1
00:00:00,800 --> 00:00:03,200
Speaker 1: W M N h rip the nobles.

2
00:00:08,720 --> 00:00:13,640
Speaker 2: I've been cooped up in this minie Cooper, singing to myself,

3
00:00:13,880 --> 00:00:17,960
going through drive through, have to drive through looking for

4
00:00:18,199 --> 00:00:18,839
some help.

5
00:00:18,879 --> 00:00:22,800
Speaker 3: I'll miss my family and my girl and my friends.

6
00:00:22,839 --> 00:00:24,199
Speaker 1: There find my side.

7
00:00:24,800 --> 00:00:27,079
Speaker 4: If you feel the beat and you're feeling me.

8
00:00:28,079 --> 00:00:29,239
Speaker 2: Come on, let's ride.

9
00:00:29,320 --> 00:00:34,359
Speaker 5: We need a bigger bus to get our friends, more windows.

10
00:00:33,799 --> 00:00:37,240
Speaker 1: And more piles. Party in the d party in the back.

11
00:00:37,799 --> 00:00:42,520
We'll go sway inside to side, down the highway. Surrender,

12
00:00:43,280 --> 00:00:45,240
all wheels go around there riding.

13
00:00:45,320 --> 00:00:49,479
Speaker 6: I'm gain all the bumper stickers from all the places

14
00:00:49,560 --> 00:00:50,479
that we found.

15
00:00:50,560 --> 00:00:57,000
Speaker 1: Need a bigger bus. We need a bigger bus.

16
00:01:02,719 --> 00:01:03,960
Speaker 3: You can bring your friends.

17
00:01:04,000 --> 00:01:06,359
Speaker 1: They can sing too.

18
00:01:07,640 --> 00:01:10,040
Speaker 3: You can even bring your mama as long as she

19
00:01:10,200 --> 00:01:14,920
can hold too. You can bring a dog and that

20
00:01:15,079 --> 00:01:16,680
does ease buy out no wind.

21
00:01:18,159 --> 00:01:21,920
Speaker 1: They will pick up old in town and singing a game.

22
00:01:22,000 --> 00:01:23,599
We need a big up bus to.

23
00:01:23,799 --> 00:01:27,719
Speaker 5: Get our friends on my windows and mouse.

24
00:01:27,799 --> 00:01:30,760
Speaker 6: Party in the front, party in the back. We'll go

25
00:01:30,959 --> 00:01:35,319
sway inside to side, right down my way up, surrender,

26
00:01:36,040 --> 00:01:39,359
all wheels go around and by mumbo get all the

27
00:01:39,640 --> 00:01:43,239
mamba stickers from all places that we found.

28
00:01:43,319 --> 00:01:50,040
Speaker 5: Need a bigger bus. We need a big up bus

29
00:01:54,000 --> 00:01:57,079
and I wanna fly or take the train and hears

30
00:01:57,120 --> 00:01:58,519
the road call in my.

31
00:01:58,760 --> 00:02:03,079
Speaker 6: Neck when feels this good bod ship, get the mon

32
00:02:03,359 --> 00:02:04,079
singing on.

33
00:02:04,200 --> 00:02:07,159
Speaker 5: We need a big bus to get our friends on

34
00:02:07,680 --> 00:02:08,840
my windows in.

35
00:02:10,520 --> 00:02:12,000
Speaker 1: The front, in the.

36
00:02:12,000 --> 00:02:18,159
Speaker 6: Back, well sways, side the side down where surrender.

37
00:02:18,240 --> 00:02:21,240
Speaker 1: All wheels go out there and back. We just want

38
00:02:21,520 --> 00:02:24,280
big out of the family from all the base cities

39
00:02:24,520 --> 00:02:29,400
all the time. We need a big up bus.

40
00:02:29,439 --> 00:02:34,080
Speaker 5: Do get our friends on my windows in one party

41
00:02:34,120 --> 00:02:36,039
in the front, party in the baby.

42
00:02:36,479 --> 00:02:38,520
Speaker 1: We're gonna sways inside.

43
00:02:37,960 --> 00:02:40,560
Speaker 6: To side, back down where.

44
00:02:40,639 --> 00:02:44,360
Speaker 5: Surrender, all the wheels go around and by the bumbo,

45
00:02:44,520 --> 00:02:49,159
get all the bunker stickers from all places that we found.

46
00:02:49,240 --> 00:02:55,719
Speaker 1: Need a bigger bus. We need a bigger buzz.

47
00:02:59,240 --> 00:03:11,319
Speaker 7: We're gonna need a big up us.

48
00:03:13,120 --> 00:03:15,599
Speaker 8: If you didn't catch yourself at any point singing along

49
00:03:15,639 --> 00:03:17,800
to that while you were hearing it, check your pulse,

50
00:03:17,840 --> 00:03:20,759
there might be something wrong with you. Hey, everybody, we

51
00:03:20,800 --> 00:03:23,000
have entered our number two New Marow dose of Matt

52
00:03:23,000 --> 00:03:25,960
Connorton unleashed, and we are live from the studios of

53
00:03:26,120 --> 00:03:29,840
w m NH ninety five point three FM, Inglorious Manchester,

54
00:03:29,919 --> 00:03:33,919
New Hampshire. Today is Saturday, May twenty four, twenty twenty five.

55
00:03:34,479 --> 00:03:37,400
It is Memorial Day weekend, and we have joining us

56
00:03:37,479 --> 00:03:39,960
live in studio making his return to the show. Eli

57
00:03:40,039 --> 00:03:44,039
Levis here. Hello, Eli, Oh, I just realized. I apologize. Wait,

58
00:03:44,120 --> 00:03:45,919
I got a I've got you on a different mic

59
00:03:45,919 --> 00:03:49,000
because you're gonna be performing. Let's see if we can

60
00:03:49,840 --> 00:03:54,240
hear you. No, oh, I hear something. Oh I hear

61
00:03:54,280 --> 00:03:57,080
your voice. We got to turn this up. I apologize.

62
00:03:57,120 --> 00:03:59,439
Here we go, Here we go. I think I can

63
00:03:59,479 --> 00:04:02,520
hear you now. Oh good, Oh, there you are. Aha,

64
00:04:02,560 --> 00:04:06,520
I found you all right. Sorry about that. I'm gonna

65
00:04:06,520 --> 00:04:10,479
blame I was distracted by my crackling voice. I sound

66
00:04:10,520 --> 00:04:13,439
like Kirk Cameron on Growing Pains because my allergies have

67
00:04:13,479 --> 00:04:16,240
been so so we're talking. You told me something really

68
00:04:16,279 --> 00:04:19,319
interesting off air that I didn't know. That actually is

69
00:04:19,360 --> 00:04:20,879
not a huge shock to me when you told me.

70
00:04:20,920 --> 00:04:24,040
But this is the highest concentration of pollen in the world.

71
00:04:24,160 --> 00:04:26,199
Speaker 3: Is the hotspot? Yeah, mid Atlantic?

72
00:04:27,279 --> 00:04:30,800
Speaker 8: Yeah, it's it's it's brutal. I mean, my allergies are

73
00:04:30,800 --> 00:04:33,000
like the worst they've ever been this year. It's really bad.

74
00:04:33,079 --> 00:04:36,959
It's really bad. But I love that song we need

75
00:04:36,959 --> 00:04:40,319
a bigger bus. And you've been You've been traveling all

76
00:04:40,319 --> 00:04:42,040
over the place, right, Yeah, I've been.

77
00:04:42,399 --> 00:04:45,240
Speaker 3: Just got back from a tour in Europe. I flew

78
00:04:45,279 --> 00:04:51,720
into Portugal and played shows in Portugal, Spain and Dora, France, Wow, Switzerland, Austria, Poland,

79
00:04:51,800 --> 00:04:54,360
Czech Republic, And then I flew to London and I

80
00:04:54,399 --> 00:04:57,399
played shows in the UK for another month. Yeah, and

81
00:04:57,439 --> 00:05:00,000
if that wasn't enough, then I jumped over to Ireland

82
00:05:00,079 --> 00:05:02,480
and played a few shows over there. So it's quite

83
00:05:02,480 --> 00:05:05,279
the epic journey over there, and it was really cool

84
00:05:05,360 --> 00:05:07,319
playing the new audiences and meeting new folks.

85
00:05:07,439 --> 00:05:12,399
Speaker 8: Yeah, yeah, absolutely. I mean at this point, how many, Like,

86
00:05:12,439 --> 00:05:13,800
what do you think the ratio is? I don't know

87
00:05:13,800 --> 00:05:14,959
if you've done the math. Well, I know you're a

88
00:05:15,040 --> 00:05:18,519
numbers guy, a number you pay attention to this stuff.

89
00:05:18,800 --> 00:05:20,639
Have you ever done the math on what the ratio

90
00:05:20,680 --> 00:05:22,439
is of shows that you've played outside of the United

91
00:05:22,480 --> 00:05:24,079
States to shows domestically.

92
00:05:24,399 --> 00:05:24,600
Speaker 9: Yeah.

93
00:05:24,639 --> 00:05:26,160
Speaker 3: I think last year I played about two hund and

94
00:05:26,240 --> 00:05:29,519
fifty shows, and I think about fifty of those were

95
00:05:30,040 --> 00:05:30,879
outside the US.

96
00:05:31,000 --> 00:05:31,639
Speaker 8: Oh, no, kidding.

97
00:05:31,879 --> 00:05:33,920
Speaker 3: So last year was a big domestic year. This year,

98
00:05:34,959 --> 00:05:37,199
I mean all those shows, it is probably about probably

99
00:05:37,240 --> 00:05:41,040
played about sixty shows, no kidding, okay, because it was

100
00:05:41,079 --> 00:05:44,279
pretty much every evening. Yeah, so yeah, so far this

101
00:05:44,360 --> 00:05:46,160
year it's been a big international year.

102
00:05:46,319 --> 00:05:50,040
Speaker 8: Yeah. I'm sure we talked about this last time, but

103
00:05:50,639 --> 00:05:52,560
it may have changed since then because you've continued to

104
00:05:52,600 --> 00:05:56,839
play play shows on other continents. Is there any place

105
00:05:56,839 --> 00:06:00,319
that's been particularly challenging as far as traveling or are

106
00:06:00,360 --> 00:06:02,720
just dealing with the logistics of playing a show in

107
00:06:02,800 --> 00:06:04,079
a place that you haven't been before.

108
00:06:04,800 --> 00:06:08,000
Speaker 3: I mean other countries with different languages, you know, different

109
00:06:08,079 --> 00:06:11,279
laws and different you know stuff like that. That was

110
00:06:11,360 --> 00:06:13,040
you know, you're driving on the other side of the

111
00:06:13,160 --> 00:06:15,279
road in the UK, it was like, you know, I

112
00:06:15,319 --> 00:06:20,079
was driving a manual, so that was interesting. But you know,

113
00:06:20,160 --> 00:06:22,199
for example, like I'm in I'm in Portugal for a

114
00:06:22,240 --> 00:06:24,959
few days, so I learned just enough Portuguese to get by,

115
00:06:25,079 --> 00:06:27,720
and I'm in Spain. Yeah okay, I guess which is Spanish.

116
00:06:27,720 --> 00:06:30,319
And then I'm in Andorra so they're speaking Catalan. Then

117
00:06:30,319 --> 00:06:31,839
I'm in France, where it's like, okay, now I got

118
00:06:31,879 --> 00:06:35,839
to speak in French to folks, and Polish is not

119
00:06:36,120 --> 00:06:39,439
an easy language should pick up in a moment. So,

120
00:06:40,079 --> 00:06:41,959
you know, in Poland a lot of people spoke English too,

121
00:06:42,000 --> 00:06:45,160
but it's nice to know, hello, goodbye, thank you, my

122
00:06:45,279 --> 00:06:47,160
name is So I just kind of get that and

123
00:06:47,240 --> 00:06:50,480
people are really appreciative of that. So it's a little

124
00:06:50,480 --> 00:06:52,879
bit difficult being in a new country with a different

125
00:06:52,959 --> 00:06:55,959
language and a different culture. But you know, music is

126
00:06:55,959 --> 00:06:57,079
the universal language.

127
00:06:57,160 --> 00:06:59,199
Speaker 8: Exactly. Do you use a translator app?

128
00:07:00,079 --> 00:07:02,800
Speaker 3: I do? Yeah, Yeah, there's one that's really good and

129
00:07:02,879 --> 00:07:04,839
you can even like they can speak into it. They

130
00:07:04,879 --> 00:07:06,199
can tell you what it is, and I can speak

131
00:07:06,240 --> 00:07:08,000
into it and they give the language.

