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Speaker 1: Presenting the transcription feature Superman under the Sky. Look, it's

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a word, it's a queen, It's Superman.

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Speaker 2: And now Superman Superman walks the Earth and mingles with

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men as mild spectacle. Clark Kent, news reporter for the

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Daily Planet, and our story opens to day Superman and

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his character of Clark Kent had just telephoned his story

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of the North star Mine to his editor, Perry White.

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White offers his congratulations and also gives Kent a bit

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of welcome news. Listen, I'm all finished out here, mister White.

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Speaker 1: Nice work.

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Speaker 3: Can't you did a good job with that North Carline story.

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Speaker 4: I've little of.

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Speaker 3: Surprise, boy, surprise ever hear of San Miguel Penitentiary to

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a model prison there where you.

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Speaker 1: Are, Sam mc guil, sure i've heard of it, so view.

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Speaker 5: Don't you remember that's where they sent the Wolf and Keno,

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the two fellows who tried to direct that train the Silver Clipper.

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Speaker 1: Hey, that's right, the Wolf and Keno. Well, if you

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see them, give them my regard.

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Speaker 2: What's the idea, mister White.

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Speaker 3: Justice Kenn We've sent Lowis Lane out to San Miguel

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to do a feature Stork on the modern penitentiary. He's

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out there. Now join her and bring her back with you.

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You'll be company for one another.

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Speaker 1: Gee.

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Speaker 6: Thanks, mister White, I forget it. Have a good trip, Kent, Bye.

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Speaker 5: Operator, Oh operator. Is there a garage in town where

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I can rent a car? Yes, Kennedy's okay. Please connect me.

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Speaker 2: Hiring a car. Clark Kent heads out at once on

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the dusty road to Sand Miguel, fifty miles away. Meanwhile,

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in the prison itself, a strange John Rest has taken

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possession of the men within the walls. All unknowing the

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authorities escort Lois Lane on the tour of the prison.

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But even as Lois looks down from a window of

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the warden's office, two men fall casually into step in

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the exercise yard below. One is Keno, the other the dark,

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sinister figure we have come to know as the Wolf.

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Speaker 7: All right, Keno, just keep on walking, not too fast

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and not too slow.

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Speaker 2: We can tuck around the corner the steam plant.

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Speaker 7: Boyd no, no better, stay out in plain sight. I'll

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get this now, Qino. The break is set for today.

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What time after supper in the dining hall? It's all

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a right, hey, boys, what about the time keep quiet

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about the tunnel, Keno, do you want to retard?

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Speaker 2: They can hurry in on this all right?

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Speaker 1: All right?

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Speaker 2: How far along?

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Speaker 1: Is it?

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Speaker 7: Almost done? And so far no one suspects a thing.

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How could they when it's being thrilled from the outside.

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That's what it means to have a guy like the

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Yellow Mask on your side.

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Speaker 6: Quiet, is it?

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Speaker 1: God?

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Speaker 2: Keep moving the hair, No hanging around in the corners.

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Come on the move.

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Speaker 1: You're out here for exercise.

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Speaker 7: I knew the man could spring us sooner, and lady

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h it's about time.

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Speaker 1: You know.

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Speaker 2: He's left us alone far too long. But what do

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you care?

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Speaker 7: If he gets us out now, my friend, there'll be

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a settlement between me and the Mask. I should never

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have gone to jail at all.

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Speaker 2: He knows what he's doing for us.

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Speaker 7: And if you know what's good for you, you take

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what comes and don't tangle with him. Don't worry Keino.

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If he can use me, I can use him. I'll

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let him get us out of here and then we'll

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see for what else. Fors they're going to ring the

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bell right away from what I say, you know, right

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after supper, before we've marched out, they'll get disturbance. I've

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attended to that.

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Speaker 2: Who's in on it?

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Speaker 7: All the men we need, most of them will head

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for the gates. I've arranged that too. But you and

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I and a few more will rush the steam plants.

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Speaker 2: Well what's that for?

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Speaker 7: Well, for one thing, it's close.

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Speaker 3: To the walls.

