10: And they'll sell the plant.

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Speaker 3: The buyers will close it down. That's the only reason

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anybody ever want wanted to buy bran Bray glass.

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Speaker 10: They might as well close the town down too.

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Speaker 3: It's about what it amounts to.

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Speaker 10: He'd have given us his blessing, wouldn't he.

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Speaker 3: Of course I talked to him about us.

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Speaker 9: But your mother won't. She'll do everything she can to

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keep us from marrying.

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Speaker 3: What can she do? I'm a big boy. I want

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to marry you, and I intend to. She has nothing

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to say about it.

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Speaker 9: I'm not so sure of that. Control of the money

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as well as the factory. She can put some pressure

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on you.

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Speaker 11: So it's settled.

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Speaker 5: We sell.

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Speaker 1: You're quite sure you'll be able to find a buyer.

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Speaker 11: Oh, no problem there.

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Speaker 12: I don't know how the price will hold up. That's

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the only thing.

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Speaker 1: Why shouldn't it hold up.

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Speaker 11: We're coming to them now, they're not coming to us.

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Speaker 1: Well, I still don't price.

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Speaker 12: Whatever, we'll still be good enough to make us very

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wealthy people. I'll get on the phone first thing in

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the morning.

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Speaker 3: Here, uncle Stanley, unless I miss my game?

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Speaker 11: What what is it?

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Speaker 1: I thought I heard somebody on the porch.

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Speaker 12: A little early for Doug to be coming home from

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a dates.

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Speaker 8: He hasn't been feeling himself here. There it is, Douglas.

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Speaker 3: Oh, I didn't expect to find you here, Uncle Stanley.

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Speaker 8: Your home early, Douglas. Did you quarrel with your little friend?

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Speaker 10: What's her name?

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Speaker 3: No, Phillis and I didn't quarrel. I'm going up to

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my room.

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Speaker 1: Mother, Florida. I think would be something I believe you

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ought to know.

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Speaker 3: I'll take it standing up. If you don't mind your.

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Speaker 8: Uncle STALLI and I have definitely decided that the best

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thing to do is.

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Speaker 1: To sell the factory.

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Speaker 11: I see best for whom, best for everybody. Boy, it'll

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make us all rich.

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Speaker 3: What about the rest of the people in Branbury.

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Speaker 1: We'll move out of here, Douglas. Somewhere in Florida, I

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think would be nice.

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Speaker 3: I'll fight it. I'll take it to court. Douglas, that's

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not what my father planned for the Branburry Glass Company.

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I don't intend to.

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Speaker 1: Stay, Bobus.

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Speaker 6: That's quite enough of that kind of talk.

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Speaker 3: I'm saying. There was a saint the way you go

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on about him close enough.

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Speaker 1: Oh, Douglas, don't be silly.

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Speaker 8: If there ever was an unsaintly man, it was surely

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your father. He was a drunkard, a procrastinator, and a

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woman chased her.

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Speaker 3: That's a lie.

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Speaker 10: Douglas.

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Speaker 3: Understand what I'm saying. I'll do everything I can to

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keep you from selling the plants.

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Speaker 12: You'll come to agree with us, I'm sure once you've

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taken time to think it over rationally.

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Speaker 1: Oh, now, think how nice.

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Speaker 3: Don't I'm not going to Florida. I'm staying in Branbury.

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Maybe I can help pick up the pieces after they

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close the plant down. Anyway, Phyllis and I are going

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to be married.

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Speaker 8: Oh, you are not going to marry that, that cheap

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little tramp.

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Speaker 3: You presume too much on the fact that you're my mother.

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Speaker 5: Don't.

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Speaker 3: I'm going up to bed.

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Speaker 1: You are not going to marry sorry her.

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Speaker 3: You have nothing to say about it, mother.

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Speaker 5: Doug Douglas and you would hear me. Don't don't be frightened,

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my son. There's nothing to be afraid of.

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Speaker 3: Who who's that?

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Speaker 5: No, don't don't let it upset you, my son. It's

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perfectly all right.

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Speaker 3: Pop Is that.

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Speaker 5: Yes? Yes, it's me. I know. Don't don't turn your

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light on just yet. I still have to materialize. There's

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no point in your watching a thing like that. Materializing

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is no dog, No, it's not a joke. It's just wait,

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wait just a minute. Eh, okay, okay, Doug you can

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you can turn your lamp on now, pop Hello, son,

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You know this materializing is kind of tricky for a beginner.

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Speaker 3: Is it? Is it really you? Popo?

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Speaker 5: Is it it's me? All right?

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Speaker 3: What? Ghost?

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Speaker 5: Well? Yes? Never really, yes, you could say that it's

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it's a word. We don't particularly favor.

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Speaker 3: But yes, all day I had a feeling, I had

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this crazy feeling that.

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Speaker 5: I was with you right, Well I was. You know

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that that was quite a funeral.

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Speaker 12: The people outside, everything that was very moving, very I

250
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never realized that all those people were so fond.

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Speaker 5: Well, well, I'm I'm I'm not here to talk about that.

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Speaker 3: Why did you come back? Pop? People don't usually do they?

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Speaker 5: No, Well, former people. The thing is, Doug, Well, I've

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been made a Class.

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Speaker 3: D spirit, a Class D spirit.

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Speaker 5: It's all very fair, all according to the regulations. See,

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a Class D spirit has to walk the earth. That's

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the way it's always been.

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Speaker 3: What is a Class D spirit?

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Speaker 5: Well, we're people of a former people whose murders have

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yet to be avenged. Did you ever see Shakespeare's Hamlet?

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Or you must have? Yes, not that Hamlet? That Hamlet

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not very bright maybe, but a good boy. His father

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got murdered, and he couldn't rest a minute until the

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murder was avenged and his father could get out of

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class dump.

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Speaker 3: You died of a heart attack, doctor Peterson said, So

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he signed a certificate that.

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Speaker 5: Way, don't you believe it? So then your uncle Stanley

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smothered me with a pillow murder most foul.

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Speaker 4: Since the art of story telling us one, there have

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been tales of men and women murdered and unavenged. But

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who is to say with certainty that these lost souls

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walk only within the confines of fiction. The murder which

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goes unavenged is the murder which never comes to light.

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To shed some light on this one, I'll be back Shorter.

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Peterson's too. Douglas Cardwell's father, dead now these three days,

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has just come to his son in the still of

279
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the night and spoken to him of murder. Although doctor

280
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Peterson signed a certificate saying that Edmund Cardwell's death was

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brought about by coronary arrest, Edmund himself claims that the

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cause was a pillow held over his face.

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Speaker 3: And I fear in law Stanley, you can't mean that, pop,

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Uncle Stanley. There was never any trouble between you and

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Uncle Stanley, was there. I mean, why should he want

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to kill you?

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Speaker 5: Well, I don't know myself exactly why he would want

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to do such a thing, But since I know he

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did it, then it follows he had a motive, doesn't it.

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Speaker 3: Yes, yes, and I think I know what it was.

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Speaker 5: You do well, then maybe you better tell me.

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Speaker 3: Well, mother's putting Uncle Stanley in charge at the plant.

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Speaker 5: Oh, lord lord, I was afraid, but.

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Speaker 3: You were just they're planning to sell out, they told

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me tonight, just before I came up to bed.

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Speaker 5: Well, there's all the motive you need, son, I have

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to tell you something about your mother and me.

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Speaker 3: No need, Pop. Do you think I wouldn't notice when

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you and mother started using separate bedrooms? Well what was

300
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I supposed to think that meant?