132
00:07:08,199 --> 00:07:11,879
Speaker 8: Yeah. Are people generally pretty cool about that, like having

133
00:07:11,959 --> 00:07:14,800
the patience for that, you know, especially if you're handing

134
00:07:14,800 --> 00:07:17,040
your phone back and forth and having to do all that.

135
00:07:17,519 --> 00:07:19,600
Speaker 3: People are generally pretty cool out there, Matt.

136
00:07:19,680 --> 00:07:19,839
Speaker 8: Yeah.

137
00:07:20,199 --> 00:07:22,959
Speaker 3: I would say about ninety ninety five percent of people

138
00:07:23,040 --> 00:07:23,959
are pretty cool.

139
00:07:24,079 --> 00:07:24,319
Speaker 8: Yeah.

140
00:07:24,399 --> 00:07:26,079
Speaker 3: You know, if you look at the screens around us,

141
00:07:26,079 --> 00:07:28,000
you wouldn't think it, right, you know what I mean?

142
00:07:28,079 --> 00:07:32,240
If you just consumed our media as humans, yes, you'd

143
00:07:32,240 --> 00:07:34,519
think we were probably some big old dirt bags, right,

144
00:07:34,839 --> 00:07:37,519
But we're not. We're very kind folks, and you know,

145
00:07:37,600 --> 00:07:40,680
I feel like that, uh, in person, interaction and that

146
00:07:40,720 --> 00:07:42,480
face to face interaction, Like even if I didn't know

147
00:07:42,480 --> 00:07:45,800
a language and I needed something, people would, people are helpful.

148
00:07:46,360 --> 00:07:49,079
Speaker 8: Was it intimidating when you first started touring internationally? Was

149
00:07:49,160 --> 00:07:51,560
that intimidating at all? Or were you able to just

150
00:07:51,639 --> 00:07:53,680
kind of just go for it and not worry.

151
00:07:53,959 --> 00:07:56,560
Speaker 3: So I've spent quite a bit of time overseas. I

152
00:07:56,600 --> 00:07:58,680
lived in a small country called Andorra.

153
00:07:59,279 --> 00:08:00,920
Speaker 8: That's right, you're talking about there.

154
00:08:01,040 --> 00:08:03,720
Speaker 3: Yeah, so I had a little bit of experience in Europe. Yeah,

155
00:08:03,720 --> 00:08:05,240
so I kind of knew a little bit of the

156
00:08:05,399 --> 00:08:06,759
lay of the land. I still went to a lot

157
00:08:06,759 --> 00:08:08,800
of new places this time around, but I had a

158
00:08:08,879 --> 00:08:11,680
general like context, so it wasn't like that too much

159
00:08:11,680 --> 00:08:12,360
out of my depth.

160
00:08:12,519 --> 00:08:15,519
Speaker 8: Okay, yeah, that's cool. That's cool. Now where are you?

161
00:08:15,959 --> 00:08:18,120
Obviously at this point in the tour, you're you know,

162
00:08:18,199 --> 00:08:19,800
since you're you're coming through the area and it's it's

163
00:08:19,800 --> 00:08:22,279
so cool that we're able to do this again. Yeah,

164
00:08:22,319 --> 00:08:22,920
where are you?

165
00:08:23,000 --> 00:08:23,120
Speaker 2: Well?

166
00:08:23,120 --> 00:08:23,759
Speaker 8: Where did you play?

167
00:08:23,879 --> 00:08:24,000
Speaker 10: Uh?

168
00:08:24,160 --> 00:08:25,680
Speaker 8: Where was your last show? Assuming you had a show

169
00:08:25,720 --> 00:08:26,319
last night somewhere?

170
00:08:26,360 --> 00:08:29,720
Speaker 3: Yeah, last show was in Biddeford. Okay, Yeah, I was

171
00:08:29,720 --> 00:08:32,279
in Maine quite a bit Maine was was awesome. I

172
00:08:32,320 --> 00:08:33,679
was up in a bar harbor.

173
00:08:33,799 --> 00:08:36,320
Speaker 8: Yeah, that's up there, way up. That's up there.

174
00:08:37,320 --> 00:08:40,240
Speaker 3: And then I've got a show in New Hampshire tomorrow

175
00:08:40,320 --> 00:08:41,519
the afternoon in Brookline.

176
00:08:41,679 --> 00:08:42,120
Speaker 8: Excellent.

177
00:08:42,519 --> 00:08:46,279
Speaker 3: That's at April House Vineyards and that's at one thirty. Okay,

178
00:08:46,559 --> 00:08:48,200
So I'll be a New Hampshire okay.

179
00:08:48,320 --> 00:08:49,799
Speaker 8: And then where do you go from there?

180
00:08:50,360 --> 00:08:52,120
Speaker 3: There? I'm going back down to d C. I have

181
00:08:52,159 --> 00:08:55,440
a pretty awesome show in Blues Alley. It's the longest

182
00:08:55,519 --> 00:08:57,440
running jazz club in the country.

183
00:08:57,519 --> 00:08:58,240
Speaker 8: Oh, no kidding.

184
00:08:58,559 --> 00:09:01,480
Speaker 3: So they're like putting a merging artists Mondays there. It's

185
00:09:01,480 --> 00:09:05,519
a legendary stage. Ella Fitzgerald, stan Getz, Dizzy Gillespie, they

186
00:09:05,519 --> 00:09:06,200
all played there.

187
00:09:06,320 --> 00:09:06,799
Speaker 8: Oh wow.

188
00:09:07,039 --> 00:09:09,240
Speaker 3: So I'll be there on Monday this Memorial Day.

189
00:09:09,279 --> 00:09:10,960
Speaker 8: Oh fantastic. Wow. Good for you.

190
00:09:11,080 --> 00:09:13,200
Speaker 3: Up and down and back and down, left and right

191
00:09:13,240 --> 00:09:13,879
and back again.

192
00:09:13,960 --> 00:09:17,200
Speaker 8: That's fantastic. Have you released new music since since we

193
00:09:17,279 --> 00:09:18,399
had you on last I have.

194
00:09:18,519 --> 00:09:19,879
Speaker 3: I got a couple of songs I love to share

195
00:09:19,960 --> 00:09:20,120
with you.

196
00:09:20,200 --> 00:09:21,879
Speaker 8: Yeah, yeah, you're gonna play you play the live?

197
00:09:22,080 --> 00:09:22,320
Speaker 9: Yeah?

198
00:09:22,360 --> 00:09:25,120
Speaker 8: Oh beautiful. All right, Well let's do that. Let me

199
00:09:25,159 --> 00:09:27,120
get that mic up on the guitar. Don here you

200
00:09:27,200 --> 00:09:29,279
play live if you are just joining us? Eli lev

201
00:09:29,360 --> 00:09:31,799
Is here with us in studio, and uh, when were

202
00:09:31,840 --> 00:09:33,159
you on with us? I know it was it was

203
00:09:33,200 --> 00:09:35,039
less than a year ago, right, It wasn't that long ago.

204
00:09:35,039 --> 00:09:36,480
Speaker 3: I think. So, Yeah, that is about a year ago.

205
00:09:36,519 --> 00:09:39,720
Speaker 8: About a year. Yeah, And I'll tell you what. It

206
00:09:39,759 --> 00:09:45,000
all becomes a blur. It must for you too, I

207
00:09:45,000 --> 00:09:49,000
would imagine. I'd imagine that guitar sounds nice. Yeah, that

208
00:09:49,039 --> 00:09:51,759
sounds really good in madphones, all right. So I think

209
00:09:51,799 --> 00:09:53,320
we're a good whenever you're ready cool.

210
00:09:53,399 --> 00:09:55,279
Speaker 3: This is a brand new single. This one's called No

211
00:09:55,399 --> 00:09:58,240
Wrong Turns All Right, and it's a co write that

212
00:09:58,279 --> 00:10:02,480
I did with my friend Aaron Michelle from Maryland. It's

213
00:10:02,519 --> 00:10:05,279
about how when you're you know, with someone you love

214
00:10:05,399 --> 00:10:08,480
or your bestie, when you're on a road trip, sometimes

215
00:10:08,799 --> 00:10:10,799
you just go. It doesn't matter if you stop or

216
00:10:10,799 --> 00:10:12,320
you start, or you go left or you go right,

217
00:10:13,240 --> 00:10:13,879
No wrong.

218
00:10:13,679 --> 00:10:15,240
Speaker 8: Turns all right.

219
00:10:19,480 --> 00:10:22,200
Speaker 3: I have this dream that week, jump in the car,

220
00:10:23,279 --> 00:10:28,120
we flip a coin. We'll follow the brightest star. Yeah,

221
00:10:29,720 --> 00:10:38,039
leave it all behind, pack a bag, ready, said go.

222
00:10:39,320 --> 00:10:43,039
We'll spend all day to see along to the radio.

223
00:10:45,679 --> 00:10:53,159
Matt Connerton unleashed. Yeah, no, I'll just follow your car.

224
00:10:55,279 --> 00:10:56,759
We found each other.

225
00:10:57,120 --> 00:10:59,080
Speaker 1: We'll never get lost.

226
00:11:00,600 --> 00:11:01,559
Speaker 10: They're a new.

227
00:11:03,240 --> 00:11:21,000
Speaker 3: Long now that we get wrong turns, that's good, you'll

228
00:11:21,039 --> 00:11:26,159
miss the exit. I'll just laugh. You drive slow and

229
00:11:26,360 --> 00:11:31,960
I'll keep on talking fast, faster than yours can listen.

230
00:11:32,080 --> 00:11:34,399
Nothing out there that we're missing anyhow.

231
00:11:36,200 --> 00:11:41,279
Speaker 1: Yeah, I'll just follow your heart. Since we found each other,

232
00:11:41,679 --> 00:11:43,440
I'll never get lost.

233
00:11:45,440 --> 00:11:46,039
Speaker 10: There are no.

234
00:11:47,960 --> 00:11:54,159
Speaker 3: Wrong now that we do get living.

235
00:11:56,039 --> 00:12:01,440
Speaker 10: Un God with you forever.

236
00:12:02,480 --> 00:12:06,519
Speaker 3: Moll in life, so we know as long as there's

237
00:12:06,720 --> 00:12:08,399
love left to burn.

238
00:12:09,360 --> 00:12:22,480
Speaker 4: Yeah, your phone asleep and this passenger seat with smelling

239
00:12:22,559 --> 00:12:25,120
your face, and I don't want to wake you to

240
00:12:25,279 --> 00:12:26,600
ask where we're going.

241
00:12:27,720 --> 00:12:36,200
Speaker 3: So I'll just keep driving on night, sleeping, just thinking

242
00:12:36,240 --> 00:12:38,320
again and again how good.

243
00:12:38,120 --> 00:12:41,480
Speaker 10: It feels to trust the wind in your hand.

244
00:12:42,120 --> 00:12:44,679
Speaker 3: Your eyes are my compass without.

245
00:12:44,360 --> 00:12:47,320
Speaker 1: Even knowing the way, I know we'll find it because

246
00:12:47,360 --> 00:12:49,600
with you, I know that I know.

247
00:12:51,480 --> 00:12:57,320
Speaker 3: Wrong now that we're too gether them.

248
00:12:59,440 --> 00:12:59,759
Speaker 10: Wrong.

249
00:13:02,639 --> 00:13:08,120
Speaker 11: Ride with you forever, live in the moment, so we

250
00:13:08,240 --> 00:13:19,600
know living wrong now that we're twogether in the moment it, so.

251
00:13:19,840 --> 00:13:23,320
Speaker 12: We know we've got all the time in.

252
00:13:23,519 --> 00:13:29,960
Speaker 3: The world there are no wrong turn.

253
00:13:35,120 --> 00:13:37,919
Speaker 8: Mm hmm, that's nice. That's really nice. Eli Lev live

254
00:13:38,000 --> 00:13:42,000
in studio with us here on Matt Connorton Unleashed and uh,

255
00:13:42,159 --> 00:13:46,559
that is very very cool. Have you had since we

256
00:13:46,799 --> 00:13:49,200
obviously you've released new music? Have you had a new

257
00:13:49,240 --> 00:13:51,240
album come out or an EP or what's what's kind

258
00:13:51,279 --> 00:13:52,919
of the I do situation there?

259
00:13:53,000 --> 00:13:53,159
Speaker 6: Yeah?

260
00:13:53,240 --> 00:13:55,639
Speaker 3: Yeah, So last time I seen us playing songs off

261
00:13:55,639 --> 00:13:58,159
of a Present Journey, so that's out now, oh yes,

262
00:13:58,320 --> 00:14:00,840
and then that was where we need bigger busses from.

263
00:14:01,080 --> 00:14:01,279
Speaker 8: Yeah.

