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<v Speaker 1>It's Night Side with Dan Ray on WBZY Boston's news video.

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<v Speaker 2>All right, Nicole, thank you very much.

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<v Speaker 3>Yes, there seems to be a cease fire on the

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<v Speaker 3>doorstep in the Middle East. Anytime people stop killing each other.

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<v Speaker 3>I'm all for it. Long overdue and it's about time.

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<v Speaker 3>That's all I can tell you. Then I look over

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<v Speaker 3>here on the left. I'm looking at television monitors here

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<v Speaker 3>in the Beezy studio, and I see that Kamali's team

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<v Speaker 3>continues to make excuses about their loss, why they didn't

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<v Speaker 3>go on Rogan and blah blah blah.

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<v Speaker 2>It's over. Let it go.

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<v Speaker 3>That's it. That's it. That is about as serious. No,

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<v Speaker 3>that is as serious as I'm gonna get tonight because

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<v Speaker 3>I'm ready for turkey stuffing, movies and sweatpants. The greatest

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<v Speaker 3>adventure you know, the man or.

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<v Speaker 2>A woman is.

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<v Speaker 3>It's the sweat band. It is the elastic band. It

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<v Speaker 3>is the rope that you can let out in your sweatpants.

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<v Speaker 3>I remember my uncle Jim, after Thanksgimmick dinner, sitting in

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<v Speaker 3>front of the television set to watch football, literally unbuckling

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<v Speaker 3>his belt and just letting the thing hang off and

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<v Speaker 3>then unbuckling the top button, unbuckling the top button of

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<v Speaker 3>your pants. You would be arrested today if you did that,

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<v Speaker 3>but thanks to the sweatpant on Thursday, you don't have

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<v Speaker 3>to do it. This is where my head's at. No

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<v Speaker 3>heavy lifting, no heavy thinking. It's the holidays, people, and

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<v Speaker 3>let's get do it. So coming up tonight on Night Side,

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<v Speaker 3>Gary Tagway for Dan Ray, we're gonna get into the

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<v Speaker 3>holiday movies. My buddy Drewiano is gonna join us. Screenwriting

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<v Speaker 3>professor at BC for over a decade, wrote the screenplay

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<v Speaker 3>No Safe Haven. Has written a number of novels. Also

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<v Speaker 3>wrote a book called The Third Act. Has been a

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<v Speaker 3>consultant for Will Smith in Will Smith's Company. This guy

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<v Speaker 3>knows movies like nobody's business, and he's been working on

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<v Speaker 3>a list all day for the best holiday movies. Now,

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<v Speaker 3>there are some obvious ones. The one thing that about

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<v Speaker 3>the holiday movie the new ones really haven't captured it.

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<v Speaker 3>There's been nothing new lately. There is one with Kurt Russalove,

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<v Speaker 3>we'll get into that, which I liked the Christmas Chronicles.

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<v Speaker 3>One was good, two was a little much. But I

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<v Speaker 3>think he wanted to get Goldie in it. I understand,

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<v Speaker 3>so they made a Christmas Chronicles two. I like Christmas

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<v Speaker 3>Chronicles one, but that's really the only recent holiday movie

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<v Speaker 3>that I think is any good.

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<v Speaker 2>I could be wrong.

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<v Speaker 3>I could be wrong on that, but that's anyways. We're

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<v Speaker 3>going to cover that and also some great stories with

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<v Speaker 3>Drew on these holiday movies. And where would we be

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<v Speaker 3>without John Hughes. God bless him me he rest in peace.

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<v Speaker 3>I mean John Hughes as a writer and a director

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<v Speaker 3>made the two of the best holiday movies Plays Trains

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<v Speaker 3>at Automobiles and Home Alone. Those are not my top

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<v Speaker 3>those might be in my top five. But I'm going

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<v Speaker 3>to tell you my number one holiday movie coming up,

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<v Speaker 3>which I think initially the critics just panned. And also

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<v Speaker 3>there's a very interesting story on how two actors didn't

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<v Speaker 3>get along in it, and that's coming up in just

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<v Speaker 3>a few moments. What's going on in the world of entertainment.

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<v Speaker 3>One of the things we like to do around the

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<v Speaker 3>holidays is sit on our ass and watch TV and

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<v Speaker 3>stream and movies and look for things. There just is

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<v Speaker 3>not the inventory that we're accustomed to. Sure, you can

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<v Speaker 3>go back and you can watch the older movies, or

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<v Speaker 3>maybe there's something you haven't seen. I haven't seen shinless

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<v Speaker 3>lists and I just can't bring myself to do it,

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<v Speaker 3>and I need to do it, should do it. Every

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<v Speaker 3>time I go to do it, I go it's too heavy.

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<v Speaker 2>I can't handle it. I'm whistened out.

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<v Speaker 3>But I should do it out of respect for the story,

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<v Speaker 3>the cause, live loss, Lives lost, sacrificed, the filmmaker, the actors.

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<v Speaker 3>I just need to watch that movie, but I just

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<v Speaker 3>I just can't. I can't bring myself to do it.

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<v Speaker 3>But what's going on with the world of entertainment? There

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<v Speaker 3>was a big meaning between Netflix and all the powers

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<v Speaker 3>that be out in Hollywood. It did not go well.

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<v Speaker 3>I mean, listen, TVs. We all know, I mean TV

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<v Speaker 3>is dead. Thank God for Law and Order. I mean

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<v Speaker 3>Law and Order and the fbis and of course reality

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<v Speaker 3>reality television. You know where you have the voice, so

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<v Speaker 3>you have American Idol, or you know, you have these

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<v Speaker 3>survival shows or f Boy Island that I'm finding.

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<v Speaker 2>Out that my teenage daughter is watching. I'm like, what,

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<v Speaker 2>excuse me?

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<v Speaker 3>When you get to the third kid, I'm too damn

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<v Speaker 3>tired to worry about what they're watching.

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<v Speaker 2>They all know so much.

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<v Speaker 3>Oh my god, what kids know at fourteen and fifteen.

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<v Speaker 3>I didn't know when I was twenty, and I blame

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<v Speaker 3>the phones. Can't blame me, the parent, blame the phones.

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<v Speaker 3>But I mean, when it comes to like what we

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<v Speaker 3>grew up with TV, it's like stuff like that or

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<v Speaker 3>The X Factor, right, or The Survivor. But when it

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<v Speaker 3>comes to drama, great fiction, great shows, great movies, it's

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<v Speaker 3>all streaming. Where's it going? When are we going to

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<v Speaker 3>see the next great show? There's not a lot out there, right,

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<v Speaker 3>I mean, right now, picketts are pretty slim. I've got

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<v Speaker 3>a few. But what's going on in the industry and

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<v Speaker 3>how are we going to be entertained in the future.

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<v Speaker 3>One of the things I'm going to ask Emily Kennedy about,

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<v Speaker 3>who is an agent for the WSM Agency and has

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<v Speaker 3>worked in a number of areas of entertainment throughout her

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<v Speaker 3>career before going into the agency business, is is the

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<v Speaker 3>situation comedy's gonna be replaced by Instagram? My wife goes

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<v Speaker 3>on Instagram and just scrolls it and laughs and just

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<v Speaker 3>laughs one after another after another.

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<v Speaker 2>I mean, is there no reason to have a new Cheers? Right?

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<v Speaker 3>I mean Abbot elementary God, but thank God for that.

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<v Speaker 3>But at one point in time, we have five or

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<v Speaker 3>six or seven or eight Abbot Elementaries.

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<v Speaker 2>You could watch now.

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<v Speaker 3>It's Abbot Elementary and Instagram or f Boy Island. Oh God,

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<v Speaker 3>Porzingis is back Celtics. If you have Porzingis, They're not

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<v Speaker 3>gonna lose to anybody, not at all. They are not

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<v Speaker 3>gonna lose to anybody. And Peyton Prishart could he be

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<v Speaker 3>the sixth Man of the Year. Gotta get into some

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<v Speaker 3>Celtics here with Jackson. Jackson Tulliver's gonna join us. Also

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<v Speaker 3>one of my prime students at Emerson, but he does

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<v Speaker 3>great work for CELNS Media, so we're gonna talk Celtics

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<v Speaker 3>soup with him. This is interesting coming up at ten thirty.

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<v Speaker 3>Make sure you join us for the Dark Side of

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<v Speaker 3>AI Scarbarredell. Anytime AI screws up, I'm all for it.

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<v Speaker 2>Now.

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<v Speaker 3>I do realize that I don't realize how dependent I

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<v Speaker 3>am on AI. When I look at my phone, you know,

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<v Speaker 3>or when you just say you're you know, you send

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<v Speaker 3>a text and you get autocorrect. I mean that's AI.

