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<v Speaker 1>Will you wait, miss.

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<v Speaker 2>Exist Sis.

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<v Speaker 3>Sis, Welcome back to midnight viewing and potentially the weirdest

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<v Speaker 3>fucking episode we've ever done. There's no way to justify

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<v Speaker 3>this episode, hping. It is neither horror nor anthology. It

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<v Speaker 3>isn't genre related in any way. This is the whitest

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<v Speaker 3>of white movies. As you pointed out just before we

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<v Speaker 3>started recording, I don't know that we can come up

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<v Speaker 3>with anything wider. I suppose we're recording it to tie

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<v Speaker 3>in with the upcoming television series, the new adaptation of

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<v Speaker 3>it being done by Tina Fey, and we're very much

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<v Speaker 3>looking forward to that. But really, there is no reason

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<v Speaker 3>at all to be watching the four season.

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<v Speaker 4>I feel like all of this work that we've done, podcasting,

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<v Speaker 4>all these episodes we've done together and different series, it's

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<v Speaker 4>all led up to this point. So I'm excited.

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<v Speaker 3>This is the culmination. Is that what you're saying?

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<v Speaker 4>Absolutely, it's a culmination of our friendship fall?

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<v Speaker 5>Really?

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<v Speaker 3>Oh god, what he said? All right, here we go,

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<v Speaker 3>this is the fourth seasons. Everybody, here's the apple.

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<v Speaker 6>Trees did cheese, Here's to cheese.

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<v Speaker 2>Red and laughter.

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<v Speaker 6>And life itself.

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<v Speaker 5>Friendship can be happiness and laughter jealousy and envy.

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<v Speaker 4>She's wonderful.

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<v Speaker 6>Can't even enjoy hating her? Who the hell needs that

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<v Speaker 6>anger and disappointment.

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<v Speaker 3>I fall in love with this man, and all of

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<v Speaker 3>a sudden, in addition to him, I've got four constant companions.

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<v Speaker 6>It all depends on the season.

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<v Speaker 5>We owe the depth, breast, and height of this friendship

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<v Speaker 5>to the world's most ancient emotions, fear and panic. Universal

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<v Speaker 5>Pictures presents Alan and Carol Burnette in a story of

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<v Speaker 5>friendships that grow and blossom, of friendships that change, Like

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<v Speaker 5>the four seasons.

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<v Speaker 3>You can make them fall over.

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<v Speaker 6>You're pretty munich. If it worse, I don't believe it.

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<v Speaker 6>At it again? Oh, you never stopped us till we're

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<v Speaker 6>going to kill himself.

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<v Speaker 3>Why don't you let your anger out once in a while.

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<v Speaker 6>I'm not pain for this. This is your expense. These

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<v Speaker 6>people are vicious, vicious and deal.

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<v Speaker 2>Try this.

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<v Speaker 3>Now that voice carries How come everyone says I'm paranoid?

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<v Speaker 6>Is the Muhammad Ali of mental illness? You boys, don't

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<v Speaker 6>pull on your ankle for a while. We'll be back

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<v Speaker 6>here more more more?

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<v Speaker 1>Is this a fun part?

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<v Speaker 4>Are we having fun yet?

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<v Speaker 2>Through?

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<v Speaker 6>Winter? Spring? Summer?

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<v Speaker 2>Oh? My god?

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<v Speaker 4>The head.

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<v Speaker 6>I'll catch up and fall now. Wonder what other people

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<v Speaker 6>do on their vacations. Somehow they survive at all.

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<v Speaker 5>Alan Alda, Carol Burnett, Len Carrio, Sandy Dennis, Rita Moreno,

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<v Speaker 5>Bess Armstrong and Jack Weston. Friendship is like The Seasons, warm, cold, constant, changing, beautiful,

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<v Speaker 5>The Four Seasons, Written and directed by Alan Alda.

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<v Speaker 3>The Four Seasons released on April thirtieth, nineteen eighty one.

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<v Speaker 3>That makes us how old?

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<v Speaker 4>Yikes, that's pretty old.

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<v Speaker 3>Let's geez, so I'm saying when the movie came out,

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<v Speaker 3>my friend, oh.

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<v Speaker 4>How old were we? We were eight years old.

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<v Speaker 3>We were eight years old, nearly eight years old, and

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<v Speaker 3>actually premiered. It premiered on the thirtieth, but it didn't

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<v Speaker 3>get released until the twenty second. The movie is written

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<v Speaker 3>and directed by Alan Alda, starring Alan Alda, Carol Burnett,

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<v Speaker 3>Len Carrio, Sandy, Dennis or Rita Moreno, Jack Weston, and

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<v Speaker 3>Bess Armstrong. That's everybody. I'd like to point out that

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<v Speaker 3>the cinematographer on the film is Victor J. Kemper, who

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<v Speaker 3>shot the movies Friends of Eddie Coyle and Dog Day

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<v Speaker 3>Afternoon and Peewee's a big adventure and this HP. What

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<v Speaker 3>was your first experience with this movie? Why are we

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<v Speaker 3>talking about it?

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<v Speaker 4>I don't know that I ever Actually this was on

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<v Speaker 4>cable pretty heavily at that time. That was probably right

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<v Speaker 4>around the time that we first got cable TV eighty

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<v Speaker 4>eighty one, and I was far too young to care

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<v Speaker 4>about the middle aged crises and happy high jinks of

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<v Speaker 4>this group of group of friends. So I'm sure that

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<v Speaker 4>I saw the trailer for it play endlessly at that time,

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<v Speaker 4>but I don't to be fair, I don't think I

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<v Speaker 4>actually really saw the movie itself until you and I

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<v Speaker 4>had some sort of conversation maybe in the last year,

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<v Speaker 4>where you might have made a joke about the four

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<v Speaker 4>seasons and Alan and the sensitivity of it all, and

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<v Speaker 4>I had a flashback to the trailer with Carol Burnett,

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<v Speaker 4>and I watched it, and I'm obsessed with it now.

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<v Speaker 3>I watched the movie on a loop as a kid.

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<v Speaker 4>Did you really what did you make of it? As

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<v Speaker 4>an eight year old?

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<v Speaker 3>I was confused by a lot of it. I was

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<v Speaker 3>worried that this is what adulthood had in store for me.

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<v Speaker 3>It seemed like a cautionary tale at just these older

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<v Speaker 3>white intellectuals with no problems, making up problems, just and

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<v Speaker 3>doing it in like the most beautiful natural settings and

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<v Speaker 3>not noticing the fucking forest for the trees. Now, having

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<v Speaker 3>said that, as joking as I'm being, although I did

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<v Speaker 3>actually feel that way. I maybe it's from an anthropological standpoint.

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<v Speaker 3>The movie came out and we were eight, but I

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<v Speaker 3>didn't see it till it was on cable, which is

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<v Speaker 3>probably a year or two later. So we're talking maybe ten,

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<v Speaker 3>ten or eleven years old. That's when I'm watching this

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<v Speaker 3>movie over and over again, and I'm just I will

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<v Speaker 3>say the movie did seem revolutionary in a way because

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<v Speaker 3>I wasn't seeing anybody talking about relationships in any meaningful

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<v Speaker 3>way like this. You certainly weren't getting it on network television.

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<v Speaker 3>It didn't have the time nor the wherewithal to delve

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<v Speaker 3>into the sexual politics of people like in their forties

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<v Speaker 3>or fifty forties. I guess is these are just fucking

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<v Speaker 3>baby boomers, right, and these are basically our parents. So

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<v Speaker 3>it was interesting. It was like reading your parents diary

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<v Speaker 3>in a way.

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<v Speaker 4>So kind of it's interesting you say that, because it

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<v Speaker 4>feels I just had a revelation that this was a

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<v Speaker 4>precursor to a show like thirty something, which was obviously

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<v Speaker 4>by the name you can tell it's not about forty

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<v Speaker 4>something year olds, But that is a show that kind

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<v Speaker 4>of paved the way for the.

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<v Speaker 3>Notion of what they've entertainment.

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<v Speaker 4>But in that sense, I think you're right. I think

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<v Speaker 4>this was maybe a bit ahead of its time. Which

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<v Speaker 4>the weird irony of that is that this did inspire

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<v Speaker 4>a TV adaptation in nineteen eighty four. Were you did

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<v Speaker 4>you know that?

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<v Speaker 3>Yes? You did?

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<v Speaker 4>Which didn't. The only one who came The only main

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<v Speaker 4>actor who came back was Jack West, and we'll talk

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<v Speaker 4>about his character. I think Alan Alda guest starred in

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<v Speaker 4>the first episode, but he wasn't really involved. It was

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<v Speaker 4>mostly a new cast and unfortunately I couldn't track down

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<v Speaker 4>an episode to watch it to see if it was

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<v Speaker 4>how it stacked up to the movie.

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<v Speaker 3>Oh, you know, it was terrible, you know it was.

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<v Speaker 4>It looked bad and I can't imagine it went in

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<v Speaker 4>with the same earnest attitude that the movie had.

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<v Speaker 3>But I did say earnest, my god shocked. Jim Varney

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<v Speaker 3>wasn't in this movie.

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<v Speaker 4>I did. However, I did take note that one of

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<v Speaker 4>the other main characters. One of the main actors in

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<v Speaker 4>the TV show was Alan Arbus, who we can't seem

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<v Speaker 4>to get away from Father Malone. He's in everything we review,

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<v Speaker 4>He's in Crossroads, He's in Taxi. What hasn't the Man done?

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<v Speaker 3>Mash Yeah, we're not going to be reviewing that one.

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<v Speaker 4>No, not at all, but yeah, no. I think Naval

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<v Speaker 4>Gazing is an interesting wave because really, ultimately we're going

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<v Speaker 4>to talk about this movie at length, but there's not

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<v Speaker 4>a lot of action. This is a very episodic movie

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<v Speaker 4>about these friends who gather for vacations once a season,

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<v Speaker 4>but they're really just talking about their friendship, to talking

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<v Speaker 4>about how much they love each other, how much they

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<v Speaker 4>can't stand each other. They're arguing, they're making up, they're kissing,

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<v Speaker 4>they're whatever. That's really that's basically the movie in a

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<v Speaker 4>nutshell right there.

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<v Speaker 3>Within a year or two, the Big Chill would come

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<v Speaker 3>out and do exactly what this movie is trying to

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<v Speaker 3>do in a massively enteraining way.

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<v Speaker 4>I'm stunned that I didn't make that same connection, but

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<v Speaker 4>you're absolutely right. That was another movie about these long friendships.

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<v Speaker 4>They're looking back on their lives and with some regret

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<v Speaker 4>and some whatever. Yeah, it's basically the theme of the

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<v Speaker 4>Four Seasons, but writ large and with a little more panache,

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<v Speaker 4>And it really hit the cultural zeitgeist in a way

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<v Speaker 4>that the Four Seasons. I don't it was a success,

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<v Speaker 4>but I don't think it really hit the bulls eye

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<v Speaker 4>the way that The Big Chill did.

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<v Speaker 3>See The Big Chill was, although the characters are upwardly

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<v Speaker 3>mobile and mainly successful in their careers, were basically normal people,

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<v Speaker 3>whereas this is just a bunch of New York intellectuals.

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<v Speaker 3>This is basically three separate couples, all who think and

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<v Speaker 3>talk and act like Alan Alda pretty much.

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<v Speaker 4>Do you want to break down these couples though, Let's

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<v Speaker 4>do it. Yeah, So we have Alan. This is like

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<v Speaker 4>the dating game. So the first couple is Jack and Kate.

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<v Speaker 4>They're played by Alan Alda and Carol Burnette. Carol Burnett

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<v Speaker 4>is his wife in it. He is a lawyer and

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<v Speaker 4>she is the editor of Fortune magazine. If you talk

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<v Speaker 4>about intellectuals, I mean, you can't get more intellectuals than that,

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<v Speaker 4>It's ridiculous. Then we have Danny and Claudia. Danny is

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<v Speaker 4>played by Jack Weston. Claudia is played by Rita Moreno.

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<v Speaker 4>She's playing Italian, which I thought she's playing Italian.

