WEBVTT

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<v Speaker 1>Hey, this is Brian wanting to let you know that

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<v Speaker 1>the Movie Film Podcast now has a Patreon. If you

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<v Speaker 1>we've ever recorded and every episode we do moving forward

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<v Speaker 1>and subscribe. We'd be very grateful and now on with

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<v Speaker 1>the show. Welcome friends Podcasts podcasting show, Jacky and Brian.

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<v Speaker 1>They're talking about them.

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<v Speaker 2>They were raised in the streets.

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<v Speaker 1>I was really bad today. I had two molk chios.

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<v Speaker 2>I feel like craft.

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<v Speaker 1>Think brought up in the hood to practice parking. What's

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<v Speaker 1>the point everywhere you go?

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<v Speaker 2>Hout to la and educated nice stems.

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<v Speaker 1>Thanks hit the mall?

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<v Speaker 2>Is it James Dean or Jason Priest though? Hello, Alicia Silverstone?

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<v Speaker 1>Wait, existential Clueless?

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<v Speaker 2>Do you have any idea what you're talking about?

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<v Speaker 1>Rated?

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<v Speaker 2>PG?

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<v Speaker 1>Thirteen.

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<v Speaker 2>Wow, Welcome to a movie film commentary track. My name

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<v Speaker 2>is Zachie Assign I'm here with Brian Hall.

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<v Speaker 1>Hey, how's it going, Zachie? As if we get two

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<v Speaker 1>baldwins coming at you live Hopefully we're not Monaise, but

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<v Speaker 1>that's up to you, the listeners who are not looking

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<v Speaker 1>at it.

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<v Speaker 2>So you're here to talk about clueless. And the timing

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<v Speaker 2>could not be more appropriate because it did just celebrate

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<v Speaker 2>it's thirtieth anniversary.

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<v Speaker 1>You know, I was thinking about thirty years and in

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<v Speaker 1>my mind, because I remember seeing this and I've rewatched

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<v Speaker 1>it throughout the years, I'm like, well, yeah, I mean,

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<v Speaker 1>it's thirty sounds like a lot, but it doesn't feel

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<v Speaker 1>like a lot. But in nineteen ninety five, when this

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<v Speaker 1>came out, thirty years previous to that, the Beatles were

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<v Speaker 1>still together and man had not yet walked on the Moon.

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<v Speaker 2>See my thought watching I was like, I was like,

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<v Speaker 2>it is now a back to the future amount of time. Yes,

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<v Speaker 2>Clueless came out right, that was my thought.

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<v Speaker 1>That's an interesting so to try to picture a teenager

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<v Speaker 1>like one of your your your boys, going back into

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<v Speaker 1>the era of clueless, and what would that feel like

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<v Speaker 1>for them? Because they have cell phones in this movie

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<v Speaker 1>they do, you know, So I don't know's that's always

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<v Speaker 1>sort of an interesting idea, right because things are so

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<v Speaker 1>drastically different from eighty five to fifty five. But are

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<v Speaker 1>they drastically different from now to nineteen ninety five in

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<v Speaker 1>some ways?

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<v Speaker 2>I think, I think substantially, so I would I would

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<v Speaker 2>say things are drastic from nineteen ninety five to two

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<v Speaker 2>thousand and five. I mean it's it's when you when

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<v Speaker 2>you think about it, like the so much, so much

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<v Speaker 2>of the social construct in this film feels like a

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<v Speaker 2>different planet, forget a different era.

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<v Speaker 1>You know now that you say it because I don't

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<v Speaker 1>have kids, Yeah, but like I think what I'm not

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<v Speaker 1>recognizing is just the different ways that they socialize because

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<v Speaker 1>to me, I'm like, oh, yeah, I mean this is

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<v Speaker 1>how I remember it, and I'm sure kids still like

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<v Speaker 1>you know, just like hang out together and in the

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<v Speaker 1>same room.

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<v Speaker 2>And I think the only thing that is the same

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<v Speaker 2>is Paul Rudd's boyish good looks.

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<v Speaker 1>That's that's true. That is very true.

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<v Speaker 2>That's the only thing that is that is applicable no

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<v Speaker 2>matter when we have this conversation, it's.

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<v Speaker 1>Something we can and we see where shares coming from.

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<v Speaker 1>At the end, we're all a little in love with

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<v Speaker 1>Paul Rud.

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<v Speaker 2>We're all like, okay with your brother share uh so hey,

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<v Speaker 2>And and the timing is also perfectly apropos because because

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<v Speaker 2>as we record this, the school year is kicking into gear.

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<v Speaker 2>You know, we're thinking about we're thinking about all all

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<v Speaker 2>the social climber things that one does when when one

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<v Speaker 2>is a you know, a junior in high school, or

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<v Speaker 2>how our old share is right right, So we're gonna

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<v Speaker 2>watch Clueless from nineteen ninety five. If you want to

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<v Speaker 2>watch along with us, you can certainly do that. If not,

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<v Speaker 2>we'll try to keep the conversation, uh you knows, as

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<v Speaker 2>engaging as we can. Hopefully that's the perfect example, this

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<v Speaker 2>little preview of the sparkling repartee. You're about to get

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<v Speaker 2>huh uh so I'm cute up what about you, Brian,

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<v Speaker 2>I'm ready to rock, all right, So we'll do the

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<v Speaker 2>usual thing. We'll hit play on three. You meaning one,

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<v Speaker 2>two three play. Here we go, Brian, ready, one two

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<v Speaker 2>three play.

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<v Speaker 1>So yeah, I mean, we were talking a little bit

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<v Speaker 1>about this off air. But tell me about your relationship

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<v Speaker 1>to this movie. I mean, when was the last time

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<v Speaker 1>you saw it? Did you see it in the nineties?

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<v Speaker 1>Is it something you saw later?

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<v Speaker 2>I did see it in the nineties. I did not

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<v Speaker 2>see it during its initial run. I rented it from

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<v Speaker 2>the Hollywood Video on Army Trail Road.

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<v Speaker 1>Were you a Hollywood video guy? I was Blockbuster guy.

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<v Speaker 2>I was a Hollywood video guy, which actually doesn't make

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<v Speaker 2>even a lick of sense because the Hollywood video near

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<v Speaker 2>me was substantially further away than the Blockbuster.

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<v Speaker 1>Oh interesting, I do remember that, like you'd be at

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<v Speaker 1>a sleepover, because we were typically we actually had a

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<v Speaker 1>mom and pop place. We went to President Video mostly,

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<v Speaker 1>but sometimes if it was something was out, we'd go

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<v Speaker 1>to a Blockbuster. But if I was at a sleepover

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<v Speaker 1>and I saw the Hollywood video boxes, it was sort

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<v Speaker 1>of like ooh, like exotic.

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<v Speaker 2>But this movie definitely put Alicia Silverstone into the Zeitgeist,

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<v Speaker 2>even though I mean she had been kicking around. She

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<v Speaker 2>was in the crush.

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<v Speaker 1>Well, ye, I was gonna ask if you, like we're

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<v Speaker 1>familiar with her from the Aerosmith videos, because I think

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<v Speaker 1>that's where she first really burst onto the scene where

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<v Speaker 1>everyone was like, who is this?

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<v Speaker 2>Yeah, so I was not because I didn't have MTV.

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<v Speaker 1>Okay, so I didn't either. Actually, and I remember seeing

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<v Speaker 1>her or those videos rather at my friend's house. I

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<v Speaker 1>remember that was like because I you know, I missed

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<v Speaker 1>out on Beavis and butt Heead and Rin Stimpy and

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<v Speaker 1>all those things. That was like, again speaking of exotic,

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<v Speaker 1>I would be like at a friend's house and then

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<v Speaker 1>I'd be like, oh, this is that Beavis and butt Heead.

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<v Speaker 1>You get to finally see this? But yeah, there was.

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<v Speaker 1>She was in three Aerosmith videos. Uh, the only one

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<v Speaker 1>I see, what are they crying? Was one of them?

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<v Speaker 1>Amazing something else? But the only thing I remember. Oh

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<v Speaker 1>and Liv Tyler also Aerosmith's or Aerosmith you know, mister

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<v Speaker 1>Aerosmith did Payback run Away. No, Stephen Tyler's daughter lived Tyler.

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<v Speaker 1>It was the two of them in one of the videos.

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<v Speaker 1>And I remember Alicia Silverstone like looking like she was

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<v Speaker 1>going to jump off an overpass right and a guy

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<v Speaker 1>was like no, And then you see she has a

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<v Speaker 1>bungee cord and she's like flipping them off. Like I

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<v Speaker 1>mean that was just as a whatever. I was fifteen

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<v Speaker 1>year old, and you know, I was like instantly smitten

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<v Speaker 1>with her.

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<v Speaker 2>Yeah, she is adorable in this movie. She like that's

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<v Speaker 2>revisiting this for the first time since the nineties. I'm like,

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<v Speaker 2>I'd forgotten how good she is in this.

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<v Speaker 1>This is one of those things because I was looking

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<v Speaker 1>it up and people that they were looking into for

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<v Speaker 1>the role of share Reese Witherspoon.

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<v Speaker 2>I can totally see that, totally get it.

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<v Speaker 1>I totally get Carrie Russell, Tiffany Theeson, but can't see

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<v Speaker 1>that not as much. But like Alicia Silverstone, this is

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<v Speaker 1>one of those roles where you're like, oh, this was

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<v Speaker 1>she was like or for this, Yeah, you know, because

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<v Speaker 1>she's it's not just that she looks pretty and like

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<v Speaker 1>she fits in in Beverly Hills and can be kind

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<v Speaker 1>of funny and snaperr gum. I mean sher is like

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<v Speaker 1>a really interesting character. Like that's the thing when you

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<v Speaker 1>watch this when you're fifteen it's one thing, and watching

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<v Speaker 1>it as an adult, I have like a whole added

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<v Speaker 1>appreciation for this movie and it's writing, which we'll get into,

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<v Speaker 1>but like sher is really interesting, Like she's sweet but

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<v Speaker 1>also calculating, you know, and she's she's clueless, but she's

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<v Speaker 1>also kind of wise in her own sort of way.

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<v Speaker 1>Like she's a really dynamic character, and Alicia Silverstone brings

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<v Speaker 1>all of those things I feel like to this character,

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<v Speaker 1>so she doesn't just feel like a quirky blonde.

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<v Speaker 2>Yeah, or a dumb blonde, you know.

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<v Speaker 1>Totally.

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<v Speaker 2>I feel like this movie, you know, to some extent

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<v Speaker 2>gets lumped in like, oh, it's another dumb blonde, and

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<v Speaker 2>I'm like, not really. And honestly, what I was sort

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<v Speaker 2>of hardened by watching it again is like just how

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<v Speaker 2>kind she is.

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<v Speaker 1>Yes, yes, exactly. Yeah, she's nice to everybody in her life.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, as we're watching her dismiss this boy that just

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<v Speaker 1>like skits in front of her, but to be fair,

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<v Speaker 1>they're being rude and Donald Faison, it's.

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<v Speaker 2>Weird not having Zach Braff at his side exactly.

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<v Speaker 1>Yeah, you like to imagine he was just behind camera,

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<v Speaker 1>you know, rooting his friend on. It's funny. I was

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<v Speaker 1>gonna go down two different directions, but we have to

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<v Speaker 1>talk about this moment that the Hadeans she called instead

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<v Speaker 1>of the Haitians. Apparently that was something that Silverstone actually said,

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<v Speaker 1>and Amy Heckerling immediately told everybody, don't correct her, just

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<v Speaker 1>let her go with it because it's it's so perfect.

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<v Speaker 1>But you know, I thought there was something interesting filmmaking

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<v Speaker 1>wise about this. As she's talking, you keep seeing these

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<v Speaker 1>shots of the kids. It keeps cutting away to students

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<v Speaker 1>sort of distracted, and you know, you get a little

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<v Speaker 1>joke with a couple of nose jobs and bandages on

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<v Speaker 1>faces and stuff. But I read that her speech here

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<v Speaker 1>was much longer interesting, and apparently you can see that

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<v Speaker 1>speech in the trailer. I think they show most of

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<v Speaker 1>it the original version.

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<v Speaker 2>Oh okay, But what I was.

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<v Speaker 1>Thinking about was they whittled it down to its perfect essence.

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<v Speaker 1>It's not longer than it needs to be, and it's

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<v Speaker 1>really hilarious and kind of insightful, you know, and perfectly

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<v Speaker 1>in character for her and her point of view and

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<v Speaker 1>her experience.

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<v Speaker 2>Right.

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<v Speaker 1>But I was this is very random, but I was

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<v Speaker 1>at my parents place recently and I was just looking

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<v Speaker 1>through a closet with old DVDs and stuff, and Pretty

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<v Speaker 1>Woman was in there because I used to work at

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<v Speaker 1>New Regency and they gave us all their movies, and

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<v Speaker 1>I saw it had a commentary by Gary Marshall, and

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<v Speaker 1>I've been like missing commentaries lately, so I was like,

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<v Speaker 1>I would love to listen to Gary Marshall talk through

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<v Speaker 1>his movie, you know, a perfect romantic comedy. And one

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<v Speaker 1>of the things he said on there was he kept

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<v Speaker 1>pointing out when you do insert shots, and he goes,

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<v Speaker 1>it's really important to do insert shots because you want

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<v Speaker 1>to make sure that you're always including the best performances

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<v Speaker 1>from your actors, and that could come from take one,

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<v Speaker 1>that could come from take four, that could take seven.

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<v Speaker 1>So always be armed with insert shots so you can

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<v Speaker 1>piece it together perfectly. And so I had that in

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<v Speaker 1>my mind as I was rewatching this and noticing that, yeah,

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<v Speaker 1>they whittled her speech down to its perfect essence, but

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<v Speaker 1>if they hadn't shot the coverage, if they didn't have

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<v Speaker 1>those shots of the students, they would have been locked

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<v Speaker 1>in to her longer version that wasn't as funny. And

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<v Speaker 1>so I kept noticing how many times they cut away

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<v Speaker 1>so her speech could be perfect. So I don't know,

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<v Speaker 1>I thought that was some yeah smart, Yeah, this is hilarious.

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<v Speaker 1>By the way, Breckenmeier getting his so he's got to

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<v Speaker 1>jump out the window when he sees his great I mean,

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<v Speaker 1>speaking of positivity, I mean, while as Sean for a

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<v Speaker 1>goofy as his students are, he's very like encouraging, you

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<v Speaker 1>know what I mean? Yeah, yeah, like I love the positivity.

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<v Speaker 1>Instead of like rolling his eyes at the silly things

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<v Speaker 1>they say, He's like, well that's not really on topic,

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<v Speaker 1>but good insight.

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<v Speaker 2>You know, at no point does he say inconceivable exactly exactly.

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<v Speaker 1>Well, speaking of cell phones, I mean, this was kind

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<v Speaker 1>of a gag right in five where it's like these

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<v Speaker 1>two kids are on cell phones and they're like right

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<v Speaker 1>next to each other. What's the deal?

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<v Speaker 2>This was during the pager era for us plebes.

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<v Speaker 1>Yes, yes, oh, and you know, I oh man, this

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<v Speaker 1>is coming fast and furious now. But I I wanted

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<v Speaker 1>to call out. I watched this movie. I've seen it

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<v Speaker 1>many times throughout the years. I really love this movie.

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<v Speaker 1>But I saw it recently at an outdoor screening out

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<v Speaker 1>here in Los Angeles. You know, so your your attention

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<v Speaker 1>is completely zeroed in on it. It's not just you're

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<v Speaker 1>watching the back half on cable or something. And it

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<v Speaker 1>really stood out to me. What a amazingly funny script

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<v Speaker 1>it is.

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<v Speaker 2>Yeah, Like, this is.

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<v Speaker 1>A really tightly well written comedy. There's just so many gags,

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<v Speaker 1>and there's they're all in character. And the gag that

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<v Speaker 1>made me think it here is when she's talking about

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<v Speaker 1>her house and she's talking about how it's like historical

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<v Speaker 1>or whatever, and she's like, yeah, these columns date all

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<v Speaker 1>the way back to nineteen seventy two. It's just these

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<v Speaker 1>little things. I mean, it's just really funny, tight writing. Yeah,

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<v Speaker 1>that's something I don't think I appreciated until.

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<v Speaker 2>I got I think, if I'm not mistaken, this is

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<v Speaker 2>this is the first in the wave of these teeny

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<v Speaker 2>bopper rom coms that were, you know, reinterpretations of old

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<v Speaker 2>timey works.

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<v Speaker 1>Yeah, it became a genre unto itself, right, right, this

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<v Speaker 1>is This is inspired by Emma Yes, and then Ten

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<v Speaker 1>Things I Hate About You eventually exactly right, And there's more.

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<v Speaker 1>I mean, isn't she all she's all that like uh Pygmalion, right, yeah, Pigmalion.

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<v Speaker 1>Yeah right, So Dan.

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<v Speaker 2>Hidea or as I like to call him live action

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<v Speaker 2>most is lack.

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<v Speaker 1>Brilliant. Yeah, he's great. I mean, yeah, I heard that

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<v Speaker 1>Heckerling just knew what she wanted this character to be.

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<v Speaker 1>You know, he's kind of like this bulldog, scary person,

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<v Speaker 1>but like Share wasn't afraid of him and actually took

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<v Speaker 1>care of him. And they were looking at a few

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<v Speaker 1>people and one of them was Harvey Kaititel, but he's

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<v Speaker 1>too expensive here. Oh, she really had a type that

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<v Speaker 1>she's for this dad.

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<v Speaker 2>But honestly, that was like, I really liked how respectful

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<v Speaker 2>she is of her dad.

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<v Speaker 1>That's true, and he really respects her.

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<v Speaker 2>Yeah.

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<v Speaker 1>Right, He's got this bluster and sort of like I say,

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<v Speaker 1>bulldog sort of nature, but he he admires her, you know,

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<v Speaker 1>and and her her pluck and her intelligence and and

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<v Speaker 1>and rut. There's a really sweet line he says when

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<v Speaker 1>he said that Rudd is going to be staying with them,

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<v Speaker 1>and she's like, ugh, you know, and he's like, look,

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<v Speaker 1>you know, we divorce wives, not children.

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<v Speaker 2>Yeah.

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<v Speaker 1>I just thought that was surprisingly sweet.

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<v Speaker 2>Yeah. Yeah.

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<v Speaker 1>Oh and Jerry Orbach I think was one of the

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<v Speaker 1>first people they had in mind, which I can kind.

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<v Speaker 2>Of see, I can totally see that yeah, yeah, yeah,

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<v Speaker 2>but he kind of did that already, but he did

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<v Speaker 2>it in Dirty Dancing already.

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<v Speaker 1>Oh yeah, you know what, that's probably where she had it. Yeah,

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<v Speaker 1>right there. The teacher. That's Twin Kaplan, who was a

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<v Speaker 1>sort of a producing partner often with Heckerling, you know.

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<v Speaker 1>Oh and Paul Rudd speaking of getting older and revisiting this.

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<v Speaker 1>When I was fifteen, I did not understand his character.

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<v Speaker 1>I didn't get that he was an emo college guy,

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<v Speaker 1>you know what I mean. It's like he's introduced playing

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<v Speaker 1>you know, Radiohead, and he's wearing an Amnesty International shirt

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<v Speaker 1>and he's talking about Marky Mark, you know, being a

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<v Speaker 1>philanthropist for being at a tree dedication. I just all

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<v Speaker 1>all over my head because I don't know that I

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<v Speaker 1>knew a person like that at fifteen, right, you know.

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<v Speaker 1>And so now it's kind of funny that characterization.

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<v Speaker 2>Now now you can look back at that and be like,

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<v Speaker 2>get over yourself, yeah right right.

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<v Speaker 1>Or there's that scene later where he's, you know, wearing

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<v Speaker 1>the black turtleneck and he's got the goatee and he's

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<v Speaker 1>reading Nietzsche, you know, mita. Yeah, So it's it's kind

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<v Speaker 1>of interesting too. I mean the the story of this

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<v Speaker 1>movie coming together. It originated so Amy. Well, let's talk

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<v Speaker 1>about Amy Heckerling really quick. I mean, she did Fast

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<v Speaker 1>Times at Ridgemont High, which remains like an all time

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<v Speaker 1>classic teen.

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<v Speaker 2>It's it's a definitive high school movie of the eighties. Absolutely.

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<v Speaker 1>I was gonna say comedy, but it's really more of

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<v Speaker 1>a dramedy. But but then she went on to do

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<v Speaker 1>National Lampoon's European Vacation, which I don't know, you know

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<v Speaker 1>a lot of people know that or even that's am

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<v Speaker 1>I wrong? Is that a little bit of a forgot

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<v Speaker 1>in vacation film?

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<v Speaker 2>I think it is. Yeah, people remember vacation on Christmas vacation.

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<v Speaker 1>Yeah exactly, And it's for her that was just like

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<v Speaker 1>a job, and that one does feel a little off,

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<v Speaker 1>you know, next to the other one of the vacation films.

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<v Speaker 1>But and I think it wasn't written by John Hughes

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<v Speaker 1>whereas the other two were. But anyway, so I guess Fox,

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<v Speaker 1>I want to say, was looking for a teen show

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<v Speaker 1>and they wanted to be about teenagers but not nerds,

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<v Speaker 1>this is what they said. So they came to Amy

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<v Speaker 1>Heckerling to develop something. This is in nineteen ninety three,

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<v Speaker 1>and so like her you know, nugget of an idea was,

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<v Speaker 1>you know, the most successful character she had ever done

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<v Speaker 1>so far was Jeff Spaccolian Fast Times, and her quote is,

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<v Speaker 1>people think that's, you know, he's popular because he was

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<v Speaker 1>stoned in a surfer, But that's not it. It's because

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<v Speaker 1>he's positive. So I thought, I'm gonna write a character

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<v Speaker 1>who's positive and happy, and so that's where she came

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<v Speaker 1>up with Share. And it's funny because Share couldn't be

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<v Speaker 1>more the opposite of Heckerling. Like have you seen what

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<v Speaker 1>she looks like?

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<v Speaker 2>Yeah?

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<v Speaker 1>Like she she's admittedly, she's like a very New York

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<v Speaker 1>kind of cynical person. She you know, has dark black hair,

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<v Speaker 1>you know, wears dark clothing and stuff. So it's just

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<v Speaker 1>funny that she kind of loves these positive characters, almost

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<v Speaker 1>like they're aspirational to her, you know.

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<v Speaker 2>Yeah.

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<v Speaker 1>And so anyways, she remembered reading the Jane Austin novel

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<v Speaker 1>Emma in college, thought that was a very positive character,

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<v Speaker 1>and kind of ran with that and came up with

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<v Speaker 1>this sitcom. And I think the sitcom was called No Worries, Okay,

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<v Speaker 1>And which is kind of interesting right, because if you

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<v Speaker 1>look at this film and its structure, it is kind oftic, yeah,

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<v Speaker 1>like kind of like helping out, you know, try to

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<v Speaker 1>put the connect, create a love connection with the teachers.

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<v Speaker 1>And then there's sort of the Pismo Beach disaster which

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<v Speaker 1>is made up you know at the end, like just

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<v Speaker 1>all these little episodic things. Oh and then of course

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<v Speaker 1>how she attaches herself to Tye later and so well,

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<v Speaker 1>so then she presented the sitcom and Fox was like,

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<v Speaker 1>this is too there's too many like female lead characters.

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<v Speaker 1>They wanted something that felt a little there's not a

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<v Speaker 1>boys in it or something. And so anyway, she was

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<v Speaker 1>going to put it aside, but her agents and encouraged

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00:19:25.839 --> 00:19:27.759
<v Speaker 1>her like, well, I don't turn into a film. This

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00:19:27.920 --> 00:19:30.960
<v Speaker 1>feels like it's got some elements that are working. So

378
00:19:31.079 --> 00:19:33.759
<v Speaker 1>she turned it into a movie. Scott Ruden somehow read it.

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<v Speaker 1>Bitting war ensues and then Fox doesn't even get to

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00:19:37.839 --> 00:19:40.440
<v Speaker 1>make the movie, you know, Paramount gets it, and then

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<v Speaker 1>it becomes this this classic that's lived on thirty years

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<v Speaker 1>and going.

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00:19:44.799 --> 00:19:46.880
<v Speaker 2>And then it becomes a sitcom and Fox doesn't get

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<v Speaker 2>that either.

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00:19:47.759 --> 00:19:53.480
<v Speaker 1>That's true. Yeah, So yeah, it's it's interesting because this movie.

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<v Speaker 1>I think you could call it a sleeper hit. But

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<v Speaker 1>it only made about just under sixty million in the

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00:19:59.000 --> 00:20:04.319
<v Speaker 1>US eighty eight million worldwide. But obviously it's never gone away.

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00:20:04.359 --> 00:20:07.839
<v Speaker 1>I mean everyone remembers it, remembers things about it whatever,

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<v Speaker 1>you know.

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<v Speaker 2>What of us, I mean against a twelve million dollar budget,

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<v Speaker 2>that's a that's a massive hit.

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<v Speaker 1>Absolutely, and it's it's kind of it. But anyway, so yes,

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00:20:16.279 --> 00:20:20.440
<v Speaker 1>they wanted them to capitalize on that. It's it's whatever

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<v Speaker 1>you want to call it, popularity called status. And so

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00:20:22.640 --> 00:20:25.960
<v Speaker 1>then they did a syndicated sitcom, right all.

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<v Speaker 2>Right, it was well, it was it was part of

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<v Speaker 2>ABC's TGIF initially, Oh was it really?

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00:20:30.519 --> 00:20:33.039
<v Speaker 1>Because I only remember being on Channel fifty.

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00:20:33.960 --> 00:20:37.359
<v Speaker 2>That might well, well it it was on TGIF, and

401
00:20:37.400 --> 00:20:40.160
<v Speaker 2>then it was on Channel fifty because because UPN picked

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00:20:40.200 --> 00:20:40.440
<v Speaker 2>it up.

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<v Speaker 1>Oh I see, I see, yeah, which is its So

404
00:20:43.839 --> 00:20:45.880
<v Speaker 1>they didn't get Silverstone back, but they did get a

405
00:20:45.880 --> 00:20:51.119
<v Speaker 1>few of the I mean almost everybody, yeah, almost everybody else, Yeah,

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00:20:51.160 --> 00:20:56.640
<v Speaker 1>I because because Stacy Dash, Elisa Donovan Wallace, Shawn trnk Kaplan,

407
00:20:56.799 --> 00:21:00.680
<v Speaker 1>Dan Hillwiya. I mean they I think Paul Rudd and

408
00:21:00.960 --> 00:21:05.960
<v Speaker 1>Alicia Silverstone are the only ones wh weren't in it interesting. Yeah,

409
00:21:06.000 --> 00:21:09.200
<v Speaker 1>but but yeah, it's funny for having the structure that

410
00:21:09.279 --> 00:21:11.680
<v Speaker 1>it has. Though it totally works. It's very watchable, like

411
00:21:11.720 --> 00:21:16.559
<v Speaker 1>it really moves. Yeah, you know, I was actually watching,

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00:21:16.960 --> 00:21:19.319
<v Speaker 1>as we do with these older films. I looked at

413
00:21:19.319 --> 00:21:22.960
<v Speaker 1>the Cisco Neebit review and that's basically what they said.