264
00:14:01,320 --> 00:14:03,360
Speaker 3: And then I got a brand new album called Past

265
00:14:03,679 --> 00:14:08,440
Lives coming out this summer. So Present Journey, Past Lives

266
00:14:08,480 --> 00:14:11,000
and Future Myths coming next year are part of the

267
00:14:11,080 --> 00:14:12,399
Three Worlds project.

268
00:14:12,519 --> 00:14:15,399
Speaker 8: Oh okay, So tell me more about that, the Three

269
00:14:15,399 --> 00:14:17,440
World's Project. What's kind of the concept beyond that?

270
00:14:17,720 --> 00:14:20,840
Speaker 3: Yeah? So my first project was called Four Directions Okay,

271
00:14:20,840 --> 00:14:22,960
and the four Directions were from my time teaching on

272
00:14:23,000 --> 00:14:26,480
the Novel Indian Reservation in northern Arizona, Okay. So I

273
00:14:26,559 --> 00:14:28,200
learned about the Four Directions there. It was a four

274
00:14:28,240 --> 00:14:31,279
EP project took me about four years. All Roads East,

275
00:14:31,320 --> 00:14:33,919
Way Out, West, Deep South and True North Okay. So

276
00:14:33,960 --> 00:14:35,799
I completed that. It's amazing. It's south there. You can

277
00:14:35,840 --> 00:14:37,399
listen to it. It's one of my favorite things I

278
00:14:37,399 --> 00:14:39,320
ever done. And then I was like, well, what do

279
00:14:39,360 --> 00:14:41,320
I do next? Do I do like Sky above or

280
00:14:41,360 --> 00:14:44,720
Ground below or Northeast? I wasn't sure. Yeah, I thought,

281
00:14:44,759 --> 00:14:47,720
you know what, let's stay with like the number theme,

282
00:14:48,200 --> 00:14:53,519
and I thought, okay, four directions, three Worlds, two Friends,

283
00:14:54,159 --> 00:14:58,759
and one Road. Okay, so that's my entire musical discography

284
00:14:58,799 --> 00:15:01,120
that I'm working on now. Then after that it's Mike

285
00:15:01,200 --> 00:15:05,480
Drop I retire for real. Yeah why I don't know,

286
00:15:05,600 --> 00:15:09,240
because because I did the thing so right now I'm

287
00:15:09,279 --> 00:15:13,120
on three directions yeah, and uh sorry, three three worlds,

288
00:15:13,519 --> 00:15:16,559
and then two Friends will be a collaborative piece, and

289
00:15:16,559 --> 00:15:19,000
then one Road will be my final album. That's it.

290
00:15:19,080 --> 00:15:21,600
Speaker 8: Are you serious though? Like you like that? That's gonna

291
00:15:21,639 --> 00:15:21,879
be it?

292
00:15:21,960 --> 00:15:22,320
Speaker 9: That's it?

293
00:15:22,399 --> 00:15:25,080
Speaker 8: Why you seem so certain about that? Yeah, you know

294
00:15:25,120 --> 00:15:26,600
you're gonna you know you're gonna change your mind.

295
00:15:26,600 --> 00:15:28,840
Speaker 3: Well, people going to retirement, they go out of retire,

296
00:15:29,200 --> 00:15:32,080
what happens. We'll get there when we get there.

297
00:15:32,120 --> 00:15:33,879
Speaker 8: But I'm really no, but I'm really curious about this,

298
00:15:34,000 --> 00:15:35,919
Like do you like do you just feel like that

299
00:15:35,960 --> 00:15:38,759
will kind of be Is that going to be something

300
00:15:38,759 --> 00:15:40,639
where there's nothing you can do beyond that that will

301
00:15:40,639 --> 00:15:42,279
top it? Is that? Is that kind of like like

302
00:15:42,320 --> 00:15:44,960
you feel like that's gonna be the the ultimate yeah

303
00:15:45,039 --> 00:15:46,559
expression artistically for you?

304
00:15:46,720 --> 00:15:49,000
Speaker 3: Or Yeah, I think that'll be the story of Eli

305
00:15:49,080 --> 00:15:52,159
live a as a you know, as an artist, as

306
00:15:52,200 --> 00:15:55,960
a musician, as a music project really directions three worlds,

307
00:15:56,000 --> 00:15:57,039
two friends, one road.

308
00:15:57,799 --> 00:16:00,919
Speaker 8: Okay, wow? And then but do you go back to

309
00:16:00,919 --> 00:16:02,159
playing a band because you were.

310
00:16:03,720 --> 00:16:06,000
Speaker 3: I love playing band. It could be another project, it

311
00:16:06,039 --> 00:16:09,919
could be instrumental, it could be another artist, it could

312
00:16:09,919 --> 00:16:10,360
be a band.

313
00:16:10,480 --> 00:16:11,840
Speaker 8: So it's not it's not like you're gonna be done

314
00:16:11,840 --> 00:16:12,679
with music.

315
00:16:12,440 --> 00:16:15,320
Speaker 3: Right Probably not? Okay, that'll be the end. That'll be

316
00:16:15,360 --> 00:16:16,360
the El Love project.

317
00:16:16,399 --> 00:16:21,799
Speaker 8: Oh that's really interesting though, that's really interesting. Do you so?

318
00:16:21,799 --> 00:16:24,639
So three what are the are there when you talk

319
00:16:24,679 --> 00:16:27,399
about three worlds? Like, what are the three worlds?

320
00:16:27,600 --> 00:16:27,679
Speaker 2: So?

321
00:16:28,039 --> 00:16:31,759
Speaker 3: I think it's interesting that you know, three worlds can

322
00:16:31,799 --> 00:16:39,759
be past, present, future, it could be three dimensions as well.

323
00:16:40,879 --> 00:16:44,519
It could be you know, the ground below the surface,

324
00:16:44,519 --> 00:16:46,440
in the sky above. There's lots of different ways to

325
00:16:46,480 --> 00:16:51,200
kind of like think about three worlds. And I kind

326
00:16:51,240 --> 00:16:54,360
of went the time route because I wanted to show

327
00:16:54,399 --> 00:16:58,919
that the past is here just as the present and

328
00:16:59,039 --> 00:17:02,960
the future is also here present. So Past Lives is

329
00:17:03,000 --> 00:17:07,319
a exploration of my ancestry. My mom's side comes from

330
00:17:07,480 --> 00:17:13,839
South Mississippi and my dad's side comes from Chicago, so

331
00:17:14,559 --> 00:17:17,799
I wanted to honor both of their kind of lineages,

332
00:17:18,440 --> 00:17:23,119
and Past Lives follows the story both of those ancestors.

333
00:17:23,599 --> 00:17:29,920
And you know, it actually uses the voices of my

334
00:17:30,039 --> 00:17:35,160
great grandmother Bubby Sarah from Poland, and it uses my

335
00:17:35,279 --> 00:17:40,880
great uncle from South Carolina and my great aunt as well.

336
00:17:40,920 --> 00:17:44,119
So these are characters that audio is being like within

337
00:17:44,240 --> 00:17:47,039
the songs. It is so cool, Matt, Like, it is

338
00:17:47,119 --> 00:17:48,799
just it's one of the most amazing things that I

339
00:17:48,839 --> 00:17:52,039
think that I've done as a as a creative. And

340
00:17:52,079 --> 00:17:55,680
because you're awesome, because you're so awesome at you have

341
00:17:55,839 --> 00:17:56,240
me back.

342
00:17:56,680 --> 00:17:57,880
Speaker 8: Yes, I would.

343
00:17:57,640 --> 00:18:01,799
Speaker 3: Love to perform the worldwide mirror of one of my

344
00:18:01,880 --> 00:18:05,839
upcoming songs for you. Okay, this has not been public.

345
00:18:06,039 --> 00:18:08,000
Speaker 8: Oh okay, it's from Past.

346
00:18:07,839 --> 00:18:10,640
Speaker 3: Lives And I'm just like kind of like in Clan

347
00:18:11,200 --> 00:18:13,839
desintely like a tuning my guitar right now.

348
00:18:13,960 --> 00:18:16,359
Speaker 8: Yes, yes, but Is that cool?

349
00:18:16,400 --> 00:18:17,000
Speaker 3: Can I do that?

350
00:18:17,079 --> 00:18:17,720
Speaker 8: Absolutely?

351
00:18:19,400 --> 00:18:22,720
Speaker 3: This wasn't a planned thing, ladies and gentlemen. Okay, but

352
00:18:23,079 --> 00:18:24,240
what's since we're talking about it?

353
00:18:24,279 --> 00:18:26,759
Speaker 8: Yeah, Yeah, I'm very curious to hear this.

354
00:18:26,759 --> 00:18:29,119
Speaker 3: This song is from Past Lives. It's coming out this summer,

355
00:18:29,720 --> 00:18:33,000
my next single. Oh okay, so worldwide premiere here on

356
00:18:33,240 --> 00:18:37,000
Matt Connorton Unleashed. This song is called where We Come From?

357
00:18:37,039 --> 00:18:38,279
Speaker 8: All right, ge't wait to hear this?

358
00:18:38,759 --> 00:18:39,160
Speaker 9: Awesome.

359
00:18:53,799 --> 00:18:57,839
Speaker 3: I to mom backpack off coming home from class, opened

360
00:18:57,920 --> 00:19:01,440
up my NOE book. I had to ask my mom and.

361
00:19:01,480 --> 00:19:05,960
Speaker 4: Died, where are we come from?

362
00:19:06,160 --> 00:19:08,640
Speaker 12: They sat me down and smiled at.

363
00:19:08,440 --> 00:19:11,640
Speaker 3: Me and took out some old photos to let them

364
00:19:11,640 --> 00:19:15,000
breathe and say, this is who we are and all

365
00:19:15,039 --> 00:19:22,319
we've done. It's the story of where we come from.

366
00:19:22,359 --> 00:19:26,319
And my mom said, so, we come from a long

367
00:19:26,440 --> 00:19:31,119
line of workers. Most folks never heard of us. If

368
00:19:31,160 --> 00:19:35,799
I don't make us any less. We spawned the cotton.

369
00:19:35,480 --> 00:19:36,720
Speaker 9: That most people for water.

370
00:19:37,079 --> 00:19:41,359
Speaker 3: We built the fridges after the war. Life back then

371
00:19:41,640 --> 00:19:47,079
was a lot more work than fun. Yeah, that's where

372
00:19:47,119 --> 00:19:49,000
we come f.

373
00:19:53,759 --> 00:19:55,000
Speaker 1: Working in the heat.

374
00:19:55,039 --> 00:19:55,960
Speaker 3: The southern sun.

375
00:19:56,039 --> 00:19:57,279
Speaker 1: We I swept to live.

376
00:19:57,400 --> 00:20:08,160
Speaker 10: That's where we come from.

377
00:20:08,640 --> 00:20:12,599
Speaker 3: My dad listened closely to my mom's reply and then

378
00:20:12,720 --> 00:20:16,039
took my hand and looked into my eyes and said, son,

379
00:20:17,319 --> 00:20:21,640
let me tell you about my side. He said, we

380
00:20:21,880 --> 00:20:26,319
come from a long line of survivors. We escaped the

381
00:20:26,400 --> 00:20:31,839
fires they're still burning around the world. We made the

382
00:20:31,880 --> 00:20:35,119
shoes at most people water. We built the city from

383
00:20:35,119 --> 00:20:42,359
a hardware store. Life back then was always on the run. Ooh,

384
00:20:42,559 --> 00:20:45,039
that's where we come.

385
00:20:45,640 --> 00:20:46,039
Speaker 10: Far.

386
00:20:50,519 --> 00:20:53,880
Speaker 12: Over the oceans, through the slums we had believe to live.

387
00:20:54,160 --> 00:21:00,160
That's a week come from.

388
00:21:00,720 --> 00:21:03,519
Speaker 3: And then one day I'll look in my daughter's eyes

389
00:21:03,640 --> 00:21:07,000
as she asks the same to me, and I'll tell

390
00:21:07,039 --> 00:21:12,480
her about our family and each branch that made this tree,

391
00:21:13,839 --> 00:21:18,960
and I'll say, we come from a long line of workers.

392
00:21:19,599 --> 00:21:23,279
Most folks never heard of us about. Don't make us

393
00:21:23,319 --> 00:21:27,720
any less. We spawned the cotton that most people wore.

394
00:21:28,240 --> 00:21:32,559
We built the bridges after the water. Life back then

395
00:21:32,839 --> 00:21:38,960
was a lot more work than fun. Yeah, we come

396
00:21:39,039 --> 00:21:44,680
from survivors. We escaped the fires there still burning around

397
00:21:44,839 --> 00:21:50,680
the world. Oh, we made the shoes and most people wore.

