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Speaker 1: Man, old man, that's sharp and clear. That's the absolute

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finest television set I ever did see.

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Speaker 2: Well, now, wait a minute, how you know that that

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you find television? Said Andy, You ain't even got the

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thing turned on.

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Speaker 3: Don't need to turn this set on. The North SAMs

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just got the nameplate.

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Speaker 2: DBS. Oh CBS. Yeah, that makes the greatest sight unseen.

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Speaker 4: Oh CBS, Columbia, makers of America's most advanced radio and

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television receivers. Present transcribed to Amos and Andy Show, written

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by Joe Connolly and Bob Moser, featuring Amanda Randolph, Ernestine Wade,

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Johnny Lee, Amos, Rees, Gus Bays, lud Gluskin's music Yours Truly,

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Harlow Wilcock, and starring radios all time favorites Gosden and

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Charles Barrell Amos Hardy.

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Speaker 2: The Kingfish and.

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Speaker 4: His wife Sapphire and her mother planned on spending a

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month's vacation in Mama's cottage up in the country. The

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Kingfish has just been up to look the place over

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after the winter and has just returned with bad news.

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Speaker 5: What dish you say, George, They had a flood of

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where a cabin is flood?

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Speaker 2: I'll say there was. When I got there, the coase

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guard was draining out the cabin. They had a bills

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pumped down the chimney.

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Speaker 5: Lastly, little charttage in the country.

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Speaker 6: Years ago, I spent my honeymoon up there.

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Speaker 2: Well, unless you was a romantic barracouter inexactly the idea

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honeymoon spot. No more, I George, stopped this fooling.

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Speaker 5: Is there any danceness in the house.

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Speaker 2: Well, there was a little in the living room, a

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level how much about ten feet?

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Speaker 5: But the water done receded well as the floors dried out.

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Speaker 2: Now that's hard to tell the honey you see when

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the flood receded, Uh, it receded the floor with it,

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that's what happened.

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Speaker 5: Well, we ain't got the money to fix it up.

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I guess we'll just have to give up any thought

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of a vacation right now.

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Speaker 2: You know, maybe we could rent it out to somebody.

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Oh Doo'm be silly. Only a boob would want a

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place like that.

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Speaker 6: Then you shouldn't have no trouble taste one to no one.

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Speaker 5: I was right, George. You know the thing we ought

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to do is put.

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Speaker 3: An avermon to take her.

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Speaker 5: Come on, Mama, we'll go in and call him up.

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Speaker 2: Trying to runt that flooded cottage. This ain't gonna be easy.

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It would take a fish to live up there. A fish.

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They wait a mina. I think I know. It's just

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the big fat, pooped out porpoise to occupy that aquarium too.

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Just keep walking and there. The cottage is just over

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this next nole down in the little valley. Lovely location,

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and they're situated right between disappointment nose and gutted glen

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the beautiful.

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Speaker 3: About the well lessened Kingfish.

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Speaker 1: I don't know why I should be taking the vacation

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this time of the year.

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Speaker 2: Oh look, andre, I worried about you. You spend the

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whole winter down here in the city breathing this up

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knocks you there? Well, you mean the air up here

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is better or serven of theres and in the city

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of the air is one part hydrogen and two parts carbon. Proxie.

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There's only one way that you can get pure ad

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and this and there. And I don't think you want

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to spend your vacation and no oxygen tent.

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Speaker 3: Do you. Well?

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Speaker 1: Maybe he was right, Kingfish, but uh tell me something

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is the water in the lake down.

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Speaker 2: There been rising lately riding the wood? Make you say that?

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Speaker 1: Well that show looks to me like there was a

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flood up here.

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Speaker 2: Hell the hell he is and right here here we is.

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Well look at there there is your dream cottage.

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Speaker 1: Yeah, I want to uh wait a minute, King Ridge.

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If the water don't rise around here, how come the

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houses up in the air on six foot pylons ventilation?

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Speaker 2: And there under the horse there they got what you

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call a breezeway. Now come on and let's climb the

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steps here and take a look at your beautiful mansion. Boy. Yeah,

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well okay, now follow me across the porch and then

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watch the loose boards. Then uh here and there I

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tell you when you move in, uh uh say and

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uh uh that's funny. He was here a minute ago

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and they and the whereas you.

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Speaker 1: I was down here in the breezewaite, King Fidg, just

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ain't no.

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Speaker 2: Time to play games. Come on out of there. Yeah,

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give me your hand here, let's stand on that rock

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down there. Come on, come on, let's up rant.