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<v Speaker 1>They said when it began and it was sort of

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00:21:25.279 --> 00:21:28.119
<v Speaker 1>doing that parody of what you think the movie's going

416
00:21:28.160 --> 00:21:30.480
<v Speaker 1>to be, where it's showing these teenagers and these like

417
00:21:30.559 --> 00:21:34.480
<v Speaker 1>wild MTV camera movements, and they were like, I think

418
00:21:34.480 --> 00:21:37.759
<v Speaker 1>Eber said his heart sank, like oh no. But then

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00:21:37.799 --> 00:21:40.079
<v Speaker 1>she made a joke about like I bet you're thinking,

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<v Speaker 1>you know, my life looks like a Noxema commercial and

421
00:21:42.759 --> 00:21:46.079
<v Speaker 1>he's like huh, and then they were both in love

422
00:21:46.119 --> 00:21:46.359
<v Speaker 1>with it.

423
00:21:47.119 --> 00:21:49.319
<v Speaker 2>Yeah, I remember they really championed it.

424
00:21:49.759 --> 00:21:52.359
<v Speaker 1>Yeah, yeah, and then saying that, yeah, it just it

425
00:21:52.400 --> 00:21:54.720
<v Speaker 1>gets going and never stops, and I feel like it

426
00:21:54.799 --> 00:21:55.200
<v Speaker 1>really does.

427
00:21:59.720 --> 00:22:02.279
<v Speaker 2>Think I think with Alicia Silverstone, I mean, this movie

428
00:22:03.000 --> 00:22:05.839
<v Speaker 2>elevated her to a whole different plateau and then and

429
00:22:05.880 --> 00:22:10.559
<v Speaker 2>then she parlayed that into Batman and Robin and then

430
00:22:10.680 --> 00:22:13.400
<v Speaker 2>she pretty much decelerated from there.

431
00:22:14.039 --> 00:22:16.279
<v Speaker 1>Is that such a bummer. I mean I really probably

432
00:22:16.319 --> 00:22:19.480
<v Speaker 1>covered that on our Batman and Robin commentary, But I

433
00:22:19.480 --> 00:22:22.079
<v Speaker 1>mean it feels like the natural evolution, right, Like you

434
00:22:22.799 --> 00:22:25.000
<v Speaker 1>are this big star, so then you be in a

435
00:22:25.039 --> 00:22:25.920
<v Speaker 1>superhero movie.

436
00:22:25.960 --> 00:22:28.240
<v Speaker 2>Hey see, the more things change, the more they stay

437
00:22:28.279 --> 00:22:29.720
<v Speaker 2>the same, I know, right.

438
00:22:30.359 --> 00:22:34.119
<v Speaker 1>But I mean obviously that movie George Clooney to this day,

439
00:22:34.319 --> 00:22:37.119
<v Speaker 1>you know, apologizes for it. So obviously nobody came away

440
00:22:37.119 --> 00:22:39.359
<v Speaker 1>from that movie looking good. But she, I think had

441
00:22:39.359 --> 00:22:42.079
<v Speaker 1>an especially difficult time on it. There's a lot of

442
00:22:42.279 --> 00:22:47.240
<v Speaker 1>scrutiny just with her her body, yeah, and all sorts

443
00:22:47.240 --> 00:22:49.440
<v Speaker 1>of things just in the not that we've you know,

444
00:22:49.480 --> 00:22:53.000
<v Speaker 1>I think people are still cruel, but it was easier

445
00:22:53.039 --> 00:22:56.000
<v Speaker 1>to be more openly cruel I think in that era. Yeah,

446
00:22:56.200 --> 00:23:00.279
<v Speaker 1>that's really shameful to look back on, but it makes

447
00:23:00.279 --> 00:23:03.680
<v Speaker 1>me sad. I mean, she's she's so talented, you know. Yeah,

448
00:23:03.720 --> 00:23:05.799
<v Speaker 1>I think she's continued to pop up, but not in

449
00:23:05.880 --> 00:23:07.519
<v Speaker 1>the way that she did in the nineties.

450
00:23:07.839 --> 00:23:12.079
<v Speaker 2>Yeah. Well, so she she headlined a movie the Coast

451
00:23:12.160 --> 00:23:16.359
<v Speaker 2>rank Beniso del Toro, right, I think it was ninety

452
00:23:16.359 --> 00:23:19.079
<v Speaker 2>seven or ninety eight. Yep, I forget what it was

453
00:23:19.079 --> 00:23:22.440
<v Speaker 2>called Excess baggage or something like that. M hmm, I'm

454
00:23:22.440 --> 00:23:24.480
<v Speaker 2>gonna have to look that up. But but that that

455
00:23:24.519 --> 00:23:28.000
<v Speaker 2>one died h and then and then basically, I mean

456
00:23:28.000 --> 00:23:30.599
<v Speaker 2>she she had a she had a show on NBC

457
00:23:32.039 --> 00:23:35.839
<v Speaker 2>a couple of years later called called Mismatch. And then

458
00:23:35.880 --> 00:23:37.960
<v Speaker 2>I think recently she was like the mom in one

459
00:23:38.000 --> 00:23:39.720
<v Speaker 2>of the Diary of a WHIMPI kid movies.

460
00:23:40.480 --> 00:23:43.839
<v Speaker 1>Oh that's right. Yeah, and she's in the Yorgo's Lanthemos

461
00:23:43.960 --> 00:23:44.960
<v Speaker 1>movie that's coming out.

462
00:23:45.400 --> 00:23:47.160
<v Speaker 2>I can't Oh, okay, I didn't know that.

463
00:23:47.359 --> 00:23:51.240
<v Speaker 1>Uh is it called Bogonia or something like that. This

464
00:23:51.319 --> 00:23:52.839
<v Speaker 1>is gonna sound silly a couple of years from now

465
00:23:52.839 --> 00:23:59.880
<v Speaker 1>when everyone everyone's seen Bogonia Excess Baggage. I was right, wow,

466
00:24:00.640 --> 00:24:01.279
<v Speaker 1>good memory.

467
00:24:02.079 --> 00:24:03.720
<v Speaker 2>Oh yeah, and she was in Blast from the Past

468
00:24:03.759 --> 00:24:05.480
<v Speaker 2>with with Brendan Fraser.

469
00:24:05.599 --> 00:24:08.039
<v Speaker 1>Yeah, which I've never seen but seems like it would

470
00:24:08.039 --> 00:24:08.519
<v Speaker 1>be cute.

471
00:24:08.960 --> 00:24:11.720
<v Speaker 2>Is Yeah? That cute that's the word. It's it's charming.

472
00:24:11.960 --> 00:24:13.759
<v Speaker 2>You know, it's not going to change your life.

473
00:24:13.839 --> 00:24:20.240
<v Speaker 1>But yeah, now you Cisto here, you must have some

474
00:24:20.279 --> 00:24:22.920
<v Speaker 1>sort of fondness for him. He's a law and order guy, right,

475
00:24:23.160 --> 00:24:23.839
<v Speaker 1>he was.

476
00:24:23.960 --> 00:24:27.240
<v Speaker 2>He played Detective Cyrus Lupo in the in the last

477
00:24:27.240 --> 00:24:30.160
<v Speaker 2>three seasons of the original run of Lawn Order. I

478
00:24:30.160 --> 00:24:33.680
<v Speaker 2>mean it came back right, one of my favorite Lawn

479
00:24:33.799 --> 00:24:37.359
<v Speaker 2>Order detectives. He was great, although in this movie, tell

480
00:24:37.400 --> 00:24:42.960
<v Speaker 2>me he is not the spitting image of Garrett Hedlund. Yeah,

481
00:24:43.000 --> 00:24:44.920
<v Speaker 2>it's like they came off an assembly line, like a

482
00:24:44.960 --> 00:24:46.359
<v Speaker 2>T eight hundred assembly line.

483
00:24:46.559 --> 00:24:47.920
<v Speaker 1>That's so funny, you know.

484
00:24:48.559 --> 00:24:51.680
<v Speaker 2>Yeah, it is remarkable to look at the young stars

485
00:24:51.680 --> 00:24:54.319
<v Speaker 2>of this movie and realize, like almost to the one,

486
00:24:54.519 --> 00:24:57.960
<v Speaker 2>everyone went on to have a career beyond this movie.

487
00:24:58.240 --> 00:25:03.440
<v Speaker 2>M hm, right, I mean Donald obviously, Breckenmeier, you know,

488
00:25:05.359 --> 00:25:08.359
<v Speaker 2>the sisto. You know who's on one of the Chicago

489
00:25:08.720 --> 00:25:11.160
<v Speaker 2>shows now or he's on FBI one of them Dick

490
00:25:11.240 --> 00:25:15.519
<v Speaker 2>Wolf things. Anyway, doing Okay, Stacy dash is like a

491
00:25:15.640 --> 00:25:19.480
<v Speaker 2>right wing lunatic on Fox News. So she's found her niche.

492
00:25:19.640 --> 00:25:22.920
<v Speaker 1>She kind of yeah, posts posts wild sort of thing,

493
00:25:23.039 --> 00:25:24.319
<v Speaker 1>conspiracy sort of things.

494
00:25:24.440 --> 00:25:26.640
<v Speaker 2>A couple of years after this, she did a Playboy spread.

495
00:25:27.279 --> 00:25:29.599
<v Speaker 1>Oh interesting. Well, you know what's interesting too, is I

496
00:25:29.599 --> 00:25:33.160
<v Speaker 1>think Silverstone may actually be fifteen or sixteen or something

497
00:25:33.200 --> 00:25:33.440
<v Speaker 1>in this.

498
00:25:33.599 --> 00:25:38.400
<v Speaker 2>Yeah, she said she was. I think she said she

499
00:25:38.480 --> 00:25:39.680
<v Speaker 2>was eighteen when she made.

500
00:25:39.480 --> 00:25:43.440
<v Speaker 1>This okay, but Stacy Dash was twenty nine.

501
00:25:44.960 --> 00:25:47.680
<v Speaker 2>Well black, don't crack she I mean.

502
00:25:47.519 --> 00:25:49.880
<v Speaker 1>She looks incredible in this, but yeah, she fits right in,

503
00:25:49.920 --> 00:25:52.440
<v Speaker 1>I mean standing next to all these supposed teenagers.

504
00:25:52.799 --> 00:25:57.039
<v Speaker 2>Yeah. It reminds me of you know, on Boy Meets World.

505
00:25:57.119 --> 00:25:59.960
<v Speaker 2>You know, Sean had that girlfriend who was African American.

506
00:26:00.240 --> 00:26:02.920
<v Speaker 2>Uh huh, and she was substantially older than the rest

507
00:26:02.920 --> 00:26:03.440
<v Speaker 2>of the cast.

508
00:26:03.519 --> 00:26:04.519
<v Speaker 1>Oh interesting and.

509
00:26:04.599 --> 00:26:05.440
<v Speaker 2>Kind of the same drill.

510
00:26:05.480 --> 00:26:07.240
<v Speaker 1>You know, that would be kind of you know, and

511
00:26:07.240 --> 00:26:10.160
<v Speaker 1>then the reverse right where you have a screech on

512
00:26:10.240 --> 00:26:13.440
<v Speaker 1>saved by the bell, where he was substantially well younger.

513
00:26:13.480 --> 00:26:15.200
<v Speaker 1>I was gonna say, I don't know it substantially, but

514
00:26:15.880 --> 00:26:16.799
<v Speaker 1>in teenage years he.

515
00:26:16.839 --> 00:26:18.480
<v Speaker 2>Was younger thaneers.

516
00:26:18.559 --> 00:26:23.279
<v Speaker 1>Yeah, I think that made him feel a little ostracized. Yeah,

517
00:26:23.640 --> 00:26:26.680
<v Speaker 1>this classic scene here, this is so funny talking about

518
00:26:27.759 --> 00:26:30.720
<v Speaker 1>how oppressive gym classes is. All the balls are just

519
00:26:30.759 --> 00:26:31.599
<v Speaker 1>popping behind it.

520
00:26:32.000 --> 00:26:34.839
<v Speaker 2>I relate. Jim. Class was the hell scape of my

521
00:26:34.960 --> 00:26:35.799
<v Speaker 2>high school years.

522
00:26:36.960 --> 00:26:39.559
<v Speaker 1>You know why though, because you had to like run

523
00:26:39.599 --> 00:26:43.559
<v Speaker 1>a freaking mile. Yeah, and then like put your winter

524
00:26:43.680 --> 00:26:46.599
<v Speaker 1>clothes back on, and you know, December or whatever, Jean's

525
00:26:46.640 --> 00:26:48.920
<v Speaker 1>in a sweater and then suddenly you're in Spanish class,

526
00:26:49.599 --> 00:26:51.799
<v Speaker 1>you know, and so you're like, like, this is disgusting.

527
00:26:53.119 --> 00:26:56.000
<v Speaker 2>See. I think for me, Jim class was, you know,

528
00:26:56.079 --> 00:26:58.039
<v Speaker 2>because the rest of the day I could sort of

529
00:26:58.119 --> 00:27:04.920
<v Speaker 2>get by on on my banter and my sparkling personality. Yeah,

530
00:27:05.119 --> 00:27:06.680
<v Speaker 2>thank you for humoring me there.

531
00:27:09.000 --> 00:27:10.119
<v Speaker 1>Uh huh.

532
00:27:11.279 --> 00:27:13.960
<v Speaker 2>Yeah, but Jim class is where, you know, it was

533
00:27:14.039 --> 00:27:17.160
<v Speaker 2>just laid bare that I was just in absolute shambles

534
00:27:17.200 --> 00:27:19.799
<v Speaker 2>of a man and beyond hope, you know.

535
00:27:20.240 --> 00:27:22.319
<v Speaker 1>You know, there would be certain things where it was

536
00:27:22.319 --> 00:27:24.920
<v Speaker 1>like okay, like we can all do this right, But

537
00:27:24.960 --> 00:27:27.319
<v Speaker 1>then there'd be other I'm trying I don't even remember,

538
00:27:27.440 --> 00:27:30.200
<v Speaker 1>like kickball or something. It's like all right, well you

539
00:27:30.200 --> 00:27:31.519
<v Speaker 1>can just kind of hang out in the outfield and

540
00:27:31.519 --> 00:27:32.880
<v Speaker 1>the ball is probably not going to come to you,

541
00:27:32.920 --> 00:27:36.240
<v Speaker 1>and then forty mental pass and I'll be in Spanish.

542
00:27:36.440 --> 00:27:38.039
<v Speaker 1>But yeah, then there'd be other things where it was

543
00:27:38.119 --> 00:27:41.319
<v Speaker 1>like all attention was on you and your ability, and yeah,

544
00:27:41.319 --> 00:27:42.480
<v Speaker 1>that could be really intimidating.

545
00:27:43.240 --> 00:27:47.319
<v Speaker 2>Yeah, there's no pressure quite like the pressure of the

546
00:27:47.359 --> 00:27:52.200
<v Speaker 2>clock is ticking. You're playing field of football and and

547
00:27:52.680 --> 00:27:54.839
<v Speaker 2>you're the only one that's open, so they throw that

548
00:27:54.880 --> 00:28:00.000
<v Speaker 2>ball to you right right, You know and you don't

549
00:28:00.119 --> 00:28:01.319
<v Speaker 2>live that shit down, I'll tell you.

550
00:28:01.640 --> 00:28:02.480
<v Speaker 1>Yeah.

551
00:28:02.559 --> 00:28:04.359
<v Speaker 2>Yeah.

552
00:28:04.759 --> 00:28:06.240
<v Speaker 1>So, by the way, the gym teacher is played by

553
00:28:06.319 --> 00:28:08.720
<v Speaker 1>Julie Brown who.

554
00:28:09.319 --> 00:28:11.000
<v Speaker 2>MTVVJ Julie Brown.

555
00:28:11.279 --> 00:28:14.519
<v Speaker 1>Yes, And I was gonna say, I am aware of

556
00:28:14.559 --> 00:28:16.359
<v Speaker 1>who she is, but I feel like I'm of an

557
00:28:16.440 --> 00:28:20.240
<v Speaker 1>age or generation where I don't really did I had

558
00:28:20.279 --> 00:28:22.720
<v Speaker 1>no well maybe I had. The no cable thing had

559
00:28:22.720 --> 00:28:24.480
<v Speaker 1>part to do with it, but I don't really know

560
00:28:24.559 --> 00:28:26.680
<v Speaker 1>who she is. I just know she is. You know

561
00:28:26.720 --> 00:28:29.960
<v Speaker 1>what I'm saying. I don't know, did you. I didn't

562
00:28:29.960 --> 00:28:32.920
<v Speaker 1>even realize that was her. And then also I didn't

563
00:28:32.960 --> 00:28:36.039
<v Speaker 1>realize she acted. I just remembered her being an MTV person.

564
00:28:37.920 --> 00:28:43.920
<v Speaker 2>Yeah, I just know the name from from the MTV stuff. Yeah.

565
00:28:44.119 --> 00:28:46.519
<v Speaker 1>Yeah. By the way, so I read this thing that

566
00:28:46.559 --> 00:28:48.640
<v Speaker 1>was kind of funny about Faison. So there's that scene

567
00:28:48.680 --> 00:28:51.200
<v Speaker 1>later where he's shaving his head, which is kind of

568
00:28:51.200 --> 00:28:53.200
<v Speaker 1>funny because it brings about an argument with him and

569
00:28:53.200 --> 00:28:53.680
<v Speaker 1>his girlfriend.

570
00:28:53.720 --> 00:28:56.000
<v Speaker 2>But and he was like balding in real life, right, So.

571
00:28:56.359 --> 00:28:59.319
<v Speaker 1>Yeah, So well I read that and then I thought, wait, so,

572
00:28:59.640 --> 00:29:01.880
<v Speaker 1>I mean they do in the earlier scenes. I never

573
00:29:01.920 --> 00:29:04.400
<v Speaker 1>paid attention, but now that I'm watching it, every scene

574
00:29:04.400 --> 00:29:08.920
<v Speaker 1>he's wearing a hat until he shaves his head.

575
00:29:09.240 --> 00:29:09.920
<v Speaker 2>How funny.

576
00:29:10.039 --> 00:29:11.319
<v Speaker 1>Isn't that interesting? That's funny.

577
00:29:11.799 --> 00:29:13.960
<v Speaker 2>He's so Julie Brown in this he's so perfect so

578
00:29:14.519 --> 00:29:16.599
<v Speaker 2>well he plays the Donald Faison character.

579
00:29:16.920 --> 00:29:18.960
<v Speaker 1>Yeah. Yeah, he's just so funny and lovable.

580
00:29:19.160 --> 00:29:23.039
<v Speaker 2>He is he is, He's turk. I mean, yes, it's that.

581
00:29:23.119 --> 00:29:25.279
<v Speaker 2>And he realized that's just him, you know, yeah, yeah,

582
00:29:25.400 --> 00:29:28.519
<v Speaker 2>right right right. So Julie Brown, she was on a

583
00:29:28.640 --> 00:29:31.160
<v Speaker 2>show I didn't I didn't make the connection until just

584
00:29:31.200 --> 00:29:34.400
<v Speaker 2>now called The Edge, which was a sketch comedy show

585
00:29:34.480 --> 00:29:41.200
<v Speaker 2>on Fox. It aired from from like summer to it

586
00:29:41.240 --> 00:29:44.440
<v Speaker 2>was like that season ninety two to ninety three. And

587
00:29:45.480 --> 00:29:47.559
<v Speaker 2>that show I remember that was the first time I

588
00:29:47.599 --> 00:29:51.160
<v Speaker 2>saw Wayne Knight. Oh, he was part of the ensemble.

589
00:29:51.200 --> 00:29:53.480
<v Speaker 2>The first time I saw Jennifer Aniston, she was part

590
00:29:53.480 --> 00:29:54.240
<v Speaker 2>of that ensemble.

591
00:29:54.400 --> 00:29:54.880
<v Speaker 1>Wow.

592
00:29:55.079 --> 00:29:56.920
<v Speaker 2>So that's the first time I saw Julie Brown.

593
00:29:57.279 --> 00:29:57.400
<v Speaker 1>Oh.

594
00:29:57.519 --> 00:29:59.960
<v Speaker 2>Funny, But I didn't, I didn't make that connection.

595
00:30:02.079 --> 00:30:04.920
<v Speaker 1>Well, in speaking of Breakout Cast, I mean, we haven't

596
00:30:04.920 --> 00:30:06.160
<v Speaker 1>talked about Britney Murphy yet.

597
00:30:07.160 --> 00:30:09.319
<v Speaker 2>Yeah. So I had a little bit of a Mandela

598
00:30:09.400 --> 00:30:13.160
<v Speaker 2>effect where my memory of the poster of the film,

599
00:30:13.200 --> 00:30:14.960
<v Speaker 2>which if you remember the poster, you've got a Lisa

600
00:30:15.000 --> 00:30:17.839
<v Speaker 2>Silverstone in the middle, kind of looking clueless on her phone.

601
00:30:18.079 --> 00:30:20.480
<v Speaker 2>And my memory was Stacy dashes to one side and

602
00:30:20.480 --> 00:30:22.000
<v Speaker 2>at least a Donovan is to the other.

603
00:30:22.599 --> 00:30:22.920
<v Speaker 1>Mmmm.

604
00:30:23.680 --> 00:30:25.359
<v Speaker 2>And I didn't realize until I looked at it. I

605
00:30:25.359 --> 00:30:28.680
<v Speaker 2>was like, oh, that's Britney Murphy on the poster, right, right.

606
00:30:28.799 --> 00:30:29.720
<v Speaker 1>She looks very different.

607
00:30:30.160 --> 00:30:31.720
<v Speaker 2>She does well, I mean.

608
00:30:31.680 --> 00:30:35.000
<v Speaker 1>She just looks different from pretty much anything else we've

609
00:30:35.039 --> 00:30:35.559
<v Speaker 1>seen her in.

610
00:30:36.039 --> 00:30:39.799
<v Speaker 2>Yeah, right, And obviously it's hard to watch this and

611
00:30:39.880 --> 00:30:44.480
<v Speaker 2>not take the tragedy of her life into like sort

612
00:30:44.480 --> 00:30:47.440
<v Speaker 2>of imprint that on our viewing of this. Unfortunately, I

613
00:30:47.480 --> 00:30:50.119
<v Speaker 2>know it makes it just it's funny because it's like

614
00:30:50.119 --> 00:30:52.119
<v Speaker 2>you want to just sort of celebrate her, but yeah,

615
00:30:52.279 --> 00:30:52.920
<v Speaker 2>just sort.

616
00:30:52.720 --> 00:30:54.839
<v Speaker 1>Of saying her name just like a wave of sadness.

617
00:30:56.119 --> 00:31:01.599
<v Speaker 2>What I like about the relationships here is that you

618
00:31:01.640 --> 00:31:07.200
<v Speaker 2>can see the cruel version of of share and and

619
00:31:07.200 --> 00:31:11.480
<v Speaker 2>and you know Deane being like, oh, like, let's make

620
00:31:11.519 --> 00:31:14.680
<v Speaker 2>her a little project. But they don't do that. They

621
00:31:14.720 --> 00:31:19.079
<v Speaker 2>actually befriend her, yeah, genuinely. And and again this just

622
00:31:19.079 --> 00:31:20.960
<v Speaker 2>goes to like it had been long enough since I

623
00:31:21.039 --> 00:31:22.359
<v Speaker 2>saw this that I had forgotten that.

624
00:31:23.079 --> 00:31:23.440
<v Speaker 1>Yeah.

625
00:31:24.559 --> 00:31:27.759
<v Speaker 2>That No, it's like they're they're they actually form a

626
00:31:27.799 --> 00:31:30.519
<v Speaker 2>relationship with each other, and they're not being They're not like,

627
00:31:30.559 --> 00:31:33.839
<v Speaker 2>oh look at her. Why you know, she's our little

628
00:31:33.960 --> 00:31:38.279
<v Speaker 2>you know, science project. You know, it's no let's you know, uh,

629
00:31:39.160 --> 00:31:40.200
<v Speaker 2>let's take her in. You know.

630
00:31:40.839 --> 00:31:42.799
<v Speaker 1>Yeah, sort of like the other like can't buy me

631
00:31:42.880 --> 00:31:45.359
<v Speaker 1>love or she's all that. Like a lot of those

632
00:31:45.400 --> 00:31:48.400
<v Speaker 1>things come from a place of there's some sort of

633
00:31:48.400 --> 00:31:51.720
<v Speaker 1>cruelty and cruelty right, and yeah, this movie is just

634
00:31:53.079 --> 00:31:56.960
<v Speaker 1>entirely optimistic, you know everyone. Well, and it's funny because

635
00:31:57.319 --> 00:31:59.000
<v Speaker 1>going back to the episodic thing, I mean, it's like

636
00:31:59.000 --> 00:32:02.119
<v Speaker 1>the first episode sharing her friend try to create a

637
00:32:02.160 --> 00:32:05.640
<v Speaker 1>love connection with their teachers, and then this is the hey,

638
00:32:05.640 --> 00:32:07.880
<v Speaker 1>this new girl comes to school, it doesn't quite fit in,

639
00:32:08.000 --> 00:32:11.279
<v Speaker 1>and so she decides to help her, you know, fit

640
00:32:11.359 --> 00:32:14.000
<v Speaker 1>into the culture there. Like you know, like it's these episodes,

641
00:32:14.000 --> 00:32:17.519
<v Speaker 1>but they find a really good way of linking it all. Yeah,

642
00:32:17.559 --> 00:32:22.279
<v Speaker 1>but it does sort of reveal that like this must

643
00:32:22.279 --> 00:32:25.039
<v Speaker 1>have been a couple episodes she had in mind. Even

644
00:32:25.079 --> 00:32:26.920
<v Speaker 1>though they do flow, she doesn't make it flow. Well.

645
00:32:27.400 --> 00:32:31.279
<v Speaker 2>Yeah, well and I think that I don't I we

646
00:32:31.319 --> 00:32:36.200
<v Speaker 2>can't underestimate the impact of it being Amy Heckerley and

647
00:32:36.240 --> 00:32:40.920
<v Speaker 2>of it being a woman absolutely, you know, imbuing these

648
00:32:40.960 --> 00:32:45.359
<v Speaker 2>characters with life, you know, because you can see you

649
00:32:45.400 --> 00:32:46.440
<v Speaker 2>can see that she's all that.

650
00:32:46.559 --> 00:32:52.039
<v Speaker 1>Version yep, in a movie that kind of objectifies Share, right,

651
00:32:52.319 --> 00:32:57.440
<v Speaker 1>you know, yeah, I mean, you know, look at mean Girls,

652
00:32:57.480 --> 00:33:00.200
<v Speaker 1>well mean girls, Tina Fe obviously wrote the thing, but

653
00:33:01.119 --> 00:33:03.960
<v Speaker 1>you know you can see Share and and Dione being

654
00:33:04.000 --> 00:33:10.759
<v Speaker 1>the the the plastics, you know, oh totally, you know, yeah,

655
00:33:11.079 --> 00:33:14.079
<v Speaker 1>I always love this. Just this scene is so cute

656
00:33:14.079 --> 00:33:18.279
<v Speaker 1>where it's like Paul Rudd's observing Share, trying to be

657
00:33:18.440 --> 00:33:22.319
<v Speaker 1>like obi wan Kenobe in a way to tie you know,

658
00:33:22.400 --> 00:33:24.880
<v Speaker 1>and just like teaching her you know, we gotta, we gotta,

659
00:33:25.039 --> 00:33:26.680
<v Speaker 1>we will. First we work on our bodies, then we

660
00:33:26.680 --> 00:33:29.039
<v Speaker 1>work on our minds. And she's like so our word

661
00:33:29.039 --> 00:33:32.039
<v Speaker 1>of word of the day, sporadic, you know. And it's

662
00:33:32.079 --> 00:33:33.799
<v Speaker 1>one of my favorite lines in the whole movie, is

663
00:33:34.279 --> 00:33:38.319
<v Speaker 1>when Rudd leaves and you know, like see you later

664
00:33:38.440 --> 00:33:41.200
<v Speaker 1>or whatever, and then ties like hope, I hope not sporadically,

665
00:33:41.880 --> 00:33:45.799
<v Speaker 1>like using the word she just learned. It's so funny

666
00:33:45.839 --> 00:33:50.640
<v Speaker 1>and cute, but she's so perfect too. I mean, I mean,

667
00:33:50.759 --> 00:33:53.839
<v Speaker 1>this is so adorable. He was just watching this Mental's commercial.