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Speaker 5: But you were just a child, then, Doug.

302
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Speaker 3: Almost twelve? Kids aren't stupid?

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Speaker 11: Pop?

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Speaker 5: No, apparently. Well I'm sorry. Terrible thing to do, shameful

305
00:16:05,799 --> 00:16:08,559
to do a thing like that to a boy. Well,

306
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and maybe it won't surprise you too much when I

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00:16:10,600 --> 00:16:15,039
tell you I have reason to suspect your mother being well,

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an accomplice to my murder.

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Speaker 1: Mother.

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Speaker 3: Oh, come on, she's.

311
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Speaker 5: Been after me for years to sell that factory. Well,

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00:16:24,559 --> 00:16:26,679
it would have been a profitable thing to do, if

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you didn't take into consideration the harm it would have done.

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Speaker 3: Still to say that she had a hand.

315
00:16:32,039 --> 00:16:34,799
Speaker 5: She was at home that night. Now I came in late,

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We had a quarrel. I went on up to bed.

317
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Somebody had to let your uncle Stanley into the house, right,

318
00:16:41,720 --> 00:16:44,639
she must have. She must have stayed down there waiting

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00:16:44,679 --> 00:16:48,639
for him while he was upstairs holding that pillow over

320
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my face. I'm sorry, Doug, sorry, but I don't see

321
00:16:52,279 --> 00:16:53,799
how he could have done it otherwise.

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Speaker 3: It's a terrible thing to have to believe about your

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own mother.

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Speaker 5: Terrible. I'm very sorry.

325
00:17:00,720 --> 00:17:04,400
Speaker 3: That's she has been saying some nasty things about you.

326
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Speaker 5: I'll tell you one thing she was right about. I

327
00:17:07,039 --> 00:17:10,240
was a procrastinator to well to have done, I would

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00:17:10,279 --> 00:17:12,880
agree now. I've been meaning ever since the day you

329
00:17:13,039 --> 00:17:16,160
turned twenty one, to have my will changed in your favor.

330
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But somehow, well, I just put it off from day

331
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to day until well, it's just too late.

332
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Speaker 3: Now it's going to be pretty hard on the ton

333
00:17:25,400 --> 00:17:28,119
of Brander if they sell the plant. You know, whoever

334
00:17:28,160 --> 00:17:29,319
buys it, we'll close it down.

335
00:17:29,440 --> 00:17:32,640
Speaker 5: Well, now, don't don't give up, son, I'm not in

336
00:17:33,200 --> 00:17:35,440
very good shape for a fight, but we're not through yet.

337
00:17:35,480 --> 00:17:38,240
Speaker 3: All the same, what is it you want me to do?

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00:17:38,359 --> 00:17:40,440
Speaker 5: Well, I'm hanged if I know right this minute, Son,

339
00:17:40,839 --> 00:17:42,920
we always want to think of something though, that the

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00:17:42,920 --> 00:17:46,920
two of us together. Right now, I'm just about tuck

341
00:17:46,960 --> 00:17:49,720
it out. Now, Let's think about it until tomorrow night,

342
00:17:50,400 --> 00:17:54,359
and I'll appear to you again at midnight. Wherever you

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00:17:54,400 --> 00:17:56,720
are at midnight, I'll be there.

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Speaker 3: Okay. Why is it always midnight? Pop? I mean white

345
00:18:02,240 --> 00:18:04,119
a ghosts always walk at midnight.

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Speaker 5: Oh well, it's it's tradition traditional. Yes, as far as

347
00:18:09,839 --> 00:18:12,079
I can tell. As far as I can tell, it's

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00:18:12,119 --> 00:18:14,880
no easier at midnight than any other time.

349
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Speaker 8: Dougless, you've hardly touched your breakfast, did it.

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Speaker 3: It's right, you're fine, mother, I'm not hungry, that's all.

351
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Speaker 6: Well, you have to eat.

352
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Speaker 1: You can't go.

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00:18:31,920 --> 00:18:33,559
Speaker 3: Why strange thing has happened?

354
00:18:33,599 --> 00:18:33,799
Speaker 5: Mother?

355
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Speaker 1: Strange?

356
00:18:36,640 --> 00:18:41,599
Speaker 3: I saw my father last night. You were He came

357
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to me in my room. Have you lost your mind?

358
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I don't think so.

359
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Speaker 1: You dreamed it?

360
00:18:46,960 --> 00:18:50,680
Speaker 3: Now, Mother, I was awake. It was no dream. He

361
00:18:50,680 --> 00:18:52,359
he sat on the edge of the bed and we

362
00:18:52,440 --> 00:18:56,359
talked almost the way we used to talk, only not

363
00:18:56,400 --> 00:18:58,119
about the same kind of thing or heath?

364
00:18:58,519 --> 00:19:01,440
Speaker 1: And what did you talk about? This dream that wasn't

365
00:19:01,440 --> 00:19:01,920
a dream?

366
00:19:03,119 --> 00:19:03,519
Speaker 5: Murder?

367
00:19:04,880 --> 00:19:11,920
Speaker 3: We talked about murder, about murder. He told me he'd

368
00:19:11,920 --> 00:19:15,880
been murdered. Uncle Stanley held a pillow over his face

369
00:19:16,000 --> 00:19:21,839
and smothered him. Oh, for Heaven's sake, dog, that has

370
00:19:21,920 --> 00:19:24,519
told me, and I believed him.

371
00:19:24,640 --> 00:19:29,440
Speaker 6: You believed him. You actually think your uncle Stanley would?

372
00:19:30,079 --> 00:19:34,119
Speaker 1: Oh, oh my poor Douglas. It's I'm so sorry.

373
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Speaker 6: It's just been too much for you, hasn't it.

374
00:19:36,240 --> 00:19:37,559
Speaker 1: I didn't read much.

375
00:19:37,480 --> 00:19:40,000
Speaker 3: Yes, but I am not out of my mind. I

376
00:19:40,079 --> 00:19:42,279
know what I saw and I know what I heard.

377
00:19:43,119 --> 00:19:44,880
That hasn't all of it either. I'm afraid it's quite

378
00:19:45,000 --> 00:19:50,640
enough for me. He thinks you were involved. He thinks

379
00:19:50,680 --> 00:19:54,839
you helped Uncle Stanley kill him. Of your business, all.

380
00:19:54,799 --> 00:19:57,680
Speaker 8: Right, Douglas, I've heard all of this kind of talk

381
00:19:57,759 --> 00:19:58,759
I intend to listen to.

382
00:20:00,079 --> 00:20:02,359
Speaker 1: I'll call doctor Peterson. Is is he If he can recommend a.

383
00:20:02,359 --> 00:20:04,839
Speaker 3: Good psychiatrist, you can call if you like, mother. But

384
00:20:04,920 --> 00:20:07,319
I'm not going to see a psychiatrist. I don't need one.

385
00:20:08,240 --> 00:20:10,640
Where are you going out? There are some people I

386
00:20:10,720 --> 00:20:13,400
want to see what people? If you want me to

387
00:20:13,440 --> 00:20:16,400
come right out with it, that is none of your business, Douglas.

388
00:20:16,759 --> 00:20:19,640
You can't bully me where you've always bullied my.

389
00:20:19,720 --> 00:20:26,079
Speaker 12: Father, My boy, I want you to know how deeply

390
00:20:26,160 --> 00:20:28,599
grieve was there his death, and I want to offer

391
00:20:28,680 --> 00:20:31,319
my most heartfelt condolences.