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<v Speaker 3>We are so dependent on AI. I don't even know

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<v Speaker 3>when AI helps me. I really don't. But anytime there's

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<v Speaker 3>a black mark on AI because AI scares the hell

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<v Speaker 3>out of me, even though I use it all the

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<v Speaker 3>time and it makes my life easier. I'm such a hypocrite.

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<v Speaker 3>I'm all for it, and he's got a story coming up.

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<v Speaker 3>But we're going to talk about this because.

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<v Speaker 2>I do worry. Will computers run the world? Will they?

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<v Speaker 4>You know?

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<v Speaker 3>Come on, I root against AI, even though I am

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<v Speaker 3>totally dependent on it. That's all coming up at ten

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<v Speaker 3>thirty eleven o'clock. I need your help. What are we

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<v Speaker 3>thankful for? I started with sweatpants, but I want unique things.

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<v Speaker 2>We are or we're.

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<v Speaker 3>Grateful for love, We're grateful for help. I'm grateful for

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<v Speaker 3>Rob Brooks, you know. I'm grateful for Marita, who produced

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<v Speaker 3>the show tonight. I'm grateful for my family. I'm grateful

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<v Speaker 3>for my health. Believe me, I bet hey. I was

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<v Speaker 3>at Dana Farber. I am grateful for Dana Farber. By

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<v Speaker 3>the way, if you have a couple of extra shekels

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<v Speaker 3>you're looking to maybe get a little tax break, Dana Farber,

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<v Speaker 3>send the money over there. They will either save your

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<v Speaker 3>life or they will save somebody. You know, trust me

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<v Speaker 3>because I've experienced both. Or mass general I'm not getting it.

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<v Speaker 3>Whatever you know, when it comes to cancer, man, if

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<v Speaker 3>you can, if you can help out, do it this Christmas.

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<v Speaker 3>Send a little money does it can be a dollar,

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<v Speaker 3>it can be five dollars, It doesn't have to be

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<v Speaker 3>a lot.

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<v Speaker 2>Can be fair, I mean, fifty cents.

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<v Speaker 3>Take your change drawer. Does anybody have those anymore? I

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<v Speaker 3>mean with Venmo people probably don't even have change drawers.

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<v Speaker 2>Take it.

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<v Speaker 3>If you do, you have a change drawer buried in

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<v Speaker 3>the socks like me, send it over to dand Farber.

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<v Speaker 4>So.

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<v Speaker 3>Yeah, that is the show tonight, what we're thankful for,

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<v Speaker 3>but I want to be We're gonna have some fun

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<v Speaker 3>at eleven o'clock. It's not the typical stereotypical things we're

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<v Speaker 3>thankful for. Let's get into the movies. Let's get into

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<v Speaker 3>the holiday movies. Let's get into the stories behind the

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<v Speaker 3>stories again. I have a great story for you coming

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<v Speaker 3>up on ELF. What was going on with that set?

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<v Speaker 3>We'll get into planes, trains, and automobiles, and a big

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<v Speaker 3>portion of that was cut out and it turned out

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<v Speaker 3>for the better.

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<v Speaker 2>The only problem I have.

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<v Speaker 3>With Home Alone is they made Home Alone two. They

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<v Speaker 3>should have just left it alone. Sorry, for the Redundancy.

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<v Speaker 2>Droiano, screenwriter, author, professor and friend of Gary, joins us

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<v Speaker 2>as we talked holiday movies. Next he on wbz's Nightside.

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<v Speaker 1>Now back to Dan d Mine from the Window World

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<v Speaker 1>Videos on w b Z the News Radio.

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<v Speaker 2>Oh huh, why did you kiss my hair? Where you're

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<v Speaker 2>holding my hand? There's your other hand between two pillows.

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<v Speaker 2>Those aren't pillows.

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<v Speaker 5>Oh hey, huh.

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<v Speaker 2>See that Bear's game last week? Helloa game, Hello game.

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<v Speaker 2>Bear's got a great team to ship. They're gonna go

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<v Speaker 2>all the way.

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<v Speaker 3>Oh yeah, one of the best movie scenons ever. Welcome

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<v Speaker 3>back NICs like Gary Tank, We for Dan Ray, Steve Martin,

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<v Speaker 3>John Candy, of course, planes, trains and automobiles. We're talking

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<v Speaker 3>about holiday movies and joining me now is my friend

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<v Speaker 3>Drew Giano.

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<v Speaker 2>Uh.

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<v Speaker 3>Screenwriting professor also has written a book called The Third Act.

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<v Speaker 3>By the way, if you want to write, you have

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<v Speaker 3>to get the Third Act. Will Smith absolutely use this book.

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<v Speaker 2>You have to.

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<v Speaker 3>If you want to write, you have to get The

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<v Speaker 3>Third Act by Drewiano also wrote The Smart One Michael

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<v Speaker 3>Vogel in Idea Story to Screen.

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<v Speaker 2>What's going on? Horace? How you doing? Happy Thanksgiving?

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<v Speaker 4>Happy Thanksgiving gear.

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<v Speaker 3>Hey, doesn't I hear that clip? And I just get

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<v Speaker 3>all fuzzy inside.

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<v Speaker 2>I just love it.

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<v Speaker 4>It's it's just still funny. The whole movie is just

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<v Speaker 4>still funny. It's a classic. It'll go forever, all right.

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<v Speaker 3>Drew's got a list of the great holiday movies. If

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<v Speaker 3>you guys want to chime in, give us a call

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<v Speaker 3>to if you have any suggestions. But we're going to

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<v Speaker 3>try to get into some of the stories behind the stories.

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<v Speaker 3>And I know you're a big John Hughes fan, but arguement,

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<v Speaker 3>I mean, listen, it's not my number one. I'm going

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<v Speaker 3>to tell you what my number one holiday movie is

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<v Speaker 3>coming up in a bit. But I think from most everybody, Planes, trains,

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<v Speaker 3>and Automobiles is number one.

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<v Speaker 4>Well, certainly the number one Thanksgiving movie. I mean, my

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<v Speaker 4>wife and I will watch it tomorrow night, we always do,

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<v Speaker 4>like before Thanksgiving. And you know, incidentally, it was released

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<v Speaker 4>thirty seven years ago yesterday. Wow, And it's such a

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<v Speaker 4>great story. And Hughes had the idea when he was

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<v Speaker 4>going on vacation and he's going down the list of

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<v Speaker 4>things so I wouldn't forget, And they thought, well, if

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<v Speaker 4>I forgot one of my kids literally how they came

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<v Speaker 4>up with the idea, Oh no, I'm thinking to the

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<v Speaker 4>other one.

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<v Speaker 2>Yeah, it's easy to do.

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<v Speaker 4>Ows trains, planes trains. He got from his own experience

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<v Speaker 4>as a copywriter, right, And he was sitting around and

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<v Speaker 4>they were all talking about, you know, getting stranded in places,

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<v Speaker 4>and you know that was by strains, which he then,

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<v Speaker 4>you know, paired John Candy with Steve Martin, which is

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<v Speaker 4>the greatest pairing in comedy history.

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<v Speaker 3>I think, do you think hughs Because he was in

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<v Speaker 3>the advertising business and a copywriter, he was able to

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<v Speaker 3>bring that commercial end or that commercial angle to.

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<v Speaker 2>The movies while still delivering a lot of heart.

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<v Speaker 3>Because if you think, like you always told me when

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<v Speaker 3>we were talking about Drew, about a movie, it's got

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<v Speaker 3>to have heart, you know, I mean there's got to

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<v Speaker 3>be some heart in there. Okay, maybe Halloween one through

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<v Speaker 3>five doesn't have heart, but you know, when you're a

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<v Speaker 3>copyrighted yeah, when you're comedy, to have heart, right, And

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<v Speaker 3>he was.

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<v Speaker 2>He was awesome at that. Hughes was the master.

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<v Speaker 4>Yeah, totally. And the thing about writing commercials is economy.

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<v Speaker 4>You have to tell a story really quickly. Think of

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<v Speaker 4>all the best commercials you've ever watched. I mean, they're

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<v Speaker 4>a story in such thirty seconds or a minute, and

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<v Speaker 4>I think that helped him. And you know, you can

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<v Speaker 4>see it on the screen, especially plain strains, because it

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<v Speaker 4>was three hours and forty five minutes once they were

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<v Speaker 4>done filming, and it ended up being an hour in

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<v Speaker 4>thirty three minutes. He cut out all the stuff that

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<v Speaker 4>didn't need to be there.

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<v Speaker 2>It was that Wow, it sounds like a Scorsese film.