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Speaker 1: All right there you yeah, holy macro king Fidge, I

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went right through the porch.

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Speaker 2: Well, like any players, the boys need a little tightening up,

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you know, the more or less go in the door here, door,

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and these a little tightening too.

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Speaker 7: It.

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Speaker 2: Uh, let's step over the thing down. Uh, let's leave

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it down the floor now here we all uh look

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the living room over there and there see there, and

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nice new floors are put in your.

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Speaker 1: Well, listen, king fish, this is all just one big room.

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How you get fire rooms out of this place?

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Speaker 2: Well, like all summer players, and you just draw the curtain.

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Now you see you doorge the curtain like this, and

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there you was. On this side of the curtain you

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got a bedroom, and on the other side you got

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a nice eight by four living rooms.

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Speaker 1: That don't give me much of a living room. Suppose

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I want to have a big house woman party. I

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got about thirty or forty friends I'd like to have up.

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How's I going to entertain them all in that little

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bitty living room?

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Speaker 2: Well, you can stagger the guests. Do you like to

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do at the airport? Have him circle around outside? Tell

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you was ready for him to come in and make

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a landing at the punch bowl?

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Speaker 1: Yeah, well all right, tell me something. What is this

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curtain here?

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Speaker 2: Well, if you're having a dinner party and you just

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pulled this across like this, you see, and there's your

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dining room.

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Speaker 1: But I don't know about this place, Kingfish, with the

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curtains and everything.

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Speaker 2: Now look, and I admit the thing. He's a little

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fixing up. But you can have the place for the

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whole summer for just two hundred bucks. What do you say, boy, Well,

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I ain't bad. Oh, great bargain there.

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Speaker 3: Okay, it's a deal, Kingfish. I'll take it.

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Speaker 2: Fine, And now let's go back to the city and

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we'll sign the ironbound contract. There. You go ahead, and

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then we'll follow you on the posh all right behind you.

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Speaker 3: Yeah, okay, let's go. Thanks, Kingfish.

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Speaker 1: I was gonna uh uh I uh, well, that's funny.

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Speaker 3: I thought the Kingfisher was following me. Hey, Cakefish, Cakefish,

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where is she down here?

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Speaker 2: And just stop down to inspect the breeze wave me

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you hear to break. I'm just glad I got that

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cottage running down to. Let me get in the department

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here and tell South far So home got some good news.

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Speaker 5: Well, well, I got wonderful news for you today, George.

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We got an answer to I add and I rented

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the cottage today to a mister Walter Jackson for one

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hundred dollars. He's moving in that at night.

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Speaker 2: Uh honey, wait a minute, this is the other a mess.

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I done rented the cottage to end it, and he

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moving in there late tonight. Oh you ain't, George. Oh

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this awful.

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Speaker 5: Mister Jackson is a very nervous man. He said as

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soon as he got there, he was gonna go right

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to bed. Oh I wonder what will happen.

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Speaker 2: Well, I don't know, but I got idea. There's gonna

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be more screaming and young enough, dad than the time

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that Grandma was flapping the hogs and fell into the

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pig waller. Hello there, this is Freeman Gosden. Tonight's Amos

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and Andy Show is a little special because it marks the

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start of our second six months of sponsorship by CBS Columbia.

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And this is a good time to tell you about

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something my partner, Charles Carell, and I have talked about

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a number of times, and it is this. It's really

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a pleasure to be selling a top notch product like

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CBS Television sets. The CBS Columbia p people build a

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truly fine television receiver and we just come right out

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and tell you so without any ifs, hands or butts.

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It makes us feel good to know that when you

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go down to your dealers and see the fine picture

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on a CBS set, when you hear the three hundred

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and sixty full fidelity sound, and when you try CBS

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sweep tuning, you'll discover what we have said about CBS

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television sets is not exaggerated at all. These CBS sets

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are exceptional sets, and each one represents solid value. Of course,

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there's a mighty good reason for it. CBS Columbia is

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the set manufacturing division of the Columbia Broadcasting System. The

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greatest name in home entertainment.

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Speaker 1: Show is Darkened. Well, I got my night shirt on

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here in the washing area.

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Speaker 2: Too bad.

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Speaker 1: I fell down that breezeway and busted my kerosene lamp. Yeah,

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let me feel my way across the living room here. Hm,

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kingfish must have pulled all the curtains my heayways he

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here's the bed. Yeah, let me sit down on the

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edge of it.

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Speaker 3: Oh me as I tired?