398
00:21:51,240 --> 00:21:52,680
We built the city from.

399
00:21:52,440 --> 00:21:53,480
Speaker 1: A hardware store.

400
00:21:53,960 --> 00:21:56,039
Speaker 12: Life back then was on the run.

401
00:21:58,400 --> 00:22:00,880
Speaker 3: Not my love is where we come.

402
00:22:06,440 --> 00:22:07,279
Speaker 1: We call a.

403
00:22:07,279 --> 00:22:11,240
Speaker 3: Part of a thread that we's the story of our family.

404
00:22:11,480 --> 00:22:17,000
In one day you'll have a little one too. I

405
00:22:17,119 --> 00:22:23,359
can only wish the best cool one day when you

406
00:22:23,480 --> 00:22:27,839
have child on your own, Here you can.

407
00:22:27,839 --> 00:22:29,640
Speaker 12: Tell them stories.

408
00:22:29,720 --> 00:22:41,559
Speaker 13: We sun here, you can tell where we come from.

409
00:22:41,559 --> 00:22:46,839
Speaker 8: Oh, fantastic, fantastic. Eli Love is here with us live

410
00:22:46,880 --> 00:22:48,880
in studio. What's that called again? What's the name of

411
00:22:48,920 --> 00:22:49,319
that song?

412
00:22:49,519 --> 00:22:50,559
Speaker 3: Where we come from?

413
00:22:50,599 --> 00:22:52,039
Speaker 8: Where we come from? That is so good.

414
00:22:52,079 --> 00:22:52,799
Speaker 3: I'm in this summer.

415
00:22:53,000 --> 00:22:55,839
Speaker 8: I love that. I love that if you are just

416
00:22:55,920 --> 00:22:58,160
joining us, Eli Love is here with us in studio.

417
00:22:58,559 --> 00:23:01,839
Is it hard to when you've when you've created a

418
00:23:01,880 --> 00:23:04,119
song that's that's so good? Is it hard to sit

419
00:23:04,160 --> 00:23:06,119
on it for a while because you have to?

420
00:23:06,480 --> 00:23:08,240
Speaker 3: It's not funny you ask that question.

421
00:23:08,400 --> 00:23:10,119
Speaker 8: Yeah, you know, it's harder.

422
00:23:10,160 --> 00:23:13,759
Speaker 3: Playing it easy to sit on it like it's mine,

423
00:23:13,960 --> 00:23:15,319
you know what I mean? No one knows it yet.

424
00:23:15,640 --> 00:23:17,119
I haven't put it out there. It's just it's like

425
00:23:17,119 --> 00:23:19,279
like my little baby, you know what I mean.

426
00:23:19,480 --> 00:23:20,200
Speaker 8: That's interesting.

427
00:23:20,359 --> 00:23:22,640
Speaker 3: And then it's like, oh my, is it time? Is

428
00:23:22,640 --> 00:23:24,640
it time to share it with the world? Like, yeah,

429
00:23:24,720 --> 00:23:26,640
is it ready for the for the vibration to be

430
00:23:26,720 --> 00:23:31,160
out there. Yeah, so it was actually like it's hard,

431
00:23:31,440 --> 00:23:32,880
It is kind of hard to sitting on these songs,

432
00:23:32,880 --> 00:23:34,920
but it's still kind of nice because it's like I

433
00:23:34,960 --> 00:23:36,759
can just listen to them whenever I want, right, and

434
00:23:37,039 --> 00:23:39,359
only I can hear it right right. But now I

435
00:23:39,359 --> 00:23:40,599
think it's I think it's ready.

436
00:23:40,680 --> 00:23:43,039
Speaker 8: You're ready for the world. Yeah, Oh very cool. No,

437
00:23:43,160 --> 00:23:43,640
I love that.

438
00:23:43,759 --> 00:23:44,200
Speaker 9: I love that.

439
00:23:44,200 --> 00:23:47,359
Speaker 8: That's really good. On everything that you've been recording, is

440
00:23:47,359 --> 00:23:49,119
it is it still just is it you? Or do

441
00:23:49,119 --> 00:23:51,240
you have collaborators in the studio.

442
00:23:51,000 --> 00:23:53,880
Speaker 3: Or Yeah, So I I go to work with different producers.

443
00:23:54,759 --> 00:23:58,200
So for Present Journey, I worked with Austin Bellow out

444
00:23:58,200 --> 00:24:02,960
of Virginia awesome so Bigger Bus and all those songs.

445
00:24:02,960 --> 00:24:06,240
And for this one, I worked with Taylor rig actually

446
00:24:06,279 --> 00:24:11,359
from Peak Skill, New York. So it's a different vibe,

447
00:24:11,440 --> 00:24:14,240
you know, it's a different studio, different sound, different equipment,

448
00:24:14,720 --> 00:24:16,720
and I really like that. So like working with different

449
00:24:16,720 --> 00:24:18,960
producers for different EPs to get a different kind of feel.

450
00:24:19,240 --> 00:24:22,440
So Past Lives and Present Journey are with different producers.

451
00:24:22,480 --> 00:24:24,720
And then I still have to find the producer for

452
00:24:24,799 --> 00:24:27,079
Future Myths. I don't know yet, it will be different.

453
00:24:27,160 --> 00:24:30,079
Speaker 8: Yeah, yeah, what goes into that finding a producer, like

454
00:24:30,119 --> 00:24:32,640
what what do you look for it in terms of

455
00:24:33,440 --> 00:24:36,640
because different producers has so many different styles and yeah

456
00:24:36,720 --> 00:24:39,920
approaches and some are very hands on, some are like yeah,

457
00:24:39,960 --> 00:24:41,960
some are like yeah, just I'll tell you if it

458
00:24:41,960 --> 00:24:42,640
sounds good or not.

459
00:24:42,880 --> 00:24:46,200
Speaker 3: Yeah, I mean yeah. For me, my search is pretty

460
00:24:46,279 --> 00:24:52,039
much like where what producer is making the sounds that

461
00:24:52,079 --> 00:24:54,000
I want to sound like? Okay, you know what I mean.

462
00:24:54,039 --> 00:24:56,599
They don't have to work with somebody famous, they don't

463
00:24:56,640 --> 00:24:59,200
have to have the best equipment. I don't really care

464
00:24:59,359 --> 00:25:01,119
how long they've doing it or not. But it's like,

465
00:25:01,480 --> 00:25:04,319
what is the sound that I'd like to enter into

466
00:25:04,359 --> 00:25:08,160
that project? And I've worked with Taylor rig before and

467
00:25:08,240 --> 00:25:12,240
his sound is very lush, very organic, very full. Okay,

468
00:25:12,839 --> 00:25:16,039
So for Past Lives, I wanted to work with him

469
00:25:16,480 --> 00:25:18,880
because that's the kind of sound and style that I

470
00:25:18,920 --> 00:25:19,759
wanted for the album.

471
00:25:19,920 --> 00:25:20,319
Speaker 8: Okay.

472
00:25:20,400 --> 00:25:23,359
Speaker 3: Austin Bellow is like, man, he makes hits, you know

473
00:25:23,400 --> 00:25:25,680
what I mean, He makes singles. They sound so good,

474
00:25:25,759 --> 00:25:29,000
so pristine, so fun and upbeat. So I want to

475
00:25:29,000 --> 00:25:32,240
work with him for Present Journey because they were big pop,

476
00:25:32,440 --> 00:25:36,200
fun songs. Yeah, So I go for the sound and

477
00:25:36,240 --> 00:25:38,160
then kind of try and match that to the project

478
00:25:38,200 --> 00:25:39,279
and match out to the producer.

479
00:25:39,440 --> 00:25:42,319
Speaker 8: Okay, okay, so everyone you work with as someone who's

480
00:25:42,359 --> 00:25:44,799
done something that you've been able to hear and say,

481
00:25:44,880 --> 00:25:46,960
I connect with that, that's what I want to sound like.

482
00:25:47,039 --> 00:25:48,240
Speaker 3: Okay, exactly, that's it.

483
00:25:48,559 --> 00:25:51,519
Speaker 8: Yeah. Are you ever surprised? Like, do you ever? Have

484
00:25:51,640 --> 00:25:55,799
you ever worked with a producer where what ends up

485
00:25:56,680 --> 00:25:59,680
what you end up with sounds very different than what

486
00:25:59,720 --> 00:26:01,799
you can kind of had in mind, hopefully in a

487
00:26:01,799 --> 00:26:02,200
good way.

488
00:26:02,279 --> 00:26:02,720
Speaker 9: Yeah.

489
00:26:02,839 --> 00:26:05,480
Speaker 3: Yeah, I during the pandemic, you know, there was no

490
00:26:05,559 --> 00:26:08,119
we could go into studios, so there we did. I

491
00:26:08,119 --> 00:26:12,359
did a collaboration with my Silent Bravery and it was

492
00:26:12,400 --> 00:26:16,079
all online, all virtual kid, and I had never worked

493
00:26:16,079 --> 00:26:18,319
with the producer and I met him and I still

494
00:26:18,319 --> 00:26:19,400
haven't met that producer.

495
00:26:19,559 --> 00:26:19,759
Speaker 9: Yeah.

496
00:26:19,839 --> 00:26:22,319
Speaker 3: Yeah, but I sent in the vocals, I sent him

497
00:26:22,319 --> 00:26:24,400
the guitar, we sent in the scratch, and the producer

498
00:26:24,440 --> 00:26:27,319
did everything virtually. I worked together and kind of shaped

499
00:26:27,359 --> 00:26:29,480
the sound, but I had no idea what that song

500
00:26:29,519 --> 00:26:31,160
was going to sound like, which was great, you know,

501
00:26:31,200 --> 00:26:32,559
it was a surprise. I was like, oh, this is

502
00:26:32,559 --> 00:26:35,000
a cool, cool style. And it turns out this producer

503
00:26:35,039 --> 00:26:36,799
has worked with you know, so many big names from

504
00:26:37,079 --> 00:26:39,920
Springsteen to you know, Pearl Jam to just like the

505
00:26:39,920 --> 00:26:40,559
top names.

506
00:26:40,839 --> 00:26:43,640
Speaker 8: You were you were in good hands.

507
00:26:43,920 --> 00:26:45,000
Speaker 3: So that turned out great.

508
00:26:45,079 --> 00:26:47,039
Speaker 8: Yeah yeah, yeah, that's awesome. That's awesome.

509
00:26:47,119 --> 00:26:47,359
Speaker 9: Yeah.

510
00:26:47,480 --> 00:26:49,119
Speaker 8: If you are just joining us, Eli Love is here

511
00:26:49,160 --> 00:26:51,400
with us in studio. You want to play another one? Yeah,

512
00:26:51,480 --> 00:26:52,839
let's do it down near another one?

513
00:26:52,920 --> 00:26:56,079
Speaker 3: Yeah, This one's from Present Journey. It's called they say. Okay,

514
00:26:56,359 --> 00:26:59,519
this just won an award for a songwriting competition for

515
00:26:59,599 --> 00:27:04,559
the North East Folk Oh congratulation folk lines. Yeah, so uh,

516
00:27:04,640 --> 00:27:06,559
and it's I feel like it's a very special song.

517
00:27:06,599 --> 00:27:08,960
And I don't write songs for awards, but it's very

518
00:27:09,039 --> 00:27:13,480
nice when they happen. So yeah, here's a here's an

519
00:27:13,480 --> 00:27:16,559
award winning song for y'all. It's called they Say, And

520
00:27:16,599 --> 00:27:18,319
it's about all the advice that I got when I

521
00:27:18,359 --> 00:27:19,880
was young, and how it was.

522
00:27:19,880 --> 00:27:23,200
Speaker 8: All wrong interesting interesting, Okay.

523
00:27:22,839 --> 00:27:25,400
Speaker 3: Maybe not like totally wrong, just like not one hundred

524
00:27:25,400 --> 00:27:28,319
percent right understood, and I had to find my own

525
00:27:28,480 --> 00:27:29,440
my own kind of advice.

526
00:27:29,480 --> 00:27:41,640
Speaker 9: All right, Very good, we go, they say, get.

527
00:27:41,519 --> 00:27:46,480
Speaker 3: Rich so I can buy all that I want, but

528
00:27:46,640 --> 00:27:49,400
I've got all the smiles that I need.

529
00:27:50,759 --> 00:27:51,680
Speaker 9: They say, get.

530
00:27:51,599 --> 00:27:57,640
Speaker 3: Famous so everyone will know me. That sounds like a

531
00:27:57,759 --> 00:28:02,200
movie I don't want to see. They say, get smart.

532
00:28:03,799 --> 00:28:04,519
Speaker 12: So I can.