392
00:20:31,720 --> 00:20:34,920
Speaker 3: Thank you, mister Conrad. You'd been my father's lawyer for

393
00:20:34,960 --> 00:20:36,240
a good many years, hadn't you.

394
00:20:36,279 --> 00:20:37,160
Speaker 12: His legal advisor?

395
00:20:37,200 --> 00:20:40,039
Speaker 11: In one of his closest friends twenty years more?

396
00:20:40,079 --> 00:20:44,240
Speaker 3: I say, mister Conrad, did he? Did he ever mention?

397
00:20:45,480 --> 00:20:47,359
I don't want to sound greedy at a time like this,

398
00:20:47,519 --> 00:20:50,680
but was there ever any talk of changing the will

399
00:20:50,759 --> 00:20:51,559
in my favor?

400
00:20:51,640 --> 00:20:51,799
Speaker 5: Oh?

401
00:20:51,880 --> 00:20:54,880
Speaker 12: Yes, yes, indeed there was. Unfortunately it was never done,

402
00:20:55,440 --> 00:20:58,240
but it had been his intention for some time. I

403
00:20:58,400 --> 00:21:01,680
see would be costly, health we always thought there was

404
00:21:01,720 --> 00:21:02,519
plenty of time.

405
00:21:02,839 --> 00:21:05,440
Speaker 3: The thing is my mother, with the help of my

406
00:21:05,519 --> 00:21:09,640
uncle Stanley, they're talking about selling the glassworks.

407
00:21:09,880 --> 00:21:13,039
Speaker 11: Oh dear, your father wouldn't have wanted that.

408
00:21:13,079 --> 00:21:15,880
Speaker 3: Neither do I. Is there any way we can stop them?

409
00:21:16,359 --> 00:21:19,759
Speaker 12: I suppose you could delay it by taking it to court.

410
00:21:20,680 --> 00:21:23,839
It would be costly, and I don't believe you'd stand

411
00:21:23,880 --> 00:21:24,920
much chance of winning.

412
00:21:25,599 --> 00:21:29,640
Speaker 3: You advise against it, then I believe I would.

413
00:21:29,400 --> 00:21:32,240
Speaker 11: Have to advise against it. Yes, yes, he.

414
00:21:32,279 --> 00:21:39,000
Speaker 3: Was a ghost. You can believe it or not, but

415
00:21:39,119 --> 00:21:42,440
I swear he was there sitting on the bed right

416
00:21:42,440 --> 00:21:42,960
beside me.

417
00:21:43,319 --> 00:21:45,720
Speaker 10: You actually saw a ghost?

418
00:21:46,119 --> 00:21:50,200
Speaker 3: Well, you know, he didn't seem like a ghost. He

419
00:21:50,319 --> 00:21:54,680
was just my father. Oh he was a ghost, all right.

420
00:21:55,200 --> 00:21:58,200
At first I could sort of half see through him.

421
00:21:58,680 --> 00:21:59,960
Speaker 10: That's spooky, all right.

422
00:22:00,400 --> 00:22:03,200
Speaker 3: Didn't bother me too much, really, And he got himself

423
00:22:03,240 --> 00:22:04,480
solidified after a while.

424
00:22:04,720 --> 00:22:06,279
Speaker 10: Humped into a fish punch and is.

425
00:22:06,240 --> 00:22:07,839
Speaker 3: Hard for a beginner, he said.

426
00:22:07,880 --> 00:22:13,039
Speaker 9: The poor dear and murdered too. You set your father

427
00:22:13,200 --> 00:22:15,079
mentioned Hamlet, a.

428
00:22:14,920 --> 00:22:18,160
Speaker 3: Class D spirit, Pop says, has to walk the earth

429
00:22:18,519 --> 00:22:21,880
until he's avenged. Hamlet's father was class D.

430
00:22:22,400 --> 00:22:25,319
Speaker 9: In Hamlet, he got killed and his girl friend went

431
00:22:25,359 --> 00:22:27,440
off her rocker and jumped into a fish.

432
00:22:27,200 --> 00:22:30,000
Speaker 10: Pond or something. I don't find that too attractive.

433
00:22:30,079 --> 00:22:32,400
Speaker 3: Oh, I don't think he meant us to follow Shakespeare's

434
00:22:32,400 --> 00:22:35,039
script altogether. Would you like some dessert? Ore?

435
00:22:35,119 --> 00:22:35,720
Speaker 10: Is no hurry?

436
00:22:36,160 --> 00:22:38,599
Speaker 3: Well, the only thing is I guess that would be

437
00:22:38,640 --> 00:22:42,279
home by midnight. Why he promised he'd show up again

438
00:22:42,279 --> 00:22:44,839
at midnight to night, we're going to see if we

439
00:22:44,920 --> 00:22:46,039
can figure out what to do.

440
00:22:46,440 --> 00:22:49,119
Speaker 10: What does it have to be there in your room?

441
00:22:49,640 --> 00:22:49,880
Speaker 7: Well?

442
00:22:49,920 --> 00:22:51,839
Speaker 3: He did say wherever I was.

443
00:22:52,599 --> 00:22:55,519
Speaker 9: Why Who couldn't we go to my apartment? If he's

444
00:22:55,559 --> 00:22:58,240
going to show up wherever you are, why not my apartment.

445
00:22:58,799 --> 00:23:02,000
Speaker 3: I guess that would be all right if you're sure

446
00:23:02,000 --> 00:23:03,319
you won't be afraid.

447
00:23:03,240 --> 00:23:04,559
Speaker 6: Of that, sweet old man.

448
00:23:05,079 --> 00:23:10,319
Speaker 10: Don't be silly.

449
00:23:10,839 --> 00:23:19,759
Speaker 9: Oh all right, Oh, answer it, Stanley, answer.

450
00:23:18,519 --> 00:23:19,279
Speaker 1: It, will you?

451
00:23:20,799 --> 00:23:21,039
Speaker 3: Hello?

452
00:23:21,880 --> 00:23:24,680
Speaker 8: Oh Stanley, where in the world have you been. I've

453
00:23:24,720 --> 00:23:27,680
been trying this whole live long evening to read you.

454
00:23:28,240 --> 00:23:28,960
Speaker 5: I had a very.

455
00:23:28,839 --> 00:23:31,640
Speaker 12: Busy day, Gertrude, A very tiring day, and I don't.

456
00:23:31,359 --> 00:23:32,279
Speaker 11: Want to be yelled at.

457
00:23:32,359 --> 00:23:33,920
Speaker 1: Oh all right, all right, but where were you?

458
00:23:34,640 --> 00:23:36,200
Speaker 11: I was having dinner with a prospect.

459
00:23:36,799 --> 00:23:37,680
Speaker 1: A prospect.

460
00:23:38,359 --> 00:23:40,279
Speaker 8: You mean you've had this whole day to work on

461
00:23:40,319 --> 00:23:41,960
it and you still haven't settled anything.

462
00:23:42,119 --> 00:23:44,160
Speaker 12: I think I made a deal two minutes to twelve

463
00:23:44,200 --> 00:23:47,920
to your approval, of course, consolidated bottlings, Willie.

464
00:23:47,920 --> 00:23:49,440
Speaker 6: I don't want to hear about it this way, not

465
00:23:49,559 --> 00:23:50,000
on the phone.

466
00:23:50,039 --> 00:23:52,920
Speaker 1: I want you to come over here right away, Gertrude.