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Speaker 1: Yeah, I as really exhausted.

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Speaker 3: How do you like that? I really must be tired.

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I ain't asleep, but I have snoring already. Uh, well,

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let me lay it down, pulled the covers up around me.

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Speaker 7: Here.

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Speaker 1: Oh oh, this is one of them short beds. My

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feet's is sticking out of the bottom.

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Speaker 3: Yeah there is.

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Speaker 1: There's my foot with the corn plaster on it.

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Speaker 7: There's my foot with the busted toe.

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Speaker 1: And there's my foot with the sock on it.

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Speaker 3: The holy smoke. I must be tired, and I thought

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I was. From here. It looks like I got three feets.

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Speaker 7: I wonder what I'm.

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Speaker 1: Yea, and I'm storing again, and I ain't asleep. Wait

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a minute, there seems to be something here on the

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next pillar. Oh oh, there's something wrong here, cause I

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know I ain't got two heads. Oh me, I must

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be so tired. I haven't hallucinations. And I'm gonna make

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the final test. I'm gonna reach down here and pinch

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my foot with the sock on it.

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Speaker 3: There, Oh holy.

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Speaker 2: I pinched my foot on the other head set out.

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I'm getting out of here. Wait a minute, who's here

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in this? Ain't nobody here, mister us all alone? Wait

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a minute, stop, stop out of my way, Help let

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me out of here.

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Speaker 7: Help help, yah amos.

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Speaker 1: And that's the whole story.

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Speaker 2: Yeah, that's a terrible thing. And they find another man

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in your bed.

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Speaker 3: Oh yeah, it was a mess, Amos.

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Speaker 1: He run out the back way and I run out

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the front way.

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Speaker 2: Yeah, well, how did you get that bunk on your head? Then?

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Speaker 1: Oh well that on the way out, I slipped on

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a dead fish and landed in the breezeway.

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Speaker 2: Again, you say that you ain't got no idea who

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this man was you founding dead?

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Speaker 1: No, when the Kingfish running me the place, he didn't

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say nothing about no other man.

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Speaker 2: I'm beginning to see here. You rented the pleaers from

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the king feesh. Huh. Yeah, did you ever stop to

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think that the Kingfish might have rented this pleas to

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one other fellow?

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Speaker 1: Well, now, why would the Kingfish want to do that?

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After all, in the past, ways, all way, he's been buddies.

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I mean, he never tried to jyp me. I mean

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he ain't never tried to pull notes.

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Speaker 3: Uh, I mean, uh, holy Macrolamos, he's done it again.

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Speaker 2: You know, if I was you out, get hold of

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that king fiece right away and straighten this nonsense out.

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Speaker 1: Then yeah, I'm gonna call him up right away. Say,

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by the way, Amos, could any of your kids use

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a turtle. I found this in the pocket of my

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ninety when I got out of the breezeway.

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Speaker 2: Now taking these and there ain't no Cenison hollering me

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on the telephone. Yeah, well the whole thing was a mistake. No,

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you can't have your money back. I worked the thing.

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I'll just give me time, man, I knew. Alright, alright,

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I'll call you back later. Goodbye. Oh me, what a mess.

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I went to players to end the sapphire to mister Jackson,

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00:14:01,559 --> 00:14:04,679
one of them has gotta go. Uh well, if it

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ain't now donquin jack Calhoun, Now how the king fish

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00:14:07,799 --> 00:14:10,639
come on in here? What brings you over here? Donquin? No?

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Speaker 6: I was over making a political speech in the park.

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Speaker 2: Making a political speech. Oh, making a speech, un, I'll say.

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Speaker 6: I climbed up on my soapbox and made the greatest

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speech in my career. I stood on that soap boxing.

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I said, ladies and gentlemen, a it's the plean governments.

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We must wash our hands of vice and corruption. The

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time has come to scrubb away the stigma of briberies,

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to base our selves and democracy.

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Speaker 2: Heath Feedle. Yeah, well did you get many votes? No?

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But I show sold a out of soap. Well, I

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got a different problem. Uh gonkhy Look here, I runned

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a vacation cottage up in the Catskill Mountains and and

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my wife done run it into a mister Jackson. And

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last night they both discovered each other up there in

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the place at the same time.

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Speaker 6: Oh that's a nasty business, Kingfish, a nastted business. Somebody

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got to go.

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Speaker 2: Well, now, I'll tell her what I want to do.

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I want key Band up there because he paying me

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two hundred dollars. Yeah, he's a two hundred dollars man.