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<v Speaker 3>She is her character Italian.

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<v Speaker 4>She only says it like every other word. Basically, he

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<v Speaker 4>is a dentist and she is his successful painter wife.

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<v Speaker 4>She's a painter, although they don't make much of that.

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<v Speaker 4>That's kind of dropped. Then the third couple is Nick

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<v Speaker 4>and Annie. It's played by Len Carriw and Sandy Dennis.

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<v Speaker 4>He is an insurance salesman who likes to brag that

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<v Speaker 4>he's an estate planner, and she is his housewife who's

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<v Speaker 4>scattered and not all that interesting is a character. Unfortunately,

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<v Speaker 4>she doesn't really feature too much in this picture. To

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<v Speaker 4>be honest, I think Sandy Dennis gets real short shrift

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<v Speaker 4>in this because she's dormat for Nick. But so those

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<v Speaker 4>are the three couples that we have going on all

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<v Speaker 4>these adventures.

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<v Speaker 3>So those are three couples. We're going to get four seasons.

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<v Speaker 3>We're going to get four separate vacations that they're going

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<v Speaker 3>to take together, So we can reasonably assume that they

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<v Speaker 3>do this every year.

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<v Speaker 4>I think. So it's at one point.

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<v Speaker 3>Is this movie take place over the span of one year?

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<v Speaker 3>Is this twenty year summer, winter fall for one year.

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<v Speaker 4>It is because in certain seasons they make reference to

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<v Speaker 4>the previous vacation. So yes, it does take place as

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<v Speaker 4>far as I can tell, over the course of one

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<v Speaker 4>year in these characters' lives and as far as their friendship.

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<v Speaker 4>There's a scene where they talk about how they all met.

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<v Speaker 4>It's a little unclear, but my sense is they've seven years.

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<v Speaker 3>And then years. I was shocked watching the movie this

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<v Speaker 3>time that they said, do you remember when we met?

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<v Speaker 3>You came you were a client in my thing seven

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<v Speaker 3>years ago. I remember the date, and I'm like, wait

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<v Speaker 3>a minute, These middle aged people met each other half

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<v Speaker 3>a decade ago. I thought they were like college friends.

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<v Speaker 3>I thought they grew up together. The fact that they're

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<v Speaker 3>as entwined in each other's lives as late in their

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<v Speaker 3>lives as they are gave me so much fucking pause HP.

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<v Speaker 4>But it makes sense because there's such an emphasis on

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<v Speaker 4>friendship and how much they need each other that I'm

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<v Speaker 4>not surprised that they would cling to each other that desperately,

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<v Speaker 4>because like, at one point, it almost seems like they

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<v Speaker 4>need their friendships more than they need their married partners,

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<v Speaker 4>Like they fall over themselves They're always kissing and hugging

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<v Speaker 4>each other. I'm not talking about the husbands and wives.

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<v Speaker 4>I'm talking about Alan Alda is forever kissing an hugging,

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<v Speaker 4>len carry you with ebulliance and happiness. But you raise

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<v Speaker 4>a good point because it's seven years. It's not as

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<v Speaker 4>if they could share that much of their lives. Let's

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<v Speaker 4>put it this way. That's a very small percentage of

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<v Speaker 4>their lives up to that point. If they're in their forties,

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<v Speaker 4>that's not a lot of time spent together.

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<v Speaker 3>So it's you and I have been friends for nearly

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<v Speaker 3>fucking forty years. When's the last time I grabbed you

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<v Speaker 3>in a hug and held you aloft? I can tell

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<v Speaker 3>you never, never, never, but and I love you. You know that?

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<v Speaker 4>Absolutely the thing of this these characters, they're so white,

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<v Speaker 4>but they're really sensualists because everything is the best thing

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<v Speaker 4>ever early. So it starts out in spring and they're

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<v Speaker 4>going to a rented cabin in the woods somewhere, and

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<v Speaker 4>the first night the husbands make supposed to be a

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<v Speaker 4>gorgeous Chinese meal for the wives, and the food it

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<v Speaker 4>comes out, I thought, honestly, most of the time they

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<v Speaker 4>were stoned because everything is so good. Oh, I love this.

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<v Speaker 4>And they're bellowing at each other all the time. I

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<v Speaker 4>love you, Dennis, I love you Denny. Whatever. They everything,

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<v Speaker 4>they're grabbing life by the balls, fa them alone. They

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<v Speaker 4>every glass of wine is great. Alan Alda's forever making

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<v Speaker 4>these like pompous toasts to their friendship and all this

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<v Speaker 4>kind of stuff. So they're sensualists. They love life basically.

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<v Speaker 3>And I don't know where to go with that. That's yeah,

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<v Speaker 3>they certainly are, Okay, I know where to go with it.

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<v Speaker 3>Over on the or Anthology podcast, Projection Booth, host Mike

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<v Speaker 3>White has a particular disdain for cinematic portrayals of drunkenness.

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<v Speaker 3>They just never get it right. It's always grating to

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<v Speaker 3>him on a sub atomic level, as is forced frivolity

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<v Speaker 3>is to me. I spent years in the trenches of

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<v Speaker 3>art house movie theaters. I've heard all the forced laughter

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<v Speaker 3>you can possibly imagine. And there's no worse forest laughter

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<v Speaker 3>than than the kind found in the Four Seasons. Everything,

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<v Speaker 3>as you said, nothing is just funny. It's the most

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<v Speaker 3>hilarious head back of fine slapping you on the back, hirity,

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<v Speaker 3>We're having fun.

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<v Speaker 4>There's a scene where they're floating. This is during summer

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<v Speaker 4>or spring. They're floating on a lake. They're all lounging.

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<v Speaker 4>They're eating French bread, which they eat a lot of

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<v Speaker 4>French bread in this movie. It's a little weird. And

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<v Speaker 4>they're eating cheese and drinking wine and they're all just

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<v Speaker 4>having a great time and out of nowhere, like I said,

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<v Speaker 4>Alan all of his character. Jack gets up and says,

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<v Speaker 4>I want to make a toast to friendship, to wine.

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<v Speaker 4>I love you all, and then he sits back down.

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<v Speaker 4>Then he gets up and he says, no, no, no, I

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<v Speaker 4>want to create something memorable for this moment because it's

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<v Speaker 4>so important to me. And then he finishes drinking his

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<v Speaker 4>wine and he leaps into the lake fully clothed. This

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<v Speaker 4>is the funniest thing in the world to every everyone

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<v Speaker 4>else in the canoe. So funny that Len carry you

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<v Speaker 4>decides he's going to jump into the lake. So they

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<v Speaker 4>laugh all over again. Then Jack Weston jumps in the lake,

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<v Speaker 4>and what do they do? They start laughing all over again.

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<v Speaker 4>By the end of it, they're all in the lake,

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<v Speaker 4>they're all laughing, they're all hugging each other, and they're

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<v Speaker 4>all just it's like that It's the kind of moment

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<v Speaker 4>in real life someone jumps in the lake. Maybe you

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<v Speaker 4>laugh a little bit, but then you say, you're a

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<v Speaker 4>dumb ass, get out of the lake. This goes on

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<v Speaker 4>for five minutes of forest laughter that like, this is

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<v Speaker 4>the funniest thing that they've done ever. And there's about

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<v Speaker 4>five scenes like that in this whole picture.

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<v Speaker 3>Half this movie's run time is forced laughter.

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<v Speaker 4>His laughter. I really started, like, in my mind, I

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<v Speaker 4>thought I had remembered a scene where they got stoned,

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<v Speaker 4>like one of them had some weed on them and

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<v Speaker 4>they got stoned and they were raiding a kitchen or something.

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<v Speaker 4>I think I was misremembering that for another movie, maybe

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<v Speaker 4>Indian Summer, which is also a good picture. But but no,

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<v Speaker 4>they just love life and they just everything is funny.

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<v Speaker 4>Everything is. It's passion. They're so passionate. They're as passionate

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<v Speaker 4>as white people can get fatherm alone, which is very

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<v Speaker 4>passionate apparently.

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<v Speaker 3>And they're gonna go to all the white people's shit.

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<v Speaker 3>They're gonna go. They're gonna go to the Virgin Islands,

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<v Speaker 3>and they're gonna do it on a fucking rented sailboat.

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<v Speaker 3>When they go, is it wintertime going up to the cabin.

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<v Speaker 3>We're gonna go skiing, babe. Fall time, we're gonna go collegiate.

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<v Speaker 3>We're gonna go play touch football and knock the shit

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<v Speaker 3>out of each other. Springtime, of course, we're going to

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<v Speaker 3>just row out into the middle of a lake and

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<v Speaker 3>just we're just gonna float there and talk about poetry

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<v Speaker 3>or something or other.

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<v Speaker 4>Yeah, look, we can't forget. I think you mentioned that

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<v Speaker 4>this was written and directed by Alan Oh. This is

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<v Speaker 4>what he knew. This is a page out of his life.

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<v Speaker 4>So it's not a surperfa White he is And this

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<v Speaker 4>is very much like made reference to Robert Altman, Like,

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<v Speaker 4>this is a little bit like a Robert Altman movie

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<v Speaker 4>because there's a lot of scenes of them having conversations

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<v Speaker 4>that overlap each other, and that's interesting. But really, the

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<v Speaker 4>other touchstone I had of this and I'm not making

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<v Speaker 4>a direct comparaily, I'm making a direct comparison, but I'm

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<v Speaker 4>not suggesting it's inspired by or but this is a

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<v Speaker 4>little like a Woody Allen movie without the sort of

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<v Speaker 4>some of the charm that maybe Woody Allen would bring

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<v Speaker 4>to something like this, the quirkiness of it. Joe, this

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<v Speaker 4>is right, This is at no time during this movie

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<v Speaker 4>do you forget that Alan Alda wrote it, because it's

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<v Speaker 4>they all sound like him, right? You said that already

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<v Speaker 4>all the characters sound like Alan, all including Allan al.

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<v Speaker 3>He has managed to make the way he talks just

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<v Speaker 3>different enough in each character's mouths. He's given them all

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<v Speaker 3>a different kind of tick. And then of course the

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<v Speaker 3>actors are bringing whatever they're bringing to it. But basically

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<v Speaker 3>it just sounds like the different personalities of Allen. This

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<v Speaker 3>is inside out Pixar's inside out Alan Alden.

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<v Speaker 4>This is But having said that, though one thing I

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<v Speaker 4>was struck by is I was watching this is. None

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<v Speaker 4>of this is to say that the performances are bad.

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<v Speaker 4>They're actually really good for the most part, because he's

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<v Speaker 4>got good actors. And I have to say that. So

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<v Speaker 4>Carol Burnett has a lot to do because she's Alan

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<v Speaker 4>all his wife in the movie. But she whether it's

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<v Speaker 4>just the times, but she reminded me of just about

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<v Speaker 4>every female friend of my parents from around that time.

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<v Speaker 4>Every house we would go over, we would hang out,

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<v Speaker 4>and my parents would have their adult friends. She was

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<v Speaker 4>exactly like those women that I remember, the same short haircut,

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<v Speaker 4>the same kind of mousey looks or whatever, and the

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<v Speaker 4>same sense of humor.

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<v Speaker 3>She really needs, the attitude the I'm not going to

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<v Speaker 3>take that, give me that ticket, fuck you cop like

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<v Speaker 3>that friend.

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<v Speaker 4>Yeah, absolutely, So from that perspective, I actually thought it

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<v Speaker 4>was kind of true to life, despite the fact that

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<v Speaker 4>it's she's saying a lot of things that Alan Alda

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<v Speaker 4>is telling her to say. But it did stylistically and visually.

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<v Speaker 4>She definitely reminded me of a lot of my parents,

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<v Speaker 4>the wives of the friends that we would go and

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<v Speaker 4>hang out at their house.