533
00:28:04,400 --> 00:28:07,680
Speaker 3: Solve any problem as if there.

534
00:28:09,039 --> 00:28:09,480
Speaker 8: Go away.

535
00:28:11,240 --> 00:28:16,200
Speaker 3: They say go hard, but I'm a softy deep inside,

536
00:28:17,079 --> 00:28:25,400
and I don't feel like hiding anymore. They say be nice,

537
00:28:27,200 --> 00:28:29,680
but I'd rather be kind.

538
00:28:30,119 --> 00:28:33,240
Speaker 12: And be there for those who are any.

539
00:28:34,279 --> 00:28:37,839
Speaker 3: They say, you got to think twice. Maybe we should

540
00:28:37,920 --> 00:28:42,160
think a little more about how we treat the world

541
00:28:42,440 --> 00:28:48,640
that we call home. They say, settle down, but I

542
00:28:48,680 --> 00:28:53,200
ain't one for settling, so I'll just keep on chasing

543
00:28:53,400 --> 00:28:56,799
my dreams. They say go up.

544
00:28:58,759 --> 00:29:00,799
Speaker 1: As if to give them.

545
00:29:01,559 --> 00:29:16,119
Speaker 3: But I ain't taking those pills anymore. And you gotta

546
00:29:16,200 --> 00:29:22,000
enjoy that's overflowing. They say, don't give it away, but

547
00:29:22,119 --> 00:29:30,440
I'll do it anyway. They say, it get real when

548
00:29:30,480 --> 00:29:32,400
the truth is in value.

549
00:29:33,319 --> 00:29:35,880
Speaker 12: No one really knows.

550
00:29:35,200 --> 00:29:42,519
Speaker 3: How f that's how it is, that, how it's always been?

551
00:29:43,640 --> 00:29:45,960
Speaker 1: What about how.

552
00:29:45,519 --> 00:29:46,319
Speaker 10: It could be?

553
00:29:48,200 --> 00:29:54,599
Speaker 3: Nothing's enough? There's new voice is talking. Those are the

554
00:29:54,599 --> 00:30:02,119
ones that I want to hear. Get They say too much,

555
00:30:04,319 --> 00:30:08,119
but I know who I am, so I don't listen

556
00:30:08,400 --> 00:30:09,920
to them anymore.

557
00:30:14,599 --> 00:30:18,079
Speaker 8: I like that. I think that's probably pretty relatable too

558
00:30:18,119 --> 00:30:18,839
for a lot of people.

559
00:30:20,039 --> 00:30:21,799
Speaker 3: I got to find our own path, you know, make

560
00:30:21,839 --> 00:30:23,359
our own advice, let their own lessons.

561
00:30:23,400 --> 00:30:25,559
Speaker 8: That's right. Eli Love is here with us in studio.

562
00:30:25,640 --> 00:30:28,240
They say, is what that's called? That's really good? That's

563
00:30:28,240 --> 00:30:31,400
really good. Do do you run into that? Where do

564
00:30:31,400 --> 00:30:33,039
you play shows and people come up to you and say,

565
00:30:33,079 --> 00:30:35,680
you know, that song really resonated with me. I feel

566
00:30:35,680 --> 00:30:39,039
like your songs just generally are very sort of relatable

567
00:30:39,079 --> 00:30:42,119
and tap into things that that most people probably experience

568
00:30:42,200 --> 00:30:42,720
at some point.

569
00:30:43,039 --> 00:30:43,759
Speaker 3: Yeah, thanks Matt.

570
00:30:43,839 --> 00:30:44,000
Speaker 10: Yeah.

571
00:30:44,039 --> 00:30:50,400
Speaker 3: No, I get amazing messages online and at shows and emails,

572
00:30:50,440 --> 00:30:53,200
and I'm very connected with my fan base. The fan

573
00:30:53,240 --> 00:30:58,720
base are called the levitators. Eli Love levitators. Yes, so

574
00:30:59,720 --> 00:31:01,839
you know to me, they're kind of like family. Yeah,

575
00:31:02,000 --> 00:31:04,279
I do, you know, live streams every Friday.

576
00:31:04,480 --> 00:31:04,680
Speaker 6: You know.

577
00:31:04,799 --> 00:31:10,000
Speaker 3: My emails are not like newsletters, they're like conversations. Yeah,

578
00:31:10,039 --> 00:31:12,480
and you know, my social media presence is also like that.

579
00:31:13,640 --> 00:31:15,599
So I get to I get to get I get

580
00:31:15,640 --> 00:31:20,319
to get to know people, which is nice. And yeah,

581
00:31:20,480 --> 00:31:23,880
a lot of them, like you know, one one levitator

582
00:31:24,240 --> 00:31:25,880
sent me about that song. She's like, you know, I

583
00:31:25,880 --> 00:31:28,160
was in the hospital coming from surgery and that song

584
00:31:28,240 --> 00:31:31,640
got me through surgery. I've had levitators that are like

585
00:31:32,400 --> 00:31:37,079
I had a song called Move as You Do on

586
00:31:37,079 --> 00:31:41,640
on my pandemic EP and it's about living life on

587
00:31:41,640 --> 00:31:45,079
our own timelines. Yeah, and not being feeling rushed. And

588
00:31:45,200 --> 00:31:47,920
I had a levitator contact me and she says, Eli,

589
00:31:47,960 --> 00:31:52,200
I'm seventy six and I got married for the first time. Wow,

590
00:31:52,319 --> 00:31:56,720
and your song inspired me to do that. And I

591
00:31:56,759 --> 00:31:57,839
was just like, oh.

592
00:31:57,680 --> 00:32:00,839
Speaker 8: My god, yeah, door, thank you.

593
00:32:01,319 --> 00:32:03,319
Speaker 3: She's like, yeah, that was the that was the song

594
00:32:03,359 --> 00:32:05,799
that me and my husband had for my wedding and

595
00:32:05,920 --> 00:32:08,480
it's my first marriage, and thank you for the courage

596
00:32:08,519 --> 00:32:08,920
to do that.

597
00:32:09,359 --> 00:32:11,680
Speaker 8: Yeah. Yeah, that's that's incredible.

598
00:32:11,720 --> 00:32:12,759
Speaker 3: Stuff like that happens.

599
00:32:13,319 --> 00:32:16,000
Speaker 8: Yeah, is that is that? I mean that must be overwhelming.

600
00:32:16,079 --> 00:32:16,799
Speaker 3: It is overwhelming.

601
00:32:16,839 --> 00:32:20,400
Speaker 8: Obviously it's positive, but can't comprehend it when that first

602
00:32:20,400 --> 00:32:22,880
started happening. Was it was that kind of hard at first?

603
00:32:22,960 --> 00:32:25,440
Like like, did you feel overwhelmed by it? Like the

604
00:32:25,480 --> 00:32:27,240
first time someone said something like that to you?

605
00:32:27,359 --> 00:32:29,599
Speaker 3: Well, I mean it started making sense. It's like, these

606
00:32:29,599 --> 00:32:34,400
songs literally save me, save my soul, so why wouldn't

607
00:32:34,440 --> 00:32:39,400
they also help other people in some similar situations. Yeah,

608
00:32:39,440 --> 00:32:41,920
and uh yeah, oh my gosh. There's just one story,

609
00:32:42,160 --> 00:32:45,319
maybe like four years back, and I was on Way

610
00:32:45,319 --> 00:32:47,279
Out West from Four Directions. I had this song called

611
00:32:47,319 --> 00:32:50,440
oh my Lord okay, and it's about you know, finding

612
00:32:50,640 --> 00:32:53,920
you know, divinity whatever that is for folks in nature

613
00:32:54,359 --> 00:32:57,920
and feeling kind of held by that. One of my

614
00:32:57,960 --> 00:33:00,160
fans was like, ELI, have to let you know that.

615
00:33:00,200 --> 00:33:02,960
I gave my friend your Way Out West CD and

616
00:33:03,000 --> 00:33:06,039
she put in her kind of like bedside CD thing

617
00:33:06,079 --> 00:33:07,799
and she's having a lot of trouble with her life

618
00:33:08,079 --> 00:33:12,119
and she wanted to end her life.

619
00:33:12,400 --> 00:33:12,680
Speaker 8: Wow.

620
00:33:12,720 --> 00:33:16,119
Speaker 3: And she was playing that CD and she had like

621
00:33:16,680 --> 00:33:18,599
this is wild to say this, but you know, she

622
00:33:18,680 --> 00:33:19,519
was about to do that.

623
00:33:19,839 --> 00:33:20,240
Speaker 8: Wow.

624
00:33:20,279 --> 00:33:22,279
Speaker 3: And she was playing that city and your song oh

625
00:33:22,319 --> 00:33:26,160
my Lord came on and she heard a voices said like,

626
00:33:26,200 --> 00:33:28,240
you know, don't do it. Yeah, thing like that.

627
00:33:28,640 --> 00:33:33,279
Speaker 8: It's like, what Wow, that is wild? Wow. Yeah.

628
00:33:33,519 --> 00:33:38,359
Speaker 3: And you actually know that like a song might have

629
00:33:38,480 --> 00:33:41,279
saved somebody's life. Yeah, you know what I mean.

630
00:33:41,440 --> 00:33:42,319
Speaker 8: That's incredible.

631
00:33:42,440 --> 00:33:42,759
Speaker 9: Wow.

632
00:33:42,960 --> 00:33:43,200
Speaker 2: Yeah.

633
00:33:43,400 --> 00:33:45,359
Speaker 3: And then I feel like there's like a there's a

634
00:33:45,440 --> 00:33:50,079
channel there that we can enter, and there's different lessons

635
00:33:50,079 --> 00:33:53,440
and different things for different folks listening to the song. Yeah,

636
00:33:53,519 --> 00:33:55,400
you know, I love that. I love how it can

637
00:33:55,440 --> 00:33:58,119
be different things for different people. So just powerful stuff.

638
00:33:58,279 --> 00:34:01,359
Speaker 8: Yeah. Yeah, by the way, you CDs, I'm curious. This

639
00:34:01,400 --> 00:34:02,839
is a subject that has come up a lot on

640
00:34:02,880 --> 00:34:07,160
the show recently, especially Yeah, physical media. Yeah, because I've

641
00:34:07,160 --> 00:34:10,119
been talking about how I don't know, maybe five six,

642
00:34:10,159 --> 00:34:12,119
seven years ago. It all becomes a blur. But there

643
00:34:12,159 --> 00:34:13,960
was a point, because I've been doing this a long time,

644
00:34:14,000 --> 00:34:17,639
there was a point where most of the guests, probably most,

645
00:34:17,960 --> 00:34:20,280
we're not doing CDs at all. There was a period

646
00:34:20,320 --> 00:34:23,519
where everybody was like, no, we're just you know, Spotify

647
00:34:23,679 --> 00:34:27,159
is it and and and other streaming services, and we're not,

648
00:34:27,280 --> 00:34:31,599
We're not doing CDs. And then recently especially it seems

649
00:34:31,639 --> 00:34:34,639
like there's a real commitment to physical media as well

650
00:34:34,679 --> 00:34:36,920
as streaming. Obviously streaming is still the number one thing

651
00:34:36,960 --> 00:34:40,800
that's the most important. But has that always been important

652
00:34:40,840 --> 00:34:42,519
to you to release physical media?

653
00:34:42,679 --> 00:34:46,400
Speaker 3: It has been. It makes it feel more tangible. Yeah,

654
00:34:46,440 --> 00:34:48,440
And the way my physical media is set up is

655
00:34:48,440 --> 00:34:52,559
like each EP goes together. Okay, design the four directions

656
00:34:53,000 --> 00:34:55,840
all Rose East is Butterfly Flowers Deep South as Pine

657
00:34:55,840 --> 00:34:58,400
Needles Way, out west as finnel seeds true North of Sticks,

658
00:34:58,639 --> 00:35:00,840
and you put them all together and there's this mandala.

659
00:35:01,000 --> 00:35:01,559
Speaker 8: Oh okay.

660
00:35:01,840 --> 00:35:04,599
Speaker 3: So it's very important for me because it is actually

661
00:35:04,679 --> 00:35:07,239
part of the art, is the physical part and how

662
00:35:07,239 --> 00:35:09,840
they all work together, same thing for three worlds. When

663
00:35:09,880 --> 00:35:12,239
you put them all together, they create a design.

664
00:35:12,480 --> 00:35:12,840
Speaker 8: Okay.

665
00:35:13,920 --> 00:35:17,480
Speaker 3: And honestly, Matt like, tons of people still buy CDs

666
00:35:17,840 --> 00:35:19,719
and vinyl is one of my biggest sellers.