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<v Speaker 4>Yeah. No, he just kept filming and they led him

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<v Speaker 4>and you know, you have Steve Martin and John Candy.

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<v Speaker 4>They improvised a lot, so you know, they just kept

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<v Speaker 4>it and then just when it came time to edit,

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<v Speaker 4>man did they addit.

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<v Speaker 1>Man.

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<v Speaker 3>It was so interesting from Martin because I remember when

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<v Speaker 3>he came out with the wild and crazy guy in

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<v Speaker 3>the balloons and all that, and that for comedy that

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<v Speaker 3>really wasn't my thing. A lot of friends in college

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<v Speaker 3>liked him on SNL, Wild and Crazy Guys and all

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<v Speaker 3>that that. Really, yeah, I thought he was okay, you know,

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<v Speaker 3>he wasn't my cup of tea. But boy, in movies

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<v Speaker 3>like this, that guy was nails. And here was a

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<v Speaker 3>guy known from comedy that was really he had the

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<v Speaker 3>dramatic role in this movie.

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<v Speaker 4>Oh yeah, oh yeah, he didn't have the lines. And

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<v Speaker 4>you know, you think about Martin, he the first arena comic.

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<v Speaker 4>You know, you got Nate Bergatzi and right, Nashi Messk

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<v Speaker 4>calcol and all those guys you know playing in arenas

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<v Speaker 4>back then that didn't happen, and he was the first.

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<v Speaker 4>And you're right here he is playing a straight guy

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<v Speaker 4>in his first straight you know role, even though it's comedy.

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<v Speaker 4>And you know he talks about that. Yeah, there's Netflix

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<v Speaker 4>that has the documentary. It's a terrific documentary.

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<v Speaker 6>It is.

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<v Speaker 2>It's great. Yeah, it's great.

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<v Speaker 3>Drewiana was our guest talking about holiday movies and right down, planes,

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<v Speaker 3>trains and automobiles one of the best. And you're right,

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<v Speaker 3>it's not if if you don't watch it on demand,

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<v Speaker 3>it's on TBS or TNT or it's.

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<v Speaker 2>Somewhere over there.

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<v Speaker 4>You can find it.

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<v Speaker 2>Yeah, it's easily easily, you can find it.

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<v Speaker 3>So the thing that I found really interesting, and it

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<v Speaker 3>was in the Steve Mark and Steve Martin doc is

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<v Speaker 3>that candy speech at the end when when he reveals

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<v Speaker 3>that he doesn't have a home because he lost his

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<v Speaker 3>wife and during the holiday days he just travels and

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<v Speaker 3>and well people know the story pretty much and grabs

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<v Speaker 3>on to people. Originally that speech was what three four

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<v Speaker 3>minutes he.

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<v Speaker 4>It was a page and a half in the script,

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<v Speaker 4>and you know, Steve Martin and the documentary they said

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<v Speaker 4>he was tears with candy delivering it, because that's the

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<v Speaker 4>beauty of candy. He could be funny as hell, but man,

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<v Speaker 4>he could act. And you know, I think John Hughes

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<v Speaker 4>made the right choice because he just has to say

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<v Speaker 4>those couple of lines. You know, you know, what are

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<v Speaker 4>you doing here?

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<v Speaker 1>Dell?

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<v Speaker 4>You know I don't have a home, Neil. You know

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<v Speaker 4>my wife died eight years ago, and boom, and you

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<v Speaker 4>know from all the action that's taken place that what

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<v Speaker 4>that speech says, you've already taken in right, You've interpret

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<v Speaker 4>that in their actions, and so I do think it

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<v Speaker 4>was the right move. They also had, you know, talking

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<v Speaker 4>about this three hours and forty five minutes. They filmed

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<v Speaker 4>this scene with him having dinner with the family after

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<v Speaker 4>he comes up with his you know, trunk, and they're

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<v Speaker 4>going in the house and don't need that, right, So

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<v Speaker 4>that's the kind of thing where they film and don't

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<v Speaker 4>need it.

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<v Speaker 3>I think walking up the street with both of them

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<v Speaker 3>carrying the trunk is iconic.

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<v Speaker 4>It's that is the word. It's iconic. You show that

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<v Speaker 4>to anybody any time of the year and the feeling

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<v Speaker 4>just comes up. It's so funny because sometimes, you know, July,

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<v Speaker 4>he'll be switching the channels all of a sudden, Blames

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<v Speaker 4>trains will be on and I can't help but watch

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<v Speaker 4>it if it's on. But you're right, you see that

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<v Speaker 4>scene and you just get choked up. It's great.

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<v Speaker 3>Do you think this is what led opportunities for Candy,

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<v Speaker 3>for example, to be in JFK because he can act.

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<v Speaker 2>We saw that he could act.

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<v Speaker 4>That's exactly right. I mean this. He deserved an Oscar

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<v Speaker 4>nomination as far as I've been saying, I think he

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<v Speaker 4>had a Golden Globe nomination. I don't know if you

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<v Speaker 4>had any o Thiss, but he deserved it because you know,

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<v Speaker 4>you're an actor. So I talk about it all the time,

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<v Speaker 4>actors who act with their face, you know, it's not

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<v Speaker 4>so much what they say, but they can literally deliver

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<v Speaker 4>the emotion on their face. And he does that in

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<v Speaker 4>this movie like constantly, particularly in that train scene at

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<v Speaker 4>the end. It's amazing, and I think that's why he

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<v Speaker 4>got cast in more serious roles, because he could act.

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<v Speaker 2>I think it's so hard, Drew.

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<v Speaker 3>Drew and I have written screenplays together, and we love

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<v Speaker 3>to write, and we love to talk about movies, and

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<v Speaker 3>so fartha, it's so hard, especially now where people are

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<v Speaker 3>accustomed to film and human behavior and the story formula.

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<v Speaker 2>If you will that, some people will say, well.

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<v Speaker 3>It's too formulaic, and I'm like, well, no, there is

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<v Speaker 3>still a formula.

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<v Speaker 2>You just have to do a very good job at

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<v Speaker 2>disguising it.

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<v Speaker 3>Now you see it over ten episodes as opposed to

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<v Speaker 3>seeing it over three acts. But when you watch that

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<v Speaker 3>movie Planes Trains, there are easter eggs along the way

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<v Speaker 3>that tell you his situation.

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<v Speaker 2>But I never picked up on it.

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<v Speaker 3>And the hardest thing to do as a writer is

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<v Speaker 3>to surprise somebody but still make it believable.

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<v Speaker 4>Yeah, you got to plant those things, and they did.

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<v Speaker 4>And then you know when he when Martin's on the

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<v Speaker 4>train going home and he starts thinking, and then they

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<v Speaker 4>played the you know, the soundbites of what Candy says,

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<v Speaker 4>and all of a sudden he realizes, oh my god,

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<v Speaker 4>you know, I've been home in years. You know that

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<v Speaker 4>line and all the others. And when you hear him

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<v Speaker 4>in the movie during the movie, because it's moving fast,

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<v Speaker 4>you just think, oh yeah, okay. But then when he

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<v Speaker 4>wraps it up at the end, boom, you know, and.

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<v Speaker 3>He's talking about and when he talks about his wife, right,

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<v Speaker 3>you know, he'll he'll speak about his wife, and you think, okay, well,

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<v Speaker 3>she's just at home waiting for him.

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<v Speaker 4>Yeah, you know, we got at least we got wives

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<v Speaker 4>who love us or something like that. When they're in

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<v Speaker 4>the second hotel room, you know, I just know where

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<v Speaker 4>the car burns up.

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<v Speaker 3>Oh my god, let's talk about that, Drew. When they're

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<v Speaker 3>driving down the highway and the thing is spinning around

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<v Speaker 3>how to get.

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<v Speaker 4>Thro and he punches him in the stomach and he

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<v Speaker 4>listens says, you know, that's how Audini died. You know,

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<v Speaker 4>I laugh every time I hear that. That's such a

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<v Speaker 4>great line.

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<v Speaker 2>Oh my god.

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<v Speaker 4>It is true that it is how Houdini died, which

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<v Speaker 4>makes it even more funny.

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<v Speaker 3>Anyway, we're just getting started. We got to talk about

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<v Speaker 3>Home Altte next. Plus Drew has seven other holiday movies

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<v Speaker 3>you can't miss. Plus is die Hard a holiday movie.

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<v Speaker 3>It's all coming up on WBZ with our guest Drew

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<v Speaker 3>Giano here on Nightside.

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<v Speaker 2>You're on night Side.

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<v Speaker 1>With Dan ray on WBZ, Boston's news Radio.