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<v Speaker 3>Over on the weekly roundup. Just this past one. As

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<v Speaker 3>a matter of fact, I re reviewed Bednoms and Roomsticks

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<v Speaker 3>from nineteen seventy one, ten years earlier than this film,

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<v Speaker 3>starring Angela Lansbury. Now, in between those two time periods,

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<v Speaker 3>Angela Lansbury would perform the part of Missus Lovett and

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<v Speaker 3>Sweeney Todd on Broadway. Her co star and during that

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<v Speaker 3>run is Lenn Carrio. In fact, he had just ended

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<v Speaker 3>his run as Sweeney Todd when he made this movie HP.

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<v Speaker 3>For the past forty years, I have been listening to

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<v Speaker 3>Len Carrio performing that part on that soundtrack. I own

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<v Speaker 3>it on vinyl, I own it on cassette tape. I

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<v Speaker 3>owned it on CD and somehow had forgotten or never

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<v Speaker 3>really made the connection that that guy singing all those

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<v Speaker 3>years is this guy in this movie, and was kind

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<v Speaker 3>of knocked out that it was him.

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<v Speaker 4>And I got to tell you, he's very good. He is.

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<v Speaker 4>There's no villain in this movie because they're all villain.

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<v Speaker 4>He really is because it's his decision to divorce his

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<v Speaker 4>wife Annie sets basically the main driving sort of inciting

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<v Speaker 4>incident into action. So they get together during the spring

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<v Speaker 4>and he confides Len Carrier's character Nick confides in Alan

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<v Speaker 4>Alda's character Jack that he's not been happy with his

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<v Speaker 4>wife for decades. They just ever celebrated that forever. They

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<v Speaker 4>just had their twenty first wedding anniversary and that's what

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<v Speaker 4>he says. They're out oraging for firewood, other white guy

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<v Speaker 4>type thing to do.

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<v Speaker 3>Oh my god, the whitest thing because Len Carrier or

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<v Speaker 3>alan Alda has one of those canvas stacks that's two

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<v Speaker 3>sticks and you hold it open and you drop a

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<v Speaker 3>wood into it. It's like, boh, got this at ll Bean.

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<v Speaker 4>So he confides to It's a really good scene because

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<v Speaker 4>Lenn Carry is a really good actor.

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<v Speaker 3>There and they have to walk and talk through a

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<v Speaker 3>fucking forest. Nice job, Allan, Yeah, but you know you have.

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<v Speaker 3>What he has to do is he feels like he

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<v Speaker 3>finally has to divorce his wife. And Alan Alda, I'm

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<v Speaker 3>just gonna call them by their actors, guy, because yes,

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<v Speaker 3>come on.

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<v Speaker 4>Now, So Alan Alda being Alan all this is why

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<v Speaker 4>don't you guys try to work it out. You guys

401
00:23:42.720 --> 00:23:46.319
<v Speaker 4>can talk it out, and but Len carry you just says, look,

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<v Speaker 4>I've been trying for twenty years. She's not going to change.

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<v Speaker 4>And to be fair, everything we know about this wife

404
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<v Speaker 4>of his, Sandy Dennis, I wouldn't want to be married

405
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<v Speaker 4>to her either. She seems boring, she seems dull. She

406
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<v Speaker 4>takes her thing is she takes pictures of sliced vegetables.

407
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<v Speaker 4>That's she's a housewife who doesn't really have a job.

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<v Speaker 4>And the point that he makes is that she just

409
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<v Speaker 4>she's so stable, she's inert, he says, because she's got

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<v Speaker 4>no fire, there's no spark. She doesn't excite him. She

411
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<v Speaker 4>never excited him. So while we have we should have

412
00:24:24.160 --> 00:24:26.880
<v Speaker 4>sympathy for him that he deserves to be happy. He

413
00:24:26.960 --> 00:24:29.480
<v Speaker 4>was lonely for the last twenty years. At the end

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<v Speaker 4>of the day, the other couples feel betrayed by him

415
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<v Speaker 4>divorcing his wife because they're a package deal, right, He's

416
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<v Speaker 4>six couples. These three couples always go on a trip together.

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<v Speaker 4>And what happens is the following trip, which is summertime.

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<v Speaker 4>Now we get introduced to his new love interest, a

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<v Speaker 4>much younger woman played by Bess Armstrong. She named Jinny.

420
00:24:53.039 --> 00:24:55.880
<v Speaker 3>And I think that Bess Armstrong was like one of

421
00:24:55.920 --> 00:24:58.240
<v Speaker 3>the most popular actresses in the world at this moment

422
00:24:58.279 --> 00:25:00.319
<v Speaker 3>because she seemed to be in everything right on this

423
00:25:00.400 --> 00:25:01.000
<v Speaker 3>time period.

424
00:25:01.160 --> 00:25:03.440
<v Speaker 4>She did seem to be in an awful lot of movies.

425
00:25:03.480 --> 00:25:05.359
<v Speaker 4>She was in this she was in High Road to

426
00:25:05.519 --> 00:25:09.160
<v Speaker 4>China with Tom Selik. After the fact, she was in

427
00:25:09.359 --> 00:25:12.759
<v Speaker 4>Barefoot in the Park with Richard what's.

428
00:25:12.559 --> 00:25:14.119
<v Speaker 3>His name, Richard Thomas.

429
00:25:14.400 --> 00:25:17.079
<v Speaker 4>Richard Thomas, Yes, thank you. She did seem to be

430
00:25:17.119 --> 00:25:19.680
<v Speaker 4>on the come up, but then she kind of d

431
00:25:20.920 --> 00:25:24.160
<v Speaker 4>just three D with Dennis Quaid. Absolutely, and but she's

432
00:25:24.279 --> 00:25:27.200
<v Speaker 4>very charming. I think she's a very winning personality as

433
00:25:27.240 --> 00:25:30.480
<v Speaker 4>an actress. Would I wonder myself where she went?

434
00:25:30.759 --> 00:25:33.519
<v Speaker 3>Well, folks younger than us will answer that question immediately

435
00:25:33.519 --> 00:25:35.400
<v Speaker 3>and let us know that it was my so called life.

436
00:25:35.400 --> 00:25:36.279
<v Speaker 3>She's the mom in that.

437
00:25:36.960 --> 00:25:39.880
<v Speaker 4>Oh okay, there you go. But she sort of went

438
00:25:39.920 --> 00:25:42.319
<v Speaker 4>away and then she was in a movie that actually

439
00:25:42.319 --> 00:25:45.000
<v Speaker 4>I really liked a lot called Diamond Men. Have you

440
00:25:45.000 --> 00:25:45.599
<v Speaker 4>ever seen it?

441
00:25:45.720 --> 00:25:46.039
<v Speaker 3>I have.

442
00:25:46.640 --> 00:25:50.400
<v Speaker 4>She it's a fantastic little I mean this little mini

443
00:25:50.480 --> 00:25:53.559
<v Speaker 4>review anyone who's out there. It's got Robert Forrester. People

444
00:25:53.640 --> 00:25:57.160
<v Speaker 4>know him from Jackie Brown that was his big comeback role.

445
00:25:57.279 --> 00:26:00.839
<v Speaker 4>But she's in it. One of the Wallbergs, Donnie Wahlberg

446
00:26:01.240 --> 00:26:03.240
<v Speaker 4>is in it, but he's actually pretty good.

447
00:26:03.359 --> 00:26:04.640
<v Speaker 3>Yeah, he's the one that can act.

448
00:26:04.759 --> 00:26:05.039
<v Speaker 2>Yeah.

449
00:26:05.160 --> 00:26:05.519
<v Speaker 3>Yeah.

450
00:26:05.599 --> 00:26:09.160
<v Speaker 4>So anyway, she that was what I saw the first

451
00:26:09.240 --> 00:26:11.319
<v Speaker 4>thing I saw her in in Forever, because I did,

452
00:26:11.359 --> 00:26:13.519
<v Speaker 4>I'm not gonna watch, but she's very good in this.

453
00:26:14.079 --> 00:26:18.039
<v Speaker 4>So she has she's the younger woman that kind of

454
00:26:18.079 --> 00:26:23.480
<v Speaker 4>comes in to replace Annie Nick's wife. And again, like

455
00:26:23.519 --> 00:26:26.200
<v Speaker 4>I said, that sets everything in motion because from that

456
00:26:26.279 --> 00:26:30.559
<v Speaker 4>point on, she's now part of the deal with this guy,

457
00:26:30.599 --> 00:26:32.920
<v Speaker 4>and everybody sort of not only do they resent the

458
00:26:33.000 --> 00:26:36.200
<v Speaker 4>fact that this guy's divorced his wife. They don't think

459
00:26:36.200 --> 00:26:39.960
<v Speaker 4>that's fair, but they're all a little bit jealous of

460
00:26:40.119 --> 00:26:43.319
<v Speaker 4>Jinny of Bess Armstrong because she's beautiful, she's young, she's

461
00:26:43.359 --> 00:26:46.519
<v Speaker 4>half their age for goodness sake. So like I said,

462
00:26:46.519 --> 00:26:48.359
<v Speaker 4>she's gorgeous in this she's really.

463
00:26:48.079 --> 00:26:50.799
<v Speaker 3>Gorgeous and she's sweet. That's the other problem that they're

464
00:26:50.799 --> 00:26:53.240
<v Speaker 3>grappling with. They want to hate her more than anything,

465
00:26:53.359 --> 00:26:55.319
<v Speaker 3>just for what she represents. But as a person, she's

466
00:26:55.359 --> 00:26:56.359
<v Speaker 3>actually pretty decent.

467
00:26:56.480 --> 00:26:59.960
<v Speaker 4>Yeah, it would be easy if she was a bubble

468
00:27:00.039 --> 00:27:04.240
<v Speaker 4>headed nafe, but she's actually very nice. She's very fair.

469
00:27:04.359 --> 00:27:06.720
<v Speaker 4>She tries to be a good person and a good

470
00:27:06.759 --> 00:27:07.759
<v Speaker 4>friend to these people.

471
00:27:07.920 --> 00:27:11.400
<v Speaker 3>And yeah, and in that regard, I applaud alan Alda

472
00:27:11.480 --> 00:27:14.480
<v Speaker 3>for going that route and making her more complex than

473
00:27:14.599 --> 00:27:17.400
<v Speaker 3>just he went and got himself a young dummy, and

474
00:27:17.400 --> 00:27:18.960
<v Speaker 3>now I often to deal with a dummy.

475
00:27:19.279 --> 00:27:22.839
<v Speaker 4>Well, he makes the other couples look really bad because

476
00:27:23.119 --> 00:27:28.000
<v Speaker 4>they're always making little comments, not even behind her back

477
00:27:26.960 --> 00:27:31.440
<v Speaker 4>to the prickery man, right to her face, and he

478
00:27:31.960 --> 00:27:35.720
<v Speaker 4>at the same time he the characters take themselves to

479
00:27:35.799 --> 00:27:38.680
<v Speaker 4>task like why do we say that? Because I think

480
00:27:38.720 --> 00:27:42.319
<v Speaker 4>every just about every other person in the cast says

481
00:27:42.400 --> 00:27:45.759
<v Speaker 4>or does something really terrible to her through the course

482
00:27:45.799 --> 00:27:48.799
<v Speaker 4>of this movie, and almost immediately they feel terrible about

483
00:27:48.839 --> 00:27:51.680
<v Speaker 4>it because she is such a nice person. This character

484
00:27:51.880 --> 00:27:53.160
<v Speaker 4>ginny well.

485
00:27:53.359 --> 00:27:58.160
<v Speaker 3>Dramatically construction wise, it's great because here's here, We've got

486
00:27:58.160 --> 00:28:01.799
<v Speaker 3>this character who represents everything that lost in their lives,

487
00:28:02.119 --> 00:28:07.160
<v Speaker 3>and in some cases it is spurring jealousy in amongst them.

488
00:28:07.279 --> 00:28:10.319
<v Speaker 3>That's the alan all. This character thing isn't even so

489
00:28:10.400 --> 00:28:13.480
<v Speaker 3>much like he wants to sleep with young best Armstrong.

490
00:28:13.519 --> 00:28:16.400
<v Speaker 3>It's that he wants to be Len Carrio. He wants

491
00:28:16.440 --> 00:28:19.400
<v Speaker 3>to be living this care free lifestyle and not part

492
00:28:19.400 --> 00:28:20.480
<v Speaker 3>of the unit anymore.