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But I want to unrun it from Jackson. Of course,

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he only paying me a hundred dollars. She died there

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that he's been in halfway.

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Speaker 6: Well, the thing to do is, it's the scaredest fellow

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Jackson out of there.

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Speaker 2: Yeah.

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Speaker 6: You know, that's pretty wild country up there, and the

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cat's skills, and you could make him think it's too

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dangerous to live up there. Tell him that there's some

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wild animals or something in the woods.

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Speaker 2: Oh there's a great idea, Calhoun. Yeah yeah, tell him

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the animals. Yeah. I'll tell Andy the truth about this

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and get him to go up there and help me

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scared of fellow Jackson. O, yes, well, when it comes

281
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to your vacasion, I hope you don't have no trouble

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00:16:05,360 --> 00:16:08,080
like this. Cow Oh, I ain't gonna have no trouble.

283
00:16:08,399 --> 00:16:09,080
I've done the.

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Speaker 6: Same things ever. Summer whatever Sunday goes out to Cony

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00:16:12,799 --> 00:16:15,120
Island and rides the biggest roller coat today.

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Speaker 2: T Yeah, well, don't you get scared on that roller course?

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The cattle scared.

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Speaker 6: Kingfish when it goes down that first stip. I freeze

289
00:16:24,759 --> 00:16:29,159
out now, But at time it hits the bottom, I'm blubbering,

290
00:16:29,279 --> 00:16:29,919
not a baby.

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Speaker 2: The riders over.

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Speaker 6: It takes two men's to get me out the car. Oh, kingfish,

293
00:16:36,039 --> 00:16:39,399
I has a whippering, blubbering mess. I have to spend

294
00:16:39,440 --> 00:16:42,200
three days in bad before I was well enough to

295
00:16:42,440 --> 00:16:44,840
go back, and then ride that thing again on the

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next Sunday.

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Speaker 2: Hold that s most cold. If the roller course to

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make you that sick, why do you keep going on it?

299
00:16:52,000 --> 00:16:53,200
And I've got a free path.

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00:16:53,440 --> 00:17:08,000
Speaker 4: All the crowning glory of any TV set is its

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00:17:08,039 --> 00:17:10,720
sound system. No matter how good a picture you get,

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00:17:10,759 --> 00:17:13,480
you can enjoy a show thoroughly unless the sound is

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00:17:13,519 --> 00:17:17,440
sparkling clear in the field of television sounds. CBS sets

304
00:17:17,519 --> 00:17:20,480
stand alone with their famous three hundred and sixty full

305
00:17:20,519 --> 00:17:24,559
fidelity sound system, the very same system that has received

306
00:17:24,599 --> 00:17:28,799
worldwide acclaim in high five phonographs. As you probably know,

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00:17:29,039 --> 00:17:32,519
three hundred and sixty sound uses two speakers, but let

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00:17:32,599 --> 00:17:34,880
me point out that the number of speakers is by

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00:17:34,920 --> 00:17:37,960
no means the whole story. In the CBS three hundred

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00:17:37,960 --> 00:17:41,599
and sixty system, these two speakers are especially matched and

311
00:17:41,680 --> 00:17:46,279
specially designed with deep cones and heavy voice coil magnets.

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00:17:46,759 --> 00:17:50,359
They are powered by a specially designed amplifier that handles

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00:17:50,359 --> 00:17:54,359
a wide range of sound without distortion. These speakers face

314
00:17:54,400 --> 00:17:57,319
in opposite directions, so that sound reaches you from all

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00:17:57,359 --> 00:18:01,599
around the whole room plays. There's something else that's mighty important.

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00:18:01,880 --> 00:18:04,839
Not only does the three hundred and sixties system sound

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00:18:04,880 --> 00:18:07,640
better than anything else you've ever heard in television, but

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00:18:07,759 --> 00:18:10,720
you'll be conscious of an improvement in picture quality too.

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00:18:11,559 --> 00:18:12,599
Speaker 2: And that's not just a.

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00:18:12,480 --> 00:18:15,880
Speaker 4: Claim, it's a fact proved in a recent psychological test.

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00:18:16,640 --> 00:18:19,200
For a new experience in TV, go on down to

322
00:18:19,240 --> 00:18:23,039
your dealers and see and hear a CBS television set.

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00:18:23,319 --> 00:18:25,759
Twenty one inch models start at one hundred and forty

324
00:18:25,839 --> 00:18:26,839
nine to ninety five.