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<v Speaker 3>Welcome Buck, Gary Tankway for Dan ray tonight. Drew Janno

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<v Speaker 3>was my guest screenwriter professor Screenranger BC.

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<v Speaker 2>We're talking about holiday.

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<v Speaker 3>Movies in movies that we love and John Hughes is

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<v Speaker 3>a big part of this. Can you imagine if there

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<v Speaker 3>was no John Hughes, I mean Drew, I mean this guy,

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<v Speaker 3>he really he kind of developed a style, if you will,

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<v Speaker 3>a format.

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<v Speaker 1>Yeah.

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<v Speaker 4>No, I mean you go back sixteen Candles, The Breakfast Club,

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<v Speaker 4>which is just iconic. You know, all these movies Home Alone.

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<v Speaker 4>He just was amazing. And you know, Plaines Trains was

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<v Speaker 4>the first one that wasn't set in like the teen

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<v Speaker 4>years in the yearly twenty years. He just was amazing.

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<v Speaker 4>And it's sad we you know, we lost them when

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<v Speaker 4>we did, because he'd still be making great movies. I'm sure.

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<v Speaker 2>Yeah, I mean tell you what you've told me.

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<v Speaker 3>The story before he was an ad executive in Chicago

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<v Speaker 3>and then he just decided to go to La How

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<v Speaker 3>did he get his big break?

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<v Speaker 4>He wrote a script and it was one of the

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<v Speaker 4>yearly ones. I don't know if it was sixteen Candles

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<v Speaker 4>or not, but you know, immediately they recognize his talent

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<v Speaker 4>because he just and he was. He would write in

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<v Speaker 4>the bathroom, he would write anywhere he could. You know,

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<v Speaker 4>he wrote I don't know if it was Home Alone

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<v Speaker 4>or one of them in like two days, which you

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<v Speaker 4>know is about impossible, but he just I think that's

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<v Speaker 4>again that's his whole ad agency kind of thing, because man,

422
00:22:02.559 --> 00:22:05.680
<v Speaker 4>they have to turn stuff out, and he just he

423
00:22:05.759 --> 00:22:06.640
<v Speaker 4>had that kind of brain.

424
00:22:06.920 --> 00:22:08.559
<v Speaker 2>Okay, so let's get to Home Alone. Now.

425
00:22:08.640 --> 00:22:11.119
<v Speaker 3>Now it was directed by Chris Columbus. How come was

426
00:22:11.160 --> 00:22:13.000
<v Speaker 3>he just not in a situation at that point in

427
00:22:13.000 --> 00:22:15.079
<v Speaker 3>time to be able to direct because he wrote it

428
00:22:15.279 --> 00:22:18.480
<v Speaker 3>and he produced it, but Chris Chris Columbus directed it.

429
00:22:19.240 --> 00:22:21.359
<v Speaker 4>He was available because he was on the set most

430
00:22:21.400 --> 00:22:26.079
<v Speaker 4>of the time. He I don't think he wanted to

431
00:22:26.160 --> 00:22:30.359
<v Speaker 4>direct it, and you know, he got Chris Columbus. I

432
00:22:30.400 --> 00:22:32.599
<v Speaker 4>forget who the other guy was that he originally fought.

433
00:22:32.599 --> 00:22:35.599
<v Speaker 4>But Chris Columbus became available because he was going to

434
00:22:35.680 --> 00:22:40.279
<v Speaker 4>do National Lampoons Christmas dication and he didn't get along

435
00:22:40.319 --> 00:22:45.160
<v Speaker 4>with Chevy Chase. He's not alone in that category. So

436
00:22:45.200 --> 00:22:49.880
<v Speaker 4>he quit and John Hughes grabbed him and had him

437
00:22:49.880 --> 00:22:51.680
<v Speaker 4>do Home Alone and he did a great job. But

438
00:22:51.759 --> 00:22:54.680
<v Speaker 4>they worked so close together. I mean, why wouldn't you

439
00:22:54.720 --> 00:22:56.599
<v Speaker 4>if you're the director and you got John who's sitting

440
00:22:56.599 --> 00:22:56.920
<v Speaker 4>next year.

441
00:22:57.000 --> 00:22:58.720
<v Speaker 2>Well, there's similar directors.

442
00:22:58.880 --> 00:23:00.720
<v Speaker 3>I mean they have that similar I mean you know,

443
00:23:00.759 --> 00:23:02.440
<v Speaker 3>if you think about Chris Columbus, you think miss is

444
00:23:02.440 --> 00:23:03.119
<v Speaker 3>out fire.

445
00:23:02.960 --> 00:23:06.000
<v Speaker 4>Right, Well, it's that heart thing. There's a comedy with

446
00:23:06.039 --> 00:23:09.920
<v Speaker 4>heart again, right, It's what people love. Make me laugh

447
00:23:10.079 --> 00:23:11.799
<v Speaker 4>and make me feel well.

448
00:23:11.640 --> 00:23:15.000
<v Speaker 3>That's why Abbed Elementary is so good. The formula hasn't changed.

449
00:23:15.759 --> 00:23:18.920
<v Speaker 4>No, it's hard to do. It's hard as hell to do,

450
00:23:18.960 --> 00:23:21.119
<v Speaker 4>and you notice it when it's not there, when it's

451
00:23:21.160 --> 00:23:25.279
<v Speaker 4>just kind of funny but there's no heart. But yeah, no,

452
00:23:25.400 --> 00:23:28.160
<v Speaker 4>it's it's it's what we all want.

453
00:23:28.799 --> 00:23:29.000
<v Speaker 2>Now.

454
00:23:29.200 --> 00:23:31.079
<v Speaker 3>You were just starting to talk about when we opened

455
00:23:31.119 --> 00:23:34.920
<v Speaker 3>up the show, how he got the idea for oh, and.

456
00:23:34.839 --> 00:23:37.039
<v Speaker 4>I got to fix stuff on that because I love

457
00:23:37.079 --> 00:23:39.559
<v Speaker 4>of the ideas. But the Home Alone one, he's literally

458
00:23:39.640 --> 00:23:41.240
<v Speaker 4>making out a list before he and his family go

459
00:23:41.279 --> 00:23:44.440
<v Speaker 4>on vacation. He's like, when I forget you. I could

460
00:23:44.440 --> 00:23:46.599
<v Speaker 4>forget one of my kids. And you know, you know

461
00:23:46.640 --> 00:23:47.200
<v Speaker 4>how that is.

462
00:23:47.480 --> 00:23:48.880
<v Speaker 2>You get an idea for a movie, Oh.

463
00:23:49.119 --> 00:23:52.039
<v Speaker 4>Man, they just come into your head and that was it,

464
00:23:52.680 --> 00:23:57.799
<v Speaker 4>and he wrote it quickly and the rest is history.

465
00:23:58.359 --> 00:24:00.000
<v Speaker 2>So let's talk about the cash for a minute.

466
00:24:00.160 --> 00:24:03.920
<v Speaker 3>Because when I think of Joe Peshi, obviously I always

467
00:24:03.920 --> 00:24:07.079
<v Speaker 3>think of Goodfellas, the classic scene, you know, so you

468
00:24:07.160 --> 00:24:11.359
<v Speaker 3>think I'm funny, do I amuse you? And you think

469
00:24:11.359 --> 00:24:14.720
<v Speaker 3>of de Niro raging Bull, you know, and that's stuff,

470
00:24:15.880 --> 00:24:19.960
<v Speaker 3>you know, even JFK. But I always forget how great

471
00:24:20.000 --> 00:24:22.240
<v Speaker 3>he was in Home Alone, Home Alone too.

472
00:24:23.000 --> 00:24:23.759
<v Speaker 2>I looked up the money.

473
00:24:23.799 --> 00:24:25.720
<v Speaker 3>He got four and a half million for Home Alone

474
00:24:25.880 --> 00:24:30.440
<v Speaker 3>and seven million for Home Alone two. Yeah, and my

475
00:24:30.559 --> 00:24:32.680
<v Speaker 3>cousin Vinny too. I mean, let's talk about Peschi for

476
00:24:32.720 --> 00:24:35.480
<v Speaker 3>a minute and his comedic ability. And this is a

477
00:24:35.480 --> 00:24:37.200
<v Speaker 3>guy that wasn't classically trained.