467
00:23:52,920 --> 00:23:55,720
Speaker 11: I'm tired and I'm not feeling well. I've had a hard.

468
00:23:55,640 --> 00:24:00,119
Speaker 6: Day at once, Stanley.

469
00:24:02,839 --> 00:24:05,720
Speaker 3: What time is it now, doug two minutes to twelve,

470
00:24:05,759 --> 00:24:08,839
if my watch is right. You're not frightened, are you, Phyllis?

471
00:24:08,920 --> 00:24:12,240
Speaker 10: Of course not well, maybe a little nervous.

472
00:24:12,400 --> 00:24:15,079
Speaker 3: You needn't be. He's really just the same.

473
00:24:15,200 --> 00:24:18,640
Speaker 10: Except Dick Phyllis, what time is it now?

474
00:24:18,680 --> 00:24:21,000
Speaker 3: Twenty seconds later? He may be late.

475
00:24:21,039 --> 00:24:21,240
Speaker 5: You know.

476
00:24:21,519 --> 00:24:24,799
Speaker 3: Punctuality was never one of my father's virtues, but surely now.

477
00:24:24,680 --> 00:24:27,799
Speaker 5: That he's Dug Doug.

478
00:24:28,640 --> 00:24:30,519
Speaker 3: Oh, yes, Pop, I'm here.

479
00:24:30,720 --> 00:24:34,440
Speaker 5: Well you're not. You don't seem to be alone.

480
00:24:34,680 --> 00:24:38,880
Speaker 3: Oh it's all right, Pop. You remember phyllis phyllis downs?

481
00:24:39,160 --> 00:24:46,160
Speaker 5: Oh yes, yes, of course. Just a minute now, Oh

482
00:24:46,599 --> 00:24:51,559
there is anything new? You know? The materializing seems to

483
00:24:51,599 --> 00:24:54,880
get easier as you go along with phyllis phyllis. How

484
00:24:55,000 --> 00:24:56,000
nice to see you again.

485
00:24:56,240 --> 00:25:01,039
Speaker 9: It's good to see you too, mister Cardwell, only will

486
00:25:01,119 --> 00:25:02,440
give me a minute to get.

487
00:25:02,319 --> 00:25:02,759
Speaker 3: Used to it.

488
00:25:03,079 --> 00:25:05,720
Speaker 5: I expect it is unnerving. It is nothing to be

489
00:25:05,799 --> 00:25:09,960
afraid of, though, I'm not afraid, of course. You're not well, Doug.

490
00:25:10,440 --> 00:25:11,079
Anything new?

491
00:25:11,440 --> 00:25:14,000
Speaker 3: Well? Uncle Stanley was supposed to be out taking bids

492
00:25:14,039 --> 00:25:14,920
for the plant today.

493
00:25:15,000 --> 00:25:17,599
Speaker 5: Well you won't have any trouble. Plenty of people eager

494
00:25:17,640 --> 00:25:21,599
to buy Brianberry glass. Doug, you told your mother.

495
00:25:21,839 --> 00:25:25,000
Speaker 3: I suppose I didn't you? Yes, shouldn't I have?

496
00:25:25,640 --> 00:25:26,759
Speaker 5: It doesn't really matter?

497
00:25:27,559 --> 00:25:28,559
Speaker 3: Have you thought of anything?

498
00:25:29,119 --> 00:25:29,160
Speaker 10: No?

499
00:25:30,319 --> 00:25:33,319
Speaker 5: I'm sorry to say, I haven't. No, I don't want

500
00:25:33,359 --> 00:25:35,799
to get you into a bad situation down here. And

501
00:25:35,880 --> 00:25:41,079
yet if I'm to be reclassified, I have to be avenged. Well, Doug,

502
00:25:41,119 --> 00:25:41,799
I just don't know.

503
00:25:42,640 --> 00:25:45,839
Speaker 3: Well, I suppose I'll do whatever I have to. There

504
00:25:45,880 --> 00:25:48,200
must be some better way than the way Hamlet did it.

505
00:25:48,319 --> 00:25:50,319
Speaker 5: No, no, no, All I said was that Hamlet was

506
00:25:50,359 --> 00:25:52,920
a good boy. I didn't ask you to do any

507
00:25:52,920 --> 00:25:54,799
of the thing as he troop. If I don't want

508
00:25:54,839 --> 00:25:56,559
you to make the kind of mess he made of things,

509
00:25:56,680 --> 00:25:57,640
certainly I don't want you to.

510
00:25:57,640 --> 00:25:57,799
Speaker 8: All.

511
00:25:58,200 --> 00:26:02,480
Speaker 9: I just thought of something in Hamlet they did a play,

512
00:26:03,200 --> 00:26:07,559
remember A bunch of strolling players came along and Hamlet

513
00:26:07,599 --> 00:26:09,519
made up a scene for them to act out to

514
00:26:09,759 --> 00:26:11,680
catch the conscience of the king.

515
00:26:11,880 --> 00:26:13,720
Speaker 10: Right, why couldn't we.

516
00:26:13,680 --> 00:26:16,480
Speaker 5: Do that the whole troop of actors.

517
00:26:16,799 --> 00:26:18,359
Speaker 10: I have a whole movie camera.

518
00:26:18,799 --> 00:26:22,160
Speaker 9: Got it as a present last Christmas, and it's absolutely marvelous.

519
00:26:22,160 --> 00:26:26,480
What phyllis It takes pictures indoors with just ordinary room lighting, and.

520
00:26:26,680 --> 00:26:27,960
Speaker 10: I've got to is just lied.

521
00:26:28,240 --> 00:26:31,079
Speaker 5: Yes, but we'd still need actors, No, we wouldn't.

522
00:26:31,079 --> 00:26:32,000
Speaker 10: Don't you see?

523
00:26:32,200 --> 00:26:35,559
Speaker 9: You could play yourself and Doug could play uncle Stanley,

524
00:26:35,599 --> 00:26:37,279
and we'd reenact the crime.

525
00:26:38,319 --> 00:26:41,839
Speaker 5: I don't know about that, Phillis. I only tried acting

526
00:26:41,960 --> 00:26:45,119
once in my high school senior class play. And well,

527
00:26:45,200 --> 00:26:47,319
to tell you the truth, I was terrified.

528
00:26:47,599 --> 00:26:49,920
Speaker 9: All you'd have to do is just lie there on

529
00:26:49,960 --> 00:26:53,279
the bed, mister Cardwell, while Uncle Stanley held the pillow

530
00:26:53,359 --> 00:26:54,079
over your face.

531
00:26:54,480 --> 00:26:55,640
Speaker 10: You wouldn't have to act.

532
00:26:56,640 --> 00:26:59,519
Speaker 3: It would work very well in Hamlet, sure.

533
00:26:59,359 --> 00:26:59,920
Speaker 10: Caught the cop.

534
00:27:01,599 --> 00:27:05,240
Speaker 9: If we can scare Uncle Stanley badly enough, who knows

535
00:27:05,279 --> 00:27:06,160
what might happen.

536
00:27:06,279 --> 00:27:08,759
Speaker 5: Well, you know, I don't think you can take pictures

537
00:27:08,799 --> 00:27:11,359
of spirits. I mean I don't think spirits show up

538
00:27:11,400 --> 00:27:12,240
on film.

539
00:27:12,240 --> 00:27:17,279
Speaker 9: Oh, mister Cardwell, please, that's just superstitious nonsense.

540
00:27:17,079 --> 00:27:23,079
Speaker 5: Probably like seeing a ghost. Well, we can try. Goodness knows.