668
00:33:54.000 --> 00:33:56.359
<v Speaker 1>Everyone is so perfectly cast in this movie.

669
00:33:56.799 --> 00:34:01.000
<v Speaker 2>Yeah, tell me that commercial does and just take you back.

670
00:34:01.160 --> 00:34:03.079
<v Speaker 1>Right, I mean you think about it like there was

671
00:34:03.119 --> 00:34:06.880
<v Speaker 1>a whole Foo Fighter's commercial or uh music video based

672
00:34:06.880 --> 00:34:08.719
<v Speaker 1>on that commercial, right, like, because it was just so

673
00:34:08.760 --> 00:34:10.239
<v Speaker 1>well known, and it was like, oh, that's a lyrics

674
00:34:10.239 --> 00:34:11.519
<v Speaker 1>they're doing the thing that I know.

675
00:34:18.360 --> 00:34:18.880
<v Speaker 2>What was the other?

676
00:34:18.880 --> 00:34:20.519
<v Speaker 1>Oh Beavis and Butter was speaking of Beaves and Buthead

677
00:34:20.519 --> 00:34:21.599
<v Speaker 1>they were watching that earlier.

678
00:34:23.400 --> 00:34:25.239
<v Speaker 2>Makes sense, it's a paramount property.

679
00:34:25.599 --> 00:34:27.760
<v Speaker 1>Oh, I didn't even think about that.

680
00:34:27.920 --> 00:34:31.559
<v Speaker 2>Yeah, because we see Ran and Stimpy and and Beavis

681
00:34:31.559 --> 00:34:34.000
<v Speaker 2>and butthead. Both of those are viacom.

682
00:34:34.519 --> 00:34:37.159
<v Speaker 1>You know what's interesting too, I'm wondering if this is

683
00:34:37.159 --> 00:34:40.079
<v Speaker 1>gonna you'll resonate with this. But I was looking up

684
00:34:40.079 --> 00:34:41.960
<v Speaker 1>its box office and I saw that it came in

685
00:34:42.000 --> 00:34:45.920
<v Speaker 1>second place behind Apollo thirteen, okay, And I was like, oh, okay,

686
00:34:46.039 --> 00:34:49.039
<v Speaker 1>so just place it in context of time in movies

687
00:34:49.079 --> 00:34:51.280
<v Speaker 1>and releases and stuff, which feels like a long time

688
00:34:51.320 --> 00:34:55.320
<v Speaker 1>ago to me. But looking at this movie, it looks beautiful.

689
00:34:55.559 --> 00:34:58.719
<v Speaker 1>I mean, it's just it looks like it was shot yesterday. Yeah,

690
00:34:58.760 --> 00:35:01.039
<v Speaker 1>and so for being thirty yeyears old in nineteen ninety

691
00:35:01.119 --> 00:35:04.440
<v Speaker 1>five me watching a movie from nineteen sixty five, I'm

692
00:35:04.440 --> 00:35:06.360
<v Speaker 1>sure I would. If the movie was good, I would

693
00:35:06.440 --> 00:35:07.960
<v Speaker 1>enjoy it. You know, I liked It's a Wonderful Life

694
00:35:07.960 --> 00:35:10.639
<v Speaker 1>at that age. But they looked older, and I could

695
00:35:10.679 --> 00:35:13.400
<v Speaker 1>find myself, Especially seventies films, I always thought they looked

696
00:35:13.440 --> 00:35:16.119
<v Speaker 1>kind of washed out, yeah, you know, and they're kind

697
00:35:16.119 --> 00:35:19.440
<v Speaker 1>of brown, you know, yellowish color palettes and stuff. They

698
00:35:19.480 --> 00:35:22.440
<v Speaker 1>just looked old to me. Yeah, But now it feels

699
00:35:22.480 --> 00:35:28.719
<v Speaker 1>like as the thirty year gap moves forward, movies the

700
00:35:28.760 --> 00:35:30.639
<v Speaker 1>way that they're either filmed or the way they've been

701
00:35:30.679 --> 00:35:35.320
<v Speaker 1>preserved or whatever, they look a little less. They're more ageless, right.

702
00:35:35.719 --> 00:35:38.760
<v Speaker 2>Well, well, part of that is is the film stocks

703
00:35:39.119 --> 00:35:43.599
<v Speaker 2>utilized through the sixties into the ear least seventies, they

704
00:35:43.719 --> 00:35:47.239
<v Speaker 2>just had a you know, we went from Technicolor, which

705
00:35:47.280 --> 00:35:50.800
<v Speaker 2>was like overly kind of garish, yeah, to you know,

706
00:35:50.880 --> 00:35:52.800
<v Speaker 2>I think I think it's called Deluxe color, which was

707
00:35:53.000 --> 00:35:56.280
<v Speaker 2>more washed out, until we kind of landed at this

708
00:35:56.639 --> 00:35:59.519
<v Speaker 2>platonic ideal. You know, look, tell me that's not Garrett

709
00:35:59.519 --> 00:36:01.440
<v Speaker 2>Headland's like clone.

710
00:36:01.760 --> 00:36:02.800
<v Speaker 1>No, totally totally.

711
00:36:04.760 --> 00:36:08.880
<v Speaker 2>But yeah, I think that's interesting thing. It's a beautiful print.

712
00:36:09.320 --> 00:36:11.360
<v Speaker 1>Yeah, and I wonder if it helps these movies live

713
00:36:11.400 --> 00:36:14.559
<v Speaker 1>on in a way where they're just they they blend.

714
00:36:14.719 --> 00:36:17.320
<v Speaker 1>Like if if a younger person is just scrolling through Netflix,

715
00:36:18.400 --> 00:36:21.400
<v Speaker 1>this may as well look, you know, like a film

716
00:36:21.400 --> 00:36:24.159
<v Speaker 1>that had just been shot five years ago.

717
00:36:24.199 --> 00:36:26.880
<v Speaker 2>You know. Yeah, well I'll tell you you know, because

718
00:36:26.920 --> 00:36:30.599
<v Speaker 2>I started watching it my daughter. She she came down

719
00:36:30.679 --> 00:36:32.119
<v Speaker 2>and she ended up watching the whole thing with me.

720
00:36:34.079 --> 00:36:36.119
<v Speaker 2>She liked it. She she was she was down. I

721
00:36:36.119 --> 00:36:38.719
<v Speaker 2>had to skip past some of the stuff, you know. Yeah, yeah, yeah,

722
00:36:38.760 --> 00:36:40.920
<v Speaker 2>but for the most part, you know, she she was

723
00:36:40.960 --> 00:36:43.519
<v Speaker 2>on board with it. Yeah, she was like, is that

724
00:36:43.599 --> 00:36:44.079
<v Speaker 2>ant man?

725
00:36:44.880 --> 00:36:45.360
<v Speaker 1>Oh really?

726
00:36:45.639 --> 00:36:46.039
<v Speaker 2>Yeah?

727
00:36:46.079 --> 00:36:50.400
<v Speaker 1>Oh that's funny. I love the Hedea when Ty is

728
00:36:50.440 --> 00:36:51.960
<v Speaker 1>sitting in his chair, He's just like, get out of

729
00:36:51.960 --> 00:36:52.320
<v Speaker 1>my chair.

730
00:36:54.400 --> 00:36:57.800
<v Speaker 2>Well, that's that's the thing I was. I saw the

731
00:36:57.840 --> 00:37:01.880
<v Speaker 2>honest trailer for this, and it was like, everybody over

732
00:37:01.920 --> 00:37:04.880
<v Speaker 2>twenty five realizes that that Dan today is the character

733
00:37:04.960 --> 00:37:07.599
<v Speaker 2>you most relate to, right.

734
00:37:07.360 --> 00:37:10.119
<v Speaker 1>It's right, right, But that's not me. It's like, no,

735
00:37:10.199 --> 00:37:11.960
<v Speaker 1>that's my chair like that. Yeah, that's the thing that

736
00:37:12.039 --> 00:37:13.800
<v Speaker 1>I understand as an adult and even when I eat

737
00:37:13.800 --> 00:37:16.480
<v Speaker 1>over at people's places, I'm like, where do I sit?

738
00:37:16.559 --> 00:37:19.320
<v Speaker 1>I don't assume any chair is open to me, you.

739
00:37:19.280 --> 00:37:22.639
<v Speaker 2>Know, I mean like literally, just in the last week,

740
00:37:24.039 --> 00:37:26.519
<v Speaker 2>you know, you know, my kids, like their cousins were over,

741
00:37:26.599 --> 00:37:29.599
<v Speaker 2>my kids, cousins, and and it was dinner time, and

742
00:37:29.639 --> 00:37:33.039
<v Speaker 2>one of them sat where I normally sit, and I

743
00:37:33.079 --> 00:37:35.239
<v Speaker 2>get my plate. I walk over. As I'm walking over,

744
00:37:35.280 --> 00:37:37.719
<v Speaker 2>one of my kids is like that that's my das's chair.

745
00:37:38.920 --> 00:37:44.920
<v Speaker 1>Oh really, yeah, dude, that's hilarious, dude about Okay, So,

746
00:37:45.000 --> 00:37:48.880
<v Speaker 1>speaking of time capsule, the directions they're using here, she's

747
00:37:48.960 --> 00:37:52.400
<v Speaker 1>using a Thomas Guide. Oh wow, instead of ways, you know.

748
00:37:52.519 --> 00:37:54.159
<v Speaker 1>But again, I mean, I'm looking at this image and

749
00:37:54.199 --> 00:37:56.599
<v Speaker 1>I swear this movie could have come out in twenty five.

750
00:37:56.679 --> 00:38:00.440
<v Speaker 1>But like, it's hilarious seeing her use a tom which,

751
00:38:00.440 --> 00:38:02.320
<v Speaker 1>for people who don't know that was I had to

752
00:38:02.360 --> 00:38:05.320
<v Speaker 1>use this when I was a pa, yeah, because they'd

753
00:38:05.360 --> 00:38:06.719
<v Speaker 1>be like, all right, you got to deliver this thing

754
00:38:06.840 --> 00:38:08.920
<v Speaker 1>to god knows where, I don't know where it is.

755
00:38:09.119 --> 00:38:13.920
<v Speaker 1>So you had this thick book and it was basically

756
00:38:14.079 --> 00:38:17.480
<v Speaker 1>imagining an enormous map that had been chopped down into pages.

757
00:38:18.079 --> 00:38:19.840
<v Speaker 1>But it was all out of order. So if you

758
00:38:19.840 --> 00:38:21.719
<v Speaker 1>were looking at, Okay, I'm on this street and I

759
00:38:21.760 --> 00:38:26.039
<v Speaker 1>need to get, you know, like twenty blocks north. Well,

760
00:38:26.360 --> 00:38:28.559
<v Speaker 1>obviously it ended because it was a page in a book,

761
00:38:29.159 --> 00:38:30.800
<v Speaker 1>but it wouldn't just be the next page. It would

762
00:38:30.800 --> 00:38:33.320
<v Speaker 1>say like it'd have something like N twenty four at

763
00:38:33.320 --> 00:38:34.800
<v Speaker 1>the top, so then you had to look up like

764
00:38:34.840 --> 00:38:38.719
<v Speaker 1>section N twenty four to continue that map twenty pages

765
00:38:39.039 --> 00:38:41.559
<v Speaker 1>somewhere else deep with I'm sure this makes no sense

766
00:38:41.599 --> 00:38:45.800
<v Speaker 1>what I'm saying, but it's just nostalgic and also makes

767
00:38:45.840 --> 00:38:47.800
<v Speaker 1>me like, thank Heaven that I don't have to use

768
00:38:47.800 --> 00:38:52.519
<v Speaker 1>one of those things anymore. They were the worst, But

769
00:38:52.599 --> 00:38:56.039
<v Speaker 1>I didn't know any better. I didn't have ways, you know.

770
00:38:56.079 --> 00:38:58.679
<v Speaker 1>I was just, I said, visiting my parents and I

771
00:38:58.760 --> 00:39:01.320
<v Speaker 1>was driving around and my dad was just like, man like,

772
00:39:01.360 --> 00:39:03.679
<v Speaker 1>how do you You're really good with directions? Like no,

773
00:39:03.760 --> 00:39:06.480
<v Speaker 1>I'm not. I just literally this thing is telling me

774
00:39:06.519 --> 00:39:08.760
<v Speaker 1>which lane to get into to turn left, like I

775
00:39:08.880 --> 00:39:14.480
<v Speaker 1>just it seemed makes me seem impressive, but it isn't.

776
00:39:15.639 --> 00:39:17.960
<v Speaker 2>I like Breckin Meyer. I've always been a fan of his.

777
00:39:18.199 --> 00:39:20.599
<v Speaker 1>Very likable guy. He introduced the movie when I saw

778
00:39:20.599 --> 00:39:24.000
<v Speaker 1>it live. Recently, Oh, no kidding, yea, But yeah, he's

779
00:39:24.000 --> 00:39:25.760
<v Speaker 1>really hung in there, and he's kind of in that

780
00:39:26.440 --> 00:39:27.760
<v Speaker 1>seth Green crowd, you know.

781
00:39:28.000 --> 00:39:31.480
<v Speaker 2>Yeah, I mean, isn't he involved? Yeah? Was he one

782
00:39:31.480 --> 00:39:33.239
<v Speaker 2>of the producers of a robot Chicken?

783
00:39:33.920 --> 00:39:36.039
<v Speaker 1>I think so in a you know, voice actor writer

784
00:39:36.360 --> 00:39:36.840
<v Speaker 1>kind of thing.

785
00:39:37.119 --> 00:39:39.880
<v Speaker 2>Donald Faison he's another guy on on on robot Chicken.

786
00:39:40.679 --> 00:39:42.280
<v Speaker 1>Hm. You wonder if they kind of became like a

787
00:39:42.320 --> 00:39:43.079
<v Speaker 1>little bit of a gang.

788
00:39:44.119 --> 00:39:46.960
<v Speaker 2>I would not doubt it for a second, because because

789
00:39:47.000 --> 00:39:49.840
<v Speaker 2>Donald Faison is is Gary the stormtrooper, you know, who

790
00:39:50.000 --> 00:39:51.760
<v Speaker 2>was to take his daughter with them to work and stuff.

791
00:39:52.280 --> 00:39:57.320
<v Speaker 1>Oh that's funny. I was reading that this was very difficult,

792
00:39:57.320 --> 00:40:00.719
<v Speaker 1>this sucking blow thing, Like they just literally could get

793
00:40:00.719 --> 00:40:02.400
<v Speaker 1>it to work, and so.

794
00:40:02.320 --> 00:40:04.280
<v Speaker 2>They just had to try again and again.

795
00:40:04.840 --> 00:40:06.960
<v Speaker 1>Right, Yeah, the actors are like, we just can't get

796
00:40:06.960 --> 00:40:10.639
<v Speaker 1>it to work. But apparently they had put on like

797
00:40:10.679 --> 00:40:12.480
<v Speaker 1>a ton of chapstick to make it stick.

798
00:40:12.840 --> 00:40:14.199
<v Speaker 2>Ah, Okay, there you go.

799
00:40:14.599 --> 00:40:17.079
<v Speaker 1>But uh, I wouldn't know. I never played sucking Blow.

800
00:40:20.360 --> 00:40:23.039
<v Speaker 2>I hope somebody takes that little audio clip of you

801
00:40:23.079 --> 00:40:25.199
<v Speaker 2>saying that and just uses it out of context somewhere.

802
00:40:27.840 --> 00:40:29.800
<v Speaker 1>That's funny, Like I just I get these gay like

803
00:40:29.840 --> 00:40:31.559
<v Speaker 1>spin the Bottle and all these things on TV.

804
00:40:31.719 --> 00:40:34.440
<v Speaker 2>I was like, I I didn't do did you? Did

805
00:40:34.480 --> 00:40:35.039
<v Speaker 2>you go to parties?

806
00:40:35.079 --> 00:40:40.800
<v Speaker 1>Part certainly? Uh, maybe like one or two, but not normally.

807
00:40:41.199 --> 00:40:43.519
<v Speaker 1>I mean I was like I definitely had like my

808
00:40:43.519 --> 00:40:45.639
<v Speaker 1>friend groups and like my comfort but like this was

809
00:40:45.760 --> 00:40:48.199
<v Speaker 1>like a little out outside of my comfort zone.

810
00:40:48.440 --> 00:40:51.360
<v Speaker 2>Yeah. I don't. I don't remember ever. I mean certainly

811
00:40:51.400 --> 00:40:54.000
<v Speaker 2>not when I was in high school for sure. Yeah. Yeah,

812
00:40:54.039 --> 00:40:55.920
<v Speaker 2>you know, I may have attended one or two when

813
00:40:55.920 --> 00:40:57.159
<v Speaker 2>I was in college. Yeah.

814
00:40:57.159 --> 00:41:00.440
<v Speaker 1>This reminds me more of like after work parties, Yeah,

815
00:41:00.480 --> 00:41:02.519
<v Speaker 1>with all the coworkers and we'd end up at someone's

816
00:41:02.519 --> 00:41:04.239
<v Speaker 1>house and there'd be a bunch of people you didn't know,

817
00:41:04.320 --> 00:41:06.760
<v Speaker 1>but like you had your little gang, your little troop.

818
00:41:07.079 --> 00:41:09.840
<v Speaker 2>Yeah, you know, honestly, my recollection is when if I

819
00:41:09.880 --> 00:41:13.159
<v Speaker 2>ever ended up in a place like this, it was it

820
00:41:13.199 --> 00:41:16.000
<v Speaker 2>was too obnoxious for me, Like I just I it's

821
00:41:16.039 --> 00:41:18.960
<v Speaker 2>too noisy, you know, it was not fun, you know.

822
00:41:20.039 --> 00:41:22.920
<v Speaker 1>Yeah, yeah, I mean yeah, I probably had a lot

823
00:41:22.920 --> 00:41:24.599
<v Speaker 1>of anxiety about it, like I am I gonna know

824
00:41:24.639 --> 00:41:27.519
<v Speaker 1>anybody whatever, And then you always kind of end up

825
00:41:27.559 --> 00:41:29.920
<v Speaker 1>having not a bad time because you do find someone

826
00:41:29.960 --> 00:41:32.679
<v Speaker 1>to hang out with somebody, find a corner, Yeah, which

827
00:41:32.719 --> 00:41:34.920
<v Speaker 1>all I forgot too. It's there's kind of these funny jokes.

828
00:41:34.920 --> 00:41:38.320
<v Speaker 1>They keep joking about party it's in the valley, which

829
00:41:38.599 --> 00:41:40.280
<v Speaker 1>makes me laugh now because I live in the valley.

830
00:41:41.800 --> 00:41:43.400
<v Speaker 1>And then when they go outside, I think later, you know,

831
00:41:43.440 --> 00:41:48.599
<v Speaker 1>you hear a helicopter overhead, and that's very much life

832
00:41:48.639 --> 00:41:50.920
<v Speaker 1>in LA there's always a police helicopter in the sky.

833
00:41:51.880 --> 00:41:55.960
<v Speaker 2>So she lives in Beverly Hills. Yes, So what's what's

834
00:41:56.039 --> 00:41:58.480
<v Speaker 2>the drive like from Beverly Hills to the valley.

835
00:41:59.400 --> 00:42:01.119
<v Speaker 1>Well, it kind of depends. I mean, she could take

836
00:42:01.480 --> 00:42:03.639
<v Speaker 1>some streets cut through, you know, through the hill, but

837
00:42:05.119 --> 00:42:06.760
<v Speaker 1>I would probably take the four o five to the

838
00:42:06.760 --> 00:42:09.679
<v Speaker 1>one to one to the one thirty four to wherever

839
00:42:09.760 --> 00:42:12.440
<v Speaker 1>wherever this is supposed to be to sound like that

840
00:42:12.519 --> 00:42:14.199
<v Speaker 1>sketch the Californians.

841
00:42:15.159 --> 00:42:17.119
<v Speaker 2>That's I just wanted to I was just cuing you

842
00:42:17.199 --> 00:42:19.480
<v Speaker 2>up for that.

843
00:42:20.800 --> 00:42:22.519
<v Speaker 1>You know, she could have made her way to Sunset

844
00:42:22.599 --> 00:42:32.199
<v Speaker 1>and uh, I don't know Fairfax and so the the.

845
00:42:30.800 --> 00:42:34.719
<v Speaker 2>The characterization of Elton is interesting to me in this

846
00:42:35.079 --> 00:42:38.920
<v Speaker 2>where you can you can imagine the the more broad

847
00:42:38.960 --> 00:42:46.039
<v Speaker 2>strokes version. Yes, and I actually like that they they

848
00:42:46.239 --> 00:42:47.960
<v Speaker 2>they make they keep him likable.

849
00:42:48.480 --> 00:42:48.880
<v Speaker 1>Mm hmm.

850
00:42:49.360 --> 00:42:52.960
<v Speaker 2>Even yeah, sorry, even with like where we end up

851
00:42:52.960 --> 00:42:56.079
<v Speaker 2>with it as character, they don't they don't make him vile.

852
00:42:57.360 --> 00:42:59.239
<v Speaker 1>They seemed to keep him in a sort of clueless,

853
00:42:59.480 --> 00:43:03.679
<v Speaker 1>selfish zone rather than a calculated predator.

854
00:43:04.000 --> 00:43:04.159
<v Speaker 2>Right.

855
00:43:04.440 --> 00:43:06.320
<v Speaker 1>I mean she he does a lot of unwonted touching

856
00:43:06.960 --> 00:43:09.320
<v Speaker 1>which she kind of brushes away and stuff which I

857
00:43:09.400 --> 00:43:12.559
<v Speaker 1>hopefully you know, I mean that's probably was probably still happens,

858
00:43:12.559 --> 00:43:14.639
<v Speaker 1>but I was gonna say it was less talked about

859
00:43:14.719 --> 00:43:18.280
<v Speaker 1>and people were probably told less that that was like

860
00:43:18.920 --> 00:43:21.440
<v Speaker 1>bad being I mean where I feel like now it's like, hey,

861
00:43:21.840 --> 00:43:23.840
<v Speaker 1>I feel like that's more of an open conversation these days.

862
00:43:23.920 --> 00:43:25.880
<v Speaker 2>Look, I don't know about you, but I knew plenty

863
00:43:25.960 --> 00:43:29.400
<v Speaker 2>of Elton types when I was in high school. Yeah,

864
00:43:29.440 --> 00:43:33.039
<v Speaker 2>and people were more handsy and not in an overtly,

865
00:43:34.079 --> 00:43:38.159
<v Speaker 2>you know, creepy way. But you know, there is more

866
00:43:38.199 --> 00:43:39.719
<v Speaker 2>awareness of that, which I think is a good thing.

867
00:43:39.760 --> 00:43:43.239
<v Speaker 2>But I don't see anything in here that that doesn't

868
00:43:43.280 --> 00:43:46.599
<v Speaker 2>resonate with what I remember things being like back then.

869
00:43:46.960 --> 00:43:49.519
<v Speaker 1>Right totally. But yeah, like you said, I mean, no

870
00:43:49.559 --> 00:43:53.519
<v Speaker 1>one's like super arch in this movie, right, Yeah, Well,

871
00:43:53.559 --> 00:43:55.519
<v Speaker 1>that was the joke, by the way, Yes she's her

872
00:43:55.599 --> 00:43:58.639
<v Speaker 1>dad calls and she's by the pool and that helicopter's

873
00:43:58.639 --> 00:44:00.199
<v Speaker 1>overhead and she's like, I'm at a party. He's like

874
00:44:00.239 --> 00:44:04.119
<v Speaker 1>where in kuwait? Yeah, and she's like, no, in the valley.

875
00:44:06.519 --> 00:44:08.800
<v Speaker 2>I think I think the most villainous person in the

876
00:44:08.840 --> 00:44:12.639
<v Speaker 2>movie is is that legal aid you know who gets

877
00:44:12.639 --> 00:44:13.719
<v Speaker 2>into it with them at the end.

878
00:44:14.039 --> 00:44:18.079
<v Speaker 1>Yes, that's right. Oh yeah, yeah, I would say, oh,

879
00:44:18.440 --> 00:44:20.719
<v Speaker 1>here she is. She's talking about sunset and everything. Yeah.

880
00:44:20.880 --> 00:44:23.880
<v Speaker 1>So this is the Californians portion of this movie where

881
00:44:23.880 --> 00:44:27.280
<v Speaker 1>they're arguing over the best directions to get home because

882
00:44:27.360 --> 00:44:29.480
<v Speaker 1>he wants to go home with Share.

883
00:44:30.840 --> 00:44:33.880
<v Speaker 2>He doesn't want to Share Share exactly exactly.

884
00:44:34.760 --> 00:44:37.360
<v Speaker 1>This is so sweet though, like she's her cute, like

885
00:44:37.400 --> 00:44:42.840
<v Speaker 1>her pouty she is that her plan isn't working. So

886
00:44:42.880 --> 00:44:45.000
<v Speaker 1>this this whole thing coming up here with well, we

887
00:44:45.239 --> 00:44:48.639
<v Speaker 1>glossed over the whole funny line. I remember my audience

888
00:44:48.679 --> 00:44:50.039
<v Speaker 1>laughed really hard where he's like, oh I left my

889
00:44:50.079 --> 00:44:53.960
<v Speaker 1>Cranberry CD out in the quad. She's like very nineteen

890
00:44:54.000 --> 00:44:55.159
<v Speaker 1>ninety five thing to say.

891
00:44:56.639 --> 00:44:58.960
<v Speaker 2>That's like something you would put in a movie set

892
00:44:58.960 --> 00:45:01.360
<v Speaker 2>in nineteen ninety five. That's make Now.

893
00:45:01.760 --> 00:45:04.360
<v Speaker 1>That is a great point because I saw this and

894
00:45:04.400 --> 00:45:08.360
<v Speaker 1>then last year I saw Empire Records at that outdoor

895
00:45:08.360 --> 00:45:11.800
<v Speaker 1>screening and my friend and I were commenting, it's funny

896
00:45:11.840 --> 00:45:14.960
<v Speaker 1>because now you have these Netflix films where they're period

897
00:45:14.960 --> 00:45:17.480
<v Speaker 1>pieces and they take place in the nineties. But it's

898
00:45:17.480 --> 00:45:20.159
<v Speaker 1>funny watching these movies that feel like period pieces. But

899
00:45:20.199 --> 00:45:22.599
<v Speaker 1>it's like, no, this is actually the nineties. You feel

900
00:45:22.679 --> 00:45:25.079
<v Speaker 1>like this isn't actually even though this movie is a

901
00:45:25.119 --> 00:45:27.840
<v Speaker 1>little more heightened, you know, I think this movie it

902
00:45:27.840 --> 00:45:32.159
<v Speaker 1>strikes a really interesting balance, doesn't it. Where they're slightly

903
00:45:32.199 --> 00:45:35.760
<v Speaker 1>over the top, especially in their fashions, but it doesn't

904
00:45:35.760 --> 00:45:37.119
<v Speaker 1>feel like they're on another planet.

905
00:45:37.519 --> 00:45:37.800
<v Speaker 2>Right.