478
00:24:38.240 --> 00:24:42.279
<v Speaker 4>No, de Niro was the same way. I mean, yeah,

479
00:24:42.880 --> 00:24:45.440
<v Speaker 4>he can do conty, that's for sure. I mean, right,

480
00:24:46.400 --> 00:24:49.799
<v Speaker 4>Peshi on Home Alone was a little difficult because he

481
00:24:49.880 --> 00:24:53.200
<v Speaker 4>didn't think the lines were suitable for someone with his

482
00:24:53.559 --> 00:24:58.240
<v Speaker 4>training and acting ability, and he couldn't wear it. So

483
00:24:58.279 --> 00:25:00.839
<v Speaker 4>that's why he does all that gibberish sounds like swearing

484
00:25:00.880 --> 00:25:04.319
<v Speaker 4>in the in film. And the other big thing that

485
00:25:04.440 --> 00:25:07.920
<v Speaker 4>you know they talk about is he hated he wanted

486
00:25:07.960 --> 00:25:09.920
<v Speaker 4>to play golf, and they were filming in the spring,

487
00:25:10.000 --> 00:25:13.240
<v Speaker 4>and he wanted to play golf before his scenes. But

488
00:25:13.319 --> 00:25:15.519
<v Speaker 4>he'd get a call seated like you know, seven o'clock

489
00:25:15.599 --> 00:25:17.920
<v Speaker 4>or eight o'clock in the morning, and he flat over it.

490
00:25:17.960 --> 00:25:20.519
<v Speaker 4>And finally they never shot any of his scenes until

491
00:25:20.640 --> 00:25:22.240
<v Speaker 4>you know, in the morning, so he could play his

492
00:25:22.319 --> 00:25:23.119
<v Speaker 4>nine holes to golf.

493
00:25:23.559 --> 00:25:25.200
<v Speaker 3>I did have a chance to interview him on a

494
00:25:25.200 --> 00:25:29.279
<v Speaker 3>golf course once drew not I was Brad Faxon and

495
00:25:29.319 --> 00:25:32.680
<v Speaker 3>Billy Andre's tournament. I think the CBS fundraiser down to

496
00:25:32.720 --> 00:25:36.319
<v Speaker 3>Rhode Island, and my god, I interviewed Glenn Fry.

497
00:25:36.519 --> 00:25:38.680
<v Speaker 2>Oh my god, this is a flashback. How about this?

498
00:25:39.400 --> 00:25:44.319
<v Speaker 3>I interviewed Glenn Fry and Joe Peshy nice and Glenn Fry,

499
00:25:44.440 --> 00:25:48.839
<v Speaker 3>God blessing me. Rest in Peace was so pissed off

500
00:25:49.200 --> 00:25:52.240
<v Speaker 3>at his golf game. I mean he was like so,

501
00:25:52.400 --> 00:25:54.920
<v Speaker 3>and I'm like, hey, you know, you know I'm working

502
00:25:54.960 --> 00:25:56.559
<v Speaker 3>a Channel four and you know you're trying to get

503
00:25:56.559 --> 00:25:58.440
<v Speaker 3>the happy Hey, how's it feel.

504
00:25:58.240 --> 00:25:59.799
<v Speaker 2>To be out of here today? It's a beautiful day.

505
00:25:59.799 --> 00:26:00.480
<v Speaker 2>Play golf.

506
00:26:00.720 --> 00:26:03.200
<v Speaker 3>He was miserable. He had put one in the woods.

507
00:26:03.240 --> 00:26:06.200
<v Speaker 3>Oh my god, you'd swear to god. I mean, he

508
00:26:06.599 --> 00:26:08.440
<v Speaker 3>was like out of his mind. I couldn't put it

509
00:26:08.480 --> 00:26:14.039
<v Speaker 3>on TV. And then John Hurley, who played who was

510
00:26:14.079 --> 00:26:14.799
<v Speaker 3>on Seinfeld.

511
00:26:14.839 --> 00:26:16.799
<v Speaker 2>He's a native guy. He was there. He was terrific.

512
00:26:17.039 --> 00:26:22.039
<v Speaker 2>But I interview Pecci and you know what I said

513
00:26:22.039 --> 00:26:23.880
<v Speaker 2>to him, this is such a stupid thing to do,

514
00:26:24.400 --> 00:26:25.920
<v Speaker 2>you know, with stupid reporters.

515
00:26:25.960 --> 00:26:28.119
<v Speaker 3>Try to be funny. I said to him, I go

516
00:26:28.920 --> 00:26:31.559
<v Speaker 3>hit me, you know, like den Heiro did a riging ball.

517
00:26:31.640 --> 00:26:32.839
<v Speaker 4>Oh yeah, go hit me.

518
00:26:32.960 --> 00:26:34.799
<v Speaker 2>And he just looked at me like, just.

519
00:26:34.920 --> 00:26:38.519
<v Speaker 4>Go away, Oh dear, go away.

520
00:26:39.000 --> 00:26:42.559
<v Speaker 3>And my photographer was a woman who was very attractive.

521
00:26:42.720 --> 00:26:45.359
<v Speaker 3>He wanted to talk to her. He did not want

522
00:26:45.400 --> 00:26:46.799
<v Speaker 3>to Yeah, he did not want to.

523
00:26:46.720 --> 00:26:47.119
<v Speaker 2>Talk to me.

524
00:26:47.519 --> 00:26:50.200
<v Speaker 3>But that's really interesting. So Home Alone, where do you

525
00:26:50.240 --> 00:26:52.640
<v Speaker 3>if you had to pick one of the two playing

526
00:26:52.680 --> 00:26:53.519
<v Speaker 3>strains are home Alone?

527
00:26:53.519 --> 00:26:54.359
<v Speaker 2>Which would you go with?

528
00:26:56.400 --> 00:26:58.599
<v Speaker 4>Man, it's so hard and they both have the same

529
00:26:58.640 --> 00:27:01.680
<v Speaker 4>thing at the end of that emotional punch at the end,

530
00:27:01.799 --> 00:27:02.599
<v Speaker 4>you know, well.

531
00:27:02.480 --> 00:27:05.200
<v Speaker 2>The neighbors broke the neighbor with the shovel. I mean,

532
00:27:05.200 --> 00:27:07.519
<v Speaker 2>he's brill but.

533
00:27:07.200 --> 00:27:11.440
<v Speaker 4>But cans Ohiera when she says, Oh, Kevin, I'm so sorry.

534
00:27:11.920 --> 00:27:16.720
<v Speaker 4>You're gonna die when that happens. And it's hard for

535
00:27:16.759 --> 00:27:19.400
<v Speaker 4>me to say. I think they're almost equal in my book.

536
00:27:19.640 --> 00:27:21.400
<v Speaker 4>And what I love is I can watch Planes Train

537
00:27:21.440 --> 00:27:25.440
<v Speaker 4>three before Thanksgiving and the watch Home Alone right before Christmas.

538
00:27:26.119 --> 00:27:28.279
<v Speaker 4>You know, it's like it's like the two old ones Home,

539
00:27:28.559 --> 00:27:30.480
<v Speaker 4>you know how at the end, and White Christmas. I

540
00:27:30.519 --> 00:27:33.240
<v Speaker 4>love both of those movies. You know, my father used

541
00:27:33.279 --> 00:27:34.960
<v Speaker 4>to sit down and watch old movies with me and

542
00:27:35.119 --> 00:27:37.400
<v Speaker 4>you know he got me looked on it. So it's

543
00:27:37.400 --> 00:27:39.480
<v Speaker 4>the same kind of thing where you know which one's better.

544
00:27:39.599 --> 00:27:40.799
<v Speaker 4>I don't know. I don't think they're better.

545
00:27:40.920 --> 00:27:43.480
<v Speaker 3>Remember her, like I thought when she was in that

546
00:27:43.599 --> 00:27:47.079
<v Speaker 3>movie that was a big Oh she's part of the

547
00:27:47.119 --> 00:27:50.240
<v Speaker 3>whole se TV crew you know from Canada.

548
00:27:50.319 --> 00:27:52.920
<v Speaker 2>I mean Candy John Candy crew.

549
00:27:54.720 --> 00:27:59.799
<v Speaker 3>Uh yeah, she's she's creaked. I thought like her. I

550
00:28:00.400 --> 00:28:02.599
<v Speaker 3>thought she would be like am. I thought you would

551
00:28:02.599 --> 00:28:05.480
<v Speaker 3>be in like a series of big box office situation,

552
00:28:05.480 --> 00:28:07.400
<v Speaker 3>you know, comedies down the road.

553
00:28:08.319 --> 00:28:08.519
<v Speaker 2>You know.

554
00:28:08.559 --> 00:28:10.559
<v Speaker 3>I thought she was gonna be like a Goldie Han type.

555
00:28:10.720 --> 00:28:12.640
<v Speaker 3>But I never I don't remember her after that.

556
00:28:13.359 --> 00:28:15.839
<v Speaker 4>Well, she worked a lot, and you look at her IMDb,

557
00:28:15.920 --> 00:28:18.799
<v Speaker 4>but I think you know, the projects he chose just

558
00:28:19.119 --> 00:28:21.160
<v Speaker 4>didn't take off, like Home Alone.