667
00:35:19,719 --> 00:35:21,599
Speaker 8: Oh yeah, so you do vinyl.

668
00:35:21,679 --> 00:35:23,760
Speaker 3: I do vinyl, I do CDs, I do streaming, I

669
00:35:23,760 --> 00:35:26,679
do band camp. It's like people have different modalities that

670
00:35:26,679 --> 00:35:28,840
they enjoy, so as an artist, I have to do

671
00:35:28,880 --> 00:35:29,320
all of them.

672
00:35:29,440 --> 00:35:33,039
Speaker 8: Yeah yeah, now that's for me. That's one of the

673
00:35:33,280 --> 00:35:37,679
really interesting things over time is seeing how technology changes

674
00:35:37,719 --> 00:35:41,519
and how you know, sometimes people predict technology that's going

675
00:35:41,559 --> 00:35:43,599
to go away that manages to hang around and in

676
00:35:43,639 --> 00:35:47,679
some instances even have a resurgence and and like vinyl,

677
00:35:48,360 --> 00:35:49,920
and I'll hear people say all the time too, oh

678
00:35:50,000 --> 00:35:52,000
vinyl it you know, vinyl went away, but it came back,

679
00:35:52,000 --> 00:35:54,119
and it's like, well, no, it never went away. There

680
00:35:54,159 --> 00:35:56,400
was never a point where at the very least at

681
00:35:56,440 --> 00:35:59,639
the minimum, major labels were still releasing music on vinyl, right,

682
00:36:00,239 --> 00:36:04,320
you know, very limited distribution obviously, But now I think

683
00:36:05,039 --> 00:36:07,880
it was either twenty two or twenty three. I read

684
00:36:07,880 --> 00:36:12,159
that it was the first year that vinyl actually outsold CDs. Wow,

685
00:36:12,360 --> 00:36:15,599
since CDs became the primary totally makes sense delivery mode

686
00:36:15,599 --> 00:36:18,119
because but my theory is too that most people and

687
00:36:18,119 --> 00:36:20,440
I haven't seen any statistic on this, and I never will,

688
00:36:20,440 --> 00:36:22,559
I'm sure, but I think most people who buy vinyl

689
00:36:22,639 --> 00:36:25,840
probably never actually play it because if you're really into

690
00:36:25,880 --> 00:36:27,320
an artist, if you're a big fan, you want the

691
00:36:27,400 --> 00:36:30,440
vinyl because you want to be able. Like Jenny has

692
00:36:30,440 --> 00:36:33,519
been decorating the office slash studio that we have set

693
00:36:33,559 --> 00:36:35,519
up at home with with vinyl because we have guests

694
00:36:36,199 --> 00:36:38,320
who occasionally will give us vinyl and then we you know,

695
00:36:38,360 --> 00:36:41,360
we mount the car on the wall. Yeah, yeah, absolutely.

696
00:36:42,159 --> 00:36:44,320
I don't have a record player at home and I

697
00:36:44,320 --> 00:36:46,199
don't intend to buy one, although we have one. We

698
00:36:46,239 --> 00:36:49,239
actually have one here in studio. One of the other

699
00:36:49,280 --> 00:36:51,079
hosts brought one in and said, whoever wants to use

700
00:36:51,119 --> 00:36:53,440
it can, and we have a CD player here too,

701
00:36:53,480 --> 00:36:55,000
but I think I think the only one who uses

702
00:36:55,000 --> 00:36:56,440
it is Rob as a Vedo he has to show

703
00:36:56,440 --> 00:36:59,639
here called gran state of Mind. But but yeah, but

704
00:36:59,920 --> 00:37:02,000
I think you're right. You know, people like something tangible.

705
00:37:02,119 --> 00:37:02,440
Speaker 9: Yeah.

706
00:37:02,599 --> 00:37:04,280
Speaker 8: When I was growing up, it was always such a

707
00:37:04,360 --> 00:37:06,360
kick too. If I was really into an artist, I

708
00:37:06,360 --> 00:37:08,440
would look at the liner notes. Yeah, and if I

709
00:37:08,480 --> 00:37:10,360
was a big fan, I'd want to know everything, like

710
00:37:10,400 --> 00:37:13,239
even just like like the name of their management company

711
00:37:13,280 --> 00:37:15,119
and you know, just all that kind of stuff.

712
00:37:15,199 --> 00:37:18,280
Speaker 3: Lyrics, the musicians, yeah, the production company.

713
00:37:18,320 --> 00:37:19,119
Speaker 9: Yeah. I love.

714
00:37:19,519 --> 00:37:21,400
Speaker 3: When I did the vinyl, I made sure to put

715
00:37:21,440 --> 00:37:23,400
all the lyrics and the liner notes and like this

716
00:37:23,480 --> 00:37:25,199
kind of like photo insert because I just love that.

717
00:37:25,400 --> 00:37:25,800
Speaker 12: Yeah.

718
00:37:25,880 --> 00:37:29,920
Speaker 8: Oh yeah, yeah, absolutely it's out there. Absolutely. You want

719
00:37:29,920 --> 00:37:32,719
to play another one? Sure to hear more. Yeah awesome

720
00:37:32,719 --> 00:37:34,519
if you're just joining us. ELI loves here with us

721
00:37:34,519 --> 00:37:38,039
live and studio. Is it weird singing this early?

722
00:37:39,000 --> 00:37:42,320
Speaker 3: It would be if I didn't know what I was doing. Yeah,

723
00:37:42,599 --> 00:37:46,159
So every morning before I come to the studio, Yeah,

724
00:37:46,760 --> 00:37:48,599
got do a little run, Yeah, gotta drink a lot

725
00:37:48,639 --> 00:37:51,920
of water yep, to my vocal warm ups, yep, do

726
00:37:52,000 --> 00:37:56,000
some jumping jacks and get my voice formed up. Yeah,

727
00:37:56,360 --> 00:37:59,519
because otherwise it would not be as good as a

728
00:37:59,559 --> 00:38:00,639
show as is right now.

729
00:38:00,519 --> 00:38:02,119
Speaker 8: Your voice would be cracking like minus.

730
00:38:03,679 --> 00:38:04,599
Speaker 10: Yeah, you got it.

731
00:38:05,079 --> 00:38:06,639
Speaker 3: Well, I love to sing a song. This is called

732
00:38:06,679 --> 00:38:11,199
that universal song. We're talking about music being the universal language.

733
00:38:11,280 --> 00:38:12,280
Speaker 8: Yeah, I like this one a lot.

734
00:38:12,679 --> 00:38:13,760
Speaker 3: This is from present journey.

735
00:38:13,840 --> 00:38:14,800
Speaker 8: Okay, here we go.

736
00:38:17,440 --> 00:38:20,280
Speaker 3: I was on a train in the middle of the city.

737
00:38:22,360 --> 00:38:25,480
Saw girls sitting on the floor with their headphones on.

738
00:38:26,320 --> 00:38:29,480
She was humming a tune, looking as happy as she

739
00:38:29,639 --> 00:38:33,920
could be, nodding the head and closing her eyes and

740
00:38:34,000 --> 00:38:40,840
singing the song she was singing, and the song came

741
00:38:40,920 --> 00:38:48,840
through the window. Now everyone's humming alone. No, no, no, no.

742
00:38:50,320 --> 00:38:54,719
Speaker 10: She got everybody singing.

743
00:38:54,440 --> 00:38:56,559
Speaker 12: That universal song.

744
00:39:02,280 --> 00:39:02,760
Speaker 9: Here we go.

745
00:39:06,960 --> 00:39:09,199
Speaker 3: I was on a cruise in the middle of the ocean.

746
00:39:11,559 --> 00:39:16,079
I was sitting alone at a table for two. The

747
00:39:16,159 --> 00:39:20,079
band was on a break because the singer he was late.

748
00:39:20,679 --> 00:39:23,360
But the second he got on stage started singing that

749
00:39:23,480 --> 00:39:29,559
same too. He was singing, and.

750
00:39:29,639 --> 00:39:31,559
Speaker 12: Everyone got on the dance floor.

751
00:39:33,639 --> 00:39:35,960
Speaker 3: They were shaking the hips, moving alone.

752
00:39:39,599 --> 00:39:41,599
Speaker 1: You got everybody.

753
00:39:43,199 --> 00:39:50,559
Speaker 3: Singing that universal song. Let's bring the aliens. We're about

754
00:39:50,599 --> 00:39:51,239
to get unleashed.

755
00:39:51,239 --> 00:39:52,559
Speaker 10: Here here we go.

756
00:39:55,239 --> 00:39:58,559
Speaker 3: Well, I read on the news today that they made

757
00:39:58,719 --> 00:40:03,320
contact without a space a transmission was coming in loud

758
00:40:03,440 --> 00:40:09,840
and clear, and all the scientists and linguists and astrophysicists

759
00:40:09,960 --> 00:40:13,920
try to decipher the sound that was coming into their ears,

760
00:40:14,400 --> 00:40:15,199
and all their.

761
00:40:15,039 --> 00:40:18,960
Speaker 12: It was no, no, no, no no. And they started

762
00:40:19,000 --> 00:40:22,599
shaking their shoulders too. No no, no, no no.

763
00:40:23,159 --> 00:40:28,840
Speaker 3: They all agree that that's what we should do, everybody

764
00:40:28,880 --> 00:40:30,119
in the world.

765
00:40:29,840 --> 00:40:35,519
Speaker 1: And they got the hands up in the air.

766
00:40:36,000 --> 00:40:37,440
Speaker 12: No none.

767
00:40:37,599 --> 00:40:48,199
Speaker 14: Now, everybodies getting along because the bigbodies singing.

768
00:40:47,880 --> 00:40:50,079
Speaker 3: That universal song.

769
00:40:51,480 --> 00:40:58,000
Speaker 12: They're singing no no, no no, just like that. No

770
00:40:58,079 --> 00:40:59,840
no no, no, no.

771
00:40:59,559 --> 00:41:01,079
Speaker 3: No one more time for the road.

772
00:41:01,239 --> 00:41:01,639
Speaker 9: Here we go.

773
00:41:02,440 --> 00:41:08,159
Speaker 1: No no, no no no.

774
00:41:11,559 --> 00:41:13,679
Speaker 8: Mmmm I love it. I love that.

775
00:41:13,719 --> 00:41:14,880
Speaker 1: One's fun.

776
00:41:15,199 --> 00:41:16,559
Speaker 3: That is a funny one.

777
00:41:17,000 --> 00:41:20,639
Speaker 8: Absolutely absolutely. Eli Leve is here with us in studio.

778
00:41:20,920 --> 00:41:23,119
We should mention too, there's a cool video for that.

779
00:41:23,719 --> 00:41:24,159
Speaker 9: There is.

780
00:41:24,559 --> 00:41:27,039
Speaker 3: Yeah, I've got a lyric video for that. And a

781
00:41:27,079 --> 00:41:28,679
lot of these videos, a lot of these songs have

782
00:41:28,679 --> 00:41:29,920
some awesome videos to them.

783
00:41:30,199 --> 00:41:33,280
Speaker 8: That is that important from your perspective to lyric videos.

784
00:41:33,280 --> 00:41:35,320
I feel like that's a really strong tool as far

785
00:41:35,360 --> 00:41:40,239
as distributing music and marketing on especially on YouTube. Obviously.

786
00:41:40,480 --> 00:41:43,920
Speaker 3: Yeah, what happens is there's a huge international audience, so

787
00:41:44,280 --> 00:41:46,679
you know, on Spotify, people listening to the music all

788
00:41:46,679 --> 00:41:49,360
over the world. Yeah, and let's say let's go to

789
00:41:49,400 --> 00:41:52,320
like India for example. So imagine you're a you know,

790
00:41:52,719 --> 00:41:55,639
twenty twenty one year old guy listening to Spotify. You

791
00:41:55,679 --> 00:41:58,360
hear this American you want to learn English, and you

792
00:41:58,400 --> 00:42:01,719
go to YouTube, yeah, and you find the lyric video

793
00:42:02,039 --> 00:42:04,960
of these songs. So, sure enough, my top songs on

794
00:42:05,039 --> 00:42:09,039
streaming are the top songs of the lyric videos because

795
00:42:09,079 --> 00:42:13,199
people online to YouTube, listen to the lyric videos learn English.

796
00:42:13,320 --> 00:42:14,320
Speaker 8: That never occurred to me.

797
00:42:14,400 --> 00:42:18,719
Speaker 3: And a massive international audience on YouTube for those Yep.

798
00:42:18,719 --> 00:42:20,920
Speaker 8: I'll be damp. So that never never occurred to me.

799
00:42:21,119 --> 00:42:22,199
That's so interesting.