906
00:45:39.559 --> 00:45:43.280
<v Speaker 1>Circus Liquor here, This is whenever I pick up my

907
00:45:43.320 --> 00:45:45.760
<v Speaker 1>parents when they come into town at Burbank Airport, I

908
00:45:45.760 --> 00:45:48.280
<v Speaker 1>always passed this Circus Liquor and always right out to

909
00:45:48.320 --> 00:45:51.599
<v Speaker 1>my mom because she's read Emma and I had her

910
00:45:51.920 --> 00:45:54.000
<v Speaker 1>watch Clueless and you know, just to make the one

911
00:45:54.039 --> 00:45:55.480
<v Speaker 1>to ones, and so I was like, hey, look see

912
00:45:55.480 --> 00:45:56.559
<v Speaker 1>this is where she got robbed.

913
00:45:58.679 --> 00:46:04.559
<v Speaker 2>See, like, even this sequence, he is being inappropriate, but

914
00:46:05.199 --> 00:46:07.159
<v Speaker 2>it stops before he gets to inappropriate.

915
00:46:07.880 --> 00:46:10.599
<v Speaker 1>Right, Sure, sure does that make sense, you know, yeah.

916
00:46:10.440 --> 00:46:14.159
<v Speaker 2>Yeah, yeah, and he like, he's not. I mean, I'm

917
00:46:14.159 --> 00:46:16.559
<v Speaker 2>gonna be very clear. He leaves her, he shouldn't do that.

918
00:46:16.599 --> 00:46:17.519
<v Speaker 2>I was just gonna say, I do.

919
00:46:17.679 --> 00:46:18.119
<v Speaker 1>Yeah.

920
00:46:18.159 --> 00:46:22.559
<v Speaker 2>The film doesn't make him irredeemable, is my point, right, right,

921
00:46:23.199 --> 00:46:27.440
<v Speaker 2>And I think that is important because to do that,

922
00:46:27.480 --> 00:46:29.760
<v Speaker 2>I think it would get too far outside the realm

923
00:46:29.920 --> 00:46:35.719
<v Speaker 2>of what the world the movie is creating, right, you know,

924
00:46:35.679 --> 00:46:36.239
<v Speaker 2>it's interesting.

925
00:46:36.320 --> 00:46:38.239
<v Speaker 1>I'd kind of forgot about this part, but yeah, this

926
00:46:38.239 --> 00:46:41.920
<v Speaker 1>this does, you know, show a little bit or reveal,

927
00:46:42.559 --> 00:46:44.840
<v Speaker 1>you know, him thinking that there are classes of people,

928
00:46:45.280 --> 00:46:48.280
<v Speaker 1>that's right and saying are you? And I makes sense? Ty,

929
00:46:48.360 --> 00:46:49.760
<v Speaker 1>and I don't make any sense.

930
00:46:50.599 --> 00:46:52.519
<v Speaker 2>When I like that she stands up for herself. She's like,

931
00:46:52.639 --> 00:46:54.199
<v Speaker 2>get kiss off, you know, m hm.

932
00:46:54.519 --> 00:46:57.519
<v Speaker 1>Hmm, and that she doesn't feel that way, which I love.

933
00:46:57.599 --> 00:47:00.320
<v Speaker 1>She doesn't view Tie as someone in another class she's

934
00:47:00.320 --> 00:47:01.599
<v Speaker 1>trying to bring into her class.

935
00:47:02.599 --> 00:47:05.199
<v Speaker 2>It made me mad seeing his car drive away, because

936
00:47:05.280 --> 00:47:09.480
<v Speaker 2>I'm like, I don't know, I like watching it, I'm like, fine,

937
00:47:09.519 --> 00:47:11.159
<v Speaker 2>you pretend you're pulling away, but you stop.

938
00:47:11.320 --> 00:47:13.760
<v Speaker 1>And he said, this is inexcusable to leave her in

939
00:47:13.760 --> 00:47:14.679
<v Speaker 1>the middle of nowhere.

940
00:47:14.920 --> 00:47:17.880
<v Speaker 2>Yeah, that's I remember watching this last night. That part

941
00:47:17.920 --> 00:47:19.000
<v Speaker 2>made me really mad.

942
00:47:19.280 --> 00:47:23.719
<v Speaker 1>Yeah. Yeah, but it's funny because I mean even I mean,

943
00:47:23.719 --> 00:47:26.960
<v Speaker 1>this is horrifying, you know, her literally being at gunpoint,

944
00:47:27.000 --> 00:47:28.559
<v Speaker 1>but they still managed to kind of make it kind

945
00:47:28.559 --> 00:47:31.400
<v Speaker 1>of funny. Yeah, in character for her where she's just like, oh,

946
00:47:31.400 --> 00:47:33.400
<v Speaker 1>I can't lie down in this he's a very important

947
00:47:33.400 --> 00:47:44.719
<v Speaker 1>designer and he's just like what like you know what

948
00:47:44.760 --> 00:47:47.519
<v Speaker 1>I mean, Like, no matter what happens, and this is

949
00:47:48.280 --> 00:47:49.920
<v Speaker 1>I'm agreeing with what you're saying. Also with the way

950
00:47:49.920 --> 00:47:53.360
<v Speaker 1>they handle Elton. They never like get out of this

951
00:47:53.559 --> 00:47:58.119
<v Speaker 1>zone of fun right exactly, Like even when things go bad,

952
00:47:58.119 --> 00:48:00.800
<v Speaker 1>because they have to. It's a story, right, they still

953
00:48:02.079 --> 00:48:03.920
<v Speaker 1>you know, it's not like not like she sudden suddenly

954
00:48:03.920 --> 00:48:07.840
<v Speaker 1>exits into like some sort of gritty movie. Right, We're

955
00:48:07.880 --> 00:48:09.880
<v Speaker 1>not having at least a little bit of fun anymore.

956
00:48:11.920 --> 00:48:14.400
<v Speaker 2>So. So you said that the Circus Liquor is still

957
00:48:14.519 --> 00:48:15.239
<v Speaker 2>it is still open.

958
00:48:15.480 --> 00:48:18.840
<v Speaker 1>Oh yeah, I've never been there, but I've passed it often.

959
00:48:24.360 --> 00:48:28.079
<v Speaker 1>Get a glimpse of rud and his sort of crunchy

960
00:48:28.199 --> 00:48:31.039
<v Speaker 1>college girlfriend. I feel like she's wearing like a beret

961
00:48:31.079 --> 00:48:34.000
<v Speaker 1>or something. Later. Yeah, but again, like I didn't I

962
00:48:34.039 --> 00:48:39.159
<v Speaker 1>didn't get it as a kid, you know, it's it's

963
00:48:39.159 --> 00:48:43.480
<v Speaker 1>funny reading research about this, I thought this was very funny.

964
00:48:43.559 --> 00:48:47.119
<v Speaker 1>So basically researching the script, Heckerling sat in on a

965
00:48:47.159 --> 00:48:49.719
<v Speaker 1>bunch of classes at a Beverly Hills high school, Okay,

966
00:48:49.800 --> 00:48:52.840
<v Speaker 1>to sort of get a feel for student culture. And

967
00:48:52.880 --> 00:48:55.360
<v Speaker 1>I was like, how many times did writers in the

968
00:48:55.400 --> 00:48:58.880
<v Speaker 1>nineties do that? The eighties, because Cameron Crow did the

969
00:48:58.880 --> 00:49:01.360
<v Speaker 1>same thing to write his book Fast Times at Ridgemont

970
00:49:01.440 --> 00:49:03.599
<v Speaker 1>High which became the film. And I was like, we're

971
00:49:03.679 --> 00:49:06.280
<v Speaker 1>kids in Beverly Hills high schools just used to the

972
00:49:06.320 --> 00:49:08.920
<v Speaker 1>idea of like a thirty five year old just sitting

973
00:49:08.920 --> 00:49:10.320
<v Speaker 1>in on their class to observe them.

974
00:49:10.639 --> 00:49:12.400
<v Speaker 2>That's so funny, you know what I.

975
00:49:12.440 --> 00:49:14.599
<v Speaker 1>Mean, Like, yeah, you know I went and said this,

976
00:49:15.039 --> 00:49:17.360
<v Speaker 1>you know, innocuous thing, and then someone opened a notebook

977
00:49:17.400 --> 00:49:18.880
<v Speaker 1>and just started writing it down for some reason.

978
00:49:18.960 --> 00:49:22.039
<v Speaker 2>You know, there were probably far less procedural hoops to

979
00:49:22.119 --> 00:49:23.360
<v Speaker 2>jump through back then too.

980
00:49:23.840 --> 00:49:24.159
<v Speaker 1>Yeah.

981
00:49:24.199 --> 00:49:26.840
<v Speaker 2>Sure, you'd probably just roll up me like, hey, I'd

982
00:49:26.840 --> 00:49:28.039
<v Speaker 2>like to sit in Okay.

983
00:49:28.599 --> 00:49:30.559
<v Speaker 1>Yeah, sure, fine, we're making a movie.

984
00:49:30.599 --> 00:49:33.239
<v Speaker 2>Whereas like nowadays, there's like a gauntlet you have to

985
00:49:33.280 --> 00:49:37.360
<v Speaker 2>go through, you know, Oh, man, yeah, understandably, but you know,

986
00:49:37.559 --> 00:49:39.159
<v Speaker 2>it was a different world back then.

987
00:49:39.559 --> 00:49:43.480
<v Speaker 1>Yeah yeah, but I mean it makes sense that she

988
00:49:43.559 --> 00:49:46.079
<v Speaker 1>would think that though, too, because I mean that's what

989
00:49:46.239 --> 00:49:49.039
<v Speaker 1>happens for her first movie, you know, with Crew.

990
00:49:49.119 --> 00:49:49.280
<v Speaker 2>Yeah.

991
00:49:50.159 --> 00:49:52.079
<v Speaker 1>Yeah, so it's like all right, and you know, honestly,

992
00:49:52.159 --> 00:49:53.599
<v Speaker 1>it kind of makes sense, like you said, there'd be

993
00:49:53.599 --> 00:49:55.519
<v Speaker 1>more hoops now. But I think that all the time.

994
00:49:56.000 --> 00:49:59.480
<v Speaker 1>If I were to write a high school you know,

995
00:49:59.599 --> 00:50:02.360
<v Speaker 1>set comedy these days, I wouldn't even it's just so

996
00:50:02.559 --> 00:50:04.679
<v Speaker 1>different from the world I grew up in. Oh yeah,

997
00:50:04.719 --> 00:50:07.719
<v Speaker 1>I would have to like, you know, observe or something,

998
00:50:07.719 --> 00:50:09.760
<v Speaker 1>because it would just it would make no sense to me.

999
00:50:10.039 --> 00:50:14.119
<v Speaker 2>Well that's really I mean, you know, you say to yourself,

1000
00:50:14.159 --> 00:50:17.239
<v Speaker 2>I'm not old, and then you talk to high schoolers

1001
00:50:17.280 --> 00:50:21.079
<v Speaker 2>and you're like, oh no, I'm decrepit right right right,

1002
00:50:21.199 --> 00:50:23.719
<v Speaker 2>you know, because I went through this all the time,

1003
00:50:23.800 --> 00:50:24.000
<v Speaker 2>you know.

1004
00:50:24.480 --> 00:50:29.280
<v Speaker 1>Yeah, well yeah, I mean you've seen years and years

1005
00:50:29.280 --> 00:50:32.360
<v Speaker 1>and years of students come through, and it would be

1006
00:50:32.440 --> 00:50:36.079
<v Speaker 1>interesting if there's some way to track that, you know,

1007
00:50:36.599 --> 00:50:39.840
<v Speaker 1>or I'm sure you can in your mind, but just behavior,

1008
00:50:40.840 --> 00:50:44.679
<v Speaker 1>I'm sure certainly cell phone behavior, just all the ways

1009
00:50:44.679 --> 00:50:47.400
<v Speaker 1>that it's just sort of evolved over time, Yeah, what

1010
00:50:47.440 --> 00:50:48.119
<v Speaker 1>you've observed.

1011
00:50:48.920 --> 00:50:54.639
<v Speaker 2>Yeah, it's interesting because because you know, I never seriously

1012
00:50:54.639 --> 00:50:57.679
<v Speaker 2>considered teaching K through twelve. You know, for me, when

1013
00:50:57.719 --> 00:50:59.119
<v Speaker 2>I planned again in teaching, I was like, well, I

1014
00:50:59.159 --> 00:51:02.199
<v Speaker 2>want to teach college, you know, And I think part

1015
00:51:02.239 --> 00:51:07.599
<v Speaker 2>of that was at least this perception that when you're teaching,

1016
00:51:07.760 --> 00:51:10.000
<v Speaker 2>it's certainly high school. It's like, as the teacher, you

1017
00:51:10.039 --> 00:51:15.039
<v Speaker 2>almost have to prove yourself to the kids, and I

1018
00:51:15.039 --> 00:51:17.039
<v Speaker 2>think college is just different. Mm.

1019
00:51:17.519 --> 00:51:19.400
<v Speaker 1>Sure, does that make sense totally?

1020
00:51:20.440 --> 00:51:25.480
<v Speaker 2>You know, but yeah, look, I mean I've been teaching

1021
00:51:25.519 --> 00:51:28.199
<v Speaker 2>for twenty years now, and so think about all the

1022
00:51:28.840 --> 00:51:31.599
<v Speaker 2>social and cultural change that's happened in that span.

1023
00:51:31.800 --> 00:51:36.440
<v Speaker 1>You know, it's funny. You can imagine like the funny

1024
00:51:36.840 --> 00:51:39.079
<v Speaker 1>montage version of it where it's just like, I mean,

1025
00:51:39.119 --> 00:51:40.880
<v Speaker 1>the version I'm picturing in my head because I'm picturing

1026
00:51:40.880 --> 00:51:43.039
<v Speaker 1>older stuff, is like, first it'd be you wearing like

1027
00:51:43.079 --> 00:51:46.079
<v Speaker 1>a headband and a flower power T shirt or something,

1028
00:51:46.119 --> 00:51:48.159
<v Speaker 1>and it's like the nineteen sixties and the seventies is

1029
00:51:48.199 --> 00:51:51.079
<v Speaker 1>like belt bottoms and a wide up, button up shirt.

1030
00:51:51.199 --> 00:51:53.639
<v Speaker 1>You know, like, yeah, it'd be kind of funny seeing

1031
00:51:53.679 --> 00:51:54.920
<v Speaker 1>the version of that that happened to you.

1032
00:51:55.760 --> 00:51:58.440
<v Speaker 2>Think about it this way. When I started teaching, Clueless

1033
00:51:58.559 --> 00:52:06.400
<v Speaker 2>was ten years old. Wow, Clueless was recent enough that

1034
00:52:06.480 --> 00:52:08.719
<v Speaker 2>I could make a reference to Clueless and they would

1035
00:52:08.840 --> 00:52:10.480
<v Speaker 2>they would understand.

1036
00:52:10.000 --> 00:52:14.199
<v Speaker 1>It, right, which, by the way, speaking of references, I mean,

1037
00:52:14.360 --> 00:52:16.280
<v Speaker 1>we can't do a commentary and Clueless and not say

1038
00:52:16.440 --> 00:52:20.360
<v Speaker 1>Coolio and Rolling with the Homies at least once. I

1039
00:52:20.400 --> 00:52:23.480
<v Speaker 1>love that that's their song Rolling with the Homies.

1040
00:52:23.920 --> 00:52:27.599
<v Speaker 2>So this right here, uh might be like the one

1041
00:52:27.679 --> 00:52:30.679
<v Speaker 2>time in the movie where it's most obvious that Cher

1042
00:52:30.920 --> 00:52:35.880
<v Speaker 2>is speaking with Amy Heckerling's voice, which part this like, uh,

1043
00:52:36.039 --> 00:52:41.159
<v Speaker 2>boys of my generation don't know how to dress. I'm like, okay, okay,

1044
00:52:41.199 --> 00:52:41.760
<v Speaker 2>old lady.

1045
00:52:42.400 --> 00:52:43.960
<v Speaker 1>That is hilarious.

1046
00:52:46.400 --> 00:52:47.280
<v Speaker 2>That is hilarious.

1047
00:52:47.360 --> 00:52:49.119
<v Speaker 1>And I mean, you know, it's one of those things

1048
00:52:49.480 --> 00:52:52.079
<v Speaker 1>where what's old is new again, right, I mean a

1049
00:52:52.559 --> 00:52:54.360
<v Speaker 1>nineties fashion has kind of come back.

1050
00:52:54.719 --> 00:52:56.199
<v Speaker 2>That all as ship's coming back.

1051
00:52:56.239 --> 00:52:59.519
<v Speaker 1>Really Uh yeah, oh you haven't. Well, maybe I'm wrong.

1052
00:52:59.639 --> 00:53:03.480
<v Speaker 2>I mean I'm not paying it to now now. I look,

1053
00:53:03.559 --> 00:53:05.199
<v Speaker 2>as soon as this guy walks in, I'm like, oh,

1054
00:53:05.239 --> 00:53:07.239
<v Speaker 2>he's as gay as the day is long.

1055
00:53:08.039 --> 00:53:08.760
<v Speaker 1>Isn't it hilarious?

1056
00:53:08.760 --> 00:53:08.960
<v Speaker 2>Though?

1057
00:53:08.960 --> 00:53:12.000
<v Speaker 1>But that's coming from us as adults. Like when I

1058
00:53:12.039 --> 00:53:16.199
<v Speaker 1>was fifteen, I'm always like what at the Twitter, I

1059
00:53:16.239 --> 00:53:18.679
<v Speaker 1>was just like share. I didn't get it. You know,

1060
00:53:20.960 --> 00:53:22.599
<v Speaker 1>it's funny too. I don't know if this was intentional

1061
00:53:22.679 --> 00:53:23.840
<v Speaker 1>or not. It feels like it must have been. And

1062
00:53:23.880 --> 00:53:25.800
<v Speaker 1>I read this somewhere. I didn't observe this. But when

1063
00:53:26.079 --> 00:53:28.320
<v Speaker 1>it's pushing in on him at the door, there's a

1064
00:53:28.480 --> 00:53:30.920
<v Speaker 1>news clipping that's posted on the wall that says on

1065
00:53:31.000 --> 00:53:34.320
<v Speaker 1>the road to nowhere as she's looking at him.

1066
00:53:34.760 --> 00:53:40.119
<v Speaker 2>Interesting, it's kind of funny, huh, but I but here

1067
00:53:40.119 --> 00:53:44.320
<v Speaker 2>we go another episode the Fallsburg guy and doesn't understand

1068
00:53:44.360 --> 00:53:45.760
<v Speaker 2>why he's not falling right back.

1069
00:53:47.760 --> 00:53:50.880
<v Speaker 1>And then, you know, keeping with the movie's kindness, she

1070
00:53:50.960 --> 00:53:54.599
<v Speaker 1>isn't like you're gay, what you you know or something.

1071
00:53:54.639 --> 00:53:56.639
<v Speaker 1>It's just like, oh, then he becomes a friend.

1072
00:53:57.519 --> 00:54:00.639
<v Speaker 2>But what nobody is like that? Which I right, like

1073
00:54:00.679 --> 00:54:02.239
<v Speaker 2>even even you.

1074
00:54:02.119 --> 00:54:06.039
<v Speaker 1>Know Faison's character, Yeah right, yeah.

1075
00:54:05.920 --> 00:54:08.599
<v Speaker 2>It's just like, no, he's like what does he call

1076
00:54:08.639 --> 00:54:09.320
<v Speaker 2>him a cake boy?

1077
00:54:09.760 --> 00:54:11.960
<v Speaker 1>Or yeah? Yeah, yeah, it's something like or maybe I'm

1078
00:54:12.199 --> 00:54:15.480
<v Speaker 1>miss Swingers or something like Dorothy friend of Dorothy or something.

1079
00:54:15.239 --> 00:54:17.440
<v Speaker 2>Friend of dor Right, But he's not like not using

1080
00:54:17.480 --> 00:54:19.039
<v Speaker 2>the F word for gay people and stuff like that.

1081
00:54:19.119 --> 00:54:21.760
<v Speaker 1>No, not at all. And it's not like you know

1082
00:54:21.800 --> 00:54:23.719
<v Speaker 1>what I mean, it's just like, yeah, you didn't.

1083
00:54:23.440 --> 00:54:28.199
<v Speaker 2>Know, Yeah, yeah, you know. I mean that for sure.

1084
00:54:29.239 --> 00:54:31.159
<v Speaker 2>And I think you and I can both both speak

1085
00:54:31.199 --> 00:54:34.199
<v Speaker 2>to this. I mean, there was rampant homophobia in high

1086
00:54:34.199 --> 00:54:35.199
<v Speaker 2>schools in the nineties.

1087
00:54:35.639 --> 00:54:38.840
<v Speaker 1>No, this was like very forward thinking, yes, in this moment,

1088
00:54:39.000 --> 00:54:42.000
<v Speaker 1>for sure. And even you know, I think back on

1089
00:54:42.039 --> 00:54:47.239
<v Speaker 1>that episode of The Simpsons, you know which Jo Yeah, yeah,

1090
00:54:47.280 --> 00:54:49.960
<v Speaker 1>like where I just as far as I was aware of.

1091
00:54:50.000 --> 00:54:51.599
<v Speaker 1>I mean, who knows how many gay people had in

1092
00:54:51.639 --> 00:54:53.679
<v Speaker 1>my life, But in that moment in time, yeah, like

1093
00:54:53.719 --> 00:54:56.000
<v Speaker 1>you said, it was like completely normal for people to

1094
00:54:56.119 --> 00:55:00.480
<v Speaker 1>use slurs and things just ingest with their friends, right,

1095
00:55:00.639 --> 00:55:04.960
<v Speaker 1>And so I didn't have a lot of exposure to it,

1096
00:55:05.000 --> 00:55:07.719
<v Speaker 1>and it probably made people like that feel like other

1097
00:55:08.400 --> 00:55:10.519
<v Speaker 1>that's right. But then you had a movie like this,

1098
00:55:10.559 --> 00:55:12.559
<v Speaker 1>which is treating him as just like, oh, well, this

1099
00:55:12.599 --> 00:55:14.920
<v Speaker 1>isn't going to work out between them, but obviously they

1100
00:55:14.920 --> 00:55:17.639
<v Speaker 1>have a chemistry of a sort, so that now they're friends,

1101
00:55:18.159 --> 00:55:19.639
<v Speaker 1>you know. And like I said, I was saying that

1102
00:55:19.639 --> 00:55:23.639
<v Speaker 1>that Simpson's episode where with John Waters where Homer, you know,

1103
00:55:23.760 --> 00:55:26.840
<v Speaker 1>at first can't see the John Waters character as anything

1104
00:55:26.880 --> 00:55:30.079
<v Speaker 1>other than a person he doesn't understand, you know. But

1105
00:55:30.119 --> 00:55:33.360
<v Speaker 1>then by the end, you know, he's trying. He basically

1106
00:55:33.639 --> 00:55:36.239
<v Speaker 1>as he's like, Okay, I'm gonna accept this person, He's like,

1107
00:55:36.239 --> 00:55:37.639
<v Speaker 1>what should I call you? What's the word you like

1108
00:55:37.679 --> 00:55:39.159
<v Speaker 1>to be called? And he's like, just call me by

1109
00:55:39.159 --> 00:55:42.440
<v Speaker 1>my name? I don't, you know, Like I don't, and

1110
00:55:42.639 --> 00:55:44.920
<v Speaker 1>you know, I'm just I'm a I'm a friend. You know,

1111
00:55:44.920 --> 00:55:47.079
<v Speaker 1>I can be your friend, which for me I probably

1112
00:55:47.119 --> 00:55:50.000
<v Speaker 1>at that time, was another sort of forward thinking, positive thing.

1113
00:55:50.480 --> 00:55:54.159
<v Speaker 2>Yeah. Well, I mean, like this is why it's a

1114
00:55:54.199 --> 00:55:57.199
<v Speaker 2>cliche at this point, this is why representation matters m M,

1115
00:55:58.440 --> 00:56:02.800
<v Speaker 2>because oftentimes, you know, these depictions are how we learn

1116
00:56:02.840 --> 00:56:08.000
<v Speaker 2>about other people exactly right. You know, I've I've I've

1117
00:56:08.039 --> 00:56:09.960
<v Speaker 2>lost count of how many times I've said to you

1118
00:56:10.039 --> 00:56:12.400
<v Speaker 2>how much you know a zee meant to me in

1119
00:56:12.519 --> 00:56:15.639
<v Speaker 2>Robin Hood? Yeah yeah, you know, but even even like

1120
00:56:15.760 --> 00:56:18.119
<v Speaker 2>sayid and lost and things like that, you know that

1121
00:56:18.119 --> 00:56:21.239
<v Speaker 2>that meant a lot for me, you know, totally totally.

1122
00:56:21.239 --> 00:56:23.280
<v Speaker 1>I mean, like the shorthand I always try to use

1123
00:56:23.320 --> 00:56:25.320
<v Speaker 1>when it comes up about people and differences is like

1124
00:56:25.679 --> 00:56:28.639
<v Speaker 1>the end of the day. We're all God's children, you

1125
00:56:28.639 --> 00:56:30.880
<v Speaker 1>know what I mean, We're all sharing the planet. We're

1126
00:56:30.920 --> 00:56:33.719
<v Speaker 1>all just you know, just trying to we all got

1127
00:56:33.719 --> 00:56:38.639
<v Speaker 1>to get by exactly. So I just chalk it up

1128
00:56:38.679 --> 00:56:42.960
<v Speaker 1>another point for this movie's uh forward thinking optimism.

1129
00:56:43.960 --> 00:56:46.920
<v Speaker 2>Yeah. Well, and and I think that's another way that

1130
00:56:47.119 --> 00:56:50.920
<v Speaker 2>it has it has remained timeless, you know, mm hmm.

1131
00:56:51.599 --> 00:56:53.760
<v Speaker 2>I think I think that helps, right, I mean that

1132
00:56:53.840 --> 00:56:56.639
<v Speaker 2>that's really the trick, right, because because you want to

1133
00:56:56.679 --> 00:57:00.719
<v Speaker 2>pepper in enough cultural references and whatever cultural markers that

1134
00:57:00.840 --> 00:57:04.639
<v Speaker 2>situated in a world that the audience watching it understands,

1135
00:57:05.440 --> 00:57:07.519
<v Speaker 2>But you also have to think a little bit in

1136
00:57:07.599 --> 00:57:12.039
<v Speaker 2>terms of but will will this detract from it when

1137
00:57:12.079 --> 00:57:17.280
<v Speaker 2>those references no longer have currency? And that's tricky, totally right,

1138
00:57:17.360 --> 00:57:21.199
<v Speaker 2>And I think, like, I think this movie works the

1139
00:57:21.239 --> 00:57:24.960
<v Speaker 2>same way that other movie ten years before this, Back

1140
00:57:24.960 --> 00:57:30.440
<v Speaker 2>to the Future, works, where it uses references as a

1141
00:57:30.480 --> 00:57:34.559
<v Speaker 2>way to situate us in the world of the film.

1142
00:57:34.599 --> 00:57:38.079
<v Speaker 2>But even even outside of knowing those references, were still

1143
00:57:38.119 --> 00:57:41.119
<v Speaker 2>able to understand what they mean to the characters.

1144
00:57:41.400 --> 00:57:48.119
<v Speaker 1>Right, totally, It is very funny that they made Christian

1145
00:57:48.159 --> 00:57:51.119
<v Speaker 1>this kind of rat packy kid, you know, Like again,

1146
00:57:51.280 --> 00:57:53.559
<v Speaker 1>I get it now sort of as a type.

1147
00:57:53.920 --> 00:57:57.719
<v Speaker 2>Well, if you remember back then, swing was having like

1148
00:57:57.760 --> 00:57:58.800
<v Speaker 2>a resurgence.