559
00:28:22.559 --> 00:28:25.759
<v Speaker 3>Well, the thing about Home Alone is it really she's

560
00:28:25.920 --> 00:28:30.559
<v Speaker 3>very good in it CTV. I mean, that's that's Home

561
00:28:30.599 --> 00:28:32.559
<v Speaker 3>Alone for her must have been a walk in the park.

562
00:28:34.559 --> 00:28:39.279
<v Speaker 4>Well look how far down the list you go, and look,

563
00:28:39.359 --> 00:28:43.359
<v Speaker 4>she's great in it. But even Jacks and Candy, who's

564
00:28:43.480 --> 00:28:45.279
<v Speaker 4>just gitting a tiny bit of it.

565
00:28:45.480 --> 00:28:47.319
<v Speaker 2>I forgot about that. Yeah, Oh, we got to talk

566
00:28:47.359 --> 00:28:49.480
<v Speaker 2>about that now. He did that as a favor, right

567
00:28:49.599 --> 00:28:50.079
<v Speaker 2>for yous.

568
00:28:51.440 --> 00:28:54.440
<v Speaker 4>He got paid less than the pizza delivery boy. Yes,

569
00:28:55.119 --> 00:28:57.240
<v Speaker 4>and he had to shoot it in one day because

570
00:28:57.240 --> 00:29:01.160
<v Speaker 4>he was filming something else, and most of it was improvs.

571
00:29:01.559 --> 00:29:04.559
<v Speaker 4>He made up those things. You know, did you ever

572
00:29:04.640 --> 00:29:06.000
<v Speaker 4>leave your child home alone?

573
00:29:06.599 --> 00:29:06.680
<v Speaker 1>No?

574
00:29:07.359 --> 00:29:09.400
<v Speaker 4>We left them at the funeral home one time, you know,

575
00:29:09.519 --> 00:29:12.119
<v Speaker 4>right there with the courts. I mean, it seemed just

576
00:29:12.279 --> 00:29:14.920
<v Speaker 4>kills me every time I watch it. He made that

577
00:29:15.039 --> 00:29:19.559
<v Speaker 4>up on the right there, that's it's just a funny

578
00:29:19.640 --> 00:29:20.119
<v Speaker 4>human being.

579
00:29:20.400 --> 00:29:22.920
<v Speaker 2>What was the name of the It was the Poka Band.

580
00:29:23.799 --> 00:29:30.119
<v Speaker 4>The Poka band. Yeah, Pok Pok Poka. We sild about

581
00:29:30.920 --> 00:29:32.160
<v Speaker 4>that another great.

582
00:29:33.359 --> 00:29:35.240
<v Speaker 3>Oh, I'm gonna go. We got more to do with

583
00:29:35.319 --> 00:29:37.039
<v Speaker 3>Drew here, but let's just grab that in Florida. Who

584
00:29:37.119 --> 00:29:39.440
<v Speaker 3>wants to chime in? Matt, you got a holiday movie

585
00:29:39.440 --> 00:29:40.279
<v Speaker 3>we should talk about?

586
00:29:41.359 --> 00:29:43.920
<v Speaker 6>Well, I just had to can test what you said. Gary,

587
00:29:44.200 --> 00:29:47.559
<v Speaker 6>Holoo Too is probably like up there with The Godfather

588
00:29:47.599 --> 00:29:49.559
<v Speaker 6>to in terms of sequels, I don't know how you

589
00:29:49.599 --> 00:29:54.319
<v Speaker 6>don't like that movie. Really, that's a solid sequel.

590
00:29:54.599 --> 00:29:57.559
<v Speaker 3>I mean, I Godfather too, dude, that's I mean, Matt Man,

591
00:29:57.599 --> 00:29:59.400
<v Speaker 3>I trust you. I take your word at me, but

592
00:29:59.480 --> 00:30:01.960
<v Speaker 3>I mean god Father too. That's high praise.

593
00:30:02.039 --> 00:30:04.319
<v Speaker 6>Well in terms of sequels, I mean that's in the

594
00:30:04.319 --> 00:30:08.200
<v Speaker 6>top five, I think. Okay, And I got our question

595
00:30:08.279 --> 00:30:12.119
<v Speaker 6>for you, guess in terms of drawn Hughes, is it

596
00:30:12.200 --> 00:30:15.279
<v Speaker 6>true Ferris Bueler was supposed to be like a serious

597
00:30:15.319 --> 00:30:18.319
<v Speaker 6>movie and then they screened it for people and no

598
00:30:18.359 --> 00:30:21.559
<v Speaker 6>one got it. Everyone hated it. And then you know,

599
00:30:21.759 --> 00:30:23.599
<v Speaker 6>like you can kind of see that in a few

600
00:30:23.640 --> 00:30:26.480
<v Speaker 6>scenes where he's talking with Ferris is talking about life,

601
00:30:27.039 --> 00:30:30.000
<v Speaker 6>and you know, those scenes are actually pretty serious if

602
00:30:30.039 --> 00:30:32.480
<v Speaker 6>you look at it. But I guess the studio made

603
00:30:32.519 --> 00:30:36.440
<v Speaker 6>him turn it into a comedy. But that was my

604
00:30:36.480 --> 00:30:37.519
<v Speaker 6>only question. Thanks Chris.

605
00:30:37.640 --> 00:30:39.519
<v Speaker 2>I appreciate it, man, I appreciate that a fluid.

606
00:30:39.880 --> 00:30:42.480
<v Speaker 4>It wouldn't surprise me. I don't know that well enough,

607
00:30:42.519 --> 00:30:46.279
<v Speaker 4>but I mean, if it's true, just look what he did.

608
00:30:46.319 --> 00:30:48.200
<v Speaker 4>He took something that was serious and made it, you know,

609
00:30:48.240 --> 00:30:52.079
<v Speaker 4>an iconic comedy. So look, he's just a great writer.

610
00:30:52.599 --> 00:30:54.720
<v Speaker 4>It wouldn't surprise me. I'm going to look it up

611
00:30:54.720 --> 00:30:57.400
<v Speaker 4>afterwards because I want to know. If that's the case,

612
00:30:57.440 --> 00:30:58.720
<v Speaker 4>that's that's pretty cool.

613
00:30:58.799 --> 00:31:00.440
<v Speaker 2>All right, well you can do it. The break, we

614
00:31:00.480 --> 00:31:01.799
<v Speaker 2>have to take a break. Guoriano's here.

615
00:31:02.200 --> 00:31:06.039
<v Speaker 3>We want to talk about his other five top other

616
00:31:06.440 --> 00:31:09.000
<v Speaker 3>seven top movies, and also he will answer the question

617
00:31:09.519 --> 00:31:11.079
<v Speaker 3>is Diehard a Christmas movie?

618
00:31:11.240 --> 00:31:13.240
<v Speaker 2>Is it a holiday movie? That's next to WBZ?

619
00:31:14.039 --> 00:31:17.160
<v Speaker 1>Now back to Dan Ray live from the Window World

620
00:31:17.319 --> 00:31:20.400
<v Speaker 1>Nightside Studios on' WBZ News Radio.

621
00:31:20.960 --> 00:31:22.640
<v Speaker 2>Welcome back, Gary Tank. We for Dan tonight.

622
00:31:22.680 --> 00:31:28.119
<v Speaker 3>Greoriano is our guest screenwriter, professor, author, talking about holiday movies.

623
00:31:28.160 --> 00:31:30.559
<v Speaker 3>As we just talked about two of the best home

624
00:31:30.599 --> 00:31:32.799
<v Speaker 3>alone and planes, trains and automobiles. Drue, did you look

625
00:31:32.839 --> 00:31:35.039
<v Speaker 3>up the Beaudler thing? Because I have something on my phone.

626
00:31:35.200 --> 00:31:36.039
<v Speaker 3>D Yeah, what do you got?

627
00:31:36.119 --> 00:31:36.400
<v Speaker 2>I did?

628
00:31:37.319 --> 00:31:39.720
<v Speaker 4>I didn't see anything about it. He wrote the script

629
00:31:39.720 --> 00:31:42.279
<v Speaker 4>in a week, which again doesn't surprise me. With John Hughes,

630
00:31:42.799 --> 00:31:46.039
<v Speaker 4>he just wanted to, you know, have a guy like this.

631
00:31:46.119 --> 00:31:47.880
<v Speaker 4>And there was somebody I guess in his childhood and

632
00:31:47.880 --> 00:31:50.079
<v Speaker 4>somebody went to school with who had like twenty seven

633
00:31:50.559 --> 00:31:53.960
<v Speaker 4>you know, absences from school. It was the constant truant.