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Speaker 5: Well, mister Jackson, it was nice of you to phone me,

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and I'm awfully sorry to hear you had all this trouble.

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00:18:42,559 --> 00:18:45,799
Speaker 8: Yes, Missus Stevens, I'm phoning you from the hardware store

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00:18:45,839 --> 00:18:47,319
in the village near the cottage.

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Speaker 2: After what happened.

330
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Speaker 8: Last night, I came down here to the hardware store

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and bought myself a con.

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Speaker 5: Well, I'm sure when my husband gets there tonight he'll

333
00:18:57,400 --> 00:18:58,799
fighting the whole thing out.

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00:19:11,599 --> 00:19:14,880
Speaker 3: Show is dark up here at Thissdell the night and kings.

335
00:19:15,160 --> 00:19:18,559
Speaker 2: Well now and there here's the cottage. Now listen to this.

336
00:19:19,319 --> 00:19:21,440
I going in and talked to missus Jackson, like I

337
00:19:21,440 --> 00:19:23,839
told you I was gonna do. Now, you know what

338
00:19:23,920 --> 00:19:26,000
you're gonna do to help me scare them away? Yeah?

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00:19:26,240 --> 00:19:28,480
Speaker 1: Sure, I'm gonna hide in the bushes and pull this

340
00:19:28,640 --> 00:19:31,039
string with the rozin on her through this big tin

341
00:19:31,200 --> 00:19:31,880
can like this.

342
00:19:34,599 --> 00:19:37,480
Speaker 2: Yeah, good and the good Now that really sound like

343
00:19:37,519 --> 00:19:38,279
a mountain lion?

344
00:19:38,319 --> 00:19:39,279
Speaker 3: Alrighty yeah?

345
00:19:39,440 --> 00:19:42,519
Speaker 2: Or that really order skin? Now, get over in the

346
00:19:42,519 --> 00:19:45,640
bushes there. And when I gets in the cottage, and

347
00:19:45,759 --> 00:19:48,480
I was there for about two three minutes, you make

348
00:19:48,519 --> 00:19:49,759
a noise like a mountain lion.

349
00:19:50,039 --> 00:19:53,200
Speaker 1: Yeah, well, uh, say tell me something. Uh you show

350
00:19:53,279 --> 00:19:56,319
we're doing the right thing here. Kingfish couldn't backfire nothing,

351
00:19:56,359 --> 00:19:56,640
could it?

352
00:19:56,720 --> 00:19:57,400
Speaker 2: Oh cools not?

353
00:19:57,599 --> 00:20:02,000
Speaker 1: And yeah, well I hope this stringing can don't make

354
00:20:02,039 --> 00:20:03,920
no noise like a female mountain lion.

355
00:20:05,119 --> 00:20:06,200
Speaker 3: Because of a male.

356
00:20:06,039 --> 00:20:08,839
Speaker 1: Mountain lion heard the thing and come around. I sure

357
00:20:08,920 --> 00:20:10,799
hate to see his expression when he found out I

358
00:20:10,920 --> 00:20:11,839
was just a tin can.

359
00:20:16,119 --> 00:20:17,880
Speaker 2: Well, never mind that. And and I'll tell you what

360
00:20:17,960 --> 00:20:20,039
you get on over there in the woods. And I

361
00:20:20,160 --> 00:20:21,839
going in there, talk to mister Jackson.

362
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Speaker 3: Yeah, okay, yeah, I'll be going over there.

363
00:20:23,480 --> 00:20:27,319
Speaker 2: I'll see you. M Jackson got his legs turned on.

364
00:20:27,519 --> 00:20:29,799
He must be in all right. I'd better knock on

365
00:20:29,880 --> 00:20:31,519
the bias here. I don't want to go through that

366
00:20:31,559 --> 00:20:39,960
breezeway again. I shouldn't have too much trouble with this fellow. Yes, yes,

367
00:20:40,039 --> 00:20:42,680
what is it? Don't be alarm miss Jackson. I ain't

368
00:20:42,680 --> 00:20:45,519
no wild beasts from out of the woods, as only

369
00:20:45,559 --> 00:20:48,599
your landlord. Oh you must be, mister Stevens.

370
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Speaker 8: Won't you come in?

371
00:20:50,319 --> 00:20:52,960
Speaker 2: Uh just stopped in to see if you was comfortable

372
00:20:53,079 --> 00:20:55,119
up here in this lonely desolate spot.