493
00:28:20.799 --> 00:28:23.640
<v Speaker 4>And his wife, Carol Burnette, takes him the task.

494
00:28:23.920 --> 00:28:25.440
<v Speaker 3>She notices it immediately.

495
00:28:25.839 --> 00:28:28.279
<v Speaker 4>Yeah, And there's a scene with them on the boat

496
00:28:28.319 --> 00:28:32.000
<v Speaker 4>where she basically says, look, I get it. Your fantasy

497
00:28:32.119 --> 00:28:35.680
<v Speaker 4>is to be worshiped by a much younger woman. It's okay,

498
00:28:35.759 --> 00:28:40.920
<v Speaker 4>have your fantasy. But he he gets upset, and one

499
00:28:40.920 --> 00:28:44.599
<v Speaker 4>of the things that she is annoyed by this character

500
00:28:44.720 --> 00:28:47.160
<v Speaker 4>is that he won't ever let himself get angry. So

501
00:28:47.200 --> 00:28:50.359
<v Speaker 4>they're having this discussion where he should be his ire

502
00:28:50.440 --> 00:28:54.000
<v Speaker 4>should be raised, but because he's this buttoned down white guy,

503
00:28:54.200 --> 00:28:56.640
<v Speaker 4>he won't let himself get upset and be fiery, and

504
00:28:56.680 --> 00:29:00.160
<v Speaker 4>that really frustrates her. But through that scene she he's

505
00:29:00.200 --> 00:29:04.000
<v Speaker 4>describing the fact that she's younger, and how she notices

506
00:29:04.079 --> 00:29:08.119
<v Speaker 4>that Alan Alda's character is sucking his stomach in and

507
00:29:08.160 --> 00:29:11.160
<v Speaker 4>he's combing his hair and he's shaving. I swear to

508
00:29:11.160 --> 00:29:13.839
<v Speaker 4>you fogg them alone. There's like a tear in Carol

509
00:29:13.839 --> 00:29:16.640
<v Speaker 4>Burnette's eye when she's saying this, because she's a little

510
00:29:16.640 --> 00:29:19.720
<v Speaker 4>bit sad that she's not the one inspiring all of this,

511
00:29:20.319 --> 00:29:23.039
<v Speaker 4>all these behavioral changes. I thought that was really kind

512
00:29:23.079 --> 00:29:23.680
<v Speaker 4>of marvelous.

513
00:29:24.160 --> 00:29:26.319
<v Speaker 3>Yeah, I mean, ultimately I'm going to bag on this movie,

514
00:29:26.400 --> 00:29:28.480
<v Speaker 3>but not because of the performances at all, and not

515
00:29:28.519 --> 00:29:31.559
<v Speaker 3>because of the some of the dramatic scenarios that the

516
00:29:31.599 --> 00:29:34.599
<v Speaker 3>movie is able to present. Some of these are tough

517
00:29:34.680 --> 00:29:39.319
<v Speaker 3>questions that needed to be asked amongst couples at this time.

518
00:29:39.960 --> 00:29:43.559
<v Speaker 3>Everyone has to eventually examine their own relationships and everything.

519
00:29:43.720 --> 00:29:46.640
<v Speaker 3>And it may have been revolutionary at the time, at least,

520
00:29:46.640 --> 00:29:48.039
<v Speaker 3>like I said, it felt to me it was when

521
00:29:48.039 --> 00:29:49.839
<v Speaker 3>I was ten. What the fuck did I know then?

522
00:29:50.079 --> 00:29:53.119
<v Speaker 3>But going back now, it's, yeah, we get it. We

523
00:29:53.160 --> 00:29:55.640
<v Speaker 3>all know this, like you can all should have figured

524
00:29:55.640 --> 00:29:56.960
<v Speaker 3>this shit out before they got married.

525
00:29:57.440 --> 00:29:59.759
<v Speaker 4>But at the same time, I don't know, we're going

526
00:29:59.839 --> 00:30:02.160
<v Speaker 4>to I continue, like you said, to knock this movie

527
00:30:02.160 --> 00:30:05.519
<v Speaker 4>pretty hard. I think it's mostly because of the foibles

528
00:30:05.720 --> 00:30:08.319
<v Speaker 4>of the characters. It's the little quirks and the little

529
00:30:08.400 --> 00:30:13.960
<v Speaker 4>bits of humor that all the injects, not always successfully.

530
00:30:14.000 --> 00:30:17.400
<v Speaker 4>But I do agree with you that the fact that

531
00:30:17.480 --> 00:30:20.680
<v Speaker 4>he's having Tom ask these questions and look at life

532
00:30:20.680 --> 00:30:24.759
<v Speaker 4>from these different perspectives is very commendable because there weren't

533
00:30:24.799 --> 00:30:27.440
<v Speaker 4>a lot of look I told you offline that I

534
00:30:27.480 --> 00:30:31.359
<v Speaker 4>watched a ciscl and Ebert review of the Four Sees

535
00:30:31.599 --> 00:30:34.680
<v Speaker 4>from that time, and they both really enjoyed it so

536
00:30:35.319 --> 00:30:38.160
<v Speaker 4>and they raised the same kinds of points that we are.

537
00:30:38.240 --> 00:30:42.119
<v Speaker 4>That it's kind of refreshing a to have a movie

538
00:30:42.160 --> 00:30:46.799
<v Speaker 4>that is is adult in nature and execution, and b

539
00:30:47.200 --> 00:30:50.480
<v Speaker 4>have it not be have it delve into some really

540
00:30:50.519 --> 00:30:54.519
<v Speaker 4>interesting questions about life and about relates. I have to

541
00:30:54.559 --> 00:30:57.599
<v Speaker 4>tip my cap to Alan Alder for doing that. As

542
00:30:58.079 --> 00:31:03.559
<v Speaker 4>kind of stereotypically sensitive and white as it is, I

543
00:31:03.599 --> 00:31:05.400
<v Speaker 4>still kind of appreciate it on that level.

544
00:31:05.599 --> 00:31:09.559
<v Speaker 3>He was asking pertinent questions about his generation and using

545
00:31:09.599 --> 00:31:12.000
<v Speaker 3>his cloud to get a movie made. A movie that

546
00:31:12.079 --> 00:31:14.240
<v Speaker 3>couldn't We always say, oh, that movie couldn't be made

547
00:31:14.319 --> 00:31:17.839
<v Speaker 3>now because of some sort of subject matter. But here's

548
00:31:17.839 --> 00:31:19.720
<v Speaker 3>a movie you couldn't make now, because no one's going

549
00:31:19.759 --> 00:31:23.240
<v Speaker 3>to make a movie about naval gazing white people trapesing

550
00:31:23.279 --> 00:31:25.839
<v Speaker 3>around the fucking globe and put it out theatrically.

551
00:31:26.160 --> 00:31:28.680
<v Speaker 4>But the Netflix thing is interesting, though.

552
00:31:28.720 --> 00:31:32.359
<v Speaker 3>Right, And I think all of and as I said,

553
00:31:32.640 --> 00:31:35.079
<v Speaker 3>there's a lot of good here in this movie, and

554
00:31:35.200 --> 00:31:37.200
<v Speaker 3>I think there's a lot to be mined out of

555
00:31:37.319 --> 00:31:40.000
<v Speaker 3>the good parts of it, and I'm curious to know

556
00:31:40.039 --> 00:31:42.319
<v Speaker 3>what those things are. I have nothing but faith in

557
00:31:42.400 --> 00:31:46.279
<v Speaker 3>the team that's mounting the television version. It's just that

558
00:31:46.880 --> 00:31:49.759
<v Speaker 3>this one sometimes makes me want to stab myself in

559
00:31:49.799 --> 00:31:52.640
<v Speaker 3>the skull before we go any further. But we're not

560
00:31:52.920 --> 00:31:55.440
<v Speaker 3>probably going to talk about her anymore. Sandy Dennis, because

561
00:31:55.440 --> 00:31:59.759
<v Speaker 3>she's the's She only appears in one season, Springtime, before

562
00:31:59.799 --> 00:32:03.960
<v Speaker 3>she divorced by Lynn Carrio. She's a decade before this movie.

563
00:32:04.200 --> 00:32:05.759
<v Speaker 3>A little more than a decade before this movie. In

564
00:32:05.839 --> 00:32:08.759
<v Speaker 3>nineteen sixty eight, start in one of my favorite movies

565
00:32:08.880 --> 00:32:13.119
<v Speaker 3>of all time called Sweet November with Anthony Newley. It

566
00:32:13.160 --> 00:32:17.480
<v Speaker 3>was eventually remade with Keanu Reeves and Michael Rosenbaum. That's

567
00:32:17.720 --> 00:32:21.160
<v Speaker 3>not a good movie. Go watch the one from nineteen

568
00:32:21.200 --> 00:32:24.079
<v Speaker 3>sixty eight. It's fucking heartbreaking and she is so good

569
00:32:24.079 --> 00:32:27.119
<v Speaker 3>in it, the original manic Pixie dream girl. So that's

570
00:32:27.160 --> 00:32:29.440
<v Speaker 3>why anyway, as so, I just want to throw it

571
00:32:29.440 --> 00:32:31.440
<v Speaker 3>out of my own little mini review there Go Wants

572
00:32:31.480 --> 00:32:32.200
<v Speaker 3>Sweet November.

573
00:32:32.240 --> 00:32:35.480
<v Speaker 4>Everybody, she has the most thankless I already said this

574
00:32:35.599 --> 00:32:38.640
<v Speaker 4>pretty much, but she has the most thankless part because

575
00:32:38.799 --> 00:32:41.960
<v Speaker 4>her character is for me, she's one of the most

576
00:32:42.000 --> 00:32:44.759
<v Speaker 4>unlikable out of all of them because there's just nothing

577
00:32:45.160 --> 00:32:47.799
<v Speaker 4>she just and this is why Lenn Carrie you wanted

578
00:32:47.799 --> 00:32:49.960
<v Speaker 4>to divorce her in the first place. She's just kind

579
00:32:49.960 --> 00:32:54.079
<v Speaker 4>of not a very exciting person, not a very interesting person.

580
00:32:54.160 --> 00:32:57.640
<v Speaker 4>We do see her a little bit in Fall. It's

581
00:32:57.640 --> 00:33:00.920
<v Speaker 4>true because in Fall we're skipping all over the place.

582
00:33:00.960 --> 00:33:04.880
<v Speaker 4>But in Fall, the same group of couples they go

583
00:33:04.960 --> 00:33:08.440
<v Speaker 4>to visit well, first they visit their daughter, their daughters

584
00:33:08.599 --> 00:33:11.559
<v Speaker 4>at college. I don't know what college. But when they

585
00:33:11.559 --> 00:33:15.240
<v Speaker 4>get there, I think at this point Ginny has been

586
00:33:15.599 --> 00:33:19.000
<v Speaker 4>I don't I think she's actually married to Let carry

587
00:33:19.000 --> 00:33:22.480
<v Speaker 4>you now. But Sandy Dennis's characters, they're also it's parents

588
00:33:22.559 --> 00:33:24.799
<v Speaker 4>weekend at this college, so there's a little bit of

589
00:33:24.799 --> 00:33:28.440
<v Speaker 4>an interesting confrontation between the two of them, and then

590
00:33:28.680 --> 00:33:31.400
<v Speaker 4>you find out that the other women, the other wives,

591
00:33:31.880 --> 00:33:36.200
<v Speaker 4>have not been keeping up contact with her just because

592
00:33:36.319 --> 00:33:39.799
<v Speaker 4>she's kind of not she's not part of the group anymore.

593
00:33:39.839 --> 00:33:42.960
<v Speaker 4>And it's an interesting scene because she basically calls them

594
00:33:42.960 --> 00:33:45.160
<v Speaker 4>out and says, look, I feel like you guys have

595
00:33:45.240 --> 00:33:47.599
<v Speaker 4>left me. You've left me out to dry, like I'm

596
00:33:47.720 --> 00:33:50.759
<v Speaker 4>just I'm history now, and they all feel bad about that,

597
00:33:50.799 --> 00:33:52.720
<v Speaker 4>and you find out a little bit more about what

598
00:33:52.759 --> 00:33:55.480
<v Speaker 4>she's been up. It's really sad because she the thing

599
00:33:55.559 --> 00:33:59.480
<v Speaker 4>everybody's worried about most is when they get this divorce.