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Speaker 7: For another, never mind, Now there goes the bell. Hey, horse,

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look up to in the window the warden's office. Hey,

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what's that chain doing?

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Speaker 2: Oh? Yes, yes, I understand.

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Speaker 7: She's writing up the prison for a newspaper Kino. Well,

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if she stays till supper time, she'll have a real story.

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Speaker 1: And that's less than an hour ago.

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Speaker 2: Less than an hour to go, and all unconscious of

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the impending prison break, Lois Lane works up the details

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of her story while the warden offers every assistance.

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Speaker 8: Anything else, Miss Lane. You've been at it since erely afternoon.

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Speaker 6: I'm not nearly finished yet, Warden.

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Speaker 1: Well you've seen about all there is to see. Aren't

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you get hungry?

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Speaker 6: What time?

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Speaker 1: Is it? Very close to supper time?

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Speaker 6: That's another thing I want to know about the woman's

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angle again, Warden, What are the men got to eat?

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Speaker 1: Good wholesome food, miss Lane? And nothing fancy?

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Speaker 6: Of course, could I watch them see if they get

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tonight for instance?

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Speaker 8: Well, it's more or less what you'll get yourself, miss Lane,

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if you'll be my.

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Speaker 6: Guess, Gordon, that's awfully nice of you. But well, would

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it be against the rules if I watched the prisoners

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in the dining hall mm.

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Speaker 8: Six o'clock dinner at past five? Now, I'll tell you weren't.

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How would you like to see the INFIRMO. Well, now

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they're just about time, and when you get through their way,

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I'll drop you off for the dining hall.

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Speaker 6: Whatever you say, Warden, shall we start right along?

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Speaker 2: Time passes ten minutes, twenty minutes, a half hour, and

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suddenly the quiet routine of prisoner is broken by frantic

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bells and the shrieking whale of the sirens.

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Speaker 8: Wharton, theyre going a power of the guards in the

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dining room barricaded themselves in clancy quick who's the leader

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the wolf? Some of them are getting ready to crash

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the main gates. Better call out the militia, warn the

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state police by short wave. You'd better hurry, Warden.

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Speaker 3: Calling state bleek cause five rio at San Miguel Prison.

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Close all roads leading to front. San Miguel stop, all pause,

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close off in triarrhea, stand.

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Speaker 9: By for further orders.

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Speaker 3: I will repeat calling state police cause five nine twenty.

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Speaker 2: Seven sirens, State Police militia. All roads blocked off. And meanwhile,

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Clark Kent, in his hired car, speeds northward towards San

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Miguel through a forest of towering pine, closer, ever closer,

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and presently a curious sound in the distance comes over

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the wilderness to his supersensitive ears, the road makes a

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sudden turn, and in the twilight he sees men in

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uniform barring his way. A police whistle stabs the quiet.

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Speaker 1: Holly up, buddy, this is as far as you go.

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Speaker 2: What's the matter?

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Speaker 1: Officer?

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Speaker 2: Roadblock?

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Speaker 9: Yeah, block right here, turn a round, head back where

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you came from. Why can't I get through where you're bound?

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Speaker 2: San Miguel?

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Speaker 1: I have a date at the prison.

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Speaker 10: Ere What kind of a date?

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Speaker 4: Why?

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Speaker 5: I'm a newspaper man, Clark Kent of the Daily Planet,

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a reporter.

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Speaker 10: Hey, how'd you get winded?

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Speaker 6: This so quick?

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Speaker 7: Wind of?

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Speaker 1: What?

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Speaker 10: Don't give me that stuff? Who told you about the

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I had at San Miguel?

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Speaker 4: Riot?

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Speaker 10: When right now, buddy? And we're under orders to stop

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all cars bounding or out.

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Speaker 9: I'll look, Officer, I'm sorry, but I've just got to

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go through.

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Speaker 10: What's the matter death, I said, we're stopping all cars,

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come to think of it, Climb out at your loppie.

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Speaker 9: If there's trouble at San Miguel, I just having time

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to stop having time.

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Speaker 1: Say who do you think you're talking about? You're sorry.

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Speaker 2: I'd like to stay, but I really can't. It's a

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long Officer.