1149
00:57:59.400 --> 00:58:00.880
<v Speaker 1>Oh yeah, I'm and they're about to go watch the

1150
00:58:00.920 --> 00:58:05.840
<v Speaker 1>Mighty Money Bostones, you know, like with SKA but still yeah, horns,

1151
00:58:05.880 --> 00:58:06.920
<v Speaker 1>horns and rock and roll.

1152
00:58:07.239 --> 00:58:08.920
<v Speaker 2>But but there was there was like a four year

1153
00:58:09.000 --> 00:58:11.039
<v Speaker 2>window over there where everybody was super into swing.

1154
00:58:11.639 --> 00:58:16.159
<v Speaker 1>Yeah right, yeah, I guess yeah, right around this moment.

1155
00:58:16.480 --> 00:58:19.920
<v Speaker 1>I mean I remember for me where I lived. I mean,

1156
00:58:19.960 --> 00:58:21.679
<v Speaker 1>you watch swingers and it feels like it was really

1157
00:58:21.719 --> 00:58:27.079
<v Speaker 1>a part of at least socau culture, right. But I

1158
00:58:27.119 --> 00:58:28.679
<v Speaker 1>remember when there was that Gap commercial.

1159
00:58:29.719 --> 00:58:31.719
<v Speaker 2>Oh yeah, that's right, yeah, and that like.

1160
00:58:31.760 --> 00:58:34.519
<v Speaker 1>Really kicked I feel like that kicked off, kicked it

1161
00:58:34.519 --> 00:58:36.320
<v Speaker 1>off for a lot of people, like, oh, this is

1162
00:58:36.320 --> 00:58:38.239
<v Speaker 1>a fun song, you know. And then all these sort

1163
00:58:38.280 --> 00:58:41.039
<v Speaker 1>of modern swing bands were coming out and they were

1164
00:58:41.039 --> 00:58:43.480
<v Speaker 1>played on alternative rock stations.

1165
00:58:44.280 --> 00:58:48.800
<v Speaker 2>Wow, geez right, you used to go swing dancing, dude.

1166
00:58:48.880 --> 00:58:52.239
<v Speaker 1>This is such an embarrassing story, but I know, because

1167
00:58:52.239 --> 00:58:54.280
<v Speaker 1>I don't have a lot of rhythm. But I was

1168
00:58:54.320 --> 00:58:57.440
<v Speaker 1>at a wedding once and this girl was like, Hey,

1169
00:58:57.440 --> 00:58:58.880
<v Speaker 1>do you want to dance? And I was like, I'm

1170
00:58:58.920 --> 00:59:01.639
<v Speaker 1>just letting you know, I can't. I can't dance, and

1171
00:59:01.679 --> 00:59:03.840
<v Speaker 1>she's like, anybody can dance, and she pulls me out

1172
00:59:03.880 --> 00:59:05.000
<v Speaker 1>on the floor and she's trying to do all this

1173
00:59:05.039 --> 00:59:08.000
<v Speaker 1>swing stuff, and then at one point she literally said, wow,

1174
00:59:08.079 --> 00:59:15.639
<v Speaker 1>you really can't dance. I was like, I know, and Randy,

1175
00:59:15.880 --> 00:59:20.599
<v Speaker 1>you know, ran away crime, but no, my friend's wedding.

1176
00:59:20.639 --> 00:59:21.400
<v Speaker 1>I'll never forget it.

1177
00:59:23.599 --> 00:59:29.719
<v Speaker 2>But yeah, you you broke her her spirit that day.

1178
00:59:30.480 --> 00:59:31.000
<v Speaker 1>One day.

1179
00:59:31.159 --> 00:59:33.679
<v Speaker 2>I used to believe that anybody she lost her faith

1180
00:59:33.679 --> 00:59:38.400
<v Speaker 2>in humanity. Turns out everybody couldn't dance. As she as

1181
00:59:38.400 --> 00:59:39.920
<v Speaker 2>she takes another shot, you know.

1182
00:59:40.559 --> 00:59:43.639
<v Speaker 1>Right, exactly another her tail.

1183
00:59:45.880 --> 00:59:50.320
<v Speaker 2>This is so funny where where Paul Rudd glances over

1184
00:59:50.400 --> 00:59:52.840
<v Speaker 2>and he just sees Christian is like keeps dancing with

1185
00:59:52.920 --> 00:59:57.079
<v Speaker 2>these guys, right, just oblivious is so funny.

1186
00:59:57.559 --> 01:00:03.920
<v Speaker 1>I'm clueless, perfect title. It's a bit, yeah, but it

1187
01:00:04.199 --> 01:00:07.639
<v Speaker 1>isn't that funny. It's not like it's called ditzy, right,

1188
01:00:07.679 --> 01:00:09.960
<v Speaker 1>it's just clueless. Clueless is innocent.

1189
01:00:11.039 --> 01:00:13.360
<v Speaker 2>That's such a good point. Yeah, that's such.

1190
01:00:13.199 --> 01:00:15.239
<v Speaker 1>A funny joke. Her falling down the stairs and like,

1191
01:00:15.239 --> 01:00:17.840
<v Speaker 1>oh nobody saw that, and that guy like, hey, you're right,

1192
01:00:17.880 --> 01:00:27.840
<v Speaker 1>that looked really bad. Yeah, this, you know, this takes

1193
01:00:27.880 --> 01:00:29.000
<v Speaker 1>me back a little bit. It would have been a

1194
01:00:29.039 --> 01:00:31.480
<v Speaker 1>little later, but I remember going to like smaller concerts

1195
01:00:31.519 --> 01:00:35.000
<v Speaker 1>like this, where it'd be like, you know, I'm kind

1196
01:00:35.000 --> 01:00:38.559
<v Speaker 1>of like ska esque, a beat sort of rock stuff.

1197
01:00:39.440 --> 01:00:40.960
<v Speaker 1>I haven't been anything like that in a long time.

1198
01:00:41.320 --> 01:00:43.679
<v Speaker 1>But they'd be like local things. I remember there was

1199
01:00:43.679 --> 01:00:46.440
<v Speaker 1>a record store that had an attic and they would

1200
01:00:46.760 --> 01:00:49.119
<v Speaker 1>have things kind of like this, or like churches, even

1201
01:00:49.159 --> 01:00:51.280
<v Speaker 1>like I remember churches would open up and you'd go

1202
01:00:51.320 --> 01:00:53.639
<v Speaker 1>see like a rock concert. And I remember going to

1203
01:00:53.639 --> 01:00:55.840
<v Speaker 1>see this band. I remember, I can't remember what they

1204
01:00:55.840 --> 01:00:58.960
<v Speaker 1>were called, but it was like small and everybody's mohing

1205
01:00:58.960 --> 01:01:01.159
<v Speaker 1>and pushing each other around. And then I remember the

1206
01:01:01.239 --> 01:01:03.599
<v Speaker 1>lead singer as this woman and she kind of you know,

1207
01:01:04.800 --> 01:01:07.280
<v Speaker 1>and then she like jumped into the crowd and she

1208
01:01:07.440 --> 01:01:10.320
<v Speaker 1>just shoved me. I was like, ah, I can pushed

1209
01:01:10.320 --> 01:01:14.360
<v Speaker 1>to the side. But it was like it was great,

1210
01:01:14.480 --> 01:01:17.719
<v Speaker 1>you know, it was all it was all fun. Look

1211
01:01:17.760 --> 01:01:20.239
<v Speaker 1>at Paul ruts is talking to the adult in the room.

1212
01:01:22.480 --> 01:01:23.920
<v Speaker 2>It is pretty funny, dude.

1213
01:01:23.920 --> 01:01:26.159
<v Speaker 1>Her waving with that funny face is like one of

1214
01:01:26.159 --> 01:01:27.920
<v Speaker 1>the funniest faces she makes in this movie.

1215
01:01:28.400 --> 01:01:28.559
<v Speaker 2>Hi.

1216
01:01:32.000 --> 01:01:33.760
<v Speaker 1>But yeah, I mean it's like, yeah, I so much

1217
01:01:33.800 --> 01:01:38.480
<v Speaker 1>more relate now to the Paul Rudd character. Just sort

1218
01:01:38.480 --> 01:01:39.920
<v Speaker 1>of like you go into the room full of kids

1219
01:01:39.920 --> 01:01:41.599
<v Speaker 1>and you're like, oh, here's the manager. I'll talk to

1220
01:01:41.639 --> 01:01:42.559
<v Speaker 1>the manager for a while.

1221
01:01:43.639 --> 01:01:45.239
<v Speaker 2>That is pretty funny.

1222
01:01:46.480 --> 01:01:48.519
<v Speaker 1>But this is such a sweet moment right where ties

1223
01:01:48.519 --> 01:01:50.880
<v Speaker 1>all alone. So then he dances with her.

1224
01:01:51.639 --> 01:01:53.280
<v Speaker 2>Yeah, and he dances just all goofy.

1225
01:01:53.760 --> 01:01:56.119
<v Speaker 1>Yeah. Yeah, he doesn't care. An idiot, he doesn't care,

1226
01:01:56.159 --> 01:02:01.440
<v Speaker 1>and he's probably having the most fun. And I love

1227
01:02:01.519 --> 01:02:04.440
<v Speaker 1>that shares, you know, the type of character who had

1228
01:02:04.440 --> 01:02:07.239
<v Speaker 1>noticed that and not be I think it's cringe. I

1229
01:02:07.320 --> 01:02:09.480
<v Speaker 1>think it's embarrassing. It's endearing to her.

1230
01:02:09.519 --> 01:02:15.280
<v Speaker 2>She likes it. Yeah. So I can't remember, did you

1231
01:02:15.280 --> 01:02:17.199
<v Speaker 2>say you saw this in the theater when it came out.

1232
01:02:18.119 --> 01:02:20.519
<v Speaker 1>I don't think I saw it in theaters, but I

1233
01:02:20.559 --> 01:02:25.039
<v Speaker 1>know I saw it like on VHS in the moment, okay,

1234
01:02:25.360 --> 01:02:27.880
<v Speaker 1>And then it was one of those things where you know,

1235
01:02:27.920 --> 01:02:30.719
<v Speaker 1>I'm almost embarrassed to say, like it feels so like whatever.

1236
01:02:30.800 --> 01:02:32.679
<v Speaker 1>But like back in the day, it was definitely like

1237
01:02:32.719 --> 01:02:35.880
<v Speaker 1>there were boy movies and there were girl movies. And

1238
01:02:36.440 --> 01:02:38.000
<v Speaker 1>I don't know if that's such a thing anymore. But

1239
01:02:38.119 --> 01:02:42.519
<v Speaker 1>like I kind of remember thinking that, like this felt

1240
01:02:42.519 --> 01:02:44.079
<v Speaker 1>like it could be a girl movie. And I don't

1241
01:02:44.079 --> 01:02:45.400
<v Speaker 1>know why I watch it, probably because at least a

1242
01:02:45.400 --> 01:02:49.800
<v Speaker 1>Silverstone is in it. Yeah, and those Aeros videos did

1243
01:02:49.800 --> 01:02:52.719
<v Speaker 1>a number on me. But then you watch it and

1244
01:02:52.719 --> 01:02:55.239
<v Speaker 1>this is just a movie for everybody. Yeah, you know,

1245
01:02:55.400 --> 01:03:00.159
<v Speaker 1>it's just a solid, feel good, well written movie, and

1246
01:03:00.159 --> 01:03:01.920
<v Speaker 1>it's just it's always kind of been there. And I

1247
01:03:02.000 --> 01:03:05.440
<v Speaker 1>remember been watching it on DVD and just whenever it's

1248
01:03:05.440 --> 01:03:08.320
<v Speaker 1>on TV, stopping on it. And then yeah, so I've

1249
01:03:08.320 --> 01:03:09.639
<v Speaker 1>seen this like a handful of times.

1250
01:03:09.840 --> 01:03:11.440
<v Speaker 2>Kind of a comfort food movie for you.

1251
01:03:11.719 --> 01:03:25.000
<v Speaker 1>Definitely, definitely, Yeah, Christians, like, hey, these guys. I was

1252
01:03:25.000 --> 01:03:28.159
<v Speaker 1>reading also for the character of Josh played by Paul

1253
01:03:28.199 --> 01:03:31.679
<v Speaker 1>Rudd that Ben Affleck and Zach Braff tried.

1254
01:03:31.519 --> 01:03:33.360
<v Speaker 2>Out for them for that char Zach Braff, there you

1255
01:03:33.400 --> 01:03:35.840
<v Speaker 2>go to see that we we missed out on that pairing.

1256
01:03:36.119 --> 01:03:38.760
<v Speaker 1>Who knows that pairing could have been a superpower even earlier.

1257
01:03:41.039 --> 01:03:43.320
<v Speaker 2>It was, but it was destined to happen. It's a

1258
01:03:43.360 --> 01:03:48.280
<v Speaker 2>cannon event exactly exactly, just the can got kicked down

1259
01:03:48.280 --> 01:03:49.679
<v Speaker 2>the curve. But it had to happen.

1260
01:03:49.800 --> 01:03:52.239
<v Speaker 1>Yes, I can see both versions of that, by the way,

1261
01:03:52.280 --> 01:03:55.519
<v Speaker 1>I absolutely can. But there's a just an inherent sweetness

1262
01:03:56.159 --> 01:03:59.599
<v Speaker 1>with Paul Rudd that you just can't He's he's perfect,

1263
01:04:00.320 --> 01:04:00.480
<v Speaker 1>you know.

1264
01:04:00.679 --> 01:04:04.719
<v Speaker 2>Yeah, No, I agree, because because if you think of Affleck,

1265
01:04:04.840 --> 01:04:11.559
<v Speaker 2>that's circa fashionable male m right, Malrat's Ben Affleck can't.

1266
01:04:11.719 --> 01:04:15.320
<v Speaker 2>I can't slot him into this, no, yeah, because he

1267
01:04:15.400 --> 01:04:16.960
<v Speaker 2>had kind of that douchey vibe.

1268
01:04:17.440 --> 01:04:20.199
<v Speaker 1>Yeah yeah, right, yeah, and I know I'm thinking of

1269
01:04:20.199 --> 01:04:22.280
<v Speaker 1>that character from All Rats, but for sure, because I

1270
01:04:22.280 --> 01:04:25.679
<v Speaker 1>mean he's yeah, there's like an edge to him, a

1271
01:04:25.760 --> 01:04:26.880
<v Speaker 1>very look.

1272
01:04:26.920 --> 01:04:29.199
<v Speaker 2>I like Ben Affleck as an actor. I think he's great,

1273
01:04:29.239 --> 01:04:32.440
<v Speaker 2>but I think he has matured into a great actor.

1274
01:04:33.440 --> 01:04:39.400
<v Speaker 2>I think you know, like you know what this would

1275
01:04:39.400 --> 01:04:44.519
<v Speaker 2>have been before Chasing Amy, right, yeah, yeah, Chasing Amy

1276
01:04:44.559 --> 01:04:47.719
<v Speaker 2>was like ninety seven, I think, and I mean watching

1277
01:04:47.800 --> 01:04:50.199
<v Speaker 2>Chasing Amy with about thirty years of hindsight, you're like, boy,

1278
01:04:50.239 --> 01:04:54.440
<v Speaker 2>he is a douche right, right, right, I mean that's

1279
01:04:54.480 --> 01:04:57.000
<v Speaker 2>the character that Kevin Smith wrote, but like you realize

1280
01:04:57.239 --> 01:04:59.920
<v Speaker 2>with much more clarity, like he is not a like

1281
01:05:00.360 --> 01:05:03.480
<v Speaker 2>or smart person, this guy that Ben Affleck plays, right,

1282
01:05:03.840 --> 01:05:07.000
<v Speaker 2>and he does a good job playing that yeah.

1283
01:05:06.760 --> 01:05:12.920
<v Speaker 1>Yeah, it's been a while. I'd be interested to revisit that.

1284
01:05:11.400 --> 01:05:14.280
<v Speaker 2>That that movie is a weird one man, because I

1285
01:05:14.280 --> 01:05:18.039
<v Speaker 2>would say, uh, you know, and we've had this conversation before,

1286
01:05:18.119 --> 01:05:22.239
<v Speaker 2>but but those the early indie movies of Kevin Smith.

1287
01:05:22.280 --> 01:05:24.559
<v Speaker 2>So I'll put mal Rest to one side. But Clerks

1288
01:05:24.599 --> 01:05:26.840
<v Speaker 2>and Chasing Amy, those were the types of things that

1289
01:05:26.920 --> 01:05:28.800
<v Speaker 2>certainly for me, I was like, hey, I could do this.

1290
01:05:30.000 --> 01:05:33.760
<v Speaker 1>Yeah, oh yeah, right, but.

1291
01:05:34.119 --> 01:05:37.440
<v Speaker 2>There is I think I think out of all of those,

1292
01:05:37.480 --> 01:05:40.599
<v Speaker 2>I think Clerks holds up the best in my opinion. Yeah,

1293
01:05:40.800 --> 01:05:42.800
<v Speaker 2>Chasing Amy does kind of make me cringe a little

1294
01:05:42.800 --> 01:05:45.000
<v Speaker 2>bit A few times. I've revisited it since.

1295
01:05:45.400 --> 01:05:48.320
<v Speaker 1>Yeah, i'd like to do that. I saw Dogma again recently.

1296
01:05:48.840 --> 01:05:50.880
<v Speaker 2>Yeah, how did that hold up for you?

1297
01:05:50.920 --> 01:05:55.000
<v Speaker 1>Pretty well? I think you know, it's uh yeah, I

1298
01:05:55.039 --> 01:05:58.440
<v Speaker 1>think for the most part, holds up pretty well. And

1299
01:05:58.480 --> 01:06:01.960
<v Speaker 1>you know, he's always so self deprecated about his direction,

1300
01:06:02.960 --> 01:06:05.079
<v Speaker 1>and I mean, you can critique it a little bit,

1301
01:06:05.119 --> 01:06:08.320
<v Speaker 1>but like, I don't know, that movie doesn't look too bad.

1302
01:06:09.239 --> 01:06:10.239
<v Speaker 2>The Shit Monster.

1303
01:06:10.840 --> 01:06:13.239
<v Speaker 1>But see that's like one of the sort of like okay,

1304
01:06:13.599 --> 01:06:16.320
<v Speaker 1>we'll give you that one because there are some fun

1305
01:06:16.599 --> 01:06:22.920
<v Speaker 1>sort of monologues and insights elsewhere, but you know, much

1306
01:06:22.960 --> 01:06:24.920
<v Speaker 1>funny by the way, I was clocking that moment with

1307
01:06:26.000 --> 01:06:27.880
<v Speaker 1>He's you know, she's waiting for Christian to call and

1308
01:06:27.920 --> 01:06:30.000
<v Speaker 1>you see the cell phone like the Monolith in two

1309
01:06:30.000 --> 01:06:33.960
<v Speaker 1>thousand and one, which is hilarious and it's funny because

1310
01:06:34.239 --> 01:06:37.519
<v Speaker 1>and even recently the Barbie movie, right, yeah, she's treated

1311
01:06:37.519 --> 01:06:41.960
<v Speaker 1>like the Monolith, and it just made me think, you know,

1312
01:06:42.039 --> 01:06:45.079
<v Speaker 1>I didn't know what that was when I first saw

1313
01:06:45.119 --> 01:06:48.440
<v Speaker 1>this movie, but then I get a little bit older,

1314
01:06:48.719 --> 01:06:50.119
<v Speaker 1>you watch two thousand and one, you see this and

1315
01:06:50.159 --> 01:06:53.039
<v Speaker 1>you go, oh, that's funny. That's really clever, and even

1316
01:06:53.079 --> 01:06:56.599
<v Speaker 1>just esthetically not understanding it, it's kind of funny. And

1317
01:06:56.639 --> 01:06:59.599
<v Speaker 1>it made me think. You know, writing on for children's

1318
01:06:59.599 --> 01:07:01.960
<v Speaker 1>television as much as I do, a lot of times

1319
01:07:01.960 --> 01:07:03.920
<v Speaker 1>you'll get a note that says kids won't get this,

1320
01:07:05.159 --> 01:07:08.239
<v Speaker 1>and I'm always like, yeah, but there were so many

1321
01:07:08.320 --> 01:07:10.119
<v Speaker 1>things on the shows I watched when I was growing

1322
01:07:10.159 --> 01:07:13.679
<v Speaker 1>up I didn't get and I was rewarded later in

1323
01:07:13.719 --> 01:07:16.400
<v Speaker 1>life for it. You know, when I finally saw Citizen

1324
01:07:16.440 --> 01:07:18.760
<v Speaker 1>Kane was like, oh, I think the Simpsons have recreated

1325
01:07:18.880 --> 01:07:22.519
<v Speaker 1>ninety percent of this movie, and I didn't realize it's

1326
01:07:22.599 --> 01:07:25.400
<v Speaker 1>really true, you know, and I'm really endeared. I love

1327
01:07:25.440 --> 01:07:27.719
<v Speaker 1>Citizen Kane because I do think it's a genuinely good movie.

1328
01:07:27.760 --> 01:07:30.440
<v Speaker 1>But I also feel strangely endeared to it because I

1329
01:07:30.480 --> 01:07:32.480
<v Speaker 1>was exposed to it in so many ways when I

1330
01:07:32.519 --> 01:07:33.880
<v Speaker 1>was a kid without realizing it.

1331
01:07:34.400 --> 01:07:37.400
<v Speaker 2>You know, what I would love is for somebody to

1332
01:07:37.880 --> 01:07:42.800
<v Speaker 2>cut together a chronological version of Citizen Kane using only

1333
01:07:42.920 --> 01:07:44.480
<v Speaker 2>all the different Simpsons references.

1334
01:07:44.599 --> 01:07:48.960
<v Speaker 1>That would be amazing, right, yeah, yeah, I mean so

1335
01:07:49.440 --> 01:07:51.079
<v Speaker 1>all I'm saying, though, I think there's value in it.

1336
01:07:51.440 --> 01:07:54.760
<v Speaker 1>I think if it pleases the creative, you know, the

1337
01:07:54.760 --> 01:07:57.880
<v Speaker 1>creator of the thing, great. It can work as just

1338
01:07:57.920 --> 01:08:01.280
<v Speaker 1>a funny, surface level joke. Great. And then also, so

1339
01:08:01.320 --> 01:08:03.320
<v Speaker 1>what they don't get it, they will, and they're gonna

1340
01:08:03.320 --> 01:08:04.440
<v Speaker 1>like appreciate you for it.

1341
01:08:05.199 --> 01:08:08.000
<v Speaker 2>Well, you know, I'll go back to the thing we've talked.

1342
01:08:08.079 --> 01:08:09.960
<v Speaker 2>We've mentioned it a few times. A haircut. You can

1343
01:08:10.000 --> 01:08:14.039
<v Speaker 2>set your watch too. Yes, it turns out it's a

1344
01:08:14.119 --> 01:08:17.079
<v Speaker 2>it's a reference to nothing, as we found out, But

1345
01:08:17.960 --> 01:08:20.800
<v Speaker 2>it doesn't matter because it's funny, and you internalize it

1346
01:08:20.920 --> 01:08:23.079
<v Speaker 2>as a kid, you weren't like, well what does that mean?

1347
01:08:24.119 --> 01:08:24.760
<v Speaker 1>Yeah?

1348
01:08:25.039 --> 01:08:25.239
<v Speaker 2>Right?

1349
01:08:25.760 --> 01:08:28.279
<v Speaker 1>Yeah? And then you know what now I may may

1350
01:08:28.319 --> 01:08:32.479
<v Speaker 1>put it in something and now it is a reference exactly.

1351
01:08:33.199 --> 01:08:36.399
<v Speaker 2>Yeah, No, I I agree, I mean that there. I

1352
01:08:36.920 --> 01:08:39.000
<v Speaker 2>don't think we give kids enough credit in that regard

1353
01:08:39.039 --> 01:08:41.560
<v Speaker 2>because because they'll still be able to think something, you know,

1354
01:08:41.920 --> 01:08:46.520
<v Speaker 2>using another Simpsons joke, the street car named Marge, right,

1355
01:08:46.640 --> 01:08:51.239
<v Speaker 2>the whole well, geez, that whole episode, right, but the

1356
01:08:51.560 --> 01:08:55.800
<v Speaker 2>Great Escape parody, Yes, well, it's no less funny not

1357
01:08:55.840 --> 01:08:56.520
<v Speaker 2>having seen.

1358
01:08:56.319 --> 01:08:57.479
<v Speaker 1>The Great Escape.

1359
01:08:57.399 --> 01:08:59.439
<v Speaker 2>Yeah, and it's just funnier once you have.

1360
01:09:00.079 --> 01:09:02.439
<v Speaker 1>Yeah. Oh, and then that moment with the birds right

1361
01:09:02.439 --> 01:09:04.880
<v Speaker 1>where Homewerk gomes in there to get Maggie and all

1362
01:09:04.920 --> 01:09:07.039
<v Speaker 1>the kids have been released, and it's like the scene

1363
01:09:07.039 --> 01:09:09.840
<v Speaker 1>from The Birds where they have to walk slowly and

1364
01:09:09.880 --> 01:09:12.319
<v Speaker 1>in fear with all the birds around them. As a kid,

1365
01:09:12.760 --> 01:09:16.279
<v Speaker 1>I knew it had to be referencing something, but I

1366
01:09:16.319 --> 01:09:18.439
<v Speaker 1>didn't know what it was, and it was just freaking

1367
01:09:18.520 --> 01:09:19.520
<v Speaker 1>hilarious on its own.

1368
01:09:20.000 --> 01:09:22.439
<v Speaker 2>Yeah. Yeah.

1369
01:09:22.560 --> 01:09:25.680
<v Speaker 1>By the way, we missed a very important line, maybe

1370
01:09:25.720 --> 01:09:28.680
<v Speaker 1>the most important line in the entire movie, during one

1371
01:09:28.720 --> 01:09:31.279
<v Speaker 1>of the sweetest scenes where Cher's letting her hair down

1372
01:09:31.399 --> 01:09:34.359
<v Speaker 1>literally and she's hanging out with you know, Paul Rudd

1373
01:09:34.399 --> 01:09:36.039
<v Speaker 1>late at night and they're just chilling on the couch

1374
01:09:36.600 --> 01:09:38.359
<v Speaker 1>and he says something about like, oh, you don't want

1375
01:09:38.359 --> 01:09:40.560
<v Speaker 1>to be seen hanging out with your brother, and chery goes,

1376
01:09:40.920 --> 01:09:44.640
<v Speaker 1>you are not my brother. Very important.

1377
01:09:49.079 --> 01:09:52.640
<v Speaker 2>She turns to the camera. Everybody got that, exactly, exactly?

1378
01:09:53.600 --> 01:10:01.840
<v Speaker 1>Yeah, yeah, yeah, this is kind of a sweet thing too,

1379
01:10:01.960 --> 01:10:04.279
<v Speaker 1>like everything thus far has kind of worked out for her,

1380
01:10:04.640 --> 01:10:08.720
<v Speaker 1>and so seeing her being ambitious for herself and things

1381
01:10:08.760 --> 01:10:12.720
<v Speaker 1>not going her way, it's kind of a different angle

1382
01:10:12.760 --> 01:10:13.079
<v Speaker 1>we get.

1383
01:10:13.359 --> 01:10:14.880
<v Speaker 2>Yeah, she plays on the road.