800
00:42:22,320 --> 00:42:23,920
Speaker 3: You did it to me. Then I realized it's like,

801
00:42:23,920 --> 00:42:26,159
wait a second. Most of these folks are from Korea

802
00:42:26,320 --> 00:42:28,960
or India or Brazil or I mean, yeah, they're English

803
00:42:28,960 --> 00:42:31,480
speaking people who like lyric videos. Yeah, but a lot

804
00:42:31,480 --> 00:42:34,440
of it is folks outside of the US and the

805
00:42:34,480 --> 00:42:37,920
UK and even Australia who want to learn the song

806
00:42:38,400 --> 00:42:39,119
how to sing along.

807
00:42:39,519 --> 00:42:42,840
Speaker 8: Oh that's cool. Do you think that's contributed to your success,

808
00:42:42,880 --> 00:42:45,599
your ability to be able to tour internationally.

809
00:42:46,519 --> 00:42:48,239
Speaker 3: I think it has a little bit not as much

810
00:42:48,280 --> 00:42:51,039
as you'd think, you know, not as much as I

811
00:42:51,039 --> 00:42:54,800
would think, but I think that it has helped a

812
00:42:54,800 --> 00:42:58,920
lot to build an international audience. Yeah, and the fact that,

813
00:42:59,039 --> 00:43:02,320
like I, you know, on streaming, I really do concentrate

814
00:43:02,400 --> 00:43:05,440
on international audiences as well. Even though the US is

815
00:43:05,480 --> 00:43:08,840
like top listenership by far, it's still nice to have

816
00:43:09,159 --> 00:43:12,440
you know, people in Australia and South Africa and you know,

817
00:43:12,519 --> 00:43:16,159
Middle East, all over Europe and Germany, and that, you know,

818
00:43:16,199 --> 00:43:19,639
my levitator's community is very international, which is awesome.

819
00:43:19,760 --> 00:43:22,599
Speaker 8: Yeah, that is that is that's really cool. Yeah, what

820
00:43:23,119 --> 00:43:26,400
is there? Is there anyone you've heard from who's particularly

821
00:43:26,440 --> 00:43:29,599
surprised you geographically like where you said, wow, I wouldn't

822
00:43:29,840 --> 00:43:33,039
have a fan. There really anyone who's surprised.

823
00:43:33,599 --> 00:43:36,480
Speaker 3: See, like we we forget how interesting streaming is. But

824
00:43:37,280 --> 00:43:39,599
I will go on Spotify and you see your monthly listeners,

825
00:43:40,400 --> 00:43:42,119
and you go all the scroll all the way down,

826
00:43:42,199 --> 00:43:44,800
and you will I find countries that I just never

827
00:43:44,800 --> 00:43:47,400
heard of before, Like I didn't even know exist, these

828
00:43:47,400 --> 00:43:51,119
countries exist. There are people in these countries listening to

829
00:43:51,159 --> 00:43:53,880
this music. I mean, like you know, like far out

830
00:43:53,920 --> 00:43:58,280
places like you know, Tonga, Fiji, you know, Siberia, like

831
00:43:58,519 --> 00:44:03,079
just Monaco, you know, you name it, the Falcon Islands. Yeah,

832
00:44:03,639 --> 00:44:05,239
just like random stuff.

833
00:44:05,280 --> 00:44:05,760
Speaker 8: Wow.

834
00:44:05,920 --> 00:44:07,679
Speaker 3: And there's like, you know, okay, one or two or

835
00:44:07,679 --> 00:44:10,400
three listeners there Mongolia. Twenty people listen to my music

836
00:44:10,440 --> 00:44:11,000
in Mongolia.

837
00:44:12,480 --> 00:44:13,119
Speaker 9: You know what is that?

838
00:44:13,199 --> 00:44:14,159
Speaker 3: What is that scene?

839
00:44:14,400 --> 00:44:14,599
Speaker 14: Yeah?

840
00:44:14,760 --> 00:44:17,840
Speaker 3: Can you imagine what that scene would be? I can't, right, right,

841
00:44:18,280 --> 00:44:20,840
but it's amazing just to know that there are, you know,

842
00:44:20,920 --> 00:44:22,599
lots of lots of folks out there that are enjoying

843
00:44:22,639 --> 00:44:23,000
the music.

844
00:44:23,480 --> 00:44:25,639
Speaker 8: Yeah, and there are probably people who are sharing it

845
00:44:25,679 --> 00:44:27,079
with like in the in the case of you know,

846
00:44:27,119 --> 00:44:30,480
twenty listeners in Mongolia, Yeah, you know, they're they're they

847
00:44:30,480 --> 00:44:32,440
probably all know each other and they're sharing you know, hey,

848
00:44:32,559 --> 00:44:34,159
check this out. Check this guy out. You know, I

849
00:44:34,199 --> 00:44:36,400
really like what he's doing. And that's so cool.

850
00:44:37,199 --> 00:44:39,480
Speaker 3: That is that is say what you want about streaming,

851
00:44:39,480 --> 00:44:40,840
and I get it. You know, it's like, you know,

852
00:44:40,880 --> 00:44:44,320
it's it can be us. It's it's a big change. Yeah,

853
00:44:44,400 --> 00:44:50,440
but I consider streaming just as like a discovery tool. Yes, oh, absolutely,

854
00:44:50,880 --> 00:44:51,519
that's all it is.

855
00:44:51,719 --> 00:44:56,280
Speaker 8: Absolutely somebody has been sharing out. I kind of wanted

856
00:44:56,320 --> 00:45:02,199
to this thing on social media about you know by

857
00:45:02,280 --> 00:45:04,280
physical media, you know, which we talked about earlier, in

858
00:45:04,320 --> 00:45:07,360
the importance of that to support these artists, And there's

859
00:45:07,360 --> 00:45:10,280
so much of if I if I knew a place

860
00:45:10,320 --> 00:45:12,079
where I could pull it up quickly, I would. But

861
00:45:12,559 --> 00:45:14,119
there's a bout maybe you've seen it. There's a bunch

862
00:45:14,119 --> 00:45:15,800
of stuff in there about how about how it's so

863
00:45:15,840 --> 00:45:21,079
important to support artists through by physical media. But then

864
00:45:21,119 --> 00:45:23,679
there's this thing at the end about you know, only

865
00:45:23,719 --> 00:45:27,559
by by physical product, don't don't stream stop streaming, And

866
00:45:28,159 --> 00:45:29,760
then it's like, oh, it had me all the way

867
00:45:29,840 --> 00:45:30,760
till you get to the end. But then when we

868
00:45:30,800 --> 00:45:32,800
get to the end, it's like, well, no, don't stop streaming.

869
00:45:33,440 --> 00:45:36,960
I mean, I'll tell you too, And I can appreciate

870
00:45:37,000 --> 00:45:40,760
because so I'm generation X. So my my generation is

871
00:45:40,760 --> 00:45:44,159
the last. We're the last people to grow up completely

872
00:45:44,639 --> 00:45:46,480
no Internet, right are you?

873
00:45:47,119 --> 00:45:47,280
Speaker 3: So?

874
00:45:47,599 --> 00:45:50,400
Speaker 8: I remember vividly, as I guess you do too, what

875
00:45:50,559 --> 00:45:53,960
it was like pre Internet. Different, And don't get me wrong,

876
00:45:54,199 --> 00:45:56,800
I have wonderful memories of going to music stores and

877
00:45:56,840 --> 00:46:01,079
flipping through finding vinyl, finding CDs, finding stuff. But I

878
00:46:01,119 --> 00:46:03,079
wouldn't trade what we have now to go back to

879
00:46:03,119 --> 00:46:05,840
that ever. I mean because now we live in a

880
00:46:05,880 --> 00:46:07,880
time where it's almost like it's almost even hard to

881
00:46:08,559 --> 00:46:10,360
believe that it used to be the way it was,

882
00:46:11,599 --> 00:46:14,519
because now you can hear anything at any time, anything

883
00:46:14,599 --> 00:46:16,800
you want to. I mean, we're so spoiled compared to

884
00:46:16,800 --> 00:46:18,559
what it was growing up.

885
00:46:18,639 --> 00:46:21,599
Speaker 3: You know, you remember mixtapes, of course, you know.

886
00:46:21,719 --> 00:46:24,239
Speaker 8: Oh, I vividly remember taping off of the.

887
00:46:24,280 --> 00:46:27,400
Speaker 3: Radio, absolutely and taping other tapes on other tapes and

888
00:46:27,800 --> 00:46:29,719
writing all the names on the back, giving it to

889
00:46:29,760 --> 00:46:32,199
someone being like, this is so much I care about you.

890
00:46:32,239 --> 00:46:34,320
Oh yeah, speaking words, but I can share it in

891
00:46:34,440 --> 00:46:35,679
music all that stuff.

892
00:46:35,800 --> 00:46:39,119
Speaker 8: Yeah, yeah, So I love the way it is now.

893
00:46:39,360 --> 00:46:42,480
I think it's better, and I understand people get nostalgic,

894
00:46:42,519 --> 00:46:44,480
and you know, I see people I call it old

895
00:46:44,480 --> 00:46:47,519
man syndrome. I see people online on social media all

896
00:46:47,559 --> 00:46:50,320
the time, my age and younger, you know, doing this

897
00:46:50,320 --> 00:46:53,079
thing like back in my day, we actually bought music

898
00:46:53,119 --> 00:46:55,519
instead of just streaming it. It's like, yeah, I know,

899
00:46:55,760 --> 00:46:58,559
but yeah, things evolve and it is better now.

900
00:46:58,800 --> 00:46:59,039
Speaker 9: Yeah.

901
00:46:59,199 --> 00:47:03,480
Speaker 3: I remember tape players. I remember the cassettes breaking and

902
00:47:03,519 --> 00:47:05,760
trying to take them together and winding them up with pencils,

903
00:47:06,119 --> 00:47:08,920
and I remember CDs when they didn't have the automatic

904
00:47:08,960 --> 00:47:11,440
skip function, so you had to like hold the CD

905
00:47:11,519 --> 00:47:16,559
player put it on. You couldn't move the skip, but

906
00:47:16,639 --> 00:47:19,800
CDs would scratch and it would very easily just break

907
00:47:19,840 --> 00:47:23,280
and not work. And like four months listening to a

908
00:47:23,320 --> 00:47:26,800
CDs like, oh, well there that goes. So it's interesting

909
00:47:26,920 --> 00:47:30,639
and you know, there is trade offs, but I think

910
00:47:30,639 --> 00:47:33,800
it's just you know, as an independent artist, it's important

911
00:47:33,840 --> 00:47:35,960
to just roll with it, you know, like roll with

912
00:47:35,960 --> 00:47:38,480
the times. Like, okay, streaming is there, people are going

913
00:47:38,559 --> 00:47:41,280
to stream. Let's use that as a discovery platform and

914
00:47:41,320 --> 00:47:45,599
then invite them into my community through the levitators, through

915
00:47:45,599 --> 00:47:49,320
live streaming, have CDs, have vinyl, have all the things,

916
00:47:49,360 --> 00:47:52,719
and actually go to their countries and perform for them

917
00:47:53,039 --> 00:47:55,000
so they get to you know, and they wouldn't never

918
00:47:55,039 --> 00:47:58,679
have known that I existed without streaming, exactly. It's interesting.

919
00:47:59,159 --> 00:48:02,719
Speaker 8: Or the Internet, yeah, exactly. So I love the way

920
00:48:02,719 --> 00:48:05,079
it is now, and I think embracing just in a

921
00:48:05,119 --> 00:48:08,719
broader sense to embracing technology. You know, if you don't,

922
00:48:08,880 --> 00:48:11,920
you get left behind, you know, And that's fine.

923
00:48:11,960 --> 00:48:13,440
Speaker 3: If you're cool with that, that's all right.

924
00:48:13,519 --> 00:48:13,679
Speaker 9: You know.

925
00:48:13,719 --> 00:48:15,159
Speaker 3: Some people are just like I don't want anything to

926
00:48:15,159 --> 00:48:17,320
do with it, and it's like that's great. Yeah, but

927
00:48:17,440 --> 00:48:19,679
like for me, it's like I would really want to

928
00:48:19,760 --> 00:48:21,840
utilize you know what I mean, what what the tools

929
00:48:21,840 --> 00:48:23,159
are available to connect with people?

930
00:48:23,320 --> 00:48:26,599
Speaker 8: Yeah? Yeah, yeah, yeah, you want to play one more,

931
00:48:26,679 --> 00:48:28,440
let's do it, all right? If you're just joining us.

932
00:48:28,480 --> 00:48:30,920
Eli Love is here with us in studio and.