541
00:27:23,200 --> 00:27:24,759
I have nothing better to suggest.

542
00:27:33,279 --> 00:27:37,240
Speaker 4: Perhaps it has been said that nature imitates art, which

543
00:27:37,680 --> 00:27:42,720
I suppose could be made to read reality imitates fiction.

544
00:27:43,920 --> 00:27:48,039
But is Hamlet, Prince of Denmark a wise choice of models?

545
00:27:48,960 --> 00:27:52,440
As I recall, there was nobody left except the ghost

546
00:27:52,799 --> 00:27:57,680
of the murdered king. Perhaps, however, reality need not slavishly

547
00:27:57,799 --> 00:28:01,440
follow the pattern of fiction. In the case at hand,

548
00:28:01,680 --> 00:28:06,759
some of the misery will be edited out we'll see Spector.

549
00:28:06,400 --> 00:28:14,920
Speaker 3: Duickly with Act three, the.

550
00:28:14,960 --> 00:28:19,200
Speaker 4: Late Edmund Cardwell has been designated a Class D spirit,

551
00:28:19,799 --> 00:28:23,000
which means that he must walk the earth until his

552
00:28:23,160 --> 00:28:27,279
murder is avenged. He has appeared as a rather lifelike

553
00:28:27,400 --> 00:28:31,599
specter to his son Douglas, and now also to Phyllis Downes,

554
00:28:31,960 --> 00:28:35,319
who is engaged to marry Douglas. The three of them

555
00:28:35,599 --> 00:28:38,720
in trying to determine how best this vengeance may willis

556
00:28:38,720 --> 00:28:41,000
I'm afraid had hit upon a device.

557
00:28:40,839 --> 00:28:43,039
Speaker 3: Used by Hamlet in Shakespeare's drama.

558
00:28:43,680 --> 00:28:47,440
Speaker 4: The Play's the thing they've decided wherein they'll catch the

559
00:28:47,559 --> 00:28:52,640
conscience of Uncle Stanley. At this moment, they're examining the

560
00:28:52,680 --> 00:28:56,400
bedroom of Phyllis's apartment, which she has proposed as the

561
00:28:56,480 --> 00:28:58,559
setting for their filmed drama.

562
00:28:59,079 --> 00:29:01,440
Speaker 5: Now, no, phil Well, I'm afraid it just won't do.

563
00:29:01,480 --> 00:29:04,359
It isn't the least like my own bedroom where where

564
00:29:04,680 --> 00:29:05,839
the crime was committed.

565
00:29:06,079 --> 00:29:07,960
Speaker 10: Well, then we'll have to make the film.

566
00:29:07,680 --> 00:29:09,680
Speaker 3: In your room with mother in the house.

567
00:29:10,119 --> 00:29:10,880
Speaker 10: I don't care what.

568
00:29:11,200 --> 00:29:11,759
Speaker 3: No, my mother.

569
00:29:11,960 --> 00:29:14,680
Speaker 9: We can wait until she's gone to bed. After all,

570
00:29:14,680 --> 00:29:16,839
it's going to be a silent film. And if my

571
00:29:16,920 --> 00:29:20,440
mother wakes up, if she wakes up, your father simply disappears.

572
00:29:20,839 --> 00:29:23,559
Speaker 10: He can't do that. We hide the camera before we

573
00:29:23,640 --> 00:29:25,559
let her in, and she finds the two of us

574
00:29:25,599 --> 00:29:28,480
alone in your father's room. That's all they'll be defined.

575
00:29:28,920 --> 00:29:31,039
Speaker 3: You know what she's going to think, so.

576
00:29:31,680 --> 00:29:34,599
Speaker 10: I don't care what she thinks to you. Are you

577
00:29:34,680 --> 00:29:35,640
afraid of her, Doug?

578
00:29:35,920 --> 00:29:39,799
Speaker 5: Of course he is, my dear. Everybody's afraid of Gertrude.

579
00:29:44,039 --> 00:29:47,559
Speaker 1: Where else? It's about time, Stanley. What took you so long?

580
00:29:48,039 --> 00:29:50,440
Speaker 11: Gertrude? Can we just get this over with.

581
00:29:50,720 --> 00:29:52,799
Speaker 12: I've had a stomach ache all day, and I don't

582
00:29:52,799 --> 00:29:53,400
think I've.

583
00:29:53,200 --> 00:29:55,599
Speaker 11: Ever been a tired before in my whole life.

584
00:29:55,680 --> 00:29:58,319
Speaker 1: I don't want to talk in this house, stan.

585
00:29:58,839 --> 00:30:00,759
Speaker 3: But but I.

586
00:30:00,839 --> 00:30:03,440
Speaker 11: Came all the way over here because.

587
00:30:03,119 --> 00:30:06,200
Speaker 8: I'll explain it to you later somewhere else.

588
00:30:07,319 --> 00:30:09,079
Speaker 1: I'm afraid of being overheard.

589
00:30:08,640 --> 00:30:12,039
Speaker 3: If we talk here over heard he's Doughaugh, No, he isn't.

590
00:30:12,240 --> 00:30:13,680
He's out with that that.

591
00:30:13,839 --> 00:30:15,920
Speaker 11: Girl who's going to overhear us?

592
00:30:16,799 --> 00:30:21,039
Speaker 8: Do the Douglas soltend if you must know? Edmund, he's

593
00:30:21,079 --> 00:30:22,440
still in his house, Stanley.

594
00:30:23,119 --> 00:30:23,799
Speaker 1: I can feel it.

595
00:30:23,880 --> 00:30:27,359
Speaker 12: He's still here, Gertrude. Edmund's dead. We buried him a

596
00:30:27,359 --> 00:30:28,039
few days ago.

597
00:30:28,160 --> 00:30:30,200
Speaker 1: He's here all the same, he's come back. Stanley.

598
00:30:30,279 --> 00:30:32,839
Speaker 12: Oh, if I didn't feel so lousy, that would almost

599
00:30:32,920 --> 00:30:33,680
be funny.

600
00:30:34,119 --> 00:30:37,359
Speaker 8: You, of all people, Maybe you won't think it so

601
00:30:37,480 --> 00:30:39,799
funny when I tell you that Douglas saw him last

602
00:30:39,880 --> 00:30:40,640
night and.

603
00:30:40,880 --> 00:30:41,680
Speaker 1: Talked to him.

604
00:30:42,200 --> 00:30:42,920
Speaker 11: I don't believe it.

605
00:30:43,000 --> 00:30:43,920
Speaker 1: Douglas says he did.

606
00:30:44,880 --> 00:30:48,400
Speaker 8: He also says that Edmond is accusing you of smothering

607
00:30:48,519 --> 00:30:58,079
him with a pill. Doug said that he did, But.

608
00:30:56,359 --> 00:30:57,440
Speaker 3: But how would he know.

609
00:30:59,319 --> 00:31:02,039
Speaker 8: He wouldn't unless Edmund told him.

610
00:31:03,680 --> 00:31:05,519
Speaker 6: Now, do you understand why I want to get out

611
00:31:05,519 --> 00:31:06,079
of this place?

612
00:31:12,640 --> 00:31:15,519
Speaker 3: The lights are still on in the living room. Stay

613
00:31:15,519 --> 00:31:16,960
in the shadow of these bushes, stills.

614
00:31:17,359 --> 00:31:19,079
Speaker 10: What time does your mother usually.