1384
01:10:15.760 --> 01:10:19.119
<v Speaker 1>Yeah. By the way, I wanted to point out also

1385
01:10:19.119 --> 01:10:21.680
<v Speaker 1>when they're having that conversation about the breadstick and the penises,

1386
01:10:22.319 --> 01:10:24.640
<v Speaker 1>I read that that was written in the script to

1387
01:10:24.640 --> 01:10:28.880
<v Speaker 1>take place at California Pizza Kitchen. But the CEO didn't

1388
01:10:28.880 --> 01:10:32.199
<v Speaker 1>love that, talking about their breadsticks looking like penises. But

1389
01:10:32.439 --> 01:10:34.279
<v Speaker 1>I thought i'd bring it up because anytime you and

1390
01:10:34.319 --> 01:10:37.800
<v Speaker 1>I get together, we always go to at least once

1391
01:10:37.880 --> 01:10:39.199
<v Speaker 1>to California Pizza Kitchen.

1392
01:10:39.239 --> 01:10:42.479
<v Speaker 2>Well, it's funny that you say that, because them just

1393
01:10:42.520 --> 01:10:44.920
<v Speaker 2>for whatever reason, I got a CPK vibe.

1394
01:10:45.479 --> 01:10:46.239
<v Speaker 1>Oh did you really?

1395
01:10:46.399 --> 01:10:47.800
<v Speaker 2>Isn't that funny? Yeah?

1396
01:10:48.039 --> 01:10:51.760
<v Speaker 1>So well, there you go. She she got with the director, got.

1397
01:10:51.680 --> 01:10:59.720
<v Speaker 2>What she wanted. Ultimately, she did yeah, yeah, yeah.

1398
01:10:59.760 --> 01:11:04.439
<v Speaker 1>Here he's basically laughing at her, at her exactly, Yeah,

1399
01:11:04.520 --> 01:11:06.199
<v Speaker 1>like aget, how clueless she.

1400
01:11:06.199 --> 01:11:16.640
<v Speaker 2>Is, oscar wild reading right right right streisand ticket holding.

1401
01:11:21.439 --> 01:11:23.880
<v Speaker 1>He's so man. I don't understand why he doesn't pop

1402
01:11:23.960 --> 01:11:27.960
<v Speaker 1>up in more things. He's just such a really enjoyable presence.

1403
01:11:28.680 --> 01:11:30.680
<v Speaker 2>But he was just wasn't He was just on a

1404
01:11:30.720 --> 01:11:31.880
<v Speaker 2>show with John Cryer.

1405
01:11:32.319 --> 01:11:34.199
<v Speaker 1>Oh don't I know it. I went to a taping

1406
01:11:34.239 --> 01:11:34.439
<v Speaker 1>of that.

1407
01:11:34.800 --> 01:11:37.239
<v Speaker 2>Oh okay, yeah, and I don't I think that show's

1408
01:11:37.239 --> 01:11:39.680
<v Speaker 2>done right, I don't think yes, But they're bringing back

1409
01:11:39.720 --> 01:11:40.920
<v Speaker 2>scrubs as of this recording.

1410
01:11:40.960 --> 01:11:44.560
<v Speaker 1>Oh well there you go. Yeah, which hilarious. By the way.

1411
01:11:45.800 --> 01:11:52.800
<v Speaker 1>The freeway thing, it's just just screaming.

1412
01:11:53.000 --> 01:11:57.680
<v Speaker 2>I so relate to fear of the highway, yeah, because

1413
01:11:57.680 --> 01:11:59.520
<v Speaker 2>that was definitely a thing for me when I first

1414
01:11:59.520 --> 01:12:01.039
<v Speaker 2>started dry. I mean, no matter what, I wanted to

1415
01:12:01.039 --> 01:12:01.880
<v Speaker 2>stay off the highway.

1416
01:12:02.199 --> 01:12:08.119
<v Speaker 1>Yeah. You know what's funny. My brother in law, he

1417
01:12:08.640 --> 01:12:12.439
<v Speaker 1>is from New York, and he, I mean, he's I'd

1418
01:12:12.479 --> 01:12:15.279
<v Speaker 1>be afraid to drive New York, you know, But when

1419
01:12:15.319 --> 01:12:21.119
<v Speaker 1>he was out in LA he was afraid of yeah,

1420
01:12:21.159 --> 01:12:23.079
<v Speaker 1>the freeway, and he didn't want to merge and he

1421
01:12:23.119 --> 01:12:26.159
<v Speaker 1>would always have me drive, and I was it just

1422
01:12:26.159 --> 01:12:29.399
<v Speaker 1>didn't occur to me. It's completely understandable. By the way

1423
01:12:29.439 --> 01:12:31.479
<v Speaker 1>I mean is it's a whole skill set.

1424
01:12:32.399 --> 01:12:39.199
<v Speaker 2>LA highways are to be fair, you know, something else entirely.

1425
01:12:39.560 --> 01:12:43.680
<v Speaker 1>Yeah, yeah, I mean, and in a way I feel well, actually,

1426
01:12:43.720 --> 01:12:46.199
<v Speaker 1>I was just in Oklahoma visiting my parents, and my

1427
01:12:46.279 --> 01:12:48.239
<v Speaker 1>mom doesn't like driving me on the freeway even there.

1428
01:12:48.920 --> 01:12:50.399
<v Speaker 1>But for me, I was like, oh my gosh, this

1429
01:12:50.520 --> 01:12:54.000
<v Speaker 1>is like bike But so in a way, I'm kind

1430
01:12:54.000 --> 01:12:57.279
<v Speaker 1>of glad I've been conditioned a little bit, you know, yeah,

1431
01:12:57.319 --> 01:13:01.840
<v Speaker 1>so everything else feels easy. By the way, this is

1432
01:13:02.119 --> 01:13:06.239
<v Speaker 1>the west Side Pavilion Fashion Square shopping mall, which is

1433
01:13:06.560 --> 01:13:07.760
<v Speaker 1>a couple of blocks from where I live.

1434
01:13:08.479 --> 01:13:11.840
<v Speaker 2>Have I been here probably yeah, But.

1435
01:13:11.840 --> 01:13:13.760
<v Speaker 1>Seeing it now, I'm like, oh wait, yeah, I recognize

1436
01:13:13.800 --> 01:13:17.800
<v Speaker 1>that those like awkwardly placed escalators and you have to

1437
01:13:17.840 --> 01:13:20.079
<v Speaker 1>walk like all this distance just to go back upstairs.

1438
01:13:20.520 --> 01:13:22.439
<v Speaker 2>I think this is the most dated part of the movie.

1439
01:13:22.600 --> 01:13:24.159
<v Speaker 2>Is a mall full of people, and.

1440
01:13:24.520 --> 01:13:28.000
<v Speaker 1>I know, well, yeah, they referenced the Galleria earlier, which

1441
01:13:28.119 --> 01:13:31.439
<v Speaker 1>just man, that was just the pinnacle of mall culture,

1442
01:13:31.479 --> 01:13:34.520
<v Speaker 1>wasn't it. That was like the Mecca of yeah, seemingly

1443
01:13:34.600 --> 01:13:38.359
<v Speaker 1>back in the day, which is sad because it used

1444
01:13:38.359 --> 01:13:40.279
<v Speaker 1>to be this indoor mall and it was it's in

1445
01:13:40.359 --> 01:13:43.880
<v Speaker 1>fast times and all sorts of things Commando yeah, oh sure,

1446
01:13:44.159 --> 01:13:47.399
<v Speaker 1>reference and Terminator two. But it's been remodeled. Now it's

1447
01:13:47.439 --> 01:13:50.880
<v Speaker 1>an outdoor mall. And unfortunately, I mean, aside from like

1448
01:13:50.920 --> 01:13:53.359
<v Speaker 1>a cheesecake factory in the movie theater that I go to,

1449
01:13:53.439 --> 01:13:55.319
<v Speaker 1>there's not much else that's depressing.

1450
01:13:55.640 --> 01:13:59.680
<v Speaker 2>Yeah, it's funny. I think it's because of Commando. I

1451
01:13:59.720 --> 01:14:02.479
<v Speaker 2>saw Commando at a formative age, and as a result,

1452
01:14:02.520 --> 01:14:05.359
<v Speaker 2>every time I would go into any mall, I would

1453
01:14:05.439 --> 01:14:07.840
<v Speaker 2>be like mentally plotting out action sequences.

1454
01:14:08.840 --> 01:14:12.600
<v Speaker 1>Oh dude, absolutely right, Yeah, dude, I had a script.

1455
01:14:12.600 --> 01:14:15.159
<v Speaker 1>I probably shouldn't imagine you share it. But like it

1456
01:14:15.199 --> 01:14:16.960
<v Speaker 1>was back in the day, it was literally supposed to

1457
01:14:17.000 --> 01:14:20.800
<v Speaker 1>be die Hard in a mall with the mall security. Okay,

1458
01:14:21.039 --> 01:14:22.920
<v Speaker 1>but it was just like I loved malls. I loved

1459
01:14:23.079 --> 01:14:25.039
<v Speaker 1>I thought they were very cinematic because you have all

1460
01:14:25.079 --> 01:14:28.520
<v Speaker 1>the different stores with little different worlds that you can

1461
01:14:28.520 --> 01:14:31.399
<v Speaker 1>step into, right, you know. But yeah, now malls just

1462
01:14:31.960 --> 01:14:33.560
<v Speaker 1>I don't know, just they're empty.

1463
01:14:35.039 --> 01:14:42.439
<v Speaker 2>Yeah, it's it's unnerving. Yeah, yeah, I should say. Actually,

1464
01:14:42.560 --> 01:14:46.399
<v Speaker 2>just last time I was in Chicago, I made a

1465
01:14:46.680 --> 01:14:49.159
<v Speaker 2>ceremonial trip to the location of what used to be

1466
01:14:49.399 --> 01:14:50.279
<v Speaker 2>Stratford Square.

1467
01:14:51.439 --> 01:14:54.079
<v Speaker 1>Yeap, it are mall, the mall of our youth.

1468
01:14:54.199 --> 01:14:56.279
<v Speaker 2>Returned to the earth from whence it came.

1469
01:14:56.680 --> 01:14:57.880
<v Speaker 1>Oh so sad.

1470
01:14:59.319 --> 01:15:00.600
<v Speaker 2>It no longer exists.

1471
01:15:01.000 --> 01:15:03.760
<v Speaker 1>But speaking of getting older, as we've been referencing a lot,

1472
01:15:04.079 --> 01:15:06.319
<v Speaker 1>if I've learned anything, it's that nothing lasts forever.

1473
01:15:07.359 --> 01:15:09.279
<v Speaker 2>Man, that is true.

1474
01:15:09.560 --> 01:15:13.479
<v Speaker 1>Yeah, your favorite restaurant shuts down, the mall you you

1475
01:15:13.520 --> 01:15:18.600
<v Speaker 1>grew up going to gets leveled. Just the way of things.

1476
01:15:18.800 --> 01:15:23.680
<v Speaker 2>It's the way of things. So I I want to say,

1477
01:15:23.720 --> 01:15:28.880
<v Speaker 2>I think for me this plot thread of like Share

1478
01:15:29.000 --> 01:15:33.479
<v Speaker 2>feeling jealous of Tie getting all the attention that that

1479
01:15:33.479 --> 01:15:37.399
<v Speaker 2>that's the only slightly sour note for me, Like, it

1480
01:15:37.439 --> 01:15:41.760
<v Speaker 2>doesn't it doesn't ring true to the way either of

1481
01:15:41.800 --> 01:15:43.359
<v Speaker 2>these characters have been depicted to me.

1482
01:15:44.119 --> 01:15:47.560
<v Speaker 1>Yes, yep, for Tie having this kind of turn, Yeah,

1483
01:15:47.680 --> 01:15:49.159
<v Speaker 1>is that what you mean? He sort of like we're.

1484
01:15:49.039 --> 01:15:54.840
<v Speaker 2>Shit and and even Share being jealous. You know, it

1485
01:15:55.159 --> 01:15:56.399
<v Speaker 2>feels off somehow to me.

1486
01:15:56.760 --> 01:15:58.239
<v Speaker 1>Sure, I do like it.

1487
01:15:58.600 --> 01:16:03.239
<v Speaker 2>It feels like a necessary plot complication. Yes, because because

1488
01:16:03.359 --> 01:16:06.199
<v Speaker 2>you know, we're we're however, you know, we're we're an

1489
01:16:06.199 --> 01:16:09.319
<v Speaker 2>hour and ten in and it's like, oh, we need

1490
01:16:09.359 --> 01:16:12.039
<v Speaker 2>to like, you know, kind of shake up the edges

1491
01:16:12.039 --> 01:16:15.720
<v Speaker 2>sketch a little bit. But it feels like, oh, we

1492
01:16:15.760 --> 01:16:17.600
<v Speaker 2>need to introduce something so that we have something to

1493
01:16:17.680 --> 01:16:19.840
<v Speaker 2>resolve totally, you know.

1494
01:16:20.000 --> 01:16:23.840
<v Speaker 1>Totally Yeah, No, I hear you, right, because because.

1495
01:16:25.079 --> 01:16:28.000
<v Speaker 2>The inciting incident feels like it comes out of nowhere,

1496
01:16:29.000 --> 01:16:31.800
<v Speaker 2>which is those jam mosses, Yeah, at the mall trying

1497
01:16:31.840 --> 01:16:34.319
<v Speaker 2>to throw over, and then the way in which everybody's like,

1498
01:16:34.319 --> 01:16:36.359
<v Speaker 2>oh my gosh, you almost died and she becomes a celebrity.

1499
01:16:36.680 --> 01:16:38.159
<v Speaker 2>None of that reads real to me.

1500
01:16:40.279 --> 01:16:44.039
<v Speaker 1>Yeah, you know, I I hear you. I it does

1501
01:16:44.119 --> 01:16:45.640
<v Speaker 1>feel like I'm going back to it. And I don't

1502
01:16:45.640 --> 01:16:48.199
<v Speaker 1>mean this in a bad way, but kind of sit commy, Yeah,

1503
01:16:48.760 --> 01:16:48.920
<v Speaker 1>you know.

1504
01:16:48.920 --> 01:16:50.159
<v Speaker 2>What I mean. Yeah, it feels like, oh, this is

1505
01:16:50.199 --> 01:16:50.880
<v Speaker 2>this episode.

1506
01:16:51.479 --> 01:16:55.279
<v Speaker 1>Yeah yeah, But yeah, I agree with you. I mean, obviously,

1507
01:16:55.279 --> 01:16:58.000
<v Speaker 1>at this point, just structurally, she needs to be thrown

1508
01:16:58.039 --> 01:17:01.239
<v Speaker 1>and feel like she's losing everything so she can use

1509
01:17:01.399 --> 01:17:04.600
<v Speaker 1>what she's learned along the way to win everything back.

1510
01:17:05.000 --> 01:17:05.119
<v Speaker 2>Right.

1511
01:17:05.600 --> 01:17:10.239
<v Speaker 1>But oh, by the way, Red wearing that Kansas University

1512
01:17:10.239 --> 01:17:12.680
<v Speaker 1>of Kansas hat, which kind doesn't make sense because he

1513
01:17:12.680 --> 01:17:14.399
<v Speaker 1>doesn't go to college there in the film, but Paul

1514
01:17:14.439 --> 01:17:16.039
<v Speaker 1>Rudd went to the University of Kansas.

1515
01:17:16.159 --> 01:17:17.399
<v Speaker 2>Nah, see there you go.

1516
01:17:17.560 --> 01:17:19.520
<v Speaker 1>Yeah, but no, yeah, I hear you, but it is

1517
01:17:19.560 --> 01:17:22.039
<v Speaker 1>It is kind of fun watching her version of feeling

1518
01:17:22.119 --> 01:17:27.239
<v Speaker 1>thrown since she's so confident, like even this, like she's

1519
01:17:27.319 --> 01:17:32.239
<v Speaker 1>so her body language, her face, like no one else

1520
01:17:32.520 --> 01:17:35.640
<v Speaker 1>could have made that role as endearing as silver Stone did. Yeah,

1521
01:17:39.159 --> 01:17:42.359
<v Speaker 1>it's so funy. The driving instructor was.

1522
01:17:42.399 --> 01:17:44.840
<v Speaker 2>This like your road test when you when you got

1523
01:17:44.840 --> 01:17:48.000
<v Speaker 2>your license? Thank goodness, Now did you pass it on

1524
01:17:48.039 --> 01:17:48.600
<v Speaker 2>your first try?

1525
01:17:49.079 --> 01:17:53.279
<v Speaker 1>I did. I have a very embarrassing story, though, I

1526
01:17:57.159 --> 01:18:03.520
<v Speaker 1>because she's so adorable. I did. Yeah, I passed. And

1527
01:18:03.560 --> 01:18:06.119
<v Speaker 1>then I came back and I met my mom at

1528
01:18:06.119 --> 01:18:08.199
<v Speaker 1>the TV and we were walking and I saw a

1529
01:18:08.239 --> 01:18:09.920
<v Speaker 1>girl from school, and I was like, we did it,

1530
01:18:10.960 --> 01:18:13.159
<v Speaker 1>you know, because you're feeling such relief. And as we

1531
01:18:13.199 --> 01:18:15.920
<v Speaker 1>walked away, and my Mom's like, Brian, I don't think

1532
01:18:15.960 --> 01:18:20.119
<v Speaker 1>she passed, but I just wasn't clocking her body language, her.

1533
01:18:20.079 --> 01:18:23.399
<v Speaker 2>Body yeah, And I was like, oh no, that's funny.

1534
01:18:23.520 --> 01:18:25.159
<v Speaker 1>I think about that to this day. I feel somethhing.

1535
01:18:26.359 --> 01:18:29.920
<v Speaker 1>But thank goodness. You know on TV it's always you

1536
01:18:29.920 --> 01:18:32.760
<v Speaker 1>got to do the parallel parking right right, And I

1537
01:18:32.800 --> 01:18:35.479
<v Speaker 1>didn't have to do that. I had to back around

1538
01:18:35.520 --> 01:18:39.840
<v Speaker 1>a corner. Okay, right, so you reverse around a corner

1539
01:18:39.880 --> 01:18:41.079
<v Speaker 1>without bumping the curb.

1540
01:18:40.880 --> 01:18:42.680
<v Speaker 2>Which is yeah, I had to do that too.

1541
01:18:43.079 --> 01:18:43.880
<v Speaker 1>Is that interesting?

1542
01:18:44.119 --> 01:18:44.520
<v Speaker 2>Yeah?

1543
01:18:44.600 --> 01:18:46.600
<v Speaker 1>I mean I can imagine out here you do so much.

1544
01:18:47.079 --> 01:18:49.159
<v Speaker 1>Speaking for where I live, so cal but there's so

1545
01:18:49.239 --> 01:18:52.520
<v Speaker 1>much parallel parking. You definitely should be a part of

1546
01:18:52.520 --> 01:18:54.520
<v Speaker 1>the test. But I guess just where we grew up,

1547
01:18:54.560 --> 01:18:55.640
<v Speaker 1>they figured it didn't matter.

1548
01:18:56.600 --> 01:18:59.560
<v Speaker 2>Yeah, and are you how did you do? I failed

1549
01:18:59.560 --> 01:19:00.199
<v Speaker 2>my first time?

1550
01:19:01.119 --> 01:19:02.399
<v Speaker 1>Oh really? What what was it?

1551
01:19:04.319 --> 01:19:09.039
<v Speaker 2>So? I this was the DMV in in Schomberg, next

1552
01:19:09.119 --> 01:19:10.720
<v Speaker 2>to where there used to be that tower records. Do

1553
01:19:10.720 --> 01:19:13.520
<v Speaker 2>you remember? I do off off of Higgins or golf

1554
01:19:13.600 --> 01:19:17.279
<v Speaker 2>or whatever. So so I took I I went, and

1555
01:19:17.720 --> 01:19:20.039
<v Speaker 2>I did very well. Like you know, we drove around

1556
01:19:20.079 --> 01:19:21.880
<v Speaker 2>the back roads. Everything, everything was fine, and it was

1557
01:19:21.920 --> 01:19:26.119
<v Speaker 2>literally the instructor was like, all right, just just turn

1558
01:19:26.199 --> 01:19:29.479
<v Speaker 2>in here and and uh park and we'll get you

1559
01:19:29.479 --> 01:19:32.520
<v Speaker 2>your license. Oh no, And I'm like okay, And so

1560
01:19:32.600 --> 01:19:34.199
<v Speaker 2>I look back to change things and it was like

1561
01:19:34.239 --> 01:19:37.479
<v Speaker 2>a winding road. And I looked back, like a split

1562
01:19:37.520 --> 01:19:40.359
<v Speaker 2>second too long, and I and I looked back, and

1563
01:19:40.359 --> 01:19:46.560
<v Speaker 2>and I wind up on an island, you know. And

1564
01:19:46.560 --> 01:19:48.800
<v Speaker 2>and according to this is how my brother describes it,

1565
01:19:48.800 --> 01:19:50.920
<v Speaker 2>because he was there waiting for me, yeah, he says.

1566
01:19:51.159 --> 01:19:53.960
<v Speaker 2>He says that he was waiting outside he saw the

1567
01:19:54.000 --> 01:19:56.520
<v Speaker 2>car coming up, and he's like, oh, like I made it.

1568
01:19:56.560 --> 01:19:59.119
<v Speaker 2>And so he turns around and he starts walking in

1569
01:19:59.199 --> 01:20:02.399
<v Speaker 2>and he hears this loud thought and he turns around

1570
01:20:02.479 --> 01:20:05.399
<v Speaker 2>and he just sees my hubcap rolling away.

1571
01:20:05.920 --> 01:20:09.439
<v Speaker 1>Oh no, I'm.

1572
01:20:09.319 --> 01:20:12.319
<v Speaker 2>On this island. And I look over at the instructor

1573
01:20:12.399 --> 01:20:15.520
<v Speaker 2>and my hand to god. She goes, well, never mind,

1574
01:20:15.640 --> 01:20:19.359
<v Speaker 2>and she tears the thing. No, dude, that sounds like

1575
01:20:19.439 --> 01:20:23.640
<v Speaker 2>out of a teen movie. This is absolutely true. She's like, well,

1576
01:20:24.000 --> 01:20:26.359
<v Speaker 2>back up, let's get you back in. So as I'm

1577
01:20:26.399 --> 01:20:30.399
<v Speaker 2>backing up again, not making this up, I'm backing up

1578
01:20:30.439 --> 01:20:34.479
<v Speaker 2>and red behind me. There was a cop. No, and

1579
01:20:35.479 --> 01:20:37.880
<v Speaker 2>he gets out and he's like, can I see your license?

1580
01:20:38.119 --> 01:20:43.159
<v Speaker 2>And the instructor goes he's trying to get one, dude.

1581
01:20:44.760 --> 01:20:46.960
<v Speaker 1>This is out of like a sitcom. This is insane.

1582
01:20:47.199 --> 01:20:48.479
<v Speaker 2>Every word of that is true.

1583
01:20:49.760 --> 01:20:51.640
<v Speaker 1>It kind of reminds me of like something about Mary,

1584
01:20:51.680 --> 01:20:53.880
<v Speaker 1>where everything's going wrong for Stiller in that bathroom and

1585
01:20:53.920 --> 01:20:55.600
<v Speaker 1>then there's like the dad at the door, and then

1586
01:20:55.600 --> 01:20:57.520
<v Speaker 1>there's a fire chief, like what's going on in ear

1587
01:20:57.920 --> 01:21:00.000
<v Speaker 1>just compounding like how terrible you feel?

1588
01:21:00.359 --> 01:21:02.920
<v Speaker 2>It was a cascade. Yeah, so that was attempt to

1589
01:21:03.000 --> 01:21:06.159
<v Speaker 2>number one, and then a week, a week or so

1590
01:21:06.399 --> 01:21:08.560
<v Speaker 2>whatever the you have to wait a certain amount of time.

1591
01:21:08.560 --> 01:21:10.119
<v Speaker 2>I went back with my dad and I got it that.

1592
01:21:10.319 --> 01:21:12.560
<v Speaker 1>Oh good, Well, I'm glad you could do it so quickly.

1593
01:21:12.840 --> 01:21:13.640
<v Speaker 2>Yeah.

1594
01:21:13.760 --> 01:21:15.600
<v Speaker 1>Oh man, I remember that was like the biggest deal

1595
01:21:15.640 --> 01:21:18.159
<v Speaker 1>in the world. I thought like life couldn't begin until

1596
01:21:18.159 --> 01:21:19.000
<v Speaker 1>I had my license.

1597
01:21:19.920 --> 01:21:20.800
<v Speaker 2>Yeah, yeah, sure.

1598
01:21:22.239 --> 01:21:22.439
<v Speaker 1>Yeah.

1599
01:21:22.520 --> 01:21:25.439
<v Speaker 2>It's weird, you know, because you know, my oldest he's

1600
01:21:25.439 --> 01:21:27.039
<v Speaker 2>got his license and he drives all the time. My

1601
01:21:27.520 --> 01:21:31.159
<v Speaker 2>second one he got his permit, but he's been in

1602
01:21:31.199 --> 01:21:34.199
<v Speaker 2>like no hurry to do his practice, and he just

1603
01:21:34.279 --> 01:21:36.079
<v Speaker 2>he's like whatever, I've heard that.

1604
01:21:36.279 --> 01:21:40.520
<v Speaker 1>Wait, is he like whatever? Did he make mcaw overs

1605
01:21:40.560 --> 01:21:40.720
<v Speaker 1>for it?

1606
01:21:42.079 --> 01:21:42.960
<v Speaker 2>He's very amber.

1607
01:21:43.640 --> 01:21:47.560
<v Speaker 1>Yeah, yeah, I've heard that. It's very interesting to me

1608
01:21:47.600 --> 01:21:49.960
<v Speaker 1>because it's just so opposite of what it was like

1609
01:21:50.000 --> 01:21:50.239
<v Speaker 1>for me.

1610
01:21:50.640 --> 01:21:54.319
<v Speaker 2>Yeah. I think maybe he sees how his older brother

1611
01:21:54.520 --> 01:21:57.319
<v Speaker 2>is like Aaron guy, and he's like, I don't want

1612
01:21:57.319 --> 01:22:01.159
<v Speaker 2>to deal with that shit. Yeah, sure, I'd rather I'd

1613
01:22:01.319 --> 01:22:03.439
<v Speaker 2>rather be be driven, you know.

1614
01:22:03.880 --> 01:22:10.119
<v Speaker 1>Yeah. But by the way, this conversation, this friction feels

1615
01:22:10.119 --> 01:22:14.079
<v Speaker 1>a little bit more organic, Yeah, with the bringing the

1616
01:22:14.119 --> 01:22:18.039
<v Speaker 1>brother into yeah, like because clearly she's kind of harboring

1617
01:22:18.079 --> 01:22:20.840
<v Speaker 1>feelings for him but a little confused about like making

1618
01:22:20.880 --> 01:22:23.520
<v Speaker 1>sense of them and saying he's not right for Tie,

1619
01:22:23.560 --> 01:22:25.560
<v Speaker 1>and Tie taking offense to that, like also he's not

1620
01:22:25.880 --> 01:22:28.880
<v Speaker 1>good enough for me, and yeah, this this feels I

1621
01:22:28.880 --> 01:22:35.960
<v Speaker 1>think well done. I also think it's kind of a

1622
01:22:35.960 --> 01:22:38.720
<v Speaker 1>sweet moment where she's got that shoe box full of

1623
01:22:38.760 --> 01:22:42.119
<v Speaker 1>things and you know, letting go and throwing them into

1624
01:22:42.119 --> 01:22:44.960
<v Speaker 1>the fireplace, right, and it just feels like, yeah, I

1625
01:22:45.039 --> 01:22:46.760
<v Speaker 1>used to have like a shoebox that stuff. Like she's

1626
01:22:46.920 --> 01:22:48.640
<v Speaker 1>got these funny little things like oh, this was a

1627
01:22:48.640 --> 01:22:51.399
<v Speaker 1>towel that he handed me the head ice in it,

1628
01:22:51.600 --> 01:22:53.319
<v Speaker 1>Like you know, you used to have these little totems

1629
01:22:53.319 --> 01:22:58.960
<v Speaker 1>that yeah, like that that you would cling to. Is

1630
01:22:59.079 --> 01:23:01.239
<v Speaker 1>ro Deo Drive speaking a pretty woman.