933
00:48:32,519 --> 00:48:35,519
Speaker 3: We were talking about cassette tapes. Yeah, and this song

934
00:48:35,639 --> 00:48:37,760
is about the good old days of mixtapes.

935
00:48:37,840 --> 00:48:38,639
Speaker 8: Okay, okay.

936
00:48:38,840 --> 00:48:41,880
Speaker 3: It's called singing Along for the First Time. And I

937
00:48:41,920 --> 00:48:44,280
got my first mixtape when I was in probably fourth grade,

938
00:48:44,360 --> 00:48:47,159
fifth grade. Yeah, and I had some very eclectic artists

939
00:48:47,199 --> 00:48:49,480
on it. You might you might remember some of these,

940
00:48:49,880 --> 00:48:52,400
you know. I had Bruce Springsteen, you two Fleetwood, Mac

941
00:48:52,639 --> 00:48:57,519
Johnny Cash, but it also had mc hammer. Oh new

942
00:48:57,599 --> 00:48:58,280
Kids on the Block.

943
00:49:00,119 --> 00:49:03,320
Speaker 8: I giggle at mc hammer because that's a well, we

944
00:49:03,360 --> 00:49:05,320
won't get into it. There's a there's a long running

945
00:49:05,400 --> 00:49:09,480
radio bit. I'll just say this. If you go on

946
00:49:09,559 --> 00:49:11,960
YouTube and you type in Matt Connerton mc hammer, A

947
00:49:12,000 --> 00:49:13,039
whole bunch of stuff coming up.

948
00:49:13,199 --> 00:49:14,280
Speaker 3: Really, Oh, I can't wait.

949
00:49:14,360 --> 00:49:19,960
Speaker 8: I'll leave it at that, all right, A whole bunch

950
00:49:20,000 --> 00:49:21,679
of stuff comes up that's amazing.

951
00:49:21,760 --> 00:49:25,320
Speaker 3: Yeah yeah, Chris Cross was on there. Oh yeah, so

952
00:49:25,360 --> 00:49:27,239
this is this is a song about my first mixtape.

953
00:49:27,280 --> 00:49:34,039
Speaker 8: All right, excellent, Thanks for having me on.

954
00:49:34,119 --> 00:49:38,400
Speaker 3: Y'all really appreciate the support, and thanks for giving original

955
00:49:38,480 --> 00:49:44,039
music a chance always. This one's called sing along for

956
00:49:44,079 --> 00:49:49,280
the first time. It was the age of eight when

957
00:49:49,280 --> 00:49:51,880
I played the tape and I heard a voice come

958
00:49:51,960 --> 00:49:57,280
through you singing loud and singing strong to the words.

959
00:49:57,960 --> 00:50:00,039
Speaker 12: I was sanging known to the edge.

960
00:50:00,079 --> 00:50:03,000
Speaker 3: The song, waking up all my senses.

961
00:50:04,400 --> 00:50:04,920
Speaker 1: Untime.

962
00:50:05,519 --> 00:50:26,119
Speaker 3: I'm singing along for the first time. Oh oh, Selem

963
00:50:26,199 --> 00:50:28,239
singing along for the first time.

964
00:50:28,599 --> 00:50:32,960
Speaker 1: Shoo oo.

965
00:50:35,920 --> 00:50:50,159
Speaker 3: Mm el was singing lodah. Now. I've been singing songs

966
00:50:50,159 --> 00:50:54,719
since I came along on radio and TV. This one's

967
00:50:54,760 --> 00:50:58,840
song win came on, felt like it it was just

968
00:50:59,000 --> 00:51:04,000
for me. Now I'm singing along for the first time.

969
00:51:04,400 --> 00:51:15,800
Speaker 12: Oh oh oh.

970
00:51:13,000 --> 00:51:23,280
Speaker 3: For the first time, Oh oh oh, singing along for

971
00:51:23,360 --> 00:51:27,719
the first time. It was Springsteen in the Street, Cash

972
00:51:27,760 --> 00:51:33,320
in the summer, heat, Willie on the Road, Cobaine in

973
00:51:33,440 --> 00:51:38,480
the cold, Steve in in my room, learning every line

974
00:51:38,519 --> 00:51:41,920
of that tune. When the chorus came, it was my

975
00:51:42,119 --> 00:51:49,239
chance to get up and start to dance away. What

976
00:51:49,800 --> 00:51:53,000
dance away?

977
00:51:55,360 --> 00:52:05,639
Speaker 12: Why I'm sitting along for the first time.

978
00:52:09,239 --> 00:52:17,880
Speaker 3: For the first time. On it was Springsteen in the Street,

979
00:52:18,519 --> 00:52:24,360
Cash in the summery Willie on the Road, Cobing and

980
00:52:24,519 --> 00:52:27,639
the Child Stevie in My Room.

981
00:52:28,360 --> 00:52:30,159
Speaker 1: Then the Navy line of that too.

982
00:52:30,880 --> 00:52:33,679
Speaker 3: When the corners came, it was my chance to you

983
00:52:34,519 --> 00:52:47,559
up and start to dance away, dance away.

984
00:52:53,480 --> 00:52:56,400
Speaker 12: Now I'm sitting along for the first time.

985
00:52:56,920 --> 00:53:01,039
Speaker 10: Oo ooh.

986
00:53:02,519 --> 00:53:16,199
Speaker 3: Ooh, for the first time, I'm singing alone for the

987
00:53:16,239 --> 00:53:17,159
first time.

988
00:53:20,320 --> 00:53:23,960
Speaker 8: Love it, love it, absolutely, absolutely that it's such a hit.

989
00:53:24,039 --> 00:53:26,599
Speaker 15: That's such a such a hit you no one loves

990
00:53:26,679 --> 00:53:28,800
about your music is it just makes me feel happy?

991
00:53:28,920 --> 00:53:34,000
Oh thanks, love it and I need that, yes, good

992
00:53:34,320 --> 00:53:35,000
happy feelings.

993
00:53:35,119 --> 00:53:41,679
Speaker 8: Absolutely for increasing my cortosol oh Well said absolutely absolutely. Eli.

994
00:53:41,800 --> 00:53:43,960
For those listening live on Saturday, we should remind people

995
00:53:43,960 --> 00:53:45,920
where you're gonna be tonight and tomorrow.

996
00:53:45,960 --> 00:53:47,119
Speaker 9: And yeah, I'll.

997
00:53:46,920 --> 00:53:51,320
Speaker 3: Be in Brookline, New Hampshire on Sunday at April House Vineyards.

998
00:53:51,400 --> 00:53:54,079
That starts at one thirty, okay, and then I've got

999
00:53:54,280 --> 00:53:57,480
some more shows up and down the East Coast. I'm touring,

1000
00:53:57,679 --> 00:53:59,119
you know, most of the year I'll be back this

1001
00:53:59,199 --> 00:54:00,920
way probably fall as well.

1002
00:54:01,039 --> 00:54:01,480
Speaker 8: Excellent.

1003
00:54:01,960 --> 00:54:03,599
Speaker 3: And then if people really like the music and want

1004
00:54:03,599 --> 00:54:07,440
to connect with me online, they're invited to become a levitator.

1005
00:54:07,679 --> 00:54:10,760
Speaker 15: Yes, and you get great reminders when new stuff comes out.

1006
00:54:10,760 --> 00:54:12,199
And how do I know that because I'm.

1007
00:54:14,480 --> 00:54:15,119
Speaker 8: I'm on there too.

1008
00:54:15,199 --> 00:54:17,960
Speaker 3: Yeah, that's great. Yeah, And so if you like to

1009
00:54:17,960 --> 00:54:19,440
do that, you can just go to my website. Type

1010
00:54:19,440 --> 00:54:22,920
in the Google machine ELI lev E L I L

1011
00:54:23,000 --> 00:54:25,360
E V and you'll get to the website and on

1012
00:54:25,400 --> 00:54:27,199
the bottom it says join the levitators.

1013
00:54:27,239 --> 00:54:31,679
Speaker 8: Excellent, excellent, outstanding. We should Uh, what do you want

1014
00:54:31,679 --> 00:54:34,039
to end with? Well, we'll play one of the studio tracks.

1015
00:54:34,280 --> 00:54:34,719
Speaker 3: That's great.

1016
00:54:34,800 --> 00:54:36,239
Speaker 8: I don't know if you remember what you sent me.

1017
00:54:36,679 --> 00:54:37,840
Do you have a preference?

1018
00:54:38,039 --> 00:54:40,039
Speaker 3: You can pick one, you can surprise me.

1019
00:54:40,159 --> 00:54:42,400
Speaker 8: Let's see what didn't Oh, honkey talk.

1020
00:54:42,480 --> 00:54:44,119
Speaker 3: True, that's a good one.

1021
00:54:44,199 --> 00:54:44,760
Speaker 8: That's a good one.

1022
00:54:44,760 --> 00:54:46,760
Speaker 3: We're gonna get done of honkeey talking, but let's see.

1023
00:54:46,840 --> 00:54:49,800
Speaker 8: Yeah, let's go download that. Yeah, very good, very good.

1024
00:54:50,039 --> 00:54:52,960
And for those of you listening live on Saturday, we

1025
00:54:53,039 --> 00:54:56,559
have Jack Lianos coming up from the Perimeter Jazz Ensemble.

1026
00:54:56,559 --> 00:55:00,039
If I'm saying that correctly in the third hour, and

1027
00:55:00,320 --> 00:55:03,519
we will close out this segment with this again. This

1028
00:55:03,599 --> 00:55:06,320
is monkey talk truth. This is Eli left Eli, Thank

1029
00:55:06,360 --> 00:55:07,360
you again, Thank you both.

1030
00:55:11,480 --> 00:55:12,320
Speaker 9: So far.

1031
00:55:13,800 --> 00:55:26,199
Speaker 1: It's been quite an adventure with you by my side.

1032
00:55:28,320 --> 00:55:35,920
There's a part of me that goes on forever.

1033
00:55:36,760 --> 00:55:37,880
Speaker 10: And the willing.

1034
00:55:39,079 --> 00:55:46,239
Speaker 6: Two Lady shine, if I talk.

1035
00:55:47,840 --> 00:55:56,320
Speaker 16: Dude that we're just getting started, would you keep monkey

1036
00:55:56,440 --> 00:55:58,360
keeping on with me?

1037
00:56:01,880 --> 00:56:04,960
Speaker 1: Because I try, try, try.

1038
00:56:04,880 --> 00:56:07,079
Speaker 16: To be opening hardy.

1039
00:56:10,000 --> 00:56:11,360
Speaker 1: I hope that's all right.

1040
00:56:12,760 --> 00:56:21,679
Speaker 3: Common And as I know, it's a long winding grow

1041
00:56:23,320 --> 00:56:26,239
we pas and dangerous turns.

1042
00:56:27,039 --> 00:56:32,800
Speaker 1: The hardest part stay true. But I know when you

1043
00:56:32,840 --> 00:56:36,039
know with me, that's all that I want to do.

1044
00:56:39,920 --> 00:56:45,840
So far, we've built the Time Empire.

1045
00:56:48,400 --> 00:56:49,480
Speaker 3: In the middle.

1046
00:56:50,679 --> 00:56:56,159
Speaker 5: Of a wild and wondrous work.

1047
00:56:56,800 --> 00:57:01,880
Speaker 1: If we keep ongoing, lie, we're going with.

1048
00:57:05,159 --> 00:57:06,320
Speaker 3: There's no telling.

1049
00:57:07,559 --> 00:57:15,719
Speaker 6: How big ain I found this Couk. There's a sens

1050
00:57:15,760 --> 00:57:20,639
my mind, laskin what's all happened?

1051
00:57:22,039 --> 00:57:24,960
Speaker 1: What you much to look at? Old time?

1052
00:57:26,119 --> 00:57:28,280
Speaker 6: Cause I'm knowing when you're with me?

1053
00:57:28,679 --> 00:57:30,000
Speaker 1: Up poor gone on me?

1054
00:57:30,440 --> 00:57:59,880
Speaker 3: All right, let's me saying our first song together. I

1055
00:58:00,360 --> 00:58:06,599
knew that we'd be just fine.

1056
00:58:08,280 --> 00:58:13,519
Speaker 1: We're gonna keep on singing. Two starts.

1057
00:58:16,440 --> 00:58:21,960
Speaker 3: We'll stay on the run and keep on chasing daylight.

1058
00:58:25,199 --> 00:58:34,039
Speaker 1: It's a thing with perils and dangerous turns. The hardest

1059
00:58:34,159 --> 00:58:39,880
bon staying at Bud. I'm know when you're with me.

1060
00:58:40,159 --> 00:58:45,599
Speaker 6: That's all that I want to do, all that I

1061
00:58:45,760 --> 00:58:46,760
want to do