600
00:33:59.559 --> 00:34:02.599
<v Speaker 4>They're not wororried about him because he's like a womanizer

601
00:34:02.640 --> 00:34:04.559
<v Speaker 4>and they don't really care much about that part of it.

602
00:34:04.880 --> 00:34:07.720
<v Speaker 4>But she's the one who will be more affected by

603
00:34:07.759 --> 00:34:10.079
<v Speaker 4>the divorce. It's not a divorce that she wanted or

604
00:34:10.119 --> 00:34:12.760
<v Speaker 4>asked for, so she's left to pick up the pieces

605
00:34:12.800 --> 00:34:17.159
<v Speaker 4>of her life. And you just by her talking, you

606
00:34:17.199 --> 00:34:19.840
<v Speaker 4>find out like she she has a pet snake for

607
00:34:19.920 --> 00:34:23.039
<v Speaker 4>some reason, because just a set of lost in life

608
00:34:23.039 --> 00:34:25.480
<v Speaker 4>and she's trying to figure herself out again. She's making

609
00:34:25.519 --> 00:34:28.559
<v Speaker 4>a plan to go to Czechoslovakia because she's never wanted

610
00:34:28.599 --> 00:34:32.639
<v Speaker 4>to go to Czechoslovakia, which is weird. But I guess

611
00:34:32.639 --> 00:34:37.199
<v Speaker 4>anybody who's been confronted with a life change dramatic like this,

612
00:34:37.480 --> 00:34:39.440
<v Speaker 4>I guess it makes you do funny things. But it

613
00:34:39.519 --> 00:34:42.639
<v Speaker 4>is a thankless part. And I suppose she does the

614
00:34:42.639 --> 00:34:44.800
<v Speaker 4>best with what she could with it, but it doesn't

615
00:34:44.840 --> 00:34:48.000
<v Speaker 4>really engender much interest from me anyway.

616
00:34:48.280 --> 00:34:50.000
<v Speaker 3>I do feel bad for her, but I also know

617
00:34:50.039 --> 00:34:52.840
<v Speaker 3>that she spent three years photographing vegetables with no plan

618
00:34:52.920 --> 00:34:56.559
<v Speaker 3>on doing anything with it. Yeah, so, and had finally

619
00:34:56.599 --> 00:35:00.000
<v Speaker 3>come up with the idea of pairing the vegetable.

620
00:35:00.440 --> 00:35:04.679
<v Speaker 4>And we're supposed to not like, let carry you, because

621
00:35:04.679 --> 00:35:07.159
<v Speaker 4>we do find out because when he's had this conversation

622
00:35:07.320 --> 00:35:09.920
<v Speaker 4>all around all the time, when yeah, Alan always like

623
00:35:10.159 --> 00:35:11.679
<v Speaker 4>you got somebody in the wings, don't.

624
00:35:11.440 --> 00:35:13.480
<v Speaker 3>You, He's like, oh, I swear, I swear I don't

625
00:35:13.480 --> 00:35:15.440
<v Speaker 3>have anyone in the wings, and they're just like, yeah, okay,

626
00:35:15.480 --> 00:35:15.960
<v Speaker 3>sure pal.

627
00:35:16.440 --> 00:35:19.800
<v Speaker 4>But then you find out that Danny the dentist found

628
00:35:19.800 --> 00:35:23.960
<v Speaker 4>out because the guy was under sedation at his dentist office,

629
00:35:23.960 --> 00:35:27.079
<v Speaker 4>so he told them these things while he was under

630
00:35:27.119 --> 00:35:30.280
<v Speaker 4>the influence of the laughing gas, which is kind of funny, but.

631
00:35:30.199 --> 00:35:32.239
<v Speaker 3>I would like to have seen that scene. Actually.

632
00:35:32.320 --> 00:35:35.480
<v Speaker 4>Yeah, and Jack Weston is really the comic relief of

633
00:35:35.519 --> 00:35:38.199
<v Speaker 4>this whole picture, I think there because, yeah, he's the

634
00:35:38.400 --> 00:35:41.519
<v Speaker 4>he's sort of the bumbler. He's this sort of anyone who, well,

635
00:35:41.599 --> 00:35:44.320
<v Speaker 4>we've all seen Jack Weston. Of course, he was in

636
00:35:44.679 --> 00:35:47.440
<v Speaker 4>Wait Until Dark, which we covered in Cable Box Theater.

637
00:35:48.280 --> 00:35:49.559
<v Speaker 4>Was Cable Box Theater, was it not?

638
00:35:49.719 --> 00:35:50.320
<v Speaker 3>Yeah? Of course.

639
00:35:50.760 --> 00:35:53.280
<v Speaker 4>Okay, he is a like I said, he's a dentist.

640
00:35:53.639 --> 00:35:58.039
<v Speaker 4>But his character quirk is that he's a hypochondria who.

641
00:35:58.440 --> 00:36:00.920
<v Speaker 4>He's the oldest one of the bunch, and as he

642
00:36:00.920 --> 00:36:05.599
<v Speaker 4>gets older he feels his mortality more keenly. So he's

643
00:36:05.639 --> 00:36:08.239
<v Speaker 4>always talking about he doesn't want to do this, he's

644
00:36:08.280 --> 00:36:11.559
<v Speaker 4>afraid he gets sunburned, and he's complaining and all this

645
00:36:11.639 --> 00:36:14.039
<v Speaker 4>kind of stuff. And he's also the one and I

646
00:36:14.079 --> 00:36:16.639
<v Speaker 4>think every friend group maybe has someone like this who's

647
00:36:17.079 --> 00:36:21.199
<v Speaker 4>endlessly keeping track of how much everyone owes in terms of, Okay,

648
00:36:21.239 --> 00:36:23.559
<v Speaker 4>we're going out to dinner, you only thirteen dollars, you

649
00:36:23.639 --> 00:36:26.880
<v Speaker 4>only twenty five, you only whatever. And they always give

650
00:36:26.920 --> 00:36:29.360
<v Speaker 4>him a hard time because of that role that he's

651
00:36:29.360 --> 00:36:30.440
<v Speaker 4>imposed on himself.

652
00:36:30.559 --> 00:36:33.800
<v Speaker 3>That would be annoying if they were friends for life,

653
00:36:34.239 --> 00:36:36.519
<v Speaker 3>the fact now that they've only been friends for seven

654
00:36:36.639 --> 00:36:40.440
<v Speaker 3>years and they're these aren't like I guess they're wealthy

655
00:36:40.599 --> 00:36:43.760
<v Speaker 3>enough in all, but shelling out a lot of fucking

656
00:36:43.800 --> 00:36:45.000
<v Speaker 3>money on these trips, Matt.

657
00:36:45.199 --> 00:36:47.079
<v Speaker 4>And they're fucking up a lot of stuff too. They're

658
00:36:47.119 --> 00:36:48.760
<v Speaker 4>breaking a lot of things on there.

659
00:36:48.800 --> 00:36:51.719
<v Speaker 3>They fucking But they destroy the front of that boat.

660
00:36:52.320 --> 00:36:55.400
<v Speaker 4>Yeah, they destroy the boat because the anchor gets stuck

661
00:36:55.960 --> 00:36:58.960
<v Speaker 4>and len carry you fancies himself a sailor, and he

662
00:36:59.679 --> 00:37:03.000
<v Speaker 4>tries to back the boat out, but it snaps the

663
00:37:03.159 --> 00:37:04.760
<v Speaker 4>railing off the front of it. And then they get

664
00:37:04.760 --> 00:37:07.079
<v Speaker 4>beached on a sandbar and they have to sit there

665
00:37:07.280 --> 00:37:09.360
<v Speaker 4>with the boat tilted at a weird angle.

666
00:37:09.960 --> 00:37:13.159
<v Speaker 3>Then they shout, all in that boat the sandovar, Yeah

667
00:37:14.760 --> 00:37:18.199
<v Speaker 3>to forty nine foot y'all from the oof of Fox collection.

668
00:37:18.760 --> 00:37:20.480
<v Speaker 3>It was created in nineteen fifty two.

669
00:37:21.039 --> 00:37:23.440
<v Speaker 4>Those are some good notes. You got their bottom alone.

670
00:37:23.559 --> 00:37:26.039
<v Speaker 3>I go deep when it comes to nauticle.

671
00:37:26.159 --> 00:37:32.079
<v Speaker 4>But in every single vacation destination, I think maybe summer

672
00:37:32.480 --> 00:37:34.559
<v Speaker 4>might be the one exception. I don't remember what they

673
00:37:34.559 --> 00:37:37.719
<v Speaker 4>did in summertime to destroy whatever they've got going on.

674
00:37:37.960 --> 00:37:41.199
<v Speaker 4>I was, oh, that was summertime. Oh, that's right, that

675
00:37:41.239 --> 00:37:43.920
<v Speaker 4>the boat was. I'm thinking of autumn. I'm thinking of fall.

676
00:37:44.320 --> 00:37:47.880
<v Speaker 3>Sorry, while they demolished my will to live by talking

677
00:37:47.920 --> 00:37:53.000
<v Speaker 3>to their daughters at their uptight Wesleyan stand in universities.

678
00:37:53.679 --> 00:37:58.199
<v Speaker 4>Both daughters, by the way, were alan Alda's actual daughters. Yep,

679
00:37:58.519 --> 00:38:02.360
<v Speaker 4>but they're not playing sisters there actually childhood friends. One

680
00:38:02.360 --> 00:38:06.840
<v Speaker 4>of them is alan Alda's daughter in the movie. The

681
00:38:06.840 --> 00:38:09.800
<v Speaker 4>other one is Lenn Carru's daughter who has been She's

682
00:38:09.840 --> 00:38:14.400
<v Speaker 4>depressed because of the divorce and nobody much likes her anymore.

683
00:38:14.480 --> 00:38:18.119
<v Speaker 4>She's morose. She talks about the only friend she had

684
00:38:18.440 --> 00:38:22.000
<v Speaker 4>tried to commit suicide, and she's miserable.

685
00:38:21.559 --> 00:38:25.960
<v Speaker 3>And she's just like her dad, like this not so

686
00:38:26.159 --> 00:38:29.320
<v Speaker 3>failed threat. I'm getting ready to do myself in here, pops.

687
00:38:29.599 --> 00:38:32.440
<v Speaker 3>This is where it becomes clear that Len Carrio is

688
00:38:32.599 --> 00:38:35.239
<v Speaker 3>actually the villain of the piece, at least alan Alda

689
00:38:35.280 --> 00:38:39.480
<v Speaker 3>has decided he is now because his decision has not

690
00:38:39.519 --> 00:38:43.719
<v Speaker 3>only fractured their friend group, but he's decimated his daughter's

691
00:38:43.760 --> 00:38:44.599
<v Speaker 3>future potential.

692
00:38:44.880 --> 00:38:49.239
<v Speaker 4>True, but as the seasons progress, and by the way,

693
00:38:49.639 --> 00:38:53.719
<v Speaker 4>his reaction to her being Morou's whether or not she's

694
00:38:53.760 --> 00:38:55.079
<v Speaker 4>being overly dramatic.

695
00:38:55.159 --> 00:38:58.039
<v Speaker 3>She's clearly depressed. Look at the way she's dressed. For

696
00:38:58.079 --> 00:39:01.000
<v Speaker 3>God's sake. His response is to do that. I know

697
00:39:01.039 --> 00:39:06.320
<v Speaker 3>you're gonna smile in there, that smile Like I wanted

698
00:39:06.360 --> 00:39:09.280
<v Speaker 3>to snab him so badly. I wanted to put him

699
00:39:09.280 --> 00:39:12.679
<v Speaker 3>in a chair, cut his throat, drop him down, and

700
00:39:12.719 --> 00:39:13.960
<v Speaker 3>cook him into a pie.