615
00:31:18,839 --> 00:31:21,680
Speaker 3: Go to bed? Earlier than this is a rule? It's

616
00:31:21,720 --> 00:31:22,279
almost one.

617
00:31:22,519 --> 00:31:25,400
Speaker 10: Yes, its father's going to materialize in his room after

618
00:31:25,440 --> 00:31:26,799
we get there. Is that the plan?

619
00:31:27,119 --> 00:31:29,519
Speaker 3: Or before he thought it'd be easier than.

620
00:31:29,680 --> 00:31:32,640
Speaker 10: Oh wait a minute, the light just went out.

621
00:31:33,279 --> 00:31:36,200
Speaker 3: We'll still have to give her some time, Honey, she

622
00:31:36,240 --> 00:31:37,880
didn't turn on her bedroom light first.

623
00:31:38,319 --> 00:31:43,079
Speaker 10: She usually somebody's coming out the front door. I think

624
00:31:43,079 --> 00:31:44,960
it's yes, it's mother.

625
00:31:46,519 --> 00:31:51,039
Speaker 3: There's somebody with her uncle Stanley. It looks like don't

626
00:31:51,119 --> 00:31:55,240
like him at least he's fat, pretty portly. Yes, it's

627
00:31:55,240 --> 00:31:59,920
feeling round to the garage. It looks like beautiful.

628
00:32:00,799 --> 00:32:03,000
Speaker 10: If they drive away somewhere in the car, it'll be

629
00:32:03,039 --> 00:32:04,400
a cinch to get inside.

630
00:32:04,839 --> 00:32:07,279
Speaker 3: Mother doesn't like to drive at night, but Uncle Stanley

631
00:32:07,319 --> 00:32:10,359
sometimes parks his car back by the garage. Come over

632
00:32:10,400 --> 00:32:12,240
here behind the bushes so the lights won't catch you

633
00:32:12,279 --> 00:32:12,960
as they back out.

634
00:32:14,079 --> 00:32:18,079
Speaker 10: It's going to work, Doug. I have a feeling we're

635
00:32:18,160 --> 00:32:28,000
going to do it, and it's going to work. Your

636
00:32:28,079 --> 00:32:29,559
uncle Stanley pop.

637
00:32:29,720 --> 00:32:33,000
Speaker 5: Right here, Doug. They went out somewhere, she and Stanley.

638
00:32:33,079 --> 00:32:36,039
Speaker 3: Yes, we saw them go. Okay to turn the light on.

639
00:32:36,200 --> 00:32:39,440
Speaker 9: Sure, all right, let's get started.

640
00:32:39,920 --> 00:32:41,839
Speaker 5: Well, now what do I have to do.

641
00:32:42,359 --> 00:32:44,680
Speaker 10: Just lie down on the bed and close your eyes.

642
00:32:45,440 --> 00:32:45,720
Speaker 4: Doug.

643
00:32:46,119 --> 00:32:48,440
Speaker 9: You wrap a blanket or something around your middle so

644
00:32:48,480 --> 00:32:50,400
you'll look thick like your uncle Stanley.

645
00:32:50,759 --> 00:32:53,680
Speaker 10: Now we'll have a run through first. One should do that.

646
00:32:53,920 --> 00:32:56,880
Speaker 5: Who ever heard of anybody re enacting his own murder?

647
00:32:57,359 --> 00:32:59,759
A man shouldn't be asked to die more than what?

648
00:33:00,599 --> 00:33:01,640
Speaker 11: Oh he was the hold?

649
00:33:04,920 --> 00:33:07,640
Speaker 6: Oh Stanley, you know I hate saloons.

650
00:33:08,160 --> 00:33:11,400
Speaker 12: Come on, Gertrude, there's nothing else open this time of night.

651
00:33:11,559 --> 00:33:14,319
Speaker 11: Now, would you like to hear what I did today?

652
00:33:14,359 --> 00:33:14,880
Speaker 5: Or wouldn't you?

653
00:33:14,880 --> 00:33:16,880
Speaker 1: All right, yes, of course I want to hear.

654
00:33:17,039 --> 00:33:18,920
Speaker 11: Well, it's not quite as good as we'd hoped.

655
00:33:19,640 --> 00:33:22,759
Speaker 12: Everyone knows Edmund's dead, Juicee, and they know he was

656
00:33:22,799 --> 00:33:23,359
to hold out.

657
00:33:24,000 --> 00:33:25,559
Speaker 11: They know you and I are ready to sell.

658
00:33:26,000 --> 00:33:28,559
Speaker 3: So so the price has gone down.

659
00:33:29,720 --> 00:33:31,599
Speaker 1: I might have known you bungled.

660
00:33:31,240 --> 00:33:32,039
Speaker 3: It, Gertrude.

661
00:33:32,079 --> 00:33:33,359
Speaker 11: These people are not stupid.

662
00:33:33,480 --> 00:33:34,359
Speaker 1: I had a million's better.

663
00:33:34,519 --> 00:33:36,039
Speaker 11: Your glass is a small plant.

664
00:33:36,079 --> 00:33:39,440
Speaker 12: It's a nuisance to the big companies, that's all. The

665
00:33:39,519 --> 00:33:43,559
best offer I got was from Consolidated Bottling, one million

666
00:33:43,640 --> 00:33:45,720
dollars and three percent of their common stock.

667
00:33:45,839 --> 00:33:47,079
Speaker 11: Take it or leave it now?

668
00:33:47,119 --> 00:33:49,319
Speaker 1: I happen to know that Amalgamated once off.

669
00:33:49,359 --> 00:33:51,079
Speaker 11: I said, take it or leave it?

670
00:33:52,119 --> 00:33:56,680
Speaker 8: Oh, all right, right, A million's better than nothing, but

671
00:33:56,839 --> 00:33:59,799
considerably so can I go home.

672
00:33:59,559 --> 00:34:01,599
Speaker 1: And get some Well what still has to be done?

673
00:34:02,000 --> 00:34:05,279
Speaker 12: Consolidated as a board meeting schedule for ten thirty tomorrow morning.

674
00:34:06,400 --> 00:34:09,719
Speaker 11: Good too that if the deal gets past.

675
00:34:09,559 --> 00:34:11,519
Speaker 12: The board, it'll go to the legal department.

676
00:34:11,599 --> 00:34:12,840
Speaker 11: Then they'll draw up the papers.

677
00:34:13,480 --> 00:34:14,079
Speaker 5: Who's luck.

678
00:34:14,400 --> 00:34:17,239
Speaker 11: I might have something for you to sign tomorrow night.

679
00:34:24,960 --> 00:34:25,480
Speaker 6: All right.

680
00:34:25,760 --> 00:34:28,800
Speaker 10: I guess that wraps it up pretty good too. I

681
00:34:28,840 --> 00:34:33,000
think that last take was very effective. Actually gave me the.

682
00:34:32,960 --> 00:34:34,880
Speaker 5: Shipper, gave me worse than man.

683
00:34:35,039 --> 00:34:37,320
Speaker 3: I just hope it does some good, that's all it will.

684
00:34:37,400 --> 00:34:40,639
Speaker 10: It has to we best shot it still can.

685
00:34:40,760 --> 00:34:43,079
Speaker 3: Yes, I don't much want to see my mother just now. Now.

686
00:34:43,119 --> 00:34:45,920
Speaker 10: I'll have them develop and print this film tomorrow morning.

687
00:34:46,360 --> 00:34:48,000
Will you see if you can arrange for us to

688
00:34:48,039 --> 00:34:49,199
show it to them tomorrow night.