1631
01:23:01.079 --> 01:23:07.520
<v Speaker 2>Earlier, weren't we here when we went to that awards show.

1632
01:23:08.520 --> 01:23:15.239
<v Speaker 1>Yes at the hotel across the street. I think, yeah, wow, Yeah, it.

1633
01:23:15.239 --> 01:23:17.680
<v Speaker 2>Was a couple of years back. It was the Hollywood

1634
01:23:17.680 --> 01:23:20.520
<v Speaker 2>Critics Association. We went to that award ceremony.

1635
01:23:20.640 --> 01:23:23.159
<v Speaker 1>Yeah, it's great. It's a great, great venue. I mean

1636
01:23:23.199 --> 01:23:26.359
<v Speaker 1>it's a obviously, it's a really nice area. By the way,

1637
01:23:26.399 --> 01:23:29.800
<v Speaker 1>I got a swanky very well. You just got to

1638
01:23:29.800 --> 01:23:32.399
<v Speaker 1>point out this house real quick, this sort of storybook

1639
01:23:32.520 --> 01:23:36.880
<v Speaker 1>witch looking house which is in Beverly Hills. And I

1640
01:23:36.920 --> 01:23:39.159
<v Speaker 1>was curious about it because I've driven past it, but

1641
01:23:39.239 --> 01:23:40.840
<v Speaker 1>because we were doing this commentary, I was like.

1642
01:23:40.800 --> 01:23:41.239
<v Speaker 2>What is that?

1643
01:23:42.000 --> 01:23:47.079
<v Speaker 1>So basically it was it was designed by a Hollywood

1644
01:23:47.159 --> 01:23:50.399
<v Speaker 1>art director, Harry Oliver in nineteen twenty one as an

1645
01:23:50.439 --> 01:23:54.000
<v Speaker 1>office at a Silent film studio, and then it was

1646
01:23:54.039 --> 01:23:58.560
<v Speaker 1>eventually moved and restored and became like a house. Wow,

1647
01:23:58.640 --> 01:24:00.399
<v Speaker 1>and it just sticks out like it just like this

1648
01:24:00.600 --> 01:24:03.279
<v Speaker 1>like snow white looking sort of house in the middle

1649
01:24:03.319 --> 01:24:04.079
<v Speaker 1>of this Beverly Hills.

1650
01:24:04.199 --> 01:24:08.600
<v Speaker 2>Yeah. Love this.

1651
01:24:08.960 --> 01:24:09.680
<v Speaker 1>I love Josh.

1652
01:24:09.920 --> 01:24:11.720
<v Speaker 2>I know, it's a perfect shot.

1653
01:24:11.760 --> 01:24:18.399
<v Speaker 1>It's great that fountain. Also just two quick rodeo stories.

1654
01:24:18.439 --> 01:24:20.600
<v Speaker 1>So I've whenever I have friends and family, this is

1655
01:24:20.680 --> 01:24:22.279
<v Speaker 1>kind of sweet because you do it is like a

1656
01:24:22.279 --> 01:24:23.800
<v Speaker 1>little bit you have to be like, okay, wait, no, no,

1657
01:24:23.880 --> 01:24:26.680
<v Speaker 1>they're not related. They're not related. But they do this

1658
01:24:26.720 --> 01:24:28.520
<v Speaker 1>little montage and you're like, oh, they are kind of

1659
01:24:28.520 --> 01:24:31.399
<v Speaker 1>cute together. And then this where she's immediately can't even

1660
01:24:31.399 --> 01:24:35.319
<v Speaker 1>sit comfortably next to him, like she is so great

1661
01:24:35.359 --> 01:24:38.000
<v Speaker 1>in this this role, you know what I mean.

1662
01:24:38.560 --> 01:24:43.119
<v Speaker 2>Yeah, it's tough. It's tough to pull off, you know. Yeah,

1663
01:24:43.520 --> 01:24:46.960
<v Speaker 2>although you have to say, I mean, Paul Rudd circa clueless.

1664
01:24:47.000 --> 01:24:49.720
<v Speaker 2>And then what was it? Object of my affection? He

1665
01:24:49.760 --> 01:24:52.279
<v Speaker 2>had a little bit of manic pixie dream boy energy.

1666
01:24:52.439 --> 01:24:57.560
<v Speaker 2>Oh sure, right, sure he was. He was the trope.

1667
01:25:00.159 --> 01:25:02.439
<v Speaker 1>She's watching the news. I thought they declared peace in

1668
01:25:02.479 --> 01:25:06.760
<v Speaker 1>the Middle East. Okay, okay, So I have to tell

1669
01:25:06.800 --> 01:25:09.159
<v Speaker 1>this rodeo drive story. So I brought my parents there

1670
01:25:09.600 --> 01:25:11.720
<v Speaker 1>just to walk around and see it, and we went.

1671
01:25:12.079 --> 01:25:14.039
<v Speaker 1>I was like, let's go in a shop. I don't know,

1672
01:25:14.079 --> 01:25:16.000
<v Speaker 1>I've never been in. Let's see what it is. So

1673
01:25:16.039 --> 01:25:18.199
<v Speaker 1>my mom was like, well, the purse is kind of cute.

1674
01:25:19.039 --> 01:25:22.399
<v Speaker 1>So immediately it was the opposite of pretty woman. They like,

1675
01:25:22.640 --> 01:25:26.000
<v Speaker 1>couldn't like be more interested in us, And they were like, oh,

1676
01:25:26.159 --> 01:25:28.199
<v Speaker 1>so this this person whatever you know, this I don't

1677
01:25:28.199 --> 01:25:29.760
<v Speaker 1>remember how much it costs. But it was like, you know,

1678
01:25:30.159 --> 01:25:32.399
<v Speaker 1>a couple thousand dollars or something here, you know what,

1679
01:25:32.680 --> 01:25:34.760
<v Speaker 1>let me go back and I'll go. I'll fish went

1680
01:25:34.800 --> 01:25:39.960
<v Speaker 1>out for you. And so the salesperson leaves to go

1681
01:25:40.000 --> 01:25:42.039
<v Speaker 1>into the back and my mom turns to me and

1682
01:25:42.159 --> 01:25:49.239
<v Speaker 1>whispers help. I was like, we have to go.

1683
01:25:50.199 --> 01:25:52.680
<v Speaker 2>So did you leave before the clerk came back out? No.

1684
01:25:52.720 --> 01:25:54.680
<v Speaker 1>I think we were nice about it, but she she

1685
01:25:54.680 --> 01:25:56.920
<v Speaker 1>couldn't have been nicer. So it wasn't a.

1686
01:25:56.840 --> 01:25:58.159
<v Speaker 2>Couple of grand for a purse?

1687
01:25:58.640 --> 01:26:03.119
<v Speaker 1>Oh yeah, I mean, yeah, the right bag, Zachie. You know,

1688
01:26:03.199 --> 01:26:04.840
<v Speaker 1>you could be talking who knows.

1689
01:26:04.680 --> 01:26:06.760
<v Speaker 2>See you know this? So this is this is you

1690
01:26:06.800 --> 01:26:09.159
<v Speaker 2>know what I've always been like a like a T

1691
01:26:09.279 --> 01:26:11.319
<v Speaker 2>shirt and jeans kind of person, you know, And I'm like,

1692
01:26:11.359 --> 01:26:13.079
<v Speaker 2>I'll just go to Target and get some jeans. That's

1693
01:26:13.079 --> 01:26:16.239
<v Speaker 2>always been me, you know. And so you know, now

1694
01:26:16.279 --> 01:26:19.000
<v Speaker 2>I got these kids who are who are all into

1695
01:26:19.239 --> 01:26:22.199
<v Speaker 2>you know, name brand things and whatever. And you know

1696
01:26:22.279 --> 01:26:27.279
<v Speaker 2>the problem is that the barriers to getting this stuff

1697
01:26:27.319 --> 01:26:31.479
<v Speaker 2>have decreased. Right Like when we were kids, well, you know,

1698
01:26:31.920 --> 01:26:34.079
<v Speaker 2>it took a while for us to get credit cards,

1699
01:26:34.079 --> 01:26:37.399
<v Speaker 2>and even then we started like you know, we were

1700
01:26:37.439 --> 01:26:40.199
<v Speaker 2>conscious of the money we were spending, right, Yeah. But

1701
01:26:40.279 --> 01:26:42.119
<v Speaker 2>what I have with these kids is, you know, they're

1702
01:26:42.199 --> 01:26:44.359
<v Speaker 2>just like, oh, just give me, you know, Oh, let

1703
01:26:44.359 --> 01:26:46.960
<v Speaker 2>me get on Amazon on my mom's phone and I'll

1704
01:26:47.000 --> 01:26:49.279
<v Speaker 2>just order this thing right, you know, and it's like

1705
01:26:49.399 --> 01:26:51.920
<v Speaker 2>I'll pay you back. And I'm like, first of all,

1706
01:26:51.920 --> 01:26:56.640
<v Speaker 2>they never do. And what I never thought I would

1707
01:26:56.680 --> 01:27:00.760
<v Speaker 2>say as often as I do, are we the Rockefellers.

1708
01:27:00.760 --> 01:27:05.239
<v Speaker 2>And I didn't know that's a sentence I didn't realize

1709
01:27:05.319 --> 01:27:06.239
<v Speaker 2>would be recurring.

1710
01:27:07.399 --> 01:27:12.920
<v Speaker 1>That's hilarious. Yeah. I wish I could remember the actress

1711
01:27:12.960 --> 01:27:14.840
<v Speaker 1>because I would make this story way way better. But

1712
01:27:14.880 --> 01:27:17.840
<v Speaker 1>I remember recently seeing some actress being interviewed and she'd

1713
01:27:17.880 --> 01:27:20.359
<v Speaker 1>had some sort of like name, you know, designer bag,

1714
01:27:20.840 --> 01:27:23.720
<v Speaker 1>and someone called it out and she went, oh, this

1715
01:27:23.800 --> 01:27:27.319
<v Speaker 1>is fake. And I kind of admired her for doing that,

1716
01:27:28.239 --> 01:27:30.720
<v Speaker 1>you know, like not trying to create some illusion that like, oh,

1717
01:27:30.760 --> 01:27:32.439
<v Speaker 1>everything I own is this and if you want to

1718
01:27:33.159 --> 01:27:35.199
<v Speaker 1>be like me or feel like you fit in and

1719
01:27:35.479 --> 01:27:37.079
<v Speaker 1>you know, whatever world do you think I exist in?

1720
01:27:37.119 --> 01:27:38.960
<v Speaker 1>And just for her to be so honest, like, oh,

1721
01:27:39.000 --> 01:27:41.560
<v Speaker 1>it's not real and this isn't real, that's good yeah,

1722
01:27:41.640 --> 01:27:44.000
<v Speaker 1>I just can't remember who that was. But by the

1723
01:27:44.000 --> 01:27:46.039
<v Speaker 1>way I did again, this is I love this this

1724
01:27:46.119 --> 01:27:48.159
<v Speaker 1>moment here where Scha is feeling dejected, she has that

1725
01:27:48.199 --> 01:27:51.279
<v Speaker 1>heart to heart with her dad. Of course he's been

1726
01:27:51.279 --> 01:27:53.600
<v Speaker 1>gruff through all throughout all this, but he shows a

1727
01:27:53.600 --> 01:27:56.439
<v Speaker 1>real tenderness there and a real belief in his daughter,

1728
01:27:57.439 --> 01:28:00.960
<v Speaker 1>you know, being like, you know, you're smart, like you

1729
01:28:01.399 --> 01:28:03.359
<v Speaker 1>figure this out, like you're capable. I believe in you,

1730
01:28:03.399 --> 01:28:05.239
<v Speaker 1>and like do the thing you do best. And when

1731
01:28:05.239 --> 01:28:08.000
<v Speaker 1>I like when she's doing that. They have this moment

1732
01:28:08.000 --> 01:28:10.520
<v Speaker 1>where it shows her with all of her friends and

1733
01:28:10.560 --> 01:28:15.880
<v Speaker 1>that she's wise enough to learn from them, you know,

1734
01:28:15.920 --> 01:28:18.279
<v Speaker 1>and she's like, I can learn games from Christian, I

1735
01:28:18.279 --> 01:28:21.239
<v Speaker 1>can learn things from you know, uh Dion and her

1736
01:28:21.279 --> 01:28:24.840
<v Speaker 1>boyfriend when when they don't think anyone's looking, the way

1737
01:28:24.840 --> 01:28:26.800
<v Speaker 1>that they treat one another, There's there's something to be

1738
01:28:26.840 --> 01:28:27.479
<v Speaker 1>taken from that.

1739
01:28:28.239 --> 01:28:30.399
<v Speaker 2>Elton just takes what he wants, he doesn't care. I

1740
01:28:30.399 --> 01:28:31.319
<v Speaker 2>can learn that too.

1741
01:28:33.279 --> 01:28:35.439
<v Speaker 1>Yeah, but you know what I'm saying, Like, I just

1742
01:28:35.439 --> 01:28:39.159
<v Speaker 1>feel like there's a real That's what makes elevates this movie,

1743
01:28:40.119 --> 01:28:42.920
<v Speaker 1>I agree, from just being kind of a superficial romp,

1744
01:28:42.960 --> 01:28:45.079
<v Speaker 1>there's like a real yeah.

1745
01:28:44.960 --> 01:28:46.840
<v Speaker 2>It hell, it's like I said, right, Other than that

1746
01:28:46.880 --> 01:28:49.119
<v Speaker 2>one moment where Amy Heckerling is like, I don't know

1747
01:28:49.159 --> 01:28:53.199
<v Speaker 2>about these young people and the clothes, for the most part,

1748
01:28:53.279 --> 01:28:58.520
<v Speaker 2>it honors the point of view of you know, younger

1749
01:28:59.479 --> 01:29:02.439
<v Speaker 2>young people and gives them the courtesy of not assuming

1750
01:29:02.479 --> 01:29:03.079
<v Speaker 2>they're stupid.

1751
01:29:03.159 --> 01:29:09.239
<v Speaker 1>You know, totally yeah, you know something I don't. I've

1752
01:29:09.239 --> 01:29:14.520
<v Speaker 1>never read Emma, but my mom did a little while back,

1753
01:29:14.600 --> 01:29:15.920
<v Speaker 1>and so I was asking her. I was like, tell

1754
01:29:15.920 --> 01:29:17.680
<v Speaker 1>me about it because I'm kind of curious because I

1755
01:29:17.720 --> 01:29:21.039
<v Speaker 1>know this movie so well and it was incredible how

1756
01:29:21.119 --> 01:29:25.560
<v Speaker 1>one to one so much of it is and I

1757
01:29:25.600 --> 01:29:28.960
<v Speaker 1>mean plot points, characters, and so I was kind of

1758
01:29:28.960 --> 01:29:32.800
<v Speaker 1>curious about the Christian character. And I guess in the book,

1759
01:29:33.479 --> 01:29:37.600
<v Speaker 1>what's his name, Frank Frank Churchill, And it's basically he's

1760
01:29:37.600 --> 01:29:42.039
<v Speaker 1>not available to Emma because he is secretly engaged I see.

1761
01:29:42.479 --> 01:29:45.600
<v Speaker 1>So there is like surface level flirting and that sort

1762
01:29:45.640 --> 01:29:47.520
<v Speaker 1>of thing, but it's something that's not meant to be.

1763
01:29:47.920 --> 01:29:51.239
<v Speaker 1>And so I just you know, this modern reinterpretation with

1764
01:29:51.359 --> 01:29:54.159
<v Speaker 1>him being gay, like it's just right. It's just very clever.

1765
01:29:54.199 --> 01:29:55.960
<v Speaker 1>I mean, they really I love that it wears it

1766
01:29:56.159 --> 01:29:58.039
<v Speaker 1>on its sleeve. It's not like inspired by Emma, but

1767
01:29:58.039 --> 01:29:59.600
<v Speaker 1>we're gonna try to tweak it or whatever. It's like, No,

1768
01:29:59.720 --> 01:30:03.119
<v Speaker 1>this is it was like Emma in nineteen ninety five, right, right,

1769
01:30:03.399 --> 01:30:05.720
<v Speaker 1>and still very much its own thing.

1770
01:30:07.600 --> 01:30:11.520
<v Speaker 2>Now that when did the movie? When did the Emma

1771
01:30:11.600 --> 01:30:14.359
<v Speaker 2>movie with the Gwyneth Paltrow? When did that come out?

1772
01:30:14.600 --> 01:30:17.119
<v Speaker 1>That came out? I want to say one year later,

1773
01:30:17.560 --> 01:30:20.680
<v Speaker 1>I see, And I remember reading somewhere that Gwyneth Paltrow

1774
01:30:20.720 --> 01:30:22.880
<v Speaker 1>got very annoyed that clueless kept coming up when she

1775
01:30:22.920 --> 01:30:24.840
<v Speaker 1>was talking about it, or like, you know, like I

1776
01:30:24.840 --> 01:30:29.640
<v Speaker 1>got impressed for it. But you know, and that's funny

1777
01:30:29.640 --> 01:30:31.960
<v Speaker 1>because I know there's also an Anya Taylor Joy one,

1778
01:30:32.039 --> 01:30:33.960
<v Speaker 1>and there's you know, there's a handful of MF Yeah

1779
01:30:34.239 --> 01:30:36.640
<v Speaker 1>that more recent, right, I'd be kind of curious. I

1780
01:30:36.680 --> 01:30:38.640
<v Speaker 1>remember I DVRD that one once because I was just

1781
01:30:38.720 --> 01:30:41.960
<v Speaker 1>curious to see the original story and see if. For

1782
01:30:42.039 --> 01:30:44.399
<v Speaker 1>me it was like, oh, this reminds me of Tie

1783
01:30:44.399 --> 01:30:51.000
<v Speaker 1>and Share and right, this is sweet. Now she's out

1784
01:30:51.039 --> 01:30:54.720
<v Speaker 1>supporting Tie, out supporting the boys she always kind of

1785
01:30:54.720 --> 01:30:58.720
<v Speaker 1>felt naturally drawn to and his interests the skateboard.

1786
01:30:58.920 --> 01:31:02.439
<v Speaker 2>They were meant to be Cravis Birkinstock and tie, you know,

1787
01:31:02.479 --> 01:31:02.960
<v Speaker 2>and I love.

1788
01:31:02.880 --> 01:31:07.760
<v Speaker 1>When they first meet and I think she's, uh, she

1789
01:31:07.880 --> 01:31:10.119
<v Speaker 1>like draws on Marvin the Martian really well, and he's like, oh,

1790
01:31:10.199 --> 01:31:12.800
<v Speaker 1>that's really cool. Could you draw that from me? Doesn't

1791
01:31:12.800 --> 01:31:16.079
<v Speaker 1>that not such like a high school conversation very much? So? Yeah, right,

1792
01:31:16.119 --> 01:31:19.319
<v Speaker 1>it's just so that actually makes me think it's so

1793
01:31:19.399 --> 01:31:23.119
<v Speaker 1>well observed. Maybe that's something Heckerling noticed when she was

1794
01:31:23.159 --> 01:31:25.159
<v Speaker 1>sitting in on a classroom because I remember that like

1795
01:31:25.239 --> 01:31:27.920
<v Speaker 1>kids would be because you you would know like you

1796
01:31:27.960 --> 01:31:29.840
<v Speaker 1>were really you are a very good artist. And I'm

1797
01:31:29.880 --> 01:31:32.520
<v Speaker 1>sure your folders were covered and things like that, and

1798
01:31:32.520 --> 01:31:34.239
<v Speaker 1>people were probably like, hey, man, can you draw like

1799
01:31:34.279 --> 01:31:35.159
<v Speaker 1>a Bart Simpson for me?

1800
01:31:35.920 --> 01:31:42.000
<v Speaker 2>Yeah? That was my ind socially, you know, Yeah, I remember,

1801
01:31:42.000 --> 01:31:44.479
<v Speaker 2>I remember I used to draw tiny Tunes characters.

1802
01:31:45.640 --> 01:31:46.119
<v Speaker 1>Yeah.

1803
01:31:46.119 --> 01:31:48.960
<v Speaker 2>Sure, this is like Fall of ninety two, you know.

1804
01:31:49.439 --> 01:31:54.720
<v Speaker 1>Yeah, well that's so funny. Oh I had this trivia

1805
01:31:54.720 --> 01:31:56.600
<v Speaker 1>written down, but I'd kind of missed it. But when

1806
01:31:56.760 --> 01:31:59.840
<v Speaker 1>shares all depressed walking around Beverly Hills and all by

1807
01:31:59.880 --> 01:32:04.199
<v Speaker 1>my myself is playing, It's sung by Jewel okay, before

1808
01:32:04.199 --> 01:32:06.760
<v Speaker 1>she had broken out, I thought that was kind of interesting.

1809
01:32:06.800 --> 01:32:09.840
<v Speaker 2>Is that right, like, when when did Jewel? It all

1810
01:32:09.840 --> 01:32:11.960
<v Speaker 2>blurs together now when did when did she? When did

1811
01:32:11.960 --> 01:32:13.319
<v Speaker 2>she break breakout?

1812
01:32:13.560 --> 01:32:16.680
<v Speaker 1>I think her album might have just come out at

1813
01:32:16.680 --> 01:32:19.840
<v Speaker 1>the same time, but her Who Will Save Your Soul

1814
01:32:20.279 --> 01:32:21.520
<v Speaker 1>had not charted yet.

1815
01:32:21.800 --> 01:32:24.479
<v Speaker 2>Okay, so it happened to Jewel. She's still around.

1816
01:32:24.880 --> 01:32:26.359
<v Speaker 1>I feel like, yeah, here you go, this is the

1817
01:32:26.359 --> 01:32:32.399
<v Speaker 1>one dick, this guy in the universe. Yeah, on the

1818
01:32:32.479 --> 01:32:36.119
<v Speaker 1>other hand, he's an asshole and he's behaving like an asshole.

1819
01:32:36.159 --> 01:32:40.039
<v Speaker 1>He's treating them very badly. But if you were him

1820
01:32:40.119 --> 01:32:42.680
<v Speaker 1>and you had all this work to get done, you know,

1821
01:32:42.960 --> 01:32:45.279
<v Speaker 1>like you're watching the people who are like helping just

1822
01:32:45.359 --> 01:32:47.159
<v Speaker 1>kind of flat with each other, you can kind of imagine,

1823
01:32:47.159 --> 01:32:48.680
<v Speaker 1>like I don't want to be here at ten at

1824
01:32:48.800 --> 01:32:49.960
<v Speaker 1>night at my boss's house.

1825
01:32:52.640 --> 01:32:55.720
<v Speaker 2>Yeah, but I also wouldn't be belittling my boss's daughter, right, No.

1826
01:32:55.760 --> 01:32:58.199
<v Speaker 1>No, no, don't get me wrong. He's doing it entirely the

1827
01:32:58.239 --> 01:32:59.800
<v Speaker 1>wrong way. He calls her a moron, which.

1828
01:32:59.680 --> 01:33:01.640
<v Speaker 2>Is yeah, yeah, I like that. There there's a way

1829
01:33:01.680 --> 01:33:05.119
<v Speaker 2>to express your displeasure without being a total dick about it.

1830
01:33:05.199 --> 01:33:07.720
<v Speaker 1>I completely agree. Script wise is perfect because it gives

1831
01:33:07.800 --> 01:33:10.760
<v Speaker 1>rudding in to go up and comfort it but uh,

1832
01:33:10.760 --> 01:33:14.039
<v Speaker 1>and also I love seeing him stand up for her, yeah,

1833
01:33:14.640 --> 01:33:18.119
<v Speaker 1>you know, going to bat for her, like we are

1834
01:33:18.159 --> 01:33:20.279
<v Speaker 1>saying what a great character is because we spend so

1835
01:33:20.359 --> 01:33:22.680
<v Speaker 1>much time with her. But in this world, you could

1836
01:33:22.760 --> 01:33:26.079
<v Speaker 1>imagine people thinking of her n she's superficial and all

1837
01:33:26.079 --> 01:33:28.600
<v Speaker 1>the things, but and not knowing her deeper intelligence. But

1838
01:33:29.560 --> 01:33:30.199
<v Speaker 1>Rudd sees it.

1839
01:33:32.720 --> 01:33:35.039
<v Speaker 2>You know, the thing about Paul Rudd, you realize just

1840
01:33:35.079 --> 01:33:38.920
<v Speaker 2>how effortlessly charming he is, right, like, yeah, because obviously

1841
01:33:39.439 --> 01:33:41.600
<v Speaker 2>you know he's good in this and and you know

1842
01:33:41.920 --> 01:33:46.560
<v Speaker 2>whatever rom coms he did shortly after, but like you

1843
01:33:46.600 --> 01:33:49.359
<v Speaker 2>remember when he was on Friends as as Phoebe's husband,

1844
01:33:50.479 --> 01:33:52.640
<v Speaker 2>and you're like, man, that he was just playing himself

1845
01:33:53.159 --> 01:33:56.000
<v Speaker 2>right right, you know, because because we see him on

1846
01:33:56.039 --> 01:33:58.000
<v Speaker 2>all his conan appearances and you're like, this guy is

1847
01:33:58.079 --> 01:34:01.760
<v Speaker 2>just he's comfortable in his skin mm hmm. And he's

1848
01:34:01.880 --> 01:34:03.880
<v Speaker 2>just a very charming, funny guy, you know.

1849
01:34:04.800 --> 01:34:05.079
<v Speaker 1>Yep.

1850
01:34:05.560 --> 01:34:08.880
<v Speaker 2>And so it's it's cool to kind of see the

1851
01:34:09.640 --> 01:34:12.239
<v Speaker 2>moment of birth so to speak, you know, like totally,

1852
01:34:13.159 --> 01:34:15.159
<v Speaker 2>you know, because he had been in other stuff. He

1853
01:34:15.199 --> 01:34:17.119
<v Speaker 2>was in one of the Halloween movies before this, he

1854
01:34:17.199 --> 01:34:20.680
<v Speaker 2>was in that Super Nintendo commercial. Yeah, sure, all right,

1855
01:34:20.960 --> 01:34:25.039
<v Speaker 2>but like from clueless to now thirty years, it's never

1856
01:34:25.039 --> 01:34:26.359
<v Speaker 2>stopped for him.

1857
01:34:26.600 --> 01:34:28.920
<v Speaker 1>What I love because watching this, I mean I just

1858
01:34:28.960 --> 01:34:31.159
<v Speaker 1>even looking at him and he's like very dreamy looking,

1859
01:34:31.199 --> 01:34:33.760
<v Speaker 1>like you can see him being this heart throb guy.

1860
01:34:34.000 --> 01:34:39.399
<v Speaker 1>That's his his lane or his trajectory. But then smoldering, Yeah,

1861
01:34:39.680 --> 01:34:44.520
<v Speaker 1>like really smoldering, but like approachable, nice guy. Yeah, you know,

1862
01:34:44.680 --> 01:34:48.920
<v Speaker 1>but then he's an anchorman and you're likely crap. That

1863
01:34:48.920 --> 01:34:50.680
<v Speaker 1>guy's hilarious, Like.

1864
01:34:50.640 --> 01:34:54.600
<v Speaker 2>He said, well, that's that's that's his that's his real lane.