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Speaker 9: If I can't take my car, I'll just make a

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run for it.

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Speaker 1: See what's saying again? Hey guy, Bill? Take him? Catch him?

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Speaker 6: Hey, look at him.

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Speaker 1: Go hop on your motorcycle. Doyle, I'll catch him.

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Speaker 9: He can't play tricks like this on the jump in

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the side car.

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Speaker 1: Herry got hit around that curve, and.

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Speaker 9: I lay my hands on that fresh guy. I'll stretch

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him out like a rug.

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Speaker 1: Hang on and you'll be.

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Speaker 9: Lucky to even see him. Toyle, he's going like a

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jack rabbit all the way.

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Speaker 1: We'll be hitting seventy five. Alright, Cash, Look will you look?

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Who is that guy?

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Speaker 4: Toyle?

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Speaker 1: He's leaving us behind like Fanny Still. Why he's flying?

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Speaker 9: I'm seeing things.

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Speaker 1: I don't believe it. Look we're doing seventy five.

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Speaker 9: Baby, and he's getting further away every second.

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Speaker 1: Look at him.

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Speaker 11: Sorry, boys, I'd like to stay in chat, but I

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can't do it now. If there's trouble at San Miguel,

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I've got to be there, and be there in a

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hurry up we go, and faster, faster.

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Speaker 2: High over the desolate waste, Superman wings his way toward

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the gray walls and towers of San Miguel, scene of

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riot and danger. While inside the prison itself in the

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office of the warden.

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Speaker 8: Hello warden speaking, Why yes, Colonel Peppert, it looks bad.

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There's about one hundred of the million above the yard

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for the rest are of the dining hall with their leader.

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You'll send two companies of militia. Good rust them, Colonel.

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Every moment counts. Wharton, Wharton. They're going to rest the

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front gate. They've got a battering ramp.

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Speaker 1: Two companies of militia run the way.

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Speaker 8: I won't be time, Warton. You better call the tower, sir.

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Machine guns will driving back. No guns, Clancy, warn the guards.

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I can't shoot them down in cold blood. Try tear

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guess how we have, but there's too much wind for gas.

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Bullets are the only thing. No Clancy, Try tear gas again.

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Drop it from the roof. Now, hurry, they're at the gate.

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Speaker 2: Hurry.

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Speaker 4: Ah, there's the prison and there's the riot.

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Speaker 1: That state trooper was right.

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Speaker 11: I think it's time Superman took a hand in this

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before somebody gets hurt.

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Speaker 2: Down, down, down, out of the sky hurdles an amazing

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figure in blue costume and red cloak, whilst the high

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wall appears out of the tear gas smoke as the

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screaming convict's mass for a concerted rush on the main

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gates of the prison, carrying a huge timber as a

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battering ram.

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Speaker 10: All right, we got it before you guys. It's twenty

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feet on two feet tick, come on, let's go.

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Speaker 5: Hey, I hoo's that.

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Speaker 2: Guy the guy that tap?

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Speaker 8: Where did the frock?

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Speaker 1: Drop that timper?

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Speaker 3: Lush you black and eight of the way, I.

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Speaker 1: Said, drop that timper? All right? It just means I

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got to take it away away. What the hey, he's

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got a temper.

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Speaker 2: He just starts it.

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Speaker 9: Roof bat get back is crazy.

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Speaker 1: He's swinging it like a baseball of.

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Speaker 2: Bath, swinging the huge twenty foot timber like a bamboo cane.

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Superman clears the space before the main gates and drives

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the screaming, terror stricken convict back across the yard and

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into the cell block, where amazed guards put them swiftly

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under lock and key. But what of the wolf and

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Keno and the handful of convicts still at large? And

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what of Loa's Lane trapped in the dining hall when

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the riot broke out? Is she in the clutches of

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the wolf? Tune in next time follow the story, and

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remember be sure to tune in the next thrilling installment

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of the Amazing transcription feature Superman.

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Speaker 8: Up in the Sky Mook It's a bird, it's a thing,

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It's Superman.

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Speaker 2: Superman is a copyrighted feature appearing in Action comics magazines