689
00:34:49,280 --> 00:34:51,760
Speaker 3: Doc, I'll try to get them together. I think it'd

690
00:34:51,800 --> 00:34:53,800
be just as well not to tell them why. I

691
00:34:53,840 --> 00:34:56,159
don't believe they'd be very interested right now in watching

692
00:34:56,239 --> 00:34:56,960
home movies.

693
00:34:57,159 --> 00:35:01,159
Speaker 9: They'll be interested alright once they see that first shot.

694
00:35:08,039 --> 00:35:11,599
Speaker 3: Hello, this is Doug Phyllis. I just had a talk

695
00:35:11,599 --> 00:35:13,679
with me. Does he know from the drug store?

696
00:35:13,719 --> 00:35:13,960
Speaker 5: Now?

697
00:35:14,360 --> 00:35:15,280
Speaker 1: Is it all set up.

698
00:35:15,159 --> 00:35:16,480
Speaker 10: For us to show the film tonight?

699
00:35:16,719 --> 00:35:18,679
Speaker 3: Uncle Stanley's going to be at the house tonight at

700
00:35:18,719 --> 00:35:20,920
eight o'clock. He hopes to have the papers for mother

701
00:35:20,960 --> 00:35:23,880
to sign by then. It looks like tonight or never.

702
00:35:24,320 --> 00:35:26,559
Speaker 10: You didn't say anything to your mother about the film.

703
00:35:26,760 --> 00:35:28,960
Speaker 3: No, we'll just show up with it at the house

704
00:35:29,000 --> 00:35:31,079
and make them watch it. It's the only way I

705
00:35:31,159 --> 00:35:36,440
can think of. Does he know my father? I'm not sure.

706
00:35:37,039 --> 00:35:39,559
I suspect he's pretty much in touch with what's going on, though.

707
00:35:39,639 --> 00:35:41,320
Speaker 5: Now I'm right here with your son.

708
00:35:42,159 --> 00:35:45,679
Speaker 3: Is here in the phone booth the pilm Pop.

709
00:35:46,199 --> 00:35:48,079
Speaker 5: Ask her if I showed up all right on the film.

710
00:35:48,119 --> 00:35:51,400
Speaker 3: Doug Phyllis pops here with me in the phone booth.

711
00:35:52,000 --> 00:35:53,840
He wants to know if he showed up all right

712
00:35:53,880 --> 00:35:57,320
on the film perfectly, just as well as you did.

713
00:35:57,480 --> 00:36:00,719
Speaker 5: Hmmm, funny somewhere I got the idea, Yeah, you couldn't

714
00:36:00,760 --> 00:36:02,760
take pictures of class dse spirits.

715
00:36:03,159 --> 00:36:04,679
Speaker 2: Doug ask him if.

716
00:36:04,559 --> 00:36:06,800
Speaker 10: He's going to be there tonight when we show the film.

717
00:36:06,920 --> 00:36:07,760
Speaker 3: Pop. She wants to know.

718
00:36:07,880 --> 00:36:10,119
Speaker 5: I know, I know, I heard. I'll be there in

719
00:36:10,280 --> 00:36:12,599
spirit at least. I'm not sure that I'm up to

720
00:36:12,679 --> 00:36:27,960
facing your mother in the flesh.

721
00:36:28,000 --> 00:36:30,880
Speaker 8: You're terminist, late Stanley. Oh, come on in, did you

722
00:36:30,920 --> 00:36:31,599
bring the papers?

723
00:36:32,719 --> 00:36:35,360
Speaker 12: They're all ready to hear your signature. I may go

724
00:36:35,440 --> 00:36:37,599
down to Florida myself when this is all over, or

725
00:36:37,679 --> 00:36:40,760
someplace at least for a few weeks, and either.

726
00:36:40,800 --> 00:36:42,760
Speaker 1: Well, don't be a need to hold either of some Bramburry.

727
00:36:43,400 --> 00:36:44,320
Let me have the papers.

728
00:36:45,079 --> 00:36:47,599
Speaker 11: I got them right here in lantashe case. They had

729
00:36:47,639 --> 00:36:50,079
the whole legal department working on this thing.

730
00:36:52,079 --> 00:36:56,960
Speaker 8: Somebody outside I didn't hear any Oh hello, mother, uncle Stanley.

731
00:36:57,679 --> 00:36:59,000
Speaker 3: You've both met pillows, haven't you.

732
00:36:59,519 --> 00:36:59,920
Speaker 1: We've met.

733
00:37:00,199 --> 00:37:03,239
Speaker 3: Yes, we have something to show you, mother, Oh, both

734
00:37:03,320 --> 00:37:03,519
of you.

735
00:37:03,880 --> 00:37:06,239
Speaker 1: I'm afraid it'll have to wait. Douglas. We're very busy

736
00:37:06,360 --> 00:37:07,840
right now, not too busy for this.

737
00:37:08,000 --> 00:37:08,719
Speaker 3: I hope it's a.

738
00:37:08,719 --> 00:37:11,000
Speaker 10: Short piece of film. It doesn't run more than a

739
00:37:11,039 --> 00:37:11,599
few minutes.

740
00:37:11,760 --> 00:37:14,039
Speaker 1: Run What is it? You got, Douglas?

741
00:37:14,239 --> 00:37:17,239
Speaker 3: A screen and this is a projector won't take us

742
00:37:17,280 --> 00:37:18,199
a second? Set it up?

743
00:37:18,559 --> 00:37:21,320
Speaker 12: Gertrude, Why don't you just sign these papers and let

744
00:37:21,400 --> 00:37:24,960
me get out of here. I don't feel well enough

745
00:37:25,039 --> 00:37:26,559
to watch any home movies today.

746
00:37:26,800 --> 00:37:30,239
Speaker 3: You'll be interested in this, Uncle Stanley, you especially this

747
00:37:30,480 --> 00:37:30,960
wall will do?

748
00:37:31,159 --> 00:37:32,800
Speaker 10: Is it all right if I take this picture down?

749
00:37:32,920 --> 00:37:35,440
Speaker 1: No, it is not, young lady, and we don't have

750
00:37:35,559 --> 00:37:36,840
time for any of this nonsense.

751
00:37:36,880 --> 00:37:39,000
Speaker 3: I want you to take it down for this here.

752
00:37:39,239 --> 00:37:40,360
Speaker 1: Let me help you, Douglas.

753
00:37:40,960 --> 00:37:44,320
Speaker 3: Oh you'll find this fascinating, mother, I guarantee it.

754
00:37:44,840 --> 00:37:55,559
Speaker 13: Okay, All set here, you can turn the lights out, Doug, Douglas.

755
00:37:55,760 --> 00:37:56,239
Speaker 3: I don't want to.

756
00:37:56,880 --> 00:38:00,679
Speaker 6: Oh lord, Dougle said to her father, how did you

757
00:38:00,760 --> 00:38:01,480
get there's more?

758
00:38:01,639 --> 00:38:03,719
Speaker 3: Mother, wait until you've seen it all.

759
00:38:04,360 --> 00:38:08,360
Speaker 11: It's me somehow they got you have pictures of it.

760
00:38:08,760 --> 00:38:12,880
Speaker 3: You'll notice that's a pillow Uncle Stanley has in his hands. Mother,

761
00:38:13,320 --> 00:38:16,199
Where did you get this? This filthy thing?

762
00:38:16,320 --> 00:38:16,800
Speaker 5: Shut it off.

763
00:38:17,239 --> 00:38:17,760
Speaker 11: I don't want to.