1865
01:34:55.119 --> 01:34:57.000
<v Speaker 1>Yes, and then before that, to be fair, he was

1866
01:34:57.039 --> 01:35:00.600
<v Speaker 1>in wet, hot American summer, right, yeah, yeah, exactly, letting

1867
01:35:00.640 --> 01:35:05.720
<v Speaker 1>that weird alternative humor flag fly. But it's just cool

1868
01:35:05.760 --> 01:35:07.520
<v Speaker 1>that he got opened up and was able to do

1869
01:35:07.560 --> 01:35:09.319
<v Speaker 1>all of it and eventually become a superhero.

1870
01:35:09.439 --> 01:35:15.760
<v Speaker 2>Become a superhero and and playing I would offer probably

1871
01:35:15.760 --> 01:35:17.439
<v Speaker 2>the best superhero for him to play.

1872
01:35:17.880 --> 01:35:25.239
<v Speaker 1>Totally perfect. Yeah, this is sweet. See I buy this,

1873
01:35:25.399 --> 01:35:26.640
<v Speaker 1>Like I don't know, I don't want to think about

1874
01:35:26.640 --> 01:35:29.520
<v Speaker 1>the details, but like, you know, like how.

1875
01:35:29.359 --> 01:35:31.520
<v Speaker 2>Do you explain this to the parents though, is my question?

1876
01:35:31.680 --> 01:35:34.760
<v Speaker 2>I know, I know that's gotta be a weird conversation

1877
01:35:34.840 --> 01:35:37.119
<v Speaker 2>to have very much, especially.

1878
01:35:36.840 --> 01:35:42.000
<v Speaker 1>With Dan Hdea. Repeat that back to me and make

1879
01:35:42.039 --> 01:35:42.680
<v Speaker 1>it make sense.

1880
01:35:43.800 --> 01:35:49.720
<v Speaker 2>That's right, Get out of my chair. Yeah, this is

1881
01:35:49.760 --> 01:35:53.239
<v Speaker 2>funny where she's like, this isn't Kentucky, you know, I

1882
01:35:53.239 --> 01:35:57.239
<v Speaker 2>think it's it's it's their wedding, their wedding, Yeah, inconceivable.

1883
01:35:58.119 --> 01:36:03.239
<v Speaker 1>Yeah, this is nice. I think Heckerling has a cameo

1884
01:36:03.319 --> 01:36:08.439
<v Speaker 1>here somewhere when the bouquet is thrown aw ties with

1885
01:36:08.479 --> 01:36:09.119
<v Speaker 1>brecking mere.

1886
01:36:12.840 --> 01:36:17.760
<v Speaker 2>So so what's Rudd's what's the Josh's mom character saying, Oh,

1887
01:36:17.800 --> 01:36:20.079
<v Speaker 2>I don't know. Yeah, I was trying to read her lips.

1888
01:36:20.600 --> 01:36:22.479
<v Speaker 1>Oh interesting. I wonder if it was like they had

1889
01:36:22.479 --> 01:36:26.720
<v Speaker 1>something and they cut it. That was my thought, you know, yeah,

1890
01:36:27.359 --> 01:36:28.840
<v Speaker 1>like is she happy that they're together?

1891
01:36:29.039 --> 01:36:30.199
<v Speaker 2>Is she? You know right?

1892
01:36:30.439 --> 01:36:35.319
<v Speaker 1>Right? That could accidentally introduce a little unpleasantness, right, like

1893
01:36:35.359 --> 01:36:37.199
<v Speaker 1>if it's like there's a contentious relationship.

1894
01:36:37.399 --> 01:36:43.319
<v Speaker 2>Yeah right, we just need we just need to photoshop

1895
01:36:43.399 --> 01:36:44.760
<v Speaker 2>JD into that scene with.

1896
01:36:46.600 --> 01:36:49.279
<v Speaker 1>Almost like an obi Wan ghost. You know, you just

1897
01:36:49.319 --> 01:36:51.479
<v Speaker 1>see Faison like what's he looking at off screen? And

1898
01:36:51.520 --> 01:36:54.560
<v Speaker 1>he just gets I was seeing like Walter Payton super

1899
01:36:54.600 --> 01:37:00.920
<v Speaker 1>Bowl shuffle. Yes, yes, So where's were she I thought

1900
01:37:00.920 --> 01:37:02.920
<v Speaker 1>I of tours the back. I think I think she's

1901
01:37:02.960 --> 01:37:06.039
<v Speaker 1>the one that like really wrestles for it. Let's see,

1902
01:37:10.279 --> 01:37:13.199
<v Speaker 1>it's kind of a chaotic. It's kind of hard to see.

1903
01:37:13.399 --> 01:37:17.079
<v Speaker 2>Yeah, let's see.

1904
01:37:18.279 --> 01:37:19.640
<v Speaker 1>Huh, Yeah, I don't really there.

1905
01:37:19.760 --> 01:37:22.319
<v Speaker 2>Well, you gotta you gotta throw some elbows for that bouquet, Brian.

1906
01:37:22.520 --> 01:37:26.239
<v Speaker 1>Yeah, that's right, that's right, that's how it goes. Have

1907
01:37:26.279 --> 01:37:28.279
<v Speaker 1>you ever caught like a garter or anything at a wedding?

1908
01:37:28.640 --> 01:37:31.399
<v Speaker 2>I have not. Yeah, I don't. Well, I don't bother.

1909
01:37:31.399 --> 01:37:32.720
<v Speaker 2>I mean, why would I write I'm.

1910
01:37:33.479 --> 01:37:37.640
<v Speaker 1>Already Yeah, I guess I feel like an old matter.

1911
01:37:37.800 --> 01:37:42.039
<v Speaker 2>I think my wife might get upset.

1912
01:37:43.960 --> 01:37:47.960
<v Speaker 1>But ah, this is great. Hey you put it well,

1913
01:37:47.960 --> 01:37:50.079
<v Speaker 1>this is a real comfort food movie for me. So

1914
01:37:50.159 --> 01:37:52.720
<v Speaker 1>I I loved watching this. Again. Well, Bill Pope, director

1915
01:37:52.760 --> 01:37:53.399
<v Speaker 1>of photography.

1916
01:37:56.119 --> 01:37:59.159
<v Speaker 2>You know, didn't he do the crow?

1917
01:38:00.159 --> 01:38:02.840
<v Speaker 1>I may have. Oh, Adam Schroeder I used to work

1918
01:38:02.840 --> 01:38:07.560
<v Speaker 1>with that guy too, he's a producer on this. It's

1919
01:38:07.600 --> 01:38:10.319
<v Speaker 1>kind of interesting, like watching these movies before I moved

1920
01:38:10.319 --> 01:38:12.600
<v Speaker 1>out here and seeing people that I would eventually come

1921
01:38:12.640 --> 01:38:16.079
<v Speaker 1>to know. It's kind of a strange thing. But yeah,

1922
01:38:16.319 --> 01:38:18.319
<v Speaker 1>I'm really glad that you got to revisit this, and

1923
01:38:18.399 --> 01:38:20.159
<v Speaker 1>I hope you enjoyed it. I hope it held up

1924
01:38:20.159 --> 01:38:20.359
<v Speaker 1>for you.

1925
01:38:21.199 --> 01:38:23.680
<v Speaker 2>Oh yeah, I mean it's it's it goes down easy,

1926
01:38:23.800 --> 01:38:24.000
<v Speaker 2>you know.

1927
01:38:24.359 --> 01:38:26.640
<v Speaker 1>Yeah.

1928
01:38:26.960 --> 01:38:27.199
<v Speaker 2>Yeah.

1929
01:38:27.239 --> 01:38:28.960
<v Speaker 1>And this soundtrack too, I feel like we had this

1930
01:38:29.039 --> 01:38:31.119
<v Speaker 1>like the CD or something, so like all these songs.

1931
01:38:31.880 --> 01:38:35.479
<v Speaker 2>Oh this is this is like the quick essential nineties mix.

1932
01:38:35.920 --> 01:38:40.119
<v Speaker 1>Yeah. Yeah. It's so funny because even watching this, I'm

1933
01:38:40.159 --> 01:38:42.279
<v Speaker 1>like conditioned to think, like, Okay, is there like a

1934
01:38:42.319 --> 01:38:44.000
<v Speaker 1>little beat in the middle of these credits. It's going

1935
01:38:44.039 --> 01:38:47.399
<v Speaker 1>to stop and have an ex right, Yeah, I mean

1936
01:38:47.520 --> 01:38:49.880
<v Speaker 1>obviously that's been around for a long time with John

1937
01:38:49.920 --> 01:38:51.680
<v Speaker 1>Hughes movies in the eighties, but now it's just like

1938
01:38:51.800 --> 01:38:56.640
<v Speaker 1>every movie. You know, Marvel really conditioned us to expect

1939
01:38:56.640 --> 01:38:57.600
<v Speaker 1>it seriously.

1940
01:38:59.760 --> 01:39:02.239
<v Speaker 2>So okay, So I was thinking of the Crow, but

1941
01:39:02.319 --> 01:39:05.359
<v Speaker 2>it was it was dark Man that I was thinking. You.

1942
01:39:06.119 --> 01:39:10.039
<v Speaker 1>Oh, interesting, Yeah. He said he did Team America, the Matrix, Yeah.

1943
01:39:09.960 --> 01:39:13.760
<v Speaker 2>The Matrix movies. Yeah yeah, yeah. His his presence was

1944
01:39:15.039 --> 01:39:18.399
<v Speaker 2>missed in the latest Matrix movie.

1945
01:39:18.920 --> 01:39:19.199
<v Speaker 1>Yeah.

1946
01:39:19.279 --> 01:39:22.239
<v Speaker 2>I agree with that, you know, and brought something unique,

1947
01:39:22.359 --> 01:39:25.199
<v Speaker 2>although I mean I don't associate Clueless with his style

1948
01:39:25.239 --> 01:39:26.039
<v Speaker 2>of cinematography.

1949
01:39:26.119 --> 01:39:27.920
<v Speaker 1>So that's isn't that cool, Like it's like a tool

1950
01:39:27.960 --> 01:39:30.960
<v Speaker 1>in his toolbox, you know, he's like not just moody,

1951
01:39:31.680 --> 01:39:32.840
<v Speaker 1>you know, action film guy.

1952
01:39:33.319 --> 01:39:36.600
<v Speaker 2>Right, So thoughts on clueless thirty years later.

1953
01:39:37.680 --> 01:39:39.960
<v Speaker 1>I mean, I've I've already watched this once this year,

1954
01:39:40.079 --> 01:39:43.920
<v Speaker 1>and I enjoyed watching it again. It's just so rewatchable

1955
01:39:44.279 --> 01:39:47.560
<v Speaker 1>and optimistic and fun and it makes you laugh and

1956
01:39:48.640 --> 01:39:50.800
<v Speaker 1>I love it. I love it you.

1957
01:39:51.760 --> 01:39:55.159
<v Speaker 2>Yeah. I think the test of a movie like this

1958
01:39:55.600 --> 01:39:57.600
<v Speaker 2>is that obviously you enjoyed in the moment, but when

1959
01:39:57.640 --> 01:40:00.720
<v Speaker 2>you revisit it with the distance of decade, which certainly

1960
01:40:00.840 --> 01:40:02.359
<v Speaker 2>is the case for me because the last time I

1961
01:40:02.359 --> 01:40:05.079
<v Speaker 2>saw it was before I got married, so I've never

1962
01:40:05.079 --> 01:40:08.119
<v Speaker 2>watched it with Dominete, right, And she was telling me

1963
01:40:08.239 --> 01:40:11.199
<v Speaker 2>like she she remembers watching it in the theater. Oh wow,

1964
01:40:11.600 --> 01:40:14.600
<v Speaker 2>you know, which which makes sense because I mean she's

1965
01:40:14.680 --> 01:40:16.840
<v Speaker 2>the same age. She was the same age as share

1966
01:40:17.279 --> 01:40:19.840
<v Speaker 2>the character. Sure yea in the movie when it came out,

1967
01:40:19.880 --> 01:40:24.159
<v Speaker 2>you know, so uh definitely plugged in on that level again.

1968
01:40:24.199 --> 01:40:29.239
<v Speaker 2>I was. I was surprised at how much I misremembered,

1969
01:40:29.560 --> 01:40:33.279
<v Speaker 2>like I you know, I I remembered it being more coarse.

1970
01:40:34.079 --> 01:40:39.159
<v Speaker 2>Oh interesting, you know, in terms of like the edges

1971
01:40:39.199 --> 01:40:41.520
<v Speaker 2>were a little harder, and I appreciated that. No, it

1972
01:40:41.520 --> 01:40:45.479
<v Speaker 2>has actually a very nice heart, you know, and I

1973
01:40:45.520 --> 01:40:48.039
<v Speaker 2>and I think that's the reason that that that this

1974
01:40:48.119 --> 01:40:51.000
<v Speaker 2>movie has lived on to whatever extent it has. I like,

1975
01:40:51.079 --> 01:40:53.720
<v Speaker 2>I don't I don't know if it's if it's an

1976
01:40:53.760 --> 01:40:56.560
<v Speaker 2>evergreen in the same way that that you know, the

1977
01:40:56.560 --> 01:40:59.479
<v Speaker 2>Breakfast Club is or something. M hm. But but I

1978
01:40:59.520 --> 01:41:03.520
<v Speaker 2>definitely think that I think I think anybody from any

1979
01:41:03.560 --> 01:41:07.960
<v Speaker 2>era can just plug into it without too much you know, throat.

1980
01:41:07.680 --> 01:41:11.880
<v Speaker 1>Clearing totally, you know, totally. Yeah, Well it's interesting. I

1981
01:41:11.880 --> 01:41:14.600
<v Speaker 1>mean you said your your daughter found her way in

1982
01:41:14.800 --> 01:41:16.520
<v Speaker 1>you know, yeah, that's right, was enjoying it.

1983
01:41:17.079 --> 01:41:19.119
<v Speaker 2>Yeah, that that was definitely something for me. I mean

1984
01:41:19.159 --> 01:41:23.399
<v Speaker 2>she's eight, so I was like, okay, you know, she's

1985
01:41:23.479 --> 01:41:28.960
<v Speaker 2>she's she's getting the important stuff, you know. I am

1986
01:41:29.039 --> 01:41:31.840
<v Speaker 2>curious about this sequel series that they're working on.

1987
01:41:33.199 --> 01:41:35.760
<v Speaker 1>Yeah, I'm aware of it. I know nothing about it.

1988
01:41:37.359 --> 01:41:40.239
<v Speaker 2>Well, I mean they as of this recording, they only

1989
01:41:40.279 --> 01:41:41.600
<v Speaker 2>announced it a couple of weeks ago.

1990
01:41:42.760 --> 01:41:45.359
<v Speaker 1>Okay, because I know there's also a musical, right that's

1991
01:41:45.359 --> 01:41:46.079
<v Speaker 1>happening right now.

1992
01:41:46.079 --> 01:41:48.960
<v Speaker 2>There is a musical, but this is this is a

1993
01:41:49.439 --> 01:41:54.560
<v Speaker 2>via Peacock. Okay, okay, all right, and I'm this is

1994
01:41:54.600 --> 01:41:58.359
<v Speaker 2>I'm reading this from from L. The L website says

1995
01:41:58.920 --> 01:42:02.119
<v Speaker 2>from your subscription from Yeah, of course, how else are

1996
01:42:02.119 --> 01:42:07.159
<v Speaker 2>you gonna how access this important information? Uh? Alisa Silverstone,

1997
01:42:07.199 --> 01:42:10.279
<v Speaker 2>Alisa Donovan, Breckenmeyer, Amy Heckerling, as well as costume designer

1998
01:42:10.279 --> 01:42:13.279
<v Speaker 2>Mona main casting director Marsha Ross celebrity of the film's

1999
01:42:13.279 --> 01:42:16.199
<v Speaker 2>thirty the anniversary. In an interview with people at the event,

2000
01:42:16.239 --> 01:42:19.199
<v Speaker 2>Silverstone said she can reveal nothing about the TV sequel,

2001
01:42:19.199 --> 01:42:22.520
<v Speaker 2>but Heckerling admitted she's thrilled to death it is happening.

2002
01:42:23.840 --> 01:42:26.439
<v Speaker 2>But Silverstone was asked if she ever thought she'd play,

2003
01:42:27.680 --> 01:42:30.920
<v Speaker 2>if she'd ever play share again. She replied, I didn't,

2004
01:42:30.960 --> 01:42:33.079
<v Speaker 2>and then I did it for the Super Bowl. M

2005
01:42:33.960 --> 01:42:35.119
<v Speaker 2>Was there a Super Bowl commercial?

2006
01:42:35.600 --> 01:42:38.960
<v Speaker 1>Yeah, they recreated the debate scene from the club.

2007
01:42:38.960 --> 01:42:42.039
<v Speaker 2>Okay, there you go. Yeah, so that's an interesting one.

2008
01:42:42.079 --> 01:42:45.159
<v Speaker 2>You know, I I'm down. You know, it's she is

2009
01:42:45.199 --> 01:42:48.079
<v Speaker 2>coming back or she she? She says she never thought

2010
01:42:48.119 --> 01:42:51.800
<v Speaker 2>she would, but then after having done the Super Bowl ad,

2011
01:42:51.880 --> 01:42:55.239
<v Speaker 2>she's she's now more you know, more open to it.

2012
01:42:56.119 --> 01:42:57.680
<v Speaker 1>You know, I mean, these things are always risky.

2013
01:42:58.319 --> 01:43:00.479
<v Speaker 2>That's that's my thought. I will say that. I mean,

2014
01:43:00.600 --> 01:43:05.800
<v Speaker 2>I mean, Alicia Silverstone is still great, and I'd love

2015
01:43:05.840 --> 01:43:08.840
<v Speaker 2>to see what Share is up to thirty years later. Yeah,

2016
01:43:09.000 --> 01:43:11.640
<v Speaker 2>and you know, you bring enough of those those original

2017
01:43:11.640 --> 01:43:16.600
<v Speaker 2>pieces back, I'd be curious. I think by by by definition,

2018
01:43:16.680 --> 01:43:18.840
<v Speaker 2>it would have to be about like the next generation

2019
01:43:18.920 --> 01:43:22.640
<v Speaker 2>of characters totally, and that makes me less interested.

2020
01:43:23.640 --> 01:43:27.800
<v Speaker 1>Yeah, there's part of me that doesn't want to see

2021
01:43:27.920 --> 01:43:30.000
<v Speaker 1>what happened to Share, Like I'd rather be in my

2022
01:43:30.039 --> 01:43:31.880
<v Speaker 1>imagination than literally.

2023
01:43:31.520 --> 01:43:33.680
<v Speaker 2>Know, Like like I don't, I don't want you know,

2024
01:43:34.760 --> 01:43:38.680
<v Speaker 2>you know, her daughter Sabrina Carpenter and Share pops up

2025
01:43:38.680 --> 01:43:39.720
<v Speaker 2>occasionally or whatever, you.

2026
01:43:39.640 --> 01:43:44.079
<v Speaker 1>Know, Yeah, no one pc. Yeah. And then also we

2027
01:43:44.079 --> 01:43:47.640
<v Speaker 1>were talking to this movie's unique tone. Yeah, what an

2028
01:43:47.640 --> 01:43:50.239
<v Speaker 1>incredible like I don't know what you even call it,

2029
01:43:50.279 --> 01:43:54.840
<v Speaker 1>like just heightened reality but not that heightened And like, so,

2030
01:43:54.920 --> 01:43:57.720
<v Speaker 1>what what does the show do now as they try

2031
01:43:57.760 --> 01:44:00.800
<v Speaker 1>to be a little outside of reality or what is

2032
01:44:00.840 --> 01:44:03.600
<v Speaker 1>that even? What's that version in twenty twenty five? I

2033
01:44:03.600 --> 01:44:07.159
<v Speaker 1>don't know. Yeah, but then again, I'm in some ways

2034
01:44:07.399 --> 01:44:09.479
<v Speaker 1>many ways, I'm sure it's just not meant for me.

2035
01:44:09.840 --> 01:44:13.640
<v Speaker 1>So maybe it's you know, maybe get your daughter.

2036
01:44:14.520 --> 01:44:17.079
<v Speaker 2>Right exactly, so I'd be very curious what she would

2037
01:44:17.159 --> 01:44:17.720
<v Speaker 2>end up thinking.

2038
01:44:18.199 --> 01:44:21.000
<v Speaker 1>Yeah, and one more thing I wanted to mention as

2039
01:44:21.039 --> 01:44:22.840
<v Speaker 1>long as we're talking about Ammy Heckerling, but like she

2040
01:44:22.880 --> 01:44:26.039
<v Speaker 1>also did the look Who's Talking movies, which is yes,

2041
01:44:26.199 --> 01:44:28.279
<v Speaker 1>that's right right. I just thought that was worth mentioning

2042
01:44:28.319 --> 01:44:31.159
<v Speaker 1>because it feels like those are kind of forgotten these days. Yeah,

2043
01:44:31.199 --> 01:44:34.000
<v Speaker 1>but those were huge, well at least the first two

2044
01:44:34.000 --> 01:44:38.239
<v Speaker 1>were the first two well yeah, yeah, but uh, you know,

2045
01:44:38.319 --> 01:44:40.960
<v Speaker 1>so she she had a really interesting career.

2046
01:44:41.319 --> 01:44:44.079
<v Speaker 2>Yeah, yeah, what's she done lately?

2047
01:44:45.039 --> 01:44:50.119
<v Speaker 1>I think it's a lot of TV directing, Ok, Suburgatory,

2048
01:44:50.399 --> 01:44:56.319
<v Speaker 1>Gossip Girl. Yeah, she did well, just going through it

2049
01:44:56.319 --> 01:44:58.039
<v Speaker 1>real quick. So she did Fast Times at Richmond High,

2050
01:44:58.039 --> 01:45:00.520
<v Speaker 1>a move called Johnny Dangerously, which I've never scene with

2051
01:45:00.560 --> 01:45:06.079
<v Speaker 1>Michael Keaton. Yeah yeah, European Vacation, Look Who's talking? Clueless?

2052
01:45:06.119 --> 01:45:09.920
<v Speaker 1>And then like Loser with Jason Biggs, which I remember. Yeah,

2053
01:45:10.479 --> 01:45:12.600
<v Speaker 1>and then it kind of yeah, like she was able

2054
01:45:12.600 --> 01:45:14.600
<v Speaker 1>to do her thing, but they just weren't hitting I

2055
01:45:14.640 --> 01:45:17.159
<v Speaker 1>could never be your Woman, which is Michelle Pfeiffer Paul

2056
01:45:17.239 --> 01:45:21.319
<v Speaker 1>Road again. And then is a movie called vamps.

2057
01:45:20.920 --> 01:45:23.039
<v Speaker 2>Ill like vaguely remember that.

2058
01:45:23.159 --> 01:45:25.319
<v Speaker 1>Yeah, I think Alicia's Silverstone's in that. And it's about

2059
01:45:25.359 --> 01:45:30.079
<v Speaker 1>these not teenagers but young vampires. Okay, and then it's

2060
01:45:30.159 --> 01:45:32.239
<v Speaker 1>kind of a lot of TV stuff, but I mean, man,

2061
01:45:32.279 --> 01:45:37.039
<v Speaker 1>she had a lot of cultural touchstones. Yeah, and clearly

2062
01:45:37.119 --> 01:45:40.760
<v Speaker 1>is a great writer. So you know who knows. I'm

2063
01:45:40.880 --> 01:45:41.640
<v Speaker 1>rooting for the show.

2064
01:45:42.039 --> 01:45:46.359
<v Speaker 2>I hope it's good. Yeah, but that wraps up our

2065
01:45:46.399 --> 01:45:48.600
<v Speaker 2>thoughts on Clueless, but hey, let us know your thoughts

2066
01:45:48.600 --> 01:45:50.680
<v Speaker 2>on our thoughts. You can email us at Moviefilm Podcast

2067
01:45:50.720 --> 01:45:52.279
<v Speaker 2>at gmail dot com. You can also hit like on

2068
01:45:52.279 --> 01:45:55.079
<v Speaker 2>our Facebook page Facebook dot com slash movie Film Podcast

2069
01:45:55.319 --> 01:45:57.760
<v Speaker 2>and message us there. As always, please go to Apple

2070
01:45:57.760 --> 01:45:59.760
<v Speaker 2>Podcasts and leave a review, leave a star rating. Do

2071
01:45:59.760 --> 01:46:02.399
<v Speaker 2>this at Spotify and hey, if you're listening to this

2072
01:46:02.520 --> 01:46:06.439
<v Speaker 2>on YouTube, please hit like and go ahead and subscribe

2073
01:46:06.439 --> 01:46:08.920
<v Speaker 2>if you can. We also have a Patreon page, Brian.

2074
01:46:09.039 --> 01:46:11.319
<v Speaker 1>That's right, if you head over to patreon dot com

2075
01:46:11.319 --> 01:46:15.279
<v Speaker 1>slash Moviefilm podcast and hit subscribe for only five dollars

2076
01:46:15.359 --> 01:46:18.000
<v Speaker 1>a month to find every commentary we've ever done, and

2077
01:46:18.000 --> 01:46:19.720
<v Speaker 1>there's over one hundred and thirty of them. I just

2078
01:46:19.720 --> 01:46:25.319
<v Speaker 1>looked amazing, right, and every episode moving forward absolutely ad free.

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01:46:25.640 --> 01:46:27.680
<v Speaker 1>Our free feed will always be available, but this is

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01:46:27.720 --> 01:46:29.520
<v Speaker 1>our way of providing what we believe is the most

2081
01:46:29.560 --> 01:46:34.239
<v Speaker 1>satisfying way to enjoy the show without ads and eruptions. Plus,

2082
01:46:34.239 --> 01:46:36.479
<v Speaker 1>your subscription goes a long way and helping to support

2083
01:46:36.600 --> 01:46:39.840
<v Speaker 1>us and helping to sustain producing the show. So if

2084
01:46:39.840 --> 01:46:42.399
<v Speaker 1>you're interested in able, please head over to patreon dot

2085
01:46:42.399 --> 01:46:46.439
<v Speaker 1>com slash MOVIEFILM podcast and subscribe. We'd be very grateful.

2086
01:46:46.960 --> 01:46:48.960
<v Speaker 2>There you go, And if you're looking for me online,

2087
01:46:48.960 --> 01:46:50.960
<v Speaker 2>you can find me on social media at Zachie's corner.

2088
01:46:51.000 --> 01:46:55.439
<v Speaker 2>That's the AKIS Corner. You can also remain reviews at

2089
01:46:55.439 --> 01:46:57.760
<v Speaker 2>the San fran Chronicle and also at IGN and the

2090
01:46:57.800 --> 01:46:59.680
<v Speaker 2>Rep Brian What About You.

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01:46:59.680 --> 01:47:02.239
<v Speaker 1>You can find episodes I've written of Young Jedi Adventures

2092
01:47:02.279 --> 01:47:03.520
<v Speaker 1>streaming on Disney.

2093
01:47:03.239 --> 01:47:08.119
<v Speaker 2>Plus and also Puppy Dog Pials and Puppy Dog Pills. Yeah, well,

2094
01:47:08.760 --> 01:47:12.119
<v Speaker 2>we are no longer clueless having finished this commentary trend,

2095
01:47:13.000 --> 01:47:15.000
<v Speaker 2>but we'll be back soon with our next regular show

2096
01:47:15.039 --> 01:47:17.840
<v Speaker 2>as well as our next commentary. So thank you everybody

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01:47:17.880 --> 01:47:19.479
<v Speaker 2>for listening. We will catch you next time.