701
00:39:14.320 --> 00:39:17.000
<v Speaker 4>Yeah, he's not likable. But to be fair, though, what

702
00:39:17.039 --> 00:39:19.760
<v Speaker 4>I was going to say was like, it's all of

703
00:39:19.800 --> 00:39:23.719
<v Speaker 4>the ire isn't exclusively directed at Lenn carry you, because

704
00:39:24.440 --> 00:39:28.000
<v Speaker 4>as the seasons progress, they all get annoyed at everybody else,

705
00:39:28.360 --> 00:39:33.440
<v Speaker 4>particularly this guy, Danny Jack Weston's character, because his obsession

706
00:39:33.639 --> 00:39:38.199
<v Speaker 4>with all these negative the death and his ailments and

707
00:39:38.239 --> 00:39:40.840
<v Speaker 4>the fact that he has to be the being counter

708
00:39:41.079 --> 00:39:44.960
<v Speaker 4>for every aspect of their vacation greets on them. And

709
00:39:45.000 --> 00:39:49.400
<v Speaker 4>then Alan Aldack accuses him of being paranoid, which he is,

710
00:39:49.880 --> 00:39:52.599
<v Speaker 4>but that just makes him more paranoid because now he

711
00:39:52.679 --> 00:39:56.559
<v Speaker 4>thinks that everybody thinks he's paranoid. So it's and it's

712
00:39:56.599 --> 00:39:59.840
<v Speaker 4>a mystery to me how someone like him gets married

713
00:39:59.840 --> 00:40:02.760
<v Speaker 4>to somebody like Rita Moreno, which was a little odd

714
00:40:02.800 --> 00:40:05.760
<v Speaker 4>because look, Rita Moreno was fifty years old when she

715
00:40:05.960 --> 00:40:09.880
<v Speaker 4>made this, but she could pass for someone fifteen years younger.

716
00:40:10.079 --> 00:40:14.159
<v Speaker 3>Oh easy, I had no idea. She looks fantastic, and

717
00:40:14.199 --> 00:40:15.400
<v Speaker 3>she's Italian.

718
00:40:15.480 --> 00:40:18.159
<v Speaker 4>Which she's not. We all know that she's actually Puerto Rican.

719
00:40:18.880 --> 00:40:23.039
<v Speaker 4>That graded on me too because she's not. But because

720
00:40:23.719 --> 00:40:27.400
<v Speaker 4>one of her character traits is that she says things

721
00:40:27.679 --> 00:40:31.400
<v Speaker 4>without thinking about them, like hurtful things. She will say

722
00:40:31.400 --> 00:40:33.239
<v Speaker 4>something and then someone will be very hurt by it,

723
00:40:33.480 --> 00:40:35.480
<v Speaker 4>and then when people say, well, why did you say

724
00:40:35.480 --> 00:40:40.000
<v Speaker 4>that to her, her defense is well, I'm Italian, which

725
00:40:40.440 --> 00:40:45.719
<v Speaker 4>eventually leads to Jack Weston doing a classic bellowing scene

726
00:40:45.760 --> 00:40:47.519
<v Speaker 4>where they're in a hotel room and he opens up

727
00:40:47.519 --> 00:40:50.280
<v Speaker 4>the window and says, my wife's Italian. Do you hear that?

728
00:40:50.440 --> 00:40:52.480
<v Speaker 4>Now you don't have to ever say that you're Italian again,

729
00:40:52.519 --> 00:40:55.840
<v Speaker 4>and he storms off. It's really it's kind of her

730
00:40:55.960 --> 00:41:01.360
<v Speaker 4>defining character trait, but she does her mormans despite that,

731
00:41:01.519 --> 00:41:04.960
<v Speaker 4>is actually really soulful in a lot of ways. So

732
00:41:05.039 --> 00:41:09.519
<v Speaker 4>there's a moment where during the summer vignette Let's call it,

733
00:41:09.920 --> 00:41:15.000
<v Speaker 4>where Len Carry You and Bess Armstrong have really been

734
00:41:15.000 --> 00:41:17.519
<v Speaker 4>making things awkward. First of all, they're fucking all night

735
00:41:17.920 --> 00:41:20.920
<v Speaker 4>keeping every loudly.

736
00:41:20.920 --> 00:41:25.519
<v Speaker 3>Loudly about that HP. If I'd known you for any

737
00:41:25.559 --> 00:41:28.199
<v Speaker 3>amount of time and you did that, the next day,

738
00:41:28.239 --> 00:41:29.320
<v Speaker 3>you and I would have words.

739
00:41:29.639 --> 00:41:32.000
<v Speaker 4>It was so I didn't understand it because they're all

740
00:41:32.079 --> 00:41:33.440
<v Speaker 4>kind of tiptoeing around it, but like.

741
00:41:33.519 --> 00:41:36.519
<v Speaker 3>And like making little tittery jokes about it. It's like, hey,

742
00:41:36.519 --> 00:41:39.719
<v Speaker 3>can you two not fuck so loud? We're all here right.

743
00:41:40.079 --> 00:41:43.639
<v Speaker 4>Pretty much, but so that's they're fucking all the time.

744
00:41:43.719 --> 00:41:46.639
<v Speaker 4>At one point they go skinny dipping and playing view

745
00:41:46.679 --> 00:41:50.960
<v Speaker 4>of everybody, and len Carryu is giving her a little

746
00:41:51.000 --> 00:41:54.760
<v Speaker 4>gift every day of the vacation, which is driving most

747
00:41:54.800 --> 00:41:58.679
<v Speaker 4>of them nuts. But they have this conversation where Rita

748
00:41:58.760 --> 00:42:01.679
<v Speaker 4>Moreno's character actually is the only one to say, you

749
00:42:01.719 --> 00:42:04.119
<v Speaker 4>know what, I'd kind of like to be them. I'm

750
00:42:04.199 --> 00:42:06.320
<v Speaker 4>kind of jealous of that what they have. She's the

751
00:42:06.360 --> 00:42:09.000
<v Speaker 4>only one who says, because they've all been married for

752
00:42:09.079 --> 00:42:10.880
<v Speaker 4>twenty years at this point, they've.

753
00:42:10.719 --> 00:42:13.639
<v Speaker 3>All and follow out of love is awesome. So yeah,

754
00:42:13.639 --> 00:42:14.239
<v Speaker 3>she gets it.

755
00:42:14.719 --> 00:42:18.280
<v Speaker 4>Yeah, well knows. She's recognizing the fact that after you've

756
00:42:18.320 --> 00:42:23.079
<v Speaker 4>been married to someone for ten, fifteen, twenty years, some

757
00:42:23.159 --> 00:42:25.760
<v Speaker 4>of the passion, if not a lot of the passion

758
00:42:25.760 --> 00:42:28.719
<v Speaker 4>has probably gone out. It's just it's inevitable. You've been

759
00:42:28.719 --> 00:42:31.679
<v Speaker 4>waking up next to this person for twenty years. So

760
00:42:31.719 --> 00:42:33.760
<v Speaker 4>for her to say I kind of like to have

761
00:42:33.800 --> 00:42:35.719
<v Speaker 4>what they're having, it was kind of like a nice,

762
00:42:35.800 --> 00:42:40.559
<v Speaker 4>wistful moment of lucidity from the character.

763
00:42:41.000 --> 00:42:43.880
<v Speaker 3>I agree, it's that's one of my favorite moments. You know,

764
00:42:43.920 --> 00:42:46.519
<v Speaker 3>it's not one of my favorite moments of any movie ever.

765
00:42:46.800 --> 00:42:49.639
<v Speaker 4>The Valdi, Well, that's the big hook of this movie, right.

766
00:42:50.000 --> 00:42:54.199
<v Speaker 3>Isn't it? Isn't it? Though? I can't stand Antonio Vivaldi.

767
00:42:54.280 --> 00:42:57.519
<v Speaker 3>It's like the Musac of classical music. This is like

768
00:42:57.599 --> 00:43:03.280
<v Speaker 3>the most accessible barring tunes ever. It's all fucking strings

769
00:43:03.320 --> 00:43:06.239
<v Speaker 3>and all horns. Man, I just I cannot stand it.

770
00:43:06.559 --> 00:43:07.360
<v Speaker 3>Well what I don't?

771
00:43:07.519 --> 00:43:10.000
<v Speaker 4>I agree with you to a point. But what makes

772
00:43:10.000 --> 00:43:13.679
<v Speaker 4>it worse in this case is that the transition to

773
00:43:14.440 --> 00:43:19.280
<v Speaker 4>every new season is depicted by or it's introduced by

774
00:43:19.320 --> 00:43:23.079
<v Speaker 4>a montage. So if it's summer, it's a lot of

775
00:43:23.239 --> 00:43:28.079
<v Speaker 4>images of flowers, sunshine, lakes and whatever, which, but loudly

776
00:43:28.159 --> 00:43:32.559
<v Speaker 4>soundtracked by the Vivaldi piece that matches that season. But

777
00:43:32.599 --> 00:43:35.360
<v Speaker 4>it happens in if this were a play, like a

778
00:43:35.360 --> 00:43:38.159
<v Speaker 4>theatrical play, you would understand it because they need that

779
00:43:38.239 --> 00:43:42.239
<v Speaker 4>time to strike the set, change costumes, get ready. But

780
00:43:42.599 --> 00:43:45.039
<v Speaker 4>this to me is like time wasted. I get it.

781
00:43:45.480 --> 00:43:49.639
<v Speaker 4>We transitioned into winter. You don't have to show frozen

782
00:43:50.000 --> 00:43:53.920
<v Speaker 4>leaves or ice or icicles hanging off of a snowy roof.

783
00:43:54.400 --> 00:43:57.800
<v Speaker 4>That grated on me more than the music in Isolation.

784
00:43:58.360 --> 00:44:01.679
<v Speaker 3>HP. Do you remember Christopher film The Big Picture?

785
00:44:02.280 --> 00:44:06.239
<v Speaker 4>I well not, yes, in the broad Strokes, but it's

786
00:44:06.280 --> 00:44:07.159
<v Speaker 4>been many years, and so.

787
00:44:07.800 --> 00:44:11.719
<v Speaker 3>Before Waiting for Guffman and before the improv everything. Yeah,

788
00:44:11.760 --> 00:44:14.559
<v Speaker 3>he wrote and directed a movie about a Kevin Bacon

789
00:44:14.599 --> 00:44:18.679
<v Speaker 3>stars as a young film school student who has graduated

790
00:44:18.760 --> 00:44:22.599
<v Speaker 3>and made his first short film and he's attracted studio

791
00:44:22.760 --> 00:44:24.559
<v Speaker 3>interest and he's trying to get a movie made. It's

792
00:44:24.559 --> 00:44:26.559
<v Speaker 3>all about the foibles of trying to get that movie

793
00:44:26.599 --> 00:44:30.880
<v Speaker 3>made and all the perversions of his original intention, and

794
00:44:31.119 --> 00:44:33.760
<v Speaker 3>he replaces his friends on the crew and it becomes

795
00:44:33.760 --> 00:44:36.039
<v Speaker 3>a movie about this, that and the other. It's really,

796
00:44:36.079 --> 00:44:39.039
<v Speaker 3>really a great film, and I encourage everyone to see it,

797
00:44:39.079 --> 00:44:41.840
<v Speaker 3>if only because Jennifer Jason Lee is so fucking adorable

798
00:44:41.840 --> 00:44:44.599
<v Speaker 3>at the end, but the movie, he's trying to make

799
00:44:44.800 --> 00:44:47.360
<v Speaker 3>seems to me to be The Four Seasons. If you

800
00:44:47.440 --> 00:44:50.239
<v Speaker 3>watch the movie, you'll see what I mean. It's about

801
00:44:50.599 --> 00:44:55.320
<v Speaker 3>three middle aged people in a snowy cabin working out

802
00:44:55.360 --> 00:44:57.920
<v Speaker 3>their relationships. And it's two guys and a girl, so

803
00:44:57.960 --> 00:45:01.159
<v Speaker 3>they've had interesting couplings over the year, and like it's

804
00:45:01.199 --> 00:45:03.679
<v Speaker 3>the Four it's the Four Seasons. And thank god the

805
00:45:03.679 --> 00:45:06.679
<v Speaker 3>studio was trying to turn that into Abe and the Babe,

806
00:45:07.000 --> 00:45:09.840
<v Speaker 3>where Abe Lincoln and they rules team up.