634
00:31:54.079 --> 00:31:57.440
<v Speaker 4>But he wanted but he wanted a guy who just listened,

635
00:31:57.440 --> 00:32:02.400
<v Speaker 4>in complete control. And you know, it's again another iconic film.

636
00:32:03.079 --> 00:32:04.799
<v Speaker 4>I don't know if there's much as much heart and

637
00:32:04.880 --> 00:32:08.799
<v Speaker 4>Ferris Bueller is in the others. It's a funny film

638
00:32:09.079 --> 00:32:09.799
<v Speaker 4>and very good.

639
00:32:10.119 --> 00:32:12.640
<v Speaker 2>Yeah, and also again, if you want to believe the web,

640
00:32:13.119 --> 00:32:15.720
<v Speaker 2>it says you was originally wanted Johnny DApp and Anthony

641
00:32:15.720 --> 00:32:17.039
<v Speaker 2>Michael Hall turned it down.

642
00:32:18.279 --> 00:32:21.079
<v Speaker 4>Oh, he wanted a bunch of people, Cloney, I guess

643
00:32:21.240 --> 00:32:23.279
<v Speaker 4>wanted it. A bunch of people wanted to play the part.

644
00:32:23.359 --> 00:32:26.000
<v Speaker 2>I guess. But well he got the right one. I mean,

645
00:32:26.039 --> 00:32:26.599
<v Speaker 2>that's for sure.

646
00:32:26.720 --> 00:32:27.240
<v Speaker 4>Yes he did.

647
00:32:27.480 --> 00:32:30.319
<v Speaker 2>Yeah, Okay, here we go, Drew. Here's the question.

648
00:32:30.640 --> 00:32:33.559
<v Speaker 3>Is Diehard a holiday movie?

649
00:32:34.519 --> 00:32:37.160
<v Speaker 4>You know this from knowing me for years and years

650
00:32:37.200 --> 00:32:39.920
<v Speaker 4>and years that Diehart is my favorite action movie of

651
00:32:39.960 --> 00:32:45.599
<v Speaker 4>all time. It's just tremendous and it takes place during

652
00:32:45.640 --> 00:32:49.599
<v Speaker 4>the holidays, so I guess technically you can say it's

653
00:32:49.640 --> 00:32:54.559
<v Speaker 4>a holiday film, but I don't think it is. They

654
00:32:54.559 --> 00:32:57.240
<v Speaker 4>played the Christmas music at the end, you know, when

655
00:32:57.240 --> 00:33:01.079
<v Speaker 4>our guys driving away were you know, John McLean in

656
00:33:01.119 --> 00:33:05.079
<v Speaker 4>the back seat with his wife. But it's not. It's

657
00:33:05.079 --> 00:33:07.480
<v Speaker 4>not a Christmas movie. It takes place at Christmas. It's

658
00:33:07.519 --> 00:33:13.279
<v Speaker 4>like there's an old movie The Apartment, great movie Jacqueline

659
00:33:13.559 --> 00:33:17.200
<v Speaker 4>just that takes place over Christmas, and I don't think

660
00:33:17.240 --> 00:33:19.680
<v Speaker 4>of it as a Christmas movie. You can watch it

661
00:33:19.720 --> 00:33:23.839
<v Speaker 4>in July, and that kind of distinguishes it because I

662
00:33:23.839 --> 00:33:26.680
<v Speaker 4>think a true Christmas movie, you're not watching it in July.

663
00:33:27.640 --> 00:33:31.079
<v Speaker 4>But you can watch certainly watch Dieheard any time, you

664
00:33:31.119 --> 00:33:33.519
<v Speaker 4>don't just watch it at Christmas. So that's how I

665
00:33:33.559 --> 00:33:37.400
<v Speaker 4>did find it. Christmas movie definition.

666
00:33:38.960 --> 00:33:42.200
<v Speaker 3>Run with a kid. Well is Alan Rickman the greatest

667
00:33:42.240 --> 00:33:43.480
<v Speaker 3>villain ever? Because I think he is.

668
00:33:44.240 --> 00:33:50.079
<v Speaker 4>Ever ever, absolutely, and I mean he he had just

669
00:33:50.200 --> 00:33:54.079
<v Speaker 4>finished doing Shakespeare in the Park before he's filmed that.

670
00:33:54.599 --> 00:33:56.559
<v Speaker 4>I mean, that's the kind of actor. He is, and

671
00:33:56.559 --> 00:33:57.799
<v Speaker 4>that's what made it so great.

672
00:33:58.400 --> 00:34:01.279
<v Speaker 3>And of course Harry Potter, I mean, you know, yes, yeah,

673
00:34:01.400 --> 00:34:02.680
<v Speaker 3>I mean what a body he was.

674
00:34:02.720 --> 00:34:05.920
<v Speaker 4>He was so well written, well written in Diehard, such

675
00:34:05.920 --> 00:34:07.920
<v Speaker 4>a full character. I mean he was, he was terrific.

676
00:34:08.239 --> 00:34:08.480
<v Speaker 2>Yeah.

677
00:34:08.519 --> 00:34:10.400
<v Speaker 3>It wasn't just a typical batty. There was a lot

678
00:34:10.400 --> 00:34:12.119
<v Speaker 3>of depth there. Okay, what do you have for your

679
00:34:12.239 --> 00:34:14.079
<v Speaker 3>the list threw what else should we be watching if

680
00:34:14.119 --> 00:34:16.079
<v Speaker 3>we need a reminder of what great holiday movies are

681
00:34:16.079 --> 00:34:16.480
<v Speaker 3>out there?

682
00:34:17.039 --> 00:34:20.360
<v Speaker 4>Okay, we've covered planes, trains, I mentioned Holiday in White

683
00:34:20.440 --> 00:34:24.880
<v Speaker 4>Christmas come alone. Uh, it's a wonderful life. You got

684
00:34:24.920 --> 00:34:27.000
<v Speaker 4>to watch. It's, you know, a top ten film of

685
00:34:27.000 --> 00:34:31.480
<v Speaker 4>all time. I usually watch it every Christmas. Another great story.

686
00:34:31.559 --> 00:34:33.239
<v Speaker 4>I grew up in upstate New York in a town

687
00:34:33.280 --> 00:34:36.320
<v Speaker 4>called Little Falls. And there's three falls, you know, state

688
00:34:36.360 --> 00:34:39.880
<v Speaker 4>New York that all think there's a place where Frank

689
00:34:39.960 --> 00:34:42.639
<v Speaker 4>Capra sat. It's one of the life Seneca Falls, Guns

690
00:34:42.639 --> 00:34:45.000
<v Speaker 4>Falls and Little Falls, Little Falls lesser. But we had

691
00:34:45.039 --> 00:34:46.480
<v Speaker 4>a bridge just like that bridge.

692
00:34:46.800 --> 00:34:47.000
<v Speaker 2>Yep.

693
00:34:48.639 --> 00:34:50.880
<v Speaker 4>It's rumored that he had traveled around up Staton Ark

694
00:34:50.920 --> 00:34:52.840
<v Speaker 4>and gone to all these places and just the pieces

695
00:34:52.880 --> 00:34:55.639
<v Speaker 4>of it. But anyway, that's you know, neither here or there.

696
00:34:55.719 --> 00:34:57.639
<v Speaker 2>How come a remake? Hop quickly? I know you want

697
00:34:57.679 --> 00:34:59.599
<v Speaker 2>to roll about how come there's never been a remake

698
00:34:59.639 --> 00:34:59.880
<v Speaker 2>of that?

699
00:35:00.960 --> 00:35:03.280
<v Speaker 4>Because they shouldn't. You know, there's certain ones that are untouchable.

700
00:35:03.320 --> 00:35:05.400
<v Speaker 4>But you know, they were thinking of doing a remake

701
00:35:05.519 --> 00:35:08.199
<v Speaker 4>of playing Trains of Automobiles with Will Smith by the way,

702
00:35:08.599 --> 00:35:11.880
<v Speaker 4>it which would be a travesty. So you know, I

703
00:35:11.880 --> 00:35:13.599
<v Speaker 4>think it's the one that's a life would be a travesty.

704
00:35:14.039 --> 00:35:15.599
<v Speaker 2>I don't know, but they do it all the time.

705
00:35:15.679 --> 00:35:17.360
<v Speaker 2>I'm just surprised they haven't tried anyways.