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Speaker 8: Well, I was telling your wife, I had quite an

374
00:20:58,960 --> 00:21:01,759
experience last night. I woke up in the middle of

375
00:21:01,799 --> 00:21:03,880
the night and there was this man in my bed.

376
00:21:04,440 --> 00:21:08,880
Speaker 2: You don't mean to tell me, well, uh, you gotta

377
00:21:08,880 --> 00:21:12,000
break anywhere. At least you wasn't sharing the covers with

378
00:21:12,119 --> 00:21:13,559
a coyote or something like that.

379
00:21:15,759 --> 00:21:17,640
Speaker 8: It was a frightening experience.

380
00:21:17,839 --> 00:21:20,480
Speaker 2: Well, just being such a wild part of the woods,

381
00:21:20,480 --> 00:21:23,440
almost anything could happen, you see, Yeah, I tell you

382
00:21:25,960 --> 00:21:29,559
good Heavens. What was that that? Oh, that was just

383
00:21:29,599 --> 00:21:36,200
one of them man eating ferocious mountain lions to scare Hmm.

384
00:21:36,920 --> 00:21:37,720
Sounds like it's.

385
00:21:37,559 --> 00:21:41,920
Speaker 8: Pretty hungry to night doing it doing their mountains lines

386
00:21:42,039 --> 00:21:42,400
up here.

387
00:21:42,680 --> 00:21:44,759
Speaker 2: Yeah. Yeah, the woods is full of them. Uh. I

388
00:21:44,839 --> 00:21:47,119
ran into place last year till a man and woman

389
00:21:47,240 --> 00:21:50,079
with eight kid and he took my advice and he

390
00:21:50,160 --> 00:21:53,960
counted them every morning before breakfast. In the second week

391
00:21:54,039 --> 00:21:57,240
he started coming up shy. Of course, I reduced the

392
00:21:57,319 --> 00:22:02,759
rent as the season more on, you see hmm, sound

393
00:22:02,839 --> 00:22:05,880
like you're ready for blue plate dinner and they're doing it.

394
00:22:06,000 --> 00:22:09,200
Speaker 8: Well, I'm frightening the grand I'm prepared for something like this,

395
00:22:09,519 --> 00:22:12,759
Oh preparing, Yes, After that little episode with that power

396
00:22:12,880 --> 00:22:16,119
last night, I went into town and bought myself a gun.

397
00:22:16,319 --> 00:22:19,319
Speaker 2: Yeah, well, I'm glad you you you sa a gun?

398
00:22:19,519 --> 00:22:23,759
Speaker 8: Yeah, London sturdy caliber with a telescopic sight.

399
00:22:24,319 --> 00:22:26,839
Speaker 2: I'll go and get it. I'll fix that mount Yeah. Well,

400
00:22:26,839 --> 00:22:28,640
while you gone, I'll go out on the porch and

401
00:22:28,680 --> 00:22:33,160
see run scared of mountain lying away mount lying mountain

402
00:22:33,200 --> 00:22:36,680
lyon turn up? Who was looking?

403
00:22:46,920 --> 00:22:47,119
Speaker 1: Man?

404
00:22:47,359 --> 00:22:50,240
Speaker 2: There's a man coming out telling the gun fell a caliber. Remondson,

405
00:22:50,279 --> 00:22:53,279
beat it, mount lying beat it? I got my gun.

406
00:22:53,599 --> 00:22:56,440
Well it's two late, mister Jackson. There he done gone

407
00:22:56,480 --> 00:22:57,160
off in the woods.

408
00:22:57,200 --> 00:22:59,400
Speaker 8: Wait a minute, I see it between the trees.

409
00:22:59,640 --> 00:23:04,119
Speaker 2: Make I can get a shot. Oh you must have

410
00:23:06,319 --> 00:23:07,400
uh something wrong with her?

411
00:23:08,039 --> 00:23:08,200
Speaker 7: Oh?

412
00:23:08,359 --> 00:23:11,480
Speaker 2: I know I'm nervous, but I could have sworn that

413
00:23:11,599 --> 00:23:12,799
mountain line had on.

414
00:23:12,839 --> 00:23:13,480
Speaker 4: A dirt.

415
00:23:15,200 --> 00:23:15,720
Speaker 2: Stephens.

416
00:23:16,039 --> 00:23:18,319
Speaker 8: I don't know what's going on here, but I'm moving out.

417
00:23:18,519 --> 00:23:19,599
I want my money back.