764
00:38:18,320 --> 00:38:19,079
Speaker 3: I can't old.

765
00:38:19,960 --> 00:38:21,239
Speaker 10: Shut that dreadful thing.

766
00:38:21,800 --> 00:38:22,920
Speaker 3: You haven't seen the best part.

767
00:38:24,639 --> 00:38:30,360
Speaker 6: There you see the pillow, my father's face.

768
00:38:30,760 --> 00:38:38,400
Speaker 3: Hold you, okay, shut it off, Phyllis, stay here here,

769
00:38:38,480 --> 00:38:43,079
let me get to a mother. There's no pulse. I'm

770
00:38:43,119 --> 00:38:44,039
afraid you killed him.

771
00:38:44,400 --> 00:38:45,239
Speaker 1: You killed my brother.

772
00:38:45,440 --> 00:38:49,119
Speaker 3: Oh, Doug, heart attack. I imagine Stanley's.

773
00:38:48,639 --> 00:38:49,199
Speaker 13: Feed to me.

774
00:38:50,360 --> 00:38:51,039
Speaker 3: I won't have this.

775
00:38:51,199 --> 00:38:52,679
Speaker 1: You understand, spee to me.

776
00:38:53,000 --> 00:38:59,360
Speaker 3: It's no good mother, good, cool, good true. Can you

777
00:38:59,599 --> 00:39:00,199
hear me?

778
00:39:01,320 --> 00:39:04,079
Speaker 5: Papers out of Stanley dogs your father?

779
00:39:04,840 --> 00:39:05,079
Speaker 3: Yes?

780
00:39:06,000 --> 00:39:11,760
Speaker 10: Is he going to Willie? Oh? No, no, no, no,

781
00:39:12,079 --> 00:39:13,440
m go away, go away.

782
00:39:13,519 --> 00:39:17,280
Speaker 5: You're dead, edma and just about out of class d.

783
00:39:17,519 --> 00:39:21,639
There's one thing, though, Gertrude. Away will Gertrude, But first

784
00:39:22,239 --> 00:39:24,880
take those papers out of Stanley's out the shay case,

785
00:39:25,159 --> 00:39:28,559
and you know the papers I mean, I'll tear them up.

786
00:39:29,360 --> 00:39:32,079
Speaker 1: I will not. The factory is mine now and I

787
00:39:32,199 --> 00:39:33,400
have every right to tell.

788
00:39:33,280 --> 00:39:36,320
Speaker 5: The true over to him. Yet haunt you for the

789
00:39:36,400 --> 00:39:38,760
rest of your life, because I will.

790
00:39:38,960 --> 00:39:41,360
Speaker 6: If you're alive, you'd never get away with this.

791
00:39:41,760 --> 00:39:47,039
Speaker 5: Yes, but as you say, Gerdrude, I'm dead. Tear them up, Gertrude.

792
00:39:48,199 --> 00:39:51,280
Thank you. Now you are to put Doug in charge

793
00:39:51,320 --> 00:39:53,800
of bran Bury Glass. In fact, I think it would

794
00:39:53,800 --> 00:39:56,000
be a good thing if you needed the factory over

795
00:39:56,039 --> 00:39:59,400
to him. Yes, yes, I think that would be best you.

796
00:39:59,719 --> 00:40:02,840
You may keep the house if you like. The liquid

797
00:40:02,920 --> 00:40:05,239
assets I think ought to be divided equally between the

798
00:40:05,280 --> 00:40:08,280
two of you, you see Doug's Yeah, but he and

799
00:40:08,400 --> 00:40:09,800
fill us our planning to be married.

800
00:40:09,920 --> 00:40:12,519
Speaker 1: I won't do it according to your will.

801
00:40:12,679 --> 00:40:16,079
Speaker 5: Oh I just made a new will, Gertrude. Weren't you listening?

802
00:40:17,079 --> 00:40:21,119
Or of course I could stay and haunt.

803
00:40:20,880 --> 00:40:28,400
Speaker 1: You all right? Go away? Oh poor standing?

804
00:40:28,800 --> 00:40:31,760
Speaker 5: Yes, yes, I am sorry about that in a way.

805
00:40:32,480 --> 00:40:34,679
At least though he won't be in class D he

806
00:40:34,840 --> 00:40:39,079
died of natural death. I'll be going out, Doug.

807
00:40:39,360 --> 00:40:42,760
Speaker 11: I will remind you long life and happiness.

808
00:40:43,039 --> 00:40:45,039
Speaker 3: We we won't be seeing you again.

809
00:40:45,280 --> 00:40:48,079
Speaker 5: No, not as long as your mother keeps her promise.

810
00:40:49,119 --> 00:40:54,599
It's better that way. Really remember me, though, I hope

811
00:40:55,320 --> 00:40:56,280
you'll remember me.

812
00:40:57,920 --> 00:41:00,760
Speaker 3: I won't forget him tell us, and I will be

813
00:41:00,800 --> 00:41:04,039
around to remind you if you ever should.

814
00:41:12,159 --> 00:41:17,079
Speaker 4: And those thorns avenged and free at last to take

815
00:41:17,159 --> 00:41:22,679
his final rest, the mother Well, the ghost of Hamlet's father,

816
00:41:23,000 --> 00:41:27,719
said to Hamlet, tain't not thy mind, nor let thy

817
00:41:27,840 --> 00:41:30,000
soul contrive against.

818
00:41:29,800 --> 00:41:30,559
Speaker 12: Thy mother aught.

819
00:41:31,440 --> 00:41:35,639
Speaker 4: Leave her to heaven, and to those thorns that in

820
00:41:35,760 --> 00:41:41,679
her bosom lodge, do prick and sting her. I'll return

821
00:41:42,000 --> 00:41:44,320
in the flesh, of course, in a few minutes.

822
00:41:45,519 --> 00:41:46,079
Speaker 3: Little town.

823
00:41:56,880 --> 00:42:01,199
Speaker 4: The Branburg Glass Factory was never sold, and Doug Cardwell,

824
00:42:01,360 --> 00:42:04,400
since taking over its management, has made a very good.

825
00:42:04,239 --> 00:42:04,639
Speaker 5: Thing of it.

826
00:42:05,360 --> 00:42:08,760
Speaker 4: Branbury is still a thriving little town with no more

827
00:42:08,840 --> 00:42:13,039
than the usual concern over unemployment. Doug and Phyllis live

828
00:42:13,079 --> 00:42:15,920
in the old house now, and Doug's mother wears a

829
00:42:16,079 --> 00:42:17,519
lovely father invention.

830
00:42:18,559 --> 00:42:20,880
Speaker 3: His father has never had occasion to return.

831
00:42:22,280 --> 00:42:26,280
Speaker 4: Our cast included Will Mackenzie, Jennifer Harmon, Grace, Matthews, Joe

832
00:42:26,360 --> 00:42:30,840
Silver and Leon. The entire production was under the direction

833
00:42:31,039 --> 00:42:31,840
of Hyman Brown.

834
00:42:33,920 --> 00:42:34,519
Speaker 3: This is E. G.

835
00:42:34,719 --> 00:42:38,039
Speaker 4: Marshall inviting you to return to our Mystery Theater for

836
00:42:38,199 --> 00:42:39,800
another adventure.

837
00:42:39,840 --> 00:42:40,719
Speaker 5: In the macabrere.

838
00:42:42,239 --> 00:43:07,760
Speaker 11: Until next time, pleasant dreams, F.