807
00:45:10.159 --> 00:45:14.320
<v Speaker 4>I don't remember that. That's awesome. Yeah, look, I don't know.

808
00:45:14.480 --> 00:45:16.679
<v Speaker 4>The thing of it is, I've watched this movie probably

809
00:45:16.719 --> 00:45:19.880
<v Speaker 4>about three or four times over this past weekend, kind

810
00:45:19.880 --> 00:45:22.920
<v Speaker 4>of once to just take notes and a few times

811
00:45:22.960 --> 00:45:26.519
<v Speaker 4>just to reaquaint myself with the rhythms of it and everything.

812
00:45:27.079 --> 00:45:29.440
<v Speaker 4>And the weird thing is, the more I watch it,

813
00:45:29.480 --> 00:45:31.239
<v Speaker 4>the more i'm I kind of dig it. It's like

814
00:45:31.239 --> 00:45:33.960
<v Speaker 4>a hangout movie to me. Now, like they're they're very

815
00:45:34.000 --> 00:45:36.840
<v Speaker 4>low stakes. I mean beyond the fact that we're talking divorce,

816
00:45:36.920 --> 00:45:40.039
<v Speaker 4>and that's a terrible thing, but it's a low stakes movie.

817
00:45:40.719 --> 00:45:44.000
<v Speaker 4>It's the actors are good enough that they can sell

818
00:45:44.000 --> 00:45:46.639
<v Speaker 4>the fact that they're friends with each other. It's over

819
00:45:46.679 --> 00:45:50.679
<v Speaker 4>the top there. There's a lot of shrieky laughter and

820
00:45:51.000 --> 00:45:53.519
<v Speaker 4>over the top affection for each other and whatnot. But

821
00:45:54.239 --> 00:45:57.239
<v Speaker 4>I don't know. The funny thing happened on the way

822
00:45:57.320 --> 00:46:00.599
<v Speaker 4>to this podcast is I was a little armed by

823
00:46:00.639 --> 00:46:01.960
<v Speaker 4>it bottom alone.

824
00:46:02.039 --> 00:46:06.599
<v Speaker 3>That's interesting. It was not the exact opposite happened. Everything

825
00:46:06.679 --> 00:46:09.119
<v Speaker 3>I thought I liked about the movie turned out to

826
00:46:09.159 --> 00:46:14.280
<v Speaker 3>be a grading nightmare, and I'm now able to appreciate

827
00:46:14.519 --> 00:46:18.599
<v Speaker 3>basically the performances. I appreciate the movie as a kind

828
00:46:18.639 --> 00:46:24.760
<v Speaker 3>of retro time capsule of nineteen eighty one and what

829
00:46:24.800 --> 00:46:27.679
<v Speaker 3>white people were up to. And I will say this,

830
00:46:27.800 --> 00:46:31.199
<v Speaker 3>what I did notice this time around is that as

831
00:46:31.760 --> 00:46:39.000
<v Speaker 3>kind of elitist intelligentsia literati, as much of that group

832
00:46:39.119 --> 00:46:42.519
<v Speaker 3>as we're being shown, what I noticed is everything that

833
00:46:42.559 --> 00:46:45.480
<v Speaker 3>they were like eating and kind of obsessed with would

834
00:46:45.519 --> 00:46:48.559
<v Speaker 3>eventually settle in with the rest of America. So, yeah,

835
00:46:48.559 --> 00:46:51.280
<v Speaker 3>they're making this like making this Chinese dish to begin,

836
00:46:51.440 --> 00:46:53.920
<v Speaker 3>and yes, they are going crazy for it. I agree, Oh,

837
00:46:53.920 --> 00:46:55.760
<v Speaker 3>this is the greatest thing ever. But you got to

838
00:46:55.800 --> 00:46:58.360
<v Speaker 3>remember in nineteen eighty one, like, where were you getting

839
00:46:58.440 --> 00:47:02.119
<v Speaker 3>anything other than regular old American food other than these

840
00:47:02.239 --> 00:47:05.920
<v Speaker 3>people who are these defeat snobs, who you wouldn't want

841
00:47:05.960 --> 00:47:08.639
<v Speaker 3>to piss on if they were on fire. But at

842
00:47:08.760 --> 00:47:12.360
<v Speaker 3>least they were ahead of the curve culturally when it

843
00:47:12.400 --> 00:47:15.199
<v Speaker 3>comes to mixing and mingling and fusion.

844
00:47:15.719 --> 00:47:21.039
<v Speaker 4>They're so white that when check questioned is cooking this meal,

845
00:47:21.119 --> 00:47:25.039
<v Speaker 4>this Chinese meal, his apron is a reproduction of the

846
00:47:25.079 --> 00:47:29.679
<v Speaker 4>New York Times Living section. It's like a recipe printed all.

847
00:47:29.719 --> 00:47:33.800
<v Speaker 3>Wearing the three men in the kitchen, and they all

848
00:47:33.800 --> 00:47:35.800
<v Speaker 3>have the individual aprons.

849
00:47:36.039 --> 00:47:38.920
<v Speaker 4>What's up which? But if you think about it, though,

850
00:47:38.920 --> 00:47:42.239
<v Speaker 4>that's actually that's also something that's a little enlightened about.

851
00:47:42.280 --> 00:47:45.400
<v Speaker 4>It is the men are in the kitchen cooking this

852
00:47:45.519 --> 00:47:49.760
<v Speaker 4>epicurean delight while the women are doing what would maybe

853
00:47:49.760 --> 00:47:52.840
<v Speaker 4>traditionally at that point been a man's thing, which is

854
00:47:52.840 --> 00:47:56.599
<v Speaker 4>they're all chewing the fat, talking about life or whatever

855
00:47:56.639 --> 00:47:59.039
<v Speaker 4>while the men are slaving away in the kitchen. That's

856
00:47:59.280 --> 00:48:03.079
<v Speaker 4>but at the same time they are defeat snobs, to

857
00:48:03.159 --> 00:48:06.679
<v Speaker 4>your point, so I would expect nothing less. And in fact,

858
00:48:06.920 --> 00:48:11.559
<v Speaker 4>when they then transitioned to this idyllic boat scene before

859
00:48:11.559 --> 00:48:14.480
<v Speaker 4>they all jump into the lake, what are they talking about?

860
00:48:14.480 --> 00:48:16.599
<v Speaker 4>They're the thing we're introduced them to talk about. What

861
00:48:16.840 --> 00:48:18.840
<v Speaker 4>we have for our next meal. Oh, let's make an

862
00:48:18.840 --> 00:48:22.280
<v Speaker 4>Indian meal. Let's oh no, how about something Hesian? No, no, no,

863
00:48:22.320 --> 00:48:25.960
<v Speaker 4>I have it chicken Florentine on it. They're so into

864
00:48:26.000 --> 00:48:29.039
<v Speaker 4>the food, and I think you're right. I think this

865
00:48:29.239 --> 00:48:34.159
<v Speaker 4>was sort of presaging that that that sort of idea

866
00:48:34.360 --> 00:48:37.800
<v Speaker 4>of the gourmet not really a fad, but gourmet food

867
00:48:37.840 --> 00:48:41.079
<v Speaker 4>became a big deal in America. It kind of made

868
00:48:41.119 --> 00:48:45.880
<v Speaker 4>its way from the elitist sort of New York dilettants

869
00:48:46.280 --> 00:48:49.199
<v Speaker 4>and eventually became, like you would the cookbooks were a

870
00:48:49.199 --> 00:48:52.360
<v Speaker 4>big deal at the time. We don't really see cookbooks anymore,

871
00:48:52.400 --> 00:48:56.559
<v Speaker 4>but that was cookbooks were like best sellers in the eighties, right,

872
00:48:56.639 --> 00:49:00.599
<v Speaker 4>because everyone wanted to have a unique gourmet. Well, this

873
00:49:00.800 --> 00:49:04.199
<v Speaker 4>was kind of an early look at that kind of cool.

874
00:49:04.480 --> 00:49:09.480
<v Speaker 3>Four years after this, Jed Nelson would go sushi. When

875
00:49:09.559 --> 00:49:13.519
<v Speaker 3>confronted with a bento box of sushi that Molly Ringwalld

876
00:49:13.559 --> 00:49:17.519
<v Speaker 3>is eating. That is how foreign the idea of sushi was.

877
00:49:17.679 --> 00:49:19.079
<v Speaker 3>He didn't even know what it was.

878
00:49:19.559 --> 00:49:22.719
<v Speaker 4>You can get sushi at the mall now and in

879
00:49:22.760 --> 00:49:25.559
<v Speaker 4>the breakfast club. It was considered like, oh my god,

880
00:49:25.719 --> 00:49:29.119
<v Speaker 4>she's so she's so upper crust she brought a sushi

881
00:49:29.239 --> 00:49:31.000
<v Speaker 4>dish to her detention.

882
00:49:31.400 --> 00:49:34.639
<v Speaker 3>Also, can you imagine anything more disgusting? Can I eat?

883
00:49:34.760 --> 00:49:38.239
<v Speaker 3>I don't know, Guva du tro? You kidding me? That's

884
00:49:38.280 --> 00:49:39.639
<v Speaker 3>all I want to eat? Motherfucker.

885
00:49:40.199 --> 00:49:43.599
<v Speaker 4>So I guess what I'm kind of getting at is

886
00:49:43.679 --> 00:49:47.800
<v Speaker 4>there there's This movie isn't for everyone, that much is clear, But.

887
00:49:48.119 --> 00:49:51.679
<v Speaker 3>This movie for HB Nostalt people like us.

888
00:49:51.920 --> 00:49:54.599
<v Speaker 4>Well, I don't know, because I think anyone who might

889
00:49:55.480 --> 00:49:59.400
<v Speaker 4>have been a contemporary of Alan Alda and the people

890
00:49:59.440 --> 00:50:02.280
<v Speaker 4>in this movie either dead or they're just old. I

891
00:50:02.280 --> 00:50:05.639
<v Speaker 4>don't think it's for them because they've aged passed where

892
00:50:05.679 --> 00:50:09.599
<v Speaker 4>this is revolutionary. I honestly, well, it's for somebody because

893
00:50:09.639 --> 00:50:12.920
<v Speaker 4>Tina Fay saw enough in this that she decided to

894
00:50:12.960 --> 00:50:16.599
<v Speaker 4>make a Netflix mini series based off of this idea.

895
00:50:16.800 --> 00:50:21.199
<v Speaker 4>So it's for somebody. It didn't just vanish into thin air,

896
00:50:21.320 --> 00:50:23.679
<v Speaker 4>so Tina Face saw it and thought it was worth it.

897
00:50:24.199 --> 00:50:27.039
<v Speaker 3>So that just makes me think Tina Fay saw this

898
00:50:27.239 --> 00:50:30.000
<v Speaker 3>as a youth and then remember it later and when

899
00:50:30.079 --> 00:50:31.440
<v Speaker 3>I think we could do better than that.

900
00:50:32.079 --> 00:50:35.280
<v Speaker 4>I so, I assume you watched the trailer for it.

901
00:50:35.599 --> 00:50:36.000
<v Speaker 3>I have not.

902
00:50:36.760 --> 00:50:38.599
<v Speaker 4>You have not? Okay, Well, then I won't. I will

903
00:50:38.599 --> 00:50:40.760
<v Speaker 4>say nothing more, but yeah.

904
00:50:40.639 --> 00:50:43.360
<v Speaker 3>Oh go ahead, noting a fucking podcast for that reason.

905
00:50:43.599 --> 00:50:47.519
<v Speaker 4>Yeah, well, okay, I just didn't want to poison your thinking.