418
00:23:19,960 --> 00:23:22,079
Speaker 2: Well I saw it moster. Well, you can move out

419
00:23:22,079 --> 00:23:23,920
if you want to, but I ain't giving you your

420
00:23:23,960 --> 00:23:27,240
money back. Look are you trying to jyp me here? No?

421
00:23:27,480 --> 00:23:29,240
I can't help. But if you scared move it out

422
00:23:29,279 --> 00:23:32,279
on your own violation. You can't get no money back

423
00:23:32,319 --> 00:23:32,599
from me.

424
00:23:36,640 --> 00:23:40,200
Speaker 8: Uh, what was that, I was just cocking the gun here.

425
00:23:43,480 --> 00:23:45,720
Speaker 6: That was a hundred dollars even, wasn't that much I got,

426
00:23:56,200 --> 00:23:59,079
John Stevens, I ain't gonna spend my vacation up there

427
00:23:59,079 --> 00:23:59,920
in dismal dalla.

428
00:24:00,200 --> 00:24:03,160
Speaker 2: That's that. Yeah, But we got a honey. Mister Jackson

429
00:24:03,240 --> 00:24:05,200
done moved out and after the shooting, and they won't

430
00:24:05,240 --> 00:24:08,319
have no part of the players. He demanded his money back.

431
00:24:08,680 --> 00:24:10,880
Speaker 5: Well, I ain't going to no place that's liable to

432
00:24:10,880 --> 00:24:11,480
be flooded.

433
00:24:11,519 --> 00:24:13,759
Speaker 2: Now, look, south Fire, look here a couple of days

434
00:24:13,799 --> 00:24:15,960
of sunshine and the players will be as dy as

435
00:24:16,000 --> 00:24:18,599
to it. They rainy seasons, sof I guarantee you that

436
00:24:18,640 --> 00:24:19,640
ain't gonna rain no more.

437
00:24:20,839 --> 00:24:24,720
Speaker 5: Well, all right, George, Oh good, I guarantee you.

438
00:24:25,079 --> 00:24:25,279
Speaker 2: Yeah.

439
00:24:25,319 --> 00:24:27,119
Speaker 5: I I hope you're right, cause we ain't got no

440
00:24:27,160 --> 00:24:29,839
money to go no place else. I guess we'll just

441
00:24:29,880 --> 00:24:32,240
have to make the best of that cottage. But let

442
00:24:32,279 --> 00:24:35,279
me warn you, George, you know what daphness will do

443
00:24:35,319 --> 00:24:39,440
to mama's lumbago, and if anything happens to spire this vacation,

444
00:24:39,599 --> 00:24:49,000
I'll never forgive you the rest of my life.

445
00:24:51,119 --> 00:24:53,839
Speaker 2: Well, good morning, south Fire. Do your mama still sleeping

446
00:24:53,880 --> 00:24:56,039
behind the other curtain. That's so I brung your breakfast

447
00:24:56,079 --> 00:24:58,640
into you, had you sleep you first night at good

448
00:24:58,640 --> 00:24:59,599
old Dismaldell.

449
00:25:00,440 --> 00:25:03,960
Speaker 5: George all was just looking out the winder here it's raining.

450
00:25:04,759 --> 00:25:07,440
Speaker 2: Oh no, honey, just a little slight spring drizzle we

451
00:25:07,519 --> 00:25:07,880
call it.

452
00:25:08,880 --> 00:25:10,880
Speaker 5: Now. Look, George Stevens, you don't think there's gonna be

453
00:25:10,960 --> 00:25:11,960
another flood, dude?

454
00:25:12,079 --> 00:25:15,200
Speaker 2: Oh no, honey. Uh you reading the newspaper. The flood

455
00:25:15,240 --> 00:25:17,799
season is over. Or we as a good mile from

456
00:25:17,799 --> 00:25:20,599
the lake, and anyway, the house is on six foot piling.

457
00:25:20,920 --> 00:25:22,839
No water can come in here this time of year.

458
00:25:23,480 --> 00:25:26,279
Speaker 5: Well all right, George, Oh say you.

459
00:25:26,279 --> 00:25:28,680
Speaker 2: Forgot the coffee there. I was waiting for the milker.

460
00:25:28,720 --> 00:25:30,599
I'll go out on the porch and seevers come in here.

461
00:25:32,079 --> 00:25:35,599
Oh yeah, it's uh holy Mackwell South, I look what's

462
00:25:35,599 --> 00:25:54,759
floating in the front door. And what are you doing

463
00:25:54,839 --> 00:25:57,079
to that poor old TV set? Trying to wreck it?