706
00:35:17.440 --> 00:35:24.400
<v Speaker 4>Continue well, of course, just for Will Ferrell, because he's

707
00:35:24.480 --> 00:35:29.159
<v Speaker 4>just hysterical. I never liked the third acting else but

708
00:35:29.280 --> 00:35:33.599
<v Speaker 4>I love the film anyway, and it's just funny because

709
00:35:33.639 --> 00:35:35.880
<v Speaker 4>it's funny. There's lines in there that people quote all

710
00:35:35.920 --> 00:35:38.199
<v Speaker 4>the time. And you know, you sit in a thronal eyes.

711
00:35:38.280 --> 00:35:40.880
<v Speaker 4>I mean, you smell like beef and cheese. I don't

712
00:35:41.079 --> 00:35:43.719
<v Speaker 4>put on all of them that's saying. I know him.

713
00:35:43.760 --> 00:35:49.000
<v Speaker 4>I mean, he's just a funny guy that's making that movie.

714
00:35:49.119 --> 00:35:50.559
<v Speaker 2>And I mean he just when he says, well, I

715
00:35:50.599 --> 00:35:51.920
<v Speaker 2>know it's everything straight.

716
00:35:53.079 --> 00:35:56.039
<v Speaker 4>Yeah, Oh no, he's he's nominal in it. Yeah. The

717
00:35:56.039 --> 00:35:58.480
<v Speaker 4>guy who wrote that, David Barbaum. He wrote a few

718
00:35:58.559 --> 00:36:00.800
<v Speaker 4>other movies that no one ever went to see. Nothing

719
00:36:00.840 --> 00:36:04.119
<v Speaker 4>against him because I know that. But he you know,

720
00:36:05.320 --> 00:36:08.079
<v Speaker 4>else is on. It is going to be on every

721
00:36:08.159 --> 00:36:11.599
<v Speaker 4>night from now until New Year's. You can't go to

722
00:36:11.639 --> 00:36:14.679
<v Speaker 4>your guide on your cable and not see else somewhere

723
00:36:15.039 --> 00:36:16.119
<v Speaker 4>going because it's on.

724
00:36:16.599 --> 00:36:20.840
<v Speaker 2>It's number one for me, help you, it's what my number.

725
00:36:20.519 --> 00:36:25.039
<v Speaker 4>One is that that's great. Well, he's just so good

726
00:36:25.039 --> 00:36:29.119
<v Speaker 4>at it. And you know, I like Miracle on thirty

727
00:36:29.159 --> 00:36:32.559
<v Speaker 4>fourth Street, the nineteen ninety four version, which was written

728
00:36:32.559 --> 00:36:35.400
<v Speaker 4>by John Hughes, which I think is better than the original,

729
00:36:35.440 --> 00:36:40.119
<v Speaker 4>which was actually nonate for Best Picture back in nineteen

730
00:36:40.360 --> 00:36:43.559
<v Speaker 4>you know, forty seven, I think it was. But I

731
00:36:43.679 --> 00:36:47.320
<v Speaker 4>liked to remake a lot, and you know, John Hughes

732
00:36:47.360 --> 00:36:48.880
<v Speaker 4>wrote it. I thought he did a hell of a job.

733
00:36:48.960 --> 00:36:51.480
<v Speaker 4>There's hard at the end of that one. So I

734
00:36:51.599 --> 00:36:54.320
<v Speaker 4>usually watched that one too. My wife loves it, so

735
00:36:54.440 --> 00:36:56.320
<v Speaker 4>we usually watched that one as well.

736
00:36:57.000 --> 00:36:58.320
<v Speaker 2>I just in elve.

737
00:36:58.400 --> 00:37:00.719
<v Speaker 3>I love the fact that Bob Newhart's in the beginning

738
00:37:01.239 --> 00:37:03.559
<v Speaker 3>and Ed ed As is in the end.

739
00:37:04.760 --> 00:37:06.760
<v Speaker 4>Yeah, yeah, it's pretty cool.

740
00:37:06.880 --> 00:37:12.840
<v Speaker 2>You know, he's thinking the Central Park Rangers.

741
00:37:13.039 --> 00:37:18.719
<v Speaker 4>And James Kahan talk about taking somebody here out of character, right,

742
00:37:18.800 --> 00:37:21.599
<v Speaker 4>he's jeez, you know, Godfather getting shut up on the

743
00:37:21.639 --> 00:37:24.840
<v Speaker 4>Long Island Expressway and he's so he's father.

744
00:37:25.679 --> 00:37:27.519
<v Speaker 2>Did you see where? He said?

745
00:37:28.079 --> 00:37:30.920
<v Speaker 3>When they were filming it, and and Farrell said this

746
00:37:31.000 --> 00:37:33.119
<v Speaker 3>when they were filming it, Jimmy Conn was pissed a him.

747
00:37:33.119 --> 00:37:35.480
<v Speaker 3>He thought he was terrible. He said, this isn't working,

748
00:37:35.960 --> 00:37:38.840
<v Speaker 3>is terrible. And then when he saw the actual movie

749
00:37:38.880 --> 00:37:41.639
<v Speaker 3>put together, he went up to Farrell after and he

750
00:37:41.679 --> 00:37:44.239
<v Speaker 3>said it was genius. But like he told him, like

751
00:37:44.320 --> 00:37:47.719
<v Speaker 3>Jimmy Conn was telling Will Ferrell, you suck. This is awful,

752
00:37:48.519 --> 00:37:53.599
<v Speaker 3>and you know, and then it kind of fit the character, yeah, perfectly.

753
00:37:55.000 --> 00:37:56.400
<v Speaker 4>You know those are mine. I mean, you do down

754
00:37:56.400 --> 00:38:00.599
<v Speaker 4>a list of other Christmas movies, Santa Claw, Polar Bad, saying,

755
00:38:01.360 --> 00:38:03.639
<v Speaker 4>you know the great is still Christmas, the Holiday. There's

756
00:38:03.639 --> 00:38:05.119
<v Speaker 4>a Christmas movie I like.

757
00:38:05.159 --> 00:38:07.440
<v Speaker 2>That one in the Holiday, you know, And as I have.

758
00:38:07.440 --> 00:38:08.880
<v Speaker 4>Actually a very good film.

759
00:38:09.000 --> 00:38:10.880
<v Speaker 6>It is Christmas movie, yep.

760
00:38:11.239 --> 00:38:13.920
<v Speaker 2>And as we've got about forty seconds to go here, Drew.

761
00:38:13.920 --> 00:38:16.000
<v Speaker 3>And the one thing I will say about Daddy's Home too,

762
00:38:16.800 --> 00:38:18.840
<v Speaker 3>the only part I really like about it is when

763
00:38:18.960 --> 00:38:22.480
<v Speaker 3>the three old men argue about the thermostats.

764
00:38:23.559 --> 00:38:25.760
<v Speaker 4>That's great. Well, we all do that.

765
00:38:26.039 --> 00:38:26.920
<v Speaker 2>We all do that.

766
00:38:27.280 --> 00:38:30.119
<v Speaker 3>Hey, listen, Happy Thanksgiving. I'll talk to you again. Best

767
00:38:30.360 --> 00:38:32.960
<v Speaker 3>is in the family. Thanks for coming on. I really

768
00:38:32.960 --> 00:38:34.239
<v Speaker 3>appreciate you. Are great.

769
00:38:34.840 --> 00:38:36.840
<v Speaker 4>Well, I loved it. Thanks all right, I'll talk to

770
00:38:36.920 --> 00:38:38.119
<v Speaker 4>him Thanksgiving. Everyone.

771
00:38:38.239 --> 00:38:41.960
<v Speaker 3>Happy Thanksgiving. There you go, Dreiano one of the great ones.

772
00:38:42.280 --> 00:38:44.039
<v Speaker 3>He's also get some great books out if you're looking

773
00:38:44.039 --> 00:38:47.159
<v Speaker 3>for a great book. The Smart One Michael Vogel is

774
00:38:47.159 --> 00:38:49.079
<v Speaker 3>a terrific book if you're a screenwriter.

775
00:38:49.239 --> 00:38:50.639
<v Speaker 2>The Third Act.

776
00:38:50.920 --> 00:38:53.199
<v Speaker 3>Will Smith, I mean he consulted with both Smith on it.

777
00:38:53.239 --> 00:38:56.920
<v Speaker 3>Will Smith, that's his bible, So check that out. Hey, listen,

778
00:38:56.960 --> 00:38:59.559
<v Speaker 3>we got more entertainment stuff coming up. I'm going to

779
00:38:59.599 --> 00:39:02.480
<v Speaker 3>talk to him. Friend for the WSM agency. Emily Kennedy

780
00:39:02.599 --> 00:39:06.119
<v Speaker 3>joins us on the future of showbiz next on WBZ.