906
00:50:47.679 --> 00:50:50.239
<v Speaker 4>I'm I'm always going to be optimistic because I think

907
00:50:50.280 --> 00:50:54.000
<v Speaker 4>she's a really good writer and Steve Carell. The cast

908
00:50:54.039 --> 00:50:58.360
<v Speaker 4>looks great, right, Steve Carell, Coleman Domingo, isn't it is

909
00:50:58.360 --> 00:51:03.320
<v Speaker 4>that his name? And Will Fourte, which is totally bonkers

910
00:51:03.480 --> 00:51:05.519
<v Speaker 4>as far as I'm concerned, because he's a weird guy

911
00:51:05.639 --> 00:51:08.320
<v Speaker 4>at least that's who he portrayed on SNL a is.

912
00:51:08.559 --> 00:51:12.119
<v Speaker 4>But first of all, this is going to be a

913
00:51:12.159 --> 00:51:15.239
<v Speaker 4>mini series. Like it was enough that all four seasons

914
00:51:15.320 --> 00:51:19.000
<v Speaker 4>were covered in a ninety minute movie and that was enough.

915
00:51:19.800 --> 00:51:23.440
<v Speaker 4>I'm questioning how much it needed to be expanded upon

916
00:51:24.039 --> 00:51:26.320
<v Speaker 4>to make this a mini series. First of all, that's

917
00:51:26.360 --> 00:51:29.840
<v Speaker 4>not how many episodes. I want to say four maybe

918
00:51:29.880 --> 00:51:33.320
<v Speaker 4>four one for each season, but maybe six our each

919
00:51:33.719 --> 00:51:36.679
<v Speaker 4>I gotta look this up now, eight part eight eight?

920
00:51:37.159 --> 00:51:40.599
<v Speaker 3>Oh my, two episodes per season? Maybe we get two.

921
00:51:40.519 --> 00:51:45.800
<v Speaker 4>Years seems a little ambitious. For lack of a better phrase,

922
00:51:45.960 --> 00:51:49.719
<v Speaker 4>I'm down it might lean a little bit heavy into

923
00:51:49.800 --> 00:51:54.000
<v Speaker 4>the slapstick, but I don't know. I'm not convinced. It

924
00:51:54.079 --> 00:51:58.119
<v Speaker 4>seems like maybe it's a it's too little to cover

925
00:51:58.239 --> 00:52:01.280
<v Speaker 4>over eight episodes, but but I could be wrong. I

926
00:52:01.280 --> 00:52:05.159
<v Speaker 4>think everybody involved knows what they're doing. But anyway, I

927
00:52:05.199 --> 00:52:08.039
<v Speaker 4>guess ultimately the point is you asked the question, who

928
00:52:08.079 --> 00:52:10.800
<v Speaker 4>is this for? Short story long, I don't know who

929
00:52:10.800 --> 00:52:12.559
<v Speaker 4>the fuck this is for anymore. I would not have

930
00:52:12.599 --> 00:52:15.599
<v Speaker 4>even thought to watch it again if it weren't for

931
00:52:15.679 --> 00:52:19.079
<v Speaker 4>you making some kind of offhand comment about it and

932
00:52:19.119 --> 00:52:22.880
<v Speaker 4>me going, I remember that movie. Holy shit? Was that

933
00:52:23.000 --> 00:52:27.159
<v Speaker 4>a like awful and sensitive and earnest as I remember it?

934
00:52:27.199 --> 00:52:31.639
<v Speaker 4>And yes it is. But despite that, personally I was

935
00:52:31.639 --> 00:52:36.000
<v Speaker 4>a bit charmed by it, but you had the opposite reactions,

936
00:52:36.039 --> 00:52:36.719
<v Speaker 4>so I don't know.

937
00:52:37.199 --> 00:52:39.559
<v Speaker 3>There are charms to be had there. But overall, it's

938
00:52:39.679 --> 00:52:43.159
<v Speaker 3>just as a curiosity I can appreciate. I can recommend

939
00:52:43.159 --> 00:52:45.599
<v Speaker 3>it as a curiosity. I don't know it that I would.

940
00:52:46.039 --> 00:52:50.039
<v Speaker 3>I would recommend it as anything, but because there is

941
00:52:50.079 --> 00:52:52.559
<v Speaker 3>no story going on here. It's just a bunch of

942
00:52:53.719 --> 00:52:56.719
<v Speaker 3>middle aged white people examining their lives.

943
00:52:57.000 --> 00:53:01.360
<v Speaker 4>Good for you, guys, But as we already said, there

944
00:53:01.400 --> 00:53:05.119
<v Speaker 4>weren't a lot of pictures or movies certainly not TV

945
00:53:05.199 --> 00:53:10.079
<v Speaker 4>shows that went into that area or examined the lives

946
00:53:10.079 --> 00:53:12.320
<v Speaker 4>of these people. Put aside the fact that, yeah, these

947
00:53:12.320 --> 00:53:15.039
<v Speaker 4>are white people, affluent white people from New York.

948
00:53:15.199 --> 00:53:18.039
<v Speaker 3>There weren't a lot of stuff films that were popular

949
00:53:18.079 --> 00:53:20.280
<v Speaker 3>at this time either. But why do you have to

950
00:53:20.320 --> 00:53:20.760
<v Speaker 3>go there?

951
00:53:21.000 --> 00:53:25.320
<v Speaker 4>Why do you have to go there? Applaud his effort Alan,

952
00:53:25.400 --> 00:53:27.480
<v Speaker 4>all his efforts to get the same look. He wrote it,

953
00:53:27.719 --> 00:53:32.119
<v Speaker 4>he directed it, and he started it. That's pretty cool, look, man.

954
00:53:32.079 --> 00:53:34.840
<v Speaker 3>I can appreciate what do you appreciate about this movie?

955
00:53:35.079 --> 00:53:37.679
<v Speaker 3>But I don't know that I could tell anyone else

956
00:53:37.719 --> 00:53:39.800
<v Speaker 3>to go watch this movie thinking they would have that

957
00:53:39.880 --> 00:53:42.840
<v Speaker 3>same experience. I don't know that anyone else there's looking

958
00:53:42.880 --> 00:53:48.639
<v Speaker 3>for the Alan Alda earnestness fucking extravaganza that is the

959
00:53:48.679 --> 00:53:53.840
<v Speaker 3>Four Seasons. If that is your jam, well then jump

960
00:53:53.880 --> 00:53:55.679
<v Speaker 3>on in. The Alda is fine.

961
00:53:56.239 --> 00:53:59.360
<v Speaker 4>I think if you go into this thinking to yourself,

962
00:53:59.519 --> 00:54:01.880
<v Speaker 4>all this is going to be so bad, It's good.

963
00:54:02.199 --> 00:54:06.119
<v Speaker 4>I'm gonna laugh at all these silly motherfuckers, you probably

964
00:54:06.119 --> 00:54:08.360
<v Speaker 4>will get out of it exactly what you put into it.

965
00:54:08.400 --> 00:54:10.800
<v Speaker 4>In that sense, and there's a lot to laugh at here.

966
00:54:11.199 --> 00:54:15.400
<v Speaker 4>This is dated. The fashions are dated, the attitudes are dated,

967
00:54:15.480 --> 00:54:20.920
<v Speaker 4>the music is dated, the cinematography is dated. For Yeah,

968
00:54:21.079 --> 00:54:24.559
<v Speaker 4>but I don't know that there's, Like I said, there's

969
00:54:24.599 --> 00:54:28.800
<v Speaker 4>an earnest this to the proceedings that it kind of

970
00:54:28.880 --> 00:54:32.280
<v Speaker 4>kept it for me from shading all the way into

971
00:54:33.400 --> 00:54:37.079
<v Speaker 4>outright camp. This isn't like The Room with Tommy Wiseu,

972
00:54:37.639 --> 00:54:41.320
<v Speaker 4>where he was like an alien who didn't understand basic

973
00:54:41.400 --> 00:54:45.440
<v Speaker 4>human emotion or how to make a watchable movie. This

974
00:54:45.599 --> 00:54:49.119
<v Speaker 4>is somebody who had a handle on the technical aspects

975
00:54:49.400 --> 00:54:54.480
<v Speaker 4>of movie making and wrote a good for its time script.

976
00:54:54.840 --> 00:54:58.400
<v Speaker 4>It has some interesting things to say about relationships and

977
00:54:58.440 --> 00:55:02.599
<v Speaker 4>life and love during period and maybe even applicable somewhat

978
00:55:02.719 --> 00:55:05.639
<v Speaker 4>to modern audience. We'll see what the Netflix series. I

979
00:55:05.639 --> 00:55:06.000
<v Speaker 4>don't know.

980
00:55:06.599 --> 00:55:09.480
<v Speaker 3>Yeah, I'm definitely gonna recommend everyone wats the Netflix series

981
00:55:09.519 --> 00:55:12.119
<v Speaker 3>and see this if you and have nothing to do

982
00:55:12.159 --> 00:55:15.800
<v Speaker 3>and it's a Sunday, very narrow Recommendation's the only way

983
00:55:15.840 --> 00:55:18.000
<v Speaker 3>I could recommend them for is if you have nothing

984
00:55:18.039 --> 00:55:21.639
<v Speaker 3>to do and it happens to be Sunday. Well, all right,

985
00:55:21.760 --> 00:55:23.320
<v Speaker 3>that's gonna wrap this one up. This is just a

986
00:55:23.400 --> 00:55:24.760
<v Speaker 3>one off. I don't know, we're gonna be doing this

987
00:55:24.800 --> 00:55:28.039
<v Speaker 3>one again, HB. Where people can find you? Where? HB?

988
00:55:28.119 --> 00:55:29.840
<v Speaker 3>Where can people find you? If they're looking for you?

989
00:55:30.360 --> 00:55:33.239
<v Speaker 4>Well, when I'm not thinking about my own mortality, you

990
00:55:33.280 --> 00:55:35.480
<v Speaker 4>can find me elsewhere. On the weirding Way Network, I

991
00:55:35.599 --> 00:55:39.519
<v Speaker 4>co host the Night Mister Walters Taxi podcast alongside my

992
00:55:39.760 --> 00:55:44.119
<v Speaker 4>erstwhile co host Father Malone. Over here, I host the

993
00:55:44.159 --> 00:55:48.159
<v Speaker 4>Noise Junkies music podcast. That's been fun to do. Check

994
00:55:48.199 --> 00:55:51.440
<v Speaker 4>that out if you like music. I'm an occasional guest

995
00:55:51.480 --> 00:55:54.480
<v Speaker 4>on the Culture Cast with Christashi and I also have

996
00:55:54.519 --> 00:55:58.280
<v Speaker 4>a band camp site. It's Hpissickplace dot bandcamp dot com.

997
00:55:58.760 --> 00:56:00.519
<v Speaker 4>That's it. That's where you can find And how about

998
00:56:00.559 --> 00:56:01.360
<v Speaker 4>you Father Alone.

999
00:56:01.599 --> 00:56:04.119
<v Speaker 3>I go to a Patreon dot com slash Father Alone

1000
00:56:04.760 --> 00:56:09.079
<v Speaker 3>episodes early and commercial free, and other series like Cable

1001
00:56:09.119 --> 00:56:12.599
<v Speaker 3>Box Theater that HB and I do. As for everything else,

1002
00:56:12.679 --> 00:56:14.840
<v Speaker 3>I don't know. Just weirding Way Media. That's where all

1003
00:56:14.840 --> 00:56:17.559
<v Speaker 3>the stuff is. I guess just say something ernest here

1004
00:56:17.599 --> 00:56:18.760
<v Speaker 3>at the end, something pithy.

1005
00:56:18.960 --> 00:56:19.239
<v Speaker 4>I don't know.

1006
00:56:19.239 --> 00:56:22.000
<v Speaker 3>I'll just drop something in basically anything from Alan Older.

1007
00:56:22.440 --> 00:56:24.719
<v Speaker 6>This isn't a war, it's a murder.

1008
00:56:25.159 --> 00:56:26.760
<v Speaker 4>This is a a war. It's avoid.

1009
00:57:03.960 --> 00:57:21.880
<v Speaker 2>Still ste siss s s s stasistence,