464
00:25:57,400 --> 00:26:02,440
Speaker 1: No, sir, I's unrecond is creating the greatest contribution ever.

465
00:26:02,400 --> 00:26:05,160
Speaker 2: Made to the ancient art of tuning in a TV set. Yeah,

466
00:26:05,160 --> 00:26:06,759
well that's nice. Annie, tell me about it.

467
00:26:07,319 --> 00:26:10,519
Speaker 1: Well, you know the nuisance the way you always had

468
00:26:10,559 --> 00:26:13,799
a tune a TV set, all them twiddly little dials

469
00:26:13,880 --> 00:26:16,880
with the squinty little numbers, all that bending down and

470
00:26:17,000 --> 00:26:17,640
reaching around.

471
00:26:18,079 --> 00:26:21,079
Speaker 7: Yeah, boy, that's gone with my new system.

472
00:26:21,400 --> 00:26:24,359
Speaker 1: The channel numbers is big and easy reading, and they

473
00:26:24,400 --> 00:26:26,480
have spread out clean across the front of the set,

474
00:26:27,160 --> 00:26:31,000
and under the numbers there's just this one handy little knob.

475
00:26:31,599 --> 00:26:34,160
Then when he wants to switch from channel four to

476
00:26:34,319 --> 00:26:35,960
channel two, you just.

477
00:26:36,240 --> 00:26:38,599
Speaker 3: Wished that knob across and there you is.

478
00:26:39,279 --> 00:26:40,119
Speaker 2: Ah, where is that?

479
00:26:40,720 --> 00:26:42,680
Speaker 3: You is locked in tune for good?

480
00:26:42,960 --> 00:26:45,519
Speaker 2: That's where you is well? And it is just one

481
00:26:45,599 --> 00:26:48,640
thing about this invention of yours. He has already been

482
00:26:48,720 --> 00:26:53,119
invented by the CBS Columbia people. They calls it's sweep tuning.

483
00:26:53,359 --> 00:26:55,680
You mean to say that CBS Columbia is done? Beat

484
00:26:55,720 --> 00:26:56,319
me to the draw.

485
00:26:56,920 --> 00:27:00,039
Speaker 1: They already got this quickest, handiest station selected.

486
00:27:00,640 --> 00:27:04,680
Speaker 2: He Shue has. That's the sweep tuning everybody's been talking about.

487
00:27:05,240 --> 00:27:07,839
What's more, you can get sweep tuning in a twenty

488
00:27:07,880 --> 00:27:10,960
one inch CBS TV set for only one hundred and

489
00:27:11,039 --> 00:27:14,039
forty nine dollars and ninety five cents. Hey, why are

490
00:27:14,039 --> 00:27:14,559
you going there?

491
00:27:14,559 --> 00:27:16,480
Speaker 1: And I gotta get them a dealer before he sold

492
00:27:16,480 --> 00:27:16,839
out of them.

493
00:27:16,920 --> 00:27:18,279
Speaker 3: CBS sweep tuning cents.

494
00:27:18,319 --> 00:27:20,799
Speaker 2: Yeah, wait a minute, here, take your whole set along

495
00:27:20,880 --> 00:27:28,839
with you. Get yourself a real nice trade in Well,

496
00:27:28,920 --> 00:27:30,920
folks would like to say good night for our sponsors,

497
00:27:31,000 --> 00:27:35,359
CBS Columbia, manufacturers of America's most advanced radio and television receiver.

498
00:27:35,559 --> 00:27:36,400
Thank you and goodnight.

499
00:27:36,519 --> 00:27:37,440
Speaker 3: See you next Sunday.

500
00:27:50,519 --> 00:27:52,279
Speaker 4: They show to be with us at the same time

501
00:27:52,400 --> 00:27:55,839
next Sunday for the Emerson Andi Show. Transcribed and directed

502
00:27:55,880 --> 00:27:59,039
by Cliff Powell. Tonight's program was brought to you by

503
00:27:59,240 --> 00:28:04,680
CBS Columbia Manufacturers are full fidelity television receivers, and for

504
00:28:04,839 --> 00:28:08,119
a real treat in TV entertainment, tune in Life with Father,

505
00:28:08,279 --> 00:28:12,480
presented every week by CBS Columbia over the CBS Television Network.

506
00:28:12,839 --> 00:28:18,599
See your paper for time and station. Now stay tuned

507
00:28:18,720 --> 00:28:22,079
for Armist Books, which follows immediately over most of these

508
00:28:22,160 --> 00:28:23,279
same radio stations.